1 00:00:00,160 --> 00:00:02,120 Speaker 1: Alright, so we're about to get into a Bobby cast. 2 00:00:02,160 --> 00:00:04,000 Speaker 1: It's rare that I have to come on and warn 3 00:00:04,040 --> 00:00:06,960 Speaker 1: you about explicit language because it's not for me. And 4 00:00:07,000 --> 00:00:09,840 Speaker 1: I don't curse and Mike Deep relating curse um, which, 5 00:00:09,880 --> 00:00:11,600 Speaker 1: by the way, this sounds like I recommend a podcast 6 00:00:11,640 --> 00:00:13,600 Speaker 1: to you which is not on the Nashville Podcast Network. 7 00:00:14,040 --> 00:00:19,040 Speaker 1: But what's that music podcast? I like dis Graceland disgrace Land. 8 00:00:19,079 --> 00:00:21,520 Speaker 1: It's so good. And sometimes he comes on and goes, hey, 9 00:00:21,560 --> 00:00:24,400 Speaker 1: it's a tough one to listen. He's like, there's violence, 10 00:00:24,440 --> 00:00:28,280 Speaker 1: and uh, there's it's sexual nature and it's tough. And 11 00:00:28,320 --> 00:00:30,640 Speaker 1: then it's like, and now let's talk about James Brown. 12 00:00:31,080 --> 00:00:33,800 Speaker 1: It's a fantastic podcast, not on the Nashville Podcast Network, 13 00:00:33,800 --> 00:00:36,800 Speaker 1: but just one that I love. Some great episodes, Yeah, 14 00:00:36,920 --> 00:00:39,519 Speaker 1: some really good ones. Um so I'm an a free 15 00:00:39,560 --> 00:00:41,479 Speaker 1: plug there. But that's what he doesn't something his did 16 00:00:41,520 --> 00:00:43,440 Speaker 1: you ever hear the rapper one about the guy the cannibal, 17 00:00:43,760 --> 00:00:48,360 Speaker 1: the cannibal cannibal rapper. Good God, that one gets graphic. 18 00:00:48,760 --> 00:00:53,040 Speaker 1: It's crazy. Um. Okay, so we do later on in 19 00:00:53,120 --> 00:00:55,640 Speaker 1: this play a movie scene and then the movie scene. 20 00:00:55,640 --> 00:00:57,880 Speaker 1: There are a lot of F words, and so just 21 00:00:57,920 --> 00:01:00,600 Speaker 1: a heads up that inside of a clip you're gonna 22 00:01:00,640 --> 00:01:03,640 Speaker 1: hear I don't know how far into it, but it 23 00:01:03,680 --> 00:01:05,240 Speaker 1: has to do with eminem. I don't want to spoil 24 00:01:05,319 --> 00:01:07,440 Speaker 1: the episode, but you'll hear the F word a lot. 25 00:01:07,959 --> 00:01:11,520 Speaker 1: And so if you have a baby years, yeah, maybe 26 00:01:11,560 --> 00:01:13,360 Speaker 1: it's not for you, but it's only real, it's only time. 27 00:01:13,520 --> 00:01:16,560 Speaker 1: But I listen. I loved it. I loved it all right, 28 00:01:16,640 --> 00:01:18,240 Speaker 1: So here you go. We're about to get into episode 29 00:01:18,240 --> 00:01:20,160 Speaker 1: one of the seven. It's music podcasts. And if you 30 00:01:20,160 --> 00:01:21,960 Speaker 1: do like these kinds where we don't bring on a guest, 31 00:01:22,040 --> 00:01:24,000 Speaker 1: let me know, well, we can do more of these always. 32 00:01:24,120 --> 00:01:28,240 Speaker 1: Um easier scheduling for Mike anyway. Uh, but yeah, here 33 00:01:28,280 --> 00:01:30,720 Speaker 1: we go. Songs that peaked at number two episode seven 34 00:01:30,800 --> 00:01:34,320 Speaker 1: check out Get Real with Caroline Hobby. Speaking of good podcasts, 35 00:01:35,040 --> 00:01:37,399 Speaker 1: she has a great one. A lot of the wives 36 00:01:37,400 --> 00:01:40,120 Speaker 1: of country music stars given a different perspective on on 37 00:01:40,319 --> 00:01:42,880 Speaker 1: even the country music star himself. But mostly she's talking 38 00:01:42,880 --> 00:01:44,840 Speaker 1: to just strong women, some of them just having to 39 00:01:44,920 --> 00:01:47,160 Speaker 1: wives of country music stars. Uh. Some of the country 40 00:01:47,200 --> 00:01:49,680 Speaker 1: starts probably wouldn't be couting music stars without their strong wives. 41 00:01:50,360 --> 00:01:52,640 Speaker 1: Um and and Also, it's not all just country music. 42 00:01:52,720 --> 00:01:55,040 Speaker 1: Wives think Katie Cook from CMT is a really good 43 00:01:55,040 --> 00:01:58,200 Speaker 1: one where she's telling crazy awesome stories from I think 44 00:01:58,200 --> 00:02:01,160 Speaker 1: her twenty years at CMT. So check out Get Real 45 00:02:01,200 --> 00:02:05,080 Speaker 1: with Caroline Hobby and Amy's podcast Four Things with Amy Brown. 46 00:02:05,760 --> 00:02:08,200 Speaker 1: It's quite amazing and I think we'll leave it at 47 00:02:08,200 --> 00:02:10,080 Speaker 1: that for now. Here you go, here's the next episode 48 00:02:10,080 --> 00:02:16,920 Speaker 1: of the Bobby Cast. Welcome to Episode one, eighties seven, 49 00:02:18,000 --> 00:02:20,800 Speaker 1: and it would be a musical history podcast as something 50 00:02:20,840 --> 00:02:24,480 Speaker 1: interesting songs that peaked at number two and not just that, 51 00:02:24,520 --> 00:02:27,919 Speaker 1: which I do think is interesting, but a Mike added wrinkle, 52 00:02:28,360 --> 00:02:32,280 Speaker 1: songs that kept them out because I reached out. I 53 00:02:32,280 --> 00:02:34,680 Speaker 1: was like, hey, let's do songs that peaked at number two. Um, 54 00:02:34,720 --> 00:02:36,000 Speaker 1: because a lot of times we talked about on this 55 00:02:36,000 --> 00:02:38,960 Speaker 1: podcast with a lot of the songwriters artists, oh man, 56 00:02:39,040 --> 00:02:41,680 Speaker 1: the big song but only got to two or three, 57 00:02:42,000 --> 00:02:46,119 Speaker 1: So we should do the whole podcast about that. And 58 00:02:46,160 --> 00:02:48,000 Speaker 1: then you said, yeah, but we also will put the 59 00:02:48,000 --> 00:02:49,639 Speaker 1: songs in that kept them out, Like, I think it's 60 00:02:49,720 --> 00:02:52,840 Speaker 1: very interesting, So we'll do some of that country and pop, 61 00:02:53,000 --> 00:02:56,360 Speaker 1: some songs that famously peaked at number two and they 62 00:02:56,360 --> 00:02:57,720 Speaker 1: were so close to be a number one, but there 63 00:02:57,760 --> 00:03:00,520 Speaker 1: was either a song that was just dumb nating in 64 00:03:00,560 --> 00:03:03,280 Speaker 1: front of them or a song that shot up behind 65 00:03:03,320 --> 00:03:07,280 Speaker 1: them to take number one. Dustin Lynch within recently and 66 00:03:07,320 --> 00:03:11,480 Speaker 1: we're talking to him about cowboys and Angels singing, which 67 00:03:11,520 --> 00:03:16,320 Speaker 1: is you know, until small Town Boy was his career 68 00:03:16,400 --> 00:03:19,720 Speaker 1: song and as his first song, but he just could 69 00:03:19,840 --> 00:03:21,760 Speaker 1: not hit number one as big as this song was 70 00:03:22,000 --> 00:03:26,640 Speaker 1: because there was an even bigger song from a slightly 71 00:03:26,680 --> 00:03:29,919 Speaker 1: more established artist, Jason al Dean, who had taken a 72 00:03:29,960 --> 00:03:38,600 Speaker 1: Little Ride Little. That's the one, a pretty recent one, 73 00:03:38,600 --> 00:03:40,720 Speaker 1: and check out the Dustal Lunch Bobby cast. But that's 74 00:03:40,760 --> 00:03:42,720 Speaker 1: one we're talking about there. So we're gonna start back, 75 00:03:43,040 --> 00:03:46,000 Speaker 1: and these are some big famous songs. Again they only 76 00:03:46,040 --> 00:03:49,600 Speaker 1: peaked at number two, and we'll start with Elvis En 77 00:03:49,720 --> 00:03:52,080 Speaker 1: sixty two. Can't Help Falling in Love was not a 78 00:03:52,200 --> 00:03:58,480 Speaker 1: number one song. This is one of the most famous songs, 79 00:03:59,480 --> 00:04:03,400 Speaker 1: one of his was commercially successful songs, but it never 80 00:04:03,600 --> 00:04:06,400 Speaker 1: actually hit the top of the charts. It's stayed at 81 00:04:06,480 --> 00:04:08,440 Speaker 1: number two behind one of my favorite bands of all time, 82 00:04:09,600 --> 00:04:14,640 Speaker 1: Joey d and the Star Lighters is their name, and 83 00:04:14,680 --> 00:04:21,000 Speaker 1: a song called Peppermint twist. I never heard the song, 84 00:04:21,200 --> 00:04:28,680 Speaker 1: never heard it before that. Yeah, it's like to get 85 00:04:28,760 --> 00:04:30,599 Speaker 1: up before the get up with it. It was like 86 00:04:30,640 --> 00:04:38,120 Speaker 1: Nati sink persionally get up. It really is like a 87 00:04:38,160 --> 00:04:42,480 Speaker 1: Cupid shuffle to get the peppermint twist that kept Elvis 88 00:04:42,480 --> 00:04:44,840 Speaker 1: Presley out of the number one spot nineteen sixty two. 89 00:04:45,000 --> 00:04:48,880 Speaker 1: Also in that year, nineteen six two, Patsy clin Crazy 90 00:04:51,320 --> 00:04:54,640 Speaker 1: not just even her most iconic song, but really one 91 00:04:54,680 --> 00:04:57,719 Speaker 1: of the most iconic songs in country music history. And 92 00:04:57,800 --> 00:05:00,280 Speaker 1: I would say even outside of country music, this is 93 00:05:00,360 --> 00:05:04,279 Speaker 1: so big. It was beaten by a doo wop group, 94 00:05:04,279 --> 00:05:07,320 Speaker 1: the Marcel's. And here's a song that was number one 95 00:05:07,680 --> 00:05:10,360 Speaker 1: that kept Petsick Patti Lane out here is Heartaches by 96 00:05:10,400 --> 00:05:22,800 Speaker 1: the Marcel's. Never heard that one. And I love the 97 00:05:22,839 --> 00:05:25,000 Speaker 1: oldies channel. When I was at Costing a lot of oldies, 98 00:05:25,640 --> 00:05:27,920 Speaker 1: you know. When I was twelve or so, my mom 99 00:05:27,960 --> 00:05:30,680 Speaker 1: remarried and she got with my stepdad. We listen to 100 00:05:30,760 --> 00:05:35,520 Speaker 1: Cool nine all the time, and so this fifties and 101 00:05:35,600 --> 00:05:37,159 Speaker 1: sixties and it's really how I got in a classic 102 00:05:37,240 --> 00:05:40,719 Speaker 1: rock too. But I never heard this song. I've heard 103 00:05:40,760 --> 00:05:44,080 Speaker 1: the Marcels this song. Yeah, what else did the Marcel's 104 00:05:44,120 --> 00:05:48,360 Speaker 1: have if you search them up, what's their number one streamed? 105 00:05:48,360 --> 00:05:51,760 Speaker 1: The song it better be good. Let's see it is? 106 00:05:51,920 --> 00:05:57,080 Speaker 1: Oh yeah, blue Moon. That's blue Moon, Blue Blue, Dang 107 00:05:57,120 --> 00:06:04,800 Speaker 1: and dang dang blue Yeah. Mean what movie is from 108 00:06:04,960 --> 00:06:08,360 Speaker 1: Back to the Future? Is it in Back to the Future. 109 00:06:09,279 --> 00:06:11,400 Speaker 1: It's in one of those where it's like the song 110 00:06:11,440 --> 00:06:13,240 Speaker 1: that's playing in the background and there's a big romantic 111 00:06:13,240 --> 00:06:17,320 Speaker 1: scene happening. Yeah. But it wasn't even this song that 112 00:06:17,360 --> 00:06:19,040 Speaker 1: you've had to going out. It was the one we've 113 00:06:19,040 --> 00:06:22,560 Speaker 1: never heard of called heart Aches. Kenney. Chesney had back 114 00:06:22,600 --> 00:06:26,719 Speaker 1: to back number two songs, which is pretty crazy. Big Star, 115 00:06:28,000 --> 00:06:36,880 Speaker 1: Big Star Nana Jones sang Cary Ulky every night March 116 00:06:36,960 --> 00:06:39,559 Speaker 1: of two thousand three, and it did not hit number 117 00:06:39,560 --> 00:06:42,320 Speaker 1: one because have You Forgotten by Darryl Worley was in 118 00:06:42,360 --> 00:06:53,440 Speaker 1: the number one spot that day see you Oh, it's 119 00:06:53,440 --> 00:06:58,320 Speaker 1: a nine eleven song. That would be why interesting because 120 00:06:58,760 --> 00:07:02,040 Speaker 1: this song, Darrell Worley's song doesn't get played ever and 121 00:07:02,080 --> 00:07:05,160 Speaker 1: that but that's why it was such a time time 122 00:07:05,240 --> 00:07:10,600 Speaker 1: sensitive song. How about that? And you say, worry bad 123 00:07:13,200 --> 00:07:16,520 Speaker 1: if you forgot? You know, I was watching maybe it 124 00:07:16,520 --> 00:07:19,680 Speaker 1: was CNN one of them when they do those decades. 125 00:07:20,400 --> 00:07:22,120 Speaker 1: And I was watching the whole thing about music that 126 00:07:22,240 --> 00:07:27,200 Speaker 1: happened after nine eleven, and you know, they talked about 127 00:07:27,200 --> 00:07:29,080 Speaker 1: Toby Keith. They talked about that song too, and how 128 00:07:29,120 --> 00:07:34,440 Speaker 1: country music was really the genre that put out a 129 00:07:34,440 --> 00:07:37,360 Speaker 1: lot of the music that was like, yo, we love America, 130 00:07:38,640 --> 00:07:41,400 Speaker 1: whereas a lot of the other formats didn't as much. 131 00:07:41,720 --> 00:07:43,680 Speaker 1: And they featured that song. Now that you mentioned that, 132 00:07:43,880 --> 00:07:47,000 Speaker 1: Kenny Chesney also had another number two songs, which, by 133 00:07:47,040 --> 00:07:50,080 Speaker 1: the way, is a massive song. Here is no Shoes, 134 00:07:50,160 --> 00:07:56,720 Speaker 1: No Shirt, No Problems, No Shoes, no Shirt No. This 135 00:07:56,880 --> 00:07:59,360 Speaker 1: is later in the same year. By the way, Kenny's 136 00:07:59,360 --> 00:08:01,600 Speaker 1: got another number. He was waiting to go number one, 137 00:08:01,640 --> 00:08:03,520 Speaker 1: and it wasn't a nine eleven song that was blocking 138 00:08:03,560 --> 00:08:06,040 Speaker 1: them out. It was another like no Shoes, no Shirt, 139 00:08:06,120 --> 00:08:09,520 Speaker 1: no Problem song. It was It's five o'clock somewhere from 140 00:08:09,520 --> 00:08:14,200 Speaker 1: Alan Jackson and Jimmy Buffett. So another beat song, strong 141 00:08:15,880 --> 00:08:25,440 Speaker 1: cane before and each song half last all care It's 142 00:08:25,560 --> 00:08:32,000 Speaker 1: five o'clock something. In two thousand five, sugar Land had 143 00:08:32,040 --> 00:08:35,840 Speaker 1: Baby Girl, and this is, by the way, they were 144 00:08:35,880 --> 00:08:38,160 Speaker 1: still a trio at this time. And now you may 145 00:08:38,160 --> 00:08:40,800 Speaker 1: know Sugar Land because it's Christian Bush and Jennifer Needdles. 146 00:08:40,840 --> 00:08:45,920 Speaker 1: But the trio of Christian Kirsten and Jennifer Neddles, they 147 00:08:46,000 --> 00:08:48,439 Speaker 1: never made its number one with baby Girl, and it's 148 00:08:48,440 --> 00:08:54,080 Speaker 1: still a favorite. I still love that song, Donthimes. Christian 149 00:08:54,080 --> 00:08:56,920 Speaker 1: will playing songwriter around and I'll get I'll play with 150 00:08:57,000 --> 00:08:59,160 Speaker 1: him before, and he played this, but he'll play when 151 00:08:59,160 --> 00:09:01,480 Speaker 1: he sings that he does, it's so good too. It 152 00:09:01,600 --> 00:09:04,200 Speaker 1: was beat out by That's what I love about Sundays 153 00:09:04,240 --> 00:09:11,560 Speaker 1: from Craig Morgan. Sundays sing along as a choir sways 154 00:09:11,800 --> 00:09:17,280 Speaker 1: every burse of amazing Grays and then we shake the 155 00:09:17,400 --> 00:09:22,280 Speaker 1: reacher's hands, go home and to you blue jeans, have 156 00:09:22,400 --> 00:09:27,360 Speaker 1: some chicken and some baked bee, take them back yard football. 157 00:09:27,800 --> 00:09:30,520 Speaker 1: I like that song. It's crazy that that one beat 158 00:09:30,520 --> 00:09:32,480 Speaker 1: out that sugar Land song because I think the sugar 159 00:09:32,520 --> 00:09:35,880 Speaker 1: Land songs had longer legs, don't you think so people 160 00:09:35,880 --> 00:09:37,800 Speaker 1: still know it. Maybe because sugar Land get to be 161 00:09:37,840 --> 00:09:41,200 Speaker 1: massive and so their songs seem a bit more massive. 162 00:09:41,480 --> 00:09:43,520 Speaker 1: We'll go to two thousand nine now as a pop song, 163 00:09:43,880 --> 00:09:46,920 Speaker 1: Lady A had crossed Over and Need You Now was 164 00:09:47,000 --> 00:09:49,400 Speaker 1: number one country for four weeks, but it crossed over 165 00:09:49,440 --> 00:09:51,760 Speaker 1: to pop and it was so massive, but it was 166 00:09:51,800 --> 00:09:54,240 Speaker 1: at number one. It was a number two songs for 167 00:09:54,320 --> 00:09:58,640 Speaker 1: two weeks, and it was actually beat out by two songs. 168 00:09:58,760 --> 00:10:00,559 Speaker 1: So here's need You now. By the way, I woul 169 00:10:00,559 --> 00:10:02,400 Speaker 1: recommend going to listen to that. Dave Haywood podcast is 170 00:10:02,400 --> 00:10:04,720 Speaker 1: a good one because he does talk about the story 171 00:10:04,720 --> 00:10:07,959 Speaker 1: about how one they almost didn't cut the song. Two 172 00:10:08,040 --> 00:10:09,960 Speaker 1: they didn't want it early as a single, and I 173 00:10:10,040 --> 00:10:12,720 Speaker 1: think in the end the album and I'd been named 174 00:10:12,720 --> 00:10:15,000 Speaker 1: at too right, like it's just a thing on their 175 00:10:15,040 --> 00:10:17,640 Speaker 1: iPhone they had recorded. They're like, hey, let's use that song. Yeah, 176 00:10:18,280 --> 00:10:19,880 Speaker 1: So this is the number two songs for two weeks 177 00:10:19,880 --> 00:10:25,080 Speaker 1: on the pop charts. Two songs blocked it out, Tyle Cruz, 178 00:10:25,160 --> 00:10:31,240 Speaker 1: break your Heart, You're playing Joe, I'm only gonna break 179 00:10:31,320 --> 00:10:34,880 Speaker 1: back face. I don't, I don't know listen forever. I know. 180 00:10:35,040 --> 00:10:37,439 Speaker 1: This is like when I first started in Turning for Young, 181 00:10:37,520 --> 00:10:39,559 Speaker 1: played like every single hour Boy this one not did 182 00:10:39,559 --> 00:10:43,760 Speaker 1: not hold up well though, and then Rude Boy by 183 00:10:43,800 --> 00:10:55,400 Speaker 1: Rihanna This is the dam though, don't remembering it up tonight, 184 00:10:55,520 --> 00:10:59,880 Speaker 1: I'm gonna be captain. Let's look up how tall Rihanna 185 00:10:59,880 --> 00:11:02,760 Speaker 1: is well, you might remember meeting her whenever she was 186 00:11:02,800 --> 00:11:04,800 Speaker 1: just starting I eddit read too. She's the richest female 187 00:11:04,800 --> 00:11:08,400 Speaker 1: on the music now, Um, maybe she made more last 188 00:11:08,480 --> 00:11:11,400 Speaker 1: year than anybody else, because I can't imagine that she 189 00:11:11,480 --> 00:11:14,679 Speaker 1: has more money than Taylor Swift. But she's got to 190 00:11:14,679 --> 00:11:17,440 Speaker 1: be at least five eight or five nine, right, Okay, 191 00:11:17,440 --> 00:11:19,400 Speaker 1: because in Hills she was as tall as I was, 192 00:11:19,440 --> 00:11:23,120 Speaker 1: and I was like, man, Rihanna is tall. And google 193 00:11:23,160 --> 00:11:26,200 Speaker 1: that story and Seaworth's Rihanna richest. Just see what comes up? 194 00:11:27,000 --> 00:11:29,840 Speaker 1: Six hundred million dollar fortune? She has six her Oh, 195 00:11:29,840 --> 00:11:32,680 Speaker 1: she maybe just the richest period. Then yeah, what is it? 196 00:11:32,760 --> 00:11:34,600 Speaker 1: Is there a news story recently that came out about that. 197 00:11:34,640 --> 00:11:36,680 Speaker 1: There was a four article And what does it say 198 00:11:37,320 --> 00:11:41,880 Speaker 1: how she became the world's richest female musician more so 199 00:11:41,960 --> 00:11:44,080 Speaker 1: than Taylor? Yeah, because she has like that whole fashion line. 200 00:11:44,120 --> 00:11:45,520 Speaker 1: Now she hasn't put it out of music in a while. 201 00:11:46,360 --> 00:11:49,680 Speaker 1: Google Taylor's net worth. I want to say, it's like, 202 00:11:51,000 --> 00:11:58,719 Speaker 1: not thousand millions, it is I'm stunned that Rihanna has 203 00:11:58,760 --> 00:12:06,040 Speaker 1: more money than Taylor. Wow, almost double and again probably 204 00:12:06,080 --> 00:12:09,080 Speaker 1: not totally accurate. Whenever you google someone's net worth. You 205 00:12:09,120 --> 00:12:11,360 Speaker 1: gotta understand they don't know what people are making really 206 00:12:11,800 --> 00:12:15,160 Speaker 1: unless the person has done an interview with Forbes and 207 00:12:15,200 --> 00:12:17,480 Speaker 1: has actually talked about how they have their money and 208 00:12:17,520 --> 00:12:22,040 Speaker 1: what they've might like. They may own seventeen Papa John's 209 00:12:22,040 --> 00:12:24,720 Speaker 1: in sixty three Burger joints and they're making a ton 210 00:12:24,760 --> 00:12:26,160 Speaker 1: of money off that, but you don't know that they 211 00:12:26,160 --> 00:12:29,199 Speaker 1: may have invested wisely. Um have some friends that are 212 00:12:29,280 --> 00:12:31,600 Speaker 1: athletes that you look them up and you go, oh, 213 00:12:31,640 --> 00:12:34,679 Speaker 1: they're worth a couple of million bucks. But what they 214 00:12:34,679 --> 00:12:36,120 Speaker 1: did with that money when they first got it is 215 00:12:36,160 --> 00:12:38,800 Speaker 1: they invested into some crazy good stuff and that's what 216 00:12:38,920 --> 00:12:40,520 Speaker 1: they made more money doing that than what they did 217 00:12:40,600 --> 00:12:43,680 Speaker 1: actually playing ball. But are you surprised men have more 218 00:12:43,679 --> 00:12:45,760 Speaker 1: money to Taylor? That is pretty surprising. And that's a 219 00:12:45,760 --> 00:12:48,760 Speaker 1: lot of money. Oh, it's the level of its like 220 00:12:49,240 --> 00:12:52,880 Speaker 1: you don't even know what money is anymore, meaning I 221 00:12:52,880 --> 00:12:56,640 Speaker 1: don't think it factors into your life. If you have 222 00:12:57,000 --> 00:13:00,360 Speaker 1: half a billion dollars, you probably just come and go 223 00:13:00,440 --> 00:13:03,000 Speaker 1: as you please. Yeah, she has more money than Madonna, 224 00:13:03,080 --> 00:13:06,560 Speaker 1: Celine Dion and Beyonce, and you do what you please. 225 00:13:07,200 --> 00:13:09,760 Speaker 1: You don't look at price tags and if you want 226 00:13:09,800 --> 00:13:14,160 Speaker 1: a house, he'd probably just go buy the house. Did 227 00:13:14,200 --> 00:13:17,360 Speaker 1: you need story about Aaron Spellings mansion up for sale? 228 00:13:17,960 --> 00:13:21,840 Speaker 1: Is it like a hundred million dollars? It's a house 229 00:13:22,080 --> 00:13:25,360 Speaker 1: for a hundred million dollars. And really, if Rihanna wanted it, 230 00:13:25,760 --> 00:13:30,120 Speaker 1: should go buy it. By It's like me buying skittles 231 00:13:30,280 --> 00:13:34,600 Speaker 1: walking out of Target. That's what the house is. Geez 232 00:13:35,559 --> 00:13:37,920 Speaker 1: Songs at number two Luke Brian That's My kind of 233 00:13:38,040 --> 00:13:42,520 Speaker 1: Night went number two in two thousand thirteen on the 234 00:13:42,520 --> 00:13:55,920 Speaker 1: country chart on the Planet Yourself a Little Definis and 235 00:13:55,960 --> 00:13:58,120 Speaker 1: it never hit number one because a brand new artist 236 00:13:59,160 --> 00:14:01,120 Speaker 1: had a first one of his career, and it was 237 00:14:01,160 --> 00:14:07,240 Speaker 1: Thomas Rhett goes like this and this song reminds him 238 00:14:07,280 --> 00:14:11,440 Speaker 1: moving to Nashville. Man, do you want to hear yet? Well? 239 00:14:11,480 --> 00:14:14,200 Speaker 1: I was. This is right because we we moved here 240 00:14:14,240 --> 00:14:19,920 Speaker 1: in like I consider April one of any year to 241 00:14:19,960 --> 00:14:22,840 Speaker 1: be kind of our anniversary. I think we we actually 242 00:14:22,880 --> 00:14:24,800 Speaker 1: moved here in late February, and I was living in 243 00:14:24,840 --> 00:14:26,880 Speaker 1: a close where I lived now, I was living in 244 00:14:27,040 --> 00:14:33,400 Speaker 1: a tiny corporate apartment. It was already furnished, and it 245 00:14:33,560 --> 00:14:37,240 Speaker 1: was one tiny bedroom, a tiny kitchen, and like a 246 00:14:37,280 --> 00:14:39,640 Speaker 1: half of a living room, but at the furniture, and 247 00:14:39,680 --> 00:14:42,720 Speaker 1: I didn't honestly, I didn't need any more space. And 248 00:14:42,800 --> 00:14:45,840 Speaker 1: so it was freezing cold. It was winter this February 249 00:14:45,880 --> 00:14:48,560 Speaker 1: in Nashville, and I was like, what did I just 250 00:14:48,640 --> 00:14:53,080 Speaker 1: get myself into. Didn't know anybody here except for my friends, 251 00:14:53,080 --> 00:14:55,440 Speaker 1: who also didn't know anybody here, but they were all 252 00:14:55,440 --> 00:14:58,920 Speaker 1: adjusting to their lives with people. Meaning Amy had a 253 00:14:59,000 --> 00:15:02,720 Speaker 1: husband there are figuring it out, um lunchboxes be kind 254 00:15:02,720 --> 00:15:06,160 Speaker 1: of bouncing back and forth. He had a girlfriend, which 255 00:15:06,160 --> 00:15:10,160 Speaker 1: I don't even know if they were engaged. Yeah, yeah, 256 00:15:10,640 --> 00:15:13,120 Speaker 1: Eddie and his wife at kids and they were all 257 00:15:13,160 --> 00:15:15,720 Speaker 1: trying to get over here, and I was just up 258 00:15:15,720 --> 00:15:19,480 Speaker 1: at that radio station like fourteen hours a day every day, 259 00:15:19,840 --> 00:15:21,840 Speaker 1: trying to get ready for the show. And I was like, man, 260 00:15:23,920 --> 00:15:26,520 Speaker 1: I remember thinking this shows either going to be the 261 00:15:26,560 --> 00:15:28,600 Speaker 1: greatest thing to happen or the worst thing to happen. 262 00:15:29,240 --> 00:15:32,000 Speaker 1: And I think people still are having that debate about 263 00:15:32,000 --> 00:15:35,240 Speaker 1: our show, but I was like, man, I feel like 264 00:15:35,280 --> 00:15:37,160 Speaker 1: we can really do some damage here in a good way. 265 00:15:37,440 --> 00:15:40,320 Speaker 1: Liked be the first show that doesn't come on. And 266 00:15:40,360 --> 00:15:42,920 Speaker 1: I remember CBS UM this morning coming to do a story. 267 00:15:43,280 --> 00:15:46,560 Speaker 1: They were like the first country DJ who doesn't wear 268 00:15:46,560 --> 00:15:49,600 Speaker 1: a cowboy hat or a belt buckle or own cowboy boots. 269 00:15:50,280 --> 00:15:51,760 Speaker 1: And that was my That was the whole rap they 270 00:15:51,800 --> 00:15:54,680 Speaker 1: gave me for like the first two years. That's never 271 00:15:54,720 --> 00:15:58,760 Speaker 1: even a thing anymore. Like he doesn't even get mentioned anymore. Right, No, 272 00:15:58,960 --> 00:16:02,040 Speaker 1: you don't wear cowboy but I never because I don't 273 00:16:02,040 --> 00:16:06,760 Speaker 1: think m First of all, you have to our audience 274 00:16:07,200 --> 00:16:12,240 Speaker 1: on the radio is probably female. Mill Um and I 275 00:16:12,320 --> 00:16:14,120 Speaker 1: say most of our female are most of listened every 276 00:16:14,120 --> 00:16:16,040 Speaker 1: morning I wearing cowboy boots. I think most of the the 277 00:16:16,080 --> 00:16:18,360 Speaker 1: doods the listen are wearing cowboy boots every day. But 278 00:16:18,400 --> 00:16:24,320 Speaker 1: I think there's a kind of a need to overlook 279 00:16:24,360 --> 00:16:26,680 Speaker 1: the part, like to be a character of some sort. 280 00:16:27,560 --> 00:16:30,080 Speaker 1: I feel like you're in country, you gotta be extra country, 281 00:16:30,480 --> 00:16:33,400 Speaker 1: cowboy hat, all of it, because there are those guys 282 00:16:34,080 --> 00:16:36,560 Speaker 1: and sometimes they turn into that guy. Sometimes they are 283 00:16:36,600 --> 00:16:39,080 Speaker 1: that guy. Sometimes they turn into that guy. And I 284 00:16:39,120 --> 00:16:40,920 Speaker 1: was like, I'm never going to turn into something I'm not. 285 00:16:41,360 --> 00:16:42,680 Speaker 1: I remember the first time I played hip hop on 286 00:16:42,680 --> 00:16:44,320 Speaker 1: the radio, I thought he thought the world was in 287 00:16:44,960 --> 00:16:46,520 Speaker 1: We did the Friday morning Dance Party and I played 288 00:16:46,560 --> 00:16:48,800 Speaker 1: some biggie and and every program director called at the 289 00:16:48,800 --> 00:16:51,920 Speaker 1: same time it piste off um, that has a fun time. 290 00:16:51,960 --> 00:16:55,680 Speaker 1: Two thousand thirteen, when we came to town, I was like, man, 291 00:16:56,120 --> 00:16:59,280 Speaker 1: here goes nothing, a little big town. In two thousand 292 00:16:59,320 --> 00:17:07,280 Speaker 1: and fourteen, I went to number two with Day Drinking 293 00:17:08,320 --> 00:17:20,480 Speaker 1: All Day. I remember this album came out. I was 294 00:17:20,560 --> 00:17:22,040 Speaker 1: with him when the record came out in New York. 295 00:17:22,040 --> 00:17:26,280 Speaker 1: That's where I found Girl Crushed because the girl Cusk 296 00:17:26,400 --> 00:17:27,840 Speaker 1: was in a single and this song was going for 297 00:17:28,000 --> 00:17:31,720 Speaker 1: number one. It didn't get it, and I played Girl 298 00:17:31,760 --> 00:17:34,240 Speaker 1: Crushed and then that the whole rest of that story's history. 299 00:17:34,600 --> 00:17:37,320 Speaker 1: But that song Day Drink at number two was beat 300 00:17:37,320 --> 00:17:39,480 Speaker 1: out by Keith Urban's Somewhere in My Car and Somewhere 301 00:17:39,480 --> 00:17:48,160 Speaker 1: in My Car Never lead it up Swaying Street Sheet Song, 302 00:17:48,840 --> 00:17:52,399 Speaker 1: which one of those things held up more? Okay, probably 303 00:17:52,440 --> 00:17:54,800 Speaker 1: keep Caban, do you think so? I do think it's close, though, 304 00:17:55,320 --> 00:17:57,240 Speaker 1: like I had to think about it, I'd probably lean 305 00:17:57,520 --> 00:18:02,760 Speaker 1: Keith Urban as well, but you could convince me otherwise. 306 00:18:02,800 --> 00:18:04,040 Speaker 1: I bet that's still a big one for a little 307 00:18:04,040 --> 00:18:06,680 Speaker 1: big town. On their shows. By the way, they release 308 00:18:06,720 --> 00:18:09,520 Speaker 1: Girl Crushed next, and with all the massive success that 309 00:18:09,560 --> 00:18:11,920 Speaker 1: I had, it peaked at number three only, and that's 310 00:18:11,960 --> 00:18:16,280 Speaker 1: because some stations just wouldn't play it. When you're not 311 00:18:16,320 --> 00:18:19,280 Speaker 1: getting some spins somewhere, it can actually affect the bottom line. 312 00:18:19,280 --> 00:18:24,920 Speaker 1: In the end, song only had number three, but was 313 00:18:25,040 --> 00:18:28,600 Speaker 1: is their biggest song? Like make No Mistake, that's their 314 00:18:28,600 --> 00:18:32,520 Speaker 1: biggest song. Regardless of to one, it doesn't matter. And 315 00:18:32,560 --> 00:18:33,960 Speaker 1: by the way, if you write a song and country 316 00:18:34,040 --> 00:18:37,080 Speaker 1: music really speaking INtime, it's five three to one and 317 00:18:37,080 --> 00:18:39,080 Speaker 1: pretty much makes same amount of money. There are cases 318 00:18:39,119 --> 00:18:40,720 Speaker 1: where that's not the case for like the songwriter in 319 00:18:40,760 --> 00:18:44,320 Speaker 1: the publishing, but for the most part, top five hits 320 00:18:44,359 --> 00:18:48,800 Speaker 1: that that level of spins generally they make the same 321 00:18:48,800 --> 00:18:50,359 Speaker 1: amount of money. I thought there was like a bonus 322 00:18:50,359 --> 00:18:52,200 Speaker 1: if you hit number one. No, there is no bonus. 323 00:18:52,440 --> 00:18:55,199 Speaker 1: You don't get an Employee of the month Tim McGraw. 324 00:18:55,400 --> 00:18:59,520 Speaker 1: That was a fourteen. Meanwhile, back up honest number two 325 00:18:58,960 --> 00:19:02,840 Speaker 1: most song and if you want to stuffers on the 326 00:19:02,840 --> 00:19:08,240 Speaker 1: stoves in the bridge. So I'm speaking out games on 327 00:19:08,280 --> 00:19:13,520 Speaker 1: the tunes and Dead Smoke sigarttes Whisky Wisp with funny 328 00:19:13,880 --> 00:19:17,719 Speaker 1: single do we know? Oh is this? Yeah? I look 329 00:19:17,720 --> 00:19:22,280 Speaker 1: at that? That was blocked out into thousand four team 330 00:19:22,280 --> 00:19:28,080 Speaker 1: by Luke Bryant's play it again, unasking the same, which 331 00:19:28,119 --> 00:19:31,199 Speaker 1: one do you think it's bigger? Right now, I'd say 332 00:19:31,280 --> 00:19:36,600 Speaker 1: Tim McGraw. Oh, I'd probably lean Luke for this song. 333 00:19:36,640 --> 00:19:43,320 Speaker 1: Really yeah, it's close. So because Luke has actually had 334 00:19:43,359 --> 00:19:47,480 Speaker 1: more number one in a recent time that Tim has, 335 00:19:48,320 --> 00:19:50,360 Speaker 1: So maybe you could say that that's why the Tim 336 00:19:50,440 --> 00:19:52,280 Speaker 1: song sticks out for him a little more. Yeah. I 337 00:19:52,280 --> 00:19:53,920 Speaker 1: feel like when I look at his list of songs, 338 00:19:53,920 --> 00:19:56,680 Speaker 1: that was like, oh yeah, I remember that one. Two 339 00:19:56,680 --> 00:20:00,280 Speaker 1: thousand and sixteen, Sam Hunt hit number two with break 340 00:20:00,359 --> 00:20:03,119 Speaker 1: Up in a Small Town and this song. I remember 341 00:20:03,320 --> 00:20:06,919 Speaker 1: Sam came in and played at acoustic once and everything 342 00:20:07,200 --> 00:20:12,359 Speaker 1: everyone thought then he was like he's messing up because 343 00:20:12,400 --> 00:20:15,600 Speaker 1: he was talking. He could be like yeah, yeah, I 344 00:20:15,640 --> 00:20:18,399 Speaker 1: went down the street and and he starts singing. But 345 00:20:18,400 --> 00:20:19,840 Speaker 1: I remember the first time he came in, because we 346 00:20:19,840 --> 00:20:22,040 Speaker 1: were pretty early on Sam. I'd be a big Sam 347 00:20:22,119 --> 00:20:24,800 Speaker 1: fans and he would come in and I believe they're 348 00:20:24,840 --> 00:20:27,360 Speaker 1: talking right in this song yeah yeah, where he's like yeah, 349 00:20:27,400 --> 00:20:28,720 Speaker 1: and then she's down on the streets she ran to 350 00:20:28,720 --> 00:20:31,200 Speaker 1: stop signing. Also, you get pulled over and he starts singing, 351 00:20:31,800 --> 00:20:38,520 Speaker 1: and uh, you're all up. Play for the second for 352 00:20:38,560 --> 00:20:42,000 Speaker 1: a while, I guess yeah. And so whenever he did this, 353 00:20:42,560 --> 00:20:44,240 Speaker 1: when he was playing it live the first time, before 354 00:20:44,320 --> 00:20:46,400 Speaker 1: the song had come out, we all thought he messed 355 00:20:46,480 --> 00:20:48,840 Speaker 1: up and was like talking to it. We were like, 356 00:20:49,760 --> 00:20:51,760 Speaker 1: and then he goes singing again, We're like, oh, that's interesting. 357 00:20:52,240 --> 00:20:55,320 Speaker 1: He was playing at David Buster Sam Boys, and ray 358 00:20:55,400 --> 00:20:58,359 Speaker 1: Mundo was introducing him, and Raymondo fell out the stage. 359 00:20:59,240 --> 00:21:02,159 Speaker 1: Sam Sam is just a guy trying to make it 360 00:21:02,680 --> 00:21:05,359 Speaker 1: And Raymundo was introducing Sam Hunt at David Busters and 361 00:21:05,440 --> 00:21:08,080 Speaker 1: Raymundo fell off the stage. And that was the big 362 00:21:08,080 --> 00:21:09,520 Speaker 1: story of that show, not that it was Sam and 363 00:21:09,520 --> 00:21:11,159 Speaker 1: Sam blew up, but it was at Raymundo fell off 364 00:21:11,200 --> 00:21:15,280 Speaker 1: the stage. The song went number two. It was blocked 365 00:21:15,320 --> 00:21:18,400 Speaker 1: out by Home Alone Tonight from Luke and Caring fair 366 00:21:18,560 --> 00:21:23,960 Speaker 1: Child shot until we do what we change alright, Mike, 367 00:21:24,440 --> 00:21:27,280 Speaker 1: Which one of these Oh Sam Hunt, Yeah, Sam Hunt 368 00:21:27,320 --> 00:21:31,359 Speaker 1: for sure a night we won't get it. Put your 369 00:21:31,480 --> 00:21:38,719 Speaker 1: drained down to York camera, snap a playback, Cancher, I'll 370 00:21:38,840 --> 00:21:41,359 Speaker 1: send you two nights and send him up the text 371 00:21:41,440 --> 00:21:47,000 Speaker 1: saying we ain't to get That's a good one. And 372 00:21:47,040 --> 00:21:49,040 Speaker 1: I think that was just really Luke being just a 373 00:21:49,080 --> 00:21:53,680 Speaker 1: massive superstar more so than that song being a better song. 374 00:21:54,000 --> 00:21:55,560 Speaker 1: I think when Sam still plays break Up in a 375 00:21:55,560 --> 00:21:58,080 Speaker 1: small Town, the place goes night. Yeah, I don't even know. 376 00:21:58,119 --> 00:21:59,639 Speaker 1: If I don't know Luke's that list, I don't know 377 00:21:59,680 --> 00:22:03,919 Speaker 1: if Luke plays that song and his shows, and if so, 378 00:22:04,040 --> 00:22:05,200 Speaker 1: who did you sing it with? You know it's that 379 00:22:05,280 --> 00:22:10,119 Speaker 1: kind of thing. Devin Dawson All on Me in eighteen 380 00:22:10,920 --> 00:22:16,280 Speaker 1: Call on Me You a Little went number two. Can 381 00:22:16,440 --> 00:22:19,919 Speaker 1: dig it out on me? What it going at it? 382 00:22:19,920 --> 00:22:21,679 Speaker 1: It's funny because the last three of these have been 383 00:22:21,720 --> 00:22:24,280 Speaker 1: either Luke being number two or Luke blocking and this 384 00:22:24,359 --> 00:22:26,800 Speaker 1: is another Luke one. So Devin Dawson went number two 385 00:22:26,880 --> 00:22:29,480 Speaker 1: last year with his debut single All on Me. He 386 00:22:29,640 --> 00:22:32,480 Speaker 1: was beat out by Luke Bryan. Most people are good. 387 00:22:32,960 --> 00:22:36,280 Speaker 1: I believe most people are good and most moments on 388 00:22:36,400 --> 00:22:39,439 Speaker 1: a qualified for saying this is not even a question. 389 00:22:39,840 --> 00:22:43,399 Speaker 1: This Luke song is still masking better under Knee on 390 00:22:43,560 --> 00:22:48,080 Speaker 1: her Stadium Life. I believe your love, whom you love, 391 00:22:48,240 --> 00:22:52,040 Speaker 1: ain't nothing you should ever be ashamed of. I believe 392 00:22:52,200 --> 00:22:56,679 Speaker 1: this world ain't half this bet is it looks be 393 00:22:56,920 --> 00:22:59,240 Speaker 1: most people go over to the pop world. Uh, these 394 00:22:59,240 --> 00:23:02,480 Speaker 1: are all number two songs that we're beat out. I 395 00:23:02,640 --> 00:23:05,200 Speaker 1: just never hit number one. Missy Elliott. Work at two 396 00:23:05,200 --> 00:23:07,280 Speaker 1: thousand two, by the way, has the record for the 397 00:23:07,280 --> 00:23:09,160 Speaker 1: most weeks at number two. It was a number two 398 00:23:09,200 --> 00:23:14,359 Speaker 1: for ten weeks. That's the record for the longest running 399 00:23:14,400 --> 00:23:16,360 Speaker 1: number two that never hit number one in the history 400 00:23:16,400 --> 00:23:20,159 Speaker 1: of the Billboard had one hundred. It was blocked by 401 00:23:20,160 --> 00:23:29,679 Speaker 1: Eminem's Lose Yourself. God what a time two all time songs. 402 00:23:29,880 --> 00:23:32,119 Speaker 1: First of all, when work It came out, I remember 403 00:23:32,160 --> 00:23:36,680 Speaker 1: being two thousand two college people being like, fam but 404 00:23:37,560 --> 00:23:39,440 Speaker 1: I don't think, not even know when I don't even 405 00:23:39,440 --> 00:23:41,240 Speaker 1: know that I knew what that minute first. But what 406 00:23:41,280 --> 00:23:43,880 Speaker 1: it is is when she goes take a flip it round, 407 00:23:43,920 --> 00:23:45,679 Speaker 1: reverse it. That's just then she just does that with 408 00:23:45,720 --> 00:23:51,080 Speaker 1: that lyric, right, just put me down and then put 409 00:23:51,080 --> 00:23:53,280 Speaker 1: my thing, plump it down reverse, That's all that is, 410 00:23:53,320 --> 00:23:56,359 Speaker 1: just flipped around. Remember, I was like, oh my god, 411 00:23:57,520 --> 00:24:00,560 Speaker 1: what is she saying? Is she's talking to Satan? Is it? 412 00:24:01,320 --> 00:24:03,240 Speaker 1: But yeah, that I mean that song was the jam 413 00:24:04,480 --> 00:24:09,040 Speaker 1: and then Eminem freaking Lose Yourself the movie in college. 414 00:24:09,080 --> 00:24:11,399 Speaker 1: We should just turn on and watch the final scene 415 00:24:11,920 --> 00:24:16,080 Speaker 1: or be Rabbit goes I'll take me down. There's no 416 00:24:16,160 --> 00:24:25,480 Speaker 1: need for you to do that. Yeah, great movie. I 417 00:24:25,520 --> 00:24:29,119 Speaker 1: wonder if it holds up. Like te met the other day, 418 00:24:29,119 --> 00:24:30,360 Speaker 1: I didn't watch the whole thing, but I don't get 419 00:24:30,359 --> 00:24:33,520 Speaker 1: the hold up. And then it gets another question, as 420 00:24:33,720 --> 00:24:35,560 Speaker 1: does it still hold up because we liked it then 421 00:24:36,359 --> 00:24:39,240 Speaker 1: probably and if someone watched it today, would it still 422 00:24:39,280 --> 00:24:40,720 Speaker 1: hold up. I don't feel like the movie you go 423 00:24:40,800 --> 00:24:43,159 Speaker 1: back really and tell people about like I made. I 424 00:24:43,320 --> 00:24:45,360 Speaker 1: put it on the Eddie's List. I was like, dude, 425 00:24:45,600 --> 00:24:49,879 Speaker 1: watch it's one of the greatest. The final scene. I 426 00:24:50,000 --> 00:24:52,159 Speaker 1: was with that Jared my trainer the other day and 427 00:24:52,160 --> 00:24:57,119 Speaker 1: he starts like quoting be Rabbit's final rap. Can you 428 00:24:57,160 --> 00:25:00,280 Speaker 1: pull that up on YouTube? I remember going a watch 429 00:25:00,280 --> 00:25:01,440 Speaker 1: and we were like, man, Eminem is in a movie 430 00:25:01,480 --> 00:25:07,199 Speaker 1: with this. It's it's like a semi biographical pick, so 431 00:25:07,320 --> 00:25:11,080 Speaker 1: not a full bio pick, but it's like roughly Eminem's 432 00:25:11,119 --> 00:25:15,280 Speaker 1: lives and so in the final scene, not to spoil it, 433 00:25:15,320 --> 00:25:17,000 Speaker 1: I mean, I guess I can. It's from two thousand two. 434 00:25:17,000 --> 00:25:20,320 Speaker 1: You've seen it by now, it's seventeen years old. Um, 435 00:25:20,440 --> 00:25:24,760 Speaker 1: Eminem is battling it out Clarence. Is that the guy's name. 436 00:25:25,280 --> 00:25:28,639 Speaker 1: I think so, because Clarence is a guy two loving parents, 437 00:25:28,760 --> 00:25:31,040 Speaker 1: maybe something like I don't have anything in front of me. 438 00:25:31,160 --> 00:25:33,119 Speaker 1: I'm just trying to remember the rhyme. But at the 439 00:25:33,200 --> 00:25:35,840 Speaker 1: end it's like, uh, I think the guy's name is Clarence. 440 00:25:35,920 --> 00:25:37,520 Speaker 1: It's not his real name. His real name is Clarence. 441 00:25:37,560 --> 00:25:41,240 Speaker 1: That's not his rapper name. But this is him in 442 00:25:41,240 --> 00:25:59,040 Speaker 1: the final scene designed to going on himself. Everybody's nobody 443 00:25:59,119 --> 00:26:01,920 Speaker 1: stands up noticed it because may you not have his name? 444 00:26:02,040 --> 00:26:06,200 Speaker 1: Not w cat you can't now who's the blame? To 445 00:26:06,280 --> 00:26:09,520 Speaker 1: the big mad boy by two three and to the 446 00:26:09,720 --> 00:26:14,280 Speaker 1: four one plock two clock street hot four greekock two 447 00:26:14,280 --> 00:26:19,040 Speaker 1: blocks one, don't block, he's plot no plot name. The 448 00:26:19,119 --> 00:26:21,879 Speaker 1: motherfucker hen't see. I'm the very thing. He's not the 449 00:26:21,960 --> 00:26:24,879 Speaker 1: same Get me. I ain't wife. I am a fucking 450 00:26:24,960 --> 00:26:28,760 Speaker 1: bob who lives in a trailer with my mom. Boy, 451 00:26:28,880 --> 00:26:31,600 Speaker 1: did you reading up the song? I too gotta jump 452 00:26:31,680 --> 00:26:34,200 Speaker 1: friendly chat a bob and says himself in the play, 453 00:26:34,320 --> 00:26:36,920 Speaker 1: but it's done gone. I did get chunk, but all 454 00:26:37,040 --> 00:26:40,560 Speaker 1: sixty you chunk and wait this fuck my girl. I'm 455 00:26:40,560 --> 00:26:44,680 Speaker 1: still standing here, screeeting fucking free world the clock chuck 456 00:26:44,760 --> 00:26:48,200 Speaker 1: me do, don't get the funk out been do because 457 00:26:48,280 --> 00:26:51,600 Speaker 1: I know something about too. You went to Grand Rook 458 00:26:51,720 --> 00:26:55,920 Speaker 1: at a private school of talk. He was there, this 459 00:26:56,040 --> 00:26:59,480 Speaker 1: guy to names his real names, plant and Glans get 460 00:26:59,560 --> 00:27:02,720 Speaker 1: the hum of Paris plays parents have a really good 461 00:27:02,800 --> 00:27:17,360 Speaker 1: carries sure because ain't no sixteen because I'm gonna capello 462 00:27:17,720 --> 00:27:21,320 Speaker 1: fuka Papa, that fucking clock. Funck a trailer fun everybody 463 00:27:21,720 --> 00:27:25,040 Speaker 1: full you gat me. I'm a piece of fucking white trass, 464 00:27:25,119 --> 00:27:28,240 Speaker 1: I say proudly. Funk is battle. I don't want to win. 465 00:27:28,400 --> 00:27:30,960 Speaker 1: I'm Mountie here. Tell these people something they don't know 466 00:27:31,080 --> 00:27:37,200 Speaker 1: about me? Best again, he was talking. Two thousand two 467 00:27:37,359 --> 00:27:39,600 Speaker 1: is still and maybe it's like all that time comes 468 00:27:39,680 --> 00:27:43,200 Speaker 1: rushing back when but that's that's such a final way 469 00:27:43,240 --> 00:27:45,680 Speaker 1: as it's a great scene. I forgot the guy who's 470 00:27:45,680 --> 00:27:49,680 Speaker 1: battling against is now the guy in Captain America. That's 471 00:27:49,720 --> 00:27:53,840 Speaker 1: that dude. Wow, I just recognized. I remember his name 472 00:27:53,880 --> 00:27:57,720 Speaker 1: was Clarence Clarens got real good parents. It's marriage guy. Yeah, 473 00:27:57,800 --> 00:27:59,199 Speaker 1: we were just talking about that movie of the day 474 00:27:59,320 --> 00:28:02,280 Speaker 1: that a mile alright, and that was just the movie 475 00:28:02,359 --> 00:28:05,920 Speaker 1: in two thousands. I think it does all look listen 476 00:28:06,000 --> 00:28:08,680 Speaker 1: to it. You think it was cool that you have 477 00:28:08,760 --> 00:28:12,680 Speaker 1: Clarences final battle. I think that's just the clip up there. 478 00:28:14,119 --> 00:28:15,760 Speaker 1: If you don't, that's all right. I don't even remember 479 00:28:15,760 --> 00:28:17,840 Speaker 1: what Clarences was if or if he even did anything, 480 00:28:19,000 --> 00:28:20,800 Speaker 1: because maybe on like Eminem was so hard like on 481 00:28:20,920 --> 00:28:22,600 Speaker 1: himself and they couldn't do it, and a little bit 482 00:28:22,600 --> 00:28:24,040 Speaker 1: I was like, that's what that's what I should do, 483 00:28:24,320 --> 00:28:26,400 Speaker 1: so I and then I started thinking of the battle 484 00:28:26,440 --> 00:28:29,240 Speaker 1: rapper for a minute. So it's like challenging people to 485 00:28:29,560 --> 00:28:33,960 Speaker 1: everybody did that probably probably remember freestyling and like parking lots, 486 00:28:34,000 --> 00:28:38,400 Speaker 1: like yeah, God, we were such a losers, but we 487 00:28:38,480 --> 00:28:40,480 Speaker 1: should have been. That's part of it. Is there a 488 00:28:40,560 --> 00:28:42,720 Speaker 1: final sting I am off scene for him a battles? 489 00:28:43,200 --> 00:28:48,440 Speaker 1: I think it might be start for eight miles. A 490 00:28:48,560 --> 00:28:50,200 Speaker 1: mile reminds me of like going to watch that's the 491 00:28:50,280 --> 00:28:52,840 Speaker 1: sixth cents that are on the same time, I think 492 00:28:52,960 --> 00:28:55,760 Speaker 1: so the same couple of years two thousands, yeah, um 493 00:28:55,920 --> 00:28:58,520 Speaker 1: well yeah, Lose your Stuff came out and I was 494 00:28:58,600 --> 00:29:03,480 Speaker 1: working on the radio. I was twenty two years old, 495 00:29:03,800 --> 00:29:06,320 Speaker 1: and I played Lose Yourself and I'd play it every 496 00:29:06,400 --> 00:29:08,200 Speaker 1: thirty minutes on a pop station, and people would want 497 00:29:08,200 --> 00:29:10,200 Speaker 1: to hear more ye six cents with ninety nine, So 498 00:29:10,400 --> 00:29:13,440 Speaker 1: a few years before I would I would play there. 499 00:29:13,560 --> 00:29:15,320 Speaker 1: Only there are only a few songs in my radio 500 00:29:15,440 --> 00:29:18,840 Speaker 1: career that I it wasn't possible to overplay like I 501 00:29:18,880 --> 00:29:22,080 Speaker 1: would play it and people will go, oh, I don't 502 00:29:22,080 --> 00:29:23,600 Speaker 1: you just played it? Where you played again? Because most 503 00:29:23,640 --> 00:29:27,840 Speaker 1: songs get played too much. And what I mean by 504 00:29:27,920 --> 00:29:29,480 Speaker 1: that is people go, man, and here this song called 505 00:29:30,840 --> 00:29:33,560 Speaker 1: all the time, and I guess that I give you, 506 00:29:33,600 --> 00:29:37,200 Speaker 1: guys the inside inside baseball of that is um and 507 00:29:37,360 --> 00:29:40,360 Speaker 1: and things at times are changing now. But the average listener, 508 00:29:40,400 --> 00:29:43,480 Speaker 1: let's say, listen for eighteen minutes or twenty two minutes, 509 00:29:43,520 --> 00:29:45,640 Speaker 1: depending on what you read when you read it, um 510 00:29:45,680 --> 00:29:47,120 Speaker 1: in that eight t two minutes, that when here the 511 00:29:47,120 --> 00:29:49,320 Speaker 1: biggest hits. And so if you do listen for more 512 00:29:49,360 --> 00:29:51,560 Speaker 1: than that, you're actually gonna hear the biggest that's a 513 00:29:51,640 --> 00:29:54,480 Speaker 1: couple of times, probably because most people are only listening 514 00:29:54,520 --> 00:29:56,320 Speaker 1: for that short amount of time. So what you want 515 00:29:56,360 --> 00:29:58,160 Speaker 1: to do is get the hits into that eighteen to 516 00:29:58,200 --> 00:30:00,880 Speaker 1: twenty two minutes. And so that's why you know once 517 00:30:00,960 --> 00:30:03,160 Speaker 1: every hour and fifteen minutes you would hear a song 518 00:30:03,320 --> 00:30:04,440 Speaker 1: or so. So if you listen for a long time, 519 00:30:04,440 --> 00:30:06,800 Speaker 1: you heard the same song twice in an hour and 520 00:30:06,920 --> 00:30:09,640 Speaker 1: sixteen minutes even and so. But there are a few 521 00:30:09,680 --> 00:30:12,400 Speaker 1: songs in my radio career, and Lose Yourself as one 522 00:30:12,440 --> 00:30:14,720 Speaker 1: of them where people just could not get enough of it. 523 00:30:16,440 --> 00:30:21,360 Speaker 1: It would end and we played again and forever. And 524 00:30:21,440 --> 00:30:23,120 Speaker 1: it's part of a movie, which is a weird thing too, 525 00:30:23,120 --> 00:30:24,640 Speaker 1: because now you don't get a lot of songs parts 526 00:30:24,680 --> 00:30:27,080 Speaker 1: of movies or they're like part of movies, and that's 527 00:30:27,120 --> 00:30:30,040 Speaker 1: kind of phasing out. Like I think that's something I'm 528 00:30:30,040 --> 00:30:32,920 Speaker 1: talking about too. Um, the other songs real quick that 529 00:30:32,960 --> 00:30:36,240 Speaker 1: I remember being so big that people couldn't get enough 530 00:30:36,320 --> 00:30:40,040 Speaker 1: of it, Uh fifty cent in the club when it 531 00:30:40,240 --> 00:30:44,120 Speaker 1: came out, and I will play that while it was playing. 532 00:30:44,120 --> 00:30:46,480 Speaker 1: People would call while it was on asked me to 533 00:30:46,520 --> 00:30:49,600 Speaker 1: play it again, like they would hear Boom doom, go 534 00:30:50,200 --> 00:30:55,160 Speaker 1: go go, and we play it's literally on right now. Yeah, 535 00:30:55,280 --> 00:30:57,320 Speaker 1: we played again as soon as you can. But why 536 00:30:57,320 --> 00:31:00,320 Speaker 1: don't you just listen to it right now? This songs 537 00:31:01,760 --> 00:31:09,280 Speaker 1: just unlike any song like straight yeah, they they just 538 00:31:09,280 --> 00:31:11,640 Speaker 1: switch out the chorus, Um, I say, unlike any song 539 00:31:11,680 --> 00:31:14,120 Speaker 1: as I'm gonna be four or five songs, unlike almost 540 00:31:14,160 --> 00:31:18,040 Speaker 1: every song Genie in a Bottle from Christine Aguilera when 541 00:31:18,120 --> 00:31:20,040 Speaker 1: that came out and I was young, I was a teenager, 542 00:31:20,520 --> 00:31:25,040 Speaker 1: but I remember playing that one and that boom boom 543 00:31:25,640 --> 00:31:32,120 Speaker 1: and right here and and people will be like, oh, 544 00:31:32,160 --> 00:31:34,840 Speaker 1: I'll play that, play up Genie song, Genie song. I'd 545 00:31:34,840 --> 00:31:37,400 Speaker 1: be like, all right, and the phone line. It's the 546 00:31:37,440 --> 00:31:39,720 Speaker 1: time when people called radio stations, and they still do, 547 00:31:39,880 --> 00:31:41,400 Speaker 1: but now they call us a talk on the radio 548 00:31:41,480 --> 00:31:44,440 Speaker 1: more to other request songs. Um, there were every phone 549 00:31:44,480 --> 00:31:46,720 Speaker 1: called me. We would play Genie song. We played Christina 550 00:31:46,720 --> 00:31:51,760 Speaker 1: aguile Area Genie song, and I'd be like, all right, yeah, 551 00:31:51,800 --> 00:31:54,040 Speaker 1: that was a jam. Um what other song has been 552 00:31:54,080 --> 00:31:59,520 Speaker 1: in that category? Probably Bye Bye Bye from in Sync 553 00:32:00,040 --> 00:32:03,240 Speaker 1: whenever that record came out, that whole and I believe 554 00:32:03,240 --> 00:32:06,840 Speaker 1: that's from No Strength Attached You may yeah, I don't 555 00:32:06,880 --> 00:32:08,240 Speaker 1: know if any fact checked on that or not. But 556 00:32:08,640 --> 00:32:15,479 Speaker 1: when this song came out crazy, You know a lot 557 00:32:15,480 --> 00:32:17,600 Speaker 1: of this when I was still doing music, so I was, 558 00:32:17,840 --> 00:32:21,160 Speaker 1: you know, just talking in between records, but yeah, boy, 559 00:32:21,200 --> 00:32:28,560 Speaker 1: this one was freaking hu mongus. Oh I'm doing to night. 560 00:32:29,960 --> 00:32:32,600 Speaker 1: Um Okay, moving on here. That's a fun little um 561 00:32:33,280 --> 00:32:39,760 Speaker 1: marshmallow and the still had happier I've been. I've been thinking, 562 00:32:40,320 --> 00:32:43,840 Speaker 1: I want you to be happy. I want to be 563 00:32:45,560 --> 00:32:50,040 Speaker 1: when the morning comes. Number two. It was blocked out 564 00:32:50,800 --> 00:32:53,080 Speaker 1: last year by seven rings, but Ariana Grande, which stayed 565 00:32:53,120 --> 00:32:56,000 Speaker 1: number one for seven weeks and it was never able 566 00:32:56,040 --> 00:32:59,640 Speaker 1: to take the top spot because Ariana Grande for seven weeks. Yes, 567 00:32:59,760 --> 00:33:03,840 Speaker 1: this stump those thought which, by the way, she didn't 568 00:33:03,880 --> 00:33:07,280 Speaker 1: get much rider credit on this. Like Hammerstein in Ballroom 569 00:33:07,400 --> 00:33:11,800 Speaker 1: or whatever whatever their names are, Martin and Hammerstein, I 570 00:33:11,840 --> 00:33:15,920 Speaker 1: should know that. Would you mind looking at that for me? 571 00:33:16,040 --> 00:33:17,280 Speaker 1: Just so we can say it, so I gonna get 572 00:33:17,280 --> 00:33:20,080 Speaker 1: a tweet from someone wage bag, I would say, if 573 00:33:20,080 --> 00:33:29,200 Speaker 1: I'm guessing it's Hammerstein, thanks just Hammerstein and Martin and Hammerstein, 574 00:33:31,400 --> 00:33:33,680 Speaker 1: because they was they did. These are my favorite things. 575 00:33:34,400 --> 00:33:40,560 Speaker 1: You need to google that friends, much to my friend 576 00:33:40,680 --> 00:33:48,840 Speaker 1: or roundation deeacups and bats and Rogers Rogers. S's an idiot, 577 00:33:48,960 --> 00:33:52,240 Speaker 1: all right? Bebe Rexa on the pop chart meant to 578 00:33:52,280 --> 00:33:55,280 Speaker 1: be two thousand eighteen at number two, spent three weeks 579 00:33:55,320 --> 00:33:58,160 Speaker 1: at number two because this and it was a jam, 580 00:33:58,240 --> 00:34:00,040 Speaker 1: it would number one a country. But this was the 581 00:34:00,120 --> 00:34:04,240 Speaker 1: number two pop song UM last year and was there 582 00:34:04,320 --> 00:34:07,080 Speaker 1: and it's because God's plan. God's plan was there for 583 00:34:07,160 --> 00:34:14,959 Speaker 1: eleven weeks. May relax, get your pretty feet upon my dash. Wow. 584 00:34:15,200 --> 00:34:17,000 Speaker 1: You know what, I've never heard her sing this part. 585 00:34:18,200 --> 00:34:22,879 Speaker 1: I've only ever heard Tyler sing this part. What makes 586 00:34:23,080 --> 00:34:24,960 Speaker 1: this I've never heard this mix. This is the radio 587 00:34:25,040 --> 00:34:27,319 Speaker 1: pod mix and when they played over there, I've heard 588 00:34:27,360 --> 00:34:29,560 Speaker 1: it though with the country guys. Though they come in 589 00:34:29,640 --> 00:34:32,160 Speaker 1: on the second part they do Yeah, so on the 590 00:34:32,239 --> 00:34:35,520 Speaker 1: country next go Tyler starts it off like that same lyric. 591 00:34:37,000 --> 00:34:39,200 Speaker 1: Who remember the first time I heard this I was listen. 592 00:34:39,239 --> 00:34:42,040 Speaker 1: I was listen on satellite and I heard this song 593 00:34:42,120 --> 00:34:44,040 Speaker 1: come on and I was like, Oh, I don't know 594 00:34:44,120 --> 00:34:45,520 Speaker 1: what that song is. That's one of the greatest songs 595 00:34:45,520 --> 00:34:47,400 Speaker 1: I've heard in my life, A hard thing catchy. I 596 00:34:47,520 --> 00:34:48,840 Speaker 1: immediately loved it. I was like, Oh, this is the 597 00:34:48,880 --> 00:34:51,560 Speaker 1: catchy song I ever heard. And it's actually UM changed 598 00:34:51,600 --> 00:34:54,800 Speaker 1: a bit of songwriting when writing for radio because this 599 00:34:54,920 --> 00:35:00,759 Speaker 1: song is just sing the hook, hook, build something, sing 600 00:35:00,840 --> 00:35:02,799 Speaker 1: the hook. I mean they nailed it as far as 601 00:35:02,840 --> 00:35:05,839 Speaker 1: the fun song goes. And again, I didn't think if 602 00:35:05,920 --> 00:35:08,719 Speaker 1: you got enough credit last year for that song. It 603 00:35:08,719 --> 00:35:10,160 Speaker 1: could have been song of the Year. It was so big. 604 00:35:11,280 --> 00:35:12,960 Speaker 1: And I remember the story where bb rex I went 605 00:35:13,080 --> 00:35:14,600 Speaker 1: to write this song. I thought she was going to 606 00:35:14,600 --> 00:35:17,360 Speaker 1: write a little big down but instead it was Florida 607 00:35:17,360 --> 00:35:20,239 Speaker 1: Georgia line. It was it was Tyler Lord Georgia line. Um. 608 00:35:20,760 --> 00:35:22,680 Speaker 1: But yeah, that wasn't number two. And God's Plan again 609 00:35:22,760 --> 00:35:28,719 Speaker 1: was number one for eleven weeks from Drake Plan. I 610 00:35:28,800 --> 00:35:34,360 Speaker 1: don't I know Drake on the other end of that 611 00:35:34,640 --> 00:35:36,480 Speaker 1: was he was on the other side of this. He 612 00:35:36,520 --> 00:35:42,200 Speaker 1: spent five weeks at number two with Hotline blaef song 613 00:35:42,280 --> 00:35:47,960 Speaker 1: was everywhere. Yeah, maybe we're still talking about um. And 614 00:35:48,239 --> 00:35:50,719 Speaker 1: so this song was a number two for five weeks 615 00:35:50,760 --> 00:35:52,759 Speaker 1: but was blocked by two songs. So while I was 616 00:35:52,760 --> 00:35:55,359 Speaker 1: sitting at number two as it got jumped. But first 617 00:35:55,400 --> 00:36:01,520 Speaker 1: of all, uh, the Weekend had the Hills, which is good. 618 00:36:01,640 --> 00:36:03,719 Speaker 1: But man, God's Plane I think is still the bigger song, 619 00:36:03,880 --> 00:36:07,520 Speaker 1: right holin Blank? Wouldn't you think which one? Yeah? Yeah, sorry, 620 00:36:07,600 --> 00:36:10,440 Speaker 1: Hodline Blake, Which what do you think is? Yeah? Oh 621 00:36:10,520 --> 00:36:13,279 Speaker 1: it's close to you? Did I still hear this song 622 00:36:13,320 --> 00:36:18,200 Speaker 1: on the radio all the time. Boy, I don't from 623 00:36:18,520 --> 00:36:22,680 Speaker 1: Okay I'm gonna lean though on Hodline Blink. If you 624 00:36:22,719 --> 00:36:24,960 Speaker 1: had to pick one, it's still go to Hills you 625 00:36:25,000 --> 00:36:31,080 Speaker 1: would well then it was jumped by Adele Hello, one 626 00:36:31,120 --> 00:36:34,120 Speaker 1: of the biggest songs you had five years like bad Timing. 627 00:36:34,160 --> 00:36:41,759 Speaker 1: You're never gonna beat this song? Is that people in 628 00:36:41,800 --> 00:36:45,759 Speaker 1: the background that song? I think YouTube EUIP still playing. Damn. 629 00:36:46,920 --> 00:36:48,920 Speaker 1: That must be the album version where people at you're 630 00:36:48,920 --> 00:36:52,120 Speaker 1: talking on the phone will jump back a little bit. 631 00:36:52,480 --> 00:37:00,400 Speaker 1: Bob Dylan had like a rolling stone? How is it meal? 632 00:37:01,719 --> 00:37:05,799 Speaker 1: This is arguably Bob Dylan's most famous song and one 633 00:37:05,840 --> 00:37:08,439 Speaker 1: of the most influential pieces of music, even I would 634 00:37:08,440 --> 00:37:11,840 Speaker 1: say all nineteen hundreds because Bob Dylan is such a 635 00:37:11,880 --> 00:37:15,319 Speaker 1: big deal and it was his biggest song. But when 636 00:37:15,360 --> 00:37:16,680 Speaker 1: I tell you what the song is that was it 637 00:37:16,760 --> 00:37:18,879 Speaker 1: was the number one year go Oh a bad Time 638 00:37:19,440 --> 00:37:26,759 Speaker 1: because the Beatles kept them out with tilt. Have you 639 00:37:26,840 --> 00:37:28,560 Speaker 1: got it to be Bob Dylan stuff and all Mike 640 00:37:28,680 --> 00:37:32,120 Speaker 1: I never got into but not so much even his music, 641 00:37:32,200 --> 00:37:35,399 Speaker 1: like his story and why he's so influential and that, Yeah, 642 00:37:35,440 --> 00:37:37,279 Speaker 1: I'm aware of that. I just could never get into 643 00:37:37,320 --> 00:37:41,040 Speaker 1: his music. If you watched any Bob Dylan documentaries. I 644 00:37:41,160 --> 00:37:43,960 Speaker 1: haven't reading Bob Dylan books. I just got into like 645 00:37:44,040 --> 00:37:46,959 Speaker 1: some Reddit threads about him my YouTube videos, but nothing 646 00:37:47,120 --> 00:37:51,239 Speaker 1: super junior varsity of that. Yeah, because you learn enough 647 00:37:51,239 --> 00:37:54,120 Speaker 1: about it and then there's there's a new document right 648 00:37:54,200 --> 00:37:57,600 Speaker 1: down that flix. Um. I've watched some of and I'm 649 00:37:57,640 --> 00:37:59,920 Speaker 1: not a huge Bob Dylan guy. Eddie's a big Bobby 650 00:38:00,000 --> 00:38:04,680 Speaker 1: one guy. Um, but I've read. I read Bob Dylan's book, UM, 651 00:38:05,400 --> 00:38:09,799 Speaker 1: and I like some Bob. What's Bob Dylan's most strange song? 652 00:38:10,040 --> 00:38:15,480 Speaker 1: I feel like it's that because Bob Dylan's you know 653 00:38:15,920 --> 00:38:19,320 Speaker 1: that the ultimate poet oh knocking on heavy store. That 654 00:38:19,520 --> 00:38:23,840 Speaker 1: is which um later on Guns and Roses did in 655 00:38:23,880 --> 00:38:30,040 Speaker 1: the eighties and made it big again. Mama, please mind me. 656 00:38:30,760 --> 00:38:32,600 Speaker 1: I saw Bob Dylan play live. I want to understanding 657 00:38:32,600 --> 00:38:35,560 Speaker 1: word he said the whole time, the whole time, because 658 00:38:35,560 --> 00:38:40,320 Speaker 1: I don't need anymore. What's number two? Like Girl in Stone? Okay, 659 00:38:41,840 --> 00:38:43,920 Speaker 1: changes times will change it at this is such a 660 00:38:44,040 --> 00:38:47,839 Speaker 1: jam that that's probably my favorite Bob Dylan phone. I'm 661 00:38:47,960 --> 00:38:51,400 Speaker 1: gather around people, I'm gather around people. Tell the one 662 00:38:51,400 --> 00:38:57,600 Speaker 1: impression I can do too that what's number four? Hurricane? 663 00:38:58,520 --> 00:39:00,960 Speaker 1: I don't even know that one. Play it. M this 664 00:39:01,040 --> 00:39:03,040 Speaker 1: is I guess I'm such opposed I should fade out 665 00:39:03,040 --> 00:39:11,560 Speaker 1: about song four this new or older? Oh, I recognize it. 666 00:39:12,040 --> 00:39:14,880 Speaker 1: I do recognize that. I didn't you get I'm not 667 00:39:14,920 --> 00:39:18,759 Speaker 1: a big dylling guy. Sick um what else you got? 668 00:39:18,840 --> 00:39:21,000 Speaker 1: Let's send blowing in the wind. I know this one, 669 00:39:23,120 --> 00:39:32,200 Speaker 1: um many road walked down before. Man, you know this one. 670 00:39:32,360 --> 00:39:35,360 Speaker 1: I do know this one. Um Man, I see you 671 00:39:35,719 --> 00:39:37,560 Speaker 1: know more from people covering the music than I do. 672 00:39:37,880 --> 00:39:41,799 Speaker 1: Class has a good point. She sleeps in the same yeah. 673 00:39:41,840 --> 00:39:43,759 Speaker 1: Bob then was held out by the Beatles um Ed 674 00:39:43,840 --> 00:39:47,359 Speaker 1: Sheer and thinking out loud with two thousand, fourteen, eight 675 00:39:47,440 --> 00:39:50,440 Speaker 1: weeks at number two, A long time at number two, 676 00:39:52,120 --> 00:39:56,480 Speaker 1: well ed Sheron's been told him eight weeks that number 677 00:39:56,480 --> 00:39:59,719 Speaker 1: two spots. He was blocked out by Uptown Funk by 678 00:40:00,040 --> 00:40:03,479 Speaker 1: Karnson with Bruno Mars, which was number one for nine 679 00:40:03,600 --> 00:40:10,520 Speaker 1: weeks Crazy Uptown Punk, and they were both nominated for 680 00:40:10,600 --> 00:40:14,239 Speaker 1: Record of the Year at the Grammys and obviously ed 681 00:40:14,320 --> 00:40:21,359 Speaker 1: one just kidding up Town Funk one last one Record 682 00:40:21,400 --> 00:40:23,520 Speaker 1: of the Year, which, by the way, that's the recording 683 00:40:23,560 --> 00:40:25,880 Speaker 1: of a song. It's like artist producers, engineers. A lot 684 00:40:25,920 --> 00:40:27,360 Speaker 1: of people wanted what's the diffence like Record of the 685 00:40:27,440 --> 00:40:29,040 Speaker 1: Year and Song of the Year. So record of the 686 00:40:29,120 --> 00:40:30,960 Speaker 1: Year when you're just so you'll be the smart guy 687 00:40:31,040 --> 00:40:32,560 Speaker 1: to party because I wouldn't know this either if I 688 00:40:32,560 --> 00:40:35,400 Speaker 1: didn't look it up or work in music. Um, record 689 00:40:35,480 --> 00:40:39,880 Speaker 1: of the Year thinking of us like recording record record recording. Um, 690 00:40:40,680 --> 00:40:42,640 Speaker 1: that's like that Office episode with Michael Scott thinking of 691 00:40:42,680 --> 00:40:48,680 Speaker 1: everybody's name and he's like Pimple uh pe uh, Pussycat whiskers, 692 00:40:48,960 --> 00:40:53,200 Speaker 1: Willie uh, fat Willy Wonka, fat guy, Frank, you're Frank 693 00:40:53,480 --> 00:40:56,080 Speaker 1: and his every person's name because he has some weird thing, 694 00:40:56,280 --> 00:40:58,840 Speaker 1: and I'm like, remember record, like recording like all the sounds. 695 00:40:59,160 --> 00:41:01,520 Speaker 1: But that's what Record of Year is. It's specific recording 696 00:41:01,560 --> 00:41:04,080 Speaker 1: of a song. So it's the artist, the producers, the engineers, 697 00:41:04,800 --> 00:41:07,839 Speaker 1: the entire team that contributes to that song, where as 698 00:41:07,920 --> 00:41:12,200 Speaker 1: Song of the Year is a songwriter reward, which is 699 00:41:12,239 --> 00:41:14,320 Speaker 1: different than Single of the Year. So there are a 700 00:41:14,360 --> 00:41:17,000 Speaker 1: lot of them. A Record of the Years, the entire recording. 701 00:41:17,400 --> 00:41:19,080 Speaker 1: You'll be the smart person the next time the Grammys 702 00:41:19,120 --> 00:41:21,319 Speaker 1: come up. But yeah, there's that. In two thousand nine, 703 00:41:21,320 --> 00:41:25,120 Speaker 1: Miley Cyrus at Party in the USA number two for 704 00:41:25,239 --> 00:41:28,279 Speaker 1: three weeks, beat out by I got a feeling by 705 00:41:28,280 --> 00:41:30,640 Speaker 1: the Black Eyed Piece for one of those weeks, which 706 00:41:30,760 --> 00:41:36,279 Speaker 1: was a jam and Jay Shawn Down Down, Down, Down 707 00:41:36,480 --> 00:41:43,879 Speaker 1: Down Down. Narl's Barkley Crazy wasn't number two for um 708 00:41:44,200 --> 00:41:47,960 Speaker 1: seven weeks and this was a jamp boom boom boom boom. 709 00:41:48,160 --> 00:41:50,160 Speaker 1: I remember when I remember one a lot of Mama. 710 00:41:51,040 --> 00:41:52,879 Speaker 1: I was like, man, this is crazy Narl's Barkley. Who's 711 00:41:52,920 --> 00:41:55,839 Speaker 1: this dude? And turned out it was Celo and Danger Mouth, right, 712 00:41:57,520 --> 00:41:59,280 Speaker 1: I believe you may look that up. There was Celo 713 00:41:59,640 --> 00:42:02,239 Speaker 1: just sing her obviously danger Mouse and Danger Mouse was 714 00:42:02,320 --> 00:42:05,439 Speaker 1: like the producer. But it was beat out by Nellie 715 00:42:05,440 --> 00:42:09,160 Speaker 1: Partados up Promiscuous, who said at number one forever, and 716 00:42:09,239 --> 00:42:13,319 Speaker 1: that was Promiscuous girl. I love nive V Tado Oh 717 00:42:13,360 --> 00:42:19,520 Speaker 1: stopped now, but I said love her and it's like 718 00:42:19,600 --> 00:42:23,480 Speaker 1: now ever thought of the Timberlin's producing all of her stuff. Crazy, 719 00:42:24,000 --> 00:42:25,640 Speaker 1: You don't have a player on the trip. I'm with. 720 00:42:27,200 --> 00:42:32,080 Speaker 1: Bohemian Rhapsody from Queen peaked at number two in Nino 721 00:42:32,080 --> 00:42:36,239 Speaker 1: in the United States, a rare three appearances on the chart, which, 722 00:42:36,520 --> 00:42:38,520 Speaker 1: by the way, one of the best selling songs singles 723 00:42:38,560 --> 00:42:41,160 Speaker 1: of all time, has sold over six million copies. It 724 00:42:41,280 --> 00:42:43,040 Speaker 1: was number one in the UK for nine weeks, never 725 00:42:43,120 --> 00:42:45,719 Speaker 1: reached number one in the US. In the United States, 726 00:42:45,800 --> 00:42:48,839 Speaker 1: Get This originally in nineteen seventy six and peaked at 727 00:42:48,920 --> 00:42:52,120 Speaker 1: number nine. So when it was first released, like in 728 00:42:52,200 --> 00:42:55,960 Speaker 1: the movie, if you watch Bohemian Rhapsody, it was the 729 00:42:56,080 --> 00:42:59,920 Speaker 1: number nine. It goes away, it comes back because of 730 00:43:00,040 --> 00:43:07,319 Speaker 1: Wayne's World. The same song in n hits number two. 731 00:43:08,480 --> 00:43:13,680 Speaker 1: Crazy that a song fifteen years later, sixteen years yeah, 732 00:43:15,640 --> 00:43:19,399 Speaker 1: ends up again climbing and chart and getting played so much, 733 00:43:19,480 --> 00:43:22,160 Speaker 1: not as a novelty or remember this song, but as 734 00:43:22,200 --> 00:43:25,200 Speaker 1: a current song again and makes it to the number two, 735 00:43:25,280 --> 00:43:28,440 Speaker 1: higher than original. That's mine belonging to me and the song. 736 00:43:28,520 --> 00:43:31,320 Speaker 1: They kept it out. They wore their overalls backwards and 737 00:43:31,360 --> 00:43:37,400 Speaker 1: so did everybody else. Criss cross jumps and where my 738 00:43:37,440 --> 00:43:39,759 Speaker 1: genes a school backer once broke the button got my butt? 739 00:43:39,800 --> 00:43:42,520 Speaker 1: Wok Did I write that in a book? I may 740 00:43:42,520 --> 00:43:43,759 Speaker 1: have written that in my first book. I was like, 741 00:43:45,960 --> 00:43:48,080 Speaker 1: I remember I wore on backward and I only have 742 00:43:48,080 --> 00:43:50,440 Speaker 1: like two pair of jeans, and we like you just 743 00:43:50,480 --> 00:43:53,840 Speaker 1: booke wanting your pair of jeans and I was in 744 00:43:53,960 --> 00:43:55,920 Speaker 1: like fifth six grade two and I got to remember 745 00:43:56,000 --> 00:43:58,320 Speaker 1: being pissed whooping me and I was too old to 746 00:43:58,360 --> 00:44:03,040 Speaker 1: get Wolfen. Yeah, that's crazy. By the way, recently, Bhami 747 00:44:03,040 --> 00:44:05,319 Speaker 1: and Rhapsody made a third visit under the chart. After 748 00:44:05,480 --> 00:44:07,560 Speaker 1: that movie beham Me and Rhapsody hit um It hit 749 00:44:07,560 --> 00:44:09,840 Speaker 1: the chart at number thirty three. It holds the record 750 00:44:10,320 --> 00:44:15,760 Speaker 1: for the twentieth centuries most streamed song. So the twentieth 751 00:44:15,840 --> 00:44:19,600 Speaker 1: centuries most streamed was there streaming the twentieth century? Are 752 00:44:19,640 --> 00:44:21,799 Speaker 1: we the twenty century now? But I guess the song 753 00:44:21,880 --> 00:44:25,080 Speaker 1: from the twentieth century most streamed got it, So this 754 00:44:25,200 --> 00:44:28,520 Speaker 1: is okay. So not it's not beating Drake, but for 755 00:44:28,600 --> 00:44:30,920 Speaker 1: songs that came out in the twentieth century, it's the 756 00:44:31,040 --> 00:44:35,239 Speaker 1: most stream interesting. Shania Twain had a number one excuse me, 757 00:44:35,320 --> 00:44:37,160 Speaker 1: a number two that was never number one. We're still 758 00:44:37,200 --> 00:44:42,720 Speaker 1: the one song peaked at number two, becoming shi twenties 759 00:44:42,840 --> 00:44:46,799 Speaker 1: first top ten hit on the pop chart. It still 760 00:44:47,000 --> 00:44:50,239 Speaker 1: is known as their biggest crossover songs. It was the 761 00:44:50,360 --> 00:44:52,799 Speaker 1: number one country but hit number two on the pop chart, 762 00:44:53,440 --> 00:44:56,600 Speaker 1: and it was blocked out by two close from Next, 763 00:44:56,960 --> 00:44:58,640 Speaker 1: which was number one for five weeks, which is the 764 00:44:58,719 --> 00:45:02,120 Speaker 1: freaking jam. It's about it. It's about a dude getting 765 00:45:02,120 --> 00:45:06,040 Speaker 1: bone right. I just got into radio as a teenager 766 00:45:06,040 --> 00:45:07,719 Speaker 1: and we're playing this song and I was like, I 767 00:45:07,760 --> 00:45:09,120 Speaker 1: can I believe I'm playing a song about to do 768 00:45:09,239 --> 00:45:11,600 Speaker 1: gett a bone or because I got boners and I 769 00:45:11,640 --> 00:45:14,359 Speaker 1: still do sometimes I dancing girls like you just never 770 00:45:14,440 --> 00:45:18,040 Speaker 1: control it if like sometimes they somebodys girls. Note, I 771 00:45:18,120 --> 00:45:20,640 Speaker 1: don't even know universally if girls like that or not. 772 00:45:20,880 --> 00:45:22,680 Speaker 1: I don't think they're like random bonners on their leg, 773 00:45:23,360 --> 00:45:24,600 Speaker 1: you know, if they're just had to be dancing near 774 00:45:24,680 --> 00:45:26,799 Speaker 1: somebody and you get a bonner. But if like they're 775 00:45:26,800 --> 00:45:29,280 Speaker 1: into you, I still don't know. The age old question 776 00:45:30,400 --> 00:45:32,440 Speaker 1: does she like it if you get a bone runner? 777 00:45:33,960 --> 00:45:36,759 Speaker 1: Now like your husband or wife? Because probably even if 778 00:45:36,760 --> 00:45:38,319 Speaker 1: you don't even hate that, I don't know, But it's 779 00:45:38,320 --> 00:45:42,680 Speaker 1: just generally speaking, and you're dancing. Like let's say I'm 780 00:45:42,680 --> 00:45:44,880 Speaker 1: at the club, don't even go to the club. I 781 00:45:44,960 --> 00:45:46,640 Speaker 1: go and I'll go to the bar with Morgan number two, 782 00:45:46,960 --> 00:45:50,560 Speaker 1: which is kind of clubby. I guess consider at the club. Okay, 783 00:45:50,960 --> 00:45:54,320 Speaker 1: I go to the club once every five months, and 784 00:45:54,360 --> 00:45:56,239 Speaker 1: if I'm dancing with a girl. She's like, oh, it's fun. 785 00:45:56,320 --> 00:45:57,600 Speaker 1: This guy's kind of cute. And then I get a 786 00:45:57,680 --> 00:46:00,600 Speaker 1: boner and she like, is this I never dance on 787 00:46:00,640 --> 00:46:05,000 Speaker 1: the girl before? Or she like, yes I did, Dad, 788 00:46:05,080 --> 00:46:08,040 Speaker 1: I don't know. And with that question, I'll leave you. 789 00:46:12,040 --> 00:46:13,680 Speaker 1: I don't think I knew that till about five years ago. 790 00:46:13,719 --> 00:46:14,960 Speaker 1: That's what that song is about. It was about a 791 00:46:14,960 --> 00:46:18,000 Speaker 1: bonus song that'd be a pretty interesting topic to these songs. 792 00:46:18,040 --> 00:46:20,920 Speaker 1: We had no idea the meaning, and now we look 793 00:46:20,960 --> 00:46:27,399 Speaker 1: back and go, oh, no idea a bouneri uh, That's 794 00:46:27,480 --> 00:46:30,640 Speaker 1: that's it. That's songs that peaked at number two and 795 00:46:30,719 --> 00:46:33,080 Speaker 1: the songs that kept them out. And I'll say again 796 00:46:33,120 --> 00:46:35,839 Speaker 1: that originally it was my idity songs of peaked number two, 797 00:46:35,840 --> 00:46:38,080 Speaker 1: but I think that the entire podcast was made so 798 00:46:38,239 --> 00:46:40,759 Speaker 1: much more fruitful by your additional idea of songs that 799 00:46:40,840 --> 00:46:42,520 Speaker 1: kept them out. It kept him out. I think it 800 00:46:42,600 --> 00:46:45,760 Speaker 1: made it even But I think that was the whole podcast. 801 00:46:45,840 --> 00:46:47,080 Speaker 1: Songs that kept mouth was more inesting to me. The 802 00:46:47,160 --> 00:46:50,200 Speaker 1: songs peaked number two songs had no idea about Joey 803 00:46:50,280 --> 00:46:54,480 Speaker 1: d I'm gonna go get my stream on Joey. Yeah, 804 00:46:54,800 --> 00:47:02,680 Speaker 1: Joe Dye and the current projects with food. All Right, well, 805 00:47:02,880 --> 00:47:04,279 Speaker 1: I think I'm gonna go back on the front of this. 806 00:47:04,640 --> 00:47:06,200 Speaker 1: By the time you hear this, we'll I've already done 807 00:47:06,200 --> 00:47:08,600 Speaker 1: it and put it hey up. There's a bunch of 808 00:47:08,760 --> 00:47:12,879 Speaker 1: words coming up in the m M freestyle. So when 809 00:47:12,920 --> 00:47:14,680 Speaker 1: we recorded as the first time magic here, we didn't 810 00:47:14,680 --> 00:47:16,000 Speaker 1: do this kind about to hop back on the front 811 00:47:16,040 --> 00:47:19,040 Speaker 1: of it and and go oh yeah, okay, thanks thanks 812 00:47:19,080 --> 00:47:20,960 Speaker 1: for bringing up. I'll tell your friends about this podcast 813 00:47:21,000 --> 00:47:23,239 Speaker 1: if you don't mind, Episode one eighties seven of the 814 00:47:23,280 --> 00:47:26,240 Speaker 1: Bobby Cast. Thank you so much. Check out Philip Swee 815 00:47:26,239 --> 00:47:27,759 Speaker 1: from a Little Big Town. We just did it with 816 00:47:27,880 --> 00:47:30,920 Speaker 1: him a few days ago. Very interesting story about a 817 00:47:30,960 --> 00:47:34,040 Speaker 1: little big town success um, you know, with a little 818 00:47:34,080 --> 00:47:36,120 Speaker 1: big town. If you want to hear their real backstory, 819 00:47:36,239 --> 00:47:39,040 Speaker 1: check out the Karen Fairchild one or the Kimberly Slapman one. 820 00:47:39,080 --> 00:47:40,600 Speaker 1: You know, they all have different, different takes and then 821 00:47:40,600 --> 00:47:42,399 Speaker 1: we've talked about different things with them over the years. 822 00:47:42,800 --> 00:47:45,680 Speaker 1: But check that out about a good Brent Eldridge one 823 00:47:45,760 --> 00:47:49,320 Speaker 1: from a year ago which people still talk about. Carrie Edwards, 824 00:47:49,320 --> 00:47:52,040 Speaker 1: who's Luke Bryan Cole Swindell's manager who told him, just 825 00:47:52,160 --> 00:47:55,160 Speaker 1: fantastic stories. Yeah, it's way inside baseball, but that's what 826 00:47:55,200 --> 00:47:56,840 Speaker 1: the whole podcast is about, like learning about things you 827 00:47:56,840 --> 00:47:59,480 Speaker 1: probably don't even know more than this is what you 828 00:47:59,520 --> 00:48:01,840 Speaker 1: see on you Tube or here, on the radio or 829 00:48:01,840 --> 00:48:04,640 Speaker 1: on your phone. So thank you for listening. I always 830 00:48:04,680 --> 00:48:06,520 Speaker 1: appreciate you. Episode one eighty seven of the Bobby Cast. 831 00:48:06,600 --> 00:48:08,719 Speaker 1: I hope you like episodes like this. Always let us 832 00:48:08,760 --> 00:48:10,719 Speaker 1: know if you do, because always like the people even 833 00:48:10,719 --> 00:48:12,120 Speaker 1: like the episodes, we don't bring a guest on it. 834 00:48:12,840 --> 00:48:17,120 Speaker 1: Thank you very much, See you next time. M