1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:31,320 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,320 --> 00:00:33,760 Speaker 1: a little thing we like to call the after party. 6 00:00:33,800 --> 00:00:35,840 Speaker 1: This is the show after the show, the party after 7 00:00:35,840 --> 00:00:37,800 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,800 --> 00:00:41,240 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:41,400 --> 00:00:44,720 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:44,720 --> 00:00:48,280 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:48,400 --> 00:00:51,839 Speaker 1: we're talking about this week's full episode subject Kendrick Lamar, 12 00:00:52,200 --> 00:00:55,920 Speaker 1: and we're rewinding back to our Grand Parsons episode, previewing 13 00:00:55,920 --> 00:00:58,960 Speaker 1: our upcoming story on Brian Wilson, and we get into 14 00:00:58,960 --> 00:01:02,760 Speaker 1: your voicemails, tech dms, and as always a whole lot 15 00:01:02,760 --> 00:01:05,600 Speaker 1: of rosie. This is the podcast for the musically obsessed. 16 00:01:05,800 --> 00:01:08,160 Speaker 1: The outsider is the independent thinkers who know that the 17 00:01:08,160 --> 00:01:11,360 Speaker 1: best history is the history that gets buried. Disgraceland is 18 00:01:11,400 --> 00:01:13,760 Speaker 1: where I tell the stories they didn't want told, the 19 00:01:13,880 --> 00:01:16,920 Speaker 1: kind you'll end up telling someone else. All Right, this goes, 20 00:01:17,360 --> 00:01:33,080 Speaker 1: Let's get into it. Compton, the setting for this week's 21 00:01:33,520 --> 00:01:38,480 Speaker 1: full episode of Disgraceland on Kendrick Lamar, located south of 22 00:01:38,520 --> 00:01:42,360 Speaker 1: downtown LA Is regarded by its residents as a tight 23 00:01:42,440 --> 00:01:46,720 Speaker 1: knit community, but for music fans Compton Compton gives an 24 00:01:46,800 --> 00:01:51,520 Speaker 1: outsized impression, one that I would say is actually mythic. 25 00:01:52,200 --> 00:01:55,640 Speaker 1: And that's because Compton, from the nineteen eighties on has 26 00:01:55,720 --> 00:01:58,720 Speaker 1: given us some of the most exciting music and culture 27 00:02:00,160 --> 00:02:03,600 Speaker 1: up NWA's Straight Out of Compton was a view into 28 00:02:03,640 --> 00:02:06,920 Speaker 1: a world that captivated those of us who were out 29 00:02:06,920 --> 00:02:11,040 Speaker 1: in the middle of nowhere America. Drugs, beatdowns, crooked cops, 30 00:02:11,160 --> 00:02:16,160 Speaker 1: drive by shootings, What the hell was this place? Now? 31 00:02:16,200 --> 00:02:18,480 Speaker 1: I'm certain that as a kid, the first time I 32 00:02:18,520 --> 00:02:22,560 Speaker 1: even heard the name Compton it was on that record, 33 00:02:22,600 --> 00:02:24,959 Speaker 1: and I'm pretty sure it was like that for a 34 00:02:25,000 --> 00:02:28,280 Speaker 1: lot of people at my age who weren't from Los Angeles. Now, 35 00:02:28,400 --> 00:02:33,760 Speaker 1: imagine being born into that world as Kendrick Lamar was, 36 00:02:34,520 --> 00:02:38,640 Speaker 1: and taking all of that influence as your birthright and 37 00:02:38,760 --> 00:02:40,680 Speaker 1: using it to turn yourself into one of the biggest 38 00:02:40,680 --> 00:02:44,880 Speaker 1: and most influential modern musical artists on the planet. It's 39 00:02:44,919 --> 00:02:49,000 Speaker 1: pretty impressive, and no other modern musician has taken Compton 40 00:02:49,200 --> 00:02:53,480 Speaker 1: as far as Kendrick Lamar has I said, modern musicians, 41 00:02:53,520 --> 00:02:55,400 Speaker 1: so slow your role. I know you're gonna come at 42 00:02:55,400 --> 00:02:58,360 Speaker 1: me with your NWA Doctor Dre ice Cube takes. But 43 00:02:58,480 --> 00:03:01,400 Speaker 1: again I said, modern modern muse position. What Doctor Dre 44 00:03:01,520 --> 00:03:06,600 Speaker 1: did in the nineties was incredible, super impressive. Yes, groundbreaking, sure, 45 00:03:06,639 --> 00:03:10,560 Speaker 1: but that was then and this is now. But you know, 46 00:03:10,639 --> 00:03:12,680 Speaker 1: for people like me, and I suspect people like you, 47 00:03:13,320 --> 00:03:18,040 Speaker 1: that history is more interesting. So let's look at what 48 00:03:18,160 --> 00:03:21,399 Speaker 1: Compton and the greater self central region of Los Angeles 49 00:03:21,400 --> 00:03:25,120 Speaker 1: has given us for great music, shall we. I already 50 00:03:25,120 --> 00:03:28,560 Speaker 1: mentioned the shot heard around the world, NWA's Straight Out 51 00:03:28,560 --> 00:03:33,280 Speaker 1: of Compton from nineteen eighty eight. It's indisputably one of 52 00:03:33,320 --> 00:03:37,000 Speaker 1: the greatest hip hop albums ever, certainly one of the 53 00:03:37,000 --> 00:03:41,400 Speaker 1: most consequential, and it's book ended on the front side 54 00:03:41,440 --> 00:03:44,560 Speaker 1: by Easy Ease nineteen eighty seven single Easy Does It 55 00:03:44,960 --> 00:03:48,600 Speaker 1: and on the backside by Doctor Dre's solo debut The Chronic, 56 00:03:48,640 --> 00:03:51,840 Speaker 1: which comes a little bit later in nineteen ninety two. 57 00:03:51,960 --> 00:03:54,640 Speaker 1: A great record that is also born of this world 58 00:03:54,680 --> 00:03:58,480 Speaker 1: that doesn't get enough mentioned in my view, is Easy 59 00:03:58,520 --> 00:04:03,440 Speaker 1: and Dre's bandmate Ice Cube in his sophomore effort, The Predator, 60 00:04:03,760 --> 00:04:08,120 Speaker 1: also from nineteen ninety two. Now rewind back before Easy 61 00:04:08,560 --> 00:04:11,920 Speaker 1: and to Seth Central Los Angeles, not Compton exactly, but 62 00:04:12,080 --> 00:04:15,680 Speaker 1: pretty much the same neighborhood, same area of LA and 63 00:04:15,720 --> 00:04:19,680 Speaker 1: we get ice T's nineteen eighty seven debut, Rhyme Pays 64 00:04:20,240 --> 00:04:24,800 Speaker 1: with its gangster rap genre defining track six in the Morning. 65 00:04:25,680 --> 00:04:28,520 Speaker 1: All four of these records, Rhyme Pays by ice T, 66 00:04:28,839 --> 00:04:34,200 Speaker 1: Easy's so first solo album straight out of Compton, Doctor 67 00:04:34,240 --> 00:04:38,840 Speaker 1: Dre's Chronic The Predator by Ice Cube. That's five records. Actually, 68 00:04:38,880 --> 00:04:41,800 Speaker 1: all five of these records. They stand up to the 69 00:04:41,800 --> 00:04:46,039 Speaker 1: scrutiny of time. Nearly forty years later. Kendrick Lamar was 70 00:04:46,040 --> 00:04:49,640 Speaker 1: in diapers when this music was released, and his second 71 00:04:49,680 --> 00:04:52,880 Speaker 1: album twenty fifteen's To Pimp a Butterfly It deserves to 72 00:04:52,920 --> 00:04:56,640 Speaker 1: be on this list, as does kendricks fall in contemporary 73 00:04:56,839 --> 00:05:01,520 Speaker 1: Nipsey Hustles, Mailbox Money. These albums more than their great 74 00:05:01,600 --> 00:05:06,400 Speaker 1: music and influence on culture. To me anyway, they're mile 75 00:05:06,520 --> 00:05:10,320 Speaker 1: markers that point us toward just some of the wildest 76 00:05:10,640 --> 00:05:15,960 Speaker 1: true crime stories from music history. It's crazy. The murder 77 00:05:16,000 --> 00:05:20,080 Speaker 1: of Nipsey Hustle, the survival of Kendrick Lamar, the true 78 00:05:20,120 --> 00:05:23,680 Speaker 1: story behind Ice T's actual life of crime that no 79 00:05:23,680 --> 00:05:26,000 Speaker 1: one seems to really talk about except me. I don't 80 00:05:26,000 --> 00:05:28,960 Speaker 1: know why. And then, of course the strange death of 81 00:05:29,120 --> 00:05:35,840 Speaker 1: Easy Easy. Eas official cause of death was from HIV AIDS. However, 82 00:05:36,400 --> 00:05:41,680 Speaker 1: in twenty fifteen, his son Young Easy claimed that his 83 00:05:41,839 --> 00:05:47,040 Speaker 1: father Eric Wright ak Easy got sick after an incident 84 00:05:47,080 --> 00:05:51,840 Speaker 1: with Suge Knight in the recording studio, which okay, And 85 00:05:51,920 --> 00:05:55,839 Speaker 1: then there are these comments from Suge Knight on Jimmy 86 00:05:55,920 --> 00:05:58,680 Speaker 1: Kimmel Live from two thousand and three. 87 00:05:58,760 --> 00:06:01,400 Speaker 2: I'll come check you out right. Why do prove this? 88 00:06:02,160 --> 00:06:04,520 Speaker 3: Oh it's not Oh no, that's just because. 89 00:06:06,200 --> 00:06:11,760 Speaker 2: While this is a new thing, right, See, if somebody 90 00:06:11,839 --> 00:06:15,520 Speaker 2: gonna do somebody. See technology is so high, right right, 91 00:06:15,720 --> 00:06:18,000 Speaker 2: So if you shoot somebody, you go to Jill Fever. 92 00:06:18,160 --> 00:06:19,600 Speaker 2: So the kids, you don't want to go to Joe Fever. 93 00:06:19,760 --> 00:06:19,920 Speaker 4: Right. 94 00:06:20,360 --> 00:06:21,960 Speaker 2: So they got this new thing out that people sell 95 00:06:22,000 --> 00:06:23,880 Speaker 2: them all the time. They got this stuff to call. 96 00:06:24,520 --> 00:06:26,360 Speaker 2: They get blood from somebody with. 97 00:06:26,360 --> 00:06:28,200 Speaker 1: AIDS, Yeah, they shoot you with it. 98 00:06:28,320 --> 00:06:33,200 Speaker 2: Oh that's death Easy there, you know what I mean? 99 00:06:33,320 --> 00:06:39,760 Speaker 1: Yeah? Wait, a light in the moon in the exclusive 100 00:06:39,800 --> 00:06:42,200 Speaker 1: section of this episode that's coming up is that and 101 00:06:42,200 --> 00:06:46,560 Speaker 1: I are going to dive into the merits behind whatever 102 00:06:46,600 --> 00:06:50,159 Speaker 1: the fuck it is that sug Knight is talking about 103 00:06:50,200 --> 00:06:55,240 Speaker 1: here and Young Easy's claim that sug Knight had his 104 00:06:55,360 --> 00:07:01,680 Speaker 1: father killed via this horrific method that Shulg himself is 105 00:07:01,839 --> 00:07:08,400 Speaker 1: describing on national television. Now, I've heard these rumors before. 106 00:07:08,880 --> 00:07:12,160 Speaker 1: They came up briefly in the Easy episode that we did. 107 00:07:12,840 --> 00:07:15,600 Speaker 1: It's something that I've never fully wanted to dive into 108 00:07:16,000 --> 00:07:18,120 Speaker 1: until now because I just I got comped in on 109 00:07:18,160 --> 00:07:20,360 Speaker 1: my brain. So we're gonna dig into this. Like I 110 00:07:20,400 --> 00:07:22,760 Speaker 1: said in the exclusive section of this after party, me 111 00:07:22,800 --> 00:07:25,280 Speaker 1: and Zath, we're gonna bring it to you. We're gonna 112 00:07:25,280 --> 00:07:26,840 Speaker 1: talk about whether or not we think there's enough here 113 00:07:26,920 --> 00:07:30,800 Speaker 1: for to warrant its own episode of Disgraceland. But you know, 114 00:07:31,120 --> 00:07:33,200 Speaker 1: if it is or if it isn't, you're gonna get 115 00:07:33,240 --> 00:07:35,440 Speaker 1: more information and to hear it though. You're gonna become 116 00:07:35,440 --> 00:07:38,840 Speaker 1: a Disgrace Sland All Access member on Patreon or Apple subscriptions. 117 00:07:38,880 --> 00:07:42,160 Speaker 1: Go to Disgrace slandpod dot com slash membership to sign up. 118 00:07:42,400 --> 00:07:45,120 Speaker 1: It's only five bucks a month. You're not only gonna 119 00:07:45,160 --> 00:07:48,360 Speaker 1: get these deeper dives into music history and mythology here 120 00:07:48,640 --> 00:07:51,200 Speaker 1: in the form of exclusive content every month. You're also 121 00:07:51,320 --> 00:07:54,000 Speaker 1: going to get ad free listening on all episodes of 122 00:07:54,040 --> 00:07:58,640 Speaker 1: Disgraceland and Hollywood Land. That's disgraceslandpod dot Com slash membership. 123 00:07:59,040 --> 00:08:01,000 Speaker 1: Just five bucks to become an all Access member to 124 00:08:01,000 --> 00:08:04,360 Speaker 1: help support the show and our mission of digging out 125 00:08:04,400 --> 00:08:07,920 Speaker 1: and discussing the wildest stories for music history. I'll be 126 00:08:08,040 --> 00:08:11,000 Speaker 1: back in just a minute with your voicemails, texts, dms 127 00:08:11,120 --> 00:08:38,000 Speaker 1: and more. All right, all right, all right, we are 128 00:08:38,320 --> 00:08:40,440 Speaker 1: back speaking of all right, all right, all right. Has 129 00:08:40,440 --> 00:08:44,440 Speaker 1: anybody read Matthew McConaughey's book. I have not heard. It's great. 130 00:08:44,640 --> 00:08:47,240 Speaker 1: I heard it's really inspiring, and I want to read it. 131 00:08:47,679 --> 00:08:52,319 Speaker 1: New True Detective note news as well. Nick Cage supposedly involved. 132 00:08:52,520 --> 00:08:55,920 Speaker 1: All right, getting way off track. Listen this week True 133 00:08:55,920 --> 00:09:00,640 Speaker 1: Detective Aside, Matthew McConaughey aside. All right, all right, all right, 134 00:09:01,080 --> 00:09:04,120 Speaker 1: Kendrick Lamar in your feed right now. Check that story 135 00:09:04,120 --> 00:09:06,160 Speaker 1: out if you have not heard it. Coming up next 136 00:09:06,200 --> 00:09:09,959 Speaker 1: in the feed, we are rewinding to Gram Parsons, Our 137 00:09:10,080 --> 00:09:13,720 Speaker 1: Gram Parsons story. I put my heart and my soul 138 00:09:13,880 --> 00:09:17,839 Speaker 1: into everything I write for you guys. But it's hard 139 00:09:17,880 --> 00:09:22,679 Speaker 1: for me to think of another episode where I lay 140 00:09:22,800 --> 00:09:28,199 Speaker 1: bear my own emotions as heavily as I did in 141 00:09:28,640 --> 00:09:32,280 Speaker 1: this Graham Parsons episode and Graham's I sort of use 142 00:09:32,400 --> 00:09:36,120 Speaker 1: Grams dealings with grief as a proxy for my own 143 00:09:36,240 --> 00:09:38,800 Speaker 1: at the time and what I was going through. I 144 00:09:38,840 --> 00:09:44,320 Speaker 1: remember distinctly writing that episode and just how helpful it 145 00:09:44,559 --> 00:09:48,240 Speaker 1: was to have Graham Parsons, the spirit of Gram Parsons 146 00:09:48,280 --> 00:09:52,360 Speaker 1: and his music with me during that really really rough summer. 147 00:09:52,440 --> 00:09:55,760 Speaker 1: So that is coming out next in our feed. That'll 148 00:09:55,760 --> 00:09:58,440 Speaker 1: be hitting up next after this episode, and then we're 149 00:09:58,440 --> 00:10:00,959 Speaker 1: doing something a little bit different. We're gonna We're gonna 150 00:10:01,000 --> 00:10:04,280 Speaker 1: sneak in Beach Boys Part one Beach Boys Part two 151 00:10:05,920 --> 00:10:08,320 Speaker 1: in the coming days after Graham Parsons, because we have 152 00:10:08,360 --> 00:10:11,840 Speaker 1: a new episode on Brian Wilson, who you know passed 153 00:10:11,880 --> 00:10:13,800 Speaker 1: away a couple of months ago, and I decided, Hey, 154 00:10:13,840 --> 00:10:15,480 Speaker 1: I want to do a Brian Wilson episode. So I 155 00:10:15,480 --> 00:10:17,480 Speaker 1: got in there. I wrote this Brian Wilson episode. It's 156 00:10:17,559 --> 00:10:21,520 Speaker 1: essentially part three of our Beach Boys story. It's a 157 00:10:21,760 --> 00:10:24,560 Speaker 1: man Brian Wilson. This was This was tough. This was 158 00:10:24,600 --> 00:10:28,880 Speaker 1: a tough one to write because so much has been said, written, 159 00:10:29,520 --> 00:10:33,600 Speaker 1: uh put on film about Brian Wilson and Brian Wilson 160 00:10:34,559 --> 00:10:37,720 Speaker 1: one of the rare artists who is a couple of things. 161 00:10:37,760 --> 00:10:42,160 Speaker 1: His autobiography is incredible, It's really really great. He's totally 162 00:10:42,200 --> 00:10:45,240 Speaker 1: hard on the sleeve. He tells his story in a 163 00:10:45,240 --> 00:10:47,240 Speaker 1: way that only he can, so that makes it hard 164 00:10:47,280 --> 00:10:50,400 Speaker 1: for somebody like me to come in and write, write 165 00:10:50,400 --> 00:10:53,520 Speaker 1: the story, or tell a unique story, or come in 166 00:10:53,559 --> 00:10:56,000 Speaker 1: with a unique point of view. But then also the 167 00:10:56,120 --> 00:10:58,920 Speaker 1: rare thing is Brian Wilson. I'm like most musicians who 168 00:10:58,960 --> 00:11:01,760 Speaker 1: have biopics. The bio pick on Brian Wilson's actually really good. 169 00:11:02,240 --> 00:11:05,280 Speaker 1: I think anyways, love and Mercy, and that just makes 170 00:11:05,280 --> 00:11:08,640 Speaker 1: it again, it makes it difficult when when the stories 171 00:11:08,640 --> 00:11:09,880 Speaker 1: that are out there are really good and they cover 172 00:11:09,920 --> 00:11:11,880 Speaker 1: a lot of the most interesting stuff and there's not 173 00:11:12,000 --> 00:11:13,800 Speaker 1: a lot, a lot, not a lot left in the 174 00:11:13,800 --> 00:11:17,080 Speaker 1: cracks for us to mine out, makes it really difficult 175 00:11:17,120 --> 00:11:20,679 Speaker 1: to tell these stories in a unique way. But I think, 176 00:11:21,040 --> 00:11:22,800 Speaker 1: you know, I think, I hope, I hope we did 177 00:11:22,800 --> 00:11:25,480 Speaker 1: a good job. I really kind of leaned into the 178 00:11:25,520 --> 00:11:28,720 Speaker 1: spirit of Brian Wilson here and I did not. We 179 00:11:29,000 --> 00:11:30,880 Speaker 1: just Zeth and I and the rest of us at 180 00:11:30,920 --> 00:11:33,400 Speaker 1: Double eleve Us. We didn't intend to have the Kendrick 181 00:11:33,480 --> 00:11:37,320 Speaker 1: episode and the Brian Wilson episode hanging on the same theme. 182 00:11:37,520 --> 00:11:40,160 Speaker 1: Zeth wrote the Kendrick episode, I wrote the Brian Wilson one. 183 00:11:40,280 --> 00:11:44,440 Speaker 1: But but mercy is part of the thematically, is part 184 00:11:44,480 --> 00:11:47,520 Speaker 1: of the same thing here with both episodes, So I 185 00:11:47,720 --> 00:11:50,600 Speaker 1: just worked out that way. But whatever doesn't really matter. 186 00:11:51,520 --> 00:11:53,320 Speaker 1: I like when we're hanging on a theme, and I 187 00:11:53,360 --> 00:11:55,920 Speaker 1: hope you dig this episode that's coming up next Tuesday. 188 00:11:55,960 --> 00:11:58,560 Speaker 1: It's our next new episode, just Gray SAand on Brian 189 00:11:58,640 --> 00:12:01,920 Speaker 1: Wilson of the Beach Boys. Question of the week for 190 00:12:02,000 --> 00:12:04,000 Speaker 1: next week when you're listening to that Brian Wilson episode, 191 00:12:04,000 --> 00:12:07,160 Speaker 1: it's going to be which figure for music history is 192 00:12:07,200 --> 00:12:12,080 Speaker 1: the best example of a tortured genius. Is it Brian Wilson. 193 00:12:12,440 --> 00:12:15,120 Speaker 1: Is it someone like Kurt Cobain or sly Stone who 194 00:12:15,240 --> 00:12:19,040 Speaker 1: also recently departed, Marvin Gay, or maybe it's someone new 195 00:12:19,120 --> 00:12:20,560 Speaker 1: like young Blood. I don't know. There's a lot of 196 00:12:20,559 --> 00:12:23,480 Speaker 1: examples to pull from here, and perhaps to help organize 197 00:12:23,480 --> 00:12:27,600 Speaker 1: your thinking, give me recommendations, maybe on subjects that I 198 00:12:27,640 --> 00:12:29,640 Speaker 1: haven't covered yet, we haven't covered yet in Disgrace, and 199 00:12:29,679 --> 00:12:32,319 Speaker 1: that you might want to hear us cover. Okay, so 200 00:12:32,559 --> 00:12:35,120 Speaker 1: when you're listening to Brian Wilson for obvious reasons, the 201 00:12:35,240 --> 00:12:38,680 Speaker 1: question is going to be what is the best example 202 00:12:38,679 --> 00:12:41,839 Speaker 1: from music history of a tortured genius? Six one seven 203 00:12:42,000 --> 00:12:45,960 Speaker 1: nine six six six three eight voicemail and text to 204 00:12:46,040 --> 00:12:48,800 Speaker 1: let me know right now? Though you know where I 205 00:12:48,840 --> 00:12:50,800 Speaker 1: am at. I am in the phone booth, the one 206 00:12:50,800 --> 00:12:53,560 Speaker 1: across the hall. I am hanging on the telephone. We're answering. 207 00:12:53,640 --> 00:12:56,520 Speaker 1: Last week's question of the Week spawned from our Kendrick episode, 208 00:12:56,559 --> 00:13:01,800 Speaker 1: which artists demonstrated, uh, the greatest act of mercy. Kind 209 00:13:01,800 --> 00:13:03,920 Speaker 1: of an esoteric question for us to ask, but I 210 00:13:03,960 --> 00:13:07,840 Speaker 1: don't know. We went there and let's check in with 211 00:13:08,200 --> 00:13:10,280 Speaker 1: Cynthia in the five. 212 00:13:10,040 --> 00:13:14,800 Speaker 4: To one zero, Hey, Jake, Cynthia calling from California. And 213 00:13:16,600 --> 00:13:20,960 Speaker 4: musician with the most with mercy was Joan jet I 214 00:13:21,000 --> 00:13:24,800 Speaker 4: went to go see her in the late nineties, first 215 00:13:24,840 --> 00:13:26,600 Speaker 4: time I ever got to see her. I've been a 216 00:13:26,600 --> 00:13:30,560 Speaker 4: fan since I was seven years old, and I had 217 00:13:30,679 --> 00:13:35,920 Speaker 4: a full blown panic attack like third song and I 218 00:13:35,920 --> 00:13:38,680 Speaker 4: didn't know what was happening. My head was totally spinning out, 219 00:13:39,000 --> 00:13:41,240 Speaker 4: and as they were oaking me out because I was 220 00:13:41,240 --> 00:13:44,800 Speaker 4: in the very front, I was complaining that I've been 221 00:13:44,840 --> 00:13:47,320 Speaker 4: wanting to see her since I was seven. So I 222 00:13:47,360 --> 00:13:48,719 Speaker 4: had to spend the rest of the time in the 223 00:13:48,760 --> 00:13:51,640 Speaker 4: medic tent, probably about I don't know, thirty minutes. There 224 00:13:51,679 --> 00:13:55,360 Speaker 4: was a short set afterwards. A friend of mine had 225 00:13:55,360 --> 00:13:59,680 Speaker 4: gotten to some people backstage, and when she was doing 226 00:13:59,720 --> 00:14:03,920 Speaker 4: our autograph signing at the end, she had to go 227 00:14:04,160 --> 00:14:07,520 Speaker 4: behind the desk where she was and asked if I 228 00:14:07,559 --> 00:14:10,559 Speaker 4: wanted to take a picture. I said yes, I was 229 00:14:10,640 --> 00:14:13,240 Speaker 4: still kind of groggy it, and you know, she put 230 00:14:13,240 --> 00:14:15,480 Speaker 4: her arm around my shoulder and she would just look 231 00:14:15,559 --> 00:14:18,480 Speaker 4: at me and she's like, are you okay? And I 232 00:14:18,480 --> 00:14:20,400 Speaker 4: said yeah. She gave me a little squeeze on the 233 00:14:20,520 --> 00:14:23,960 Speaker 4: arm and then we took the picture and it was 234 00:14:24,040 --> 00:14:27,640 Speaker 4: so awesome. She was so cool, just a really cool, 235 00:14:27,880 --> 00:14:31,880 Speaker 4: genuine person. So that was my story. I hope that 236 00:14:32,240 --> 00:14:32,680 Speaker 4: as well. 237 00:14:32,840 --> 00:14:36,120 Speaker 1: Take care, Cynthia. This is an incredible story, and I 238 00:14:36,200 --> 00:14:38,240 Speaker 1: thank you for sharing it with us. I love the 239 00:14:38,280 --> 00:14:42,440 Speaker 1: personal stories, and I always liked jone Jet, but I've 240 00:14:42,440 --> 00:14:44,440 Speaker 1: never met her. I don't know much about her history 241 00:14:44,480 --> 00:14:46,400 Speaker 1: other than you know, just the sort of top level 242 00:14:46,440 --> 00:14:50,360 Speaker 1: Wikipedia stuff what everybody knows. And it's just it warmed 243 00:14:50,400 --> 00:14:52,760 Speaker 1: my heart to hear you tell that story and for 244 00:14:52,840 --> 00:14:56,440 Speaker 1: me to learn that Jone Jet is just a great person. 245 00:14:56,480 --> 00:15:00,440 Speaker 1: It sounds like super cool. Love it. By the way, 246 00:15:00,520 --> 00:15:02,320 Speaker 1: you got a great friend there who went and hooked 247 00:15:02,320 --> 00:15:05,920 Speaker 1: that all up where you went backstage, sought out Joan Jet, 248 00:15:06,120 --> 00:15:08,080 Speaker 1: got you to connect with her. That's no easy thing 249 00:15:08,120 --> 00:15:10,240 Speaker 1: to do. All right, let's check you in with the 250 00:15:10,280 --> 00:15:14,480 Speaker 1: seven two four same question here seven two four rights 251 00:15:14,520 --> 00:15:16,960 Speaker 1: in hey. As for the topic of next week, it's 252 00:15:16,960 --> 00:15:19,360 Speaker 1: hard not to think of the most merciful artist and 253 00:15:19,480 --> 00:15:23,040 Speaker 1: not think of the appellation queen herself, Dolly Parton. That 254 00:15:23,120 --> 00:15:28,680 Speaker 1: woman through her park, her reading program, helping wildlife, LBGTQ 255 00:15:28,800 --> 00:15:32,120 Speaker 1: plus support and more. Make whatever jokes you want about 256 00:15:32,160 --> 00:15:36,240 Speaker 1: the woman's chest, but behind is an absolute heart of gold. 257 00:15:39,640 --> 00:15:42,560 Speaker 1: I wasn't gonna say anything about Dolly Parton's chest. I've 258 00:15:42,600 --> 00:15:46,120 Speaker 1: never said anything about Dolly Parton's chest to you, guys, 259 00:15:46,520 --> 00:15:48,760 Speaker 1: or anyone else that I know of. I hear you, 260 00:15:48,840 --> 00:15:51,280 Speaker 1: Dolly Parton is the shit. She's amazing and we should 261 00:15:51,280 --> 00:15:54,600 Speaker 1: all celebrate Dolly Parton, and she's a great candidate for 262 00:15:54,880 --> 00:15:58,240 Speaker 1: incredible acts of mercy for music history. Eight one six 263 00:15:58,360 --> 00:16:01,440 Speaker 1: right saying, hey, Jake Chain from the eight one six, 264 00:16:01,920 --> 00:16:05,000 Speaker 1: My text is in regards both to artists showing mercy 265 00:16:05,120 --> 00:16:09,240 Speaker 1: and first concerts. My son's first concert at age three 266 00:16:09,720 --> 00:16:12,360 Speaker 1: was Cross Canadian Ragweed and if you haven't heard of them, 267 00:16:12,360 --> 00:16:15,280 Speaker 1: there are music royalty in the Red Dirt Scene. And 268 00:16:15,360 --> 00:16:17,600 Speaker 1: not only was the show amazing, when Cody walked out 269 00:16:17,640 --> 00:16:19,760 Speaker 1: to start the show, he saw my wife standing there 270 00:16:19,800 --> 00:16:22,600 Speaker 1: front row with a baby and a carrier on her chest, 271 00:16:22,840 --> 00:16:25,840 Speaker 1: and made the security go get three more barricade fences 272 00:16:25,920 --> 00:16:28,520 Speaker 1: and box us in on the remaining three sides, so 273 00:16:28,560 --> 00:16:31,000 Speaker 1: we had our own little corral of front row space 274 00:16:31,040 --> 00:16:33,600 Speaker 1: so nobody could bump or spilled beer on the baby. 275 00:16:33,640 --> 00:16:37,520 Speaker 1: True class acts. Look into CCR and the Red Dirt Scene. 276 00:16:37,560 --> 00:16:39,880 Speaker 1: Guys who had the opportunity to blow up but chose 277 00:16:39,920 --> 00:16:43,640 Speaker 1: not to sell out love that eight one six. I 278 00:16:43,640 --> 00:16:46,560 Speaker 1: will certainly check that out, and I must have made 279 00:16:46,560 --> 00:16:50,400 Speaker 1: you guys feel pretty badass, pretty special. Let's hear from 280 00:16:50,520 --> 00:16:51,760 Speaker 1: Arman in Calgary. 281 00:16:52,240 --> 00:16:55,440 Speaker 5: Hey, this is Armand and the Boy three five eight seven. 282 00:16:55,840 --> 00:16:58,520 Speaker 5: I just wanted to find out if you knew about 283 00:16:58,600 --> 00:17:03,280 Speaker 5: Lenny appearing on stage with Frankie Goes to Hollywood on 284 00:17:03,480 --> 00:17:06,720 Speaker 5: German TV. If you've not seen it, you need to watch. 285 00:17:06,480 --> 00:17:07,160 Speaker 2: It once again. 286 00:17:07,320 --> 00:17:11,920 Speaker 5: Armand in the four three five h seven, Calgary, Alberta, Canada. 287 00:17:12,119 --> 00:17:15,080 Speaker 5: Love the show. Listen every week faithfully. 288 00:17:15,000 --> 00:17:20,200 Speaker 1: Arman from Calgary. This is exactly why I love this gig. 289 00:17:21,119 --> 00:17:24,320 Speaker 1: I have never once in my life heard of lem 290 00:17:24,320 --> 00:17:29,119 Speaker 1: Me performing with Frankie Goes to Hollywood, and I'm so 291 00:17:29,240 --> 00:17:32,280 Speaker 1: happy for it. I'm so excited. I'm going to watch. 292 00:17:32,680 --> 00:17:34,760 Speaker 1: I hope everybody else watches, and I hope we come 293 00:17:34,800 --> 00:17:36,680 Speaker 1: back next week we talk about it. Six one seven 294 00:17:36,760 --> 00:17:39,359 Speaker 1: nine oh six six six three eight. I want everybody's 295 00:17:39,400 --> 00:17:44,800 Speaker 1: take on Lemm Fromoterhead collaborating with Frankie Goes to Hollywood. Okay, 296 00:17:45,119 --> 00:17:47,680 Speaker 1: and don't bring up Dolly Parton's chest when you give 297 00:17:47,680 --> 00:17:52,359 Speaker 1: me your Lemmy takes regarding Frankie Goes to Hollywood. Okay. Now, 298 00:17:52,440 --> 00:17:55,080 Speaker 1: let's do a couple of emails, because I've been neglecting 299 00:17:55,320 --> 00:18:00,240 Speaker 1: the emails lately, not on purpose, it just happens. Claire 300 00:18:00,400 --> 00:18:02,760 Speaker 1: Bifford or Buyford. I'm not sure how to pronounce her 301 00:18:02,800 --> 00:18:06,840 Speaker 1: last name right, saying Hey, greetings from beautiful Cornwall, England. 302 00:18:07,080 --> 00:18:09,840 Speaker 1: I'm a longtime listener of Disgrace Sland and Hollywood Land 303 00:18:10,040 --> 00:18:12,080 Speaker 1: and loved the interaction between Jake and Zeff and the 304 00:18:12,119 --> 00:18:14,040 Speaker 1: new rap parties. She goes on to say, can I 305 00:18:14,080 --> 00:18:18,200 Speaker 1: recommend a Western read The Sisters Brothers by Patrick DeWitt. 306 00:18:18,359 --> 00:18:20,760 Speaker 1: I'm not especially a Western fan, but this book blew 307 00:18:20,800 --> 00:18:22,840 Speaker 1: me away. It is set during the gold Rush and 308 00:18:22,840 --> 00:18:24,879 Speaker 1: as some of the true life grit that is often 309 00:18:24,920 --> 00:18:28,400 Speaker 1: missing from stories and films of that period. Yes, Claire, 310 00:18:28,800 --> 00:18:31,360 Speaker 1: this is exactly what I'm looking for. Claire goesana say, 311 00:18:31,560 --> 00:18:33,119 Speaker 1: the book has been made into a film with some 312 00:18:33,160 --> 00:18:35,320 Speaker 1: big names in it, but I haven't watched it as 313 00:18:35,359 --> 00:18:38,800 Speaker 1: it won't match my imagination which was set alive by 314 00:18:38,800 --> 00:18:41,240 Speaker 1: the pros. I loved your episode about the Cramps, which 315 00:18:41,280 --> 00:18:42,680 Speaker 1: explained how the hell they were on the same bill 316 00:18:42,680 --> 00:18:44,200 Speaker 1: as the Police. For my brother and I saw them 317 00:18:44,200 --> 00:18:46,679 Speaker 1: at our school's leisure center back in the day. It 318 00:18:46,760 --> 00:18:49,280 Speaker 1: was round about the time the Police released their first album, 319 00:18:49,320 --> 00:18:52,000 Speaker 1: probably before you were born. My brother Simon followed the 320 00:18:52,040 --> 00:18:53,800 Speaker 1: Cramps round a few more of their gigs in the 321 00:18:53,880 --> 00:18:56,119 Speaker 1: UK and bumped into Brian Gregory and the bar on 322 00:18:56,119 --> 00:18:58,560 Speaker 1: one occasion, and he bumped a cigarette off Brian. That's 323 00:18:58,600 --> 00:19:02,440 Speaker 1: Brian Gregory from the Cramps, hoping for an exotically flavored one, 324 00:19:02,480 --> 00:19:04,240 Speaker 1: but it turned out to be a good old fashioned 325 00:19:04,280 --> 00:19:08,920 Speaker 1: Lambert and Butler. Claire email us every week. I love 326 00:19:08,960 --> 00:19:10,680 Speaker 1: your writing. This is great. Claire goes on to say, 327 00:19:10,720 --> 00:19:14,080 Speaker 1: favorite band, Thin Lizzie, favorite mail artist, Bowie, favorite female artists, 328 00:19:14,080 --> 00:19:18,840 Speaker 1: Gladys Night, top three albums, Diamond Dogs, Bowie, Course Stone Tuble, Pilots. 329 00:19:18,840 --> 00:19:21,960 Speaker 1: Didn't see that coming, Claire, Fisherman's Blues by the water Boys. 330 00:19:22,000 --> 00:19:26,040 Speaker 1: That makes sense. Really love your work. Rock a Rolla, Claire, Claire, 331 00:19:26,040 --> 00:19:30,680 Speaker 1: you even spelled out RockA Rolla correct. Write us back anytime, 332 00:19:31,440 --> 00:19:37,040 Speaker 1: damn hanging out with the Cramps. Recommending great westerns. Claire, 333 00:19:37,040 --> 00:19:39,480 Speaker 1: you're the best. I'm gonna read The Sisters Brothers by 334 00:19:39,520 --> 00:19:41,640 Speaker 1: Patrick DeWitt. I'm looking forward to it. I got one 335 00:19:41,640 --> 00:19:44,480 Speaker 1: book coming. I'm waiting, I'm waiting. I'm in this. I 336 00:19:44,520 --> 00:19:48,160 Speaker 1: hate I hate this, this like period where the book's 337 00:19:48,200 --> 00:19:50,640 Speaker 1: not finished, the last book, the new book's not here, 338 00:19:51,359 --> 00:19:53,639 Speaker 1: Like what am I going to do? I need to 339 00:19:53,640 --> 00:19:56,240 Speaker 1: be reading something always Right now, I'm going to read 340 00:19:56,240 --> 00:20:00,320 Speaker 1: this email from John McNeely aka Johnny Vinyl, who writes, Hey, hey, Jake, 341 00:20:00,359 --> 00:20:03,960 Speaker 1: your Motorhead Lemmy episode was awesome. You had so much 342 00:20:04,000 --> 00:20:06,200 Speaker 1: detail in there. What a cool story about you meeting 343 00:20:06,240 --> 00:20:07,800 Speaker 1: him back in the nineties. I can't say I met him, 344 00:20:07,800 --> 00:20:09,479 Speaker 1: but when I lived in LA in the early two thousands, 345 00:20:09,520 --> 00:20:11,359 Speaker 1: I saw him a few times at the Rainbow Room 346 00:20:11,720 --> 00:20:14,000 Speaker 1: playing the One Armed Bandit and one of those times 347 00:20:14,000 --> 00:20:16,040 Speaker 1: I got a head nod. One of my favorite rock 348 00:20:16,080 --> 00:20:18,879 Speaker 1: docs is aptly titled Lemmy that I own on DVD 349 00:20:19,160 --> 00:20:20,879 Speaker 1: and I've watched a few times. And to think he 350 00:20:20,960 --> 00:20:23,680 Speaker 1: lived in a small, rent controlled apartment is so rock 351 00:20:23,720 --> 00:20:26,080 Speaker 1: and roll, Like Ozzie. They just don't make them like 352 00:20:26,080 --> 00:20:27,760 Speaker 1: that anymore. And we were lucky to be alive at 353 00:20:27,800 --> 00:20:30,720 Speaker 1: the same time as those legends, John mcnealely, John, You're 354 00:20:30,760 --> 00:20:34,080 Speaker 1: absolutely right, complete legend, and we are lucky to have 355 00:20:34,280 --> 00:20:37,920 Speaker 1: breathed the same air the same time in place as 356 00:20:37,960 --> 00:20:44,080 Speaker 1: these dudes. Pretty pretty awesome. Disgrace sampod at gmail dot com. 357 00:20:44,080 --> 00:20:45,560 Speaker 1: You guys want to send me an email six one 358 00:20:45,640 --> 00:20:47,399 Speaker 1: seven nine oh six six sixty three eight. You want 359 00:20:47,440 --> 00:20:49,080 Speaker 1: to hit me up on voicemail or leave me a 360 00:20:49,119 --> 00:20:52,119 Speaker 1: text at Disgrace Sampod on the socials. I'm going to 361 00:20:52,200 --> 00:21:08,560 Speaker 1: take a quick break. I'll be back in a flash. 362 00:21:08,640 --> 00:21:11,920 Speaker 1: All right, Welcome back to the Disgraceland after party. Listen. 363 00:21:11,960 --> 00:21:13,800 Speaker 1: You might be one of those people who's just sitting around, 364 00:21:14,520 --> 00:21:16,680 Speaker 1: You're going through your business, and you're like, look, I'm 365 00:21:16,720 --> 00:21:19,159 Speaker 1: just so sick of these podcasts that I'm listening to. 366 00:21:19,280 --> 00:21:23,040 Speaker 1: I got I got like four or five podcasts that 367 00:21:23,119 --> 00:21:26,720 Speaker 1: I'm that I'm subscribed to that I'm following. I'm really 368 00:21:26,760 --> 00:21:29,879 Speaker 1: in on like two of them. The others they just 369 00:21:30,000 --> 00:21:31,920 Speaker 1: kind of build up in my feed and I don't 370 00:21:31,920 --> 00:21:35,359 Speaker 1: really check in on them enough to really justify having 371 00:21:35,400 --> 00:21:39,560 Speaker 1: them still be subscribed to. And you know I'm not 372 00:21:39,600 --> 00:21:41,520 Speaker 1: I'm never gonna listen to so so you know, I know, 373 00:21:41,560 --> 00:21:43,399 Speaker 1: I know, you know, there's only so much time, But 374 00:21:43,480 --> 00:21:45,639 Speaker 1: I just want to tell you something you need. If 375 00:21:45,680 --> 00:21:48,400 Speaker 1: you need to swap one out and swap a new 376 00:21:48,480 --> 00:21:53,080 Speaker 1: podcast in, I would highly recommend it. Podcasts called Hollywood 377 00:21:53,160 --> 00:21:56,040 Speaker 1: Land by Yours Truly and here Me and the Me 378 00:21:56,080 --> 00:21:58,119 Speaker 1: and the fine folks at Double Elvis. We put this 379 00:21:58,200 --> 00:22:00,480 Speaker 1: together before you. We created this massive art chive of 380 00:22:00,560 --> 00:22:02,879 Speaker 1: Hollywood and true crime stories, and you can get an 381 00:22:03,000 --> 00:22:05,800 Speaker 1: You can get an archive episode every week plus a 382 00:22:05,840 --> 00:22:10,280 Speaker 1: new episode helmed by none other than the great Zeth Lundy, 383 00:22:10,400 --> 00:22:13,040 Speaker 1: where Zeth will bring you through that week's subject in 384 00:22:13,080 --> 00:22:17,960 Speaker 1: an engaging and compelling way. I'm in there as well, 385 00:22:18,080 --> 00:22:21,520 Speaker 1: talking to Zesth giving you our recommendations, talking about whatever 386 00:22:21,520 --> 00:22:24,840 Speaker 1: that week's subject is. This week's subject was Lindsay Lohan. 387 00:22:24,920 --> 00:22:27,080 Speaker 1: Now we do this bit where I've got to do 388 00:22:27,160 --> 00:22:32,120 Speaker 1: music recommendations based on the Hollywood Lands subject and Matt 389 00:22:32,200 --> 00:22:36,240 Speaker 1: once you give the fine people a taste of Hollywood Land. 390 00:22:36,600 --> 00:22:40,040 Speaker 3: Jake, what music recks inspired by Lindsay Lohan do you 391 00:22:40,080 --> 00:22:40,959 Speaker 3: have for us today? 392 00:22:41,960 --> 00:22:45,280 Speaker 1: This was this was a weird way into music recommendations. 393 00:22:45,320 --> 00:22:48,800 Speaker 1: I'm not gonna lie Lindsay Lohan to the Canyons to 394 00:22:48,840 --> 00:22:51,600 Speaker 1: the Canyon soundtrack. Not a lot of great stuff on there, 395 00:22:51,600 --> 00:22:53,600 Speaker 1: but a great band, the Dumb Dumb Girls from the 396 00:22:53,680 --> 00:22:56,360 Speaker 1: late aughts. Yep, you're nodding along, you remember the dumb 397 00:22:56,440 --> 00:22:59,400 Speaker 1: Dumb Girls. Dumb dumb Girls. I could just recommend them 398 00:22:59,440 --> 00:23:02,000 Speaker 1: and that would be fine. However, I'm gonna recommend an 399 00:23:02,160 --> 00:23:07,160 Speaker 1: entryway song for You guys. Smith's cover the Dumb Dumb 400 00:23:07,200 --> 00:23:10,120 Speaker 1: Girl's cover of There's a Light That Never Goes Out 401 00:23:10,160 --> 00:23:14,240 Speaker 1: by the Smith's incredible Smith song and their version is amazing, 402 00:23:14,280 --> 00:23:17,560 Speaker 1: and it's cool to hear this song from a female perspective. 403 00:23:17,880 --> 00:23:20,680 Speaker 1: It's from a EP they put out in twenty eleven 404 00:23:20,720 --> 00:23:23,840 Speaker 1: called He Gets Me High Dumb Dumb Girls, There's a 405 00:23:23,960 --> 00:23:27,080 Speaker 1: Light That Never Goes Out Lindsay Lohan. I thought Lindsay. 406 00:23:27,200 --> 00:23:31,240 Speaker 1: I could go Lindsay Buckingham. I could go buckingham Nicks 407 00:23:31,280 --> 00:23:33,760 Speaker 1: because they're all in the news lately, but that no, 408 00:23:33,880 --> 00:23:39,040 Speaker 1: I'm not doing that. I thought low hand Han Hancock, 409 00:23:39,520 --> 00:23:44,200 Speaker 1: Herbie Hancock. Okay. A lot of people, if they're gonna, 410 00:23:44,240 --> 00:23:48,000 Speaker 1: if they're gonna recommend Herbie Hancock album, they're gonna recommend Headhunters, 411 00:23:48,000 --> 00:23:51,560 Speaker 1: and they should because it's a fantastic album, amazing. However, 412 00:23:51,720 --> 00:23:55,680 Speaker 1: I'm gonna recommend the album that my father once pulled 413 00:23:55,680 --> 00:23:57,720 Speaker 1: out of a stack of records in my living room 414 00:23:57,760 --> 00:23:59,960 Speaker 1: about fifteen years ago and gave me a look like 415 00:24:00,280 --> 00:24:02,280 Speaker 1: what the fuck is wrong with you? And that is 416 00:24:02,320 --> 00:24:07,840 Speaker 1: the Herbie Hancock album nineteen sixty nine. Fat Albert Rotunda. Okay, 417 00:24:08,280 --> 00:24:09,600 Speaker 1: I love that album. 418 00:24:09,840 --> 00:24:12,320 Speaker 3: Yes, and your dad hates it because I brought it 419 00:24:12,400 --> 00:24:14,880 Speaker 3: up to your dad once because I was it your dad. 420 00:24:14,920 --> 00:24:17,600 Speaker 1: It's gotta be he has a special loathing for it. 421 00:24:17,720 --> 00:24:21,879 Speaker 3: Yes, because I mentioned I was thinking of doing the 422 00:24:21,880 --> 00:24:23,919 Speaker 3: sound design for an episode along the lines of that, 423 00:24:23,920 --> 00:24:25,160 Speaker 3: and I mentioned to him and he was. 424 00:24:25,119 --> 00:24:30,840 Speaker 1: Like, guys, subscribe to hollywood Land wherever you get your podcasts, 425 00:24:31,119 --> 00:24:33,480 Speaker 1: get more content from Double Elvis on the rag, and 426 00:24:33,480 --> 00:24:36,400 Speaker 1: if you become an all access member here in Disgraceland, 427 00:24:36,720 --> 00:24:40,399 Speaker 1: you're gonna get those hollywood Land episodes add free as well. 428 00:24:40,600 --> 00:24:45,000 Speaker 1: All Right, so listen, you know what time it is. 429 00:24:45,359 --> 00:24:47,719 Speaker 1: It's that time. It's time for the sixty second Sports 430 00:24:47,760 --> 00:24:50,960 Speaker 1: rant and under thirty seconds, once again sponsored by the 431 00:24:50,960 --> 00:24:53,800 Speaker 1: fine folks at five Hour Energy in their new Confetti 432 00:24:53,840 --> 00:24:56,480 Speaker 1: Craze flavor. It tastes just like birthday cake with a 433 00:24:56,560 --> 00:24:59,879 Speaker 1: vanilla and buttery flavor to let you be unapologetically x 434 00:25:00,480 --> 00:25:04,640 Speaker 1: and unstoppably energize. Head to your local retailer www. Dot 435 00:25:04,720 --> 00:25:09,040 Speaker 1: five hour Energy dot com or Amazon to order yours today. Okay, Matt, 436 00:25:09,440 --> 00:25:12,360 Speaker 1: give me the buzzer beater. There was a time when 437 00:25:12,400 --> 00:25:14,480 Speaker 1: I was younger and I would listen to sports talk 438 00:25:14,560 --> 00:25:17,720 Speaker 1: radio in Boston and I would hear these dudes speaking, 439 00:25:18,600 --> 00:25:22,800 Speaker 1: and I would listen to their ridiculous old guide takes 440 00:25:22,840 --> 00:25:27,280 Speaker 1: and feel so self satisfied with my youthful perspective, my 441 00:25:27,400 --> 00:25:30,800 Speaker 1: whatever modern point of view on whatever the hell it 442 00:25:30,960 --> 00:25:34,440 Speaker 1: was that they were talking about their disdain for baseball's 443 00:25:34,760 --> 00:25:37,200 Speaker 1: saber metrics, and I was just like, whatever, man, whatever 444 00:25:37,240 --> 00:25:39,760 Speaker 1: helps Red Sox win. I don't care care what you 445 00:25:39,800 --> 00:25:42,560 Speaker 1: do to win, just win. Or how they couldn't deal 446 00:25:42,600 --> 00:25:45,720 Speaker 1: with Randy Moss's diva attitude, and I'd just be like, 447 00:25:45,760 --> 00:25:48,120 Speaker 1: who cares? Have you seen what that dude is doing 448 00:25:48,160 --> 00:25:50,399 Speaker 1: on the field with Tom Brady. Whatever gets us to 449 00:25:50,440 --> 00:25:54,400 Speaker 1: another Super Bowl. Whatever the argument was, I found myself 450 00:25:54,600 --> 00:25:59,280 Speaker 1: disagreeing with the old guide take. Fast forward to now 451 00:26:00,000 --> 00:26:03,840 Speaker 1: and I am filled with old guy takes. My son 452 00:26:04,040 --> 00:26:07,399 Speaker 1: is playing flag football. He's on the Raiders, So I 453 00:26:07,440 --> 00:26:09,720 Speaker 1: decided to go on YouTube and show him some clips 454 00:26:09,800 --> 00:26:12,480 Speaker 1: from Raider football in the seventies and eighties. And my 455 00:26:12,600 --> 00:26:15,200 Speaker 1: son is seventy years old. By the way, as soon 456 00:26:15,240 --> 00:26:18,240 Speaker 1: as the highlights start defensive highlights, that's all I'm showing them. 457 00:26:18,280 --> 00:26:22,880 Speaker 1: As soon as they start footage, of Jack Tatum, Howie Long, 458 00:26:23,000 --> 00:26:27,399 Speaker 1: Ted Hendricks just wrecking people on the hard astro turf, 459 00:26:28,000 --> 00:26:31,280 Speaker 1: pulling him down horse collar and dudes, almost every single 460 00:26:31,359 --> 00:26:35,520 Speaker 1: hit was head to head contact, just violent and literally 461 00:26:35,600 --> 00:26:38,560 Speaker 1: from the jump, every single hit, every single highlight. My 462 00:26:38,640 --> 00:26:41,640 Speaker 1: son starts going, that's illegal. That's illegal, Dad, you can't 463 00:26:41,680 --> 00:26:46,679 Speaker 1: do that. And I'm laughing because he's not wrong, because now, yes, 464 00:26:46,720 --> 00:26:50,399 Speaker 1: all those hits are illegal, but then they were all legal, 465 00:26:50,920 --> 00:26:55,040 Speaker 1: every single one of them. And of course, sadly, today 466 00:26:55,480 --> 00:26:58,200 Speaker 1: this type of physical play in the NFL, it won't 467 00:26:58,240 --> 00:26:59,960 Speaker 1: just get the rest to pull their flags, it'll get 468 00:27:00,359 --> 00:27:03,239 Speaker 1: the offending players thrown out of the game, suspended in 469 00:27:03,280 --> 00:27:07,040 Speaker 1: some cases. Now, of course, being a proud member of 470 00:27:07,160 --> 00:27:10,399 Speaker 1: Generation X, I love this style of football and I 471 00:27:10,560 --> 00:27:13,399 Speaker 1: missed this style of football, and this was going to 472 00:27:13,440 --> 00:27:15,760 Speaker 1: be the topic of my rent today. But then I thought, damn, man, 473 00:27:15,880 --> 00:27:18,840 Speaker 1: what an old guy take. I'm the old guy, so 474 00:27:18,920 --> 00:27:21,000 Speaker 1: I'm not gonna do it. I'm not gonna complain about 475 00:27:21,000 --> 00:27:22,680 Speaker 1: how things were better back in the day, because, man, 476 00:27:22,680 --> 00:27:25,520 Speaker 1: Oman Dow, I detest being that guy. Yet here I 477 00:27:25,560 --> 00:27:30,800 Speaker 1: am that guy, all right, Matt, how'd I do? Two 478 00:27:30,880 --> 00:27:34,280 Speaker 1: minutes and eighteen seconds, Jake, damn man, I think I 479 00:27:34,320 --> 00:27:37,960 Speaker 1: gotta get. I gotta get how we long to put 480 00:27:37,960 --> 00:27:41,600 Speaker 1: me into some training regimen here to get up to 481 00:27:41,600 --> 00:27:45,679 Speaker 1: snuff and get in under thirty seconds? All right? That 482 00:27:45,800 --> 00:27:49,200 Speaker 1: was the sports transponsor by five hour Energies. New confetti, craze, flavor, 483 00:27:49,280 --> 00:27:52,040 Speaker 1: unleash your party vibes, and as much caffeine as your 484 00:27:52,040 --> 00:27:55,199 Speaker 1: favorite twelve ounce fancy coffee, but with zero sugar and 485 00:27:55,440 --> 00:27:59,560 Speaker 1: zero crash, available in stores on Amazon or www dot 486 00:27:59,600 --> 00:28:03,240 Speaker 1: five our energy dot com. All right, speaking of football, 487 00:28:03,480 --> 00:28:05,800 Speaker 1: you know who once played football, not for the Raiders 488 00:28:05,840 --> 00:28:08,680 Speaker 1: but for the Rams, sug Knight. And then the upcoming 489 00:28:08,680 --> 00:28:12,840 Speaker 1: exclusive section of this here after Party coming up in seconds, 490 00:28:13,320 --> 00:28:16,800 Speaker 1: we will be looking into the insane story about Sugar 491 00:28:16,840 --> 00:28:22,520 Speaker 1: Knight allegedly injecting Easy with HIV AIDS. Once again, here's 492 00:28:22,520 --> 00:28:25,560 Speaker 1: Sugar giving his best o j Simpson. If I did 493 00:28:25,560 --> 00:28:26,600 Speaker 1: it to Jimmy Kimmel. 494 00:28:28,440 --> 00:28:31,840 Speaker 2: Technology is so high, right, right, So if you shoot somebody, 495 00:28:32,040 --> 00:28:33,760 Speaker 2: you go to jail fever. So the kids, you don't 496 00:28:33,760 --> 00:28:35,720 Speaker 2: want to go to Joel fever. Right. So they got 497 00:28:35,720 --> 00:28:37,520 Speaker 2: this new thing out that people sell them all the time. 498 00:28:37,680 --> 00:28:40,560 Speaker 2: They got this stuff to call, they get blood from 499 00:28:40,720 --> 00:28:43,160 Speaker 2: somebody with AIDS. Yeah, they shoot you with it. 500 00:28:43,240 --> 00:28:45,400 Speaker 1: Oh that death? 501 00:28:46,680 --> 00:28:48,160 Speaker 2: Yeah, you know what I mean? 502 00:28:48,240 --> 00:28:55,880 Speaker 1: Yeah? Wild. All right, we're gonna get into this as 503 00:28:55,920 --> 00:28:59,320 Speaker 1: well as comments from Easy east Son on this subject 504 00:28:59,360 --> 00:29:02,160 Speaker 1: as well come up momentarily. But like I said earlier, 505 00:29:02,480 --> 00:29:05,120 Speaker 1: you got to be a Disgraceland All Access member to 506 00:29:05,200 --> 00:29:09,920 Speaker 1: access this exclusive content. Go to www dot disgracelampod dot 507 00:29:09,920 --> 00:29:11,840 Speaker 1: com slash membership to sign up for just five bucks 508 00:29:11,880 --> 00:29:14,600 Speaker 1: a month, less than a couple of sug Night's prison teers, 509 00:29:14,760 --> 00:29:17,520 Speaker 1: and it'll also get you ad free listening on all 510 00:29:17,640 --> 00:29:21,560 Speaker 1: Disgraceland and Hollywoodland shows and the satisfaction of knowing that 511 00:29:21,640 --> 00:29:26,200 Speaker 1: you are a real one, a musical obsessive and outsider 512 00:29:26,360 --> 00:29:30,680 Speaker 1: who supports Disgraceland and helps us keep cranking out stories 513 00:29:30,680 --> 00:29:33,040 Speaker 1: that you want to hear but that chasm doesn't want 514 00:29:33,120 --> 00:29:36,960 Speaker 1: us to tell. Once again, that's disgracelampod dot com slash 515 00:29:37,040 --> 00:29:39,600 Speaker 1: membership to support us for just five bucks a month 516 00:29:39,840 --> 00:29:42,600 Speaker 1: and to unlock a whole bunch of exclusive and ad 517 00:29:42,640 --> 00:30:01,680 Speaker 1: free content. All right, guys, we are back. Let's talk 518 00:30:01,720 --> 00:30:05,640 Speaker 1: about the disgrace Land Vault real quick. In this episode, 519 00:30:05,760 --> 00:30:10,320 Speaker 1: we talked about Nipsey Hustle, We talked about NWA Easy 520 00:30:10,480 --> 00:30:13,600 Speaker 1: e Iced Tea. We have episodes on all these dudes 521 00:30:13,880 --> 00:30:16,280 Speaker 1: and they're all waiting for you in the Disgraceland archive 522 00:30:16,360 --> 00:30:18,360 Speaker 1: with I don't know what two hundred and fifty episodes 523 00:30:18,400 --> 00:30:20,520 Speaker 1: whatever we got on two hundred fifty different artists or 524 00:30:20,520 --> 00:30:23,200 Speaker 1: however many and mister Matt Bowden will have the episode 525 00:30:23,200 --> 00:30:26,040 Speaker 1: information for each of these stories in the show notes 526 00:30:26,080 --> 00:30:28,640 Speaker 1: of this after party for you to easily seek them out. 527 00:30:29,200 --> 00:30:32,400 Speaker 1: All right, I gotta go, let's recap. Shall we? Number one, 528 00:30:32,520 --> 00:30:35,760 Speaker 1: this week's full episode on Kendrick Lamar. This new Disgracelane 529 00:30:35,760 --> 00:30:38,840 Speaker 1: episode is waiting for you right now. Number two Graham 530 00:30:38,880 --> 00:30:41,239 Speaker 1: Parsons is in our rewind slot that's coming up right 531 00:30:41,280 --> 00:30:43,760 Speaker 1: after this after party. Then we get two Beach Boys 532 00:30:43,800 --> 00:30:46,720 Speaker 1: episodes we're rewinding as we get into our new Part 533 00:30:46,760 --> 00:30:49,920 Speaker 1: three episode on Brian Wilson right now in the Hollywood 534 00:30:50,000 --> 00:30:51,560 Speaker 1: Land feed. This is number four. I think we have 535 00:30:51,640 --> 00:30:54,320 Speaker 1: Lindsey low hand. You can check that out. Number five, 536 00:30:54,400 --> 00:30:56,480 Speaker 1: six one seven nine h six six six three eight. 537 00:30:56,680 --> 00:30:59,400 Speaker 1: Your voice keeps us digging into the dark corners of 538 00:30:59,480 --> 00:31:02,959 Speaker 1: music his so keep calling, keep texting with your answers 539 00:31:03,000 --> 00:31:04,800 Speaker 1: to this week's question of the week, or whatever the 540 00:31:04,800 --> 00:31:07,040 Speaker 1: hell else you guys want to talk about. Claire hit 541 00:31:07,160 --> 00:31:09,880 Speaker 1: us back number six. Don't forget disc goes. This isn't 542 00:31:09,920 --> 00:31:12,680 Speaker 1: just content. It's a community, a community of the obsessed, 543 00:31:12,800 --> 00:31:15,120 Speaker 1: and no one cares about music, books, record in the 544 00:31:15,160 --> 00:31:17,760 Speaker 1: crime and crime that ties them all together like you do. 545 00:31:17,880 --> 00:31:21,200 Speaker 1: And well that's a disgrace, all right, Kendrick Lamar, you've 546 00:31:21,200 --> 00:31:24,040 Speaker 1: heard of him before this week's full episode. Subject was 547 00:31:24,120 --> 00:31:28,840 Speaker 1: born on June seventeenth, nineteen eighty seven, and this is 548 00:31:28,880 --> 00:31:31,760 Speaker 1: what America was listening to on that day. According to 549 00:31:32,160 --> 00:31:37,360 Speaker 1: the Billboard Charts, Number one I Want to Dance with 550 00:31:37,400 --> 00:31:43,400 Speaker 1: Somebody Whitney Houston last week three peak position one weeks 551 00:31:43,440 --> 00:31:48,880 Speaker 1: on chart seven. Number two Head to Toe Lisa Lisa 552 00:31:49,080 --> 00:31:54,320 Speaker 1: and Cult Jam last week one, peak positions one weeks 553 00:31:54,360 --> 00:31:58,840 Speaker 1: on chart twelve six, number three, number in two d 554 00:31:58,880 --> 00:32:04,120 Speaker 1: Genesis last week peak position, peak position we read weeks 555 00:32:04,160 --> 00:32:09,960 Speaker 1: on Shark. Number number four alone Heart last week and 556 00:32:10,240 --> 00:32:14,960 Speaker 1: six peak position at four position weeks on chart Recept 557 00:32:15,040 --> 00:32:19,960 Speaker 1: chart number five. I'm Always is the Atlantic start last 558 00:32:19,960 --> 00:32:34,400 Speaker 1: week two peak position, Quit talking and start mixing, Cut