WEBVTT - Cartocacoethes: Map Mania!

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot Com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and mine is Julie Douglas.

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<v Speaker 1>Julie tell me this. Uh, you in your husband using

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<v Speaker 1>an iPhone? Do you not to traverse the world around

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<v Speaker 1>you? You You depend on its maps? Affirmative? Mr Lamb, We

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<v Speaker 1>do so you like like like My household were probably

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<v Speaker 1>somewhat distraught when the maps changed all of a sudden.

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<v Speaker 1>We're recording this early October two thousand twelve, just a

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<v Speaker 1>week or two ago. Everyone updated their iOS and suddenly

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<v Speaker 1>Google Maps were no more on the phone. It was

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<v Speaker 1>Apple Maps instead, and there were some There was some

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<v Speaker 1>some ensuing confusion. Bridges melting melting bridges. Uh. The system

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<v Speaker 1>that we were used to was no longer in play,

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<v Speaker 1>and suddenly we were unable to simply drive a mile

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<v Speaker 1>from our house to to a location that we've been

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<v Speaker 1>to before. Nobody showed up at work. They didn't know

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<v Speaker 1>how to get here anymore because the maps weren't working.

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<v Speaker 1>I think that all this points to the fact that

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<v Speaker 1>maps are totally underrated and people don't realize how important

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<v Speaker 1>they are and actually how difficult it is to get

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<v Speaker 1>a good system in place. And I mean, speaking of systems,

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<v Speaker 1>remember what it was like before all this. I mean

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<v Speaker 1>by the time I was actively driving two places I've

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<v Speaker 1>never been to before, I think I had what was

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<v Speaker 1>the map Quest at my disposal, which even map Quest

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<v Speaker 1>was really confusing. Yeah, you had your print out of

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<v Speaker 1>map Quest and then the Sun's direction and you're on

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<v Speaker 1>your own. Yeah, and and and I and I'd still

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<v Speaker 1>get lost. And then we eventually had you know, Google

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<v Speaker 1>Maps with an improvement as far as I'm consappie, as

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<v Speaker 1>far as most people were concerned. And then then came

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<v Speaker 1>the more affordable GPS devices and we were able to

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<v Speaker 1>navigate more without thinking about it. Well and uh, we

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<v Speaker 1>have seen actually instances where people absolutely did not even

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<v Speaker 1>think about it. And um, this was made fun of

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<v Speaker 1>in the TV episode The Office, But Michael Scott, Yeah,

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<v Speaker 1>he drives into the lake because it's not on the map.

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<v Speaker 1>On the map, the GPS says that you know, the

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<v Speaker 1>road keeps going, and it's a joke, but I think

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<v Speaker 1>this has actually happened to some people. It was amazing

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<v Speaker 1>when I when I was looking at into our history

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<v Speaker 1>with maps and and sort of comparing our modern understanding

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<v Speaker 1>of maps and use of these highly technological maps, and

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<v Speaker 1>comparing that two models of the past. I found these

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<v Speaker 1>photo auto guides from around nineteen o five really interesting. Basically,

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<v Speaker 1>if if I was to go back in time to

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<v Speaker 1>nineteen o five and then I had access to a

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<v Speaker 1>car and we're touring the country, and I was touring

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<v Speaker 1>the country and I was like, WHOA, my GPS doesn't work.

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<v Speaker 1>I brought it back. I bothered to bring it back

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<v Speaker 1>with me, but it has no satellites to playoff off,

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<v Speaker 1>so it's just setting there without a signal. What should

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<v Speaker 1>I do? What? What would it be like then? If

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<v Speaker 1>I were to try and replicate the GPS driving experience

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<v Speaker 1>using early twentieth century technology, or not even technology, but

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<v Speaker 1>just printing abilities and photography abilities, you would end up

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<v Speaker 1>with the photo auto guide, which was basically a detailed

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<v Speaker 1>set of directions for it to drive from one place

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<v Speaker 1>to another that would include photographs of intersections, detailed instructions

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<v Speaker 1>about how to navigate in order by turn. Yeah, so

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<v Speaker 1>kind of a combo an early version of both the

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<v Speaker 1>map quest print out of directions and a detailed GPS

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<v Speaker 1>p o V of where you are and where you're going,

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<v Speaker 1>but also travel guide of sorts do right because they're

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<v Speaker 1>talking about landmarks and about the different things that you

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<v Speaker 1>will encounter on the way. So as humans, we need maps,

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<v Speaker 1>and that's basically what we're talking about in this this

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<v Speaker 1>episode of stuff to blow your mind about our relationship

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<v Speaker 1>with maps from its early goings and on into the

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<v Speaker 1>future and just how tired we are to them. We

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<v Speaker 1>may not think about them all the time, you know,

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<v Speaker 1>you may not think about the map until you're having

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<v Speaker 1>to navigate somewhere you haven't been to before, or you

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<v Speaker 1>don't really remember the instructions are you're having to share

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<v Speaker 1>these instructions, these directions with someone else. But the map

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<v Speaker 1>is always there in the mind like it's it's really

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<v Speaker 1>part of our neural architecture at at a very deep

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<v Speaker 1>and important level. But at one point you could argue

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<v Speaker 1>that it wasn't there right because we didn't have even

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<v Speaker 1>though you know, humans have been nomadic for some time, uh,

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<v Speaker 1>we didn't necessarily have a sense of place beyond the

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<v Speaker 1>say of like I don't know two mile radius that

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<v Speaker 1>you might forage in. So there's some arguments about whether

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<v Speaker 1>or not there have been true maps made at those

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<v Speaker 1>times and or whether or not those were just sort

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<v Speaker 1>of moral like you know, turn right at the boulder, um,

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<v Speaker 1>and when we started to make maps in earnest as humans. Yeah,

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<v Speaker 1>now's this interesting. You said place. It's really important to

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<v Speaker 1>think about place, and certainly the difference between place and

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<v Speaker 1>space is reading in this book To Take Place Toward

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<v Speaker 1>Theory and Ritual by Jonathan Z. Smith, which is one

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<v Speaker 1>of my old college religious studies books, but like really

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<v Speaker 1>deep stuff about like the origins of ritual. But there's

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<v Speaker 1>a part where they talk about the use of maps

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<v Speaker 1>and he he quotes UM geographer Yi Futuin who says,

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<v Speaker 1>this space is more abstract than place. What begins as

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<v Speaker 1>undifferentiated space becomes place as we get to know it

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<v Speaker 1>better and endow it with value. If we think of

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<v Speaker 1>space as that which allows movement, then place is pause.

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<v Speaker 1>Each pause in movement makes it possible for location to

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<v Speaker 1>be transformed into place. So this is sense of in

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<v Speaker 1>a sense, it's like bringing order out of chaos. You're

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<v Speaker 1>bringing place out of space. Well, I like this idea

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<v Speaker 1>of movement too, because I think of that in those

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<v Speaker 1>terms of like spaces being a frontier something you're going

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<v Speaker 1>to explore and Emmanuel can't. Also, he argued that geography

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<v Speaker 1>was the study of knowledge in a location, while history

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<v Speaker 1>is the study of knowledge and time. Okay, So it

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<v Speaker 1>comes down to, you know, it's it's core to our

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<v Speaker 1>perception of reality in the world around us. This this

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<v Speaker 1>map of where we are in space, of this place

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<v Speaker 1>that we inhabit that is full of things that have

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<v Speaker 1>value and meaning. Well, and that's what I think is

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<v Speaker 1>so intriguing about maps is that it tries to do

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<v Speaker 1>double duty. It tries to take space, place, and time

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<v Speaker 1>and combine it all on on one surface, right right,

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<v Speaker 1>one sort of understanding. Um, it is thought that the

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<v Speaker 1>oldest known maps are preserved. Um, well, not that they're preserved,

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<v Speaker 1>but that they actually go back to and then they

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<v Speaker 1>are preserved on Babylonian clay tablets from that time and

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<v Speaker 1>an ancient Greece, where photography was considerably advanced. The concept

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<v Speaker 1>of a spherical earth was well known among Greek philosophers

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<v Speaker 1>by the time of Aristotle. So we're talking about three

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<v Speaker 1>and fifty BC. So this idea that you're going to

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<v Speaker 1>map that space has been around and we know that

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<v Speaker 1>humans have tried to Harn said, Um, it's certainly one

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<v Speaker 1>of those things that if someone says that what was

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<v Speaker 1>the first map, there's no way of knowing, because that's

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<v Speaker 1>something that really vanishes into the murk of history. It's

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<v Speaker 1>probably some you know, some dude with a stick and

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<v Speaker 1>the dust or something. You know, it's it's not something

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<v Speaker 1>that's going to survive. And then even if it is

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<v Speaker 1>on paper, that it's not going to survive. And then

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<v Speaker 1>a lot of the things we end up keeping are

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<v Speaker 1>that we may think, we may interpret them as maps,

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<v Speaker 1>it's not necessarily the case. In our previous podcast, we

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<v Speaker 1>talked about allegorical maps, maps of things that are not real,

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<v Speaker 1>and you really get into a weird area with old

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<v Speaker 1>maps where you have to judge, all right, to what

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<v Speaker 1>extent is this a map of anything in physical reality?

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<v Speaker 1>To what extent is this, say, a map of this

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<v Speaker 1>more cosmological in its sense, doesn't have to do with

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<v Speaker 1>religious matters, is it is it have to do it

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<v Speaker 1>with ritual or is it just merely some sort of

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<v Speaker 1>illustrative art. Well, into what extent is it our brains

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<v Speaker 1>interpreting something that isn't a map, but looking at patterns,

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<v Speaker 1>And we'll talk about is it depictogram, is a religious artifact.

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<v Speaker 1>Is it just a landscape? Yeah, and describing our own

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<v Speaker 1>meaning to it. I did want to point out that

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<v Speaker 1>Greek and Roman cartography reached a culmination um with Claudius Ptolemius,

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<v Speaker 1>and this was an a d around and his world

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<v Speaker 1>map depicted the old world from about sixty degrees north

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<v Speaker 1>to thirty degrees latitude uh south, and his writing was

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<v Speaker 1>called Guide to Geography, and it was really the authoritative

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<v Speaker 1>reference uh to maps in world geography until the Renaissance.

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<v Speaker 1>So that's quite a bit of chunk of time there. Um.

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<v Speaker 1>And then of course you can also fast forward to

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<v Speaker 1>about eleven fifty four when an Arab geographer named Muhammad

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<v Speaker 1>all the Reci produced his atlas and that actually was

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<v Speaker 1>used quite a bit as well. Um. He incorporated the

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<v Speaker 1>knowledge of Africa, Indian Ocean in the Far East gathered

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<v Speaker 1>by Arab merchants. And this is something that we're going

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<v Speaker 1>to see repeating over and over in history and matt making.

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<v Speaker 1>Is this idea that maps really came about as a

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<v Speaker 1>sort of crowdsourcing. Everybody else's knowledge dumped into this one

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<v Speaker 1>document to say, okay, this is what my experience was

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<v Speaker 1>in this landscape, and you had to trust that you

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<v Speaker 1>had people who actually were capable of of contributing to

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<v Speaker 1>the dialogue and weren't just gonna be like what he said.

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<v Speaker 1>I don't I'm just gonna go along with what this

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<v Speaker 1>previous person said, because then you end up keeping not

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<v Speaker 1>only uh, this previous cartographer's successes, but also his inaccuracies.

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<v Speaker 1>And we do see huge inaccuracies with maps even today. Um.

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<v Speaker 1>But when you think about these trade routes um, you know,

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<v Speaker 1>either by by foot or by horse or camel um,

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<v Speaker 1>then you get to you know, well established points of

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<v Speaker 1>reference and you can begin to make a mental mapping

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<v Speaker 1>of the landscape. But this is one of those outrageous

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<v Speaker 1>overstatements of the obvious, which is sometimes necessary in dealing

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<v Speaker 1>with mind building content, because you have to actually step

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<v Speaker 1>back and think about something that you already knew. And

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<v Speaker 1>that is that until very recently, we were not able

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<v Speaker 1>to look down at the earth from above and see

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<v Speaker 1>that is the shape of that island, that is the

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<v Speaker 1>shape of that peninsula, that is the manner in which

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<v Speaker 1>that river cuts across the continent. This is all that

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<v Speaker 1>is all really new technology, really new information to have,

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<v Speaker 1>and prior to that, you had to to to deal

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<v Speaker 1>with it all based on observation, mathematics and slowly pieced

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<v Speaker 1>together this top side vision of the world. It was

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<v Speaker 1>not possible. Yeah, it's true. Seventeen and eighteenth centuries really

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<v Speaker 1>ushered in mathematics and technology. Clockmaking made it possible for

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<v Speaker 1>travelers to determine their or longitude accurately, made it much

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<v Speaker 1>more easier to make more accurate maps. Uh for instance,

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<v Speaker 1>using degrees, minutes, and seconds. Meridians measure how far east

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<v Speaker 1>or west a location is from the prime meridian, and

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<v Speaker 1>parallels measure how far north or south of location is

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<v Speaker 1>from the equator. So if you didn't have all this

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<v Speaker 1>information mapped out in the first place, it would be

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<v Speaker 1>very difficult to even try to figure out that journey,

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<v Speaker 1>let along how long it would take. But thankfully we

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<v Speaker 1>had that sort of technology coming online in the form

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<v Speaker 1>of magnetic compasses, telescopes in six tons, which are these

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<v Speaker 1>instruments that really measure the angle between two visible objects.

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<v Speaker 1>So but as you say, it wasn't really until we

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<v Speaker 1>could get above and confirmed. Yeah, and actually Joan Jehan

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<v Speaker 1>Glenn said that when he first went up and he

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<v Speaker 1>saw he was, you know, going he was traveling away

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<v Speaker 1>from Earth and he looked down and he saw the

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<v Speaker 1>state of Florida. He was really impressed because he thought, wow,

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<v Speaker 1>our our map making is pretty accurate, because that is

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<v Speaker 1>a really great representation of Florida. We're not so far off.

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<v Speaker 1>So yeah, we're talking about the ability to obtain aerial photography,

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<v Speaker 1>which of course one has to have the technology to

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<v Speaker 1>at least send up a balloon um or or climb

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<v Speaker 1>something very high, I guess, in a very simple, limited,

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<v Speaker 1>not really aerial form of photography, and of course you

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<v Speaker 1>need took graph It helps, it helps a lot. And

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<v Speaker 1>we actually had the technology of aerial photography back in

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<v Speaker 1>eighty eight, but it's kind of hard to believe that

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<v Speaker 1>it wasn't until after World War One that we began

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<v Speaker 1>to really use it. In earnest Um, it was used

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<v Speaker 1>in reconnaissance missions. Yeah, so prior to that, we there

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<v Speaker 1>was a huge chunks of the world that were really

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<v Speaker 1>uncharted because we didn't have the aerial photography. And then

0:12:25.160 --> 0:12:28.720
<v Speaker 1>of course you had satellites come online, and in the

0:12:28.720 --> 0:12:32.160
<v Speaker 1>beginning of the US military, satellites were equipped with hi

0:12:32.320 --> 0:12:35.959
<v Speaker 1>rese cameras for the purpose of aerial photography. But they

0:12:36.000 --> 0:12:39.160
<v Speaker 1>had no way to develop the film or transmit the images.

0:12:39.480 --> 0:12:41.520
<v Speaker 1>And we take that so for granted right now, right

0:12:41.600 --> 0:12:46.320
<v Speaker 1>you think about you know, Mars curiosity beaming back these images. Um.

0:12:46.440 --> 0:12:49.239
<v Speaker 1>But what they would do is that these early satellites

0:12:49.280 --> 0:12:53.079
<v Speaker 1>would drop film packets into the atmosphere and these were

0:12:53.080 --> 0:12:57.360
<v Speaker 1>outfitted with parachutes. Just kind of cute to think about, um,

0:12:57.480 --> 0:12:59.920
<v Speaker 1>and then they were retrieved mid air by military mill

0:13:00.080 --> 0:13:05.360
<v Speaker 1>terry transport planes. Yeah. So there, yeah, I mean, yeah, alright,

0:13:05.360 --> 0:13:07.199
<v Speaker 1>we're gonna take a quick little break here, and when

0:13:07.200 --> 0:13:09.920
<v Speaker 1>we come back, we're going to deal with a really

0:13:09.960 --> 0:13:13.200
<v Speaker 1>ancient possibly a map, maybe not a map, you'll find

0:13:13.200 --> 0:13:17.640
<v Speaker 1>out when we discuss it. And also are unstoppable need

0:13:17.760 --> 0:13:20.200
<v Speaker 1>to see maps in the world around us? And there's

0:13:20.200 --> 0:13:27.520
<v Speaker 1>actual term for this cartok kofies. All right, we're back,

0:13:27.640 --> 0:13:30.120
<v Speaker 1>and before we get really hardcore back into maps, let's

0:13:30.120 --> 0:13:33.120
<v Speaker 1>talk a little bit about apophenia. Okay, we've talked about

0:13:33.160 --> 0:13:36.640
<v Speaker 1>this before. It is the spontaneous perception of connections and

0:13:36.760 --> 0:13:42.040
<v Speaker 1>meaningfulness of unrelated phenomena. Yeah. Yeah, the coin was too

0:13:42.240 --> 0:13:45.160
<v Speaker 1>the coin. The term was coined by k. Conrad in

0:13:45.240 --> 0:13:50.800
<v Speaker 1>nine and neurologist Peter Bruger studied apophenia and patients who

0:13:50.840 --> 0:13:54.320
<v Speaker 1>had psychotic episodes, and he noticed that they were they

0:13:54.360 --> 0:13:57.280
<v Speaker 1>were finding meaning and random aspects of their lives. And

0:13:57.760 --> 0:14:01.200
<v Speaker 1>his research actually indicates that high levels of dopamine effect

0:14:01.320 --> 0:14:04.840
<v Speaker 1>propensity to find meaning. In other words, when you find

0:14:04.840 --> 0:14:08.319
<v Speaker 1>a pattern, you get a little ding ding from dopamine,

0:14:08.520 --> 0:14:11.720
<v Speaker 1>your reward system of your brain lights up a bit.

0:14:12.040 --> 0:14:15.400
<v Speaker 1>So it would make sense that first that the human

0:14:15.440 --> 0:14:17.840
<v Speaker 1>brain is hardwired to try to find pattern just really

0:14:17.840 --> 0:14:20.640
<v Speaker 1>important in trying to survive, and too, that it would

0:14:20.640 --> 0:14:22.880
<v Speaker 1>get rewarded for that. Yeah, So if you have enough

0:14:22.920 --> 0:14:25.200
<v Speaker 1>dopamine in your system, if you listen to that Led

0:14:25.240 --> 0:14:27.480
<v Speaker 1>Zeppelin song and you finally figure out what he was

0:14:27.480 --> 0:14:30.240
<v Speaker 1>talking about, man, that kind of thing. I mean, it's

0:14:30.280 --> 0:14:33.360
<v Speaker 1>it's essentially a type one error in which we are

0:14:33.400 --> 0:14:37.240
<v Speaker 1>you're seeing patterns that aren't necessarily there. It's part of

0:14:37.280 --> 0:14:40.200
<v Speaker 1>everything from our ability to see a smiley face where

0:14:40.200 --> 0:14:42.040
<v Speaker 1>there isn't one to see, you know, because we can

0:14:42.040 --> 0:14:46.040
<v Speaker 1>look at anything but even the vaguest human face pattern

0:14:46.080 --> 0:14:48.720
<v Speaker 1>in it and we we sort of personify it. And

0:14:49.000 --> 0:14:50.720
<v Speaker 1>so there's a little bit of it going on there,

0:14:50.720 --> 0:14:53.040
<v Speaker 1>but been in it's more extreme cases, it's it plays

0:14:53.040 --> 0:14:58.320
<v Speaker 1>into conspiracy theories, it plays into religious experience, paranormal experience.

0:14:59.160 --> 0:15:01.440
<v Speaker 1>It's just drawing all these connections that aren't there where

0:15:01.480 --> 0:15:05.880
<v Speaker 1>Suddenly you realize that whoa, this uh, this thing that

0:15:05.920 --> 0:15:08.120
<v Speaker 1>happened with my car is something wrong with the engine

0:15:08.120 --> 0:15:10.800
<v Speaker 1>and it's totally because of the government, and they're probably

0:15:10.800 --> 0:15:13.840
<v Speaker 1>watching me through my TV. Meanwhile, you fellow dopamine release

0:15:13.960 --> 0:15:17.520
<v Speaker 1>for making that connection. Right, So it's not surprising that

0:15:17.520 --> 0:15:21.120
<v Speaker 1>there would be a little something called cartok cothies, which

0:15:21.240 --> 0:15:25.560
<v Speaker 1>is this uncontrollable urge to see maps where there aren't none. Yeah,

0:15:25.600 --> 0:15:28.240
<v Speaker 1>which is which is pretty pretty pretty phenomenal. I mean,

0:15:28.240 --> 0:15:30.320
<v Speaker 1>at one level we mentioned that, and I imagined a

0:15:30.400 --> 0:15:32.680
<v Speaker 1>lot of you are thinking, wow, well, when when would

0:15:32.720 --> 0:15:36.600
<v Speaker 1>one have the opportunity to make that mistake? Because you know,

0:15:36.640 --> 0:15:39.640
<v Speaker 1>I'm thinking about just my daily life. How many times

0:15:39.640 --> 0:15:41.760
<v Speaker 1>do I encounter something that's not a map that I

0:15:41.800 --> 0:15:44.720
<v Speaker 1>could interpret as a map, Like maybe if I found

0:15:44.760 --> 0:15:46.760
<v Speaker 1>like a scrap of paper and I was wondering if

0:15:46.760 --> 0:15:49.560
<v Speaker 1>it was a treasure map. You know, I just I

0:15:50.480 --> 0:15:54.160
<v Speaker 1>don't see this being a big deal for the average person. No,

0:15:54.280 --> 0:15:55.680
<v Speaker 1>And I don't think it is. I think it's for

0:15:55.720 --> 0:15:59.680
<v Speaker 1>people who are map minded and intend to gravitate towards

0:15:59.760 --> 0:16:04.320
<v Speaker 1>Matt and particularly archaeologist and anthropologists were looking back in

0:16:04.680 --> 0:16:08.360
<v Speaker 1>human history finding these relics, and in many cases it

0:16:08.400 --> 0:16:10.320
<v Speaker 1>may just be some scratches on a on a wall

0:16:10.320 --> 0:16:12.560
<v Speaker 1>on ancient cave site, and then trying to figure out

0:16:12.560 --> 0:16:14.880
<v Speaker 1>what what was this ancient person whose mind I can

0:16:14.880 --> 0:16:19.240
<v Speaker 1>barely comprehend, if at all comprehend what were they thinking

0:16:19.240 --> 0:16:22.840
<v Speaker 1>when they did this? Well, and it seems benign until

0:16:22.920 --> 0:16:26.560
<v Speaker 1>you start to consider that if you, if you tend

0:16:26.600 --> 0:16:29.120
<v Speaker 1>to see maps where there are not, then if someone

0:16:29.200 --> 0:16:32.000
<v Speaker 1>is an archaeologist and they're looking at something, they could

0:16:32.920 --> 0:16:36.640
<v Speaker 1>perhaps uh perceive something that is not there and in

0:16:36.680 --> 0:16:40.440
<v Speaker 1>doing so, really warp our understanding of that culture, of

0:16:40.480 --> 0:16:43.600
<v Speaker 1>that period of time and history. Um and I am

0:16:43.680 --> 0:16:48.640
<v Speaker 1>thinking about something called the Caltahyak Map. It was first

0:16:48.680 --> 0:16:52.400
<v Speaker 1>brought to our attention in a nineteen article entitled Excavations

0:16:52.440 --> 0:16:57.240
<v Speaker 1>at Katahayak. And this is by James Mollart, who at

0:16:57.280 --> 0:17:00.680
<v Speaker 1>the time recognized it as a city plan. Yes, now,

0:17:00.760 --> 0:17:04.600
<v Speaker 1>the original scratch, the original scratches, the original markings do

0:17:04.720 --> 0:17:06.840
<v Speaker 1>kind of look like scratches on a wall, not not

0:17:06.920 --> 0:17:09.480
<v Speaker 1>to discredit the work of an ancient people, but it

0:17:09.520 --> 0:17:12.000
<v Speaker 1>hadn't really survived all that well, it's it's it's kind

0:17:12.000 --> 0:17:15.720
<v Speaker 1>of abstract. But the popularized version of this though, is

0:17:15.720 --> 0:17:18.240
<v Speaker 1>a sketch that he did of it. It's the sketch

0:17:18.280 --> 0:17:21.240
<v Speaker 1>that's the problems because the sketch really plays into his

0:17:21.320 --> 0:17:25.679
<v Speaker 1>interpretation of it. So you see in his sketch what

0:17:25.800 --> 0:17:28.680
<v Speaker 1>really looks like a laid out city like grid work

0:17:28.680 --> 0:17:31.480
<v Speaker 1>of the of the city and then above it interrupting

0:17:31.560 --> 0:17:36.480
<v Speaker 1>volcano right and um now he is saying that this, uh,

0:17:36.560 --> 0:17:40.320
<v Speaker 1>this sort of neolithic map dates back to six BC

0:17:40.600 --> 0:17:42.639
<v Speaker 1>and that it would have been one of the first maps.

0:17:42.720 --> 0:17:45.399
<v Speaker 1>Now that's really important because all of a sudden you

0:17:45.440 --> 0:17:49.280
<v Speaker 1>have pinned in time when man started to really make maps.

0:17:49.640 --> 0:17:52.919
<v Speaker 1>Um or you know, the surrounding areas are certainly just

0:17:53.040 --> 0:17:54.919
<v Speaker 1>you know, you have one of the earliest examples of it.

0:17:54.960 --> 0:17:57.280
<v Speaker 1>And that's that's amazing because we can actually put a date.

0:17:59.480 --> 0:18:01.439
<v Speaker 1>You're right, that's more accurate that you can actually just

0:18:01.560 --> 0:18:03.560
<v Speaker 1>put a date to it rather than trying to figure

0:18:03.560 --> 0:18:06.639
<v Speaker 1>out when we started to make maps. And then you know,

0:18:06.880 --> 0:18:08.880
<v Speaker 1>you start to think, okay, well that's older than any

0:18:08.920 --> 0:18:12.919
<v Speaker 1>writing system, you know, four thousand years ago and older

0:18:12.920 --> 0:18:18.480
<v Speaker 1>than the oldest known alphabetical writing system. And this really

0:18:18.520 --> 0:18:22.439
<v Speaker 1>begins to shape this story about humans. Um, the problem is,

0:18:22.480 --> 0:18:25.119
<v Speaker 1>as you say, is that this was a picture that

0:18:25.160 --> 0:18:29.200
<v Speaker 1>he made of a cave painting, and so it's it's

0:18:29.240 --> 0:18:32.800
<v Speaker 1>just full of I guess you could say, his impression

0:18:32.880 --> 0:18:34.840
<v Speaker 1>of what he thought it was. Yeah, And like like

0:18:34.880 --> 0:18:36.760
<v Speaker 1>I said earlier too, even if you're dealing with an

0:18:36.760 --> 0:18:40.560
<v Speaker 1>actual map, uh from an ancient culture, you have to

0:18:40.600 --> 0:18:43.639
<v Speaker 1>really navigate that gray area of to what extent is

0:18:43.680 --> 0:18:47.480
<v Speaker 1>this just a person trying to figure out what their

0:18:47.520 --> 0:18:50.359
<v Speaker 1>places in the surrounding space and what to what point

0:18:50.440 --> 0:18:53.720
<v Speaker 1>is this a cosmological or religious work, To what extent

0:18:53.840 --> 0:18:56.280
<v Speaker 1>is it are they just seeing things in the world

0:18:56.320 --> 0:18:59.280
<v Speaker 1>around them and making pictures of them. You get into

0:18:59.320 --> 0:19:01.600
<v Speaker 1>that gray area of what a map is to an

0:19:01.600 --> 0:19:05.440
<v Speaker 1>ancient people, well certainly to a non language people, even

0:19:05.680 --> 0:19:10.080
<v Speaker 1>even more difficult to the fathom. Well, archaeologist Stephanie Mice

0:19:10.200 --> 0:19:13.120
<v Speaker 1>is the person who actually illuminated this problem because she said,

0:19:13.160 --> 0:19:15.800
<v Speaker 1>first of all, it's been taking out of context. Let's

0:19:15.920 --> 0:19:18.040
<v Speaker 1>go and look at this cave painting in the context

0:19:18.080 --> 0:19:20.679
<v Speaker 1>with other cave paintings and see what we find and

0:19:20.800 --> 0:19:23.879
<v Speaker 1>lo and behold. When she examined it, she said, m okay,

0:19:24.440 --> 0:19:28.040
<v Speaker 1>Now in the context, I can see that this volcano

0:19:28.240 --> 0:19:31.440
<v Speaker 1>it's spotted like a leopard skin, and if you look

0:19:31.440 --> 0:19:33.840
<v Speaker 1>at it, it's not really a volcano. It's kind of

0:19:34.000 --> 0:19:36.920
<v Speaker 1>two peaks. One peak is larger than the other. Now

0:19:36.920 --> 0:19:39.320
<v Speaker 1>I'm going to compare it against this other cave painting

0:19:39.359 --> 0:19:43.520
<v Speaker 1>in which they have stretched out tiger skins or excuse me,

0:19:43.640 --> 0:19:47.000
<v Speaker 1>leopard skins, and you begin to see that this volcano.

0:19:47.320 --> 0:19:48.960
<v Speaker 1>It's really funny. When you first look at it, you

0:19:49.000 --> 0:19:51.240
<v Speaker 1>do see a volcano, but when you see her explanation,

0:19:51.359 --> 0:19:56.640
<v Speaker 1>you see that it is a stretched out it's totally yeah,

0:19:56.680 --> 0:19:59.639
<v Speaker 1>it's not a volcano. And these other little scratches aren't,

0:19:59.680 --> 0:20:03.399
<v Speaker 1>you know, necessarily the houses in that town or the huts.

0:20:04.200 --> 0:20:06.320
<v Speaker 1>It reminds me of the episode of Rest of Development,

0:20:06.359 --> 0:20:09.000
<v Speaker 1>where there's a cell phone picture that they think is

0:20:09.000 --> 0:20:11.399
<v Speaker 1>showing w M D S. But Tobias just took a

0:20:11.400 --> 0:20:16.520
<v Speaker 1>picture of himself by accident in the bathtub. You know. Well,

0:20:16.600 --> 0:20:21.400
<v Speaker 1>it's like Ken Jennings and map Head looks at Krishev's

0:20:21.560 --> 0:20:24.840
<v Speaker 1>forehead and sees a country I think it's Thailand or something.

0:20:24.840 --> 0:20:27.240
<v Speaker 1>Because he can't help it, and he's drawn the connections

0:20:27.280 --> 0:20:29.600
<v Speaker 1>to in that book between the shapes of various states

0:20:29.600 --> 0:20:32.240
<v Speaker 1>and the shapes of other countries. I mean, yeah, you

0:20:32.280 --> 0:20:35.080
<v Speaker 1>can't help but think those connections in your mind. All right,

0:20:35.200 --> 0:20:38.320
<v Speaker 1>So sent for doing some time traveling. Let's go forward

0:20:38.400 --> 0:20:41.600
<v Speaker 1>into the way way future, which is now um and

0:20:41.800 --> 0:20:45.080
<v Speaker 1>think about what maps mean to us today, particularly with

0:20:45.160 --> 0:20:48.000
<v Speaker 1>sort of technology that we have. Are you know, recapable

0:20:48.040 --> 0:20:52.240
<v Speaker 1>of making a similar mistake and misinterpreting information and layering

0:20:52.320 --> 0:20:56.600
<v Speaker 1>information that we have now? Well, if a future society

0:20:56.720 --> 0:20:59.199
<v Speaker 1>or alien culture comes back and looks at our maps now,

0:20:59.359 --> 0:21:01.520
<v Speaker 1>they're probably either going to be a little confused by

0:21:01.560 --> 0:21:03.480
<v Speaker 1>all the maps that we have of things that are

0:21:03.520 --> 0:21:06.480
<v Speaker 1>not actually real, which we discussed in our previous podcasts,

0:21:06.480 --> 0:21:08.080
<v Speaker 1>are gonna be like whoa, they have all these maps

0:21:08.080 --> 0:21:11.000
<v Speaker 1>of Hell, like tons of them. And and then there

0:21:11.000 --> 0:21:14.199
<v Speaker 1>are all these these other planets. I guess there's some

0:21:14.320 --> 0:21:17.480
<v Speaker 1>place called Middle Earth. It doesn't match up with anything

0:21:17.520 --> 0:21:21.320
<v Speaker 1>on the planet. There's the Hobbits. We don't see anything

0:21:21.440 --> 0:21:25.639
<v Speaker 1>in the record. So again, on one level, there's the

0:21:25.840 --> 0:21:30.760
<v Speaker 1>just the complexity of of our map obsession that we

0:21:30.800 --> 0:21:32.480
<v Speaker 1>have maps of things that aren't real. We have maps

0:21:32.520 --> 0:21:35.919
<v Speaker 1>that that deserve a purpose other than navigating the physical world.

0:21:36.440 --> 0:21:39.080
<v Speaker 1>But then our modern day maps are rather unique in

0:21:39.080 --> 0:21:41.920
<v Speaker 1>that they certainly something on your anything you're gonna have

0:21:41.960 --> 0:21:44.120
<v Speaker 1>in your smartphone, you're dealing with a real time map.

0:21:44.200 --> 0:21:47.080
<v Speaker 1>You're dealing in the map that not only charts the

0:21:47.119 --> 0:21:51.800
<v Speaker 1>streets in your world, but also the traffic on those streets,

0:21:52.119 --> 0:21:55.080
<v Speaker 1>how they're affected by weather, how they're affected by public

0:21:55.080 --> 0:21:57.520
<v Speaker 1>transportation system. So you have a lot of real time

0:21:57.600 --> 0:22:01.080
<v Speaker 1>data informing the shape of that map. Think about Google Earth.

0:22:01.119 --> 0:22:04.080
<v Speaker 1>It uses satellites, planes, hot air balloons. I did not

0:22:04.160 --> 0:22:07.720
<v Speaker 1>know that, uh, camera equipped kites and cars to capture

0:22:07.720 --> 0:22:11.640
<v Speaker 1>their images and then create this this virtual Earth for us,

0:22:12.359 --> 0:22:15.680
<v Speaker 1>and then you it has the keyhole technology UM which

0:22:15.800 --> 0:22:19.000
<v Speaker 1>actually before Google acquired it, I gave that program to

0:22:19.080 --> 0:22:22.119
<v Speaker 1>my dad because he's an early adopter of technology and

0:22:22.119 --> 0:22:23.600
<v Speaker 1>that was like the one thing I knew he didn't have.

0:22:24.000 --> 0:22:26.159
<v Speaker 1>So that gave them the ability to swoop in and

0:22:26.200 --> 0:22:29.600
<v Speaker 1>out UM, you know, with two D graphics and try

0:22:29.640 --> 0:22:34.320
<v Speaker 1>to make it even more accurate representation. UM. The goal

0:22:34.760 --> 0:22:39.440
<v Speaker 1>of Google is to have a sentiment centimeter per pixel

0:22:39.480 --> 0:22:42.959
<v Speaker 1>imagery for the entirety of the globe, So every square

0:22:42.960 --> 0:22:46.400
<v Speaker 1>centimeter is its own pixel on the map. So now

0:22:46.480 --> 0:22:50.399
<v Speaker 1>that's overlaid with real time data like traffic and weather

0:22:50.880 --> 0:22:55.560
<v Speaker 1>and also crowdsourcing photos. Right, you can overlay virtually anything

0:22:55.640 --> 0:22:59.240
<v Speaker 1>on top of that, and you begin to wonder, is

0:22:59.280 --> 0:23:02.439
<v Speaker 1>this a more greate picture of of humanity in the

0:23:02.480 --> 0:23:06.399
<v Speaker 1>places that we live or is it still could there

0:23:06.440 --> 0:23:08.679
<v Speaker 1>be a bias in this, because some people will say

0:23:08.720 --> 0:23:11.199
<v Speaker 1>that that maps are biased in ways depending on the

0:23:11.200 --> 0:23:14.240
<v Speaker 1>sort of information that you share. Yes, And Uh. The

0:23:14.320 --> 0:23:16.880
<v Speaker 1>interesting thing too about going forward and thinking about the

0:23:17.000 --> 0:23:20.200
<v Speaker 1>information that shared in the map. We're talking about engaging

0:23:20.520 --> 0:23:23.120
<v Speaker 1>the map with even more and more information. We talked

0:23:23.119 --> 0:23:25.840
<v Speaker 1>in the past about the Living Earth simulator, this idea

0:23:25.880 --> 0:23:30.600
<v Speaker 1>that will essentially create a simulated model of the Earth.

0:23:30.640 --> 0:23:33.639
<v Speaker 1>Now it's it's not necessarily and it's it's least in

0:23:33.680 --> 0:23:37.600
<v Speaker 1>its short term vision. It's we're not talking about a

0:23:37.680 --> 0:23:41.160
<v Speaker 1>virtual Earth than which you could jack into and see,

0:23:41.720 --> 0:23:43.840
<v Speaker 1>you know, what the Queen is doing tomorrow and how

0:23:43.840 --> 0:23:45.880
<v Speaker 1>it's affecting Wall Street, that kind of thing. But you'd

0:23:45.920 --> 0:23:49.879
<v Speaker 1>be able to take a virtual world, Uh, Q in

0:23:50.200 --> 0:23:53.800
<v Speaker 1>the data that is essential to your problem, such as

0:23:53.880 --> 0:23:57.640
<v Speaker 1>say I don't know how Hollywood blockbusters affect the global

0:23:57.760 --> 0:24:00.439
<v Speaker 1>seafood market. You would put in the Hollywood data that

0:24:00.440 --> 0:24:02.280
<v Speaker 1>you put in the seafood data, you put in maybe

0:24:02.320 --> 0:24:05.199
<v Speaker 1>a few other data sets that play between those, and

0:24:05.240 --> 0:24:07.760
<v Speaker 1>then you would let it roll like a weather model

0:24:07.800 --> 0:24:10.240
<v Speaker 1>and see what the forecast is for tomorrow or the

0:24:10.320 --> 0:24:14.880
<v Speaker 1>day after in terms of fish and Hollywood movies. So

0:24:15.040 --> 0:24:17.879
<v Speaker 1>I think what we're talking about is the capability to

0:24:18.000 --> 0:24:20.840
<v Speaker 1>have a mapping system that can tell you what's going

0:24:20.920 --> 0:24:23.520
<v Speaker 1>on in the here and now, that can also extrapolate

0:24:23.560 --> 0:24:27.040
<v Speaker 1>what's going on a year from now, thirty days, ten

0:24:27.160 --> 0:24:31.240
<v Speaker 1>years predicated on these models for the Living Earth simulator

0:24:31.400 --> 0:24:34.080
<v Speaker 1>that at least in the program in its present form, right.

0:24:34.600 --> 0:24:38.240
<v Speaker 1>And then you think about Google's Liquid Galaxy, which is

0:24:38.280 --> 0:24:41.040
<v Speaker 1>this cluster of computers running Google Earth to create a

0:24:41.080 --> 0:24:44.600
<v Speaker 1>really immersive effect, and you begin to get this picture

0:24:44.640 --> 0:24:48.400
<v Speaker 1>of the future where you would never have to leave

0:24:48.520 --> 0:24:54.000
<v Speaker 1>your home to have pretty immersive experiences, right, because you

0:24:54.040 --> 0:24:56.760
<v Speaker 1>can even go out into the galaxy. We talked about

0:24:58.320 --> 0:25:01.560
<v Speaker 1>about the Internet, interstellar in net and how we're trying

0:25:01.600 --> 0:25:05.280
<v Speaker 1>to connect our solar system and trying to get trying

0:25:05.280 --> 0:25:08.800
<v Speaker 1>to figure out ways that will be connected. Think about

0:25:08.960 --> 0:25:10.960
<v Speaker 1>what that means in terms of the images that we're

0:25:10.960 --> 0:25:14.160
<v Speaker 1>getting from Mars curiosity, in that sort of data pace

0:25:14.320 --> 0:25:17.399
<v Speaker 1>that we're building up. Yeah, the map becomes more and

0:25:17.440 --> 0:25:22.479
<v Speaker 1>more complex. Ideally it is still providing a simplified model

0:25:23.160 --> 0:25:25.560
<v Speaker 1>or view of the world to the user, but the

0:25:25.600 --> 0:25:28.119
<v Speaker 1>map itself, that the technology and the information in it

0:25:28.200 --> 0:25:30.760
<v Speaker 1>just swells and swells. I can't help but be reminded

0:25:30.800 --> 0:25:34.800
<v Speaker 1>of your Hey, Leuis Borges story on exactitude in science,

0:25:35.440 --> 0:25:39.520
<v Speaker 1>in which an empire that's obsessed with cartography creates a

0:25:39.640 --> 0:25:42.760
<v Speaker 1>map of the empire that is that is one to

0:25:42.840 --> 0:25:46.720
<v Speaker 1>one scale, so it's the map is the size of

0:25:46.720 --> 0:25:48.960
<v Speaker 1>the thing that it's mapping, and it just lays over

0:25:49.200 --> 0:25:52.760
<v Speaker 1>the earth um which which is an idea that the

0:25:53.000 --> 0:25:59.080
<v Speaker 1>Boorhees took from or he adapted from Loose Carroll and

0:25:59.160 --> 0:26:02.359
<v Speaker 1>something yeah, and and so borgyes Is was always up

0:26:02.400 --> 0:26:06.439
<v Speaker 1>for some sort of mind twisting, magical realistic idea, and

0:26:06.480 --> 0:26:08.240
<v Speaker 1>so he played with that in his short story and

0:26:08.359 --> 0:26:11.120
<v Speaker 1>it was pretty pretty thought provoking. Silly but thought provoking.

0:26:11.119 --> 0:26:15.560
<v Speaker 1>You know, well, it certainly appliable to a virtual map world, Like,

0:26:15.680 --> 0:26:17.959
<v Speaker 1>what point does it become the equal of the thing

0:26:18.000 --> 0:26:20.480
<v Speaker 1>it's mapping in terms of its complexity? Well, and what

0:26:20.560 --> 0:26:23.480
<v Speaker 1>other frontiers are we mapping? Again, going back to Mars

0:26:23.480 --> 0:26:27.640
<v Speaker 1>curiosity and just in September, they discovered an area where

0:26:27.640 --> 0:26:30.880
<v Speaker 1>they think there was water and uh, the rocks are

0:26:30.880 --> 0:26:34.800
<v Speaker 1>in this large canyon and NASA's team named this rock

0:26:34.880 --> 0:26:39.080
<v Speaker 1>outcrop um Hotel. I believe that's the way to pronounce it,

0:26:39.280 --> 0:26:43.199
<v Speaker 1>after Canada's Hota Lake. So I mean already we're beginning

0:26:43.200 --> 0:26:46.080
<v Speaker 1>to take our history and propel it forward into these

0:26:46.160 --> 0:26:48.280
<v Speaker 1>uncharted areas. And then of course we get into the

0:26:48.280 --> 0:26:51.280
<v Speaker 1>area of augmented reality. Now um I believe it was

0:26:51.359 --> 0:26:54.200
<v Speaker 1>umberto Echo and one of his essays and numberto Eco

0:26:54.640 --> 0:26:59.520
<v Speaker 1>writes about everything from comic books to obscure things and

0:26:59.600 --> 0:27:03.240
<v Speaker 1>medieval literature. Great writer, but he wrote a piece where

0:27:03.240 --> 0:27:07.040
<v Speaker 1>he was talking about Borges story on exactitude and science,

0:27:07.240 --> 0:27:10.200
<v Speaker 1>and he was talking about making the map um see

0:27:10.240 --> 0:27:12.399
<v Speaker 1>through It would be okay so that you could you

0:27:12.440 --> 0:27:14.480
<v Speaker 1>could lay it out over the thing that it's mapping.

0:27:14.560 --> 0:27:16.640
<v Speaker 1>You wouldn't you wouldn't be able to you wouldn't say

0:27:16.640 --> 0:27:18.280
<v Speaker 1>something like, oh, where's the park. I can't see the

0:27:18.280 --> 0:27:19.880
<v Speaker 1>park for the map of the park that's on top

0:27:19.920 --> 0:27:24.080
<v Speaker 1>of it. To a certain extent, augmented reality is exactly that,

0:27:25.000 --> 0:27:27.960
<v Speaker 1>the idea of putting on a pair of enhanced augmented

0:27:28.000 --> 0:27:31.480
<v Speaker 1>reality glasses that then overlay the world around us with

0:27:31.560 --> 0:27:35.880
<v Speaker 1>information about that world. It becomes a c through one

0:27:35.920 --> 0:27:39.120
<v Speaker 1>to one map of the world that we live in. Yeah,

0:27:39.200 --> 0:27:41.880
<v Speaker 1>we've already seen the technology and play with surfaces too,

0:27:42.440 --> 0:27:46.040
<v Speaker 1>so um, yeah, it's kind of interesting to to imagine

0:27:46.080 --> 0:27:48.760
<v Speaker 1>walking down the street with you know, contacts that are

0:27:49.200 --> 0:27:53.520
<v Speaker 1>super imposing information and map coordinates at the same time.

0:27:54.119 --> 0:27:56.520
<v Speaker 1>You know, is this uh, I mean, I guess this

0:27:56.680 --> 0:27:59.000
<v Speaker 1>is just another version of the map, right. You can

0:27:59.040 --> 0:28:01.800
<v Speaker 1>kind of awful lies about it and be a Cassandra

0:28:01.840 --> 0:28:05.320
<v Speaker 1>about it, but this is the reality of living at

0:28:05.359 --> 0:28:08.359
<v Speaker 1>a different time in the world when map technology is

0:28:08.400 --> 0:28:12.080
<v Speaker 1>now this instead of your Rand McNally tattered in your

0:28:12.080 --> 0:28:16.600
<v Speaker 1>back pocket. Yeah, maps amazes. There you go. All right,

0:28:16.640 --> 0:28:18.480
<v Speaker 1>let's call over the robot. Then we'll do a quick

0:28:18.480 --> 0:28:22.320
<v Speaker 1>listener or email. All right, we heard from Adam, and

0:28:22.400 --> 0:28:25.520
<v Speaker 1>Adam is of course the chief Happiness Officer that we've

0:28:25.560 --> 0:28:29.000
<v Speaker 1>heard about before. He has a website Happiness plunge dot com,

0:28:29.400 --> 0:28:32.359
<v Speaker 1>as well as crazy Hair fundraiser dot com and uh.

0:28:32.480 --> 0:28:35.400
<v Speaker 1>He wrote into us in a response to our bat episodes.

0:28:35.680 --> 0:28:38.400
<v Speaker 1>He says, Hey guys, great timing on the podcast. I

0:28:38.480 --> 0:28:41.280
<v Speaker 1>was just on the island of Samal in the Philippines,

0:28:41.360 --> 0:28:43.680
<v Speaker 1>working with the community fighting to keep its land from

0:28:43.720 --> 0:28:47.160
<v Speaker 1>being deserved by business interests to make resorts. Anyway, I

0:28:47.240 --> 0:28:49.840
<v Speaker 1>stayed just a short walk away from the Guinness Record

0:28:49.880 --> 0:28:54.200
<v Speaker 1>biggest colony um of Jeffrey Rose's fruit bats in the world.

0:28:54.640 --> 0:28:57.800
<v Speaker 1>There are approximately one point eight million there. I had

0:28:57.800 --> 0:29:00.640
<v Speaker 1>never seen a bat before, so it was quite an experience.

0:29:00.840 --> 0:29:03.440
<v Speaker 1>We went about an hour before twilight, so that the

0:29:03.480 --> 0:29:06.520
<v Speaker 1>bats were active, flying around inside the cave and moving

0:29:06.560 --> 0:29:10.560
<v Speaker 1>around upside down. The noise the bats make is quite distinct.

0:29:10.600 --> 0:29:13.080
<v Speaker 1>It's hard to describe, but maybe like a high pitched

0:29:13.080 --> 0:29:16.480
<v Speaker 1>mouse mixed with nails on a chalkboard. It didn't smell

0:29:16.520 --> 0:29:19.040
<v Speaker 1>at all until one of the cave openings. Then the

0:29:19.040 --> 0:29:21.320
<v Speaker 1>smell just kind of slapped me across the face and

0:29:21.560 --> 0:29:24.680
<v Speaker 1>was horrible. I don't think their exit is quite as dramatic,

0:29:24.720 --> 0:29:27.400
<v Speaker 1>since there are several openings in the cave, but it

0:29:27.480 --> 0:29:29.640
<v Speaker 1>might be a site to see when they all leave

0:29:29.680 --> 0:29:32.040
<v Speaker 1>from the same area. Thanks for the great podcast and

0:29:32.080 --> 0:29:35.760
<v Speaker 1>information about these amazing, pollinating creatures, attached to some pictures

0:29:35.760 --> 0:29:39.440
<v Speaker 1>and videos for your enjoyment. Uh And indeed he includes

0:29:39.480 --> 0:29:42.880
<v Speaker 1>some really cool photos and video. I'm right after this podcast,

0:29:42.920 --> 0:29:44.720
<v Speaker 1>I guess I will go and put it on the Facebook,

0:29:44.760 --> 0:29:46.880
<v Speaker 1>so by the time you listen to this you will

0:29:46.920 --> 0:29:49.680
<v Speaker 1>have maybe seen them already. But he took some really

0:29:49.680 --> 0:29:52.760
<v Speaker 1>cool photographs, Like the beautiful creature. It's very uh, like

0:29:52.840 --> 0:29:56.560
<v Speaker 1>the the color of their their wing webbing versus the

0:29:56.560 --> 0:30:01.440
<v Speaker 1>wings limbs themselves. It's very distinct, really beautiful. I think

0:30:01.440 --> 0:30:05.240
<v Speaker 1>in general bouts are elegant. That's probably not something people

0:30:05.240 --> 0:30:07.520
<v Speaker 1>for around when they talk about bats, but they are.

0:30:07.560 --> 0:30:09.720
<v Speaker 1>To me. Well, if you don't find that's beautiful, I

0:30:10.160 --> 0:30:11.840
<v Speaker 1>challenge that you have not really stopped to look at

0:30:11.840 --> 0:30:16.680
<v Speaker 1>the bat. Yeah, yeah, yes, all right. Well, if you

0:30:16.720 --> 0:30:19.000
<v Speaker 1>have something to share with us about the beauty of bats,

0:30:20.000 --> 0:30:23.600
<v Speaker 1>or about our obsession with maps, about our ability to

0:30:23.640 --> 0:30:25.240
<v Speaker 1>see maps in the world around us, let us know.

0:30:25.280 --> 0:30:27.160
<v Speaker 1>I'd love to hear if any of you out there

0:30:27.600 --> 0:30:30.920
<v Speaker 1>compulsively see maps where there are no maps. Um, I'm

0:30:30.960 --> 0:30:36.480
<v Speaker 1>interested in anyone's personal experience with these new map technologies

0:30:36.480 --> 0:30:39.560
<v Speaker 1>that we're dealing with, whether it's just getting lost due

0:30:39.640 --> 0:30:43.400
<v Speaker 1>to some mishap with your a GPS, or some thoughts

0:30:43.440 --> 0:30:47.280
<v Speaker 1>on how your GPS and your augmented technology actually informs

0:30:47.320 --> 0:30:49.920
<v Speaker 1>your understanding and view of the world around you. Let

0:30:49.960 --> 0:30:51.640
<v Speaker 1>us know about it. You can find us on Facebook

0:30:51.680 --> 0:30:53.800
<v Speaker 1>and you can find us on tumbler. We are stuff

0:30:53.880 --> 0:30:56.000
<v Speaker 1>to blow your mind on both of those, and you

0:30:56.040 --> 0:30:57.960
<v Speaker 1>can find us on Twitter where our handle is blow

0:30:58.040 --> 0:31:00.360
<v Speaker 1>the Mind, and you can send us a lot at

0:31:00.400 --> 0:31:09.360
<v Speaker 1>blow the Mind at discovery dot com. For more on

0:31:09.440 --> 0:31:11.880
<v Speaker 1>this and thousands of other topics. Is it how Stuff

0:31:11.920 --> 0:31:17.200
<v Speaker 1>Works dot com