WEBVTT - Episode 36 - Walker Hayes (2-13-17)

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<v Speaker 1>All right, welcome to episode thirty six The Bobby Cast.

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<v Speaker 1>Here this episode with Walker Hayes. Hey boy, hey buddy. So, uh,

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<v Speaker 1>I guess now we spent a lot of time together

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<v Speaker 1>because we're on the road right now together and so

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<v Speaker 1>now I get to ask the questions that I don't

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<v Speaker 1>get to ask, like when we're just sitting down, because

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<v Speaker 1>the people want to know, like the real stuff, and

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<v Speaker 1>so they'll be stuff like some of the stuff I

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<v Speaker 1>wouldn't ask you, Like we're just hanging out before show.

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<v Speaker 1>We'll be like, tell me your deepest fear a stuff like, yeah,

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<v Speaker 1>I don't know. Yeah, we just talked. Yeah, we're just talked.

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<v Speaker 1>But we're always like getting ready for stuff too, because

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<v Speaker 1>you always got to want to play. Um. So here's

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<v Speaker 1>the the whole. What we'll do is we're kind of

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<v Speaker 1>encapsulate you and then we'll just work back. So right now,

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<v Speaker 1>you just signed a record deal to Monument Records. What

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<v Speaker 1>does that mean? Uh? My goodness. Uh. I mean it

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<v Speaker 1>means I have another chance and having a career, you know,

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<v Speaker 1>as an artist, and and that being my full time job.

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<v Speaker 1>I mean, that's what it means to me. It might

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<v Speaker 1>sound simple, but that's exactly what it means. It means

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<v Speaker 1>I have a career, a chance at a career, a

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<v Speaker 1>long lasting career. Again, yes again, another shot for sure.

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<v Speaker 1>So you talk about other shots and and just quickly

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<v Speaker 1>here because then I want to go all the way

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<v Speaker 1>back through it. But you've been on labeled before. Yeah,

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<v Speaker 1>this is my third record deal. I've been in Nashville

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<v Speaker 1>twelve years and I will signed A Mercury got dropped.

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<v Speaker 1>I was signed a Capital got dropped, and uh, you know,

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<v Speaker 1>I didn't think I was gonna get another chance because

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<v Speaker 1>you don't really get that many um here. Most people

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<v Speaker 1>don't get to and so this is my third. The

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<v Speaker 1>thing about Walker too is that I we didn't know

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<v Speaker 1>each other and I we first moved here. It was

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<v Speaker 1>when my co host, Amy's mom was sick and I

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<v Speaker 1>got the song and say, hey, he's got any Walker.

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<v Speaker 1>Here's what the song called Joy like Judy and so

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<v Speaker 1>we and I heard the songs, so we'd be choosing

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<v Speaker 1>to us to make up a boy. Namy's mom was

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<v Speaker 1>fighting cancer and we were doing a fundraiser and it

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<v Speaker 1>wasn't for her mom. It was just we were, you know,

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<v Speaker 1>doing a pimp and joy thing. That's how we met,

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<v Speaker 1>and so he came and the song actually was downloaded

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<v Speaker 1>a bunch of times, you know that kind of thing happened,

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<v Speaker 1>and then I didn't see it for a bit, and see,

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<v Speaker 1>I don't see anybody. First of all, I didn't see

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<v Speaker 1>it for a bit. And then I'm on YouTube and

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<v Speaker 1>I do the thing on YouTuber. I find an artist

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<v Speaker 1>and it'll go also recommended, also recommended, also recommended. And

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<v Speaker 1>so until I find music and artists and I'll go

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<v Speaker 1>to SoundCloud, I'll do whatever, and I'm going through and

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<v Speaker 1>I see this song right here, and I was like,

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<v Speaker 1>that's Walker Age. I was like, you know, that's a

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<v Speaker 1>joy like dude together shaking, and I was like, I

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<v Speaker 1>don't know what this is, but it sounds like nothing else.

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<v Speaker 1>I remember thinking that was like, it sounds like nothing else.

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<v Speaker 1>Even that, so I played it on the regular the

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<v Speaker 1>next morning and I was like, I was like this,

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<v Speaker 1>you just hear something that it strikes you oddly. And

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<v Speaker 1>then from there I just started to play all your

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<v Speaker 1>stuff on the air because I sit there and I'll

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<v Speaker 1>be like, oh, you think that's good. You got to

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<v Speaker 1>hear this one. I was like, my favorite song is

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<v Speaker 1>a comedian is too bad being fun. So all these songs,

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<v Speaker 1>as I would hear them, I would be like, this

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<v Speaker 1>is unlike anything I'm hearing right now. I'm period. And

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<v Speaker 1>I would talk to my friends like Dan Smarting from

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<v Speaker 1>Dan and Shay, Him and I talk about music a lot,

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<v Speaker 1>and I was like this, Walker, hey, stuff is like

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<v Speaker 1>next level, like cerebral type stuff. And I don't even

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<v Speaker 1>think anybody even notices it right now. And he's like, well,

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<v Speaker 1>you know, we talked about it. Then you ended up

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<v Speaker 1>going on tour with them. Now you're on tour with me,

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<v Speaker 1>and it's like, that's where we are right now. So

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<v Speaker 1>that's where that's where you are. That's what we're gonna

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<v Speaker 1>come back to. But now I want to go back

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<v Speaker 1>to the very beginning. So you talk about you came

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<v Speaker 1>to Nashville. You came to Nashville. How old were you

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<v Speaker 1>when you came to Nashville was twenty let's see seven? Four?

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<v Speaker 1>You go to school and study music. I went to

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<v Speaker 1>college and I did eventually change my major to piano.

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<v Speaker 1>I graduated with a degree in music with an emphasis

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<v Speaker 1>on piano. You're a good piano player, are you? Are

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<v Speaker 1>you a piano player? Yeah? I sit down at the

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<v Speaker 1>piano and people be like, oh, that guy could play piano.

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<v Speaker 1>I could, Um, you know I could. I could play

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<v Speaker 1>with the songs, my songs, you know, I could play

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<v Speaker 1>for myself. I had to do a lot of classical stuff,

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<v Speaker 1>you know, obviously to graduate. But when I moved to Nashville,

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<v Speaker 1>are you standing backing a little bit? Like like a

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<v Speaker 1>golfer would be like, I'm not that good and he go, no, No,

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<v Speaker 1>I mean honestly, I didn't. I didn't. I didn't really

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<v Speaker 1>play piano until college and I met you know, A

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<v Speaker 1>met a professor and I said, can I finish this

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<v Speaker 1>on time? So I got pretty proficient, you know, while

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<v Speaker 1>I was in college. It's a lot of muscle memory

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<v Speaker 1>and a lot of cool stuff I learned. But now

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<v Speaker 1>I could just cord around kind of like I'm as

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<v Speaker 1>good at piano as I am a guitar. So songs

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<v Speaker 1>you knew the guitar then too, the right, Yeah, well

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<v Speaker 1>you musical through like elementary school, high school. You're growing up.

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<v Speaker 1>My wife and I we actually met in a in

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<v Speaker 1>a school play, you know, So I did that kind

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<v Speaker 1>of stuff school theater and singing choirs and things like that.

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<v Speaker 1>Music really, um, my dad was a music minister before

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<v Speaker 1>he started selling real estate in Alabama. Yeah, in Alabama,

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<v Speaker 1>and so uh yeah, I mean he kind of gave

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<v Speaker 1>me that music bug. I didn't really chase it as

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<v Speaker 1>like a dream, you know, a job or anything like that.

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<v Speaker 1>Then definitely didn't even do that. Out of college. I

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<v Speaker 1>went to kind of go work for him. So when

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<v Speaker 1>you finished schoo well you have to work for your dad,

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<v Speaker 1>was yeah. So I finished school, got my real estate license,

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<v Speaker 1>and I got engaged to Lanny. You know, we've been

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<v Speaker 1>dating on and off for a bazillion years. And uh,

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<v Speaker 1>that was my plan. That was my answer to her

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<v Speaker 1>her dad, you know, what are you gonna do? And

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<v Speaker 1>it was worked for my dad. And uh, my dad

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<v Speaker 1>encouraged me to go play at a bar. It's called

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<v Speaker 1>Mobile Yacht Club off at Dolphin Island Parkway in Mobile,

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<v Speaker 1>and he kept encouraging me to do that. He thought

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<v Speaker 1>it was funny and kind of how I would mimic people.

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<v Speaker 1>I knew like a couple of songs on the guitar

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<v Speaker 1>and would play around at the house. And he wanted

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<v Speaker 1>me to do it, and I didn't want to do

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<v Speaker 1>because I had stage fright that scared me to death,

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<v Speaker 1>you know, getting up in front of people and singing.

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<v Speaker 1>And uh, finally I said, Dad, I'll do this if

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<v Speaker 1>you'll leave me alone you know about it, and stop

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<v Speaker 1>asking me to do it. And I went up there

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<v Speaker 1>on a Friday night, sang some songs and pretty much

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<v Speaker 1>changed changed my mind about life. So you went and

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<v Speaker 1>you performed. You were like, all right, what I want

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<v Speaker 1>to do it? I mean crazy whim called Laney, So

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<v Speaker 1>we're moving. Then I had to tell her parents really

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<v Speaker 1>and m they weren't. We weren't too excited. I wouldn't

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<v Speaker 1>be either. Yeah, alright, two things. One, I'm gonna I'm

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<v Speaker 1>gonna do a commercial real quick there because it's a

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<v Speaker 1>sponsor to people are gonna get really irritated with you

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<v Speaker 1>if you keep going as they go, They're gonna go

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<v Speaker 1>walk or not stop going. God in the interview, because

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<v Speaker 1>I don't even notice I do stuff, all right, So

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<v Speaker 1>make a real difference. So it's important to know where

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<v Speaker 1>your food comes from you eat clean, dude on my

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<v Speaker 1>health and not. We just did it again, so it's

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<v Speaker 1>tough to realize you do it. There you go, You

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<v Speaker 1>got it like walking real They clean it for me.

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<v Speaker 1>aver dot com And so okay, uh, but by do

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<v Speaker 1>you cook, by the way, because you have six kids?

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<v Speaker 1>Six kids and one kids, three boys, three girls, and

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<v Speaker 1>a wife and you don't cook. I don't cook. No,

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<v Speaker 1>I cook. I mean I cook an egg? Yeah, cook

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<v Speaker 1>an egg? All right? So you you decided we're moving

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<v Speaker 1>to Nashville just from one night of playing in front

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<v Speaker 1>of people. Yeah, it was pretty wild. I mean I

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<v Speaker 1>played at such a great time called Laney. So I

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<v Speaker 1>don't want to move to Nashville to sing that was it.

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<v Speaker 1>I want to go. Uh. You know, I think she

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<v Speaker 1>was pretty adventurous. You know at the time we were

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<v Speaker 1>kids excited about you know, getting out of town. Um,

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<v Speaker 1>she was with it. I mean, oddly enough, she there

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<v Speaker 1>was no second guessing on her part. She was ready

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<v Speaker 1>to go. And so what what was your style back then?

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<v Speaker 1>So my style back then? I remember two songs that

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<v Speaker 1>I played. One was sitting on the dock of the

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<v Speaker 1>bay and then uh didn't doubIe Gray Drift Away. Yeah,

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<v Speaker 1>drift and I guess Drift Away And uh, I only

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<v Speaker 1>played like five songs. I just played him over and

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<v Speaker 1>over and um so yeah, I mean I was just

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<v Speaker 1>gonna him up and singing. You know, moved to Nashville

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<v Speaker 1>trying to be a rock star. Do you think you're

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<v Speaker 1>gonna make it? Yeah? I did. I was dumb enough

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<v Speaker 1>to to be like, yeah, I'm gonna go you know

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<v Speaker 1>and figure this out, be famous. I mean I knew nobody.

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<v Speaker 1>We had a great time picking out our apartment, um

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<v Speaker 1>and stuff like that. Honestly, meeting with their parents, they

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<v Speaker 1>were really frightened and just thought I was nuts. You know,

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<v Speaker 1>this was not This was on such a whim and

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<v Speaker 1>the security that I had, you know, in Mobile made

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<v Speaker 1>a lot more sense to them. And um so yeah,

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<v Speaker 1>I mean, man, we just found an apartment, got married,

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<v Speaker 1>and drove up here. So you move here? And what

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<v Speaker 1>does one do when you don't know anybody in a

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<v Speaker 1>town like Nashville and you want to make music? Like,

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<v Speaker 1>what's the first step? You go outside? And man, I mean,

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<v Speaker 1>as cliche as it sounds, the absolute first thing I

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<v Speaker 1>did was go sign up for an open mic night

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<v Speaker 1>at the Bluebird. Uh. I was. I don't remember exactly

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<v Speaker 1>what number I chose, you know, to get selected that night.

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<v Speaker 1>But so you played the first night you went. I

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<v Speaker 1>came on a Monday night, stood in line, got selected.

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<v Speaker 1>Uh they they were about to call my name, but

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<v Speaker 1>I realized that everybody in there was playing songs that

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<v Speaker 1>they had written, and I showed up to play cover.

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<v Speaker 1>So we left and then I came back the next

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<v Speaker 1>Monday with a couple of songs that I wrote that

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<v Speaker 1>week and then performed. And it was the same rush.

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<v Speaker 1>You know. So the first time you went, you end

0:11:24.120 --> 0:11:26.920
<v Speaker 1>up not playing. Well, I check it out. I wasn't

0:11:26.960 --> 0:11:29.280
<v Speaker 1>about to get up and play that. I was gonna

0:11:29.280 --> 0:11:31.599
<v Speaker 1>play drift Away. There's a little everybody give me the

0:11:31.679 --> 0:11:36.280
<v Speaker 1>beat boy? Free up? Did you write that little something?

0:11:36.320 --> 0:11:39.520
<v Speaker 1>I wrote? So the first time, you don't do it.

0:11:39.679 --> 0:11:41.240
<v Speaker 1>The second time you're going, you do what you play?

0:11:41.320 --> 0:11:43.960
<v Speaker 1>What song you remember? I do? I remember I played

0:11:43.960 --> 0:11:47.320
<v Speaker 1>a song about as short of a time period as

0:11:47.360 --> 0:11:49.839
<v Speaker 1>we have been married. I learned very quickly that when

0:11:49.880 --> 0:11:53.000
<v Speaker 1>you bring up the in laws that your significant other

0:11:53.080 --> 0:11:55.640
<v Speaker 1>gets really pissed, and so I wrote a song about that,

0:11:55.760 --> 0:11:57.600
<v Speaker 1>and it was kind of a joke, you know, a

0:11:57.600 --> 0:12:01.000
<v Speaker 1>funny song and uh, I'm under the title of it,

0:12:01.120 --> 0:12:04.280
<v Speaker 1>and I played too, and I just remember the crowd reacting.

0:12:04.360 --> 0:12:06.920
<v Speaker 1>You know, they laughed, they had a great time. I mean,

0:12:06.920 --> 0:12:09.280
<v Speaker 1>they went nuts. It's a real supportive crowd at the

0:12:09.280 --> 0:12:13.120
<v Speaker 1>blue Bergs. They're there to hear the writer performing their songs,

0:12:13.160 --> 0:12:15.120
<v Speaker 1>so they went nuts. I mean, it wasn't not I

0:12:15.160 --> 0:12:17.480
<v Speaker 1>didn't like get a deal or anything quick. You know,

0:12:17.720 --> 0:12:19.920
<v Speaker 1>did you feel like after that night though, that you

0:12:20.000 --> 0:12:21.680
<v Speaker 1>had submitted a little more in your head, like I

0:12:21.679 --> 0:12:26.600
<v Speaker 1>can do this. Uh? I didn't really think about whether

0:12:26.679 --> 0:12:28.880
<v Speaker 1>I could or not. I just did, you know what

0:12:28.920 --> 0:12:32.440
<v Speaker 1>I'm saying. And I also it was like a drug.

0:12:32.559 --> 0:12:37.440
<v Speaker 1>I mean I honestly, but since then, I haven't stopped

0:12:37.440 --> 0:12:41.360
<v Speaker 1>writing songs. It's just I fell in love with that,

0:12:41.360 --> 0:12:46.080
<v Speaker 1>that conceiving the idea, putting it together, playing it for somebody,

0:12:46.200 --> 0:12:48.960
<v Speaker 1>getting their reaction, moving on to the next one. You know,

0:12:49.040 --> 0:12:51.640
<v Speaker 1>my favorite song is always the one I'm working on

0:12:51.920 --> 0:12:54.920
<v Speaker 1>right now, And that's kind of how I've been since then.

0:12:55.000 --> 0:12:58.640
<v Speaker 1>It just it pretty much consumes my life and has

0:12:58.679 --> 0:13:01.000
<v Speaker 1>since then. So how long until you get and I'm

0:13:01.000 --> 0:13:03.079
<v Speaker 1>assuming you're getting in a publishing deal first, which is

0:13:03.120 --> 0:13:04.880
<v Speaker 1>what happened to get They pay you to write songs?

0:13:05.000 --> 0:13:07.160
<v Speaker 1>How long did it take from you playing that bluebird

0:13:07.200 --> 0:13:08.800
<v Speaker 1>until you getting a published and deal? So I had

0:13:08.800 --> 0:13:12.440
<v Speaker 1>a I had a day job. I booked motivational speakers

0:13:12.480 --> 0:13:16.559
<v Speaker 1>at Premier Speakers Bureau, uh in Franklin. Like what motivational

0:13:16.600 --> 0:13:20.080
<v Speaker 1>speakers ran through in Franklin. A lot of right wing conservatives,

0:13:20.480 --> 0:13:24.560
<v Speaker 1>old Steelers player Rocky Blyer, a couple of authors, um,

0:13:24.600 --> 0:13:29.080
<v Speaker 1>Oliver North there, Sean Hannity. We booked them. Uh some

0:13:29.160 --> 0:13:34.480
<v Speaker 1>of those were exclusive. Um sorry again, trying to get

0:13:34.520 --> 0:13:38.840
<v Speaker 1>rid of that tick. But yeah, just I booked them

0:13:38.880 --> 0:13:41.920
<v Speaker 1>and uh lost, actually lost my job in a year,

0:13:42.679 --> 0:13:44.960
<v Speaker 1>and then I got a pub deal. So it took

0:13:44.960 --> 0:13:47.400
<v Speaker 1>me a year and a couple of months to secure

0:13:47.440 --> 0:13:49.800
<v Speaker 1>a pub deal. So in that year, you're just writing

0:13:49.800 --> 0:13:52.080
<v Speaker 1>and singing songs to people are going, hey, check it out.

0:13:52.360 --> 0:13:54.600
<v Speaker 1>I know in that year I was working, you know

0:13:54.679 --> 0:13:58.240
<v Speaker 1>that was none, none to five. My clientele was West

0:13:58.240 --> 0:14:01.439
<v Speaker 1>Coast event planners, so I got to show up a

0:14:01.480 --> 0:14:03.280
<v Speaker 1>little bit later and stay a little longer. But I

0:14:03.320 --> 0:14:05.800
<v Speaker 1>was writing songs while I was working, you know, on

0:14:05.840 --> 0:14:09.000
<v Speaker 1>my computer, just loading it up and yeah, I mean

0:14:09.040 --> 0:14:11.840
<v Speaker 1>playing open mic nights anybody could I could ever get

0:14:11.880 --> 0:14:14.560
<v Speaker 1>my songs in front of Obviously I was trying to

0:14:14.600 --> 0:14:18.319
<v Speaker 1>do that playing all the local um you know songwriter

0:14:18.520 --> 0:14:21.960
<v Speaker 1>nights that I could and um yeah, I wasn't really

0:14:22.000 --> 0:14:24.800
<v Speaker 1>comparing myself to other people. I just loved, like I said,

0:14:24.840 --> 0:14:29.440
<v Speaker 1>I loved, loved, loved writing, I mean obsessed with writing.

0:14:29.640 --> 0:14:32.120
<v Speaker 1>So you're right, and you start to get paid to write,

0:14:32.880 --> 0:14:37.160
<v Speaker 1>and what did you What were your first cut? Shoot? Man,

0:14:37.320 --> 0:14:40.880
<v Speaker 1>I mean my my first pub deal actually got me

0:14:40.920 --> 0:14:43.640
<v Speaker 1>a record deal first. I mean I didn't get a cut.

0:14:44.600 --> 0:14:46.920
<v Speaker 1>So your pub deal got your record deal first? Is

0:14:46.920 --> 0:14:50.240
<v Speaker 1>this the Keith Urban Demo story? No, that's that's capital.

0:14:50.360 --> 0:14:52.560
<v Speaker 1>That's the second deal. The first pub deal I ever

0:14:52.640 --> 0:14:56.080
<v Speaker 1>got was from a neighbor heard me messing around on

0:14:56.120 --> 0:14:58.680
<v Speaker 1>the porch. He said, man, I really like what you do.

0:14:58.960 --> 0:15:00.800
<v Speaker 1>I'm gonna take you into douce you to two or

0:15:00.840 --> 0:15:03.560
<v Speaker 1>three people. He brought me into town. I met two

0:15:03.600 --> 0:15:07.600
<v Speaker 1>big time producers where Franklin and Franklin. Here's your playing

0:15:07.640 --> 0:15:10.320
<v Speaker 1>on your porch, here's me on the porch. Yeah. He's like, dude,

0:15:10.320 --> 0:15:12.600
<v Speaker 1>I really love your voice. Did you did you write that?

0:15:12.720 --> 0:15:14.560
<v Speaker 1>I'm like, yeah, you want to hear some more. And

0:15:14.680 --> 0:15:16.680
<v Speaker 1>though I wrote a song about his kid and whose

0:15:16.760 --> 0:15:19.760
<v Speaker 1>name is Hogan, which that was a business move right there.

0:15:19.800 --> 0:15:21.360
<v Speaker 1>I was like, dude, if I write song by his

0:15:21.520 --> 0:15:24.480
<v Speaker 1>kids and really, you know, hog me up. So he

0:15:24.520 --> 0:15:27.920
<v Speaker 1>takes me into town, introduced me to to introduced me

0:15:27.960 --> 0:15:31.680
<v Speaker 1>to Scott Hendricks, David Malloy and a guy named Christie

0:15:31.720 --> 0:15:35.040
<v Speaker 1>de Napoli, and uh, Christie wanted to sign me to

0:15:35.160 --> 0:15:37.880
<v Speaker 1>a pub deal. The other two wanted to maybe cut

0:15:37.960 --> 0:15:41.160
<v Speaker 1>some sides and do the shoppy thingy and I wasn't

0:15:41.160 --> 0:15:43.520
<v Speaker 1>really ready for that. I just wanted to write, you know,

0:15:43.680 --> 0:15:47.080
<v Speaker 1>really bad. I wanted to get paid to write songs. Uh.

0:15:47.120 --> 0:15:49.120
<v Speaker 1>And at that time I only had one kid, so

0:15:49.160 --> 0:15:51.720
<v Speaker 1>I didn't have to make that much money. Um. And

0:15:51.800 --> 0:15:55.040
<v Speaker 1>so anyway, Christie sigh me under a guy named Buddy

0:15:55.120 --> 0:15:59.160
<v Speaker 1>Killing who's gone now but great first publisher to have

0:15:59.320 --> 0:16:02.440
<v Speaker 1>learned a lot from that guy. And Alison Jones. I

0:16:02.480 --> 0:16:06.080
<v Speaker 1>know this is industry, but signed me at Mercury and

0:16:06.240 --> 0:16:08.880
<v Speaker 1>so you get a publishing deal and a record deal

0:16:08.880 --> 0:16:11.320
<v Speaker 1>basically at the same time. Well, I got a pub

0:16:11.360 --> 0:16:13.440
<v Speaker 1>deal and then we we worked on it, you know,

0:16:13.480 --> 0:16:15.920
<v Speaker 1>and he had cut some sides there and then they

0:16:15.960 --> 0:16:18.360
<v Speaker 1>shot me and then got me, got me my first

0:16:18.400 --> 0:16:21.360
<v Speaker 1>record development deal. So when you get signed to a

0:16:21.400 --> 0:16:22.920
<v Speaker 1>development deal, what do they start doing with you? What

0:16:22.960 --> 0:16:27.120
<v Speaker 1>do they develop? So the development deal basically got me

0:16:27.920 --> 0:16:31.120
<v Speaker 1>James Stroud, great producer. He cut some sides on me.

0:16:31.200 --> 0:16:33.920
<v Speaker 1>So what we did is just accumulate songs, kept writing

0:16:33.960 --> 0:16:37.600
<v Speaker 1>for a little while, Uh, chose the best ones, went

0:16:37.640 --> 0:16:39.960
<v Speaker 1>in the studio, caught him with an excellent band. So

0:16:40.040 --> 0:16:42.560
<v Speaker 1>that was my first experience with that, you know, And

0:16:42.600 --> 0:16:45.280
<v Speaker 1>of course we came home with five songs. I thought

0:16:45.280 --> 0:16:48.960
<v Speaker 1>I was gonna be Garth Brooks. I sounded like him.

0:16:49.200 --> 0:16:52.080
<v Speaker 1>It sounded better than NA. I was not Garth Brooks.

0:16:52.120 --> 0:16:54.680
<v Speaker 1>I I had some great stuff, you know, looking back,

0:16:54.720 --> 0:16:58.000
<v Speaker 1>I think some of those sides were good. But uh,

0:16:58.000 --> 0:17:00.560
<v Speaker 1>there was a falling out within the company and it

0:17:00.600 --> 0:17:04.040
<v Speaker 1>wasn't long until I was off that that labeled me.

0:17:04.160 --> 0:17:08.239
<v Speaker 1>That that deal expired pretty quick. So you're on, did

0:17:08.280 --> 0:17:10.920
<v Speaker 1>you put a record on? I didn't. I cut five sides,

0:17:11.359 --> 0:17:16.120
<v Speaker 1>literally celebrated the cutting my first five songs. You cut

0:17:16.119 --> 0:17:18.960
<v Speaker 1>five songs, I'm going I were beside myself and stuff

0:17:19.000 --> 0:17:22.800
<v Speaker 1>sounds so great. Uh. We finished those in a December.

0:17:23.040 --> 0:17:26.320
<v Speaker 1>I got a call in January saying that, uh, James

0:17:26.359 --> 0:17:29.080
<v Speaker 1>Stroud was gone from the label and that they he

0:17:29.160 --> 0:17:33.480
<v Speaker 1>had parted with co you know, head People, and Alison

0:17:33.560 --> 0:17:36.720
<v Speaker 1>Jones was leaving and I wasn't. I wasn't on the

0:17:36.760 --> 0:17:40.680
<v Speaker 1>label anymore. But the label stayed, label stayed. Yeah, you

0:17:40.680 --> 0:17:43.240
<v Speaker 1>remember put out a single? Iver put out a single?

0:17:43.320 --> 0:17:47.040
<v Speaker 1>Did you tell the publishing deal? You're still writing, still writing,

0:17:47.520 --> 0:17:50.959
<v Speaker 1>and I still still still trying to get outside cuts.

0:17:51.280 --> 0:17:54.320
<v Speaker 1>But did not get outside cuts? So you have to

0:17:54.320 --> 0:17:56.720
<v Speaker 1>go to another try to get how long until you

0:17:56.760 --> 0:17:58.919
<v Speaker 1>get signed to a different label. So after that it

0:17:59.000 --> 0:18:03.520
<v Speaker 1>took me to two years to get another label. This

0:18:03.560 --> 0:18:06.919
<v Speaker 1>when Urban, here's your This is when Autumn House, a

0:18:06.920 --> 0:18:10.240
<v Speaker 1>friend of mine, pitched the song for Keith Urban. Keith

0:18:10.359 --> 0:18:14.159
<v Speaker 1>Urban did not take the song, but the A and

0:18:14.359 --> 0:18:17.960
<v Speaker 1>R rep at Capital Autumn House said, I like this

0:18:18.000 --> 0:18:22.120
<v Speaker 1>guy singing, I like this writing style. You know who

0:18:22.200 --> 0:18:25.320
<v Speaker 1>is this kid? And uh, they said it's Walker Hayes,

0:18:25.359 --> 0:18:28.239
<v Speaker 1>you know, And within a couple of months I had

0:18:28.280 --> 0:18:30.440
<v Speaker 1>a deal with Capital. A lot of my deals came

0:18:30.480 --> 0:18:33.359
<v Speaker 1>pretty quick. You know, deals are hard to get, but

0:18:33.480 --> 0:18:36.600
<v Speaker 1>my first two just kind of fell into my lap.

0:18:36.640 --> 0:18:39.119
<v Speaker 1>I mean if they just kind of came out of

0:18:39.119 --> 0:18:42.760
<v Speaker 1>nowhere for me. So you get a deal, you sort

0:18:42.760 --> 0:18:44.960
<v Speaker 1>of cut songs again or to use your old songs. Oh. Man,

0:18:45.080 --> 0:18:48.399
<v Speaker 1>when I got deal at Capital, I was writing. You

0:18:48.440 --> 0:18:51.040
<v Speaker 1>go through the producer search. You know, I was on

0:18:51.160 --> 0:18:55.439
<v Speaker 1>Capitol two years probably before we even decided, you know,

0:18:55.520 --> 0:18:57.840
<v Speaker 1>to try a single. You've been signing for two years

0:18:57.880 --> 0:19:00.000
<v Speaker 1>before you put a song out. Yeah, yeah, I think

0:19:00.080 --> 0:19:03.480
<v Speaker 1>have been a Capital around that time. The frustrating Yeah,

0:19:03.480 --> 0:19:06.000
<v Speaker 1>it was, yeah, it was. I mean we were looking

0:19:06.040 --> 0:19:08.959
<v Speaker 1>for the right producer. We tried some, we cut some.

0:19:09.400 --> 0:19:13.200
<v Speaker 1>They just didn't didn't lower our minds, you know. So

0:19:13.240 --> 0:19:15.760
<v Speaker 1>then you have your first song. What's your first single?

0:19:15.960 --> 0:19:20.840
<v Speaker 1>My first single was pants all right? She can but

0:19:21.000 --> 0:19:24.639
<v Speaker 1>she can't run the shoes, she can't crack a will

0:19:24.960 --> 0:19:36.800
<v Speaker 1>like Indiana John, she can't snap, I can't take home

0:19:39.520 --> 0:19:42.200
<v Speaker 1>like that. I like that. Look you're giving me body

0:19:43.000 --> 0:19:45.160
<v Speaker 1>you write that I did. I wrote it for my wife.

0:19:46.240 --> 0:19:50.840
<v Speaker 1>Gives the colders, makes the plans that woman's with. When

0:19:50.920 --> 0:19:53.400
<v Speaker 1>you hear the song, now, what do you think why?

0:19:54.160 --> 0:19:56.240
<v Speaker 1>I don't know, man, you know, I just hear it

0:19:56.520 --> 0:20:01.840
<v Speaker 1>and uh, it's doesn't sound you know it doesn't sound

0:20:02.400 --> 0:20:04.320
<v Speaker 1>that great. I just don't. I don't hear it like

0:20:04.480 --> 0:20:06.439
<v Speaker 1>I did then. And when when I heard it then,

0:20:06.520 --> 0:20:10.920
<v Speaker 1>I just yeah, I just thought this is gonna be amazing,

0:20:11.320 --> 0:20:14.439
<v Speaker 1>and um, I don't know, I just hear it now

0:20:14.520 --> 0:20:17.879
<v Speaker 1>and it just the maybe I've gotten better at writing,

0:20:17.960 --> 0:20:20.760
<v Speaker 1>you know, and I can just see the holes in there.

0:20:20.840 --> 0:20:24.840
<v Speaker 1>But yeah, I created just like hearing myself on a

0:20:25.359 --> 0:20:33.159
<v Speaker 1>answering machine. Thanks. So how the single? Do? I have

0:20:33.240 --> 0:20:38.320
<v Speaker 1>no idea? The song was added heavily, you know, right

0:20:38.400 --> 0:20:41.120
<v Speaker 1>off the bat, and uh, you know, I saw success

0:20:41.240 --> 0:20:44.239
<v Speaker 1>coming my way quick and uh then it just hit

0:20:44.280 --> 0:20:48.840
<v Speaker 1>a wall and uh, some people were slow to pick

0:20:48.920 --> 0:20:53.280
<v Speaker 1>it up, and it went to thirty eight and uh eventually, um,

0:20:54.240 --> 0:20:58.080
<v Speaker 1>you know, Mike Dungan and Capital pulled it and they

0:20:58.160 --> 0:21:01.280
<v Speaker 1>decided to go with another one shortly after that. What

0:21:01.440 --> 0:21:03.280
<v Speaker 1>song was? After that one? They went with a song

0:21:03.359 --> 0:21:05.600
<v Speaker 1>called wild Wait for Summer and it did not do.

0:21:06.280 --> 0:21:09.280
<v Speaker 1>Um as well those pants. If you have two singles

0:21:09.359 --> 0:21:11.639
<v Speaker 1>that didn't work, did they drop you or do they go,

0:21:11.720 --> 0:21:13.639
<v Speaker 1>We're gonna work out some other stuff. So we we

0:21:13.840 --> 0:21:15.640
<v Speaker 1>chilled out for a long time. You know, I got

0:21:15.720 --> 0:21:19.840
<v Speaker 1>put on the back Burner and uh, I sat for

0:21:19.960 --> 0:21:23.520
<v Speaker 1>a long long time and man, honestly, just to give

0:21:23.760 --> 0:21:27.520
<v Speaker 1>Capital some credit, I mean they believed, I mean they

0:21:27.560 --> 0:21:31.640
<v Speaker 1>believed hardcore and and they stuck their neck out for me. Um,

0:21:32.440 --> 0:21:36.080
<v Speaker 1>I didn't fully understand, you know, the need for the machine.

0:21:36.359 --> 0:21:38.480
<v Speaker 1>I didn't know how the bids really worked, you know

0:21:38.600 --> 0:21:42.119
<v Speaker 1>at that time. You know, there was a little bit

0:21:42.160 --> 0:21:45.760
<v Speaker 1>of arrogance. I'm not the most coachable human being on

0:21:45.920 --> 0:21:49.520
<v Speaker 1>the planet, and that kind of you know, shot me

0:21:49.640 --> 0:21:52.840
<v Speaker 1>in the foot back then. But yeah, we sat for

0:21:52.920 --> 0:21:56.440
<v Speaker 1>a long time. I continue to just right and write

0:21:56.480 --> 0:22:00.600
<v Speaker 1>and try to give them that one. You know that

0:22:00.720 --> 0:22:03.200
<v Speaker 1>they felt confident, you know, if you're gonna go three deep,

0:22:03.840 --> 0:22:06.960
<v Speaker 1>that third one, I mean that's your hail Mary right there,

0:22:07.080 --> 0:22:09.920
<v Speaker 1>you know, especially if the first two have flopped. Um.

0:22:10.760 --> 0:22:13.240
<v Speaker 1>So I fought and fought, you know, to write and

0:22:13.400 --> 0:22:17.760
<v Speaker 1>and to get that that song, the one, and man

0:22:17.920 --> 0:22:23.360
<v Speaker 1>just couldn't find it, and you know, eventually got dropped.

0:22:23.760 --> 0:22:26.200
<v Speaker 1>And uh yeah, I mean that was that was the

0:22:26.280 --> 0:22:30.080
<v Speaker 1>beginning of some dark some dark times right there. So

0:22:30.240 --> 0:22:32.720
<v Speaker 1>you get dropped. Ever your second label, what year was that,

0:22:32.840 --> 0:22:37.280
<v Speaker 1>you know, Let's see, it's two thouns seventies six probably fourteen,

0:22:37.560 --> 0:22:40.640
<v Speaker 1>begetting fourteen. So you get dropped in two thousand and fourteen,

0:22:40.960 --> 0:22:45.399
<v Speaker 1>So what do you do well at that period? I

0:22:45.520 --> 0:22:48.880
<v Speaker 1>think I have four kids, so I'm still not I'm

0:22:48.920 --> 0:22:53.359
<v Speaker 1>still not a truly buried in final financial woes. But

0:22:53.840 --> 0:22:55.600
<v Speaker 1>I had a pub deal. You know, I'm still my

0:22:55.800 --> 0:22:59.800
<v Speaker 1>my publishers. That's one thing that's that I've always had

0:23:00.119 --> 0:23:03.800
<v Speaker 1>pub deal, publishers that believe that I can get outside cuts.

0:23:04.320 --> 0:23:08.080
<v Speaker 1>You know, So at that time I didn't I wouldn't

0:23:08.119 --> 0:23:11.600
<v Speaker 1>say I just shut the artist thing down, but I wrote, man,

0:23:11.640 --> 0:23:14.520
<v Speaker 1>I aimed and aimed to get outside cuts, you know,

0:23:14.560 --> 0:23:17.919
<v Speaker 1>I wanted outside country cuts. And one of these mainstream artists,

0:23:18.680 --> 0:23:21.840
<v Speaker 1>uh to to you know, I just knew somebody was

0:23:21.840 --> 0:23:23.879
<v Speaker 1>gonna cut one of my songs. We're gonna be huge.

0:23:24.320 --> 0:23:28.760
<v Speaker 1>Kind of solidified me a spot in that writer community.

0:23:29.080 --> 0:23:33.160
<v Speaker 1>And uh, I eventually did get a cut um from

0:23:33.720 --> 0:23:37.120
<v Speaker 1>Rodney Atkins. Uh he cut one of my songs called

0:23:37.200 --> 0:23:40.800
<v Speaker 1>Touching Feet, and uh it was you know, it was

0:23:40.840 --> 0:23:45.119
<v Speaker 1>a great motivation, you know, to keep on writing and

0:23:45.520 --> 0:23:48.879
<v Speaker 1>didn't end up being a single. But okay, what about

0:23:48.920 --> 0:24:02.080
<v Speaker 1>this one? Kind of forgot about seat? That's rights too, right. Yeah,

0:24:02.960 --> 0:24:04.920
<v Speaker 1>that was the So that was when he cut on

0:24:05.000 --> 0:24:07.960
<v Speaker 1>the next album, and that was ended up being his single. Yeah,

0:24:08.720 --> 0:24:13.520
<v Speaker 1>I think I killed his career. No, you didn't squeezing.

0:24:13.760 --> 0:24:17.360
<v Speaker 1>You didn't know. He man, Roddy, He's a great guy,

0:24:17.480 --> 0:24:19.719
<v Speaker 1>and he believed in some of my songs. And man,

0:24:19.800 --> 0:24:22.639
<v Speaker 1>even though you know, I had several of those types

0:24:22.680 --> 0:24:24.919
<v Speaker 1>of songs that that would get cut and maybe they

0:24:24.960 --> 0:24:27.639
<v Speaker 1>weren't the single the big the big Dog on the record.

0:24:27.720 --> 0:24:31.040
<v Speaker 1>But when you get those, man, it just kind of

0:24:31.160 --> 0:24:33.600
<v Speaker 1>tells you. It's like it's like a whisper saying, hey,

0:24:34.240 --> 0:24:37.040
<v Speaker 1>stick around, It's all right, you're here for a reason.

0:24:37.359 --> 0:24:39.879
<v Speaker 1>What about this here Cold Fort song? Dirty side, Dude,

0:24:40.200 --> 0:24:44.560
<v Speaker 1>I love this song. This is my jams. You're right it. Yeah. Yeah,

0:24:44.640 --> 0:24:54.280
<v Speaker 1>he featured me time. But if you side, I love

0:24:54.359 --> 0:25:06.720
<v Speaker 1>a good side side you're looking for side I loved.

0:25:07.480 --> 0:25:09.399
<v Speaker 1>I didn't know you can dance like there, I got it.

0:25:19.080 --> 0:25:22.879
<v Speaker 1>So you wrote it together. Yeah, I'm super appreciated that

0:25:23.320 --> 0:25:26.040
<v Speaker 1>they featured me. I'm talking about the perfect girl. Man,

0:25:26.080 --> 0:25:28.960
<v Speaker 1>I'm gonna tell you that everywhere stopped looking at Magazine's

0:25:29.000 --> 0:25:31.320
<v Speaker 1>head on out. So you're writing, you're out, You don't

0:25:31.320 --> 0:25:34.160
<v Speaker 1>have artists, Jill right, what you probably still want even

0:25:35.080 --> 0:25:37.760
<v Speaker 1>you still want to be the artist, but you do

0:25:37.880 --> 0:25:39.360
<v Speaker 1>have you want to be the writer. You talking about

0:25:39.359 --> 0:25:43.159
<v Speaker 1>having dark times like your mind just like where did

0:25:43.200 --> 0:25:48.200
<v Speaker 1>I tell you what? The darkest period I ever experienced

0:25:48.240 --> 0:25:50.800
<v Speaker 1>here in Nashville was past these cuts. You know, you

0:25:50.920 --> 0:25:53.560
<v Speaker 1>get a couple of cuts, and I'm still I'm not

0:25:53.680 --> 0:25:57.040
<v Speaker 1>able to I mean, I'm barely supporting us, you know

0:25:57.040 --> 0:25:58.920
<v Speaker 1>what I'm saying. No, No, the money is not just

0:25:59.160 --> 0:26:01.600
<v Speaker 1>rolling in from from these types of cuts. I'm I'm

0:26:01.640 --> 0:26:03.600
<v Speaker 1>not having hit singles, which is kind of what you

0:26:03.680 --> 0:26:07.479
<v Speaker 1>gotta have, you know, nowadays to to to thrive as

0:26:07.520 --> 0:26:10.080
<v Speaker 1>a writer. You gonna have one every now and then. Um,

0:26:10.320 --> 0:26:12.680
<v Speaker 1>I'm loving what I'm doing. I mean, I feel like

0:26:12.760 --> 0:26:16.080
<v Speaker 1>I'm getting better and better and so much closer to

0:26:16.240 --> 0:26:19.200
<v Speaker 1>dial in it in, you know, with with what artists

0:26:19.640 --> 0:26:22.800
<v Speaker 1>need and what they want and getting those outside cuts.

0:26:22.880 --> 0:26:27.400
<v Speaker 1>But I'm playing at Pucket's boat house, and money gets

0:26:27.440 --> 0:26:31.360
<v Speaker 1>real tight. I'm talking seriously tight, and uh, I don't

0:26:31.359 --> 0:26:34.680
<v Speaker 1>really like to ask for help. And I had toyed with,

0:26:35.359 --> 0:26:38.040
<v Speaker 1>you know, getting kind of a second gig, and I

0:26:38.119 --> 0:26:42.679
<v Speaker 1>remember this this night I will never forget. I'm playing

0:26:42.720 --> 0:26:45.560
<v Speaker 1>Pucket's boat House, which, by the way, it's like a

0:26:45.680 --> 0:26:49.720
<v Speaker 1>restaurant and a stage for people. Um just so that

0:26:49.880 --> 0:26:53.760
<v Speaker 1>it's like a very famous Nashville Southern food restaurant and

0:26:53.800 --> 0:26:56.320
<v Speaker 1>they're a stage. And so what I what I was

0:26:56.400 --> 0:26:58.440
<v Speaker 1>doing is, you know, I didn't have artists deal, but

0:26:58.520 --> 0:27:01.480
<v Speaker 1>I want to keep performing. So that uh that the

0:27:01.560 --> 0:27:04.240
<v Speaker 1>Andy Marshall and Puckets so always so gracious to me

0:27:04.359 --> 0:27:06.920
<v Speaker 1>giving me a gig, and I'm playing for tips, and

0:27:07.320 --> 0:27:09.199
<v Speaker 1>what I would do is play an hour and then

0:27:09.280 --> 0:27:12.520
<v Speaker 1>host an open mic night just for the community. I

0:27:12.560 --> 0:27:14.639
<v Speaker 1>wanted to meet new writers and stuff and kind of

0:27:15.280 --> 0:27:18.200
<v Speaker 1>do what people did for me in my first couple

0:27:18.240 --> 0:27:22.320
<v Speaker 1>of years here. So one night, this guy comes and

0:27:22.760 --> 0:27:27.080
<v Speaker 1>his name is Nick Candre and uh, sweet sweet yuh

0:27:27.840 --> 0:27:30.480
<v Speaker 1>comes up, wants to play at the open mic night.

0:27:30.640 --> 0:27:33.480
<v Speaker 1>And he just thinks, you know, he's he's heard my

0:27:33.640 --> 0:27:37.120
<v Speaker 1>songs on Rodney, my stuff on Colt. He thinks I'm

0:27:37.240 --> 0:27:39.960
<v Speaker 1>like Elvis, you know, and he's just treat me like

0:27:40.119 --> 0:27:43.640
<v Speaker 1>it too, and he and he mentions at one point

0:27:43.680 --> 0:27:45.920
<v Speaker 1>in the night that he worked at the tire center

0:27:46.040 --> 0:27:49.040
<v Speaker 1>at Costco and I was looking for a job at

0:27:49.160 --> 0:27:52.800
<v Speaker 1>night so I could continue writing during the day. And

0:27:53.040 --> 0:27:57.119
<v Speaker 1>so it was just a humbling moment to kind of

0:27:57.200 --> 0:28:01.480
<v Speaker 1>be like, Hey, while you're getting my autograph, do you

0:28:01.640 --> 0:28:04.920
<v Speaker 1>know any you know, is there any openings at Costco?

0:28:05.080 --> 0:28:07.159
<v Speaker 1>You know, are they looking for for people that stock

0:28:07.240 --> 0:28:10.359
<v Speaker 1>stuff overnight and stuff? And he hooked me up and

0:28:10.720 --> 0:28:12.840
<v Speaker 1>that's how I got a job at Costco. But it

0:28:13.000 --> 0:28:15.760
<v Speaker 1>was just I mean, I don't know if embarrassing is

0:28:15.800 --> 0:28:18.399
<v Speaker 1>the word, but you know, it was just it was

0:28:18.480 --> 0:28:21.600
<v Speaker 1>an interesting moment that he saw me as kind of

0:28:21.720 --> 0:28:25.159
<v Speaker 1>like an influence on him musically, and I was so happy,

0:28:25.840 --> 0:28:29.119
<v Speaker 1>you know, to meet me. And I was like, hey, uh,

0:28:29.160 --> 0:28:31.359
<v Speaker 1>I kind of need a job, you know, I need

0:28:31.480 --> 0:28:34.320
<v Speaker 1>some help. Can you can you hook me up? And

0:28:34.560 --> 0:28:39.280
<v Speaker 1>uh so that was that that was a low a

0:28:39.400 --> 0:28:42.320
<v Speaker 1>low point for me. Um, kind of having to ask

0:28:43.320 --> 0:28:45.160
<v Speaker 1>for help from that guy. Do you feel like he

0:28:45.360 --> 0:28:49.600
<v Speaker 1>learned from it and appreciate it even more afterwards? Just

0:28:49.720 --> 0:28:54.880
<v Speaker 1>through that experience with Costic experience, everything everything that is

0:28:54.960 --> 0:28:58.040
<v Speaker 1>connecting with people now is pretty much about that experience

0:28:58.120 --> 0:29:03.320
<v Speaker 1>in my life. So yes, um, it's been truly beneficial. Um.

0:29:04.640 --> 0:29:08.360
<v Speaker 1>I got a great perspective. Uh you know, what matters,

0:29:09.440 --> 0:29:11.920
<v Speaker 1>you know, what matter in life. That's kind of what

0:29:12.120 --> 0:29:14.120
<v Speaker 1>Leela Stars is about. You know, I did a lot

0:29:14.200 --> 0:29:18.360
<v Speaker 1>of I did a lot of I don't know what

0:29:18.520 --> 0:29:22.080
<v Speaker 1>you say, like not soul searching, but you know, we

0:29:22.400 --> 0:29:28.760
<v Speaker 1>uh interesting songs this guy and it's just a roof

0:29:28.840 --> 0:29:39.120
<v Speaker 1>from Yeah. Yeah, that song is about the thumb tacks

0:29:39.240 --> 0:29:41.520
<v Speaker 1>that she gave me to hold up the roof of

0:29:41.640 --> 0:29:43.920
<v Speaker 1>Mi Honda that I had at the time, and when

0:29:44.040 --> 0:29:47.160
<v Speaker 1>my roof was coming down, I lost it and I

0:29:47.320 --> 0:29:50.640
<v Speaker 1>was just crazy at that point in my life. I

0:29:50.800 --> 0:29:53.960
<v Speaker 1>was drinking a ton just to kind of cut the

0:29:54.880 --> 0:29:58.360
<v Speaker 1>edge off the heaviness, um and the burdens and stuff

0:29:58.440 --> 0:30:01.560
<v Speaker 1>that I I was kind of up against with wanting

0:30:01.640 --> 0:30:03.800
<v Speaker 1>to still chase my dream, kind of thinking I was

0:30:04.000 --> 0:30:07.640
<v Speaker 1>nuts um. Pretty much to let everybody looking at us

0:30:07.680 --> 0:30:10.520
<v Speaker 1>from the outside, I probably thought I was nuts too. Um.

0:30:10.760 --> 0:30:13.520
<v Speaker 1>You know, I had all the kids and I was

0:30:13.600 --> 0:30:15.959
<v Speaker 1>still trying to do that to take care of them

0:30:15.960 --> 0:30:18.120
<v Speaker 1>when I could have you know, done a lot of

0:30:18.200 --> 0:30:20.960
<v Speaker 1>other things and made a whole lot of sense, you know,

0:30:21.080 --> 0:30:23.280
<v Speaker 1>to take care of them. But yeah, lettle Stars is

0:30:23.320 --> 0:30:26.960
<v Speaker 1>about those stumb tacks that she she let me borrow

0:30:27.040 --> 0:30:30.400
<v Speaker 1>and I was really bummed and frustrated at the time.

0:30:31.760 --> 0:30:33.600
<v Speaker 1>The roof coming out in my car was one of

0:30:33.640 --> 0:30:36.160
<v Speaker 1>those moments in your life where you're looking up and

0:30:36.240 --> 0:30:38.480
<v Speaker 1>you're like, you gotta be kidding me, you know, like

0:30:38.640 --> 0:30:43.600
<v Speaker 1>I need one freaking more thing unit to carry right now.

0:30:43.880 --> 0:30:46.440
<v Speaker 1>And uh, one morning, when I was about to clock

0:30:46.520 --> 0:30:49.120
<v Speaker 1>in at Costco, I looked up and I saw those

0:30:49.680 --> 0:30:54.360
<v Speaker 1>thumb tacks and it just reminded me. Well, first I

0:30:54.440 --> 0:30:57.840
<v Speaker 1>thought of her face and just her smile and how

0:30:57.960 --> 0:31:02.000
<v Speaker 1>much fun she had putting those up, and uh, she

0:31:02.160 --> 0:31:04.160
<v Speaker 1>just thought they're awesome, you know, they made the car

0:31:04.320 --> 0:31:08.000
<v Speaker 1>look incredible, And it was just an interesting perspective at

0:31:08.040 --> 0:31:10.640
<v Speaker 1>that time to remember, Hey, I got healthy kids, I

0:31:10.760 --> 0:31:13.600
<v Speaker 1>do have a job, I have to you know what

0:31:13.640 --> 0:31:17.080
<v Speaker 1>I mean. And I'm still able to write. My wife

0:31:17.720 --> 0:31:21.520
<v Speaker 1>never was unhappy, you know, I was really the only one,

0:31:22.680 --> 0:31:25.680
<v Speaker 1>uh that was unhappy. Um. And so that was a

0:31:26.000 --> 0:31:29.240
<v Speaker 1>that was a great moment um and and got a

0:31:29.320 --> 0:31:31.840
<v Speaker 1>cool song out of it. So you were drinking a lot.

0:31:31.880 --> 0:31:34.440
<v Speaker 1>You don't drink it all now, so so you must

0:31:34.480 --> 0:31:38.880
<v Speaker 1>be drinking a lot. I have to stop, man, I was,

0:31:39.120 --> 0:31:41.880
<v Speaker 1>I mean, we want we want to talking about numbers.

0:31:42.040 --> 0:31:44.720
<v Speaker 1>I mean I was like, I mean, I was drinking

0:31:44.840 --> 0:31:48.440
<v Speaker 1>from I was drink at Costco. Um. You know, obviously

0:31:48.520 --> 0:31:51.400
<v Speaker 1>I was doing my work, um, working hard, but I

0:31:51.480 --> 0:31:55.959
<v Speaker 1>mean I was I was drinking on on breaks at Costco.

0:31:56.080 --> 0:31:58.320
<v Speaker 1>You know, I go to the parking lot, you know,

0:31:58.560 --> 0:32:02.000
<v Speaker 1>and do that leave, go do a show with the Bluebird.

0:32:02.520 --> 0:32:04.560
<v Speaker 1>You know, they were hiring me for shows. I was

0:32:04.600 --> 0:32:07.000
<v Speaker 1>still able to get some work out of them. Um.

0:32:07.160 --> 0:32:10.280
<v Speaker 1>I drink before him, drinking after him, drink while I wrote,

0:32:10.720 --> 0:32:17.720
<v Speaker 1>drive home, drink because you're sad man. Uh yeah, I

0:32:17.800 --> 0:32:21.280
<v Speaker 1>think you know, I think I was just uh, I

0:32:21.400 --> 0:32:25.520
<v Speaker 1>just didn't want to face not making it, you know,

0:32:25.720 --> 0:32:29.280
<v Speaker 1>not not being able to to take care of everybody.

0:32:29.480 --> 0:32:32.360
<v Speaker 1>You know. It's it's almost like when you're drunk. Uh,

0:32:33.520 --> 0:32:35.680
<v Speaker 1>those things aren't as heavy. You know, they don't matter,

0:32:36.160 --> 0:32:39.760
<v Speaker 1>I guess, and um, drinking a little bit out of

0:32:40.680 --> 0:32:45.600
<v Speaker 1>just insecurity and fear, you know, I guess, uh, you know,

0:32:45.800 --> 0:32:48.480
<v Speaker 1>just scared. What was the point where you were like, Okay,

0:32:48.520 --> 0:32:51.000
<v Speaker 1>I gotta I gotta chill, dude. Me quitting is the

0:32:51.080 --> 0:32:54.200
<v Speaker 1>weirdest story I don't, you know. Hopefully at some point

0:32:54.240 --> 0:32:55.920
<v Speaker 1>it will make sense where I could kind of help

0:32:56.000 --> 0:33:00.880
<v Speaker 1>other people, and and and and and explain it. But honestly,

0:33:01.720 --> 0:33:04.320
<v Speaker 1>I mean I think I was. I think my body

0:33:04.480 --> 0:33:07.560
<v Speaker 1>just said to my brain, you have to you have

0:33:07.680 --> 0:33:10.720
<v Speaker 1>to quit. You know, we're working and drinking that much.

0:33:11.320 --> 0:33:14.200
<v Speaker 1>I woke up on a Saturday. I remember that as

0:33:14.280 --> 0:33:18.600
<v Speaker 1>in October football game day, me and football. Not drinking

0:33:18.720 --> 0:33:21.080
<v Speaker 1>just didn't ever happen. That hadn't happened since I was

0:33:21.120 --> 0:33:24.760
<v Speaker 1>probably like fifteen, I don't know, something crazy like that.

0:33:25.400 --> 0:33:27.960
<v Speaker 1>And I just didn't drink one Saturday. And I don't

0:33:28.000 --> 0:33:30.840
<v Speaker 1>even know why. I didn't like wake up and say, man,

0:33:30.920 --> 0:33:34.240
<v Speaker 1>I gotta stop. I just woke up. I didn't drink

0:33:34.320 --> 0:33:38.080
<v Speaker 1>that day. Um, I didn't drink on Sunday. A couple

0:33:38.120 --> 0:33:41.120
<v Speaker 1>of days turned into a week, you know, and then

0:33:41.920 --> 0:33:46.120
<v Speaker 1>it became this like challenge where it was like I've

0:33:46.200 --> 0:33:48.920
<v Speaker 1>gone this far, I want to go backwards, you know.

0:33:49.560 --> 0:33:52.520
<v Speaker 1>And I also kind of had a little sobriety high.

0:33:53.200 --> 0:33:56.000
<v Speaker 1>You know, when you quit drinking you've been drinking that much,

0:33:56.760 --> 0:34:01.080
<v Speaker 1>your body feels really really good once it gets over, um,

0:34:01.960 --> 0:34:05.479
<v Speaker 1>you know, not craving just to drink with with all

0:34:05.560 --> 0:34:09.719
<v Speaker 1>your might. But so yeah, now I'm like that was

0:34:09.840 --> 0:34:13.160
<v Speaker 1>two octobers ago. So I'm a year and almost a half.

0:34:13.920 --> 0:34:16.920
<v Speaker 1>The funny thing is I don't drink. Guy there, Walker

0:34:17.000 --> 0:34:19.920
<v Speaker 1>doesn't drink, and we're go on tour beer it like

0:34:20.080 --> 0:34:24.200
<v Speaker 1>the writers like full of beer and it just sits there.

0:34:24.880 --> 0:34:27.640
<v Speaker 1>It's like, Walker, I know you don't drink, but if

0:34:27.680 --> 0:34:29.800
<v Speaker 1>you know anybody that wants beer, they can have it,

0:34:30.239 --> 0:34:33.120
<v Speaker 1>said Nikita. End up drinking some of it. Show a

0:34:33.200 --> 0:34:35.480
<v Speaker 1>little Nikita, So okay, tell me about this song here,

0:34:36.840 --> 0:34:42.000
<v Speaker 1>this one, let's play. Let's see, man, I got all

0:34:42.080 --> 0:34:43.800
<v Speaker 1>of them. It's like asking me which kid I'd like

0:34:43.880 --> 0:34:47.280
<v Speaker 1>to do here? Talk about this one beer in the fridge.

0:34:47.440 --> 0:34:52.320
<v Speaker 1>I quit drinking. The reason I want to get drunk

0:34:53.320 --> 0:34:54.960
<v Speaker 1>because I played on the radio. I was like, I

0:34:55.080 --> 0:34:57.480
<v Speaker 1>was moved by the song. Yeah, I still look out

0:34:57.640 --> 0:35:03.359
<v Speaker 1>for the car when I'm driving around town, and I'm

0:35:03.440 --> 0:35:06.520
<v Speaker 1>still not quite sure what to do with my hands.

0:35:06.760 --> 0:35:10.440
<v Speaker 1>It's in a crowd. There's a lot I can't remember,

0:35:11.640 --> 0:35:15.640
<v Speaker 1>and a lot I can't forget. One silver bulleting in

0:35:15.760 --> 0:35:20.720
<v Speaker 1>the chamber, and I'm playing rush Rule without being the Friends,

0:35:22.400 --> 0:35:28.520
<v Speaker 1>Last of twelves so Survivor, My last all night the

0:35:28.640 --> 0:35:31.439
<v Speaker 1>back of the bottom how Ruled that all. It's gonna

0:35:31.480 --> 0:35:35.759
<v Speaker 1>be so real man. Uh. It just touches on a

0:35:35.840 --> 0:35:40.520
<v Speaker 1>lot of you know, fears, insecurities that I deal with.

0:35:40.719 --> 0:35:43.400
<v Speaker 1>And like you know, you're asking, you know, why were

0:35:43.440 --> 0:35:47.279
<v Speaker 1>you drinking that much? Uh? You know my wife has

0:35:47.360 --> 0:35:51.960
<v Speaker 1>never never threatened to leave me, but she probably should

0:35:52.000 --> 0:35:56.920
<v Speaker 1>have several times you know in those in those in

0:35:57.040 --> 0:35:59.440
<v Speaker 1>that time period, you know, when I was drinking that

0:35:59.640 --> 0:36:05.400
<v Speaker 1>much and uh there you know there was there's so

0:36:05.520 --> 0:36:08.960
<v Speaker 1>many lines in that song that the front. My one

0:36:09.160 --> 0:36:11.879
<v Speaker 1>song line, one lyric in that song that I feel

0:36:11.920 --> 0:36:15.520
<v Speaker 1>like describes me and something that I that I deal

0:36:15.600 --> 0:36:18.960
<v Speaker 1>with is the first one about ranting to your mama, church, mama,

0:36:19.400 --> 0:36:23.360
<v Speaker 1>praying for you. Now. Well like I'm just I just

0:36:23.480 --> 0:36:26.120
<v Speaker 1>care what people think, you know, and I and I

0:36:26.360 --> 0:36:29.360
<v Speaker 1>and I and my own worst critic as well. And

0:36:29.680 --> 0:36:34.000
<v Speaker 1>drinking uh made me care less, you know. Uh that

0:36:34.280 --> 0:36:37.200
<v Speaker 1>was one positive about drinking. You know obviously don't you

0:36:37.280 --> 0:36:40.200
<v Speaker 1>don't need to drink to do that. But you know,

0:36:40.320 --> 0:36:46.600
<v Speaker 1>I I feel pressure, you know, to to be a

0:36:46.719 --> 0:36:51.279
<v Speaker 1>certain just I don't know, to succeed, you know, and uh,

0:36:51.440 --> 0:36:54.560
<v Speaker 1>prem yourself for myself. But but you know, like I said,

0:36:54.600 --> 0:36:57.279
<v Speaker 1>when I told lady's parents we were coming here. I

0:36:57.400 --> 0:37:00.160
<v Speaker 1>feel the eyes, you know, I feel the I've ill

0:37:00.239 --> 0:37:02.320
<v Speaker 1>people saying, are You're crazy, You're not gonna make it,

0:37:02.400 --> 0:37:04.560
<v Speaker 1>You're not good enough. You know you're not this And

0:37:05.120 --> 0:37:07.080
<v Speaker 1>I don't want to believe him, but I kind of do.

0:37:07.560 --> 0:37:09.560
<v Speaker 1>And when I'm drinking, I definitely don't. I don't care

0:37:09.640 --> 0:37:13.319
<v Speaker 1>what they think. Um, but that song is so true,

0:37:13.360 --> 0:37:16.040
<v Speaker 1>you know the line about the hands. I mean, dude,

0:37:16.120 --> 0:37:21.400
<v Speaker 1>the first show that I played without a beer, I

0:37:21.560 --> 0:37:25.200
<v Speaker 1>just felt completely naked. I mean, I've never felt stupider

0:37:26.120 --> 0:37:29.120
<v Speaker 1>in my life because you know, so many years of

0:37:29.680 --> 0:37:32.640
<v Speaker 1>strumming that last chord and reaching for that beer. I

0:37:32.880 --> 0:37:36.719
<v Speaker 1>was to a point where just holding a beer before

0:37:36.719 --> 0:37:39.640
<v Speaker 1>I even open the thing it gave it made me

0:37:39.800 --> 0:37:43.200
<v Speaker 1>feel a sense of security. You know. That's kind of

0:37:43.239 --> 0:37:47.440
<v Speaker 1>where I was with drinking. But yeah, it's true. I mean, um,

0:37:48.040 --> 0:37:50.839
<v Speaker 1>but again I will say, I mean, Lenny, it's not true.

0:37:51.239 --> 0:37:55.320
<v Speaker 1>I didn't lose you know, my wife, but uh, you know,

0:37:55.600 --> 0:37:58.880
<v Speaker 1>she said many tears, you know, talking to me about it,

0:37:59.040 --> 0:38:01.400
<v Speaker 1>and I was at a point went where I admitted,

0:38:02.080 --> 0:38:05.600
<v Speaker 1>you know, she would say things like she didn't say

0:38:05.680 --> 0:38:07.759
<v Speaker 1>things anymore like do you have a problem. I would

0:38:07.800 --> 0:38:11.200
<v Speaker 1>admit I wasn't in denial. At the point when I quit,

0:38:11.280 --> 0:38:13.200
<v Speaker 1>I said, I do have a problem, and I can't.

0:38:13.920 --> 0:38:16.200
<v Speaker 1>I'm not gonna go without it. You know, I need

0:38:16.360 --> 0:38:19.960
<v Speaker 1>this right now for me, you know, I want to

0:38:19.960 --> 0:38:25.759
<v Speaker 1>move over to the comedian. Yeah, your dark songs like

0:38:25.960 --> 0:38:30.360
<v Speaker 1>resonate with me, like a hardcore like being in the fridge.

0:38:30.920 --> 0:38:33.480
<v Speaker 1>You know, I come from a family of addicts and alcoholics,

0:38:33.520 --> 0:38:35.360
<v Speaker 1>and I was like, damn, man, just I just I

0:38:35.440 --> 0:38:38.480
<v Speaker 1>feel the honesty in these songs um with the comedian,

0:38:38.480 --> 0:38:42.439
<v Speaker 1>which I wanna play right here. It's too bad. Being

0:38:42.560 --> 0:38:47.520
<v Speaker 1>funny and being happy. He ain't the same thing. It

0:38:47.600 --> 0:38:53.400
<v Speaker 1>ain't the same thing. It's so sad. Some of the

0:38:53.560 --> 0:38:58.759
<v Speaker 1>longlist hearts in the crowd of the most entoting such

0:38:58.800 --> 0:39:04.239
<v Speaker 1>a strange keys to the ones who makes laugh to

0:39:04.440 --> 0:39:08.080
<v Speaker 1>keep themselves from crying, gets to the ones who makes

0:39:08.200 --> 0:39:13.360
<v Speaker 1>laugh to keep themselves from cry, Like I heard the

0:39:13.440 --> 0:39:18.359
<v Speaker 1>song and it's gonna tell you it's like it can

0:39:19.160 --> 0:39:24.840
<v Speaker 1>and I have issues like that, like where it's you know,

0:39:25.680 --> 0:39:28.359
<v Speaker 1>I want to wake people laugh so they can't see

0:39:28.520 --> 0:39:30.960
<v Speaker 1>how sad. And it's the process that I've been dealing

0:39:31.000 --> 0:39:34.360
<v Speaker 1>with for a long time, and it's that's the front

0:39:34.960 --> 0:39:37.799
<v Speaker 1>you try to people laugh, That's where you find love.

0:39:38.640 --> 0:39:40.560
<v Speaker 1>That's where I always was able to find love. Like

0:39:40.719 --> 0:39:42.600
<v Speaker 1>let maybe the gay that makes people laugh, because that's

0:39:42.719 --> 0:39:45.680
<v Speaker 1>I'll find the love from that. I have trouble accepting love,

0:39:45.760 --> 0:39:47.880
<v Speaker 1>of trouble giving love just from the environment. You know.

0:39:47.960 --> 0:39:49.560
<v Speaker 1>You and I talked about as a nature or nurture,

0:39:49.880 --> 0:39:52.400
<v Speaker 1>like we have that conversation like away from stuff, and

0:39:52.800 --> 0:39:55.640
<v Speaker 1>for me, I think it's it's definitely nurture the love thing.

0:39:55.680 --> 0:39:57.560
<v Speaker 1>And I heard that song, I was like, dear God,

0:39:57.600 --> 0:39:59.719
<v Speaker 1>are you writing songs from my brain? Like every song

0:39:59.800 --> 0:40:02.120
<v Speaker 1>to you would sing, I'll be like God. So the

0:40:02.200 --> 0:40:05.000
<v Speaker 1>comedian is that about a front of your specifically? So

0:40:05.040 --> 0:40:06.840
<v Speaker 1>he went to high school with them? Yeah, it's about

0:40:06.880 --> 0:40:09.400
<v Speaker 1>a friend I grew up with and he did not,

0:40:10.200 --> 0:40:13.640
<v Speaker 1>uh commit suicide. Hey, but he died at an early

0:40:13.719 --> 0:40:19.560
<v Speaker 1>age and he was that guy, uh you know, just hilarious, um,

0:40:19.640 --> 0:40:22.520
<v Speaker 1>but did have issues, you know, and as we all do.

0:40:22.800 --> 0:40:26.600
<v Speaker 1>You know, I think so many people can can relate

0:40:26.680 --> 0:40:29.319
<v Speaker 1>with that song. You know. It's that we all try

0:40:29.360 --> 0:40:32.440
<v Speaker 1>to find that affirmation. That's never really enough, but it

0:40:32.560 --> 0:40:37.920
<v Speaker 1>sure helps, you know. It doesn't sustain any any long

0:40:38.200 --> 0:40:42.360
<v Speaker 1>term healing or fix us. You know. It's like drinking

0:40:42.400 --> 0:40:44.759
<v Speaker 1>a beer. And it does make me feel good immediately,

0:40:45.360 --> 0:40:48.080
<v Speaker 1>you know, and as does me performing on stage and

0:40:48.160 --> 0:40:50.440
<v Speaker 1>getting that laughing. It makes me feel like I just

0:40:50.560 --> 0:40:53.480
<v Speaker 1>jumped out of a plane. You know. But when you

0:40:53.520 --> 0:40:55.680
<v Speaker 1>get back into green room and you all by yourself,

0:40:56.560 --> 0:40:58.800
<v Speaker 1>all the real stuff comes back, you know, when you

0:40:58.840 --> 0:41:02.120
<v Speaker 1>gotta do it again. But yeah, that that song, I'm

0:41:02.320 --> 0:41:06.600
<v Speaker 1>so glad a guy named Matt Jenkins and Josh Jenkins

0:41:06.760 --> 0:41:09.719
<v Speaker 1>they wrote it with me, and they were insistent that

0:41:09.960 --> 0:41:13.879
<v Speaker 1>that we that we do that song together, and I'm

0:41:13.880 --> 0:41:17.000
<v Speaker 1>glad you appreciate it. I'm glad people. Yeah, that's like

0:41:17.120 --> 0:41:18.439
<v Speaker 1>and and we'll get to the more of beat stuff

0:41:18.440 --> 0:41:21.080
<v Speaker 1>because you have a sound that is not like anyone else.

0:41:21.120 --> 0:41:23.239
<v Speaker 1>But I just you know, it's my podcast. I talk

0:41:23.280 --> 0:41:25.600
<v Speaker 1>about whatever I want. So those are like, those are

0:41:25.600 --> 0:41:28.600
<v Speaker 1>the songs that hit me hard. And I was just like, okay,

0:41:28.640 --> 0:41:31.280
<v Speaker 1>he's like speed songs a lot of times don't speaking

0:41:31.280 --> 0:41:35.239
<v Speaker 1>real human words anymore. And when you do feel something

0:41:35.280 --> 0:41:37.120
<v Speaker 1>out then in regardless of sonically what it sounds like,

0:41:37.920 --> 0:41:41.239
<v Speaker 1>it being authentic still cuts through no matter what's behind it?

0:41:41.760 --> 0:41:44.680
<v Speaker 1>Something for real still cuts through regardless of the format

0:41:44.800 --> 0:41:48.279
<v Speaker 1>the instruments, like realness cuts through. And so that's what

0:41:48.400 --> 0:41:53.399
<v Speaker 1>I felt from like stars and the Comedian and beer

0:41:53.480 --> 0:41:56.640
<v Speaker 1>in the fridge. And but then you know, you got

0:41:56.680 --> 0:42:02.319
<v Speaker 1>stuff like break the internet, shake a little bit of sha,

0:42:02.560 --> 0:42:06.000
<v Speaker 1>shake a little bit, how did your dollar? You make?

0:42:06.040 --> 0:42:09.080
<v Speaker 1>All the stuff in your shack? And then beat on tables,

0:42:09.120 --> 0:42:12.080
<v Speaker 1>beat on the wall, slammed the door, all these sounds.

0:42:12.840 --> 0:42:15.120
<v Speaker 1>It's you in that microphone and you're beaten cups and

0:42:15.320 --> 0:42:22.040
<v Speaker 1>sounds it. Let's I got a keyboard, win break back.

0:42:22.200 --> 0:42:29.040
<v Speaker 1>Then you're doing all these bats B G V maniac.

0:42:29.360 --> 0:42:33.880
<v Speaker 1>But I got the record. As you're cutting this and

0:42:33.920 --> 0:42:35.799
<v Speaker 1>you're playing it for people, what are they saying to you, Like, man,

0:42:35.840 --> 0:42:37.400
<v Speaker 1>it don'tnna work? Or is it gonna be great? Or

0:42:37.440 --> 0:42:39.840
<v Speaker 1>what they what are they saying? Well, Uh, you know,

0:42:40.000 --> 0:42:44.080
<v Speaker 1>my people at my publishing company, they saw me obviously,

0:42:44.760 --> 0:42:47.239
<v Speaker 1>uh you know, to write songs, but wanted me to.

0:42:47.640 --> 0:42:50.200
<v Speaker 1>They sign me with the intention of me being an artist.

0:42:50.960 --> 0:42:53.960
<v Speaker 1>And you know, I think at first they thought, hey,

0:42:54.320 --> 0:42:56.960
<v Speaker 1>he's gonna write that one, you know, that dangerous one

0:42:57.360 --> 0:42:59.880
<v Speaker 1>on the country. Ready, you know that country radio slaps

0:43:00.040 --> 0:43:05.080
<v Speaker 1>Slam first released bah Boom, and what happened was I

0:43:05.239 --> 0:43:07.960
<v Speaker 1>kind of got off therapeutic you know, on them, like

0:43:08.160 --> 0:43:11.600
<v Speaker 1>you talk about Comedian and stuff like that. Those feel

0:43:11.719 --> 0:43:14.080
<v Speaker 1>so good for me to write, you know, sometimes it's

0:43:14.239 --> 0:43:16.640
<v Speaker 1>just great to get that stuff off of your chest

0:43:16.800 --> 0:43:19.200
<v Speaker 1>and tell everybody that makes me feel better. And so

0:43:19.320 --> 0:43:21.600
<v Speaker 1>that's what I was doing with those those dark ones

0:43:21.680 --> 0:43:24.640
<v Speaker 1>and then the happy ones. That's just kind of how

0:43:25.320 --> 0:43:27.040
<v Speaker 1>that's how I want to party, you know, that's the

0:43:27.080 --> 0:43:31.359
<v Speaker 1>stuff I want to play live. And they definitely were.

0:43:31.880 --> 0:43:34.120
<v Speaker 1>What what happened once I started turning and turning them

0:43:34.200 --> 0:43:38.400
<v Speaker 1>in and my team didn't see really a fast track.

0:43:38.560 --> 0:43:41.800
<v Speaker 1>Hey this is going to country radio, you know obviously

0:43:41.920 --> 0:43:44.880
<v Speaker 1>from the sound. But they just love them, you know,

0:43:44.960 --> 0:43:47.760
<v Speaker 1>they liked they loved the song. They found themselves listening

0:43:47.800 --> 0:43:50.760
<v Speaker 1>to them, um and cheat and I know it's cheesy,

0:43:50.840 --> 0:43:53.399
<v Speaker 1>but I even found myself I would listen to them

0:43:53.440 --> 0:43:55.399
<v Speaker 1>like they're not me. I'd be like, I just liked

0:43:55.440 --> 0:44:04.040
<v Speaker 1>this song the comedian, you know, yeah money which such

0:44:04.239 --> 0:44:07.640
<v Speaker 1>base on my body on a honey you make me

0:44:07.760 --> 0:44:10.279
<v Speaker 1>want to check time cruise in my mind, he said,

0:44:10.320 --> 0:44:12.400
<v Speaker 1>due to be I say that's something me. I scrubbing

0:44:12.440 --> 0:44:14.360
<v Speaker 1>the front seat, telling me hanging out like Mike, what

0:44:15.680 --> 0:44:19.319
<v Speaker 1>dia fun of all? This project was the first song

0:44:19.400 --> 0:44:23.480
<v Speaker 1>you wrote. So the first song on this project that

0:44:23.680 --> 0:44:30.640
<v Speaker 1>was written was either say sober you broke up with me.

0:44:30.719 --> 0:44:33.160
<v Speaker 1>I don't know which came first, the chicken or the

0:44:33.280 --> 0:44:37.600
<v Speaker 1>egg um, but yeah, those those those two you broke

0:44:37.719 --> 0:44:41.000
<v Speaker 1>up with me was the one where we all went, Hey,

0:44:42.560 --> 0:44:47.120
<v Speaker 1>keep doing that, because that's something about that, this unique

0:44:48.120 --> 0:44:51.400
<v Speaker 1>and digestible. And this is a single now if you

0:44:51.520 --> 0:44:59.600
<v Speaker 1>broke up to see me? But hey, if you broke

0:44:59.719 --> 0:45:04.200
<v Speaker 1>up me, it was can I say you broke up me?

0:45:05.360 --> 0:45:07.719
<v Speaker 1>What's funny? Is I remember texting you because the song

0:45:07.800 --> 0:45:10.920
<v Speaker 1>came out. Yeah, you know, you produced it yourself, and

0:45:10.960 --> 0:45:13.000
<v Speaker 1>I tell you us like, hey, or the new version,

0:45:13.000 --> 0:45:15.600
<v Speaker 1>it's it's pretty slightly different parts. It's like more radio

0:45:15.719 --> 0:45:18.520
<v Speaker 1>palatable girl. And your response was, I'm listening to it

0:45:18.600 --> 0:45:22.960
<v Speaker 1>like I never heard of before. And you can't grasp

0:45:23.000 --> 0:45:25.919
<v Speaker 1>my party with yore Sorry Sam, wha, he's just don't

0:45:26.000 --> 0:45:29.480
<v Speaker 1>be raining on my money, gop rain Oh a minute,

0:45:30.239 --> 0:45:33.560
<v Speaker 1>I ain't eat my face to listen to yogio tripping.

0:45:33.680 --> 0:45:36.359
<v Speaker 1>Y'all folking and girl you made yo man and then

0:45:36.680 --> 0:45:42.080
<v Speaker 1>on me and who sim down to night and nobody

0:45:42.200 --> 0:45:49.200
<v Speaker 1>making you watch me getting that it's good. So that's

0:45:49.200 --> 0:45:51.000
<v Speaker 1>a single now and you're working out, you know. The

0:45:51.040 --> 0:45:53.799
<v Speaker 1>interesting thing is is that And I'll just talk about

0:45:53.960 --> 0:45:56.200
<v Speaker 1>my listeners for a second, because I can always tell

0:45:57.120 --> 0:46:01.080
<v Speaker 1>by my listeners if it's a suppose the right way,

0:46:01.600 --> 0:46:04.359
<v Speaker 1>what will work, because all I gotta do is play something.

0:46:04.880 --> 0:46:07.040
<v Speaker 1>My listeners are no bs and they don't like it.

0:46:07.200 --> 0:46:09.880
<v Speaker 1>They just don't. They don't do what I say. I

0:46:10.000 --> 0:46:12.280
<v Speaker 1>just try to give them good options that they probably

0:46:12.280 --> 0:46:14.960
<v Speaker 1>wouldn't be able to hear other places. Like, Honest to god,

0:46:15.280 --> 0:46:18.399
<v Speaker 1>I can't make them do anything. But what I try

0:46:18.440 --> 0:46:21.160
<v Speaker 1>to do in my job is go, this is different

0:46:21.960 --> 0:46:24.120
<v Speaker 1>or this is really good, and you're not going to

0:46:24.239 --> 0:46:26.640
<v Speaker 1>hear this anywhere else, and if you like it, then

0:46:26.760 --> 0:46:29.520
<v Speaker 1>consume it. However, and I played that song, and I

0:46:29.600 --> 0:46:31.680
<v Speaker 1>looked at an iTunes before I played it because I

0:46:31.719 --> 0:46:34.000
<v Speaker 1>like to see what happens. And I give it one

0:46:34.160 --> 0:46:37.080
<v Speaker 1>full spin. It was a three. I played it one

0:46:37.120 --> 0:46:38.879
<v Speaker 1>time with an hour and half went to thirty eight

0:46:39.000 --> 0:46:41.800
<v Speaker 1>or something, and I was for me, it wasn't a

0:46:42.360 --> 0:46:44.799
<v Speaker 1>like for me, it wasn't like, man, Bobby, I told

0:46:44.840 --> 0:46:48.480
<v Speaker 1>you you knew what was good. It was God if

0:46:48.640 --> 0:46:50.680
<v Speaker 1>people can get out of that box a little bit

0:46:51.440 --> 0:46:55.480
<v Speaker 1>and see this is one spin. People reacted to this song,

0:46:56.840 --> 0:46:59.799
<v Speaker 1>and so you know, I've tinkered with it a bit

0:46:59.840 --> 0:47:02.080
<v Speaker 1>more more. But now it's kind of like, let's let's

0:47:02.120 --> 0:47:04.399
<v Speaker 1>let the label see what they can do. But it's

0:47:04.400 --> 0:47:08.640
<v Speaker 1>gotta be cool to see people hear it and go, wow,

0:47:08.800 --> 0:47:11.040
<v Speaker 1>I heard it now, I like it. Let me buy that. Yeah,

0:47:11.400 --> 0:47:13.879
<v Speaker 1>it's gonna be some kind of bit like like okay, letybe,

0:47:13.920 --> 0:47:16.480
<v Speaker 1>there's something to this. Do you feel that? Oh? Man? Yes?

0:47:16.800 --> 0:47:19.680
<v Speaker 1>And uh, you know you have. The first question you're

0:47:19.680 --> 0:47:22.000
<v Speaker 1>asking was what it What was it mean for you

0:47:22.160 --> 0:47:25.000
<v Speaker 1>to to be on a label? And I just didn't

0:47:26.160 --> 0:47:33.520
<v Speaker 1>It's all every day it's a good day. I'm not

0:47:33.680 --> 0:47:37.680
<v Speaker 1>kidding though. I mean every that that day we celebrated.

0:47:37.920 --> 0:47:41.840
<v Speaker 1>I celebrate everything right now. And that is amazing that

0:47:42.400 --> 0:47:45.320
<v Speaker 1>that that I woke up that day and you know,

0:47:45.560 --> 0:47:48.480
<v Speaker 1>you play my song one time and it does that

0:47:49.239 --> 0:47:51.719
<v Speaker 1>and and yes, man, I mean you know, you work

0:47:51.840 --> 0:47:54.440
<v Speaker 1>so hard on music and you just think it's so

0:47:54.640 --> 0:47:57.480
<v Speaker 1>good and and you just then he produced and it's

0:47:57.520 --> 0:48:00.319
<v Speaker 1>so awesome. And then he put out put it out there,

0:48:00.360 --> 0:48:05.160
<v Speaker 1>and you're like, now it's time to see. You know,

0:48:05.400 --> 0:48:10.439
<v Speaker 1>the critics are paying and using their criticizing with their money,

0:48:11.360 --> 0:48:14.080
<v Speaker 1>and when they pay it, they're not criticized. And when

0:48:14.080 --> 0:48:17.880
<v Speaker 1>they don't pay it the right and so now just

0:48:18.200 --> 0:48:21.399
<v Speaker 1>to see I mean, we had a sick first week

0:48:21.520 --> 0:48:24.320
<v Speaker 1>when we blew it up and it was awesome and

0:48:24.520 --> 0:48:28.040
<v Speaker 1>and yeah, I mean it is so it is so gratifying,

0:48:28.840 --> 0:48:31.480
<v Speaker 1>uh you know that people and people liked it like

0:48:31.600 --> 0:48:33.640
<v Speaker 1>they're liking it. I mean, hey, another song too that

0:48:33.680 --> 0:48:35.920
<v Speaker 1>I saw a track and I was like, how can

0:48:36.000 --> 0:48:37.440
<v Speaker 1>this song even be a song? He just by looking

0:48:37.480 --> 0:48:40.399
<v Speaker 1>at the name of it. Oh, I was like my yeah,

0:48:41.360 --> 0:48:45.759
<v Speaker 1>I was like, he wrote a song about Halloween. And

0:48:45.840 --> 0:48:47.520
<v Speaker 1>I remember because I think it was on the second

0:48:48.120 --> 0:48:49.719
<v Speaker 1>the set, but how long was on the second age

0:48:50.680 --> 0:48:53.799
<v Speaker 1>break the internet? So Halloween. I was like, well, let

0:48:53.840 --> 0:48:56.759
<v Speaker 1>me even see what this song is about Halloween? Like

0:48:56.800 --> 0:48:58.600
<v Speaker 1>what is this about that? Dude? One? Like one of

0:48:58.640 --> 0:49:02.160
<v Speaker 1>the deepest songs and beautiful way because that's like I

0:49:02.200 --> 0:49:05.560
<v Speaker 1>get to take off my costume. You're talking about your wife? Yeah,

0:49:05.840 --> 0:49:11.360
<v Speaker 1>and then knock knock on yo though the mask I

0:49:11.600 --> 0:49:16.480
<v Speaker 1>ye shouted like glasses on the phone, and it was

0:49:16.560 --> 0:49:24.800
<v Speaker 1>like Halloween. It's all the people opportund rest in peace, restes,

0:49:25.239 --> 0:49:31.040
<v Speaker 1>rest in peace, so deep, so good, it's all the

0:49:31.160 --> 0:49:40.279
<v Speaker 1>people appetenderess tmties best pies. What's it like playing that

0:49:40.360 --> 0:49:48.520
<v Speaker 1>for your wife? Oh? Man? Uh awesome because she's so numb.

0:49:49.080 --> 0:49:52.200
<v Speaker 1>You know, love songs in twelve years, three or four

0:49:52.280 --> 0:49:55.279
<v Speaker 1>pub deals, you write a ton of love songs and

0:49:55.400 --> 0:49:57.360
<v Speaker 1>you just you come home and you're like, did I

0:49:57.440 --> 0:50:01.479
<v Speaker 1>get you? Did it? Did this one get you? And? Uh? None?

0:50:01.600 --> 0:50:03.879
<v Speaker 1>None of them? You know. God her like this one

0:50:04.880 --> 0:50:08.680
<v Speaker 1>because we dated in high school and she knew that's

0:50:08.760 --> 0:50:11.440
<v Speaker 1>what she meant to me immediately, you know, right off

0:50:11.480 --> 0:50:14.360
<v Speaker 1>the bat. I was a real insecure kid trying to

0:50:14.440 --> 0:50:16.880
<v Speaker 1>fit in and mobile, and then I met her and

0:50:17.000 --> 0:50:20.640
<v Speaker 1>she just saw the side of me that she really

0:50:20.680 --> 0:50:23.279
<v Speaker 1>fell in love with. And uh that's yeah, one of

0:50:23.320 --> 0:50:26.239
<v Speaker 1>her favorite songs for sure. We're talking about this sleep

0:50:26.360 --> 0:50:28.279
<v Speaker 1>number for a second. Did you look at my room

0:50:28.320 --> 0:50:32.000
<v Speaker 1>we walked by? I wanted to, but I want I'm

0:50:32.000 --> 0:50:34.719
<v Speaker 1>glad you didn't. I gotta sleep number bed and less

0:50:34.760 --> 0:50:36.719
<v Speaker 1>in time of year, maybe tempted once again to go

0:50:36.800 --> 0:50:38.360
<v Speaker 1>to the same old mattress store and start to the

0:50:38.440 --> 0:50:40.239
<v Speaker 1>same old bed just because it's on sale. But let

0:50:40.280 --> 0:50:42.359
<v Speaker 1>me tell you right now, Sleep Number has the bed

0:50:42.440 --> 0:50:45.040
<v Speaker 1>that adjusts to whatever it is, your back, your neck.

0:50:45.120 --> 0:50:46.320
<v Speaker 1>You can go in the story. You look at the

0:50:46.400 --> 0:50:48.360
<v Speaker 1>screen and it tells you, like what you number is.

0:50:48.440 --> 0:50:50.520
<v Speaker 1>My number is a thirty. The Sleep Number bed lets

0:50:50.520 --> 0:50:52.680
<v Speaker 1>you choose your ideal comfort on each side. It's the

0:50:52.760 --> 0:50:55.120
<v Speaker 1>perfect Bedford couples. You can have each side. You can

0:50:55.160 --> 0:50:59.000
<v Speaker 1>have a different number. Optional sleep BIKEU technology to attract

0:50:59.040 --> 0:51:00.920
<v Speaker 1>your sleep. It gives you per some lens sights. You

0:51:00.960 --> 0:51:03.120
<v Speaker 1>see how life effectious sleep. You see how sleep sleep

0:51:03.160 --> 0:51:05.600
<v Speaker 1>affects your life. The Sleep Number was ranked highest customer

0:51:05.640 --> 0:51:08.440
<v Speaker 1>satisfaction in matches by JD Power for two years in

0:51:08.480 --> 0:51:10.759
<v Speaker 1>a row. My setting is at thirty. I think my

0:51:10.920 --> 0:51:13.120
<v Speaker 1>huge chores in the nineties last night. Never been a

0:51:13.200 --> 0:51:15.359
<v Speaker 1>better time to visit a Sleep Number store. You can

0:51:15.440 --> 0:51:18.320
<v Speaker 1>and say fifty on a limited edition bed during the

0:51:18.360 --> 0:51:21.680
<v Speaker 1>Sleep Number events that they're having a Queen C two

0:51:21.680 --> 0:51:25.320
<v Speaker 1>mattress five. You'll only find Sleep Number at into the

0:51:25.400 --> 0:51:28.120
<v Speaker 1>five hundred Sleep Number stores nationwide and you can find

0:51:28.120 --> 0:51:30.560
<v Speaker 1>one nearest you by calling eight hundred next to bed

0:51:30.760 --> 0:51:32.640
<v Speaker 1>and say you heard it here on the Bobby Bones

0:51:32.640 --> 0:51:35.279
<v Speaker 1>Show Bobby Cast, and so that's there and there. That's good.

0:51:35.680 --> 0:51:37.880
<v Speaker 1>I like listen. I like having sponsors because that's how

0:51:37.880 --> 0:51:40.520
<v Speaker 1>you know people are listening to the we we started

0:51:40.560 --> 0:51:43.080
<v Speaker 1>this thing. I mean, think anybody even gonna listen, like

0:51:43.680 --> 0:51:45.840
<v Speaker 1>Mike d and I this is no but this is

0:51:45.880 --> 0:51:48.840
<v Speaker 1>our equipment, Like this is just stuff that we wrangled

0:51:48.920 --> 0:51:51.719
<v Speaker 1>up and we started doing this little podcast and we

0:51:51.800 --> 0:51:54.279
<v Speaker 1>were talking to people like, for example, Katelyn one of

0:51:54.280 --> 0:51:55.840
<v Speaker 1>the first ones, he was on your It's just Caitlin

0:51:55.960 --> 0:51:57.520
<v Speaker 1>right now. I was like, hey, like come over the

0:51:57.600 --> 0:51:59.359
<v Speaker 1>house because I'm gonna do this thing. I'm gonna talk

0:51:59.360 --> 0:52:02.000
<v Speaker 1>to artists, talk to songwriters. And then now we got

0:52:02.040 --> 0:52:05.919
<v Speaker 1>to sleep number sponsor and this thing. But so uh yeah,

0:52:06.000 --> 0:52:08.279
<v Speaker 1>it's cool. It's cool. It's like, let me ask you this.

0:52:08.719 --> 0:52:11.879
<v Speaker 1>You put all the stuff out for free. At first, well,

0:52:12.560 --> 0:52:14.719
<v Speaker 1>who thought of that? Why was that the plan? So

0:52:14.880 --> 0:52:19.320
<v Speaker 1>that was thought of by my manager, Rob Robert Carlton,

0:52:20.040 --> 0:52:23.520
<v Speaker 1>and he's kind of famous now, but he, uh, you know,

0:52:23.640 --> 0:52:25.960
<v Speaker 1>he heard my stuff and like we were talking earlier,

0:52:26.320 --> 0:52:28.320
<v Speaker 1>he heard those songs that I was building in the

0:52:28.440 --> 0:52:31.719
<v Speaker 1>shack and he said, you know, he ain't gonna fit

0:52:32.160 --> 0:52:35.439
<v Speaker 1>country radio right now, but these will build a fan base.

0:52:35.560 --> 0:52:38.040
<v Speaker 1>People will share these, they will love them, they will

0:52:38.080 --> 0:52:40.840
<v Speaker 1>connect to them. And so that's what we did. We

0:52:40.960 --> 0:52:43.520
<v Speaker 1>just started putting them out, started touring a little bit,

0:52:43.920 --> 0:52:46.560
<v Speaker 1>got a couple of opening slots you know last year,

0:52:47.000 --> 0:52:50.240
<v Speaker 1>and places to go play them, got the loop, started

0:52:50.320 --> 0:52:52.480
<v Speaker 1>learning how to do that because just wanted them to

0:52:52.600 --> 0:52:55.200
<v Speaker 1>sound as close as I could to these tracks. And

0:52:56.000 --> 0:52:58.320
<v Speaker 1>that's why we started putting out free music. And it

0:52:58.480 --> 0:53:01.880
<v Speaker 1>was so exhilarating, was so therapeutic for me. It obviously

0:53:01.960 --> 0:53:03.920
<v Speaker 1>made me a better writer. I feel like they just

0:53:04.040 --> 0:53:06.839
<v Speaker 1>keep getting better and better. I'm already working on number three.

0:53:06.880 --> 0:53:09.319
<v Speaker 1>I don't know where that lives, you know, as far

0:53:09.400 --> 0:53:13.040
<v Speaker 1>as label stuff goes, but they will let me continue

0:53:13.080 --> 0:53:16.560
<v Speaker 1>the eight tracks, and so I'm excited about those. They'll

0:53:16.640 --> 0:53:21.279
<v Speaker 1>just keep coming for me. I'm a huge fan of

0:53:21.440 --> 0:53:25.239
<v Speaker 1>you and the music that you mate. Yeah, welcome, shut up.

0:53:25.440 --> 0:53:27.560
<v Speaker 1>I became a huge fan way earlier, Like I was

0:53:27.600 --> 0:53:29.520
<v Speaker 1>obsessed with it and I would say on the radio,

0:53:29.600 --> 0:53:31.239
<v Speaker 1>It's like, what's the biggest albums a year? And I'd

0:53:31.280 --> 0:53:33.600
<v Speaker 1>be like you know, I'll played Repcord from Urban a lot,

0:53:33.800 --> 0:53:36.440
<v Speaker 1>Maren and Walker Hays and I was and and I

0:53:36.480 --> 0:53:39.360
<v Speaker 1>would mean it from the bottom of the heart. And

0:53:39.400 --> 0:53:41.000
<v Speaker 1>it wasn't like you and I were talking every day.

0:53:41.000 --> 0:53:42.399
<v Speaker 1>We were I don't even know if we were talking.

0:53:42.480 --> 0:53:45.560
<v Speaker 1>We were maybe exchange the text occasionally. But I was

0:53:45.640 --> 0:53:48.280
<v Speaker 1>just a fan. Like I was just a fan because

0:53:48.320 --> 0:53:50.439
<v Speaker 1>I love people who try things that aren't the same,

0:53:50.960 --> 0:53:52.680
<v Speaker 1>even if they fall on their face, Like I love

0:53:52.760 --> 0:53:57.359
<v Speaker 1>people that take shots falling forward. It's still it's still

0:53:57.440 --> 0:54:01.440
<v Speaker 1>moving forward. And so one I like the music and too,

0:54:01.560 --> 0:54:03.399
<v Speaker 1>I enjoy the fact that you were trying something new,

0:54:04.360 --> 0:54:06.560
<v Speaker 1>and so I would say that stuff like magazine to

0:54:06.600 --> 0:54:08.480
<v Speaker 1>do interviews like what you let's do most I love

0:54:08.560 --> 0:54:10.880
<v Speaker 1>Dirk's album. I love the Walker Hayes album like it

0:54:10.960 --> 0:54:12.960
<v Speaker 1>was just that's just because it was like, what's the

0:54:13.040 --> 0:54:17.160
<v Speaker 1>most thing that you playing? And so something that shook

0:54:17.200 --> 0:54:19.440
<v Speaker 1>me a bit. And I'm jaded first to admit it,

0:54:19.520 --> 0:54:22.320
<v Speaker 1>because I've been doing this now and just in this

0:54:22.440 --> 0:54:25.799
<v Speaker 1>capacity for four years and I've had Garth Brooks sit

0:54:25.840 --> 0:54:28.680
<v Speaker 1>beside me right and play, and I've had you name

0:54:28.719 --> 0:54:31.520
<v Speaker 1>it's it's it's great, and it never loses the fact

0:54:31.560 --> 0:54:34.240
<v Speaker 1>that it's great. But when when you eat Filet mignon

0:54:34.360 --> 0:54:39.239
<v Speaker 1>every day, it becomes kind of normal. So it's like

0:54:40.320 --> 0:54:44.719
<v Speaker 1>I enjoy it and I still appreciate it, but rarely

0:54:44.760 --> 0:54:48.040
<v Speaker 1>the things shake me. Occasionally, things like really, and I'm

0:54:48.040 --> 0:54:50.800
<v Speaker 1>gonna tell you. I get a message from one of

0:54:50.880 --> 0:54:53.399
<v Speaker 1>my friends, she works at my record label, and it's

0:54:53.440 --> 0:54:56.840
<v Speaker 1>Mega boardman and she says, uh, do you hear this

0:54:56.920 --> 0:54:59.120
<v Speaker 1>song called Payne Walker Hay sent on the email. I

0:54:59.239 --> 0:55:01.839
<v Speaker 1>was like, no, I'm not on his email list. I'm

0:55:01.840 --> 0:55:03.480
<v Speaker 1>not anybody's email us. I didn't know he had to

0:55:03.560 --> 0:55:06.080
<v Speaker 1>email us. Like I just listened to the music and

0:55:06.160 --> 0:55:08.759
<v Speaker 1>I was like, no, she goes, you should probably hear it,

0:55:09.120 --> 0:55:11.719
<v Speaker 1>and I was like, well send me the email, and

0:55:11.880 --> 0:55:15.000
<v Speaker 1>so like I'm gonna tell you eyeball to eyeball, I

0:55:15.120 --> 0:55:17.680
<v Speaker 1>just sat in my car and I was like, to

0:55:17.800 --> 0:55:20.080
<v Speaker 1>have someone you're such a huge fan of like even

0:55:20.239 --> 0:55:23.759
<v Speaker 1>mention you and that song. I was like, this is

0:55:23.840 --> 0:55:27.719
<v Speaker 1>like crazy in my life. Honestly, it means the world

0:55:27.760 --> 0:55:30.040
<v Speaker 1>for you to say that, because when you put somebody

0:55:30.120 --> 0:55:33.120
<v Speaker 1>in a song, you're like, are they gonna hate? Like

0:55:33.360 --> 0:55:35.960
<v Speaker 1>is this gonna suck for them. It it was. It

0:55:36.080 --> 0:55:39.000
<v Speaker 1>was the weirdest thing. It was a great I have

0:55:39.080 --> 0:55:41.960
<v Speaker 1>trouble with emotion, feeling at trouble letting myself feel emotion

0:55:42.040 --> 0:55:43.919
<v Speaker 1>because I feel like any good emotion is gonna be gone,

0:55:44.719 --> 0:55:48.399
<v Speaker 1>and any good emotion has to be met with equal bad.

0:55:48.800 --> 0:55:51.719
<v Speaker 1>So I try not to have good emotion like it's

0:55:51.760 --> 0:55:54.600
<v Speaker 1>a Listen, I'm nuts, right, I had great emotion from

0:55:54.640 --> 0:55:58.319
<v Speaker 1>the song man, that's awesome and so and you can't

0:55:58.360 --> 0:56:00.880
<v Speaker 1>do this. This is online, but this is pain from

0:56:00.920 --> 0:56:04.600
<v Speaker 1>walking around here you go, mate. Two thousand sixteen, seven

0:56:04.719 --> 0:56:07.080
<v Speaker 1>something in the morning, I was driving when a dream

0:56:07.160 --> 0:56:09.560
<v Speaker 1>Comes True came through my high the factory speakers and

0:56:09.680 --> 0:56:12.279
<v Speaker 1>on me. Bobby Bones played a song and I wrote

0:56:12.280 --> 0:56:15.400
<v Speaker 1>about lonely beer and a fresh it's one of my doctors.

0:56:15.520 --> 0:56:17.680
<v Speaker 1>What you hear is out felt from the broken in

0:56:17.760 --> 0:56:21.440
<v Speaker 1>my heart was about addiction, love, loss and recovery. Trust me,

0:56:21.520 --> 0:56:23.040
<v Speaker 1>I only wrote it because I had to get it

0:56:23.080 --> 0:56:25.520
<v Speaker 1>out of me, not for Nashville, not for radio, for

0:56:25.640 --> 0:56:28.520
<v Speaker 1>nobody bought me. And maybe that trouble so pressing rewind,

0:56:28.719 --> 0:56:31.760
<v Speaker 1>wrestling demons like mine looking for company in this design

0:56:32.120 --> 0:56:37.360
<v Speaker 1>that doesn't really feel so brand all the time. I

0:56:37.520 --> 0:56:43.319
<v Speaker 1>didn't known because iteels so good, feel so grand all

0:56:43.360 --> 0:56:52.680
<v Speaker 1>the time, Dan, I didn't know because feels so good

0:56:52.960 --> 0:56:56.759
<v Speaker 1>like I get your box out listen to. So I

0:56:56.840 --> 0:56:58.360
<v Speaker 1>guess I want to know about it because well, I

0:56:58.480 --> 0:56:59.920
<v Speaker 1>never asked you about the song because I was kind

0:56:59.920 --> 0:57:04.399
<v Speaker 1>of embarrassed to do it, because I was like, yeah,

0:57:04.440 --> 0:57:08.880
<v Speaker 1>I love that. I was embarrassed. So did you know

0:57:09.000 --> 0:57:11.000
<v Speaker 1>I was gonna play your song that morning? Because I

0:57:11.040 --> 0:57:13.959
<v Speaker 1>don't think. I don't tell anybody I'm gonna play their music. Well,

0:57:14.800 --> 0:57:18.800
<v Speaker 1>you know, when we've we've talked about this, Um, I

0:57:18.920 --> 0:57:24.120
<v Speaker 1>just feel weird, you know, asking you know people to

0:57:24.240 --> 0:57:26.600
<v Speaker 1>do that. You know, I honestly you know that that

0:57:26.760 --> 0:57:32.400
<v Speaker 1>song is in that category of of comedian uh leadless starr.

0:57:32.480 --> 0:57:35.200
<v Speaker 1>You know, nobody asked me to write about that. Um,

0:57:35.400 --> 0:57:38.160
<v Speaker 1>I just had to, you know, it was it was

0:57:38.280 --> 0:57:41.160
<v Speaker 1>a special moment for me. I was out in the

0:57:41.240 --> 0:57:44.640
<v Speaker 1>middle of nowhere, um picking up Actually I had my

0:57:44.760 --> 0:57:48.160
<v Speaker 1>loop worked on in close to Murfreesboro, so I was

0:57:48.240 --> 0:57:51.320
<v Speaker 1>just driving when you played beer in the fridge, and man,

0:57:52.480 --> 0:57:55.760
<v Speaker 1>it just wasn't another one of those moments where you

0:57:55.880 --> 0:57:59.600
<v Speaker 1>gotta pinch yourself and and I was like I can't

0:57:59.640 --> 0:58:02.880
<v Speaker 1>believe what is happening to me at that at this

0:58:03.000 --> 0:58:05.080
<v Speaker 1>point in my life. You know, I got six kids

0:58:05.480 --> 0:58:09.040
<v Speaker 1>I could barely feed, uh, you know a year ago,

0:58:09.360 --> 0:58:14.360
<v Speaker 1>and now, uh my work tapes rocking on the radio,

0:58:14.520 --> 0:58:16.760
<v Speaker 1>you know, and Beer in the Fridge is a naked song.

0:58:16.880 --> 0:58:19.520
<v Speaker 1>I mean, it's the truth. There's like three things on

0:58:19.640 --> 0:58:23.240
<v Speaker 1>the track. Um, you know, so I'm here and Keith

0:58:23.360 --> 0:58:25.200
<v Speaker 1>Urban blow it up and then all of a sudden,

0:58:25.280 --> 0:58:29.800
<v Speaker 1>I hear just you know always and it just rocked me. Man.

0:58:29.880 --> 0:58:31.360
<v Speaker 1>I mean, you know, I don't have a lot of

0:58:31.960 --> 0:58:33.800
<v Speaker 1>I have a lot of those moments where I like

0:58:33.960 --> 0:58:36.360
<v Speaker 1>pull over and cry. I mean, I freaking love music

0:58:36.440 --> 0:58:40.040
<v Speaker 1>and it it has so much emotional power over me.

0:58:40.200 --> 0:58:43.680
<v Speaker 1>But I have never felt like I did when I

0:58:43.840 --> 0:58:46.920
<v Speaker 1>listened to that song. Uh. And so I had to

0:58:46.960 --> 0:58:49.960
<v Speaker 1>write about that moment and everything that it made me

0:58:50.160 --> 0:58:54.240
<v Speaker 1>think of, you know, how far my life had changed

0:58:55.240 --> 0:58:58.880
<v Speaker 1>pretty quick, you know, And so I just blurted it

0:58:58.960 --> 0:59:01.640
<v Speaker 1>all out in that song. And you were obviously a

0:59:01.760 --> 0:59:06.720
<v Speaker 1>part of that story. Um. So thanks. It was a

0:59:06.800 --> 0:59:10.920
<v Speaker 1>great business. But honestly, like you said, I mean, I

0:59:11.040 --> 0:59:13.600
<v Speaker 1>gotta tell you, there were moments where I was like

0:59:13.840 --> 0:59:15.440
<v Speaker 1>I don't know if I want to release it. Like

0:59:16.480 --> 0:59:19.320
<v Speaker 1>I was also like, do I just put like a DJ?

0:59:19.640 --> 0:59:22.800
<v Speaker 1>I didn't know whether whether you would appreciate having your

0:59:22.880 --> 0:59:25.720
<v Speaker 1>name and it or I was like, he's gonna think

0:59:25.880 --> 0:59:29.400
<v Speaker 1>this is just a business move. But honestly, I've rent

0:59:29.480 --> 0:59:31.360
<v Speaker 1>you know, we're running by my team as I was

0:59:31.440 --> 0:59:34.720
<v Speaker 1>creating the song, and they were like, man, you mentioned Mike,

0:59:34.880 --> 0:59:37.040
<v Speaker 1>that guy you worked with a Costco. You mentioned your

0:59:37.080 --> 0:59:39.080
<v Speaker 1>wife and your kid, and you you know the the

0:59:39.200 --> 0:59:42.920
<v Speaker 1>song is honest about every detail. There's not one. I've

0:59:42.960 --> 0:59:45.840
<v Speaker 1>always We've always laughed because I'm like, somebody's gonna ask

0:59:45.880 --> 0:59:48.880
<v Speaker 1>about that song and be like can you can you

0:59:48.920 --> 0:59:50.800
<v Speaker 1>tell me about it? And I'm just gonna be like, well,

0:59:52.120 --> 0:59:54.880
<v Speaker 1>two thousand and sixteen, so you know, just I'm gonna

0:59:54.960 --> 0:59:58.440
<v Speaker 1>recite this song because there's really nothing else to say.

0:59:58.520 --> 1:00:02.800
<v Speaker 1>It's just the on truth down to the Costco card

1:00:03.080 --> 1:00:06.040
<v Speaker 1>in the freaking console. I believe you too, because one

1:00:06.080 --> 1:00:08.320
<v Speaker 1>you didn't put it out like out out, Yeah it

1:00:08.400 --> 1:00:10.720
<v Speaker 1>was you sit down an email. It's still up there

1:00:10.760 --> 1:00:13.280
<v Speaker 1>for you can't even like stream it. Yeah you gotta

1:00:13.320 --> 1:00:15.440
<v Speaker 1>get um it's nowhere and you know, and I hope

1:00:15.480 --> 1:00:17.400
<v Speaker 1>you eventually, if you put it up, it's all good.

1:00:17.640 --> 1:00:20.320
<v Speaker 1>And I don't believe anybody at any time for any reason.

1:00:20.520 --> 1:00:22.760
<v Speaker 1>I believe you because I just I don't believe you.

1:00:22.960 --> 1:00:25.680
<v Speaker 1>I don't believe anybody like you. Know how it is

1:00:25.720 --> 1:00:29.200
<v Speaker 1>around here. Yeah, when times are good, everybody's your friend.

1:00:30.840 --> 1:00:33.760
<v Speaker 1>And when times aren't good, and no, I want anything

1:00:33.760 --> 1:00:36.640
<v Speaker 1>to do with you. And I do know that, man,

1:00:37.000 --> 1:00:40.040
<v Speaker 1>And that's that's a that's the nature of this beast.

1:00:40.360 --> 1:00:41.960
<v Speaker 1>And so you got to find the people. And this

1:00:42.080 --> 1:00:44.280
<v Speaker 1>isn't just our business, this is like a life thing.

1:00:44.920 --> 1:00:47.600
<v Speaker 1>You have to find the people that when times are

1:00:47.680 --> 1:00:50.440
<v Speaker 1>on that stock market downtick, that are right by your side,

1:00:50.760 --> 1:00:52.479
<v Speaker 1>and you keep them by your side when that stock

1:00:52.520 --> 1:00:55.400
<v Speaker 1>market goes back up because it's gonna go back down again.

1:00:55.960 --> 1:00:57.919
<v Speaker 1>And so those are the people just ride, they just ride,

1:00:58.080 --> 1:00:59.800
<v Speaker 1>let him ride with you, and you ride with them.

1:01:00.280 --> 1:01:02.800
<v Speaker 1>And that's how you find the people, like the people

1:01:02.880 --> 1:01:04.760
<v Speaker 1>that are with you when it's down, or the people

1:01:05.400 --> 1:01:11.560
<v Speaker 1>that you just keep on surrounding yourself. Right, And there's

1:01:11.600 --> 1:01:17.520
<v Speaker 1>like a few and that's it. I know, we had

1:01:17.560 --> 1:01:21.080
<v Speaker 1>this whole conversation like off Mike days ago. But yeah, yeah,

1:01:21.240 --> 1:01:22.760
<v Speaker 1>it's weird. It's been cool. It's been cool getting to

1:01:22.800 --> 1:01:25.840
<v Speaker 1>know you because again, I'm just a huge fan and

1:01:25.880 --> 1:01:27.520
<v Speaker 1>that's why I went. And I was like, I was

1:01:27.560 --> 1:01:31.000
<v Speaker 1>doing this whole stand up comedy tour and you know,

1:01:31.000 --> 1:01:32.600
<v Speaker 1>I can ask whoever I want to open, And I

1:01:32.720 --> 1:01:34.480
<v Speaker 1>was like, man, I would love to freakin Walker Hayes

1:01:34.520 --> 1:01:36.280
<v Speaker 1>come out because I just want to watch a blay

1:01:36.360 --> 1:01:39.200
<v Speaker 1>like no other reason, Like I just want Walker to

1:01:39.280 --> 1:01:41.240
<v Speaker 1>come out. And then in the middle of all this

1:01:41.400 --> 1:01:46.400
<v Speaker 1>to see like you popping, like just popping. Is it

1:01:46.720 --> 1:01:49.160
<v Speaker 1>now where you're starting to be cool and people are

1:01:49.200 --> 1:01:51.320
<v Speaker 1>now coming out going, hey, cool guy, you want to

1:01:51.360 --> 1:01:55.640
<v Speaker 1>work together? Oh yeah, I bet that happens. And you

1:01:55.680 --> 1:01:58.600
<v Speaker 1>know what, that's okay because you're gonna trust as far

1:01:58.600 --> 1:01:59.920
<v Speaker 1>as you can throw them, but you can still use

1:02:00.000 --> 1:02:03.520
<v Speaker 1>each other for for whatever advantage you're working together. Yeah,

1:02:03.680 --> 1:02:08.320
<v Speaker 1>and that's you know, I'm ashamed to say this, but

1:02:09.920 --> 1:02:12.400
<v Speaker 1>I'm sure I've done that to somebody in this town,

1:02:12.800 --> 1:02:14.840
<v Speaker 1>you know, And I try to remember that that we're

1:02:14.880 --> 1:02:18.480
<v Speaker 1>all capable of that. And um, but yeah, I mean

1:02:18.480 --> 1:02:22.760
<v Speaker 1>a lot of people are definitely coming out of the woodwork. Um,

1:02:23.160 --> 1:02:26.240
<v Speaker 1>and that's tough. You know, sometimes it's tough to accept

1:02:26.360 --> 1:02:28.720
<v Speaker 1>that you need the people coming out of the woodwork, though,

1:02:28.800 --> 1:02:32.800
<v Speaker 1>is its exactly you need them. It's just used them

1:02:32.840 --> 1:02:35.280
<v Speaker 1>for what they're there to be used for. Yeah, that

1:02:35.760 --> 1:02:39.280
<v Speaker 1>they're not the people that are completely down, but they're

1:02:39.280 --> 1:02:40.520
<v Speaker 1>down for what you need them for, and you're down

1:02:40.600 --> 1:02:43.520
<v Speaker 1>for what you need them for. Just remember I didn't

1:02:43.520 --> 1:02:46.400
<v Speaker 1>come out of the woodwork. I was ware. I was like,

1:02:46.560 --> 1:02:48.480
<v Speaker 1>I was like hiding in the woods. I was waiting,

1:02:49.600 --> 1:02:51.400
<v Speaker 1>like I was up in a tree looking down. I

1:02:51.520 --> 1:02:54.120
<v Speaker 1>was like, you see Walker. Oh man, it's been good.

1:02:54.160 --> 1:02:57.280
<v Speaker 1>I hope you enjoyed like hanging and talking. No, I dide, man,

1:02:57.440 --> 1:02:59.600
<v Speaker 1>thank thanks for having me. I feel like I've been

1:02:59.640 --> 1:03:02.960
<v Speaker 1>on out. It is like it's therapeutic. And here's a

1:03:02.960 --> 1:03:04.960
<v Speaker 1>little something. This is called Walker singing to the Duggers.

1:03:05.080 --> 1:03:07.200
<v Speaker 1>Would you like to talk to us? Oh my gosh,

1:03:07.680 --> 1:03:11.120
<v Speaker 1>sing it to the Duggers? You told me from the show.

1:03:11.640 --> 1:03:14.680
<v Speaker 1>You tell me what this is? Hey, guys, Hey, how's

1:03:14.680 --> 1:03:18.240
<v Speaker 1>it going? You guys like music? No way? You got

1:03:18.280 --> 1:03:20.960
<v Speaker 1>a second? You have the episode? Yeah, so go ahead

1:03:20.960 --> 1:03:23.600
<v Speaker 1>and tell me before I play what exactly? Okay, So

1:03:23.760 --> 1:03:27.440
<v Speaker 1>this is uh S is when Derek and Jill I

1:03:27.520 --> 1:03:30.360
<v Speaker 1>think is her name, got engaged and how did you

1:03:30.480 --> 1:03:33.680
<v Speaker 1>end up on this show? Okay, so there The producer

1:03:33.880 --> 1:03:36.800
<v Speaker 1>of the show lives near me and called me one day.

1:03:37.760 --> 1:03:39.800
<v Speaker 1>He didn't hear yeah, you heard me on the back porch.

1:03:40.280 --> 1:03:42.960
<v Speaker 1>Now he actually, Man, he was just like, we're thinking

1:03:43.000 --> 1:03:46.560
<v Speaker 1>about doing this segment. If you can give us a song,

1:03:46.720 --> 1:03:49.480
<v Speaker 1>I can convince the network that they need to do this.

1:03:49.720 --> 1:03:52.160
<v Speaker 1>And I say, man, tell me about their love story.

1:03:52.600 --> 1:03:54.200
<v Speaker 1>He was like, it's really cool. They went all the

1:03:54.240 --> 1:03:57.160
<v Speaker 1>way to Catman Do, but they lived, you know, super close,

1:03:57.240 --> 1:03:59.600
<v Speaker 1>but went all the way to another country and met

1:03:59.640 --> 1:04:03.000
<v Speaker 1>each other here. So I just wrote this song and uh,

1:04:03.120 --> 1:04:07.200
<v Speaker 1>he was like, boom, that's perfect for their uh engagement.

1:04:07.440 --> 1:04:10.480
<v Speaker 1>Here we go. Hey, guys, Hey, how's it going. You

1:04:10.520 --> 1:04:14.320
<v Speaker 1>guys like music? You got a second? I got a

1:04:14.400 --> 1:04:24.640
<v Speaker 1>song that reminded me music. Hey, that'd be great. Will

1:04:24.720 --> 1:04:29.160
<v Speaker 1>you go up about thirty show minutes down the street.

1:04:29.920 --> 1:04:34.160
<v Speaker 1>But we had to go eight thousand miles away to

1:04:34.360 --> 1:04:38.440
<v Speaker 1>meet I'm not sure what the Lord was thinking taking

1:04:38.520 --> 1:04:41.400
<v Speaker 1>us all the way to cat Man Do, but I

1:04:41.520 --> 1:04:44.440
<v Speaker 1>know he was thinking of me when he made you

1:04:45.200 --> 1:04:47.920
<v Speaker 1>so and as beautiful as that is, the acting is

1:04:50.080 --> 1:04:52.360
<v Speaker 1>first of all, has anyone ever in the history of

1:04:52.520 --> 1:04:56.040
<v Speaker 1>questions answered the word no till you do? Like, Hey,

1:04:56.120 --> 1:04:58.800
<v Speaker 1>do you like music? It's a safe question. Nah, not

1:04:58.960 --> 1:05:03.160
<v Speaker 1>really all right man? Hey do you like food? No?

1:05:05.000 --> 1:05:08.000
<v Speaker 1>And they just listen to the acting here, Uh yeah,

1:05:08.120 --> 1:05:12.800
<v Speaker 1>what's up? Even the Hey guys, it's pretty bad, just

1:05:12.880 --> 1:05:19.240
<v Speaker 1>like sitting in Hey guys, Hey, how's it going? God?

1:05:19.320 --> 1:05:24.000
<v Speaker 1>This is awful the acting. Nobody wrote a script. I

1:05:24.080 --> 1:05:26.960
<v Speaker 1>remember meeting with him and I talked to him because

1:05:27.000 --> 1:05:31.560
<v Speaker 1>he knew he was in on it. I would hope. Yeah, man,

1:05:31.640 --> 1:05:34.200
<v Speaker 1>we botched it big time. But she was still, Hey,

1:05:34.360 --> 1:05:38.680
<v Speaker 1>how's it going. You guys like music? She's like, yeah,

1:05:38.920 --> 1:05:42.280
<v Speaker 1>I do, Yeah, I do. How lucky because of all

1:05:42.360 --> 1:05:44.560
<v Speaker 1>the people in the world, they both liked music, and

1:05:44.680 --> 1:05:49.200
<v Speaker 1>you're lucky that they both did. Man, it was a dude.

1:05:49.240 --> 1:05:54.520
<v Speaker 1>I'm no, I'm no actor, come on hey man' uh?

1:05:55.600 --> 1:05:57.960
<v Speaker 1>And I haven't been written a song about your whole life? Yeah,

1:05:58.120 --> 1:05:59.440
<v Speaker 1>do you have a second to stop for me? While

1:05:59.480 --> 1:06:00.840
<v Speaker 1>I played this whole long I read about your life.

1:06:00.880 --> 1:06:02.560
<v Speaker 1>This is totally random. By the way, Do you like music?

1:06:04.640 --> 1:06:09.080
<v Speaker 1>I've I've actually auditioned for some stuff and failed. Big time.

1:06:09.080 --> 1:06:13.400
<v Speaker 1>I mean acting is talk about putting your guard down.

1:06:13.440 --> 1:06:15.440
<v Speaker 1>I mean that's a scary thing, kind of like your

1:06:15.480 --> 1:06:18.720
<v Speaker 1>comedy thing. We were talking about before we went out.

1:06:18.800 --> 1:06:21.240
<v Speaker 1>I was asking you if you're a friend, it's all vulnerable.

1:06:21.480 --> 1:06:24.520
<v Speaker 1>It's all vulnerable. Music, vulnerable, comedy, vulnerable acting, it's all.

1:06:24.680 --> 1:06:29.720
<v Speaker 1>If you're creative, you are vulnerable because people are choosing

1:06:30.040 --> 1:06:32.720
<v Speaker 1>if they like or don't like what you're doing, and

1:06:32.800 --> 1:06:36.640
<v Speaker 1>you need them to do that. That's vulnerable. You need

1:06:36.760 --> 1:06:39.720
<v Speaker 1>someone to like or not like you. Hopefully they like you.

1:06:40.520 --> 1:06:43.840
<v Speaker 1>But you don't create, so people don't care. You create

1:06:43.920 --> 1:06:46.600
<v Speaker 1>so hopefully people care, and then when they don't, you

1:06:46.640 --> 1:06:49.360
<v Speaker 1>realize I didn't create good enough or or at the time,

1:06:49.760 --> 1:06:53.000
<v Speaker 1>I didn't create good enough. So just as you get

1:06:53.080 --> 1:06:56.640
<v Speaker 1>up and you sing songs about your life, they are

1:06:56.680 --> 1:06:58.360
<v Speaker 1>very vulnerable. I get up and I tell stories, and

1:06:58.800 --> 1:07:00.800
<v Speaker 1>the entire light, the entire him is focused on my

1:07:00.880 --> 1:07:03.880
<v Speaker 1>mouth hole. And that's it. But I mean, really that's it.

1:07:04.000 --> 1:07:06.040
<v Speaker 1>But I thrive off that the same way that you're

1:07:06.040 --> 1:07:09.800
<v Speaker 1>doing writing music. I thrive off of just and again

1:07:09.840 --> 1:07:12.400
<v Speaker 1>it comes back to just being like needing that love too,

1:07:12.960 --> 1:07:16.160
<v Speaker 1>like that that's that's finding love. For me. Hey, go out.

1:07:16.240 --> 1:07:19.080
<v Speaker 1>I need that. I need that love, so I fight

1:07:19.200 --> 1:07:24.280
<v Speaker 1>for it. Have terrible relationships, God terrible. I want to

1:07:24.280 --> 1:07:28.440
<v Speaker 1>talk about it. No, I don't think so it's not

1:07:29.120 --> 1:07:31.880
<v Speaker 1>it's not in the moment, not right now. This is

1:07:32.400 --> 1:07:33.760
<v Speaker 1>this is not a Bob. This is not a Bobby.

1:07:33.800 --> 1:07:38.000
<v Speaker 1>Bobby casts a Walker podcast. All right, so downlow, you

1:07:38.040 --> 1:07:39.320
<v Speaker 1>broke up with me. It's only saw him that you

1:07:39.360 --> 1:07:46.960
<v Speaker 1>can download right now. Yeah, we need to do nobody

1:07:47.080 --> 1:07:54.960
<v Speaker 1>making you watch. It's not good. It is. God is

1:07:55.040 --> 1:08:01.120
<v Speaker 1>difficult to see me. But hey, you broke up with me.

1:08:02.280 --> 1:08:07.840
<v Speaker 1>It was you broke up So Walker, depending on when

1:08:07.840 --> 1:08:09.000
<v Speaker 1>you hear this, will be out on the road with

1:08:09.040 --> 1:08:14.680
<v Speaker 1>me until May. Walker Hayes dot com website to um whenever.

1:08:14.880 --> 1:08:17.680
<v Speaker 1>What's Fun is on on tour? Nikita Carmen it comes

1:08:17.680 --> 1:08:20.840
<v Speaker 1>down and sings Halloween with you? Is it? Like she's

1:08:20.880 --> 1:08:23.240
<v Speaker 1>so good, right, and like nobody even knows about her

1:08:23.280 --> 1:08:27.240
<v Speaker 1>really yet that's weird to me. She's so because she's

1:08:27.280 --> 1:08:31.160
<v Speaker 1>so good. But they're going to you know, and I'm

1:08:31.200 --> 1:08:33.400
<v Speaker 1>gonna pull her once and you know she I just

1:08:33.439 --> 1:08:35.120
<v Speaker 1>met her on Skype and I was like, you gotta

1:08:35.160 --> 1:08:37.760
<v Speaker 1>move to the States. Really oh yeah. I didn't know that.

1:08:38.000 --> 1:08:40.479
<v Speaker 1>I didn't know your story. I don't know. Oh yeah, yeah.

1:08:41.280 --> 1:08:42.800
<v Speaker 1>We were just looking for someone, like I needed a

1:08:42.880 --> 1:08:44.719
<v Speaker 1>girl in the band so I could like write funny

1:08:44.760 --> 1:08:48.680
<v Speaker 1>stuff from a girl perspective, raise women. And so I

1:08:49.280 --> 1:08:51.479
<v Speaker 1>went through and I she couldn't find anybody. So I

1:08:51.520 --> 1:08:53.720
<v Speaker 1>gave up, and from was like, hey, you should. They're

1:08:53.720 --> 1:08:55.439
<v Speaker 1>just going Australia. She's not trying to get to the

1:08:55.520 --> 1:08:57.880
<v Speaker 1>States and be a singer songwright over here, but she

1:08:57.920 --> 1:09:00.360
<v Speaker 1>plays some pubs and I was like, oh okay. So

1:09:00.439 --> 1:09:03.560
<v Speaker 1>I skyped with her and thinks like ten am. I

1:09:03.640 --> 1:09:05.200
<v Speaker 1>was like, hey, can you hear your guitar in the office,

1:09:05.240 --> 1:09:07.240
<v Speaker 1>and she wouldn't got her guitar. Scyped with her like

1:09:07.240 --> 1:09:09.720
<v Speaker 1>an hour later and she played on skype. That's the

1:09:09.720 --> 1:09:12.080
<v Speaker 1>only time I ever said, ever seen and I was like,

1:09:12.360 --> 1:09:15.960
<v Speaker 1>oh my god, yeah, you're you're so good. She's like, oh,

1:09:16.000 --> 1:09:18.640
<v Speaker 1>I didn't known about that. And I was like, can

1:09:18.640 --> 1:09:20.800
<v Speaker 1>you get on a plane in the year in three days?

1:09:21.479 --> 1:09:23.240
<v Speaker 1>And she got on a plane quarter job, moved here.

1:09:23.680 --> 1:09:25.040
<v Speaker 1>I didn't have any murder live. She lived with me

1:09:25.120 --> 1:09:27.080
<v Speaker 1>for like two and a half months or so, and

1:09:27.240 --> 1:09:29.840
<v Speaker 1>so and I was just like you, just just right right.

1:09:30.040 --> 1:09:32.519
<v Speaker 1>She's just writing. She got a publishing deal. She you know,

1:09:32.720 --> 1:09:38.320
<v Speaker 1>you know, but she's so good yeahs and people will

1:09:38.360 --> 1:09:45.960
<v Speaker 1>find her. I wonder five every day we're talking about

1:09:47.560 --> 1:09:51.280
<v Speaker 1>dude with me. She's sick. She uh yeah, she's like

1:09:51.360 --> 1:09:54.080
<v Speaker 1>two ft tall. Here we go, Nikita Karmen. This is

1:09:54.200 --> 1:10:08.200
<v Speaker 1>the first a place with this m M. I didn't

1:10:08.280 --> 1:10:11.160
<v Speaker 1>cry when he said I'm not the one because I

1:10:11.360 --> 1:10:15.200
<v Speaker 1>ain't want to come undone. I hear my head up

1:10:15.360 --> 1:10:18.679
<v Speaker 1>high and bit my tongue. I let the goodbye setting

1:10:18.800 --> 1:10:22.840
<v Speaker 1>like us couldn't stop thinking about too of us and

1:10:23.439 --> 1:10:29.559
<v Speaker 1>heartbreaks hard to rise above. I'll take the high road

1:10:29.680 --> 1:10:32.519
<v Speaker 1>and I'll keep my cool Brett as soon won't be

1:10:32.800 --> 1:10:35.760
<v Speaker 1>thinking about you first than it so, my friend, she's

1:10:35.840 --> 1:10:38.559
<v Speaker 1>not that pretty. You don't look how for s happy

1:10:38.680 --> 1:10:41.400
<v Speaker 1>as you do with me. She's wearing that trendy Tom

1:10:41.479 --> 1:10:45.160
<v Speaker 1>Petty t shirt. I'll stop being petty by your American girl.

1:10:45.479 --> 1:10:48.320
<v Speaker 1>The first time he was my week's wage. One Guila

1:10:48.600 --> 1:10:51.840
<v Speaker 1>Christen and a lipstick on the bathroom mirror, and damn

1:10:51.960 --> 1:10:54.760
<v Speaker 1>gonna wake up on the feel just fine. I just

1:10:54.920 --> 1:11:00.640
<v Speaker 1>gotta go a little out of my mind first, guys, like,

1:11:00.800 --> 1:11:03.720
<v Speaker 1>I know you talk about she like calls that a

1:11:03.800 --> 1:11:07.120
<v Speaker 1>EP or she's just like those are all worked tape.

1:11:07.160 --> 1:11:09.439
<v Speaker 1>I'm gonna tell you something. I believe if you were

1:11:09.520 --> 1:11:13.280
<v Speaker 1>to do that whole play a thing, that joker would

1:11:13.400 --> 1:11:17.000
<v Speaker 1>jump off the charge. I mean that song reminds me

1:11:17.080 --> 1:11:21.400
<v Speaker 1>of like something Lord, the royal person, the person. You

1:11:21.439 --> 1:11:26.559
<v Speaker 1>know what I'm saying. No, she's legitimately like fantastic. I'm

1:11:26.600 --> 1:11:28.600
<v Speaker 1>looking over here. It's like other artists. You may know

1:11:29.040 --> 1:11:34.360
<v Speaker 1>if it's her, Ready for the list, walk ahead, Lindsay

1:11:34.560 --> 1:11:38.439
<v Speaker 1>l my my girlfriend, Slash her roommate now Brandon Ray,

1:11:39.040 --> 1:11:41.519
<v Speaker 1>who is like they're one of the greatest, and like,

1:11:41.920 --> 1:11:44.320
<v Speaker 1>that's another you can sing his brains off. The raging idiots,

1:11:45.200 --> 1:11:51.719
<v Speaker 1>Caitlin Smith, Natalie Himby, that's her people you may know. God, yeah, Walker,

1:11:51.760 --> 1:11:54.200
<v Speaker 1>good luck, man, dude, thank you. I need it. I'm

1:11:54.320 --> 1:11:57.160
<v Speaker 1>enjoying this, appreciate you have. I mean, man, this is awesome.

1:11:57.280 --> 1:11:59.400
<v Speaker 1>Relaxing the chair, it is I don't want to get up.

1:11:59.520 --> 1:12:01.240
<v Speaker 1>He walked in the house, it was like, this is

1:12:01.320 --> 1:12:03.840
<v Speaker 1>where you live. You know what, though, seriously, you need

1:12:03.920 --> 1:12:06.680
<v Speaker 1>to let somebody do a Bobby cast on you. I

1:12:06.800 --> 1:12:08.360
<v Speaker 1>do that every morning. It's told the Boby b Show.

1:12:08.640 --> 1:12:11.720
<v Speaker 1>But you need somebody. I wrote a book. You need

1:12:11.840 --> 1:12:16.240
<v Speaker 1>someone to ask no questions about uh personal stuff like

1:12:16.520 --> 1:12:19.000
<v Speaker 1>Amy kind of did a bit, right Amy. Yeah we

1:12:19.040 --> 1:12:21.080
<v Speaker 1>don't with Amy, she did a bit. But I wrote

1:12:21.120 --> 1:12:25.160
<v Speaker 1>a book. Good. I'm good. I got on yeah, second one.

1:12:25.160 --> 1:12:27.479
<v Speaker 1>I talked about that maybe yeah, but yeah, it's good.

1:12:27.640 --> 1:12:29.160
<v Speaker 1>Life's good for me. I'm the thing about me. It's

1:12:29.160 --> 1:12:31.519
<v Speaker 1>about Walker. I'm a huge fan, like die hard fan,

1:12:31.720 --> 1:12:34.599
<v Speaker 1>like as legitimately as possible. And I kept you from

1:12:34.680 --> 1:12:36.560
<v Speaker 1>this for a while because it was like everybody was like,

1:12:36.640 --> 1:12:38.679
<v Speaker 1>all right, enough for Walker ahead talk about Walker Hayes,

1:12:38.800 --> 1:12:40.519
<v Speaker 1>like you just wait. I have a tweet that I

1:12:40.600 --> 1:12:42.680
<v Speaker 1>say from like seven months ago that was like in

1:12:42.760 --> 1:12:44.400
<v Speaker 1>a year. But it's gonna be like, why did I

1:12:44.640 --> 1:12:47.800
<v Speaker 1>sleep on Walker Hays. I save that tweet. I'm gonna

1:12:47.800 --> 1:12:51.000
<v Speaker 1>show everybody one day and be like I told you

1:12:51.880 --> 1:12:53.960
<v Speaker 1>good to see you man. Thanks. All right, Walker Hays

1:12:54.000 --> 1:12:58.400
<v Speaker 1>download anything he puts out, I demand it. All right, good, alright, Mike,

1:12:58.439 --> 1:13:00.880
<v Speaker 1>we're out. What episode was that thirty six? All Right?

1:13:00.920 --> 1:13:05.000
<v Speaker 1>Walker Hayes at Walker Hayes right dot com. H A.

1:13:05.200 --> 1:13:07.760
<v Speaker 1>Y E. S. Walk from me on Instagram. Yeah, at

1:13:07.880 --> 1:13:10.920
<v Speaker 1>walker Heights on Instagram and Twitter at walkers dot com. Uh,

1:13:11.040 --> 1:13:13.680
<v Speaker 1>he's out with me doing all the music and I

1:13:13.720 --> 1:13:15.960
<v Speaker 1>do with the jokes until may have you announced the

1:13:15.960 --> 1:13:18.160
<v Speaker 1>other thing yet? Don't know? Okay, so then in mind

1:13:18.600 --> 1:13:21.640
<v Speaker 1>other stuff coming down, other stuff coming for us. All right,

1:13:21.760 --> 1:13:26.679
<v Speaker 1>we'll see you, uh siting, Bye, buddy. You can hearly

1:13:26.760 --> 1:13:28.240
<v Speaker 1>keep this STI thing in the back up forgot to

1:13:28.280 --> 1:13:29.479
<v Speaker 1>turn her part down anyway, by it