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Speaker 1: Mag Mill was a production of I Heart Radio and

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Speaker 1: Bamford Productions. Accessing check in records, Please make your selection

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Speaker 1: Captain Sydney Owens Session number five one nine, dated January selected.

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Speaker 1: Do you wish to play playback? Commencing? Today is January?

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Speaker 1: This is Sydney Session number five one nine. Hello Sydney,

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Speaker 1: how are you doing today? Um? I'm not sure yet

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Speaker 1: what's on your mind? It was just the long nights

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Speaker 1: as all. Are you tired? No? Yes, Sidney, but my

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Speaker 1: body's to still after what happened and what happened, but

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Speaker 1: I don't want to didn't do it on purpose. She

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Speaker 1: makes it seem like I was negligent, But it was

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Speaker 1: an honest mistake. Do you think she understands that. No,

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Speaker 1: she turned the whole thing around and blamed it on me.

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Speaker 1: It was my fault for everything that happened, and because

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Speaker 1: of what happened after dinner, it caused her to be

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Speaker 1: offer guard and that's why we didn't catch it in time.

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Speaker 1: But everything turned out okay, didn't it. You're both still here,

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Speaker 1: healthy and alive. Yes, yeah, And I keep trying to

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Speaker 1: tell her that, but she doesn't want to listen to me.

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Speaker 1: If you don't trust me anymore. Some people need time

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Speaker 1: to process differently than others. Sometimes it just takes a

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Speaker 1: little bit longer, especially after they open up in a

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Speaker 1: way they are not normally used to. But did she

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Speaker 1: have to say those things to me? They were hurtful.

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Speaker 1: She kind haven't leaves of the mission that is the focus,

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Speaker 1: and if things do not improve, then you will at

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Speaker 1: least need to find a way to coexist. It's been

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Speaker 1: a week. Team. I don't know about you, but humans

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Speaker 1: don't work like that. It's already lonely enough when you're

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Speaker 1: millions of miles from home. It's even worse when the

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Speaker 1: only other person you were with won't even speak to you.

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Speaker 1: Jenna is frustrated. You cannot blame her. The whole sustained

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Speaker 1: significant damage due to the asteroid field. You just need

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Speaker 1: to give her the time she needs to work through that.

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Speaker 1: But it wasn't all my fault and she acts like

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Speaker 1: we did die instead of what actually happened. There is

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Speaker 1: no doubt that there is some misplaced blame in this situation.

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Speaker 1: But again, she needs time to process as well. Look,

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Speaker 1: I get that, but she can't shut me out like

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Speaker 1: she's not only is it not fair, but it hurts.

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Speaker 1: She feels that you are to blame for what transpired,

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Speaker 1: and she thinks you instigated the series of events. And listen,

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Speaker 1: Oh no, no, no, no, I didn't instigate anything. She

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Speaker 1: kissed me first. If anything, this is her fault. Unfortunately,

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Speaker 1: our time is up at the moment, but I will

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Speaker 1: also speak to Jannah, and I assure you, by the

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Speaker 1: time we reached the helix semula, this will all be

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Speaker 1: sorted out. You sure things will get better from here

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Speaker 1: on out, I promise you. End of recording. Play again,

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Speaker 1: mag Mill Episode four Abnormalities and Fluctuations. T run through

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Speaker 1: the scans again from let's say December through present day.

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Speaker 1: Am I looking for anything in particular? I should set

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Speaker 1: my search parameters to I don't know anything, anything out

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Speaker 1: of the ordinary, anything weird scanning? What are you doing?

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Speaker 1: Just trying to figure out what the hell happened when

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Speaker 1: we went through the nebula when we have some time

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Speaker 1: to kill before we go to that planet. So I

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Speaker 1: have Proteus looking for anything abnormal in his scans, anything

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Speaker 1: we may have missed or overlooked. Do you think that's

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Speaker 1: going to work? What the hell else am I doing? Okay? Fair?

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Speaker 1: What are you doing? Trying to see if I can

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Speaker 1: inspect this mold you brought back from the other ship.

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Speaker 1: Any luck, I ran some tests, but it's pretty unlike

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Speaker 1: anything I've seen before. It's almost like it attaches itself

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Speaker 1: to energy rich material, sort of melding with it. I'm

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Speaker 1: going to see if I can take a deeper look

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Speaker 1: under the micro scanner, though. Okay, just be careful. The

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Speaker 1: last thing that we needed for you to scan complete, okay,

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Speaker 1: and two abnormalities, Detective Jesus Christ? But where what kind one?

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Speaker 1: On the March eighteenth scan, a power fluctuation was recorded,

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Speaker 1: but did not exceed the normal limit to trigger concern.

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Speaker 1: So you recorded it but didn't think to alert us

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Speaker 1: about it. Apologies, my systems did not even register it

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Speaker 1: until now while billion dollar tech failure strikes again. What

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Speaker 1: was the fluctuation? Do you know what caused it? Unknown?

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Speaker 1: How long did it last? For approximately thirty seconds? And

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Speaker 1: what was the second one? The same type of abnormality,

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Speaker 1: power fluctuation lasting approximately twenty seconds this time? And when

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Speaker 1: was that? Oh? Oh what oh what does that mean? Oh?

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Speaker 1: Second fluctuation recorded on March just as we flew through

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Speaker 1: the Nebula what the fuck. Seriously, why didn't you tell

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Speaker 1: us sooner? Apologies again, they did not register on my

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Speaker 1: system until now. You've got to be fucking kidding me. Okay, okay,

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Speaker 1: let's just breathe. Here. Did we record samples of the

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Speaker 1: nebula during the fluctuation? What the fund does that matter?

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Speaker 1: Because if we study them, maybe we can find out

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Speaker 1: what caused the fluctuations. And if we can figure that out,

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Speaker 1: maybe we can find out what the hell happened to us.

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Speaker 1: I'll run some scans, like your scans are reliable. Let's

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Speaker 1: just figure this out together. Okay, t can you bring

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Speaker 1: up some of the info from the fluctuation scans on

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Speaker 1: my screen? Please? Of course. Okay, let's see here. Huh,

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Speaker 1: that's interesting. What what is it? Some of these readings

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Speaker 1: they match some stuff I found in the scan of

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Speaker 1: the mold. What do you mean, like atmospherically the hydrogen

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Speaker 1: is off the charts? So what does that mean? Honestly,

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Speaker 1: I I don't know, but these are just surface level scans.

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Speaker 1: I need to open it up a bit see if

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Speaker 1: anything changes. You're going to dissect the mold for of

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Speaker 1: a better word, Yes, can you hand me a scalpel? Too, please, Jesus. Yeah, here, okay,

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Speaker 1: let's see here. Shouldn't you be wearing a fucks it?

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Speaker 1: Are you? Okay, you should have been wearing a mask. Here.

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Speaker 1: Let's me get you some water here? Drinking good? Any better? Yes? Jesus,

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Speaker 1: what the hell are you thinking? I wasn't expecting it

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Speaker 1: to puff air into my face like that. Okay, you

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Speaker 1: need to go lay down for a bit. Go, I'll

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Speaker 1: put this away. Yeah yeah, okay, it is time for

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Speaker 1: your check in. Jenna. Please report to the session room. Jesus,

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Speaker 1: give me a minute, will you got it? I'm good?

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Speaker 1: Go all day down in my bunk. Okay, God fucking dammit,

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Speaker 1: Sid Magmal will return after these messages, and now back

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Speaker 1: to mag Mill. Today is March. This is Janna Session

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Speaker 1: number six one eight Hello hello, hello, hello, hello Janna.

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Speaker 1: Jesus are you malfunctioning? What's going on with you? I

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Speaker 1: will run a full diagnostics check later? How are you today?

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Speaker 1: Not happy with you? How are you doing today? Why

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Speaker 1: are you unhappy with me? I don't know. Maybe the

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Speaker 1: fact that you detected something in the nebula and neglected

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Speaker 1: to tell us right before we fucking flew through it.

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Speaker 1: As I mentioned it did not surpass the level to

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Speaker 1: cause concern. It flew under my radar. As the saying goes, whatever,

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Speaker 1: t I'm not in the mood to argue with you

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Speaker 1: about your incompetence, what about yours? Excuse me forgive me?

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Speaker 1: That came off as harsh. I meant to say, what

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Speaker 1: about your mistakes? My mistakes? The fund is that supposed

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Speaker 1: to mean? I mean when it comes to Sydney and

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Speaker 1: how you have treated her these past few weeks. Oh,

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Speaker 1: I am not in the mood for your psychoanalytic bullshit today,

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Speaker 1: either to ask me what you want to ask. Okay,

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Speaker 1: don't beat around the fucking bush. Fine, Sydney is upset

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Speaker 1: because she still feels you do not trust her. No shit,

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Speaker 1: And do you feel like that is warranted on your end?

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Speaker 1: How many fucking times do we have to go over this?

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Speaker 1: It's all in the post incident report. Okay, we almost

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Speaker 1: fucking died. You can't expect me to just fully trust

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Speaker 1: her with my life and the mission after that. But

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Speaker 1: do you feel like you are justified for continuing to

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Speaker 1: treat her this way? None of that would have happened

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Speaker 1: if not for her. That is not what she claims

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Speaker 1: oh yeah, and what does she claim? Accessing records Captain

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Speaker 1: Sydney Owens Session number five one nine dated January fourteen. Well, wa, wait,

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Speaker 1: what are you doing showing you what she said? Playing? Now? Oh? No, no,

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Speaker 1: I didn't anything. She kissed me first? What the fuck?

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Speaker 1: T she feels like you are to blame for the

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Speaker 1: incident because of your advances. How does that make you feel?

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Speaker 1: These sessions are supposed to be private? What the funk

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Speaker 1: are you playing my sessions for her? All sessions are

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Speaker 1: private unless I deem them necessary for the healing process.

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Speaker 1: You can't just play her sessions for me. That's a

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Speaker 1: breach of trust. What the fund is wrong with you?

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Speaker 1: I will run a full diagnostics check later. I see

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Speaker 1: this subject is hard for you, so let's move on.

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Speaker 1: Have you started to process what happened with Kevin yet?

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Speaker 1: Excuse me? I feel these events are connected where one

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Speaker 1: may have caused the actions of the other. Are you

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Speaker 1: fucking doing? Are you aren't here fucking mind with this?

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Speaker 1: Would you like to review what transpired? He knock at

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Speaker 1: the funk off? This isn't funny. It was on December

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Speaker 1: that this transmission was received. Don't you fucking dare playing now, Hannah,

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Speaker 1: turn this off, right fucking now? Are we there? Alright?

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Speaker 1: I don't want to hear this. T stop man, I'm

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Speaker 1: manning here. Usually is this time of year. You know,

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Speaker 1: that's health. The mission is going well though. Command is

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Speaker 1: happy with the reports being sent back, so that's good. Right, seriously,

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Speaker 1: turn this off now. I mean it. Thinking about what

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Speaker 1: we talked about last time we actually spoke. Fuck, I

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Speaker 1: don't even know what to say. I didn't want to

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Speaker 1: do this, not well you were up there. But I

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Speaker 1: can't keep doing this. I can't keep living like this,

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Speaker 1: holding all this resentment. It's not fair. It's not fair

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Speaker 1: to me. Please you please don't. It's not good. Jen

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Speaker 1: sucks honestly, especially when you're out there and I'm stuck here.

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Speaker 1: I guess what I'm trying to say. We're not good together, Jenna.

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Speaker 1: There's too much that we can't that I can't. I'm sorry,

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Speaker 1: but I can't do this anymore. All right, straight, stop it,

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Speaker 1: stop it, stop it. I said, stop it, turn it off, please,

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Speaker 1: I mean it. Stop fucking Priph, now you want to

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Speaker 1: be quiet now. You don't have anything to say. I

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Speaker 1: am merely observing your actions. How you responded to seeing

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Speaker 1: that again. Fuck you? How's that for a response? Okay,

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Speaker 1: fuck you? What is wrong with you? I will run

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Speaker 1: a full diagnostics check later. I will run a full

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Speaker 1: diagnostics check later. Why don't you turn yourself off, your

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Speaker 1: fucking asshole? Apologies, I am experiencing malfunction. Fuck you, proteus

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Speaker 1: mount mal malfunction, maud maud malfunction. Magma will return after

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Speaker 1: these messages, and now back to magmill. T TEA, what

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Speaker 1: time is there? The current time is two thirty seven

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Speaker 1: a m. Eastern Standard time? Thank you? Are you having

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Speaker 1: trouble sleeping? Would you like something to assist? I can

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Speaker 1: perhaps dispense a light sedative or sleeping aid if you'd

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Speaker 1: like no, Thank you. You know I don't like that stuff. Hey,

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Speaker 1: lower your volume. Jan is sleeping. I am only speaking

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Speaker 1: at this volume because Janna is not presently in her bunk.

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Speaker 1: Really did she get up? We both went to bed

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Speaker 1: at the same time. Unknown. I can raise her location

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Speaker 1: and on the ship for you if you'd like no,

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Speaker 1: that's okay. I'll just try to go back to sleep.

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Speaker 1: Thanks to pleasant dreams, Janna. Janna? Is that you see?

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Speaker 1: What was that? T? Hello? Is anyone there? Janna? Guys,

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Speaker 1: if this is a joke, it isn't funny. Okay, what

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Speaker 1: is that? T hellok T are you there? T is

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Speaker 1: that you? It is something wrong with your speakers. Okay, guys,

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Speaker 1: come on stop this. It sounds like it's coming from outside. Okay,

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Speaker 1: please please stop. You're scaring me for an object detected

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Speaker 1: on the ship's hull sport side? Jesus Christ, you scared

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Speaker 1: me tea for or an object detected? Okay? Okay, hang

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Speaker 1: on a look open viewpoorts six. Please? What the fun okay?

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Speaker 1: T run scans? What is that out there? Nothing detected?

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Speaker 1: What do you mean nothing detected? You just told me

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Speaker 1: there was something and it's there. What is that? Nothing detected? Jenna, Jenna,

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Speaker 1: where are you? Jenna kit No no, no, no, no,

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Speaker 1: no no no no stop stop stop get away from me.

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Speaker 1: Stop Sydney, Sydney, Jesus stop. What what the funding offer me?

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Speaker 1: What's wrong with you? What the fuck wrong with me?

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Speaker 1: What is wrong with you? Where? Where were here? Who

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Speaker 1: do you? My mom? I wouldn't to go get a

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Speaker 1: fucking snack. I was hungry and you came running in

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Speaker 1: here like about out of hell. But you didn't. You

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Speaker 1: didn't hear all that what you're screaming like a lunatic voices?

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Speaker 1: I I thought I heard voices. Fuck, Sydney, pull yourself together.

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Speaker 1: The only voice I heard was you before you ran

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Speaker 1: in here like that. I heard something and then I

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Speaker 1: saw I saw something of the port side. There was

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Speaker 1: something out there, knocking or take it was. Listen to yourself.

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Speaker 1: We're in the middle of nowhere, Sydney saw in the

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Speaker 1: middle of no man, but it was you. Run a

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Speaker 1: scan on the hall. Can you see anything? Nothing detected?

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Speaker 1: See there's nothing out there? Jesus, are you having nice?

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Speaker 1: There was nothing, Sydney. If you heard anything out there,

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Speaker 1: it was probably just Debrie. Okay. We probably hit some

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Speaker 1: pieces of meteorite or something. Fuck. Do that mold get

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Speaker 1: to you or something? Are you feeling okay? No? I

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Speaker 1: feel I feel strange. Okay, you need to go lay down,

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Speaker 1: get some sleep. Yeah, that's a good idea. Te Can

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Speaker 1: we get her something to calm her down? Yes, of course,

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Speaker 1: but you may want to see this first. Funk. What

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Speaker 1: now out the main viewport? You're right? What is it?

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Speaker 1: T what's out there? Oh? Apologies, I did not mean

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Speaker 1: to frighten you. There is nothing out there to concern you,

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Speaker 1: but I thought you'd just like to know no what

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Speaker 1: you spit it out already the planet We're here mag

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Speaker 1: Mel starring Ali Trasher, Julia Henning, and b J Gribb.

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Speaker 1: Additional voices in this episode provided by cat Ton Chonko

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Speaker 1: and Mac Manson. Written by Jeff him Buck and Lindsay Skaggin,

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Speaker 1: Directed and edited by Jeff Heimbuck, Produced by Jeff Heimbuck

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Speaker 1: and Ali Trasher. Executive produced by Holly Fry. Audio engineered

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Speaker 1: by Corey Celeste and Alex Gona. Original musical score by

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Speaker 1: Corey Celeste. Additional songs by The Ramikins as played by

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Speaker 1: Roscoe SoulTrain. Magmal is a production of I Heart Radio

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Speaker 1: and Bamfer Productions. Questions comments email us at Project magmaal

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Speaker 1: at gmail dot com. Until next time, We'll see you

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Speaker 1: when we see you. Zero