WEBVTT - RHOA: Sanya SHADES! 

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<v Speaker 1>Welcome to Reality with the King.

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<v Speaker 2>It's me Carlos King, the King of Reality TV and

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<v Speaker 2>one of the most sought after executive producers in reality

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<v Speaker 2>television with over ten years a production experience. Once a

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<v Speaker 2>week from Reality with the King, we'll sit down with

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<v Speaker 2>my friends across the entertainment industry, recap our favorite reality

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<v Speaker 2>shows and revisit unforgettable moments that we are still talking

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<v Speaker 2>and tweeting about. Hey, rain drops on today's episode of

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<v Speaker 2>Reality with the King.

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<v Speaker 1>Yes, we've got Let me tell you all something, child.

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<v Speaker 2>We have a legend, okay, an Olympian legend, honey, who

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<v Speaker 2>decided to.

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<v Speaker 1>Go on a show that is the one of the biggest.

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<v Speaker 2>Shows on Bravo, The Real Housewives of Atlanta. I'm so excited.

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<v Speaker 2>I met her in person with her beautiful mom. Her

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<v Speaker 2>mom is a fan of mine and was like, I

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<v Speaker 2>want call your shows, Carlins and I was like, well, Honey,

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<v Speaker 2>I'm gonna get you on next, but first it's about

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<v Speaker 2>your daughter. So please welcome to the podcast. Sign your

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<v Speaker 2>bitchess frie Hey, Hey.

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<v Speaker 3>Hey, hey, de Carlos King, we in here. How are

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<v Speaker 3>you doing.

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<v Speaker 2>Thanks for having me, No, thanks for saying yes to

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<v Speaker 2>the mess, honey, So how are you?

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<v Speaker 1>I am good?

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<v Speaker 3>I'm good, caroly in New York. You know the season

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<v Speaker 3>has been crazy, so I know we're gonna get into it.

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<v Speaker 3>But no, all good things. I'm excited.

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<v Speaker 2>Let's get into a.

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<v Speaker 1>See there we go.

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<v Speaker 2>So look, like I said earlier, you are an Olympian,

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<v Speaker 2>you are a track star, legend, you are somebody that

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<v Speaker 2>is in the history books, which is a lot to

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<v Speaker 2>be said about your stature. So with all of that

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<v Speaker 2>going on, I need to know this miss thing. When

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<v Speaker 2>you got the call to request your presence of seeing

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<v Speaker 2>if you wanted to be on the Housewives of Atlanta,

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<v Speaker 2>what was.

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<v Speaker 1>Your first thought? Did you think like yes? No, maybe,

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<v Speaker 1>Like what did you go into it thinking once you

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<v Speaker 1>got the phone call?

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<v Speaker 4>So it was funny because when I got the call,

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<v Speaker 4>at first, I didn't think it was real. I was like,

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<v Speaker 4>how did you get my number? But Carlos, my first

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<v Speaker 4>in thing was yes, Like I'm a yes.

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<v Speaker 3>To life kind of girl.

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<v Speaker 4>Yes, like I always feel like when opportunities find me,

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<v Speaker 4>it is for a reason, and so my first instinct

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<v Speaker 4>was yes, I had to work on my husband. But

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<v Speaker 4>for me, it was a yes.

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<v Speaker 1>Let's talk about your husband. Honey.

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<v Speaker 2>First of all, you one hundred percent have I would

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<v Speaker 2>say top two of the finest husband's on Bravo.

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<v Speaker 1>I mean, no, tied.

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<v Speaker 4>With Carla because I didn't even remember clearly in the lead,

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<v Speaker 4>Like you know what I mean?

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<v Speaker 3>So who are we tying? Who was who was he

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<v Speaker 3>vying with?

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<v Speaker 2>Okay, in my opinion, it's a toss up between Ross

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<v Speaker 2>and Eddie, doctor Wendy's husband, and he's.

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<v Speaker 3>A post number two. He's a close number two.

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<v Speaker 1>You know what I like about Ross?

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<v Speaker 2>Ross reminds me of my African Ross is quiet, fine,

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<v Speaker 2>like he ain't loud unless he gets provoked.

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<v Speaker 1>He is a man's man.

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<v Speaker 2>Can I can tell he he caters to you in

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<v Speaker 2>a way that doesn't demean his manhood or masculinity. No,

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<v Speaker 2>I'm telling you I watch all that now. I've saw

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<v Speaker 2>that a lot last season. Now missing this season, I'm

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<v Speaker 2>not saying a.

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<v Speaker 1>Lot of Ross. What's going on? Boo, you and me both?

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<v Speaker 4>So this is what this is what happens this season,

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<v Speaker 4>and you'll see him later on in this season. But

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<v Speaker 4>COVID really hit our car service hard in twenty twenty

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<v Speaker 4>and twenty twenty one, and we weren't even sure if

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<v Speaker 4>we're going to be able to make it in the

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<v Speaker 4>Austin market in the chauffeur business, and so, you know,

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<v Speaker 4>for a long time he was in the red, having

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<v Speaker 4>a poor money into it. For so we kept thinking, Okay,

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<v Speaker 4>what are we gonna do? Are we gonna you know,

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<v Speaker 4>and we held onto it and it's rebounding now. So unfortunately,

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<v Speaker 4>you know, and fortunately.

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<v Speaker 3>It is a good thing.

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<v Speaker 4>He had to go to Austin a lot, you know,

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<v Speaker 4>because we lost a lot of drivers, like the businesses,

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<v Speaker 4>had to really trim down to make it, and he's

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<v Speaker 4>kind of building it back up now. So unfortunately he

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<v Speaker 4>you know, the time we were filming was peak time

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<v Speaker 4>for travel in Austin, and so he was there just

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<v Speaker 4>managing the business.

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<v Speaker 3>So I a'm od at.

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<v Speaker 4>Him getting this coins, but I certainly did miss him

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<v Speaker 4>at home a lot.

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<v Speaker 2>Yes, No, me and the girls and the gays, we

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<v Speaker 2>missed seeing Ross on television. And one of the things

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<v Speaker 2>that I talked about last season when you first got

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<v Speaker 2>on the show is your personal story reminding me a

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<v Speaker 2>lot of Candy's personal story back in the day, when

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<v Speaker 2>you talk about working with family and having a husband

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<v Speaker 2>to where obviously you are the star of the relationship

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<v Speaker 2>and you have been for so long, and how sometime

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<v Speaker 2>that can do something.

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<v Speaker 1>To a woman's marriage.

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<v Speaker 2>And it really takes a confident man in order to

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<v Speaker 2>say my wife is the star, the bread winner, and

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<v Speaker 2>she has all these things going on. And I appreciated

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<v Speaker 2>that level of transparency last season, and that's why this season,

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<v Speaker 2>as we're talking about the show, it was the one

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<v Speaker 2>thing that I felt like I want to see more

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<v Speaker 2>of because I really felt like Ross came out of

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<v Speaker 2>his shell last season, and I want to make sure

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<v Speaker 2>that we're going to see more of that dynamic. Obviously,

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<v Speaker 2>we see what your mom and your sister and you

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<v Speaker 2>and your family, but Honey, we want to see you

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<v Speaker 2>and Ross have those tough conversations.

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<v Speaker 1>So are we going to see that?

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<v Speaker 3>Yeah, it's coming.

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<v Speaker 4>And I also got to correct you on one thing, Carlos,

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<v Speaker 4>because yes, I am a tha, but let's not get

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<v Speaker 4>it twisted that my honey is a two time Super

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<v Speaker 4>Bowl champ who was the breadwinner for the majority of

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<v Speaker 4>our relationship. And so I just don't want that narrative

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<v Speaker 4>saves ever switch, right, because just like you know, he

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<v Speaker 4>started out making tons of money doing great things and

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<v Speaker 4>still has lots of money in the bank, you know,

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<v Speaker 4>that's why he's able to do what he wants to

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<v Speaker 4>do and stuff. So I do think it takes a

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<v Speaker 4>strong man to be with a woman who is like

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<v Speaker 4>myself and like Candy and doing a lot of things

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<v Speaker 4>and likes to be in front of the camera.

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<v Speaker 3>Like my husband is fine playing in the back.

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<v Speaker 4>Even when he was in football, you know, he wasn't

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<v Speaker 4>always trying to be upfront. And so I do think

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<v Speaker 4>it takes a strong man with a great personality, and

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<v Speaker 4>I have that in my husband.

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<v Speaker 3>But you know, he's a star, honey, He's a star.

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<v Speaker 1>Yes. Yes. Why was he apprehensive in you joining the show? Yeah?

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<v Speaker 4>I think it was more about you know, we all

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<v Speaker 4>hear a lot about the reality show, you know, marriage Curse,

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<v Speaker 4>and I think that was what he was more worried about.

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<v Speaker 4>Is that for him and for me, marriage and family

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<v Speaker 4>comes first, like period, and there is nothing that I

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<v Speaker 4>would do that will ever jeopardize that, you know, And

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<v Speaker 4>so he just didn't want for us to be in

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<v Speaker 4>a situation that could potentially jeopardize our relationship.

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<v Speaker 3>And I love him for that.

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<v Speaker 4>You know, it was really that's it, you know, because

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<v Speaker 4>you just don't know, Like you see like a lot

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<v Speaker 4>of marriages that look.

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<v Speaker 3>Great and then they just they don't make it.

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<v Speaker 4>But the reality is, I do think that reality shows

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<v Speaker 4>are a snapshot of real life. And the divorce rate

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<v Speaker 4>is high in the world period. So it's not that

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<v Speaker 4>reality TV is what breaks up marriages. I certainly think

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<v Speaker 4>it puts a microscope on issues that are hard sometimes

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<v Speaker 4>to navigate when the public is also having their opinions

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<v Speaker 4>on it. But that was his ANNGS right. He was

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<v Speaker 4>more like, I just don't want this to come between us.

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<v Speaker 4>I don't want this to do anything for our family.

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<v Speaker 4>If we can navigate it as a unit, boom, but

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<v Speaker 4>if not, Like he wasn't going to be down for that,

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<v Speaker 4>and I love that about him.

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<v Speaker 2>Were you too afraid of joining the show having an

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<v Speaker 2>affecting your legacy in the in the in the sports arena?

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<v Speaker 4>Not really, because the truth is, Carlos, is that there

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<v Speaker 4>is no blueprint for an Olympic champion, Like can you

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<v Speaker 4>name an Olympic champion and what they're doing now you

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<v Speaker 4>know what I mean? And so it's not it's all

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<v Speaker 4>of us are kind of charting our own path. And

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<v Speaker 4>for me, I was like this is a dope opportunity

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<v Speaker 4>for me to stay relevant, to continue to grow my brand,

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<v Speaker 4>to be around some dope women.

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<v Speaker 3>And so no, I think that is just an extension

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<v Speaker 3>of my legacy.

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<v Speaker 4>Like nothing can erase what I did on the track period,

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<v Speaker 4>you know, and so this is just me trying something else,

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<v Speaker 4>seeing how it works, and you know, going through a

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<v Speaker 4>new process. So no, I never looked at it that way,

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<v Speaker 4>although I have heard people say like, are you.

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<v Speaker 3>A friend, Like no, Like, I'm the American record hold

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<v Speaker 3>a four time of lipic Medalist's baby, that's that's gonna

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<v Speaker 3>be that.

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<v Speaker 2>Did you hear from your friends in your in your

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<v Speaker 2>class of sport who said, like.

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<v Speaker 1>Girl, are you sure you want to do this? Or what?

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<v Speaker 1>They're all support of.

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<v Speaker 4>The majority of my girlfriends were super supportive, you know,

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<v Speaker 4>they were excited for me. Like I said, it's like,

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<v Speaker 4>you know, you think about the life of an athlete,

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<v Speaker 4>Carlos and most athletes focus solely on sports their entire life,

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<v Speaker 4>and then it's like afterwards, you're like, Okay, what do

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<v Speaker 4>I do now?

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<v Speaker 3>How do I use the skill sets.

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<v Speaker 4>That I've learned and that I've sharpened as an athlete

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<v Speaker 4>in the rest of the world. And so for me,

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<v Speaker 4>I've been very, very blessed to have this very seamless

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<v Speaker 4>transition from track and field to broadcasting and not reality

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<v Speaker 4>TV and still working with Nike and all these things.

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<v Speaker 4>So I feel very blessed, and I feel like a

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<v Speaker 4>lot of my peers really respect.

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<v Speaker 3>That hustle, like dang, like she's still doing it, you

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<v Speaker 3>know what I mean. It's not easy.

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<v Speaker 1>And congress on the Belk deal as well. Thank you,

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<v Speaker 1>cause that's huge. That's really big. Yeah, thank you, that's

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<v Speaker 1>really big.

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<v Speaker 2>Also big, honey is the drama this season, we are

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<v Speaker 2>seeing the girls go low sis. I mean, I call

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<v Speaker 2>it how Marlow can you go? Like?

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<v Speaker 1>How low can you go? Child? Now Marlow girl? How Marlow?

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<v Speaker 3>I think what you did there? I'll see what you

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<v Speaker 3>did there?

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<v Speaker 1>There you go?

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<v Speaker 3>Love?

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<v Speaker 1>Get you got? Okay?

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<v Speaker 2>So you seem to be caught in the middle because,

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<v Speaker 2>as we saw in the earlier episodes, Courtney was saying

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<v Speaker 2>some not so flattering things about Candy in the presence

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<v Speaker 2>of you and Chara, and you told Candy what was said,

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<v Speaker 2>and I found it interesting.

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<v Speaker 1>That she was like, well, what you said?

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<v Speaker 2>If you have my back, because and I want to

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<v Speaker 2>get your opinion because for me, obviously.

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<v Speaker 1>I produced a show.

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<v Speaker 2>For almost ten years of my life, right, and I've

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<v Speaker 2>known moments where Fedra felt that way about Candy, like

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<v Speaker 2>you didn't have my back or what did you say

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<v Speaker 2>to defend me against these girls? So I was kind

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<v Speaker 2>of called off guard by that because I didn't again

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<v Speaker 2>my okay, because my opinion is, I don't feel like

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<v Speaker 2>unless I'm missing something, I don't feel like you and

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<v Speaker 2>Candy's relationship it's that deep to where your first instinct.

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<v Speaker 1>Would be to defend her.

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<v Speaker 2>I mean, you're just listening to a conversation where you

0:10:59.280 --> 0:11:01.520
<v Speaker 2>also surprised it's like me the audience was that she

0:11:01.600 --> 0:11:02.400
<v Speaker 2>was upset by it.

0:11:03.200 --> 0:11:05.400
<v Speaker 4>Yeah, I was surprised that she asked me that because

0:11:05.440 --> 0:11:07.480
<v Speaker 4>the tone of the conversation up until that point was

0:11:07.600 --> 0:11:09.600
<v Speaker 4>very much friendly. And then she just kind of switched

0:11:09.640 --> 0:11:11.840
<v Speaker 4>and was like, but what were you saying while you

0:11:11.880 --> 0:11:14.120
<v Speaker 4>know she was talking? And it kind of threw me

0:11:14.160 --> 0:11:15.880
<v Speaker 4>off guard, and I was like, what did I say?

0:11:15.920 --> 0:11:18.840
<v Speaker 4>Like I'm trying to remember and recall because, to be honest, Carlos,

0:11:19.320 --> 0:11:21.840
<v Speaker 4>initially I was just shocked. Right, I'm sitting there like

0:11:22.000 --> 0:11:23.839
<v Speaker 4>it's my first time meeting this girl. I'm like, what

0:11:23.920 --> 0:11:26.280
<v Speaker 4>was a lot to tea? You're like, okay, you know,

0:11:26.480 --> 0:11:29.040
<v Speaker 4>I was really shocked by it. And then of course

0:11:29.040 --> 0:11:31.640
<v Speaker 4>the way she's saying it, it was funny, like anybody

0:11:31.640 --> 0:11:33.080
<v Speaker 4>would have laughed when she said.

0:11:33.040 --> 0:11:37.600
<v Speaker 3>And girl that ghetto. I was like, so, you know

0:11:37.600 --> 0:11:38.040
<v Speaker 3>what I mean.

0:11:38.360 --> 0:11:41.120
<v Speaker 4>But at the same time, I did, on multiple occasions

0:11:41.120 --> 0:11:43.199
<v Speaker 4>in the conversation say look, me and Candy cool, now,

0:11:43.320 --> 0:11:44.840
<v Speaker 4>are you gonna talk to her? Because if you don't,

0:11:44.840 --> 0:11:46.600
<v Speaker 4>I'm gonna tell her I do say that to her

0:11:46.720 --> 0:11:50.160
<v Speaker 4>in real time, you know what I mean. So I

0:11:50.240 --> 0:11:52.080
<v Speaker 4>was a little bit surprised that Candy was like, what

0:11:52.080 --> 0:11:54.280
<v Speaker 4>were you saying and stuff, because obviously, like you know,

0:11:54.679 --> 0:11:57.720
<v Speaker 4>these are all fairly new friendships that I'm building and

0:11:57.760 --> 0:11:59.720
<v Speaker 4>creating and really trying to figure out, you know, which

0:11:59.720 --> 0:12:01.559
<v Speaker 4>ones are going to be the meaningful ones, which was

0:12:01.600 --> 0:12:03.400
<v Speaker 4>all going to be the last thing relationships, you know.

0:12:03.960 --> 0:12:06.120
<v Speaker 4>So I don't I don't think she took it, uh,

0:12:06.320 --> 0:12:08.240
<v Speaker 4>you know, too heavy. I think she just asked and

0:12:08.280 --> 0:12:09.800
<v Speaker 4>we kind of moved on from it. But I was

0:12:09.840 --> 0:12:12.680
<v Speaker 4>a little bit surprised that she expected me to be like,

0:12:12.760 --> 0:12:13.959
<v Speaker 4>now what what what.

0:12:16.040 --> 0:12:16.360
<v Speaker 3>Shocked?

0:12:16.400 --> 0:12:19.840
<v Speaker 1>As you were Oh, no, girl, we were gagging. Again.

0:12:19.920 --> 0:12:23.559
<v Speaker 2>If that was Manyeta, I would have understood more. So

0:12:23.600 --> 0:12:26.800
<v Speaker 2>I was surprised about that line of questioning because from

0:12:26.800 --> 0:12:28.560
<v Speaker 2>what I've seen, and you tell me if I'm wrong,

0:12:29.000 --> 0:12:34.679
<v Speaker 2>it appears that you're closer to Charae and Marlow, I'm.

0:12:34.520 --> 0:12:35.520
<v Speaker 3>Closer to Marlow.

0:12:35.760 --> 0:12:37.960
<v Speaker 4>And to be honest, like it's funny because at that

0:12:38.080 --> 0:12:40.439
<v Speaker 4>point I was closer to Candy and Marlow. So like

0:12:40.520 --> 0:12:43.080
<v Speaker 4>Candy and I had gone on vacation, we communicate a

0:12:43.080 --> 0:12:46.360
<v Speaker 4>lot off camera, and of course Marlow, Marlow and I

0:12:46.360 --> 0:12:49.760
<v Speaker 4>are the closest, especially now like off off season this

0:12:49.840 --> 0:12:53.160
<v Speaker 4>season we talk like every day, so I was actually

0:12:53.200 --> 0:12:56.120
<v Speaker 4>closer to Marlow. Candy and then Chari like Sharan are

0:12:56.160 --> 0:12:58.760
<v Speaker 4>super cool. We don't talk as much, you know, maybe

0:12:58.760 --> 0:13:00.240
<v Speaker 4>like once a week, once every two weeks.

0:13:00.240 --> 0:13:03.280
<v Speaker 3>Her and I connect, So Canny and I work fairly close.

0:13:03.640 --> 0:13:05.320
<v Speaker 4>But the other thing, too, Carlos, was that I didn't

0:13:05.320 --> 0:13:07.480
<v Speaker 4>feel like it was an attack on her, on her character,

0:13:07.720 --> 0:13:09.680
<v Speaker 4>like if you as you watched the season progress, like.

0:13:09.720 --> 0:13:12.439
<v Speaker 3>Even last night with Marlowe, I don't.

0:13:12.320 --> 0:13:14.000
<v Speaker 4>Like when they started calling her trick and stuff like

0:13:14.000 --> 0:13:15.679
<v Speaker 4>to me, that's that's a personal affront.

0:13:15.960 --> 0:13:18.360
<v Speaker 3>But when you're talking about, like, you know, these people.

0:13:18.640 --> 0:13:20.800
<v Speaker 4>To me, that wasn't something where I'd be like, well, damn, Like,

0:13:20.840 --> 0:13:22.120
<v Speaker 4>why would you say this about Candy?

0:13:22.200 --> 0:13:24.120
<v Speaker 3>It wasn't that deep to me, you know what I mean?

0:13:24.600 --> 0:13:30.320
<v Speaker 2>Yeah, But what's getting deep is the lonelness to me

0:13:31.120 --> 0:13:33.640
<v Speaker 2>of the dialogue between them.

0:13:33.800 --> 0:13:34.040
<v Speaker 1>You know.

0:13:35.559 --> 0:13:38.480
<v Speaker 2>One of the biggest things that the audience is having

0:13:38.520 --> 0:13:42.920
<v Speaker 2>a very hard time understanding. And I even called Marlowe

0:13:42.960 --> 0:13:45.160
<v Speaker 2>personally to talk to her about this because I do

0:13:45.240 --> 0:13:49.120
<v Speaker 2>love her, is the fact that what happened three years

0:13:49.160 --> 0:13:51.800
<v Speaker 2>ago with her nephew. Of course, it's horrendous and it's sad,

0:13:51.840 --> 0:13:54.600
<v Speaker 2>and she and the entire family have all of our

0:13:54.640 --> 0:13:57.920
<v Speaker 2>complete condolencence with that, but it is sort of.

0:13:59.280 --> 0:14:00.480
<v Speaker 1>It is sort of.

0:14:00.640 --> 0:14:03.720
<v Speaker 2>I'll just use the word weird that three years later

0:14:04.240 --> 0:14:06.600
<v Speaker 2>is being brought up. And I understand she's saying, well,

0:14:06.640 --> 0:14:10.040
<v Speaker 2>the shootings that happen at the restaurant triggered it, So

0:14:10.080 --> 0:14:14.679
<v Speaker 2>I get that, But to the degree of it being

0:14:14.840 --> 0:14:15.800
<v Speaker 2>so volatile.

0:14:16.320 --> 0:14:18.200
<v Speaker 1>Obviously you talk to marlow daily.

0:14:18.679 --> 0:14:20.760
<v Speaker 2>Are you on Marlow's side when it comes to where

0:14:20.760 --> 0:14:21.880
<v Speaker 2>her and Candy are going through?

0:14:21.960 --> 0:14:22.400
<v Speaker 1>And can you.

0:14:22.360 --> 0:14:24.800
<v Speaker 2>Shed some light that we may not know because I

0:14:24.840 --> 0:14:27.880
<v Speaker 2>know Marlow for real, for real, and I'm confused.

0:14:29.440 --> 0:14:32.960
<v Speaker 4>Well, no, I get it, And I think that it's tricky,

0:14:33.040 --> 0:14:35.960
<v Speaker 4>right because you can't tell someone how to feel.

0:14:36.080 --> 0:14:38.440
<v Speaker 3>And even for me when I was when I communicate with.

0:14:38.360 --> 0:14:41.200
<v Speaker 4>Marl and stuff, and I'm like, dang, like it's a

0:14:41.240 --> 0:14:45.240
<v Speaker 4>tricky thing to navigate because somebody died, right like her

0:14:45.360 --> 0:14:49.440
<v Speaker 4>nephew died, So there's the gravity of that, and then

0:14:49.520 --> 0:14:53.000
<v Speaker 4>there is this feeling where she just feels like, you know,

0:14:53.280 --> 0:14:56.840
<v Speaker 4>Candy sometimes just kind of brushes.

0:14:56.480 --> 0:14:59.160
<v Speaker 3>Past issues, you know, big and small.

0:14:59.360 --> 0:15:01.960
<v Speaker 4>And so, you know, do I always agree with how

0:15:02.000 --> 0:15:06.240
<v Speaker 4>Marlow goes at things now, but do I try to

0:15:06.320 --> 0:15:09.840
<v Speaker 4>validate her feelings? Yes, And so in the fact that

0:15:09.920 --> 0:15:14.080
<v Speaker 4>she felt like Candy never really acknowledged it or showed

0:15:14.160 --> 0:15:14.960
<v Speaker 4>up in the way.

0:15:15.120 --> 0:15:15.320
<v Speaker 3>See.

0:15:15.320 --> 0:15:17.240
<v Speaker 4>The other thing that people have to understand too, is

0:15:17.720 --> 0:15:20.160
<v Speaker 4>like a lot of times people value friendship the way

0:15:20.200 --> 0:15:22.560
<v Speaker 4>that they are friends, and Marlow is one of the

0:15:22.560 --> 0:15:25.680
<v Speaker 4>most thoughtful. She's one of the kindest people I know.

0:15:25.840 --> 0:15:28.640
<v Speaker 4>Like last season when I had COVID, she sent me

0:15:28.840 --> 0:15:31.280
<v Speaker 4>flowers at Teddy Bear, she sent me medicine.

0:15:31.320 --> 0:15:34.760
<v Speaker 3>She called me every day, and that's her love language and.

0:15:34.720 --> 0:15:37.720
<v Speaker 4>So you know, she I think, just expects people to

0:15:37.840 --> 0:15:40.800
<v Speaker 4>reciprocate that, and like what I understand from Candy when

0:15:40.800 --> 0:15:42.440
<v Speaker 4>I was talking to Candy as well as like, she's

0:15:42.440 --> 0:15:45.080
<v Speaker 4>not that girl, and I'm not all the way a

0:15:45.080 --> 0:15:47.920
<v Speaker 4>thoughtful person like that either, Like marlow is teaching me

0:15:48.040 --> 0:15:49.920
<v Speaker 4>how to be more thoughtful of people, you know what

0:15:49.960 --> 0:15:50.280
<v Speaker 4>I mean.

0:15:50.760 --> 0:15:52.840
<v Speaker 3>So I definitely see both sides.

0:15:52.880 --> 0:15:56.080
<v Speaker 4>I understand how Candy could feel like the timing is

0:15:56.120 --> 0:15:58.360
<v Speaker 4>so bad. It's like, you know, once again trying to

0:15:58.440 --> 0:16:00.760
<v Speaker 4>like you know, make put her business in a bad light.

0:16:00.840 --> 0:16:02.720
<v Speaker 4>So I understood why Candy.

0:16:02.400 --> 0:16:04.720
<v Speaker 3>Got so upset. But I think, and I think this

0:16:04.760 --> 0:16:06.160
<v Speaker 3>happens a lot with the ladies.

0:16:06.440 --> 0:16:09.800
<v Speaker 4>If we can stay on just the topic, just the issue,

0:16:10.440 --> 0:16:13.480
<v Speaker 4>we can handle it right, Because it's like if Candy's like, Okay,

0:16:13.480 --> 0:16:15.000
<v Speaker 4>my bad, I could I could have done more, we

0:16:15.000 --> 0:16:17.280
<v Speaker 4>could move on. But then it becomes this big thing

0:16:17.840 --> 0:16:20.000
<v Speaker 4>and they're both so heavily vested, and it becomes really

0:16:20.040 --> 0:16:21.600
<v Speaker 4>tricky as a group to navigate.

0:16:22.240 --> 0:16:24.880
<v Speaker 2>That makes sense to me now, I'm starting to understand,

0:16:24.920 --> 0:16:28.680
<v Speaker 2>because you're right, Marlowe, feels like what I give out

0:16:29.240 --> 0:16:32.600
<v Speaker 2>I should be able to get in return, and to

0:16:32.640 --> 0:16:33.240
<v Speaker 2>your point.

0:16:33.800 --> 0:16:36.280
<v Speaker 1>Not everyone is wired that way.

0:16:36.480 --> 0:16:40.040
<v Speaker 2>And I will say this on the record, Marlowe is

0:16:40.280 --> 0:16:44.120
<v Speaker 2>very generous. She is very giving, She is very thoughtful.

0:16:44.160 --> 0:16:46.360
<v Speaker 2>Marlowe loves to give a gift, child, and I love

0:16:46.440 --> 0:16:47.040
<v Speaker 2>taking them.

0:16:47.400 --> 0:16:48.320
<v Speaker 1>So I do.

0:16:48.760 --> 0:16:51.920
<v Speaker 2>I do know that about her, And now I'm starting

0:16:51.960 --> 0:16:55.240
<v Speaker 2>to understand a little bit more about what she was

0:16:55.320 --> 0:16:58.440
<v Speaker 2>expecting is because she feels like I will do that

0:16:58.720 --> 0:17:02.960
<v Speaker 2>in a situation. So, okay, I understand that much. Do

0:17:03.080 --> 0:17:06.120
<v Speaker 2>you understand Manyetta? Though her presence on the show.

0:17:06.119 --> 0:17:09.439
<v Speaker 4>Carlos almost Carlos not you passing? Now?

0:17:09.560 --> 0:17:11.800
<v Speaker 2>I thought you weren't tracks y'all who could run miles

0:17:11.840 --> 0:17:13.040
<v Speaker 2>and breathe? Child?

0:17:13.720 --> 0:17:17.120
<v Speaker 3>You know what I've been telling folks. I haven't trained

0:17:17.200 --> 0:17:18.879
<v Speaker 3>for poor Olympics.

0:17:20.040 --> 0:17:23.199
<v Speaker 4>I have been all of Nothing has prepared me for

0:17:23.240 --> 0:17:24.440
<v Speaker 4>the real house sives of Atlanta.

0:17:24.520 --> 0:17:28.720
<v Speaker 3>Do you understand nothing? Nothing has prepared me for this? Okay?

0:17:28.760 --> 0:17:32.960
<v Speaker 3>Do I understand man Yetta's presence on the show? Yes,

0:17:33.119 --> 0:17:37.320
<v Speaker 3>of course I do. Of course I do.

0:17:38.920 --> 0:17:41.480
<v Speaker 1>What do you think? What is it? Tella's enlighten up?

0:17:41.480 --> 0:17:42.720
<v Speaker 1>Because we're not there every day.

0:17:42.600 --> 0:17:42.920
<v Speaker 2>My love.

0:17:43.280 --> 0:17:44.159
<v Speaker 3>There are other people in.

0:17:44.160 --> 0:17:46.600
<v Speaker 4>This room, cross and they've also fallen out everybody's on

0:17:46.680 --> 0:17:47.080
<v Speaker 4>the floor.

0:17:47.440 --> 0:17:50.439
<v Speaker 3>My la thought everybody's on the floor, just so you know.

0:17:50.560 --> 0:17:53.840
<v Speaker 5>Okay, well, quarter minds want to know, honey, this is

0:17:53.920 --> 0:17:56.320
<v Speaker 5>reality with the King, and I want to know the

0:17:56.400 --> 0:17:59.240
<v Speaker 5>reality of when y'all together. You cannot believe that you're

0:17:59.280 --> 0:18:01.800
<v Speaker 5>asking these quest, Carlos, I would love for you to

0:18:01.840 --> 0:18:02.440
<v Speaker 5>answer one.

0:18:03.560 --> 0:18:04.720
<v Speaker 3>So, okay, here's the thing.

0:18:05.320 --> 0:18:05.800
<v Speaker 1>I think.

0:18:05.880 --> 0:18:09.200
<v Speaker 4>I think Mayetta, like you said, she is like a wonderful,

0:18:09.480 --> 0:18:13.439
<v Speaker 4>wonderful person. I think that she is one of the

0:18:13.440 --> 0:18:19.000
<v Speaker 4>best human beings I've ever met. However, I think that

0:18:19.040 --> 0:18:21.480
<v Speaker 4>it has been tricky for her to navigate the show,

0:18:21.520 --> 0:18:26.040
<v Speaker 4>and to navigate, you know, because she loves her and

0:18:26.119 --> 0:18:29.399
<v Speaker 4>Candy's relationship is so significant to her and important to

0:18:29.440 --> 0:18:32.760
<v Speaker 4>her that I feel like she sometimes isn't able to

0:18:32.800 --> 0:18:35.240
<v Speaker 4>step out of that and just be on her own.

0:18:35.320 --> 0:18:38.879
<v Speaker 3>And it's hard. This this show is so hard.

0:18:39.480 --> 0:18:42.080
<v Speaker 4>Maybe have so many comments about it, but if you

0:18:42.160 --> 0:18:44.439
<v Speaker 4>were in the same situation, trust me, it's not as

0:18:44.560 --> 0:18:47.400
<v Speaker 4>easy as it appears when you are watching.

0:18:47.040 --> 0:18:47.760
<v Speaker 3>It on TV.

0:18:48.520 --> 0:18:50.840
<v Speaker 4>And so, you know, I do think that Mayette is

0:18:50.880 --> 0:18:53.680
<v Speaker 4>tricky for Mayette because she has such an alliance and

0:18:53.760 --> 0:18:56.840
<v Speaker 4>allegiance with Candy that and you saw it when she

0:18:56.920 --> 0:18:59.440
<v Speaker 4>was like I almost lost my friend. It's like why,

0:18:59.520 --> 0:19:01.679
<v Speaker 4>like just for like you know, sitting with Marlow for

0:19:01.720 --> 0:19:04.840
<v Speaker 4>two seconds like that. That doesn't make any sense, Like

0:19:05.680 --> 0:19:07.040
<v Speaker 4>you got to you got to be out here on

0:19:07.040 --> 0:19:07.800
<v Speaker 4>your own sis.

0:19:07.840 --> 0:19:09.199
<v Speaker 3>So I love Mayeta Todath.

0:19:09.600 --> 0:19:11.960
<v Speaker 4>I think that this season she brings a lot more

0:19:12.160 --> 0:19:14.639
<v Speaker 4>to the show. She brings a lot more to the

0:19:14.640 --> 0:19:17.680
<v Speaker 4>show this season. But we'll see, you know, we'll see.

0:19:17.920 --> 0:19:19.720
<v Speaker 1>Do you think she's in Candy Shadow?

0:19:20.400 --> 0:19:22.919
<v Speaker 3>Yeah? Yeah, I think she's in Candy Shadow. I think that.

0:19:23.800 --> 0:19:27.200
<v Speaker 4>I think that I think that her personality type makes

0:19:27.200 --> 0:19:29.119
<v Speaker 4>it hard for her to break out of Candy Shadow,

0:19:29.119 --> 0:19:31.560
<v Speaker 4>because she's such a loyal friend and she's such a

0:19:31.640 --> 0:19:33.600
<v Speaker 4>sweet girl. So yes, I do think that, and I

0:19:33.640 --> 0:19:35.160
<v Speaker 4>don't think I think that she would agree. I don't

0:19:35.160 --> 0:19:38.600
<v Speaker 4>think that's an insult. I think that she came on

0:19:38.720 --> 0:19:41.800
<v Speaker 4>as Candy's friend and she's really been loyal to her.

0:19:43.600 --> 0:19:46.280
<v Speaker 1>I hate your interrupt, but stay tuned for more.

0:19:46.720 --> 0:19:54.439
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<v Speaker 2>dot com slash t os for details. This is Reality

0:23:45.400 --> 0:23:48.440
<v Speaker 2>with the King and I'm Carlos King. Let's get back

0:23:48.640 --> 0:23:53.560
<v Speaker 2>into the show. What are your thoughts on Ralph and Drew.

0:23:54.119 --> 0:23:56.360
<v Speaker 2>I mean, obviously you and Drew have had your moments,

0:23:56.520 --> 0:23:59.440
<v Speaker 2>which by the way, was funny, but when you think

0:23:59.480 --> 0:24:01.760
<v Speaker 2>about what she's going through and one thing, listen, one

0:24:01.760 --> 0:24:05.520
<v Speaker 2>thing I know about everybody on the Atlanta Housewives and

0:24:05.520 --> 0:24:08.719
<v Speaker 2>a lot of reality TV, everybody can throw shade and

0:24:08.760 --> 0:24:12.240
<v Speaker 2>do whatever, but no, there's not one person who takes

0:24:12.280 --> 0:24:14.840
<v Speaker 2>pleasure in seeing the breakup of a marriage. And that's

0:24:14.840 --> 0:24:17.840
<v Speaker 2>one thing I know for sure. Yes, I absolutely there's

0:24:17.920 --> 0:24:21.160
<v Speaker 2>never been any gleeful moments of somebody's marriage breaking up

0:24:21.600 --> 0:24:25.000
<v Speaker 2>When you learn of the divorce. And again we're only

0:24:25.080 --> 0:24:28.719
<v Speaker 2>in episode six right now this season, right did you

0:24:28.840 --> 0:24:31.440
<v Speaker 2>see signs that pointed in this direction?

0:24:32.040 --> 0:24:36.040
<v Speaker 4>So it caught me completely off guard, Carlos, because to

0:24:36.040 --> 0:24:38.600
<v Speaker 4>give you some context, like I'm not the best on

0:24:38.840 --> 0:24:40.480
<v Speaker 4>dates and times and stuff, but I would say probably

0:24:40.480 --> 0:24:43.960
<v Speaker 4>about two weeks prior to the announcement of the divorce,

0:24:44.680 --> 0:24:47.920
<v Speaker 4>Ross and I were at Ralph's fortieth that drew through

0:24:47.960 --> 0:24:51.439
<v Speaker 4>for him, and they looked super happy. I mean, it

0:24:51.600 --> 0:24:53.720
<v Speaker 4>was like it was a vibe, like we were having

0:24:53.720 --> 0:24:56.359
<v Speaker 4>so much fun. They were dancing together, they played her songs,

0:24:56.359 --> 0:24:59.600
<v Speaker 4>she gave him a whole moment in the club, and

0:24:59.680 --> 0:25:02.439
<v Speaker 4>so so I know marriage is tough, and I know

0:25:02.560 --> 0:25:05.080
<v Speaker 4>sometimes we got to put on even when things are

0:25:05.119 --> 0:25:09.040
<v Speaker 4>not perfect. But I would have never anticipated that a

0:25:09.080 --> 0:25:11.679
<v Speaker 4>week or two later they'd be both rushing to the

0:25:11.720 --> 0:25:14.760
<v Speaker 4>courthouse to like outsign each other.

0:25:15.240 --> 0:25:17.639
<v Speaker 2>They were watching they were watching YouTube videos of you

0:25:17.720 --> 0:25:20.520
<v Speaker 2>sprinting and followed suit and ran.

0:25:20.440 --> 0:25:21.960
<v Speaker 1>To the courthouse as.

0:25:21.880 --> 0:25:24.120
<v Speaker 2>If but Tom was waiting on them at the end.

0:25:24.160 --> 0:25:26.359
<v Speaker 1>Honey, I was like, but it.

0:25:26.280 --> 0:25:28.639
<v Speaker 4>Didn't really surprise me because everything with Ralph and she

0:25:28.720 --> 0:25:30.680
<v Speaker 4>was always a little bit Quirky says that this is this,

0:25:30.680 --> 0:25:33.240
<v Speaker 4>this sounds about right right, like them rushing to the courthouse,

0:25:33.280 --> 0:25:36.520
<v Speaker 4>so just about right. But like you said, I honestly,

0:25:36.560 --> 0:25:39.320
<v Speaker 4>I'm really heartbroken, mainly for the kids because there were

0:25:39.400 --> 0:25:43.520
<v Speaker 4>three beautiful kids, and I when I met them prior

0:25:43.600 --> 0:25:45.640
<v Speaker 4>to the show two or three before we started filming,

0:25:45.960 --> 0:25:48.080
<v Speaker 4>I just thought they were a great couple. I thought

0:25:48.119 --> 0:25:49.919
<v Speaker 4>they have a lot of fun together. So it just

0:25:49.960 --> 0:25:51.959
<v Speaker 4>it's just sad that they're not. You know, haven't been

0:25:52.000 --> 0:25:53.000
<v Speaker 4>able to figure it out.

0:25:53.440 --> 0:25:54.760
<v Speaker 1>Have you spoken to her recently?

0:25:55.960 --> 0:25:58.280
<v Speaker 3>So I text her.

0:25:58.320 --> 0:26:00.560
<v Speaker 4>I had been texting her like consistently, like you know,

0:26:00.640 --> 0:26:05.240
<v Speaker 4>just checking in on her, and and then she like

0:26:05.280 --> 0:26:06.280
<v Speaker 4>made a tweet the other.

0:26:06.160 --> 0:26:10.120
<v Speaker 2>Day and I'm like about you, and I'm like, girl.

0:26:09.960 --> 0:26:12.600
<v Speaker 3>Man, you are good, Like why are you tweeting?

0:26:12.840 --> 0:26:16.840
<v Speaker 4>It's like Drew Sometimes I feel like Drew thinks like

0:26:16.880 --> 0:26:19.560
<v Speaker 4>she's supposed to be like wherever the show is, that's

0:26:19.560 --> 0:26:20.600
<v Speaker 4>where it's just a mess.

0:26:20.640 --> 0:26:21.960
<v Speaker 3>I can't I can't.

0:26:21.760 --> 0:26:23.520
<v Speaker 4>Deal with that, Like I want to be real in

0:26:23.600 --> 0:26:27.120
<v Speaker 4>the moment, like reality reality. So after that, I was like, Okay,

0:26:27.200 --> 0:26:29.160
<v Speaker 4>let me just give her some more space again because

0:26:29.200 --> 0:26:30.639
<v Speaker 4>she's just on one again.

0:26:30.760 --> 0:26:35.520
<v Speaker 2>So a lot of people have accused Drew of acting

0:26:35.960 --> 0:26:39.480
<v Speaker 2>a lot on this show and getting the set confused

0:26:39.520 --> 0:26:43.560
<v Speaker 2>with a Lifetime movie set starring Carrie Hillson and directed

0:26:43.560 --> 0:26:44.000
<v Speaker 2>by T. D.

0:26:44.160 --> 0:26:44.640
<v Speaker 1>Jakes.

0:26:45.119 --> 0:26:49.480
<v Speaker 2>So do you feel that when you're in scene with

0:26:49.680 --> 0:26:53.119
<v Speaker 2>Drew do you sometimes feel like are you reading a

0:26:53.240 --> 0:26:55.240
<v Speaker 2>script or are you being yourself?

0:26:55.520 --> 0:26:59.000
<v Speaker 3>One? Like it is?

0:26:59.160 --> 0:27:02.160
<v Speaker 4>That has been one of the hardest things to navigate

0:27:02.160 --> 0:27:05.600
<v Speaker 4>and my biggest frustration, especially coming on as her friend.

0:27:06.960 --> 0:27:08.000
<v Speaker 3>You know, it was it was.

0:27:08.000 --> 0:27:10.639
<v Speaker 4>Really hard because but you know what's funny, Carlos and

0:27:10.680 --> 0:27:12.359
<v Speaker 4>I ain't never told nobody this, but I'm gonna just

0:27:12.440 --> 0:27:15.399
<v Speaker 4>drop your little tea right here. When I when I

0:27:15.600 --> 0:27:18.480
<v Speaker 4>first met them, right when I first met Ralph and Drew,

0:27:19.440 --> 0:27:21.240
<v Speaker 4>he one of the things he said was He's like.

0:27:21.440 --> 0:27:22.760
<v Speaker 3>You know, we'll be cool.

0:27:22.800 --> 0:27:24.439
<v Speaker 4>And then all of a sudden the mood scene, she

0:27:24.560 --> 0:27:27.120
<v Speaker 4>just like flips the script like she'll just like go

0:27:27.240 --> 0:27:29.000
<v Speaker 4>like do something crazy.

0:27:29.400 --> 0:27:31.080
<v Speaker 1>About his own wife.

0:27:31.359 --> 0:27:36.800
<v Speaker 4>Yeah, And so it shouldn't have surprised me that she

0:27:36.880 --> 0:27:39.879
<v Speaker 4>did that to me in season one and that she

0:27:40.160 --> 0:27:42.679
<v Speaker 4>continues to do that. I just I but here's the

0:27:42.720 --> 0:27:44.480
<v Speaker 4>thing about it, and this is gonna be crazy. Is

0:27:44.480 --> 0:27:48.040
<v Speaker 4>that I don't feel like she knows that she's doing it.

0:27:48.600 --> 0:27:52.480
<v Speaker 4>I don't feel like she understands like when she goes

0:27:52.520 --> 0:27:55.760
<v Speaker 4>into this actress mode, I really don't and I think that,

0:27:56.400 --> 0:27:58.360
<v Speaker 4>but but she does it a lot, and it's it's

0:27:58.400 --> 0:28:02.399
<v Speaker 4>really tricky to be around her because literally we'll be texting,

0:28:02.440 --> 0:28:04.239
<v Speaker 4>we'll be cool, and we'll talk off camera, and then

0:28:04.240 --> 0:28:05.760
<v Speaker 4>she comes on camera and she has a whole different

0:28:05.840 --> 0:28:08.800
<v Speaker 4>vibe and it's like, girl, like I don't like it,

0:28:08.880 --> 0:28:11.480
<v Speaker 4>Like I'd prefer to like know, like we're not cool

0:28:11.600 --> 0:28:13.720
<v Speaker 4>or we're cool, but don't like flip the script on

0:28:13.800 --> 0:28:15.680
<v Speaker 4>me on screen, and you know what I mean, because

0:28:15.680 --> 0:28:17.639
<v Speaker 4>I'm not acting. So it's it's really hard for me

0:28:17.720 --> 0:28:20.639
<v Speaker 4>to be able to figure out how to move with

0:28:20.720 --> 0:28:21.879
<v Speaker 4>her in that case.

0:28:21.920 --> 0:28:23.960
<v Speaker 1>You know, Yeah, No, I love you, Drew.

0:28:24.400 --> 0:28:26.879
<v Speaker 2>Just note that they don't give about oscars for the

0:28:26.880 --> 0:28:29.560
<v Speaker 2>real Housebots of Atlanta, Baby, so we can stop auditioning

0:28:29.600 --> 0:28:33.600
<v Speaker 2>for an oscar, leave that for a movie directed by

0:28:33.640 --> 0:28:36.880
<v Speaker 2>Martin Scorsese because these scenes are directed.

0:28:36.520 --> 0:28:46.120
<v Speaker 1>By Eric Fuller. Okay, exactly, I love you, Okay.

0:28:46.680 --> 0:28:49.680
<v Speaker 2>One of the biggest conversations about this season is a

0:28:49.720 --> 0:28:53.360
<v Speaker 2>lot of people are saying the cast feels disjointed, that

0:28:53.400 --> 0:28:58.520
<v Speaker 2>there doesn't seem to be this cohesive sisterhood that Conda

0:28:58.680 --> 0:28:59.959
<v Speaker 2>was apparent last season.

0:29:00.040 --> 0:29:03.240
<v Speaker 1>And what did you contribute that to?

0:29:03.880 --> 0:29:06.400
<v Speaker 2>Because again, I've worked on the show, and I've known

0:29:06.440 --> 0:29:08.200
<v Speaker 2>that relationship goes through up and down.

0:29:08.200 --> 0:29:11.880
<v Speaker 1>We've seen it with Kim and Nini, Minia and Charie, We've.

0:29:11.760 --> 0:29:15.720
<v Speaker 2>Seen it with Kenya, Porscha, Cynthia King, Like, we've seen

0:29:15.760 --> 0:29:18.680
<v Speaker 2>these up and downs, but the girls always found their

0:29:18.680 --> 0:29:19.400
<v Speaker 2>way back.

0:29:20.120 --> 0:29:22.640
<v Speaker 1>Why is it in your feelings?

0:29:22.760 --> 0:29:25.880
<v Speaker 2>Obviously is your second season, but why it seems to

0:29:25.960 --> 0:29:29.800
<v Speaker 2>be this jointed so much to the point where everyone

0:29:29.920 --> 0:29:33.000
<v Speaker 2>is confused by where this friendship can go.

0:29:33.320 --> 0:29:35.959
<v Speaker 4>Yeah, and that's so unfortunately to me, Carlos, because I

0:29:36.040 --> 0:29:39.760
<v Speaker 4>felt that this season we were building on this sisterhood

0:29:39.760 --> 0:29:42.400
<v Speaker 4>and friendship and I thought it would you know, radiate

0:29:42.440 --> 0:29:44.479
<v Speaker 4>through the screens this year if you would see that

0:29:44.560 --> 0:29:47.080
<v Speaker 4>we were, you know, actually really trying to be great

0:29:47.080 --> 0:29:50.640
<v Speaker 4>friends and stuff. So it's disappointing that the opposite is happening.

0:29:51.640 --> 0:29:53.960
<v Speaker 3>But I think I think ultimately where.

0:29:53.760 --> 0:29:58.400
<v Speaker 4>The break happens is when Marlowe and Kenya, which obviously

0:29:58.440 --> 0:30:01.400
<v Speaker 4>that's been a few that's been predates me and has

0:30:01.440 --> 0:30:02.880
<v Speaker 4>been going on for a long time.

0:30:03.440 --> 0:30:04.960
<v Speaker 3>I think it's okay when they're like.

0:30:04.960 --> 0:30:08.080
<v Speaker 4>Two girls that are not not really getting along. But

0:30:08.120 --> 0:30:10.960
<v Speaker 4>I think the issue really happens when marlow and Candy

0:30:11.160 --> 0:30:15.560
<v Speaker 4>start to feud, and then because Kenya and Marlowe you know,

0:30:15.800 --> 0:30:19.960
<v Speaker 4>are you know, you know, Nemesis, It then really devised

0:30:19.960 --> 0:30:22.160
<v Speaker 4>the group because I think that Candy when Cay like

0:30:22.240 --> 0:30:25.200
<v Speaker 4>and one thing I really do respect about Candy is

0:30:25.240 --> 0:30:29.120
<v Speaker 4>that she's very level headed and even after the worst feud,

0:30:29.280 --> 0:30:31.480
<v Speaker 4>she kind of always finds her way back to like,

0:30:31.920 --> 0:30:34.360
<v Speaker 4>you know, a cordial place, like a place where we

0:30:34.400 --> 0:30:35.480
<v Speaker 4>can all coexist.

0:30:35.920 --> 0:30:38.120
<v Speaker 3>And so I think what happens this season.

0:30:37.920 --> 0:30:41.760
<v Speaker 4>Unfortunately, is that with marlow and Candy feuding so much,

0:30:41.840 --> 0:30:44.360
<v Speaker 4>and of course Kenya and Marlowe, it makes it really

0:30:44.400 --> 0:30:48.200
<v Speaker 4>hard for our group, our group to be cohesive because

0:30:48.240 --> 0:30:49.880
<v Speaker 4>you know, those are two big players in the group,

0:30:49.920 --> 0:30:53.120
<v Speaker 4>you know what I mean. So unfortunately, I think that

0:30:53.160 --> 0:30:56.840
<v Speaker 4>causes the divide. But but there is hope, Like I

0:30:56.840 --> 0:30:59.680
<v Speaker 4>think that as you continue to watch this season, especially

0:30:59.680 --> 0:31:02.520
<v Speaker 4>when going our group trip to Portugal, there is some mending,

0:31:03.080 --> 0:31:05.640
<v Speaker 4>you know, and and we do, we do go on

0:31:05.720 --> 0:31:07.840
<v Speaker 4>some really cool journeys, and I think we have some

0:31:07.880 --> 0:31:10.840
<v Speaker 4>really beautiful moments, but it is hard when you have

0:31:11.000 --> 0:31:15.000
<v Speaker 4>so many women with big personalities who do have real

0:31:15.080 --> 0:31:18.160
<v Speaker 4>feelings of their issues. I think, you know, it makes

0:31:18.160 --> 0:31:21.400
<v Speaker 4>it really hard to push past some of those things.

0:31:21.400 --> 0:31:23.200
<v Speaker 4>But you know, we do try and think that. I

0:31:23.200 --> 0:31:25.080
<v Speaker 4>think that people will be happy as a season progresses.

0:31:25.400 --> 0:31:29.800
<v Speaker 2>Okay, when you joined the show, is it everything that

0:31:29.920 --> 0:31:32.840
<v Speaker 2>you imagine it would be or are you completely caught

0:31:32.840 --> 0:31:33.400
<v Speaker 2>off guard?

0:31:35.120 --> 0:31:39.480
<v Speaker 4>I don't know what I imagined it would be, but

0:31:39.880 --> 0:31:41.600
<v Speaker 4>not out of ten times I'm completely caught off.

0:31:45.480 --> 0:31:48.720
<v Speaker 1>Because sometimes I want this up. Times that you like,

0:31:49.200 --> 0:31:51.880
<v Speaker 1>what do I get myself to?

0:31:54.040 --> 0:31:55.960
<v Speaker 4>But you know what, it's funny, it's like, but not

0:31:56.200 --> 0:31:57.840
<v Speaker 4>ten times I'm having a lot of fun too.

0:31:57.920 --> 0:31:59.160
<v Speaker 3>Like, So here here's the.

0:31:59.120 --> 0:32:00.959
<v Speaker 4>Thing that people need to know about me, because I

0:32:01.000 --> 0:32:02.800
<v Speaker 4>know people write all kinds of stuff about me, and

0:32:02.800 --> 0:32:06.800
<v Speaker 4>stuff is like I am old, Like I am okay

0:32:07.040 --> 0:32:08.280
<v Speaker 4>with trying and failing.

0:32:08.760 --> 0:32:10.960
<v Speaker 3>I am okay with like you know, it's like none

0:32:10.960 --> 0:32:12.040
<v Speaker 3>of those things bother me.

0:32:12.200 --> 0:32:15.640
<v Speaker 4>Like I chase my dreams college for twenty years to

0:32:15.640 --> 0:32:18.120
<v Speaker 4>the Olympic champion and in two thousand and eight I

0:32:18.120 --> 0:32:21.600
<v Speaker 4>failed on the largest scale, there's nothing that can ever

0:32:21.720 --> 0:32:23.240
<v Speaker 4>rattle me, you know what I mean. Like after that,

0:32:23.280 --> 0:32:25.040
<v Speaker 4>I came back and I won in twenty twelve. So

0:32:25.080 --> 0:32:28.120
<v Speaker 4>it's like I'm navigating a new space. I'm figuring out

0:32:28.120 --> 0:32:30.640
<v Speaker 4>how to show fully authentically as myself, trying to figure

0:32:30.640 --> 0:32:32.200
<v Speaker 4>out who I'm gonna be, my ride or dies, like

0:32:32.280 --> 0:32:35.560
<v Speaker 4>all of these things like comes with pitfalls in real life,

0:32:35.840 --> 0:32:38.600
<v Speaker 4>much less on camera, you know what I mean. So

0:32:38.640 --> 0:32:41.480
<v Speaker 4>it's like I think I'm someone who's self deprecating. I

0:32:41.480 --> 0:32:44.120
<v Speaker 4>don't take myself too seriously. I'm not like trying to

0:32:44.160 --> 0:32:44.800
<v Speaker 4>be perfect.

0:32:44.920 --> 0:32:45.080
<v Speaker 2>You know.

0:32:45.120 --> 0:32:46.760
<v Speaker 4>It's like it is what it is, and as people

0:32:46.800 --> 0:32:49.000
<v Speaker 4>get to know me, you know, my hope is I'm

0:32:49.000 --> 0:32:50.960
<v Speaker 4>in for the long haul and people will see over

0:32:51.040 --> 0:32:54.360
<v Speaker 4>time who I am and that, you know, the little

0:32:54.360 --> 0:32:56.440
<v Speaker 4>things and the little pitfalls and a little moments, I

0:32:56.480 --> 0:32:58.800
<v Speaker 4>don't I don't harp on them too much. I keep

0:32:58.840 --> 0:33:01.720
<v Speaker 4>it moving and I'm genuinely trying to build real friendships

0:33:01.760 --> 0:33:03.400
<v Speaker 4>and I really want this show to go back to

0:33:03.440 --> 0:33:05.640
<v Speaker 4>what it really was, which was a group of women

0:33:05.640 --> 0:33:08.719
<v Speaker 4>who really care about each other, who are bonded on

0:33:08.840 --> 0:33:12.480
<v Speaker 4>issues and you know, we're connected because we have commonalities,

0:33:12.720 --> 0:33:15.560
<v Speaker 4>but obviously it's not going to be perfect because life isn't.

0:33:15.680 --> 0:33:17.520
<v Speaker 4>And you know that's that's really what I hope for

0:33:17.600 --> 0:33:17.920
<v Speaker 4>the show.

0:33:18.120 --> 0:33:19.880
<v Speaker 2>No, I do too, And I love the fact that

0:33:19.920 --> 0:33:22.960
<v Speaker 2>you don't take things too seriously and you're you're aware

0:33:23.520 --> 0:33:27.320
<v Speaker 2>that girl. One thing about the Real Housewives of Atlanta fans,

0:33:27.600 --> 0:33:29.160
<v Speaker 2>Those fans are tough.

0:33:29.440 --> 0:33:32.520
<v Speaker 4>What they like worse than sports.

0:33:32.240 --> 0:33:38.200
<v Speaker 2>Fans, Oh girls, forget look forget the basketball, baseball, football,

0:33:38.360 --> 0:33:42.000
<v Speaker 2>all of that. The Real Housewives of Atlanta, of all

0:33:42.000 --> 0:33:46.880
<v Speaker 2>the franchises Atlanta, those fans have very strong opinions. When

0:33:46.920 --> 0:33:49.520
<v Speaker 2>you hear people say things about you, they call you boring?

0:33:49.760 --> 0:33:50.840
<v Speaker 1>Why is she on the show?

0:33:51.240 --> 0:33:53.480
<v Speaker 2>Does that hurt your feelings when you when you hear

0:33:53.520 --> 0:33:54.520
<v Speaker 2>people say you're boring?

0:33:55.160 --> 0:33:58.000
<v Speaker 4>Well, not really, because what I have seen is that

0:33:58.280 --> 0:34:00.120
<v Speaker 4>a lot of times the fans really don't know what

0:34:00.160 --> 0:34:02.440
<v Speaker 4>they want, you know what I mean. On the one hand,

0:34:02.480 --> 0:34:06.240
<v Speaker 4>they will say we want positive women who have real relationships,

0:34:06.240 --> 0:34:08.960
<v Speaker 4>who have businesses and stuff, and then you get that

0:34:09.040 --> 0:34:11.640
<v Speaker 4>and it's like, oh, she's boring, you know what I mean?

0:34:11.760 --> 0:34:14.040
<v Speaker 3>And it's like the fans can also be really fickle.

0:34:14.200 --> 0:34:16.359
<v Speaker 4>One week they love this person, next week they love

0:34:16.400 --> 0:34:18.680
<v Speaker 4>that person, and so I kind of take it with

0:34:18.719 --> 0:34:19.480
<v Speaker 4>a grain of salt.

0:34:19.560 --> 0:34:19.799
<v Speaker 3>You know.

0:34:19.960 --> 0:34:23.400
<v Speaker 4>I've seen over the years where people complain about a

0:34:23.400 --> 0:34:25.600
<v Speaker 4>person then they're gone and they want them back more

0:34:25.640 --> 0:34:28.520
<v Speaker 4>than anything, and you know, it's like just this constant,

0:34:29.040 --> 0:34:32.120
<v Speaker 4>you know, desire to have what isn't there. And so

0:34:32.440 --> 0:34:35.000
<v Speaker 4>for me, I just kind of learned from sports to

0:34:35.120 --> 0:34:38.960
<v Speaker 4>quiet the noise, like, you know, focus on the fact

0:34:39.000 --> 0:34:40.759
<v Speaker 4>that I'm blessed to be on this platform and I'm

0:34:40.760 --> 0:34:44.160
<v Speaker 4>gonna keep being me and whether you know, I thank

0:34:44.200 --> 0:34:45.719
<v Speaker 4>god the fans don't cast.

0:34:47.360 --> 0:34:48.880
<v Speaker 3>And you know, just keep it pushing.

0:34:49.640 --> 0:34:51.279
<v Speaker 1>Yeah, So this will be my advice to you.

0:34:51.360 --> 0:34:53.600
<v Speaker 2>I got one more question for you, but as somebody

0:34:53.640 --> 0:34:57.799
<v Speaker 2>who produced that show from seasons one through four and

0:34:57.840 --> 0:35:01.160
<v Speaker 2>then six through nine, I want to give you some

0:35:01.239 --> 0:35:03.960
<v Speaker 2>advice if you if you if you want it.

0:35:03.840 --> 0:35:05.400
<v Speaker 3>Honey, Okay.

0:35:05.880 --> 0:35:08.520
<v Speaker 2>So look, I said this about you last season that

0:35:09.120 --> 0:35:12.240
<v Speaker 2>I did feel like your personal story was super strong

0:35:12.640 --> 0:35:15.000
<v Speaker 2>because it reminded me of the early days of Candy,

0:35:15.200 --> 0:35:18.120
<v Speaker 2>like I said earlier, in the sense of working with

0:35:18.200 --> 0:35:21.680
<v Speaker 2>your husband and the family and your your mom is

0:35:22.440 --> 0:35:27.080
<v Speaker 2>fan fantastic television, and it reminded me of like the

0:35:27.120 --> 0:35:31.840
<v Speaker 2>great Mama Joys and getting I'll say this, I felt

0:35:31.880 --> 0:35:37.680
<v Speaker 2>like you were bringing the old school Atlanta Housewives personal

0:35:37.760 --> 0:35:40.560
<v Speaker 2>story back to the show in terms of what it

0:35:40.600 --> 0:35:45.240
<v Speaker 2>looks like for a family dynamic because of some listen,

0:35:45.280 --> 0:35:48.799
<v Speaker 2>no shade, but some of these women are older and

0:35:49.160 --> 0:35:53.000
<v Speaker 2>they don't have a robust family with young kids. So

0:35:53.320 --> 0:35:56.520
<v Speaker 2>for us to see that from you, I felt was

0:35:56.560 --> 0:36:00.359
<v Speaker 2>super strong. And I what I would want more from you,

0:36:00.120 --> 0:36:04.920
<v Speaker 2>if I can say this to you, is I want

0:36:04.960 --> 0:36:07.920
<v Speaker 2>to see more of that. I listen, my opinion, I

0:36:07.960 --> 0:36:11.000
<v Speaker 2>could care less about your relationship with the girls to

0:36:11.040 --> 0:36:17.040
<v Speaker 2>a degree, I really am invested in you and Ross

0:36:17.160 --> 0:36:19.920
<v Speaker 2>and what you guys are talking about and what you

0:36:20.080 --> 0:36:22.839
<v Speaker 2>have going on. I really want to see more with

0:36:22.880 --> 0:36:25.000
<v Speaker 2>you and your mom, and I want to see your

0:36:25.040 --> 0:36:28.000
<v Speaker 2>mom around the girls more. When I met your mom

0:36:28.000 --> 0:36:29.600
<v Speaker 2>in person, first of all, your mom.

0:36:29.560 --> 0:36:31.080
<v Speaker 1>Is a baddie.

0:36:32.080 --> 0:36:35.400
<v Speaker 2>And I feel like the beauty of Atlanta housewise was

0:36:35.440 --> 0:36:37.800
<v Speaker 2>there was always that specialness when it came to the moms.

0:36:38.160 --> 0:36:40.320
<v Speaker 2>And because we haven't seen Mama Joyce in a while,

0:36:40.760 --> 0:36:43.480
<v Speaker 2>who's an icon and a legend herself, I would love

0:36:43.480 --> 0:36:45.880
<v Speaker 2>to see your mom more and I would love to

0:36:45.880 --> 0:36:48.200
<v Speaker 2>see more of what you and Ross are talking about,

0:36:48.280 --> 0:36:53.400
<v Speaker 2>because I feel like when you have these marital relationships,

0:36:53.480 --> 0:36:55.200
<v Speaker 2>that's what we want to see. And I feel like

0:36:55.239 --> 0:36:57.840
<v Speaker 2>you're getting your footwear, and when I'm.

0:36:57.719 --> 0:37:00.560
<v Speaker 1>Watching you, I feel like.

0:37:02.040 --> 0:37:04.799
<v Speaker 2>I feel like you'd be thinking, like what is going

0:37:04.840 --> 0:37:09.080
<v Speaker 2>on here? Like is this really happening? Or like when

0:37:09.160 --> 0:37:12.440
<v Speaker 2>Kenya stormed out to her room child in Alabama and

0:37:12.560 --> 0:37:15.480
<v Speaker 2>on the speakerphone, she said, y'all can go, and you said.

0:37:16.120 --> 0:37:19.560
<v Speaker 1>I will leave. I don't have to be here.

0:37:20.800 --> 0:37:24.080
<v Speaker 2>So I do feel like sometimes you're like, are y'all

0:37:24.120 --> 0:37:28.520
<v Speaker 2>putting on? Or what is really happening here? Because I

0:37:28.680 --> 0:37:32.360
<v Speaker 2>don't navigate this way, So I would just say, you know,

0:37:32.480 --> 0:37:34.960
<v Speaker 2>let's see more because I feel like you're trying to

0:37:34.960 --> 0:37:36.560
<v Speaker 2>figure these girls out. And I get it because there

0:37:36.560 --> 0:37:39.680
<v Speaker 2>are fifteen seasons and I feel like girl focused on

0:37:40.680 --> 0:37:43.000
<v Speaker 2>showing us the personal story because I do feel like

0:37:43.000 --> 0:37:44.600
<v Speaker 2>I want to see more personal story.

0:37:44.840 --> 0:37:47.200
<v Speaker 3>I love that and I mean that we can deliver on.

0:37:47.400 --> 0:37:49.560
<v Speaker 4>So thank you for that note, and I'll, you know,

0:37:49.719 --> 0:37:53.360
<v Speaker 4>definitely want to incorporate more and hopefully next season, you know,

0:37:54.040 --> 0:37:56.560
<v Speaker 4>Ross will be more put you know, staying in the

0:37:56.560 --> 0:37:58.200
<v Speaker 4>house more and so we can do more of that,

0:37:58.239 --> 0:37:59.239
<v Speaker 4>So I appreciate it.

0:37:59.400 --> 0:38:00.879
<v Speaker 1>Okay, question.

0:38:02.160 --> 0:38:07.360
<v Speaker 2>If you had a magic wand yes, and you're looking

0:38:07.400 --> 0:38:11.359
<v Speaker 2>at this show for next season, and if someone came

0:38:11.440 --> 0:38:14.600
<v Speaker 2>to you a Genie in a bottle, not Christina Aguileras

0:38:14.640 --> 0:38:16.600
<v Speaker 2>Genie in the bottle, because that was about some nest child,

0:38:16.960 --> 0:38:18.680
<v Speaker 2>a real genie in a bottle.

0:38:18.760 --> 0:38:19.880
<v Speaker 1>And they said, Okay.

0:38:19.680 --> 0:38:23.399
<v Speaker 2>Sonya, you're able to cast the women around you who

0:38:23.480 --> 0:38:27.760
<v Speaker 2>you want to move forward with. Who are five women

0:38:28.600 --> 0:38:32.239
<v Speaker 2>that you would love to be on a season with?

0:38:33.239 --> 0:38:37.320
<v Speaker 4>Oh wow, that's a that's a good that's a good one.

0:38:38.360 --> 0:38:44.320
<v Speaker 3>So obviously I bring back my girl Marlowe. So Marlowe

0:38:44.360 --> 0:38:45.080
<v Speaker 3>and Chara.

0:38:46.880 --> 0:38:50.240
<v Speaker 4>So five though, because that makes it shouldn't it be six?

0:38:50.560 --> 0:38:53.799
<v Speaker 1>Well you're six, it's you plus five.

0:38:54.600 --> 0:38:59.200
<v Speaker 3>Okay, So me, marlow Chare uh huh oh man.

0:39:00.880 --> 0:39:03.080
<v Speaker 2>Any House White, past, present, future.

0:39:03.160 --> 0:39:05.240
<v Speaker 4>But I'm thinking, I'm like, I've been on with Candy

0:39:05.280 --> 0:39:08.040
<v Speaker 4>and Kenya, so I feel like I've you know, experienced them.

0:39:08.440 --> 0:39:10.239
<v Speaker 3>So do I bring them back or do I bring

0:39:10.280 --> 0:39:11.239
<v Speaker 3>on somebody new?

0:39:11.560 --> 0:39:16.959
<v Speaker 4>So I always thought Phaedra was a wots so I think,

0:39:17.120 --> 0:39:20.520
<v Speaker 4>you know, it'd be cool to film with Phaedra. Even

0:39:20.560 --> 0:39:23.120
<v Speaker 4>though I know Candy and Phaedra won't film, so that

0:39:23.200 --> 0:39:24.920
<v Speaker 4>means I have to leave Candy off for next time.

0:39:24.920 --> 0:39:25.640
<v Speaker 3>I'm gonna bring her back.

0:39:25.640 --> 0:39:28.200
<v Speaker 1>I bring her back for season twenty okay.

0:39:29.320 --> 0:39:31.000
<v Speaker 3>And and Porsche.

0:39:32.080 --> 0:39:35.400
<v Speaker 2>Oh okay, Yeah, that's a good list.

0:39:35.880 --> 0:39:38.920
<v Speaker 1>That's a good list. Is that so? Yeah? So it's

0:39:39.080 --> 0:39:41.359
<v Speaker 1>yeah you so you plus five?

0:39:41.440 --> 0:39:49.320
<v Speaker 2>So that's Marlowe, Charae, Phaedra, I get one more more.

0:39:51.680 --> 0:39:55.680
<v Speaker 3>So I would bring back Dangs.

0:39:55.719 --> 0:39:57.640
<v Speaker 4>So who else is somebody that's from the past that

0:39:57.680 --> 0:39:58.759
<v Speaker 4>I would love to film with?

0:39:58.840 --> 0:40:04.160
<v Speaker 2>Because you have have Deshaun Snow, Lisa will Niani, Leeks, Kim,

0:40:04.320 --> 0:40:10.360
<v Speaker 2>Zoe Ziak, Claudia Jordan Shamari, the Claudia Claudia Claudia.

0:40:10.440 --> 0:40:13.520
<v Speaker 1>Okay, there you go. See that wasn't so bad.

0:40:13.600 --> 0:40:16.160
<v Speaker 3>I wasn't one last question.

0:40:16.239 --> 0:40:18.680
<v Speaker 1>I'm gonna let you go. I know you're busy. Do

0:40:18.719 --> 0:40:20.279
<v Speaker 1>you know who Tamra Judge is.

0:40:21.600 --> 0:40:23.480
<v Speaker 3>Yeah, yeah, she's one of the housewives.

0:40:23.080 --> 0:40:26.680
<v Speaker 2>Right of Orange County. Yes, she did an interview recently

0:40:27.280 --> 0:40:30.279
<v Speaker 2>and they asked her which housewife shod be put on

0:40:30.360 --> 0:40:33.640
<v Speaker 2>Pauls And she said, you why why?

0:40:33.680 --> 0:40:34.200
<v Speaker 1>She hadn't know me?

0:40:34.920 --> 0:40:37.600
<v Speaker 2>She said, as she's watching this show she thinks you're

0:40:37.600 --> 0:40:39.880
<v Speaker 2>a nice girl, but she had to choose anybody she

0:40:39.920 --> 0:40:41.360
<v Speaker 2>would choose to put you on pause?

0:40:42.160 --> 0:40:43.719
<v Speaker 3>Is she still is she still on the show?

0:40:44.320 --> 0:40:46.880
<v Speaker 1>She was on Pauls but now she's bad.

0:40:47.640 --> 0:40:49.480
<v Speaker 3>Uh, well she she should go like a pause, tune in.

0:40:54.840 --> 0:40:56.520
<v Speaker 3>People don't know what they won't. People don't know what

0:40:56.560 --> 0:40:56.960
<v Speaker 3>they won't.

0:40:57.080 --> 0:41:00.800
<v Speaker 1>Okay, and you're saying that includes housewives saw.

0:41:00.719 --> 0:41:03.440
<v Speaker 3>The dynamic to the show, that it is what it is.

0:41:04.120 --> 0:41:07.000
<v Speaker 2>Yes, yes, yes, yes, yes, well sonya, thank you so

0:41:07.160 --> 0:41:11.600
<v Speaker 2>much for coming on Reality with the King, and I

0:41:11.800 --> 0:41:14.960
<v Speaker 2>am going to continue watching the show, and I want

0:41:14.960 --> 0:41:16.719
<v Speaker 2>you to follow my bodies. We want to see you

0:41:16.760 --> 0:41:19.920
<v Speaker 2>and Ross mamm We want to see and listen, listen, listen.

0:41:20.000 --> 0:41:23.120
<v Speaker 2>I know it's not your control what's get shown, so

0:41:23.239 --> 0:41:26.600
<v Speaker 2>trust me, I get that, but I speak for the

0:41:26.680 --> 0:41:30.480
<v Speaker 2>congregation and just know that that's our biggest request. We

0:41:30.480 --> 0:41:31.239
<v Speaker 2>want to see more of that.

0:41:31.760 --> 0:41:34.040
<v Speaker 4>All right, Well, I appreciate that. Thanks for having me, Carlos,

0:41:34.160 --> 0:41:34.640
<v Speaker 4>was a pleasure.

0:41:38.960 --> 0:41:41.200
<v Speaker 1>Thank you for listening to Reality with the King.

0:41:41.640 --> 0:41:47.839
<v Speaker 2>New episodes drop every Tuesday, Share, comment, follow, and subscribe

0:41:48.239 --> 0:41:51.400
<v Speaker 2>to Reality with the King. Wherever you get your podcast,

0:41:51.960 --> 0:41:55.400
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0:41:55.480 --> 0:42:00.000
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0:42:00.400 --> 0:42:03.879
<v Speaker 2>TikTok and yes, Baby, my YouTube channel where you could

0:42:03.920 --> 0:42:07.920
<v Speaker 2>get all of my visuals, baby, my expressions. Yeah, and

0:42:08.040 --> 0:42:11.440
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0:42:11.480 --> 0:42:16.880
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0:42:16.920 --> 0:42:20.360
<v Speaker 2>with the King is a production of Kingdom Rain Entertainment.

0:42:21.160 --> 0:42:25.520
<v Speaker 2>It is produced by Sierra Spragley Rix An executive produced

0:42:25.640 --> 0:42:33.880
<v Speaker 2>by Me, Carlos King, Kingdom Rain Entertainment, Baby,