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Speaker 1: So I get into the Saint Regis and I, you know,

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Speaker 1: like it in my room and I'm like kind of

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Speaker 1: getting off set up and stuff. And then I'm like,

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Speaker 1: oh no, not this again. I go down to the concierge.

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Speaker 1: I get right in his fucking face and I'm like,

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Speaker 1: this pillow doesn't have my name on it. Oh what

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Speaker 1: did he say? He was like, you're it's on the

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Speaker 1: other side. Nice it Ultimately was there, Hey, what up?

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Speaker 1: What up? Welcome to Hollywood Handbook and insiders got to

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Speaker 1: kicking button dropping names in the red carpet lineback hallways

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Speaker 1: of this industry we call showbiz. I'm Hayes Davenport. I'm

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Speaker 1: here with Sean Clements. We're both writer actors. We want

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Speaker 1: to give a quick shout out to Hollywood Reporter, which

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Speaker 1: is our favorite newspaper.

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Speaker 2: Just the best journalism happening today is happening in THHR.

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Speaker 2: They break the most stories, and they break them with

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Speaker 2: the best sense of humor and the greatest integrity. Yes,

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Speaker 2: also when they're expressing an opinion, it's the right one.

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Speaker 2: They released their annual thirty five under thirty five.

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Speaker 1: Yes, they're sort of Hollywood's next gen agents. Executives, lawyers

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Speaker 1: like sort of the young people who are going to

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Speaker 1: be making waves in this industry in the near future.

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Speaker 2: We are, of course honored to be included.

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Speaker 1: We appreciate you putting us on it, despite the fact

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Speaker 1: that we aged out of it. That's quite a while

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Speaker 1: years ago, telling you hush hush, keep stumb about that.

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Speaker 1: But we also there's a list that we like to

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Speaker 1: do of the real power play.

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Speaker 2: The real next gen power players, because the thirty five

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Speaker 2: and thirty five. Sorry to say, a lot of these

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Speaker 2: people are either past their prime that they're listing and

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Speaker 2: they're not going to do fucking jack shit.

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Speaker 1: I think in a lot of those cases, if you're

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Speaker 1: thirty five, you you sniff that milk and it doesn't

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Speaker 1: smell so good, it's time to it's time to throw

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Speaker 1: out that milk.

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Speaker 2: Yeah, you'd put that milk in the trash. You'd have to,

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Speaker 2: because it's spoiled. Now what we like to do is

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Speaker 2: go a little bit fresher with our milk, and we

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Speaker 2: make a list that is the fifteen under fifteen, and

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Speaker 2: this is the Hollywood up and comers who you are

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Speaker 2: going to be seeing them everywhere, hearing their names and

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Speaker 2: watching their art that they make.

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Speaker 1: For example, Grace Davenport, my daughter, Little Gracie, She's she's

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Speaker 1: got a heck of a singing voice. She knows the

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Speaker 1: computer inside it out. She's doing stuff on the computer

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Speaker 1: that just blows me away and great. She's just great

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Speaker 1: at talking to adults, which I think is really important.

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Speaker 1: You've seen the way the way she's to have a

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Speaker 1: conversation with her, It's like you're talking to one of

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Speaker 1: your peers. Yes, I feel like it's a pier And

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Speaker 1: I say, like, who does she Who did she learn

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Speaker 1: that from? I know it wasn't Brook, you know, it

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Speaker 1: definitely wasn't for Brook. And when she when she comes over,

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Speaker 1: I'm just blown away by how grown up she is

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Speaker 1: and what a little, beautiful little woman she's becoming.

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Speaker 2: So she's number one fifteen under fifteen and she's ten

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Speaker 2: years old. And I think that numbers two through five

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Speaker 2: are the Little klem Klan, my four boys who I

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Speaker 2: just am so so proud of. Cranston, Gilligan, Vince and Brian.

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Speaker 2: These little dudes are so rock and cool and the

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Speaker 2: fashion choices they make great style. Yes, their style is

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Speaker 2: outrageous and it is next level. It is ahead of

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Speaker 2: its time, and some of the music they listen to.

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Speaker 2: I'm just like, these guys are making taste, yes, And

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Speaker 2: I'm just so proud of my little men, my little soldiers,

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Speaker 2: because they are their own people.

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Speaker 1: But they're also just like dad. But they're not all

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Speaker 1: We've only got five kids. The list is not all

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Speaker 1: our kids.

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Speaker 2: There are lots about We've got five kids who are

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Speaker 2: on here, yes, and then my daughters with Steffie are

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Speaker 2: not gonna be power players.

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Speaker 1: There are some other young people in this industry we

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Speaker 1: like to give a shout out to. How about that

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Speaker 1: Bart Simpson.

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Speaker 2: Holy cow, only ten years old, and this guy comes

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Speaker 2: out with one liners geez, he's he is Rodney.

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Speaker 1: Dangerfield or something. Springfield's favorite Rapscallion has been terrorizing his

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Speaker 1: way into our hearts for a number of years now.

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Speaker 1: And people say like, oh, but the show's been on

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Speaker 1: for more than fifteen years. Yeah, it's my fucking job

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Speaker 1: to know that, you know, Like, of course I know that.

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Speaker 1: Please don't talk down to me, fucking idiots. Uh what

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Speaker 1: about the guy who does the voice of him? Huh

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Speaker 1: did you ever think about that? It's a girl who

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Speaker 1: does the voice event did you ever think that it

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Speaker 1: was a girl. Yeah, and she's under fifteen, so it's fine.

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Speaker 2: Yeah, she's under fifteen and smart as a whip. And

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Speaker 2: he also has had some hit singles. Sure, And I

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Speaker 2: know I honestly cannot go to get a sandwich from

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Speaker 2: a deli without people doing the bark in line.

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Speaker 1: As funny as I think it is, I sometimes don't

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Speaker 1: think it's so funny when when it happens to me.

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Speaker 1: When you know, when people spray paint El Barto in

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Speaker 1: your house.

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Speaker 2: If I call kids doing that, man, they'd be in

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Speaker 2: Big Big Trouble, which is another one of his hit songs.

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Speaker 1: Some of the other show Now you Can't go to

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Speaker 1: the Boat Show. Sorry. I just love that part of

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Speaker 1: Big Big Trouble where.

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Speaker 2: He goes, don't now you can't go to the Boat

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Speaker 2: show that and that is a lyric that is gonna

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Speaker 2: You're gonna hear more and more I think other fifteen.

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Speaker 1: Yeah, more than fifteen under fifteen. Twitter. Hello. Twitter's only

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Speaker 1: been around for about ten years, and it's really changing

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Speaker 1: the way the industry takes shape. And pretty soon our

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Speaker 1: prediction is that you are gonna be starting to watch

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Speaker 1: movies on there.

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Speaker 2: Yeah, I think that Twitter's Twitter and movies is about

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Speaker 2: to be one and the same. And I wouldn't be

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Speaker 2: surprised if by right now it's November. I wouldn't be

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Speaker 2: surprised if by the end of November that you're watching

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Speaker 2: movies on Twitter and that you're no longer have to

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Speaker 2: have a TV.

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Speaker 1: As vines get longer and longer, it'll yes, it'll be

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Speaker 1: you'll watch a two hour vine and then it'll just

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Speaker 1: start right back over again and you'll be able to

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Speaker 1: watch it again. The industry is changing.

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Speaker 2: I think, Hey, that'd be nice for our royalties because

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Speaker 2: they have to they just watch it again right away.

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Speaker 1: Oh, because every time they would watch.

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Speaker 2: It, we would we would get literally even realize there's

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Speaker 2: watching it again. Oh that's you know there, it's on

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Speaker 2: a loop. So watching it maybe six times, where right

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Speaker 2: now a lot of people only watch our movies one

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Speaker 2: and a half times.

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Speaker 1: But go ahead. You were talking about social media. I

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Speaker 1: was talking about how social media and the different ways

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Speaker 1: we watch movies now is changing and screens are getting smaller.

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Speaker 1: At the same time, the ideas are getting bigger, I think,

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Speaker 1: and in a couple of years, Twitter is just going

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Speaker 1: to be a big movie. I agree.

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Speaker 2: And I think the other character who really stormed onto

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Speaker 2: the fifteen under fifteen this year, he had not made

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Speaker 2: the list before, was calling things epic.

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Speaker 1: Calling things epic.

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Speaker 2: Yes, wow, that's only that's just starting to walk calling

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Speaker 2: things epic.

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Speaker 1: It's just a toddler now. But it's so interesting that

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Speaker 1: calling things epic has itself become epic.

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Speaker 2: Yes, yes, And that's what's blown me away. And I

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Speaker 2: only just first heard the term a week ago, and I've.

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Speaker 1: Heard in the context of someone saying that one of

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Speaker 1: your parking jobs was an epic win.

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Speaker 2: That's exactly right. Yeah, and it was true. There was

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Speaker 2: not a lot of space to parallel. And I was

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Speaker 2: in the big car.

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Speaker 1: Yes, the big car. Yeah, it's a merci Olaga. Yes,

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Speaker 1: it's a merci Olaga. Also on the fifteen hunder fifteen.

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Speaker 1: How about these kids doing charity car washes. Every time

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Speaker 1: I go by these kids, they want to go on

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Speaker 1: a basketball trip, or they're trying to raise money for

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Speaker 1: a new basketball court or something. I always pull in

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Speaker 1: no whether or not my car. Sometimes my car is

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Speaker 1: pretty clean. I like to keep it a pretty good shape.

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Speaker 1: But I'm still going through that charity car wash, and

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Speaker 1: that I'll get it done at a real car wash

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Speaker 1: afterwards to get all the scum off it that they

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Speaker 1: put on. Which car are you driving these days? I'm

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Speaker 1: driving it's the big one, okay, the Lamborghino.

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Speaker 2: Mm hmm, I guess the only other member on fifteen

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Speaker 2: hunder fifteen And we didn't do a whole fifteen because

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Speaker 2: not enough people earned it this year.

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Speaker 1: Yeah, uh so burkel harder next time.

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Speaker 2: Yeah, it's a it's a real wake up call that

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Speaker 2: we only have about ten of the fifteen that a

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Speaker 2: lot of these young ones could be putting the elbow

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Speaker 2: grease in.

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Speaker 1: Everyone gets a trophy, now, you know what I mean. Yeah,

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Speaker 1: kids grow up today and everything they do, their parents

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Speaker 1: say they're doing a good job because they don't want

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Speaker 1: to hurt their feelings. You know, they don't want to

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Speaker 1: hurt their kids feelings. God forbid your kid should ever cry.

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Speaker 2: Yeah, everyone gets chopping. When Hayes and I were growing up,

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Speaker 2: it wasn't like that we had to actually outright win

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Speaker 2: everything we stepped up to the plate to do to

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Speaker 2: get the trophy. And believe me, the case is full.

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Speaker 1: There were no trophies for best effort for you know,

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Speaker 1: for good try all these good good trying with these

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Speaker 1: you see these days, I feel like every kid I

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Speaker 1: see in the street now is holding some kind of trophy.

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Speaker 1: It's literally become an epidemic. It has literally become an epidemically.

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Speaker 2: Become an epidemic, and it's literally one of the worst

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Speaker 2: things in our country.

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Speaker 1: I agree.

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Speaker 2: But anyway, the last fifteen hundred and fifteen as trophies.

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Speaker 1: Yeah, as trophies themselves. It's not the Trophi's fault. It's

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Speaker 1: what we're trying to say. We get very mad.

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Speaker 2: Yeah, we don't want to take it out on the

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Speaker 2: trophies themselves.

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Speaker 1: We love trophies. The trophies themselves are actually very nicely

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Speaker 1: made and very nice to look at, and they look

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Speaker 1: beautiful on a shelf. And just because these parents are

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Speaker 1: giving them out to every kid they see throwing trophies

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Speaker 1: at them, doesn't mean that the trophies themselves are not

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Speaker 1: of value, shouldn't be appreciated, don't deserve a little attention

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Speaker 1: every now and then.

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Speaker 2: And so there. So that's the last one on the list.

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Speaker 2: And also Haze wrote this week's trophy wife, go ahead

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Speaker 2: and tune in. Yes, I did heart those little trophies.

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Speaker 2: With the young Asian kids saying some pretty good quips.

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Speaker 1: Huh. Yes, This week, the trophy wife takes the kids

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Speaker 1: to the zoo. Okay, how'd that go? Well, she doesn't

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Speaker 1: know what any of the animals are, and so they're

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Speaker 1: asking her, it's trophy wife, what's that? And she's having

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Speaker 1: to She has a little radio in her ear so

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Speaker 1: that her friend can tell her what the animals are

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Speaker 1: as she's going through it. But surprise, surprise, she gets

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Speaker 1: shot with the water gun and the radio malfunctions and

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Speaker 1: her friend fell asleep, and so she's having to She's

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Speaker 1: going through the zoo blind, no idea what any of

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Speaker 1: the animals are. But then at the end she realizes

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Speaker 1: that she doesn't need to know what animals are for

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Speaker 1: to be a good mom. That's not to be sexy.

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Speaker 1: That's not all it is. Yeah, being sexy is not

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Speaker 1: always about about knowing what animals are. What great?

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Speaker 3: Uh?

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Speaker 1: Well that was great. We're gonna be right. Oh, we

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Speaker 1: have a very good guest today, Paul Rust. Paul Rust

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Speaker 1: is here. He was in Inglorious Bees, I Love You Best, Cooper.

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Speaker 1: He wrote for this most recent season of Arrested Development.

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Speaker 1: Oh wow, that's great. For him. That's exactly what he

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Speaker 1: should be doing very soon. On Hollywood Handbook.

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Speaker 3: Hollywood Handbook.

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Speaker 2: So I started screaming, and I go, well, excuse me,

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Speaker 2: my dad just got stung by a bee on his head.

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Speaker 1: So that's not an emergency. You tell me what is?

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Speaker 1: They came over right away. I don't know. Up what up?

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Speaker 1: We're back on Hollywood Handbook.

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Speaker 2: Was up?

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Speaker 1: This is a segment that we really enjoy doing. I

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Speaker 1: think it's sort of an important segment. There's this idea

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Speaker 1: in Hollywood that the writer performers run the show.

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Speaker 2: Yeah. I think people believe that once you're a big

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Speaker 2: deal writer performer that you sort of you're.

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Speaker 1: Doing all the moves right. In some cases that is true, yes,

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Speaker 1: but I can think of two cases where it's true. Yes.

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Speaker 1: I don't want to name any names, but there are

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Speaker 1: a couple of examples where where that is the case.

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Speaker 1: But not to do a little myth busting, the truth

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Speaker 1: about Hollywood is it's run mostly by ten percenteries.

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Speaker 2: The ten percenteries for people who don't know, these are

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Speaker 2: like representatives. Yeah, they yes, they represent the actors and

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Speaker 2: the writers. They submit them for jobs. They have relationships

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Speaker 2: with the studios and the networks, and a lot of

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Speaker 2: young actors go, well, how do I get a ten

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Speaker 2: percentary on my side?

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Speaker 1: And which ten percentary is the right one for me?

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Speaker 1: And it's like a specific person who's assigned to your career,

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Speaker 1: who works at a ten percentary is called a ten

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Speaker 1: percent rist And people wonder when they first make it

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Speaker 1: out to LA that's sort of the first step get

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Speaker 1: a ten percent As a quick ari on Entourage was

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Speaker 1: Vic probably the most famous temper.

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Speaker 2: Probably the most famous ten percenters. Yeah, just so you

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Speaker 2: have a picture in your head.

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Speaker 1: Yes, So this segment is called ten Percentary Elementary.

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Speaker 2: It's where we school you. We take you to elementary

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Speaker 2: school and we educate and we educate you on what

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Speaker 2: each ten percent ory, what role each of them plays.

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Speaker 1: They bring to the table.

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Speaker 2: We like to think of these ten percenteries as having

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Speaker 2: their own personality, sort of like there a bunch of

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Speaker 2: people at a high school party. Yes, and so we

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Speaker 2: sort of identify them like that. Each one has, you know,

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Speaker 2: fits in a certain archetype sort of a click and

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Speaker 2: hopefully we'll clarify for you which one is right for

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Speaker 2: you when it comes time for you to choose between them,

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Speaker 2: and just say Okay, this is my ten percentage.

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Speaker 1: Right, they're as far as we're concerned, and I think

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Speaker 1: as far as everyone concerned. And then I think the

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Speaker 1: fact is that there are three. Ten percent reason there

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Speaker 1: are three that I know of.

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Speaker 2: There may be some independent sort of people fleecing people,

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Speaker 2: you know, outside of that, yes, but for our money,

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Speaker 2: there's three of them. The first one I feel like

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Speaker 2: is the easiest to picture, and this is Cia yea.

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Speaker 2: And these guys at the high school party. These are

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Speaker 2: kind of the jocks, aren't they.

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Speaker 1: Ha. Yes, those are the guys you'd find tossing a

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Speaker 1: football around, varsity sweater, sort of a big muscular build,

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Speaker 1: always a pretty cheerleader by their side. Yeah, real hot shots.

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Speaker 2: And they leave you thinking, oh, this is gonna be

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Speaker 2: some bullied jerk. But when you actually get to talk

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Speaker 2: to them, they'rey really nice, and it turns out to

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Speaker 2: get straight a's.

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Speaker 1: They actually do take advanced classes. Like what makes them

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Speaker 1: so good at sports is how hard working they are

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Speaker 1: classes classroom. Uh, and they don't just because they are

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Speaker 1: popular doesn't mean they discriminate against anyone else at the

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Speaker 1: at the school. Yeah, a lot of times they're friends

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Speaker 1: with like a kid in a wheelchair. Yeah. They have

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Speaker 1: a lot of different kinds of friends. Yeah. Uh, and

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Speaker 1: they sort of have their pick of They get into

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Speaker 1: a lot of really good colleges and yeah, so that's

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Speaker 1: so that's CIA. Now what a CAA stand for cool

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Speaker 1: as anything.

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Speaker 2: Now, on the other side of the coin, you have Utah.

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Speaker 2: Now people probably heard of UTA. They rep Johnny Depp

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Speaker 2: and and that's a good example of there're sort of

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Speaker 2: these guys you walk in there in the corner, are

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Speaker 2: they They're not quite goth, they're not quite hippie, but

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Speaker 2: it's like some sort of artistic alternative vibe.

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Speaker 1: You feel. They're sort of all they're wearing, uh sometimes

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Speaker 1: black clothes.

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Speaker 2: Yeah, and so you go, oh, this guy's aloner, this

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Speaker 2: guy's a weirdo.

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Speaker 1: But if you talk to him or even just watch

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Speaker 1: for a few minutes, you find out.

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Speaker 2: Tons of friends. Yeah, and really funny and smart. And

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Speaker 2: they actually have like great taste in music.

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Speaker 1: But just because you don't know about something doesn't mean

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Speaker 1: that they think less of you, Like they just want

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Speaker 1: to share their their good taste. It's just something they're

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Speaker 1: really genuinely excited about.

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Speaker 2: Yeah, they introduce you to cool bands like the cure

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Speaker 2: or whatever. And actually, even though they're in all that stuff,

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Speaker 2: if you ever want to go out and shoot hoops

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Speaker 2: with them, sure, they're actually very athletically.

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Speaker 1: Surprising how good they are at sports. Yes, And at

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Speaker 1: the same time, while they project an image of not

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Speaker 1: caring that much about school and the establishment, they get

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Speaker 1: into all the best schools. They get into all the

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Speaker 1: best schools, and they get very good grades, and they

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Speaker 1: actually think applying yourself is really important. They you know,

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Speaker 1: it's it's your future is sort of their attitude. And

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Speaker 1: you only get one. And what does UTA stand for?

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Speaker 1: Uta stands for under the awning, like of like the

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Speaker 1: awning says success in Hollywood and coolness. Yeah, so they

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Speaker 1: they sort of it's like they fall under the awning

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Speaker 1: of success and coolness is sort of what that alludes to. Now,

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Speaker 1: those will sound like good people to talk to at

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Speaker 1: a party. But let's talk about the other guy. Yeah,

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Speaker 1: w w me. If you're if you went to certain

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Speaker 1: kinds of schools, you might be familiar with a clique

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Speaker 1: called the preps. Okay, those are the guys with pastel

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Speaker 1: sweater tied around their shoulders us like shorts with little

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Speaker 1: whales on them. And then and for me, the WM

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Speaker 1: is the guy.

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Speaker 2: First time I see him, he's got these big, thick

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Speaker 2: glasses on, and I go, oh, this nerd burger is

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Speaker 2: not going to be cool enough to talk to.

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Speaker 1: Right, So there's sort of a combination of preps and

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Speaker 1: nerds and nerds.

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Speaker 2: But then he takes his glasses off. Yeah, and he goes,

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Speaker 2: I don't need these to see right. I was having

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Speaker 2: a goof and I go, that's funny and cool and smart.

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Speaker 1: Yeah, And then.

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Speaker 2: I realize, oh, this guy actually is great at sports.

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Speaker 2: He actually he listens to like top forty music, but

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Speaker 2: he knows which songs are good and which songs are trash.

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Speaker 1: Right, And just because he's rich doesn't mean that he's

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Speaker 1: weird about money or anything. No, he's totally grounded and

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Speaker 1: not and his girlfriend is very attractive but also really nice.

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Speaker 2: Yeah, sweetheart does like volunteer stuff. So that's sort of

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Speaker 2: a breakdown. You get an idea of it, just like

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Speaker 2: in high school. You know, not everyone's the same, and

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Speaker 2: so you know what click are you in? Are you

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Speaker 2: with the cool, funny, smart athletic popular agency.

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Speaker 1: Or like the really smart, nice good at sports, or

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Speaker 1: like just sort of the all around. Yeah, the like

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Speaker 1: well rounded one. Right. Then that's WMA, which stands for

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Speaker 1: Wonderful Men every Day. And so yes, and so when

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Speaker 1: you move here, knock on the door. That makes the

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Speaker 1: most sense to you. And people sometimes ask, like, well,

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Speaker 1: when I was in high school, there were like some guys,

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Speaker 1: like a bunch of like bullies and like poor kids

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Speaker 1: and guys that like got bad like burnouts and druggies

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Speaker 1: and stuff. This isn't your high school pals. This is

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Speaker 1: actually a good school. This is a This is a

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Speaker 1: very selective and also even if it was they're in

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Speaker 1: the school, they're not invited to the party that we're at. Yeah, exactly.

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Speaker 1: This kind of party is for a certain class of student.

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Speaker 1: As it were, you won't find ugly people, stupid people,

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Speaker 1: people without a certain amount of money, or if you

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Speaker 1: don't have that much money, like you still know how

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Speaker 1: to dress well, you know.

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Speaker 2: Yeah, you can disguise the fact maybe that you don't

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Speaker 2: have that much money.

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Speaker 1: Yes, people at this party drink and do drugs, but

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Speaker 1: like at a reasonable like it's fucking they do it responsibly,

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Speaker 1: They do it like adults. This isn't whatever experience you

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Speaker 1: think you've had that relates to this. I mean, unless

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Speaker 1: you are in it, you don't know, So don't ask

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Speaker 1: questions like that. It's a bad question and it's not

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Speaker 1: a good use of our time. And that's the last

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Speaker 1: we'll say about it. That's the school belt ring recess time.

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Speaker 1: That's where we listen to an advertisement and we'll be

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Speaker 1: right back with our guests on Hollywood handbookom So I

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Speaker 1: clink my glass to do a toast, right, yes, and

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Speaker 1: I just go, I'm sorry, but Buster Keaton's not funny

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Speaker 1: and this whole dinner is a sham.

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Speaker 2: Yeah, And I felt so brave, and I think that

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Speaker 2: they knew that.

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Speaker 1: He just spit his water at me. Hey, welcome to

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Speaker 1: Hollywood Handbook and Insider's gude to kicking button dropping names

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Speaker 1: in the red carpet lineback hallways of this industry we

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Speaker 1: call showbiz. We're here with the homie Paul heck of

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Speaker 1: a guest, heck of a guest today, big one today,

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Speaker 1: Paul Rust.

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Speaker 3: Hey, Yeah, how's it going good to be here? Huge fans?

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Speaker 1: Really good?

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Speaker 3: Yeah, it's nice to be here. It's right here in

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Speaker 3: the heart of Hollywood, right the Billy the Beast.

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Speaker 1: It's not van NY's handbook. We say, you know, it's

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Speaker 1: not certainly not West Hollywood handbook, if you know what

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Speaker 1: I mean.

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Speaker 2: Yeah, yeah, not not our style, not for us.

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Speaker 1: Love Pussy feels so good.

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Speaker 3: Not that there's anything wrong. I'm a big I love

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Speaker 3: Seinfeld and a big fan of Erry Seinfeld.

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Speaker 1: Huge inspiration Jerry Seinfeld. Hayes wrote for them. I did

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Speaker 1: right back when or when it was going to be

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Speaker 1: called mister Seinfeld.

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Speaker 3: The mister Seinfeld chronic yeah.

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Speaker 1: Chronicles, Yeah, and I said drop the mister that was cleaner. Yeah. Yeah. Paul,

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Speaker 1: we met you a long time ago. I think it

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Speaker 1: was one of your famous flash mobs. You used to

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Speaker 1: organize these really fun flash mobs and like crowded spaces

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Speaker 1: and you sort of bring a little levity into the

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Speaker 1: well it's experience.

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Speaker 3: I feel like in the comedy scene, comedians are just

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Speaker 3: they're social creatures, you know, and they just constantly want

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Speaker 3: to get together and have fun and hang out. And

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Speaker 3: for me, I guess it's just like trying to come

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Speaker 3: up with events to get some wild, wild mad men together,

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Speaker 3: you know, just a laugh and the flash bomb was it? Yeah,

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Speaker 3: And that's where I met you.

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Speaker 1: Two when we loved doing them. It was nice to

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Speaker 1: sort of bring it so people.

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Speaker 2: Awesome to get back first of all, to my roots

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Speaker 2: as a dancer, because I never get to do that anymore.

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Speaker 1: I never get to flex those muscles.

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00:24:24,000 --> 00:24:28,800
Speaker 2: Yeah, and also just to feel like I was collaborating

436
00:24:29,520 --> 00:24:32,600
Speaker 2: because so much of this business is just being locked

437
00:24:32,640 --> 00:24:36,800
Speaker 2: in your room. Yes, you know, just to click clacking

438
00:24:36,840 --> 00:24:39,320
Speaker 2: away on the typewriter, you can get a little hairy.

439
00:24:39,560 --> 00:24:42,760
Speaker 3: Yeah. It's just a very solitary career sometimes. So when

440
00:24:42,800 --> 00:24:47,320
Speaker 3: you can get you know, just three three great brains

441
00:24:47,320 --> 00:24:49,919
Speaker 3: in the room you're like now or something that you know,

442
00:24:50,040 --> 00:24:53,639
Speaker 3: brain jamming, it's great because you know, I feel like

443
00:24:53,680 --> 00:24:56,520
Speaker 3: a lot of those flash mobs. A lot of great

444
00:24:56,560 --> 00:24:59,040
Speaker 3: ideas came out of them. You know, a lot of

445
00:24:59,080 --> 00:25:02,120
Speaker 3: great shows, yes, from people having conversations.

446
00:25:02,160 --> 00:25:04,159
Speaker 2: A lot of the most popular programs that are on

447
00:25:04,240 --> 00:25:07,119
Speaker 2: now were birthed right in those flash mobs.

448
00:25:07,280 --> 00:25:10,000
Speaker 1: The middle was birthed as a as a.

449
00:25:09,760 --> 00:25:13,639
Speaker 3: The flash mob originally the Baits Hotel, yeah, or a

450
00:25:13,720 --> 00:25:14,800
Speaker 3: TV show yeah.

451
00:25:14,640 --> 00:25:17,480
Speaker 1: Sure, Panic that was the higher end version of Bates Motel.

452
00:25:17,560 --> 00:25:20,800
Speaker 1: I think when we were like make it a little

453
00:25:20,880 --> 00:25:22,480
Speaker 1: more posh.

454
00:25:22,080 --> 00:25:23,840
Speaker 3: Right, you know, it was going to be about a

455
00:25:23,880 --> 00:25:26,679
Speaker 3: bell boy who worked at the Bates Hotel, and then

456
00:25:26,720 --> 00:25:27,960
Speaker 3: they bumped it down to batesman Own.

457
00:25:28,040 --> 00:25:29,400
Speaker 1: That's fine, that's fine.

458
00:25:29,440 --> 00:25:31,480
Speaker 3: I think they were worried of a different ideas.

459
00:25:31,200 --> 00:25:32,440
Speaker 1: But not being accessible.

460
00:25:32,880 --> 00:25:36,479
Speaker 2: Pan Am was there and Stargate Atlantis. I think I

461
00:25:36,520 --> 00:25:42,160
Speaker 2: remember just set it. I was an exclamation, I stubbed

462
00:25:42,160 --> 00:25:45,080
Speaker 2: my toe doing a dance move, sort of a one

463
00:25:45,119 --> 00:25:48,280
Speaker 2: of that inverted Makharina thing you were teaching us. And

464
00:25:48,320 --> 00:25:51,800
Speaker 2: I went Stargate Atlantis just and I don't know where

465
00:25:51,800 --> 00:25:53,960
Speaker 2: it came from, and I saw a guy scribble it

466
00:25:54,000 --> 00:25:55,480
Speaker 2: down and the next day it was on the air.

467
00:25:56,240 --> 00:25:59,280
Speaker 1: That's how it works, That's how fast it can happen.

468
00:25:59,560 --> 00:26:05,080
Speaker 3: What was that flash month that was at Oh yeah,

469
00:26:05,080 --> 00:26:08,040
Speaker 3: there was two ball ones, So I get confused sometimes

470
00:26:08,040 --> 00:26:10,760
Speaker 3: about the The Americana one was the one where because

471
00:26:10,800 --> 00:26:13,119
Speaker 3: we went by the it was sort of like a

472
00:26:13,920 --> 00:26:16,159
Speaker 3: comment on their fountains, right.

473
00:26:16,080 --> 00:26:18,280
Speaker 2: Yes, yes, it was a bit of a takedown of

474
00:26:18,359 --> 00:26:19,400
Speaker 2: the fountain culture.

475
00:26:19,480 --> 00:26:19,720
Speaker 1: There.

476
00:26:20,920 --> 00:26:24,080
Speaker 3: You choreograph the fountains to do things We're going to

477
00:26:24,200 --> 00:26:28,160
Speaker 3: choreograph ourselves to doing. I think was sort of the well.

478
00:26:27,960 --> 00:26:30,320
Speaker 2: We sort of were like, you're valuing fountains more than people,

479
00:26:30,359 --> 00:26:32,080
Speaker 2: and we think people are what's important.

480
00:26:32,080 --> 00:26:34,280
Speaker 1: And I stand by that, and he started me too.

481
00:26:34,359 --> 00:26:36,600
Speaker 1: I think just you coming out of the crowd and

482
00:26:37,040 --> 00:26:40,480
Speaker 1: sarcastically clapping at one of the fountains, and then one

483
00:26:40,520 --> 00:26:42,960
Speaker 1: by one all the rest of us did.

484
00:26:43,160 --> 00:26:45,520
Speaker 3: And then the clapping became sort of a dance. And

485
00:26:45,560 --> 00:26:48,200
Speaker 3: then you stubbed your toe, right, I think you stubbed

486
00:26:48,240 --> 00:26:48,760
Speaker 3: your toe.

487
00:26:48,800 --> 00:26:52,000
Speaker 1: During that one. Yeah, and I went starget it left right. Yeah.

488
00:26:52,000 --> 00:26:56,240
Speaker 2: We talked about this because it really hurt.

489
00:26:56,760 --> 00:26:59,399
Speaker 3: But uh, yeah, you know, I've given up the flash

490
00:26:59,440 --> 00:27:01,440
Speaker 3: mobs though they just got a little too out of hand.

491
00:27:01,680 --> 00:27:04,000
Speaker 1: What's going on? What what? What kinds of stuff have

492
00:27:04,080 --> 00:27:05,800
Speaker 1: you been up to? Weightly?

493
00:27:06,359 --> 00:27:13,639
Speaker 3: Oh, you know, just pounding the pavement and being trapped

494
00:27:13,680 --> 00:27:15,280
Speaker 3: in this guy here, I pointed my brain.

495
00:27:15,840 --> 00:27:16,080
Speaker 1: Yeah.

496
00:27:16,080 --> 00:27:17,640
Speaker 3: I don't know if you but you know, just.

497
00:27:18,640 --> 00:27:22,439
Speaker 1: Well you talk about that sometimes, sort of living in

498
00:27:22,440 --> 00:27:25,920
Speaker 1: the funny zone. Because Sean and I have actually talked

499
00:27:25,960 --> 00:27:30,119
Speaker 1: about this, we say, I think Paul might be spending

500
00:27:30,160 --> 00:27:31,960
Speaker 1: a little too much time in the much time in

501
00:27:32,000 --> 00:27:33,400
Speaker 1: the funny See.

502
00:27:33,440 --> 00:27:37,240
Speaker 3: I call them my funny glasses that I walk around

503
00:27:37,320 --> 00:27:41,080
Speaker 3: the world with my funny glasses on looking for comedy. Sure,

504
00:27:41,119 --> 00:27:43,640
Speaker 3: looking for things that are funny and then having them

505
00:27:43,720 --> 00:27:47,280
Speaker 3: go through the glasses into my eyes and then coming

506
00:27:47,320 --> 00:27:50,200
Speaker 3: back out comedy. But I've never heard of it. Put

507
00:27:50,200 --> 00:27:53,159
Speaker 3: his what you said, the funny zone, the funny zone,

508
00:27:53,720 --> 00:27:57,480
Speaker 3: and you are you guys, you're concerned that I exist.

509
00:27:57,600 --> 00:28:00,720
Speaker 1: Well, when you're always in that space, you know, when

510
00:28:00,760 --> 00:28:05,200
Speaker 1: you never come out, do you lose touch of what

511
00:28:05,280 --> 00:28:08,879
Speaker 1: the world that's side of the funny zone is like? No,

512
00:28:08,960 --> 00:28:10,960
Speaker 1: I just worry about We're just thinking about you.

513
00:28:11,040 --> 00:28:11,960
Speaker 3: I totally understand that.

514
00:28:12,000 --> 00:28:14,439
Speaker 1: I mean to put it in terms you would understand.

515
00:28:15,320 --> 00:28:18,040
Speaker 2: I would almost say that maybe you're wearing your funny

516
00:28:18,080 --> 00:28:19,440
Speaker 2: glasses too much.

517
00:28:20,280 --> 00:28:21,439
Speaker 1: Does that make sense?

518
00:28:21,680 --> 00:28:24,720
Speaker 3: That makes it? Yeah, I have this term funny glasses,

519
00:28:24,800 --> 00:28:29,239
Speaker 3: so that actually does make sense to me. Yeah, well,

520
00:28:29,280 --> 00:28:32,320
Speaker 3: you know, I try to take the funny glasses off

521
00:28:32,400 --> 00:28:34,359
Speaker 3: or get out of the funny zone. Yeah, because I

522
00:28:34,440 --> 00:28:36,040
Speaker 3: recognize what you guys would say, and you can get

523
00:28:36,080 --> 00:28:39,400
Speaker 3: too mired and so sure, sometimes I'll just I'll drive

524
00:28:39,440 --> 00:28:42,000
Speaker 3: thirty miles out of LA and I'll go into a

525
00:28:42,000 --> 00:28:44,200
Speaker 3: small town and I'll just hang out with like a

526
00:28:44,240 --> 00:28:45,160
Speaker 3: mechanic for a day.

527
00:28:45,320 --> 00:28:47,120
Speaker 1: Oh wow, the salt of the earth.

528
00:28:47,200 --> 00:28:51,120
Speaker 3: Yeah, just talk to him. I mean, it can be

529
00:28:51,160 --> 00:28:55,880
Speaker 3: a crazy perspective sometimes, but I come back from LA

530
00:28:56,040 --> 00:28:59,280
Speaker 3: and I am just I have trunkloads of material, yes,

531
00:28:59,840 --> 00:29:02,200
Speaker 3: just ideas, because I went and I talked to a

532
00:29:02,240 --> 00:29:03,840
Speaker 3: regular person, so real people.

533
00:29:04,120 --> 00:29:07,200
Speaker 2: And that's something that we lose sight of in this

534
00:29:07,320 --> 00:29:11,480
Speaker 2: city is everyone starts jerking off the other artists, you know,

535
00:29:12,040 --> 00:29:15,840
Speaker 2: and you're double fist and three artists at once doing jerking.

536
00:29:15,560 --> 00:29:16,280
Speaker 1: Them all off.

537
00:29:16,520 --> 00:29:20,480
Speaker 2: But we're not making it for them necessarily. We're making

538
00:29:20,720 --> 00:29:23,640
Speaker 2: entertainment for real Americans.

539
00:29:23,760 --> 00:29:25,920
Speaker 1: And I'm amazed at how funny some of them are.

540
00:29:26,680 --> 00:29:30,080
Speaker 1: Oh yeah, oh yeah, they don't even know. And I

541
00:29:30,120 --> 00:29:33,120
Speaker 1: feel and it makes me feel like a fraud, right.

542
00:29:33,000 --> 00:29:35,600
Speaker 3: I mean, some of the funniest people I have met

543
00:29:35,720 --> 00:29:39,360
Speaker 3: aren't in show business, yes, just dads or uncles, her

544
00:29:40,240 --> 00:29:41,760
Speaker 3: moms are cousins, you know.

545
00:29:42,000 --> 00:29:45,040
Speaker 2: Yeah, yeah, all kinds, yeah, all kinds of truly family.

546
00:29:45,200 --> 00:29:47,240
Speaker 3: Like if I could choose between hanging out in a

547
00:29:47,320 --> 00:29:54,120
Speaker 3: room with Peter Sellers, yeah, or or he's a genius

548
00:29:54,800 --> 00:29:58,960
Speaker 3: genius he gets lost in his characters. But if I

549
00:29:58,960 --> 00:30:01,360
Speaker 3: could have a choice between him or I don't know,

550
00:30:01,440 --> 00:30:04,360
Speaker 3: my dad's best friend, I choose my dad's best friend

551
00:30:04,360 --> 00:30:07,440
Speaker 3: because I'm probably gonna laugh more. Yeah, as genius as

552
00:30:07,480 --> 00:30:10,720
Speaker 3: Sellers is. In a way, my dad's best friend is

553
00:30:10,760 --> 00:30:11,680
Speaker 3: more brilliant.

554
00:30:11,880 --> 00:30:15,600
Speaker 2: And it's even more brilliant because he's not trying, right,

555
00:30:16,320 --> 00:30:18,520
Speaker 2: And that was the thing about Peter Sellers trying.

556
00:30:18,600 --> 00:30:20,240
Speaker 1: You're really trying very hard.

557
00:30:20,440 --> 00:30:22,640
Speaker 3: But I feel the strange.

558
00:30:22,240 --> 00:30:24,080
Speaker 1: Love Strangelove is so funny.

559
00:30:24,120 --> 00:30:28,440
Speaker 2: I just turn it on and I laugh and oh

560
00:30:28,600 --> 00:30:31,520
Speaker 2: Strangelove is on. You can't, Okay, turn off my phone

561
00:30:31,760 --> 00:30:34,520
Speaker 2: because I am just gonna I am laughing and laughing.

562
00:30:34,800 --> 00:30:36,720
Speaker 1: I am gonna be laughing all day.

563
00:30:36,960 --> 00:30:39,760
Speaker 2: And even after it ends, I'm still laughing at what

564
00:30:39,800 --> 00:30:43,040
Speaker 2: I saw when it was on. And that's how funny.

565
00:30:43,320 --> 00:30:45,880
Speaker 2: And I love Strangelove, but everything else he did is trash.

566
00:30:45,880 --> 00:30:46,880
Speaker 2: He's trying too hard.

567
00:30:47,200 --> 00:30:48,880
Speaker 3: Oh yeah, definitely, Paul.

568
00:30:49,000 --> 00:30:51,720
Speaker 1: One of the things that you've been doing that I've

569
00:30:51,720 --> 00:30:55,600
Speaker 1: really enjoyed are your when you go on Katla five

570
00:30:55,640 --> 00:30:57,200
Speaker 1: and do your ten second movie reviews.

571
00:30:57,280 --> 00:31:00,600
Speaker 3: Oh yeah, that's been fun. I've seen those.

572
00:30:59,680 --> 00:31:03,000
Speaker 1: I really enjoy them a lot. And I was wondering

573
00:31:03,040 --> 00:31:06,680
Speaker 1: if you'd like to do a couple today. I don't know.

574
00:31:06,920 --> 00:31:10,120
Speaker 1: I don't know if KTLA owns those or if they don't.

575
00:31:10,600 --> 00:31:13,080
Speaker 3: That was actually a long part of the negotiation processor.

576
00:31:13,080 --> 00:31:14,280
Speaker 1: And if you can do them on.

577
00:31:14,120 --> 00:31:17,720
Speaker 3: The podcast, you know, a performers work is the only

578
00:31:17,760 --> 00:31:21,000
Speaker 3: thing you can really stand on. And if KTLA owns that,

579
00:31:21,160 --> 00:31:23,680
Speaker 3: you know, and I know how it is. They they

580
00:31:23,720 --> 00:31:25,760
Speaker 3: take my ten second reviews and they put them on

581
00:31:25,800 --> 00:31:28,520
Speaker 3: a DVD and then they sell the DVD or they

582
00:31:28,520 --> 00:31:30,400
Speaker 3: throw them up on Netflix, and then they get the

583
00:31:30,440 --> 00:31:32,720
Speaker 3: money for that. You know, I just like to own.

584
00:31:33,120 --> 00:31:34,280
Speaker 3: I own my stables.

585
00:31:35,200 --> 00:31:38,240
Speaker 1: DVD sales are such a huge part of the money.

586
00:31:38,320 --> 00:31:42,920
Speaker 1: We think it's becoming a whole new business.

587
00:31:43,160 --> 00:31:48,360
Speaker 2: Yeah that almost more people are watching movies at home.

588
00:31:50,280 --> 00:31:51,360
Speaker 3: Yeah, DVD is.

589
00:31:51,360 --> 00:31:56,360
Speaker 2: Growing, Yeah, Hollywood VD is Yeah, the last d in

590
00:31:56,400 --> 00:31:59,800
Speaker 2: Hollywood is the beginning of DVD, beginning of DVD at

591
00:32:00,160 --> 00:32:02,520
Speaker 2: point and in a year it'll be even more so.

592
00:32:03,440 --> 00:32:06,640
Speaker 3: But would you is there any classics? Are there any

593
00:32:06,640 --> 00:32:07,240
Speaker 3: favorite movie?

594
00:32:07,280 --> 00:32:09,360
Speaker 1: I enjoyed some of the recent ones. I thought Your

595
00:32:09,400 --> 00:32:10,840
Speaker 1: Captain Phillips one was really good.

596
00:32:10,920 --> 00:32:13,120
Speaker 3: If you like yeah, well, you know the secret to

597
00:32:13,120 --> 00:32:15,920
Speaker 3: those two is, in order to make them ten seconds,

598
00:32:16,000 --> 00:32:20,280
Speaker 3: I just make them ten words, because each world equals

599
00:32:20,280 --> 00:32:24,040
Speaker 3: about a second. So if I just I never noticed that. Yeah, yeah, yeah,

600
00:32:24,320 --> 00:32:33,240
Speaker 3: So Captain Phillips, that's two h was a transformative. Now

601
00:32:33,320 --> 00:32:35,760
Speaker 3: transformative actually takes one of the words, so this is

602
00:32:35,800 --> 00:32:40,960
Speaker 3: a nine nine. Yeah, Captain Phillips was a transformative experience

603
00:32:41,840 --> 00:32:45,800
Speaker 3: at the movies. But my boss was upset with me

604
00:32:45,800 --> 00:32:48,080
Speaker 3: because they didn't get the letter grade in or the

605
00:32:48,120 --> 00:32:50,040
Speaker 3: amount of stars. I I tried to do a letter

606
00:32:50,040 --> 00:32:51,680
Speaker 3: grade and stars.

607
00:32:52,040 --> 00:32:54,360
Speaker 1: You almost always run out of time, though.

608
00:32:54,760 --> 00:32:56,520
Speaker 2: I don't think I've seen one where you did get

609
00:32:56,520 --> 00:32:59,320
Speaker 2: a letter grade involved, So your boss must always be

610
00:32:59,400 --> 00:33:00,000
Speaker 2: kind of upset.

611
00:33:00,120 --> 00:33:03,120
Speaker 3: If you listen when they come back from commercial, as

612
00:33:03,160 --> 00:33:05,360
Speaker 3: the graphics are playing in the music, I try to

613
00:33:05,480 --> 00:33:11,360
Speaker 3: whisper the grade very quietly. Oh that's a Captain Phillips

614
00:33:11,400 --> 00:33:14,600
Speaker 3: was a C because he was on a C.

615
00:33:16,840 --> 00:33:17,720
Speaker 1: Yeah, he's on the sea.

616
00:33:17,760 --> 00:33:22,200
Speaker 2: And also Captain starts to see I get that.

617
00:33:22,240 --> 00:33:26,440
Speaker 1: There's an old throwback that was really good Bridesmaids. That

618
00:33:26,520 --> 00:33:27,680
Speaker 1: review sort of launched.

619
00:33:28,120 --> 00:33:30,760
Speaker 3: Yeah, that was the one that did it for me. Yeah,

620
00:33:31,320 --> 00:33:34,000
Speaker 3: in the same way that I like to think Bridesmaids

621
00:33:34,080 --> 00:33:39,040
Speaker 3: launched the career of Melissa McCarthy, my Bridesmaid's Review launched

622
00:33:39,080 --> 00:33:44,880
Speaker 3: my career as a as a reviewer. Yeah, Bridesmaids was

623
00:33:45,000 --> 00:33:49,720
Speaker 3: a hilarious experience at the movies.

624
00:33:51,000 --> 00:33:55,560
Speaker 2: Yeah, I remember hearing that one and I said seeing it,

625
00:33:58,240 --> 00:34:00,880
Speaker 2: and I did see it, and Bridesmaids was a B.

626
00:34:01,680 --> 00:34:04,800
Speaker 3: Yes, it was a B.

627
00:34:04,800 --> 00:34:06,360
Speaker 1: B for Bridesmaids. Right.

628
00:34:06,440 --> 00:34:09,319
Speaker 3: It's really difficult sometimes when I review a movie that

629
00:34:09,400 --> 00:34:11,880
Speaker 3: doesn't start with an A, B, C, D or F.

630
00:34:12,360 --> 00:34:14,240
Speaker 3: That's been the toughest reviews.

631
00:34:14,280 --> 00:34:17,439
Speaker 1: You have to give them sort of an unconventional grade. Yeah, yeah,

632
00:34:17,600 --> 00:34:24,120
Speaker 1: like The Hours good. Yeah. I was struggling also to

633
00:34:24,160 --> 00:34:26,400
Speaker 1: think of a movie that started with any other letter.

634
00:34:26,440 --> 00:34:32,160
Speaker 2: Oh yeah, I mean, you know, you think of Zoro

635
00:34:32,400 --> 00:34:32,879
Speaker 2: and then you.

636
00:34:32,840 --> 00:34:35,680
Speaker 1: Go, is that the movie?

637
00:34:36,480 --> 00:34:36,680
Speaker 2: Yeah?

638
00:34:36,880 --> 00:34:39,319
Speaker 1: That a movie. I know, MASc You know it was.

639
00:34:39,280 --> 00:34:40,040
Speaker 3: Really funny though.

640
00:34:40,160 --> 00:34:46,120
Speaker 2: Antonio Banderas funny, Yeah, so funny. When I watch him

641
00:34:46,160 --> 00:34:48,120
Speaker 2: on screen, I feel like I'm hanging with my dad's

642
00:34:48,160 --> 00:34:50,760
Speaker 2: friend because that's funny.

643
00:34:50,880 --> 00:34:51,400
Speaker 3: Yeah.

644
00:34:51,600 --> 00:34:51,799
Speaker 1: Yeah.

645
00:34:51,800 --> 00:34:53,120
Speaker 3: If I had a choice to be in a room

646
00:34:53,120 --> 00:34:56,279
Speaker 3: with Banderas or my dad's best friend, I choose Banderas.

647
00:34:56,719 --> 00:34:59,040
Speaker 1: He's because he's famous and like funny and.

648
00:34:59,360 --> 00:35:01,360
Speaker 2: He's a really great yeah, and he would like the

649
00:35:01,360 --> 00:35:03,200
Speaker 2: same foods I like because we both have a lot

650
00:35:03,200 --> 00:35:09,000
Speaker 2: of money. Paul, You've worked with a bunch of sort

651
00:35:09,000 --> 00:35:10,319
Speaker 2: of heavy hitters in this town.

652
00:35:10,440 --> 00:35:10,680
Speaker 1: Yes.

653
00:35:11,320 --> 00:35:17,920
Speaker 2: Can you speak on the difference between preparing for a

654
00:35:18,000 --> 00:35:22,120
Speaker 2: Quentin Terran Killim versus Christopher Columbine?

655
00:35:22,800 --> 00:35:24,520
Speaker 1: You were in Inglorious.

656
00:35:24,120 --> 00:35:30,480
Speaker 3: Bees with and Quinton Terren Killim. You know, he's a legend.

657
00:35:30,920 --> 00:35:37,719
Speaker 1: Who were you? You were slimer in that, right? Yeah?

658
00:35:34,840 --> 00:35:41,000
Speaker 3: I was a slimer in a few scenes and a

659
00:35:41,000 --> 00:35:43,360
Speaker 3: lot of the fans don't notice this, but I was

660
00:35:43,400 --> 00:35:47,360
Speaker 3: actually pre slimer when he was in his flesh and

661
00:35:47,400 --> 00:35:50,560
Speaker 3: bones body before he died, and then in the background

662
00:35:50,560 --> 00:35:52,319
Speaker 3: you see me die and then I come back as

663
00:35:52,400 --> 00:35:55,600
Speaker 3: a slimer. You know. The movie, even though it was

664
00:35:55,880 --> 00:35:58,560
Speaker 3: a big success, it was, you know, a lower budgeted

665
00:35:58,600 --> 00:36:01,799
Speaker 3: sort of independent movie, so there was problems. I know

666
00:36:01,840 --> 00:36:04,600
Speaker 3: that we couldn't afford the hot dogs for Ceimer's mouth,

667
00:36:05,360 --> 00:36:09,760
Speaker 3: and yeah, that was an issue. We only could do four,

668
00:36:09,800 --> 00:36:12,440
Speaker 3: and I think the script called for six, and you know,

669
00:36:12,640 --> 00:36:15,560
Speaker 3: but that's why you do in the filmmaking. It's just

670
00:36:15,760 --> 00:36:17,759
Speaker 3: you figure out a way to get those extra two

671
00:36:17,760 --> 00:36:18,320
Speaker 3: hot dogs.

672
00:36:20,360 --> 00:36:24,200
Speaker 1: Tell us a little about Quentin's direction and like, has

673
00:36:24,239 --> 00:36:26,480
Speaker 1: it affected the way to serve when you live your

674
00:36:26,520 --> 00:36:29,960
Speaker 1: everyday life, Well, you ever think about some of the

675
00:36:30,000 --> 00:36:30,920
Speaker 1: things he told you.

676
00:36:31,000 --> 00:36:34,280
Speaker 3: It was influenced a lot by the director Brian Levant,

677
00:36:34,480 --> 00:36:38,040
Speaker 3: who did the Beethoven I think, the first Beethoven movie

678
00:36:38,440 --> 00:36:42,319
Speaker 3: and the Flintstones movie of the Problem Child films, I think,

679
00:36:43,360 --> 00:36:46,160
Speaker 3: And so he was constantly talking about Levante. Levant would

680
00:36:46,160 --> 00:36:48,279
Speaker 3: do this, Levant would set up the shot, and.

681
00:36:49,120 --> 00:36:51,600
Speaker 1: He read Levant on Levant right right.

682
00:36:51,760 --> 00:36:54,879
Speaker 3: And you know, after a while you're just kind of like, well,

683
00:36:54,960 --> 00:36:59,080
Speaker 3: let's just get Brian Levant in here and make inglorious bees,

684
00:37:00,640 --> 00:37:04,000
Speaker 3: you know, because if we're aping him so much, sure,

685
00:37:04,600 --> 00:37:06,239
Speaker 3: let's just get the real thing the guy.

686
00:37:06,440 --> 00:37:06,760
Speaker 1: Yeah.

687
00:37:06,800 --> 00:37:09,880
Speaker 3: And that was a long conversation I know most mornings

688
00:37:10,040 --> 00:37:12,960
Speaker 3: was can we just get living out in here? But

689
00:37:13,160 --> 00:37:14,000
Speaker 3: Quentin turn kill.

690
00:37:13,960 --> 00:37:15,640
Speaker 1: Him put his foot down.

691
00:37:16,840 --> 00:37:22,160
Speaker 2: Now, you have studied improv when you were younger.

692
00:37:22,719 --> 00:37:23,560
Speaker 3: I love improv.

693
00:37:23,920 --> 00:37:27,080
Speaker 2: Can you talk a little bit about how much of

694
00:37:27,200 --> 00:37:31,719
Speaker 2: movies is a script and how much of a movie's

695
00:37:31,880 --> 00:37:35,520
Speaker 2: is you just going off? And feel free to be

696
00:37:35,680 --> 00:37:40,040
Speaker 2: honest about how it's really almost all just you going off?

697
00:37:40,320 --> 00:37:42,719
Speaker 3: Yeah, because I mean I think there's sort of this

698
00:37:42,840 --> 00:37:47,840
Speaker 3: code that you claim, oh, we don't improvise much. We

699
00:37:47,880 --> 00:37:51,920
Speaker 3: stick to the script, you know, to keep the nerds happy.

700
00:37:53,120 --> 00:37:56,839
Speaker 3: But I would say not just me, I would say

701
00:37:56,920 --> 00:38:00,520
Speaker 3: most actors in any genre of movie. I'd say it's

702
00:38:00,960 --> 00:38:04,000
Speaker 3: percentage ninety ninety five percent improvised.

703
00:38:04,239 --> 00:38:06,560
Speaker 1: Yeah, you say. I always like when you would say,

704
00:38:06,719 --> 00:38:10,000
Speaker 1: going into a shoot, like I love the script is

705
00:38:10,040 --> 00:38:12,920
Speaker 1: really important because I got to throw out something.

706
00:38:13,760 --> 00:38:18,040
Speaker 3: Right, I gotta throw out five, ten percent or ninety right?

707
00:38:18,360 --> 00:38:20,439
Speaker 3: What am I throwing out exactly? What's the you would

708
00:38:20,480 --> 00:38:22,680
Speaker 3: be throwing out ninety right?

709
00:38:23,000 --> 00:38:25,880
Speaker 2: So I'm keeping the five percent, keeping the five so

710
00:38:25,960 --> 00:38:28,080
Speaker 2: you have a little bit of a template to work from.

711
00:38:28,280 --> 00:38:30,319
Speaker 2: And also, you know what jokes you're not gonna do.

712
00:38:31,000 --> 00:38:33,399
Speaker 2: You just strike a couple out right off the bat

713
00:38:33,719 --> 00:38:35,759
Speaker 2: and go, well, somebody else thought aut arrow it down,

714
00:38:35,800 --> 00:38:36,120
Speaker 2: that's it.

715
00:38:36,160 --> 00:38:37,719
Speaker 1: And if it didn't come out of my bean.

716
00:38:37,800 --> 00:38:39,839
Speaker 3: Yeah, well, And I like a lot of times I'll

717
00:38:39,840 --> 00:38:42,680
Speaker 3: have the script sort of off to the side, so

718
00:38:42,719 --> 00:38:44,719
Speaker 3: when they call cut, I like to roll up the

719
00:38:44,760 --> 00:38:47,480
Speaker 3: script kind of in a little you know, you know,

720
00:38:47,719 --> 00:38:49,719
Speaker 3: just roll it up, and then I go over to

721
00:38:49,760 --> 00:38:51,759
Speaker 3: the writer and I kind of pop them in the

722
00:38:51,880 --> 00:38:53,880
Speaker 3: arm with the script. I go, you like what I

723
00:38:53,960 --> 00:38:59,040
Speaker 3: just did there? And I think that makes him feel

724
00:38:59,080 --> 00:39:02,160
Speaker 3: good about his job. It's just the way to support

725
00:39:02,520 --> 00:39:08,480
Speaker 3: a writer and encourage them. Yeah. But yeah, I think

726
00:39:09,320 --> 00:39:12,040
Speaker 3: I think of a script as just a template sure

727
00:39:12,080 --> 00:39:15,960
Speaker 3: to build off, or a blueprint to build my crazy buildings.

728
00:39:16,120 --> 00:39:18,200
Speaker 1: Yes, yeah, yeah, I do.

729
00:39:18,400 --> 00:39:22,600
Speaker 2: I like to say, of course, that we are blueprint

730
00:39:22,680 --> 00:39:30,440
Speaker 2: makers and golf course designers. Just go play, yes, right,

731
00:39:30,520 --> 00:39:33,920
Speaker 2: go play, you know, and you pick the club and

732
00:39:34,000 --> 00:39:36,480
Speaker 2: you swing as hard as you want, and it's just

733
00:39:36,520 --> 00:39:39,399
Speaker 2: there's just sort of we've laid out this nice, sort

734
00:39:39,440 --> 00:39:42,480
Speaker 2: of fun, nice looking golf.

735
00:39:42,200 --> 00:39:42,759
Speaker 1: Course for you.

736
00:39:43,000 --> 00:39:45,399
Speaker 2: Yeah, and the actors can play on that. Here's the whole,

737
00:39:45,560 --> 00:39:48,400
Speaker 2: that's the act break. Just get it in there, yeah,

738
00:39:48,440 --> 00:39:50,160
Speaker 2: and take your time and then we'll chop it up.

739
00:39:50,200 --> 00:39:53,960
Speaker 2: And it's a certain you know, script serve a purpose

740
00:39:54,080 --> 00:39:57,360
Speaker 2: because it's a great way to make a buttload.

741
00:39:56,920 --> 00:39:58,800
Speaker 1: Of money when I'm not acting in movies.

742
00:39:59,280 --> 00:40:04,040
Speaker 2: Yeah, And I think that is so important to this industry.

743
00:40:04,120 --> 00:40:05,040
Speaker 1: That's really important.

744
00:40:05,040 --> 00:40:08,000
Speaker 3: Oh yeah, if you're not acting and you're not making

745
00:40:08,080 --> 00:40:11,239
Speaker 3: money or income, it's really nice to be able to

746
00:40:11,239 --> 00:40:14,839
Speaker 3: continue making money with writing, just to make sure that

747
00:40:15,000 --> 00:40:18,160
Speaker 3: you what am I trying to say, constantly have money?

748
00:40:18,239 --> 00:40:20,480
Speaker 1: Yes, yeah, you can just do it right on your computer.

749
00:40:21,200 --> 00:40:25,120
Speaker 2: Yeah, and it's a total fucking jerk off. Now, Paul,

750
00:40:25,200 --> 00:40:29,200
Speaker 2: you like to say that fame is just an illusion, Well.

751
00:40:29,239 --> 00:40:34,120
Speaker 3: I'd like to say fame is just an illusion. I

752
00:40:34,200 --> 00:40:37,600
Speaker 3: like to take a space. I'm sorry, it's still that

753
00:40:37,680 --> 00:40:40,000
Speaker 3: space from you. Yeah, Well you just condensed it, you

754
00:40:40,040 --> 00:40:41,799
Speaker 3: sort of tighten it up and then it doesn't mean

755
00:40:41,840 --> 00:40:44,479
Speaker 3: the same thing. Well, you're you're sort of like Rock,

756
00:40:44,960 --> 00:40:48,400
Speaker 3: you know, Chris Rock loves to make things concise and

757
00:40:48,520 --> 00:40:50,359
Speaker 3: have no air, and I guess I'm sort of more

758
00:40:50,360 --> 00:40:54,080
Speaker 3: of a cosby, you know. I like to be a breed,

759
00:40:54,200 --> 00:40:55,279
Speaker 3: let a breathe, you know.

760
00:40:56,080 --> 00:40:57,880
Speaker 1: But yeah, speak.

761
00:40:58,320 --> 00:41:01,319
Speaker 3: I have gotten in trouble before. We saying that. A

762
00:41:01,360 --> 00:41:06,520
Speaker 3: lot of people don't like to hear it, particularly illusionists magicians.

763
00:41:07,000 --> 00:41:08,040
Speaker 1: Hey that's our bag.

764
00:41:08,840 --> 00:41:13,279
Speaker 3: Yeah, they go, magic is an illusion, not fame, and

765
00:41:13,320 --> 00:41:16,400
Speaker 3: the fame we get from our magic, that's not an illusion.

766
00:41:17,480 --> 00:41:21,360
Speaker 3: And you know, I've had a falling out with a

767
00:41:21,360 --> 00:41:25,319
Speaker 3: lot of the magician community because they kind of there's

768
00:41:25,360 --> 00:41:27,680
Speaker 3: a sort of in the vent diagram, the comedy worlds

769
00:41:27,680 --> 00:41:31,120
Speaker 3: in the magic world sort of cross and not so much.

770
00:41:31,160 --> 00:41:33,960
Speaker 3: After Wonderstone, I think that's it's kind of made things

771
00:41:33,960 --> 00:41:34,640
Speaker 3: a little chillier.

772
00:41:35,000 --> 00:41:36,799
Speaker 1: And you weren't allowed to see now you see me?

773
00:41:36,920 --> 00:41:38,959
Speaker 1: Is that right? They wouldn't let you into the theater.

774
00:41:39,120 --> 00:41:41,359
Speaker 2: You put you paid for the ticket and then said, Paul,

775
00:41:41,600 --> 00:41:43,960
Speaker 2: you don't The door kept disappearing and moving when you

776
00:41:43,960 --> 00:41:44,560
Speaker 2: tried to get in.

777
00:41:44,719 --> 00:41:44,919
Speaker 1: Yeah.

778
00:41:44,920 --> 00:41:46,400
Speaker 3: I would go up to the thing and I'd go

779
00:41:46,440 --> 00:41:49,440
Speaker 3: to grab the doorknob, and the doorknob and move up

780
00:41:49,480 --> 00:41:51,520
Speaker 3: to the corner of the and they'd get a stool

781
00:41:51,520 --> 00:41:53,560
Speaker 3: and I'd get on top of the stool the doorknob,

782
00:41:53,560 --> 00:41:54,319
Speaker 3: and then it would move.

783
00:41:55,760 --> 00:41:55,960
Speaker 1: Yeah.

784
00:41:56,000 --> 00:41:59,760
Speaker 3: They kept a lot of magicians just outside the ArcLight,

785
00:41:59,840 --> 00:42:02,000
Speaker 3: just keep people's eyes pinned. I wasn't the only one

786
00:42:02,000 --> 00:42:03,759
Speaker 3: who was not kidding in. I mean, I don't want

787
00:42:03,800 --> 00:42:04,880
Speaker 3: to get anybody in trouble.

788
00:42:05,600 --> 00:42:07,160
Speaker 1: You were the main one, the most famous one.

789
00:42:07,239 --> 00:42:09,759
Speaker 3: Yeah. There were some other comedians though, Who are I

790
00:42:09,760 --> 00:42:13,959
Speaker 3: guess on the ship list of different.

791
00:42:13,920 --> 00:42:20,439
Speaker 2: Give us one scoop Oh, Maren, Oh okay, he's I think.

792
00:42:20,520 --> 00:42:24,879
Speaker 1: I think because Maren sounds like magician. It really does

793
00:42:25,200 --> 00:42:28,000
Speaker 1: a lot. It makes people competitive, you know, Mark Magician.

794
00:42:29,680 --> 00:42:31,440
Speaker 1: I thought it might be fun to reach into the

795
00:42:31,440 --> 00:42:37,920
Speaker 1: popcorn gallery. Oh, I would love to do that, yar me.

796
00:42:38,680 --> 00:42:43,240
Speaker 1: We've some of our listeners have some prepared some questions

797
00:42:43,239 --> 00:42:46,120
Speaker 1: for you, Paul Ohat And.

798
00:42:46,200 --> 00:42:48,879
Speaker 3: You know, I think sometimes the best questions come from

799
00:42:48,880 --> 00:42:50,520
Speaker 3: people who aren't in the industry.

800
00:42:50,719 --> 00:42:53,120
Speaker 1: That's how we feel too, because we sometimes we don't

801
00:42:53,120 --> 00:42:56,640
Speaker 1: even know what's interesting to ask, because to us it's

802
00:42:56,719 --> 00:42:57,640
Speaker 1: just sort of boring.

803
00:42:57,920 --> 00:43:01,120
Speaker 3: Well you're in it, yes, yeah, you're so deep in it.

804
00:43:01,719 --> 00:43:07,400
Speaker 1: So here's a question from Clyde. Listener Clyde Clyde asks

805
00:43:07,440 --> 00:43:10,400
Speaker 1: to Greed, what's the best social media for getting my

806
00:43:10,520 --> 00:43:13,600
Speaker 1: projects to reach sky high?

807
00:43:13,640 --> 00:43:18,480
Speaker 3: Well, you got a lot of choices, you know. For me,

808
00:43:18,680 --> 00:43:22,680
Speaker 3: I've just noticed, and just in terms of sky highness, yes,

809
00:43:22,800 --> 00:43:27,240
Speaker 3: I mean, if that's what you're going for, sky high,

810
00:43:28,400 --> 00:43:31,160
Speaker 3: you know. I just I feel like not a lot

811
00:43:31,200 --> 00:43:35,279
Speaker 3: of people have said this, but Twitter is such a

812
00:43:35,320 --> 00:43:39,320
Speaker 3: great way to have just an instant connection with your fans.

813
00:43:39,760 --> 00:43:42,160
Speaker 1: Yeah, yeah, that.

814
00:43:42,440 --> 00:43:45,080
Speaker 3: You know, you can write a script and then it

815
00:43:45,120 --> 00:43:47,720
Speaker 3: gets kicked up to the exacts, they give their notes,

816
00:43:47,840 --> 00:43:51,000
Speaker 3: they make their changes, and then by the time your

817
00:43:51,040 --> 00:43:54,239
Speaker 3: fans and your viewers are seeing it, it's a completely

818
00:43:54,239 --> 00:44:00,400
Speaker 3: different animal. But with Twitter, I could say exactly what

819
00:44:00,480 --> 00:44:08,480
Speaker 3: I want in any amount of characters. I want, yeah,

820
00:44:07,760 --> 00:44:10,640
Speaker 3: and reach the people I want to reach.

821
00:44:11,600 --> 00:44:12,600
Speaker 1: Thank you.

822
00:44:12,600 --> 00:44:14,399
Speaker 3: You guys feel the same way about Twitter because I've

823
00:44:14,480 --> 00:44:16,680
Speaker 3: pissed off some people before when I've said that Twitter

824
00:44:16,719 --> 00:44:18,040
Speaker 3: is a great way to you have access.

825
00:44:18,239 --> 00:44:20,640
Speaker 2: Oh well, you're you're not pissing us off. But we've

826
00:44:20,719 --> 00:44:24,520
Speaker 2: run into the same meat heads who don't want to

827
00:44:24,560 --> 00:44:27,720
Speaker 2: listen to. Twitter is a great way to have direct

828
00:44:27,800 --> 00:44:31,920
Speaker 2: access to your fans and really make them feel like

829
00:44:31,920 --> 00:44:35,359
Speaker 2: they have a connection with you, which of course they don't.

830
00:44:35,400 --> 00:44:38,960
Speaker 2: That's ridiculous, but it makes them feel that way and

831
00:44:39,000 --> 00:44:39,879
Speaker 2: that feels nice.

832
00:44:39,880 --> 00:44:40,960
Speaker 3: Well, it's another illusion.

833
00:44:42,040 --> 00:44:44,839
Speaker 1: It's another illusion. I mean, there's so many Sorry Mark Magicians.

834
00:44:45,160 --> 00:44:48,000
Speaker 3: It's just it's tough, you know, in this business. There's

835
00:44:48,000 --> 00:44:50,160
Speaker 3: so many times that I just go, what is real?

836
00:44:51,280 --> 00:44:54,360
Speaker 3: You know? Is I think my connection to my fans

837
00:44:54,400 --> 00:44:54,759
Speaker 3: is real.

838
00:44:55,040 --> 00:44:56,880
Speaker 1: This money feels real in my hand.

839
00:44:57,239 --> 00:44:59,640
Speaker 3: But have you ever thought about how money it's just

840
00:45:00,120 --> 00:45:03,360
Speaker 3: symbolizes what a heap of gold somewhere?

841
00:45:03,560 --> 00:45:06,880
Speaker 1: Well, ever since Fiat currency was put in place and

842
00:45:06,960 --> 00:45:09,120
Speaker 1: the gold standard was we have a lot of opinions

843
00:45:09,160 --> 00:45:10,840
Speaker 1: on this, and we talk about it on the podcast.

844
00:45:10,920 --> 00:45:13,520
Speaker 1: A lot, so we shouldn't go too far down this road.

845
00:45:13,960 --> 00:45:16,919
Speaker 3: Well, like most comedians were libertarians, and.

846
00:45:16,960 --> 00:45:20,319
Speaker 1: Yes, but the government that's in place right now in

847
00:45:20,320 --> 00:45:22,880
Speaker 1: this country is a sham and they certainly don't represent

848
00:45:22,960 --> 00:45:25,600
Speaker 1: us or represent anyone.

849
00:45:25,840 --> 00:45:27,960
Speaker 2: Yes, they don't even represent what they say they represent,

850
00:45:28,000 --> 00:45:29,520
Speaker 2: which is a big part of why it's all some

851
00:45:29,640 --> 00:45:31,719
Speaker 2: huge fucking shadow conspiracy bullshit.

852
00:45:32,320 --> 00:45:33,120
Speaker 1: And I'll tell you the.

853
00:45:33,120 --> 00:45:36,759
Speaker 2: Second I can start making movies in Italy, I'm so

854
00:45:37,000 --> 00:45:37,680
Speaker 2: out of here.

855
00:45:39,680 --> 00:45:43,440
Speaker 1: Once that paperwork goes through your guess who's holding it up?

856
00:45:44,520 --> 00:45:45,160
Speaker 1: The government?

857
00:45:45,239 --> 00:45:49,280
Speaker 2: Yeah, yeah, uncle Obama and his little red war.

858
00:45:50,760 --> 00:45:58,160
Speaker 1: Here's a question. Let's dip back in the popcorn bag.

859
00:45:58,480 --> 00:45:59,520
Speaker 1: This one's from Hunter.

860
00:46:00,280 --> 00:46:04,439
Speaker 3: Yea, dude, I think I got the mund cheese. That's

861
00:46:04,440 --> 00:46:05,320
Speaker 3: a cool sound clip.

862
00:46:06,280 --> 00:46:10,520
Speaker 1: Yeah, yeah, yeah. Hunter asks Paul, have you ever done

863
00:46:10,560 --> 00:46:14,240
Speaker 1: something embarrassing by accident in a Hollywood situation, for example,

864
00:46:14,239 --> 00:46:17,319
Speaker 1: on a movies or television set, on a stage, or

865
00:46:17,360 --> 00:46:19,719
Speaker 1: in a very important meeting. If so, how did you

866
00:46:19,800 --> 00:46:20,279
Speaker 1: handle it?

867
00:46:22,120 --> 00:46:26,720
Speaker 3: Well? I don't think I'm going to be surprising anybody

868
00:46:26,719 --> 00:46:31,160
Speaker 3: when I admit, you know, I have a The doctors

869
00:46:31,160 --> 00:46:34,880
Speaker 3: call it a quefine syndrome and So I've been in

870
00:46:34,880 --> 00:46:39,319
Speaker 3: some situations where well, I met Helen Mirren and I

871
00:46:39,440 --> 00:46:42,000
Speaker 3: like to say I queefed in front of the Queen.

872
00:46:44,440 --> 00:46:44,800
Speaker 1: Wow.

873
00:46:46,280 --> 00:46:50,440
Speaker 3: It was at the Queen premiere, and I'm a huge

874
00:46:50,960 --> 00:46:54,840
Speaker 3: mirror maniac. Yes, And it was at the after party,

875
00:46:54,840 --> 00:46:56,239
Speaker 3: and I went over to her and I was just

876
00:46:56,280 --> 00:46:59,759
Speaker 3: like miss Mirran. It was embarrassing. I almost called him

877
00:46:59,760 --> 00:47:04,160
Speaker 3: as Maren was there tailor. And I went over to

878
00:47:04,200 --> 00:47:07,239
Speaker 3: her and I and she I shook her hand and

879
00:47:07,280 --> 00:47:09,759
Speaker 3: I guess she squeezed it just a little harder than

880
00:47:09,800 --> 00:47:12,200
Speaker 3: I expected. I queathed.

881
00:47:12,560 --> 00:47:15,319
Speaker 1: Thank god she queathed at the same time to put

882
00:47:15,360 --> 00:47:15,960
Speaker 1: you at ease.

883
00:47:16,440 --> 00:47:18,919
Speaker 3: Yeah, she's just she's a pro.

884
00:47:19,080 --> 00:47:21,120
Speaker 1: You know, she could tell that I was in business

885
00:47:21,160 --> 00:47:21,719
Speaker 1: for that long.

886
00:47:21,800 --> 00:47:24,279
Speaker 3: And there's a lot of celebrities, I'll be honest, who

887
00:47:24,280 --> 00:47:26,560
Speaker 3: would have just let me queef and be embarrassed about

888
00:47:26,560 --> 00:47:29,200
Speaker 3: it and kind of have that power trip of like

889
00:47:29,320 --> 00:47:33,040
Speaker 3: I know you did. I've never queafed, but how when

890
00:47:33,120 --> 00:47:37,720
Speaker 3: she did and her husband was there, the director Taylor

891
00:47:37,840 --> 00:47:41,480
Speaker 3: Ackford is that his name, and he went, oh, baby,

892
00:47:41,520 --> 00:47:48,400
Speaker 3: that stinks. I guess that wasn't so much an embarrassing situation.

893
00:47:48,680 --> 00:47:50,560
Speaker 1: Yeah, I wondered why you sounded like you were sort

894
00:47:50,560 --> 00:47:52,279
Speaker 1: of dodging the question a little bit there.

895
00:47:55,120 --> 00:47:59,680
Speaker 3: I also I also, uh, my pants dropped accidentally once

896
00:47:59,719 --> 00:48:04,160
Speaker 3: in front of less moon Ves, the head of a CBS.

897
00:48:05,320 --> 00:48:07,680
Speaker 1: Was that a play on his name you were trying

898
00:48:07,719 --> 00:48:07,960
Speaker 1: to do?

899
00:48:09,239 --> 00:48:14,680
Speaker 3: I said, less Moonves, how about more moon mean right now?

900
00:48:16,239 --> 00:48:22,680
Speaker 3: And he said what, I don't get that, and you

901
00:48:22,719 --> 00:48:24,080
Speaker 3: get and you give him a little pressure.

902
00:48:24,080 --> 00:48:26,040
Speaker 1: I booked it. I booked it, guys.

903
00:48:27,400 --> 00:48:29,280
Speaker 2: And at the end of the day, that's all that matters.

904
00:48:29,400 --> 00:48:31,840
Speaker 2: And they can't deny talent. Just you got to be

905
00:48:31,880 --> 00:48:33,120
Speaker 2: so good they can't ignore.

906
00:48:33,200 --> 00:48:35,600
Speaker 3: You were saying something earlier about money. I mean when

907
00:48:35,640 --> 00:48:38,160
Speaker 3: you book something, I think that's part of the thrill,

908
00:48:38,400 --> 00:48:40,240
Speaker 3: is like you know you're gonna get money.

909
00:48:40,320 --> 00:48:44,080
Speaker 2: It's you know that it's cash in your pocket. Yeah,

910
00:48:44,239 --> 00:48:47,040
Speaker 2: And that is so good. That's the most satisfying feeling.

911
00:48:47,360 --> 00:48:50,319
Speaker 2: It's the most satisfying feeling that you can have. And

912
00:48:51,160 --> 00:48:56,960
Speaker 2: I don't think there's any art left, but I know

913
00:48:57,000 --> 00:49:01,440
Speaker 2: there's money left, and I'll take it, you know.

914
00:49:01,719 --> 00:49:04,560
Speaker 3: And as long as you've already except I mean I

915
00:49:04,600 --> 00:49:07,840
Speaker 3: said that out loud practically, you know, as I was

916
00:49:07,920 --> 00:49:10,439
Speaker 3: driving into La. The first time I drive in LA,

917
00:49:10,640 --> 00:49:13,920
Speaker 3: I was like, I know, this isn't for art, this

918
00:49:13,960 --> 00:49:15,880
Speaker 3: is for money, And I'm okay with that and with

919
00:49:16,000 --> 00:49:18,640
Speaker 3: the hope you know in a few years. I know

920
00:49:18,680 --> 00:49:20,480
Speaker 3: we all say this, guys, but I just love to

921
00:49:20,560 --> 00:49:23,000
Speaker 3: retire and take my money and just get a ranch

922
00:49:24,239 --> 00:49:26,160
Speaker 3: and just start writing stuff.

923
00:49:26,200 --> 00:49:28,839
Speaker 1: I want to write that Hollywood money goes pretty far

924
00:49:29,360 --> 00:49:31,440
Speaker 1: out in Flyover Country, We've found.

925
00:49:31,680 --> 00:49:32,759
Speaker 3: Yeah, you can stretch it.

926
00:49:33,000 --> 00:49:37,000
Speaker 1: Yeah, remember that feeling first driving into LA and seeing

927
00:49:37,000 --> 00:49:39,719
Speaker 1: the city just kind of rise up before you and

928
00:49:39,880 --> 00:49:42,759
Speaker 1: just open its arms to sort of welcome you in,

929
00:49:43,000 --> 00:49:46,680
Speaker 1: open its legs. Well, well, that's.

930
00:49:46,600 --> 00:49:49,400
Speaker 3: There is a sexual element to the city. You're right, Sean,

931
00:49:49,440 --> 00:49:50,000
Speaker 3: there is there.

932
00:49:50,560 --> 00:49:53,120
Speaker 1: Yeah, thank you. I mean, well that's very gross. We're

933
00:49:53,120 --> 00:49:56,200
Speaker 1: going to dance around it. What's gross? I just don't

934
00:49:56,239 --> 00:49:57,600
Speaker 1: think that that's.

935
00:49:57,480 --> 00:49:59,839
Speaker 3: Only But you don't, I mean, to some extent, don't

936
00:49:59,840 --> 00:50:02,040
Speaker 3: you think sex cells in this industry?

937
00:50:03,040 --> 00:50:04,879
Speaker 1: Well, whether or not that's true, I don't think it's

938
00:50:04,880 --> 00:50:10,000
Speaker 1: something that we should be endorsing, like like implying that

939
00:50:10,040 --> 00:50:11,040
Speaker 1: it's okay.

940
00:50:11,080 --> 00:50:15,160
Speaker 2: Okay, you've never bought a ticket to a film just

941
00:50:15,360 --> 00:50:19,640
Speaker 2: because there was a sexual element. Perhaps an attractive woman,

942
00:50:20,600 --> 00:50:24,719
Speaker 2: maybe like a I mean, I don't want to give

943
00:50:24,760 --> 00:50:27,319
Speaker 2: away too much of your type, but maybe there's like

944
00:50:27,320 --> 00:50:30,080
Speaker 2: a Whoopie Goldberg in it, or there's someone that you

945
00:50:30,160 --> 00:50:31,000
Speaker 2: really admire.

946
00:50:31,480 --> 00:50:34,000
Speaker 1: But what and you kind of are going.

947
00:50:33,840 --> 00:50:36,520
Speaker 2: In there, yes, to see a good film, but also

948
00:50:36,600 --> 00:50:39,840
Speaker 2: to get off a little bit in your downstairs area.

949
00:50:40,040 --> 00:50:42,239
Speaker 1: This is a podcast, you know.

950
00:50:42,520 --> 00:50:45,280
Speaker 3: Yeah, but it's a but it wors' but we're supposed to.

951
00:50:45,120 --> 00:50:46,920
Speaker 1: Be telling the truth about this town.

952
00:50:47,360 --> 00:50:48,759
Speaker 3: And I mean, I know we're getting a little bit

953
00:50:48,800 --> 00:50:52,440
Speaker 3: into our lives here, but sometimes I think showbiz is

954
00:50:52,480 --> 00:50:55,160
Speaker 3: our lives is Showbiz is our lives is? You know,

955
00:50:55,239 --> 00:50:58,120
Speaker 3: it's just one loop. And when you talk about I know,

956
00:50:58,160 --> 00:51:01,440
Speaker 3: when I'm talking about my life, I feel like, should

957
00:51:01,440 --> 00:51:02,880
Speaker 3: this be a headline?

958
00:51:02,920 --> 00:51:05,880
Speaker 1: And Variety and Vicky Fink?

959
00:51:06,440 --> 00:51:08,000
Speaker 2: But heyes, if you want to sit here and pretend

960
00:51:08,000 --> 00:51:09,920
Speaker 2: you didn't get a high hard one during the help

961
00:51:10,440 --> 00:51:12,680
Speaker 2: and you go ahead and do it. But I was

962
00:51:12,719 --> 00:51:14,560
Speaker 2: sitting next to you, and I know what, Brett, I'm

963
00:51:14,680 --> 00:51:20,719
Speaker 2: ending the show. Brett, end the show, end it. Thank you,

964
00:51:22,160 --> 00:51:22,960
Speaker 2: Thanks for listening.

965
00:51:22,960 --> 00:51:26,080
Speaker 1: Guys. Rate us on iTunes. What do we have in

966
00:51:26,120 --> 00:51:27,959
Speaker 1: the in the pro version this week? If you buy

967
00:51:27,960 --> 00:51:31,759
Speaker 1: the pro version, We've got some really great goodies for you. Oh,

968
00:51:31,800 --> 00:51:35,720
Speaker 1: I think. Oh. Bruce Read Robinson ordered the pro version

969
00:51:36,080 --> 00:51:40,319
Speaker 1: last week and he wins Paul rust saying his name

970
00:51:40,560 --> 00:51:46,880
Speaker 1: like Michael Buffer on the podcast. So, Bruce, Bruce Read Robinson,

971
00:51:47,120 --> 00:51:50,000
Speaker 1: here's your prize.

972
00:51:49,200 --> 00:51:52,799
Speaker 3: Bruce Reid Robinson. Wait, did they get a load of

973
00:51:52,840 --> 00:51:58,120
Speaker 3: me that also functions as a ten second review? I

974
00:51:58,120 --> 00:51:59,800
Speaker 3: think technically, I think that was ten words.

975
00:52:00,160 --> 00:52:01,840
Speaker 1: Yeam hm, technically it was.

976
00:52:01,960 --> 00:52:05,759
Speaker 3: And I love you guys's merch. Section two. I've been

977
00:52:05,760 --> 00:52:07,600
Speaker 3: I've just been getting. I'm going in there getting.

978
00:52:10,400 --> 00:52:13,160
Speaker 2: Yeah, please please jump in there and get the merch.

979
00:52:13,280 --> 00:52:17,799
Speaker 3: It's uh, well, your logo of the Hollywood sign and

980
00:52:17,840 --> 00:52:24,440
Speaker 3: the two o's in wood being cross eyes to show yeah.

981
00:52:24,200 --> 00:52:28,000
Speaker 1: This down can be a little goofy and the Hollywood

982
00:52:28,040 --> 00:52:32,360
Speaker 1: hand hands the big foam, Yeah, big Hollywood hand.

983
00:52:32,800 --> 00:52:34,760
Speaker 3: My niece loves something. She's crazy about them.

984
00:52:34,840 --> 00:52:35,320
Speaker 1: Yeah.

985
00:52:35,360 --> 00:52:37,839
Speaker 2: If you order the pro version, you obviously could get

986
00:52:37,840 --> 00:52:40,520
Speaker 2: a great prize like Bruce did, and you get two

987
00:52:40,560 --> 00:52:44,080
Speaker 2: free Blimpy subs and anything you want on those subs

988
00:52:44,120 --> 00:52:47,640
Speaker 2: except condiments, and you get those absolutely.

989
00:52:47,080 --> 00:52:48,720
Speaker 1: For free if you ordered the pro version.

990
00:52:48,840 --> 00:52:50,520
Speaker 2: If you're one of the first ten people to do

991
00:52:50,560 --> 00:52:52,839
Speaker 2: it this week and we get about a million a week.

992
00:52:53,400 --> 00:53:00,279
Speaker 1: Bye bye bye, mh.

993
00:53:00,960 --> 00:53:03,919
Speaker 2: This has been an Earwolf Media production Executive producers Jeff

994
00:53:04,000 --> 00:53:04,960
Speaker 2: Ulrich and Scott Ackerman.

995
00:53:05,120 --> 00:53:13,040
Speaker 1: For more information, visit earwolf dot com, ear Warf Radio,

996
00:53:13,360 --> 00:53:22,440
Speaker 1: Boom dot com, The Worf Dead