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Speaker 1: Okay, so, uh, you know, I think normally when we're

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Speaker 1: doing this show, obviously, like during the theme song.

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Speaker 2: Or whatever, Hayes, you and I feel pretty comfortable just

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Speaker 2: kind of talking, musing, catching up on whatever we've had

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Speaker 2: going on. But we have a guest today who's like

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Speaker 2: very anxious, very aggressive, and just like this pretty adamant

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Speaker 2: that they.

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Speaker 3: Wanted to they wanted to discuss, right.

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Speaker 2: It was immediately like you know, I need MySpace kind

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Speaker 2: of instantly, which I was like, oh, okay, well we'll

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Speaker 2: just talk a little bit over the song, and she said, no.

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Speaker 3: You won't. And I have made this may have even

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Speaker 3: been too long.

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Speaker 4: It is too long.

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Speaker 3: Okay, this already was too long.

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Speaker 1: N then cut, let's cut.

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Speaker 3: Then let's do this.

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Speaker 2: Kevin cut some of what I said, because I was

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Speaker 2: just trying to explain some weeple like context for why

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Speaker 2: the timing would be different, because usually you wouldn't be talking,

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Speaker 2: so you.

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Speaker 3: Try to explain that before too, and that even that

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Speaker 3: like that was you just wanted to.

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Speaker 5: I just I just kind of was sitting here wondering, like, oh,

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Speaker 5: is this going to go for like forty five minutes?

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Speaker 1: No, I know you're busy. I mean we are actually too.

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Speaker 2: But yeah, but we're doing this. Do you want an introduction?

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Speaker 2: Do you want to do it?

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Speaker 4: Sure, I'll do it. Okay, Okay, Hey guys, just can

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Speaker 4: we get some music going?

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Speaker 2: I got the theme song great, well, I think she

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Speaker 2: wanted different music and ike, no, it's whatever.

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Speaker 3: Music.

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Speaker 4: Theme song's great.

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Speaker 5: Hey guys, it's Edie Patterson just hanging out with Sean

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Speaker 5: and Hayes.

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Speaker 4: Just uh, I'm going to get this going.

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Speaker 5: So they don't talk for forty five minutes.

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Speaker 3: And the eagerness to like get into like your like

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Speaker 3: your big announcement and you're not.

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Speaker 1: Just hanging out and you're not just hanging out.

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Speaker 2: Yeah, this is a professional show that you're providing.

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Speaker 3: That was so odd, especially for someone that has been

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Speaker 3: like forcing those like an agenda on the show. Can

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Speaker 3: we take it.

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Speaker 4: Back to a little music going, Just get a little

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Speaker 4: bit going, And just how do you spell sugar plum

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Speaker 4: s U g A R P l U M. I

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Speaker 4: honestly asked me to spell anything really good fast.

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Speaker 3: I'm so glad she went first.

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Speaker 5: Hey guys, it's Edie Patterson just here, not hanging out.

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Speaker 5: I just wanted to do a very important and professional

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Speaker 5: job here today. Pretty soon Hazel come in, Sean will

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Speaker 5: come in, and they'll say some stuff like, what.

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Speaker 3: Was the first thing I played commercial with? Seagulls?

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Speaker 1: Seagulls, seagulls, Jason sieagulls. You ever work with Jason na Dog?

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Speaker 3: Have you? It?

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Speaker 1: Not directly, but it feels that way.

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Speaker 2: I'm so familiar with his work and it's been so

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Speaker 2: inspiring to me in so much of what I do.

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Speaker 4: Oh yeah, that's nice.

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Speaker 3: Being tall and inspired me to be big and tall.

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Speaker 4: Well, wait, maybe we should call him.

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Speaker 1: Well, let's get him on the horn. Can go ahead

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Speaker 1: and ring up Jason.

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Speaker 3: Okay, And again it's not normally the time in the

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Speaker 3: show where we call Jason siegeler like it's fine, Like

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Speaker 3: it's fine the way we don't do it. But I'm

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Speaker 3: willing to change things up.

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Speaker 1: Maybe we need to shake up like this because we've.

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Speaker 3: Been doing that going through in the past. Yeah, So

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Speaker 3: maybe it's maybe it is how late we've been.

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Speaker 2: Might be a timing thing where he's I know he

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Speaker 2: has dinner early.

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Speaker 4: Okay, so you do know him.

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Speaker 1: I know a lot about when he has dinner. Just look,

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Speaker 1: I'm in this town. I read the trades.

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Speaker 4: Is that Jason, I don't.

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Speaker 3: Know, but I mean, I mean, it must be right,

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Speaker 3: it's got to be. He's having dinner.

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Speaker 1: Oh, he's in the middle of dinner.

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Speaker 3: What happened? So he ended? It sounds like he ended

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Speaker 3: the call and then what he he did?

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Speaker 1: He text you immediately he's having dinner. No, he answered,

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Speaker 1: but I saw the plate.

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Speaker 3: And it's it's a video.

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Speaker 2: It was a FaceTime he answered with the showed you

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Speaker 2: the plate and then immediately on.

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Speaker 3: The FaceTime video. So that's a good way to let

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Speaker 3: people know you're having dinner.

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Speaker 2: If you do get a FaceTime, it's just you point

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Speaker 2: the camera at the plate, you answer, and then you

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Speaker 2: immediately hang up and they know what's going on.

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Speaker 3: And so, so did you say we have eadie? And

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Speaker 3: he said, no, I have eadie on my plate mm hmm.

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Speaker 3: And then you zoom in and I'm like, I, guys,

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Speaker 3: so you haven't worked with Jason Siegal, Like, who have you?

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Speaker 1: Yeah? I guess I'm curious then how you got to us.

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Speaker 4: I know, it's kind of a mysterious, yeah thing, you know,

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Speaker 4: I like.

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Speaker 1: To be surprised.

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Speaker 3: I mean, and it took multiple years, and I just like,

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Speaker 3: given how it took to schedule this at the very

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Speaker 3: least I would have expected having worked with Jason Siegel,

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Speaker 3: that would have.

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Speaker 1: Accounted for a whole year for me.

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Speaker 2: I would have gone, well, there was the year she

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Speaker 2: worked with Jason Siegel. Obviously we're not getting her then.

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Speaker 4: Yep, the best of got view is Tim.

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Speaker 3: Bald, Tim bad.

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Speaker 5: I know that's a direct that, but that's a big exhale.

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Speaker 3: Because we've had Tim on so many times because we

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Speaker 3: couldn't book you, so.

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Speaker 4: You might because he's my alternate.

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Speaker 3: You must have been.

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Speaker 1: He's been filling in a lot.

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Speaker 3: Doing something without Tim Bald because he was here. Huh

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Speaker 3: so much huh so damn much weird?

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Speaker 4: Huh are we still in the beginning part?

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Speaker 1: It feels that way. I'm all out of sorts because

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Speaker 1: you did the intro.

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Speaker 2: I appreciated how professional the second one was, but at

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Speaker 2: the same.

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Speaker 1: Time, I don't really know how to launch now, you know,

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Speaker 1: so I kind.

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Speaker 2: Of feel like all pent up, like wondering when the

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Speaker 2: episode is gonna get going, if at all.

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Speaker 4: Maybe you should make make up a joke.

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Speaker 1: Well, Kevin, what's the shortest episode we've released? Because maybe

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Speaker 1: we just do this make up one joke.

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Speaker 3: All right, I'll make up one joke.

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Speaker 1: Fine, can I get an area?

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Speaker 4: How about Los feelas.

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Speaker 1: Los felas? Okay, okay, loose feels okay.

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Speaker 5: Oh god, dang, it's taking so long. Maybe even just

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Speaker 5: say like knock knock or something.

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Speaker 1: Get us going okay?

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Speaker 2: All right, hang on, Yeah, I've just made up jokes

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Speaker 2: on the show before. Like usually, if I make up

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Speaker 2: a joke, it comes directly to the show. So when

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Speaker 2: I get to the show, if I'm not doing one,

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Speaker 2: it means that, like the tank is empty and we

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Speaker 2: all need time to creatively refill. So I'm thinking about

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Speaker 2: Los Feelas, and I'm getting and this is even it'll

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Speaker 2: be such a fast joke for us, even if it

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Speaker 2: came in right.

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Speaker 3: Now, if it came out at all, yeah, it would

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Speaker 3: be insane.

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Speaker 2: This would be as fast as I've done it. Because

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Speaker 2: I usually take a lot of time.

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Speaker 3: It really a nice runway for this figure out the joke.

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Speaker 3: And even then, even when we figured it out beforehand,

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Speaker 3: we still kind of need a little time when it's

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Speaker 3: when it's because like when when you're in it, it's

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Speaker 3: just different. There's no amount of planning ahead of time

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Speaker 3: that can account for what it's like when you're actually

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Speaker 3: in it, true, and it can be really hard to

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Speaker 3: think of what you were like, what you had even

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Speaker 3: thought of before. And even once you do think of it,

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Speaker 3: sometimes it can be really slow to to actually come out. Yeah,

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Speaker 3: it's just different. It's different, you know what I mean.

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Speaker 1: But I'll say, knock knock. I mean if it helps you, Okay,

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Speaker 1: who's there? Oh, boy, Jesus.

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Speaker 3: And even that was like so compensational. It's so it

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Speaker 3: wasn't like it wasn't like a helpful Yeah, I want

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Speaker 3: to at all.

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Speaker 1: It take a little time to wonder who's there before

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Speaker 1: you ask that.

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Speaker 3: It wasn't rooting for the person on the other side

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Speaker 3: of the door. I know what I mean.

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Speaker 4: You're right, the vibe was weird. Okay, give me another

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Speaker 4: knock knock.

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Speaker 1: I'll be cooler, all right, all right, uh knock knock?

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Speaker 4: Oh man, who's there?

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Speaker 3: That one? I'm standing there outside a door. I can't

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Speaker 3: I can only hear what's on the other side. Sound

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Speaker 3: like they were kind of disappointed for a second, but.

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Speaker 2: All right, but not that disappointed. His son can't be right.

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Speaker 2: But give me another. Who's there?

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Speaker 3: Okay?

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Speaker 1: Knock knock?

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Speaker 4: Oh? What who's there?

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Speaker 3: That I would think she was talking to someone else

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Speaker 3: phone on the other side.

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Speaker 2: Yeah, she's asking across the door. I would maybe go

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Speaker 2: back to the confrontational one. Yeah, because it's like this

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Speaker 2: is giving me nowhere to go.

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Speaker 1: So just so, and maybe it's the knock that's the issue.

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Speaker 1: So I'll give the knock with a little more authority,

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Speaker 1: thank you.

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Speaker 4: That was the issue.

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Speaker 1: And by the way I said that, he.

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Speaker 3: Just literally did you hear when he literally just said that?

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Speaker 2: So like when someone has accountability, maybe we don't like

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Speaker 2: smear their nose in it?

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Speaker 4: Is we mean?

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Speaker 3: Is we mean?

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Speaker 1: Uh? We is me in this case? Yes?

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Speaker 4: Wait you you?

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Speaker 3: We is?

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Speaker 2: Ed?

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Speaker 4: Okay?

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Speaker 3: Got it?

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Speaker 4: Who's there?

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Speaker 1: Well? I didn't do the knock, knock, knock?

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Speaker 4: Who's there?

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Speaker 3: Oh? Edi? Who?

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Speaker 1: Okay? Well, I didn't know there's going to be a

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Speaker 1: follow up.

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Speaker 3: Did we forget the area? There was an air it

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Speaker 3: like it was like we lost the area, right. I

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Speaker 3: thought it was like Los Felis. Did you forget about

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Speaker 3: the lost feelings? That it had been so long from

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Speaker 3: the original There were so many interruptions. How you're supposed

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Speaker 3: to keep that area in your head the whole time?

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Speaker 3: And you're coming up with this stuff, boy eighty. It's

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Speaker 3: it's not just podcasts that you do.

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Speaker 4: Right, you do mostly all podcasts.

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Speaker 3: Television, independent film, independent and film, right, corporate ass film

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Speaker 3: as well. Let's not forget.

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Speaker 4: Some commercial film.

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Speaker 3: Yes, yes, yees.

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Speaker 2: For the the big corporations, right, or all the big

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Speaker 2: those wonderful people of the one percent, all the billionaires

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Speaker 2: who force feeding us our media.

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Speaker 4: That's who I like to do.

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Speaker 1: Be a good little boy.

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Speaker 2: And girl say the movies that he is in. That's right,

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Speaker 2: don't cut out of line.

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Speaker 5: Yeah, taxes, pay your taxes, watch this movie. Pay pay

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Speaker 5: to see this movie, and do what it tells you.

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Speaker 1: Yeah, buy one ticket to this movie and get one

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Speaker 1: for hundred dollars or.

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Speaker 3: What they should have. Honestly, I see Hollywood struggling like this.

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Speaker 3: They should have people pay in advance to see the movie.

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Speaker 3: We cannot keep doing it like this, where people go

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Speaker 3: to the movie just on the promise that like after

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Speaker 3: oh no, it's okay, we won't just like.

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Speaker 1: And the movie tells you to pay.

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Speaker 3: Like and you know you can hear them whispering. They

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Speaker 3: can't arrest all of us and we just all book

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Speaker 3: it at once. They might get one or two of us,

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Speaker 3: but like the can and they have an entire movie

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Speaker 3: to plan this and it's dark. Yeah, they're sitting there

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Speaker 3: flaming in the dart.

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Speaker 2: And they're understaffed. They're all underfunded, they're all understaffed in

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Speaker 2: terms of getting people to stop them from getting out.

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Speaker 2: They're completely understand.

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Speaker 3: Just have them pay before, like, have them pay to

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Speaker 3: see the movie. Well here's my thing too.

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Speaker 2: Well, the this is the other question, who are who

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Speaker 2: are they? But I but I think you know it

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Speaker 2: used to be because it used to be that way.

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Speaker 2: There was somebody outside and you'd pay them to see

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Speaker 2: the movie, and then the movie could be about whatever

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Speaker 2: they wanted. And now you walk into the movie and

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Speaker 2: the movie's all about like make sure you pay before

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Speaker 2: you leave.

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Speaker 3: You go.

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Speaker 1: Well that's not you.

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Speaker 3: Know, but just one too far in that DITC.

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Speaker 5: It just went way too far when you used to

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Speaker 5: walk up to some guy and pay him outside of

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Speaker 5: the movie theater to see in quote whatever movie you want.

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Speaker 3: What you want. At that point you've just given him money.

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Speaker 3: And and then was he just trust.

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Speaker 2: Him to program, you know, to program content that I'm

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Speaker 2: going with?

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Speaker 3: Just was he showing he wasn't He certainly wasn't just

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Speaker 3: showing me also his butthole.

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Speaker 1: The fact is that wasn't a movie. The fact is

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Speaker 1: it's hard to.

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Speaker 3: The idea that they're like so far apart that like

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Speaker 3: it's really easy that you couldn't show the spin.

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Speaker 2: No, no, no, not the way he would do it,

276
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Speaker 2: which is he's on sort of a very thin swing

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Speaker 2: and so he so he's just able to elevate a

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Speaker 2: little bit.

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Speaker 1: Got it, just swing the legs up.

280
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Speaker 3: But I can do it in a way.

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Speaker 1: But this was this, This was the renegade cinema.

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Speaker 2: This you seventies, you know what I mean, Bob Evans, right,

283
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Speaker 2: this is when it was.

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Speaker 3: You can lie down, you can lie down a skateboard.

285
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Speaker 3: I remember like when this when this for first hits

286
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Speaker 3: in and it's be able to know what to do

287
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Speaker 3: with this. You lie down a skateboard, you pull the

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Speaker 3: legs back, and so now like you've got the whole

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Speaker 3: shot and you just shoot the skateboard right at the camera,

290
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Speaker 3: and people thought that it was actually gonna come out

291
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Speaker 3: of the screen hit them. People were like running out

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Speaker 3: of the theaters not paying Wow.

293
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Speaker 1: Yeah, no.

294
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Speaker 2: The first time I saw that, I was like, uh

295
00:14:18,280 --> 00:14:22,200
Speaker 2: oh right, this this butt hole and Dick is gonna

296
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Speaker 2: actually hit me soon because it.

297
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Speaker 1: Was coming right at the street, you know, but then

298
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Speaker 1: a lot of people left.

299
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Speaker 3: It swung too far in that direction, and so people

300
00:14:31,960 --> 00:14:35,640
Speaker 3: were like, okay, like, I'm not gonna give you money

301
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Speaker 3: until I know that you're not gonna show me that

302
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Speaker 3: movie again, Like you cannot like keep showing me whatever

303
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Speaker 3: movie you want. I'll pay you after I know it's

304
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Speaker 3: not gonna be that I would.

305
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Speaker 1: Like to see it. I'd like to see at least

306
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Speaker 1: one other movie.

307
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Speaker 3: And first it was halfway through, and then as soon

308
00:14:49,760 --> 00:14:52,160
Speaker 3: as they would pay, they would switch it to that

309
00:14:52,280 --> 00:14:56,760
Speaker 3: movie again. Obviously, oh right, so now you have to

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Speaker 3: watch the whole thing and then it's proof that it

311
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Speaker 3: was a movie that you signed up for. And then

312
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Speaker 3: you pay, but they're not paying. And now this is

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Speaker 3: how restaurants work too. Restaurants have been forced to adapt

314
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Speaker 3: in this way. Where it used to be I hadn't

315
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Speaker 3: noticed it. Yes, you would go sit down at the

316
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Speaker 3: restaurant and be like, I'll have the chicken steak and

317
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Speaker 3: they would be like, okay, well can I see some

318
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Speaker 3: fucking money first? Right right, I'm not just gonna give

319
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Speaker 3: you food to eat.

320
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Speaker 1: I know you would, Yes, you would, just you would.

321
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Speaker 2: They they would have a menu and by the way,

322
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Speaker 2: the men, you would have about three things on it.

323
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Speaker 1: It wasn't all this fucking bullshit.

324
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Speaker 2: It was curated, yes, exactly, and you knew what they

325
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Speaker 2: did well, and you go, okay, I'll have the ham

326
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Speaker 2: and giblet Sunday.

327
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Speaker 1: Okay, pay up.

328
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Speaker 4: Right, yeah, and let me out of let me out

329
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Speaker 4: a chicken steak.

330
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Speaker 2: Yeah, and the lady will be having the chicken steak right.

331
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Speaker 4: Yes, you know, and my husband will have the ham

332
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Speaker 4: and giblet Sunday.

333
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Speaker 3: And then yes, yeah, but he literally just did you like?

334
00:15:59,440 --> 00:16:02,840
Speaker 3: That was actually he came up with, Okay, that's actually

335
00:16:02,880 --> 00:16:03,800
Speaker 3: really nice.

336
00:16:03,600 --> 00:16:06,640
Speaker 1: That's actually really sweet. And why would you will have

337
00:16:06,680 --> 00:16:07,400
Speaker 1: the chicken still?

338
00:16:07,400 --> 00:16:09,080
Speaker 3: Why would you answer the door like.

339
00:16:09,040 --> 00:16:11,640
Speaker 1: That baby will have the chicken steak as well?

340
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Speaker 4: I think I didn't know that it was Oh, that's

341
00:16:14,080 --> 00:16:14,600
Speaker 4: our baby.

342
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Speaker 5: Yeah, yeah, I didn't know it was my husband at

343
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Speaker 5: the door.

344
00:16:19,680 --> 00:16:23,760
Speaker 4: Okay, I thought it was that guy from the.

345
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Speaker 2: Movie Theater and I and I guess as your husband.

346
00:16:26,560 --> 00:16:28,800
Speaker 2: I don't know why I was knocking so many times

347
00:16:29,040 --> 00:16:34,320
Speaker 2: I lived here heavy Oh, maybe you know. Yeah, then

348
00:16:34,360 --> 00:16:36,760
Speaker 2: I'm maybe knocking on my foot. I'm kind of kicking

349
00:16:36,800 --> 00:16:39,680
Speaker 2: at the door knowing her. She's already only sending you

350
00:16:39,760 --> 00:16:40,760
Speaker 2: to do some crap.

351
00:16:40,960 --> 00:16:43,680
Speaker 1: Oh god, she got me running all over creation to

352
00:16:43,720 --> 00:16:44,760
Speaker 1: buy some you.

353
00:16:44,720 --> 00:16:48,480
Speaker 4: Know, we needed stuff or whatever feminine product.

354
00:16:48,800 --> 00:16:52,720
Speaker 2: Well yeah, okay, I don't know.

355
00:16:53,400 --> 00:16:56,440
Speaker 3: I don't like the cups so heavy.

356
00:16:56,560 --> 00:16:59,920
Speaker 5: Go get my heavy Diva cups. Go get all my tampon,

357
00:17:00,760 --> 00:17:02,280
Speaker 5: Go get all my past I.

358
00:17:02,320 --> 00:17:05,000
Speaker 3: Thought the heavy Diva cups were for heavy divas. I

359
00:17:05,000 --> 00:17:07,320
Speaker 3: didn't know that they were. It was the cup.

360
00:17:07,440 --> 00:17:09,520
Speaker 5: It's just if you have a lot of blood come

361
00:17:09,560 --> 00:17:11,280
Speaker 5: out into them, then they make.

362
00:17:14,119 --> 00:17:17,880
Speaker 3: Used but proof. It might be proof and they might

363
00:17:17,920 --> 00:17:22,720
Speaker 3: have to film with a bunch of blood before.

364
00:17:21,359 --> 00:17:22,400
Speaker 1: It's gonna hold it.

365
00:17:22,720 --> 00:17:27,720
Speaker 3: This is like the whole movie you gotta show, right, Yeah,

366
00:17:27,920 --> 00:17:30,280
Speaker 3: it's gotta be stressed society.

367
00:17:30,880 --> 00:17:33,399
Speaker 2: Yeah, you used to be able to just say, like,

368
00:17:33,560 --> 00:17:36,360
Speaker 2: I'll have one empty Diva cup. You know what I mean,

369
00:17:37,880 --> 00:17:40,879
Speaker 2: give them the money. Man would give.

370
00:17:40,720 --> 00:17:41,080
Speaker 1: It to you.

371
00:17:41,320 --> 00:17:45,040
Speaker 2: He would show you whatever he showed you, you know.

372
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Speaker 2: And it's just like I don't know, I don't know

373
00:17:48,680 --> 00:17:50,240
Speaker 2: if it's the internet or what did it?

374
00:17:50,320 --> 00:17:52,280
Speaker 1: But no, one trusts anyone anymore.

375
00:17:52,480 --> 00:17:56,200
Speaker 4: Social media, isn't it.

376
00:17:55,480 --> 00:18:01,520
Speaker 1: So it was social media, connect with your friend and everything.

377
00:18:01,160 --> 00:18:04,439
Speaker 3: Like, and it's taken so many of our third spaces away.

378
00:18:05,720 --> 00:18:08,240
Speaker 3: I've just been feeling like the playground fucking sucks. Now

379
00:18:09,000 --> 00:18:12,640
Speaker 3: I go to the playground and like everyone is kind

380
00:18:12,640 --> 00:18:16,959
Speaker 3: of on their own trip there now, like no one is.

381
00:18:17,320 --> 00:18:19,000
Speaker 2: Used to be a contest, used to be a race.

382
00:18:19,080 --> 00:18:23,000
Speaker 2: You could find a race at any time. Race up

383
00:18:23,040 --> 00:18:28,120
Speaker 2: the slag, cross the monkey bars, Sanda's lava, right, okay,

384
00:18:28,320 --> 00:18:31,720
Speaker 2: down the stairs, all right, back around. And if I

385
00:18:31,760 --> 00:18:38,280
Speaker 2: get there first, you got to show me whatever I want.

386
00:18:39,080 --> 00:18:40,800
Speaker 1: I mean, that was the playground.

387
00:18:41,400 --> 00:18:44,840
Speaker 2: And now you go and it's like you're if you

388
00:18:44,920 --> 00:18:46,000
Speaker 2: make eye contacts.

389
00:18:46,119 --> 00:18:51,760
Speaker 3: Everyone has set up their camera and like like they've

390
00:18:51,760 --> 00:18:55,119
Speaker 3: got the perfect frame and then they're going to do

391
00:18:55,160 --> 00:19:01,679
Speaker 3: a special trick just for their own camera. Yep. And

392
00:19:01,720 --> 00:19:03,600
Speaker 3: you're trying to do a race and you like run

393
00:19:03,640 --> 00:19:06,399
Speaker 3: in front of their frame, and now it's like like

394
00:19:06,800 --> 00:19:07,679
Speaker 3: you're the problem.

395
00:19:07,760 --> 00:19:12,639
Speaker 1: Yeah you're in my shot.

396
00:19:11,280 --> 00:19:14,880
Speaker 4: Right yeah, but now you're the one percent and.

397
00:19:14,880 --> 00:19:16,720
Speaker 3: You have to race by yourself and then you just

398
00:19:16,760 --> 00:19:18,119
Speaker 3: show yourself whatever.

399
00:19:17,880 --> 00:19:20,080
Speaker 2: And it's you against you out there, which, by the way,

400
00:19:20,119 --> 00:19:22,320
Speaker 2: it always was, but there.

401
00:19:22,280 --> 00:19:24,480
Speaker 1: Used to be at least a sense of community there

402
00:19:24,480 --> 00:19:26,520
Speaker 1: at the playground. Fucking sucks.

403
00:19:26,600 --> 00:19:31,480
Speaker 3: Now it sucks.

404
00:19:32,480 --> 00:19:35,080
Speaker 4: Thanks for coming out, you guys, Thank you for being here.

405
00:19:35,400 --> 00:19:38,200
Speaker 2: This was actually really cool. Yeah, thanks for being here.

406
00:19:38,880 --> 00:19:39,960
Speaker 2: Are letting me be here.

407
00:19:40,240 --> 00:19:43,560
Speaker 5: This is the beginning of the show. And I'm just

408
00:19:43,560 --> 00:19:45,239
Speaker 5: gonna ken you got some music for us.

409
00:19:46,600 --> 00:19:51,359
Speaker 6: What if there was no Galaxy far far away, no

410
00:19:51,520 --> 00:19:56,679
Speaker 6: joy and they never did assemble? What if every second

411
00:19:57,000 --> 00:19:59,760
Speaker 6: didn't count and he never did.

412
00:19:59,680 --> 00:20:04,879
Speaker 3: From these commercials? Ever? Did these these these Disney commercials,

413
00:20:04,920 --> 00:20:07,240
Speaker 3: These are very effective for me. It's kind of like

414
00:20:07,280 --> 00:20:10,560
Speaker 3: they're threatening to take away on my favorite shows and movies,

415
00:20:10,640 --> 00:20:16,000
Speaker 3: just like, hey, sure would be a shame all our

416
00:20:16,040 --> 00:20:22,800
Speaker 3: beloved characters got fucking got murked of them. Yeah, what

417
00:20:22,840 --> 00:20:27,840
Speaker 3: if what if the Avengers never did assemble? They're so powerful?

418
00:20:27,920 --> 00:20:30,639
Speaker 3: Whatever we got Thanos too, he's one of our guys,

419
00:20:30,640 --> 00:20:33,200
Speaker 3: like we like, yeah, he fucking works for us.

420
00:20:34,440 --> 00:20:37,480
Speaker 2: Yeah, they start to have somebody, they'll have like Thanos

421
00:20:37,560 --> 00:20:39,520
Speaker 2: or whoever you loved growing up, you know what I mean.

422
00:20:39,600 --> 00:20:42,600
Speaker 2: And then they'll have like Walt Disney like in like

423
00:20:42,680 --> 00:20:43,520
Speaker 2: a cloak with.

424
00:20:43,400 --> 00:20:45,879
Speaker 1: Like a high powered rifle just like get up behind

425
00:20:45,920 --> 00:20:47,920
Speaker 1: him and like put the barrel.

426
00:20:47,680 --> 00:20:51,080
Speaker 3: Right to his ear. And it's an e raser, like

427
00:20:51,200 --> 00:20:54,280
Speaker 3: you know, it's like a kind of cartoon eraser type rifle,

428
00:20:55,280 --> 00:20:58,359
Speaker 3: but it does like fully go through the skull, like

429
00:20:58,400 --> 00:21:01,000
Speaker 3: penetrate the skull. It's much worse than if it were

430
00:21:01,040 --> 00:21:03,560
Speaker 3: a bull. I don't wanter, you know.

431
00:21:03,640 --> 00:21:08,520
Speaker 2: Yeah, yeah, yeah, yeah, it's scarier. It's a lot scarier

432
00:21:08,560 --> 00:21:08,800
Speaker 2: to me.

433
00:21:09,160 --> 00:21:12,960
Speaker 1: And the eraser makes like gun sounds.

434
00:21:13,000 --> 00:21:15,080
Speaker 3: But that's how they have to get people to watch now,

435
00:21:15,160 --> 00:21:17,399
Speaker 3: because like the industry is just like they have to

436
00:21:17,440 --> 00:21:19,240
Speaker 3: threaten to kill all their characters.

437
00:21:19,320 --> 00:21:21,040
Speaker 1: Well because nobody's paying for movies anymore.

438
00:21:21,119 --> 00:21:23,520
Speaker 2: I mean, I just can't, you know, because everybody leaves

439
00:21:23,560 --> 00:21:24,879
Speaker 2: they play in the theater.

440
00:21:25,080 --> 00:21:27,000
Speaker 3: Yeah, they made a plan together.

441
00:21:27,520 --> 00:21:31,120
Speaker 4: It's not like it was It's really not like it was.

442
00:21:31,119 --> 00:21:31,440
Speaker 3: Was there.

443
00:21:31,560 --> 00:21:35,159
Speaker 1: I'm just sorry to keep Was there a particular like

444
00:21:35,440 --> 00:21:37,240
Speaker 1: joke you wanted to hear or.

445
00:21:38,119 --> 00:21:42,040
Speaker 4: I think just probably anything, Okay, I think it probably

446
00:21:42,080 --> 00:21:42,520
Speaker 4: could have been.

447
00:21:42,640 --> 00:21:44,080
Speaker 1: Could have been anything I have.

448
00:21:44,280 --> 00:21:46,720
Speaker 3: I mean it's just like and while you you want

449
00:21:46,760 --> 00:21:48,400
Speaker 3: a little more time to work, I know you've been

450
00:21:48,480 --> 00:21:50,320
Speaker 3: working on this the whole time we've been talking. So

451
00:21:50,440 --> 00:21:53,400
Speaker 3: this is like part of his process, like he can

452
00:21:53,560 --> 00:21:58,639
Speaker 3: actually dedicate not his whole brain, but like a little

453
00:21:58,680 --> 00:22:01,800
Speaker 3: part of it can still kind of working on. And

454
00:22:01,840 --> 00:22:07,600
Speaker 3: there's like a little uh Cobbler's elf back there and

455
00:22:07,640 --> 00:22:08,040
Speaker 3: he's like.

456
00:22:08,480 --> 00:22:10,400
Speaker 4: I'm still working on those feelas.

457
00:22:11,200 --> 00:22:15,000
Speaker 3: And did does it help you remember the area? So

458
00:22:15,040 --> 00:22:18,119
Speaker 3: it's just one elf that you know, it's not like

459
00:22:18,160 --> 00:22:20,480
Speaker 3: a whole team of elves. There's just one. He can

460
00:22:20,520 --> 00:22:23,760
Speaker 3: only kind of carry so many shoe parts at once.

461
00:22:24,720 --> 00:22:26,640
Speaker 4: Well, let's here, let's try another one.

462
00:22:26,840 --> 00:22:28,840
Speaker 3: Let's me and you do one a new area?

463
00:22:29,119 --> 00:22:32,800
Speaker 1: Yeah, a new area? Okay, are you going to do

464
00:22:32,800 --> 00:22:33,120
Speaker 1: a joke?

465
00:22:33,760 --> 00:22:37,679
Speaker 3: I don't do that, Like I don't do that stuff. No,

466
00:22:37,800 --> 00:22:39,159
Speaker 3: I don't do not do this.

467
00:22:39,400 --> 00:22:40,199
Speaker 1: I love to see that.

468
00:22:40,720 --> 00:22:43,600
Speaker 3: I don't do this. I don't do the jokes on

469
00:22:43,640 --> 00:22:46,840
Speaker 3: this like he does this, and then kind of if

470
00:22:46,840 --> 00:22:49,840
Speaker 3: I do, he'll be mad and I'll be mad. No

471
00:22:49,880 --> 00:22:53,920
Speaker 3: one's happy if I'm if I'm doing one of these,

472
00:22:54,800 --> 00:22:58,000
Speaker 3: I can't. We've been doing this for way too long

473
00:22:58,119 --> 00:22:59,800
Speaker 3: and it's it's worked out.

474
00:23:00,080 --> 00:23:01,280
Speaker 4: I think it's gonna go great.

475
00:23:02,080 --> 00:23:05,440
Speaker 3: It's great. Is not what we do. I just told

476
00:23:05,480 --> 00:23:06,120
Speaker 3: you it's worked out.

477
00:23:06,240 --> 00:23:09,359
Speaker 2: I think I have like a political one in the area.

478
00:23:09,560 --> 00:23:11,600
Speaker 2: I think I have like a pretty political one that

479
00:23:11,800 --> 00:23:15,479
Speaker 2: uses Los feel ash okay.

480
00:23:15,480 --> 00:23:21,960
Speaker 1: So it gets pretty political. So knock knock, oh man,

481
00:23:22,080 --> 00:23:22,640
Speaker 1: who's there?

482
00:23:25,480 --> 00:23:27,040
Speaker 3: Yeah, yeah, I think that might be.

483
00:23:27,119 --> 00:23:29,200
Speaker 2: Yeah, let's go right into who's there, because this one

484
00:23:29,240 --> 00:23:31,720
Speaker 2: I have it already and it gets it actually is

485
00:23:31,760 --> 00:23:34,119
Speaker 2: gonna speak on some pretty powerful issues.

486
00:23:34,480 --> 00:23:37,040
Speaker 3: It's the aw man. I think that I don't think

487
00:23:37,080 --> 00:23:40,280
Speaker 3: there's a way to nail aw man so that it

488
00:23:40,280 --> 00:23:45,359
Speaker 3: would work. So let's just try one without awmnat.

489
00:23:44,760 --> 00:23:46,520
Speaker 1: Knock knock, who's there?

490
00:23:47,920 --> 00:23:48,640
Speaker 3: Commonwealth?

491
00:23:49,440 --> 00:23:50,080
Speaker 4: Commonwealth?

492
00:23:50,119 --> 00:23:50,280
Speaker 3: Who?

493
00:23:51,880 --> 00:23:53,719
Speaker 1: Actually, it's become pretty uncommon.

494
00:23:54,080 --> 00:23:59,679
Speaker 2: Uh, the wealth has actually become pretty uncommon these days

495
00:24:00,119 --> 00:24:06,400
Speaker 2: given some of the behavior of a certain governments who

496
00:24:06,760 --> 00:24:14,680
Speaker 2: shall remain unnamed or United States of blub Barica and

497
00:24:14,840 --> 00:24:17,919
Speaker 2: maybe say like under mister Trump and mister Biden.

498
00:24:18,080 --> 00:24:21,240
Speaker 1: Yeah, no one's hands are clean.

499
00:24:22,320 --> 00:24:25,960
Speaker 2: Yeah, couples thanks, yeah, yeah, And that's the street.

500
00:24:26,040 --> 00:24:27,080
Speaker 1: Commonwealth is a street.

501
00:24:27,160 --> 00:24:30,600
Speaker 2: And for everyone at home, we wasn't able to enjoy

502
00:24:30,640 --> 00:24:37,439
Speaker 2: that the way we did.

503
00:24:39,320 --> 00:24:43,119
Speaker 3: And so you're doing like the TV show and like

504
00:24:43,160 --> 00:24:45,280
Speaker 3: you're doing all this other stuff. So like let's talk

505
00:24:45,320 --> 00:24:48,600
Speaker 3: about the TV show. Okay, for just for example, yes, right,

506
00:24:48,760 --> 00:24:52,080
Speaker 3: you're doing this, we'll talk about that first, and you're

507
00:24:52,119 --> 00:24:52,680
Speaker 3: doing it again.

508
00:24:52,760 --> 00:24:54,040
Speaker 1: But we're going to get to everything.

509
00:24:53,800 --> 00:24:56,280
Speaker 4: We did our fourth season. It's the final.

510
00:24:55,960 --> 00:24:58,359
Speaker 3: Season, okay, so just say no, you don't have to

511
00:24:58,359 --> 00:25:01,399
Speaker 3: do like, just say no, we're May the Fourth be

512
00:25:01,440 --> 00:25:01,760
Speaker 3: with you.

513
00:25:02,440 --> 00:25:04,480
Speaker 4: May the Fourth be with you too?

514
00:25:04,600 --> 00:25:05,960
Speaker 1: The fourth season.

515
00:25:06,240 --> 00:25:06,840
Speaker 3: And so the fourth.

516
00:25:07,080 --> 00:25:09,560
Speaker 1: Is there any Star Wars references in the show?

517
00:25:10,080 --> 00:25:13,400
Speaker 4: No, truly, not that my humor, not my.

518
00:25:13,440 --> 00:25:16,240
Speaker 3: He would be a sha of all the Star Wars

519
00:25:16,760 --> 00:25:20,160
Speaker 3: got just murked.

520
00:25:20,560 --> 00:25:23,440
Speaker 1: Yeah, oh boy, that'd be too bad. I C three

521
00:25:23,480 --> 00:25:25,359
Speaker 1: P is like more like see you later?

522
00:25:25,560 --> 00:25:29,560
Speaker 4: Yes we do. Does this count? There is? There is

523
00:25:29,600 --> 00:25:34,960
Speaker 4: a scene the season where Boba Fett gets his head

524
00:25:35,000 --> 00:25:38,480
Speaker 4: chopped off. Wow does that count?

525
00:25:38,760 --> 00:25:42,840
Speaker 3: Now? I was thinking more of using it for humor.

526
00:25:43,000 --> 00:25:47,040
Speaker 1: Is it funny when it happens to Boba fet No, okay.

527
00:25:46,920 --> 00:25:51,800
Speaker 4: It's really really I would say, very action y, but also.

528
00:25:51,640 --> 00:25:54,159
Speaker 2: I would be sad, would be I also would be

529
00:25:54,400 --> 00:25:59,159
Speaker 2: kind of skeptical. Is a bounty hunter so he's just

530
00:25:59,200 --> 00:26:03,000
Speaker 2: getting his job? It seems unlikely they would have to.

531
00:26:03,440 --> 00:26:06,639
Speaker 2: The characters are all respect to you and your cast

532
00:26:06,680 --> 00:26:09,040
Speaker 2: mates sort of bumbling in the show.

533
00:26:09,480 --> 00:26:12,800
Speaker 3: But the show, So when am I supposed to pay

534
00:26:12,840 --> 00:26:16,120
Speaker 3: for that? Is it like at the end, you guys

535
00:26:16,119 --> 00:26:18,679
Speaker 3: are all going to be like okay, And I'm.

536
00:26:18,560 --> 00:26:20,399
Speaker 1: Not saying I'm going to I don't want you.

537
00:26:20,359 --> 00:26:23,080
Speaker 3: Should kind of pay wallet, like maybe right before the end,

538
00:26:23,280 --> 00:26:25,960
Speaker 3: like okay, here it is like at the big ending.

539
00:26:26,040 --> 00:26:29,960
Speaker 5: You want to fut this is going to infuriate you guys.

540
00:26:30,320 --> 00:26:33,879
Speaker 5: But it's one of those streaming platforms they have to

541
00:26:33,920 --> 00:26:39,080
Speaker 5: pay for. Okay, so you're furious, right.

542
00:26:39,880 --> 00:26:44,760
Speaker 3: Okay, And and how do I do that?

543
00:26:45,400 --> 00:26:46,960
Speaker 1: What do I have to do for that?

544
00:26:47,080 --> 00:26:49,560
Speaker 3: Because what he talks about is like you have to call.

545
00:26:49,800 --> 00:26:50,680
Speaker 4: I think you have to call.

546
00:26:51,400 --> 00:26:52,359
Speaker 3: That's what sucks.

547
00:26:52,440 --> 00:26:54,240
Speaker 1: And let me get and let me guess I talked

548
00:26:54,240 --> 00:26:55,359
Speaker 1: to some robots.

549
00:26:55,520 --> 00:26:57,240
Speaker 5: Yeah, you call and you talk to a robot and

550
00:26:57,320 --> 00:26:59,240
Speaker 5: you say, hey, can I go ahead and pay my

551
00:26:59,359 --> 00:27:00,000
Speaker 5: money per month?

552
00:27:00,840 --> 00:27:05,960
Speaker 2: And they go for press five you know, million or

553
00:27:06,000 --> 00:27:07,440
Speaker 2: whatever how high it goes.

554
00:27:08,200 --> 00:27:13,200
Speaker 1: If you want to, uh have a list of all.

555
00:27:13,119 --> 00:27:18,080
Speaker 2: The books at the library, and you go, what's not

556
00:27:18,119 --> 00:27:19,200
Speaker 2: what I'm calling about.

557
00:27:19,400 --> 00:27:21,240
Speaker 4: I'm just trying to to watch a show.

558
00:27:21,359 --> 00:27:23,960
Speaker 2: Hey man, I'm just trying to watch a show. He's

559
00:27:24,040 --> 00:27:26,160
Speaker 2: like with coffee, I can't do it.

560
00:27:26,720 --> 00:27:28,200
Speaker 1: The fucking coffee there.

561
00:27:29,800 --> 00:27:31,280
Speaker 3: It's crazy.

562
00:27:31,680 --> 00:27:33,359
Speaker 1: Whatever happened to a cup of Joe?

563
00:27:34,440 --> 00:27:35,960
Speaker 4: I don't know what happened to a cup of Joe.

564
00:27:36,320 --> 00:27:37,600
Speaker 3: I'm not going to be able to be on the

565
00:27:37,640 --> 00:27:41,359
Speaker 3: phone because I'm a millennial. Oh, we don't like the phone.

566
00:27:41,440 --> 00:27:42,840
Speaker 4: No, you're not gonna be able to do this.

567
00:27:42,960 --> 00:27:44,879
Speaker 1: I have a lot of anxiety around them.

568
00:27:44,960 --> 00:27:48,320
Speaker 3: Yeah. Yeah. The ring sound sends me screaming down the hall,

569
00:27:49,480 --> 00:27:52,640
Speaker 3: and so I'm not gonna be able to have that conversation.

570
00:27:53,119 --> 00:27:54,639
Speaker 4: I think we have it worst of all.

571
00:27:54,720 --> 00:27:59,199
Speaker 2: Millennials have it hardest of any generation because we have

572
00:27:59,320 --> 00:28:02,320
Speaker 2: had enough in interaction with people in our lives before

573
00:28:02,359 --> 00:28:05,440
Speaker 2: everything became robots that we are frustrated with the robots.

574
00:28:05,720 --> 00:28:08,600
Speaker 2: But we also are sensitive enough that we cannot talk

575
00:28:08,640 --> 00:28:09,040
Speaker 2: to people.

576
00:28:09,160 --> 00:28:14,560
Speaker 3: We've hsp we've graduated during a recession. We've never had sex,

577
00:28:16,520 --> 00:28:21,280
Speaker 3: that's right, we don't have emmy friends. We can't talk

578
00:28:21,320 --> 00:28:21,959
Speaker 3: on the phone.

579
00:28:22,200 --> 00:28:24,239
Speaker 4: Which is it seems like you're proud of all of

580
00:28:24,280 --> 00:28:25,640
Speaker 4: these I.

581
00:28:25,600 --> 00:28:30,000
Speaker 3: Mean this is my generation. Of course, I'm gonna rap it. Okay, Doc,

582
00:28:30,200 --> 00:28:35,840
Speaker 3: what else am I what these are my people? You know?

583
00:28:37,200 --> 00:28:40,200
Speaker 3: They like, I'm not friends with any of them. We

584
00:28:40,240 --> 00:28:43,440
Speaker 3: don't have any friends because we can't talk on the phone.

585
00:28:44,560 --> 00:28:46,600
Speaker 3: How are we supposed to make friends we can't.

586
00:28:46,360 --> 00:28:47,120
Speaker 1: Talk on the phone.

587
00:28:47,760 --> 00:28:54,440
Speaker 2: Yeah, Now when you said HSP, yeah you said sensitive,

588
00:28:55,040 --> 00:28:55,560
Speaker 2: So that.

589
00:28:59,480 --> 00:29:01,080
Speaker 3: All right? Okay?

590
00:29:01,200 --> 00:29:03,480
Speaker 1: I thought, okay, Well I was even yeah.

591
00:29:03,400 --> 00:29:06,800
Speaker 4: Because hey, a lot of HSPs are in their bathing suits.

592
00:29:07,000 --> 00:29:10,600
Speaker 1: Well, and I thought I thought it meant hard shaved penis.

593
00:29:12,000 --> 00:29:16,800
Speaker 3: So heard shaped or hard shaped, hard shaped, hard shaved.

594
00:29:18,720 --> 00:29:21,480
Speaker 4: So the you know that guy outside the movie theater.

595
00:29:21,720 --> 00:29:25,200
Speaker 2: Yes, well that is actually exactly what I thought of.

596
00:29:25,320 --> 00:29:30,120
Speaker 5: Uh huh, because he had a hard shaved penis, and

597
00:29:30,200 --> 00:29:32,000
Speaker 5: are we talking about the area around it?

598
00:29:32,120 --> 00:29:34,480
Speaker 3: So we thought that we really think that is him

599
00:29:34,520 --> 00:29:39,080
Speaker 3: in the movie? Yes, I do, Okay, I mean I

600
00:29:39,400 --> 00:29:41,000
Speaker 3: like he says it's him.

601
00:29:41,680 --> 00:29:42,600
Speaker 4: But he might be lying.

602
00:29:42,920 --> 00:29:46,720
Speaker 1: Well, I don't know who's holding the camera, correct.

603
00:29:46,440 --> 00:29:51,880
Speaker 4: Question who and hard shave penis?

604
00:29:53,080 --> 00:29:56,280
Speaker 3: Well, yeah, and and what's also confusing to me is

605
00:29:56,320 --> 00:30:00,560
Speaker 3: like he's there taking the tickets and stuff. But sometimes

606
00:30:00,560 --> 00:30:03,280
Speaker 3: you would go to the movie and it did come

607
00:30:03,320 --> 00:30:05,760
Speaker 3: out of the screen. It was a it was not

608
00:30:05,840 --> 00:30:07,600
Speaker 3: an actually it wasn't a movie.

609
00:30:07,680 --> 00:30:08,840
Speaker 1: Sometimes there wasn't a screen.

610
00:30:09,280 --> 00:30:11,560
Speaker 4: Oh well, yeah it was. It's kind of what the

611
00:30:11,600 --> 00:30:12,400
Speaker 4: story seemed like.

612
00:30:12,800 --> 00:30:16,480
Speaker 3: It was a guy on a skateboard, in this case,

613
00:30:16,520 --> 00:30:20,440
Speaker 3: on a ramp, and he would just like you, and

614
00:30:20,480 --> 00:30:22,400
Speaker 3: I think they would use the movie to kind of

615
00:30:22,480 --> 00:30:25,080
Speaker 3: lull you into like a false sense of security. I

616
00:30:25,160 --> 00:30:29,400
Speaker 3: definitely felt that that it wasn't gonna get It's just

617
00:30:29,440 --> 00:30:32,120
Speaker 3: a movie. It's just a screen. It's not gonna actually

618
00:30:32,480 --> 00:30:36,080
Speaker 3: popcorn hit me in the face. But like then that

619
00:30:36,320 --> 00:30:39,000
Speaker 3: like that every six or seventh time, just as soon

620
00:30:39,040 --> 00:30:42,080
Speaker 3: as you're like, okay, now it's definitely a movie, we know.

621
00:30:44,040 --> 00:30:48,720
Speaker 4: Is that why you say hard shape? Because when it

622
00:30:48,800 --> 00:30:51,560
Speaker 4: hit your face you could feel.

623
00:30:52,400 --> 00:30:58,760
Speaker 3: What it's a glass?

624
00:31:00,600 --> 00:31:06,240
Speaker 1: Yeah, I was, Yeah, I was thinking it was.

625
00:31:06,280 --> 00:31:08,360
Speaker 3: It's the feeling of like, like you know, when you

626
00:31:08,640 --> 00:31:11,520
Speaker 3: like the glass, you're leaving a bank or something, and

627
00:31:11,600 --> 00:31:16,400
Speaker 3: the glass is basically tricking you into being like it's

628
00:31:16,440 --> 00:31:17,360
Speaker 3: not there at all.

629
00:31:17,400 --> 00:31:17,880
Speaker 4: Like the door.

630
00:31:17,960 --> 00:31:23,480
Speaker 3: You mean, it's sometimes it's a door, sometimes it's sometimes

631
00:31:23,520 --> 00:31:28,200
Speaker 3: it's near the door. Yeah yeah, but you know, whatever

632
00:31:28,280 --> 00:31:30,719
Speaker 3: it is, the whole side of your face ends up

633
00:31:30,720 --> 00:31:34,959
Speaker 3: being kind of like smeared against it. But it's so clean,

634
00:31:36,160 --> 00:31:36,520
Speaker 3: you know.

635
00:31:36,600 --> 00:31:39,000
Speaker 4: It's like that guy so clean.

636
00:31:39,480 --> 00:31:41,880
Speaker 3: It's just exactly for me, it was the exact same feeling.

637
00:31:41,880 --> 00:31:43,440
Speaker 3: I don't know if we got don't know if we've

638
00:31:43,440 --> 00:31:45,160
Speaker 3: got the same guy. And this is my question, is

639
00:31:45,160 --> 00:31:45,880
Speaker 3: it like I was?

640
00:31:46,320 --> 00:31:48,280
Speaker 1: I was thinking it was like Italian marble?

641
00:31:50,000 --> 00:31:54,520
Speaker 3: Whoa Okay, well, the gut the guy that the movie

642
00:31:54,840 --> 00:31:58,440
Speaker 3: is definitely Italian for sure, But I wonder if he's

643
00:31:58,440 --> 00:32:01,480
Speaker 3: playing up the kind of Italian thing to like then

644
00:32:01,520 --> 00:32:03,720
Speaker 3: make it seem like it's him.

645
00:32:03,640 --> 00:32:08,480
Speaker 1: Right right? Yeah, probably Italian face.

646
00:32:10,000 --> 00:32:11,880
Speaker 3: He's doing Italian face? Right?

647
00:32:13,200 --> 00:32:14,760
Speaker 4: How what does that look like? Exactly?

648
00:32:16,200 --> 00:32:18,440
Speaker 3: We would not be we will not be doing it.

649
00:32:18,480 --> 00:32:22,080
Speaker 2: We could not know, gay, you got the wrong pison, Sweet,

650
00:32:22,760 --> 00:32:23,800
Speaker 2: I am not gonna be.

651
00:32:24,120 --> 00:32:25,960
Speaker 1: We we could get into that trap.

652
00:32:26,080 --> 00:32:28,200
Speaker 3: We could do it, for sure, And just because we

653
00:32:28,280 --> 00:32:31,200
Speaker 3: don't do these other like we don't do any of

654
00:32:31,240 --> 00:32:35,080
Speaker 3: these faces, we don't do them. But I do just

655
00:32:35,120 --> 00:32:37,360
Speaker 3: want to be clear that it's not for lack of.

656
00:32:37,320 --> 00:32:39,400
Speaker 1: An yes, got it.

657
00:32:39,800 --> 00:32:42,680
Speaker 2: No, I could choose to do it, and I currently

658
00:32:42,800 --> 00:32:43,800
Speaker 2: choose not.

659
00:32:43,760 --> 00:32:47,239
Speaker 3: To, okay, And that makes it even more respectful that, like,

660
00:32:47,280 --> 00:32:48,920
Speaker 3: if we did do it, they.

661
00:32:48,800 --> 00:32:53,040
Speaker 5: Would be respect so good at it, and you could

662
00:32:53,080 --> 00:32:56,520
Speaker 5: do in theory, you could do the face of any ethnicity.

663
00:32:56,000 --> 00:33:01,440
Speaker 3: Any ethnicity, and every single one. Man, why knock it

664
00:33:01,480 --> 00:33:07,680
Speaker 3: out in barrel like, oh my god, you could.

665
00:33:07,520 --> 00:33:12,560
Speaker 1: Put on a person an Yes, I would be fine.

666
00:33:12,960 --> 00:33:17,480
Speaker 3: Thing the like, different different parts of the region.

667
00:33:18,760 --> 00:33:21,960
Speaker 2: Close your eyes, keep your eyes open, doesn't matter. It's yeah,

668
00:33:22,080 --> 00:33:23,400
Speaker 2: you are transported.

669
00:33:23,480 --> 00:33:26,400
Speaker 1: You are talking to a whole other ball of wax.

670
00:33:26,560 --> 00:33:30,240
Speaker 3: And people would say, like, forget it, that's that representation

671
00:33:30,480 --> 00:33:32,880
Speaker 3: is not respectful. And we'd be like, well, that is

672
00:33:32,920 --> 00:33:35,400
Speaker 3: what you act like. That is forced to give it up.

673
00:33:35,480 --> 00:33:37,840
Speaker 1: It's yes, you go, okay, where's the lie?

674
00:33:38,040 --> 00:33:40,960
Speaker 2: Like, tell me what's inaccurate and I'll remove that part

675
00:33:40,960 --> 00:33:41,800
Speaker 2: from my performance.

676
00:33:41,800 --> 00:33:43,880
Speaker 1: And you'd have to really dig deep and go.

677
00:33:45,440 --> 00:33:48,680
Speaker 3: I respect that you'd realize it about your I appreciate yourself.

678
00:33:48,760 --> 00:33:50,680
Speaker 5: Yeah, yeah, I guess I am kind of.

679
00:33:53,280 --> 00:33:54,680
Speaker 3: You make a good point on.

680
00:33:56,160 --> 00:33:58,960
Speaker 2: Yeah, I think I might have to start doing it.

681
00:34:01,560 --> 00:34:03,720
Speaker 2: They actually might be what we all need to do,

682
00:34:05,040 --> 00:34:05,720
Speaker 2: what we need.

683
00:34:06,040 --> 00:34:07,440
Speaker 4: Right now in this country.

684
00:34:07,640 --> 00:34:08,640
Speaker 1: I think so too.

685
00:34:09,120 --> 00:34:10,080
Speaker 3: Yeah, I think.

686
00:34:11,400 --> 00:34:11,600
Speaker 6: I have.

687
00:34:11,719 --> 00:34:14,799
Speaker 3: I mean it might be time related to this. So

688
00:34:15,160 --> 00:34:17,360
Speaker 3: you were saying this before, and I do concede the

689
00:34:17,360 --> 00:34:19,880
Speaker 3: point you were making that you can't spell de I

690
00:34:19,960 --> 00:34:28,920
Speaker 3: without ed to market. That is it like a zigging and.

691
00:34:29,040 --> 00:34:31,759
Speaker 1: Zaggige B where they're not.

692
00:34:32,120 --> 00:34:40,319
Speaker 2: Yeah, just well it does feel like that it's cooling off, right,

693
00:34:41,520 --> 00:34:43,040
Speaker 2: that particular talking.

694
00:34:42,800 --> 00:34:45,359
Speaker 3: Point for you to really.

695
00:34:47,960 --> 00:34:50,640
Speaker 2: Corner yeah and just go like, this is gonna be

696
00:34:50,680 --> 00:34:52,279
Speaker 2: my entire identity.

697
00:34:55,000 --> 00:34:57,200
Speaker 4: I'm just trying to highlight it d.

698
00:34:58,960 --> 00:35:00,160
Speaker 1: D identity.

699
00:35:01,680 --> 00:35:08,479
Speaker 3: Yeah, and maybe that's what they stands for. We don't know, no, my.

700
00:35:08,960 --> 00:35:11,480
Speaker 4: When I say GEI doesn't sound for what you think

701
00:35:11,520 --> 00:35:12,040
Speaker 4: it stands for.

702
00:35:12,440 --> 00:35:14,480
Speaker 3: Okay, Well, as I was just saying, I don't know

703
00:35:14,520 --> 00:35:17,600
Speaker 3: what it's like. I'm starting from scratch anyway. I feel

704
00:35:17,640 --> 00:35:19,960
Speaker 3: like they should have told us. They never did, and

705
00:35:20,000 --> 00:35:22,080
Speaker 3: I think that was part of why people told, like

706
00:35:22,160 --> 00:35:24,680
Speaker 3: turned on it. They were like, what is this? Just

707
00:35:24,760 --> 00:35:26,600
Speaker 3: tell us what it is and then we can start

708
00:35:26,640 --> 00:35:29,000
Speaker 3: to figure it out. But you you actually have.

709
00:35:28,960 --> 00:35:31,799
Speaker 4: Something, Yeah, I mean I didn't make it up.

710
00:35:32,200 --> 00:35:35,120
Speaker 3: Okay, what is it stand for?

711
00:35:35,400 --> 00:35:38,439
Speaker 5: Well, if you if you look into sort of the

712
00:35:38,480 --> 00:35:41,040
Speaker 5: way that things used to be, like back in the

713
00:35:41,080 --> 00:35:46,200
Speaker 5: olden days, it would be dragon. A lot of times people,

714
00:35:46,320 --> 00:35:50,000
Speaker 5: well this is ancient, ancient, Okay, this is.

715
00:35:49,920 --> 00:35:51,640
Speaker 1: Like from the sacred texts.

716
00:35:52,200 --> 00:35:57,000
Speaker 3: This is actually all very mysical ruins and stuff.

717
00:35:58,160 --> 00:35:59,680
Speaker 4: This is like Brunes ancient.

718
00:36:00,360 --> 00:36:04,240
Speaker 2: Oh wow, oh I really with this the Stonehenge.

719
00:36:04,719 --> 00:36:11,560
Speaker 3: Wow, whoa the I love historle like I'm obsessed with

720
00:36:11,719 --> 00:36:15,880
Speaker 3: historical So this is or just dragon.

721
00:36:16,800 --> 00:36:17,680
Speaker 1: It's dragon.

722
00:36:17,760 --> 00:36:20,640
Speaker 5: And then you just well, a lot of times people

723
00:36:20,640 --> 00:36:26,960
Speaker 5: will put an apostrophe as and they'll say, like dragons everything, dragons, everything, dragons,

724
00:36:27,000 --> 00:36:28,440
Speaker 5: everything included.

725
00:36:28,440 --> 00:36:32,440
Speaker 1: Everything included. So the dragons, everything included.

726
00:36:32,120 --> 00:36:36,719
Speaker 3: And why are they putting the apostrophe as well?

727
00:36:37,160 --> 00:36:41,560
Speaker 5: It's like you don't want to Just a lot of

728
00:36:41,560 --> 00:36:45,319
Speaker 5: times in our literature stuff like that, they'll just have

729
00:36:45,400 --> 00:36:46,680
Speaker 5: the face of the dragon.

730
00:36:47,640 --> 00:36:51,160
Speaker 4: So this dragons.

731
00:36:50,760 --> 00:36:57,600
Speaker 1: This is.

732
00:36:55,960 --> 00:36:59,959
Speaker 3: Dragon lying down on the skateboard type energy. Like we're

733
00:37:00,120 --> 00:37:02,680
Speaker 3: like we're getting it all. We're getting at all.

734
00:37:04,040 --> 00:37:06,400
Speaker 4: God, dragons, everything included.

735
00:37:06,600 --> 00:37:08,120
Speaker 3: And you used to be able to do that in

736
00:37:08,160 --> 00:37:10,160
Speaker 3: ancient times. You used to be able to like.

737
00:37:10,400 --> 00:37:12,120
Speaker 4: You could just see the whole dragon.

738
00:37:12,320 --> 00:37:16,439
Speaker 1: It just wasn't we didn't have all baggage around all this, like, oh,

739
00:37:16,480 --> 00:37:18,480
Speaker 1: there's one part of the dragon you can't see.

740
00:37:18,600 --> 00:37:19,759
Speaker 4: Yeah, let's only look at the.

741
00:37:19,760 --> 00:37:23,640
Speaker 3: Face because it's there's fire coming out of there.

742
00:37:23,800 --> 00:37:27,000
Speaker 4: Right, but guess what, there's fire coming out of other places.

743
00:37:27,520 --> 00:37:29,440
Speaker 3: At least the dragon.

744
00:37:29,680 --> 00:37:32,239
Speaker 4: You can just make the face at least let me

745
00:37:32,239 --> 00:37:32,880
Speaker 4: get my eyes on.

746
00:37:33,280 --> 00:37:39,400
Speaker 2: Yeah, that's fucking really cool. I didn't know that that

747
00:37:39,480 --> 00:37:43,680
Speaker 2: it was this ancient sort of uh texting.

748
00:37:43,320 --> 00:37:48,839
Speaker 3: That it was related to like spells and like like.

749
00:37:50,360 --> 00:37:53,839
Speaker 4: Yeah, yeah, yeah, by alchemy, you know.

750
00:37:54,360 --> 00:38:01,239
Speaker 1: Yeah, wow, heavy stuff. Oh congratulations, thank you.

751
00:38:02,400 --> 00:38:02,680
Speaker 3: Wow.

752
00:38:02,719 --> 00:38:05,920
Speaker 1: I'm learning a lot about what that is teaching me.

753
00:38:07,040 --> 00:38:09,200
Speaker 3: And it's helping the show make more sense to me too,

754
00:38:09,239 --> 00:38:12,200
Speaker 3: because I've been sort of like I was not getting here. Yeah,

755
00:38:12,440 --> 00:38:14,080
Speaker 3: I was not getting what was it?

756
00:38:14,320 --> 00:38:16,560
Speaker 4: You mean the show I'm on or this show?

757
00:38:17,000 --> 00:38:17,440
Speaker 3: I guess?

758
00:38:17,440 --> 00:38:20,680
Speaker 2: Oh yeah, yeah, yeah, I guess so I think so

759
00:38:21,040 --> 00:38:21,479
Speaker 2: for sure.

760
00:38:21,719 --> 00:38:36,200
Speaker 3: Yeah when you think about it, No, no, no, not that. Yeah,

761
00:38:36,239 --> 00:38:43,360
Speaker 3: I agree, but it's okay. But it's okay, uh okay.

762
00:38:43,400 --> 00:38:45,160
Speaker 3: And so is there going to be another one?

763
00:38:45,480 --> 00:38:47,080
Speaker 1: Yeah? What's going on with this?

764
00:38:48,880 --> 00:38:50,680
Speaker 4: With which things?

765
00:38:50,800 --> 00:38:51,800
Speaker 1: Are we doing another?

766
00:38:52,000 --> 00:38:55,840
Speaker 3: Please? Or do you know not the first one? Is

767
00:38:55,840 --> 00:38:57,920
Speaker 3: there going to be another one? Do we have.

768
00:38:58,040 --> 00:39:01,719
Speaker 1: Time to get into it? We Kevin? Is there gonna

769
00:39:01,719 --> 00:39:02,400
Speaker 1: be another one?

770
00:39:03,040 --> 00:39:03,160
Speaker 2: Uh?

771
00:39:03,280 --> 00:39:06,200
Speaker 3: Yeah, we have time for another one? Okay? Great? Great,

772
00:39:06,440 --> 00:39:09,760
Speaker 3: so in this in this time, like, are you able

773
00:39:09,800 --> 00:39:10,640
Speaker 3: to speak to that.

774
00:39:10,920 --> 00:39:19,279
Speaker 7: M Yeah, so this seems like an exclusive, but if

775
00:39:19,320 --> 00:39:21,600
Speaker 7: you don't want to say if there's gonna be another one, yeah,

776
00:39:21,600 --> 00:39:22,880
Speaker 7: like that's okay.

777
00:39:22,560 --> 00:39:24,120
Speaker 1: But it would be great for us.

778
00:39:24,400 --> 00:39:26,400
Speaker 4: Well there is definitely another d I.

779
00:39:27,280 --> 00:39:30,959
Speaker 3: Oh there is another DEI coming. Yeah. Oh so that's

780
00:39:30,960 --> 00:39:33,160
Speaker 3: what people are. When people are like, we don't want

781
00:39:33,239 --> 00:39:36,640
Speaker 3: that anymore, they're just saying they didn't like they're getting

782
00:39:36,680 --> 00:39:40,080
Speaker 3: ready for a new one, right, okay, and what what's

783
00:39:40,120 --> 00:39:43,040
Speaker 3: this one gonna be? And this one is coming?

784
00:39:43,080 --> 00:39:47,000
Speaker 1: So like this one's more sad, this one's this what's sad?

785
00:39:47,200 --> 00:39:47,960
Speaker 3: This is what's said.

786
00:39:48,080 --> 00:39:51,960
Speaker 4: Okay, death sucks, death entails death.

787
00:39:51,760 --> 00:39:53,879
Speaker 1: In tail interest death.

788
00:39:55,400 --> 00:39:58,160
Speaker 4: Oh wow, so you have to be interested.

789
00:39:58,320 --> 00:40:00,120
Speaker 1: So this is sounding a little more.

790
00:40:00,040 --> 00:40:03,080
Speaker 5: Bit little, but it's all about living. It's like a

791
00:40:03,160 --> 00:40:04,680
Speaker 5: Memento Maury type vibe.

792
00:40:04,960 --> 00:40:06,200
Speaker 3: Who's coming out with this?

793
00:40:07,280 --> 00:40:08,360
Speaker 4: I guess Disney.

794
00:40:08,400 --> 00:40:11,360
Speaker 3: I don't Disney. They should make the DJ just stand

795
00:40:11,400 --> 00:40:15,400
Speaker 3: for Disney then why I know, like why we're just

796
00:40:15,480 --> 00:40:19,600
Speaker 3: leaving this on the table Disney.

797
00:40:21,040 --> 00:40:21,920
Speaker 4: Yeah, Disney is.

798
00:40:22,680 --> 00:40:28,680
Speaker 3: Then like they what did you say? I don't think

799
00:40:28,719 --> 00:40:30,279
Speaker 3: they own I D channel.

800
00:40:32,160 --> 00:40:35,399
Speaker 4: Iiger no no in the beginning of.

801
00:40:35,320 --> 00:40:42,120
Speaker 3: That no E at the beginning of Oh no, if

802
00:40:42,160 --> 00:40:48,719
Speaker 3: you've been like the wrong person, even spelling it with

803
00:40:48,800 --> 00:40:52,160
Speaker 3: an E at the beginning.

804
00:40:54,280 --> 00:40:59,440
Speaker 4: Rap I've invited some guy to a lot of improv shoes.

805
00:41:00,760 --> 00:41:04,680
Speaker 3: Oh no, bob Iger with it E shows up to

806
00:41:05,800 --> 00:41:10,280
Speaker 3: prough show getting better, Eadie.

807
00:41:13,880 --> 00:41:16,160
Speaker 1: You really looked like you were having fun up there.

808
00:41:19,320 --> 00:41:20,160
Speaker 4: And trying to listen.

809
00:41:22,080 --> 00:41:25,520
Speaker 3: And meanwhile, no E, bob Iger, it's just like sitting

810
00:41:25,600 --> 00:41:32,120
Speaker 3: up He's all alone in his office, know emails again,

811
00:41:32,239 --> 00:41:37,600
Speaker 3: really could use a wife today.

812
00:41:38,760 --> 00:41:39,840
Speaker 4: Maybe he needs.

813
00:41:41,440 --> 00:41:41,840
Speaker 3: I don't know.

814
00:41:41,880 --> 00:41:44,080
Speaker 4: I don't want to pressure you, but maybe he needs some.

815
00:41:44,080 --> 00:41:44,839
Speaker 3: Knock knong jokes.

816
00:41:44,880 --> 00:41:47,399
Speaker 1: He needs a knock knock joke, just if you ever

817
00:41:47,400 --> 00:41:47,680
Speaker 1: want to.

818
00:41:47,760 --> 00:41:50,360
Speaker 2: He's not gonna want this political one talking about wealth

819
00:41:50,400 --> 00:41:51,200
Speaker 2: of bob Iger.

820
00:41:51,360 --> 00:41:53,240
Speaker 1: I mean, he feels like he's one of the good guys.

821
00:41:53,280 --> 00:41:56,000
Speaker 1: I'd have to go to a whole nother area for him.

822
00:41:56,360 --> 00:41:59,839
Speaker 3: Yeah, but what about like if what if there were

823
00:41:59,880 --> 00:42:04,759
Speaker 3: a another guy who he knows personally and maybe even

824
00:42:04,800 --> 00:42:09,120
Speaker 3: replaced ah that like maybe the guy that was like

825
00:42:09,320 --> 00:42:11,160
Speaker 3: he would love to hear a joke about the guy

826
00:42:11,200 --> 00:42:17,200
Speaker 3: who was CEO beforehand don't you think I think I am.

827
00:42:17,600 --> 00:42:22,360
Speaker 2: Ah, Yes, I think I believe his name was Bob Jpek.

828
00:42:23,680 --> 00:42:28,359
Speaker 2: And if if I'm not mistaken, he's collected his last

829
00:42:28,400 --> 00:42:29,200
Speaker 2: Bob paycheck.

830
00:42:29,719 --> 00:42:37,040
Speaker 3: Wow. Now that's a joke. Now that's a damn joke. Well,

831
00:42:37,120 --> 00:42:39,000
Speaker 3: I he's gonna be enjoying that.

832
00:42:39,320 --> 00:42:42,640
Speaker 8: I mean, he was sort of the engineer of that

833
00:42:42,640 --> 00:42:51,399
Speaker 8: that truism. And it is true, Yes, isn't it?

834
00:42:51,480 --> 00:42:51,919
Speaker 4: Isn't it?

835
00:42:53,520 --> 00:42:56,680
Speaker 3: Oh damn, that's a good joke. So it was the area.

836
00:42:57,040 --> 00:42:59,920
Speaker 3: It was the area that was my day was.

837
00:43:00,120 --> 00:43:01,480
Speaker 1: Work all the way back around.

838
00:43:01,640 --> 00:43:03,760
Speaker 3: I knew it was the area that was the issue.

839
00:43:04,640 --> 00:43:07,560
Speaker 3: Would you agree we needed Well, we just needed the

840
00:43:07,640 --> 00:43:10,359
Speaker 3: right area. And so instead of what you said, if

841
00:43:10,400 --> 00:43:14,239
Speaker 3: you had just said, Bob Chapek, sure we really could

842
00:43:14,280 --> 00:43:16,479
Speaker 3: have had something forty minutes ago.

843
00:43:16,680 --> 00:43:19,839
Speaker 5: The fundamental problem, though, might be and going Okay, I'll

844
00:43:19,840 --> 00:43:21,960
Speaker 5: make up a joke, give me an area.

845
00:43:22,080 --> 00:43:22,640
Speaker 3: Uh huh.

846
00:43:22,960 --> 00:43:26,040
Speaker 2: I guess the first joke I thought of, you know,

847
00:43:26,560 --> 00:43:28,319
Speaker 2: if we're just going to do some of these name

848
00:43:28,440 --> 00:43:32,480
Speaker 2: jokes that we've done on the show before, is when

849
00:43:32,520 --> 00:43:35,680
Speaker 2: I'm in the club, they call me mayor Pete because

850
00:43:35,680 --> 00:43:36,720
Speaker 2: I'm the booty judge.

851
00:43:38,480 --> 00:43:41,600
Speaker 3: But then so that would have been another area the

852
00:43:41,680 --> 00:43:45,839
Speaker 3: club or or mayor Pete as an area we could

853
00:43:45,840 --> 00:43:47,560
Speaker 3: have gotten there. And so it has a little bit

854
00:43:47,600 --> 00:43:49,480
Speaker 3: easy and it is kind of like, and you do

855
00:43:49,560 --> 00:43:53,000
Speaker 3: this in improv shows. I've noticed this, like you're asking

856
00:43:53,040 --> 00:43:55,520
Speaker 3: for areas at the beginning.

857
00:43:55,680 --> 00:43:58,160
Speaker 1: Can I have a suggestion of ma repete or possibly

858
00:43:58,200 --> 00:43:58,640
Speaker 1: the club?

859
00:43:59,000 --> 00:44:03,080
Speaker 4: When I'm in the club, they call me madam?

860
00:44:03,120 --> 00:44:05,040
Speaker 3: Madam? Why do they call you that?

861
00:44:05,360 --> 00:44:06,800
Speaker 4: Because I'm the titty doctor?

862
00:44:07,960 --> 00:44:08,360
Speaker 3: Okay?

863
00:44:09,280 --> 00:44:10,160
Speaker 4: Is that how you do it?

864
00:44:12,200 --> 00:44:19,120
Speaker 3: And so it certainly implies the existence of somebody named Yes,

865
00:44:22,400 --> 00:44:25,640
Speaker 3: I can't rule out the possibility that that person exists.

866
00:44:25,640 --> 00:44:27,319
Speaker 3: And maybe it is even like that.

867
00:44:28,719 --> 00:44:31,319
Speaker 2: Yeah, so I'm going this now has me on my

868
00:44:31,480 --> 00:44:34,799
Speaker 2: heels because I'm thinking, like I have not been reading this.

869
00:44:35,160 --> 00:44:37,080
Speaker 3: I've been checked out of the news. So it is

870
00:44:37,239 --> 00:44:38,160
Speaker 3: very possible.

871
00:44:37,840 --> 00:44:41,400
Speaker 1: I've been head in the sand this whole having appointment.

872
00:44:41,640 --> 00:44:43,759
Speaker 3: I know they're like, dude, they're up to something with

873
00:44:43,840 --> 00:44:47,560
Speaker 3: these cabinet appointments. They're having a far as to appoint

874
00:44:47,680 --> 00:44:51,799
Speaker 3: someone that if anybody's gonna do it, it's this, Yes,

875
00:44:52,600 --> 00:44:52,960
Speaker 3: you know what?

876
00:44:53,160 --> 00:44:55,160
Speaker 4: You know what they hear me saying at the beach.

877
00:44:56,120 --> 00:45:03,920
Speaker 3: Okay, well, a slight inversion of the of the set up.

878
00:45:08,719 --> 00:45:11,200
Speaker 3: Normally i'd expect of when I'm at the beach, they

879
00:45:11,239 --> 00:45:12,399
Speaker 3: hear me saying.

880
00:45:12,480 --> 00:45:15,040
Speaker 2: Oh, but no, but I want but you, but she

881
00:45:15,120 --> 00:45:16,840
Speaker 2: wants to be asked No, what do they hear you

882
00:45:16,880 --> 00:45:18,160
Speaker 2: say at the beach? A?

883
00:45:19,440 --> 00:45:20,799
Speaker 4: Oh see them taints?

884
00:45:21,880 --> 00:45:23,840
Speaker 3: Ao, see them taints?

885
00:45:25,120 --> 00:45:28,320
Speaker 4: Okay, like I'm talking about friends.

886
00:45:29,160 --> 00:45:39,200
Speaker 9: Hey, hey, it's oh, it's O the tides.

887
00:45:39,480 --> 00:45:45,839
Speaker 3: Oh see maybe yo oh yeah that's right, he yo,

888
00:45:45,920 --> 00:45:49,120
Speaker 3: see yeah that's right, makes some good No, but let's

889
00:45:49,120 --> 00:45:51,560
Speaker 3: say that's what you did. Okay, I think that's right.

890
00:45:51,680 --> 00:45:54,560
Speaker 3: I think that I think that really works. Okay, hey

891
00:45:54,680 --> 00:45:58,239
Speaker 3: you see them taints? Now you are seeing these at

892
00:45:58,239 --> 00:46:01,680
Speaker 3: the beach? Oh yeah, okay, how do you how do

893
00:46:01,719 --> 00:46:04,640
Speaker 3: you manage that? For me? It's like, oh, it is

894
00:46:04,800 --> 00:46:07,280
Speaker 3: even with even at a nude even at a nude beach,

895
00:46:07,800 --> 00:46:09,120
Speaker 3: it's a positioning issue.

896
00:46:09,160 --> 00:46:12,239
Speaker 5: It's it's like, I mean, coming from the guys to

897
00:46:12,600 --> 00:46:14,880
Speaker 5: talking about skateboard positioning.

898
00:46:15,440 --> 00:46:19,560
Speaker 3: Part and yeah, and like we're on literally the receiving

899
00:46:19,680 --> 00:46:23,360
Speaker 3: end of that, and so like they're doing all the

900
00:46:23,360 --> 00:46:26,800
Speaker 3: work for us in this case, finding the right angle

901
00:46:26,800 --> 00:46:29,600
Speaker 3: at a new nude beach. To see that part aoc

902
00:46:29,880 --> 00:46:31,960
Speaker 3: them taints the beach.

903
00:46:31,800 --> 00:46:35,840
Speaker 4: Is often down there's a yoga class happening at the beach.

904
00:46:37,280 --> 00:46:38,120
Speaker 4: I should have said.

905
00:46:37,960 --> 00:46:40,760
Speaker 3: That in the beginning. Naked beach yoga class.

906
00:46:42,640 --> 00:46:46,280
Speaker 1: Naked beach class common.

907
00:46:47,280 --> 00:46:48,560
Speaker 3: You know, that is really common.

908
00:46:48,760 --> 00:46:56,919
Speaker 2: Yeah, more common than wealth these days.

909
00:46:54,960 --> 00:46:59,560
Speaker 1: Is somebody woke me up.

910
00:46:59,680 --> 00:47:01,319
Speaker 2: This is a around the time of the show that

911
00:47:01,400 --> 00:47:03,680
Speaker 2: I usually kind of get my engine perrying.

912
00:47:03,800 --> 00:47:08,920
Speaker 3: You know, Okay, here here's my old friend.

913
00:47:11,120 --> 00:47:13,040
Speaker 1: It feels good to be back. I'll tell you what.

914
00:47:14,520 --> 00:47:18,040
Speaker 3: Bye, Hollywood, Hamburg,