WEBVTT - The Zen of Pain

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey what this stuff to blow your Mind?

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<v Speaker 1>My name is Robert lamp and I'm Julie and we

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<v Speaker 1>covered the topic of pain before on this podcast. We

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<v Speaker 1>talked about the future of pain pain management. We've stipped

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<v Speaker 1>their toes from the whole discuption of where does pain

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<v Speaker 1>come from? The factor into our experience of reality. In

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<v Speaker 1>this episode, we really want to get into the question

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<v Speaker 1>why do we seek out pain? I mean, we've all

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<v Speaker 1>seen images, We've all seen footage of various h ritualistic

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<v Speaker 1>pain exercises going on around the globe, and a lot

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<v Speaker 1>of us have probably asked why, why would they do that?

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<v Speaker 1>Why are they doing that? Why is that person sticking

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<v Speaker 1>that sharp thing through their body right now completely of

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<v Speaker 1>their own free will? Why why are they engaging in

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<v Speaker 1>self harm? What are they getting out of it? And uh,

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<v Speaker 1>it's a fascinating question. We start breaking it apart when

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<v Speaker 1>you start, when you start looking at the studies that

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<v Speaker 1>have examined the benefits of pain, that the weird crossover

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<v Speaker 1>between pleasure and pain. Um, and so that is what

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<v Speaker 1>we're attempting to tackle in this episode. Yeah, and I

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<v Speaker 1>wanted to mention real quick, we are just exploring this topic.

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<v Speaker 1>We are of course, not advocating that anyone undergo feats

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<v Speaker 1>of of pain so that they can achieve some sort

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<v Speaker 1>of transcendence. This is just kind of looking at pain

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<v Speaker 1>and pleasure and the social aspects of why people would

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<v Speaker 1>engage in pain, what sort of benefits, why would they

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<v Speaker 1>do it. It's an exploration of these different questions. Um.

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<v Speaker 1>And the best way to get at it is to

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<v Speaker 1>really look at some of the more historical rituals of pain.

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<v Speaker 1>I say, for me, one of the earliest examples that

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<v Speaker 1>became aware of was Christian flagellation. Uh. And this is

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<v Speaker 1>probably from like seeing the movie The Name of the

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<v Speaker 1>Rose at a real early age, and there's a scene

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<v Speaker 1>in there where the monk is punishing himself by by

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<v Speaker 1>striking his back flashes and uh, you know, and and

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<v Speaker 1>at the time I was too going to really understand

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<v Speaker 1>all that was going on in that scenario, but it

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<v Speaker 1>had an impact on me. Here's somebody that is has

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<v Speaker 1>devoted their life to God and they are inflicting pain

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<v Speaker 1>upon themselves. Well. And of course to tie that even more,

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<v Speaker 1>I grew up in in the Christian church, and so

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<v Speaker 1>I always was confronted to the point of almost not

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<v Speaker 1>seeing it, this image of someone suffering on the cross.

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<v Speaker 1>But but more on that later. Yeah, and my first,

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<v Speaker 1>I guess you would say introduction to mortification of the

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<v Speaker 1>flesh for spiritual reasons was the hair shirt, which is,

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<v Speaker 1>you know, a sort of a signature of some early

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<v Speaker 1>Christian sex who are doing penance for what they perceived

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<v Speaker 1>as a sin. And the idea is that you have

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<v Speaker 1>this shirt that looks maybe great on the outside, but

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<v Speaker 1>on the inside it'sligned with course goat's hair, and it's

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<v Speaker 1>meant to be this fleshly reminder of your transgression. And

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<v Speaker 1>some people even would weave um twigs or thin wires,

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<v Speaker 1>and so this idea that this constant irritation is a

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<v Speaker 1>reminder that you you are not only expressing your faith

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<v Speaker 1>in the transgression that that occurred, but also you're trying

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<v Speaker 1>to train your soul into the right direction with this

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<v Speaker 1>fleshly reminder. There's a great a parody of of this

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<v Speaker 1>kind of a thing. And of course the money Python

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<v Speaker 1>and the Holy Grail, where you see the monks uh

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<v Speaker 1>in a line filing through the village and then they're

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<v Speaker 1>they're chanting something in Latin and then smacking themselves in

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<v Speaker 1>the face with a board. Uh. And but they're they're

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<v Speaker 1>playing on the tradition of the flagelens who uh. In

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<v Speaker 1>the fourteenth century, you know, amid this atmosphere of fear

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<v Speaker 1>and uncertainty, I mean, you had war raging, you had

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<v Speaker 1>black death creeping from door to door, and all the

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<v Speaker 1>while supposedly God's watching on high rather unmoved by all

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<v Speaker 1>of this. So you end up speaking the language of pain.

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<v Speaker 1>I mean, that's that's what this is all about. It's

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<v Speaker 1>it's about seeking penance for the sin of the world

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<v Speaker 1>two con penance through through physical punishment of the self.

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<v Speaker 1>And so they're walking around, they're punishing themselves and trying

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<v Speaker 1>to sort of take the sins of the world upon them, saying, look,

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<v Speaker 1>if essentially laying out the argument, alright, God, if I

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<v Speaker 1>beat myself enough times, well you may be just lighten

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<v Speaker 1>the load on all of us. Yeah. And there's a

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<v Speaker 1>kind of obedience factor at play there as well as

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<v Speaker 1>this sort of like self rigor. Yeah. And of course

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<v Speaker 1>all of this is taking place within a faith that

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<v Speaker 1>has at its center a man suffering and dying on

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<v Speaker 1>an instrument of torture. So the story of pain, the

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<v Speaker 1>story of suffering, permeates the entire world view. Now you

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<v Speaker 1>can also look at Islam for another example of mortification

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<v Speaker 1>of the flesh. Yes, the Islamic day of Ashura, this

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<v Speaker 1>is a time when some Shia Muslims practice self flagellation

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<v Speaker 1>on the day to commemorate the suffering of a mom Hussaying,

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<v Speaker 1>the grandson of the prophet Moham, the suffering and death

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<v Speaker 1>of the of your mom Hussein um and and so

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<v Speaker 1>you know, this is another example of of of them engaging,

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<v Speaker 1>re enacting, feeling the pain of of of an existing

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<v Speaker 1>story within their faith. Yeah. But I think it's interesting

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<v Speaker 1>about that is that that this metaphorical thing at the

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<v Speaker 1>same time they are bringing the physical body into it.

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<v Speaker 1>But transcendence is certainly at play here, and devotion is

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<v Speaker 1>at play. And then you have various firewalking rituals around

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<v Speaker 1>the world. Indeed, Uh, there are a number of examples

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<v Speaker 1>that we mentioned in our episode on firewalking. So if

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<v Speaker 1>you want a deeper dive into the science of firewalking,

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<v Speaker 1>the trick trickery of firewalking, Uh, that's definitely a podcast

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<v Speaker 1>you should listen to. But again, this. This takes place

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<v Speaker 1>around the world everywhere, from from corporate retreats to the

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<v Speaker 1>Christian firework work walking tradition in northern Greece, the festival

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<v Speaker 1>of Anistonaria. This is when, uh, it's all about the

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<v Speaker 1>eyea that sat Constantine protects them from being burned because

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<v Speaker 1>they they have this faith in them and devotion to him. Um.

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<v Speaker 1>But it's it's essentially walking across hot coals. Yeah, and

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<v Speaker 1>if you can do it without you know, crying out

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<v Speaker 1>or without pain, then surely you must be the most devoted.

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<v Speaker 1>But when in fact we know that we have really

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<v Speaker 1>thick soles on our feet and handsually it's from from

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<v Speaker 1>heat pretty well. But you know, it's again, it gets

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<v Speaker 1>complicated in all of these rituals because there's obviously they're

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<v Speaker 1>gonna be varying degrees of actual pain, but an actual

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<v Speaker 1>physical pain. But layered upon all of that is the

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<v Speaker 1>storytelling and the experience and and some of the scientific

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<v Speaker 1>principles that were going to discuss later on. Now. The

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<v Speaker 1>next is this next example is from a vegetarian festival

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<v Speaker 1>in Thailand, which sounds just doesn't it sound lovely? Like

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<v Speaker 1>I bet that there there's all sorts of like wonderful

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<v Speaker 1>archies and old cheeses you can get and um, but

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<v Speaker 1>the Tie are known for their arties cheese. Yeah, lots

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<v Speaker 1>of tie to eye right now. But no, it does

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<v Speaker 1>sound great because you're thinking of vegetarian tie. I love

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<v Speaker 1>Vegetarian Tide and the kids. It's a little more complicated

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<v Speaker 1>than that, however. Um. The Food Cat Vegetarian Festival is

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<v Speaker 1>is certainly colorful. It's held over a nine day period

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<v Speaker 1>in October, and it celebrates the Chinese community's belief that

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<v Speaker 1>absinence from meat and various stimulants during the ninth lunar

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<v Speaker 1>month of the Chinese calendar will help them obtain good

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<v Speaker 1>health and peace of mind. And amid this, you see firewalking,

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<v Speaker 1>you see body piercing and other acts of self mortification

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<v Speaker 1>that are all about the participants acting as ultimately as

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<v Speaker 1>as mediums for the gods. Yeah, they removed parts to

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<v Speaker 1>their skin, performed blood letting, and pale their cheeks and

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<v Speaker 1>limbs with anything from knives and skewers to antlers and umbrellas.

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<v Speaker 1>Didn't she say that even saw a lamp. Yes, I

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<v Speaker 1>think I saw a lamp in one image, but that

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<v Speaker 1>it's interesting that this is a festival where you see

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<v Speaker 1>the bodily mortification and as well as simply altering your diet,

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<v Speaker 1>again showing that there's a there's a broad spectrum UH

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<v Speaker 1>that entails self punishment and self denial, that they're all

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<v Speaker 1>ultimately kind of shades of the same thing, and again

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<v Speaker 1>wrapped within ritual, wrapped within worldview and belief. And I

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<v Speaker 1>know you want to get hit that big theme, but

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<v Speaker 1>I have to go back to something pretty pedestrian. The

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<v Speaker 1>crowd gets in by throwing firecrackers at the people who

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<v Speaker 1>are doing these actors of mortification of the flesh. I'm

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<v Speaker 1>just saying to add a little little extra, well, a

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<v Speaker 1>little vegas. Yeah, and it's it is important. This will

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<v Speaker 1>come up as we get into some of the studies.

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<v Speaker 1>But not only are the people suffering and we're at

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<v Speaker 1>least engaging in physical pain in these UH rituals important,

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<v Speaker 1>but the people beholding it are important. And we'll talk

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<v Speaker 1>about the the social construct behind this because it's pretty fascinating.

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<v Speaker 1>Another festival that you might want to attend is the

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<v Speaker 1>Hindu tithe for some festival. Yes, this is a festival

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<v Speaker 1>celebrity mostly by the Hamil community. On the full moon

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<v Speaker 1>of the Tamil month of Thai that's January February, and

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<v Speaker 1>the festival commemorates the occasion when when Povarty gave murro

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<v Speaker 1>Gun a special spear to defeat the demon Sporadamon so on.

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<v Speaker 1>On this day of the festival, devotes will shave their

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<v Speaker 1>heads and they'll undertake a pilgrimage on a set road

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<v Speaker 1>while engaging in various acts devotion. Notably, they're carrying out

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<v Speaker 1>different types of burdens or cavati UH and UH. In

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<v Speaker 1>its simplest form, this can entail simply carrying a pot

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<v Speaker 1>of milk, but it also can involve mortification of the flesh,

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<v Speaker 1>piercing of the skin, tongue, or cheeks with skewers is

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<v Speaker 1>one of the examples that you you will generally see in

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<v Speaker 1>UH in any photos of this event, certainly the photos

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<v Speaker 1>that tend to you know, make the way around the internet,

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<v Speaker 1>and again people end up looking at these and they're saying,

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<v Speaker 1>who are these people? Why are they doing this thing

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<v Speaker 1>that they do? Uh? And as we're unrolling, we see

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<v Speaker 1>examples of this in there in all sorts of worldviews,

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<v Speaker 1>all sorts of religious rituals around the world. Yeah, and

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<v Speaker 1>less do you judge too quickly. Again, hang on, because

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<v Speaker 1>we're going to talk about some other modern day things

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<v Speaker 1>that we do that are on par with this um.

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<v Speaker 1>But one of the things that's brought up in this

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<v Speaker 1>festival is that sometimes pierced worshippers are sometimes attached to

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<v Speaker 1>ropes um with the hooks that are in their bodies,

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<v Speaker 1>and then they're pulled by other devotes and they are

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<v Speaker 1>suspended in the air from their flesh suspension. Yes, which

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<v Speaker 1>figures pretty prominently in the oky Paw hook suspension ceremony.

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<v Speaker 1>This is a Native American um ritual. Yeah, And this

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<v Speaker 1>is generally takes place in a big and closed tent.

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<v Speaker 1>An individual would have been u would have multiple hooks

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<v Speaker 1>put into their skin because you can't just have one

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<v Speaker 1>because it justs It's kind of the bed of nail scenario, right.

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<v Speaker 1>A bet of one nail means you're gonna have a

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<v Speaker 1>nail sticking in your back. A bet of multiple nails

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<v Speaker 1>means that your your weight is distributed evenly. It's an

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<v Speaker 1>engineering solution basically. Of course, that's not not to say

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<v Speaker 1>that there's there's a lack of pain in the hook

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<v Speaker 1>suspension ceremony. You have physical pain you have this lifting

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<v Speaker 1>off the ground. There's almost ascension motif taking place. And

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<v Speaker 1>then in the individual UH is in the throes of

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<v Speaker 1>this sensation. UM. A number of people out there are

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<v Speaker 1>probably familiar with this or probably having some sort of

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<v Speaker 1>you know, flag go off in their head because Richard

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<v Speaker 1>Harris UH engaged in this in the film UM A

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<v Speaker 1>Man called Horse, which is an old Western and UH

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<v Speaker 1>And I remember catching part of it or seeing an

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<v Speaker 1>ad for it on TBS when I was a kid,

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<v Speaker 1>and I remember looking at and thinking, Oh, that's horrible.

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<v Speaker 1>What the what what these people ended up doing to

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<v Speaker 1>this Richard Harris character in this film, I don't want

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<v Speaker 1>to see that at the time, not realizing, not not

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<v Speaker 1>knowing that this was actually, you know, voluntary ritual. That again,

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<v Speaker 1>pain and pleasure are for more complex than we give

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<v Speaker 1>them give them credit. Yeah, the mannd In tribe is

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<v Speaker 1>one of the tribes known UM to practice this, and

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<v Speaker 1>they would suspend young warrior an annual rite of passage

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<v Speaker 1>ceremony that was celebrating the creation of the earth. Now,

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<v Speaker 1>another example that comes to mind, H and this is

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<v Speaker 1>the one that relates back to Christianity. UH. In the Philippines,

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<v Speaker 1>you see get Catholics in the Philippines every year engaging

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<v Speaker 1>in re enactments of the Passion of the Christ. So

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<v Speaker 1>we're talking actual self crucifixion. Well, I say self crucifixion.

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<v Speaker 1>But to engage in cruisiveiicition, you generally need a little help.

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<v Speaker 1>It's kind of a hard thing to do one handed.

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<v Speaker 1>But and in this we're seeing them actually physically with pain,

0:12:32.960 --> 0:12:38.720
<v Speaker 1>reenact the pivotal scene of torture and death at the

0:12:38.760 --> 0:12:41.960
<v Speaker 1>center of the Christian faith. And you know, we're not

0:12:42.000 --> 0:12:46.000
<v Speaker 1>talking hundreds of people. Sometimes I've seen accounts where you're

0:12:46.000 --> 0:12:49.960
<v Speaker 1>generally looking at maybe a dozen two dozen Um Filipino

0:12:49.960 --> 0:12:53.480
<v Speaker 1>is engaging in this is a particular practice. But but

0:12:53.559 --> 0:12:56.840
<v Speaker 1>then people were watching, and by watching, you're also taking

0:12:56.880 --> 0:13:00.400
<v Speaker 1>part in the ritual. Well, and this isn't you far

0:13:00.440 --> 0:13:04.520
<v Speaker 1>away from from some of the feats of physical strength

0:13:05.280 --> 0:13:10.559
<v Speaker 1>or endurance that someone in the gym Rose circus might undergo. Indeed,

0:13:10.880 --> 0:13:14.119
<v Speaker 1>you see people lining up to see physical spectacle, spectacles

0:13:14.120 --> 0:13:16.480
<v Speaker 1>of that that seemed to have suffering involved in them

0:13:16.520 --> 0:13:19.840
<v Speaker 1>all the time. And just within the the whole world

0:13:19.880 --> 0:13:22.440
<v Speaker 1>of the Passion of the Christ, you see plenty of

0:13:22.480 --> 0:13:26.960
<v Speaker 1>reenactments of that UH, throughout the Christian world that don't

0:13:27.120 --> 0:13:31.360
<v Speaker 1>entail actual physical suffering, but they are a reenactment all

0:13:31.360 --> 0:13:33.000
<v Speaker 1>of this event. And really, I mean when you when

0:13:33.040 --> 0:13:35.280
<v Speaker 1>you get down to it, just a reenactment of it

0:13:35.360 --> 0:13:37.560
<v Speaker 1>without the pain and just a physical image of it

0:13:38.320 --> 0:13:42.480
<v Speaker 1>is on some level pretty intense, kind of disturbing. I mean, again,

0:13:42.520 --> 0:13:44.120
<v Speaker 1>you see it enough times you tend to not see

0:13:44.160 --> 0:13:47.880
<v Speaker 1>it anymore, but there it is. Indeed, now, if you

0:13:47.960 --> 0:13:50.200
<v Speaker 1>end up listening to this podcast on the website, I'll

0:13:50.200 --> 0:13:52.040
<v Speaker 1>make sure that I have a gallery that goes up

0:13:52.080 --> 0:13:54.400
<v Speaker 1>that includes some images from some of these festivals and

0:13:54.440 --> 0:13:57.480
<v Speaker 1>a few that we didn't mention, because again, there are

0:13:57.559 --> 0:14:00.920
<v Speaker 1>various rituals, various rights that place around the world that

0:14:01.040 --> 0:14:04.120
<v Speaker 1>involve physical pain. But that does not mean that the

0:14:04.160 --> 0:14:08.160
<v Speaker 1>religious world UH has a monopoly on this sort of thing.

0:14:08.240 --> 0:14:12.480
<v Speaker 1>You see an entire secular tradition of self inflicted or

0:14:12.520 --> 0:14:16.559
<v Speaker 1>at least voluntary UM receiving of pain in the b

0:14:16.679 --> 0:14:20.200
<v Speaker 1>D s M community, or giving pain which also yes, yes,

0:14:20.240 --> 0:14:23.760
<v Speaker 1>the giving and the receiving very much. But it's important

0:14:23.800 --> 0:14:25.880
<v Speaker 1>to note that we're within the b d S b

0:14:26.000 --> 0:14:30.520
<v Speaker 1>D s N theme we're talking about, UH, a consensual arrangement.

0:14:31.040 --> 0:14:33.080
<v Speaker 1>And within b D s M also you see an

0:14:33.240 --> 0:14:36.600
<v Speaker 1>entire spectrum. You see you see just you know, individuals

0:14:36.920 --> 0:14:41.080
<v Speaker 1>lightly spanking one another. You also see individuals engaging in suspension,

0:14:41.720 --> 0:14:46.440
<v Speaker 1>body modification, etcetera. And then also sometimes suspension is winds

0:14:46.480 --> 0:14:48.680
<v Speaker 1>up as part of art, part of performance art. In

0:14:48.680 --> 0:14:52.720
<v Speaker 1>our performance art episode we mentioned the performer Steel Arc,

0:14:53.320 --> 0:14:57.400
<v Speaker 1>and of course he's engaged in various UM thought provoking

0:14:57.400 --> 0:15:02.160
<v Speaker 1>but at times disturbing UM per performances that involve bodily

0:15:02.200 --> 0:15:04.920
<v Speaker 1>modification on some level or another. And he's engaged in

0:15:05.120 --> 0:15:10.000
<v Speaker 1>uh uh in suspension rituals if you will, several times

0:15:10.000 --> 0:15:13.800
<v Speaker 1>in the past. Within b D s M. It's not

0:15:13.880 --> 0:15:16.600
<v Speaker 1>always about sex. As we'll talk about later, there's there's

0:15:16.800 --> 0:15:21.080
<v Speaker 1>um sort of a transcendent component to this. Now to

0:15:21.280 --> 0:15:24.320
<v Speaker 1>talk about probably the most consensual relationship you could have.

0:15:24.680 --> 0:15:29.120
<v Speaker 1>UM one would be your morning workout in yourself right,

0:15:30.160 --> 0:15:33.520
<v Speaker 1>presumably that's consensual, because what's the big thing, right? Feel

0:15:33.640 --> 0:15:36.680
<v Speaker 1>the burn? Right? Yeah, I mean it's we we have

0:15:36.840 --> 0:15:39.120
<v Speaker 1>we whether we're you're going out in the morning and

0:15:39.160 --> 0:15:41.640
<v Speaker 1>doing your morning run, if you're fitting in you know,

0:15:41.680 --> 0:15:44.760
<v Speaker 1>time at the yoga studio, if you're you know, furiously

0:15:44.840 --> 0:15:48.280
<v Speaker 1>doing push ups or pull ups in the afternoon. There's

0:15:48.360 --> 0:15:51.320
<v Speaker 1>always this You're pushing yourself, and you're often pushing yourself

0:15:51.320 --> 0:15:54.440
<v Speaker 1>into an area that is on some level uncomfortable, but

0:15:54.520 --> 0:15:59.160
<v Speaker 1>then also rewarding also at the time, even kind of

0:15:59.560 --> 0:16:03.520
<v Speaker 1>physical rewarding, as opposed to just after the fact. Uh So,

0:16:04.320 --> 0:16:09.240
<v Speaker 1>if nothing else, think to your own exercise routine when

0:16:09.240 --> 0:16:11.920
<v Speaker 1>we're discussing all of this, because because you see shadows

0:16:11.920 --> 0:16:13.880
<v Speaker 1>of a lot of it just in that. Yeah, I mean,

0:16:13.880 --> 0:16:17.680
<v Speaker 1>pushing the envelope of of your abilities does put you

0:16:17.760 --> 0:16:19.800
<v Speaker 1>sometimes into that pain area. But there's a certain kind

0:16:19.800 --> 0:16:22.360
<v Speaker 1>of pleasure in that. Alright, we're gonna take a quick break,

0:16:22.400 --> 0:16:24.120
<v Speaker 1>and when we get back, we are going to talk

0:16:24.120 --> 0:16:33.240
<v Speaker 1>about the crossover with pain and pleasure. All Right, we're back.

0:16:33.560 --> 0:16:36.760
<v Speaker 1>We're discussing pain does in a pain. We've already laid

0:16:36.760 --> 0:16:39.640
<v Speaker 1>out a number of examples. Uh some of which are

0:16:39.720 --> 0:16:42.240
<v Speaker 1>are probably exotic to you, and then some of which

0:16:42.280 --> 0:16:46.320
<v Speaker 1>are right down home and in your living room. And

0:16:46.360 --> 0:16:49.520
<v Speaker 1>in all this, I also keep thinking of, what's that

0:16:49.600 --> 0:16:52.680
<v Speaker 1>awful song that had that line hurts so good, Make

0:16:52.720 --> 0:16:57.080
<v Speaker 1>it hurt so good, John Sugar, that's so good? Come

0:16:58.680 --> 0:17:01.680
<v Speaker 1>that's so good. That was the share version, the share

0:17:01.760 --> 0:17:04.240
<v Speaker 1>versions of one I'm thinking of. But that's that lyric

0:17:04.280 --> 0:17:06.959
<v Speaker 1>is great because at first it seems the paradoxical, Right,

0:17:07.080 --> 0:17:09.360
<v Speaker 1>hurt so good? How can it hurt so good? Hurt

0:17:09.440 --> 0:17:11.359
<v Speaker 1>is bad. It's kind of like that line in Roadhouse

0:17:11.840 --> 0:17:14.520
<v Speaker 1>where Patrick Swayzy says, pain don't hurt? How could pain

0:17:14.560 --> 0:17:17.560
<v Speaker 1>not hurt? Paint hurt? Pain is hurt. Pain. This is

0:17:17.600 --> 0:17:20.280
<v Speaker 1>what it's doing. What are you talking about, Soyzy? But

0:17:20.720 --> 0:17:25.200
<v Speaker 1>wow a Roadhouse reference? Yeah, Roadhouse is a isn't its

0:17:25.200 --> 0:17:29.000
<v Speaker 1>way a great film? I've seen it multiple times? Yeah?

0:17:29.040 --> 0:17:34.200
<v Speaker 1>I mean because they're not only bouncers, they're bouncer philosophers. Well,

0:17:34.280 --> 0:17:38.280
<v Speaker 1>and that's kind of a good example of how your

0:17:38.320 --> 0:17:41.720
<v Speaker 1>a magdala is also doing double duty. Right, it's a

0:17:41.760 --> 0:17:46.520
<v Speaker 1>bouncer of your emotions and a philosophizer of your emotions.

0:17:46.560 --> 0:17:48.879
<v Speaker 1>Because the thing that we know is that the amgdala

0:17:49.040 --> 0:17:54.320
<v Speaker 1>processes both pain physically and emotionally, and also processes other

0:17:54.480 --> 0:17:58.440
<v Speaker 1>emotions like pleasure and fear and joy. So it would

0:17:58.440 --> 0:18:01.119
<v Speaker 1>make sense that the perception of whether it's from like

0:18:01.200 --> 0:18:03.679
<v Speaker 1>social rejection or whether it's from an injury to your

0:18:03.680 --> 0:18:06.879
<v Speaker 1>flesh would be bound up in one another. Not to

0:18:06.960 --> 0:18:10.680
<v Speaker 1>mention the other things that we feel in life. Indeed,

0:18:11.520 --> 0:18:13.840
<v Speaker 1>back in two thousand two is an example this. Harvard

0:18:13.880 --> 0:18:17.119
<v Speaker 1>researchers UH conducted an experiment with a heated the hands

0:18:17.119 --> 0:18:19.800
<v Speaker 1>of eight volunteers to the point of pain while they

0:18:19.880 --> 0:18:23.320
<v Speaker 1>underwent brain scans, and the scan showed activity not only

0:18:23.359 --> 0:18:25.800
<v Speaker 1>in brain regions typically associated with pain, but also in

0:18:25.800 --> 0:18:29.080
<v Speaker 1>those devoted to enjoying pleasurable things like food, drugs, and sects.

0:18:30.000 --> 0:18:32.080
<v Speaker 1>So there we see that crossover, and this leads us

0:18:32.440 --> 0:18:35.720
<v Speaker 1>next to a substance we're always talking about when it

0:18:35.760 --> 0:18:39.800
<v Speaker 1>comes to human behavior and human desires and our reward system,

0:18:39.920 --> 0:18:42.639
<v Speaker 1>and that is of course dopamine. Yeah, Because what we

0:18:42.720 --> 0:18:44.720
<v Speaker 1>have is we've got this thing called the nucleus that

0:18:44.800 --> 0:18:46.919
<v Speaker 1>commins and it's a neural network in the middle of

0:18:46.920 --> 0:18:50.760
<v Speaker 1>the brain. It's the engine of the reward response, which

0:18:51.000 --> 0:18:55.320
<v Speaker 1>deals a lot in dopamine. And in a study led

0:18:55.359 --> 0:18:58.280
<v Speaker 1>by John Levine at the University of San Francisco, it

0:18:58.359 --> 0:19:02.600
<v Speaker 1>was determined that the reward way activates pain relief through

0:19:02.640 --> 0:19:06.560
<v Speaker 1>the release of both opioids, which is a morphine like

0:19:06.720 --> 0:19:09.000
<v Speaker 1>drug produced by the body and dopamine, which is that

0:19:09.119 --> 0:19:13.639
<v Speaker 1>chemical messenger whose effects can be mimicked by amphetamine and cocaine.

0:19:13.640 --> 0:19:18.080
<v Speaker 1>That's why that's so hard to beat addiction. So the

0:19:18.160 --> 0:19:21.520
<v Speaker 1>findings overturned this long held assumption that the release of

0:19:21.520 --> 0:19:26.440
<v Speaker 1>dopamine and the nucleus cucumbens is associated only with positive experiences.

0:19:26.520 --> 0:19:30.040
<v Speaker 1>Here we see examples of it being released in a

0:19:30.080 --> 0:19:32.440
<v Speaker 1>pain context. Now, can bear in mind that we're talking

0:19:32.440 --> 0:19:34.280
<v Speaker 1>about rituals in a lot of these cases as well,

0:19:34.480 --> 0:19:37.480
<v Speaker 1>and rituals in and of themselves can be arousing, and

0:19:37.480 --> 0:19:40.439
<v Speaker 1>his rituals become more arousing, they can trigger hormones and

0:19:40.440 --> 0:19:43.800
<v Speaker 1>stimulate the reward system of the brain. Uh. This, according

0:19:43.840 --> 0:19:47.920
<v Speaker 1>to anthropologist dmitri Zygolattis, can cause sensations such as pain

0:19:47.960 --> 0:19:50.720
<v Speaker 1>and fear to transform into pleasural experiences through a spike

0:19:50.760 --> 0:19:55.480
<v Speaker 1>in the neurotransmitter dopamine, in an increase in neuropeptides called endorphins,

0:19:55.480 --> 0:19:58.480
<v Speaker 1>which bind the brains opiate receptors and produce the same

0:19:58.520 --> 0:20:02.600
<v Speaker 1>soothing euphoria felt by a marathon runner. Again, we come

0:20:02.600 --> 0:20:06.400
<v Speaker 1>back to exercise, we come around to the runners high. Yeah,

0:20:06.400 --> 0:20:08.440
<v Speaker 1>that's a good way to contextualize this, Like why would

0:20:08.480 --> 0:20:12.640
<v Speaker 1>dopamine be released when I'm experiencing pain right, well, because

0:20:12.880 --> 0:20:15.800
<v Speaker 1>it because these sort of things are crossed over in

0:20:16.520 --> 0:20:20.239
<v Speaker 1>one another in the brain, and because this is very

0:20:20.320 --> 0:20:23.399
<v Speaker 1>much learned behavior, it doesn't matter what the thing is

0:20:23.440 --> 0:20:25.639
<v Speaker 1>that makes the dopamine happen. You're going to go to

0:20:25.680 --> 0:20:28.760
<v Speaker 1>the thing. If it becomes routinized enough. It could be food,

0:20:28.880 --> 0:20:32.359
<v Speaker 1>it could be pain, and that is why it could

0:20:32.400 --> 0:20:36.680
<v Speaker 1>hurt so good. But another way that it could hurt

0:20:36.720 --> 0:20:39.120
<v Speaker 1>so good is if it doesn't hurt as much as

0:20:39.160 --> 0:20:42.480
<v Speaker 1>you expected it to hurt. This is pretty interesting, according

0:20:42.480 --> 0:20:45.200
<v Speaker 1>to a two thousand thirteen study from the University of Oslo,

0:20:45.720 --> 0:20:49.960
<v Speaker 1>of pain that hits less severely than expected, as in,

0:20:50.359 --> 0:20:52.160
<v Speaker 1>you didn't spank me nearly as hard as I thought

0:20:52.160 --> 0:20:55.080
<v Speaker 1>you would. That can give us a rush of release

0:20:55.280 --> 0:20:59.520
<v Speaker 1>or even something like pleasure, which is kind of interesting.

0:20:59.600 --> 0:21:01.639
<v Speaker 1>And I was thinking about it in the context of

0:21:01.680 --> 0:21:05.640
<v Speaker 1>Adel and that's thanks to knowl, our producer, because he

0:21:05.760 --> 0:21:10.119
<v Speaker 1>had brought up that her song Somebody Like You is

0:21:10.119 --> 0:21:12.120
<v Speaker 1>a real not in addition to it being a real

0:21:12.280 --> 0:21:16.119
<v Speaker 1>tear jerker for people, that it has this thing that

0:21:16.200 --> 0:21:19.360
<v Speaker 1>it's doing and it's creating a sort of I don't

0:21:19.400 --> 0:21:21.600
<v Speaker 1>know if I would call it pain, but maybe metaphorical

0:21:21.600 --> 0:21:24.240
<v Speaker 1>pain in the brain. In other words, it has this

0:21:24.440 --> 0:21:28.840
<v Speaker 1>highly dismant chord directly on that you lyric, So somebody

0:21:28.880 --> 0:21:31.960
<v Speaker 1>like you and she messes with that with that you lyric.

0:21:32.400 --> 0:21:34.800
<v Speaker 1>And the reason why this is problematic for the brain

0:21:34.960 --> 0:21:36.879
<v Speaker 1>is because the brain likes a nice pattern and up

0:21:36.960 --> 0:21:39.199
<v Speaker 1>until then, there's been this pattern that it can follow

0:21:39.240 --> 0:21:43.520
<v Speaker 1>along with. But just that one little change and that

0:21:43.600 --> 0:21:48.200
<v Speaker 1>you lyric creates this f zone. This this this friction

0:21:48.280 --> 0:21:53.359
<v Speaker 1>in the brain, and that's when you see the um

0:21:53.520 --> 0:21:57.320
<v Speaker 1>the moment before dopamine is released in the brain because

0:21:57.359 --> 0:22:00.320
<v Speaker 1>as soon as that friction gets resolved within then the

0:22:00.359 --> 0:22:04.080
<v Speaker 1>next chord, which then follows back into a pattern, the

0:22:04.119 --> 0:22:06.960
<v Speaker 1>brain is almost like, oh, that didn't feel as bad

0:22:07.000 --> 0:22:09.879
<v Speaker 1>as I thought it was going to I was. And

0:22:09.880 --> 0:22:12.480
<v Speaker 1>this is just in music and on the symbolic level.

0:22:12.960 --> 0:22:14.840
<v Speaker 1>So that's why I bring it up, because when we're

0:22:14.840 --> 0:22:20.840
<v Speaker 1>talking about perceptions of discomfort in pain, we're meeting them

0:22:20.840 --> 0:22:25.359
<v Speaker 1>in different scenarios in our life, even in songs. I

0:22:25.400 --> 0:22:27.560
<v Speaker 1>think this is a great point bringing up the pattern

0:22:27.640 --> 0:22:31.840
<v Speaker 1>recognition because, uh, from what I've I've read a lot

0:22:31.840 --> 0:22:34.280
<v Speaker 1>of these B D s M situations and we're you know,

0:22:34.320 --> 0:22:36.720
<v Speaker 1>we're talking about the lower end of the spectrum, not

0:22:36.800 --> 0:22:39.000
<v Speaker 1>hanging from hooks. But you know, it's not a situation

0:22:39.040 --> 0:22:41.159
<v Speaker 1>where someone says, all right, spank me eight times, and

0:22:41.160 --> 0:22:43.400
<v Speaker 1>then someone spanks them eight times as hard as they can.

0:22:43.840 --> 0:22:48.480
<v Speaker 1>They're gonna be varying levels of pain, varying level of sensation,

0:22:49.200 --> 0:22:51.680
<v Speaker 1>you know, sometimes pleasurable and painful. They're going on there,

0:22:51.960 --> 0:22:56.520
<v Speaker 1>and the brain inevitably of the person receiving these sensations,

0:22:56.840 --> 0:23:00.240
<v Speaker 1>they're gonna inevitably try to identify the patterns and find

0:23:00.280 --> 0:23:04.000
<v Speaker 1>the patterns in this, uh, this this chorus of pain

0:23:04.040 --> 0:23:07.400
<v Speaker 1>and pleasure that they are receiving, which kind of gets

0:23:07.440 --> 0:23:10.840
<v Speaker 1>us into this next section and which we talk about

0:23:10.840 --> 0:23:13.840
<v Speaker 1>the community of pain because you know, obviously a person

0:23:13.880 --> 0:23:17.160
<v Speaker 1>can do this, can engage in acts of pain unto themselves.

0:23:17.160 --> 0:23:20.280
<v Speaker 1>But we see so many different scenarios, not just in

0:23:20.359 --> 0:23:24.800
<v Speaker 1>historical context, in which people will engage in this kind

0:23:24.880 --> 0:23:29.040
<v Speaker 1>of ritual as a sort of bonding experience. And this

0:23:29.359 --> 0:23:32.600
<v Speaker 1>we have to refer to an excellent article by anthropologist

0:23:32.640 --> 0:23:35.600
<v Speaker 1>Dmitries like a Lattis we mentioned earlier, is an article

0:23:35.720 --> 0:23:38.639
<v Speaker 1>Trial by Fire from Firewalking to the Ice Bucket Challenge,

0:23:38.680 --> 0:23:41.439
<v Speaker 1>Ritual pain and suffering forge intense social bonds, and this

0:23:41.560 --> 0:23:46.400
<v Speaker 1>was published online in the excellent Eon magazine. UM. According

0:23:46.440 --> 0:23:51.720
<v Speaker 1>to Zagats, cognitive dissonance theory holds that when we uh,

0:23:51.840 --> 0:23:54.639
<v Speaker 1>when the cost or the effort spent in pursuing a

0:23:54.720 --> 0:23:59.479
<v Speaker 1>goal is disproportionately higher than its reward. Uh, this this

0:23:59.400 --> 0:24:02.879
<v Speaker 1>this dissonance that we feel this uh, this this gap

0:24:03.280 --> 0:24:06.000
<v Speaker 1>between the cost and the and the and the product.

0:24:06.800 --> 0:24:09.080
<v Speaker 1>Out of that, we end up with this like an

0:24:09.119 --> 0:24:11.800
<v Speaker 1>area of mental stress. Right. We No one wants to

0:24:11.800 --> 0:24:14.080
<v Speaker 1>to pay more for a product than it's worth. No

0:24:14.160 --> 0:24:17.040
<v Speaker 1>one wants to suffer for something that's ultimately not worth suffering.

0:24:17.280 --> 0:24:20.120
<v Speaker 1>So what do you do? Your mind is reorganizes everything

0:24:20.640 --> 0:24:25.040
<v Speaker 1>and ends up engaging in what they call effort justification.

0:24:25.359 --> 0:24:28.160
<v Speaker 1>So it's it's like if someone says, hey, that roared

0:24:28.240 --> 0:24:30.399
<v Speaker 1>you got you really had to go through hell to

0:24:30.440 --> 0:24:32.600
<v Speaker 1>get it? Was it worth it? Of course it was

0:24:32.600 --> 0:24:35.000
<v Speaker 1>worth it, because I I There's no way I did

0:24:35.000 --> 0:24:37.040
<v Speaker 1>all of that for nothing. There's no way that that

0:24:37.119 --> 0:24:40.880
<v Speaker 1>badge is not worth all the effort I put into it. Yeah.

0:24:40.880 --> 0:24:43.760
<v Speaker 1>A good example of this again brought to us by

0:24:43.880 --> 0:24:46.720
<v Speaker 1>to meet j Zic Lattis is quote. In a classic

0:24:46.760 --> 0:24:51.120
<v Speaker 1>psychology experiment conducted in nineteen fifty nine, the psychologist Elliott

0:24:51.119 --> 0:24:54.320
<v Speaker 1>Aaronson of Stanford and Jensen Mills of the United States

0:24:54.400 --> 0:24:57.000
<v Speaker 1>Army found that people who had to go through a

0:24:57.080 --> 0:25:00.880
<v Speaker 1>highly embarrassing situation in order to join a discussion group

0:25:00.960 --> 0:25:05.320
<v Speaker 1>subsequently reported liking the group more. And a follow up

0:25:05.400 --> 0:25:09.240
<v Speaker 1>study researchers used electric shocks and found that those who

0:25:09.280 --> 0:25:13.320
<v Speaker 1>received severe shocks before entering the group valued their membership

0:25:13.440 --> 0:25:18.840
<v Speaker 1>more than those who received merely mild ones. Very interesting,

0:25:18.880 --> 0:25:23.920
<v Speaker 1>and that that instantly brings to mind various rights of

0:25:24.040 --> 0:25:27.560
<v Speaker 1>passage that exists out there, from physically painful rights of

0:25:27.640 --> 0:25:32.600
<v Speaker 1>passages that involve bodily modification to even uh, you know,

0:25:32.680 --> 0:25:36.119
<v Speaker 1>some of the examples of hazing out there in university settings.

0:25:36.160 --> 0:25:40.119
<v Speaker 1>That's what I was just thinking. This is ritual abuse,

0:25:40.359 --> 0:25:45.120
<v Speaker 1>this practice, and in fraternities have what they call hell week, right,

0:25:45.240 --> 0:25:48.920
<v Speaker 1>that's when you are indoctrinated into this group. And we're

0:25:48.960 --> 0:25:53.600
<v Speaker 1>talking about sexual abuse. In some cases, we're talking about

0:25:53.640 --> 0:25:57.879
<v Speaker 1>the forced consumption of mind altering drugs and alcohol and

0:25:58.000 --> 0:26:01.680
<v Speaker 1>during feats of strength and pain like boiling hot water

0:26:01.800 --> 0:26:05.800
<v Speaker 1>on the back right, um, drinking pitchers of water until

0:26:06.040 --> 0:26:11.080
<v Speaker 1>your brain swells. So here you see a very communal aspect,

0:26:11.200 --> 0:26:14.200
<v Speaker 1>and in particularly through the lens of fraternity, you see

0:26:14.200 --> 0:26:17.520
<v Speaker 1>how it becomes that much more important that you gain

0:26:17.640 --> 0:26:21.280
<v Speaker 1>that membership because you put your body in mind on

0:26:21.320 --> 0:26:24.840
<v Speaker 1>the line. You know. In there perhaps softer examples of

0:26:24.840 --> 0:26:27.440
<v Speaker 1>this too when you see uh see, like corporate retreats,

0:26:27.480 --> 0:26:29.679
<v Speaker 1>people go on go out on this retreat, they go

0:26:29.800 --> 0:26:32.840
<v Speaker 1>through certain experiences that are probably not all that painful,

0:26:33.320 --> 0:26:36.520
<v Speaker 1>but it's the community aspect of it. It's the price

0:26:36.560 --> 0:26:42.800
<v Speaker 1>that you're paying for it. Um does non trust falls? Um?

0:26:42.840 --> 0:26:46.240
<v Speaker 1>You know. Also arguably boot camp in a military question,

0:26:46.280 --> 0:26:49.040
<v Speaker 1>and you're going through what is bile accounts, uh, you know,

0:26:49.080 --> 0:26:53.920
<v Speaker 1>a physically and emotionally demanding time, but that you're supposed

0:26:53.960 --> 0:26:56.119
<v Speaker 1>to emerge from that at the other end as a

0:26:56.119 --> 0:26:59.600
<v Speaker 1>more cohesive group. Well, I think that's why those types

0:26:59.640 --> 0:27:03.000
<v Speaker 1>of precise classes are so popular in a sense, because

0:27:03.000 --> 0:27:05.600
<v Speaker 1>you do get that that kind of bonding and nobody

0:27:05.680 --> 0:27:07.200
<v Speaker 1>is going at the end of the day say, well,

0:27:07.320 --> 0:27:08.720
<v Speaker 1>they really kind of beat the heart of you. In

0:27:08.760 --> 0:27:10.880
<v Speaker 1>that boot camp class that you took at the park

0:27:11.320 --> 0:27:12.919
<v Speaker 1>was it really worth it. Do you feel better? Of

0:27:12.960 --> 0:27:16.040
<v Speaker 1>course I feel better, because there's no way that I

0:27:16.080 --> 0:27:18.439
<v Speaker 1>got up early to suffer like that for a month

0:27:19.400 --> 0:27:21.560
<v Speaker 1>if I don't feel great now and look at these

0:27:21.600 --> 0:27:24.840
<v Speaker 1>guns now. Another item that it's like a lot of

0:27:24.840 --> 0:27:28.960
<v Speaker 1>stub brings up is the idea of collective effervescence. And

0:27:29.000 --> 0:27:32.040
<v Speaker 1>this comes to us from a French sociologist, Emil Durkheim,

0:27:32.080 --> 0:27:35.240
<v Speaker 1>who argued in elementary forms of religious life, that's the

0:27:36.080 --> 0:27:41.240
<v Speaker 1>popular publication that the collective performance of ritual generates a

0:27:41.359 --> 0:27:44.639
<v Speaker 1>kind of electricity. So this is you know, this, this shock,

0:27:44.760 --> 0:27:49.480
<v Speaker 1>this this ecstatic state of shared excitement. Uh, that just

0:27:49.560 --> 0:27:52.639
<v Speaker 1>kind of moves through a group of people that are

0:27:52.680 --> 0:27:55.119
<v Speaker 1>engaged in a ritual or even in a I mean

0:27:55.160 --> 0:27:59.000
<v Speaker 1>any kind of ritualistic endeavor. So this could be a

0:27:59.000 --> 0:28:01.120
<v Speaker 1>bunch of people singing a them at the local church.

0:28:01.520 --> 0:28:05.119
<v Speaker 1>This could be people engaging in a in the burning

0:28:05.160 --> 0:28:08.040
<v Speaker 1>of an effigy at a at a burning man type event,

0:28:08.680 --> 0:28:13.160
<v Speaker 1>or even engaging in icebreakers at that corporate retreat. Yeah,

0:28:13.240 --> 0:28:16.159
<v Speaker 1>because at the end of the day, it's about cooperation.

0:28:16.200 --> 0:28:18.600
<v Speaker 1>And we've talked about how this is like one of

0:28:18.640 --> 0:28:23.000
<v Speaker 1>the cornerstones of humanity that's allowed us to be so

0:28:23.080 --> 0:28:26.520
<v Speaker 1>successful as a species. This idea that we're gonna we're

0:28:26.520 --> 0:28:30.200
<v Speaker 1>gonna sign on this dotted line of the social contract

0:28:30.200 --> 0:28:32.679
<v Speaker 1>and say, yes, we'll cooperate. When we get into a

0:28:32.680 --> 0:28:34.720
<v Speaker 1>gym together, we will all stomp our feet together, and

0:28:34.760 --> 0:28:36.680
<v Speaker 1>we will cheer for the team, and we will engage

0:28:36.680 --> 0:28:38.960
<v Speaker 1>in this as a group, and we'll get together as

0:28:38.960 --> 0:28:41.600
<v Speaker 1>a group. Yeah, we're gonna align our emotional states and

0:28:41.640 --> 0:28:43.760
<v Speaker 1>no matter what our differences are, we can agree on

0:28:44.120 --> 0:28:46.760
<v Speaker 1>maybe at least one thing. That Jesus guy is pretty good,

0:28:46.800 --> 0:28:49.560
<v Speaker 1>that that Muhammed guy is pretty good. Jesus is just

0:28:49.600 --> 0:28:52.280
<v Speaker 1>all that. The idea being that within any kind of

0:28:52.440 --> 0:28:56.120
<v Speaker 1>a community that is engaged in since ritualistic endeavor, you're

0:28:56.160 --> 0:28:58.560
<v Speaker 1>gonna see emotional states align. You're gonna there's gonna be

0:28:58.640 --> 0:29:02.160
<v Speaker 1>this core, this uh, the center of the wheel, that

0:29:02.160 --> 0:29:07.240
<v Speaker 1>that everyone is a tune too. Now you might be thinking, okay, fine,

0:29:07.280 --> 0:29:09.160
<v Speaker 1>I get it. People get together, they do things, they

0:29:09.200 --> 0:29:12.440
<v Speaker 1>sync up. But it seems a little like WHOI that

0:29:12.800 --> 0:29:17.280
<v Speaker 1>the pain could be such a ritualized collective event that

0:29:17.320 --> 0:29:21.440
<v Speaker 1>people would willingly submit themselves to this. And we have

0:29:21.440 --> 0:29:24.600
<v Speaker 1>a little study that might underscore the fact that yes,

0:29:24.640 --> 0:29:26.960
<v Speaker 1>people will do this. Yeah. And this one this was

0:29:27.000 --> 0:29:31.600
<v Speaker 1>actually one that zaglots Uh conducted himself, carrying out at

0:29:31.640 --> 0:29:36.160
<v Speaker 1>a during taipoos um Uh, which is we mentioned earlier.

0:29:36.160 --> 0:29:40.600
<v Speaker 1>Of course uh. And of course it's directly related to cavati,

0:29:40.720 --> 0:29:43.760
<v Speaker 1>those burdens that people take on themselves. This was the festival,

0:29:43.840 --> 0:29:47.280
<v Speaker 1>not the vegetarian festivals, but the other one, he said.

0:29:47.400 --> 0:29:50.000
<v Speaker 1>They He found that those who had participated in the

0:29:50.080 --> 0:29:55.960
<v Speaker 1>extreme rituals, again the extreme Cavatis, gave twice as much

0:29:56.080 --> 0:29:58.520
<v Speaker 1>as those who had taken part in collective pair. He

0:29:58.560 --> 0:30:02.240
<v Speaker 1>found that the same high levels of generosity among those

0:30:02.280 --> 0:30:05.080
<v Speaker 1>who had themselves gone through the painful activities of the

0:30:05.280 --> 0:30:07.800
<v Speaker 1>of the Cavati and those who had merely followed the

0:30:07.840 --> 0:30:12.000
<v Speaker 1>procession without engaging in any of this bodily mortification. Just

0:30:12.160 --> 0:30:16.120
<v Speaker 1>as expected, the painful ritual boosted pro social behavior in

0:30:16.200 --> 0:30:20.000
<v Speaker 1>the participants. And then in terms of having that steak

0:30:20.240 --> 0:30:23.120
<v Speaker 1>in the process right or stack in your body, maybe

0:30:23.480 --> 0:30:27.200
<v Speaker 1>there's something called the martyrdom effect. And uh. In two

0:30:27.240 --> 0:30:30.160
<v Speaker 1>thousand and eleven, the psychologist Christopher olive Ola of the

0:30:30.240 --> 0:30:34.600
<v Speaker 1>University of Warwick and Elder Shephear of Princeton demonstrated what

0:30:34.720 --> 0:30:37.320
<v Speaker 1>is known as this martyrdom effect. And what they had

0:30:37.400 --> 0:30:39.560
<v Speaker 1>is they had a series of experiments in which they

0:30:39.560 --> 0:30:42.520
<v Speaker 1>asked participants to raise money for various charities and found

0:30:42.520 --> 0:30:46.360
<v Speaker 1>that people donated more when they expected to suffer more,

0:30:47.080 --> 0:30:51.920
<v Speaker 1>for example, running five miles versus just attending a lovely picnic,

0:30:52.760 --> 0:30:55.440
<v Speaker 1>or how about dumping a bucket of cold water on

0:30:55.480 --> 0:30:58.120
<v Speaker 1>their head? Right, that sounds odd? What are you talking about?

0:30:58.600 --> 0:31:00.840
<v Speaker 1>Who would do that? Who would do that? Well? A

0:31:00.880 --> 0:31:05.520
<v Speaker 1>lot of people apparently, because uh, the the ALS Association

0:31:05.560 --> 0:31:12.360
<v Speaker 1>of course, raised million dollars millions to help fight the

0:31:12.400 --> 0:31:15.080
<v Speaker 1>A L S. And I assume everyone is familiar with

0:31:15.080 --> 0:31:17.520
<v Speaker 1>this at this point. But if you're not, if somehow

0:31:17.520 --> 0:31:19.800
<v Speaker 1>you missed out on the social media explosion that was

0:31:19.920 --> 0:31:23.960
<v Speaker 1>the ALS ice bucket challenge, was individuals dumping or having

0:31:24.000 --> 0:31:28.240
<v Speaker 1>a bucket of chilling ice water or ice dumped on

0:31:28.280 --> 0:31:31.520
<v Speaker 1>their head. And then they challenge other people. And if

0:31:31.560 --> 0:31:34.320
<v Speaker 1>you're honoring the whole idea of it, you're supposed to

0:31:34.320 --> 0:31:37.200
<v Speaker 1>then go make a donation to the A L S.

0:31:37.400 --> 0:31:41.800
<v Speaker 1>A L S Association, be it instead of taking dumping

0:31:41.840 --> 0:31:44.680
<v Speaker 1>ice on your head or as part of dumping ice

0:31:44.720 --> 0:31:46.840
<v Speaker 1>in your What's interesting about that is that I don't

0:31:46.880 --> 0:31:49.480
<v Speaker 1>think anybody ever intended this, but every single one of

0:31:49.520 --> 0:31:53.880
<v Speaker 1>those videos is a kind of data point in this

0:31:54.360 --> 0:31:59.400
<v Speaker 1>pain pleasure um experiment right of humanity, and which you

0:31:59.440 --> 0:32:02.560
<v Speaker 1>do see people emerge on the other side giddy, giddy,

0:32:02.600 --> 0:32:07.360
<v Speaker 1>and and evidently more likely to donate either if you.

0:32:07.800 --> 0:32:10.200
<v Speaker 1>And that goes for people that are partaking in the

0:32:10.280 --> 0:32:13.280
<v Speaker 1>ritual and presumably those who are who are actually just

0:32:13.520 --> 0:32:15.400
<v Speaker 1>you know, on the other end of the computer watching

0:32:15.640 --> 0:32:18.960
<v Speaker 1>some celebrity dumped dump ice on their head. And key

0:32:19.000 --> 0:32:21.640
<v Speaker 1>to this, perhaps this is this idea that you are

0:32:21.720 --> 0:32:25.520
<v Speaker 1>the participant, you are the hero and this story. So

0:32:25.560 --> 0:32:28.880
<v Speaker 1>storytelling really factors into this. And when we get back,

0:32:29.280 --> 0:32:38.320
<v Speaker 1>we're going to delve into it. All right, we are back.

0:32:38.360 --> 0:32:40.280
<v Speaker 1>And one of the reasons why I think that ice

0:32:40.320 --> 0:32:45.000
<v Speaker 1>bucket challenge is really so successful is it is storytelling

0:32:45.040 --> 0:32:48.560
<v Speaker 1>at its finest and quickest, and it's this cultural meme

0:32:48.680 --> 0:32:51.080
<v Speaker 1>that has been passed around and it's the thing that

0:32:51.120 --> 0:32:54.640
<v Speaker 1>everybody can gather around and say, yeah, I experience that.

0:32:55.280 --> 0:32:58.040
<v Speaker 1>I didn't experience it with that person in Arkansas, but

0:32:58.080 --> 0:33:01.920
<v Speaker 1>I you know, directly, but we we both had the

0:33:02.000 --> 0:33:05.800
<v Speaker 1>same sort of thing, that ice cold moment and that

0:33:05.920 --> 0:33:10.560
<v Speaker 1>rush of pleasure and experiencing. So, for instance, you might

0:33:10.640 --> 0:33:12.880
<v Speaker 1>never know exactly what it's like to be David Lynch,

0:33:13.360 --> 0:33:16.800
<v Speaker 1>but David Lynch has experienced the ice bucket challenge. David

0:33:16.880 --> 0:33:20.240
<v Speaker 1>Lynch knows what it's like ritually have that the ice

0:33:20.360 --> 0:33:22.880
<v Speaker 1>raised above his head and then dumped upon him. And

0:33:22.960 --> 0:33:24.920
<v Speaker 1>you can experience that too and be a part of

0:33:24.920 --> 0:33:29.120
<v Speaker 1>the same story. David Lynch and Pamela Anderson have something

0:33:29.160 --> 0:33:33.240
<v Speaker 1>in common, is what I'm saying. It's pretty great. It's

0:33:33.280 --> 0:33:35.640
<v Speaker 1>just amazing how much depth there is to something that

0:33:35.680 --> 0:33:38.720
<v Speaker 1>at at at surface level, just seems like people doing

0:33:38.760 --> 0:33:42.200
<v Speaker 1>a silly thing for a good cause. Now, in when

0:33:42.200 --> 0:33:44.240
<v Speaker 1>I was looking this up right before we did the podcast,

0:33:44.280 --> 0:33:46.120
<v Speaker 1>I was just going in to see what the latest

0:33:46.120 --> 0:33:48.160
<v Speaker 1>stats were about how much money was raised for the cause.

0:33:48.440 --> 0:33:51.320
<v Speaker 1>I found some stories about the new ice bucket challenge

0:33:51.360 --> 0:33:53.880
<v Speaker 1>or something that is that is brought up is possibly

0:33:53.920 --> 0:33:56.800
<v Speaker 1>the new ice spukeet challenge, and that is the hashtag

0:33:56.880 --> 0:34:00.000
<v Speaker 1>wake up call that is being uh that's being rolled

0:34:00.000 --> 0:34:02.280
<v Speaker 1>out by UNI Stuff. Raised money for UNI Stuff, so

0:34:02.320 --> 0:34:04.760
<v Speaker 1>again for a good cause. But the idea here is

0:34:04.800 --> 0:34:10.320
<v Speaker 1>that people, especially celebrities, end up sharing pictures of themselves

0:34:10.360 --> 0:34:12.960
<v Speaker 1>when they first wake up in the morning, which on

0:34:13.000 --> 0:34:16.719
<v Speaker 1>the surface here sounds very out of keeping with the

0:34:17.080 --> 0:34:19.399
<v Speaker 1>with everything that makes the ice bucket challenge work right,

0:34:19.400 --> 0:34:22.840
<v Speaker 1>because there's nothing painful about it. I guess the idea

0:34:22.920 --> 0:34:27.160
<v Speaker 1>is that it could be humiliating or or or humanizing.

0:34:27.239 --> 0:34:29.920
<v Speaker 1>Maybe that it's knocking you down a peg, and so

0:34:30.239 --> 0:34:34.040
<v Speaker 1>you're you're suffering at the very shallow end of the

0:34:34.080 --> 0:34:37.960
<v Speaker 1>suffering pool, especially if you're Naomi Campbell and you have

0:34:38.080 --> 0:34:41.400
<v Speaker 1>this picture of yourself just waking up, looks like a magazine,

0:34:41.840 --> 0:34:45.600
<v Speaker 1>your hair just perfectly spread over the pillow, and this

0:34:45.719 --> 0:34:50.200
<v Speaker 1>sort of morning do settled upon your your face. Um,

0:34:50.239 --> 0:34:53.279
<v Speaker 1>it was disgusting. I was like I was, now, I

0:34:53.280 --> 0:34:58.040
<v Speaker 1>feel like there's a morning Naomi Campbell phobia. It was terrible.

0:34:58.200 --> 0:35:00.799
<v Speaker 1>I can't believe she did it. It will it will

0:35:00.840 --> 0:35:04.840
<v Speaker 1>be interesting to watch it and see how this particular hashtag,

0:35:04.920 --> 0:35:08.560
<v Speaker 1>this particular fundraising social media cause. Don't don't look at her.

0:35:08.600 --> 0:35:11.280
<v Speaker 1>She looks like the sea hag in The Little Mermaid,

0:35:12.080 --> 0:35:16.919
<v Speaker 1>the the original. Um, I'm making fun because of course

0:35:16.960 --> 0:35:19.840
<v Speaker 1>she looked like a supermodel waking up, but yeah. I

0:35:19.880 --> 0:35:22.359
<v Speaker 1>mean there's this idea that you know, she might be

0:35:22.440 --> 0:35:26.840
<v Speaker 1>humiliating herself and submitting herself to this collective ritual. And

0:35:26.880 --> 0:35:29.800
<v Speaker 1>the ritual is important, and it is worth against stressing

0:35:29.800 --> 0:35:31.719
<v Speaker 1>that in all these religious rituals and some of the

0:35:31.760 --> 0:35:34.759
<v Speaker 1>secular ones, one is re enacting or engaging in a

0:35:34.840 --> 0:35:38.360
<v Speaker 1>story of pain, and they're they're making the story true

0:35:38.560 --> 0:35:41.160
<v Speaker 1>through pain. I mean, their pain becomes a testament to

0:35:41.239 --> 0:35:44.759
<v Speaker 1>its reality, you know. And thinking about this, I come

0:35:44.760 --> 0:35:47.920
<v Speaker 1>back to two again, that central Christian image of Jesus

0:35:47.920 --> 0:35:51.400
<v Speaker 1>on the cross, and I ran across something interesting recently,

0:35:51.440 --> 0:35:53.400
<v Speaker 1>and I blogged about this on Stuff to Play your

0:35:53.400 --> 0:35:55.560
<v Speaker 1>mind icon So maybe some of you saw it. But

0:35:55.840 --> 0:35:59.880
<v Speaker 1>if you look back to uh, the earlier tradition, the

0:36:00.000 --> 0:36:04.040
<v Speaker 1>early artistic tradition of of of representing Jesus on the cross,

0:36:04.080 --> 0:36:10.720
<v Speaker 1>you see stuff like uh Alberto Petos eight seven, christis triumphants,

0:36:10.760 --> 0:36:14.440
<v Speaker 1>which shows you this, uh uh, this this Christ on

0:36:14.480 --> 0:36:16.880
<v Speaker 1>the cross with this serene kind of doughty look in

0:36:16.920 --> 0:36:19.640
<v Speaker 1>his eyes like this is this does not look like

0:36:19.680 --> 0:36:21.439
<v Speaker 1>a man who is suffering. This looks like a man

0:36:21.520 --> 0:36:24.480
<v Speaker 1>who is above pain. This looks like a God that

0:36:24.640 --> 0:36:29.960
<v Speaker 1>is above human suffering. Yeah, I guess, but this was

0:36:29.960 --> 0:36:34.440
<v Speaker 1>actually the predominant style prior to the thirteenth century, after

0:36:34.440 --> 0:36:38.000
<v Speaker 1>which it becomes increasingly proper to depict Christ is not

0:36:38.080 --> 0:36:41.640
<v Speaker 1>only undergoing physical pain, but suffering physical pain like you

0:36:41.760 --> 0:36:44.680
<v Speaker 1>and me. And you see one of the more just

0:36:45.680 --> 0:36:50.319
<v Speaker 1>fantastic examples of this tradition in um the Christ of

0:36:50.440 --> 0:36:54.960
<v Speaker 1>Matthias Gruenwald's Eisenham altarpiece. Uh And in this one, we

0:36:55.040 --> 0:36:57.920
<v Speaker 1>see a God that is not only suffering, but appears

0:36:57.960 --> 0:37:00.360
<v Speaker 1>to be diseased. Uh and and I go into the

0:37:00.360 --> 0:37:02.280
<v Speaker 1>details for that in the in the blog post include

0:37:02.280 --> 0:37:05.239
<v Speaker 1>a link on this podcast episode. But you see a

0:37:05.920 --> 0:37:10.839
<v Speaker 1>vision of Christ that is intensely suffering, diseased even uh

0:37:10.880 --> 0:37:13.000
<v Speaker 1>and and But but in all of it is engaging

0:37:13.000 --> 0:37:16.000
<v Speaker 1>in the kind of physical suffering that humans can relate to.

0:37:16.080 --> 0:37:18.799
<v Speaker 1>Because you know, imagine yourself, you're in this uh you know,

0:37:18.880 --> 0:37:22.600
<v Speaker 1>you're you're you're poor, You're in a medieval town. There's

0:37:22.840 --> 0:37:26.960
<v Speaker 1>there's black death knocking on the door, there's there's warfare raging.

0:37:27.640 --> 0:37:30.279
<v Speaker 1>Which which image can you relate to? Which image can

0:37:30.360 --> 0:37:33.759
<v Speaker 1>you connect with and engage in the story, And that,

0:37:33.840 --> 0:37:36.200
<v Speaker 1>of course would be the Christ that is suffering, the

0:37:36.280 --> 0:37:39.359
<v Speaker 1>Christ that actually feels pain like you feel pain. Well,

0:37:39.520 --> 0:37:42.520
<v Speaker 1>and I would uh wagered about that. Every single story

0:37:42.520 --> 0:37:45.120
<v Speaker 1>that's ever been written, there is an element of suffering,

0:37:45.360 --> 0:37:47.600
<v Speaker 1>wasn't it? Because that is you cannot have a story

0:37:47.640 --> 0:37:51.120
<v Speaker 1>without suffering. That is the human experience. Life is suffering.

0:37:51.200 --> 0:37:54.640
<v Speaker 1>And uh and nobody wants to see a movie read

0:37:54.680 --> 0:37:57.799
<v Speaker 1>a book about an individual has all their dreams come true.

0:37:57.880 --> 0:38:00.440
<v Speaker 1>That is not a story. That is just that's just

0:38:00.560 --> 0:38:03.560
<v Speaker 1>a pipe dream. We want to see characters who are challenged,

0:38:03.680 --> 0:38:07.239
<v Speaker 1>characters who suffer, characters. I mean, it's ultimately more about

0:38:07.280 --> 0:38:09.680
<v Speaker 1>what people try to do than what they actually succeed

0:38:09.680 --> 0:38:13.439
<v Speaker 1>in doing. Even yogaba gabba narratives have suffering in them.

0:38:13.600 --> 0:38:15.759
<v Speaker 1>It's true. Somebody gets bit and you're not supposed to

0:38:15.760 --> 0:38:20.080
<v Speaker 1>do that. One who's always sad and is always suffering.

0:38:20.520 --> 0:38:22.840
<v Speaker 1>Occasionally they cheer him up, but then he returns to

0:38:22.920 --> 0:38:28.680
<v Speaker 1>doing this uh epitome of of childhood suffering. And maybe

0:38:28.880 --> 0:38:33.200
<v Speaker 1>Gobol decides to take up ritualistic pain in order to

0:38:33.320 --> 0:38:36.960
<v Speaker 1>try to to uh fill himself with a sense of

0:38:37.000 --> 0:38:41.520
<v Speaker 1>control over his destiny. That's right, I mean, there's this

0:38:41.520 --> 0:38:45.960
<v Speaker 1>this whole idea of of control versus chaos, which reminds

0:38:46.000 --> 0:38:48.520
<v Speaker 1>us of the episode that we did on flow state,

0:38:49.080 --> 0:38:52.160
<v Speaker 1>particularly where, particularly if you're playing a game right, you're

0:38:52.200 --> 0:38:55.640
<v Speaker 1>engaging in some sort of limited version of reality in

0:38:55.680 --> 0:38:59.600
<v Speaker 1>which they're set rules and you can actually take full

0:38:59.600 --> 0:39:02.560
<v Speaker 1>command end of the situation that it's it's challenging enough

0:39:02.600 --> 0:39:04.680
<v Speaker 1>to engage you, but not to challenging, not so much

0:39:04.719 --> 0:39:09.200
<v Speaker 1>that you're frustrated. And so you can see cases where

0:39:09.680 --> 0:39:12.840
<v Speaker 1>UH ritual allows us to partake in this and engage

0:39:12.840 --> 0:39:14.480
<v Speaker 1>in a flow state. Well, and I would see this

0:39:14.520 --> 0:39:17.680
<v Speaker 1>particularly in B D S M right, because in that sense,

0:39:17.760 --> 0:39:22.720
<v Speaker 1>you're creating this sort of pushing your outer limits within

0:39:22.960 --> 0:39:26.560
<v Speaker 1>something that's not going to necessarily break you. Yeah, indeed,

0:39:26.560 --> 0:39:29.000
<v Speaker 1>I mean there are rules, there are limits, and it's

0:39:29.000 --> 0:39:33.040
<v Speaker 1>about maybe edging towards those limits, but not surpassing them.

0:39:33.400 --> 0:39:36.800
<v Speaker 1>That's why it's you know, a a badious in dungeon

0:39:36.920 --> 0:39:40.640
<v Speaker 1>is not an actual, you know, stereotypical medieval dungeon where

0:39:40.640 --> 0:39:44.480
<v Speaker 1>people are tortured. It's a it's a consensual exploration of

0:39:44.520 --> 0:39:48.640
<v Speaker 1>the senses, if you will. Rickshaw a rickshaw like a

0:39:48.719 --> 0:39:52.000
<v Speaker 1>rick shaw cart. That was my safe word. Oh okay,

0:39:52.320 --> 0:39:54.400
<v Speaker 1>I was just that's totally gonna get cut out right, No,

0:39:55.040 --> 0:39:57.600
<v Speaker 1>I mean I kind of made me try to picture

0:39:57.640 --> 0:40:01.279
<v Speaker 1>a rickshaw art environment within a BDS club. Like there's

0:40:01.280 --> 0:40:03.200
<v Speaker 1>so many things that are a thing it would not surprise.

0:40:04.160 --> 0:40:06.279
<v Speaker 1>All Right, let's talk about how this might translate to

0:40:06.640 --> 0:40:09.960
<v Speaker 1>altered states any because this is the motif, right, you

0:40:10.040 --> 0:40:14.120
<v Speaker 1>have someone engaging in sort of ritualistic pain, especially within

0:40:14.200 --> 0:40:19.000
<v Speaker 1>a religious scenario, and they are achieving some sort of

0:40:19.280 --> 0:40:23.720
<v Speaker 1>enlightenment to some sort of transcendence or you know, at

0:40:23.800 --> 0:40:26.600
<v Speaker 1>least they're they're they're they're they're bringing themselves to tears

0:40:26.640 --> 0:40:28.799
<v Speaker 1>not out of pain, but out of relief, out of

0:40:28.840 --> 0:40:31.960
<v Speaker 1>out of forgiveness. Eve. Yeah, I mean if you're thinking

0:40:32.000 --> 0:40:34.680
<v Speaker 1>about acts of self flagilation, right and you know, you

0:40:35.000 --> 0:40:38.759
<v Speaker 1>see it, you understand the metaphor behind it, but what

0:40:39.040 --> 0:40:42.200
<v Speaker 1>sort of why would there be a kind of transcendence here?

0:40:42.320 --> 0:40:46.400
<v Speaker 1>And it turns out that, um, what's happening in the

0:40:46.480 --> 0:40:52.000
<v Speaker 1>brain really translates to a meditative experience. Yeah, as as

0:40:52.000 --> 0:40:55.520
<v Speaker 1>far as forgiveness through pain goes, there's a fantastic two

0:40:55.560 --> 0:40:59.000
<v Speaker 1>thousand eleven study. Uh, this was a conducted by psychological

0:40:59.040 --> 0:41:02.000
<v Speaker 1>scientists brought question who just has a fabulous name, I

0:41:02.360 --> 0:41:05.400
<v Speaker 1>want to say uh, from the University of Queensland, Australia,

0:41:05.520 --> 0:41:08.799
<v Speaker 1>and he set out to explore this idea. Why why

0:41:08.800 --> 0:41:11.200
<v Speaker 1>would striking yourself with a lash make you feel better

0:41:11.239 --> 0:41:15.319
<v Speaker 1>about your your transgressions? So Bastion's team regruited young male

0:41:15.360 --> 0:41:17.880
<v Speaker 1>and female test subjects under the guise of a mental

0:41:18.000 --> 0:41:21.440
<v Speaker 1>and physical acuity study. The researchers asked the test subjects

0:41:21.480 --> 0:41:23.640
<v Speaker 1>to write a personal essay about a time in which

0:41:23.680 --> 0:41:26.640
<v Speaker 1>they ostracize someone, and the aim here was to make

0:41:26.920 --> 0:41:29.880
<v Speaker 1>this part of these participants in the study UH feel

0:41:30.000 --> 0:41:33.600
<v Speaker 1>guilty or immoral. Meanwhile, the control group just wrote personal

0:41:33.719 --> 0:41:36.160
<v Speaker 1>essays about you know whatever, some sort of routine memory

0:41:36.200 --> 0:41:39.000
<v Speaker 1>that wasn't going to make them feel guilty. The researchers

0:41:39.000 --> 0:41:43.520
<v Speaker 1>then instructed both immoral volunteers and the controls to hold

0:41:43.520 --> 0:41:46.520
<v Speaker 1>their hands in a bucket of ice water for as

0:41:46.640 --> 0:41:49.359
<v Speaker 1>long as they could stand it. Others dipped their hand

0:41:49.400 --> 0:41:52.400
<v Speaker 1>in a soothing bucket of warm water. So the question

0:41:52.440 --> 0:41:55.840
<v Speaker 1>here that the study was posing would immoral test subjects

0:41:55.880 --> 0:41:59.520
<v Speaker 1>punish themselves with longer dips in the water in the

0:41:59.560 --> 0:42:02.600
<v Speaker 1>cold to rather uh? And would they feel better afterwards?

0:42:03.360 --> 0:42:06.080
<v Speaker 1>And the answer is yes on both counts. Those who

0:42:06.080 --> 0:42:09.160
<v Speaker 1>were primed to feel shame again by those personal essays

0:42:09.160 --> 0:42:13.040
<v Speaker 1>of ostracizing others um when they dip their their hands

0:42:13.080 --> 0:42:15.600
<v Speaker 1>in the cold water, they held it for longer durations,

0:42:15.640 --> 0:42:19.319
<v Speaker 1>and afterwards they described the dip as more painful and

0:42:19.560 --> 0:42:25.200
<v Speaker 1>express reduced feelings of guilt afterwards. So Bastion's argument, and

0:42:25.239 --> 0:42:28.320
<v Speaker 1>ultimately the argument of the study here, uh, is that

0:42:28.520 --> 0:42:31.880
<v Speaker 1>is that this illustrates our culturally altered understanding of pain.

0:42:32.000 --> 0:42:35.040
<v Speaker 1>We've come to process it not only as negative environmental feedback,

0:42:35.280 --> 0:42:39.520
<v Speaker 1>but also as justice and punishment. So on a psychological level,

0:42:39.880 --> 0:42:43.040
<v Speaker 1>a little bit of a self inflicted pain rebalances the

0:42:43.120 --> 0:42:47.879
<v Speaker 1>scales that we've managed to unbalance in our lives well.

0:42:47.920 --> 0:42:50.719
<v Speaker 1>And I think that's interesting because that's where someone is

0:42:50.800 --> 0:42:54.759
<v Speaker 1>able to achieve some sort of quiescence, right, some sort

0:42:54.800 --> 0:42:58.920
<v Speaker 1>of tranquility, even if it's just fleeting. And we've talked

0:42:58.920 --> 0:43:03.000
<v Speaker 1>about this before or in context of meditation or yoga,

0:43:03.440 --> 0:43:05.120
<v Speaker 1>is that there's this part of the brain called the

0:43:05.160 --> 0:43:10.759
<v Speaker 1>default mode network, and it's the midline chatter that you

0:43:10.840 --> 0:43:13.640
<v Speaker 1>hear in your head that's very involved with me me me, me,

0:43:13.640 --> 0:43:17.360
<v Speaker 1>me me right, And in order to dim the lights

0:43:17.400 --> 0:43:21.520
<v Speaker 1>on that, you've got to engage in something like meditation

0:43:21.640 --> 0:43:25.400
<v Speaker 1>or something that takes you outside of yourself, which is

0:43:25.520 --> 0:43:29.280
<v Speaker 1>where something like B D S sound comes into because

0:43:29.440 --> 0:43:33.840
<v Speaker 1>that involves something called the Dorso lateral network, which is

0:43:34.080 --> 0:43:39.600
<v Speaker 1>very closely intertwined with this default mode network. Yeah, the

0:43:39.880 --> 0:43:42.640
<v Speaker 1>this part of the brain is involved in distinguishing self

0:43:42.719 --> 0:43:45.080
<v Speaker 1>from other h and it is also involved in the

0:43:45.440 --> 0:43:48.560
<v Speaker 1>out of body experiences. A two thousand fourteen study from

0:43:48.560 --> 0:43:52.840
<v Speaker 1>Northern Illinois University linked sado masochism to altered states of

0:43:52.920 --> 0:43:56.480
<v Speaker 1>mind UH in keeping with those achieved through yoga or meditation.

0:43:56.640 --> 0:43:59.480
<v Speaker 1>The research has administered cognitive test to S and N

0:43:59.520 --> 0:44:03.239
<v Speaker 1>participant following a switching scene, and based on the findings,

0:44:03.239 --> 0:44:06.480
<v Speaker 1>they suspect that pain alters blood foe in the brain,

0:44:06.760 --> 0:44:11.640
<v Speaker 1>particularly to that Doris lateral prefrontal cortex, which again plays

0:44:11.640 --> 0:44:14.440
<v Speaker 1>this essential role in our ability to distinguish self from others. So,

0:44:15.640 --> 0:44:19.399
<v Speaker 1>in other words, intense pain in this control setting may

0:44:19.520 --> 0:44:23.640
<v Speaker 1>result in a feeling of oneness with humanity or even

0:44:23.719 --> 0:44:27.879
<v Speaker 1>the universe, which again brings to mind these these hook

0:44:27.920 --> 0:44:31.520
<v Speaker 1>suspension uh ceremonies in which one is is elevated, which

0:44:31.560 --> 0:44:34.160
<v Speaker 1>one that where one is rising up UM, you know,

0:44:34.200 --> 0:44:37.400
<v Speaker 1>with help from the hooks UM I was. I was

0:44:37.520 --> 0:44:42.400
<v Speaker 1>looking around for for feedback from UM suspension participants on this,

0:44:42.680 --> 0:44:45.400
<v Speaker 1>and I found a quote from Alan Faulkner, who's the

0:44:45.440 --> 0:44:49.279
<v Speaker 1>founder of PSD, the first suspension group and often held

0:44:49.360 --> 0:44:52.080
<v Speaker 1>up as the father of modern suspension. He said, if

0:44:52.200 --> 0:44:55.480
<v Speaker 1>life had a dial to adjust the volume, suspension has

0:44:55.480 --> 0:44:59.200
<v Speaker 1>a way of accessing this invisible knob and turning it down.

0:44:59.800 --> 0:45:02.520
<v Speaker 1>We which is which it first makes seem paradoxical, right,

0:45:02.520 --> 0:45:05.640
<v Speaker 1>because you're thinking, what could be a more intense experience

0:45:05.680 --> 0:45:08.239
<v Speaker 1>of life been hanging from a hook? Right? You think, oh,

0:45:08.320 --> 0:45:10.719
<v Speaker 1>these people are just adrenaline junkies. They just want to

0:45:10.719 --> 0:45:12.480
<v Speaker 1>just go in there and add hang from a hook.

0:45:12.840 --> 0:45:15.479
<v Speaker 1>But here's this guy talking about how hanging from these

0:45:15.480 --> 0:45:19.960
<v Speaker 1>hooks suspended above the ground was a way of turning

0:45:19.960 --> 0:45:24.359
<v Speaker 1>everything down, of of of actually making the rest of

0:45:24.520 --> 0:45:28.200
<v Speaker 1>his life sort of fade into the background. Well, this

0:45:28.239 --> 0:45:29.839
<v Speaker 1>calls back to the man and tribe that we were

0:45:29.840 --> 0:45:34.239
<v Speaker 1>talking about that also practiced suspension, and the idea was

0:45:34.280 --> 0:45:36.879
<v Speaker 1>that not only was it just the celebration and this

0:45:37.120 --> 0:45:40.640
<v Speaker 1>UM this sort of ritual and looking at how Earth

0:45:40.760 --> 0:45:45.439
<v Speaker 1>was created, um, but it was this way of those

0:45:45.440 --> 0:45:49.680
<v Speaker 1>participants to not only test their metal, but clear their

0:45:49.719 --> 0:45:53.120
<v Speaker 1>minds in order for visions to come to them for

0:45:53.200 --> 0:45:56.720
<v Speaker 1>a sort of um, a kind of grace to settle

0:45:56.840 --> 0:45:59.799
<v Speaker 1>upon their brains. So there you have it, the zen

0:45:59.840 --> 0:46:02.320
<v Speaker 1>of pain, or at least our exploration of this idea

0:46:02.719 --> 0:46:06.600
<v Speaker 1>of pain and pleasure mixing together of of pain, uh

0:46:06.640 --> 0:46:10.080
<v Speaker 1>in a controlled environment leading to uh to to some

0:46:10.280 --> 0:46:14.120
<v Speaker 1>level of transcendence. UH. It's a it's a powerful topic.

0:46:14.200 --> 0:46:16.800
<v Speaker 1>And again when you see shadows off throughout human culture,

0:46:17.040 --> 0:46:21.000
<v Speaker 1>throughout religious traditions and secular traditions as well. And again

0:46:21.040 --> 0:46:24.160
<v Speaker 1>we want to underline, UH, don't go out and hurt

0:46:24.200 --> 0:46:27.239
<v Speaker 1>yourself because you listen to this podcast. UM, you know

0:46:27.280 --> 0:46:30.640
<v Speaker 1>we're not advocating uh self harm in any way, shape

0:46:30.719 --> 0:46:34.160
<v Speaker 1>or form. But again, it's something we just see throughout

0:46:34.239 --> 0:46:36.799
<v Speaker 1>human culture. Yeah, this is not a celebration of pain.

0:46:36.840 --> 0:46:38.719
<v Speaker 1>This is just an exploration of the tropes that we

0:46:38.760 --> 0:46:42.920
<v Speaker 1>continue to see in society. And it's a fascinating topic.

0:46:43.080 --> 0:46:47.000
<v Speaker 1>And UH, we certainly do not want to scoot anything

0:46:47.080 --> 0:46:50.000
<v Speaker 1>like say, chronic pain or self inflicted pain to the

0:46:50.040 --> 0:46:52.760
<v Speaker 1>side here. Those are very important topics. And they deserve

0:46:53.280 --> 0:46:56.160
<v Speaker 1>uh their own time. But again, this is just looking

0:46:56.200 --> 0:47:00.880
<v Speaker 1>at at pain in a different way. Indeed, and if

0:47:00.880 --> 0:47:03.160
<v Speaker 1>you want to listen to a discussion that goes more

0:47:03.160 --> 0:47:05.759
<v Speaker 1>into the subject of chronic pain, do check out our

0:47:05.760 --> 0:47:08.920
<v Speaker 1>past episode at the Future of Pain. You'll find that

0:47:09.000 --> 0:47:11.480
<v Speaker 1>in other past episodes of the podcast at stuff to

0:47:11.480 --> 0:47:13.439
<v Speaker 1>blow your Mind dot com it's the mothers Stiffest where

0:47:13.440 --> 0:47:15.960
<v Speaker 1>you'll find all of our podcast episodes are videos glog

0:47:16.000 --> 0:47:18.920
<v Speaker 1>post as well. And if you have any thoughts on this,

0:47:19.040 --> 0:47:21.560
<v Speaker 1>if you have other examples that we missed of this

0:47:21.680 --> 0:47:25.200
<v Speaker 1>sort of like ritual pain that that we sometimes submit

0:47:25.239 --> 0:47:29.080
<v Speaker 1>ourselves to, please send us your thoughts via email and

0:47:29.120 --> 0:47:31.640
<v Speaker 1>you can send them to blow the Mind how stuff

0:47:31.640 --> 0:47:38.719
<v Speaker 1>works dot com for more on this and thousands of

0:47:38.760 --> 0:47:44.840
<v Speaker 1>other topics. Is it how stuff works dot com