WEBVTT - Jeff Mingay

0:00:00.160 --> 0:00:02.639
<v Speaker 1>I miss a green, for example, I'm already upset.

0:00:02.759 --> 0:00:05.040
<v Speaker 2>When I find my ball in the bunker, I'm really upset.

0:00:05.160 --> 0:00:06.320
<v Speaker 1>And when I find my ball in.

0:00:06.360 --> 0:00:09.600
<v Speaker 3>A bride egg, Frida egg, the dreaded Frida egg, Frida Egg,

0:00:10.800 --> 0:00:12.000
<v Speaker 3>Frida bride egg.

0:00:11.840 --> 0:00:14.240
<v Speaker 2>Lie, I'm about ready to run off the golf course.

0:00:39.960 --> 0:00:42.760
<v Speaker 3>Ladies and gentlemen, welcome back to another edition of the

0:00:42.760 --> 0:00:46.640
<v Speaker 3>Friday Egg Podcast. Today we will dive back into the

0:00:46.800 --> 0:00:51.240
<v Speaker 3>architecture world and we are joined by Jeff Minge. Jeff

0:00:51.479 --> 0:00:57.240
<v Speaker 3>is an architect based out of Canada. He's done extensive

0:00:57.280 --> 0:01:01.320
<v Speaker 3>work in the Pacific Northwest and also in Vancouver as

0:01:01.360 --> 0:01:04.960
<v Speaker 3>well as he's starting to do some in Minneapolis.

0:01:05.440 --> 0:01:07.800
<v Speaker 2>He got to start with Rod.

0:01:07.560 --> 0:01:11.600
<v Speaker 3>Whitman, uh doing some work with three of the you know,

0:01:11.680 --> 0:01:16.840
<v Speaker 3>kind of most prolific new courses in Canada, Sagebrush, Cabot

0:01:16.880 --> 0:01:19.600
<v Speaker 3>Links and black Hawk.

0:01:20.480 --> 0:01:22.360
<v Speaker 2>And welcome on, Jeff.

0:01:23.280 --> 0:01:26.000
<v Speaker 1>Oh, thanks for having me, and he appreciate the interest.

0:01:26.480 --> 0:01:30.000
<v Speaker 3>Yeah, we're we're excited to learn a little bit about

0:01:30.040 --> 0:01:32.360
<v Speaker 3>you and kind of your work.

0:01:32.160 --> 0:01:34.640
<v Speaker 2>And and and.

0:01:33.959 --> 0:01:36.640
<v Speaker 4>All the all the things you know that we don't know,

0:01:38.040 --> 0:01:41.160
<v Speaker 4>all right, So why don't you, why don't you give

0:01:41.240 --> 0:01:44.039
<v Speaker 4>us a little background on yourself and and how you

0:01:44.080 --> 0:01:45.200
<v Speaker 4>got into architecture.

0:01:46.680 --> 0:01:50.320
<v Speaker 1>Yeah, I was fortunate to grow up playing golf at

0:01:50.480 --> 0:01:53.560
<v Speaker 1>Essex Golf and Country Club in Windsor, Ontario, which is

0:01:53.640 --> 0:01:58.280
<v Speaker 1>just across the river from Detroit. Essex was, uh it's

0:01:58.280 --> 0:02:02.480
<v Speaker 1>a Donald Ross course from nineteen twenty nine. Yeah, So

0:02:02.520 --> 0:02:05.040
<v Speaker 1>as a kid, I mean I just took a unbelievable

0:02:05.080 --> 0:02:08.720
<v Speaker 1>interest in the golf course. You know, my my brother

0:02:08.760 --> 0:02:10.840
<v Speaker 1>and I joke around occasionally. You know, he was able

0:02:10.880 --> 0:02:13.200
<v Speaker 1>to focus on the ball and the hole, became a

0:02:13.240 --> 0:02:16.280
<v Speaker 1>real good player, and I kind of hit shots and

0:02:16.320 --> 0:02:19.160
<v Speaker 1>then looked around and thought, Man, how'd they build that bunker,

0:02:19.760 --> 0:02:22.400
<v Speaker 1>how'd they build that green? You know, why is the

0:02:23.120 --> 0:02:25.360
<v Speaker 1>golf course laid out this way? I just it was

0:02:25.440 --> 0:02:29.639
<v Speaker 1>just something in me that that, you know, an instinctual

0:02:32.280 --> 0:02:34.680
<v Speaker 1>interest in that sort of thing as I looked at

0:02:34.680 --> 0:02:38.360
<v Speaker 1>the course. But then I was lucky too, because my

0:02:38.520 --> 0:02:41.400
<v Speaker 1>dad is an avid book collector, and I used to

0:02:41.440 --> 0:02:44.360
<v Speaker 1>go to his office and look through his bookshelf. And

0:02:44.400 --> 0:02:46.799
<v Speaker 1>it still amazes me that, you know, we're talking back

0:02:46.840 --> 0:02:50.400
<v Speaker 1>in the late eighties when I was a teenager. You know,

0:02:50.480 --> 0:02:53.840
<v Speaker 1>my dad had all the books, he had golf Architecture

0:02:53.840 --> 0:02:57.760
<v Speaker 1>by McKenzie. You know, he had Scotland's Gift by CB McDonald,

0:02:58.840 --> 0:03:01.920
<v Speaker 1>all those classic books. So on top of taking an

0:03:01.960 --> 0:03:06.120
<v Speaker 1>interest in Essex, I had all this literature and all

0:03:06.160 --> 0:03:09.079
<v Speaker 1>these resources that my dad had, and I started reading

0:03:09.080 --> 0:03:16.160
<v Speaker 1>all those books, which was fun and educational, and so

0:03:16.200 --> 0:03:18.880
<v Speaker 1>I started, you know, I'm sixteen, seventeen years old. I

0:03:18.919 --> 0:03:22.639
<v Speaker 1>started writing letters to architects saying, you know, I want

0:03:22.639 --> 0:03:24.400
<v Speaker 1>to do this. It's a it's a found out, it's

0:03:24.400 --> 0:03:27.120
<v Speaker 1>a real job, and you can do it. And I

0:03:27.160 --> 0:03:30.680
<v Speaker 1>consistently got the same advice from guys I admired, you know,

0:03:31.040 --> 0:03:35.600
<v Speaker 1>a young Tom Doak answered my letters. Pete Die Bill Cooor.

0:03:35.840 --> 0:03:37.880
<v Speaker 1>You know this is again back in the late eighties

0:03:37.960 --> 0:03:41.000
<v Speaker 1>or early nineties, and I kept hearing that, you know, if

0:03:41.040 --> 0:03:43.960
<v Speaker 1>you want to be a good, a good golf course architect,

0:03:44.040 --> 0:03:45.960
<v Speaker 1>you got to really learn how to build on the

0:03:46.000 --> 0:03:51.120
<v Speaker 1>construction of things. You know, anyone could come up with theories, philosophies,

0:03:51.520 --> 0:03:53.560
<v Speaker 1>but if you don't know how to actually implement that

0:03:53.640 --> 0:03:56.040
<v Speaker 1>stuff on the ground, you know, you're not going to

0:03:56.080 --> 0:03:59.280
<v Speaker 1>be as good as you could be. So long story short,

0:03:59.320 --> 0:04:01.720
<v Speaker 1>I subsequent we found out that there was this Canadian

0:04:01.760 --> 0:04:05.480
<v Speaker 1>guy named Rod Whitman, who had worked for Corn Crenshaw,

0:04:05.600 --> 0:04:08.800
<v Speaker 1>worked for Pete Dye. You know, he worked in a

0:04:08.800 --> 0:04:14.160
<v Speaker 1>way design build method. So I just pastored Rod for

0:04:14.760 --> 0:04:18.160
<v Speaker 1>I can't even remember how long, and he finally called

0:04:18.160 --> 0:04:19.560
<v Speaker 1>me up and said, all right, if you want to work,

0:04:19.600 --> 0:04:22.640
<v Speaker 1>I'm doing something at Edmonton. Show up you know, whatever

0:04:22.720 --> 0:04:26.120
<v Speaker 1>date it was, and I jumped on a plane, immediately

0:04:26.440 --> 0:04:28.040
<v Speaker 1>lied to him, and I knew how to run a

0:04:28.040 --> 0:04:32.480
<v Speaker 1>bulldozer and ended up working for him for ten years.

0:04:32.920 --> 0:04:36.120
<v Speaker 2>So what was it? What was it like when you know,

0:04:36.440 --> 0:04:38.280
<v Speaker 2>he said get on the dozer?

0:04:38.480 --> 0:04:38.600
<v Speaker 5>Like?

0:04:38.640 --> 0:04:40.880
<v Speaker 2>What was the first experience?

0:04:42.360 --> 0:04:44.800
<v Speaker 1>That's a funny story. I'm glad you asked it because

0:04:45.120 --> 0:04:47.800
<v Speaker 1>I actually just told this story the other night. When

0:04:47.839 --> 0:04:51.040
<v Speaker 1>I was in Minneapolis. I showed up on site and

0:04:51.400 --> 0:04:54.640
<v Speaker 1>we were the tenth hole at this golf course was

0:04:54.680 --> 0:04:56.960
<v Speaker 1>going to play up and over a hill. So the

0:04:57.040 --> 0:04:59.520
<v Speaker 1>objective was to cut the hill down a little bit

0:04:59.560 --> 0:05:03.359
<v Speaker 1>to reduced the severity of it up and over tea shot. So,

0:05:04.600 --> 0:05:06.760
<v Speaker 1>first first day on site with Rod, he says to me,

0:05:07.320 --> 0:05:10.440
<v Speaker 1>you've run a bulldozer, right, And I said yes, And

0:05:10.480 --> 0:05:12.760
<v Speaker 1>he said, uh, okay, Well what you need to do

0:05:12.839 --> 0:05:14.920
<v Speaker 1>is cut that hill down, Here's where the tenth tee

0:05:14.960 --> 0:05:17.280
<v Speaker 1>is going to be, here's the here's the line of

0:05:17.320 --> 0:05:19.760
<v Speaker 1>the tea shot. Cut the hill down, take the cut

0:05:19.839 --> 0:05:23.000
<v Speaker 1>material down to the tees, and flatten off. Flatten off

0:05:23.000 --> 0:05:26.080
<v Speaker 1>a teeing area. I said, okay, So he leaves and

0:05:26.240 --> 0:05:28.599
<v Speaker 1>I get in the bulldozer. No clue even had to

0:05:28.640 --> 0:05:33.279
<v Speaker 1>start it, run it nothing. I finally found that, finally

0:05:33.279 --> 0:05:37.000
<v Speaker 1>found the key, started it up, started messing around. Rod

0:05:37.080 --> 0:05:39.960
<v Speaker 1>came back, I don't know a couple hours later, and

0:05:40.040 --> 0:05:42.359
<v Speaker 1>he looked at what I'd done, and his first response was,

0:05:42.400 --> 0:05:47.240
<v Speaker 1>you've never run a bulldozer before, have you? And I said, uh, yeah,

0:05:47.320 --> 0:05:50.440
<v Speaker 1>you caught me, but uh but we hit it off,

0:05:50.520 --> 0:05:54.760
<v Speaker 1>and he gave me an unbelievable opportunity to to just

0:05:54.839 --> 0:05:57.120
<v Speaker 1>jump into it, you know, literally jump into the fire.

0:05:57.240 --> 0:05:59.520
<v Speaker 1>Get on that bulldozer, get on that excavator, get on

0:05:59.560 --> 0:06:02.400
<v Speaker 1>that track here, get on that sand rake, you know,

0:06:02.520 --> 0:06:04.760
<v Speaker 1>and finish the green and you know, it's just just

0:06:05.560 --> 0:06:08.080
<v Speaker 1>I mean, it's the it's the foundation of everything I

0:06:08.120 --> 0:06:10.720
<v Speaker 1>do now and Tholip Golf forever would be grateful to

0:06:10.800 --> 0:06:14.559
<v Speaker 1>him for putting me in that position without any rogers.

0:06:14.640 --> 0:06:17.000
<v Speaker 1>Roger an easygoing guy. That's what's so great about him

0:06:17.000 --> 0:06:20.839
<v Speaker 1>and he he just you know, gave me a remarkable opportunity.

0:06:21.440 --> 0:06:24.440
<v Speaker 3>It's interesting. So do you think there's any you know,

0:06:24.480 --> 0:06:29.239
<v Speaker 3>I think you know from Keith Rabbit talked about Bill

0:06:29.320 --> 0:06:31.839
<v Speaker 3>Corr being pretty easy going and laid back.

0:06:31.920 --> 0:06:34.320
<v Speaker 2>Do you think is there you know, is are there

0:06:34.400 --> 0:06:35.560
<v Speaker 2>common traits.

0:06:35.240 --> 0:06:37.960
<v Speaker 3>That you see with with some of the great architects

0:06:38.040 --> 0:06:40.760
<v Speaker 3>that you've you know, been able to meet, and do

0:06:40.839 --> 0:06:44.480
<v Speaker 3>you think there's any common traits that is.

0:06:44.440 --> 0:06:48.359
<v Speaker 1>Certainly one of the traits of guys that that that

0:06:48.480 --> 0:06:55.000
<v Speaker 1>I really admire, you know, Rod, Bill, Tom doak Uh,

0:06:55.520 --> 0:06:59.279
<v Speaker 1>Gil hansh you know that that whole vein of guys

0:06:59.279 --> 0:07:01.520
<v Speaker 1>and it all, you know, I often think it kind

0:07:01.520 --> 0:07:04.040
<v Speaker 1>of all stems back to Pete Dye, you know, who

0:07:05.040 --> 0:07:07.680
<v Speaker 1>who was easy going to You know, if you get

0:07:07.680 --> 0:07:09.920
<v Speaker 1>a passion for architecture and you want to work, let's

0:07:09.960 --> 0:07:13.640
<v Speaker 1>go to work. You know, it's not about landscape architecture

0:07:13.680 --> 0:07:17.760
<v Speaker 1>degrees and you know, the certifications and all this stuff.

0:07:17.800 --> 0:07:19.040
<v Speaker 1>I mean, he's just got to get out there in

0:07:19.080 --> 0:07:23.280
<v Speaker 1>the field and work, and the best work comes from

0:07:23.400 --> 0:07:27.320
<v Speaker 1>a sincere passion for architecture. You know. I mean Rod

0:07:27.320 --> 0:07:30.240
<v Speaker 1>always said on our jobs, you know, we'd have a guy.

0:07:30.520 --> 0:07:32.560
<v Speaker 1>We'd have a guy come to us like you know,

0:07:32.600 --> 0:07:34.360
<v Speaker 1>offence to anyone, but we'd have a guy come to

0:07:34.440 --> 0:07:36.600
<v Speaker 1>us and say, Okay, I just spent the last six

0:07:36.680 --> 0:07:39.600
<v Speaker 1>years working for Nicholas or working for Palmer, or working

0:07:39.600 --> 0:07:42.520
<v Speaker 1>for this guy, work for that guy. I've been shaping

0:07:42.560 --> 0:07:46.440
<v Speaker 1>for twenty five years. Rod would put that resume aside

0:07:46.880 --> 0:07:49.440
<v Speaker 1>and take the kid who'd never like me like I was,

0:07:49.480 --> 0:07:51.560
<v Speaker 1>who'd never been on a project before and just had

0:07:51.600 --> 0:07:54.840
<v Speaker 1>a passion for golf architecture. You know, there's a difference

0:07:54.880 --> 0:07:57.960
<v Speaker 1>between having a sincere passion for golf architecture and simply

0:07:58.000 --> 0:08:00.600
<v Speaker 1>knowing how to shape golf courses. Yeah, you know, and

0:08:00.640 --> 0:08:03.280
<v Speaker 1>I think I think he died recognized that a long

0:08:03.360 --> 0:08:05.520
<v Speaker 1>time ago. You know, Rod, I mean, you know, he

0:08:05.640 --> 0:08:07.560
<v Speaker 1>rot had no experience really when he went to work

0:08:07.600 --> 0:08:12.080
<v Speaker 1>for Pete Austin country clubs in the early eighties. You

0:08:12.120 --> 0:08:14.400
<v Speaker 1>know Bill Koor, I mean his background is in like

0:08:15.080 --> 0:08:19.920
<v Speaker 1>Greek philosophy or something you know, from college. And Rod too,

0:08:19.960 --> 0:08:22.920
<v Speaker 1>he's got a he's got something like a philosophy degree.

0:08:23.520 --> 0:08:26.720
<v Speaker 1>I studied political science, you know, But we all, we

0:08:26.760 --> 0:08:30.200
<v Speaker 1>all came into the thing with passion, and you know,

0:08:30.240 --> 0:08:32.959
<v Speaker 1>there's a lot to be said about that. But back

0:08:33.000 --> 0:08:36.480
<v Speaker 1>to your question, you have to take an easy going

0:08:36.559 --> 0:08:39.760
<v Speaker 1>attitude to bring to bring people like that into the mix,

0:08:39.880 --> 0:08:42.439
<v Speaker 1>you know. And again, all those guys I named are

0:08:42.520 --> 0:08:44.559
<v Speaker 1>just kind of like, you know, don't sweat it. I mean,

0:08:44.640 --> 0:08:46.640
<v Speaker 1>we're gonna go out there and we're gonna work hard

0:08:46.679 --> 0:08:50.120
<v Speaker 1>and and uh and get it done with passion. And

0:08:50.160 --> 0:08:52.040
<v Speaker 1>I think that's what you're seeing in a lot of

0:08:52.160 --> 0:08:54.720
<v Speaker 1>architecture these days. You know, you're seeing a lot more

0:08:55.480 --> 0:08:58.839
<v Speaker 1>a lot more passion than you are seeing just business,

0:08:58.880 --> 0:09:02.120
<v Speaker 1>you know, like guys running a business and building courses

0:09:02.200 --> 0:09:04.280
<v Speaker 1>and moving on to an XT course. Who're seeing people

0:09:04.320 --> 0:09:07.400
<v Speaker 1>who really who really care and are really delving into

0:09:07.400 --> 0:09:10.080
<v Speaker 1>it and are really trying to be craftsmen, you know,

0:09:12.320 --> 0:09:14.400
<v Speaker 1>with with their work. So it's it's a it's a

0:09:14.440 --> 0:09:16.000
<v Speaker 1>neat era, you know, it's a neat air to be

0:09:16.040 --> 0:09:17.959
<v Speaker 1>involved in. Even though there's not a lot of golf

0:09:18.000 --> 0:09:22.640
<v Speaker 1>courses being built comparatively, there's certainly a lot of quality

0:09:22.720 --> 0:09:25.040
<v Speaker 1>work being done, which is which is really cool.

0:09:25.120 --> 0:09:27.960
<v Speaker 2>I think, Yeah, I'm interested.

0:09:28.160 --> 0:09:31.120
<v Speaker 3>You know, you're a part of this design build movement,

0:09:31.320 --> 0:09:33.600
<v Speaker 3>and it seems like it's a it's a pretty it's

0:09:33.600 --> 0:09:36.520
<v Speaker 3>getting to be more of an even spit split, you know,

0:09:36.679 --> 0:09:38.760
<v Speaker 3>like this the design build philosophy.

0:09:38.840 --> 0:09:41.360
<v Speaker 2>Obviously, you know, you spend a lot more time on site.

0:09:41.440 --> 0:09:42.080
<v Speaker 2>Do you think that.

0:09:42.080 --> 0:09:47.560
<v Speaker 3>Gives you obviously an inherent advantage when you're go Yeah, so,

0:09:48.040 --> 0:09:50.839
<v Speaker 3>I mean you learn a lot of the nuances right,

0:09:52.400 --> 0:09:53.239
<v Speaker 3>well exactly.

0:09:53.280 --> 0:09:55.880
<v Speaker 1>I mean I'm lucky that when I explain to my

0:09:55.960 --> 0:09:59.640
<v Speaker 1>clients right out of the gate that you know, plans

0:09:59.679 --> 0:10:04.600
<v Speaker 1>are entirely conceptual, because, as you just said, when when

0:10:04.640 --> 0:10:09.200
<v Speaker 1>you're permitted to spend time on site, things change, you know,

0:10:09.280 --> 0:10:13.560
<v Speaker 1>you things change as you're shaping, things change as you

0:10:13.600 --> 0:10:17.880
<v Speaker 1>continue to study the situation and tweak the design. And

0:10:17.960 --> 0:10:21.320
<v Speaker 1>so to charge clients, you know, an incredible amount of

0:10:21.320 --> 0:10:23.640
<v Speaker 1>money to sit in Toronto and design a golf course

0:10:23.679 --> 0:10:26.559
<v Speaker 1>in Seattle is both a waste of time and a

0:10:26.600 --> 0:10:28.960
<v Speaker 1>waste of money. You know, I would rather have my

0:10:29.080 --> 0:10:33.760
<v Speaker 1>clients spend spend money on me being on site, paying

0:10:33.800 --> 0:10:37.360
<v Speaker 1>attention to details as things get built, and then also

0:10:37.480 --> 0:10:41.040
<v Speaker 1>participating in the shaping as well. You know, that's money

0:10:41.040 --> 0:10:44.280
<v Speaker 1>well spent. And you know, again, usually that's part of

0:10:44.320 --> 0:10:48.200
<v Speaker 1>my you know, part of my my speel when I

0:10:48.480 --> 0:10:51.560
<v Speaker 1>when I come to a potential client or a new

0:10:51.640 --> 0:10:54.160
<v Speaker 1>client and explain to them that that they're going to

0:10:54.240 --> 0:10:58.120
<v Speaker 1>get the best best results out of that method, Uh,

0:10:58.400 --> 0:11:00.959
<v Speaker 1>simply because you know, you you got to pay attention.

0:11:01.040 --> 0:11:03.679
<v Speaker 1>It's like Ben Crenshaw said, you know what's the most

0:11:03.679 --> 0:11:07.200
<v Speaker 1>important thing in golf architecture, and it's time. You know,

0:11:07.280 --> 0:11:09.720
<v Speaker 1>you need time to be out there, time to build,

0:11:10.000 --> 0:11:13.560
<v Speaker 1>time to look, time to tweak, you know, and and

0:11:13.640 --> 0:11:16.200
<v Speaker 1>all those sorts of things. And the more time you

0:11:16.320 --> 0:11:20.440
<v Speaker 1>have without wasting time or taking too much time, you

0:11:20.440 --> 0:11:22.120
<v Speaker 1>know you're gonna end up with a with with the

0:11:23.080 --> 0:11:24.160
<v Speaker 1>best result possible.

0:11:24.640 --> 0:11:28.079
<v Speaker 3>I mean, I know you write a good amount, and

0:11:28.160 --> 0:11:30.080
<v Speaker 3>I think it's a lot like writing is like when

0:11:30.080 --> 0:11:33.040
<v Speaker 3>you have the time to really write something and you

0:11:33.080 --> 0:11:36.400
<v Speaker 3>and you keep working on you know things that they

0:11:36.440 --> 0:11:37.439
<v Speaker 3>always turn out better.

0:11:38.640 --> 0:11:41.760
<v Speaker 1>Absolutely, And that's that's a perfect analogy, it really is.

0:11:42.160 --> 0:11:44.280
<v Speaker 1>But then you just have to find you have to

0:11:44.320 --> 0:11:46.600
<v Speaker 1>find that balance, right because you know, if you think

0:11:46.640 --> 0:11:51.080
<v Speaker 1>of an author who just wants to continually refine, refine, refine,

0:11:51.120 --> 0:11:55.000
<v Speaker 1>you'll never get the book published. So you know, there's

0:11:55.040 --> 0:11:57.760
<v Speaker 1>a there's a there's a final line of when the

0:11:57.960 --> 0:12:01.560
<v Speaker 1>thinking in the in the tweaking and that changing, you know,

0:12:01.800 --> 0:12:05.400
<v Speaker 1>stops have to stop. It reminds me of a funny

0:12:05.440 --> 0:12:08.920
<v Speaker 1>story Dick Young's cap, who was who's the developer of

0:12:09.000 --> 0:12:12.720
<v Speaker 1>sand Hills. He developed a golf course that Rod actually

0:12:12.760 --> 0:12:16.920
<v Speaker 1>worked on with Pete Dye at Firethorn in Lincoln, Nebraska.

0:12:17.360 --> 0:12:19.920
<v Speaker 1>And we were sitting down at dinner one time with

0:12:20.000 --> 0:12:22.040
<v Speaker 1>Dick Young's cap, and he told the story of Pete

0:12:22.080 --> 0:12:26.000
<v Speaker 1>Die showing up at Firethorn during construction, and every time

0:12:26.040 --> 0:12:28.240
<v Speaker 1>Pete showed up, he wanted to think more, he wanted

0:12:28.280 --> 0:12:30.880
<v Speaker 1>to tweak more, and they were getting close to the

0:12:30.880 --> 0:12:34.079
<v Speaker 1>finish line, and Dick Young's cap, who's got a great personality,

0:12:34.400 --> 0:12:37.040
<v Speaker 1>you know, he finally said, that's it, you're done. We're graphic,

0:12:37.200 --> 0:12:40.679
<v Speaker 1>there's no more changes. Otherwise he felt they were never

0:12:40.760 --> 0:12:43.600
<v Speaker 1>going to finish the golf course. Yeah, so, you know,

0:12:43.679 --> 0:12:46.040
<v Speaker 1>so again there's a there's a bit of a talent

0:12:46.160 --> 0:12:50.760
<v Speaker 1>in realizing that, Okay, we've done all we can. That's done,

0:12:51.000 --> 0:12:54.040
<v Speaker 1>because I think, you know, with our artistic minds, I

0:12:54.040 --> 0:12:56.720
<v Speaker 1>think we'd never be done if we didn't have to

0:12:56.760 --> 0:12:57.120
<v Speaker 1>be done.

0:12:57.480 --> 0:13:01.960
<v Speaker 3>Right, So you've touched on Pete Die a couple of times,

0:13:02.000 --> 0:13:05.240
<v Speaker 3>and you know we're the tours at a Die course

0:13:05.320 --> 0:13:07.760
<v Speaker 3>now and then obviously the players is coming up, and

0:13:07.800 --> 0:13:11.360
<v Speaker 3>we had the heritage at Harbortown. If you were going

0:13:11.440 --> 0:13:13.760
<v Speaker 3>to say, you know, what's the one thing that you

0:13:13.800 --> 0:13:16.560
<v Speaker 3>would take away from Pete Die as an architect that

0:13:16.760 --> 0:13:19.800
<v Speaker 3>you know really kind of like that you admire the most,

0:13:19.840 --> 0:13:20.760
<v Speaker 3>what would it be.

0:13:22.440 --> 0:13:27.360
<v Speaker 1>Well, I would say the guts and the strength to

0:13:27.760 --> 0:13:32.000
<v Speaker 1>be bold with your work. You know, the I deal

0:13:32.040 --> 0:13:34.120
<v Speaker 1>with a lot of client clubs and I just find

0:13:34.200 --> 0:13:37.560
<v Speaker 1>golfers and I say this to my committees and memberships

0:13:37.559 --> 0:13:41.600
<v Speaker 1>that I work with. Golfers are soft these days. You know,

0:13:42.280 --> 0:13:45.160
<v Speaker 1>they want the golf course to cater to them. You know,

0:13:45.400 --> 0:13:47.720
<v Speaker 1>you do something bold, whether it be a deep bunker

0:13:47.800 --> 0:13:50.559
<v Speaker 1>or a big contour or a green or or something,

0:13:50.640 --> 0:13:53.160
<v Speaker 1>and they're they're most of them are upset all the time.

0:13:53.200 --> 0:13:57.000
<v Speaker 1>You know, they don't want golf to be golf. And

0:13:57.440 --> 0:14:00.600
<v Speaker 1>you know Pete you know, we all know he actually

0:14:00.600 --> 0:14:04.760
<v Speaker 1>gets some bad rap. I think because you know he

0:14:04.800 --> 0:14:06.840
<v Speaker 1>got he got this reputation. At all he did was

0:14:06.880 --> 0:14:09.480
<v Speaker 1>build hard golf courses. I don't believe that to be

0:14:09.520 --> 0:14:11.920
<v Speaker 1>true at all. I find a lot of his golf

0:14:11.960 --> 0:14:15.760
<v Speaker 1>courses to be really fun. But there's always bold features

0:14:15.800 --> 0:14:19.360
<v Speaker 1>out there, you know, that that excite you to play.

0:14:20.240 --> 0:14:22.160
<v Speaker 1>And I just get this sense all the time when

0:14:22.160 --> 0:14:24.440
<v Speaker 1>I'm working at clubs and people want to tone it

0:14:24.520 --> 0:14:28.359
<v Speaker 1>down because they don't want to. I mean, it sounds simplistic,

0:14:28.400 --> 0:14:30.160
<v Speaker 1>but I often say they don't want to play golf.

0:14:30.280 --> 0:14:32.000
<v Speaker 1>I mean when you go up, when you go to Scotland,

0:14:32.080 --> 0:14:34.400
<v Speaker 1>you go to Ireland, you know, you you see stuff

0:14:34.440 --> 0:14:38.320
<v Speaker 1>that is like bold and hard, and you know, I

0:14:38.320 --> 0:14:40.720
<v Speaker 1>got I talked to the pet one time at the

0:14:40.920 --> 0:14:43.720
<v Speaker 1>uh I think it was two thousand and eight PGA

0:14:43.840 --> 0:14:46.280
<v Speaker 1>Championship at Oakland Hills. I just happened to run into

0:14:46.360 --> 0:14:50.120
<v Speaker 1>him and we're talking about things, and you know, he said,

0:14:50.200 --> 0:14:53.880
<v Speaker 1>let me tell you something. I was all excited. He asked,

0:14:53.920 --> 0:14:56.480
<v Speaker 1>you know, why do you think people play golf? And

0:14:56.520 --> 0:14:58.960
<v Speaker 1>I thought I was going to get some philosophical answer,

0:14:59.720 --> 0:15:02.600
<v Speaker 1>and he said, simply because it's hard. Yeah, you know,

0:15:02.800 --> 0:15:05.440
<v Speaker 1>part part of the reason you play is because you

0:15:05.600 --> 0:15:08.160
<v Speaker 1>always think you could do better next time, you know,

0:15:08.960 --> 0:15:11.800
<v Speaker 1>And you know, and again I really give him a

0:15:11.800 --> 0:15:14.920
<v Speaker 1>lot of credit I think he built his reputation on

0:15:15.480 --> 0:15:18.720
<v Speaker 1>not being afraid to be bold. And that doesn't mean

0:15:18.800 --> 0:15:22.880
<v Speaker 1>make every hole bold or every course bold, but you

0:15:22.920 --> 0:15:25.120
<v Speaker 1>need you need some stuff that's going to excite people,

0:15:25.240 --> 0:15:27.800
<v Speaker 1>want people to come back to play, and it's thrill

0:15:27.960 --> 0:15:30.960
<v Speaker 1>come back to try and yeah, thrills and try to

0:15:31.000 --> 0:15:34.200
<v Speaker 1>try to conquer some things that are that are seemingly difficult,

0:15:34.280 --> 0:15:35.720
<v Speaker 1>you know, or are difficult.

0:15:35.880 --> 0:15:38.200
<v Speaker 3>That's why I think so you hit the nail on

0:15:38.200 --> 0:15:40.160
<v Speaker 3>the head with golf in general, Like, you know, the

0:15:40.200 --> 0:15:43.800
<v Speaker 3>thing that keeps you, it keeps everybody coming back, is

0:15:43.840 --> 0:15:47.640
<v Speaker 3>the fact that it's like untacraable, you know, you never

0:15:48.520 --> 0:15:50.880
<v Speaker 3>you know, I've played some of the best rounds of

0:15:50.880 --> 0:15:52.640
<v Speaker 3>my life and i walk off the course and I'm

0:15:52.680 --> 0:15:55.160
<v Speaker 3>like shaking my head because I'm like, dang, I three

0:15:55.200 --> 0:15:57.200
<v Speaker 3>pointed from twelve feet and you know, it could have

0:15:57.240 --> 0:16:00.320
<v Speaker 3>been could have been even better. And that's like the

0:16:00.320 --> 0:16:05.880
<v Speaker 3>beauty of golf is that there's you're never fully satisfied.

0:16:06.480 --> 0:16:10.160
<v Speaker 1>Exactly, and it's it's it's challenging these days, you know,

0:16:10.240 --> 0:16:12.160
<v Speaker 1>I mean, especially for a guy like me. You know,

0:16:12.240 --> 0:16:14.640
<v Speaker 1>I'm I'm still in the midst of building my career.

0:16:14.680 --> 0:16:16.720
<v Speaker 1>I'm not a dog or a core or even a

0:16:16.920 --> 0:16:21.000
<v Speaker 1>Hants or anything like that yet. But you know, when

0:16:21.000 --> 0:16:23.440
<v Speaker 1>you're working at a club and you see an opportunity

0:16:23.520 --> 0:16:28.080
<v Speaker 1>to do something bold, you know, your first thought is, okay,

0:16:28.440 --> 0:16:30.600
<v Speaker 1>how you know, how is this going to be received?

0:16:31.120 --> 0:16:32.560
<v Speaker 1>You know, am I going to be? Am I going

0:16:32.640 --> 0:16:34.720
<v Speaker 1>to get fired here? Because I want to do something

0:16:34.760 --> 0:16:37.240
<v Speaker 1>that's got some real character. But you know, and I

0:16:37.520 --> 0:16:39.720
<v Speaker 1>follow through because I do think of guys like like

0:16:39.800 --> 0:16:44.040
<v Speaker 1>Pete Dye and and other architecture. But you need those

0:16:44.080 --> 0:16:46.720
<v Speaker 1>type of features, you need those types of holes out there.

0:16:48.200 --> 0:16:50.640
<v Speaker 1>But it is it's you know, it's it's a you're

0:16:50.640 --> 0:16:53.440
<v Speaker 1>always thinking about the potential threat when you're when you're

0:16:53.480 --> 0:16:55.400
<v Speaker 1>about to build something that you know is going to

0:16:55.440 --> 0:16:58.000
<v Speaker 1>be controversial. But as you know, I mean, all the

0:16:58.040 --> 0:17:01.320
<v Speaker 1>great holes in the world are are polarizing. You know,

0:17:01.520 --> 0:17:03.240
<v Speaker 1>you either love them or hate them. If they were

0:17:03.280 --> 0:17:06.200
<v Speaker 1>if they just shot in the middle, maybe no.

0:17:06.240 --> 0:17:09.960
<v Speaker 2>Good, right, Yep, It's uh, it's it's very true.

0:17:10.040 --> 0:17:13.040
<v Speaker 3>I mean, like Mackenzie thought Cyprus Point was going to

0:17:13.119 --> 0:17:17.439
<v Speaker 3>be just maligned, but you know, because of how bold

0:17:17.440 --> 0:17:20.080
<v Speaker 3>he went, and then you know, the natural beauty kind

0:17:20.119 --> 0:17:22.440
<v Speaker 3>of over overshadowed everything.

0:17:22.520 --> 0:17:23.640
<v Speaker 2>But i'd be interesting.

0:17:23.680 --> 0:17:25.720
<v Speaker 3>You know, you you've talked a lot about, you know,

0:17:25.800 --> 0:17:29.040
<v Speaker 3>dealing with memberships, and I know you've you've done a

0:17:29.080 --> 0:17:32.520
<v Speaker 3>lot of you know, restorations and renovations of clubs. Like

0:17:32.960 --> 0:17:35.880
<v Speaker 3>what would you say, you know, would be like the

0:17:35.920 --> 0:17:40.399
<v Speaker 3>one thing you wish every membership committee would do, like,

0:17:40.600 --> 0:17:43.000
<v Speaker 3>you know, having the experience, Like, what's the one thing

0:17:43.080 --> 0:17:45.400
<v Speaker 3>that like really great membership committees do.

0:17:47.040 --> 0:17:50.000
<v Speaker 1>Well? You know, it's kind of like it's kind of

0:17:50.000 --> 0:17:52.400
<v Speaker 1>like Alistair McKenzie. I think it was Alistair mckennee years

0:17:52.440 --> 0:17:57.960
<v Speaker 1>ago said that the best number for a committee, the

0:17:58.000 --> 0:18:02.200
<v Speaker 1>makeup of a committee is an even numbered less than three, right,

0:18:02.240 --> 0:18:06.120
<v Speaker 1>which is which is one? And it makes me think

0:18:06.119 --> 0:18:08.040
<v Speaker 1>of an experience I had at the Derrek Club. You know,

0:18:08.080 --> 0:18:12.680
<v Speaker 1>we in Edmonton, Alberta. We completely rebuilt an existing golf course.

0:18:12.720 --> 0:18:15.840
<v Speaker 1>It's it's basically a new golf course. And they did

0:18:15.920 --> 0:18:20.040
<v Speaker 1>a very nice job of allowing us to deal with

0:18:20.080 --> 0:18:24.840
<v Speaker 1>a two person committee. We you know, they they our

0:18:24.880 --> 0:18:28.639
<v Speaker 1>plans were vetted through Green Committee, long Range Planning Committee,

0:18:28.640 --> 0:18:32.320
<v Speaker 1>Board of Directors, but once we got the thing through

0:18:32.359 --> 0:18:36.600
<v Speaker 1>the membership, through the club, we simply dealt with two

0:18:36.680 --> 0:18:41.800
<v Speaker 1>board members on construction schedule and financing in budget issues. Right,

0:18:42.400 --> 0:18:46.639
<v Speaker 1>So we avoided what is most typical where you know,

0:18:46.680 --> 0:18:51.520
<v Speaker 1>you've got twelve people in a room, you can't cut,

0:18:51.520 --> 0:18:54.560
<v Speaker 1>you know, you can't come to consensus. I mean, golfers,

0:18:55.080 --> 0:18:59.200
<v Speaker 1>golf architecture is very, very subjective, as you know too.

0:19:00.160 --> 0:19:03.600
<v Speaker 1>Everybody has different opinions and that's fine, it's wonderful. That's

0:19:03.600 --> 0:19:06.360
<v Speaker 1>one of the reasons we have such a great variance

0:19:06.400 --> 0:19:09.360
<v Speaker 1>of golf courses, you know, and variety is so important

0:19:09.359 --> 0:19:12.280
<v Speaker 1>to golf. But when it gets down to it and

0:19:12.320 --> 0:19:14.920
<v Speaker 1>you've and you've hired an expert architect, and you've hired

0:19:15.960 --> 0:19:18.919
<v Speaker 1>you know, you've got an expert super golf course superintendent,

0:19:19.200 --> 0:19:22.920
<v Speaker 1>expert shapers, contractor, I mean, you got to let them

0:19:22.920 --> 0:19:26.200
<v Speaker 1>go to work, can't. You can't have twelve people and

0:19:26.280 --> 0:19:30.199
<v Speaker 1>they're putting giving their opinions on every tee, every bunker,

0:19:30.320 --> 0:19:33.400
<v Speaker 1>every green. I mean, it's it's like spinning your tires

0:19:33.440 --> 0:19:36.240
<v Speaker 1>and mud, you know, when you're dealing with that situation.

0:19:36.359 --> 0:19:39.000
<v Speaker 1>So I think I think the Derrek Club, even though

0:19:39.040 --> 0:19:42.080
<v Speaker 1>it's a difficult thing to do politically, the Derek Club

0:19:42.520 --> 0:19:45.159
<v Speaker 1>provides an excellent example of how to just let the

0:19:45.200 --> 0:19:49.360
<v Speaker 1>people that you've hired go to work and not not

0:19:49.359 --> 0:19:53.600
<v Speaker 1>not have interference with too many design opinions getting thrown

0:19:54.080 --> 0:19:54.800
<v Speaker 1>thrown in there.

0:19:55.400 --> 0:19:58.080
<v Speaker 3>Yeah. I think the other aspect of it is, you know,

0:19:58.200 --> 0:20:02.719
<v Speaker 3>most members of private clubs are very very successful in

0:20:02.760 --> 0:20:06.840
<v Speaker 3>their trade, you know, and they aren't used to being

0:20:07.040 --> 0:20:09.879
<v Speaker 3>you know, not the boss exactly.

0:20:10.840 --> 0:20:14.159
<v Speaker 1>But the other problem too, like I said earlier, is

0:20:14.200 --> 0:20:17.880
<v Speaker 1>that is that you know, I always use this example.

0:20:17.920 --> 0:20:23.080
<v Speaker 1>You know, Jack Nicholas won eighteen professional majors and two

0:20:23.240 --> 0:20:26.560
<v Speaker 1>US Amateurs because he was able to tailor his game

0:20:27.400 --> 0:20:31.320
<v Speaker 1>to varying courses, right He when he knew when he

0:20:31.359 --> 0:20:33.159
<v Speaker 1>was at Saint Andrews he had to play different than

0:20:33.200 --> 0:20:35.399
<v Speaker 1>he did when he was at Augusta, and he had

0:20:35.400 --> 0:20:37.159
<v Speaker 1>to play different when he was at Pebble Beach than

0:20:37.160 --> 0:20:40.000
<v Speaker 1>he did then he played at Augusta, you know, et cetera,

0:20:40.040 --> 0:20:43.880
<v Speaker 1>et cetera. That's why he was such a successful champion.

0:20:44.359 --> 0:20:47.359
<v Speaker 1>The problem with so many club golfers is they want

0:20:47.520 --> 0:20:50.040
<v Speaker 1>the exact opposite to happen. They want the golf course

0:20:50.160 --> 0:20:53.920
<v Speaker 1>designed and set up to cater to them. And I'm

0:20:53.960 --> 0:20:56.760
<v Speaker 1>constantly confused by that because as we talked about just

0:20:56.800 --> 0:21:00.480
<v Speaker 1>a minute ago, I mean, the attraction to the game

0:21:00.600 --> 0:21:06.040
<v Speaker 1>is the challenge. But so many golfers they run from

0:21:06.080 --> 0:21:08.639
<v Speaker 1>the challenge and they just complain about the condition of

0:21:08.640 --> 0:21:11.399
<v Speaker 1>the bunkers or the or where the teas were set up,

0:21:11.400 --> 0:21:13.560
<v Speaker 1>but where the hole was cut. You know, we all

0:21:13.600 --> 0:21:15.720
<v Speaker 1>hear that all the time, and it's just such a

0:21:16.280 --> 0:21:19.760
<v Speaker 1>it's such an ironic thing, you know, when I can

0:21:19.800 --> 0:21:22.680
<v Speaker 1>be a little sarcastic sometimes and I ask people, again,

0:21:23.119 --> 0:21:25.520
<v Speaker 1>did you really want to play golf? Or what kind

0:21:25.520 --> 0:21:29.040
<v Speaker 1>of game are you trying to try to create here

0:21:29.119 --> 0:21:30.720
<v Speaker 1>that's actually not golf? You know?

0:21:31.040 --> 0:21:34.320
<v Speaker 3>Well, I mean a perfect example is where I play

0:21:34.600 --> 0:21:37.720
<v Speaker 3>in Chicago. I started playing there a couple of years ago,

0:21:38.359 --> 0:21:40.280
<v Speaker 3>and I've I've always been a player that hit a

0:21:40.359 --> 0:21:44.080
<v Speaker 3>right to left t shot, and this golf course, like

0:21:44.400 --> 0:21:47.000
<v Speaker 3>you know, it had some shots where you had to move.

0:21:46.840 --> 0:21:47.800
<v Speaker 2>The ball left to right.

0:21:48.440 --> 0:21:51.880
<v Speaker 3>And over the over the years I've become so much

0:21:52.680 --> 0:21:56.000
<v Speaker 3>more well rounded of a golfer because I've learned and

0:21:56.119 --> 0:21:58.160
<v Speaker 3>been forced to learn how to hit the ball left

0:21:58.160 --> 0:22:01.760
<v Speaker 3>to right. And you know example, and it's just it,

0:22:02.200 --> 0:22:04.639
<v Speaker 3>that's the way people need to look at these things.

0:22:04.760 --> 0:22:07.280
<v Speaker 3>Is looking at it and saying like, you know, like

0:22:07.480 --> 0:22:10.600
<v Speaker 3>if I play a course that really tests certain aspects

0:22:10.640 --> 0:22:15.000
<v Speaker 3>of my game, you know, I you know, while still

0:22:15.000 --> 0:22:17.400
<v Speaker 3>being fair, like you know, I think that, and I'm

0:22:17.880 --> 0:22:21.080
<v Speaker 3>you know, like not having nowhere to bail out nowhere

0:22:21.240 --> 0:22:23.960
<v Speaker 3>like but like where you have this test, like it's

0:22:24.000 --> 0:22:24.480
<v Speaker 3>only going to.

0:22:24.480 --> 0:22:29.159
<v Speaker 1>Make you better, right, And I think that's why you know,

0:22:29.320 --> 0:22:32.639
<v Speaker 1>Pete Die has gone to bad rap? Is it he was?

0:22:33.200 --> 0:22:36.359
<v Speaker 1>You know Sawgrass you just mentioned the Players Championship. I

0:22:36.359 --> 0:22:42.360
<v Speaker 1>mean Sawgrass is so cool because it's like overkill of

0:22:42.560 --> 0:22:45.200
<v Speaker 1>presenting you with varying challenges, you know, if you if

0:22:45.200 --> 0:22:47.680
<v Speaker 1>you actually look, I used to. I learned so much

0:22:47.720 --> 0:22:51.600
<v Speaker 1>Plan TPC, Sawgrass and the old Sega of you know

0:22:52.160 --> 0:22:55.040
<v Speaker 1>video games system years ago, right because they show you

0:22:55.080 --> 0:22:57.720
<v Speaker 1>the overview of the whole. And when you when you

0:22:57.800 --> 0:23:00.240
<v Speaker 1>know a little bit about architecture, you could see that

0:23:00.359 --> 0:23:02.359
<v Speaker 1>so many of the holes and so many angles are

0:23:02.400 --> 0:23:05.320
<v Speaker 1>set up, you know, for cut off the tee and

0:23:05.359 --> 0:23:07.959
<v Speaker 1>then draw into the green, you know. And with the

0:23:08.000 --> 0:23:11.480
<v Speaker 1>eighties when the golf course opened, with the eighties clubs

0:23:11.600 --> 0:23:15.800
<v Speaker 1>and balls, you know, those those types of shots meant something.

0:23:16.200 --> 0:23:18.359
<v Speaker 1>And I think why a lot of those pros back.

0:23:18.480 --> 0:23:21.960
<v Speaker 1>And I'm just being speculative, but my my suspicion is

0:23:22.000 --> 0:23:25.440
<v Speaker 1>that most of those pros out there when when when

0:23:25.560 --> 0:23:29.720
<v Speaker 1>Pete did put those that you know, precise challenge out

0:23:29.760 --> 0:23:32.200
<v Speaker 1>there and they couldn't hit the shot that was required,

0:23:32.600 --> 0:23:35.760
<v Speaker 1>it just burned him up, you know. And and Pete

0:23:35.800 --> 0:23:38.400
<v Speaker 1>always talked about you get into those guys heads, that's

0:23:38.400 --> 0:23:41.720
<v Speaker 1>when you really got them right. Yeah, and you know

0:23:41.760 --> 0:23:43.760
<v Speaker 1>when he was asking him the dude, you know, shape

0:23:43.800 --> 0:23:45.720
<v Speaker 1>it this way, shape it that way, hit it low,

0:23:45.840 --> 0:23:47.959
<v Speaker 1>hit it high. You know. It's just it's such a

0:23:48.000 --> 0:23:50.120
<v Speaker 1>smart design. I mean, I still can't believe he took

0:23:50.160 --> 0:23:53.560
<v Speaker 1>a swamp and ended up with with that. I mean,

0:23:53.680 --> 0:23:58.280
<v Speaker 1>it's it's arguably, I mean, I don't want to I

0:23:58.320 --> 0:24:01.000
<v Speaker 1>don't want to overstate this, but I think Sawgrass is

0:24:01.320 --> 0:24:05.960
<v Speaker 1>arguably one of the greatest achievements in golf architecture. You know,

0:24:06.040 --> 0:24:09.159
<v Speaker 1>to be first of all, to facilitate golf in what

0:24:09.440 --> 0:24:12.439
<v Speaker 1>was really a swamp, and then to come up with

0:24:12.640 --> 0:24:17.720
<v Speaker 1>so many holes that are just you know, fascinating from

0:24:18.400 --> 0:24:20.679
<v Speaker 1>you know the look of the holes, the strategy behind

0:24:20.680 --> 0:24:23.080
<v Speaker 1>the holes. I mean, I just got tons of respect

0:24:23.119 --> 0:24:26.439
<v Speaker 1>for mister Due and that golf course. And I know

0:24:26.480 --> 0:24:28.359
<v Speaker 1>I've kind of argued with a lot of people who

0:24:28.440 --> 0:24:30.960
<v Speaker 1>feel differently about it, but that's my opinion.

0:24:31.600 --> 0:24:34.359
<v Speaker 3>Yeah, I mean it also the one of the things

0:24:34.359 --> 0:24:36.959
<v Speaker 3>that does so well is it doesn't really favor a

0:24:37.000 --> 0:24:39.840
<v Speaker 3>specific type of player. You know that you see a

0:24:39.880 --> 0:24:43.399
<v Speaker 3>great variety in the leaderboard and winners there year in

0:24:43.480 --> 0:24:47.159
<v Speaker 3>year out, because because you I think that's what he

0:24:47.240 --> 0:24:50.639
<v Speaker 3>does so well is that he always you know, there

0:24:50.640 --> 0:24:54.760
<v Speaker 3>are always angles and ideal angles. The ideal angles usually

0:24:54.760 --> 0:24:57.800
<v Speaker 3>come with a little bit of risk, and then you know,

0:24:58.160 --> 0:25:01.000
<v Speaker 3>and then he asked you to hit south and it's

0:25:01.200 --> 0:25:03.640
<v Speaker 3>you know, it's very clear, you know what you need

0:25:03.680 --> 0:25:05.480
<v Speaker 3>to do, and if you pull it off, you usually

0:25:05.560 --> 0:25:08.240
<v Speaker 3>have a great look at Bertie or Eagle, and if

0:25:08.280 --> 0:25:10.280
<v Speaker 3>you don't, you're going to be you know, and you

0:25:10.320 --> 0:25:12.320
<v Speaker 3>don't miss it in the right spot, you're going to

0:25:12.400 --> 0:25:16.880
<v Speaker 3>be in a world hurt, right, And.

0:25:16.800 --> 0:25:18.960
<v Speaker 1>The sad part about that, I mean, I love the

0:25:19.040 --> 0:25:21.200
<v Speaker 1>way you just described that, but the sad part about

0:25:21.240 --> 0:25:24.040
<v Speaker 1>that is the way club of ball technology is now

0:25:25.200 --> 0:25:28.840
<v Speaker 1>It's taken so much away from from exactly what you

0:25:28.960 --> 0:25:33.000
<v Speaker 1>just described, because the ball is just being hit you know,

0:25:33.520 --> 0:25:38.240
<v Speaker 1>super high, ye monstrously high and monstrously long. No spin,

0:25:38.520 --> 0:25:41.360
<v Speaker 1>you know, no spin, you know, so all that shapen

0:25:41.480 --> 0:25:45.640
<v Speaker 1>and high low stuff is gone, and it's just it's

0:25:45.720 --> 0:25:48.320
<v Speaker 1>it's pretty sad, actually, you know when you think about

0:25:48.320 --> 0:25:51.560
<v Speaker 1>how fascinating the game was even twenty thirty years ago.

0:25:52.840 --> 0:25:54.000
<v Speaker 2>Yeah, I think about it.

0:25:54.240 --> 0:25:57.679
<v Speaker 3>I had Aaron Oberholzer on and he talked about the

0:25:57.720 --> 0:25:59.679
<v Speaker 3>first time he hit a pro V one. You know,

0:25:59.720 --> 0:26:01.760
<v Speaker 3>he was a pro golfer at the time, and he

0:26:01.880 --> 0:26:03.280
<v Speaker 3>was like, holy cow, this is.

0:26:03.240 --> 0:26:04.080
<v Speaker 2>So much different.

0:26:04.440 --> 0:26:08.480
<v Speaker 6>And how I mean you look at hey, I think

0:26:08.520 --> 0:26:11.800
<v Speaker 6>it's the pro V one's obviously been the one that's

0:26:11.880 --> 0:26:14.000
<v Speaker 6>kind of really changed the game because when it as

0:26:14.000 --> 0:26:17.320
<v Speaker 6>soon as it shifted from professional nineties to those that

0:26:17.600 --> 0:26:20.560
<v Speaker 6>I mean, the spin just year over year has gotten

0:26:20.640 --> 0:26:23.359
<v Speaker 6>less and less, and ball goes further and straighter and

0:26:24.280 --> 0:26:25.280
<v Speaker 6>skills diminished.

0:26:26.640 --> 0:26:29.000
<v Speaker 1>Yeah, and it just it just boggles my mind that

0:26:29.520 --> 0:26:32.080
<v Speaker 1>anyone would think that that's a good thing for the game.

0:26:32.160 --> 0:26:34.520
<v Speaker 1>I just I don't understand it. But you know, I

0:26:34.720 --> 0:26:36.920
<v Speaker 1>don't know if you've read it yet, but I just finished.

0:26:38.280 --> 0:26:41.040
<v Speaker 1>I'm friends with Morten Rudstein, who's been a long time

0:26:41.119 --> 0:26:43.400
<v Speaker 1>friend of mine. I was fascinated that he just wrote

0:26:43.400 --> 0:26:47.600
<v Speaker 1>that book with Tiger Woods celebrating the ninety seven Masters,

0:26:47.760 --> 0:26:49.800
<v Speaker 1>and so I was, I was slipping through the book.

0:26:49.800 --> 0:26:52.959
<v Speaker 1>It's a great book, actually, and the best part about

0:26:52.960 --> 0:26:57.480
<v Speaker 1>it for me is Tiger talking about Augusta and he

0:26:57.480 --> 0:27:02.080
<v Speaker 1>he just frankly says that the nineteen ninety seven golf

0:27:02.119 --> 0:27:06.280
<v Speaker 1>course is not even close to the same golf course

0:27:06.320 --> 0:27:08.760
<v Speaker 1>they play today when we saw it, when we see

0:27:08.800 --> 0:27:11.720
<v Speaker 1>it on TV. I mean, we watched the ninety seven Masters,

0:27:11.760 --> 0:27:14.359
<v Speaker 1>we watched this year's Masters. It looks the same to us.

0:27:14.920 --> 0:27:18.400
<v Speaker 1>But the details that he describes in terms of how

0:27:18.440 --> 0:27:20.879
<v Speaker 1>different not only how different the playing equipment is, but

0:27:20.960 --> 0:27:23.200
<v Speaker 1>what they've done to the golf course because of the

0:27:23.240 --> 0:27:27.720
<v Speaker 1>playing equipment, is just fascinating. It's really kind of a

0:27:28.520 --> 0:27:31.280
<v Speaker 1>you know, it's an architectural read in a lot of ways.

0:27:32.800 --> 0:27:35.600
<v Speaker 1>And you know, obviously we all know they lengthen the course,

0:27:35.680 --> 0:27:42.320
<v Speaker 1>they planted trees, they introduce rough but Tiger's comments on

0:27:42.520 --> 0:27:45.919
<v Speaker 1>how much they've changed the green surfaces and the green

0:27:46.119 --> 0:27:50.520
<v Speaker 1>surrounds is interesting because the golf course has gotten so

0:27:50.680 --> 0:27:54.920
<v Speaker 1>much longer. They've apparently flattened out a lot of the

0:27:55.000 --> 0:27:57.639
<v Speaker 1>pin positions, and he says the greens have actually gotten

0:27:57.640 --> 0:28:01.400
<v Speaker 1>a lot less interesting and a lot more subtle over

0:28:01.440 --> 0:28:05.040
<v Speaker 1>the years in the pinnable areas, which which has really

0:28:05.080 --> 0:28:07.639
<v Speaker 1>made the golf course less interesting. He said, it was

0:28:07.680 --> 0:28:10.080
<v Speaker 1>way more interesting when it was shorter and the greens

0:28:10.080 --> 0:28:12.240
<v Speaker 1>were a little bit more severe like they were originally,

0:28:13.320 --> 0:28:15.840
<v Speaker 1>rather than just playing a big long golf course with

0:28:15.840 --> 0:28:18.359
<v Speaker 1>with with more flat areas on the greens.

0:28:20.240 --> 0:28:23.080
<v Speaker 3>It's it's interesting, and that book is one that's on

0:28:23.119 --> 0:28:29.240
<v Speaker 3>my list of of to do's, but it's it boggles

0:28:29.280 --> 0:28:33.600
<v Speaker 3>my mind how anybody how this theory of tiger proofing

0:28:33.680 --> 0:28:36.800
<v Speaker 3>came about that Like, Okay, we've got this guy that's

0:28:36.840 --> 0:28:39.880
<v Speaker 3>come on tour and he hits it so far, Like

0:28:40.000 --> 0:28:42.200
<v Speaker 3>what we need to do to level the field is

0:28:42.240 --> 0:28:47.160
<v Speaker 3>to make golf courses longer, Like what like that makes

0:28:47.200 --> 0:28:48.760
<v Speaker 3>no sense whatsoever.

0:28:49.640 --> 0:28:51.840
<v Speaker 1>He admits that in the book too. He says all

0:28:51.880 --> 0:28:54.960
<v Speaker 1>they did was play right into his hands because he

0:28:55.000 --> 0:28:57.960
<v Speaker 1>could he could take advantage of his strength, even more

0:28:58.040 --> 0:28:59.840
<v Speaker 1>so the longer the golf course.

0:29:00.080 --> 0:29:03.280
<v Speaker 2>Yeah, all you did was just remove And now we

0:29:03.360 --> 0:29:03.880
<v Speaker 2>live in this.

0:29:03.920 --> 0:29:08.719
<v Speaker 3>Era where all the golf courses are built for power

0:29:08.760 --> 0:29:13.440
<v Speaker 3>players and sure enough, power players dominate.

0:29:13.000 --> 0:29:16.560
<v Speaker 1>The game, right, There's no you don't see any Corey

0:29:16.600 --> 0:29:20.160
<v Speaker 1>Pavens around anymore, which which really sucks too. I mean,

0:29:20.200 --> 0:29:24.280
<v Speaker 1>I remember following Corey Paven at that that two thousand

0:29:24.320 --> 0:29:28.080
<v Speaker 1>and eight PGA championship, and I'll tell you what, you

0:29:28.080 --> 0:29:34.560
<v Speaker 1>you want to watch a fun golfer. You know, Corey's

0:29:34.600 --> 0:29:38.560
<v Speaker 1>out there hitting cuts and draws and low high with

0:29:38.680 --> 0:29:41.959
<v Speaker 1>long clubs into those greens because you know, obviously Oakland

0:29:42.000 --> 0:29:45.280
<v Speaker 1>Hills was playing really long and I kept thinking to myself,

0:29:45.280 --> 0:29:47.520
<v Speaker 1>you know what if we could watch the good players

0:29:47.560 --> 0:29:51.960
<v Speaker 1>do this, Watch Tiger hit a four iron into a

0:29:52.120 --> 0:29:55.239
<v Speaker 1>par four and either cut it or faded or hit

0:29:55.280 --> 0:29:58.320
<v Speaker 1>it low. You know. But you then, you know, you'd

0:29:58.400 --> 0:30:01.000
<v Speaker 1>leave Corey Paven at that t thousand and eight PGA

0:30:01.120 --> 0:30:02.960
<v Speaker 1>and go over to the guys on the leader board.

0:30:03.440 --> 0:30:05.400
<v Speaker 1>They hit the drivers. You can't even see the ball,

0:30:05.480 --> 0:30:07.880
<v Speaker 1>they hit it so high and so far. And then

0:30:07.880 --> 0:30:10.240
<v Speaker 1>they're down there in wedge territory and they in another

0:30:10.320 --> 0:30:12.760
<v Speaker 1>high one and plunk it on the green. I mean,

0:30:13.360 --> 0:30:16.280
<v Speaker 1>that's fun to watch. I'd rather watch Ben Hogan and

0:30:16.320 --> 0:30:19.080
<v Speaker 1>Byron Nelson slinging it around, you know.

0:30:20.000 --> 0:30:22.880
<v Speaker 3>Yeah, But That's what I always say to people is like,

0:30:22.960 --> 0:30:25.320
<v Speaker 3>you know, people are like, oh, I'd love to see

0:30:25.520 --> 0:30:29.720
<v Speaker 3>you know, DJ Rory and you know Jason Day in

0:30:29.760 --> 0:30:32.280
<v Speaker 3>the same group, and it's like, well, they're all the

0:30:32.280 --> 0:30:36.120
<v Speaker 3>same player. It's just like with It's just like golf

0:30:36.120 --> 0:30:38.680
<v Speaker 3>course design. What makes a great variety, Like, you know,

0:30:38.760 --> 0:30:40.680
<v Speaker 3>I'd like to see a guy like, you know, I'd

0:30:40.680 --> 0:30:41.720
<v Speaker 3>like to see a group.

0:30:41.480 --> 0:30:43.480
<v Speaker 2>That has you know, one of the bombers in it.

0:30:43.840 --> 0:30:46.760
<v Speaker 3>Then you throw in like a Kevin Kissner that's like

0:30:46.920 --> 0:30:49.200
<v Speaker 3>kind of an all around guy, and you throw in

0:30:49.280 --> 0:30:52.240
<v Speaker 3>another guy that that's a shorter hitter that that gets

0:30:52.240 --> 0:30:55.080
<v Speaker 3>it done a completely different way. That that is interesting

0:30:55.120 --> 0:30:58.680
<v Speaker 3>to watch because you see how these different styles of

0:30:58.720 --> 0:31:00.600
<v Speaker 3>play like how they all get it done.

0:31:00.640 --> 0:31:02.800
<v Speaker 2>And it's fascinating.

0:31:02.840 --> 0:31:06.080
<v Speaker 1>You know. One of the if people are interested in

0:31:06.120 --> 0:31:09.240
<v Speaker 1>this topic, I mean, one of the great rounds of

0:31:09.320 --> 0:31:12.080
<v Speaker 1>ball striking, shot making. I think one of the last

0:31:12.120 --> 0:31:16.480
<v Speaker 1>great rounds was Nick Faldo in the nineteen ninety six Masters.

0:31:17.320 --> 0:31:20.000
<v Speaker 1>I'll never forget. I don't know if you remember or

0:31:20.040 --> 0:31:23.520
<v Speaker 1>not his shot that he hit from thirteen fairway into

0:31:23.520 --> 0:31:27.040
<v Speaker 1>the green. He was on a hook lie, you know,

0:31:27.200 --> 0:31:31.400
<v Speaker 1>severe right to left lie. But he needed to cut

0:31:31.440 --> 0:31:34.520
<v Speaker 1>the ball into that green with a back right pin. Ye.

0:31:35.120 --> 0:31:37.440
<v Speaker 1>And I've watched it a million times. He had Fanny

0:31:37.520 --> 0:31:39.680
<v Speaker 1>Suison on the bag and they were debating and he

0:31:39.720 --> 0:31:42.080
<v Speaker 1>had it. He had a I can't remember what clubs

0:31:42.080 --> 0:31:44.280
<v Speaker 1>he was debating, but he was pulling one club and

0:31:44.360 --> 0:31:47.200
<v Speaker 1>talking and ended up pulling another club and he just

0:31:47.240 --> 0:31:51.280
<v Speaker 1>set up over that thing and hit that a bullet cut.

0:31:51.440 --> 0:31:55.520
<v Speaker 1>And they had the camera perfectly behind him, so you

0:31:55.560 --> 0:31:57.640
<v Speaker 1>see the trajectory of the ball and he hit this

0:31:57.760 --> 0:32:00.880
<v Speaker 1>beautiful cut off this hook lie. Just like, man, if

0:32:00.920 --> 0:32:03.320
<v Speaker 1>you're a golf fan and our architecture fan, you're like,

0:32:03.760 --> 0:32:06.320
<v Speaker 1>that's that's what you live for, right, that's what you

0:32:06.360 --> 0:32:08.480
<v Speaker 1>want to see, and you just don't see it anymore.

0:32:08.800 --> 0:32:12.320
<v Speaker 3>Yeah, it's that's I mean, that's the subtle, subtle ways

0:32:12.360 --> 0:32:15.840
<v Speaker 3>of architecture to really challenge people is give people that,

0:32:16.240 --> 0:32:18.200
<v Speaker 3>you know, I think William Flynn was one of the

0:32:18.240 --> 0:32:21.200
<v Speaker 3>first that did it, was give you know, call for

0:32:21.320 --> 0:32:24.040
<v Speaker 3>a right to left shot and give them a left

0:32:24.080 --> 0:32:28.320
<v Speaker 3>to right lie. And you know it's, uh, the that's

0:32:28.360 --> 0:32:30.440
<v Speaker 3>a I think that's you know what intrigue.

0:32:30.760 --> 0:32:32.160
<v Speaker 2>I think that's what's so cool.

0:32:32.000 --> 0:32:35.360
<v Speaker 3>About golf course architecture is all like the little subtleties

0:32:35.400 --> 0:32:37.920
<v Speaker 3>that that you guys can do, that can you know,

0:32:38.080 --> 0:32:42.600
<v Speaker 3>really give great players fits. So i'd love you know,

0:32:42.840 --> 0:32:45.520
<v Speaker 3>I know, you know, we've gone on a tangent here

0:32:45.560 --> 0:32:47.640
<v Speaker 3>of professional golf, which isn't the worst thing.

0:32:47.720 --> 0:32:50.480
<v Speaker 2>But we let's get back and let's talk.

0:32:50.320 --> 0:32:53.840
<v Speaker 3>A little bit about your work up in the Pacific Northwest.

0:32:53.960 --> 0:32:57.840
<v Speaker 3>I think you've you've done a lot of work at courses.

0:32:57.360 --> 0:32:58.320
<v Speaker 2>Designed by A. V.

0:32:58.560 --> 0:33:01.640
<v Speaker 3>McCann, which you know, having done you know, a lot

0:33:01.720 --> 0:33:03.840
<v Speaker 3>of research, it seems to be one of the more

0:33:03.920 --> 0:33:06.920
<v Speaker 3>underappreciated architects of the Golden Age era.

0:33:08.000 --> 0:33:12.640
<v Speaker 1>Yeah, it's amazing. Actually, I'm you know, I back, Oh

0:33:12.720 --> 0:33:16.520
<v Speaker 1>Jesus must have been. In the late nineties, I visited Vancouver,

0:33:17.200 --> 0:33:19.239
<v Speaker 1>and you know, I'm always making lists if I'm in

0:33:19.240 --> 0:33:21.960
<v Speaker 1>a particular city, what courses do I need to see

0:33:22.000 --> 0:33:24.840
<v Speaker 1>in those cities? So I started making a list, and

0:33:24.880 --> 0:33:26.880
<v Speaker 1>I'm a kid from the East obviously, so I hadn't

0:33:26.880 --> 0:33:28.840
<v Speaker 1>spent a lot of time out west at that point.

0:33:29.720 --> 0:33:32.600
<v Speaker 1>I need to see Shaughnessy, I need to see Mariene Drive,

0:33:32.680 --> 0:33:34.640
<v Speaker 1>I need to see the Victoria Golf Club, I need

0:33:34.640 --> 0:33:38.520
<v Speaker 1>to see Roke Colewood. I need to see Capillano. Obviously

0:33:39.320 --> 0:33:41.560
<v Speaker 1>Capillana is the Stanley Thompson course, and then all of

0:33:41.560 --> 0:33:43.560
<v Speaker 1>a sudden, all the other ones it was Av McCann.

0:33:43.600 --> 0:33:47.360
<v Speaker 1>Av McCann. I'm like, who is this guy? You know?

0:33:47.440 --> 0:33:50.880
<v Speaker 1>So I subsequently tracked down a guy named Mike Rist

0:33:50.920 --> 0:33:54.400
<v Speaker 1>He's from Vancouver, who had done some remarkable research on

0:33:54.560 --> 0:34:01.480
<v Speaker 1>McCann's life. He immigrated from Ireland, born and raised in Dublin,

0:34:02.320 --> 0:34:05.200
<v Speaker 1>came over to Canada and about nineteen twelve I think

0:34:05.240 --> 0:34:09.640
<v Speaker 1>it was, and he was back before he came over.

0:34:09.840 --> 0:34:13.360
<v Speaker 1>He was in the loop with all the big names.

0:34:13.400 --> 0:34:16.279
<v Speaker 1>He was a great amateur golfer, so he played he'd

0:34:16.280 --> 0:34:19.759
<v Speaker 1>played amateur championships around the British Isles, and he knew

0:34:19.760 --> 0:34:23.520
<v Speaker 1>all the guys, you know, John Lowe and all the

0:34:23.520 --> 0:34:26.600
<v Speaker 1>guys of the time who were getting into you know,

0:34:26.680 --> 0:34:30.000
<v Speaker 1>kind of this Renaissance movement golf, that golf architecture, especially

0:34:30.040 --> 0:34:32.440
<v Speaker 1>at the time. So when he got to British Columbia

0:34:32.480 --> 0:34:35.319
<v Speaker 1>there wasn't much golf around. He had the opportunity to

0:34:35.680 --> 0:34:38.759
<v Speaker 1>lay out what is now Royal Cowood in Victoria, where

0:34:38.760 --> 0:34:43.120
<v Speaker 1>he lived. He tweaked the Victoria Golf Club where I

0:34:43.160 --> 0:34:47.399
<v Speaker 1>work now, and he based himself out of there too,

0:34:47.480 --> 0:34:52.280
<v Speaker 1>is his all His letterhead was Victoria Golf Club. But anyway,

0:34:53.440 --> 0:34:56.520
<v Speaker 1>from those two golf courses, he subsequently laid out courses

0:34:56.520 --> 0:34:59.360
<v Speaker 1>in Seattle, Portland all the way down to San Francisco.

0:34:59.480 --> 0:35:02.840
<v Speaker 1>He actually the original designer of the California Golf Club

0:35:03.840 --> 0:35:07.360
<v Speaker 1>before Mackenzie and Hunter came in and bunkered it. But

0:35:07.440 --> 0:35:09.919
<v Speaker 1>he did. He worked from nineteen thirteen until he died

0:35:09.960 --> 0:35:14.239
<v Speaker 1>in nineteen sixty four. The problem was is that by

0:35:15.600 --> 0:35:18.520
<v Speaker 1>almost by the end of World War Two, most of

0:35:18.560 --> 0:35:22.560
<v Speaker 1>his original designs had really deteriorated. You know, I've found

0:35:22.560 --> 0:35:25.240
<v Speaker 1>that out in the research I've done in the putting

0:35:25.239 --> 0:35:29.560
<v Speaker 1>together the restoration master plans for his courses. You know,

0:35:29.719 --> 0:35:32.680
<v Speaker 1>I'll run into guys, you know, I'll pitch the restoration

0:35:32.719 --> 0:35:34.920
<v Speaker 1>of a particular bunker or whatnot, and I'll run into

0:35:34.920 --> 0:35:36.680
<v Speaker 1>a member who says, you know, I've been a member

0:35:36.719 --> 0:35:38.879
<v Speaker 1>here for fifty years, I don't remember that bunker ever

0:35:38.960 --> 0:35:43.000
<v Speaker 1>being there. And that kind of supports my theory that,

0:35:43.120 --> 0:35:45.799
<v Speaker 1>you know, especially in the Northwest, when the when the

0:35:45.840 --> 0:35:48.480
<v Speaker 1>second you know, come out of the depression into the

0:35:48.520 --> 0:35:51.160
<v Speaker 1>Second World War. I mean, there were all the young

0:35:51.200 --> 0:35:53.600
<v Speaker 1>guys who would have been on the maintenance crews and

0:35:53.640 --> 0:35:57.000
<v Speaker 1>whatnot were over fighting the war. Nobody was spending money

0:35:57.000 --> 0:35:59.480
<v Speaker 1>on golf courses because of the war and because of

0:35:59.520 --> 0:36:02.920
<v Speaker 1>the depressed. So things started to disappear, you know, bunkers

0:36:02.960 --> 0:36:07.919
<v Speaker 1>went away and courses changed a lot. People had really

0:36:08.040 --> 0:36:14.160
<v Speaker 1>forgotten about McCann's prowess and his talents. I mean during

0:36:14.160 --> 0:36:16.640
<v Speaker 1>the nineteen twenties and thirties, if you look at historic

0:36:16.840 --> 0:36:20.359
<v Speaker 1>photos and McCann courses, I mean, they stack right up

0:36:20.400 --> 0:36:24.840
<v Speaker 1>with anywhere else, you know, whether it be Ross tilling has,

0:36:24.880 --> 0:36:27.640
<v Speaker 1>you know, in all the greats who were working in

0:36:27.719 --> 0:36:32.600
<v Speaker 1>America at the time as his contemporary. But again, you know,

0:36:32.680 --> 0:36:34.840
<v Speaker 1>the work deteriorated, and by the end of the Second

0:36:34.880 --> 0:36:37.479
<v Speaker 1>World War, no one, no one remembered who a Av

0:36:37.640 --> 0:36:41.160
<v Speaker 1>McCann was, or what is what his original golf courses

0:36:41.200 --> 0:36:43.560
<v Speaker 1>were like. And again, the more I delved into his

0:36:43.680 --> 0:36:46.319
<v Speaker 1>life and his work, he was he was. He was

0:36:46.320 --> 0:36:48.400
<v Speaker 1>on part with all all the greats in the twenties

0:36:48.400 --> 0:36:51.400
<v Speaker 1>and thirties. So it's been it's been a real privilege

0:36:51.440 --> 0:36:53.279
<v Speaker 1>to have an opportunity to kind of dig all this

0:36:53.360 --> 0:36:55.239
<v Speaker 1>stuff out of the archives and kind of bring some

0:36:55.320 --> 0:36:58.000
<v Speaker 1>attention to to, uh, to McCann's legacy.

0:36:58.640 --> 0:37:01.800
<v Speaker 2>I mean, a lot of your job is being an educator.

0:37:02.120 --> 0:37:05.520
<v Speaker 3>It seems like, you know, it's uh, it's interesting. I

0:37:05.640 --> 0:37:10.520
<v Speaker 3>imagine that the Northwest has its own it's constraints, you know,

0:37:10.719 --> 0:37:14.520
<v Speaker 3>especially with with trees and everything, more so than almost

0:37:14.600 --> 0:37:16.600
<v Speaker 3>every other any other part of the country.

0:37:18.160 --> 0:37:21.080
<v Speaker 1>Yeah, it's interesting you say that. I mean not not

0:37:21.200 --> 0:37:24.480
<v Speaker 1>only not only are there you know, obviously beautiful trees

0:37:24.520 --> 0:37:26.640
<v Speaker 1>in the Northwest because of the climate. You know, you

0:37:26.640 --> 0:37:31.840
<v Speaker 1>get those big, beautiful Douglas furs, and really the Northwest

0:37:31.880 --> 0:37:33.960
<v Speaker 1>is filled with the types of trees you really don't

0:37:33.960 --> 0:37:37.479
<v Speaker 1>want to see on a golf course. Most often ye big, big,

0:37:37.560 --> 0:37:43.160
<v Speaker 1>big evergreens to cause shade and problems. Well that's what

0:37:43.200 --> 0:37:45.200
<v Speaker 1>I was just going to say. You know. The biggest

0:37:45.280 --> 0:37:48.720
<v Speaker 1>thing that I've had to fight is that sa Holly

0:37:48.840 --> 0:37:51.520
<v Speaker 1>has long And I've got nothing against Sally. I actually

0:37:51.719 --> 0:37:53.720
<v Speaker 1>never played there, to be honest with you, but I've

0:37:53.840 --> 0:37:59.799
<v Speaker 1>visited the place and the biggest problem is it's sholly

0:38:00.560 --> 0:38:05.680
<v Speaker 1>because of it of its history of hosting championship golf

0:38:06.920 --> 0:38:10.120
<v Speaker 1>it's kind of held. It's kind of become the standard

0:38:10.160 --> 0:38:13.560
<v Speaker 1>in the Pacific Northwest. So every time as an architect

0:38:13.640 --> 0:38:16.719
<v Speaker 1>and working with the superintendents I work with, when we

0:38:17.160 --> 0:38:20.600
<v Speaker 1>propose some tree removal, you know, we're always fighting the well,

0:38:20.920 --> 0:38:23.399
<v Speaker 1>holly's a holly, does it? You know? There's a tree

0:38:23.400 --> 0:38:25.520
<v Speaker 1>in the middle of the fairway, it's a holly. The

0:38:25.560 --> 0:38:27.839
<v Speaker 1>greens are surrounded by trees, it's a holly. How come

0:38:27.880 --> 0:38:30.200
<v Speaker 1>they can grow grafts, you know, So we're always we're

0:38:30.200 --> 0:38:34.440
<v Speaker 1>always fighting that supposed standard of Sahlly being a course

0:38:34.480 --> 0:38:38.920
<v Speaker 1>that's heavily treed, where trees come into play, where trees

0:38:39.239 --> 0:38:42.680
<v Speaker 1>shade greens, and they don't do anything about it. So

0:38:42.719 --> 0:38:46.759
<v Speaker 1>I think that's a holly standard has been a real

0:38:46.800 --> 0:38:50.319
<v Speaker 1>issue for us. But we're overcoming it, as you said,

0:38:50.360 --> 0:38:53.560
<v Speaker 1>as we dig out all these historical photos and dig

0:38:53.600 --> 0:38:56.759
<v Speaker 1>out some of McCann's writings, and now people in the

0:38:56.800 --> 0:38:59.440
<v Speaker 1>Northwest are starting to pay attention to what's been done,

0:38:59.480 --> 0:39:01.960
<v Speaker 1>you know. As you probably know too, it seems like

0:39:02.040 --> 0:39:07.200
<v Speaker 1>golf trends moved east to west in North America. So

0:39:07.719 --> 0:39:10.120
<v Speaker 1>Seattle's obviously going to be, you know, one of the

0:39:10.200 --> 0:39:13.600
<v Speaker 1>last places where the wave of any kind of movement

0:39:13.680 --> 0:39:16.000
<v Speaker 1>gets to in golf. So but people are starting to

0:39:16.040 --> 0:39:19.400
<v Speaker 1>become more conscious of the benefits of tree removal and

0:39:19.840 --> 0:39:23.800
<v Speaker 1>the benefits of being able to see across these golf

0:39:23.840 --> 0:39:29.560
<v Speaker 1>courses and appreciate the train and appreciate long views, appreciate

0:39:29.719 --> 0:39:33.480
<v Speaker 1>more room to play, appreciate strategies you know, when you

0:39:33.520 --> 0:39:37.359
<v Speaker 1>widen corridors. So you're absolutely right, it is a it's

0:39:37.400 --> 0:39:41.160
<v Speaker 1>a it's a learning process, and a large part of

0:39:41.200 --> 0:39:44.440
<v Speaker 1>my job is actually being an educator. But I enjoyed

0:39:44.480 --> 0:39:48.000
<v Speaker 1>I've always enjoyed history. As I said, I studied political

0:39:48.040 --> 0:39:51.680
<v Speaker 1>science and history and I've always kind of been historically minded.

0:39:51.760 --> 0:39:54.040
<v Speaker 1>So it's fun to, you know, again, dig out the

0:39:54.080 --> 0:39:57.600
<v Speaker 1>materials and put together the writings and give the presentations.

0:39:57.680 --> 0:40:00.719
<v Speaker 1>And yeah, we made some good progress in the Northwest,

0:40:00.719 --> 0:40:01.600
<v Speaker 1>So it's fun.

0:40:01.960 --> 0:40:02.279
<v Speaker 2>I think.

0:40:02.840 --> 0:40:08.560
<v Speaker 3>I think trees make golf easier for good players and

0:40:08.760 --> 0:40:10.560
<v Speaker 3>harder for bad players.

0:40:11.560 --> 0:40:15.560
<v Speaker 1>I agree. You get you get a fair away, that's

0:40:15.640 --> 0:40:18.120
<v Speaker 1>that's lined. I know you're a good player. Andy, you

0:40:18.120 --> 0:40:22.239
<v Speaker 1>know you get tree line, tree line right, tree line left.

0:40:22.280 --> 0:40:25.560
<v Speaker 1>You can focus on that target, you know, and and

0:40:25.400 --> 0:40:28.640
<v Speaker 1>you guys who are good like that focus.

0:40:29.360 --> 0:40:34.800
<v Speaker 3>There's nowhere you have to think about hitting it.

0:40:33.960 --> 0:40:37.319
<v Speaker 1>And as you know, the other people, I mean, how

0:40:37.320 --> 0:40:41.319
<v Speaker 1>many fairways do they miss every round? A lot? So

0:40:41.480 --> 0:40:43.480
<v Speaker 1>when you're in a tight tree line golf course, you're

0:40:43.480 --> 0:40:45.919
<v Speaker 1>exactly right, easy for the good player and a lot

0:40:45.960 --> 0:40:49.440
<v Speaker 1>more difficult for the higher handicap, which is the exact

0:40:49.520 --> 0:40:52.520
<v Speaker 1>opposite of what the ideal and golf course architecture is. Right,

0:40:53.040 --> 0:40:54.719
<v Speaker 1>you want to golf, You want a golf course to

0:40:54.840 --> 0:40:57.040
<v Speaker 1>challenge the best players and at the same time allow

0:40:57.080 --> 0:41:00.239
<v Speaker 1>everyone else to have fun. And you know, and I

0:41:00.320 --> 0:41:03.200
<v Speaker 1>used that argument a lot too, because Av McCann preached

0:41:03.200 --> 0:41:06.799
<v Speaker 1>that forever. One of the most fascinating things I've read

0:41:06.840 --> 0:41:10.840
<v Speaker 1>about from him actually is later in his life a

0:41:11.080 --> 0:41:13.480
<v Speaker 1>kid wrote him a letter. I think it was in

0:41:13.520 --> 0:41:15.920
<v Speaker 1>the He died in sixty four, so I think it

0:41:15.960 --> 0:41:20.400
<v Speaker 1>was in the fifties or early they had late fifties. No,

0:41:20.480 --> 0:41:23.319
<v Speaker 1>I'm sorry, early fifties, because they were in the letter

0:41:23.320 --> 0:41:26.080
<v Speaker 1>they were talking about the nineteen fifty one US Open

0:41:26.480 --> 0:41:29.320
<v Speaker 1>at Oakland Hills. You know, when Robert Trent Jones narrowed

0:41:29.320 --> 0:41:31.960
<v Speaker 1>the course, you know, bunkerd the hell out of it,

0:41:32.040 --> 0:41:34.640
<v Speaker 1>and Ben Hogan won and said he conquered the monster.

0:41:34.800 --> 0:41:38.040
<v Speaker 1>You know, it was the first time that you know,

0:41:38.480 --> 0:41:41.080
<v Speaker 1>just making a golf course super hard, got a lot

0:41:41.120 --> 0:41:44.120
<v Speaker 1>of publicity and a lot of attention, and McCann was

0:41:44.239 --> 0:41:46.880
<v Speaker 1>totally against that. And the kid asked him, you know,

0:41:46.920 --> 0:41:50.520
<v Speaker 1>I want to go into golf architecture. You know, what

0:41:50.800 --> 0:41:52.640
<v Speaker 1>do I need to learn? And he said, well, don't

0:41:52.680 --> 0:41:54.799
<v Speaker 1>pay attention to Oakland Hills. All you need to do

0:41:54.920 --> 0:41:58.480
<v Speaker 1>is read the two chapters and Bobby Jones's autobiography about

0:41:58.520 --> 0:42:02.840
<v Speaker 1>the development of Augusta Nashville. You know, he thought that

0:42:02.880 --> 0:42:06.080
<v Speaker 1>they achieved the ideal in terms of creating a course

0:42:06.160 --> 0:42:10.160
<v Speaker 1>that challenged the best and catered to the enjoyment of

0:42:10.200 --> 0:42:13.759
<v Speaker 1>everyone else along the line with Saint Andrews, and you know,

0:42:13.800 --> 0:42:17.680
<v Speaker 1>it opened up with twenty two bunkers in nineteen thirty two.

0:42:18.280 --> 0:42:21.080
<v Speaker 1>They had big, wide fairways, but they could play the

0:42:21.160 --> 0:42:24.480
<v Speaker 1>masters there, you know. And that's a neat piece of advice.

0:42:24.520 --> 0:42:28.480
<v Speaker 1>I always go back to that McCann quote about who

0:42:28.520 --> 0:42:32.080
<v Speaker 1>would think that Bobby Jones's autobiography is an architecture book,

0:42:32.320 --> 0:42:35.160
<v Speaker 1>but it is those two chapters.

0:42:35.400 --> 0:42:41.560
<v Speaker 3>It's ironic that you that that same person that kind

0:42:41.560 --> 0:42:45.319
<v Speaker 3>of did that to Oakland Hills did the exact same

0:42:45.360 --> 0:42:47.880
<v Speaker 3>thing to Bobby Jones's AUGUSTA.

0:42:50.160 --> 0:42:54.000
<v Speaker 1>Yeah, it is interesting. It's also interesting that Bobby Jones

0:42:54.080 --> 0:42:56.640
<v Speaker 1>was working with him when he started, you know, change

0:42:56.640 --> 0:43:01.080
<v Speaker 1>in sixteen and eleven and yeah, it's boy, if you

0:43:01.080 --> 0:43:03.480
<v Speaker 1>could bring Jones back and talk to him while working

0:43:03.480 --> 0:43:07.319
<v Speaker 1>with McKenzie and then Trent Jones on that golf course, boy,

0:43:07.360 --> 0:43:09.640
<v Speaker 1>would that be something to listen to. Yeah.

0:43:09.719 --> 0:43:13.840
<v Speaker 3>Yeah, I read something about this year that golf WRX

0:43:13.880 --> 0:43:18.840
<v Speaker 3>did an article with Robert Trent Jones Junior and he

0:43:18.960 --> 0:43:21.080
<v Speaker 3>was talking about it, and you know, it just had

0:43:21.120 --> 0:43:24.160
<v Speaker 3>me shaking my head the whole time, you know, talking

0:43:24.160 --> 0:43:28.040
<v Speaker 3>about how you know they needed to remove bunkers or

0:43:28.080 --> 0:43:31.280
<v Speaker 3>add bunkers and add water hazards and all this stuff,

0:43:31.320 --> 0:43:36.600
<v Speaker 3>and it's like, God, you just don't get it. It's

0:43:36.680 --> 0:43:39.200
<v Speaker 3>it's interesting, Like I think, like the runoff areas that

0:43:39.280 --> 0:43:42.720
<v Speaker 3>you see are so becoming so popular now and golf

0:43:42.800 --> 0:43:45.680
<v Speaker 3>like is a perfect example. For like the regular player,

0:43:45.920 --> 0:43:49.759
<v Speaker 3>that fifteen handicap so easy, You grab a putter.

0:43:49.480 --> 0:43:51.640
<v Speaker 2>And you put it, you know, But then for the

0:43:52.200 --> 0:43:52.640
<v Speaker 2>for the.

0:43:52.520 --> 0:43:54.680
<v Speaker 3>Better player, you look at it and you were like,

0:43:54.880 --> 0:43:57.200
<v Speaker 3>what do I do here? You know, and you're like,

0:43:57.239 --> 0:44:00.359
<v Speaker 3>do I hit a hit a sixty degree? Do I

0:44:00.440 --> 0:44:03.280
<v Speaker 3>hit use like a gap wedge and hit a low checker?

0:44:03.360 --> 0:44:06.200
<v Speaker 3>Do I bump it? Do I use a putter?

0:44:06.360 --> 0:44:06.480
<v Speaker 1>Like?

0:44:06.520 --> 0:44:09.120
<v Speaker 2>And all that question puts doubt.

0:44:08.920 --> 0:44:11.239
<v Speaker 3>Into your head and you and that's when you win

0:44:12.160 --> 0:44:14.680
<v Speaker 3>as an architect against a good players, when you make

0:44:14.760 --> 0:44:18.640
<v Speaker 3>them think and exactly and but for the for the

0:44:18.680 --> 0:44:21.880
<v Speaker 3>regular player they and but like when you think about it,

0:44:21.880 --> 0:44:26.799
<v Speaker 3>it's contradictory, like, oh, these runoff areas are easier, but

0:44:27.239 --> 0:44:29.400
<v Speaker 3>in actuality they're harder for the good player.

0:44:30.520 --> 0:44:33.919
<v Speaker 1>Exactly. I agree one hundred percent. I mean, I love

0:44:34.160 --> 0:44:37.040
<v Speaker 1>I love short crafts for the for the reasons you

0:44:37.040 --> 0:44:40.480
<v Speaker 1>said it's it's it fits into the equation of creating

0:44:40.480 --> 0:44:44.040
<v Speaker 1>the ideal and architecture right as you just said, the

0:44:44.719 --> 0:44:47.239
<v Speaker 1>higher handicap they can knock it out of the green

0:44:47.239 --> 0:44:49.560
<v Speaker 1>with the putter probably you know, maybe not close to

0:44:49.560 --> 0:44:51.600
<v Speaker 1>the hole, but at least they're keeping the ball moving

0:44:51.640 --> 0:44:54.840
<v Speaker 1>they're on the green. And then the shot options, the

0:44:54.960 --> 0:45:00.279
<v Speaker 1>tight lies present the challenge for for better golfers. But

0:45:00.360 --> 0:45:03.120
<v Speaker 1>I lately I've been playing the devil's advocate on that one.

0:45:03.120 --> 0:45:06.560
<v Speaker 1>I mean, again, I love short grass, but you know

0:45:06.640 --> 0:45:10.239
<v Speaker 1>it's it's architecture in all forms of art, really, but

0:45:10.360 --> 0:45:13.320
<v Speaker 1>you know, there's always trends in architecture, and I think

0:45:13.640 --> 0:45:16.520
<v Speaker 1>I think sometimes the short grass areas kind of are

0:45:16.520 --> 0:45:18.319
<v Speaker 1>starting to get a little bit out of control, to

0:45:18.360 --> 0:45:21.120
<v Speaker 1>be honest with you, you know, everywhere because I run

0:45:21.200 --> 0:45:23.600
<v Speaker 1>into it with members too. Everywhere there's a fall off

0:45:23.600 --> 0:45:25.960
<v Speaker 1>off the side of the green. You know, there's always

0:45:26.360 --> 0:45:30.040
<v Speaker 1>a suggestion about putting short grass down there, and as

0:45:30.080 --> 0:45:32.640
<v Speaker 1>I said, I'm not opposed to it. But at the

0:45:32.680 --> 0:45:35.560
<v Speaker 1>same time, I mentioned this earlier. At the same time,

0:45:35.560 --> 0:45:38.480
<v Speaker 1>I think variety is most important. You know, you want

0:45:38.520 --> 0:45:41.400
<v Speaker 1>to have holes where when you miss, sometimes you're a bunker.

0:45:41.800 --> 0:45:44.440
<v Speaker 1>Sometimes you got that tight lie on the short grass

0:45:44.480 --> 0:45:47.839
<v Speaker 1>like you just mentioned, sometimes you're rough. I mean, it's

0:45:47.840 --> 0:45:49.759
<v Speaker 1>still a golf shot, right, that should be part of

0:45:49.800 --> 0:45:53.239
<v Speaker 1>the equation to be playing out of two or three

0:45:53.280 --> 0:45:55.600
<v Speaker 1>inches of grass too. I mean, you just have to

0:45:55.600 --> 0:45:58.879
<v Speaker 1>make sure that it's not happening every time you miss

0:45:58.880 --> 0:46:02.319
<v Speaker 1>a fair way and every time you misagree, that's when

0:46:02.360 --> 0:46:04.920
<v Speaker 1>the golf course gets monotonous. So I think we need

0:46:04.960 --> 0:46:08.120
<v Speaker 1>to use all of those hazards, you know, and kind

0:46:08.120 --> 0:46:11.960
<v Speaker 1>of sprinkle them around equitably so that you get all

0:46:12.080 --> 0:46:13.360
<v Speaker 1>kinds of different shots.

0:46:13.680 --> 0:46:17.319
<v Speaker 2>Yeah, something I don't see a lot of that.

0:46:17.400 --> 0:46:20.680
<v Speaker 3>I kind of really like our grass bunkers.

0:46:21.360 --> 0:46:24.160
<v Speaker 1>Yeah, you know, it's interesting you don't see them a lot.

0:46:25.719 --> 0:46:27.960
<v Speaker 1>I've got an article sitting in front of me right here,

0:46:27.960 --> 0:46:31.200
<v Speaker 1>actually because i've been working on this McCann stuff and

0:46:30.760 --> 0:46:34.920
<v Speaker 1>trying to do things minimize bunkers on golf courses. And

0:46:35.400 --> 0:46:39.760
<v Speaker 1>there's an article that mackenzie wrote in the Alistair. Mackenzie

0:46:39.800 --> 0:46:44.200
<v Speaker 1>wrote the American Golfer magazine in nineteen thirty three, and

0:46:44.560 --> 0:46:47.680
<v Speaker 1>he was talking about how golf courses have too many

0:46:47.680 --> 0:46:52.319
<v Speaker 1>bunkers and actually advocating the use of grass hollows. And

0:46:52.920 --> 0:46:57.000
<v Speaker 1>you're absolutely right. It's in all my travels you rarely

0:46:57.040 --> 0:47:02.040
<v Speaker 1>see grassy hollows. Actually, Bee Die courses you see, you

0:47:02.080 --> 0:47:05.719
<v Speaker 1>see a lot of grassy hollows. But it's an interesting

0:47:05.840 --> 0:47:08.120
<v Speaker 1>thing that I put some thought into. I don't know

0:47:08.160 --> 0:47:11.680
<v Speaker 1>if I particularly know how to effectively use them, but

0:47:12.280 --> 0:47:15.959
<v Speaker 1>in lieu of bunkers, it's an interesting thing to think about,

0:47:16.000 --> 0:47:17.120
<v Speaker 1>that's for sure.

0:47:17.440 --> 0:47:21.680
<v Speaker 3>I mean it's another example of like for compared to

0:47:21.719 --> 0:47:26.080
<v Speaker 3>a bunker, for like your beginner a grass bunker is

0:47:26.239 --> 0:47:30.640
<v Speaker 3>worlds easier, you know, right, and then for the better

0:47:30.680 --> 0:47:32.480
<v Speaker 3>players it's world's harder.

0:47:34.400 --> 0:47:37.680
<v Speaker 1>And most importantly, it's less expensive to build and less

0:47:37.719 --> 0:47:41.000
<v Speaker 1>expenses to maintain. Yeah, yeah, and that's what that's what

0:47:41.080 --> 0:47:45.120
<v Speaker 1>mackenzie was advocating back in nineteen thirty three. And that's

0:47:45.200 --> 0:47:48.319
<v Speaker 1>actually a fascinating thing to me right now, you know.

0:47:48.360 --> 0:47:51.799
<v Speaker 1>I mean, I've I've had this dream of one day

0:47:51.800 --> 0:47:54.120
<v Speaker 1>having an opportunity to build a build a bunker this

0:47:54.239 --> 0:47:58.000
<v Speaker 1>golf course. I don't even know if it would fly,

0:47:58.200 --> 0:48:01.200
<v Speaker 1>you know what, which owner open would let you do it?

0:48:01.560 --> 0:48:06.759
<v Speaker 1>And would golfers recognize that you could do something interesting

0:48:07.560 --> 0:48:13.319
<v Speaker 1>and without any sand bunkers. You know. It's just it's

0:48:13.360 --> 0:48:15.120
<v Speaker 1>something I'd love to give a shot to, you know,

0:48:15.239 --> 0:48:20.440
<v Speaker 1>interesting greens, interesting contour in the fair ways, and figuring

0:48:20.440 --> 0:48:22.759
<v Speaker 1>out a way to do it without any bunkers. You know.

0:48:22.960 --> 0:48:25.080
<v Speaker 1>I'd love to take on that challenge someday.

0:48:25.560 --> 0:48:28.600
<v Speaker 3>It's well, like you know, like we've talked a lot

0:48:28.600 --> 0:48:31.560
<v Speaker 3>about Augusta, but I think one of the most overlooked

0:48:31.560 --> 0:48:37.960
<v Speaker 3>great holes out there is the fourteenth and it's bunker less, and.

0:48:36.920 --> 0:48:38.880
<v Speaker 2>I think it would be I think it would be

0:48:39.000 --> 0:48:39.479
<v Speaker 2>very cool.

0:48:39.760 --> 0:48:42.239
<v Speaker 3>I was going to ask you about, you know, what

0:48:42.680 --> 0:48:46.000
<v Speaker 3>kind of new architecture ideas or trends get you most

0:48:46.040 --> 0:48:49.279
<v Speaker 3>excited and that kind of feel, you know, doing something bunkerless.

0:48:49.400 --> 0:48:50.799
<v Speaker 2>It could be cool that you could do it.

0:48:50.960 --> 0:48:53.680
<v Speaker 3>You could be as it could be less than eighteen

0:48:53.719 --> 0:48:56.520
<v Speaker 3>holes too, you know it. You'd have to have a

0:48:56.560 --> 0:48:58.720
<v Speaker 3>good piece of land, I imagine, though, right.

0:48:59.360 --> 0:49:01.640
<v Speaker 1>Yeah, exactly, I was just thinking the same thing.

0:49:01.719 --> 0:49:04.680
<v Speaker 5>I mean, a nice, rolling, sandy piece of ground with

0:49:04.800 --> 0:49:08.239
<v Speaker 5>good contour would give you a lot more options than than,

0:49:08.520 --> 0:49:10.759
<v Speaker 5>you know, than a less interesting piece of land, that's

0:49:10.760 --> 0:49:13.000
<v Speaker 5>for sure. But I don't know, I've you know, it's

0:49:13.000 --> 0:49:15.040
<v Speaker 5>going to sound like a sales pitch, but I mean

0:49:15.080 --> 0:49:19.440
<v Speaker 5>I've always been kind of obsessed with with economy, you know,

0:49:19.560 --> 0:49:20.480
<v Speaker 5>in efficiency.

0:49:22.440 --> 0:49:25.120
<v Speaker 1>You know, I would rather have someone go play one

0:49:25.160 --> 0:49:27.600
<v Speaker 1>of my golf courses and say, geez, did you see

0:49:27.600 --> 0:49:31.319
<v Speaker 1>what what what Minge did for a million dollars, rather

0:49:31.360 --> 0:49:34.120
<v Speaker 1>than say, geez, did you see Minge spend fifty million

0:49:34.200 --> 0:49:35.959
<v Speaker 1>dollars on there? And I don't even want to play there,

0:49:36.480 --> 0:49:38.440
<v Speaker 1>you know. So trying to figure out ways to be

0:49:38.480 --> 0:49:43.360
<v Speaker 1>efficient and economic, you know, is a is a very

0:49:43.400 --> 0:49:47.800
<v Speaker 1>interesting challenge to me, and obviously from a from a

0:49:47.840 --> 0:49:50.080
<v Speaker 1>business standpoint, I mean, geez, that's what you should be

0:49:50.160 --> 0:49:51.759
<v Speaker 1>providing your clients with, you know.

0:49:52.640 --> 0:49:56.880
<v Speaker 3>Well, it's lessons like especially at a public course, you

0:49:56.920 --> 0:50:00.560
<v Speaker 3>know that all the costs just get passed the consumer,

0:50:01.160 --> 0:50:03.600
<v Speaker 3>you know, And that's why we see two hundred and

0:50:03.600 --> 0:50:05.840
<v Speaker 3>fifty dollars green speeds at a lot of these plays,

0:50:05.840 --> 0:50:07.280
<v Speaker 3>Like why is why.

0:50:07.120 --> 0:50:10.359
<v Speaker 2>Does Whistling Straights cost four hundred dollars to play? Well?

0:50:10.400 --> 0:50:13.560
<v Speaker 3>They moved an insane amount of earth to build the

0:50:13.600 --> 0:50:18.359
<v Speaker 3>golf course, right, and you know, like you you look

0:50:18.400 --> 0:50:21.000
<v Speaker 3>at other places, like I think one of the things

0:50:21.000 --> 0:50:24.160
<v Speaker 3>that I've been I'm fascinated at from like this kind

0:50:24.239 --> 0:50:28.000
<v Speaker 3>of discussion is the Loop. You know, the Tom Doks

0:50:28.000 --> 0:50:31.200
<v Speaker 3>recent course, and I know Dan Hickson is doing a

0:50:31.239 --> 0:50:34.319
<v Speaker 3>reversible course that opens this year up in Oregon, but

0:50:34.400 --> 0:50:37.080
<v Speaker 3>the idea of two golf courses in one.

0:50:38.080 --> 0:50:40.719
<v Speaker 1>Yeah, absolutely, I can't wait to get to the Loop.

0:50:40.760 --> 0:50:42.719
<v Speaker 1>I tried to get there last summer and I just

0:50:42.840 --> 0:50:44.839
<v Speaker 1>couldn't work out the schedule. But I'm hoping to get

0:50:44.840 --> 0:50:50.280
<v Speaker 1>there this year because it is it is a fascinating concept, amazing.

0:50:50.520 --> 0:50:53.280
<v Speaker 1>I actually looked at a piece of ground in British

0:50:53.280 --> 0:50:55.759
<v Speaker 1>Columbia to redo it existing golf course that had this

0:50:55.880 --> 0:50:59.200
<v Speaker 1>similar potential. Unfortunately, the project did go ahead, but I

0:50:59.280 --> 0:51:02.440
<v Speaker 1>pitched it to the the owner there, and you know,

0:51:03.320 --> 0:51:06.239
<v Speaker 1>he was quite confused by the by the idea, you know,

0:51:06.320 --> 0:51:09.239
<v Speaker 1>And I remember hearing Tom Doaks say that that he'd

0:51:09.280 --> 0:51:12.000
<v Speaker 1>been considering that. He may he may have said this

0:51:12.080 --> 0:51:15.440
<v Speaker 1>to you, and you talked to him recently. But you know,

0:51:15.520 --> 0:51:18.120
<v Speaker 1>a lot of people wouldn't get that concept. You have

0:51:18.239 --> 0:51:21.160
<v Speaker 1>to find the right owner who's willing to take on that,

0:51:22.040 --> 0:51:25.880
<v Speaker 1>you know that. I guess it's just an oddity that

0:51:25.920 --> 0:51:28.799
<v Speaker 1>a lot of people wouldn't wouldn't quite get. So it's cool.

0:51:28.800 --> 0:51:31.600
<v Speaker 1>That's cool that they gave Calm an opportunity to do that.

0:51:31.680 --> 0:51:33.799
<v Speaker 1>I can't think about a better guy to give it

0:51:33.840 --> 0:51:35.800
<v Speaker 1>a shot, to be honest with you, I'm sure it's great.

0:51:37.120 --> 0:51:39.160
<v Speaker 1>Frank Pont actually a friend of mine who's based in

0:51:39.239 --> 0:51:42.839
<v Speaker 1>Amsterdam over in Europe. He's working on two projects where

0:51:42.840 --> 0:51:45.480
<v Speaker 1>he's he's going to be doing reversible courses over there

0:51:45.520 --> 0:51:47.960
<v Speaker 1>in the Netherlands. So I don't know, maybe it's going

0:51:48.040 --> 0:51:49.719
<v Speaker 1>to become a bit of a trend, and I don't

0:51:49.719 --> 0:51:51.759
<v Speaker 1>think it'd be a bad thing in spots that we

0:51:51.800 --> 0:51:52.600
<v Speaker 1>can figure it out.

0:51:53.080 --> 0:51:55.960
<v Speaker 3>Yeah, it makes a lot of sense, you know, like

0:51:56.760 --> 0:51:59.800
<v Speaker 3>especially for a resort, you know, like it gives somebody

0:51:59.800 --> 0:52:02.279
<v Speaker 3>as to stay an extra day, you know, if you're

0:52:02.280 --> 0:52:04.960
<v Speaker 3>trying to build destination golf. I think it would make

0:52:04.960 --> 0:52:07.080
<v Speaker 3>a lot of sense for a members course too, because

0:52:07.239 --> 0:52:09.480
<v Speaker 3>you get a lot you know variety.

0:52:10.600 --> 0:52:14.480
<v Speaker 1>Yeah. Absolutely, but again, well again we're fighting the North

0:52:14.520 --> 0:52:19.160
<v Speaker 1>American mentality of I mean, you know, I see things

0:52:19.200 --> 0:52:21.440
<v Speaker 1>like they don't want you know, members of golf clubs

0:52:21.800 --> 0:52:24.520
<v Speaker 1>complain if you move the team markers back and or forth.

0:52:24.680 --> 0:52:26.880
<v Speaker 1>You know, they always want to play that hole at

0:52:27.080 --> 0:52:29.600
<v Speaker 1>one hundred and sixty seven yards. If you set up

0:52:29.600 --> 0:52:31.400
<v Speaker 1>at one hundred and thirty seven, they walk up and

0:52:31.440 --> 0:52:35.120
<v Speaker 1>say why they watch move the teas up. So we're constantly,

0:52:35.520 --> 0:52:41.239
<v Speaker 1>you know, fighting to create that type of stuff when

0:52:41.280 --> 0:52:45.480
<v Speaker 1>people don't at variety. You know, again going back to

0:52:45.520 --> 0:52:48.240
<v Speaker 1>the start of our conversation, they don't want to challenge,

0:52:48.239 --> 0:52:50.720
<v Speaker 1>they don't want it to be different. It's it's it really,

0:52:51.600 --> 0:52:54.919
<v Speaker 1>it's really mind boggling to be the way some golfers think.

0:52:55.239 --> 0:52:59.840
<v Speaker 3>Something I've started to do in non like stipulated rounds.

0:53:00.440 --> 0:53:03.200
<v Speaker 3>Is I just play whatever tea box I want to play,

0:53:03.840 --> 0:53:07.799
<v Speaker 3>you know, And I've just decided that, like, why do

0:53:07.920 --> 0:53:09.120
<v Speaker 3>I have to play.

0:53:08.960 --> 0:53:12.080
<v Speaker 2>A specific te box on a specific day, Like, you know,

0:53:12.200 --> 0:53:12.520
<v Speaker 2>if I.

0:53:12.480 --> 0:53:14.680
<v Speaker 3>Want to play a par five up and make it

0:53:14.719 --> 0:53:17.439
<v Speaker 3>a completely different hole than what it is I play

0:53:17.480 --> 0:53:20.000
<v Speaker 3>the majority of the time, why not if I don't

0:53:20.000 --> 0:53:22.480
<v Speaker 3>want to hit it, you know, like if it's into

0:53:22.520 --> 0:53:23.879
<v Speaker 3>the wind and I don't want to have to hit

0:53:23.960 --> 0:53:26.640
<v Speaker 3>like a punch three wood on a par three, I'll

0:53:26.680 --> 0:53:28.759
<v Speaker 3>move up and hit a different shot, you know. It's

0:53:28.800 --> 0:53:31.440
<v Speaker 3>like or if I want to move back, like I

0:53:31.560 --> 0:53:34.360
<v Speaker 3>just I think that's one of the problems with the

0:53:34.400 --> 0:53:38.480
<v Speaker 3>game is that we've become so it's become so focused

0:53:38.560 --> 0:53:43.000
<v Speaker 3>on score and tease and handicap, and that's what needs

0:53:43.040 --> 0:53:45.200
<v Speaker 3>to be let go because at the end of the day,

0:53:45.239 --> 0:53:48.320
<v Speaker 3>it's just about having fun. It's like, like the most

0:53:48.440 --> 0:53:50.640
<v Speaker 3>fun times I've had on a golf course is like

0:53:50.960 --> 0:53:53.440
<v Speaker 3>when you just peg it, you know, and there are

0:53:53.480 --> 0:53:54.759
<v Speaker 3>no te markers out there.

0:53:55.600 --> 0:53:58.840
<v Speaker 1>Yeah, you know, that's It just reminds me of another

0:53:58.920 --> 0:54:03.360
<v Speaker 1>amazing content that hasn't been attempted again, and that's George

0:54:03.400 --> 0:54:08.480
<v Speaker 1>Thomas's La South, you know Los Angeles Country cub South Course.

0:54:09.320 --> 0:54:12.719
<v Speaker 1>When Thomas designed it in the in the mid twenties,

0:54:13.320 --> 0:54:16.080
<v Speaker 1>his concept was to create a course within a course,

0:54:16.960 --> 0:54:19.480
<v Speaker 1>so that golf course and I know that Gil Hanson

0:54:19.480 --> 0:54:23.480
<v Speaker 1>and Jeff shakov are recently stored a lot of those concepts, thankfully,

0:54:23.560 --> 0:54:26.200
<v Speaker 1>but Thomas wanted you to go out there and basically

0:54:26.640 --> 0:54:30.680
<v Speaker 1>create enough tea options and enough options to set the

0:54:30.760 --> 0:54:33.799
<v Speaker 1>pins that you're basically every day you're out there, you're

0:54:33.840 --> 0:54:37.080
<v Speaker 1>playing a different golf course. The holes aren't even close

0:54:37.120 --> 0:54:40.040
<v Speaker 1>to the same because of the options you have in

0:54:40.160 --> 0:54:42.600
<v Speaker 1>terms of the way you set it up. And really

0:54:42.640 --> 0:54:46.000
<v Speaker 1>that just derived from the old course, right, you know,

0:54:46.080 --> 0:54:48.880
<v Speaker 1>the old course gives you a lot of room to flex.

0:54:48.920 --> 0:54:51.680
<v Speaker 1>The distances of the holes and the greens are so

0:54:51.920 --> 0:54:54.879
<v Speaker 1>big that you know, you can take the pins far right,

0:54:55.000 --> 0:54:58.640
<v Speaker 1>far left, up front in the back then the wind

0:54:58.680 --> 0:55:01.600
<v Speaker 1>starts blowing. I mean, of course, is the epitome of

0:55:01.600 --> 0:55:05.200
<v Speaker 1>course within a course, and it's it's a really neat

0:55:05.280 --> 0:55:09.080
<v Speaker 1>concept that I think that needs to be resurrected when

0:55:09.080 --> 0:55:10.360
<v Speaker 1>we have those opportunities.

0:55:10.719 --> 0:55:11.160
<v Speaker 2>Yeah.

0:55:11.239 --> 0:55:15.160
<v Speaker 3>Yeah, if there's all kinds of little things you can

0:55:15.200 --> 0:55:18.920
<v Speaker 3>do so I'm curious. You know, we've talked a ton

0:55:19.000 --> 0:55:25.320
<v Speaker 3>about kind of Golden Age architects. What if you were gonna,

0:55:26.360 --> 0:55:30.160
<v Speaker 3>uh kind of create like your ideal architects using like,

0:55:30.239 --> 0:55:33.400
<v Speaker 3>you know, the different different skills, like you know, routing

0:55:33.480 --> 0:55:35.920
<v Speaker 3>bunkers of of you know, it could be current, it

0:55:35.920 --> 0:55:40.480
<v Speaker 3>could be uh, Golden Age architects. How would you construct

0:55:40.480 --> 0:55:43.880
<v Speaker 3>the architect whether it be like routing, bunkering greens. You know,

0:55:44.200 --> 0:55:46.000
<v Speaker 3>if we put it into like, you know, three or

0:55:46.040 --> 0:55:48.440
<v Speaker 3>four categories, you.

0:55:48.440 --> 0:55:50.520
<v Speaker 1>Mean, who would be in charge of each category?

0:55:50.640 --> 0:55:50.839
<v Speaker 2>Yeah?

0:55:51.800 --> 0:55:56.120
<v Speaker 1>Oh, holy cow, that's uh, that might be one of

0:55:56.160 --> 0:56:01.200
<v Speaker 1>the best questions I've ever been asked. Well, you know,

0:56:01.320 --> 0:56:05.880
<v Speaker 1>I mean I go back to my childhood and it

0:56:05.920 --> 0:56:09.000
<v Speaker 1>didn't take me very long to realize how great Donald

0:56:09.080 --> 0:56:14.480
<v Speaker 1>Ross was at routing golf courses. You know, absolutely fantastic.

0:56:15.080 --> 0:56:17.120
<v Speaker 1>Rarely do you see a Ross course where the routing

0:56:17.160 --> 0:56:19.799
<v Speaker 1>has been changed because you can't really improve upon it.

0:56:21.239 --> 0:56:26.480
<v Speaker 1>So maybe I'd give Ross the routing. Well, I probably

0:56:26.520 --> 0:56:29.359
<v Speaker 1>I probably sound like a lot of my a lot

0:56:29.400 --> 0:56:33.759
<v Speaker 1>of my contemporaries here, but I might put Perry Maxwell

0:56:33.800 --> 0:56:37.640
<v Speaker 1>in charge of the greens. You know, he's I mean,

0:56:38.360 --> 0:56:41.479
<v Speaker 1>Perry Maxwell Green's. The best ones are just stuff the chart,

0:56:41.560 --> 0:56:51.400
<v Speaker 1>good prairie dunes and whatnot. Cheef bunkers. I'm trying to say,

0:56:51.480 --> 0:56:53.640
<v Speaker 1>you know, you know what I like about bunkering is

0:56:53.719 --> 0:56:57.360
<v Speaker 1>I like variety. I mean, I think on all my projects,

0:56:57.440 --> 0:56:59.759
<v Speaker 1>I try to bring a different bunker style to each

0:56:59.840 --> 0:57:02.640
<v Speaker 1>one because I think that, you know, obviously, the bunkers

0:57:02.640 --> 0:57:05.560
<v Speaker 1>are one of the biggest visual aspects of any golf course.

0:57:05.600 --> 0:57:10.200
<v Speaker 1>And Bill Koor and Ben Crenshaw in there, guys Jeff Bradley,

0:57:10.280 --> 0:57:14.480
<v Speaker 1>Dave Axcellen, they've done such a good job resurrecting, you know,

0:57:14.600 --> 0:57:20.880
<v Speaker 1>a great naturalistic Tom Simpson style of bunkering that I

0:57:20.880 --> 0:57:25.120
<v Speaker 1>think there's been too many copycats. I was going to say,

0:57:25.360 --> 0:57:27.640
<v Speaker 1>I put Tom Simpson in charge of the bunkering, but

0:57:27.840 --> 0:57:30.000
<v Speaker 1>you know, right now, I think we need to we

0:57:30.040 --> 0:57:34.200
<v Speaker 1>need a kind of a renaissance and bunker style. We

0:57:34.280 --> 0:57:37.320
<v Speaker 1>got to get away from that kind of blowout look

0:57:37.400 --> 0:57:40.800
<v Speaker 1>and start looking at some different things. But that being said,

0:57:41.760 --> 0:57:45.800
<v Speaker 1>I might put Coorn in charge of the bunkers, either

0:57:45.880 --> 0:57:51.880
<v Speaker 1>him or Tom Simpson. So there you go, running greens bunkers.

0:57:52.240 --> 0:57:56.000
<v Speaker 3>Yeah, that's that's uh, that's a formidable three That's the

0:57:56.040 --> 0:57:57.200
<v Speaker 3>thing I like.

0:57:57.160 --> 0:57:58.320
<v Speaker 2>About the core Crenshaw.

0:57:58.400 --> 0:58:01.360
<v Speaker 3>What they do is that the VERI and the and

0:58:01.400 --> 0:58:04.040
<v Speaker 3>the bunkers, like we've talked about, it's like so many

0:58:04.080 --> 0:58:08.320
<v Speaker 3>different shapes and sizes and different placements. Like they aren't

0:58:08.320 --> 0:58:10.439
<v Speaker 3>afraid to just throw a bunker right in the middle

0:58:10.480 --> 0:58:12.840
<v Speaker 3>of a fairway, Like I love that, and I hate

0:58:12.840 --> 0:58:17.120
<v Speaker 3>when people like are afraid to do that right because

0:58:17.120 --> 0:58:18.680
<v Speaker 3>that's right where you want to hit the ball.

0:58:19.640 --> 0:58:23.080
<v Speaker 1>That's what makes it interesting. I've often got that comment

0:58:23.280 --> 0:58:25.200
<v Speaker 1>at the clubs I work out. We just restored a

0:58:25.240 --> 0:58:28.720
<v Speaker 1>center fairway bunker off the tee at over Lake in Seattle,

0:58:28.760 --> 0:58:31.920
<v Speaker 1>and we brought the committee out to to show them

0:58:31.960 --> 0:58:34.640
<v Speaker 1>what we were up to. And one of the first

0:58:34.640 --> 0:58:36.280
<v Speaker 1>comments I got and is why would you put a

0:58:36.320 --> 0:58:38.120
<v Speaker 1>bunker there? That's right where I want to hit it?

0:58:38.840 --> 0:58:41.720
<v Speaker 1>And my response was immediately to say, that's the point,

0:58:42.040 --> 0:58:44.440
<v Speaker 1>as you just suggested. You know now that now that

0:58:44.480 --> 0:58:46.400
<v Speaker 1>there's a bunker right where you wanted to hit it, Okay,

0:58:46.440 --> 0:58:48.680
<v Speaker 1>well now things are gonna get get get fun right.

0:58:48.720 --> 0:58:51.160
<v Speaker 1>Can I carry it? Should I play short? Should I

0:58:51.200 --> 0:58:53.479
<v Speaker 1>play left? Should I play right? You know now you've

0:58:53.600 --> 0:58:57.120
<v Speaker 1>now you've Golf's an inherently physical game, as we know,

0:58:57.240 --> 0:59:00.920
<v Speaker 1>and if you could bring a mental element into into

0:59:00.960 --> 0:59:03.760
<v Speaker 1>the equation, you know, it's going to become more interesting

0:59:03.800 --> 0:59:05.240
<v Speaker 1>if you take the right attitude to it.

0:59:06.320 --> 0:59:09.960
<v Speaker 3>It's uh, I think it was Mackenzie said, like the bunker,

0:59:10.680 --> 0:59:15.520
<v Speaker 3>a hazard should always be on the intended line of play, right,

0:59:15.840 --> 0:59:16.760
<v Speaker 3>and you know.

0:59:17.080 --> 0:59:20.080
<v Speaker 1>The most way to describe what I just said, You're right.

0:59:20.520 --> 0:59:24.720
<v Speaker 3>It's amazing how these those those old school architects had

0:59:24.800 --> 0:59:27.160
<v Speaker 3>like a I think Riley was talking about it, and

0:59:27.200 --> 0:59:30.720
<v Speaker 3>it they're how concisely they could describe things.

0:59:31.080 --> 0:59:31.280
<v Speaker 2>You know.

0:59:32.640 --> 0:59:33.560
<v Speaker 1>Yeah, that's a good point.

0:59:33.920 --> 0:59:34.320
<v Speaker 2>It's uh.

0:59:34.720 --> 0:59:36.680
<v Speaker 3>I think they were just a little bit more blunt

0:59:36.880 --> 0:59:39.480
<v Speaker 3>and not afraid of what, you know, what they were saying.

0:59:39.640 --> 0:59:42.400
<v Speaker 1>You know, that could be part of it, no doubt.

0:59:42.880 --> 0:59:46.040
<v Speaker 3>So we got a ton of really great Twitter questions

0:59:46.040 --> 0:59:49.480
<v Speaker 3>I wanted to get to and you're you're a big

0:59:49.600 --> 0:59:55.120
<v Speaker 3>music fan, so uh KVOY wanted to know, you know,

0:59:55.880 --> 0:59:59.160
<v Speaker 3>has how has music influenced your work on the golf course?

1:00:00.800 --> 1:00:04.920
<v Speaker 1>That's a that's a great question. I would say firstly

1:00:05.000 --> 1:00:08.600
<v Speaker 1>that you know, most parts of my life are inspired

1:00:08.640 --> 1:00:12.600
<v Speaker 1>by music. I tend to have headphones on all the time,

1:00:12.680 --> 1:00:16.920
<v Speaker 1>I again take just take inspiration from all kinds of genres.

1:00:16.960 --> 1:00:20.320
<v Speaker 1>You know, my tastes and music vary from you know,

1:00:20.400 --> 1:00:22.720
<v Speaker 1>I'll be listening to the Doobie Brothers and I'll be

1:00:22.760 --> 1:00:25.000
<v Speaker 1>listening to Public Enemy that i might be listening to

1:00:26.280 --> 1:00:29.120
<v Speaker 1>a metal band you know that I'm interested in. So

1:00:30.280 --> 1:00:33.160
<v Speaker 1>when I'm out on a golf course shaping, usually I

1:00:33.240 --> 1:00:35.600
<v Speaker 1>usually have my music going. And again, I just kind

1:00:35.600 --> 1:00:38.560
<v Speaker 1>of feel, I feel good about things when I'm listening

1:00:38.560 --> 1:00:40.800
<v Speaker 1>to what I want to listen to and I think artistically,

1:00:40.840 --> 1:00:43.800
<v Speaker 1>it just becomes inspiring and puts me in the right

1:00:43.920 --> 1:00:47.640
<v Speaker 1>frame of mind to be creative and and being being

1:00:47.720 --> 1:00:50.240
<v Speaker 1>the right mood to do to do good work.

1:00:50.360 --> 1:00:55.640
<v Speaker 3>So yeah, you got to have the right mindset for anything, you.

1:00:55.600 --> 1:00:58.640
<v Speaker 2>Know, absolutely every aspect of life.

1:00:58.720 --> 1:01:03.560
<v Speaker 3>I feel like, So, uh, let's see, uh, you know,

1:01:03.680 --> 1:01:06.680
<v Speaker 3>we're going to transition to a musical artist who had

1:01:06.680 --> 1:01:10.800
<v Speaker 3>a question for you, Micah Iration wants to know template

1:01:10.800 --> 1:01:12.720
<v Speaker 3>holes limiting or.

1:01:12.680 --> 1:01:14.120
<v Speaker 2>Are they a great starting point?

1:01:17.320 --> 1:01:21.400
<v Speaker 1>Geez, that's a good question too. I would never call

1:01:21.440 --> 1:01:25.960
<v Speaker 1>them limiting because you know, the great template holes really

1:01:26.080 --> 1:01:30.120
<v Speaker 1>really give us, you know, you know, they easy easily

1:01:30.160 --> 1:01:34.800
<v Speaker 1>explain architectural concepts and philosophies that have stood the test

1:01:34.840 --> 1:01:38.479
<v Speaker 1>of time and have worked and you know, make make

1:01:38.880 --> 1:01:42.560
<v Speaker 1>golf holes and golf courses, you know, be what they be,

1:01:42.680 --> 1:01:45.720
<v Speaker 1>what they should be. But on the other hand, I

1:01:45.720 --> 1:01:48.000
<v Speaker 1>think we got to be careful that we're not just

1:01:48.360 --> 1:01:55.600
<v Speaker 1>going around copying. You know. Another thing that I've been

1:01:56.080 --> 1:01:59.240
<v Speaker 1>kind of critical of is you know there's been a

1:01:59.240 --> 1:02:01.720
<v Speaker 1>lot of talk of like the Lacy bunker edges. I mean,

1:02:01.920 --> 1:02:04.440
<v Speaker 1>there's been a lot of DAN talk, you know, in

1:02:04.600 --> 1:02:09.280
<v Speaker 1>architecture in recent years, you know, where everybody's always talking

1:02:09.280 --> 1:02:13.200
<v Speaker 1>about using side slopes to help people kick balls onto greens,

1:02:13.240 --> 1:02:15.760
<v Speaker 1>and hey, that's cool there. DAN is one of the

1:02:15.840 --> 1:02:19.360
<v Speaker 1>most exciting Part three concepts there there is, and time

1:02:19.440 --> 1:02:22.280
<v Speaker 1>has proven that. But you know, we don't want to

1:02:22.280 --> 1:02:25.000
<v Speaker 1>overkill anything, right, we go back to the word variety.

1:02:26.040 --> 1:02:29.440
<v Speaker 1>So when when the when when the template concept presents

1:02:29.440 --> 1:02:34.320
<v Speaker 1>itself in a certain piece of ground or a certain situation.

1:02:34.440 --> 1:02:36.480
<v Speaker 1>I mean it's hard to ignore it because again, you

1:02:36.560 --> 1:02:39.320
<v Speaker 1>know that those concepts work really well, But I think

1:02:39.360 --> 1:02:41.840
<v Speaker 1>we got to be careful not to not to overdo

1:02:41.880 --> 1:02:43.680
<v Speaker 1>it too. I think that makes sense.

1:02:43.920 --> 1:02:47.120
<v Speaker 3>No, No, I think that's I think I'm a huge

1:02:47.480 --> 1:02:51.240
<v Speaker 3>Rainer McDonald fan. And you know, I've had the lucky

1:02:51.280 --> 1:02:54.840
<v Speaker 3>opportunity to have played Short Acres, one of Rainer's best courses,

1:02:55.000 --> 1:02:57.280
<v Speaker 3>you know, probably closer.

1:02:57.200 --> 1:02:58.200
<v Speaker 2>One hundred times.

1:02:58.800 --> 1:03:01.040
<v Speaker 3>And you know, you think about the golf course, and

1:03:01.080 --> 1:03:04.240
<v Speaker 3>he uses a lot of great templates, but the best

1:03:04.320 --> 1:03:07.360
<v Speaker 3>holes on the golf course are the non template holes

1:03:07.400 --> 1:03:12.800
<v Speaker 3>because he was given this beautiful land and this unbelievably

1:03:12.920 --> 1:03:16.280
<v Speaker 3>unique land and he and he created unique golf holes that.

1:03:16.200 --> 1:03:16.960
<v Speaker 2>Fit the land.

1:03:17.280 --> 1:03:20.880
<v Speaker 3>And I think that's where you can't allow the templates

1:03:20.920 --> 1:03:23.760
<v Speaker 3>to you know, be in a box like you know,

1:03:23.960 --> 1:03:26.800
<v Speaker 3>and but like if you were given a dead flat

1:03:26.840 --> 1:03:29.880
<v Speaker 3>piece of land and you did all template holes, it

1:03:30.000 --> 1:03:31.320
<v Speaker 3>probably turned out really good.

1:03:33.480 --> 1:03:36.400
<v Speaker 1>Yeah. Well, you know, Chicago is a good example of that, right,

1:03:37.720 --> 1:03:40.840
<v Speaker 1>really good example of that. And I think, you know,

1:03:42.760 --> 1:03:45.680
<v Speaker 1>maybe a Chicago aside. I think one of the reasons

1:03:45.720 --> 1:03:48.640
<v Speaker 1>that McDonald Rainer templates worked so good is that they

1:03:48.640 --> 1:03:52.640
<v Speaker 1>were so good at fitting those concepts to the existing terrain. Yeah,

1:03:53.520 --> 1:03:57.160
<v Speaker 1>you know, they would find the table top ridge that

1:03:57.280 --> 1:03:59.560
<v Speaker 1>tilted right to left like at the National you know

1:04:00.120 --> 1:04:04.160
<v Speaker 1>Dan Green on it, or find a find a hill

1:04:04.400 --> 1:04:07.400
<v Speaker 1>to tuck the alp screen behind an existing hill. I'm

1:04:07.400 --> 1:04:10.200
<v Speaker 1>not a constructed hill, so you know, I think when

1:04:10.200 --> 1:04:15.400
<v Speaker 1>it comes across as being natural rather than forced as

1:04:15.440 --> 1:04:18.400
<v Speaker 1>a preconceived idea or concept, I think it works a

1:04:18.440 --> 1:04:20.960
<v Speaker 1>lot better. Although I do love Chicago Golf Club too.

1:04:21.280 --> 1:04:25.360
<v Speaker 3>Yeah, yeah, it's uh, I'm getting out there in in

1:04:25.400 --> 1:04:27.960
<v Speaker 3>a couple of weeks, so I'm I'm excited about that.

1:04:29.120 --> 1:04:29.680
<v Speaker 1>You should be.

1:04:30.000 --> 1:04:33.600
<v Speaker 3>Yeah, I've locked it, but it's uh, it's a big

1:04:33.640 --> 1:04:35.680
<v Speaker 3>bucket list one I'm getting.

1:04:35.360 --> 1:04:39.680
<v Speaker 2>Off the list. So so, you know, I know.

1:04:39.600 --> 1:04:42.800
<v Speaker 3>You've been spending a lot of time in Minneapolis, talk

1:04:42.840 --> 1:04:45.280
<v Speaker 3>about a little bit about the GoF city Minneapolis.

1:04:45.280 --> 1:04:46.640
<v Speaker 2>I feel like it's a little bit under the.

1:04:46.680 --> 1:04:52.320
<v Speaker 1>Radar, I I would say so. I Yeah, I've been

1:04:52.320 --> 1:04:54.360
<v Speaker 1>hanging around and working at Town and Country Club for

1:04:54.360 --> 1:04:57.120
<v Speaker 1>the last year and a half working on a master plan,

1:04:57.200 --> 1:05:01.040
<v Speaker 1>and Bill Larson, the superintendent the country Club, has been

1:05:01.280 --> 1:05:07.760
<v Speaker 1>really He's given me an incredible tour of all most

1:05:07.760 --> 1:05:12.240
<v Speaker 1>of the courses around Minneapolis Saint Paul, and I would

1:05:12.280 --> 1:05:14.240
<v Speaker 1>go so far as to say that, you know, as

1:05:14.240 --> 1:05:16.920
<v Speaker 1>far as the depth of great golf courses on the

1:05:17.000 --> 1:05:20.640
<v Speaker 1>list of courses there, it's it's one of the deepest

1:05:20.640 --> 1:05:23.400
<v Speaker 1>lists I've ever seen. I mean, there are extraordinary courses

1:05:23.440 --> 1:05:26.160
<v Speaker 1>in that city that no one's ever heard of. One

1:05:26.160 --> 1:05:29.320
<v Speaker 1>of my favorite places there that many people probably haven't

1:05:29.360 --> 1:05:33.120
<v Speaker 1>heard of his Somerset Country Club, which is in Saint Paul.

1:05:33.200 --> 1:05:36.880
<v Speaker 1>And it's one of SETH. Rayner's first golf courses. I

1:05:36.920 --> 1:05:40.400
<v Speaker 1>think it dates back to I think it's pre nineteen twenty,

1:05:40.520 --> 1:05:45.640
<v Speaker 1>nineteen nineteen or so. Wonderful setting, wonderful clubhouse, great course,

1:05:45.960 --> 1:05:48.240
<v Speaker 1>all the template holes in there. One of the craziest

1:05:48.440 --> 1:05:53.480
<v Speaker 1>dans I've ever seen is at Somerset Country Club. Yeah,

1:05:53.480 --> 1:05:55.440
<v Speaker 1>and then you got I mean White Bear Yacht Club,

1:05:56.120 --> 1:05:58.680
<v Speaker 1>which is up in White Bear, Minnesota, which is not

1:05:58.800 --> 1:06:02.080
<v Speaker 1>today twenty thirty minute drives from Saint Paul. I would

1:06:02.120 --> 1:06:04.560
<v Speaker 1>put White There Yacht Club maybe in my top five

1:06:05.240 --> 1:06:07.720
<v Speaker 1>of course as I've ever played. Wow, that's how good.

1:06:07.920 --> 1:06:11.400
<v Speaker 1>That's how good. It is just a wonderful piece of

1:06:11.480 --> 1:06:15.720
<v Speaker 1>land in a wonderful setting, real lay a layout of land,

1:06:16.400 --> 1:06:19.880
<v Speaker 1>golf course. And then you've got you know, you've got Minnicotta,

1:06:20.520 --> 1:06:24.680
<v Speaker 1>which has hosted a lot of championships. Interlocking there's a

1:06:24.680 --> 1:06:28.880
<v Speaker 1>great old Donald Ross course near Lake Minatonka. I think

1:06:28.960 --> 1:06:31.720
<v Speaker 1>it's called Woodhill. You know a lot of places like

1:06:31.760 --> 1:06:34.640
<v Speaker 1>that that are kind of, as you said, under the radar,

1:06:34.720 --> 1:06:39.600
<v Speaker 1>but just off the chart. Good Midland Hills, another Rainer course.

1:06:39.840 --> 1:06:41.880
<v Speaker 1>I mean, I could keep going and going. It's what's

1:06:41.880 --> 1:06:43.960
<v Speaker 1>a deep list of a really great golf.

1:06:44.120 --> 1:06:49.440
<v Speaker 2>Have you played Northwoods up in Duluth.

1:06:48.200 --> 1:06:52.360
<v Speaker 1>No, I haven't been there yet, but you know what

1:06:52.560 --> 1:06:56.040
<v Speaker 1>every golfer I run into in Minneapolis St. Paul says

1:06:56.080 --> 1:06:58.080
<v Speaker 1>to me, have you been up to Northland yet? It's

1:06:58.080 --> 1:07:01.919
<v Speaker 1>a really excited uh tone in their voice. So I'm

1:07:01.960 --> 1:07:03.520
<v Speaker 1>excited to get up there. Yeah.

1:07:03.640 --> 1:07:08.560
<v Speaker 2>They I've had so many people say tell.

1:07:08.480 --> 1:07:12.080
<v Speaker 3>Me I got to go play Northland, and it's so

1:07:12.320 --> 1:07:14.560
<v Speaker 3>I gotta get up to Minneapolis one of these days.

1:07:15.560 --> 1:07:17.640
<v Speaker 1>Yeah, you want to make sure you go to Duluth

1:07:17.680 --> 1:07:21.480
<v Speaker 1>in the summer though, Yeah, the middle of summer. I'm

1:07:21.720 --> 1:07:22.280
<v Speaker 1>I'm there.

1:07:22.440 --> 1:07:26.040
<v Speaker 3>I'm Chicagoan, so you know it's not I don't have

1:07:26.160 --> 1:07:29.480
<v Speaker 3>quite as cold, but I know what the constricted season.

1:07:29.200 --> 1:07:32.640
<v Speaker 2>And and what golf in May and June can be

1:07:32.840 --> 1:07:34.720
<v Speaker 2>like even June can be just bad.

1:07:36.120 --> 1:07:37.959
<v Speaker 1>Yeah. Yeah, I think when I was up there last

1:07:38.000 --> 1:07:40.440
<v Speaker 1>week and snow and of course of Northland, that's one

1:07:40.440 --> 1:07:41.240
<v Speaker 1>of the reasons we didn't go.

1:07:41.320 --> 1:07:47.600
<v Speaker 2>Up that's uh this way up there, so uh, I apologize.

1:07:47.640 --> 1:07:50.280
<v Speaker 2>I didn't get the name of who asked this.

1:07:50.440 --> 1:07:54.360
<v Speaker 3>But what's one piece of knowledge that you take away

1:07:55.440 --> 1:07:59.600
<v Speaker 3>from working with Whitman on on the great projects that

1:07:59.680 --> 1:08:01.920
<v Speaker 3>he's that you've been working with.

1:08:01.920 --> 1:08:02.240
<v Speaker 6>Him on.

1:08:04.720 --> 1:08:08.600
<v Speaker 1>That that's an easy question. I'll never forget. When I

1:08:08.640 --> 1:08:11.200
<v Speaker 1>first started working with Rod and hanging around with and

1:08:11.320 --> 1:08:14.120
<v Speaker 1>you know, I was kind of like the kid who

1:08:14.160 --> 1:08:16.640
<v Speaker 1>had who had read all the architecture books, you know,

1:08:16.680 --> 1:08:19.360
<v Speaker 1>and all I wanted to do was talk about theory

1:08:19.520 --> 1:08:23.559
<v Speaker 1>and concepts and that sort of thing. And Rod said

1:08:23.600 --> 1:08:25.880
<v Speaker 1>to me one time, you know, he said, hey, let

1:08:25.880 --> 1:08:28.080
<v Speaker 1>me tell you something. You know about ten percent of

1:08:28.160 --> 1:08:32.880
<v Speaker 1>golf architecture is philosophizing and talking about concepts, and then

1:08:33.160 --> 1:08:36.240
<v Speaker 1>the rest of the ninety percent is just hard work.

1:08:37.360 --> 1:08:41.320
<v Speaker 1>And I've watched Rod work hard. You know, he's he's

1:08:41.960 --> 1:08:43.600
<v Speaker 1>I won't reveal his age, but he's been in the

1:08:43.640 --> 1:08:48.200
<v Speaker 1>business for a long time now. And you still see

1:08:48.280 --> 1:08:51.439
<v Speaker 1>Rod on the bungozer, you still see him doing finished work.

1:08:51.479 --> 1:08:54.000
<v Speaker 1>You still see him out, you know, out there in

1:08:54.000 --> 1:08:57.320
<v Speaker 1>the field working hard. And I'll never forget him saying

1:08:57.320 --> 1:09:01.840
<v Speaker 1>that to me ten ten percent conceptual hard work, And

1:09:01.880 --> 1:09:04.479
<v Speaker 1>I wrote down a quote he said one time that

1:09:04.520 --> 1:09:06.680
<v Speaker 1>I still think is great. He said to me, you

1:09:06.680 --> 1:09:09.160
<v Speaker 1>know the guys with dirt under their fingernails who have

1:09:09.640 --> 1:09:13.400
<v Speaker 1>the best chance at building the best And you know,

1:09:13.479 --> 1:09:15.240
<v Speaker 1>I think about that all the time in terms of

1:09:15.280 --> 1:09:20.400
<v Speaker 1>being out there and getting my hands dirty and working hard. Yeah,

1:09:19.800 --> 1:09:21.320
<v Speaker 1>it's I take away from this.

1:09:21.800 --> 1:09:24.920
<v Speaker 3>I imagine you don't lose perspective that way too. It's

1:09:24.960 --> 1:09:29.240
<v Speaker 3>like a lot of things. You move up in professional

1:09:29.240 --> 1:09:33.240
<v Speaker 3>life and and you forget what you know the job's

1:09:33.280 --> 1:09:36.200
<v Speaker 3>really about, you know, and sometimes some of the cores

1:09:36.240 --> 1:09:37.240
<v Speaker 3>of of of.

1:09:37.160 --> 1:09:41.920
<v Speaker 1>Your work exactly. And I've made myself a promise that

1:09:42.000 --> 1:09:43.479
<v Speaker 1>the day that I don't want to get on a

1:09:43.520 --> 1:09:47.680
<v Speaker 1>buldos or an excavator or go finish a green, I

1:09:47.720 --> 1:09:50.120
<v Speaker 1>think I've lost lost the passion that I have. And

1:09:50.280 --> 1:09:51.800
<v Speaker 1>you know, I doubt I will, But in the day

1:09:51.880 --> 1:09:54.720
<v Speaker 1>if that ever happens, I think I'll stop working. You know,

1:09:55.040 --> 1:09:56.960
<v Speaker 1>I'm sure. I'm sure Rod feels the same way.

1:09:57.880 --> 1:09:58.880
<v Speaker 2>Yeah.

1:09:59.120 --> 1:10:01.360
<v Speaker 3>So so we're and to the end, we got to

1:10:01.439 --> 1:10:03.879
<v Speaker 3>do our Frida egg tradition here.

1:10:03.720 --> 1:10:10.639
<v Speaker 2>Of overrated underrated, So yeah, just easy, rapid fire questions

1:10:10.680 --> 1:10:12.880
<v Speaker 2>they've you know, morphed into, you know, then they end

1:10:12.960 --> 1:10:17.760
<v Speaker 2>up in debates. But but first up a Canadian tradition poutine.

1:10:19.960 --> 1:10:25.640
<v Speaker 1>Uh, well, it's underrated, of course, there's nothing better than poutine.

1:10:26.560 --> 1:10:30.720
<v Speaker 3>You know, it's not as popular in the States, but

1:10:31.320 --> 1:10:33.080
<v Speaker 3>good poutine is good, good food.

1:10:33.320 --> 1:10:35.560
<v Speaker 1>You know. Well it's because you guys got to go

1:10:35.600 --> 1:10:37.800
<v Speaker 1>to Montreal to eat it. Then you'll realize how good

1:10:37.800 --> 1:10:38.040
<v Speaker 1>it is.

1:10:38.360 --> 1:10:41.080
<v Speaker 3>Okay, So if you're in Montreal, you got to get

1:10:41.120 --> 1:10:45.640
<v Speaker 3>the poutine. I know my fiance is going there for

1:10:45.680 --> 1:10:48.840
<v Speaker 3>a bachelorette party of one of our friends, so I'll

1:10:48.840 --> 1:10:51.400
<v Speaker 3>tell her if she has to get poutine. Look at me,

1:10:51.680 --> 1:10:52.599
<v Speaker 3>I've got a third eye.

1:10:52.680 --> 1:10:57.200
<v Speaker 2>Though, Cross bunkers.

1:10:59.640 --> 1:11:00.840
<v Speaker 1>Under rated, I think.

1:11:01.439 --> 1:11:08.920
<v Speaker 3>Okay, I agree, I think they're awesome. You know, I've

1:11:08.920 --> 1:11:10.640
<v Speaker 3>been getting a lot of flak from my love of

1:11:10.720 --> 1:11:13.200
<v Speaker 3>the Great Hazard. What would you say about the Great

1:11:13.200 --> 1:11:14.880
<v Speaker 3>Hazard or Hell's.

1:11:16.280 --> 1:11:19.840
<v Speaker 1>I love it hells Acre seven at Fine Valley.

1:11:19.600 --> 1:11:22.519
<v Speaker 2>Right, Yeah, that's that's the.

1:11:22.080 --> 1:11:25.080
<v Speaker 1>Coolest ones I've ever seen, and I absolutely loved it

1:11:25.120 --> 1:11:31.160
<v Speaker 1>is When I visited Ben Crenshaw's Austin golf club. That yeah,

1:11:31.240 --> 1:11:34.840
<v Speaker 1>the ninth hole is a cool uphill long part five,

1:11:35.640 --> 1:11:37.600
<v Speaker 1>and they have a great hazard in the middle of

1:11:37.600 --> 1:11:41.799
<v Speaker 1>the fairway, you know, big mounds and big sandy areas.

1:11:41.880 --> 1:11:43.680
<v Speaker 1>I was, I had my jaw at the ground that

1:11:43.760 --> 1:11:46.200
<v Speaker 1>I saw it. I thought it was so cool. And

1:11:46.320 --> 1:11:49.960
<v Speaker 1>what's neat about it is, you know, we philosophize about

1:11:50.400 --> 1:11:53.559
<v Speaker 1>lateral strategies on golf holes. You know, you know, if

1:11:53.560 --> 1:11:56.240
<v Speaker 1>a pin's talk right behind a bunker, you want to

1:11:56.320 --> 1:11:58.559
<v Speaker 1>drive left and vice versa. You know, we always talk

1:11:58.640 --> 1:12:01.760
<v Speaker 1>about that. What I love about the great hazard is

1:12:01.760 --> 1:12:04.280
<v Speaker 1>it actually it's a it's a it's a you know,

1:12:04.320 --> 1:12:07.880
<v Speaker 1>a challenge of simply hitting a golf ball, you know,

1:12:07.920 --> 1:12:11.920
<v Speaker 1>where you've got to drive it far enough that you

1:12:11.960 --> 1:12:14.639
<v Speaker 1>can get over that hazard. And if somehow or another

1:12:14.680 --> 1:12:16.880
<v Speaker 1>you don't hit the proper drive, then the next shot,

1:12:16.920 --> 1:12:19.240
<v Speaker 1>you know, again, you just need power and length to

1:12:19.320 --> 1:12:24.000
<v Speaker 1>get to get over that hazard. It's it's just quirky

1:12:24.320 --> 1:12:27.240
<v Speaker 1>in a good way. And I think also part of

1:12:27.280 --> 1:12:29.160
<v Speaker 1>the challenge of golf, you know, I think I think

1:12:29.160 --> 1:12:31.360
<v Speaker 1>they're you know, we complained about the golf ball going

1:12:31.400 --> 1:12:33.880
<v Speaker 1>too far and whatnot. But I still think that part

1:12:33.920 --> 1:12:37.120
<v Speaker 1>of the challenge should occasionally be long hitting, and I

1:12:37.120 --> 1:12:39.160
<v Speaker 1>think that Hazard does a good job. Was that.

1:12:39.600 --> 1:12:41.360
<v Speaker 3>I think that one of the things I love about

1:12:41.400 --> 1:12:44.240
<v Speaker 3>it is it's like a really good way. Like you

1:12:44.280 --> 1:12:46.400
<v Speaker 3>know most part five that you hit a bad drive

1:12:46.439 --> 1:12:48.880
<v Speaker 3>and it's just oh, I just lay it up, you know,

1:12:49.600 --> 1:12:51.920
<v Speaker 3>and like it's fine. You know, I'm just gonna lay

1:12:51.920 --> 1:12:54.080
<v Speaker 3>it up to one hundred and twenty and I'll I'll

1:12:54.080 --> 1:12:57.000
<v Speaker 3>have still have a good birdie chance, like the great hazard,

1:12:57.120 --> 1:12:59.280
<v Speaker 3>Like if you don'thit a good drive, like you all

1:12:59.320 --> 1:13:01.280
<v Speaker 3>of a sudden have like a mid to long iron

1:13:01.320 --> 1:13:05.040
<v Speaker 3>into the green and.

1:13:03.800 --> 1:13:06.320
<v Speaker 2>You're like, oh shit, I need to make pars.

1:13:07.479 --> 1:13:10.240
<v Speaker 1>Right. And then that's the thing. That's the thing about

1:13:10.240 --> 1:13:12.759
<v Speaker 1>designing par fives too, right, there's too many par fives

1:13:12.760 --> 1:13:15.320
<v Speaker 1>I think, where it's the second shot that's completely boring,

1:13:16.200 --> 1:13:18.400
<v Speaker 1>you know. So so whenever you whenever you get a

1:13:18.400 --> 1:13:20.800
<v Speaker 1>par five where you actually have something to do on

1:13:20.880 --> 1:13:22.880
<v Speaker 1>the second shot if you're not going for the green,

1:13:22.920 --> 1:13:25.439
<v Speaker 1>I mean, those are the great three shot holes.

1:13:25.800 --> 1:13:28.760
<v Speaker 2>Yeah, I might, I might start a campaign more great hazards.

1:13:30.680 --> 1:13:34.080
<v Speaker 1>I'll try to find one for you, all right.

1:13:34.320 --> 1:13:38.440
<v Speaker 2>The doors, Oh well.

1:13:39.520 --> 1:13:42.679
<v Speaker 1>I wouldn't say either underrated or overrated. I think they're

1:13:42.800 --> 1:13:44.040
<v Speaker 1>properly appreciated.

1:13:44.280 --> 1:13:48.519
<v Speaker 2>Now you got to pick one, I'll.

1:13:48.360 --> 1:13:51.880
<v Speaker 1>Go overrated then, all right, story guys.

1:13:52.040 --> 1:13:55.520
<v Speaker 2>Yeah, it's okay. Music on the golf course.

1:13:57.760 --> 1:14:00.880
<v Speaker 1>Overrated. As much as I'm a music fan, I don't

1:14:00.920 --> 1:14:03.840
<v Speaker 1>particularly enjoy people around me playing.

1:14:03.560 --> 1:14:10.080
<v Speaker 2>Music, all right, that's uh. I was expecting the opposite. No,

1:14:12.200 --> 1:14:15.040
<v Speaker 2>So all right, well, well, we really appreciate the time.

1:14:15.080 --> 1:14:17.800
<v Speaker 3>And you know it's a it's gonna this will probably

1:14:17.840 --> 1:14:20.400
<v Speaker 3>be going up on Friday afternoon and over the weekend.

1:14:20.880 --> 1:14:24.040
<v Speaker 2>So you know, what's being a big music fan.

1:14:24.200 --> 1:14:28.360
<v Speaker 3>What's one band that we may never have heard of

1:14:28.479 --> 1:14:30.920
<v Speaker 3>and the listeners have never heard of that.

1:14:31.080 --> 1:14:32.799
<v Speaker 2>We used to listen to this weekend.

1:14:33.800 --> 1:14:39.360
<v Speaker 1>Oh, what a great question. Lately I have been listening

1:14:39.400 --> 1:14:43.760
<v Speaker 1>to a lot of Gojira, go Zerra, Yes, g O

1:14:44.640 --> 1:14:46.640
<v Speaker 1>j I R A.

1:14:46.800 --> 1:14:49.280
<v Speaker 2>Hold on, I write it down. I'm gonna listen to

1:14:49.320 --> 1:14:50.160
<v Speaker 2>it this afternoon.

1:14:51.320 --> 1:14:53.120
<v Speaker 1>They've got it. They've put on a new album a

1:14:53.120 --> 1:14:57.799
<v Speaker 1>few months ago called Magma, and I've been pretty pretty

1:14:57.840 --> 1:15:02.000
<v Speaker 1>obsessed with with that album. It's very very well done.

1:15:02.040 --> 1:15:05.920
<v Speaker 1>O heavy heavy music, but it's very well done.

1:15:06.320 --> 1:15:06.680
<v Speaker 3>G O.

1:15:08.200 --> 1:15:13.040
<v Speaker 1>G O j I R A R Era goes zero.

1:15:13.280 --> 1:15:15.920
<v Speaker 1>All Right, and I'll let you know a little secret

1:15:16.000 --> 1:15:21.920
<v Speaker 1>goes Zira is what the Japanese called Godzillah and the

1:15:21.960 --> 1:15:24.920
<v Speaker 1>bands in the bands from France, so there's a small

1:15:24.960 --> 1:15:26.120
<v Speaker 1>world scenario for it.

1:15:26.560 --> 1:15:29.880
<v Speaker 3>This is actually there's like almost too much there for

1:15:30.040 --> 1:15:34.920
<v Speaker 3>my head. Bay and can see American movie, Japanese word,

1:15:35.280 --> 1:15:35.960
<v Speaker 3>French band.

1:15:37.160 --> 1:15:40.320
<v Speaker 1>Yes, and the album is one of those great ones

1:15:40.360 --> 1:15:43.479
<v Speaker 1>that you can hit play on the first track and

1:15:43.520 --> 1:15:48.439
<v Speaker 1>it is pretty entertaining right through the end. So sounds

1:15:48.439 --> 1:15:51.160
<v Speaker 1>like I like. I like the album concept where it's

1:15:51.320 --> 1:15:54.439
<v Speaker 1>where it's most fun to listen to it front to

1:15:54.560 --> 1:15:57.559
<v Speaker 1>back rather than just picking individual tracks. So I think

1:15:57.600 --> 1:16:01.640
<v Speaker 1>that this album kind of fits that fits that ideal.

1:16:01.320 --> 1:16:03.320
<v Speaker 2>For me, just like a great golf course.

1:16:03.400 --> 1:16:05.799
<v Speaker 1>Right, Hey, there you go, perfect?

1:16:06.600 --> 1:16:10.439
<v Speaker 3>All right, Well, Jeff, thanks so much, and I'll throw

1:16:10.479 --> 1:16:15.120
<v Speaker 3>your Jeff's on Twitter. He I'll throw his profile link

1:16:15.160 --> 1:16:18.000
<v Speaker 3>into the pod and give him a follow, and you know,

1:16:18.040 --> 1:16:20.320
<v Speaker 3>any questions we didn't get to, I'm sure he'd be

1:16:20.720 --> 1:16:23.200
<v Speaker 3>happy to interact and answer on on Twitter.

1:16:23.320 --> 1:16:24.640
<v Speaker 2>So thanks so much for coming on.

1:16:25.840 --> 1:16:28.720
<v Speaker 1>Hey, thanks Andy, I appreciate the interest. Enjoyed it all right,

1:16:29.040 --> 1:16:30.479
<v Speaker 1>Bye bye,