WEBVTT - Growing Pains ("Responsibly Yours" S1 EP 9)

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphne's Andiga and iHeartRadio podcast.

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<v Speaker 1>Yeah, my ladies, so good to see you in person.

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<v Speaker 1>You've been zoom faces for the last time.

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<v Speaker 3>We haven't all been together in so long.

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<v Speaker 1>No, no, So can we start? We have a lot

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<v Speaker 1>to cover, Okay, can we talk about nineties con? Dying

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<v Speaker 1>dying to hear?

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<v Speaker 3>It's so funny because, like for the audience, it may

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<v Speaker 3>seem like that was a while ago, especially for the

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<v Speaker 3>fans that were there, But for us, we haven't seen

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<v Speaker 3>each other in a lot of weeks because Daphney was

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<v Speaker 3>traveling and during that time we were at ninetiest Con

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<v Speaker 3>and you were not, and we missed you so much.

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<v Speaker 2>We missed you. It was so much fuss.

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<v Speaker 4>That was it was, It really was, And everyone was asking.

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<v Speaker 4>Everyone was like Laura, were like, she's busy.

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<v Speaker 1>So did you guys get to hang out a lot

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<v Speaker 1>of we're together like all day every day? Is that

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<v Speaker 1>how it was? Yeah?

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<v Speaker 2>Bro shoots.

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<v Speaker 4>Heather missed a flight, so she came in a day late.

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<v Speaker 4>But she wasn't the only one. There were a couple

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<v Speaker 4>of other two a couple others too. Because it was Daytona,

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<v Speaker 4>so it wasn't It was like a.

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<v Speaker 2>Connection kind of thing and everything.

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<v Speaker 4>We're running around all day, right, We're just running down

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<v Speaker 4>hallways to panels, to trivia games, to professional photos, to

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<v Speaker 4>our booths to fans and then tons of stuff.

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<v Speaker 1>So you're not just sitting there all day, you're actually Yeah,

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<v Speaker 1>we had things scheduled and like group things and then

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<v Speaker 1>still things, but we were always like right next to

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<v Speaker 1>each other, and so we were We literally spent the

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<v Speaker 1>entire weekend together.

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<v Speaker 2>It was kind of like she and I did a

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<v Speaker 2>promo while we were like in between signing autographs. I'm

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<v Speaker 2>like behind the curtain.

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<v Speaker 4>Going joined us on Still the Place, meeting in the

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<v Speaker 4>curtain bar the promo like them.

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<v Speaker 3>There, yeah, and there was like there was fun nineties

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<v Speaker 3>music playing at the contents, so that was super fun.

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<v Speaker 3>But it's like it's kind of loud, we need to

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<v Speaker 3>record this promo really quick for Still the Place. I'm like,

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<v Speaker 3>hang on, I ran to the ladies room and like

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<v Speaker 3>I'm in the booth, I'm in the stall.

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<v Speaker 2>And then we did too. We recorded with Josie and Grant.

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<v Speaker 3>Oh yeah, we got to sit down with them twice.

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<v Speaker 3>That was really so fun, and really it just felt

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<v Speaker 3>like this great excuse to have another getaway, like, hey,

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<v Speaker 3>we had this road trip, this like getaway with our

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<v Speaker 3>friends and yeah.

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<v Speaker 1>I did some interviews yesterday for a TV movie I did,

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<v Speaker 1>and they were asking about the podcast, and I was like, really,

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<v Speaker 1>it's just an excuse get everybody together. Because we've seen

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<v Speaker 1>so many of our castmates just in a couple of

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<v Speaker 1>months we've been doing this.

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<v Speaker 3>It's the best perf of doing this. It just feels

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<v Speaker 3>like a guilty, like it's our actual reason for doing it.

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<v Speaker 3>It's just to hang out with each other exactly.

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<v Speaker 4>It's so so amazing how we did this show thirty

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<v Speaker 4>something years ago and we can't find anyone ever since

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<v Speaker 4>then as fun and interesting to hang out with them

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<v Speaker 4>with each other. Well, so it's like, I know, let's

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<v Speaker 4>watch the show again and visit with stuff together.

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<v Speaker 3>Yeah, And we were sort of having that conversation with

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<v Speaker 3>Josie and Grant too, like you know, there were a

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<v Speaker 3>lot of years where we weren't totally in touch because

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<v Speaker 3>everybody's lives took them a different direction. But getting reacquainted

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<v Speaker 3>now and then going I want to be with these

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<v Speaker 3>people and I want to I want to know about

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<v Speaker 3>your life and I want to learn about you now

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<v Speaker 3>and whatever. We had this shared history, but also like

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<v Speaker 3>a new friendship too, on top of the old friendship.

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<v Speaker 4>Yeah.

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<v Speaker 1>And the weird thing is it's like no time has passed.

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<v Speaker 1>Isn't that the weird thing? And I think it's part

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<v Speaker 1>of that thing of you feel a certain age. Like

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<v Speaker 1>I look at the show, I kind of know we

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<v Speaker 1>look different, but I feel like we still we did

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<v Speaker 1>much the same, which we don't. Don't correct me.

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<v Speaker 3>I recognize everybody.

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<v Speaker 2>I just get it.

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<v Speaker 1>So is there anyone else fun at nineties Con? Like

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<v Speaker 1>outside of our group? Was there anything?

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<v Speaker 2>We kids were all there. We we got to some

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<v Speaker 2>of them.

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<v Speaker 4>Yeah, I mean a good handful. Yeah, Jenny Garth, we talked, Brian,

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<v Speaker 4>Austin Green was there.

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<v Speaker 2>Ian was there.

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<v Speaker 3>I didn't see him, but yeah, there were lots of people.

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<v Speaker 3>It was just there were such an it was such

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<v Speaker 3>a happy vibe, like the guests and attendance, like the

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<v Speaker 3>fans and everybody's just happy like the nineties were. Was

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<v Speaker 3>this like happy vibe and the music and whatever. So

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<v Speaker 3>it's just like this happy time and the.

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<v Speaker 2>Fans are amazing.

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<v Speaker 4>It's so nice all over I met people from Germany,

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<v Speaker 4>from the Maldives, from Hungary, from Canada, from Brazil.

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<v Speaker 2>I mean, they come.

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<v Speaker 3>From all over and everybody is just so nice and

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<v Speaker 3>happy to be there. It's just a really fun thing.

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<v Speaker 3>So hopefully there'll be another one in the future and

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<v Speaker 3>we can all do it.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, Well next year my son will be a senior,

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<v Speaker 1>so he won't care if I'm there or not. You're gone,

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<v Speaker 1>did you go, mom? I didn't even notice.

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<v Speaker 3>In fact, could you just go to a con?

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<v Speaker 1>Yeah?

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<v Speaker 2>I love it.

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<v Speaker 3>We got to get back on track with our recaps because.

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<v Speaker 1>I remembered this episode so clearlyss you do know? Yeah,

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<v Speaker 1>you guys weren't because you weren't quite there yet. So

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<v Speaker 1>it's gonna I was gonna say, do you remember, like, no,

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<v Speaker 1>we're not there. You weren't there at this episode? You do, yes,

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<v Speaker 1>And we'll get into it because but I think because

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<v Speaker 1>the woman who Billy has a little fling with in

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<v Speaker 1>this one, well you know, I'm gonna wait until but

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<v Speaker 1>I remember her so clearly. We had such a good time.

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<v Speaker 1>I got along so well with her. And I'll just

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<v Speaker 1>say this. She had to be a stand up comedian

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<v Speaker 1>and she was horrified to have to stand up and

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<v Speaker 1>do stand up. Have you guys ever done stand up?

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<v Speaker 2>No?

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<v Speaker 3>No, and never will?

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<v Speaker 1>Terrifying, right, And I just remembered her the actress, the actor. Yes,

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<v Speaker 1>she was wonderful but being so terrified about doing it.

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<v Speaker 1>So I locked in my brain because she was so terrified.

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<v Speaker 1>This episode locked in my brain. I remember almost every

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<v Speaker 1>second of it.

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<v Speaker 4>So you're like, I will never do stand up and

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<v Speaker 4>I already required her doing stand up.

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<v Speaker 3>I have to say, I wonder if part of the

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<v Speaker 3>reason why you remember shooting this also, and I could

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<v Speaker 3>see it on your face and we'll talk about it

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<v Speaker 3>when we get there. But like you and Andrew in

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<v Speaker 3>real life were fully dating by this time, right, yes, so.

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<v Speaker 1>Well, from like episode three it was not right, but

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<v Speaker 1>like you, we were professional for about seven minutes.

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<v Speaker 3>You were all in by now, And like this episode

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<v Speaker 3>you can really see like I think Alison's jealousy or

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<v Speaker 3>whatever is actually Corey.

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<v Speaker 1>Yeah, were you triggered watching this one car like that

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<v Speaker 1>wasn't in the script?

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<v Speaker 4>Cars you triggered watching this thirty years later because you've

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<v Speaker 4>been triggered already with like guest stars.

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<v Speaker 2>These guests stars was all over him.

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<v Speaker 1>I remember I know that it was Jensen. I remember that.

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<v Speaker 1>I don't know, maybe, but you can see that the

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<v Speaker 1>writers either already had the plan or we're picking up

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<v Speaker 1>on it because there's an edge to every single line

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<v Speaker 1>which is.

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<v Speaker 3>Just so adorable. It's always always adorable. Okay, so let's

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<v Speaker 3>jump in.

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<v Speaker 2>We let's see.

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<v Speaker 3>The name of this episode is Responsibly Yours. This is

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<v Speaker 3>season one, episode nine, Responsibly Yours. In this episode, Billy

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<v Speaker 3>is going to attempt a relationship with an older woman

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<v Speaker 3>who becomes she is a stand up comic. Things get

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<v Speaker 3>complicated because we're gonna find out she.

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<v Speaker 2>Has a kid.

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<v Speaker 3>So yeah, all the usual suspects of responsibility, all the

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<v Speaker 3>usual suspects. And this this show is, of course created

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<v Speaker 3>by Darren Starr. This episod It was written by Darren

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<v Speaker 3>Starr and Frederick Rappaport.

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<v Speaker 2>I am going to wear my glasses today.

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<v Speaker 3>I'm going to do it, all right. So the episode opens,

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<v Speaker 3>Billy is driving his taxi down the street. He notices

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<v Speaker 3>a woman leaning over the open hood of a car.

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<v Speaker 3>He pulls over and approaches the woman. Can I lend

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<v Speaker 3>you a hand?

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<v Speaker 1>And by the way, did you guys notice in our

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<v Speaker 1>sweet Billy that moment of lecherousness.

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<v Speaker 3>Absolutely, So I'm like, hello, what do I see bending

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<v Speaker 3>over the.

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<v Speaker 2>Hear of the car?

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<v Speaker 3>But yeah, and he gets out in his giant jean shorts.

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<v Speaker 1>George George's George before.

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<v Speaker 3>They were even in giant jean shorts. But yeah, he

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<v Speaker 3>offers to help with whatever's wrong with her car. Turns

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<v Speaker 3>out he doesn't really know what's going on with her car.

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<v Speaker 3>She seems to know more than he does, but he

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<v Speaker 3>offers her a ride.

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<v Speaker 4>So are we can talking about who it is our

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<v Speaker 4>guest star there? Yeah, so it's Joyce Heiser. Yes, Joyce

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<v Speaker 4>Heiser had a big movie in the eighties, so almost

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<v Speaker 4>ten years before this just one of the boys.

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<v Speaker 1>Oh it was before this.

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<v Speaker 2>Huh.

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<v Speaker 1>Happened?

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<v Speaker 2>So that was in the eighties. This is in ninety two.

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<v Speaker 4>But you know, people have talked about in our comments

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<v Speaker 4>as well, the guest stars. We've talked about it, like

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<v Speaker 4>the guest stars, what either they've already done or what

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<v Speaker 4>they've gone on to do. We've had some great guest

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<v Speaker 4>stars on this show. So anyway, Joyce Heiser had a

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<v Speaker 4>you know, solid career already. And I was talking to

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<v Speaker 4>a friend yesterday, this is how small the town was

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<v Speaker 4>back then.

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<v Speaker 2>Who's like he watched the episode because he's watching and

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<v Speaker 2>listening along with us.

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<v Speaker 4>And he's like, you know what, I came. I auditioned

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<v Speaker 4>for Just One of the Boys. I came down to

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<v Speaker 4>down to the wire, but they gave it to Clayton Roner,

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<v Speaker 4>who a couple of years later, I did.

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<v Speaker 2>A movie with Clayton Roner. Wow, Modern Girls.

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<v Speaker 4>But and now he's friends with and knows and has dinner,

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<v Speaker 4>has had dinner with the director of Just One of

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<v Speaker 4>the Boys.

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<v Speaker 2>Anyway, it's very good.

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<v Speaker 3>Crazy small town.

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<v Speaker 4>It was a small town, Yeahore, I mean we all

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<v Speaker 4>you know you audition and.

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<v Speaker 1>We also all lived here. Like now people live in

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<v Speaker 1>New York and they live in Atlanta. People of every

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<v Speaker 1>work because that's where the work is now, right, It's

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<v Speaker 1>not a company town as much.

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<v Speaker 4>And people audition online with their self tapes and like, like,

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<v Speaker 4>when was the last time anyone was in a room

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<v Speaker 4>with an actual producer castide person.

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<v Speaker 3>It's not quite the same process anymore.

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<v Speaker 2>Anyway.

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<v Speaker 4>I think I think her experience really shows in this,

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<v Speaker 4>Like she was very solid.

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<v Speaker 2>You know, like she knew these solid.

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<v Speaker 4>Some of these lines were kind of cheesy and like

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<v Speaker 4>a little cringe for me. But she knew what they

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<v Speaker 4>wanted and she.

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<v Speaker 1>Delivered and she committed, Like she was terrified to do

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<v Speaker 1>the stand up, but she stood up there and she

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<v Speaker 1>committed and it really worked. Yeah, she was great. She

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<v Speaker 1>was fun to work with.

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<v Speaker 3>You.

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<v Speaker 1>I really remember her well, so cool and I was

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<v Speaker 1>thinking too. My favorite part of being a regular on

0:09:51.320 --> 0:09:54.880
<v Speaker 1>TV series is meeting the guest stars. That's my favorite part.

0:09:54.920 --> 0:09:56.720
<v Speaker 1>Like you're doing the work with they bring new friends

0:09:56.760 --> 0:09:58.600
<v Speaker 1>in for you every week to meet and be a

0:09:58.600 --> 0:10:01.360
<v Speaker 1>part of. You get to welcome the Mendi your little family.

0:10:01.640 --> 0:10:04.000
<v Speaker 1>I really that's probably the thing I missed most webbing

0:10:04.040 --> 0:10:04.520
<v Speaker 1>on a series.

0:10:04.920 --> 0:10:07.640
<v Speaker 2>Yeah, it's like this injection of new age of money.

0:10:07.640 --> 0:10:10.839
<v Speaker 3>But yeah, so there was money.

0:10:10.880 --> 0:10:14.720
<v Speaker 2>Well that was a given, all right. So there they go.

0:10:14.920 --> 0:10:18.120
<v Speaker 3>She gets in his car. He's blasting music. She asks

0:10:18.120 --> 0:10:21.720
<v Speaker 3>for less volume, and then she reveals that she's a

0:10:21.760 --> 0:10:24.800
<v Speaker 3>shoe salesman. Billy is taken with her anyways, tells her

0:10:24.840 --> 0:10:27.080
<v Speaker 3>she's funny. They pull into a service station, where she

0:10:27.120 --> 0:10:28.600
<v Speaker 3>reveals that she doesn't have the money to pay for

0:10:28.640 --> 0:10:30.880
<v Speaker 3>the cab, so she pays the place.

0:10:31.160 --> 0:10:35.080
<v Speaker 1>Did you recognize the shoe brand? Like these are of us?

0:10:35.360 --> 0:10:39.160
<v Speaker 1>It was it was made brand like it was a

0:10:39.200 --> 0:10:42.160
<v Speaker 1>take on, like it was close to something that's a brand,

0:10:42.160 --> 0:10:44.560
<v Speaker 1>but it was made up brand. That's what I wondered.

0:10:45.480 --> 0:10:49.000
<v Speaker 3>Yeah, it was not, but it was something something else.

0:10:49.280 --> 0:10:50.160
<v Speaker 1>I think I was very close.

0:10:50.200 --> 0:10:54.920
<v Speaker 3>Laura, it's familiar. So she offers to pay Billy for

0:10:54.960 --> 0:10:57.640
<v Speaker 3>the cab with show tickets to her stand up gig.

0:10:58.280 --> 0:11:03.960
<v Speaker 2>Then we cut to by the way. Sorry, I'm just remembering.

0:11:04.400 --> 0:11:06.600
<v Speaker 4>This is the second time we've seen where one of

0:11:06.600 --> 0:11:09.600
<v Speaker 4>these people is offering payment.

0:11:09.280 --> 0:11:11.360
<v Speaker 2>With like tickets to a show.

0:11:11.480 --> 0:11:14.760
<v Speaker 4>Yeah, somebody's like that was back in the day when

0:11:14.800 --> 0:11:16.800
<v Speaker 4>you know, you were putting on stand up or art

0:11:16.840 --> 0:11:19.640
<v Speaker 4>shows or dance shows, and like your form of payment

0:11:19.720 --> 0:11:21.840
<v Speaker 4>and currency was here's some free tickets.

0:11:22.040 --> 0:11:23.400
<v Speaker 2>Well, I mean, like no one had money.

0:11:23.520 --> 0:11:27.280
<v Speaker 3>I think it's also like a writing like mechanism to

0:11:27.400 --> 0:11:30.840
<v Speaker 3>get the people to that performance is a story point. Yeah, like,

0:11:30.880 --> 0:11:34.920
<v Speaker 3>oh well, Jake finds Michael in the courtyard, tells Michael

0:11:34.920 --> 0:11:38.000
<v Speaker 3>that he's too spiffy to be gardening, because Michael seems

0:11:38.040 --> 0:11:39.400
<v Speaker 3>to be all dressed up, he's wearing his tie, and

0:11:39.440 --> 0:11:42.440
<v Speaker 3>he's tending to be as say, spiffy, spiffy.

0:11:42.559 --> 0:11:43.440
<v Speaker 1>That's hilarious.

0:11:43.440 --> 0:11:45.400
<v Speaker 3>I think he says spiffy or was that my note?

0:11:46.040 --> 0:11:47.839
<v Speaker 3>Do you remember did he say spiffy? I think he

0:11:47.840 --> 0:11:50.280
<v Speaker 3>said spiffy. I can't remember, but I don't think I

0:11:50.320 --> 0:11:53.280
<v Speaker 3>would have written it if he hadn't. Actually, he's spiffy.

0:11:53.360 --> 0:11:55.239
<v Speaker 3>He's just spiffy dressed in his line.

0:11:54.960 --> 0:11:55.400
<v Speaker 2>At the time.

0:11:55.520 --> 0:12:03.720
<v Speaker 3>Yeah, which is so grant. So Michael tells Jake that

0:12:03.840 --> 0:12:05.839
<v Speaker 3>Jane wants to have dinner tonight and he thinks he

0:12:05.920 --> 0:12:08.680
<v Speaker 3>might get lucky, and Jake says, well, you know, dude,

0:12:08.720 --> 0:12:11.000
<v Speaker 3>you're you're definitely lucky. You've got the girl, you've got

0:12:11.000 --> 0:12:15.040
<v Speaker 3>this relationship, and all of a sudden, Jake is sort

0:12:15.040 --> 0:12:17.439
<v Speaker 3>of like going, how do you do? What's what's your secret?

0:12:17.440 --> 0:12:19.920
<v Speaker 3>How do you know? And Michael's like, well, you've you've

0:12:19.960 --> 0:12:21.880
<v Speaker 3>got all this freedom, what do you mean you're lucky too,

0:12:22.000 --> 0:12:24.640
<v Speaker 3>and and Jake says, no, what he wants to do

0:12:24.679 --> 0:12:26.800
<v Speaker 3>is figure out how to, you know, figure out this

0:12:26.840 --> 0:12:29.760
<v Speaker 3>relationship thing. So Michael gives him some advice. He tells

0:12:29.840 --> 0:12:34.520
<v Speaker 3>them to uh ramp down, tamp down those animal instincts

0:12:34.720 --> 0:12:37.600
<v Speaker 3>and there's something to be said for taking it slow

0:12:38.440 --> 0:12:40.000
<v Speaker 3>friendship first, he says.

0:12:40.440 --> 0:12:43.040
<v Speaker 1>Which is very good advice I much say, but I'm

0:12:43.040 --> 0:12:44.920
<v Speaker 1>not saying. About seven times he says, you know how

0:12:45.000 --> 0:12:46.560
<v Speaker 1>to get the ladies. You can get the ladies. You

0:12:46.600 --> 0:12:49.160
<v Speaker 1>know how to get the ladies. Like wow, we really

0:12:49.760 --> 0:12:50.719
<v Speaker 1>so wait.

0:12:50.720 --> 0:12:52.880
<v Speaker 3>Does Jake now to get the ladies to get right quickly?

0:12:52.960 --> 0:12:54.840
<v Speaker 2>I mean, because it's not obvious by the way that

0:12:54.840 --> 0:12:55.320
<v Speaker 2>he looks.

0:12:56.160 --> 0:12:57.679
<v Speaker 1>It's always got so much to work through.

0:12:57.720 --> 0:13:00.439
<v Speaker 4>It so hard to really sell that Grant that sorry,

0:13:00.520 --> 0:13:02.760
<v Speaker 4>Jake can get whoever you want right.

0:13:03.480 --> 0:13:07.160
<v Speaker 3>But I thought it was really cute, Like like Jake's approach.

0:13:07.320 --> 0:13:09.640
<v Speaker 3>He was like sort of kind of vulnerable and like

0:13:10.080 --> 0:13:10.880
<v Speaker 3>actually asking.

0:13:10.920 --> 0:13:13.199
<v Speaker 1>And I love it when they because that is Grant,

0:13:13.240 --> 0:13:14.920
<v Speaker 1>Like Grant really has that side to him. I love

0:13:14.960 --> 0:13:16.600
<v Speaker 1>it when he gets to show it Jake.

0:13:16.640 --> 0:13:19.520
<v Speaker 3>It's so sweet. So that scene ends with Jake considering

0:13:19.920 --> 0:13:23.320
<v Speaker 3>could he do something like that friendship first? What a concept?

0:13:23.840 --> 0:13:27.040
<v Speaker 3>So then we cut to Billy and Allison's apartment where

0:13:27.559 --> 0:13:29.880
<v Speaker 3>it's Billy and Allison's apartment right where Ronda was cooking.

0:13:30.240 --> 0:13:32.760
<v Speaker 3>It wasn't Ronda's apartment, it was BILLI and Allison's I

0:13:32.800 --> 0:13:37.160
<v Speaker 3>think it was right. Dinner party with Ronda and Matt,

0:13:37.520 --> 0:13:39.760
<v Speaker 3>Billy and Allison, but I believe they were having the

0:13:39.800 --> 0:13:43.000
<v Speaker 3>dinner in Billy and Allison's apartment. However, Ronda was cooking,

0:13:43.920 --> 0:13:47.439
<v Speaker 3>and she's cooking, Matt is teasing Billy about the new

0:13:47.480 --> 0:13:51.120
<v Speaker 3>crush he has on this girl, Dawn, and we kind

0:13:51.120 --> 0:13:53.319
<v Speaker 3>of pick up on a little bit of jealousy from

0:13:53.360 --> 0:13:58.200
<v Speaker 3>the look on Allison's face, and that's where I wondered, as, yeah,

0:13:58.240 --> 0:14:02.559
<v Speaker 3>it was maybe Corny's showing through. But she does tease

0:14:02.600 --> 0:14:06.160
<v Speaker 3>Billy about his interest in Dawn and that and that

0:14:06.200 --> 0:14:09.600
<v Speaker 3>he's not very mature in general, and the theme of

0:14:09.600 --> 0:14:12.240
<v Speaker 3>all the teasing seems to be that Billy is a child,

0:14:12.240 --> 0:14:13.040
<v Speaker 3>that he's immature.

0:14:13.240 --> 0:14:15.280
<v Speaker 1>Yeah, but they're pitching it as a big age difference.

0:14:15.400 --> 0:14:17.240
<v Speaker 1>It didn't look like an age difference. But then they

0:14:17.240 --> 0:14:18.880
<v Speaker 1>said at one point he was twenty three, and I

0:14:18.880 --> 0:14:21.560
<v Speaker 1>was like, twenty three, that's crazy, But I was twenty four. Yeah,

0:14:21.600 --> 0:14:23.880
<v Speaker 1>it's hard to believe we were that young. I mean,

0:14:24.120 --> 0:14:27.040
<v Speaker 1>I remember feeling very grown up, but that's very young.

0:14:27.160 --> 0:14:28.040
<v Speaker 2>You were twenty four.

0:14:28.120 --> 0:14:30.280
<v Speaker 3>So I think the idea is that this girl had

0:14:30.320 --> 0:14:33.640
<v Speaker 3>to be older because she's been married for years already, right,

0:14:33.680 --> 0:14:36.200
<v Speaker 3>So that just is an indication of But it never

0:14:36.240 --> 0:14:36.800
<v Speaker 3>kind of comes.

0:14:36.720 --> 0:14:40.040
<v Speaker 1>Up this she is older, married at fourteen, we should

0:14:40.040 --> 0:14:40.520
<v Speaker 1>assume that.

0:14:41.000 --> 0:14:45.160
<v Speaker 3>So. So yeah, so they're teasing him and they're making

0:14:45.200 --> 0:14:47.120
<v Speaker 3>this dinner and he says he'll pay for his portion

0:14:47.240 --> 0:14:49.920
<v Speaker 3>of the dinner with the comedy show tickets.

0:14:50.200 --> 0:14:51.440
<v Speaker 1>So twice in one episode.

0:14:51.520 --> 0:14:54.400
<v Speaker 3>Yeah, paying for something, because now everybody has to get

0:14:54.400 --> 0:14:56.160
<v Speaker 3>the party show. How else are you going to get there?

0:14:57.200 --> 0:14:59.600
<v Speaker 3>So at the comedy Show down's routine, reveals that she

0:14:59.840 --> 0:15:03.560
<v Speaker 3>is in fact divorced, which is news to Billy and everybody,

0:15:03.600 --> 0:15:06.040
<v Speaker 3>and she makes some jokes about marriage, which Billy kind

0:15:06.040 --> 0:15:10.880
<v Speaker 3>of laughs too hard at, and she he elbows Alison

0:15:11.120 --> 0:15:13.360
<v Speaker 3>very hard in the arms. At one point I had

0:15:13.400 --> 0:15:15.000
<v Speaker 3>to go back and go, oh my god, the look

0:15:15.040 --> 0:15:21.000
<v Speaker 3>on your face was like actual, ah. Actual. After her set,

0:15:21.080 --> 0:15:23.440
<v Speaker 3>she approaches the table says side of the gang, Billy.

0:15:23.280 --> 0:15:26.640
<v Speaker 1>Do you think that Doug and Vanessa were playing it

0:15:26.680 --> 0:15:28.920
<v Speaker 1>like they didn't like it? It was super uncomfortable.

0:15:29.040 --> 0:15:31.520
<v Speaker 3>I felt like they were just trying to be polite. Yeah,

0:15:31.560 --> 0:15:35.400
<v Speaker 3>it was like Billy was really like taken with it, like, oh,

0:15:35.440 --> 0:15:38.440
<v Speaker 3>isn't she great? And everybody was like, yes, very politely,

0:15:38.640 --> 0:15:44.160
<v Speaker 3>yes she's great. Yes, you know, like even when Matt says, oh,

0:15:44.200 --> 0:15:47.000
<v Speaker 3>I really liked the part about you know, single life.

0:15:47.120 --> 0:15:49.520
<v Speaker 3>He's really trying to be nice, like picking out a

0:15:49.520 --> 0:15:49.920
<v Speaker 3>part of her.

0:15:49.920 --> 0:15:51.880
<v Speaker 1>Shit supposed to be good. Yeah, obviously we know the

0:15:51.880 --> 0:15:54.560
<v Speaker 1>actor is good. But yeah, that was confusing to me.

0:15:54.760 --> 0:15:56.600
<v Speaker 3>I just thought I thought it was like demonstrating that

0:15:56.640 --> 0:16:01.560
<v Speaker 3>Billy was just smitten. Like so his level of you know, approval.

0:16:01.360 --> 0:16:02.760
<v Speaker 1>Didn't you know when she came to the table and

0:16:02.800 --> 0:16:05.280
<v Speaker 1>he put his arm around her again Courtney Allison, very

0:16:05.320 --> 0:16:07.280
<v Speaker 1>fine line, but he put his arm around her, thinking

0:16:07.480 --> 0:16:08.480
<v Speaker 1>that's too soon.

0:16:08.840 --> 0:16:11.640
<v Speaker 4>Yeah, yeah, and so I think that's the part of

0:16:12.040 --> 0:16:13.160
<v Speaker 4>the show though.

0:16:13.360 --> 0:16:14.720
<v Speaker 2>He's it's all too soon.

0:16:14.960 --> 0:16:17.640
<v Speaker 4>He's acting to remember she even just a couple of

0:16:17.640 --> 0:16:19.120
<v Speaker 4>scenes later he's like this is too.

0:16:19.000 --> 0:16:22.200
<v Speaker 3>Much or yeah maybe midpoint coming on, coming on too much,

0:16:22.280 --> 0:16:23.080
<v Speaker 3>too fast, too soon.

0:16:23.160 --> 0:16:25.800
<v Speaker 4>Yeah, but he's it just shows his kind of like

0:16:25.920 --> 0:16:29.200
<v Speaker 4>naivete and excitement about it. I think, yeah, well maybe

0:16:29.200 --> 0:16:31.680
<v Speaker 4>this is a girlfriend material, the girl I picked.

0:16:31.520 --> 0:16:32.760
<v Speaker 2>Up the side of the road. Yeah.

0:16:32.760 --> 0:16:34.840
<v Speaker 3>I was thinking like from her point of view, that

0:16:34.960 --> 0:16:38.480
<v Speaker 3>was our cab driver, like you like nobody ever really

0:16:38.520 --> 0:16:41.360
<v Speaker 3>talking about he is her cab driver.

0:16:41.640 --> 0:16:42.640
<v Speaker 2>There's his arm around her.

0:16:42.840 --> 0:16:45.280
<v Speaker 3>Like a creepy element, like wait, the cab driver that

0:16:45.400 --> 0:16:47.680
<v Speaker 3>just wouldn't leave, Like, I know.

0:16:47.840 --> 0:16:50.040
<v Speaker 4>I think Alison needs to tell Billy you cannot pick

0:16:50.120 --> 0:16:52.560
<v Speaker 4>up any women as a cab driver.

0:16:52.800 --> 0:16:56.280
<v Speaker 3>I'm over this, yeah, just like don't don't speak like.

0:16:58.120 --> 0:16:58.400
<v Speaker 2>Speak.

0:16:59.800 --> 0:17:01.720
<v Speaker 3>I wonder how long he's going to be a cab driver.

0:17:02.080 --> 0:17:03.760
<v Speaker 3>Since I wasn't there, I have no idea how long

0:17:03.800 --> 0:17:04.440
<v Speaker 3>he'll also.

0:17:04.320 --> 0:17:06.400
<v Speaker 1>Sign of the times right in La, you don't see

0:17:06.400 --> 0:17:09.320
<v Speaker 1>cabs moving around looking for customers on the street anymore,

0:17:10.440 --> 0:17:13.480
<v Speaker 1>looking for women bent over their car anymore.

0:17:13.560 --> 0:17:19.399
<v Speaker 3>Looking like Andrew Shoe Anyway, none of these things exist

0:17:19.440 --> 0:17:23.280
<v Speaker 3>in real life. Billy invites don to stay, maybe they

0:17:23.280 --> 0:17:25.200
<v Speaker 3>could grab a pizza or something. She says she needs

0:17:25.240 --> 0:17:28.680
<v Speaker 3>to catch the last bus, the downtown bus home. Billy

0:17:28.760 --> 0:17:32.439
<v Speaker 3>offers her a ride driving her home instead, which she

0:17:32.520 --> 0:17:33.280
<v Speaker 3>then accepts.

0:17:34.160 --> 0:17:35.680
<v Speaker 1>And I guess we take the bus home.

0:17:37.520 --> 0:17:39.480
<v Speaker 3>Did he drive? Maybe he drove, Maybe he didn't drive.

0:17:39.640 --> 0:17:42.440
<v Speaker 4>Yeah, you so he would be driving his cab right

0:17:42.600 --> 0:17:44.879
<v Speaker 4>or does he have another car? This poor guy, like

0:17:45.440 --> 0:17:49.320
<v Speaker 4>he's driving his cab everywhere, just turning.

0:17:49.040 --> 0:17:49.960
<v Speaker 2>It on off duty.

0:17:50.440 --> 0:17:54.399
<v Speaker 3>That's right, I love, We'll just walk so Alison here

0:17:54.480 --> 0:17:57.000
<v Speaker 3>rolls her eyes. Don makes one more awkward joke on

0:17:57.040 --> 0:17:59.159
<v Speaker 3>her exit, and she says somebody out of bottle the

0:17:59.200 --> 0:17:59.920
<v Speaker 3>sky from a.

0:18:00.520 --> 0:18:04.040
<v Speaker 1>Purposes out on Alison.

0:18:07.400 --> 0:18:10.359
<v Speaker 3>So then Billy and daughter having a great time late

0:18:10.440 --> 0:18:13.840
<v Speaker 3>night coffee at a table for two. Billy learns that

0:18:13.960 --> 0:18:16.800
<v Speaker 3>Dawn was married for eight years. She tells him that

0:18:16.840 --> 0:18:20.720
<v Speaker 3>her ex didn't really support her dreams, and Billy commiserates, says, yeah,

0:18:20.760 --> 0:18:23.040
<v Speaker 3>it's really hard when someone you love doesn't support you.

0:18:23.720 --> 0:18:26.200
<v Speaker 3>Then he reaches across the table for her hand, saying,

0:18:26.240 --> 0:18:29.919
<v Speaker 3>sometimes it helps if there's someone there to catch you.

0:18:30.400 --> 0:18:31.000
<v Speaker 2>Wow.

0:18:31.320 --> 0:18:32.800
<v Speaker 1>Now we would call that love bombing.

0:18:32.840 --> 0:18:34.359
<v Speaker 4>I think it's a little I think it's just a

0:18:34.600 --> 0:18:36.320
<v Speaker 4>big love bomber in this whole episode.

0:18:36.440 --> 0:18:37.520
<v Speaker 2>Yeah, it's a lot.

0:18:38.080 --> 0:18:41.879
<v Speaker 3>Yeah, he felt hard and fast, like I can be

0:18:41.920 --> 0:18:42.600
<v Speaker 3>there to catch you.

0:18:42.800 --> 0:18:43.920
<v Speaker 1>Yeah, I will be your hero.

0:18:44.160 --> 0:18:46.040
<v Speaker 3>Yeah we've only just met and I know I'm your

0:18:46.040 --> 0:18:51.240
<v Speaker 3>cab driver. But then we cut to Shooters. Jake is

0:18:51.400 --> 0:18:55.639
<v Speaker 3>asking Sandy out for a burger after work. She's not

0:18:55.760 --> 0:18:58.359
<v Speaker 3>so sure. Didn't they already try this one? She thinks,

0:18:58.400 --> 0:19:02.480
<v Speaker 3>So Sandy tells Jake, you know, I think that you know,

0:19:02.560 --> 0:19:05.440
<v Speaker 3>after our one night stand, I was ready for more

0:19:06.000 --> 0:19:08.760
<v Speaker 3>and Jake says, well, then let's let's try this again.

0:19:08.840 --> 0:19:11.120
<v Speaker 3>Let's try to wipe the slate clean. We'll start over

0:19:11.440 --> 0:19:15.160
<v Speaker 3>this time, just as friends. And I feel like Jake

0:19:15.240 --> 0:19:16.520
<v Speaker 3>is super earnest here.

0:19:16.720 --> 0:19:19.199
<v Speaker 1>He's super He had a line that I promise you

0:19:19.280 --> 0:19:22.840
<v Speaker 1>Grant fought, where he says, abstinence makes the heart girl

0:19:22.880 --> 0:19:25.439
<v Speaker 1>fonder and she goes absence, and I was like, Grant

0:19:25.520 --> 0:19:28.800
<v Speaker 1>was like, honestly, does he have to sound so stupid?

0:19:28.840 --> 0:19:32.760
<v Speaker 1>Like I know that Grant Grant said it through gritted teeth.

0:19:32.800 --> 0:19:34.800
<v Speaker 1>I was like, he does not like that, lie? Did

0:19:34.800 --> 0:19:35.160
<v Speaker 1>you notice?

0:19:35.359 --> 0:19:35.560
<v Speaker 2>Yeah?

0:19:35.560 --> 0:19:37.359
<v Speaker 3>Well, I also got the sense that he, you know,

0:19:37.400 --> 0:19:39.800
<v Speaker 3>he tried to do it like a wink and not

0:19:39.960 --> 0:19:42.280
<v Speaker 3>like the character's like, I know the difference. I just

0:19:42.320 --> 0:19:44.200
<v Speaker 3>have to say this line like, you know, like the

0:19:44.320 --> 0:19:44.800
<v Speaker 3>character does.

0:19:44.960 --> 0:19:46.760
<v Speaker 1>He even made it work. But I could hear him

0:19:46.800 --> 0:19:49.439
<v Speaker 1>having an argument. I could see him like, oh, I

0:19:49.520 --> 0:19:50.760
<v Speaker 1>don't I don't want to, but.

0:19:50.800 --> 0:19:51.200
<v Speaker 2>I have to.

0:19:51.480 --> 0:19:53.399
<v Speaker 3>Yeah, It's like the whole scene was written just to

0:19:53.400 --> 0:19:56.600
<v Speaker 3>get to that line, Abstinence makes the heart grow fonder.

0:19:59.160 --> 0:20:01.359
<v Speaker 3>So they decide to give it a shot, maybe a

0:20:01.359 --> 0:20:05.280
<v Speaker 3>platonic date, we'll see. But we cut back to Billy

0:20:05.359 --> 0:20:06.560
<v Speaker 3>and Don at the pizza place.

0:20:07.440 --> 0:20:07.800
<v Speaker 2>Uh.

0:20:08.440 --> 0:20:10.720
<v Speaker 3>There, he's taking her home there, walking through the hallway

0:20:10.760 --> 0:20:14.520
<v Speaker 3>of her apartment, and the night almost ends in a

0:20:14.600 --> 0:20:17.200
<v Speaker 3>kiss at the door. After Billy ends, he suggests that

0:20:17.240 --> 0:20:19.320
<v Speaker 3>the night doesn't need to end, but the apartment door opens,

0:20:19.359 --> 0:20:23.800
<v Speaker 3>revealing a young boy and his babysitter. Don introduces Billy

0:20:23.840 --> 0:20:29.120
<v Speaker 3>to her son Martin, and relieves the babysitter, which is.

0:20:29.119 --> 0:20:32.200
<v Speaker 1>The name of a fifty year old comedy writer.

0:20:32.640 --> 0:20:36.280
<v Speaker 2>Martin Martin. Yeah, it was Marty.

0:20:36.800 --> 0:20:39.720
<v Speaker 3>Martin is the name of the child, and Billy.

0:20:39.480 --> 0:20:40.040
<v Speaker 1>Is the name.

0:20:41.400 --> 0:20:46.119
<v Speaker 4>Is Martin played by Justin Izfeld. He's the guy who

0:20:46.160 --> 0:20:48.119
<v Speaker 4>went on to be in all the American Pie movies.

0:20:48.240 --> 0:20:56.159
<v Speaker 3>Yes, so the kid playing Martin Martin Martin, mister child Martin,

0:20:58.280 --> 0:21:00.639
<v Speaker 3>Well he was. He was great in this episode. And

0:21:01.640 --> 0:21:03.520
<v Speaker 3>it's just so funny that that was the character's name.

0:21:03.600 --> 0:21:05.520
<v Speaker 3>I laughed about it through the whole time to him

0:21:05.520 --> 0:21:08.240
<v Speaker 3>as Martin. There's actually one point actually in this next

0:21:08.240 --> 0:21:10.720
<v Speaker 3>scene I didn't know I caught Alison laughing at it too.

0:21:11.040 --> 0:21:14.840
<v Speaker 1>Did you get to I feel like you couldn't help it.

0:21:18.640 --> 0:21:21.360
<v Speaker 3>So, yeah, we're back at Allison in Billy's apartment, Allison's

0:21:21.359 --> 0:21:23.480
<v Speaker 3>getting ready for work in the morning. Billy returns home,

0:21:23.520 --> 0:21:25.520
<v Speaker 3>saying that he it's not that he was out late

0:21:25.600 --> 0:21:28.359
<v Speaker 3>with down, but that he actually drove the graveyard shift

0:21:28.440 --> 0:21:31.120
<v Speaker 3>last night. And oh yeah, by the way, Don has

0:21:31.119 --> 0:21:32.679
<v Speaker 3>a son Martin.

0:21:33.160 --> 0:21:34.879
<v Speaker 1>Wait, is this what I'm doing? The crossword puzzle?

0:21:35.160 --> 0:21:37.760
<v Speaker 3>No, oh, okay, you're just getting ready for else we

0:21:38.119 --> 0:21:43.879
<v Speaker 3>blazer on and oh yeah a belt, Yeah, that's kind

0:21:43.920 --> 0:21:46.760
<v Speaker 3>of yeah. And then but I just I laughed because

0:21:47.400 --> 0:21:50.920
<v Speaker 3>al he says Don has a son, Martin. He's like, well,

0:21:50.960 --> 0:21:53.400
<v Speaker 3>Martin was there and mar.

0:21:53.240 --> 0:21:56.680
<v Speaker 2>Martin a fifty year old man.

0:21:56.880 --> 0:22:02.200
<v Speaker 1>Yeah, Sarah, what was her dad doing there? Grandpa?

0:22:02.560 --> 0:22:05.320
<v Speaker 3>Oh my gosh. So yeah, No, Billy says, this is

0:22:05.320 --> 0:22:08.000
<v Speaker 3>a kid. I'm still interested in Dawn. I'm just concerned

0:22:08.040 --> 0:22:11.280
<v Speaker 3>about the complications of having a kid around, and Alison

0:22:11.359 --> 0:22:13.280
<v Speaker 3>is sort of empathetic, saying, well, it must be really

0:22:13.280 --> 0:22:15.520
<v Speaker 3>hard to be a single mom and have guys running

0:22:15.560 --> 0:22:18.159
<v Speaker 3>away at the side of your kid, which seemed to

0:22:18.280 --> 0:22:20.240
<v Speaker 3>sort of encourage Billy, who says, yeah, maybe I'm just

0:22:20.240 --> 0:22:22.560
<v Speaker 3>being selfish. I can do this even with the kid around.

0:22:22.640 --> 0:22:26.680
<v Speaker 3>But Alison pushes him and questions sort of whether Billy

0:22:26.760 --> 0:22:29.240
<v Speaker 3>is mature enough to understand how to handle the dynamic

0:22:29.280 --> 0:22:31.919
<v Speaker 3>of a whole family, at which time he turns it

0:22:31.960 --> 0:22:35.920
<v Speaker 3>on her, saying that just because Alison is intimidated by children,

0:22:37.720 --> 0:22:41.200
<v Speaker 3>and Alison's like, what, I was a great babysitter. Everyone

0:22:41.280 --> 0:22:44.639
<v Speaker 3>said so.

0:22:43.119 --> 0:22:45.000
<v Speaker 1>So everyone's talking about it to this day.

0:22:45.160 --> 0:22:48.560
<v Speaker 3>It's so weird. So that was sort of a funny,

0:22:48.640 --> 0:22:50.840
<v Speaker 3>Like he tries to say, well, just because you're intimidated

0:22:50.880 --> 0:22:53.080
<v Speaker 3>doesn't mean I can't handle it, and it comes out

0:22:53.119 --> 0:22:55.960
<v Speaker 3>of yeah, because that was a really mature way sitting

0:22:55.960 --> 0:23:02.639
<v Speaker 3>on that one, real mature Billy. We're back with Ronda

0:23:02.720 --> 0:23:05.040
<v Speaker 3>and Sandy. Sandy's getting ready for her date with Jake,

0:23:05.640 --> 0:23:07.959
<v Speaker 3>and Ronda is warning her that Jake never called her

0:23:07.960 --> 0:23:10.040
<v Speaker 3>back the first time and he may not have really changed,

0:23:10.160 --> 0:23:11.120
<v Speaker 3>you know, any in the last time.

0:23:11.200 --> 0:23:14.159
<v Speaker 4>Never called them back after they hooked up, after they

0:23:14.160 --> 0:23:16.680
<v Speaker 4>had their one night stand. Yeah, and then they sow

0:23:16.720 --> 0:23:19.520
<v Speaker 4>that whole course, the whole theme of this is, you know,

0:23:19.720 --> 0:23:24.280
<v Speaker 4>they're trying to be platonic, and Billy is trying to see.

0:23:24.080 --> 0:23:26.160
<v Speaker 2>If he's good father materially, you know what I mean.

0:23:26.200 --> 0:23:26.880
<v Speaker 2>Like it's kind of.

0:23:26.840 --> 0:23:29.360
<v Speaker 4>They always seem to do this, like these two sort

0:23:29.400 --> 0:23:32.119
<v Speaker 4>of parallel stories are opposite.

0:23:31.840 --> 0:23:32.360
<v Speaker 2>You know what I mean?

0:23:32.480 --> 0:23:33.320
<v Speaker 1>Yeah?

0:23:32.760 --> 0:23:36.640
<v Speaker 4>Yeah, Ronda is saying to Sandy, you know, you guys

0:23:36.680 --> 0:23:38.280
<v Speaker 4>hooked up and then he never called you, and.

0:23:38.280 --> 0:23:39.159
<v Speaker 2>I think it. I don't know.

0:23:39.200 --> 0:23:41.800
<v Speaker 4>I was thinking, like god in the same apartment building,

0:23:41.880 --> 0:23:43.639
<v Speaker 4>like we have just banged on his door, and so

0:23:43.720 --> 0:23:44.159
<v Speaker 4>what that? Well?

0:23:44.160 --> 0:23:46.639
<v Speaker 1>But also I felt like, are we pretending that we

0:23:46.760 --> 0:23:49.600
<v Speaker 1>haven't seen them flirt in every single episode? Right, Like

0:23:49.640 --> 0:23:51.440
<v Speaker 1>it's not like that's what happened and they didn't speak

0:23:51.480 --> 0:23:54.200
<v Speaker 1>till this moment, right, they're almost doing it in every

0:23:54.280 --> 0:23:55.160
<v Speaker 1>single Yeah.

0:23:55.359 --> 0:23:56.720
<v Speaker 2>Yeah, well then they're trying.

0:23:56.480 --> 0:23:59.320
<v Speaker 4>To do it platonically now just be friends trying. It's

0:23:59.320 --> 0:24:00.680
<v Speaker 4>like new territory. Sorry for them.

0:24:01.040 --> 0:24:03.399
<v Speaker 3>And Ronda is saying to Sandy, like, you do you

0:24:03.440 --> 0:24:05.320
<v Speaker 3>trust him? Do you feel like you can trust him?

0:24:05.600 --> 0:24:07.800
<v Speaker 3>And Sandy ends that scene by saying, well, I don't

0:24:07.800 --> 0:24:09.679
<v Speaker 3>know if I can trust myself, which is sort of

0:24:09.680 --> 0:24:12.520
<v Speaker 3>the foreshadowing of like, oh, we just can't keep our

0:24:12.520 --> 0:24:14.280
<v Speaker 3>hands off each other. You know, I don't know if

0:24:14.280 --> 0:24:15.480
<v Speaker 3>I can, because it's just.

0:24:15.520 --> 0:24:17.320
<v Speaker 1>She's like a cat on a hot tin room. Yeah

0:24:17.359 --> 0:24:18.679
<v Speaker 1>that she does never accent anymore.

0:24:18.680 --> 0:24:26.240
<v Speaker 3>Indeed, then we could really identify. So then dinner at

0:24:26.359 --> 0:24:30.600
<v Speaker 3>the dinner table at Down's house is Billy Down and

0:24:30.760 --> 0:24:35.119
<v Speaker 3>Martin child. Yeah, super awkward and tense. At the dinner table,

0:24:35.240 --> 0:24:38.800
<v Speaker 3>Martin wants nothing to do with Billy. Billy does offer

0:24:38.840 --> 0:24:41.160
<v Speaker 3>to drive Dawn to her gig coming up in Ventura,

0:24:41.640 --> 0:24:45.360
<v Speaker 3>and because Dawn reminds him that her car is broken down,

0:24:45.440 --> 0:24:48.960
<v Speaker 3>but Martin the child says no way, will I ride

0:24:49.000 --> 0:24:51.960
<v Speaker 3>with Billy? And then a screaming fight ensued.

0:24:52.000 --> 0:24:53.560
<v Speaker 1>And I don't know if it's a sign of the times,

0:24:53.600 --> 0:24:56.119
<v Speaker 1>but now like when people are divorced with kids in

0:24:56.160 --> 0:24:58.720
<v Speaker 1>they date, it's like nobody meets the kids for six months.

0:24:58.880 --> 0:25:00.280
<v Speaker 1>You would never have your first date.

0:25:01.240 --> 0:25:04.200
<v Speaker 3>Yeah at home at the family dinner table.

0:25:04.680 --> 0:25:04.880
<v Speaker 2>Yeah.

0:25:05.119 --> 0:25:07.479
<v Speaker 1>Yeah, I'd like you to call Billy daddy. I know

0:25:07.520 --> 0:25:08.240
<v Speaker 1>you just met her.

0:25:09.520 --> 0:25:12.920
<v Speaker 3>He was my cab driver yesterday today to take your

0:25:12.960 --> 0:25:22.119
<v Speaker 3>new daddy. Oh god, you so Down and Martin start

0:25:22.200 --> 0:25:25.720
<v Speaker 3>yelling at each other, and that screaming fight reveals that

0:25:25.720 --> 0:25:29.320
<v Speaker 3>Martin's dad, in Dawn's words, won't pay child support, and

0:25:29.359 --> 0:25:31.800
<v Speaker 3>therefore Dawn is struggling to find that three hundred dollars

0:25:31.840 --> 0:25:36.440
<v Speaker 3>that she needs to fix her car, and Billy seems

0:25:36.480 --> 0:25:41.199
<v Speaker 3>to want to stick this out. Instead of finding that

0:25:41.400 --> 0:25:43.760
<v Speaker 3>very concerning of how they scream, she.

0:25:43.720 --> 0:25:45.119
<v Speaker 1>Seems to hear it is a direct question.

0:25:45.240 --> 0:25:48.280
<v Speaker 3>Yeah, my god, sorry, let me try to solve the

0:25:48.320 --> 0:25:51.520
<v Speaker 3>money problem instead of going why is this mother screaming

0:25:51.560 --> 0:25:54.679
<v Speaker 3>so ragefully at her child? Which I thought was a

0:25:54.680 --> 0:25:57.240
<v Speaker 3>fair question. I mean, I'm watching this for the first time.

0:25:57.119 --> 0:25:59.639
<v Speaker 1>Going wow, I see a red flag.

0:26:00.560 --> 0:26:06.040
<v Speaker 3>Like to me, seemed like not your typical mother son relationship.

0:26:07.440 --> 0:26:11.840
<v Speaker 3>But anyway, there Dawn says something she needs to apologize

0:26:11.840 --> 0:26:13.680
<v Speaker 3>for us as she leaves the table to go apologize

0:26:13.680 --> 0:26:15.159
<v Speaker 3>to Smart and leaving Billy alone.

0:26:15.800 --> 0:26:19.199
<v Speaker 1>The wheels are turning. Considering wheels are turning, there's a

0:26:19.240 --> 0:26:20.240
<v Speaker 1>plan being formed.

0:26:21.920 --> 0:26:25.240
<v Speaker 3>So Sandy and Jake are at their bar after their

0:26:25.280 --> 0:26:28.280
<v Speaker 3>movie date, congratulating themselves on getting through the movie without

0:26:28.359 --> 0:26:29.520
<v Speaker 3>jumping each other's bones.

0:26:29.840 --> 0:26:33.399
<v Speaker 4>They're trying not to entangle themselves, and Billy's trying to

0:26:33.400 --> 0:26:35.920
<v Speaker 4>desperately to entangle himself anyway.

0:26:35.960 --> 0:26:41.399
<v Speaker 3>He cannot be right, and so the conversation quickly takes

0:26:41.520 --> 0:26:46.280
<v Speaker 3>a turn when Jake reminds Sandy just how tricky it

0:26:46.320 --> 0:26:49.840
<v Speaker 3>is to have Sandy live in just right upstairs, and

0:26:49.920 --> 0:26:51.840
<v Speaker 3>he says I don't know how many times I thought

0:26:51.840 --> 0:26:53.600
<v Speaker 3>about coming upstairs and.

0:26:53.640 --> 0:26:56.800
<v Speaker 1>Just dot dot dot yeah.

0:26:57.000 --> 0:27:01.879
<v Speaker 3>And Sandy agrees, I know what you mean, and uh yeah,

0:27:01.920 --> 0:27:04.920
<v Speaker 3>So it just took a very quick turn. So much

0:27:05.000 --> 0:27:06.399
<v Speaker 3>for congratulating themselves.

0:27:07.160 --> 0:27:08.439
<v Speaker 2>Oh I mean that, I don't know.

0:27:08.960 --> 0:27:11.639
<v Speaker 4>You see the heat between them for so many episodes,

0:27:11.920 --> 0:27:13.239
<v Speaker 4>and so it is.

0:27:14.040 --> 0:27:15.280
<v Speaker 2>You know it's not going to work.

0:27:15.440 --> 0:27:17.639
<v Speaker 4>But I mean, it's just this whole storyline makes total

0:27:17.680 --> 0:27:19.800
<v Speaker 4>sense with me and to me, you know, because they're

0:27:19.840 --> 0:27:22.399
<v Speaker 4>all they are is like sex, these two, you know,

0:27:22.440 --> 0:27:25.200
<v Speaker 4>they're the sexual characters on the show, and.

0:27:25.960 --> 0:27:28.240
<v Speaker 2>Let's just try to be friends and this whole thing,

0:27:28.400 --> 0:27:30.080
<v Speaker 2>oh yes, well, how was your day? You know, the

0:27:30.160 --> 0:27:31.720
<v Speaker 2>kind of thing just isn't going to be them. You know,

0:27:31.760 --> 0:27:34.400
<v Speaker 2>they're gonna end up ripping each other so close it off.

0:27:34.560 --> 0:27:37.000
<v Speaker 1>Here's what I don't understand about this conflict, which is

0:27:37.640 --> 0:27:40.080
<v Speaker 1>we're great friends, about the hats for each other. Isn't

0:27:40.080 --> 0:27:43.040
<v Speaker 1>that the perfect relationship? I mean, I think that's the ideal.

0:27:43.200 --> 0:27:45.200
<v Speaker 2>I know, why are they what's the problem?

0:27:46.200 --> 0:27:46.920
<v Speaker 1>See the problem?

0:27:47.320 --> 0:27:47.439
<v Speaker 2>Right?

0:27:47.640 --> 0:27:47.920
<v Speaker 1>Great?

0:27:48.600 --> 0:27:50.840
<v Speaker 4>I think because they don't know how to do what

0:27:50.960 --> 0:27:55.639
<v Speaker 4>comes next, which is being responsible to each other, being respectful,

0:27:56.200 --> 0:28:00.439
<v Speaker 4>having a conversation. You know that that ideally that happened

0:28:00.440 --> 0:28:03.040
<v Speaker 4>after you, you know, hook.

0:28:02.880 --> 0:28:06.200
<v Speaker 2>Up, and they just kind of like freak out. That's

0:28:06.200 --> 0:28:07.880
<v Speaker 2>all they know how to do is a hookup.

0:28:07.840 --> 0:28:09.919
<v Speaker 1>So once they have sex, they kill the friendship. They

0:28:09.960 --> 0:28:12.920
<v Speaker 1>can't maintain both. They don't know how to Well yeah, exactly,

0:28:13.320 --> 0:28:15.439
<v Speaker 1>because I was thinking that sounds very good to me.

0:28:15.560 --> 0:28:18.080
<v Speaker 3>Yeah, well it does sound like like Sandy's feelings were hurt,

0:28:18.119 --> 0:28:20.600
<v Speaker 3>like wait a minute, you know we have this it

0:28:20.640 --> 0:28:22.400
<v Speaker 3>turned out to be a one night stand, but like

0:28:22.800 --> 0:28:26.639
<v Speaker 3>she thought, you know, not hearing from him about it after,

0:28:26.960 --> 0:28:28.880
<v Speaker 3>like it never happened again, or like hello, like what

0:28:28.960 --> 0:28:31.800
<v Speaker 3>oh you just yeah.

0:28:30.920 --> 0:28:33.280
<v Speaker 2>Listen, you've been married how many years? But for those

0:28:33.280 --> 0:28:34.400
<v Speaker 2>of us who haven't.

0:28:34.080 --> 0:28:36.040
<v Speaker 1>And it's still just as hot as the first is.

0:28:36.160 --> 0:28:39.360
<v Speaker 3>Yeah, I mean he does call you, right, we actually

0:28:39.400 --> 0:28:40.000
<v Speaker 3>still speak.

0:28:40.080 --> 0:28:42.560
<v Speaker 2>You text you from the kitchen, you do, hey, how

0:28:42.600 --> 0:28:45.640
<v Speaker 2>you doing? What are you wearing? Get in the car

0:28:45.760 --> 0:28:49.120
<v Speaker 2>to go to rehearsal, and he's like, you're so hot?

0:28:50.480 --> 0:28:52.920
<v Speaker 3>Every day? Nice every day we tell each other.

0:28:53.440 --> 0:28:54.800
<v Speaker 4>I guess what I wanted to get to is that

0:28:54.800 --> 0:28:57.160
<v Speaker 4>I think a lot of women can relate to you

0:28:57.200 --> 0:28:59.680
<v Speaker 4>know that the hunt is over and then you don't

0:28:59.720 --> 0:29:02.520
<v Speaker 4>hear from them. Yeah, interesting to remember those back in

0:29:02.520 --> 0:29:04.360
<v Speaker 4>the day many years ago.

0:29:04.560 --> 0:29:11.640
<v Speaker 3>Well back to Don's house, Yes, speaking of creepy, Billy

0:29:11.720 --> 0:29:15.960
<v Speaker 3>lets himself into Martin's bedroom while he's maybe sleeping, but

0:29:16.000 --> 0:29:18.720
<v Speaker 3>it turns out Martin's lying in bed crying, not sleeping.

0:29:19.720 --> 0:29:22.720
<v Speaker 3>Billy just sort of walks in and says he wants

0:29:22.760 --> 0:29:25.920
<v Speaker 3>to talk to Martin like men, which Martin points out

0:29:25.960 --> 0:29:28.240
<v Speaker 3>that he can't really do because he's a kid. Also,

0:29:28.560 --> 0:29:33.800
<v Speaker 3>you're a stranger entered my bedroom.

0:29:33.880 --> 0:29:34.200
<v Speaker 2>Yeah.

0:29:34.440 --> 0:29:37.600
<v Speaker 3>Yeah, so there's that, which we never kind of address,

0:29:38.080 --> 0:29:40.280
<v Speaker 3>but I was conscious of it the entire scene.

0:29:40.680 --> 0:29:43.000
<v Speaker 4>But this whole thing is very Billy to me. He's

0:29:43.040 --> 0:29:45.440
<v Speaker 4>just kind of like clueless and privileged, like this good

0:29:45.480 --> 0:29:47.120
<v Speaker 4>look and what guy can do whatever, Like it doesn't

0:29:47.120 --> 0:29:48.880
<v Speaker 4>even dawn on him that I should be going in there.

0:29:49.040 --> 0:29:53.360
<v Speaker 3>There's a line you shouldn't cross, here's a relationship.

0:29:53.360 --> 0:29:57.880
<v Speaker 1>I imagine. On the day, Andrews said, really, yes, it's fine,

0:29:57.960 --> 0:29:59.360
<v Speaker 1>he's all right.

0:30:00.000 --> 0:30:03.560
<v Speaker 3>I feel like it was a directorial thing, like, Okay,

0:30:03.640 --> 0:30:05.320
<v Speaker 3>it's too hard to shoot the whole scene with you

0:30:05.360 --> 0:30:07.120
<v Speaker 3>just standing in the doorway and have these conversations. So

0:30:07.200 --> 0:30:08.960
<v Speaker 3>ony don't you go over and sit on the bed

0:30:09.320 --> 0:30:12.520
<v Speaker 3>like it just got really well.

0:30:12.840 --> 0:30:15.480
<v Speaker 4>They always love you close to each other on set,

0:30:15.600 --> 0:30:17.720
<v Speaker 4>so they don't have to do all these different angles

0:30:18.200 --> 0:30:20.080
<v Speaker 4>like the over the shoulder and this and that. They

0:30:20.240 --> 0:30:22.080
<v Speaker 4>just if they can just get you in one shot,

0:30:22.200 --> 0:30:24.080
<v Speaker 4>that would be so get close somehow.

0:30:24.240 --> 0:30:25.080
<v Speaker 2>Don't you remember that though?

0:30:25.120 --> 0:30:26.840
<v Speaker 3>Oh yeah, but it's And it's also like you can

0:30:26.840 --> 0:30:29.000
<v Speaker 3>tell by the music cues, like what they wanted the

0:30:29.000 --> 0:30:30.760
<v Speaker 3>tone of the scene to feel like, oh that this

0:30:30.800 --> 0:30:33.520
<v Speaker 3>needs to feel like a really intimate, like you know,

0:30:34.080 --> 0:30:38.120
<v Speaker 3>adult child conversation, and he's being really gentle, and the

0:30:38.200 --> 0:30:43.080
<v Speaker 3>music he was very hallmarky schmaltzy, you know, but it's like, wait,

0:30:43.240 --> 0:30:46.200
<v Speaker 3>we're not addressing the weirdness like sitting down on the

0:30:46.280 --> 0:30:51.600
<v Speaker 3>kid's bed uninvited, Like yeah, not Andrew's.

0:30:51.200 --> 0:30:53.440
<v Speaker 1>Fault, not Andrews fault, No, no, no.

0:30:53.800 --> 0:30:56.560
<v Speaker 3>Just a pitfall. And so he tries to he tries

0:30:56.600 --> 0:31:00.800
<v Speaker 3>to bond with Martin. I keep wanting to call Martin

0:31:01.000 --> 0:31:05.800
<v Speaker 3>Billy because that's a child's name. Yes, okay, Billy the

0:31:05.840 --> 0:31:09.880
<v Speaker 3>adult wants to bond with Martin the child over the

0:31:09.960 --> 0:31:14.200
<v Speaker 3>terminator movies and wants to talk to him and say, oh,

0:31:14.240 --> 0:31:16.000
<v Speaker 3>you're you know, you're a fan of this too, and

0:31:16.040 --> 0:31:22.520
<v Speaker 3>he reminds Martin that the terminator was always there for

0:31:22.760 --> 0:31:25.959
<v Speaker 3>the kid and his mother, but Martin says, yeah, but

0:31:26.040 --> 0:31:31.040
<v Speaker 3>the terminator went away in the end, and then Billy says, yeah,

0:31:31.040 --> 0:31:34.120
<v Speaker 3>but that was in the movie. This is real. Kind

0:31:34.120 --> 0:31:36.400
<v Speaker 3>of a creepy scene, but I think the point was

0:31:36.720 --> 0:31:40.640
<v Speaker 3>is that Billy's just continuing to want to insert himself.

0:31:40.320 --> 0:31:42.520
<v Speaker 1>In this relationship to be the hero is fantasy.

0:31:42.640 --> 0:31:47.280
<v Speaker 3>Yeah, yeah, he wants to be the hero. Jake and

0:31:47.320 --> 0:31:49.640
<v Speaker 3>Sandy are returning home and they're in the courtyard. Instead

0:31:49.680 --> 0:31:51.880
<v Speaker 3>of saying good night with just a handshake and a hug,

0:31:52.040 --> 0:31:57.760
<v Speaker 3>they start making out and Jake lets them into his apartment,

0:31:57.840 --> 0:31:59.800
<v Speaker 3>bringing her onto the couch, making out all the way

0:32:00.560 --> 0:32:03.600
<v Speaker 3>until Sandy stops him and says, wait, we are supposed

0:32:03.640 --> 0:32:07.520
<v Speaker 3>to be taking it slow, at which time Sandy accuses

0:32:07.560 --> 0:32:10.640
<v Speaker 3>Jake of getting carried away, saying it's all this is

0:32:10.640 --> 0:32:13.040
<v Speaker 3>all he's ever wanted, but Jake is confusing. Wait wait,

0:32:13.080 --> 0:32:15.960
<v Speaker 3>I thought this was mutual that hug and then there

0:32:16.000 --> 0:32:20.240
<v Speaker 3>was much more. I detected it. We're both getting carried away.

0:32:20.440 --> 0:32:22.440
<v Speaker 3>And then Sandy's pissed off because she says, you know,

0:32:22.480 --> 0:32:25.520
<v Speaker 3>there's nothing between us besides sex. They yell at each

0:32:25.520 --> 0:32:29.200
<v Speaker 3>other and Sandy storms out, saying we're nothing, there's nothing

0:32:29.240 --> 0:32:33.800
<v Speaker 3>between us. So that was abrupt, very abrupt.

0:32:36.360 --> 0:32:38.360
<v Speaker 1>This is the part they have trouble with. That's what

0:32:38.480 --> 0:32:41.440
<v Speaker 1>Daphney was saying. Once the sex comes into it, they

0:32:41.440 --> 0:32:45.600
<v Speaker 1>have trouble communicating. So now I see it, Thank you,

0:32:45.960 --> 0:32:47.400
<v Speaker 1>thank you, I see it.

0:32:47.480 --> 0:32:50.160
<v Speaker 4>You see what a therapeutic show this is for people

0:32:51.640 --> 0:32:54.080
<v Speaker 4>working to do.

0:32:54.520 --> 0:32:56.240
<v Speaker 2>We're working through for everybody.

0:32:57.280 --> 0:33:00.280
<v Speaker 3>So Billy comes home to find Allison awake doing a

0:33:00.320 --> 0:33:01.120
<v Speaker 3>crossword puzzle.

0:33:01.480 --> 0:33:04.920
<v Speaker 1>Okay, so this is my question. Four letter word from

0:33:04.960 --> 0:33:07.360
<v Speaker 1>Behemoth huge.

0:33:07.240 --> 0:33:08.240
<v Speaker 3>That's the one I thought of.

0:33:09.480 --> 0:33:10.320
<v Speaker 1>Did you think of that?

0:33:10.960 --> 0:33:12.000
<v Speaker 2>I don't even remember that.

0:33:12.960 --> 0:33:16.120
<v Speaker 3>I thought Behemoth would have been a better answer to

0:33:16.200 --> 0:33:17.840
<v Speaker 3>something like I think they.

0:33:17.720 --> 0:33:21.360
<v Speaker 1>Wanted the audience to get it. He's like TV guy, yeah, yeah, yeah,

0:33:21.600 --> 0:33:23.120
<v Speaker 1>Melrose blank.

0:33:24.760 --> 0:33:29.800
<v Speaker 3>Yeah yeah, thank goodness. I feel so smart that we

0:33:29.880 --> 0:33:30.800
<v Speaker 3>both got the same word.

0:33:32.240 --> 0:33:34.160
<v Speaker 1>So we found out.

0:33:34.760 --> 0:33:38.640
<v Speaker 3>Yeah, that wasn't to lie to you and lie.

0:33:38.920 --> 0:33:39.240
<v Speaker 2>Yeah.

0:33:39.400 --> 0:33:41.960
<v Speaker 3>Billy's sort of hanging his head about needing three hundred

0:33:42.000 --> 0:33:45.120
<v Speaker 3>dollars and Alison says, wait, I can loan you the money,

0:33:45.120 --> 0:33:49.000
<v Speaker 3>what's it for, At which time he lies to Alison,

0:33:49.040 --> 0:33:51.200
<v Speaker 3>making up a story about his own car being damaged

0:33:51.200 --> 0:33:52.880
<v Speaker 3>and that he needs to fix it for his job.

0:33:53.520 --> 0:33:56.280
<v Speaker 3>Allison says she'll happily help them, because, after all, it's

0:33:56.280 --> 0:33:58.440
<v Speaker 3>for his job, and wouldn't he just do the same

0:33:58.480 --> 0:33:58.800
<v Speaker 3>for her?

0:33:58.960 --> 0:34:05.280
<v Speaker 1>I know, weren't you just yeah, she only has five

0:34:05.360 --> 0:34:08.759
<v Speaker 1>hundred and twelve dollars in her account, so she's giving

0:34:08.840 --> 0:34:10.880
<v Speaker 1>him more than half that.

0:34:11.280 --> 0:34:11.960
<v Speaker 3>Very generous.

0:34:11.960 --> 0:34:13.399
<v Speaker 2>You know exactly how much you had.

0:34:13.600 --> 0:34:16.120
<v Speaker 1>I was, I was doing the math in my head.

0:34:17.880 --> 0:34:20.479
<v Speaker 3>Billy's face is racked with guilt over the lie.

0:34:20.840 --> 0:34:22.200
<v Speaker 1>Yes, sort of.

0:34:22.520 --> 0:34:25.840
<v Speaker 3>Sort of, not guilty enough to tell the truth, but

0:34:25.880 --> 0:34:27.880
<v Speaker 3>he's going to do it anyway. So the next day

0:34:27.880 --> 0:34:31.680
<v Speaker 3>he delivers the money to Dawn, and she said, wait, wait, wait, wait, wait,

0:34:31.719 --> 0:34:33.839
<v Speaker 3>this is all going too fast for me. Even though

0:34:33.880 --> 0:34:37.120
<v Speaker 3>she appreciates the help, she does reveal at that point

0:34:37.120 --> 0:34:41.080
<v Speaker 3>that she's overwhelmed by Billy's sort of like willingness to

0:34:41.120 --> 0:34:43.319
<v Speaker 3>help and she doesn't even have a babysitter for the gig,

0:34:43.360 --> 0:34:46.040
<v Speaker 3>and this is all too much, and what Billy is doing,

0:34:46.080 --> 0:34:50.000
<v Speaker 3>which is helping her, is really scary, she says, and

0:34:50.040 --> 0:34:53.399
<v Speaker 3>Billy says it's scary for him too. What can I say?

0:34:53.480 --> 0:34:57.400
<v Speaker 3>He says, I think you're the greatest, and Don's face

0:34:57.480 --> 0:34:59.920
<v Speaker 3>shows a little bit of trepidation, like, wow, this capt

0:35:00.440 --> 0:35:01.120
<v Speaker 3>is coming on.

0:35:01.400 --> 0:35:02.879
<v Speaker 1>It's a lot, Yeah, it's a lot.

0:35:03.160 --> 0:35:05.640
<v Speaker 3>So then Jake and Michael are doing launder in the

0:35:05.680 --> 0:35:09.720
<v Speaker 3>launder room, Jake and his tank top of course, and

0:35:10.280 --> 0:35:13.719
<v Speaker 3>Jake is angry again, telling Michael that he tried to

0:35:13.719 --> 0:35:15.719
<v Speaker 3>do what Michael told him to do, taking it slow,

0:35:15.760 --> 0:35:18.200
<v Speaker 3>but it didn't work out, and angrily he tells Michael

0:35:18.239 --> 0:35:21.359
<v Speaker 3>that every so often Sandy would God forbid smile at

0:35:21.440 --> 0:35:24.080
<v Speaker 3>him and then forget it.

0:35:24.120 --> 0:35:26.880
<v Speaker 1>Clearly the messages she was asking for she was again

0:35:27.040 --> 0:35:28.160
<v Speaker 1>not exactly what he's saying.

0:35:28.160 --> 0:35:29.680
<v Speaker 2>I didn't really play for bid she.

0:35:29.760 --> 0:35:32.520
<v Speaker 3>Smiled at me and then forget it. Yeah, of course,

0:35:33.840 --> 0:35:35.560
<v Speaker 3>what was I supposed to do?

0:35:35.600 --> 0:35:36.319
<v Speaker 2>You know what I mean?

0:35:37.200 --> 0:35:40.440
<v Speaker 3>Yeah, And then the scene cuts to Sandy telling Ronda

0:35:40.520 --> 0:35:42.880
<v Speaker 3>her version of it where Jake was all over her

0:35:42.960 --> 0:35:45.040
<v Speaker 3>like a cheap suit. So they're both venting their to

0:35:45.080 --> 0:35:46.080
<v Speaker 3>their friends.

0:35:45.680 --> 0:35:48.840
<v Speaker 2>Like yeah, that was good, I like it.

0:35:48.840 --> 0:35:50.600
<v Speaker 3>Back and forth, and it went back a couple of times.

0:35:50.800 --> 0:35:52.799
<v Speaker 2>The boys and the girls all have different.

0:35:52.920 --> 0:35:55.160
<v Speaker 3>And you know, like, well, I kind of told you so,

0:35:55.200 --> 0:35:58.600
<v Speaker 3>and Sandy's like, please don't say that, and uh, but

0:35:58.640 --> 0:36:01.359
<v Speaker 3>that both of them can clue to their friends that

0:36:01.920 --> 0:36:04.440
<v Speaker 3>the other one is not ready for a commitment or

0:36:04.440 --> 0:36:11.120
<v Speaker 3>a serious relationship. So then we're back with Billy and

0:36:11.360 --> 0:36:15.919
<v Speaker 3>the child Martin. Billy is bringing the child Martin home

0:36:15.960 --> 0:36:19.759
<v Speaker 3>to his apartment, where they surprise Alison in her robe

0:36:19.800 --> 0:36:23.759
<v Speaker 3>doing her pedicure, and Billy's going to be babysitting for

0:36:23.760 --> 0:36:24.080
<v Speaker 3>the day.

0:36:24.239 --> 0:36:26.799
<v Speaker 1>And I like the fact that Martin's mother said to

0:36:26.840 --> 0:36:29.359
<v Speaker 1>the man who went into her son's bedroom the first

0:36:29.440 --> 0:36:31.880
<v Speaker 1>night they met, and an't you take him for the evening?

0:36:32.440 --> 0:36:33.560
<v Speaker 3>Why don't you have the whole day?

0:36:33.680 --> 0:36:34.960
<v Speaker 1>Why don't you go on your own date.

0:36:35.120 --> 0:36:37.719
<v Speaker 3>Yeah, while I'm on a town you just have my

0:36:37.800 --> 0:36:39.960
<v Speaker 3>kid for the whole day. Do whatever you want, go

0:36:39.960 --> 0:36:45.600
<v Speaker 3>ahead and take him to your apartment. Whatever. So, yeah,

0:36:45.680 --> 0:36:47.440
<v Speaker 3>luckily Alison was there, so she.

0:36:47.480 --> 0:36:49.319
<v Speaker 1>Was really worried about the stand up. Maybe she should

0:36:49.320 --> 0:36:51.560
<v Speaker 1>have been worried about the parenting. Maybe there was maybe

0:36:51.600 --> 0:36:54.440
<v Speaker 1>we had the focus. There's a lot to worry about here,

0:36:55.680 --> 0:36:58.680
<v Speaker 1>But Alison is there. She tries to offer Martin a

0:36:58.719 --> 0:37:02.040
<v Speaker 1>snack Billy and Allison are sort of trying to figure

0:37:02.040 --> 0:37:05.520
<v Speaker 1>out how to babysit together, and then Billy suggests, why

0:37:05.560 --> 0:37:07.280
<v Speaker 1>don't we go to Magic Mountain?

0:37:07.320 --> 0:37:07.920
<v Speaker 3>Magic Mountain?

0:37:08.000 --> 0:37:10.319
<v Speaker 2>So I want to know, did you you guys shot there?

0:37:10.520 --> 0:37:11.080
<v Speaker 2>Do you remember that?

0:37:11.280 --> 0:37:13.360
<v Speaker 1>Because we were right next to Magic Mountain. I remembered

0:37:13.400 --> 0:37:16.600
<v Speaker 1>watching it was that there was an article in the

0:37:16.719 --> 0:37:19.400
<v Speaker 1>Inquirer that I got off a ride and threw up.

0:37:19.719 --> 0:37:22.400
<v Speaker 1>That's what I remember, really, mm hmmm, and did you?

0:37:22.480 --> 0:37:24.399
<v Speaker 1>And there was something about Heather, which was funny because

0:37:24.400 --> 0:37:26.200
<v Speaker 1>Heather wasn't even in the scene, but Heather was there

0:37:26.200 --> 0:37:27.080
<v Speaker 1>and we got in a fight.

0:37:28.160 --> 0:37:30.400
<v Speaker 3>Yeah, really loved the Inquirer for that.

0:37:30.880 --> 0:37:33.239
<v Speaker 1>Yeah, that's fun faction.

0:37:33.320 --> 0:37:36.040
<v Speaker 2>It's weird that they were just like, did you feel

0:37:36.120 --> 0:37:39.279
<v Speaker 2>nauseous at all? Maybe now you know they.

0:37:39.320 --> 0:37:40.839
<v Speaker 1>Just make random stuff up.

0:37:40.880 --> 0:37:42.480
<v Speaker 3>Well, I thought the footage of you guys on the

0:37:42.520 --> 0:37:46.600
<v Speaker 3>roller coaster was adorable. You guys are like legitimately joyful,

0:37:46.800 --> 0:37:50.480
<v Speaker 3>like smiling that that's like roller coaster smile that you

0:37:50.520 --> 0:37:51.439
<v Speaker 3>can't wipe off your face.

0:37:51.640 --> 0:37:52.760
<v Speaker 2>It's just so sad.

0:37:52.880 --> 0:37:55.120
<v Speaker 4>Yeah, and what was he like to work with now

0:37:55.120 --> 0:37:57.640
<v Speaker 4>that we're what was Martin the kid?

0:37:58.040 --> 0:37:58.760
<v Speaker 2>Oh? He's fine.

0:37:58.800 --> 0:38:00.640
<v Speaker 1>You know, the kids are sweet. They've got their mom

0:38:00.719 --> 0:38:04.319
<v Speaker 1>there and the teacher there and you're rushing around. But

0:38:04.400 --> 0:38:05.080
<v Speaker 1>he was sweet.

0:38:05.120 --> 0:38:06.480
<v Speaker 3>I mean, yeah, and you got to go on a

0:38:06.560 --> 0:38:07.240
<v Speaker 3>roller coaster.

0:38:07.520 --> 0:38:10.000
<v Speaker 1>Yeah, Like what a fun job for a fun job.

0:38:10.120 --> 0:38:11.839
<v Speaker 2>Yeah.

0:38:12.040 --> 0:38:15.479
<v Speaker 3>So at the end of that scene, Martin is getting

0:38:15.480 --> 0:38:17.960
<v Speaker 3>a snack at a snackstand and Billy and Allison are

0:38:18.000 --> 0:38:22.279
<v Speaker 3>having a conversation. Billy reminds Allison reminds Billy how much

0:38:22.400 --> 0:38:25.320
<v Speaker 3>of a commitment it would be to actually have a

0:38:25.400 --> 0:38:29.799
<v Speaker 3>kid full time. Billy says, well, maybe someday, Alison, you'll

0:38:29.840 --> 0:38:34.479
<v Speaker 3>have kids because someone yeah, everyone wants. Every woman wants

0:38:34.520 --> 0:38:35.120
<v Speaker 3>to be a mom.

0:38:35.440 --> 0:38:38.000
<v Speaker 2>He said, you say to him, I don't want kids.

0:38:37.640 --> 0:38:40.680
<v Speaker 3>Yeah, And he says every woman wants to be a mom.

0:38:41.200 --> 0:38:41.640
<v Speaker 2>Yeah.

0:38:41.719 --> 0:38:43.759
<v Speaker 4>So as someone the only person here who doesn't have

0:38:43.880 --> 0:38:47.799
<v Speaker 4>kids and who never wanted them, that's very common, especially

0:38:48.000 --> 0:38:50.160
<v Speaker 4>I've had that coming from.

0:38:50.040 --> 0:38:52.680
<v Speaker 3>Men, just the assumption that every woman wants to.

0:38:52.600 --> 0:38:55.879
<v Speaker 2>Be the declarative statement, right, every woman wants to.

0:38:55.800 --> 0:38:58.440
<v Speaker 1>Have children, or and that you'll regret it if you don't.

0:38:58.600 --> 0:39:02.279
<v Speaker 2>All these yea in society to have a kid? Does that,

0:39:02.520 --> 0:39:02.839
<v Speaker 2>you know?

0:39:03.520 --> 0:39:08.160
<v Speaker 4>And I loved the term that my girlfriend of mine

0:39:08.200 --> 0:39:11.320
<v Speaker 4>who doesn't have kids, who never wanted them child free.

0:39:11.800 --> 0:39:12.440
<v Speaker 2>Yeah, I like that.

0:39:12.600 --> 0:39:13.759
<v Speaker 1>I like that too. That's great.

0:39:14.080 --> 0:39:15.200
<v Speaker 2>Yeah, it is great.

0:39:15.760 --> 0:39:17.919
<v Speaker 1>Yeah, and it's great to know that about your scene.

0:39:17.920 --> 0:39:18.399
<v Speaker 2>It is great.

0:39:18.560 --> 0:39:20.520
<v Speaker 1>Not do it because it's hard, and if you don't

0:39:20.520 --> 0:39:21.880
<v Speaker 1>want to do it, you shouldn't do it.

0:39:21.920 --> 0:39:24.000
<v Speaker 2>Absolutely should absolutely yea shouldn't.

0:39:24.520 --> 0:39:26.399
<v Speaker 1>But I saw this scene and you guys will see

0:39:26.400 --> 0:39:29.080
<v Speaker 1>it when when your episodes come up. I just wanted

0:39:29.080 --> 0:39:31.000
<v Speaker 1>to redo it. I'm like, can I ever redo for

0:39:31.120 --> 0:39:34.000
<v Speaker 1>this scene? I would play this so differently if I

0:39:34.040 --> 0:39:40.680
<v Speaker 1>could just act, like, if we could redo the scene differently. Yeah,

0:39:41.400 --> 0:39:44.000
<v Speaker 1>I just I didn't. I didn't like the way I

0:39:44.040 --> 0:39:46.040
<v Speaker 1>played it, and I was like, oh, it was just

0:39:46.120 --> 0:39:47.920
<v Speaker 1>I felt like it was just one note. Like I

0:39:48.040 --> 0:39:49.759
<v Speaker 1>just sort of went through it. And I think it

0:39:49.840 --> 0:39:52.520
<v Speaker 1>was out of fear, probably that the material felt scary

0:39:52.560 --> 0:39:54.919
<v Speaker 1>to me. So I just sort of went through it

0:39:55.480 --> 0:39:57.479
<v Speaker 1>and it was just you'll see, like there were scenes

0:39:57.480 --> 0:39:59.600
<v Speaker 1>where you go, oh, I'd love another shot.

0:39:59.760 --> 0:40:03.719
<v Speaker 3>I'm sure I love another shot at most of my scenes, yeah, yeah.

0:40:03.480 --> 0:40:06.000
<v Speaker 1>But there are some that you really go, oh boy,

0:40:06.080 --> 0:40:07.319
<v Speaker 1>I misplayed it well.

0:40:07.360 --> 0:40:10.480
<v Speaker 3>Also, just the subject matter with him saying every woman

0:40:10.719 --> 0:40:13.799
<v Speaker 3>wants this, and you're like, as the character, I don't.

0:40:14.000 --> 0:40:15.960
<v Speaker 3>I don't think I want this, and I don't think

0:40:15.960 --> 0:40:16.640
<v Speaker 3>I could handle it.

0:40:16.640 --> 0:40:18.360
<v Speaker 1>Like I don't think I was mature enough as a

0:40:18.400 --> 0:40:21.040
<v Speaker 1>person that like I could play. I understood everything about

0:40:21.040 --> 0:40:22.840
<v Speaker 1>that scene, now, That's what it was. It was like I

0:40:22.880 --> 0:40:26.160
<v Speaker 1>didn't have the layers that the scene needed because I

0:40:26.200 --> 0:40:28.400
<v Speaker 1>just think I wasn't there yet. I was twenty four,

0:40:28.600 --> 0:40:30.560
<v Speaker 1>like I was thinking, of course, I'll be a mom

0:40:30.600 --> 0:40:32.799
<v Speaker 1>and half like I just wasn't. I hadn't had the

0:40:32.960 --> 0:40:35.760
<v Speaker 1>complicated thoughts about it that the scene needed.

0:40:35.840 --> 0:40:38.520
<v Speaker 3>Well, for what it's worth, I thought you did at

0:40:38.520 --> 0:40:41.400
<v Speaker 3>a very age appropriate level, like I did, think you

0:40:42.160 --> 0:40:42.560
<v Speaker 3>thank you.

0:40:42.560 --> 0:40:46.480
<v Speaker 1>For that plays it strategy age appropriate level.

0:40:46.560 --> 0:40:47.200
<v Speaker 2>It was fine.

0:40:47.320 --> 0:40:49.840
<v Speaker 3>That was that was the character's age, you know, that

0:40:49.920 --> 0:40:52.560
<v Speaker 3>was the character's point of view at her age, and.

0:40:52.520 --> 0:40:55.760
<v Speaker 1>So I think they can only do so much. So Courtney,

0:40:55.840 --> 0:40:56.759
<v Speaker 1>what I'm saying.

0:40:56.520 --> 0:40:59.520
<v Speaker 3>Forty, I thought you were great in the scene and

0:40:59.560 --> 0:41:01.840
<v Speaker 3>I got it like that you were. You know, that

0:41:01.960 --> 0:41:04.920
<v Speaker 3>was a complicated conversation, and I thought that like Billy

0:41:05.000 --> 0:41:08.200
<v Speaker 3>again was sort of inserting himself and making assumptions that

0:41:08.520 --> 0:41:11.239
<v Speaker 3>he wasn't his to make they rode the roller coaster.

0:41:11.400 --> 0:41:14.600
<v Speaker 3>They had this weird conversation and then they they we

0:41:14.680 --> 0:41:17.960
<v Speaker 3>go back to back to the courtyard where the gang

0:41:18.120 --> 0:41:19.120
<v Speaker 3>is in the pool.

0:41:19.440 --> 0:41:23.160
<v Speaker 4>Yeah, that was like Matt came to so Doug came

0:41:23.200 --> 0:41:24.320
<v Speaker 4>to work to get in the pool.

0:41:24.400 --> 0:41:26.400
<v Speaker 3>He had a dinner party scene and then he was

0:41:26.400 --> 0:41:27.759
<v Speaker 3>in the pool and I think that was all of

0:41:27.760 --> 0:41:32.080
<v Speaker 3>his appearances. And they're playing with Martin the Kid.

0:41:32.239 --> 0:41:36.319
<v Speaker 4>I noticed that Billy is doing his soccer stuff at.

0:41:36.200 --> 0:41:40.239
<v Speaker 3>This Yeah, he had a couple of good headers, like, yeah,

0:41:40.239 --> 0:41:42.320
<v Speaker 3>it's like basketball soccer in the pool.

0:41:42.160 --> 0:41:45.000
<v Speaker 4>Because at that point, well he had already played Andrew

0:41:45.040 --> 0:41:48.200
<v Speaker 4>had already played with the Galaxy, right, remember.

0:41:48.920 --> 0:41:50.200
<v Speaker 1>Remember when that happened?

0:41:50.320 --> 0:41:54.920
<v Speaker 3>Did happened professional soccer? I think in in Africa, right,

0:41:55.080 --> 0:41:56.319
<v Speaker 3>that's where he's here.

0:41:56.400 --> 0:41:57.920
<v Speaker 2>Where was he La Galaxy?

0:41:58.440 --> 0:42:00.600
<v Speaker 4>But in our interview he said but I don't remember

0:42:00.600 --> 0:42:03.120
<v Speaker 4>if he said afterwards or before he did the show.

0:42:03.239 --> 0:42:06.279
<v Speaker 1>I think he taught in Africa and played soccer, and

0:42:06.360 --> 0:42:10.479
<v Speaker 1>I feel like he played for the Galaxy latering the show.

0:42:10.560 --> 0:42:13.839
<v Speaker 2>Yeah, yeah, I think it over. I think happened showing

0:42:13.880 --> 0:42:14.680
<v Speaker 2>off a little stuff there.

0:42:14.719 --> 0:42:17.000
<v Speaker 3>Yeah, cool, So they were having a good time playing

0:42:17.040 --> 0:42:20.480
<v Speaker 3>in the pool, and Alison's sitting poolside talking with Ronda

0:42:20.560 --> 0:42:25.120
<v Speaker 3>and Jane, and Alison is observing that Billy actually kind

0:42:25.120 --> 0:42:27.680
<v Speaker 3>of looks like he's great at this and it's the

0:42:27.719 --> 0:42:31.200
<v Speaker 3>first time she sees him as acting like an actual adult.

0:42:31.800 --> 0:42:34.879
<v Speaker 3>And Alison tells Ronda and Jane that she loves kids

0:42:34.880 --> 0:42:37.520
<v Speaker 3>but doesn't think she could be ever ready to be

0:42:37.600 --> 0:42:40.520
<v Speaker 3>a mom. Ronda sort of agrees, and Jane says that

0:42:40.560 --> 0:42:42.640
<v Speaker 3>no one ever feels like they're ready, but that you'd

0:42:42.640 --> 0:42:43.360
<v Speaker 3>be surprised.

0:42:43.719 --> 0:42:45.200
<v Speaker 2>Jane is pregnant.

0:42:45.280 --> 0:42:48.719
<v Speaker 4>Yeah, you know that now, right, Yeah, she's the one

0:42:48.719 --> 0:42:50.160
<v Speaker 4>now that is experienced.

0:42:50.280 --> 0:42:52.799
<v Speaker 3>Yeah, she says, I wasn't exactly feeling like I was ready,

0:42:52.800 --> 0:42:53.920
<v Speaker 3>but then all of a sudden, you know.

0:42:54.320 --> 0:42:55.080
<v Speaker 2>She's so young.

0:42:55.400 --> 0:42:58.760
<v Speaker 3>Yeah, you'd be surprised how it she changed, she says.

0:43:00.040 --> 0:43:03.279
<v Speaker 3>And so Billy and Allison are watching Martin's sleep later.

0:43:03.400 --> 0:43:06.640
<v Speaker 3>He's exhausted after his big day. He's sleeping peacefully and

0:43:06.680 --> 0:43:10.560
<v Speaker 3>they're they both think it's so sweet watching him sleep,

0:43:10.800 --> 0:43:12.399
<v Speaker 3>and then there's a knock of the door. It's Dawn

0:43:12.440 --> 0:43:14.719
<v Speaker 3>returning after her gig, which.

0:43:14.600 --> 0:43:18.360
<v Speaker 1>Really, I think messes with Allison's little happy family fantasy.

0:43:18.520 --> 0:43:20.680
<v Speaker 1>I have going. I don't think I'm very happy to

0:43:20.719 --> 0:43:22.240
<v Speaker 1>see her.

0:43:21.760 --> 0:43:23.000
<v Speaker 2>I don't think so.

0:43:23.080 --> 0:43:25.680
<v Speaker 3>I think they had like this long, great day together,

0:43:26.040 --> 0:43:29.040
<v Speaker 3>and like, even without speaking of it, they both are

0:43:29.040 --> 0:43:29.759
<v Speaker 3>sort of feeling like.

0:43:29.719 --> 0:43:32.640
<v Speaker 1>Wow, this woman comes and takes our child child.

0:43:32.920 --> 0:43:35.280
<v Speaker 2>Imagine that right out of her fantasy.

0:43:36.480 --> 0:43:38.960
<v Speaker 3>But so Don is as grateful as she is for

0:43:39.040 --> 0:43:41.000
<v Speaker 3>the babysitting help. She thanks Billy for making all the

0:43:41.000 --> 0:43:43.239
<v Speaker 3>difference because it was a big boost to her career

0:43:43.280 --> 0:43:45.080
<v Speaker 3>by being able to do the show. And thanks for

0:43:45.160 --> 0:43:46.960
<v Speaker 3>loaning me the money to fix my.

0:43:46.960 --> 0:43:49.440
<v Speaker 2>Car, she says, three hundred dollars.

0:43:49.760 --> 0:43:52.680
<v Speaker 3>So not only is Alison jealous of this woman, but

0:43:52.719 --> 0:43:54.680
<v Speaker 3>now she's furious to learn that Billy has lied about

0:43:54.719 --> 0:43:55.520
<v Speaker 3>what the money was for.

0:43:55.719 --> 0:44:00.440
<v Speaker 2>And and those big blue eyes are like, you lied.

0:44:00.960 --> 0:44:02.600
<v Speaker 1>They're full of rage, they're.

0:44:02.440 --> 0:44:02.919
<v Speaker 2>Full of.

0:44:05.000 --> 0:44:09.720
<v Speaker 4>Talk about having a fantasy burst. Well, the mother walks

0:44:09.719 --> 0:44:11.640
<v Speaker 4>in with his fantasy job, and then.

0:44:12.000 --> 0:44:16.520
<v Speaker 2>Your friend, you're you know, the guy has lied to you.

0:44:17.400 --> 0:44:19.880
<v Speaker 2>So it's like poof back to reality.

0:44:19.960 --> 0:44:22.080
<v Speaker 3>And they kissed goodbye at the door, like Don leaves,

0:44:22.080 --> 0:44:23.879
<v Speaker 3>and they kiss right in front of Alison, and then

0:44:23.920 --> 0:44:28.080
<v Speaker 3>she's like just slapping the face and then he says, well,

0:44:28.120 --> 0:44:31.959
<v Speaker 3>I was you know, yes, yes, you were doing something

0:44:32.000 --> 0:44:34.040
<v Speaker 3>unselfish and responsible with the money, but it was at

0:44:34.080 --> 0:44:35.120
<v Speaker 3>my expense.

0:44:35.200 --> 0:44:37.360
<v Speaker 1>That was a good line. I thought, at my expense,

0:44:37.400 --> 0:44:39.120
<v Speaker 1>that's a great way to say your line.

0:44:39.239 --> 0:44:42.360
<v Speaker 4>Yeah, and where does he say, imagine it in my shoes?

0:44:42.520 --> 0:44:44.040
<v Speaker 4>Imagine it from my point of view?

0:44:44.200 --> 0:44:46.880
<v Speaker 3>Yeah, I think that's after after she leaves, right.

0:44:47.000 --> 0:44:52.640
<v Speaker 4>Imagine if from my point I'm like, no, why you

0:44:53.080 --> 0:44:53.879
<v Speaker 4>acted it out?

0:44:57.480 --> 0:45:00.839
<v Speaker 3>So yeah, after stupid, I can't imagine it.

0:45:01.320 --> 0:45:03.080
<v Speaker 1>I've learned that from years of couples therapy.

0:45:03.200 --> 0:45:08.439
<v Speaker 3>I have imagined it, and it's dumb. So yeah, after

0:45:08.520 --> 0:45:11.680
<v Speaker 3>Don leaves, Allison says, Billy, you do this every time,

0:45:11.800 --> 0:45:15.080
<v Speaker 3>jumping headfirst into a relationship without a moment's thought. And

0:45:15.120 --> 0:45:19.960
<v Speaker 3>Billy says, unlike you, who you know, you withhold all

0:45:20.400 --> 0:45:24.840
<v Speaker 3>all your feelings. And Allison accuses Billy of play acting

0:45:24.920 --> 0:45:27.120
<v Speaker 3>as an adult living in a dream world because it

0:45:27.120 --> 0:45:31.319
<v Speaker 3>can barely take care of himself. But Billy apologizes about

0:45:31.320 --> 0:45:34.080
<v Speaker 3>the money, says we'll pay her back. Allison says she

0:45:34.239 --> 0:45:37.439
<v Speaker 3>thinks she could never trust him again. So it ends

0:45:37.480 --> 0:45:39.600
<v Speaker 3>on a very bad feeling between the two.

0:45:40.440 --> 0:45:42.320
<v Speaker 1>My mother said that to me one time when I

0:45:42.480 --> 0:45:44.400
<v Speaker 1>ate half an ice cream sandwich and light about it,

0:45:44.480 --> 0:45:47.200
<v Speaker 1>what'd she say? She can never trust you again. She

0:45:47.280 --> 0:45:48.920
<v Speaker 1>may have been a slight overreaction.

0:45:49.520 --> 0:45:50.840
<v Speaker 3>It might be her favorite food.

0:45:50.840 --> 0:45:53.080
<v Speaker 1>Ever, Hence I'd like to ask her if she's held

0:45:53.080 --> 0:45:53.480
<v Speaker 1>true to that.

0:45:55.160 --> 0:45:55.960
<v Speaker 3>Are you over right yet?

0:45:55.960 --> 0:45:56.120
<v Speaker 1>Mom?

0:45:56.200 --> 0:45:59.239
<v Speaker 4>I can never trust clearly, I'm not because you said

0:45:59.280 --> 0:46:00.399
<v Speaker 4>you didn't need any of it.

0:46:01.840 --> 0:46:03.960
<v Speaker 1>This is stupid. I was I ate half of it,

0:46:04.000 --> 0:46:05.480
<v Speaker 1>like if I'd taken all of it, you ate half

0:46:05.480 --> 0:46:07.719
<v Speaker 1>of it, put the other half back and situated. I

0:46:07.800 --> 0:46:12.520
<v Speaker 1>was like, no, sending more on their tolf ice cream.

0:46:13.960 --> 0:46:20.800
<v Speaker 3>God, oh boy, the things we remember lying, yeah, gracious.

0:46:24.360 --> 0:46:26.600
<v Speaker 3>So then the next day, Bill it's a Dawn's apartment

0:46:27.040 --> 0:46:31.360
<v Speaker 3>and he's walking down the hall overhearing shouting inside, so

0:46:31.520 --> 0:46:34.600
<v Speaker 3>he barges in to discover the ex husband is there,

0:46:34.760 --> 0:46:37.040
<v Speaker 3>and the ex husband and Donn are screaming at each other.

0:46:37.160 --> 0:46:39.839
<v Speaker 3>Billy tries to get in the middle of it, says,

0:46:39.960 --> 0:46:42.080
<v Speaker 3>you know, I care more about her than you ever did.

0:46:42.200 --> 0:46:45.040
<v Speaker 3>He shoves the guy. When the guy makes a comment,

0:46:45.120 --> 0:46:46.560
<v Speaker 3>boll like, what do you look Martin?

0:46:46.840 --> 0:46:47.279
<v Speaker 1>Our kid?

0:46:47.840 --> 0:46:49.080
<v Speaker 3>Watch you guys again.

0:46:49.160 --> 0:46:51.160
<v Speaker 1>He's known her for all of three and a half years.

0:46:52.080 --> 0:46:56.040
<v Speaker 3>Yeah, but yeah, so that doesn't go well. The X

0:46:56.160 --> 0:46:57.880
<v Speaker 3>leaves saying he'll be back at noon to pick up

0:46:57.920 --> 0:47:01.160
<v Speaker 3>his kid. But after he Don is upset and he's

0:47:01.360 --> 0:47:04.160
<v Speaker 3>upset with Billy, like, get the heck out of the

0:47:04.239 --> 0:47:07.000
<v Speaker 3>situation where you don't belong, And.

0:47:08.520 --> 0:47:08.960
<v Speaker 2>That was time.

0:47:09.040 --> 0:47:10.640
<v Speaker 3>We find out that Martin has seen and her the

0:47:10.680 --> 0:47:15.440
<v Speaker 3>whole thing. So who gives you the right to interfere,

0:47:15.560 --> 0:47:17.399
<v Speaker 3>she says to Billy, and Billy says he just wanted

0:47:17.440 --> 0:47:17.680
<v Speaker 3>to help.

0:47:17.760 --> 0:47:18.000
<v Speaker 1>Try it.

0:47:18.120 --> 0:47:20.600
<v Speaker 3>Here's where it is. Try and understand how I feel,

0:47:21.560 --> 0:47:24.960
<v Speaker 3>He says it to Don, try and understand how I feel.

0:47:25.040 --> 0:47:28.399
<v Speaker 3>But Don reminds him here that you're a twenty three

0:47:28.480 --> 0:47:30.400
<v Speaker 3>year old Cabby who is not ready to take on

0:47:30.520 --> 0:47:32.239
<v Speaker 3>responsibilities that my life comes with.

0:47:32.600 --> 0:47:34.800
<v Speaker 2>Yeah, I mean I thought that was That's the crux

0:47:34.840 --> 0:47:38.400
<v Speaker 2>of the whole show is like you're in a fantasy.

0:47:38.560 --> 0:47:40.600
<v Speaker 4>You want to swoop in and be my savior. You

0:47:40.719 --> 0:47:43.000
<v Speaker 4>gave me the three hundred dollars, but it's a fantasy.

0:47:43.200 --> 0:47:46.960
<v Speaker 4>And I you really see in this scene where she's like,

0:47:48.000 --> 0:47:51.239
<v Speaker 4>you know, once it ends, once you leave, I still

0:47:51.280 --> 0:47:53.440
<v Speaker 4>have this kid, I still have this ex husband, I

0:47:53.480 --> 0:47:56.400
<v Speaker 4>still have to get child support. I have to support everything,

0:47:56.600 --> 0:47:59.400
<v Speaker 4>and it's like real life. Yeah, and you get to

0:47:59.440 --> 0:48:03.160
<v Speaker 4>see how naive he was, even though he's well intended.

0:48:03.520 --> 0:48:05.880
<v Speaker 4>I think he's just trying to be a grown up,

0:48:06.160 --> 0:48:09.279
<v Speaker 4>you know, and trying to be responsible.

0:48:09.400 --> 0:48:11.600
<v Speaker 2>And I'm with Billy, I'm like, yeah, you're right, I'm

0:48:11.640 --> 0:48:13.239
<v Speaker 2>out take it.

0:48:14.040 --> 0:48:15.880
<v Speaker 3>You could have the kid and the X and all that,

0:48:16.080 --> 0:48:19.120
<v Speaker 3>except he's not. He's not thinking that. She's saying, here,

0:48:19.239 --> 0:48:20.920
<v Speaker 3>here's your money, going to pay back the money, and

0:48:21.400 --> 0:48:23.680
<v Speaker 3>you know, she tells how things are not always black

0:48:23.719 --> 0:48:25.600
<v Speaker 3>and white and you should just take this money and

0:48:25.680 --> 0:48:29.919
<v Speaker 3>you should go. So she asks him to go. Then

0:48:30.400 --> 0:48:33.320
<v Speaker 3>back with Sandy, who's storming down to Jane and Michael's

0:48:33.360 --> 0:48:35.560
<v Speaker 3>apartment the next morning because her dress class, or maybe

0:48:35.560 --> 0:48:38.239
<v Speaker 3>that night, because her dress closet is broken. She has

0:48:38.280 --> 0:48:39.640
<v Speaker 3>a dress closet and her heart.

0:48:40.239 --> 0:48:41.720
<v Speaker 1>I have enough dresses to fill a closet.

0:48:41.760 --> 0:48:42.200
<v Speaker 2>You shouldn't.

0:48:42.280 --> 0:48:43.680
<v Speaker 3>I hope you have a dress closet, but.

0:48:43.800 --> 0:48:45.480
<v Speaker 1>Like, I didn't know you could even have one.

0:48:45.480 --> 0:48:48.760
<v Speaker 3>I don't remember Melrose's place having dress clauses, only Sandy's apartment.

0:48:48.840 --> 0:48:50.719
<v Speaker 2>I heard of that term ever in my life. No

0:48:50.880 --> 0:48:51.359
<v Speaker 2>dress clause.

0:48:51.440 --> 0:48:53.400
<v Speaker 3>That's where she keeps her dresses in her special closet

0:48:53.440 --> 0:48:55.719
<v Speaker 3>that locks. I guess from the inside.

0:48:55.400 --> 0:48:58.640
<v Speaker 2>They are like, you know, I don't know fancy dresses

0:48:58.680 --> 0:48:59.120
<v Speaker 2>are in there.

0:48:59.360 --> 0:49:02.160
<v Speaker 3>Yeah, but Jane suggests that maybe Jake could help her

0:49:02.200 --> 0:49:04.319
<v Speaker 3>get fix the door and get her dressed closet and locked.

0:49:04.360 --> 0:49:09.200
<v Speaker 3>Since Michael is at the hospital, Jeeke is in the

0:49:09.280 --> 0:49:12.480
<v Speaker 3>courtyard fixing his motorcycle, and I guess decides to help

0:49:12.520 --> 0:49:14.879
<v Speaker 3>her because we cut inside the apartment where he's messing

0:49:14.920 --> 0:49:18.120
<v Speaker 3>around with the lock. Something weird happens where he's trying

0:49:18.160 --> 0:49:20.160
<v Speaker 3>to get it unstuck, and he goes flying across the

0:49:20.280 --> 0:49:22.200
<v Speaker 3>room and he hurts himself and he lands on the ground.

0:49:22.920 --> 0:49:25.400
<v Speaker 3>So like their banter was really angry with each other

0:49:25.440 --> 0:49:26.959
<v Speaker 3>while he's trying to fix the door, but the minute

0:49:26.960 --> 0:49:30.160
<v Speaker 3>he falls sexual, Yes, angry as all.

0:49:30.080 --> 0:49:31.719
<v Speaker 2>The innuendos yep.

0:49:31.960 --> 0:49:32.160
<v Speaker 1>Yeah.

0:49:32.520 --> 0:49:34.759
<v Speaker 2>And wait, is it an on TNDRA or an innuendo?

0:49:34.960 --> 0:49:35.760
<v Speaker 3>I think there's both.

0:49:36.440 --> 0:49:39.120
<v Speaker 2>Is there both in there? Like one screw yeah, and

0:49:39.320 --> 0:49:42.080
<v Speaker 2>you're on your own or something one. I don't know,

0:49:42.160 --> 0:49:44.080
<v Speaker 2>I can't but it was these Melrose things. Yeah, I

0:49:44.080 --> 0:49:45.880
<v Speaker 2>don't know if those are ons.

0:49:48.280 --> 0:49:51.520
<v Speaker 3>But the innuendo is there as well. So then he

0:49:52.040 --> 0:49:54.720
<v Speaker 3>all of a sudden, they start laughing when he falls,

0:49:54.800 --> 0:49:56.359
<v Speaker 3>and they sort of like change their tune and they're

0:49:56.440 --> 0:49:59.360
<v Speaker 3>nice to each other again, and they both admit that

0:49:59.440 --> 0:50:01.560
<v Speaker 3>maybe they should just stick to, you know, enjoying the

0:50:01.600 --> 0:50:04.720
<v Speaker 3>friendship that they have. Sandy admits that she doesn't actually

0:50:04.760 --> 0:50:06.920
<v Speaker 3>have a hot date that night, she just needed address

0:50:07.480 --> 0:50:09.959
<v Speaker 3>because she's going to the movies with Ronda, and all

0:50:10.440 --> 0:50:14.120
<v Speaker 3>is suddenly right between Jake and Sandy. All he needed

0:50:14.239 --> 0:50:17.839
<v Speaker 3>was a good like what you know fall.

0:50:18.239 --> 0:50:20.040
<v Speaker 1>I'm curious to see if we sort of tied this

0:50:20.160 --> 0:50:21.719
<v Speaker 1>up in the boat or if it starts again in

0:50:21.760 --> 0:50:22.600
<v Speaker 1>the next episode.

0:50:22.680 --> 0:50:26.800
<v Speaker 3>This is definitely ties up in this episode like for today,

0:50:26.960 --> 0:50:28.360
<v Speaker 3>quick and wrap up of that.

0:50:28.560 --> 0:50:33.239
<v Speaker 4>So this is episode nine, yes, no, yeah, okay, a

0:50:33.280 --> 0:50:36.640
<v Speaker 4>few more episodes until someone else comes to town.

0:50:37.239 --> 0:50:39.800
<v Speaker 3>I know we're more than halfway to Daphney people.

0:50:40.360 --> 0:50:43.480
<v Speaker 2>More than half the blonde was there. I think she

0:50:43.640 --> 0:50:44.359
<v Speaker 2>was already gone.

0:50:45.040 --> 0:50:48.480
<v Speaker 1>Yeah, I think she left at thirteen. I think yeah,

0:50:48.480 --> 0:50:52.480
<v Speaker 1>And you came at nineteen, almost halfway to.

0:50:52.560 --> 0:50:54.839
<v Speaker 3>Lara, almost halfway to Laura.

0:50:56.040 --> 0:50:58.160
<v Speaker 4>I could say you could say goodbye to the Brady

0:50:58.239 --> 0:51:00.759
<v Speaker 4>Bunch version of Melroe's place.

0:51:00.880 --> 0:51:05.359
<v Speaker 3>Yeah, things are gonna get way different soon. So then

0:51:05.400 --> 0:51:07.800
<v Speaker 3>Billy comes home with the money for Allison again. He

0:51:07.840 --> 0:51:11.360
<v Speaker 3>apologizes to her for screwing things up and he doesn't

0:51:11.400 --> 0:51:15.440
<v Speaker 3>want her to stop trusting him. She says that she

0:51:15.680 --> 0:51:18.200
<v Speaker 3>understands he was just trying to be noble, but he

0:51:18.320 --> 0:51:21.239
<v Speaker 3>just wasn't being realistic. He said he was trying to

0:51:21.320 --> 0:51:24.560
<v Speaker 3>be needed, not just to be cared for, like he

0:51:24.600 --> 0:51:27.120
<v Speaker 3>feels like he's always being cared for by others. He

0:51:27.320 --> 0:51:31.400
<v Speaker 3>liked being needed, and he actually wants to talk to

0:51:31.600 --> 0:51:34.840
<v Speaker 3>Dawn again. So like, as much as things seem to

0:51:34.880 --> 0:51:37.279
<v Speaker 3>be wrapped up with Billy and Allison, he still wants

0:51:37.360 --> 0:51:39.480
<v Speaker 3>to go back and try again with Don.

0:51:39.600 --> 0:51:41.960
<v Speaker 2>I don't know. I think this is right, you guys.

0:51:42.080 --> 0:51:44.120
<v Speaker 4>I think it's honest of him to say I just

0:51:44.160 --> 0:51:47.279
<v Speaker 4>wanted to be needed. He created this whole scenario so

0:51:47.440 --> 0:51:49.480
<v Speaker 4>he could insert himself to feel needed.

0:51:50.000 --> 0:51:51.920
<v Speaker 2>I mean, what's the boy to do if you're.

0:51:51.800 --> 0:51:54.759
<v Speaker 4>Not that needed, you're going to create the situation. I

0:51:54.840 --> 0:51:56.239
<v Speaker 4>think it's honest of him to say that.

0:51:56.520 --> 0:51:57.560
<v Speaker 3>Oh, it's totally honest.

0:51:57.640 --> 0:51:57.800
<v Speaker 1>I do.

0:51:58.000 --> 0:52:01.520
<v Speaker 3>I agree. I'm just like, no that she asked him

0:52:01.560 --> 0:52:03.000
<v Speaker 3>to leave, Like, you should just take this money and

0:52:03.080 --> 0:52:05.600
<v Speaker 3>you should just go right, And so he goes back

0:52:05.640 --> 0:52:07.719
<v Speaker 3>to Alison. Instead of saying, hey, I can take a hint.

0:52:08.280 --> 0:52:10.920
<v Speaker 3>Even though I liked being needed, she doesn't want me there, right,

0:52:11.040 --> 0:52:12.799
<v Speaker 3>He can't take that. He's like, you know, I'm going

0:52:12.840 --> 0:52:15.080
<v Speaker 3>to go see her again tonight, right, So he just

0:52:15.160 --> 0:52:15.920
<v Speaker 3>tries one more time.

0:52:16.080 --> 0:52:19.200
<v Speaker 4>Yeah, I'm gonna I need her to need me, So

0:52:19.280 --> 0:52:20.920
<v Speaker 4>I'm gonna need to go over there to get her

0:52:20.960 --> 0:52:21.600
<v Speaker 4>to say I need you.

0:52:21.680 --> 0:52:24.680
<v Speaker 2>But she's not gonna say, let's see what happens, So

0:52:24.719 --> 0:52:25.279
<v Speaker 2>off he goes.

0:52:25.320 --> 0:52:28.640
<v Speaker 3>He goes back to Dawn's stand up show, and this

0:52:28.800 --> 0:52:32.000
<v Speaker 3>time her whole set is about divorce and relationships and

0:52:32.080 --> 0:52:33.960
<v Speaker 3>falling for the wrong guys, all these guys who are

0:52:34.000 --> 0:52:37.799
<v Speaker 3>living out their superhero fantasies. And Billy's listening and he's

0:52:37.880 --> 0:52:39.840
<v Speaker 3>realizing as he's listening to what she's saying that she

0:52:39.960 --> 0:52:44.040
<v Speaker 3>doesn't want to be rescued. She actually wants commitment. Billy's

0:52:44.080 --> 0:52:46.600
<v Speaker 3>face is starting to say, maybe he's not so sure

0:52:46.640 --> 0:52:48.359
<v Speaker 3>he can be that guy commitment man.

0:52:48.560 --> 0:52:52.440
<v Speaker 4>He is also feeling mocked and like she specifically is

0:52:52.480 --> 0:52:54.080
<v Speaker 4>writing this material about him.

0:52:54.320 --> 0:52:55.520
<v Speaker 3>Yeah, it sure looks like it.

0:52:56.520 --> 0:52:59.560
<v Speaker 2>It's that's humiliating. Yeah right, yeah, it.

0:52:59.560 --> 0:53:02.279
<v Speaker 3>Does look But he meets her at the bar after

0:53:02.320 --> 0:53:06.640
<v Speaker 3>the set and he tries once more, and don says,

0:53:06.680 --> 0:53:09.839
<v Speaker 3>you know, we should just leave it alone. And he says,

0:53:09.840 --> 0:53:11.400
<v Speaker 3>but I you know, I want to I get it,

0:53:11.520 --> 0:53:13.600
<v Speaker 3>but I do want to continue spending time with you.

0:53:13.880 --> 0:53:16.920
<v Speaker 3>And she says, I'm the one who's not ready and

0:53:17.360 --> 0:53:19.239
<v Speaker 3>I just need to make it on my own and

0:53:19.480 --> 0:53:21.279
<v Speaker 3>with all the things in my life, there's just no

0:53:21.440 --> 0:53:24.239
<v Speaker 3>room for you, Billy, she says. So Billy finally takes

0:53:24.239 --> 0:53:26.120
<v Speaker 3>a hint, and he says, okay, but can I say

0:53:26.160 --> 0:53:31.080
<v Speaker 3>buy to Martin who's the kid? And she says she says, no,

0:53:31.160 --> 0:53:32.240
<v Speaker 3>I don't think that's a good idea.

0:53:33.120 --> 0:53:36.040
<v Speaker 2>He tells you, for either of you, He's going to

0:53:36.080 --> 0:53:37.200
<v Speaker 2>start it back up, get.

0:53:37.080 --> 0:53:39.759
<v Speaker 3>The hook, he tells her. Then can you just tell

0:53:39.840 --> 0:53:43.080
<v Speaker 3>Martin that I said Austill la Vista Baby, Martin will understand.

0:53:43.239 --> 0:53:44.399
<v Speaker 1>Oh that is cute.

0:53:45.440 --> 0:53:48.800
<v Speaker 3>So the next morning, Billy's at home reading the paper

0:53:49.120 --> 0:53:51.600
<v Speaker 3>at the apartment. He's dreaming about all the places he's

0:53:51.640 --> 0:53:53.880
<v Speaker 3>never traveled and realizing that freedom is great. Maybe he

0:53:53.960 --> 0:53:57.719
<v Speaker 3>will just go to all these great places and yeah's young,

0:53:59.400 --> 0:54:03.000
<v Speaker 3>no ties to anyone, and he also says that having

0:54:03.040 --> 0:54:05.040
<v Speaker 3>a family was great for a second, if only for

0:54:05.120 --> 0:54:07.440
<v Speaker 3>a second, and it's something to look forward to someday.

0:54:08.080 --> 0:54:12.680
<v Speaker 3>And then the flirty flirty between Billy and ellis the

0:54:12.760 --> 0:54:15.759
<v Speaker 3>right person, a flirty conversation about who might that be with,

0:54:16.040 --> 0:54:18.480
<v Speaker 3>and Alison leaves with a super flirty look to him

0:54:18.520 --> 0:54:22.399
<v Speaker 3>and says, huh, you never know. I'm right in front

0:54:22.400 --> 0:54:22.640
<v Speaker 3>of you.

0:54:22.719 --> 0:54:23.399
<v Speaker 2>You ding dong.

0:54:26.320 --> 0:54:31.239
<v Speaker 3>Pretty sure that's what that looks said. So, yeah, we

0:54:31.400 --> 0:54:37.719
<v Speaker 3>have another episode where things are neatly wrapped up, and

0:54:37.880 --> 0:54:39.680
<v Speaker 3>like you said, it's not going to be that way

0:54:39.960 --> 0:54:41.840
<v Speaker 3>pretty soon. The whole tone of the show is going

0:54:41.920 --> 0:54:42.799
<v Speaker 3>to change, which we know.

0:54:43.080 --> 0:54:45.560
<v Speaker 2>Well yeah, and it's not always wrapped up. I feel

0:54:45.600 --> 0:54:50.400
<v Speaker 2>like these are morality place a little bit, you know

0:54:50.440 --> 0:54:50.919
<v Speaker 2>what I mean.

0:54:51.040 --> 0:54:52.680
<v Speaker 3>Like I got lesson learned.

0:54:53.160 --> 0:54:56.000
<v Speaker 4>Well, yeah, Like you have the Jake and the Sandy,

0:54:56.200 --> 0:55:01.520
<v Speaker 4>these kind of sexualized characters trying to just be buds

0:55:02.080 --> 0:55:04.120
<v Speaker 4>and go to a movie and not hop in the sack,

0:55:04.200 --> 0:55:07.680
<v Speaker 4>and then you have these two having their whole chance

0:55:07.760 --> 0:55:10.680
<v Speaker 4>to have this fantasy family going to the amusement park

0:55:10.719 --> 0:55:12.840
<v Speaker 4>and everything, and I just feel like this is a

0:55:12.920 --> 0:55:16.480
<v Speaker 4>whole Melrose Place that I never knew existed exactly. It's

0:55:16.560 --> 0:55:18.600
<v Speaker 4>like these morality plays, do you know what I mean?

0:55:18.880 --> 0:55:23.200
<v Speaker 4>Like lessons learned, Yeah, and like teaching.

0:55:23.480 --> 0:55:25.960
<v Speaker 3>It's so funny for Daphne I to watch it, so

0:55:26.160 --> 0:55:29.800
<v Speaker 3>not there, and then I'm.

0:55:29.680 --> 0:55:31.520
<v Speaker 4>Cut to her on the boat and she's being like

0:55:31.800 --> 0:55:33.799
<v Speaker 4>smacked around and that baby.

0:55:33.680 --> 0:55:36.200
<v Speaker 3>Is such a different chobe. But like they're all like

0:55:36.320 --> 0:55:40.320
<v Speaker 3>teaching each other, Like Alison is really teaching Billy you

0:55:40.640 --> 0:55:43.160
<v Speaker 3>you know, you need to learn this, and this is

0:55:43.200 --> 0:55:45.239
<v Speaker 3>a perfect example of this. And then by the end

0:55:45.239 --> 0:55:47.719
<v Speaker 3>of the episode he's sort of learning it or whatever,

0:55:47.960 --> 0:55:48.200
<v Speaker 3>like she.

0:55:48.320 --> 0:55:49.000
<v Speaker 2>Was right, you know.

0:55:49.719 --> 0:55:53.600
<v Speaker 3>But it's just such an interesting difference between where it's going.

0:55:54.520 --> 0:55:56.920
<v Speaker 3>Jake so earnestly trying to be like a guy who

0:55:57.000 --> 0:55:59.520
<v Speaker 3>knows how to be friends with a girl I really

0:55:59.560 --> 0:56:04.240
<v Speaker 3>want to try, Yeah, Michael trying to help them anyway.

0:56:04.239 --> 0:56:05.719
<v Speaker 3>So we had a kiss count in this one. There

0:56:05.760 --> 0:56:09.600
<v Speaker 3>were a couple of kisses, a couple, yeah, a couple

0:56:09.600 --> 0:56:13.400
<v Speaker 3>of new characters, a couple old characters, a couple.

0:56:13.200 --> 0:56:16.759
<v Speaker 1>Of shirtless in the pool, but not we're shifting away

0:56:16.800 --> 0:56:19.560
<v Speaker 1>from that. It's not like so it's interesting because it

0:56:19.600 --> 0:56:21.640
<v Speaker 1>started with kissing that it sort of came off and

0:56:21.719 --> 0:56:24.520
<v Speaker 1>then pretty soon it's going to be just a free

0:56:24.600 --> 0:56:27.839
<v Speaker 1>for all. It's just like people making out.

0:56:28.239 --> 0:56:30.960
<v Speaker 3>Well, I know, I threatened to make like a chart,

0:56:31.239 --> 0:56:33.160
<v Speaker 3>like I think I'm gonna do it to like just

0:56:33.320 --> 0:56:35.920
<v Speaker 3>keep track. It's almost like a family tree, like like

0:56:37.200 --> 0:56:38.719
<v Speaker 3>I think I need to make a chart, like before

0:56:38.760 --> 0:56:41.000
<v Speaker 3>it's too late and keep track like.

0:56:41.120 --> 0:56:43.040
<v Speaker 2>Of who kissed Who?

0:56:43.120 --> 0:56:45.759
<v Speaker 3>You won't be able to keep I better start now,

0:56:46.120 --> 0:56:47.200
<v Speaker 3>if I better start the chart.

0:56:47.600 --> 0:56:49.480
<v Speaker 2>Do you guys want to answer a couple of fan questions?

0:56:49.600 --> 0:56:50.760
<v Speaker 3>Yeah, we have some questions.

0:56:50.800 --> 0:56:51.200
<v Speaker 2>That's so fun.

0:56:51.280 --> 0:56:54.520
<v Speaker 4>There's a couple of questions we have to The first

0:56:54.560 --> 0:56:57.280
<v Speaker 4>one is how long did it take for an episode

0:56:57.320 --> 0:57:00.719
<v Speaker 4>to be filmed and then actually air? It was seven

0:57:00.800 --> 0:57:04.720
<v Speaker 4>days to film, Okay, So then shows were traditionally seven

0:57:04.840 --> 0:57:05.080
<v Speaker 4>or eight.

0:57:05.440 --> 0:57:05.960
<v Speaker 1>Yeah, we were.

0:57:06.040 --> 0:57:07.680
<v Speaker 2>Some were seven and some were eight.

0:57:09.040 --> 0:57:12.400
<v Speaker 1>Yeah, we were seven. And when in the first season

0:57:12.480 --> 0:57:15.160
<v Speaker 1>before we did double ups, it was right on our

0:57:15.280 --> 0:57:17.640
<v Speaker 1>tail because they found out reruns didn't do well, so

0:57:17.720 --> 0:57:20.520
<v Speaker 1>we would be shooting to finish to get it out

0:57:21.080 --> 0:57:22.040
<v Speaker 1>almost immediately.

0:57:22.400 --> 0:57:24.560
<v Speaker 3>They'd have a few weeks of post production, like yeah,

0:57:24.600 --> 0:57:25.280
<v Speaker 3>so we would.

0:57:25.280 --> 0:57:27.880
<v Speaker 1>Start in August and I think it would start on

0:57:27.960 --> 0:57:31.040
<v Speaker 1>the air in September October, so we'd be a few

0:57:31.080 --> 0:57:33.360
<v Speaker 1>episodes ahead, and then when it caught up with us,

0:57:33.360 --> 0:57:35.720
<v Speaker 1>we'd do double ups and get all those episodes in

0:57:35.760 --> 0:57:36.120
<v Speaker 1>the camp.

0:57:36.240 --> 0:57:36.400
<v Speaker 4>Yeah.

0:57:36.560 --> 0:57:37.959
<v Speaker 3>So what do you think, was it about four weeks

0:57:38.000 --> 0:57:40.320
<v Speaker 3>of post production after we'd finished shooting, they had about

0:57:40.320 --> 0:57:41.760
<v Speaker 3>three to four weeks before it would be on the air.

0:57:42.000 --> 0:57:44.600
<v Speaker 1>Yeah, until except those times when it was getting really

0:57:44.680 --> 0:57:47.640
<v Speaker 1>super tight. Yeah, and it turned around. Yeah, that was

0:57:47.640 --> 0:57:49.800
<v Speaker 1>when the show started to do really well. Yeah, and

0:57:50.000 --> 0:57:52.320
<v Speaker 1>they just kept adding in the first season. Remember we're

0:57:52.320 --> 0:57:54.400
<v Speaker 1>supposed to do twenty six. Then they added and added

0:57:54.400 --> 0:57:56.160
<v Speaker 1>and added to we got to thirty three. We did

0:57:56.200 --> 0:57:58.120
<v Speaker 1>it full twelve months in a row the first season.

0:57:58.560 --> 0:58:01.880
<v Speaker 4>I didn't know until saying this, it's kind of faint

0:58:02.000 --> 0:58:04.960
<v Speaker 4>bells are being wrong here of it not doing well

0:58:05.120 --> 0:58:05.920
<v Speaker 4>in reruns.

0:58:06.360 --> 0:58:10.200
<v Speaker 2>People just wanted fresh, fresh, fresh, story fresh. What's happening now?

0:58:10.600 --> 0:58:12.680
<v Speaker 4>Yeah, I mean, I wonder if if it's a certain

0:58:12.760 --> 0:58:15.040
<v Speaker 4>kind of show that doesn't do well in reruns cereals.

0:58:15.360 --> 0:58:17.680
<v Speaker 1>So once we started, like I was thinking, you don't

0:58:17.720 --> 0:58:19.680
<v Speaker 1>have scenes from the last episode because they didn't really

0:58:19.720 --> 0:58:22.600
<v Speaker 1>connect at this point, right, But eventually you have to

0:58:22.680 --> 0:58:25.120
<v Speaker 1>have the scene so that you can tell them what happens,

0:58:25.120 --> 0:58:27.120
<v Speaker 1>so they're up to date because it started moving through

0:58:27.160 --> 0:58:30.280
<v Speaker 1>the story so fast by the end of the first season.

0:58:30.520 --> 0:58:33.560
<v Speaker 3>And also like, if we're shooting a seven day shooting schedule,

0:58:33.960 --> 0:58:36.320
<v Speaker 3>Let's say you start on a Monday, so you finish

0:58:36.400 --> 0:58:38.880
<v Speaker 3>it on the following Tuesday for seven days, and you

0:58:39.000 --> 0:58:41.120
<v Speaker 3>immediately start on Wednesday on the next episode, So it

0:58:41.280 --> 0:58:44.160
<v Speaker 3>just keeps rolling back to back to back, and Wednesday

0:58:44.200 --> 0:58:46.560
<v Speaker 3>is day one of the seven days of the next episode.

0:58:46.600 --> 0:58:49.480
<v Speaker 3>So it was just like this constant Yeah, seven.

0:58:49.280 --> 0:58:52.120
<v Speaker 1>Work days, right, right, seven workdays, not like yeah, Monday

0:58:52.160 --> 0:58:53.080
<v Speaker 1>to Sunday.

0:58:52.760 --> 0:58:54.080
<v Speaker 2>It is, and there was Friday.

0:58:54.280 --> 0:58:56.439
<v Speaker 3>There was never a day in between, Like it's not like, okay,

0:58:56.560 --> 0:58:59.160
<v Speaker 3>we finished that episode, take a day and breathe. No,

0:58:59.360 --> 0:59:00.760
<v Speaker 3>it was like, well, right, like.

0:59:00.800 --> 0:59:04.240
<v Speaker 4>You're shooting the last scenes that need to be shot

0:59:04.320 --> 0:59:06.720
<v Speaker 4>for that episode, and then you're getting this script in

0:59:06.760 --> 0:59:09.200
<v Speaker 4>the makeup of being your trailer hoot off the presses.

0:59:09.360 --> 0:59:13.360
<v Speaker 1>Remember from so remember going out to see your changes

0:59:13.400 --> 0:59:15.800
<v Speaker 1>in the morning. Get yeah, change in blue pages. Yeah,

0:59:15.800 --> 0:59:17.160
<v Speaker 1>they've actually delivered papers.

0:59:17.960 --> 0:59:20.920
<v Speaker 4>The other question here is did you have extended time

0:59:21.000 --> 0:59:23.280
<v Speaker 4>off or did you work twelve months of the year. Well,

0:59:24.200 --> 0:59:27.200
<v Speaker 4>I remember, well, we didn't work twelve so I remember,

0:59:28.600 --> 0:59:29.760
<v Speaker 4>I don't remember working twelve.

0:59:29.840 --> 0:59:34.240
<v Speaker 1>I remember you came in at fourteen. Correct, Yeah, so

0:59:34.280 --> 0:59:36.520
<v Speaker 1>you didn't work twelve months because you came in later.

0:59:36.960 --> 0:59:39.400
<v Speaker 1>But we those of us are there from day one,

0:59:39.480 --> 0:59:41.120
<v Speaker 1>work twelve months in row. The first season.

0:59:41.840 --> 0:59:44.560
<v Speaker 4>Well, I came in halfway through the first season, right fifteen.

0:59:44.680 --> 0:59:49.080
<v Speaker 4>So I guess my question is Courtney, twelve months means

0:59:49.120 --> 0:59:50.040
<v Speaker 4>you didn't have time off.

0:59:50.160 --> 0:59:50.479
<v Speaker 2>You didn't.

0:59:50.560 --> 0:59:52.080
<v Speaker 4>I was going to say we had two weeks off

0:59:52.120 --> 0:59:55.000
<v Speaker 4>for Christmas. You had to have Christmas vacation off, and

0:59:55.040 --> 0:59:58.240
<v Speaker 4>then you have to have usually a hiatus, and ours

0:59:58.400 --> 0:59:59.200
<v Speaker 4>was short.

1:00:00.200 --> 1:00:04.040
<v Speaker 1>The first season. We didn't have a hiatus because we

1:00:04.160 --> 1:00:06.360
<v Speaker 1>did thirty three episodes in a row. So normally your

1:00:06.440 --> 1:00:09.640
<v Speaker 1>your ten and a half month season is twenty four

1:00:09.720 --> 1:00:12.480
<v Speaker 1>or twenty six episodes. But because then we added more,

1:00:12.640 --> 1:00:16.200
<v Speaker 1>we went from I think July to July. We would

1:00:16.240 --> 1:00:19.440
<v Speaker 1>get I remember Loan and Jefferson, we would date, announce

1:00:19.520 --> 1:00:21.400
<v Speaker 1>more shows, they get good news, and she and I

1:00:21.440 --> 1:00:23.600
<v Speaker 1>would both be fining like she'd be. We'd both go

1:00:23.720 --> 1:00:27.720
<v Speaker 1>out because we were so bone tired because fourteen to

1:00:27.800 --> 1:00:29.960
<v Speaker 1>sixteen hours a day for twelve months in a row,

1:00:31.240 --> 1:00:35.440
<v Speaker 1>learning like we were so beaten up. But then normally

1:00:35.480 --> 1:00:37.040
<v Speaker 1>you get two and a half months, so you end

1:00:37.160 --> 1:00:37.760
<v Speaker 1>in okay.

1:00:37.800 --> 1:00:39.240
<v Speaker 2>But what I'm talking about is we didn't have two

1:00:39.280 --> 1:00:41.160
<v Speaker 2>and a half months. We had a few weeks. But

1:00:41.280 --> 1:00:45.040
<v Speaker 2>everyone has to have Christmas vacation two weeks right at least.

1:00:45.160 --> 1:00:47.840
<v Speaker 3>But it sounds like between seasons that first year when

1:00:47.880 --> 1:00:50.800
<v Speaker 3>they realized, yeah they needed to get on get on

1:00:50.880 --> 1:00:51.120
<v Speaker 3>the air.

1:00:51.720 --> 1:00:55.520
<v Speaker 4>Someone having twenty two episodes, they would finish in let's

1:00:55.520 --> 1:00:57.960
<v Speaker 4>say March or April, and then you wouldn't shoot again

1:00:58.080 --> 1:00:58.560
<v Speaker 4>till summer.

1:00:58.920 --> 1:00:59.800
<v Speaker 2>But we never had that.

1:01:00.080 --> 1:01:02.280
<v Speaker 1>Well, the next year we did double ups. We'd have

1:01:02.400 --> 1:01:04.880
<v Speaker 1>two months, we had May and June off. We'd go

1:01:04.960 --> 1:01:05.640
<v Speaker 1>back a lot.

1:01:05.760 --> 1:01:10.600
<v Speaker 4>Yeah, well, I remember shooting a couple of miniseries during

1:01:10.680 --> 1:01:13.280
<v Speaker 4>that and I just using up eating at my hiatus.

1:01:13.360 --> 1:01:15.280
<v Speaker 2>So was it two months we had off?

1:01:16.000 --> 1:01:17.600
<v Speaker 1>I remember being six to eight weeks.

1:01:17.920 --> 1:01:20.000
<v Speaker 3>It felt like a really brief time. I had to

1:01:20.040 --> 1:01:22.640
<v Speaker 3>schedule a knee surgery in there and get recovered, and

1:01:22.720 --> 1:01:24.400
<v Speaker 3>it was like it just felt like a really small window.

1:01:24.440 --> 1:01:26.120
<v Speaker 3>And even you know for the crew too, like they

1:01:26.200 --> 1:01:28.040
<v Speaker 3>have that those windows too. It's like everybody needs to

1:01:28.080 --> 1:01:32.400
<v Speaker 3>schedule their important stuff for like their family, the right.

1:01:32.600 --> 1:01:34.280
<v Speaker 3>But yeah, it definitely like.

1:01:34.280 --> 1:01:36.240
<v Speaker 1>Stuff like I remember I say I'm not working. Then

1:01:36.280 --> 1:01:38.000
<v Speaker 1>I had a month off and I got rested. So

1:01:38.120 --> 1:01:39.760
<v Speaker 1>then I did a TV movie and then it was

1:01:39.880 --> 1:01:41.240
<v Speaker 1>right back to work, and I was like, oh man,

1:01:42.120 --> 1:01:45.160
<v Speaker 1>that I should have just rested. But yeah, you feel like, okay, yeah,

1:01:45.200 --> 1:01:46.840
<v Speaker 1>sure I can do that, and then it's just boom

1:01:46.840 --> 1:01:47.280
<v Speaker 1>boom boom.

1:01:47.640 --> 1:01:50.440
<v Speaker 4>But we were young and we were more inter do

1:01:50.560 --> 1:01:54.280
<v Speaker 4>that's for sure. Yeah, so did you have So the

1:01:54.320 --> 1:01:56.800
<v Speaker 4>answer to that is we did not have extended time off.

1:01:57.560 --> 1:02:01.080
<v Speaker 4>We working a lot around the clock. Once again, Aaron

1:02:01.160 --> 1:02:04.000
<v Speaker 4>Spelling started doing double ups. Weren't we the first show.

1:02:03.920 --> 1:02:04.440
<v Speaker 2>He ever did that?

1:02:04.520 --> 1:02:06.960
<v Speaker 1>Way, They thought this will never work. It's a ridiculous thing.

1:02:07.000 --> 1:02:08.440
<v Speaker 1>We're just gonna do. It's not We're all sort of

1:02:08.520 --> 1:02:11.440
<v Speaker 1>rolling rise and laughing. And then it worked well enough

1:02:11.560 --> 1:02:13.520
<v Speaker 1>that for it worked for them. But I will say

1:02:13.520 --> 1:02:15.560
<v Speaker 1>this though, like over time the cast got to be

1:02:15.680 --> 1:02:18.520
<v Speaker 1>so big that you didn't work every day. Yeah right,

1:02:18.600 --> 1:02:20.440
<v Speaker 1>you never knew your schedule that far in advance, But

1:02:20.560 --> 1:02:23.720
<v Speaker 1>and our ads did a great job of keeping it

1:02:23.960 --> 1:02:26.720
<v Speaker 1>rarely changed. Yeah, like once it worked, you knew you'd

1:02:26.760 --> 1:02:28.440
<v Speaker 1>have two days off here and there, which made a

1:02:28.560 --> 1:02:29.240
<v Speaker 1>huge difference.

1:02:29.360 --> 1:02:31.760
<v Speaker 3>Yeah, it's an incredible puzzle to try to get that

1:02:31.960 --> 1:02:32.960
<v Speaker 3>all together.

1:02:33.120 --> 1:02:34.320
<v Speaker 1>They especially double ups.

1:02:34.400 --> 1:02:37.280
<v Speaker 4>That was insane, especially if an actor had to be

1:02:37.720 --> 1:02:41.200
<v Speaker 4>from a location let's say downtown and that's some empty

1:02:41.280 --> 1:02:43.840
<v Speaker 4>hospital and then up an Oxnard in one day.

1:02:44.000 --> 1:02:46.720
<v Speaker 1>I mean, well, yeah, Laura was doing Oxnard to Santa

1:02:46.760 --> 1:02:48.440
<v Speaker 1>Clarita for one episode.

1:02:48.560 --> 1:02:49.160
<v Speaker 2>Yeah, I know.

1:02:49.240 --> 1:02:52.400
<v Speaker 3>They try not to have sometimes it's just impossible not

1:02:52.520 --> 1:02:56.040
<v Speaker 3>to far locations. So well, those were the days we

1:02:56.160 --> 1:02:58.560
<v Speaker 3>were young, the days super fun.

1:02:59.120 --> 1:03:01.800
<v Speaker 1>Young actors now love to have thirty three episodes of

1:03:01.840 --> 1:03:04.600
<v Speaker 1>anything they do, like anybody, any age, I would.

1:03:04.560 --> 1:03:07.000
<v Speaker 3>Love it, as long as it's an ensemble where you

1:03:07.120 --> 1:03:08.640
<v Speaker 3>can share the workload.

1:03:08.720 --> 1:03:11.760
<v Speaker 1>And yeah again, and as we were so lucky because

1:03:11.800 --> 1:03:14.240
<v Speaker 1>we got along and it was a big group. We

1:03:14.400 --> 1:03:17.040
<v Speaker 1>really were lucky. It's fun to watch because I do.

1:03:17.160 --> 1:03:19.120
<v Speaker 1>I have such warm feelings about that time.

1:03:19.920 --> 1:03:20.160
<v Speaker 4>Yeah.

1:03:20.480 --> 1:03:23.600
<v Speaker 3>Same, And I feel like my you said that your

1:03:23.600 --> 1:03:27.400
<v Speaker 3>favorite thing about doing a TV show is like all

1:03:27.440 --> 1:03:30.200
<v Speaker 3>the guest stars and stuff. My favorite thing is the

1:03:30.360 --> 1:03:33.240
<v Speaker 3>family that is built with like the regular.

1:03:32.960 --> 1:03:35.000
<v Speaker 1>The cast what I met that That was my answer

1:03:35.040 --> 1:03:38.040
<v Speaker 1>to I mean, it was my answer to, I can

1:03:38.080 --> 1:03:38.919
<v Speaker 1>have We can have more.

1:03:38.800 --> 1:03:39.520
<v Speaker 3>Than one favorite.

1:03:41.080 --> 1:03:42.880
<v Speaker 4>I love the fact of having a place to go,

1:03:43.280 --> 1:03:45.760
<v Speaker 4>the set and the crew, you know, because I come

1:03:45.800 --> 1:03:48.880
<v Speaker 4>from a very small family and we were split up,

1:03:49.200 --> 1:03:51.160
<v Speaker 4>you know, so like my mom looked back east, my

1:03:51.280 --> 1:03:53.200
<v Speaker 4>sister was, I was all alone out here. My dad

1:03:53.320 --> 1:03:55.960
<v Speaker 4>was up in San Francisco, and I just loved.

1:03:55.800 --> 1:03:59.480
<v Speaker 2>Like having a place and routine left, the routine and.

1:03:59.480 --> 1:04:01.960
<v Speaker 3>The family and the crew, and it was it was

1:04:02.040 --> 1:04:04.320
<v Speaker 3>a special group that we all sort of like, I

1:04:04.400 --> 1:04:06.800
<v Speaker 3>think it's magic when you go, oh, that was a

1:04:06.920 --> 1:04:09.920
<v Speaker 3>great group of people. To have to spend that much

1:04:09.960 --> 1:04:11.960
<v Speaker 3>time with these people, I'm really.

1:04:11.800 --> 1:04:16.160
<v Speaker 1>Glad it is magic. You're super duper lucky. On that note,

1:04:16.920 --> 1:04:17.920
<v Speaker 1>can't wait to get out of here.

1:04:18.080 --> 1:04:22.240
<v Speaker 3>Yeah, on that note, we love our fans questions too,

1:04:22.640 --> 1:04:26.160
<v Speaker 3>so keep them coming dm us on our Still the

1:04:26.200 --> 1:04:26.960
<v Speaker 3>Place Instagram.

1:04:27.200 --> 1:04:29.640
<v Speaker 4>Also they can help us, those of you who are

1:04:29.640 --> 1:04:33.040
<v Speaker 4>watching the podcast, leave messages, download tell people about it,

1:04:33.200 --> 1:04:34.240
<v Speaker 4>right so we get more.

1:04:34.400 --> 1:04:36.840
<v Speaker 1>Yeah, do that, and also, if you know, look at

1:04:36.880 --> 1:04:39.920
<v Speaker 1>the next episode and ask specific questions about that episode,

1:04:39.960 --> 1:04:41.680
<v Speaker 1>because that would be fun. Like if you watch a

1:04:41.720 --> 1:04:43.960
<v Speaker 1>little bit ahead of us, and then you post questions

1:04:44.000 --> 1:04:45.800
<v Speaker 1>and we can answer them. So yeah, we're probably a

1:04:45.840 --> 1:04:47.440
<v Speaker 1>few episodes ahead of you, guys.

1:04:47.960 --> 1:04:50.240
<v Speaker 3>So you have to ask us a little bit in

1:04:50.360 --> 1:04:53.400
<v Speaker 3>advance if you have a specific question about a specific episode,

1:04:53.440 --> 1:04:55.280
<v Speaker 3>But we love we'd love to get to them, and

1:04:55.880 --> 1:04:59.160
<v Speaker 3>we love your questions, and we loved meeting everybody.

1:04:58.840 --> 1:05:00.200
<v Speaker 2>At the con to go.

1:05:01.160 --> 1:05:04.720
<v Speaker 3>Yeah, it's just been so fun all Bye guys, Bye

1:05:06.200 --> 1:05:06.560
<v Speaker 3>m HM.