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Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

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Speaker 2: And Daphne's Andiga and iHeartRadio podcast.

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Speaker 1: Yeah, my ladies, so good to see you in person.

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Speaker 1: You've been zoom faces for the last time.

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Speaker 3: We haven't all been together in so long.

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Speaker 1: No, no, So can we start? We have a lot

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Speaker 1: to cover, Okay, can we talk about nineties con? Dying

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Speaker 1: dying to hear?

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Speaker 3: It's so funny because, like for the audience, it may

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Speaker 3: seem like that was a while ago, especially for the

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Speaker 3: fans that were there, But for us, we haven't seen

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Speaker 3: each other in a lot of weeks because Daphney was

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Speaker 3: traveling and during that time we were at ninetiest Con

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Speaker 3: and you were not, and we missed you so much.

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Speaker 2: We missed you. It was so much fuss.

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Speaker 4: That was it was, It really was, And everyone was asking.

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Speaker 4: Everyone was like Laura, were like, she's busy.

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Speaker 1: So did you guys get to hang out a lot

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Speaker 1: of we're together like all day every day? Is that

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Speaker 1: how it was? Yeah?

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Speaker 2: Bro shoots.

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Speaker 4: Heather missed a flight, so she came in a day late.

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Speaker 4: But she wasn't the only one. There were a couple

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Speaker 4: of other two a couple others too. Because it was Daytona,

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Speaker 4: so it wasn't It was like a.

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Speaker 2: Connection kind of thing and everything.

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Speaker 4: We're running around all day, right, We're just running down

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Speaker 4: hallways to panels, to trivia games, to professional photos, to

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Speaker 4: our booths to fans and then tons of stuff.

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Speaker 1: So you're not just sitting there all day, you're actually Yeah,

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Speaker 1: we had things scheduled and like group things and then

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Speaker 1: still things, but we were always like right next to

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Speaker 1: each other, and so we were We literally spent the

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Speaker 1: entire weekend together.

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Speaker 2: It was kind of like she and I did a

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Speaker 2: promo while we were like in between signing autographs. I'm

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Speaker 2: like behind the curtain.

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Speaker 4: Going joined us on Still the Place, meeting in the

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Speaker 4: curtain bar the promo like them.

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Speaker 3: There, yeah, and there was like there was fun nineties

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Speaker 3: music playing at the contents, so that was super fun.

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Speaker 3: But it's like it's kind of loud, we need to

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Speaker 3: record this promo really quick for Still the Place. I'm like,

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Speaker 3: hang on, I ran to the ladies room and like

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Speaker 3: I'm in the booth, I'm in the stall.

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Speaker 2: And then we did too. We recorded with Josie and Grant.

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Speaker 3: Oh yeah, we got to sit down with them twice.

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Speaker 3: That was really so fun, and really it just felt

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Speaker 3: like this great excuse to have another getaway, like, hey,

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Speaker 3: we had this road trip, this like getaway with our

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Speaker 3: friends and yeah.

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Speaker 1: I did some interviews yesterday for a TV movie I did,

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Speaker 1: and they were asking about the podcast, and I was like, really,

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Speaker 1: it's just an excuse get everybody together. Because we've seen

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Speaker 1: so many of our castmates just in a couple of

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Speaker 1: months we've been doing this.

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Speaker 3: It's the best perf of doing this. It just feels

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Speaker 3: like a guilty, like it's our actual reason for doing it.

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Speaker 3: It's just to hang out with each other exactly.

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Speaker 4: It's so so amazing how we did this show thirty

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Speaker 4: something years ago and we can't find anyone ever since

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Speaker 4: then as fun and interesting to hang out with them

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Speaker 4: with each other. Well, so it's like, I know, let's

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Speaker 4: watch the show again and visit with stuff together.

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Speaker 3: Yeah, And we were sort of having that conversation with

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Speaker 3: Josie and Grant too, like you know, there were a

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Speaker 3: lot of years where we weren't totally in touch because

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Speaker 3: everybody's lives took them a different direction. But getting reacquainted

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Speaker 3: now and then going I want to be with these

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Speaker 3: people and I want to I want to know about

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Speaker 3: your life and I want to learn about you now

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Speaker 3: and whatever. We had this shared history, but also like

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Speaker 3: a new friendship too, on top of the old friendship.

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Speaker 4: Yeah.

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Speaker 1: And the weird thing is it's like no time has passed.

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Speaker 1: Isn't that the weird thing? And I think it's part

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Speaker 1: of that thing of you feel a certain age. Like

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Speaker 1: I look at the show, I kind of know we

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Speaker 1: look different, but I feel like we still we did

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Speaker 1: much the same, which we don't. Don't correct me.

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Speaker 3: I recognize everybody.

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Speaker 2: I just get it.

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Speaker 1: So is there anyone else fun at nineties Con? Like

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Speaker 1: outside of our group? Was there anything?

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Speaker 2: We kids were all there. We we got to some

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Speaker 2: of them.

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Speaker 4: Yeah, I mean a good handful. Yeah, Jenny Garth, we talked, Brian,

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Speaker 4: Austin Green was there.

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Speaker 2: Ian was there.

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Speaker 3: I didn't see him, but yeah, there were lots of people.

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Speaker 3: It was just there were such an it was such

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Speaker 3: a happy vibe, like the guests and attendance, like the

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Speaker 3: fans and everybody's just happy like the nineties were. Was

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Speaker 3: this like happy vibe and the music and whatever. So

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Speaker 3: it's just like this happy time and the.

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Speaker 2: Fans are amazing.

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Speaker 4: It's so nice all over I met people from Germany,

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Speaker 4: from the Maldives, from Hungary, from Canada, from Brazil.

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Speaker 2: I mean, they come.

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Speaker 3: From all over and everybody is just so nice and

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Speaker 3: happy to be there. It's just a really fun thing.

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Speaker 3: So hopefully there'll be another one in the future and

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Speaker 3: we can all do it.

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Speaker 2: Yeah.

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Speaker 1: Yeah, Well next year my son will be a senior,

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Speaker 1: so he won't care if I'm there or not. You're gone,

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Speaker 1: did you go, mom? I didn't even notice.

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Speaker 3: In fact, could you just go to a con?

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Speaker 1: Yeah?

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Speaker 2: I love it.

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Speaker 3: We got to get back on track with our recaps because.

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Speaker 1: I remembered this episode so clearlyss you do know? Yeah,

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Speaker 1: you guys weren't because you weren't quite there yet. So

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Speaker 1: it's gonna I was gonna say, do you remember, like, no,

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Speaker 1: we're not there. You weren't there at this episode? You do, yes,

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Speaker 1: And we'll get into it because but I think because

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Speaker 1: the woman who Billy has a little fling with in

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Speaker 1: this one, well you know, I'm gonna wait until but

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Speaker 1: I remember her so clearly. We had such a good time.

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Speaker 1: I got along so well with her. And I'll just

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Speaker 1: say this. She had to be a stand up comedian

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Speaker 1: and she was horrified to have to stand up and

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Speaker 1: do stand up. Have you guys ever done stand up?

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Speaker 2: No?

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Speaker 3: No, and never will?

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Speaker 1: Terrifying, right, And I just remembered her the actress, the actor. Yes,

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Speaker 1: she was wonderful but being so terrified about doing it.

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Speaker 1: So I locked in my brain because she was so terrified.

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Speaker 1: This episode locked in my brain. I remember almost every

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Speaker 1: second of it.

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Speaker 4: So you're like, I will never do stand up and

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Speaker 4: I already required her doing stand up.

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Speaker 3: I have to say, I wonder if part of the

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Speaker 3: reason why you remember shooting this also, and I could

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Speaker 3: see it on your face and we'll talk about it

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Speaker 3: when we get there. But like you and Andrew in

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Speaker 3: real life were fully dating by this time, right, yes, so.

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Speaker 1: Well, from like episode three it was not right, but

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Speaker 1: like you, we were professional for about seven minutes.

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Speaker 3: You were all in by now, And like this episode

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Speaker 3: you can really see like I think Alison's jealousy or

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Speaker 3: whatever is actually Corey.

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Speaker 1: Yeah, were you triggered watching this one car like that

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Speaker 1: wasn't in the script?

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Speaker 4: Cars you triggered watching this thirty years later because you've

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Speaker 4: been triggered already with like guest stars.

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Speaker 2: These guests stars was all over him.

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Speaker 1: I remember I know that it was Jensen. I remember that.

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Speaker 1: I don't know, maybe, but you can see that the

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Speaker 1: writers either already had the plan or we're picking up

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Speaker 1: on it because there's an edge to every single line

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Speaker 1: which is.

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Speaker 3: Just so adorable. It's always always adorable. Okay, so let's

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Speaker 3: jump in.

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Speaker 2: We let's see.

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Speaker 3: The name of this episode is Responsibly Yours. This is

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Speaker 3: season one, episode nine, Responsibly Yours. In this episode, Billy

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Speaker 3: is going to attempt a relationship with an older woman

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Speaker 3: who becomes she is a stand up comic. Things get

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Speaker 3: complicated because we're gonna find out she.

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Speaker 2: Has a kid.

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Speaker 3: So yeah, all the usual suspects of responsibility, all the

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Speaker 3: usual suspects. And this this show is, of course created

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Speaker 3: by Darren Starr. This episod It was written by Darren

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Speaker 3: Starr and Frederick Rappaport.

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Speaker 2: I am going to wear my glasses today.

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Speaker 3: I'm going to do it, all right. So the episode opens,

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Speaker 3: Billy is driving his taxi down the street. He notices

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Speaker 3: a woman leaning over the open hood of a car.

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Speaker 3: He pulls over and approaches the woman. Can I lend

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Speaker 3: you a hand?

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Speaker 1: And by the way, did you guys notice in our

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Speaker 1: sweet Billy that moment of lecherousness.

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Speaker 3: Absolutely, So I'm like, hello, what do I see bending

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Speaker 3: over the.

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Speaker 2: Hear of the car?

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Speaker 3: But yeah, and he gets out in his giant jean shorts.

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Speaker 1: George George's George before.

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Speaker 3: They were even in giant jean shorts. But yeah, he

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Speaker 3: offers to help with whatever's wrong with her car. Turns

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Speaker 3: out he doesn't really know what's going on with her car.

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Speaker 3: She seems to know more than he does, but he

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Speaker 3: offers her a ride.

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Speaker 4: So are we can talking about who it is our

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Speaker 4: guest star there? Yeah, so it's Joyce Heiser. Yes, Joyce

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Speaker 4: Heiser had a big movie in the eighties, so almost

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Speaker 4: ten years before this just one of the boys.

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Speaker 1: Oh it was before this.

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Speaker 2: Huh.

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Speaker 1: Happened?

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Speaker 2: So that was in the eighties. This is in ninety two.

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Speaker 4: But you know, people have talked about in our comments

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Speaker 4: as well, the guest stars. We've talked about it, like

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Speaker 4: the guest stars, what either they've already done or what

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Speaker 4: they've gone on to do. We've had some great guest

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Speaker 4: stars on this show. So anyway, Joyce Heiser had a

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Speaker 4: you know, solid career already. And I was talking to

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Speaker 4: a friend yesterday, this is how small the town was

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Speaker 4: back then.

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Speaker 2: Who's like he watched the episode because he's watching and

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Speaker 2: listening along with us.

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Speaker 4: And he's like, you know what, I came. I auditioned

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Speaker 4: for Just One of the Boys. I came down to

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Speaker 4: down to the wire, but they gave it to Clayton Roner,

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Speaker 4: who a couple of years later, I did.

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Speaker 2: A movie with Clayton Roner. Wow, Modern Girls.

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Speaker 4: But and now he's friends with and knows and has dinner,

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Speaker 4: has had dinner with the director of Just One of

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Speaker 4: the Boys.

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Speaker 2: Anyway, it's very good.

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Speaker 3: Crazy small town.

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Speaker 4: It was a small town, Yeahore, I mean we all

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Speaker 4: you know you audition and.

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Speaker 1: We also all lived here. Like now people live in

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Speaker 1: New York and they live in Atlanta. People of every

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Speaker 1: work because that's where the work is now, right, It's

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Speaker 1: not a company town as much.

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Speaker 4: And people audition online with their self tapes and like, like,

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Speaker 4: when was the last time anyone was in a room

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Speaker 4: with an actual producer castide person.

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Speaker 3: It's not quite the same process anymore.

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Speaker 2: Anyway.

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Speaker 4: I think I think her experience really shows in this,

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Speaker 4: Like she was very solid.

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Speaker 2: You know, like she knew these solid.

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Speaker 4: Some of these lines were kind of cheesy and like

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Speaker 4: a little cringe for me. But she knew what they

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Speaker 4: wanted and she.

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Speaker 1: Delivered and she committed, Like she was terrified to do

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Speaker 1: the stand up, but she stood up there and she

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Speaker 1: committed and it really worked. Yeah, she was great. She

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Speaker 1: was fun to work with.

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Speaker 3: You.

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Speaker 1: I really remember her well, so cool and I was

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Speaker 1: thinking too. My favorite part of being a regular on

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Speaker 1: TV series is meeting the guest stars. That's my favorite part.

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Speaker 1: Like you're doing the work with they bring new friends

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Speaker 1: in for you every week to meet and be a

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Speaker 1: part of. You get to welcome the Mendi your little family.

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Speaker 1: I really that's probably the thing I missed most webbing

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Speaker 1: on a series.

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Speaker 2: Yeah, it's like this injection of new age of money.

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Speaker 3: But yeah, so there was money.

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Speaker 2: Well that was a given, all right. So there they go.

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Speaker 3: She gets in his car. He's blasting music. She asks

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Speaker 3: for less volume, and then she reveals that she's a

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Speaker 3: shoe salesman. Billy is taken with her anyways, tells her

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Speaker 3: she's funny. They pull into a service station, where she

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Speaker 3: reveals that she doesn't have the money to pay for

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Speaker 3: the cab, so she pays the place.

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Speaker 1: Did you recognize the shoe brand? Like these are of us?

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Speaker 1: It was it was made brand like it was a

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Speaker 1: take on, like it was close to something that's a brand,

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Speaker 1: but it was made up brand. That's what I wondered.

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Speaker 3: Yeah, it was not, but it was something something else.

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Speaker 1: I think I was very close.

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Speaker 3: Laura, it's familiar. So she offers to pay Billy for

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Speaker 3: the cab with show tickets to her stand up gig.

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Speaker 2: Then we cut to by the way. Sorry, I'm just remembering.

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Speaker 4: This is the second time we've seen where one of

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Speaker 4: these people is offering payment.

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Speaker 2: With like tickets to a show.

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Speaker 4: Yeah, somebody's like that was back in the day when

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Speaker 4: you know, you were putting on stand up or art

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Speaker 4: shows or dance shows, and like your form of payment

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Speaker 4: and currency was here's some free tickets.

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Speaker 2: Well, I mean, like no one had money.

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Speaker 3: I think it's also like a writing like mechanism to

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Speaker 3: get the people to that performance is a story point. Yeah, like,

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Speaker 3: oh well, Jake finds Michael in the courtyard, tells Michael

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Speaker 3: that he's too spiffy to be gardening, because Michael seems

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Speaker 3: to be all dressed up, he's wearing his tie, and

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Speaker 3: he's tending to be as say, spiffy, spiffy.

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Speaker 1: That's hilarious.

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Speaker 3: I think he says spiffy or was that my note?

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Speaker 3: Do you remember did he say spiffy? I think he

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Speaker 3: said spiffy. I can't remember, but I don't think I

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Speaker 3: would have written it if he hadn't. Actually, he's spiffy.

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Speaker 3: He's just spiffy dressed in his line.

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Speaker 2: At the time.

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Speaker 3: Yeah, which is so grant. So Michael tells Jake that

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Speaker 3: Jane wants to have dinner tonight and he thinks he

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Speaker 3: might get lucky, and Jake says, well, you know, dude,

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Speaker 3: you're you're definitely lucky. You've got the girl, you've got

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Speaker 3: this relationship, and all of a sudden, Jake is sort

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Speaker 3: of like going, how do you do? What's what's your secret?

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Speaker 3: How do you know? And Michael's like, well, you've you've

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Speaker 3: got all this freedom, what do you mean you're lucky too,

289
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Speaker 3: and and Jake says, no, what he wants to do

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Speaker 3: is figure out how to, you know, figure out this

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Speaker 3: relationship thing. So Michael gives him some advice. He tells

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Speaker 3: them to uh ramp down, tamp down those animal instincts

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Speaker 3: and there's something to be said for taking it slow

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Speaker 3: friendship first, he says.

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Speaker 1: Which is very good advice I much say, but I'm

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Speaker 1: not saying. About seven times he says, you know how

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Speaker 1: to get the ladies. You can get the ladies. You

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Speaker 1: know how to get the ladies. Like wow, we really

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Speaker 1: so wait.

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Speaker 3: Does Jake now to get the ladies to get right quickly?

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Speaker 2: I mean, because it's not obvious by the way that

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Speaker 2: he looks.

303
00:12:56,160 --> 00:12:57,679
Speaker 1: It's always got so much to work through.

304
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Speaker 4: It so hard to really sell that Grant that sorry,

305
00:13:00,520 --> 00:13:02,760
Speaker 4: Jake can get whoever you want right.

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Speaker 3: But I thought it was really cute, Like like Jake's approach.

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Speaker 3: He was like sort of kind of vulnerable and like

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Speaker 3: actually asking.

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Speaker 1: And I love it when they because that is Grant,

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Speaker 1: Like Grant really has that side to him. I love

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Speaker 1: it when he gets to show it Jake.

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00:13:16,640 --> 00:13:19,520
Speaker 3: It's so sweet. So that scene ends with Jake considering

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Speaker 3: could he do something like that friendship first? What a concept?

314
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Speaker 3: So then we cut to Billy and Allison's apartment where

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Speaker 3: it's Billy and Allison's apartment right where Ronda was cooking.

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Speaker 3: It wasn't Ronda's apartment, it was BILLI and Allison's I

317
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Speaker 3: think it was right. Dinner party with Ronda and Matt,

318
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Speaker 3: Billy and Allison, but I believe they were having the

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Speaker 3: dinner in Billy and Allison's apartment. However, Ronda was cooking,

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Speaker 3: and she's cooking, Matt is teasing Billy about the new

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Speaker 3: crush he has on this girl, Dawn, and we kind

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Speaker 3: of pick up on a little bit of jealousy from

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Speaker 3: the look on Allison's face, and that's where I wondered, as, yeah,

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Speaker 3: it was maybe Corny's showing through. But she does tease

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Speaker 3: Billy about his interest in Dawn and that and that

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Speaker 3: he's not very mature in general, and the theme of

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Speaker 3: all the teasing seems to be that Billy is a child,

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Speaker 3: that he's immature.

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00:14:13,240 --> 00:14:15,280
Speaker 1: Yeah, but they're pitching it as a big age difference.

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Speaker 1: It didn't look like an age difference. But then they

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Speaker 1: said at one point he was twenty three, and I

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Speaker 1: was like, twenty three, that's crazy, But I was twenty four. Yeah,

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Speaker 1: it's hard to believe we were that young. I mean,

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Speaker 1: I remember feeling very grown up, but that's very young.

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Speaker 2: You were twenty four.

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Speaker 3: So I think the idea is that this girl had

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Speaker 3: to be older because she's been married for years already, right,

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Speaker 3: So that just is an indication of But it never

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Speaker 3: kind of comes.

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Speaker 1: Up this she is older, married at fourteen, we should

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Speaker 1: assume that.

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Speaker 3: So. So yeah, so they're teasing him and they're making

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Speaker 3: this dinner and he says he'll pay for his portion

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Speaker 3: of the dinner with the comedy show tickets.

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Speaker 1: So twice in one episode.

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Speaker 3: Yeah, paying for something, because now everybody has to get

347
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Speaker 3: the party show. How else are you going to get there?

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00:14:57,200 --> 00:14:59,600
Speaker 3: So at the comedy Show down's routine, reveals that she

349
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Speaker 3: is in fact divorced, which is news to Billy and everybody,

350
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Speaker 3: and she makes some jokes about marriage, which Billy kind

351
00:15:06,040 --> 00:15:10,880
Speaker 3: of laughs too hard at, and she he elbows Alison

352
00:15:11,120 --> 00:15:13,360
Speaker 3: very hard in the arms. At one point I had

353
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Speaker 3: to go back and go, oh my god, the look

354
00:15:15,040 --> 00:15:21,000
Speaker 3: on your face was like actual, ah. Actual. After her set,

355
00:15:21,080 --> 00:15:23,440
Speaker 3: she approaches the table says side of the gang, Billy.

356
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Speaker 1: Do you think that Doug and Vanessa were playing it

357
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Speaker 1: like they didn't like it? It was super uncomfortable.

358
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Speaker 3: I felt like they were just trying to be polite. Yeah,

359
00:15:31,560 --> 00:15:35,400
Speaker 3: it was like Billy was really like taken with it, like, oh,

360
00:15:35,440 --> 00:15:38,440
Speaker 3: isn't she great? And everybody was like, yes, very politely,

361
00:15:38,640 --> 00:15:44,160
Speaker 3: yes she's great. Yes, you know, like even when Matt says, oh,

362
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Speaker 3: I really liked the part about you know, single life.

363
00:15:47,120 --> 00:15:49,520
Speaker 3: He's really trying to be nice, like picking out a

364
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Speaker 3: part of her.

365
00:15:49,920 --> 00:15:51,880
Speaker 1: Shit supposed to be good. Yeah, obviously we know the

366
00:15:51,880 --> 00:15:54,560
Speaker 1: actor is good. But yeah, that was confusing to me.

367
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Speaker 3: I just thought I thought it was like demonstrating that

368
00:15:56,640 --> 00:16:01,560
Speaker 3: Billy was just smitten. Like so his level of you know, approval.

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00:16:01,360 --> 00:16:02,760
Speaker 1: Didn't you know when she came to the table and

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00:16:02,800 --> 00:16:05,280
Speaker 1: he put his arm around her again Courtney Allison, very

371
00:16:05,320 --> 00:16:07,280
Speaker 1: fine line, but he put his arm around her, thinking

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00:16:07,480 --> 00:16:08,480
Speaker 1: that's too soon.

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00:16:08,840 --> 00:16:11,640
Speaker 4: Yeah, yeah, and so I think that's the part of

374
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Speaker 4: the show though.

375
00:16:13,360 --> 00:16:14,720
Speaker 2: He's it's all too soon.

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00:16:14,960 --> 00:16:17,640
Speaker 4: He's acting to remember she even just a couple of

377
00:16:17,640 --> 00:16:19,120
Speaker 4: scenes later he's like this is too.

378
00:16:19,000 --> 00:16:22,200
Speaker 3: Much or yeah maybe midpoint coming on, coming on too much,

379
00:16:22,280 --> 00:16:23,080
Speaker 3: too fast, too soon.

380
00:16:23,160 --> 00:16:25,800
Speaker 4: Yeah, but he's it just shows his kind of like

381
00:16:25,920 --> 00:16:29,200
Speaker 4: naivete and excitement about it. I think, yeah, well maybe

382
00:16:29,200 --> 00:16:31,680
Speaker 4: this is a girlfriend material, the girl I picked.

383
00:16:31,520 --> 00:16:32,760
Speaker 2: Up the side of the road. Yeah.

384
00:16:32,760 --> 00:16:34,840
Speaker 3: I was thinking like from her point of view, that

385
00:16:34,960 --> 00:16:38,480
Speaker 3: was our cab driver, like you like nobody ever really

386
00:16:38,520 --> 00:16:41,360
Speaker 3: talking about he is her cab driver.

387
00:16:41,640 --> 00:16:42,640
Speaker 2: There's his arm around her.

388
00:16:42,840 --> 00:16:45,280
Speaker 3: Like a creepy element, like wait, the cab driver that

389
00:16:45,400 --> 00:16:47,680
Speaker 3: just wouldn't leave, Like, I know.

390
00:16:47,840 --> 00:16:50,040
Speaker 4: I think Alison needs to tell Billy you cannot pick

391
00:16:50,120 --> 00:16:52,560
Speaker 4: up any women as a cab driver.

392
00:16:52,800 --> 00:16:56,280
Speaker 3: I'm over this, yeah, just like don't don't speak like.

393
00:16:58,120 --> 00:16:58,400
Speaker 2: Speak.

394
00:16:59,800 --> 00:17:01,720
Speaker 3: I wonder how long he's going to be a cab driver.

395
00:17:02,080 --> 00:17:03,760
Speaker 3: Since I wasn't there, I have no idea how long

396
00:17:03,800 --> 00:17:04,440
Speaker 3: he'll also.

397
00:17:04,320 --> 00:17:06,400
Speaker 1: Sign of the times right in La, you don't see

398
00:17:06,400 --> 00:17:09,320
Speaker 1: cabs moving around looking for customers on the street anymore,

399
00:17:10,440 --> 00:17:13,480
Speaker 1: looking for women bent over their car anymore.

400
00:17:13,560 --> 00:17:19,399
Speaker 3: Looking like Andrew Shoe Anyway, none of these things exist

401
00:17:19,440 --> 00:17:23,280
Speaker 3: in real life. Billy invites don to stay, maybe they

402
00:17:23,280 --> 00:17:25,200
Speaker 3: could grab a pizza or something. She says she needs

403
00:17:25,240 --> 00:17:28,680
Speaker 3: to catch the last bus, the downtown bus home. Billy

404
00:17:28,760 --> 00:17:32,439
Speaker 3: offers her a ride driving her home instead, which she

405
00:17:32,520 --> 00:17:33,280
Speaker 3: then accepts.

406
00:17:34,160 --> 00:17:35,680
Speaker 1: And I guess we take the bus home.

407
00:17:37,520 --> 00:17:39,480
Speaker 3: Did he drive? Maybe he drove, Maybe he didn't drive.

408
00:17:39,640 --> 00:17:42,440
Speaker 4: Yeah, you so he would be driving his cab right

409
00:17:42,600 --> 00:17:44,879
Speaker 4: or does he have another car? This poor guy, like

410
00:17:45,440 --> 00:17:49,320
Speaker 4: he's driving his cab everywhere, just turning.

411
00:17:49,040 --> 00:17:49,960
Speaker 2: It on off duty.

412
00:17:50,440 --> 00:17:54,399
Speaker 3: That's right, I love, We'll just walk so Alison here

413
00:17:54,480 --> 00:17:57,000
Speaker 3: rolls her eyes. Don makes one more awkward joke on

414
00:17:57,040 --> 00:17:59,159
Speaker 3: her exit, and she says somebody out of bottle the

415
00:17:59,200 --> 00:17:59,920
Speaker 3: sky from a.

416
00:18:00,520 --> 00:18:04,040
Speaker 1: Purposes out on Alison.

417
00:18:07,400 --> 00:18:10,359
Speaker 3: So then Billy and daughter having a great time late

418
00:18:10,440 --> 00:18:13,840
Speaker 3: night coffee at a table for two. Billy learns that

419
00:18:13,960 --> 00:18:16,800
Speaker 3: Dawn was married for eight years. She tells him that

420
00:18:16,840 --> 00:18:20,720
Speaker 3: her ex didn't really support her dreams, and Billy commiserates, says, yeah,

421
00:18:20,760 --> 00:18:23,040
Speaker 3: it's really hard when someone you love doesn't support you.

422
00:18:23,720 --> 00:18:26,200
Speaker 3: Then he reaches across the table for her hand, saying,

423
00:18:26,240 --> 00:18:29,919
Speaker 3: sometimes it helps if there's someone there to catch you.

424
00:18:30,400 --> 00:18:31,000
Speaker 2: Wow.

425
00:18:31,320 --> 00:18:32,800
Speaker 1: Now we would call that love bombing.

426
00:18:32,840 --> 00:18:34,359
Speaker 4: I think it's a little I think it's just a

427
00:18:34,600 --> 00:18:36,320
Speaker 4: big love bomber in this whole episode.

428
00:18:36,440 --> 00:18:37,520
Speaker 2: Yeah, it's a lot.

429
00:18:38,080 --> 00:18:41,879
Speaker 3: Yeah, he felt hard and fast, like I can be

430
00:18:41,920 --> 00:18:42,600
Speaker 3: there to catch you.

431
00:18:42,800 --> 00:18:43,920
Speaker 1: Yeah, I will be your hero.

432
00:18:44,160 --> 00:18:46,040
Speaker 3: Yeah we've only just met and I know I'm your

433
00:18:46,040 --> 00:18:51,240
Speaker 3: cab driver. But then we cut to Shooters. Jake is

434
00:18:51,400 --> 00:18:55,639
Speaker 3: asking Sandy out for a burger after work. She's not

435
00:18:55,760 --> 00:18:58,359
Speaker 3: so sure. Didn't they already try this one? She thinks,

436
00:18:58,400 --> 00:19:02,480
Speaker 3: So Sandy tells Jake, you know, I think that you know,

437
00:19:02,560 --> 00:19:05,440
Speaker 3: after our one night stand, I was ready for more

438
00:19:06,000 --> 00:19:08,760
Speaker 3: and Jake says, well, then let's let's try this again.

439
00:19:08,840 --> 00:19:11,120
Speaker 3: Let's try to wipe the slate clean. We'll start over

440
00:19:11,440 --> 00:19:15,160
Speaker 3: this time, just as friends. And I feel like Jake

441
00:19:15,240 --> 00:19:16,520
Speaker 3: is super earnest here.

442
00:19:16,720 --> 00:19:19,199
Speaker 1: He's super He had a line that I promise you

443
00:19:19,280 --> 00:19:22,840
Speaker 1: Grant fought, where he says, abstinence makes the heart girl

444
00:19:22,880 --> 00:19:25,439
Speaker 1: fonder and she goes absence, and I was like, Grant

445
00:19:25,520 --> 00:19:28,800
Speaker 1: was like, honestly, does he have to sound so stupid?

446
00:19:28,840 --> 00:19:32,760
Speaker 1: Like I know that Grant Grant said it through gritted teeth.

447
00:19:32,800 --> 00:19:34,800
Speaker 1: I was like, he does not like that, lie? Did

448
00:19:34,800 --> 00:19:35,160
Speaker 1: you notice?

449
00:19:35,359 --> 00:19:35,560
Speaker 2: Yeah?

450
00:19:35,560 --> 00:19:37,359
Speaker 3: Well, I also got the sense that he, you know,

451
00:19:37,400 --> 00:19:39,800
Speaker 3: he tried to do it like a wink and not

452
00:19:39,960 --> 00:19:42,280
Speaker 3: like the character's like, I know the difference. I just

453
00:19:42,320 --> 00:19:44,200
Speaker 3: have to say this line like, you know, like the

454
00:19:44,320 --> 00:19:44,800
Speaker 3: character does.

455
00:19:44,960 --> 00:19:46,760
Speaker 1: He even made it work. But I could hear him

456
00:19:46,800 --> 00:19:49,439
Speaker 1: having an argument. I could see him like, oh, I

457
00:19:49,520 --> 00:19:50,760
Speaker 1: don't I don't want to, but.

458
00:19:50,800 --> 00:19:51,200
Speaker 2: I have to.

459
00:19:51,480 --> 00:19:53,399
Speaker 3: Yeah, It's like the whole scene was written just to

460
00:19:53,400 --> 00:19:56,600
Speaker 3: get to that line, Abstinence makes the heart grow fonder.

461
00:19:59,160 --> 00:20:01,359
Speaker 3: So they decide to give it a shot, maybe a

462
00:20:01,359 --> 00:20:05,280
Speaker 3: platonic date, we'll see. But we cut back to Billy

463
00:20:05,359 --> 00:20:06,560
Speaker 3: and Don at the pizza place.

464
00:20:07,440 --> 00:20:07,800
Speaker 2: Uh.

465
00:20:08,440 --> 00:20:10,720
Speaker 3: There, he's taking her home there, walking through the hallway

466
00:20:10,760 --> 00:20:14,520
Speaker 3: of her apartment, and the night almost ends in a

467
00:20:14,600 --> 00:20:17,200
Speaker 3: kiss at the door. After Billy ends, he suggests that

468
00:20:17,240 --> 00:20:19,320
Speaker 3: the night doesn't need to end, but the apartment door opens,

469
00:20:19,359 --> 00:20:23,800
Speaker 3: revealing a young boy and his babysitter. Don introduces Billy

470
00:20:23,840 --> 00:20:29,120
Speaker 3: to her son Martin, and relieves the babysitter, which is.

471
00:20:29,119 --> 00:20:32,200
Speaker 1: The name of a fifty year old comedy writer.

472
00:20:32,640 --> 00:20:36,280
Speaker 2: Martin Martin. Yeah, it was Marty.

473
00:20:36,800 --> 00:20:39,720
Speaker 3: Martin is the name of the child, and Billy.

474
00:20:39,480 --> 00:20:40,040
Speaker 1: Is the name.

475
00:20:41,400 --> 00:20:46,119
Speaker 4: Is Martin played by Justin Izfeld. He's the guy who

476
00:20:46,160 --> 00:20:48,119
Speaker 4: went on to be in all the American Pie movies.

477
00:20:48,240 --> 00:20:56,159
Speaker 3: Yes, so the kid playing Martin Martin Martin, mister child Martin,

478
00:20:58,280 --> 00:21:00,639
Speaker 3: Well he was. He was great in this episode. And

479
00:21:01,640 --> 00:21:03,520
Speaker 3: it's just so funny that that was the character's name.

480
00:21:03,600 --> 00:21:05,520
Speaker 3: I laughed about it through the whole time to him

481
00:21:05,520 --> 00:21:08,240
Speaker 3: as Martin. There's actually one point actually in this next

482
00:21:08,240 --> 00:21:10,720
Speaker 3: scene I didn't know I caught Alison laughing at it too.

483
00:21:11,040 --> 00:21:14,840
Speaker 1: Did you get to I feel like you couldn't help it.

484
00:21:18,640 --> 00:21:21,360
Speaker 3: So, yeah, we're back at Allison in Billy's apartment, Allison's

485
00:21:21,359 --> 00:21:23,480
Speaker 3: getting ready for work in the morning. Billy returns home,

486
00:21:23,520 --> 00:21:25,520
Speaker 3: saying that he it's not that he was out late

487
00:21:25,600 --> 00:21:28,359
Speaker 3: with down, but that he actually drove the graveyard shift

488
00:21:28,440 --> 00:21:31,120
Speaker 3: last night. And oh yeah, by the way, Don has

489
00:21:31,119 --> 00:21:32,679
Speaker 3: a son Martin.

490
00:21:33,160 --> 00:21:34,879
Speaker 1: Wait, is this what I'm doing? The crossword puzzle?

491
00:21:35,160 --> 00:21:37,760
Speaker 3: No, oh, okay, you're just getting ready for else we

492
00:21:38,119 --> 00:21:43,879
Speaker 3: blazer on and oh yeah a belt, Yeah, that's kind

493
00:21:43,920 --> 00:21:46,760
Speaker 3: of yeah. And then but I just I laughed because

494
00:21:47,400 --> 00:21:50,920
Speaker 3: al he says Don has a son, Martin. He's like, well,

495
00:21:50,960 --> 00:21:53,400
Speaker 3: Martin was there and mar.

496
00:21:53,240 --> 00:21:56,680
Speaker 2: Martin a fifty year old man.

497
00:21:56,880 --> 00:22:02,200
Speaker 1: Yeah, Sarah, what was her dad doing there? Grandpa?

498
00:22:02,560 --> 00:22:05,320
Speaker 3: Oh my gosh. So yeah, No, Billy says, this is

499
00:22:05,320 --> 00:22:08,000
Speaker 3: a kid. I'm still interested in Dawn. I'm just concerned

500
00:22:08,040 --> 00:22:11,280
Speaker 3: about the complications of having a kid around, and Alison

501
00:22:11,359 --> 00:22:13,280
Speaker 3: is sort of empathetic, saying, well, it must be really

502
00:22:13,280 --> 00:22:15,520
Speaker 3: hard to be a single mom and have guys running

503
00:22:15,560 --> 00:22:18,159
Speaker 3: away at the side of your kid, which seemed to

504
00:22:18,280 --> 00:22:20,240
Speaker 3: sort of encourage Billy, who says, yeah, maybe I'm just

505
00:22:20,240 --> 00:22:22,560
Speaker 3: being selfish. I can do this even with the kid around.

506
00:22:22,640 --> 00:22:26,680
Speaker 3: But Alison pushes him and questions sort of whether Billy

507
00:22:26,760 --> 00:22:29,240
Speaker 3: is mature enough to understand how to handle the dynamic

508
00:22:29,280 --> 00:22:31,919
Speaker 3: of a whole family, at which time he turns it

509
00:22:31,960 --> 00:22:35,920
Speaker 3: on her, saying that just because Alison is intimidated by children,

510
00:22:37,720 --> 00:22:41,200
Speaker 3: and Alison's like, what, I was a great babysitter. Everyone

511
00:22:41,280 --> 00:22:44,639
Speaker 3: said so.

512
00:22:43,119 --> 00:22:45,000
Speaker 1: So everyone's talking about it to this day.

513
00:22:45,160 --> 00:22:48,560
Speaker 3: It's so weird. So that was sort of a funny,

514
00:22:48,640 --> 00:22:50,840
Speaker 3: Like he tries to say, well, just because you're intimidated

515
00:22:50,880 --> 00:22:53,080
Speaker 3: doesn't mean I can't handle it, and it comes out

516
00:22:53,119 --> 00:22:55,960
Speaker 3: of yeah, because that was a really mature way sitting

517
00:22:55,960 --> 00:23:02,639
Speaker 3: on that one, real mature Billy. We're back with Ronda

518
00:23:02,720 --> 00:23:05,040
Speaker 3: and Sandy. Sandy's getting ready for her date with Jake,

519
00:23:05,640 --> 00:23:07,959
Speaker 3: and Ronda is warning her that Jake never called her

520
00:23:07,960 --> 00:23:10,040
Speaker 3: back the first time and he may not have really changed,

521
00:23:10,160 --> 00:23:11,120
Speaker 3: you know, any in the last time.

522
00:23:11,200 --> 00:23:14,159
Speaker 4: Never called them back after they hooked up, after they

523
00:23:14,160 --> 00:23:16,680
Speaker 4: had their one night stand. Yeah, and then they sow

524
00:23:16,720 --> 00:23:19,520
Speaker 4: that whole course, the whole theme of this is, you know,

525
00:23:19,720 --> 00:23:24,280
Speaker 4: they're trying to be platonic, and Billy is trying to see.

526
00:23:24,080 --> 00:23:26,160
Speaker 2: If he's good father materially, you know what I mean.

527
00:23:26,200 --> 00:23:26,880
Speaker 2: Like it's kind of.

528
00:23:26,840 --> 00:23:29,360
Speaker 4: They always seem to do this, like these two sort

529
00:23:29,400 --> 00:23:32,119
Speaker 4: of parallel stories are opposite.

530
00:23:31,840 --> 00:23:32,360
Speaker 2: You know what I mean?

531
00:23:32,480 --> 00:23:33,320
Speaker 1: Yeah?

532
00:23:32,760 --> 00:23:36,640
Speaker 4: Yeah, Ronda is saying to Sandy, you know, you guys

533
00:23:36,680 --> 00:23:38,280
Speaker 4: hooked up and then he never called you, and.

534
00:23:38,280 --> 00:23:39,159
Speaker 2: I think it. I don't know.

535
00:23:39,200 --> 00:23:41,800
Speaker 4: I was thinking, like god in the same apartment building,

536
00:23:41,880 --> 00:23:43,639
Speaker 4: like we have just banged on his door, and so

537
00:23:43,720 --> 00:23:44,159
Speaker 4: what that? Well?

538
00:23:44,160 --> 00:23:46,639
Speaker 1: But also I felt like, are we pretending that we

539
00:23:46,760 --> 00:23:49,600
Speaker 1: haven't seen them flirt in every single episode? Right, Like

540
00:23:49,640 --> 00:23:51,440
Speaker 1: it's not like that's what happened and they didn't speak

541
00:23:51,480 --> 00:23:54,200
Speaker 1: till this moment, right, they're almost doing it in every

542
00:23:54,280 --> 00:23:55,160
Speaker 1: single Yeah.

543
00:23:55,359 --> 00:23:56,720
Speaker 2: Yeah, well then they're trying.

544
00:23:56,480 --> 00:23:59,320
Speaker 4: To do it platonically now just be friends trying. It's

545
00:23:59,320 --> 00:24:00,680
Speaker 4: like new territory. Sorry for them.

546
00:24:01,040 --> 00:24:03,399
Speaker 3: And Ronda is saying to Sandy, like, you do you

547
00:24:03,440 --> 00:24:05,320
Speaker 3: trust him? Do you feel like you can trust him?

548
00:24:05,600 --> 00:24:07,800
Speaker 3: And Sandy ends that scene by saying, well, I don't

549
00:24:07,800 --> 00:24:09,679
Speaker 3: know if I can trust myself, which is sort of

550
00:24:09,680 --> 00:24:12,520
Speaker 3: the foreshadowing of like, oh, we just can't keep our

551
00:24:12,520 --> 00:24:14,280
Speaker 3: hands off each other. You know, I don't know if

552
00:24:14,280 --> 00:24:15,480
Speaker 3: I can, because it's just.

553
00:24:15,520 --> 00:24:17,320
Speaker 1: She's like a cat on a hot tin room. Yeah

554
00:24:17,359 --> 00:24:18,679
Speaker 1: that she does never accent anymore.

555
00:24:18,680 --> 00:24:26,240
Speaker 3: Indeed, then we could really identify. So then dinner at

556
00:24:26,359 --> 00:24:30,600
Speaker 3: the dinner table at Down's house is Billy Down and

557
00:24:30,760 --> 00:24:35,119
Speaker 3: Martin child. Yeah, super awkward and tense. At the dinner table,

558
00:24:35,240 --> 00:24:38,800
Speaker 3: Martin wants nothing to do with Billy. Billy does offer

559
00:24:38,840 --> 00:24:41,160
Speaker 3: to drive Dawn to her gig coming up in Ventura,

560
00:24:41,640 --> 00:24:45,360
Speaker 3: and because Dawn reminds him that her car is broken down,

561
00:24:45,440 --> 00:24:48,960
Speaker 3: but Martin the child says no way, will I ride

562
00:24:49,000 --> 00:24:51,960
Speaker 3: with Billy? And then a screaming fight ensued.

563
00:24:52,000 --> 00:24:53,560
Speaker 1: And I don't know if it's a sign of the times,

564
00:24:53,600 --> 00:24:56,119
Speaker 1: but now like when people are divorced with kids in

565
00:24:56,160 --> 00:24:58,720
Speaker 1: they date, it's like nobody meets the kids for six months.

566
00:24:58,880 --> 00:25:00,280
Speaker 1: You would never have your first date.

567
00:25:01,240 --> 00:25:04,200
Speaker 3: Yeah at home at the family dinner table.

568
00:25:04,680 --> 00:25:04,880
Speaker 2: Yeah.

569
00:25:05,119 --> 00:25:07,479
Speaker 1: Yeah, I'd like you to call Billy daddy. I know

570
00:25:07,520 --> 00:25:08,240
Speaker 1: you just met her.

571
00:25:09,520 --> 00:25:12,920
Speaker 3: He was my cab driver yesterday today to take your

572
00:25:12,960 --> 00:25:22,119
Speaker 3: new daddy. Oh god, you so Down and Martin start

573
00:25:22,200 --> 00:25:25,720
Speaker 3: yelling at each other, and that screaming fight reveals that

574
00:25:25,720 --> 00:25:29,320
Speaker 3: Martin's dad, in Dawn's words, won't pay child support, and

575
00:25:29,359 --> 00:25:31,800
Speaker 3: therefore Dawn is struggling to find that three hundred dollars

576
00:25:31,840 --> 00:25:36,440
Speaker 3: that she needs to fix her car, and Billy seems

577
00:25:36,480 --> 00:25:41,199
Speaker 3: to want to stick this out. Instead of finding that

578
00:25:41,400 --> 00:25:43,760
Speaker 3: very concerning of how they scream, she.

579
00:25:43,720 --> 00:25:45,119
Speaker 1: Seems to hear it is a direct question.

580
00:25:45,240 --> 00:25:48,280
Speaker 3: Yeah, my god, sorry, let me try to solve the

581
00:25:48,320 --> 00:25:51,520
Speaker 3: money problem instead of going why is this mother screaming

582
00:25:51,560 --> 00:25:54,679
Speaker 3: so ragefully at her child? Which I thought was a

583
00:25:54,680 --> 00:25:57,240
Speaker 3: fair question. I mean, I'm watching this for the first time.

584
00:25:57,119 --> 00:25:59,639
Speaker 1: Going wow, I see a red flag.

585
00:26:00,560 --> 00:26:06,040
Speaker 3: Like to me, seemed like not your typical mother son relationship.

586
00:26:07,440 --> 00:26:11,840
Speaker 3: But anyway, there Dawn says something she needs to apologize

587
00:26:11,840 --> 00:26:13,680
Speaker 3: for us as she leaves the table to go apologize

588
00:26:13,680 --> 00:26:15,159
Speaker 3: to Smart and leaving Billy alone.

589
00:26:15,800 --> 00:26:19,199
Speaker 1: The wheels are turning. Considering wheels are turning, there's a

590
00:26:19,240 --> 00:26:20,240
Speaker 1: plan being formed.

591
00:26:21,920 --> 00:26:25,240
Speaker 3: So Sandy and Jake are at their bar after their

592
00:26:25,280 --> 00:26:28,280
Speaker 3: movie date, congratulating themselves on getting through the movie without

593
00:26:28,359 --> 00:26:29,520
Speaker 3: jumping each other's bones.

594
00:26:29,840 --> 00:26:33,399
Speaker 4: They're trying not to entangle themselves, and Billy's trying to

595
00:26:33,400 --> 00:26:35,920
Speaker 4: desperately to entangle himself anyway.

596
00:26:35,960 --> 00:26:41,399
Speaker 3: He cannot be right, and so the conversation quickly takes

597
00:26:41,520 --> 00:26:46,280
Speaker 3: a turn when Jake reminds Sandy just how tricky it

598
00:26:46,320 --> 00:26:49,840
Speaker 3: is to have Sandy live in just right upstairs, and

599
00:26:49,920 --> 00:26:51,840
Speaker 3: he says I don't know how many times I thought

600
00:26:51,840 --> 00:26:53,600
Speaker 3: about coming upstairs and.

601
00:26:53,640 --> 00:26:56,800
Speaker 1: Just dot dot dot yeah.

602
00:26:57,000 --> 00:27:01,879
Speaker 3: And Sandy agrees, I know what you mean, and uh yeah,

603
00:27:01,920 --> 00:27:04,920
Speaker 3: So it just took a very quick turn. So much

604
00:27:05,000 --> 00:27:06,399
Speaker 3: for congratulating themselves.

605
00:27:07,160 --> 00:27:08,439
Speaker 2: Oh I mean that, I don't know.

606
00:27:08,960 --> 00:27:11,639
Speaker 4: You see the heat between them for so many episodes,

607
00:27:11,920 --> 00:27:13,239
Speaker 4: and so it is.

608
00:27:14,040 --> 00:27:15,280
Speaker 2: You know it's not going to work.

609
00:27:15,440 --> 00:27:17,639
Speaker 4: But I mean, it's just this whole storyline makes total

610
00:27:17,680 --> 00:27:19,800
Speaker 4: sense with me and to me, you know, because they're

611
00:27:19,840 --> 00:27:22,399
Speaker 4: all they are is like sex, these two, you know,

612
00:27:22,440 --> 00:27:25,200
Speaker 4: they're the sexual characters on the show, and.

613
00:27:25,960 --> 00:27:28,240
Speaker 2: Let's just try to be friends and this whole thing,

614
00:27:28,400 --> 00:27:30,080
Speaker 2: oh yes, well, how was your day? You know, the

615
00:27:30,160 --> 00:27:31,720
Speaker 2: kind of thing just isn't going to be them. You know,

616
00:27:31,760 --> 00:27:34,400
Speaker 2: they're gonna end up ripping each other so close it off.

617
00:27:34,560 --> 00:27:37,000
Speaker 1: Here's what I don't understand about this conflict, which is

618
00:27:37,640 --> 00:27:40,080
Speaker 1: we're great friends, about the hats for each other. Isn't

619
00:27:40,080 --> 00:27:43,040
Speaker 1: that the perfect relationship? I mean, I think that's the ideal.

620
00:27:43,200 --> 00:27:45,200
Speaker 2: I know, why are they what's the problem?

621
00:27:46,200 --> 00:27:46,920
Speaker 1: See the problem?

622
00:27:47,320 --> 00:27:47,439
Speaker 2: Right?

623
00:27:47,640 --> 00:27:47,920
Speaker 1: Great?

624
00:27:48,600 --> 00:27:50,840
Speaker 4: I think because they don't know how to do what

625
00:27:50,960 --> 00:27:55,639
Speaker 4: comes next, which is being responsible to each other, being respectful,

626
00:27:56,200 --> 00:28:00,439
Speaker 4: having a conversation. You know that that ideally that happened

627
00:28:00,440 --> 00:28:03,040
Speaker 4: after you, you know, hook.

628
00:28:02,880 --> 00:28:06,200
Speaker 2: Up, and they just kind of like freak out. That's

629
00:28:06,200 --> 00:28:07,880
Speaker 2: all they know how to do is a hookup.

630
00:28:07,840 --> 00:28:09,919
Speaker 1: So once they have sex, they kill the friendship. They

631
00:28:09,960 --> 00:28:12,920
Speaker 1: can't maintain both. They don't know how to Well yeah, exactly,

632
00:28:13,320 --> 00:28:15,439
Speaker 1: because I was thinking that sounds very good to me.

633
00:28:15,560 --> 00:28:18,080
Speaker 3: Yeah, well it does sound like like Sandy's feelings were hurt,

634
00:28:18,119 --> 00:28:20,600
Speaker 3: like wait a minute, you know we have this it

635
00:28:20,640 --> 00:28:22,400
Speaker 3: turned out to be a one night stand, but like

636
00:28:22,800 --> 00:28:26,639
Speaker 3: she thought, you know, not hearing from him about it after,

637
00:28:26,960 --> 00:28:28,880
Speaker 3: like it never happened again, or like hello, like what

638
00:28:28,960 --> 00:28:31,800
Speaker 3: oh you just yeah.

639
00:28:30,920 --> 00:28:33,280
Speaker 2: Listen, you've been married how many years? But for those

640
00:28:33,280 --> 00:28:34,400
Speaker 2: of us who haven't.

641
00:28:34,080 --> 00:28:36,040
Speaker 1: And it's still just as hot as the first is.

642
00:28:36,160 --> 00:28:39,360
Speaker 3: Yeah, I mean he does call you, right, we actually

643
00:28:39,400 --> 00:28:40,000
Speaker 3: still speak.

644
00:28:40,080 --> 00:28:42,560
Speaker 2: You text you from the kitchen, you do, hey, how

645
00:28:42,600 --> 00:28:45,640
Speaker 2: you doing? What are you wearing? Get in the car

646
00:28:45,760 --> 00:28:49,120
Speaker 2: to go to rehearsal, and he's like, you're so hot?

647
00:28:50,480 --> 00:28:52,920
Speaker 3: Every day? Nice every day we tell each other.

648
00:28:53,440 --> 00:28:54,800
Speaker 4: I guess what I wanted to get to is that

649
00:28:54,800 --> 00:28:57,160
Speaker 4: I think a lot of women can relate to you

650
00:28:57,200 --> 00:28:59,680
Speaker 4: know that the hunt is over and then you don't

651
00:28:59,720 --> 00:29:02,520
Speaker 4: hear from them. Yeah, interesting to remember those back in

652
00:29:02,520 --> 00:29:04,360
Speaker 4: the day many years ago.

653
00:29:04,560 --> 00:29:11,640
Speaker 3: Well back to Don's house, Yes, speaking of creepy, Billy

654
00:29:11,720 --> 00:29:15,960
Speaker 3: lets himself into Martin's bedroom while he's maybe sleeping, but

655
00:29:16,000 --> 00:29:18,720
Speaker 3: it turns out Martin's lying in bed crying, not sleeping.

656
00:29:19,720 --> 00:29:22,720
Speaker 3: Billy just sort of walks in and says he wants

657
00:29:22,760 --> 00:29:25,920
Speaker 3: to talk to Martin like men, which Martin points out

658
00:29:25,960 --> 00:29:28,240
Speaker 3: that he can't really do because he's a kid. Also,

659
00:29:28,560 --> 00:29:33,800
Speaker 3: you're a stranger entered my bedroom.

660
00:29:33,880 --> 00:29:34,200
Speaker 2: Yeah.

661
00:29:34,440 --> 00:29:37,600
Speaker 3: Yeah, so there's that, which we never kind of address,

662
00:29:38,080 --> 00:29:40,280
Speaker 3: but I was conscious of it the entire scene.

663
00:29:40,680 --> 00:29:43,000
Speaker 4: But this whole thing is very Billy to me. He's

664
00:29:43,040 --> 00:29:45,440
Speaker 4: just kind of like clueless and privileged, like this good

665
00:29:45,480 --> 00:29:47,120
Speaker 4: look and what guy can do whatever, Like it doesn't

666
00:29:47,120 --> 00:29:48,880
Speaker 4: even dawn on him that I should be going in there.

667
00:29:49,040 --> 00:29:53,360
Speaker 3: There's a line you shouldn't cross, here's a relationship.

668
00:29:53,360 --> 00:29:57,880
Speaker 1: I imagine. On the day, Andrews said, really, yes, it's fine,

669
00:29:57,960 --> 00:29:59,360
Speaker 1: he's all right.

670
00:30:00,000 --> 00:30:03,560
Speaker 3: I feel like it was a directorial thing, like, Okay,

671
00:30:03,640 --> 00:30:05,320
Speaker 3: it's too hard to shoot the whole scene with you

672
00:30:05,360 --> 00:30:07,120
Speaker 3: just standing in the doorway and have these conversations. So

673
00:30:07,200 --> 00:30:08,960
Speaker 3: ony don't you go over and sit on the bed

674
00:30:09,320 --> 00:30:12,520
Speaker 3: like it just got really well.

675
00:30:12,840 --> 00:30:15,480
Speaker 4: They always love you close to each other on set,

676
00:30:15,600 --> 00:30:17,720
Speaker 4: so they don't have to do all these different angles

677
00:30:18,200 --> 00:30:20,080
Speaker 4: like the over the shoulder and this and that. They

678
00:30:20,240 --> 00:30:22,080
Speaker 4: just if they can just get you in one shot,

679
00:30:22,200 --> 00:30:24,080
Speaker 4: that would be so get close somehow.

680
00:30:24,240 --> 00:30:25,080
Speaker 2: Don't you remember that though?

681
00:30:25,120 --> 00:30:26,840
Speaker 3: Oh yeah, but it's And it's also like you can

682
00:30:26,840 --> 00:30:29,000
Speaker 3: tell by the music cues, like what they wanted the

683
00:30:29,000 --> 00:30:30,760
Speaker 3: tone of the scene to feel like, oh that this

684
00:30:30,800 --> 00:30:33,520
Speaker 3: needs to feel like a really intimate, like you know,

685
00:30:34,080 --> 00:30:38,120
Speaker 3: adult child conversation, and he's being really gentle, and the

686
00:30:38,200 --> 00:30:43,080
Speaker 3: music he was very hallmarky schmaltzy, you know, but it's like, wait,

687
00:30:43,240 --> 00:30:46,200
Speaker 3: we're not addressing the weirdness like sitting down on the

688
00:30:46,280 --> 00:30:51,600
Speaker 3: kid's bed uninvited, Like yeah, not Andrew's.

689
00:30:51,200 --> 00:30:53,440
Speaker 1: Fault, not Andrews fault, No, no, no.

690
00:30:53,800 --> 00:30:56,560
Speaker 3: Just a pitfall. And so he tries to he tries

691
00:30:56,600 --> 00:31:00,800
Speaker 3: to bond with Martin. I keep wanting to call Martin

692
00:31:01,000 --> 00:31:05,800
Speaker 3: Billy because that's a child's name. Yes, okay, Billy the

693
00:31:05,840 --> 00:31:09,880
Speaker 3: adult wants to bond with Martin the child over the

694
00:31:09,960 --> 00:31:14,200
Speaker 3: terminator movies and wants to talk to him and say, oh,

695
00:31:14,240 --> 00:31:16,000
Speaker 3: you're you know, you're a fan of this too, and

696
00:31:16,040 --> 00:31:22,520
Speaker 3: he reminds Martin that the terminator was always there for

697
00:31:22,760 --> 00:31:25,959
Speaker 3: the kid and his mother, but Martin says, yeah, but

698
00:31:26,040 --> 00:31:31,040
Speaker 3: the terminator went away in the end, and then Billy says, yeah,

699
00:31:31,040 --> 00:31:34,120
Speaker 3: but that was in the movie. This is real. Kind

700
00:31:34,120 --> 00:31:36,400
Speaker 3: of a creepy scene, but I think the point was

701
00:31:36,720 --> 00:31:40,640
Speaker 3: is that Billy's just continuing to want to insert himself.

702
00:31:40,320 --> 00:31:42,520
Speaker 1: In this relationship to be the hero is fantasy.

703
00:31:42,640 --> 00:31:47,280
Speaker 3: Yeah, yeah, he wants to be the hero. Jake and

704
00:31:47,320 --> 00:31:49,640
Speaker 3: Sandy are returning home and they're in the courtyard. Instead

705
00:31:49,680 --> 00:31:51,880
Speaker 3: of saying good night with just a handshake and a hug,

706
00:31:52,040 --> 00:31:57,760
Speaker 3: they start making out and Jake lets them into his apartment,

707
00:31:57,840 --> 00:31:59,800
Speaker 3: bringing her onto the couch, making out all the way

708
00:32:00,560 --> 00:32:03,600
Speaker 3: until Sandy stops him and says, wait, we are supposed

709
00:32:03,640 --> 00:32:07,520
Speaker 3: to be taking it slow, at which time Sandy accuses

710
00:32:07,560 --> 00:32:10,640
Speaker 3: Jake of getting carried away, saying it's all this is

711
00:32:10,640 --> 00:32:13,040
Speaker 3: all he's ever wanted, but Jake is confusing. Wait wait,

712
00:32:13,080 --> 00:32:15,960
Speaker 3: I thought this was mutual that hug and then there

713
00:32:16,000 --> 00:32:20,240
Speaker 3: was much more. I detected it. We're both getting carried away.

714
00:32:20,440 --> 00:32:22,440
Speaker 3: And then Sandy's pissed off because she says, you know,

715
00:32:22,480 --> 00:32:25,520
Speaker 3: there's nothing between us besides sex. They yell at each

716
00:32:25,520 --> 00:32:29,200
Speaker 3: other and Sandy storms out, saying we're nothing, there's nothing

717
00:32:29,240 --> 00:32:33,800
Speaker 3: between us. So that was abrupt, very abrupt.

718
00:32:36,360 --> 00:32:38,360
Speaker 1: This is the part they have trouble with. That's what

719
00:32:38,480 --> 00:32:41,440
Speaker 1: Daphney was saying. Once the sex comes into it, they

720
00:32:41,440 --> 00:32:45,600
Speaker 1: have trouble communicating. So now I see it, Thank you,

721
00:32:45,960 --> 00:32:47,400
Speaker 1: thank you, I see it.

722
00:32:47,480 --> 00:32:50,160
Speaker 4: You see what a therapeutic show this is for people

723
00:32:51,640 --> 00:32:54,080
Speaker 4: working to do.

724
00:32:54,520 --> 00:32:56,240
Speaker 2: We're working through for everybody.

725
00:32:57,280 --> 00:33:00,280
Speaker 3: So Billy comes home to find Allison awake doing a

726
00:33:00,320 --> 00:33:01,120
Speaker 3: crossword puzzle.

727
00:33:01,480 --> 00:33:04,920
Speaker 1: Okay, so this is my question. Four letter word from

728
00:33:04,960 --> 00:33:07,360
Speaker 1: Behemoth huge.

729
00:33:07,240 --> 00:33:08,240
Speaker 3: That's the one I thought of.

730
00:33:09,480 --> 00:33:10,320
Speaker 1: Did you think of that?

731
00:33:10,960 --> 00:33:12,000
Speaker 2: I don't even remember that.

732
00:33:12,960 --> 00:33:16,120
Speaker 3: I thought Behemoth would have been a better answer to

733
00:33:16,200 --> 00:33:17,840
Speaker 3: something like I think they.

734
00:33:17,720 --> 00:33:21,360
Speaker 1: Wanted the audience to get it. He's like TV guy, yeah, yeah, yeah,

735
00:33:21,600 --> 00:33:23,120
Speaker 1: Melrose blank.

736
00:33:24,760 --> 00:33:29,800
Speaker 3: Yeah yeah, thank goodness. I feel so smart that we

737
00:33:29,880 --> 00:33:30,800
Speaker 3: both got the same word.

738
00:33:32,240 --> 00:33:34,160
Speaker 1: So we found out.

739
00:33:34,760 --> 00:33:38,640
Speaker 3: Yeah, that wasn't to lie to you and lie.

740
00:33:38,920 --> 00:33:39,240
Speaker 2: Yeah.

741
00:33:39,400 --> 00:33:41,960
Speaker 3: Billy's sort of hanging his head about needing three hundred

742
00:33:42,000 --> 00:33:45,120
Speaker 3: dollars and Alison says, wait, I can loan you the money,

743
00:33:45,120 --> 00:33:49,000
Speaker 3: what's it for, At which time he lies to Alison,

744
00:33:49,040 --> 00:33:51,200
Speaker 3: making up a story about his own car being damaged

745
00:33:51,200 --> 00:33:52,880
Speaker 3: and that he needs to fix it for his job.

746
00:33:53,520 --> 00:33:56,280
Speaker 3: Allison says she'll happily help them, because, after all, it's

747
00:33:56,280 --> 00:33:58,440
Speaker 3: for his job, and wouldn't he just do the same

748
00:33:58,480 --> 00:33:58,800
Speaker 3: for her?

749
00:33:58,960 --> 00:34:05,280
Speaker 1: I know, weren't you just yeah, she only has five

750
00:34:05,360 --> 00:34:08,759
Speaker 1: hundred and twelve dollars in her account, so she's giving

751
00:34:08,840 --> 00:34:10,880
Speaker 1: him more than half that.

752
00:34:11,280 --> 00:34:11,960
Speaker 3: Very generous.

753
00:34:11,960 --> 00:34:13,399
Speaker 2: You know exactly how much you had.

754
00:34:13,600 --> 00:34:16,120
Speaker 1: I was, I was doing the math in my head.

755
00:34:17,880 --> 00:34:20,479
Speaker 3: Billy's face is racked with guilt over the lie.

756
00:34:20,840 --> 00:34:22,200
Speaker 1: Yes, sort of.

757
00:34:22,520 --> 00:34:25,840
Speaker 3: Sort of, not guilty enough to tell the truth, but

758
00:34:25,880 --> 00:34:27,880
Speaker 3: he's going to do it anyway. So the next day

759
00:34:27,880 --> 00:34:31,680
Speaker 3: he delivers the money to Dawn, and she said, wait, wait, wait, wait, wait,

760
00:34:31,719 --> 00:34:33,839
Speaker 3: this is all going too fast for me. Even though

761
00:34:33,880 --> 00:34:37,120
Speaker 3: she appreciates the help, she does reveal at that point

762
00:34:37,120 --> 00:34:41,080
Speaker 3: that she's overwhelmed by Billy's sort of like willingness to

763
00:34:41,120 --> 00:34:43,319
Speaker 3: help and she doesn't even have a babysitter for the gig,

764
00:34:43,360 --> 00:34:46,040
Speaker 3: and this is all too much, and what Billy is doing,

765
00:34:46,080 --> 00:34:50,000
Speaker 3: which is helping her, is really scary, she says, and

766
00:34:50,040 --> 00:34:53,399
Speaker 3: Billy says it's scary for him too. What can I say?

767
00:34:53,480 --> 00:34:57,400
Speaker 3: He says, I think you're the greatest, and Don's face

768
00:34:57,480 --> 00:34:59,920
Speaker 3: shows a little bit of trepidation, like, wow, this capt

769
00:35:00,440 --> 00:35:01,120
Speaker 3: is coming on.

770
00:35:01,400 --> 00:35:02,879
Speaker 1: It's a lot, Yeah, it's a lot.

771
00:35:03,160 --> 00:35:05,640
Speaker 3: So then Jake and Michael are doing launder in the

772
00:35:05,680 --> 00:35:09,720
Speaker 3: launder room, Jake and his tank top of course, and

773
00:35:10,280 --> 00:35:13,719
Speaker 3: Jake is angry again, telling Michael that he tried to

774
00:35:13,719 --> 00:35:15,719
Speaker 3: do what Michael told him to do, taking it slow,

775
00:35:15,760 --> 00:35:18,200
Speaker 3: but it didn't work out, and angrily he tells Michael

776
00:35:18,239 --> 00:35:21,359
Speaker 3: that every so often Sandy would God forbid smile at

777
00:35:21,440 --> 00:35:24,080
Speaker 3: him and then forget it.

778
00:35:24,120 --> 00:35:26,880
Speaker 1: Clearly the messages she was asking for she was again

779
00:35:27,040 --> 00:35:28,160
Speaker 1: not exactly what he's saying.

780
00:35:28,160 --> 00:35:29,680
Speaker 2: I didn't really play for bid she.

781
00:35:29,760 --> 00:35:32,520
Speaker 3: Smiled at me and then forget it. Yeah, of course,

782
00:35:33,840 --> 00:35:35,560
Speaker 3: what was I supposed to do?

783
00:35:35,600 --> 00:35:36,319
Speaker 2: You know what I mean?

784
00:35:37,200 --> 00:35:40,440
Speaker 3: Yeah, And then the scene cuts to Sandy telling Ronda

785
00:35:40,520 --> 00:35:42,880
Speaker 3: her version of it where Jake was all over her

786
00:35:42,960 --> 00:35:45,040
Speaker 3: like a cheap suit. So they're both venting their to

787
00:35:45,080 --> 00:35:46,080
Speaker 3: their friends.

788
00:35:45,680 --> 00:35:48,840
Speaker 2: Like yeah, that was good, I like it.

789
00:35:48,840 --> 00:35:50,600
Speaker 3: Back and forth, and it went back a couple of times.

790
00:35:50,800 --> 00:35:52,799
Speaker 2: The boys and the girls all have different.

791
00:35:52,920 --> 00:35:55,160
Speaker 3: And you know, like, well, I kind of told you so,

792
00:35:55,200 --> 00:35:58,600
Speaker 3: and Sandy's like, please don't say that, and uh, but

793
00:35:58,640 --> 00:36:01,359
Speaker 3: that both of them can clue to their friends that

794
00:36:01,920 --> 00:36:04,440
Speaker 3: the other one is not ready for a commitment or

795
00:36:04,440 --> 00:36:11,120
Speaker 3: a serious relationship. So then we're back with Billy and

796
00:36:11,360 --> 00:36:15,919
Speaker 3: the child Martin. Billy is bringing the child Martin home

797
00:36:15,960 --> 00:36:19,759
Speaker 3: to his apartment, where they surprise Alison in her robe

798
00:36:19,800 --> 00:36:23,759
Speaker 3: doing her pedicure, and Billy's going to be babysitting for

799
00:36:23,760 --> 00:36:24,080
Speaker 3: the day.

800
00:36:24,239 --> 00:36:26,799
Speaker 1: And I like the fact that Martin's mother said to

801
00:36:26,840 --> 00:36:29,359
Speaker 1: the man who went into her son's bedroom the first

802
00:36:29,440 --> 00:36:31,880
Speaker 1: night they met, and an't you take him for the evening?

803
00:36:32,440 --> 00:36:33,560
Speaker 3: Why don't you have the whole day?

804
00:36:33,680 --> 00:36:34,960
Speaker 1: Why don't you go on your own date.

805
00:36:35,120 --> 00:36:37,719
Speaker 3: Yeah, while I'm on a town you just have my

806
00:36:37,800 --> 00:36:39,960
Speaker 3: kid for the whole day. Do whatever you want, go

807
00:36:39,960 --> 00:36:45,600
Speaker 3: ahead and take him to your apartment. Whatever. So, yeah,

808
00:36:45,680 --> 00:36:47,440
Speaker 3: luckily Alison was there, so she.

809
00:36:47,480 --> 00:36:49,319
Speaker 1: Was really worried about the stand up. Maybe she should

810
00:36:49,320 --> 00:36:51,560
Speaker 1: have been worried about the parenting. Maybe there was maybe

811
00:36:51,600 --> 00:36:54,440
Speaker 1: we had the focus. There's a lot to worry about here,

812
00:36:55,680 --> 00:36:58,680
Speaker 1: But Alison is there. She tries to offer Martin a

813
00:36:58,719 --> 00:37:02,040
Speaker 1: snack Billy and Allison are sort of trying to figure

814
00:37:02,040 --> 00:37:05,520
Speaker 1: out how to babysit together, and then Billy suggests, why

815
00:37:05,560 --> 00:37:07,280
Speaker 1: don't we go to Magic Mountain?

816
00:37:07,320 --> 00:37:07,920
Speaker 3: Magic Mountain?

817
00:37:08,000 --> 00:37:10,319
Speaker 2: So I want to know, did you you guys shot there?

818
00:37:10,520 --> 00:37:11,080
Speaker 2: Do you remember that?

819
00:37:11,280 --> 00:37:13,360
Speaker 1: Because we were right next to Magic Mountain. I remembered

820
00:37:13,400 --> 00:37:16,600
Speaker 1: watching it was that there was an article in the

821
00:37:16,719 --> 00:37:19,400
Speaker 1: Inquirer that I got off a ride and threw up.

822
00:37:19,719 --> 00:37:22,400
Speaker 1: That's what I remember, really, mm hmmm, and did you?

823
00:37:22,480 --> 00:37:24,399
Speaker 1: And there was something about Heather, which was funny because

824
00:37:24,400 --> 00:37:26,200
Speaker 1: Heather wasn't even in the scene, but Heather was there

825
00:37:26,200 --> 00:37:27,080
Speaker 1: and we got in a fight.

826
00:37:28,160 --> 00:37:30,400
Speaker 3: Yeah, really loved the Inquirer for that.

827
00:37:30,880 --> 00:37:33,239
Speaker 1: Yeah, that's fun faction.

828
00:37:33,320 --> 00:37:36,040
Speaker 2: It's weird that they were just like, did you feel

829
00:37:36,120 --> 00:37:39,279
Speaker 2: nauseous at all? Maybe now you know they.

830
00:37:39,320 --> 00:37:40,839
Speaker 1: Just make random stuff up.

831
00:37:40,880 --> 00:37:42,480
Speaker 3: Well, I thought the footage of you guys on the

832
00:37:42,520 --> 00:37:46,600
Speaker 3: roller coaster was adorable. You guys are like legitimately joyful,

833
00:37:46,800 --> 00:37:50,480
Speaker 3: like smiling that that's like roller coaster smile that you

834
00:37:50,520 --> 00:37:51,439
Speaker 3: can't wipe off your face.

835
00:37:51,640 --> 00:37:52,760
Speaker 2: It's just so sad.

836
00:37:52,880 --> 00:37:55,120
Speaker 4: Yeah, and what was he like to work with now

837
00:37:55,120 --> 00:37:57,640
Speaker 4: that we're what was Martin the kid?

838
00:37:58,040 --> 00:37:58,760
Speaker 2: Oh? He's fine.

839
00:37:58,800 --> 00:38:00,640
Speaker 1: You know, the kids are sweet. They've got their mom

840
00:38:00,719 --> 00:38:04,319
Speaker 1: there and the teacher there and you're rushing around. But

841
00:38:04,400 --> 00:38:05,080
Speaker 1: he was sweet.

842
00:38:05,120 --> 00:38:06,480
Speaker 3: I mean, yeah, and you got to go on a

843
00:38:06,560 --> 00:38:07,240
Speaker 3: roller coaster.

844
00:38:07,520 --> 00:38:10,000
Speaker 1: Yeah, Like what a fun job for a fun job.

845
00:38:10,120 --> 00:38:11,839
Speaker 2: Yeah.

846
00:38:12,040 --> 00:38:15,479
Speaker 3: So at the end of that scene, Martin is getting

847
00:38:15,480 --> 00:38:17,960
Speaker 3: a snack at a snackstand and Billy and Allison are

848
00:38:18,000 --> 00:38:22,279
Speaker 3: having a conversation. Billy reminds Allison reminds Billy how much

849
00:38:22,400 --> 00:38:25,320
Speaker 3: of a commitment it would be to actually have a

850
00:38:25,400 --> 00:38:29,799
Speaker 3: kid full time. Billy says, well, maybe someday, Alison, you'll

851
00:38:29,840 --> 00:38:34,479
Speaker 3: have kids because someone yeah, everyone wants. Every woman wants

852
00:38:34,520 --> 00:38:35,120
Speaker 3: to be a mom.

853
00:38:35,440 --> 00:38:38,000
Speaker 2: He said, you say to him, I don't want kids.

854
00:38:37,640 --> 00:38:40,680
Speaker 3: Yeah, And he says every woman wants to be a mom.

855
00:38:41,200 --> 00:38:41,640
Speaker 2: Yeah.

856
00:38:41,719 --> 00:38:43,759
Speaker 4: So as someone the only person here who doesn't have

857
00:38:43,880 --> 00:38:47,799
Speaker 4: kids and who never wanted them, that's very common, especially

858
00:38:48,000 --> 00:38:50,160
Speaker 4: I've had that coming from.

859
00:38:50,040 --> 00:38:52,680
Speaker 3: Men, just the assumption that every woman wants to.

860
00:38:52,600 --> 00:38:55,879
Speaker 2: Be the declarative statement, right, every woman wants to.

861
00:38:55,800 --> 00:38:58,440
Speaker 1: Have children, or and that you'll regret it if you don't.

862
00:38:58,600 --> 00:39:02,279
Speaker 2: All these yea in society to have a kid? Does that,

863
00:39:02,520 --> 00:39:02,839
Speaker 2: you know?

864
00:39:03,520 --> 00:39:08,160
Speaker 4: And I loved the term that my girlfriend of mine

865
00:39:08,200 --> 00:39:11,320
Speaker 4: who doesn't have kids, who never wanted them child free.

866
00:39:11,800 --> 00:39:12,440
Speaker 2: Yeah, I like that.

867
00:39:12,600 --> 00:39:13,759
Speaker 1: I like that too. That's great.

868
00:39:14,080 --> 00:39:15,200
Speaker 2: Yeah, it is great.

869
00:39:15,760 --> 00:39:17,919
Speaker 1: Yeah, and it's great to know that about your scene.

870
00:39:17,920 --> 00:39:18,399
Speaker 2: It is great.

871
00:39:18,560 --> 00:39:20,520
Speaker 1: Not do it because it's hard, and if you don't

872
00:39:20,520 --> 00:39:21,880
Speaker 1: want to do it, you shouldn't do it.

873
00:39:21,920 --> 00:39:24,000
Speaker 2: Absolutely should absolutely yea shouldn't.

874
00:39:24,520 --> 00:39:26,399
Speaker 1: But I saw this scene and you guys will see

875
00:39:26,400 --> 00:39:29,080
Speaker 1: it when when your episodes come up. I just wanted

876
00:39:29,080 --> 00:39:31,000
Speaker 1: to redo it. I'm like, can I ever redo for

877
00:39:31,120 --> 00:39:34,000
Speaker 1: this scene? I would play this so differently if I

878
00:39:34,040 --> 00:39:40,680
Speaker 1: could just act, like, if we could redo the scene differently. Yeah,

879
00:39:41,400 --> 00:39:44,000
Speaker 1: I just I didn't. I didn't like the way I

880
00:39:44,040 --> 00:39:46,040
Speaker 1: played it, and I was like, oh, it was just

881
00:39:46,120 --> 00:39:47,920
Speaker 1: I felt like it was just one note. Like I

882
00:39:48,040 --> 00:39:49,759
Speaker 1: just sort of went through it. And I think it

883
00:39:49,840 --> 00:39:52,520
Speaker 1: was out of fear, probably that the material felt scary

884
00:39:52,560 --> 00:39:54,919
Speaker 1: to me. So I just sort of went through it

885
00:39:55,480 --> 00:39:57,479
Speaker 1: and it was just you'll see, like there were scenes

886
00:39:57,480 --> 00:39:59,600
Speaker 1: where you go, oh, I'd love another shot.

887
00:39:59,760 --> 00:40:03,719
Speaker 3: I'm sure I love another shot at most of my scenes, yeah, yeah.

888
00:40:03,480 --> 00:40:06,000
Speaker 1: But there are some that you really go, oh boy,

889
00:40:06,080 --> 00:40:07,319
Speaker 1: I misplayed it well.

890
00:40:07,360 --> 00:40:10,480
Speaker 3: Also, just the subject matter with him saying every woman

891
00:40:10,719 --> 00:40:13,799
Speaker 3: wants this, and you're like, as the character, I don't.

892
00:40:14,000 --> 00:40:15,960
Speaker 3: I don't think I want this, and I don't think

893
00:40:15,960 --> 00:40:16,640
Speaker 3: I could handle it.

894
00:40:16,640 --> 00:40:18,360
Speaker 1: Like I don't think I was mature enough as a

895
00:40:18,400 --> 00:40:21,040
Speaker 1: person that like I could play. I understood everything about

896
00:40:21,040 --> 00:40:22,840
Speaker 1: that scene, now, That's what it was. It was like I

897
00:40:22,880 --> 00:40:26,160
Speaker 1: didn't have the layers that the scene needed because I

898
00:40:26,200 --> 00:40:28,400
Speaker 1: just think I wasn't there yet. I was twenty four,

899
00:40:28,600 --> 00:40:30,560
Speaker 1: like I was thinking, of course, I'll be a mom

900
00:40:30,600 --> 00:40:32,799
Speaker 1: and half like I just wasn't. I hadn't had the

901
00:40:32,960 --> 00:40:35,760
Speaker 1: complicated thoughts about it that the scene needed.

902
00:40:35,840 --> 00:40:38,520
Speaker 3: Well, for what it's worth, I thought you did at

903
00:40:38,520 --> 00:40:41,400
Speaker 3: a very age appropriate level, like I did, think you

904
00:40:42,160 --> 00:40:42,560
Speaker 3: thank you.

905
00:40:42,560 --> 00:40:46,480
Speaker 1: For that plays it strategy age appropriate level.

906
00:40:46,560 --> 00:40:47,200
Speaker 2: It was fine.

907
00:40:47,320 --> 00:40:49,840
Speaker 3: That was that was the character's age, you know, that

908
00:40:49,920 --> 00:40:52,560
Speaker 3: was the character's point of view at her age, and.

909
00:40:52,520 --> 00:40:55,760
Speaker 1: So I think they can only do so much. So Courtney,

910
00:40:55,840 --> 00:40:56,759
Speaker 1: what I'm saying.

911
00:40:56,520 --> 00:40:59,520
Speaker 3: Forty, I thought you were great in the scene and

912
00:40:59,560 --> 00:41:01,840
Speaker 3: I got it like that you were. You know, that

913
00:41:01,960 --> 00:41:04,920
Speaker 3: was a complicated conversation, and I thought that like Billy

914
00:41:05,000 --> 00:41:08,200
Speaker 3: again was sort of inserting himself and making assumptions that

915
00:41:08,520 --> 00:41:11,239
Speaker 3: he wasn't his to make they rode the roller coaster.

916
00:41:11,400 --> 00:41:14,600
Speaker 3: They had this weird conversation and then they they we

917
00:41:14,680 --> 00:41:17,960
Speaker 3: go back to back to the courtyard where the gang

918
00:41:18,120 --> 00:41:19,120
Speaker 3: is in the pool.

919
00:41:19,440 --> 00:41:23,160
Speaker 4: Yeah, that was like Matt came to so Doug came

920
00:41:23,200 --> 00:41:24,320
Speaker 4: to work to get in the pool.

921
00:41:24,400 --> 00:41:26,400
Speaker 3: He had a dinner party scene and then he was

922
00:41:26,400 --> 00:41:27,759
Speaker 3: in the pool and I think that was all of

923
00:41:27,760 --> 00:41:32,080
Speaker 3: his appearances. And they're playing with Martin the Kid.

924
00:41:32,239 --> 00:41:36,319
Speaker 4: I noticed that Billy is doing his soccer stuff at.

925
00:41:36,200 --> 00:41:40,239
Speaker 3: This Yeah, he had a couple of good headers, like, yeah,

926
00:41:40,239 --> 00:41:42,320
Speaker 3: it's like basketball soccer in the pool.

927
00:41:42,160 --> 00:41:45,000
Speaker 4: Because at that point, well he had already played Andrew

928
00:41:45,040 --> 00:41:48,200
Speaker 4: had already played with the Galaxy, right, remember.

929
00:41:48,920 --> 00:41:50,200
Speaker 1: Remember when that happened?

930
00:41:50,320 --> 00:41:54,920
Speaker 3: Did happened professional soccer? I think in in Africa, right,

931
00:41:55,080 --> 00:41:56,319
Speaker 3: that's where he's here.

932
00:41:56,400 --> 00:41:57,920
Speaker 2: Where was he La Galaxy?

933
00:41:58,440 --> 00:42:00,600
Speaker 4: But in our interview he said but I don't remember

934
00:42:00,600 --> 00:42:03,120
Speaker 4: if he said afterwards or before he did the show.

935
00:42:03,239 --> 00:42:06,279
Speaker 1: I think he taught in Africa and played soccer, and

936
00:42:06,360 --> 00:42:10,479
Speaker 1: I feel like he played for the Galaxy latering the show.

937
00:42:10,560 --> 00:42:13,839
Speaker 2: Yeah, yeah, I think it over. I think happened showing

938
00:42:13,880 --> 00:42:14,680
Speaker 2: off a little stuff there.

939
00:42:14,719 --> 00:42:17,000
Speaker 3: Yeah, cool, So they were having a good time playing

940
00:42:17,040 --> 00:42:20,480
Speaker 3: in the pool, and Alison's sitting poolside talking with Ronda

941
00:42:20,560 --> 00:42:25,120
Speaker 3: and Jane, and Alison is observing that Billy actually kind

942
00:42:25,120 --> 00:42:27,680
Speaker 3: of looks like he's great at this and it's the

943
00:42:27,719 --> 00:42:31,200
Speaker 3: first time she sees him as acting like an actual adult.

944
00:42:31,800 --> 00:42:34,879
Speaker 3: And Alison tells Ronda and Jane that she loves kids

945
00:42:34,880 --> 00:42:37,520
Speaker 3: but doesn't think she could be ever ready to be

946
00:42:37,600 --> 00:42:40,520
Speaker 3: a mom. Ronda sort of agrees, and Jane says that

947
00:42:40,560 --> 00:42:42,640
Speaker 3: no one ever feels like they're ready, but that you'd

948
00:42:42,640 --> 00:42:43,360
Speaker 3: be surprised.

949
00:42:43,719 --> 00:42:45,200
Speaker 2: Jane is pregnant.

950
00:42:45,280 --> 00:42:48,719
Speaker 4: Yeah, you know that now, right, Yeah, she's the one

951
00:42:48,719 --> 00:42:50,160
Speaker 4: now that is experienced.

952
00:42:50,280 --> 00:42:52,799
Speaker 3: Yeah, she says, I wasn't exactly feeling like I was ready,

953
00:42:52,800 --> 00:42:53,920
Speaker 3: but then all of a sudden, you know.

954
00:42:54,320 --> 00:42:55,080
Speaker 2: She's so young.

955
00:42:55,400 --> 00:42:58,760
Speaker 3: Yeah, you'd be surprised how it she changed, she says.

956
00:43:00,040 --> 00:43:03,279
Speaker 3: And so Billy and Allison are watching Martin's sleep later.

957
00:43:03,400 --> 00:43:06,640
Speaker 3: He's exhausted after his big day. He's sleeping peacefully and

958
00:43:06,680 --> 00:43:10,560
Speaker 3: they're they both think it's so sweet watching him sleep,

959
00:43:10,800 --> 00:43:12,399
Speaker 3: and then there's a knock of the door. It's Dawn

960
00:43:12,440 --> 00:43:14,719
Speaker 3: returning after her gig, which.

961
00:43:14,600 --> 00:43:18,360
Speaker 1: Really, I think messes with Allison's little happy family fantasy.

962
00:43:18,520 --> 00:43:20,680
Speaker 1: I have going. I don't think I'm very happy to

963
00:43:20,719 --> 00:43:22,240
Speaker 1: see her.

964
00:43:21,760 --> 00:43:23,000
Speaker 2: I don't think so.

965
00:43:23,080 --> 00:43:25,680
Speaker 3: I think they had like this long, great day together,

966
00:43:26,040 --> 00:43:29,040
Speaker 3: and like, even without speaking of it, they both are

967
00:43:29,040 --> 00:43:29,759
Speaker 3: sort of feeling like.

968
00:43:29,719 --> 00:43:32,640
Speaker 1: Wow, this woman comes and takes our child child.

969
00:43:32,920 --> 00:43:35,280
Speaker 2: Imagine that right out of her fantasy.

970
00:43:36,480 --> 00:43:38,960
Speaker 3: But so Don is as grateful as she is for

971
00:43:39,040 --> 00:43:41,000
Speaker 3: the babysitting help. She thanks Billy for making all the

972
00:43:41,000 --> 00:43:43,239
Speaker 3: difference because it was a big boost to her career

973
00:43:43,280 --> 00:43:45,080
Speaker 3: by being able to do the show. And thanks for

974
00:43:45,160 --> 00:43:46,960
Speaker 3: loaning me the money to fix my.

975
00:43:46,960 --> 00:43:49,440
Speaker 2: Car, she says, three hundred dollars.

976
00:43:49,760 --> 00:43:52,680
Speaker 3: So not only is Alison jealous of this woman, but

977
00:43:52,719 --> 00:43:54,680
Speaker 3: now she's furious to learn that Billy has lied about

978
00:43:54,719 --> 00:43:55,520
Speaker 3: what the money was for.

979
00:43:55,719 --> 00:44:00,440
Speaker 2: And and those big blue eyes are like, you lied.

980
00:44:00,960 --> 00:44:02,600
Speaker 1: They're full of rage, they're.

981
00:44:02,440 --> 00:44:02,919
Speaker 2: Full of.

982
00:44:05,000 --> 00:44:09,720
Speaker 4: Talk about having a fantasy burst. Well, the mother walks

983
00:44:09,719 --> 00:44:11,640
Speaker 4: in with his fantasy job, and then.

984
00:44:12,000 --> 00:44:16,520
Speaker 2: Your friend, you're you know, the guy has lied to you.

985
00:44:17,400 --> 00:44:19,880
Speaker 2: So it's like poof back to reality.

986
00:44:19,960 --> 00:44:22,080
Speaker 3: And they kissed goodbye at the door, like Don leaves,

987
00:44:22,080 --> 00:44:23,879
Speaker 3: and they kiss right in front of Alison, and then

988
00:44:23,920 --> 00:44:28,080
Speaker 3: she's like just slapping the face and then he says, well,

989
00:44:28,120 --> 00:44:31,959
Speaker 3: I was you know, yes, yes, you were doing something

990
00:44:32,000 --> 00:44:34,040
Speaker 3: unselfish and responsible with the money, but it was at

991
00:44:34,080 --> 00:44:35,120
Speaker 3: my expense.

992
00:44:35,200 --> 00:44:37,360
Speaker 1: That was a good line. I thought, at my expense,

993
00:44:37,400 --> 00:44:39,120
Speaker 1: that's a great way to say your line.

994
00:44:39,239 --> 00:44:42,360
Speaker 4: Yeah, and where does he say, imagine it in my shoes?

995
00:44:42,520 --> 00:44:44,040
Speaker 4: Imagine it from my point of view?

996
00:44:44,200 --> 00:44:46,880
Speaker 3: Yeah, I think that's after after she leaves, right.

997
00:44:47,000 --> 00:44:52,640
Speaker 4: Imagine if from my point I'm like, no, why you

998
00:44:53,080 --> 00:44:53,879
Speaker 4: acted it out?

999
00:44:57,480 --> 00:45:00,839
Speaker 3: So yeah, after stupid, I can't imagine it.

1000
00:45:01,320 --> 00:45:03,080
Speaker 1: I've learned that from years of couples therapy.

1001
00:45:03,200 --> 00:45:08,439
Speaker 3: I have imagined it, and it's dumb. So yeah, after

1002
00:45:08,520 --> 00:45:11,680
Speaker 3: Don leaves, Allison says, Billy, you do this every time,

1003
00:45:11,800 --> 00:45:15,080
Speaker 3: jumping headfirst into a relationship without a moment's thought. And

1004
00:45:15,120 --> 00:45:19,960
Speaker 3: Billy says, unlike you, who you know, you withhold all

1005
00:45:20,400 --> 00:45:24,840
Speaker 3: all your feelings. And Allison accuses Billy of play acting

1006
00:45:24,920 --> 00:45:27,120
Speaker 3: as an adult living in a dream world because it

1007
00:45:27,120 --> 00:45:31,319
Speaker 3: can barely take care of himself. But Billy apologizes about

1008
00:45:31,320 --> 00:45:34,080
Speaker 3: the money, says we'll pay her back. Allison says she

1009
00:45:34,239 --> 00:45:37,439
Speaker 3: thinks she could never trust him again. So it ends

1010
00:45:37,480 --> 00:45:39,600
Speaker 3: on a very bad feeling between the two.

1011
00:45:40,440 --> 00:45:42,320
Speaker 1: My mother said that to me one time when I

1012
00:45:42,480 --> 00:45:44,400
Speaker 1: ate half an ice cream sandwich and light about it,

1013
00:45:44,480 --> 00:45:47,200
Speaker 1: what'd she say? She can never trust you again. She

1014
00:45:47,280 --> 00:45:48,920
Speaker 1: may have been a slight overreaction.

1015
00:45:49,520 --> 00:45:50,840
Speaker 3: It might be her favorite food.

1016
00:45:50,840 --> 00:45:53,080
Speaker 1: Ever, Hence I'd like to ask her if she's held

1017
00:45:53,080 --> 00:45:53,480
Speaker 1: true to that.

1018
00:45:55,160 --> 00:45:55,960
Speaker 3: Are you over right yet?

1019
00:45:55,960 --> 00:45:56,120
Speaker 1: Mom?

1020
00:45:56,200 --> 00:45:59,239
Speaker 4: I can never trust clearly, I'm not because you said

1021
00:45:59,280 --> 00:46:00,399
Speaker 4: you didn't need any of it.

1022
00:46:01,840 --> 00:46:03,960
Speaker 1: This is stupid. I was I ate half of it,

1023
00:46:04,000 --> 00:46:05,480
Speaker 1: like if I'd taken all of it, you ate half

1024
00:46:05,480 --> 00:46:07,719
Speaker 1: of it, put the other half back and situated. I

1025
00:46:07,800 --> 00:46:12,520
Speaker 1: was like, no, sending more on their tolf ice cream.

1026
00:46:13,960 --> 00:46:20,800
Speaker 3: God, oh boy, the things we remember lying, yeah, gracious.

1027
00:46:24,360 --> 00:46:26,600
Speaker 3: So then the next day, Bill it's a Dawn's apartment

1028
00:46:27,040 --> 00:46:31,360
Speaker 3: and he's walking down the hall overhearing shouting inside, so

1029
00:46:31,520 --> 00:46:34,600
Speaker 3: he barges in to discover the ex husband is there,

1030
00:46:34,760 --> 00:46:37,040
Speaker 3: and the ex husband and Donn are screaming at each other.

1031
00:46:37,160 --> 00:46:39,839
Speaker 3: Billy tries to get in the middle of it, says,

1032
00:46:39,960 --> 00:46:42,080
Speaker 3: you know, I care more about her than you ever did.

1033
00:46:42,200 --> 00:46:45,040
Speaker 3: He shoves the guy. When the guy makes a comment,

1034
00:46:45,120 --> 00:46:46,560
Speaker 3: boll like, what do you look Martin?

1035
00:46:46,840 --> 00:46:47,279
Speaker 1: Our kid?

1036
00:46:47,840 --> 00:46:49,080
Speaker 3: Watch you guys again.

1037
00:46:49,160 --> 00:46:51,160
Speaker 1: He's known her for all of three and a half years.

1038
00:46:52,080 --> 00:46:56,040
Speaker 3: Yeah, but yeah, so that doesn't go well. The X

1039
00:46:56,160 --> 00:46:57,880
Speaker 3: leaves saying he'll be back at noon to pick up

1040
00:46:57,920 --> 00:47:01,160
Speaker 3: his kid. But after he Don is upset and he's

1041
00:47:01,360 --> 00:47:04,160
Speaker 3: upset with Billy, like, get the heck out of the

1042
00:47:04,239 --> 00:47:07,000
Speaker 3: situation where you don't belong, And.

1043
00:47:08,520 --> 00:47:08,960
Speaker 2: That was time.

1044
00:47:09,040 --> 00:47:10,640
Speaker 3: We find out that Martin has seen and her the

1045
00:47:10,680 --> 00:47:15,440
Speaker 3: whole thing. So who gives you the right to interfere,

1046
00:47:15,560 --> 00:47:17,399
Speaker 3: she says to Billy, and Billy says he just wanted

1047
00:47:17,440 --> 00:47:17,680
Speaker 3: to help.

1048
00:47:17,760 --> 00:47:18,000
Speaker 1: Try it.

1049
00:47:18,120 --> 00:47:20,600
Speaker 3: Here's where it is. Try and understand how I feel,

1050
00:47:21,560 --> 00:47:24,960
Speaker 3: He says it to Don, try and understand how I feel.

1051
00:47:25,040 --> 00:47:28,399
Speaker 3: But Don reminds him here that you're a twenty three

1052
00:47:28,480 --> 00:47:30,400
Speaker 3: year old Cabby who is not ready to take on

1053
00:47:30,520 --> 00:47:32,239
Speaker 3: responsibilities that my life comes with.

1054
00:47:32,600 --> 00:47:34,800
Speaker 2: Yeah, I mean I thought that was That's the crux

1055
00:47:34,840 --> 00:47:38,400
Speaker 2: of the whole show is like you're in a fantasy.

1056
00:47:38,560 --> 00:47:40,600
Speaker 4: You want to swoop in and be my savior. You

1057
00:47:40,719 --> 00:47:43,000
Speaker 4: gave me the three hundred dollars, but it's a fantasy.

1058
00:47:43,200 --> 00:47:46,960
Speaker 4: And I you really see in this scene where she's like,

1059
00:47:48,000 --> 00:47:51,239
Speaker 4: you know, once it ends, once you leave, I still

1060
00:47:51,280 --> 00:47:53,440
Speaker 4: have this kid, I still have this ex husband, I

1061
00:47:53,480 --> 00:47:56,400
Speaker 4: still have to get child support. I have to support everything,

1062
00:47:56,600 --> 00:47:59,400
Speaker 4: and it's like real life. Yeah, and you get to

1063
00:47:59,440 --> 00:48:03,160
Speaker 4: see how naive he was, even though he's well intended.

1064
00:48:03,520 --> 00:48:05,880
Speaker 4: I think he's just trying to be a grown up,

1065
00:48:06,160 --> 00:48:09,279
Speaker 4: you know, and trying to be responsible.

1066
00:48:09,400 --> 00:48:11,600
Speaker 2: And I'm with Billy, I'm like, yeah, you're right, I'm

1067
00:48:11,640 --> 00:48:13,239
Speaker 2: out take it.

1068
00:48:14,040 --> 00:48:15,880
Speaker 3: You could have the kid and the X and all that,

1069
00:48:16,080 --> 00:48:19,120
Speaker 3: except he's not. He's not thinking that. She's saying, here,

1070
00:48:19,239 --> 00:48:20,920
Speaker 3: here's your money, going to pay back the money, and

1071
00:48:21,400 --> 00:48:23,680
Speaker 3: you know, she tells how things are not always black

1072
00:48:23,719 --> 00:48:25,600
Speaker 3: and white and you should just take this money and

1073
00:48:25,680 --> 00:48:29,919
Speaker 3: you should go. So she asks him to go. Then

1074
00:48:30,400 --> 00:48:33,320
Speaker 3: back with Sandy, who's storming down to Jane and Michael's

1075
00:48:33,360 --> 00:48:35,560
Speaker 3: apartment the next morning because her dress class, or maybe

1076
00:48:35,560 --> 00:48:38,239
Speaker 3: that night, because her dress closet is broken. She has

1077
00:48:38,280 --> 00:48:39,640
Speaker 3: a dress closet and her heart.

1078
00:48:40,239 --> 00:48:41,720
Speaker 1: I have enough dresses to fill a closet.

1079
00:48:41,760 --> 00:48:42,200
Speaker 2: You shouldn't.

1080
00:48:42,280 --> 00:48:43,680
Speaker 3: I hope you have a dress closet, but.

1081
00:48:43,800 --> 00:48:45,480
Speaker 1: Like, I didn't know you could even have one.

1082
00:48:45,480 --> 00:48:48,760
Speaker 3: I don't remember Melrose's place having dress clauses, only Sandy's apartment.

1083
00:48:48,840 --> 00:48:50,719
Speaker 2: I heard of that term ever in my life. No

1084
00:48:50,880 --> 00:48:51,359
Speaker 2: dress clause.

1085
00:48:51,440 --> 00:48:53,400
Speaker 3: That's where she keeps her dresses in her special closet

1086
00:48:53,440 --> 00:48:55,719
Speaker 3: that locks. I guess from the inside.

1087
00:48:55,400 --> 00:48:58,640
Speaker 2: They are like, you know, I don't know fancy dresses

1088
00:48:58,680 --> 00:48:59,120
Speaker 2: are in there.

1089
00:48:59,360 --> 00:49:02,160
Speaker 3: Yeah, but Jane suggests that maybe Jake could help her

1090
00:49:02,200 --> 00:49:04,319
Speaker 3: get fix the door and get her dressed closet and locked.

1091
00:49:04,360 --> 00:49:09,200
Speaker 3: Since Michael is at the hospital, Jeeke is in the

1092
00:49:09,280 --> 00:49:12,480
Speaker 3: courtyard fixing his motorcycle, and I guess decides to help

1093
00:49:12,520 --> 00:49:14,879
Speaker 3: her because we cut inside the apartment where he's messing

1094
00:49:14,920 --> 00:49:18,120
Speaker 3: around with the lock. Something weird happens where he's trying

1095
00:49:18,160 --> 00:49:20,160
Speaker 3: to get it unstuck, and he goes flying across the

1096
00:49:20,280 --> 00:49:22,200
Speaker 3: room and he hurts himself and he lands on the ground.

1097
00:49:22,920 --> 00:49:25,400
Speaker 3: So like their banter was really angry with each other

1098
00:49:25,440 --> 00:49:26,959
Speaker 3: while he's trying to fix the door, but the minute

1099
00:49:26,960 --> 00:49:30,160
Speaker 3: he falls sexual, Yes, angry as all.

1100
00:49:30,080 --> 00:49:31,719
Speaker 2: The innuendos yep.

1101
00:49:31,960 --> 00:49:32,160
Speaker 1: Yeah.

1102
00:49:32,520 --> 00:49:34,759
Speaker 2: And wait, is it an on TNDRA or an innuendo?

1103
00:49:34,960 --> 00:49:35,760
Speaker 3: I think there's both.

1104
00:49:36,440 --> 00:49:39,120
Speaker 2: Is there both in there? Like one screw yeah, and

1105
00:49:39,320 --> 00:49:42,080
Speaker 2: you're on your own or something one. I don't know,

1106
00:49:42,160 --> 00:49:44,080
Speaker 2: I can't but it was these Melrose things. Yeah, I

1107
00:49:44,080 --> 00:49:45,880
Speaker 2: don't know if those are ons.

1108
00:49:48,280 --> 00:49:51,520
Speaker 3: But the innuendo is there as well. So then he

1109
00:49:52,040 --> 00:49:54,720
Speaker 3: all of a sudden, they start laughing when he falls,

1110
00:49:54,800 --> 00:49:56,359
Speaker 3: and they sort of like change their tune and they're

1111
00:49:56,440 --> 00:49:59,360
Speaker 3: nice to each other again, and they both admit that

1112
00:49:59,440 --> 00:50:01,560
Speaker 3: maybe they should just stick to, you know, enjoying the

1113
00:50:01,600 --> 00:50:04,720
Speaker 3: friendship that they have. Sandy admits that she doesn't actually

1114
00:50:04,760 --> 00:50:06,920
Speaker 3: have a hot date that night, she just needed address

1115
00:50:07,480 --> 00:50:09,959
Speaker 3: because she's going to the movies with Ronda, and all

1116
00:50:10,440 --> 00:50:14,120
Speaker 3: is suddenly right between Jake and Sandy. All he needed

1117
00:50:14,239 --> 00:50:17,839
Speaker 3: was a good like what you know fall.

1118
00:50:18,239 --> 00:50:20,040
Speaker 1: I'm curious to see if we sort of tied this

1119
00:50:20,160 --> 00:50:21,719
Speaker 1: up in the boat or if it starts again in

1120
00:50:21,760 --> 00:50:22,600
Speaker 1: the next episode.

1121
00:50:22,680 --> 00:50:26,800
Speaker 3: This is definitely ties up in this episode like for today,

1122
00:50:26,960 --> 00:50:28,360
Speaker 3: quick and wrap up of that.

1123
00:50:28,560 --> 00:50:33,239
Speaker 4: So this is episode nine, yes, no, yeah, okay, a

1124
00:50:33,280 --> 00:50:36,640
Speaker 4: few more episodes until someone else comes to town.

1125
00:50:37,239 --> 00:50:39,800
Speaker 3: I know we're more than halfway to Daphney people.

1126
00:50:40,360 --> 00:50:43,480
Speaker 2: More than half the blonde was there. I think she

1127
00:50:43,640 --> 00:50:44,359
Speaker 2: was already gone.

1128
00:50:45,040 --> 00:50:48,480
Speaker 1: Yeah, I think she left at thirteen. I think yeah,

1129
00:50:48,480 --> 00:50:52,480
Speaker 1: And you came at nineteen, almost halfway to.

1130
00:50:52,560 --> 00:50:54,839
Speaker 3: Lara, almost halfway to Laura.

1131
00:50:56,040 --> 00:50:58,160
Speaker 4: I could say you could say goodbye to the Brady

1132
00:50:58,239 --> 00:51:00,759
Speaker 4: Bunch version of Melroe's place.

1133
00:51:00,880 --> 00:51:05,359
Speaker 3: Yeah, things are gonna get way different soon. So then

1134
00:51:05,400 --> 00:51:07,800
Speaker 3: Billy comes home with the money for Allison again. He

1135
00:51:07,840 --> 00:51:11,360
Speaker 3: apologizes to her for screwing things up and he doesn't

1136
00:51:11,400 --> 00:51:15,440
Speaker 3: want her to stop trusting him. She says that she

1137
00:51:15,680 --> 00:51:18,200
Speaker 3: understands he was just trying to be noble, but he

1138
00:51:18,320 --> 00:51:21,239
Speaker 3: just wasn't being realistic. He said he was trying to

1139
00:51:21,320 --> 00:51:24,560
Speaker 3: be needed, not just to be cared for, like he

1140
00:51:24,600 --> 00:51:27,120
Speaker 3: feels like he's always being cared for by others. He

1141
00:51:27,320 --> 00:51:31,400
Speaker 3: liked being needed, and he actually wants to talk to

1142
00:51:31,600 --> 00:51:34,840
Speaker 3: Dawn again. So like, as much as things seem to

1143
00:51:34,880 --> 00:51:37,279
Speaker 3: be wrapped up with Billy and Allison, he still wants

1144
00:51:37,360 --> 00:51:39,480
Speaker 3: to go back and try again with Don.

1145
00:51:39,600 --> 00:51:41,960
Speaker 2: I don't know. I think this is right, you guys.

1146
00:51:42,080 --> 00:51:44,120
Speaker 4: I think it's honest of him to say I just

1147
00:51:44,160 --> 00:51:47,279
Speaker 4: wanted to be needed. He created this whole scenario so

1148
00:51:47,440 --> 00:51:49,480
Speaker 4: he could insert himself to feel needed.

1149
00:51:50,000 --> 00:51:51,920
Speaker 2: I mean, what's the boy to do if you're.

1150
00:51:51,800 --> 00:51:54,759
Speaker 4: Not that needed, you're going to create the situation. I

1151
00:51:54,840 --> 00:51:56,239
Speaker 4: think it's honest of him to say that.

1152
00:51:56,520 --> 00:51:57,560
Speaker 3: Oh, it's totally honest.

1153
00:51:57,640 --> 00:51:57,800
Speaker 1: I do.

1154
00:51:58,000 --> 00:52:01,520
Speaker 3: I agree. I'm just like, no that she asked him

1155
00:52:01,560 --> 00:52:03,000
Speaker 3: to leave, Like, you should just take this money and

1156
00:52:03,080 --> 00:52:05,600
Speaker 3: you should just go right, And so he goes back

1157
00:52:05,640 --> 00:52:07,719
Speaker 3: to Alison. Instead of saying, hey, I can take a hint.

1158
00:52:08,280 --> 00:52:10,920
Speaker 3: Even though I liked being needed, she doesn't want me there, right,

1159
00:52:11,040 --> 00:52:12,799
Speaker 3: He can't take that. He's like, you know, I'm going

1160
00:52:12,840 --> 00:52:15,080
Speaker 3: to go see her again tonight, right, So he just

1161
00:52:15,160 --> 00:52:15,920
Speaker 3: tries one more time.

1162
00:52:16,080 --> 00:52:19,200
Speaker 4: Yeah, I'm gonna I need her to need me, So

1163
00:52:19,280 --> 00:52:20,920
Speaker 4: I'm gonna need to go over there to get her

1164
00:52:20,960 --> 00:52:21,600
Speaker 4: to say I need you.

1165
00:52:21,680 --> 00:52:24,680
Speaker 2: But she's not gonna say, let's see what happens, So

1166
00:52:24,719 --> 00:52:25,279
Speaker 2: off he goes.

1167
00:52:25,320 --> 00:52:28,640
Speaker 3: He goes back to Dawn's stand up show, and this

1168
00:52:28,800 --> 00:52:32,000
Speaker 3: time her whole set is about divorce and relationships and

1169
00:52:32,080 --> 00:52:33,960
Speaker 3: falling for the wrong guys, all these guys who are

1170
00:52:34,000 --> 00:52:37,799
Speaker 3: living out their superhero fantasies. And Billy's listening and he's

1171
00:52:37,880 --> 00:52:39,840
Speaker 3: realizing as he's listening to what she's saying that she

1172
00:52:39,960 --> 00:52:44,040
Speaker 3: doesn't want to be rescued. She actually wants commitment. Billy's

1173
00:52:44,080 --> 00:52:46,600
Speaker 3: face is starting to say, maybe he's not so sure

1174
00:52:46,640 --> 00:52:48,359
Speaker 3: he can be that guy commitment man.

1175
00:52:48,560 --> 00:52:52,440
Speaker 4: He is also feeling mocked and like she specifically is

1176
00:52:52,480 --> 00:52:54,080
Speaker 4: writing this material about him.

1177
00:52:54,320 --> 00:52:55,520
Speaker 3: Yeah, it sure looks like it.

1178
00:52:56,520 --> 00:52:59,560
Speaker 2: It's that's humiliating. Yeah right, yeah, it.

1179
00:52:59,560 --> 00:53:02,279
Speaker 3: Does look But he meets her at the bar after

1180
00:53:02,320 --> 00:53:06,640
Speaker 3: the set and he tries once more, and don says,

1181
00:53:06,680 --> 00:53:09,839
Speaker 3: you know, we should just leave it alone. And he says,

1182
00:53:09,840 --> 00:53:11,400
Speaker 3: but I you know, I want to I get it,

1183
00:53:11,520 --> 00:53:13,600
Speaker 3: but I do want to continue spending time with you.

1184
00:53:13,880 --> 00:53:16,920
Speaker 3: And she says, I'm the one who's not ready and

1185
00:53:17,360 --> 00:53:19,239
Speaker 3: I just need to make it on my own and

1186
00:53:19,480 --> 00:53:21,279
Speaker 3: with all the things in my life, there's just no

1187
00:53:21,440 --> 00:53:24,239
Speaker 3: room for you, Billy, she says. So Billy finally takes

1188
00:53:24,239 --> 00:53:26,120
Speaker 3: a hint, and he says, okay, but can I say

1189
00:53:26,160 --> 00:53:31,080
Speaker 3: buy to Martin who's the kid? And she says she says, no,

1190
00:53:31,160 --> 00:53:32,240
Speaker 3: I don't think that's a good idea.

1191
00:53:33,120 --> 00:53:36,040
Speaker 2: He tells you, for either of you, He's going to

1192
00:53:36,080 --> 00:53:37,200
Speaker 2: start it back up, get.

1193
00:53:37,080 --> 00:53:39,759
Speaker 3: The hook, he tells her. Then can you just tell

1194
00:53:39,840 --> 00:53:43,080
Speaker 3: Martin that I said Austill la Vista Baby, Martin will understand.

1195
00:53:43,239 --> 00:53:44,399
Speaker 1: Oh that is cute.

1196
00:53:45,440 --> 00:53:48,800
Speaker 3: So the next morning, Billy's at home reading the paper

1197
00:53:49,120 --> 00:53:51,600
Speaker 3: at the apartment. He's dreaming about all the places he's

1198
00:53:51,640 --> 00:53:53,880
Speaker 3: never traveled and realizing that freedom is great. Maybe he

1199
00:53:53,960 --> 00:53:57,719
Speaker 3: will just go to all these great places and yeah's young,

1200
00:53:59,400 --> 00:54:03,000
Speaker 3: no ties to anyone, and he also says that having

1201
00:54:03,040 --> 00:54:05,040
Speaker 3: a family was great for a second, if only for

1202
00:54:05,120 --> 00:54:07,440
Speaker 3: a second, and it's something to look forward to someday.

1203
00:54:08,080 --> 00:54:12,680
Speaker 3: And then the flirty flirty between Billy and ellis the

1204
00:54:12,760 --> 00:54:15,759
Speaker 3: right person, a flirty conversation about who might that be with,

1205
00:54:16,040 --> 00:54:18,480
Speaker 3: and Alison leaves with a super flirty look to him

1206
00:54:18,520 --> 00:54:22,399
Speaker 3: and says, huh, you never know. I'm right in front

1207
00:54:22,400 --> 00:54:22,640
Speaker 3: of you.

1208
00:54:22,719 --> 00:54:23,399
Speaker 2: You ding dong.

1209
00:54:26,320 --> 00:54:31,239
Speaker 3: Pretty sure that's what that looks said. So, yeah, we

1210
00:54:31,400 --> 00:54:37,719
Speaker 3: have another episode where things are neatly wrapped up, and

1211
00:54:37,880 --> 00:54:39,680
Speaker 3: like you said, it's not going to be that way

1212
00:54:39,960 --> 00:54:41,840
Speaker 3: pretty soon. The whole tone of the show is going

1213
00:54:41,920 --> 00:54:42,799
Speaker 3: to change, which we know.

1214
00:54:43,080 --> 00:54:45,560
Speaker 2: Well yeah, and it's not always wrapped up. I feel

1215
00:54:45,600 --> 00:54:50,400
Speaker 2: like these are morality place a little bit, you know

1216
00:54:50,440 --> 00:54:50,919
Speaker 2: what I mean.

1217
00:54:51,040 --> 00:54:52,680
Speaker 3: Like I got lesson learned.

1218
00:54:53,160 --> 00:54:56,000
Speaker 4: Well, yeah, Like you have the Jake and the Sandy,

1219
00:54:56,200 --> 00:55:01,520
Speaker 4: these kind of sexualized characters trying to just be buds

1220
00:55:02,080 --> 00:55:04,120
Speaker 4: and go to a movie and not hop in the sack,

1221
00:55:04,200 --> 00:55:07,680
Speaker 4: and then you have these two having their whole chance

1222
00:55:07,760 --> 00:55:10,680
Speaker 4: to have this fantasy family going to the amusement park

1223
00:55:10,719 --> 00:55:12,840
Speaker 4: and everything, and I just feel like this is a

1224
00:55:12,920 --> 00:55:16,480
Speaker 4: whole Melrose Place that I never knew existed exactly. It's

1225
00:55:16,560 --> 00:55:18,600
Speaker 4: like these morality plays, do you know what I mean?

1226
00:55:18,880 --> 00:55:23,200
Speaker 4: Like lessons learned, Yeah, and like teaching.

1227
00:55:23,480 --> 00:55:25,960
Speaker 3: It's so funny for Daphne I to watch it, so

1228
00:55:26,160 --> 00:55:29,800
Speaker 3: not there, and then I'm.

1229
00:55:29,680 --> 00:55:31,520
Speaker 4: Cut to her on the boat and she's being like

1230
00:55:31,800 --> 00:55:33,799
Speaker 4: smacked around and that baby.

1231
00:55:33,680 --> 00:55:36,200
Speaker 3: Is such a different chobe. But like they're all like

1232
00:55:36,320 --> 00:55:40,320
Speaker 3: teaching each other, Like Alison is really teaching Billy you

1233
00:55:40,640 --> 00:55:43,160
Speaker 3: you know, you need to learn this, and this is

1234
00:55:43,200 --> 00:55:45,239
Speaker 3: a perfect example of this. And then by the end

1235
00:55:45,239 --> 00:55:47,719
Speaker 3: of the episode he's sort of learning it or whatever,

1236
00:55:47,960 --> 00:55:48,200
Speaker 3: like she.

1237
00:55:48,320 --> 00:55:49,000
Speaker 2: Was right, you know.

1238
00:55:49,719 --> 00:55:53,600
Speaker 3: But it's just such an interesting difference between where it's going.

1239
00:55:54,520 --> 00:55:56,920
Speaker 3: Jake so earnestly trying to be like a guy who

1240
00:55:57,000 --> 00:55:59,520
Speaker 3: knows how to be friends with a girl I really

1241
00:55:59,560 --> 00:56:04,240
Speaker 3: want to try, Yeah, Michael trying to help them anyway.

1242
00:56:04,239 --> 00:56:05,719
Speaker 3: So we had a kiss count in this one. There

1243
00:56:05,760 --> 00:56:09,600
Speaker 3: were a couple of kisses, a couple, yeah, a couple

1244
00:56:09,600 --> 00:56:13,400
Speaker 3: of new characters, a couple old characters, a couple.

1245
00:56:13,200 --> 00:56:16,759
Speaker 1: Of shirtless in the pool, but not we're shifting away

1246
00:56:16,800 --> 00:56:19,560
Speaker 1: from that. It's not like so it's interesting because it

1247
00:56:19,600 --> 00:56:21,640
Speaker 1: started with kissing that it sort of came off and

1248
00:56:21,719 --> 00:56:24,520
Speaker 1: then pretty soon it's going to be just a free

1249
00:56:24,600 --> 00:56:27,839
Speaker 1: for all. It's just like people making out.

1250
00:56:28,239 --> 00:56:30,960
Speaker 3: Well, I know, I threatened to make like a chart,

1251
00:56:31,239 --> 00:56:33,160
Speaker 3: like I think I'm gonna do it to like just

1252
00:56:33,320 --> 00:56:35,920
Speaker 3: keep track. It's almost like a family tree, like like

1253
00:56:37,200 --> 00:56:38,719
Speaker 3: I think I need to make a chart, like before

1254
00:56:38,760 --> 00:56:41,000
Speaker 3: it's too late and keep track like.

1255
00:56:41,120 --> 00:56:43,040
Speaker 2: Of who kissed Who?

1256
00:56:43,120 --> 00:56:45,759
Speaker 3: You won't be able to keep I better start now,

1257
00:56:46,120 --> 00:56:47,200
Speaker 3: if I better start the chart.

1258
00:56:47,600 --> 00:56:49,480
Speaker 2: Do you guys want to answer a couple of fan questions?

1259
00:56:49,600 --> 00:56:50,760
Speaker 3: Yeah, we have some questions.

1260
00:56:50,800 --> 00:56:51,200
Speaker 2: That's so fun.

1261
00:56:51,280 --> 00:56:54,520
Speaker 4: There's a couple of questions we have to The first

1262
00:56:54,560 --> 00:56:57,280
Speaker 4: one is how long did it take for an episode

1263
00:56:57,320 --> 00:57:00,719
Speaker 4: to be filmed and then actually air? It was seven

1264
00:57:00,800 --> 00:57:04,720
Speaker 4: days to film, Okay, So then shows were traditionally seven

1265
00:57:04,840 --> 00:57:05,080
Speaker 4: or eight.

1266
00:57:05,440 --> 00:57:05,960
Speaker 1: Yeah, we were.

1267
00:57:06,040 --> 00:57:07,680
Speaker 2: Some were seven and some were eight.

1268
00:57:09,040 --> 00:57:12,400
Speaker 1: Yeah, we were seven. And when in the first season

1269
00:57:12,480 --> 00:57:15,160
Speaker 1: before we did double ups, it was right on our

1270
00:57:15,280 --> 00:57:17,640
Speaker 1: tail because they found out reruns didn't do well, so

1271
00:57:17,720 --> 00:57:20,520
Speaker 1: we would be shooting to finish to get it out

1272
00:57:21,080 --> 00:57:22,040
Speaker 1: almost immediately.

1273
00:57:22,400 --> 00:57:24,560
Speaker 3: They'd have a few weeks of post production, like yeah,

1274
00:57:24,600 --> 00:57:25,280
Speaker 3: so we would.

1275
00:57:25,280 --> 00:57:27,880
Speaker 1: Start in August and I think it would start on

1276
00:57:27,960 --> 00:57:31,040
Speaker 1: the air in September October, so we'd be a few

1277
00:57:31,080 --> 00:57:33,360
Speaker 1: episodes ahead, and then when it caught up with us,

1278
00:57:33,360 --> 00:57:35,720
Speaker 1: we'd do double ups and get all those episodes in

1279
00:57:35,760 --> 00:57:36,120
Speaker 1: the camp.

1280
00:57:36,240 --> 00:57:36,400
Speaker 4: Yeah.

1281
00:57:36,560 --> 00:57:37,959
Speaker 3: So what do you think, was it about four weeks

1282
00:57:38,000 --> 00:57:40,320
Speaker 3: of post production after we'd finished shooting, they had about

1283
00:57:40,320 --> 00:57:41,760
Speaker 3: three to four weeks before it would be on the air.

1284
00:57:42,000 --> 00:57:44,600
Speaker 1: Yeah, until except those times when it was getting really

1285
00:57:44,680 --> 00:57:47,640
Speaker 1: super tight. Yeah, and it turned around. Yeah, that was

1286
00:57:47,640 --> 00:57:49,800
Speaker 1: when the show started to do really well. Yeah, and

1287
00:57:50,000 --> 00:57:52,320
Speaker 1: they just kept adding in the first season. Remember we're

1288
00:57:52,320 --> 00:57:54,400
Speaker 1: supposed to do twenty six. Then they added and added

1289
00:57:54,400 --> 00:57:56,160
Speaker 1: and added to we got to thirty three. We did

1290
00:57:56,200 --> 00:57:58,120
Speaker 1: it full twelve months in a row the first season.

1291
00:57:58,560 --> 00:58:01,880
Speaker 4: I didn't know until saying this, it's kind of faint

1292
00:58:02,000 --> 00:58:04,960
Speaker 4: bells are being wrong here of it not doing well

1293
00:58:05,120 --> 00:58:05,920
Speaker 4: in reruns.

1294
00:58:06,360 --> 00:58:10,200
Speaker 2: People just wanted fresh, fresh, fresh, story fresh. What's happening now?

1295
00:58:10,600 --> 00:58:12,680
Speaker 4: Yeah, I mean, I wonder if if it's a certain

1296
00:58:12,760 --> 00:58:15,040
Speaker 4: kind of show that doesn't do well in reruns cereals.

1297
00:58:15,360 --> 00:58:17,680
Speaker 1: So once we started, like I was thinking, you don't

1298
00:58:17,720 --> 00:58:19,680
Speaker 1: have scenes from the last episode because they didn't really

1299
00:58:19,720 --> 00:58:22,600
Speaker 1: connect at this point, right, But eventually you have to

1300
00:58:22,680 --> 00:58:25,120
Speaker 1: have the scene so that you can tell them what happens,

1301
00:58:25,120 --> 00:58:27,120
Speaker 1: so they're up to date because it started moving through

1302
00:58:27,160 --> 00:58:30,280
Speaker 1: the story so fast by the end of the first season.

1303
00:58:30,520 --> 00:58:33,560
Speaker 3: And also like, if we're shooting a seven day shooting schedule,

1304
00:58:33,960 --> 00:58:36,320
Speaker 3: Let's say you start on a Monday, so you finish

1305
00:58:36,400 --> 00:58:38,880
Speaker 3: it on the following Tuesday for seven days, and you

1306
00:58:39,000 --> 00:58:41,120
Speaker 3: immediately start on Wednesday on the next episode, So it

1307
00:58:41,280 --> 00:58:44,160
Speaker 3: just keeps rolling back to back to back, and Wednesday

1308
00:58:44,200 --> 00:58:46,560
Speaker 3: is day one of the seven days of the next episode.

1309
00:58:46,600 --> 00:58:49,480
Speaker 3: So it was just like this constant Yeah, seven.

1310
00:58:49,280 --> 00:58:52,120
Speaker 1: Work days, right, right, seven workdays, not like yeah, Monday

1311
00:58:52,160 --> 00:58:53,080
Speaker 1: to Sunday.

1312
00:58:52,760 --> 00:58:54,080
Speaker 2: It is, and there was Friday.

1313
00:58:54,280 --> 00:58:56,439
Speaker 3: There was never a day in between, Like it's not like, okay,

1314
00:58:56,560 --> 00:58:59,160
Speaker 3: we finished that episode, take a day and breathe. No,

1315
00:58:59,360 --> 00:59:00,760
Speaker 3: it was like, well, right, like.

1316
00:59:00,800 --> 00:59:04,240
Speaker 4: You're shooting the last scenes that need to be shot

1317
00:59:04,320 --> 00:59:06,720
Speaker 4: for that episode, and then you're getting this script in

1318
00:59:06,760 --> 00:59:09,200
Speaker 4: the makeup of being your trailer hoot off the presses.

1319
00:59:09,360 --> 00:59:13,360
Speaker 1: Remember from so remember going out to see your changes

1320
00:59:13,400 --> 00:59:15,800
Speaker 1: in the morning. Get yeah, change in blue pages. Yeah,

1321
00:59:15,800 --> 00:59:17,160
Speaker 1: they've actually delivered papers.

1322
00:59:17,960 --> 00:59:20,920
Speaker 4: The other question here is did you have extended time

1323
00:59:21,000 --> 00:59:23,280
Speaker 4: off or did you work twelve months of the year. Well,

1324
00:59:24,200 --> 00:59:27,200
Speaker 4: I remember, well, we didn't work twelve so I remember,

1325
00:59:28,600 --> 00:59:29,760
Speaker 4: I don't remember working twelve.

1326
00:59:29,840 --> 00:59:34,240
Speaker 1: I remember you came in at fourteen. Correct, Yeah, so

1327
00:59:34,280 --> 00:59:36,520
Speaker 1: you didn't work twelve months because you came in later.

1328
00:59:36,960 --> 00:59:39,400
Speaker 1: But we those of us are there from day one,

1329
00:59:39,480 --> 00:59:41,120
Speaker 1: work twelve months in row. The first season.

1330
00:59:41,840 --> 00:59:44,560
Speaker 4: Well, I came in halfway through the first season, right fifteen.

1331
00:59:44,680 --> 00:59:49,080
Speaker 4: So I guess my question is Courtney, twelve months means

1332
00:59:49,120 --> 00:59:50,040
Speaker 4: you didn't have time off.

1333
00:59:50,160 --> 00:59:50,479
Speaker 2: You didn't.

1334
00:59:50,560 --> 00:59:52,080
Speaker 4: I was going to say we had two weeks off

1335
00:59:52,120 --> 00:59:55,000
Speaker 4: for Christmas. You had to have Christmas vacation off, and

1336
00:59:55,040 --> 00:59:58,240
Speaker 4: then you have to have usually a hiatus, and ours

1337
00:59:58,400 --> 00:59:59,200
Speaker 4: was short.

1338
01:00:00,200 --> 01:00:04,040
Speaker 1: The first season. We didn't have a hiatus because we

1339
01:00:04,160 --> 01:00:06,360
Speaker 1: did thirty three episodes in a row. So normally your

1340
01:00:06,440 --> 01:00:09,640
Speaker 1: your ten and a half month season is twenty four

1341
01:00:09,720 --> 01:00:12,480
Speaker 1: or twenty six episodes. But because then we added more,

1342
01:00:12,640 --> 01:00:16,200
Speaker 1: we went from I think July to July. We would

1343
01:00:16,240 --> 01:00:19,440
Speaker 1: get I remember Loan and Jefferson, we would date, announce

1344
01:00:19,520 --> 01:00:21,400
Speaker 1: more shows, they get good news, and she and I

1345
01:00:21,440 --> 01:00:23,600
Speaker 1: would both be fining like she'd be. We'd both go

1346
01:00:23,720 --> 01:00:27,720
Speaker 1: out because we were so bone tired because fourteen to

1347
01:00:27,800 --> 01:00:29,960
Speaker 1: sixteen hours a day for twelve months in a row,

1348
01:00:31,240 --> 01:00:35,440
Speaker 1: learning like we were so beaten up. But then normally

1349
01:00:35,480 --> 01:00:37,040
Speaker 1: you get two and a half months, so you end

1350
01:00:37,160 --> 01:00:37,760
Speaker 1: in okay.

1351
01:00:37,800 --> 01:00:39,240
Speaker 2: But what I'm talking about is we didn't have two

1352
01:00:39,280 --> 01:00:41,160
Speaker 2: and a half months. We had a few weeks. But

1353
01:00:41,280 --> 01:00:45,040
Speaker 2: everyone has to have Christmas vacation two weeks right at least.

1354
01:00:45,160 --> 01:00:47,840
Speaker 3: But it sounds like between seasons that first year when

1355
01:00:47,880 --> 01:00:50,800
Speaker 3: they realized, yeah they needed to get on get on

1356
01:00:50,880 --> 01:00:51,120
Speaker 3: the air.

1357
01:00:51,720 --> 01:00:55,520
Speaker 4: Someone having twenty two episodes, they would finish in let's

1358
01:00:55,520 --> 01:00:57,960
Speaker 4: say March or April, and then you wouldn't shoot again

1359
01:00:58,080 --> 01:00:58,560
Speaker 4: till summer.

1360
01:00:58,920 --> 01:00:59,800
Speaker 2: But we never had that.

1361
01:01:00,080 --> 01:01:02,280
Speaker 1: Well, the next year we did double ups. We'd have

1362
01:01:02,400 --> 01:01:04,880
Speaker 1: two months, we had May and June off. We'd go

1363
01:01:04,960 --> 01:01:05,640
Speaker 1: back a lot.

1364
01:01:05,760 --> 01:01:10,600
Speaker 4: Yeah, well, I remember shooting a couple of miniseries during

1365
01:01:10,680 --> 01:01:13,280
Speaker 4: that and I just using up eating at my hiatus.

1366
01:01:13,360 --> 01:01:15,280
Speaker 2: So was it two months we had off?

1367
01:01:16,000 --> 01:01:17,600
Speaker 1: I remember being six to eight weeks.

1368
01:01:17,920 --> 01:01:20,000
Speaker 3: It felt like a really brief time. I had to

1369
01:01:20,040 --> 01:01:22,640
Speaker 3: schedule a knee surgery in there and get recovered, and

1370
01:01:22,720 --> 01:01:24,400
Speaker 3: it was like it just felt like a really small window.

1371
01:01:24,440 --> 01:01:26,120
Speaker 3: And even you know for the crew too, like they

1372
01:01:26,200 --> 01:01:28,040
Speaker 3: have that those windows too. It's like everybody needs to

1373
01:01:28,080 --> 01:01:32,400
Speaker 3: schedule their important stuff for like their family, the right.

1374
01:01:32,600 --> 01:01:34,280
Speaker 3: But yeah, it definitely like.

1375
01:01:34,280 --> 01:01:36,240
Speaker 1: Stuff like I remember I say I'm not working. Then

1376
01:01:36,280 --> 01:01:38,000
Speaker 1: I had a month off and I got rested. So

1377
01:01:38,120 --> 01:01:39,760
Speaker 1: then I did a TV movie and then it was

1378
01:01:39,880 --> 01:01:41,240
Speaker 1: right back to work, and I was like, oh man,

1379
01:01:42,120 --> 01:01:45,160
Speaker 1: that I should have just rested. But yeah, you feel like, okay, yeah,

1380
01:01:45,200 --> 01:01:46,840
Speaker 1: sure I can do that, and then it's just boom

1381
01:01:46,840 --> 01:01:47,280
Speaker 1: boom boom.

1382
01:01:47,640 --> 01:01:50,440
Speaker 4: But we were young and we were more inter do

1383
01:01:50,560 --> 01:01:54,280
Speaker 4: that's for sure. Yeah, so did you have So the

1384
01:01:54,320 --> 01:01:56,800
Speaker 4: answer to that is we did not have extended time off.

1385
01:01:57,560 --> 01:02:01,080
Speaker 4: We working a lot around the clock. Once again, Aaron

1386
01:02:01,160 --> 01:02:04,000
Speaker 4: Spelling started doing double ups. Weren't we the first show.

1387
01:02:03,920 --> 01:02:04,440
Speaker 2: He ever did that?

1388
01:02:04,520 --> 01:02:06,960
Speaker 1: Way, They thought this will never work. It's a ridiculous thing.

1389
01:02:07,000 --> 01:02:08,440
Speaker 1: We're just gonna do. It's not We're all sort of

1390
01:02:08,520 --> 01:02:11,440
Speaker 1: rolling rise and laughing. And then it worked well enough

1391
01:02:11,560 --> 01:02:13,520
Speaker 1: that for it worked for them. But I will say

1392
01:02:13,520 --> 01:02:15,560
Speaker 1: this though, like over time the cast got to be

1393
01:02:15,680 --> 01:02:18,520
Speaker 1: so big that you didn't work every day. Yeah right,

1394
01:02:18,600 --> 01:02:20,440
Speaker 1: you never knew your schedule that far in advance, But

1395
01:02:20,560 --> 01:02:23,720
Speaker 1: and our ads did a great job of keeping it

1396
01:02:23,960 --> 01:02:26,720
Speaker 1: rarely changed. Yeah, like once it worked, you knew you'd

1397
01:02:26,760 --> 01:02:28,440
Speaker 1: have two days off here and there, which made a

1398
01:02:28,560 --> 01:02:29,240
Speaker 1: huge difference.

1399
01:02:29,360 --> 01:02:31,760
Speaker 3: Yeah, it's an incredible puzzle to try to get that

1400
01:02:31,960 --> 01:02:32,960
Speaker 3: all together.

1401
01:02:33,120 --> 01:02:34,320
Speaker 1: They especially double ups.

1402
01:02:34,400 --> 01:02:37,280
Speaker 4: That was insane, especially if an actor had to be

1403
01:02:37,720 --> 01:02:41,200
Speaker 4: from a location let's say downtown and that's some empty

1404
01:02:41,280 --> 01:02:43,840
Speaker 4: hospital and then up an Oxnard in one day.

1405
01:02:44,000 --> 01:02:46,720
Speaker 1: I mean, well, yeah, Laura was doing Oxnard to Santa

1406
01:02:46,760 --> 01:02:48,440
Speaker 1: Clarita for one episode.

1407
01:02:48,560 --> 01:02:49,160
Speaker 2: Yeah, I know.

1408
01:02:49,240 --> 01:02:52,400
Speaker 3: They try not to have sometimes it's just impossible not

1409
01:02:52,520 --> 01:02:56,040
Speaker 3: to far locations. So well, those were the days we

1410
01:02:56,160 --> 01:02:58,560
Speaker 3: were young, the days super fun.

1411
01:02:59,120 --> 01:03:01,800
Speaker 1: Young actors now love to have thirty three episodes of

1412
01:03:01,840 --> 01:03:04,600
Speaker 1: anything they do, like anybody, any age, I would.

1413
01:03:04,560 --> 01:03:07,000
Speaker 3: Love it, as long as it's an ensemble where you

1414
01:03:07,120 --> 01:03:08,640
Speaker 3: can share the workload.

1415
01:03:08,720 --> 01:03:11,760
Speaker 1: And yeah again, and as we were so lucky because

1416
01:03:11,800 --> 01:03:14,240
Speaker 1: we got along and it was a big group. We

1417
01:03:14,400 --> 01:03:17,040
Speaker 1: really were lucky. It's fun to watch because I do.

1418
01:03:17,160 --> 01:03:19,120
Speaker 1: I have such warm feelings about that time.

1419
01:03:19,920 --> 01:03:20,160
Speaker 4: Yeah.

1420
01:03:20,480 --> 01:03:23,600
Speaker 3: Same, And I feel like my you said that your

1421
01:03:23,600 --> 01:03:27,400
Speaker 3: favorite thing about doing a TV show is like all

1422
01:03:27,440 --> 01:03:30,200
Speaker 3: the guest stars and stuff. My favorite thing is the

1423
01:03:30,360 --> 01:03:33,240
Speaker 3: family that is built with like the regular.

1424
01:03:32,960 --> 01:03:35,000
Speaker 1: The cast what I met that That was my answer

1425
01:03:35,040 --> 01:03:38,040
Speaker 1: to I mean, it was my answer to, I can

1426
01:03:38,080 --> 01:03:38,919
Speaker 1: have We can have more.

1427
01:03:38,800 --> 01:03:39,520
Speaker 3: Than one favorite.

1428
01:03:41,080 --> 01:03:42,880
Speaker 4: I love the fact of having a place to go,

1429
01:03:43,280 --> 01:03:45,760
Speaker 4: the set and the crew, you know, because I come

1430
01:03:45,800 --> 01:03:48,880
Speaker 4: from a very small family and we were split up,

1431
01:03:49,200 --> 01:03:51,160
Speaker 4: you know, so like my mom looked back east, my

1432
01:03:51,280 --> 01:03:53,200
Speaker 4: sister was, I was all alone out here. My dad

1433
01:03:53,320 --> 01:03:55,960
Speaker 4: was up in San Francisco, and I just loved.

1434
01:03:55,800 --> 01:03:59,480
Speaker 2: Like having a place and routine left, the routine and.

1435
01:03:59,480 --> 01:04:01,960
Speaker 3: The family and the crew, and it was it was

1436
01:04:02,040 --> 01:04:04,320
Speaker 3: a special group that we all sort of like, I

1437
01:04:04,400 --> 01:04:06,800
Speaker 3: think it's magic when you go, oh, that was a

1438
01:04:06,920 --> 01:04:09,920
Speaker 3: great group of people. To have to spend that much

1439
01:04:09,960 --> 01:04:11,960
Speaker 3: time with these people, I'm really.

1440
01:04:11,800 --> 01:04:16,160
Speaker 1: Glad it is magic. You're super duper lucky. On that note,

1441
01:04:16,920 --> 01:04:17,920
Speaker 1: can't wait to get out of here.

1442
01:04:18,080 --> 01:04:22,240
Speaker 3: Yeah, on that note, we love our fans questions too,

1443
01:04:22,640 --> 01:04:26,160
Speaker 3: so keep them coming dm us on our Still the

1444
01:04:26,200 --> 01:04:26,960
Speaker 3: Place Instagram.

1445
01:04:27,200 --> 01:04:29,640
Speaker 4: Also they can help us, those of you who are

1446
01:04:29,640 --> 01:04:33,040
Speaker 4: watching the podcast, leave messages, download tell people about it,

1447
01:04:33,200 --> 01:04:34,240
Speaker 4: right so we get more.

1448
01:04:34,400 --> 01:04:36,840
Speaker 1: Yeah, do that, and also, if you know, look at

1449
01:04:36,880 --> 01:04:39,920
Speaker 1: the next episode and ask specific questions about that episode,

1450
01:04:39,960 --> 01:04:41,680
Speaker 1: because that would be fun. Like if you watch a

1451
01:04:41,720 --> 01:04:43,960
Speaker 1: little bit ahead of us, and then you post questions

1452
01:04:44,000 --> 01:04:45,800
Speaker 1: and we can answer them. So yeah, we're probably a

1453
01:04:45,840 --> 01:04:47,440
Speaker 1: few episodes ahead of you, guys.

1454
01:04:47,960 --> 01:04:50,240
Speaker 3: So you have to ask us a little bit in

1455
01:04:50,360 --> 01:04:53,400
Speaker 3: advance if you have a specific question about a specific episode,

1456
01:04:53,440 --> 01:04:55,280
Speaker 3: But we love we'd love to get to them, and

1457
01:04:55,880 --> 01:04:59,160
Speaker 3: we love your questions, and we loved meeting everybody.

1458
01:04:58,840 --> 01:05:00,200
Speaker 2: At the con to go.

1459
01:05:01,160 --> 01:05:04,720
Speaker 3: Yeah, it's just been so fun all Bye guys, Bye

1460
01:05:06,200 --> 01:05:06,560
Speaker 3: m HM.