WEBVTT - Episode 15: 'Ant-Man and the Wasp' Review ***SPOILERS AHEAD***

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<v Speaker 1>Hello, Hello, Hello, and welcome to Nerdificent. I am one

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<v Speaker 1>of your hosts, Danny Fernandez, and sitting across from me

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<v Speaker 1>as always coming in live and direct across from Danny.

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<v Speaker 1>But we have a guest today. Let's talk about her?

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<v Speaker 1>Do we have pop culture critic Joel Money. Hey, how's

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<v Speaker 1>it going. It's good. I'm really glad to be here. Guys,

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<v Speaker 1>I'm glad to have you here. We all actually saw

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<v Speaker 1>the same film last night, but we were in different

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<v Speaker 1>theaters and you got stuck in the theater. I guess

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<v Speaker 1>that notoriously, people don't want to be in it's a theater.

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<v Speaker 1>Film critics don't want to be critics don't like three D.

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<v Speaker 1>They're like, why are we doing this? There's always seats

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<v Speaker 1>left over. But I'm cool with it. But I feel

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<v Speaker 1>like we've gotten to a level of three D where

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<v Speaker 1>it's like, I don't really see a difference. Classes is that? Like?

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<v Speaker 1>I know, so last night when you so, when you

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<v Speaker 1>when you get invited to media screening, sometimes they'll ask

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<v Speaker 1>you if you want to be in two D or

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<v Speaker 1>three D? And so I was there picking up our

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<v Speaker 1>tickets and I was like, oh, I guess who who's

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<v Speaker 1>going in a what I was like kind of asking

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<v Speaker 1>my friends, and I know notoriously in the film critic

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<v Speaker 1>community that they don't like going into three D. So

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<v Speaker 1>I almost wanted to go in there, but I didn't.

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<v Speaker 1>I caved and I went with the rest of the

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<v Speaker 1>nerds in a two D. I'm gonna let the nerdive

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<v Speaker 1>crowd know that unless you like just love three D,

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<v Speaker 1>don't don't spend your money on this one. It's it's

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<v Speaker 1>not like dr strange or like seeing three D was

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<v Speaker 1>like a legitimate experience, true, that is the special effect

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<v Speaker 1>for a wild This one was like there's a couple

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<v Speaker 1>of moments with him when he gets soups tiny where

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<v Speaker 1>you're like, oh, this is really cool. It's shiny and

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<v Speaker 1>like fun. Three D is good here. Otherwise it's just

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<v Speaker 1>kind of like almost flubber silly, Like there's the moment

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<v Speaker 1>where dudes leaning out the door to say goodbye to

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<v Speaker 1>his daughter, and that's like in a wonky three D,

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<v Speaker 1>you're like too much three D. I love when Harold

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<v Speaker 1>and Kumar did their three D movie because they kept

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<v Speaker 1>making fun of three D technology, like they would just

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<v Speaker 1>point out like their fingers would go out, like just

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<v Speaker 1>and that's why we have this this, you know that

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<v Speaker 1>type of technology. But I'm gonna, you know, next time,

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<v Speaker 1>I'm gonna I'm gonna go against the grain. I will

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<v Speaker 1>be in there with you, rebel. And also because you

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<v Speaker 1>can show up later, you can you don't have to

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<v Speaker 1>be there an hour before the movie started. Yeah. Okay,

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<v Speaker 1>So the movie that we're talking about is aunt Man

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<v Speaker 1>in the Wasp, which is dropping this weekend, so when

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<v Speaker 1>everyone's listening, this is if we haven't said a spoiler review, Yeah, really,

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<v Speaker 1>not too much to spoil in my opinion. I mean,

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<v Speaker 1>there's there's a few key things. I think there's It's

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<v Speaker 1>not like Infinity War. Yeah, but definitely you probably should

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<v Speaker 1>have seen Infinity War by this point because we will

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<v Speaker 1>be trying to there will be like light connections that

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<v Speaker 1>bring up. I went with somebody who hadn't seen Infinity

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<v Speaker 1>Wars and trying to explain everything to them like yeah,

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<v Speaker 1>like I'd be like, okay, so don't worry about that,

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<v Speaker 1>and uh, okay, so this is aunt Man. I mean

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<v Speaker 1>that that post credits thing must have been so wait,

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<v Speaker 1>so we're gonna let people in case this is auto

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<v Speaker 1>plane on your for some reason, and we don't want

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<v Speaker 1>you to write us this is your spoiler warning. Moving forward,

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<v Speaker 1>we will be talking about spoilers, not only with Marvel

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<v Speaker 1>Films with Infinity War, but with ant Man in the Wasps.

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<v Speaker 1>So turn us off and bring us back if you

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<v Speaker 1>haven't seen it yet, yes, okay continue Sorry? Yeah, so, yeah, no,

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<v Speaker 1>there was a post credit scene that definitely has to

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<v Speaker 1>do with Infinity War. Um as a young aunt man

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<v Speaker 1>going back into the I guess subatomic h the quantum

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<v Speaker 1>level of shrinkage to get the health because it seems

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<v Speaker 1>like at the end they're they're working with ghosts and

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<v Speaker 1>uh and they're basically healing her with the sub atomic stuff.

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<v Speaker 1>But while he's in there, they they poof, they turned

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<v Speaker 1>in the dust. So he's stuck in there for now. Yeah. Yeah,

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<v Speaker 1>if you haven't seen Infinity any Wars, someone will have

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<v Speaker 1>to spoil all of Infinity Wars. I just I straight

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<v Speaker 1>up to him, like, so, here's who's gone at the

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<v Speaker 1>end of Infinity War. I just try to catch you up.

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<v Speaker 1>You don't even watch the movie. I'm just gonna give

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<v Speaker 1>the oral history of it. But yeah, I know, Danny,

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<v Speaker 1>we were talking before and he said that you, like

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<v Speaker 1>everyone knew that this ending was coming, and I wanted

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<v Speaker 1>to ask if he felt the same, did you feel

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<v Speaker 1>like because I was kind of like no. My theater

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<v Speaker 1>was also kind of like no, I something would happen

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<v Speaker 1>with the snap, That's just what makes sense. We're trying

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<v Speaker 1>to catch up in the timeline. But for all three

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<v Speaker 1>of them to be gone and for him to be

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<v Speaker 1>stuck there, I was a little shocked. I know, I

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<v Speaker 1>like the way they did it, because I almost did

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<v Speaker 1>forget about like Infinity War. I was like in ant

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<v Speaker 1>man Land. I was good and I and I write

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<v Speaker 1>when he was calling to them and they weren't responding.

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<v Speaker 1>Because when I was like, oh, yeah, this is when

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<v Speaker 1>it's going to happen, I thought it was going to

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<v Speaker 1>happen towards the end of the movie. But then I

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<v Speaker 1>knew that it must be in the postcard. I knew

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<v Speaker 1>that it was going to happen at some point. So

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<v Speaker 1>that's what I will say. I thought that it was

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<v Speaker 1>going to happen to him, though I honestly thought we

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<v Speaker 1>would get in the middle of the movie with like

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<v Speaker 1>maybe either him or another character, and then we have

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<v Speaker 1>to figure out how to get to the end um

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<v Speaker 1>So I thought leaving it to the end was maybe

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<v Speaker 1>almost a little bit of a cop out, but also

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<v Speaker 1>I understand they have to make their entire film. Yeah,

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<v Speaker 1>That's what I like about it is I would love

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<v Speaker 1>because I feel like the post credit scene used to

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<v Speaker 1>have like a through line. I feel like with the

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<v Speaker 1>older ones, like in Phase one, it was basically Samuel L.

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<v Speaker 1>Jackson recruiting everyone, and I felt like in Phase two

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<v Speaker 1>and three we kind of lost that because there was

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<v Speaker 1>no reason for there. So now it's going to be

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<v Speaker 1>fun that there is this through line of like at

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<v Speaker 1>the end of these new movies, we'll see who poofs

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<v Speaker 1>and then it makes the second cheese are not almost

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<v Speaker 1>worth it? Like this one, I was like, well, let's

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<v Speaker 1>just stay because sometimes there's the end. I was like,

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<v Speaker 1>I think they were just doing it. Care about this, Yeah,

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<v Speaker 1>but I am pro make the important one earlier because

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<v Speaker 1>I did, because because I would love if that's the

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<v Speaker 1>trend and I can finally be like, all right, I'm

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<v Speaker 1>not going to stay all the way until the end

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<v Speaker 1>of the credits. Even though my mother in law, for

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<v Speaker 1>she went to like film school, so sheps like, we

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<v Speaker 1>got to look at all the credits, so yeah, inside

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<v Speaker 1>Leewin Davis doesn't have a post credit scene if you

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<v Speaker 1>were wondering, because I definitely watched it with her and

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<v Speaker 1>had to sit there to respect to all the people

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<v Speaker 1>who bring you semmah. Yeah, So let's talk about the

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<v Speaker 1>film itself. We did have an introduction to a new character,

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<v Speaker 1>Ghost Yeah, which is played by Hannah John came in.

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<v Speaker 1>I believe that's her last name. She you would recognize

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<v Speaker 1>her from Game of Throne. She was also in Ready

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<v Speaker 1>Player one kill Joys, and I recognized her from Black Mirror.

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<v Speaker 1>She's in uh fifteen million merits. Yes, well that's like

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<v Speaker 1>the first season. Remember it has Daniel Kalua. Oh yes,

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<v Speaker 1>where we first meet Daniel. For many of us are

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<v Speaker 1>there and everyone from Black Mirror. Why wouldn't you. The

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<v Speaker 1>Brits know what they're doing, they acting, and they're they're

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<v Speaker 1>so much better than we How American American access sounds

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<v Speaker 1>so good a ship. I can barely tell the diffience

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<v Speaker 1>British and on Australian accident, let alone pull off either.

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<v Speaker 1>So I don't know if I could do one, but

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<v Speaker 1>I don't want to offend any Australian people, so I

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<v Speaker 1>am not going to. But um, yeah, they they're so

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<v Speaker 1>much better than we are in every way. Anyways. Yeah,

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<v Speaker 1>so she she was also in tomb Rader, oh, in

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<v Speaker 1>the Force Awakens. Yeah, and so yeah, she's been in

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<v Speaker 1>a lot. Just in case anybody was wondering, Ghost is

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<v Speaker 1>a actual Marvel character. It actually the Ghost was actually

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<v Speaker 1>a male in the comic books. They swapped it to

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<v Speaker 1>a female. But in the comic books it was like

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<v Speaker 1>this character with like kind of an unknown origin who

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<v Speaker 1>has the same abilities, can be intangible, can go through things,

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<v Speaker 1>and actually was in the Thunderbolts, which would be cool

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<v Speaker 1>if they do do a Thunderbolts movie franchise, which so

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<v Speaker 1>deep cut Marvel truly. Yeah. So so that was so

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<v Speaker 1>just so you know, that is based off of a character,

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<v Speaker 1>and she was really cool. I liked her story. I

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<v Speaker 1>liked the kind of like you can see their side

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<v Speaker 1>of it, like they weren't just straight up bad, and

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<v Speaker 1>like in the end, you know, being able to kind

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<v Speaker 1>of redeem herself because she never you know, I feel

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<v Speaker 1>like sometimes when you have villains, they have to go

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<v Speaker 1>O D on how evil they are, so they make

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<v Speaker 1>them do some irredeemable steps and then you have to

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<v Speaker 1>kill them at the end. I love that she threatened

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<v Speaker 1>to do some irredeemable and then Lawrence was like, Madam Neo,

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<v Speaker 1>can't be doing that. Take it up. I don't know

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<v Speaker 1>if I've ever told either of you, but like Laurence

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<v Speaker 1>Fisherman is like my number one crush. Like when I

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<v Speaker 1>saw him at Infinity Wars, I was like, and he's

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<v Speaker 1>talking to Angela Bath, like this is so sexy and

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<v Speaker 1>I don't know what to do with I didn't know

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<v Speaker 1>why he was there, Like I realized that it was

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<v Speaker 1>because he's now in Marvel's Crazy. I was like, whoa,

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<v Speaker 1>Just like it's funny when you go to the premieres

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<v Speaker 1>and you're like, oh, like it's so fascinating who gets

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<v Speaker 1>invited to these things? You know, but it's it's wilde.

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<v Speaker 1>I saw Lawrence Fishburn when I worked at the Improv.

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<v Speaker 1>He was going Brendan Small had a show and he

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<v Speaker 1>showed up to it, like he was outside and he

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<v Speaker 1>was like just smoking a cigarette and I was just

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<v Speaker 1>staring at him the whole time, and I like, but

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<v Speaker 1>like you know that where that thing where like you

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<v Speaker 1>stare but like when they look at you, you you kind

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<v Speaker 1>of look away. And then when he walked back in

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<v Speaker 1>he winked at me. I was like okay, I was like,

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<v Speaker 1>all right, you knew I was staring. That's so great

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<v Speaker 1>And this is such a perfect role for him, like

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<v Speaker 1>this kind of fatherly but also like arrogant scientists like him,

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<v Speaker 1>like the fighting between him and um, oh my gosh,

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<v Speaker 1>why am I blinking on names? Hang him? Yeah, like

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<v Speaker 1>that whole office like back and forth about who was

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<v Speaker 1>writing how do things go down? Like you wanted to

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<v Speaker 1>do like a whole twenty year revert of just them

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<v Speaker 1>in the lab. I'd watch it. Yeah. But also they

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<v Speaker 1>like dropped the nugget that he's goliathe like they are

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<v Speaker 1>like and Goliath, which means he lives past Civil War

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<v Speaker 1>because in the Marvel comic books, Goliath dies in Civil War.

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<v Speaker 1>The Thor robot that Tony makes shoots Goliath with lyone

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<v Speaker 1>in the heart, and that's kind of where people just

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<v Speaker 1>kind of were like forgets used Tony Stark. Um. But yeah,

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<v Speaker 1>so like that's a fun thing that I wonder if

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<v Speaker 1>they'll revisit you to him this Yeah, because they're gonna

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<v Speaker 1>have like fifty people in their poster next time. They

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<v Speaker 1>had like forty. So yeah, so this um aunt Man.

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<v Speaker 1>The Wasp takes place two years after the events of

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<v Speaker 1>Captain America's Civil War and before the events of Avengers

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<v Speaker 1>Infinity War. So Scott Lang aunt Man now is under

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<v Speaker 1>house arrest after the events of Civil War, tries to

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<v Speaker 1>about which they bring up a lot how he fought

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<v Speaker 1>in Germany. Um tries to balance his home life as

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<v Speaker 1>a father with his responsibilities as aunt Man. Um and

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<v Speaker 1>then Hope Van Die and Hank Pim present him and

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<v Speaker 1>she is the Wasp present and with a new haircut,

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<v Speaker 1>very so good. Um presents him with a new mission

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<v Speaker 1>to bring to light secrets from their past and also

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<v Speaker 1>bring back her mom, played by Michelle Peiffer. Yeah, that

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<v Speaker 1>was that was That was pretty much a fun through

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<v Speaker 1>line because I was, you know, when I approached this movie,

0:11:18.360 --> 0:11:21.120
<v Speaker 1>I was very I had many thoughts. One first thought

0:11:21.559 --> 0:11:24.199
<v Speaker 1>obviously was where was he an Infinity War? But then

0:11:24.280 --> 0:11:28.000
<v Speaker 1>also the movie starts off with him being so angry

0:11:28.040 --> 0:11:30.120
<v Speaker 1>at him, to the point where I thought this was

0:11:30.160 --> 0:11:31.480
<v Speaker 1>going to be a fault for the movie for me,

0:11:31.520 --> 0:11:33.280
<v Speaker 1>because it's like they seem so angry, but it's like

0:11:33.280 --> 0:11:35.679
<v Speaker 1>a huge chunk of plot they're not really explaining. But

0:11:35.720 --> 0:11:38.160
<v Speaker 1>they ended up touching on it where I Hope is

0:11:38.200 --> 0:11:41.600
<v Speaker 1>mad at aunt Man because he didn't come to her,

0:11:41.960 --> 0:11:44.520
<v Speaker 1>basically didn't trust her enough to invite her to go

0:11:44.640 --> 0:11:47.840
<v Speaker 1>help him out in Germany, and Hanks just mad because

0:11:47.840 --> 0:11:49.839
<v Speaker 1>he went to Germany with the suit and kind of

0:11:50.080 --> 0:11:54.520
<v Speaker 1>basically made them made them criminal. His actions made them criminals.

0:11:54.720 --> 0:11:57.320
<v Speaker 1>So and then you kind of revisit it towards the

0:11:57.400 --> 0:11:59.880
<v Speaker 1>end when like once again the FBI is onto a

0:12:00.040 --> 0:12:02.640
<v Speaker 1>because he was telling Louise and it was kind of

0:12:02.679 --> 0:12:05.680
<v Speaker 1>a newish take on that classic balance in your real

0:12:05.720 --> 0:12:08.440
<v Speaker 1>life and your superhero life. That was real fun. He

0:12:08.520 --> 0:12:11.120
<v Speaker 1>was trying to he he knew that if he did

0:12:11.160 --> 0:12:13.360
<v Speaker 1>not stay home, he would go to jail again and

0:12:13.400 --> 0:12:16.080
<v Speaker 1>he'd not see his daughter. But then he also knew

0:12:16.120 --> 0:12:19.800
<v Speaker 1>that he wanted to help Hank and Hope bring back

0:12:19.840 --> 0:12:23.199
<v Speaker 1>her mother and his wife. So I thought that was

0:12:23.240 --> 0:12:26.560
<v Speaker 1>a pretty fun motivation because I feel like we're finally

0:12:26.600 --> 0:12:29.400
<v Speaker 1>starting to get to this place where superhero movies aren't

0:12:29.400 --> 0:12:32.120
<v Speaker 1>just bad guys versus good guys. And you know, this

0:12:32.160 --> 0:12:34.200
<v Speaker 1>one was a little more gray, you know, there was

0:12:34.720 --> 0:12:36.559
<v Speaker 1>you know, you kind of were rooting for Ghosts when

0:12:36.559 --> 0:12:38.560
<v Speaker 1>you found out that her motivations were pure and she

0:12:38.640 --> 0:12:40.680
<v Speaker 1>was just trying to save her own life, and he

0:12:40.800 --> 0:12:42.360
<v Speaker 1>just it was kind of the thing where it's like,

0:12:42.400 --> 0:12:44.000
<v Speaker 1>I wish you would go about it differently, but I

0:12:44.080 --> 0:12:46.880
<v Speaker 1>understand why this is so important to you totally. And

0:12:46.880 --> 0:12:49.000
<v Speaker 1>the thing I like about this arc is that the

0:12:49.080 --> 0:12:50.959
<v Speaker 1>idea of the two year gap, the fact that he's

0:12:50.960 --> 0:12:53.840
<v Speaker 1>been on house arrest, gives us like three really cool things. First,

0:12:53.920 --> 0:12:58.040
<v Speaker 1>Randall Park gets introduced to the series of an FBI agent.

0:12:58.320 --> 0:13:01.560
<v Speaker 1>He's so freaking fun, but on top of that, just

0:13:01.600 --> 0:13:04.160
<v Speaker 1>so damn charming, like show me close up magic. I

0:13:04.200 --> 0:13:06.680
<v Speaker 1>was like, ran, I really would like him to do

0:13:06.760 --> 0:13:08.320
<v Speaker 1>more like through the m c U. I hope they

0:13:08.320 --> 0:13:10.040
<v Speaker 1>bring this character back and we get more into like

0:13:10.320 --> 0:13:13.040
<v Speaker 1>FBI shield stuff. His line when it was what you

0:13:13.040 --> 0:13:16.040
<v Speaker 1>want to go to dinner? I love him. He's here.

0:13:16.120 --> 0:13:19.120
<v Speaker 1>I agree, he's so precious to the reason I love

0:13:19.240 --> 0:13:21.440
<v Speaker 1>and stand real hard for the ant Man series. It's

0:13:21.480 --> 0:13:24.560
<v Speaker 1>I feel like it's the only superhero movies currently out

0:13:24.800 --> 0:13:27.920
<v Speaker 1>other than maybe Spider Man, but even the Spider Man

0:13:27.960 --> 0:13:30.480
<v Speaker 1>is so geared toward making sure adults feel included in

0:13:30.480 --> 0:13:33.680
<v Speaker 1>the conversation. I feel like comics are four kids like

0:13:34.000 --> 0:13:36.960
<v Speaker 1>you obviously have adult named comics and comics that are

0:13:37.040 --> 0:13:39.240
<v Speaker 1>reaching out to an older audience, and those are also great,

0:13:39.280 --> 0:13:41.600
<v Speaker 1>love them. But I feel like we should be able

0:13:41.600 --> 0:13:44.400
<v Speaker 1>to take kids to these movies and they should be like, yes,

0:13:45.320 --> 0:13:48.679
<v Speaker 1>beyond just like here's a giant gun kids like you know,

0:13:48.760 --> 0:13:51.000
<v Speaker 1>and so like the whole Hot Wheels that you can

0:13:51.040 --> 0:13:53.240
<v Speaker 1>just expand, like me and my friends are freaking out

0:13:53.240 --> 0:13:55.280
<v Speaker 1>because like what kid wouldn't want that? Like you take

0:13:55.320 --> 0:13:57.439
<v Speaker 1>a little hot wheel suitcase in just any car, now

0:13:57.480 --> 0:14:00.880
<v Speaker 1>you can drive it. That's amazing. And finally, I just

0:14:00.920 --> 0:14:03.000
<v Speaker 1>really like the fact that we get to see Wasp

0:14:03.120 --> 0:14:05.640
<v Speaker 1>kicks so much ass, like the whole car chase scene

0:14:05.640 --> 0:14:07.439
<v Speaker 1>where she's like chumping in and out of windows and

0:14:07.480 --> 0:14:10.880
<v Speaker 1>flying around dope. I know, I did kind of like

0:14:11.080 --> 0:14:14.959
<v Speaker 1>that aspect that you get to see that Wasp is

0:14:14.960 --> 0:14:18.400
<v Speaker 1>actually more capable than ant Man, you know, like she's

0:14:18.480 --> 0:14:22.840
<v Speaker 1>like she's hand yeah, and she's flying and she's doing

0:14:22.880 --> 0:14:25.960
<v Speaker 1>like she's her you know for the most part. When

0:14:26.680 --> 0:14:29.240
<v Speaker 1>when Paul read as Aunt Man has to fight, he's

0:14:29.280 --> 0:14:32.480
<v Speaker 1>more just running away and kind of fun, where she's

0:14:32.520 --> 0:14:34.720
<v Speaker 1>just like straight up like doing kicks. And that that

0:14:34.800 --> 0:14:37.480
<v Speaker 1>was a real cute and fun moment when he gets

0:14:37.520 --> 0:14:39.480
<v Speaker 1>the suit back when he kicks and he was like,

0:14:39.520 --> 0:14:41.360
<v Speaker 1>I learned that from you, and she's like, yeah, good form.

0:14:41.400 --> 0:14:44.320
<v Speaker 1>I was like, oh, yeah she is. Yeah, she is

0:14:44.360 --> 0:14:46.760
<v Speaker 1>better than him at this. And I feel like they're

0:14:46.800 --> 0:14:49.960
<v Speaker 1>always sometimes seems to be just an air of like

0:14:50.040 --> 0:14:52.320
<v Speaker 1>we have to, you know, let people know the man's

0:14:52.360 --> 0:14:55.840
<v Speaker 1>the man, you know, and that kind of weird uh machismo,

0:14:56.360 --> 0:14:59.480
<v Speaker 1>not even chimo, but almost gender politics where it's like

0:14:59.560 --> 0:15:02.120
<v Speaker 1>if if you have a man and woman they're dating

0:15:02.200 --> 0:15:05.200
<v Speaker 1>or partners, the man has to be the way. Yeah.

0:15:05.320 --> 0:15:07.640
<v Speaker 1>I would say that Paul rud for me, does a

0:15:07.640 --> 0:15:09.920
<v Speaker 1>lot of the same things that I feel Chris Pine does,

0:15:10.080 --> 0:15:15.080
<v Speaker 1>where he can be alongside a powerful woman without feeling

0:15:15.680 --> 0:15:19.200
<v Speaker 1>threatened or needing to take away any of her spotlight. Yeah,

0:15:19.640 --> 0:15:21.720
<v Speaker 1>there's never like a pool of attention. Yeah, and I

0:15:21.760 --> 0:15:23.200
<v Speaker 1>think they're both men that would be like, no, she

0:15:23.200 --> 0:15:25.640
<v Speaker 1>can kick my ass like that truly is how they are.

0:15:25.800 --> 0:15:27.640
<v Speaker 1>That is that is how Scott Lang is and that

0:15:27.760 --> 0:15:30.720
<v Speaker 1>is how Steve Trevor is to me, where they're like, oh, ship, no,

0:15:30.840 --> 0:15:33.720
<v Speaker 1>this is what I need her, I need her. Um

0:15:33.760 --> 0:15:36.240
<v Speaker 1>not saying that Steve Trevor is a superhero. But just

0:15:36.360 --> 0:15:39.240
<v Speaker 1>I feel like those actors are perfectly cast and that

0:15:39.320 --> 0:15:42.800
<v Speaker 1>they're they're comedic and they're able to yeah, they don't

0:15:42.800 --> 0:15:46.080
<v Speaker 1>feel threatened, and and the woman can really also shine

0:15:46.480 --> 0:15:49.560
<v Speaker 1>alongside them. I feel like that comes from the comedy background,

0:15:49.600 --> 0:15:53.520
<v Speaker 1>because I feel like in comedy, you know, you're you're

0:15:53.640 --> 0:15:56.440
<v Speaker 1>as good as you make your scene partners look and

0:15:56.520 --> 0:15:59.000
<v Speaker 1>you kind of kind of boost them up, and that

0:15:59.040 --> 0:16:01.840
<v Speaker 1>makes you look good because has comedy is all about

0:16:02.080 --> 0:16:03.960
<v Speaker 1>almost like a game of tennis where you bat it

0:16:04.000 --> 0:16:06.360
<v Speaker 1>and everyone gets a turn to swing. Where do you

0:16:06.360 --> 0:16:08.480
<v Speaker 1>feel like we're acting acting and you know, it's all

0:16:08.520 --> 0:16:11.720
<v Speaker 1>about having your moment and stepping out, and that's what

0:16:11.840 --> 0:16:14.200
<v Speaker 1>can kind of lead to, like, you know, kind of

0:16:14.240 --> 0:16:17.640
<v Speaker 1>pushing people to the side, unless it's like to powerhouses

0:16:17.760 --> 0:16:20.640
<v Speaker 1>like Denzel and Viola and Fences and it's just like

0:16:20.800 --> 0:16:26.200
<v Speaker 1>tennis of spit and dramatics, an all star home run game.

0:16:26.760 --> 0:16:31.880
<v Speaker 1>Just like, I'm great, Yeah, that's a perfect I didn't

0:16:31.880 --> 0:16:34.080
<v Speaker 1>want to read this quote from Entertainment Weekly. It said

0:16:34.120 --> 0:16:36.560
<v Speaker 1>the writers were so excited about now being able to

0:16:36.600 --> 0:16:39.800
<v Speaker 1>show Hope fully formed and what she is as a superhero.

0:16:40.040 --> 0:16:42.200
<v Speaker 1>Her power set, how she fights, and what are the

0:16:42.240 --> 0:16:44.680
<v Speaker 1>injustices that matter to her that she wants to write.

0:16:44.800 --> 0:16:47.840
<v Speaker 1>That's part of the really fun thing of the film.

0:16:48.200 --> 0:16:50.840
<v Speaker 1>And Lily felt by van Day becoming the Wasp. There

0:16:50.920 --> 0:16:53.600
<v Speaker 1>was this incredible satisfaction and hope, something that she has

0:16:53.600 --> 0:16:55.640
<v Speaker 1>been waiting for her whole life, which is essentially an

0:16:55.680 --> 0:16:59.800
<v Speaker 1>affirmation from her father has come. Um. Also just yeah,

0:16:59.880 --> 0:17:01.960
<v Speaker 1>I mean watching The First aunt Man, which I watched

0:17:02.000 --> 0:17:06.360
<v Speaker 1>again before we went to the screening, I don't know, like,

0:17:06.720 --> 0:17:09.800
<v Speaker 1>I'm really glad that she got that she got this film.

0:17:09.880 --> 0:17:11.679
<v Speaker 1>I'm really glad that she got this film because it

0:17:11.760 --> 0:17:15.520
<v Speaker 1>was I understand that wasn't necessarily her point in the

0:17:15.560 --> 0:17:18.520
<v Speaker 1>First aunt Man, but um, it was so funny forgot.

0:17:18.520 --> 0:17:21.040
<v Speaker 1>I was talking to Kim Horser from The Young Turks,

0:17:21.080 --> 0:17:22.879
<v Speaker 1>were sitting next to each other. We were kind of

0:17:22.920 --> 0:17:26.160
<v Speaker 1>talking about like even her new haircut, which doesn't seem

0:17:26.160 --> 0:17:27.520
<v Speaker 1>like a big deal, but like the way that they

0:17:27.560 --> 0:17:30.720
<v Speaker 1>had made her in the first film was really unapproachable,

0:17:31.160 --> 0:17:33.480
<v Speaker 1>kind of like an un you know, like she was zy,

0:17:33.720 --> 0:17:36.320
<v Speaker 1>she she was icy. She reminds me of like Soma

0:17:36.400 --> 0:17:39.080
<v Speaker 1>Blair's characters. You know what, I mean where it's like

0:17:39.080 --> 0:17:42.800
<v Speaker 1>this really like businesswoman, like you know, and and I

0:17:43.320 --> 0:17:47.040
<v Speaker 1>was excited that she could down the suit and and

0:17:47.200 --> 0:17:51.280
<v Speaker 1>be a superhero. Um yeah, I feel like yeah, because

0:17:51.280 --> 0:17:53.600
<v Speaker 1>they were trying to build that like she's professional and

0:17:53.640 --> 0:17:55.600
<v Speaker 1>this guy's a slacker, and they were kind of leaning

0:17:55.640 --> 0:17:57.840
<v Speaker 1>on that. And yeah, when you do roles like that,

0:17:57.880 --> 0:18:00.600
<v Speaker 1>it does kind of box, you know, her into the

0:18:00.640 --> 0:18:03.800
<v Speaker 1>corner of being like no fund zone, you know, whereas

0:18:03.840 --> 0:18:05.679
<v Speaker 1>like this time she got to be all funds. And

0:18:05.680 --> 0:18:08.359
<v Speaker 1>I feel like this movie really took kind of some

0:18:08.480 --> 0:18:12.440
<v Speaker 1>of the you know, the fridging of you know, Hank

0:18:12.440 --> 0:18:15.760
<v Speaker 1>Pim's wife almost immediately and all that stuff. But like

0:18:15.880 --> 0:18:19.280
<v Speaker 1>now you can like almost remove that tag because it

0:18:19.359 --> 0:18:21.680
<v Speaker 1>led into something. But lots of times the movie it

0:18:21.800 --> 0:18:24.560
<v Speaker 1>just ends right there, that's just the motivation, and we

0:18:24.640 --> 0:18:26.240
<v Speaker 1>never see the wife again. But now we get the

0:18:26.240 --> 0:18:28.480
<v Speaker 1>wife to come back, and then they work together to

0:18:28.960 --> 0:18:31.399
<v Speaker 1>bring her back from this well. And we have another

0:18:31.440 --> 0:18:34.840
<v Speaker 1>smart woman in the room who's like way ahead of

0:18:34.920 --> 0:18:40.199
<v Speaker 1>everyone else, actually scientists putting antenna's in people's heads, like

0:18:40.760 --> 0:18:42.760
<v Speaker 1>you know, showing them. She's like, oh guys, you did

0:18:42.840 --> 0:18:45.480
<v Speaker 1>so like in the most mom way too. She was like, oh,

0:18:45.480 --> 0:18:47.119
<v Speaker 1>you guys did really good and you came so close.

0:18:47.320 --> 0:18:49.840
<v Speaker 1>You need a little adjustment, and that's where I am

0:18:49.880 --> 0:18:53.159
<v Speaker 1>come get me. Um. I loved her character and I

0:18:53.200 --> 0:18:55.040
<v Speaker 1>almost fel thought that we didn't get enough of her,

0:18:55.200 --> 0:18:58.960
<v Speaker 1>like so on the outskirts of this story, and she

0:18:59.000 --> 0:19:02.840
<v Speaker 1>kind of brought her before the final battle with like

0:19:03.359 --> 0:19:08.760
<v Speaker 1>the crime mob guys. Very funny. Interesting. Yeah, that they

0:19:08.800 --> 0:19:12.560
<v Speaker 1>decided to also have that storyline in there, like see

0:19:12.600 --> 0:19:16.160
<v Speaker 1>you storyline, um, which I do want to get into.

0:19:16.240 --> 0:19:28.000
<v Speaker 1>And we will write after this break and we're back

0:19:28.320 --> 0:19:30.399
<v Speaker 1>and uh. I also wanted to talk about some of

0:19:30.440 --> 0:19:37.919
<v Speaker 1>the external characters because for me, Louise stole the show

0:19:40.240 --> 0:19:44.399
<v Speaker 1>so good, so stupidly good. When is Michael pa going

0:19:44.440 --> 0:19:46.800
<v Speaker 1>to get his anser? When is he going to get

0:19:46.840 --> 0:19:49.199
<v Speaker 1>his outfit? I honestly was like, to give us our

0:19:49.280 --> 0:19:52.399
<v Speaker 1>Latino superhero. He needs to suit up. He even hinted

0:19:52.440 --> 0:19:56.120
<v Speaker 1>at it. He was like, we're gonna get it. He's

0:19:56.119 --> 0:19:57.840
<v Speaker 1>going to get an outfit. He even said like, oh,

0:19:57.840 --> 0:20:02.320
<v Speaker 1>it doesn't even need superpowers. Let's the same. Yes, it

0:20:02.320 --> 0:20:04.680
<v Speaker 1>wouldn't have made any sense, that's not what was happening,

0:20:04.720 --> 0:20:07.320
<v Speaker 1>But I really wish that he had at least gotten

0:20:07.320 --> 0:20:09.800
<v Speaker 1>his suit. What if in the second cut scene they

0:20:09.840 --> 0:20:12.320
<v Speaker 1>had been like and you just see him like, oh

0:20:12.359 --> 0:20:17.600
<v Speaker 1>grab they made one for me. Yes, we deserve and

0:20:17.600 --> 0:20:23.920
<v Speaker 1>hes okay calling Marvel now, um, truly he's so great

0:20:23.960 --> 0:20:26.080
<v Speaker 1>and and that's what I feel like. We've we talked

0:20:26.080 --> 0:20:29.960
<v Speaker 1>about this in our m c U episode where you know,

0:20:30.000 --> 0:20:33.720
<v Speaker 1>Paul Red was also a writer in this UM and

0:20:33.800 --> 0:20:36.080
<v Speaker 1>so I feel like that's important and that's why it

0:20:36.119 --> 0:20:38.000
<v Speaker 1>works so well is a lot of times you have

0:20:38.200 --> 0:20:42.200
<v Speaker 1>these people with comedic backgrounds, uh coming into also work

0:20:42.240 --> 0:20:44.840
<v Speaker 1>on the film and that and I feel like I

0:20:44.880 --> 0:20:47.480
<v Speaker 1>feel like that's also another reason why a lot of

0:20:47.480 --> 0:20:49.919
<v Speaker 1>these Marvel films have been successful is because you have

0:20:50.000 --> 0:20:52.960
<v Speaker 1>a lot of the actors that are rooted in comedy.

0:20:53.080 --> 0:20:55.159
<v Speaker 1>And yeah, he's just one that he would be a

0:20:55.200 --> 0:20:57.760
<v Speaker 1>great Can you imagine him in his own film? Yeah? No,

0:20:57.920 --> 0:21:00.719
<v Speaker 1>That's that's what I really liked about this, which is

0:21:00.840 --> 0:21:04.760
<v Speaker 1>one of the reasons that you know, everyone suggested Thor

0:21:04.880 --> 0:21:08.520
<v Speaker 1>Ragnar Rocket. I eventually finally saw, but this was just

0:21:08.600 --> 0:21:11.960
<v Speaker 1>like a straight up comedy, just the action comedy this this.

0:21:12.240 --> 0:21:14.120
<v Speaker 1>When I was watching this, I was like, Oh, this

0:21:14.200 --> 0:21:18.080
<v Speaker 1>is what your summer action movie used to be action packed,

0:21:18.240 --> 0:21:22.600
<v Speaker 1>filled with comedy, moved along, good story, and and it

0:21:22.640 --> 0:21:25.280
<v Speaker 1>blew me away. It honestly did, because I was laughing

0:21:25.320 --> 0:21:27.520
<v Speaker 1>the whole time, and then I'd be into the the

0:21:27.600 --> 0:21:30.800
<v Speaker 1>action that was special effects which really heightened the action,

0:21:30.800 --> 0:21:32.800
<v Speaker 1>which again bringing back to like, why is this such

0:21:32.800 --> 0:21:36.680
<v Speaker 1>a great? Like comic book series and comic books play

0:21:36.760 --> 0:21:39.480
<v Speaker 1>with perspective so much in their art design and in

0:21:39.520 --> 0:21:42.639
<v Speaker 1>their storytelling methods to see like not just the cars,

0:21:42.680 --> 0:21:44.440
<v Speaker 1>but like when he goes thirty feet tall and he's

0:21:44.440 --> 0:21:47.640
<v Speaker 1>in the ocean, or like um, even the knife fight

0:21:47.880 --> 0:21:50.760
<v Speaker 1>with Wasp where she in the kitchen. The entire kitchen

0:21:50.800 --> 0:21:53.560
<v Speaker 1>scene fight is amazing and she's like blowing things up

0:21:53.560 --> 0:21:57.080
<v Speaker 1>and like shrinking itself and it's like you've kind of

0:21:57.119 --> 0:21:59.800
<v Speaker 1>seen it before but never really done as well as

0:21:59.840 --> 0:22:02.600
<v Speaker 1>the is, and it's it's just so fun. I really

0:22:02.600 --> 0:22:04.240
<v Speaker 1>respect what they were able to do just from a

0:22:04.240 --> 0:22:06.800
<v Speaker 1>special effects point of view. Well, that's what I thought

0:22:06.880 --> 0:22:09.919
<v Speaker 1>was so good about Domino and Deadpool, where you I

0:22:09.960 --> 0:22:14.280
<v Speaker 1>feel like when people are presented a power, uh in

0:22:14.680 --> 0:22:17.720
<v Speaker 1>like a superhero power in movies, there's this effort to

0:22:17.760 --> 0:22:20.800
<v Speaker 1>be like, Okay, this is just a tool, and we'll

0:22:20.840 --> 0:22:24.520
<v Speaker 1>just use it to solve these unrelated problems we throw

0:22:24.560 --> 0:22:26.960
<v Speaker 1>at it. But then you have characters like Domino and

0:22:27.040 --> 0:22:28.960
<v Speaker 1>even ant Man in the Wasp where they're like, how

0:22:28.960 --> 0:22:30.600
<v Speaker 1>do we have fun with this? How do we create

0:22:30.680 --> 0:22:34.240
<v Speaker 1>fun interesting action scenes? And same thing with Domino, like

0:22:34.320 --> 0:22:37.399
<v Speaker 1>her walking down and everything dodging her and her getting

0:22:37.520 --> 0:22:39.400
<v Speaker 1>like that was so fun to watch. And it's because

0:22:39.400 --> 0:22:42.040
<v Speaker 1>they're like, Okay, let's take this power that's kind of weird,

0:22:42.119 --> 0:22:44.399
<v Speaker 1>like luck, and what fun can we have with this?

0:22:44.480 --> 0:22:46.400
<v Speaker 1>And with this is like they could have just had

0:22:46.400 --> 0:22:48.679
<v Speaker 1>it because I feel like, you know, aunt Man was

0:22:48.720 --> 0:22:51.119
<v Speaker 1>all about like you either shrink or you get big,

0:22:51.280 --> 0:22:52.960
<v Speaker 1>and you do what you gotta do. At those sides

0:22:53.040 --> 0:22:54.520
<v Speaker 1>where this one was like, no, you're using it to

0:22:54.600 --> 0:22:57.280
<v Speaker 1>miss direct. You're shrinking, getting big, coming up behind people

0:22:57.520 --> 0:23:00.200
<v Speaker 1>like that's taking your dream home to the beach? Had

0:23:02.560 --> 0:23:05.640
<v Speaker 1>interested Like they really did explore the idea of like

0:23:05.720 --> 0:23:08.119
<v Speaker 1>what can we do if things can shrink? And I

0:23:08.200 --> 0:23:10.840
<v Speaker 1>was blown away every time I liked it. I was

0:23:11.040 --> 0:23:14.000
<v Speaker 1>really excited. I wanted to say that this was it

0:23:14.080 --> 0:23:18.280
<v Speaker 1>was like a classic heist movie really had a lot

0:23:18.280 --> 0:23:20.960
<v Speaker 1>of those same elements that you guys were talking about

0:23:21.000 --> 0:23:24.919
<v Speaker 1>as far as it being like a summer blockbuster. Um,

0:23:24.960 --> 0:23:28.200
<v Speaker 1>I did want to say the Russo brothers were heavily

0:23:28.320 --> 0:23:31.679
<v Speaker 1>involved in this as well, since they wanted it to

0:23:31.720 --> 0:23:36.920
<v Speaker 1>sync up with Infinity War. So UM. Peyton Reid, who's

0:23:36.920 --> 0:23:39.359
<v Speaker 1>the director of ant Man in the Wasp, fed it

0:23:39.440 --> 0:23:42.160
<v Speaker 1>was inspired by the films After Hours in Midnight Run

0:23:42.240 --> 0:23:44.600
<v Speaker 1>for the look and feel of ant Man in the Wasp. Um.

0:23:44.600 --> 0:23:47.040
<v Speaker 1>While the first film was more of a heist film,

0:23:47.080 --> 0:23:49.040
<v Speaker 1>which I still think, this one was like a highest film.

0:23:49.080 --> 0:23:52.120
<v Speaker 1>But Read described this as a part action film, part

0:23:52.240 --> 0:23:54.560
<v Speaker 1>romantic comedy and wanted this one to be a little

0:23:54.640 --> 0:23:58.680
<v Speaker 1>more of like an Elmore Leonard vibe, where we have villains,

0:23:58.720 --> 0:24:00.880
<v Speaker 1>but we also have antagon us, and we have these

0:24:00.960 --> 0:24:03.000
<v Speaker 1>roadblocks to our heroes getting to where they need to

0:24:03.000 --> 0:24:05.479
<v Speaker 1>be and getting what they need for this mission. So,

0:24:05.520 --> 0:24:08.640
<v Speaker 1>regarding the opportunity for character development, Read used the actions

0:24:08.640 --> 0:24:13.359
<v Speaker 1>of Lang in Civil War to fuel potential tension between him, Pim,

0:24:13.400 --> 0:24:15.879
<v Speaker 1>and Van Dyne. Since Pim is very clear in the

0:24:15.920 --> 0:24:18.639
<v Speaker 1>first movie about how he feels about Stark. True, I

0:24:18.680 --> 0:24:21.960
<v Speaker 1>forgot about that. I forgot that he had made those

0:24:22.000 --> 0:24:24.640
<v Speaker 1>comments about how here criminal with them, Yeah, and how

0:24:24.640 --> 0:24:27.159
<v Speaker 1>he feels about the Avengers and being very protective of

0:24:27.200 --> 0:24:31.159
<v Speaker 1>this technology that he has. So yeah, and they're pissed

0:24:31.200 --> 0:24:33.280
<v Speaker 1>the whole time. Yeah. Yeah, they were pissed that whole

0:24:33.280 --> 0:24:37.000
<v Speaker 1>first chunk, and and it just became clear why and

0:24:37.040 --> 0:24:39.239
<v Speaker 1>it made sense the way they delivered it, and it

0:24:39.320 --> 0:24:42.520
<v Speaker 1>was great. I feel like they have questions though, because

0:24:42.520 --> 0:24:45.840
<v Speaker 1>they didn't sign the accord, they weren't involved with the

0:24:45.840 --> 0:24:48.760
<v Speaker 1>initial actions, so I'm still confused as to like they're

0:24:48.800 --> 0:24:52.080
<v Speaker 1>scientists and they built suits, like why are they in trouble?

0:24:52.240 --> 0:24:55.399
<v Speaker 1>A little confusing there, but um, I like the way

0:24:55.440 --> 0:24:59.199
<v Speaker 1>that it gave, Like I feel like a lot of

0:24:59.240 --> 0:25:01.679
<v Speaker 1>times when we have here trying to redeem themselves, like

0:25:01.960 --> 0:25:06.880
<v Speaker 1>Tony at the start of like the Civil War stuff

0:25:07.000 --> 0:25:09.720
<v Speaker 1>was like I forget which actress comes up to him

0:25:09.720 --> 0:25:12.520
<v Speaker 1>and is like my son died into Koba and it's

0:25:12.560 --> 0:25:15.639
<v Speaker 1>your fault and you don't care about like like it

0:25:15.720 --> 0:25:18.720
<v Speaker 1>became such a self loathing kind of like, oh woe

0:25:18.840 --> 0:25:21.280
<v Speaker 1>is me, I'll shut everything down because like I need

0:25:21.280 --> 0:25:23.800
<v Speaker 1>to feel empowered. But here we have a guy who's

0:25:23.840 --> 0:25:25.840
<v Speaker 1>just like I just want to help people, and my

0:25:25.880 --> 0:25:27.320
<v Speaker 1>biggest fear is like I just won't be able to

0:25:27.320 --> 0:25:29.120
<v Speaker 1>be there for my daughter, and how do I balance

0:25:29.160 --> 0:25:33.400
<v Speaker 1>out those two needs in a way that nobody gets hurt?

0:25:33.440 --> 0:25:35.159
<v Speaker 1>And it becomes more of a I need to take

0:25:35.200 --> 0:25:38.439
<v Speaker 1>responsibility for what's happening and find a pass through as

0:25:38.440 --> 0:25:40.960
<v Speaker 1>opposed to like I'm just gonna shut everybody else down

0:25:41.000 --> 0:25:44.160
<v Speaker 1>and out. Yeah, yeah, that was real fun. I think

0:25:44.600 --> 0:25:47.399
<v Speaker 1>since we've been talking about the Marvel timeline as a whole,

0:25:47.840 --> 0:25:51.040
<v Speaker 1>I need to to remind everyone that this is our

0:25:51.119 --> 0:25:53.840
<v Speaker 1>last Marvel movie of the year. I was thinking that

0:25:53.880 --> 0:25:55.879
<v Speaker 1>as I left the theater, and I was distraught a

0:25:55.920 --> 0:25:59.840
<v Speaker 1>little bit. But look, we've had three really great Marvel

0:25:59.840 --> 0:26:03.879
<v Speaker 1>for homes this year, right. We started with Black Panther. Uh,

0:26:04.080 --> 0:26:06.439
<v Speaker 1>then we got Fanos Do you want the Big Snap?

0:26:06.480 --> 0:26:08.119
<v Speaker 1>Which caused like a bunch of chaos, and then they

0:26:08.200 --> 0:26:12.479
<v Speaker 1>leave us with like it's so funny, lighthearted, No snap,

0:26:12.720 --> 0:26:14.480
<v Speaker 1>there's like a bunch of your characters, and then they're

0:26:14.520 --> 0:26:18.159
<v Speaker 1>like mans will be back and that question mark. Guys,

0:26:18.320 --> 0:26:20.440
<v Speaker 1>when that question mark comes up, I was like, yeah,

0:26:20.600 --> 0:26:23.800
<v Speaker 1>that was just ruel and unusual. Can we have number

0:26:23.840 --> 0:26:26.639
<v Speaker 1>four now? Because Avengers four is what's coming out next right, No,

0:26:26.880 --> 0:26:31.560
<v Speaker 1>it's Captain Marvel. Then Avengers four, we got our girl

0:26:31.640 --> 0:26:35.080
<v Speaker 1>coming up to happen. That's gonna be so interesting too. Yeah,

0:26:35.160 --> 0:26:38.520
<v Speaker 1>because there are a lot of questions I have about

0:26:38.560 --> 0:26:41.320
<v Speaker 1>Captain Marvel, because the fact that I was gonna say

0:26:41.320 --> 0:26:44.399
<v Speaker 1>Samuel Jackson, but I meant to say Nick Fury has

0:26:44.560 --> 0:26:47.560
<v Speaker 1>the that reader is that's a huge question for me.

0:26:47.560 --> 0:26:50.760
<v Speaker 1>It's like, when did you get in touch with the Beeper?

0:26:50.960 --> 0:26:53.840
<v Speaker 1>I know we're focusing a lot on the year. It's

0:26:53.840 --> 0:26:57.600
<v Speaker 1>in the nineties. Yeah, so we'll be going back to

0:26:58.359 --> 0:27:01.240
<v Speaker 1>to see probably that initial injury actions. That's what I'm

0:27:01.240 --> 0:27:06.199
<v Speaker 1>looking for. She have some TLC Like I already am

0:27:06.240 --> 0:27:09.240
<v Speaker 1>looking forward to the soundtrack. The soundtrack had better be bonkers,

0:27:09.240 --> 0:27:11.800
<v Speaker 1>although some rumors I'm hearing coming off that set are

0:27:11.880 --> 0:27:16.040
<v Speaker 1>really scary and I'm so nervous about, like what's going

0:27:16.080 --> 0:27:18.520
<v Speaker 1>to happen. I love Bree Larsen's like a champion of

0:27:18.560 --> 0:27:21.080
<v Speaker 1>like women in poc folks, so I need this movie

0:27:21.119 --> 0:27:23.159
<v Speaker 1>to be really good for her. Wait, what are you hearing?

0:27:24.359 --> 0:27:25.960
<v Speaker 1>This is the place to spill it. This is why

0:27:26.000 --> 0:27:28.000
<v Speaker 1>you come to I've heard a lot about doing a

0:27:28.000 --> 0:27:30.479
<v Speaker 1>lot of reshoots, a lot of hold ups, um, just

0:27:30.560 --> 0:27:34.399
<v Speaker 1>on the set trying to get through just the day um,

0:27:34.680 --> 0:27:38.720
<v Speaker 1>and apparently not everyone is satisfied with the way the

0:27:38.760 --> 0:27:42.680
<v Speaker 1>script is that happen. Well, I mean, Marvel is really

0:27:42.680 --> 0:27:44.719
<v Speaker 1>good about like whatever is happening behind the scenes, We're

0:27:44.720 --> 0:27:46.800
<v Speaker 1>gonna polish it up before y'all see it. That's gonna

0:27:46.840 --> 0:27:51.119
<v Speaker 1>stay family business. So we'll see. But as Marvel's first

0:27:51.320 --> 0:27:56.120
<v Speaker 1>solo female movie, there's a lot I think writing on this,

0:27:56.440 --> 0:27:58.800
<v Speaker 1>but we'll say for aunt Man, I really liked um.

0:27:59.320 --> 0:28:00.639
<v Speaker 1>We talked about two women, but I feel like the

0:28:00.680 --> 0:28:02.960
<v Speaker 1>most important relationship was aunt Man and his daughter. Know

0:28:03.480 --> 0:28:06.240
<v Speaker 1>that whole opening scene of like, well, I'm on house arrest.

0:28:06.280 --> 0:28:08.120
<v Speaker 1>How do I entertain a ten year old I'm gonna

0:28:08.119 --> 0:28:10.400
<v Speaker 1>make a giant maze and he tried to steal? Can

0:28:10.440 --> 0:28:13.160
<v Speaker 1>I tell you when when she asked to be his partner.

0:28:14.160 --> 0:28:17.439
<v Speaker 1>I think I saw if he get a little, oh gosh,

0:28:17.720 --> 0:28:20.040
<v Speaker 1>if he was next to me and he got a little,

0:28:20.520 --> 0:28:25.600
<v Speaker 1>I could hear him gasp. Whatever. We have been told

0:28:25.640 --> 0:28:27.520
<v Speaker 1>that we have to warn him when it's a father

0:28:27.680 --> 0:28:31.399
<v Speaker 1>daughter film as his friends, which I didn't tell you,

0:28:31.440 --> 0:28:34.200
<v Speaker 1>I guess about Coco and then he tweeted a picture

0:28:34.240 --> 0:28:37.760
<v Speaker 1>of him weeping. It wasn't there was pictures of tears

0:28:37.760 --> 0:28:40.480
<v Speaker 1>on my face. You were weeping. It's okay that you

0:28:40.520 --> 0:28:45.040
<v Speaker 1>wept during Cocoa. You have a little baby girl. It

0:28:45.120 --> 0:28:47.960
<v Speaker 1>was a lot. It was like it was like someone

0:28:48.120 --> 0:28:50.640
<v Speaker 1>it was like to keep it on subject. It was

0:28:50.720 --> 0:28:56.840
<v Speaker 1>like ghost phased her hand into my heart right there,

0:28:57.040 --> 0:29:01.000
<v Speaker 1>just the reveal and just when they connect all the

0:29:01.080 --> 0:29:04.959
<v Speaker 1>dots before your eyes and you're just like it just

0:29:05.000 --> 0:29:08.240
<v Speaker 1>takes your whole soul. Because that's also like another soft

0:29:08.280 --> 0:29:11.160
<v Speaker 1>spot to me too, is like father daughter time skips

0:29:11.480 --> 0:29:14.440
<v Speaker 1>where there's like a gap because like and there was

0:29:14.520 --> 0:29:19.600
<v Speaker 1>kind of like that in an interstellar Yeah, and I

0:29:19.680 --> 0:29:22.840
<v Speaker 1>was like it shredded me. Was like, can you imagine

0:29:23.280 --> 0:29:25.840
<v Speaker 1>you going to your daughter's deathbed and knowing you're gonna

0:29:25.880 --> 0:29:29.160
<v Speaker 1>live way longer than or because of the time like that,

0:29:29.560 --> 0:29:33.680
<v Speaker 1>Like that type of cerebral kind of thing always taps

0:29:33.680 --> 0:29:35.880
<v Speaker 1>into me. Like that's so interesting to me, and that

0:29:36.080 --> 0:29:40.000
<v Speaker 1>what a what a like what A just thought, Yeah,

0:29:40.040 --> 0:29:43.480
<v Speaker 1>I'm definitely a daddy's girl. Into the whole storyline of like, oh,

0:29:44.000 --> 0:29:46.040
<v Speaker 1>I would love you my partner, but I would be

0:29:46.080 --> 0:29:49.720
<v Speaker 1>a bad dad. You love her so much, Oh my god.

0:29:49.880 --> 0:29:52.560
<v Speaker 1>And then and then the blended families narrative of it,

0:29:52.760 --> 0:29:56.200
<v Speaker 1>you know, whereas in the first film, like their divorce

0:29:56.360 --> 0:29:58.160
<v Speaker 1>was kind of very angry and there wasn't a lot

0:29:58.200 --> 0:30:00.680
<v Speaker 1>of trust there to now like her you husband being

0:30:00.680 --> 0:30:03.720
<v Speaker 1>able to hug him and like, no, we're family, we

0:30:03.800 --> 0:30:07.160
<v Speaker 1>all love you. Like It's actually I love seeing blended

0:30:07.200 --> 0:30:09.440
<v Speaker 1>families that work in our cooperative but so often we

0:30:09.440 --> 0:30:11.960
<v Speaker 1>see that there's just like discourse and no we likes

0:30:12.000 --> 0:30:14.880
<v Speaker 1>each other, and it's like frustrating. I think that there

0:30:14.880 --> 0:30:17.400
<v Speaker 1>are more blended families that work than there are blended

0:30:17.400 --> 0:30:23.160
<v Speaker 1>families that don't work. True, true, So let's let's get

0:30:23.160 --> 0:30:27.120
<v Speaker 1>down to the nitty gritty. We're gonna rated blank out

0:30:27.120 --> 0:30:29.120
<v Speaker 1>of ten nerties. We said ten nerties right now, five

0:30:30.040 --> 0:30:36.080
<v Speaker 1>ten nerties because you don't. So many other people do five.

0:30:36.280 --> 0:30:39.600
<v Speaker 1>So let's uh yeah, let's give it our ratings and

0:30:39.640 --> 0:30:42.120
<v Speaker 1>then talk about, you know, maybe where we see the

0:30:42.160 --> 0:30:45.440
<v Speaker 1>future of this as well as Marvel. Right after this

0:30:45.520 --> 0:31:00.560
<v Speaker 1>break and we're back, Joel, what do you what are

0:31:00.600 --> 0:31:06.160
<v Speaker 1>you ranking? I'm gonna give this seven nerdies. Ok Um.

0:31:06.240 --> 0:31:09.959
<v Speaker 1>I thought the film jagged a little bit in certain places. Uh.

0:31:10.000 --> 0:31:12.240
<v Speaker 1>And as you mentioned earlier, the Steaks are just not

0:31:12.920 --> 0:31:17.320
<v Speaker 1>very high, especially coming off of Infinity Wars where everything

0:31:17.400 --> 0:31:23.120
<v Speaker 1>was at stake. Um, it's solid but not great. But still,

0:31:23.280 --> 0:31:25.040
<v Speaker 1>is there something that would have done it for you?

0:31:25.120 --> 0:31:29.040
<v Speaker 1>Like something else the Steaks? I mean, I feel like

0:31:29.400 --> 0:31:31.959
<v Speaker 1>I hear you and and that is actually the argument

0:31:31.960 --> 0:31:33.959
<v Speaker 1>that I made. But um, I do feel like they

0:31:34.040 --> 0:31:36.600
<v Speaker 1>kind of needed a break. Maybe I feel like they

0:31:36.680 --> 0:31:40.000
<v Speaker 1>knew coming off of Infinity War. Um, well, you know,

0:31:40.040 --> 0:31:42.640
<v Speaker 1>I'll just save this for mine. I just think that

0:31:42.760 --> 0:31:45.040
<v Speaker 1>if the fan of Snap had happened in the middle

0:31:45.080 --> 0:31:48.400
<v Speaker 1>of the film, I agree. I just feel like all

0:31:48.400 --> 0:31:50.240
<v Speaker 1>like dealing with all of the chaos that they were

0:31:50.240 --> 0:31:52.920
<v Speaker 1>dealing with, plus half the population is gone and what

0:31:53.160 --> 0:31:55.760
<v Speaker 1>is going on? And I definitely can't go back to

0:31:55.800 --> 0:31:59.160
<v Speaker 1>the Avengers because like at this point, his bracelet is

0:31:59.200 --> 0:32:01.000
<v Speaker 1>still on his house or US bracelet and he knows

0:32:01.000 --> 0:32:03.120
<v Speaker 1>he's not supposed to contact the Avengers. But also, guys,

0:32:03.160 --> 0:32:05.360
<v Speaker 1>what for real is going on? I think that would

0:32:05.360 --> 0:32:08.160
<v Speaker 1>have been just exciting and like chaotic. Yeah, I would

0:32:08.160 --> 0:32:09.600
<v Speaker 1>have raised the stakes, but I get it. I'm not

0:32:09.680 --> 0:32:11.880
<v Speaker 1>upset with it. I will still like write or Die

0:32:11.920 --> 0:32:15.200
<v Speaker 1>for a man forever. It's so fun write or die.

0:32:15.400 --> 0:32:18.040
<v Speaker 1>Hell yeah, if you w about you. Um, I'm gonna

0:32:18.080 --> 0:32:19.720
<v Speaker 1>go ahead and give it nine out of ten nerd

0:32:21.000 --> 0:32:23.520
<v Speaker 1>Yeah because I it was a solid comedy movie that

0:32:23.680 --> 0:32:26.600
<v Speaker 1>jokes all hit for me. The action was all there.

0:32:27.040 --> 0:32:30.440
<v Speaker 1>I think that there was There was no stakes they

0:32:30.440 --> 0:32:33.160
<v Speaker 1>could have put on this movie after Infinity War that

0:32:33.160 --> 0:32:35.520
<v Speaker 1>would have compared, so there was no use trying. So

0:32:35.560 --> 0:32:38.440
<v Speaker 1>it was great way to cap the year off with

0:32:38.520 --> 0:32:41.280
<v Speaker 1>something fun and light but leave us with a nice

0:32:41.280 --> 0:32:43.600
<v Speaker 1>little tingled taste on our tongue to get us excited

0:32:43.640 --> 0:32:47.440
<v Speaker 1>for next year. Michael Penia is amazing. He killed it.

0:32:47.480 --> 0:32:52.240
<v Speaker 1>And then we introduced another a poc Ranto park that's funny. Um,

0:32:52.360 --> 0:32:56.120
<v Speaker 1>not to mention another poc ghost, you know, just just

0:32:56.240 --> 0:33:00.480
<v Speaker 1>floating in there making it work. Everyone really brought it.

0:33:00.480 --> 0:33:03.000
<v Speaker 1>It was it had a heart, it was good. It

0:33:03.080 --> 0:33:05.720
<v Speaker 1>was just great. I thought it was just my jam

0:33:06.040 --> 0:33:08.800
<v Speaker 1>Like everything about it was perfect for me. Does this

0:33:08.880 --> 0:33:13.959
<v Speaker 1>mean that you liked? Oh yeah, I really like Thor.

0:33:14.120 --> 0:33:18.040
<v Speaker 1>Ragnarok is definitely super fun, super entertaining, same thing like

0:33:18.200 --> 0:33:21.800
<v Speaker 1>super funny and it is just a fun ride throughout. Um,

0:33:21.840 --> 0:33:24.480
<v Speaker 1>I swear to I feel like Odin dies in every

0:33:24.520 --> 0:33:31.160
<v Speaker 1>thor if what I know about he's the krillon of them,

0:33:32.000 --> 0:33:35.640
<v Speaker 1>And if what I know about Ragnarok and Asgard is correct,

0:33:35.720 --> 0:33:37.240
<v Speaker 1>I feel like he's going to be in the next

0:33:37.280 --> 0:33:39.360
<v Speaker 1>Door movie and he's going to find some way to

0:33:39.440 --> 0:33:44.280
<v Speaker 1>die again. Yep, yep. Um. Hopefully that means Loki finds

0:33:44.280 --> 0:33:47.120
<v Speaker 1>a way to come back as he does. Um, I

0:33:47.160 --> 0:33:49.680
<v Speaker 1>don't know. I think he's gone. The next nap seemed

0:33:49.720 --> 0:33:53.560
<v Speaker 1>pretty final. Well you never know. Um. I'm very excited

0:33:53.600 --> 0:33:56.040
<v Speaker 1>that we have ghosts now in this world. I'm excited.

0:33:56.160 --> 0:33:58.280
<v Speaker 1>I hope that they do more with their character and

0:33:58.360 --> 0:34:01.320
<v Speaker 1>maybe that means that she might be in the future

0:34:02.040 --> 0:34:05.160
<v Speaker 1>a Vendor's m c u ones and not just in

0:34:05.320 --> 0:34:07.680
<v Speaker 1>ant Man films. Hopefully that means that we get to

0:34:07.680 --> 0:34:10.400
<v Speaker 1>see her now that she's kind of been persuaded to

0:34:10.440 --> 0:34:13.280
<v Speaker 1>the other side. Well, we know there is a female

0:34:13.360 --> 0:34:18.960
<v Speaker 1>lead movie coming up somewhat soon. Tessa Thompson took all

0:34:18.960 --> 0:34:21.879
<v Speaker 1>of the ladies and to Kevin Fikey and said, excuse me,

0:34:22.280 --> 0:34:25.320
<v Speaker 1>it's time for us to have a movie, and Kevin said, sure, okay,

0:34:25.440 --> 0:34:27.640
<v Speaker 1>So I mean I would love to see like ghosts

0:34:27.719 --> 0:34:33.680
<v Speaker 1>and Valkyrie and like Wasp and maybe um Captain Marvel

0:34:33.800 --> 0:34:36.759
<v Speaker 1>Black Widow. Yeah, all of them just kicking ass doing

0:34:36.800 --> 0:34:39.279
<v Speaker 1>a secret mission. Hell yeah, I'm going to give this

0:34:39.360 --> 0:34:41.400
<v Speaker 1>eight out of ten nerdies, maybe eight and a half.

0:34:41.440 --> 0:34:46.359
<v Speaker 1>I don't know these numbers. I don't know if matters. Um. Yeah,

0:34:46.440 --> 0:34:49.600
<v Speaker 1>I agree that it had. I agree that the stakes

0:34:49.640 --> 0:34:52.480
<v Speaker 1>weren't really high, and maybe that's what they needed in

0:34:52.520 --> 0:34:58.160
<v Speaker 1>this moment, especially after Infinity War. And um, Paul Rudd

0:34:58.200 --> 0:35:03.320
<v Speaker 1>is just so likable, said a sweet kind man. Um

0:35:03.480 --> 0:35:08.880
<v Speaker 1>and uh, I loved Evangeline Lily just kicking ass and

0:35:08.960 --> 0:35:14.920
<v Speaker 1>taking names. Um and yeah, I agree. Michael Penia, Holy crap.

0:35:15.239 --> 0:35:17.279
<v Speaker 1>I mean, he just like stole the show. I you

0:35:17.280 --> 0:35:18.759
<v Speaker 1>know what, I probably would have given it a ten

0:35:19.040 --> 0:35:21.600
<v Speaker 1>if he had gotten his own if he had gotten

0:35:21.760 --> 0:35:24.080
<v Speaker 1>his own suit. Okay, scratch what I said about the

0:35:24.080 --> 0:35:25.840
<v Speaker 1>fan of staff in the middle. Give Michael Panya a

0:35:25.840 --> 0:35:28.760
<v Speaker 1>suit in the middle and keep his exactly the same.

0:35:28.920 --> 0:35:30.920
<v Speaker 1>Because here's the thing. If you're like, oh no, but

0:35:30.960 --> 0:35:33.080
<v Speaker 1>blah blah blah, like that wouldn't work. It would because

0:35:33.120 --> 0:35:35.600
<v Speaker 1>the whole reason that Scott Lange works, the whole reason

0:35:35.600 --> 0:35:38.760
<v Speaker 1>Paul Red's character works is because he is a regular

0:35:38.800 --> 0:35:41.160
<v Speaker 1>guy hits what would happen if? And that's also Paul

0:35:41.160 --> 0:35:43.920
<v Speaker 1>Red's what Paul Red said as far as why he

0:35:43.960 --> 0:35:46.439
<v Speaker 1>took this role, aside from it being a Marvel film

0:35:46.520 --> 0:35:48.600
<v Speaker 1>and making him a lot of money. Um, he said

0:35:48.640 --> 0:35:50.600
<v Speaker 1>that he liked the fact that he was a regular

0:35:50.640 --> 0:35:53.560
<v Speaker 1>guy and his motivations are being a father, like those

0:35:53.560 --> 0:35:56.319
<v Speaker 1>are his you know, it's not necessarily to be a superhero,

0:35:56.800 --> 0:35:59.640
<v Speaker 1>and so I would love that. I would love to

0:35:59.680 --> 0:36:02.359
<v Speaker 1>see Louise. There's no reason why he couldn't also be

0:36:02.400 --> 0:36:05.239
<v Speaker 1>a regular guy with a powered suit. I mean, he

0:36:05.280 --> 0:36:07.720
<v Speaker 1>even said he would be happy with a suit without powers.

0:36:07.800 --> 0:36:09.759
<v Speaker 1>And I don't want to throw our baby out there

0:36:09.800 --> 0:36:12.440
<v Speaker 1>because I know he would die. It would be like

0:36:12.800 --> 0:36:14.640
<v Speaker 1>confidence all of a sudden, though, Like you would see

0:36:14.719 --> 0:36:17.760
<v Speaker 1>him kecocking a little bit, kind of like it's knocking

0:36:17.840 --> 0:36:21.040
<v Speaker 1>the Latino man the suit without powers and throw him

0:36:21.200 --> 0:36:23.040
<v Speaker 1>on the front lines, like I know what's going to

0:36:23.120 --> 0:36:27.400
<v Speaker 1>happen together. Um, but yeah, so so I feel like

0:36:27.640 --> 0:36:31.239
<v Speaker 1>he could. I I don't know. I I hope his

0:36:31.320 --> 0:36:33.360
<v Speaker 1>manager's pitching for it. I don't know. I feel he

0:36:33.360 --> 0:36:36.799
<v Speaker 1>could step into the role of another character. This is

0:36:36.840 --> 0:36:39.640
<v Speaker 1>the soapbox and the hill I'm going to die on

0:36:39.760 --> 0:36:42.520
<v Speaker 1>is that he should. It's a worthy hill, Like I

0:36:42.560 --> 0:36:44.399
<v Speaker 1>don't know if he saw he did he also save

0:36:44.480 --> 0:36:46.719
<v Speaker 1>their but a couple of times. Yeah, well I thought

0:36:46.840 --> 0:36:49.239
<v Speaker 1>was it like Twelve Soldiers, which he was in a

0:36:49.280 --> 0:36:51.640
<v Speaker 1>little bit earlier this year, Like Michael Opinion has the

0:36:51.880 --> 0:36:54.759
<v Speaker 1>range to go the distance, like you can hit those

0:36:54.800 --> 0:36:58.240
<v Speaker 1>serious notes. He's obviously got the comedy and like outside

0:36:58.239 --> 0:36:59.920
<v Speaker 1>of the m c U, someone used to give this

0:37:00.040 --> 0:37:02.120
<v Speaker 1>and a role that can start winning him awards because

0:37:02.120 --> 0:37:04.000
<v Speaker 1>he's like worthy. And I feel like we waste so

0:37:04.080 --> 0:37:06.560
<v Speaker 1>much of our like really great POC talent and we

0:37:06.600 --> 0:37:09.560
<v Speaker 1>don't recognize until like it's like, oh, Viola Davis is good.

0:37:09.560 --> 0:37:12.240
<v Speaker 1>She's been good for so long. We're just now getting

0:37:12.280 --> 0:37:14.960
<v Speaker 1>to give her quality rules because suddenly we see her.

0:37:15.160 --> 0:37:17.480
<v Speaker 1>I just want us to start recognizing the talent earlier

0:37:17.520 --> 0:37:20.719
<v Speaker 1>so we can get like a bigger discography of their

0:37:20.760 --> 0:37:23.680
<v Speaker 1>work like they deserve. Hopefully. Michael pos Agent is like

0:37:23.719 --> 0:37:26.719
<v Speaker 1>out here hunting scripts because he needs something. He needs

0:37:26.719 --> 0:37:29.000
<v Speaker 1>someone big in the leading role. No, I could see

0:37:29.080 --> 0:37:32.680
<v Speaker 1>him as a superhero. So um, anyways, this has turned

0:37:32.680 --> 0:37:36.360
<v Speaker 1>into my platform to push Michael Penia as a superhero

0:37:36.800 --> 0:37:41.120
<v Speaker 1>in the m c U. All right, well we talked

0:37:41.160 --> 0:37:46.239
<v Speaker 1>about this film. Where can people find you Joel and

0:37:46.440 --> 0:37:48.239
<v Speaker 1>Joel Monique And you can find me all over the

0:37:48.280 --> 0:37:50.520
<v Speaker 1>internet at Juel Monique if you hit me up with

0:37:50.520 --> 0:37:53.880
<v Speaker 1>you at the Instagram, it's Joel Underscore Monique. Also at

0:37:53.880 --> 0:37:58.680
<v Speaker 1>Pejaibo where we talk all things feminist culture. It's great. Uh,

0:37:58.840 --> 0:38:01.520
<v Speaker 1>DC Universe I their versus the other day and that

0:38:01.600 --> 0:38:04.120
<v Speaker 1>was so much fun. So check that out for Catwoman

0:38:04.640 --> 0:38:09.439
<v Speaker 1>um bootleg Universe videos coming soon. And oh, I don't

0:38:09.440 --> 0:38:11.680
<v Speaker 1>know when this is coming out, but in like fifteen

0:38:11.719 --> 0:38:14.960
<v Speaker 1>days from whatever today is, I'll be launching a Patreon

0:38:15.440 --> 0:38:18.080
<v Speaker 1>for my new show, which is called Getting Out, which

0:38:18.200 --> 0:38:22.760
<v Speaker 1>seeks to chronicle the history of black horror in cinema,

0:38:23.480 --> 0:38:27.480
<v Speaker 1>both from a creative standpoint and from a like the

0:38:27.480 --> 0:38:32.920
<v Speaker 1>actual film. So the creators, producers, p a s, critics, directors, writers,

0:38:33.040 --> 0:38:35.239
<v Speaker 1>all of them telling their horror stories of being black

0:38:35.239 --> 0:38:37.680
<v Speaker 1>in Hollywood, but also talking about black horror films and

0:38:37.719 --> 0:38:40.960
<v Speaker 1>how it's shaped them and their work. Uh so you

0:38:41.000 --> 0:38:43.600
<v Speaker 1>can check that out. Hell yeah, I did want to

0:38:43.600 --> 0:38:46.400
<v Speaker 1>add one more thing. I forgot of watching these films

0:38:46.440 --> 0:38:48.399
<v Speaker 1>back to back, the first ant Man in then this one.

0:38:48.960 --> 0:38:53.040
<v Speaker 1>Michael Douglas cannot die. Every time, I'm like, is he

0:38:53.040 --> 0:38:55.279
<v Speaker 1>gonna die? He's not gonna do? Is he die? Is

0:38:55.320 --> 0:39:00.319
<v Speaker 1>he he's what her hand went through? His neck is dead?

0:39:00.640 --> 0:39:04.520
<v Speaker 1>He's not dead. I should have been a death and

0:39:04.760 --> 0:39:08.759
<v Speaker 1>you guys, I understand, I love him as well. I understand,

0:39:08.920 --> 0:39:10.759
<v Speaker 1>but also like, I think that would have given it

0:39:10.760 --> 0:39:13.239
<v Speaker 1>a little bit of steaks. I don't think anyone died

0:39:13.360 --> 0:39:18.719
<v Speaker 1>in this film, except for a bunch of like side henchmen.

0:39:19.160 --> 0:39:21.800
<v Speaker 1>But I don't think anyone died. Yeah, even those guys

0:39:21.840 --> 0:39:24.480
<v Speaker 1>just kind of got shocked and dipped with some truth serum.

0:39:24.520 --> 0:39:27.480
<v Speaker 1>And you know, truly was a kid like a kid's

0:39:27.560 --> 0:39:31.279
<v Speaker 1>it's a kid's Yeah. And the jokes were even not

0:39:31.719 --> 0:39:34.480
<v Speaker 1>they were pretty PG most of them. So wow, And

0:39:34.560 --> 0:39:37.319
<v Speaker 1>no death a film a superhero film. I'm sure someone

0:39:37.360 --> 0:39:39.759
<v Speaker 1>will correct me. I can't think of anyone that died

0:39:39.760 --> 0:39:42.120
<v Speaker 1>in this film. But Snap does not count as a

0:39:42.160 --> 0:39:46.160
<v Speaker 1>death either. I feel like, besides the like cars flipping

0:39:46.239 --> 0:39:51.080
<v Speaker 1>over and you know, down the San Francisco streets, I

0:39:51.120 --> 0:39:54.239
<v Speaker 1>think we've all universally agreed that those don't count as

0:39:54.360 --> 0:39:57.920
<v Speaker 1>death deaths are just guys being knocked out and sent

0:39:58.040 --> 0:40:01.480
<v Speaker 1>to the bad guy heaven. Yeah. Um, I am at

0:40:01.560 --> 0:40:03.680
<v Speaker 1>Miss Danny Fernandez. It's M S D A and I

0:40:03.960 --> 0:40:05.680
<v Speaker 1>F E R N and easy. If he and I

0:40:05.719 --> 0:40:09.080
<v Speaker 1>will both be on a panel Friday at Comic Con.

0:40:09.920 --> 0:40:12.879
<v Speaker 1>I believe we're in the library the auditorium. I think

0:40:12.880 --> 0:40:16.440
<v Speaker 1>our panels at three pm. Um, it's geek podcasting and

0:40:16.600 --> 0:40:19.719
<v Speaker 1>you and I will be on a panel immediately after that.

0:40:19.800 --> 0:40:21.120
<v Speaker 1>So if you want to listen to me talk for

0:40:21.160 --> 0:40:24.319
<v Speaker 1>two hours, please do. But also we're we're gonna be

0:40:24.360 --> 0:40:27.680
<v Speaker 1>at a anime expo I think in San Diego Comic Con,

0:40:27.800 --> 0:40:32.160
<v Speaker 1>So come out, yes, yes, uh, And I'm your boy.

0:40:32.239 --> 0:40:34.600
<v Speaker 1>If you I F Y N W A, D I

0:40:34.640 --> 0:40:37.920
<v Speaker 1>b W e at, if you way on Twitter and Instagram,

0:40:37.960 --> 0:40:40.520
<v Speaker 1>if D's on Twitch, uh, you'll been coming out on

0:40:40.560 --> 0:40:43.560
<v Speaker 1>Twitch holding it down. Gotta say thank you. Oh hold on,

0:40:43.880 --> 0:40:45.640
<v Speaker 1>a few of you have called me out because I

0:40:45.680 --> 0:40:47.680
<v Speaker 1>think when I first told you all about the Twitch,

0:40:47.719 --> 0:40:49.600
<v Speaker 1>I said I'd be shouting you all out, and you're like,

0:40:49.600 --> 0:40:52.520
<v Speaker 1>where's my shout out? Fluff is the first guy who

0:40:52.560 --> 0:40:56.080
<v Speaker 1>just will keep bugging me for the shout out? John

0:40:56.120 --> 0:40:58.799
<v Speaker 1>Green eight seven. You came through with the Fall and

0:40:58.800 --> 0:41:00.879
<v Speaker 1>then a few other there's a lot nerd fan. Make

0:41:00.920 --> 0:41:04.000
<v Speaker 1>sure you do hashtag nerd fan when you sub so

0:41:04.040 --> 0:41:05.759
<v Speaker 1>I can write it down now and you get your

0:41:05.760 --> 0:41:08.960
<v Speaker 1>shout out. Also today, just so you know, we just

0:41:09.120 --> 0:41:14.560
<v Speaker 1>released sub Merged. So so if you're listening to this today,

0:41:14.600 --> 0:41:17.239
<v Speaker 1>you can go to tea public, go to the Nerdificent Store.

0:41:17.400 --> 0:41:19.680
<v Speaker 1>We have to stay nerdy. Tease lots of fun tease,

0:41:20.560 --> 0:41:23.160
<v Speaker 1>get get suited up, get booted up. We got stickers

0:41:23.160 --> 0:41:26.000
<v Speaker 1>all of that from your laptops and what have used

0:41:26.200 --> 0:41:28.520
<v Speaker 1>to make sure you check out that merch store. And

0:41:28.840 --> 0:41:32.439
<v Speaker 1>uh yeah, I guess this is when I say stay

0:41:32.480 --> 0:41:37.440
<v Speaker 1>nerdy