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Speaker 1: Welcome to Reality with the King.

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Speaker 2: It's me Carlos King, the King of Reality TV and

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Speaker 2: one of the most sought after executive producers in reality

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Speaker 2: television with over ten years a production experience. Once a

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Speaker 2: week from Reality with the King, we'll sit down with

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Speaker 2: my friends across the entertainment industry, recap our favorite reality

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Speaker 2: shows and revisit unforgettable moments that we are still talking

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Speaker 2: and tweeting about. Hey, rain drops on today's episode of

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Speaker 2: Reality with the King.

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Speaker 1: Yes, we've got Let me tell you all something, child.

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Speaker 2: We have a legend, okay, an Olympian legend, honey, who

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Speaker 2: decided to.

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Speaker 1: Go on a show that is the one of the biggest.

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Speaker 2: Shows on Bravo, The Real Housewives of Atlanta. I'm so excited.

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Speaker 2: I met her in person with her beautiful mom. Her

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Speaker 2: mom is a fan of mine and was like, I

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Speaker 2: want call your shows, Carlins and I was like, well, Honey,

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Speaker 2: I'm gonna get you on next, but first it's about

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Speaker 2: your daughter. So please welcome to the podcast. Sign your

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Speaker 2: bitchess frie Hey, Hey.

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Speaker 3: Hey, hey, de Carlos King, we in here. How are

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Speaker 3: you doing.

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Speaker 2: Thanks for having me, No, thanks for saying yes to

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Speaker 2: the mess, honey, So how are you?

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Speaker 1: I am good?

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Speaker 3: I'm good, caroly in New York. You know the season

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Speaker 3: has been crazy, so I know we're gonna get into it.

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Speaker 3: But no, all good things. I'm excited.

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Speaker 2: Let's get into a.

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Speaker 1: See there we go.

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Speaker 2: So look, like I said earlier, you are an Olympian,

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Speaker 2: you are a track star, legend, you are somebody that

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Speaker 2: is in the history books, which is a lot to

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Speaker 2: be said about your stature. So with all of that

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Speaker 2: going on, I need to know this miss thing. When

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Speaker 2: you got the call to request your presence of seeing

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Speaker 2: if you wanted to be on the Housewives of Atlanta,

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Speaker 2: what was.

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Speaker 1: Your first thought? Did you think like yes? No, maybe,

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Speaker 1: Like what did you go into it thinking once you

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Speaker 1: got the phone call?

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Speaker 4: So it was funny because when I got the call,

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Speaker 4: at first, I didn't think it was real. I was like,

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Speaker 4: how did you get my number? But Carlos, my first

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Speaker 4: in thing was yes, Like I'm a yes.

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Speaker 3: To life kind of girl.

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Speaker 4: Yes, like I always feel like when opportunities find me,

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Speaker 4: it is for a reason, and so my first instinct

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Speaker 4: was yes, I had to work on my husband. But

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Speaker 4: for me, it was a yes.

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Speaker 1: Let's talk about your husband. Honey.

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Speaker 2: First of all, you one hundred percent have I would

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Speaker 2: say top two of the finest husband's on Bravo.

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Speaker 1: I mean, no, tied.

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Speaker 4: With Carla because I didn't even remember clearly in the lead,

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Speaker 4: Like you know what I mean?

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Speaker 3: So who are we tying? Who was who was he

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Speaker 3: vying with?

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Speaker 2: Okay, in my opinion, it's a toss up between Ross

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Speaker 2: and Eddie, doctor Wendy's husband, and he's.

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Speaker 3: A post number two. He's a close number two.

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Speaker 1: You know what I like about Ross?

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Speaker 2: Ross reminds me of my African Ross is quiet, fine,

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Speaker 2: like he ain't loud unless he gets provoked.

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Speaker 1: He is a man's man.

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Speaker 2: Can I can tell he he caters to you in

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Speaker 2: a way that doesn't demean his manhood or masculinity. No,

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Speaker 2: I'm telling you I watch all that now. I've saw

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Speaker 2: that a lot last season. Now missing this season, I'm

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Speaker 2: not saying a.

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Speaker 1: Lot of Ross. What's going on? Boo, you and me both?

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Speaker 4: So this is what this is what happens this season,

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Speaker 4: and you'll see him later on in this season. But

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Speaker 4: COVID really hit our car service hard in twenty twenty

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Speaker 4: and twenty twenty one, and we weren't even sure if

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Speaker 4: we're going to be able to make it in the

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Speaker 4: Austin market in the chauffeur business, and so, you know,

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Speaker 4: for a long time he was in the red, having

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Speaker 4: a poor money into it. For so we kept thinking, Okay,

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Speaker 4: what are we gonna do? Are we gonna you know,

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Speaker 4: and we held onto it and it's rebounding now. So unfortunately,

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Speaker 4: you know, and fortunately.

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Speaker 3: It is a good thing.

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Speaker 4: He had to go to Austin a lot, you know,

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Speaker 4: because we lost a lot of drivers, like the businesses,

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Speaker 4: had to really trim down to make it, and he's

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Speaker 4: kind of building it back up now. So unfortunately he

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Speaker 4: you know, the time we were filming was peak time

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Speaker 4: for travel in Austin, and so he was there just

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Speaker 4: managing the business.

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Speaker 3: So I a'm od at.

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Speaker 4: Him getting this coins, but I certainly did miss him

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Speaker 4: at home a lot.

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Speaker 2: Yes, No, me and the girls and the gays, we

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Speaker 2: missed seeing Ross on television. And one of the things

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Speaker 2: that I talked about last season when you first got

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Speaker 2: on the show is your personal story reminding me a

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Speaker 2: lot of Candy's personal story back in the day, when

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Speaker 2: you talk about working with family and having a husband

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Speaker 2: to where obviously you are the star of the relationship

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Speaker 2: and you have been for so long, and how sometime

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Speaker 2: that can do something.

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Speaker 1: To a woman's marriage.

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Speaker 2: And it really takes a confident man in order to

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Speaker 2: say my wife is the star, the bread winner, and

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Speaker 2: she has all these things going on. And I appreciated

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Speaker 2: that level of transparency last season, and that's why this season,

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Speaker 2: as we're talking about the show, it was the one

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Speaker 2: thing that I felt like I want to see more

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Speaker 2: of because I really felt like Ross came out of

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Speaker 2: his shell last season, and I want to make sure

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Speaker 2: that we're going to see more of that dynamic. Obviously,

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Speaker 2: we see what your mom and your sister and you

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Speaker 2: and your family, but Honey, we want to see you

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Speaker 2: and Ross have those tough conversations.

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Speaker 1: So are we going to see that?

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Speaker 3: Yeah, it's coming.

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Speaker 4: And I also got to correct you on one thing, Carlos,

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Speaker 4: because yes, I am a tha, but let's not get

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Speaker 4: it twisted that my honey is a two time Super

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Speaker 4: Bowl champ who was the breadwinner for the majority of

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Speaker 4: our relationship. And so I just don't want that narrative

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Speaker 4: saves ever switch, right, because just like you know, he

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Speaker 4: started out making tons of money doing great things and

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Speaker 4: still has lots of money in the bank, you know,

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Speaker 4: that's why he's able to do what he wants to

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Speaker 4: do and stuff. So I do think it takes a

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Speaker 4: strong man to be with a woman who is like

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Speaker 4: myself and like Candy and doing a lot of things

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Speaker 4: and likes to be in front of the camera.

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Speaker 3: Like my husband is fine playing in the back.

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Speaker 4: Even when he was in football, you know, he wasn't

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Speaker 4: always trying to be upfront. And so I do think

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Speaker 4: it takes a strong man with a great personality, and

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Speaker 4: I have that in my husband.

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Speaker 3: But you know, he's a star, honey, He's a star.

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Speaker 1: Yes. Yes. Why was he apprehensive in you joining the show? Yeah?

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Speaker 4: I think it was more about you know, we all

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Speaker 4: hear a lot about the reality show, you know, marriage Curse,

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Speaker 4: and I think that was what he was more worried about.

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Speaker 4: Is that for him and for me, marriage and family

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Speaker 4: comes first, like period, and there is nothing that I

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Speaker 4: would do that will ever jeopardize that, you know, And

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Speaker 4: so he just didn't want for us to be in

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Speaker 4: a situation that could potentially jeopardize our relationship.

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Speaker 3: And I love him for that.

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Speaker 4: You know, it was really that's it, you know, because

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Speaker 4: you just don't know, Like you see like a lot

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Speaker 4: of marriages that look.

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Speaker 3: Great and then they just they don't make it.

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Speaker 4: But the reality is, I do think that reality shows

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Speaker 4: are a snapshot of real life. And the divorce rate

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Speaker 4: is high in the world period. So it's not that

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Speaker 4: reality TV is what breaks up marriages. I certainly think

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Speaker 4: it puts a microscope on issues that are hard sometimes

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Speaker 4: to navigate when the public is also having their opinions

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Speaker 4: on it. But that was his ANNGS right. He was

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Speaker 4: more like, I just don't want this to come between us.

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Speaker 4: I don't want this to do anything for our family.

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Speaker 4: If we can navigate it as a unit, boom, but

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Speaker 4: if not, Like he wasn't going to be down for that,

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Speaker 4: and I love that about him.

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Speaker 2: Were you too afraid of joining the show having an

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Speaker 2: affecting your legacy in the in the in the sports arena?

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Speaker 4: Not really, because the truth is, Carlos, is that there

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Speaker 4: is no blueprint for an Olympic champion, Like can you

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Speaker 4: name an Olympic champion and what they're doing now you

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Speaker 4: know what I mean? And so it's not it's all

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Speaker 4: of us are kind of charting our own path. And

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Speaker 4: for me, I was like this is a dope opportunity

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Speaker 4: for me to stay relevant, to continue to grow my brand,

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Speaker 4: to be around some dope women.

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Speaker 3: And so no, I think that is just an extension

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Speaker 3: of my legacy.

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Speaker 4: Like nothing can erase what I did on the track period,

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Speaker 4: you know, and so this is just me trying something else,

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Speaker 4: seeing how it works, and you know, going through a

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Speaker 4: new process. So no, I never looked at it that way,

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Speaker 4: although I have heard people say like, are you.

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Speaker 3: A friend, Like no, Like, I'm the American record hold

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Speaker 3: a four time of lipic Medalist's baby, that's that's gonna

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Speaker 3: be that.

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Speaker 2: Did you hear from your friends in your in your

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Speaker 2: class of sport who said, like.

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Speaker 1: Girl, are you sure you want to do this? Or what?

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Speaker 1: They're all support of.

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Speaker 4: The majority of my girlfriends were super supportive, you know,

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Speaker 4: they were excited for me. Like I said, it's like,

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Speaker 4: you know, you think about the life of an athlete,

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Speaker 4: Carlos and most athletes focus solely on sports their entire life,

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Speaker 4: and then it's like afterwards, you're like, Okay, what do

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Speaker 4: I do now?

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Speaker 3: How do I use the skill sets.

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Speaker 4: That I've learned and that I've sharpened as an athlete

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Speaker 4: in the rest of the world. And so for me,

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Speaker 4: I've been very, very blessed to have this very seamless

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Speaker 4: transition from track and field to broadcasting and not reality

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Speaker 4: TV and still working with Nike and all these things.

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Speaker 4: So I feel very blessed, and I feel like a

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Speaker 4: lot of my peers really respect.

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Speaker 3: That hustle, like dang, like she's still doing it, you

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Speaker 3: know what I mean. It's not easy.

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Speaker 1: And congress on the Belk deal as well. Thank you,

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Speaker 1: cause that's huge. That's really big. Yeah, thank you, that's

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Speaker 1: really big.

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Speaker 2: Also big, honey is the drama this season, we are

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Speaker 2: seeing the girls go low sis. I mean, I call

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Speaker 2: it how Marlow can you go? Like?

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Speaker 1: How low can you go? Child? Now Marlow girl? How Marlow?

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Speaker 3: I think what you did there? I'll see what you

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Speaker 3: did there?

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Speaker 1: There you go?

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Speaker 3: Love?

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Speaker 1: Get you got? Okay?

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Speaker 2: So you seem to be caught in the middle because,

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Speaker 2: as we saw in the earlier episodes, Courtney was saying

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Speaker 2: some not so flattering things about Candy in the presence

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Speaker 2: of you and Chara, and you told Candy what was said,

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Speaker 2: and I found it interesting.

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Speaker 1: That she was like, well, what you said?

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Speaker 2: If you have my back, because and I want to

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Speaker 2: get your opinion because for me, obviously.

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Speaker 1: I produced a show.

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Speaker 2: For almost ten years of my life, right, and I've

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Speaker 2: known moments where Fedra felt that way about Candy, like

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Speaker 2: you didn't have my back or what did you say

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Speaker 2: to defend me against these girls? So I was kind

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Speaker 2: of called off guard by that because I didn't again

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Speaker 2: my okay, because my opinion is, I don't feel like

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Speaker 2: unless I'm missing something, I don't feel like you and

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Speaker 2: Candy's relationship it's that deep to where your first instinct.

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Speaker 1: Would be to defend her.

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Speaker 2: I mean, you're just listening to a conversation where you

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Speaker 2: also surprised it's like me the audience was that she

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Speaker 2: was upset by it.

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Speaker 4: Yeah, I was surprised that she asked me that because

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Speaker 4: the tone of the conversation up until that point was

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Speaker 4: very much friendly. And then she just kind of switched

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Speaker 4: and was like, but what were you saying while you

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Speaker 4: know she was talking? And it kind of threw me

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Speaker 4: off guard, and I was like, what did I say?

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Speaker 4: Like I'm trying to remember and recall because, to be honest, Carlos,

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Speaker 4: initially I was just shocked. Right, I'm sitting there like

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Speaker 4: it's my first time meeting this girl. I'm like, what

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Speaker 4: was a lot to tea? You're like, okay, you know,

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Speaker 4: I was really shocked by it. And then of course

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Speaker 4: the way she's saying it, it was funny, like anybody

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Speaker 4: would have laughed when she said.

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Speaker 3: And girl that ghetto. I was like, so, you know

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Speaker 3: what I mean.

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Speaker 4: But at the same time, I did, on multiple occasions

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Speaker 4: in the conversation say look, me and Candy cool, now,

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Speaker 4: are you gonna talk to her? Because if you don't,

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Speaker 4: I'm gonna tell her I do say that to her

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Speaker 4: in real time, you know what I mean. So I

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Speaker 4: was a little bit surprised that Candy was like, what

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Speaker 4: were you saying and stuff, because obviously, like you know,

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Speaker 4: these are all fairly new friendships that I'm building and

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Speaker 4: creating and really trying to figure out, you know, which

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Speaker 4: ones are going to be the meaningful ones, which was

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Speaker 4: all going to be the last thing relationships, you know.

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Speaker 4: So I don't I don't think she took it, uh,

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Speaker 4: you know, too heavy. I think she just asked and

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Speaker 4: we kind of moved on from it. But I was

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Speaker 4: a little bit surprised that she expected me to be like,

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Speaker 4: now what what what.

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Speaker 3: Shocked?

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Speaker 1: As you were Oh, no, girl, we were gagging. Again.

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Speaker 2: If that was Manyeta, I would have understood more. So

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Speaker 2: I was surprised about that line of questioning because from

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Speaker 2: what I've seen, and you tell me if I'm wrong,

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Speaker 2: it appears that you're closer to Charae and Marlow, I'm.

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Speaker 3: Closer to Marlow.

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Speaker 4: And to be honest, like it's funny because at that

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Speaker 4: point I was closer to Candy and Marlow. So like

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Speaker 4: Candy and I had gone on vacation, we communicate a

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Speaker 4: lot off camera, and of course Marlow, Marlow and I

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Speaker 4: are the closest, especially now like off off season this

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Speaker 4: season we talk like every day, so I was actually

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Speaker 4: closer to Marlow. Candy and then Chari like Sharan are

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Speaker 4: super cool. We don't talk as much, you know, maybe

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Speaker 4: like once a week, once every two weeks.

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Speaker 3: Her and I connect, So Canny and I work fairly close.

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Speaker 4: But the other thing, too, Carlos, was that I didn't

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Speaker 4: feel like it was an attack on her, on her character,

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Speaker 4: like if you as you watched the season progress, like.

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Speaker 3: Even last night with Marlowe, I don't.

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Speaker 4: Like when they started calling her trick and stuff like

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Speaker 4: to me, that's that's a personal affront.

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Speaker 3: But when you're talking about, like, you know, these people.

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Speaker 4: To me, that wasn't something where I'd be like, well, damn, Like,

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Speaker 4: why would you say this about Candy?

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Speaker 3: It wasn't that deep to me, you know what I mean?

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Speaker 2: Yeah, But what's getting deep is the lonelness to me

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Speaker 2: of the dialogue between them.

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Speaker 1: You know.

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Speaker 2: One of the biggest things that the audience is having

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Speaker 2: a very hard time understanding. And I even called Marlowe

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Speaker 2: personally to talk to her about this because I do

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Speaker 2: love her, is the fact that what happened three years

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Speaker 2: ago with her nephew. Of course, it's horrendous and it's sad,

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Speaker 2: and she and the entire family have all of our

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Speaker 2: complete condolencence with that, but it is sort of.

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Speaker 1: It is sort of.

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Speaker 2: I'll just use the word weird that three years later

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Speaker 2: is being brought up. And I understand she's saying, well,

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Speaker 2: the shootings that happen at the restaurant triggered it, So

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Speaker 2: I get that, But to the degree of it being

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Speaker 2: so volatile.

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Speaker 1: Obviously you talk to marlow daily.

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Speaker 2: Are you on Marlow's side when it comes to where

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00:14:20,760 --> 00:14:21,880
Speaker 2: her and Candy are going through?

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Speaker 1: And can you.

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00:14:22,360 --> 00:14:24,800
Speaker 2: Shed some light that we may not know because I

315
00:14:24,840 --> 00:14:27,880
Speaker 2: know Marlow for real, for real, and I'm confused.

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Speaker 4: Well, no, I get it, And I think that it's tricky,

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Speaker 4: right because you can't tell someone how to feel.

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Speaker 3: And even for me when I was when I communicate with.

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Speaker 4: Marl and stuff, and I'm like, dang, like it's a

320
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Speaker 4: tricky thing to navigate because somebody died, right like her

321
00:14:45,360 --> 00:14:49,440
Speaker 4: nephew died, So there's the gravity of that, and then

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Speaker 4: there is this feeling where she just feels like, you know,

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Speaker 4: Candy sometimes just kind of brushes.

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Speaker 3: Past issues, you know, big and small.

325
00:14:59,360 --> 00:15:01,960
Speaker 4: And so, you know, do I always agree with how

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00:15:02,000 --> 00:15:06,240
Speaker 4: Marlow goes at things now, but do I try to

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Speaker 4: validate her feelings? Yes, And so in the fact that

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Speaker 4: she felt like Candy never really acknowledged it or showed

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Speaker 4: up in the way.

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Speaker 3: See.

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Speaker 4: The other thing that people have to understand too, is

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Speaker 4: like a lot of times people value friendship the way

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Speaker 4: that they are friends, and Marlow is one of the

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00:15:22,560 --> 00:15:25,680
Speaker 4: most thoughtful. She's one of the kindest people I know.

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Speaker 4: Like last season when I had COVID, she sent me

336
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Speaker 4: flowers at Teddy Bear, she sent me medicine.

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Speaker 3: She called me every day, and that's her love language and.

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Speaker 4: So you know, she I think, just expects people to

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Speaker 4: reciprocate that, and like what I understand from Candy when

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Speaker 4: I was talking to Candy as well as like, she's

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Speaker 4: not that girl, and I'm not all the way a

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00:15:45,080 --> 00:15:47,920
Speaker 4: thoughtful person like that either, Like marlow is teaching me

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00:15:48,040 --> 00:15:49,920
Speaker 4: how to be more thoughtful of people, you know what

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Speaker 4: I mean.

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Speaker 3: So I definitely see both sides.

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Speaker 4: I understand how Candy could feel like the timing is

347
00:15:56,120 --> 00:15:58,360
Speaker 4: so bad. It's like, you know, once again trying to

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Speaker 4: like you know, make put her business in a bad light.

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Speaker 4: So I understood why Candy.

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Speaker 3: Got so upset. But I think, and I think this

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00:16:04,760 --> 00:16:06,160
Speaker 3: happens a lot with the ladies.

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00:16:06,440 --> 00:16:09,800
Speaker 4: If we can stay on just the topic, just the issue,

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00:16:10,440 --> 00:16:13,480
Speaker 4: we can handle it right, Because it's like if Candy's like, Okay,

354
00:16:13,480 --> 00:16:15,000
Speaker 4: my bad, I could I could have done more, we

355
00:16:15,000 --> 00:16:17,280
Speaker 4: could move on. But then it becomes this big thing

356
00:16:17,840 --> 00:16:20,000
Speaker 4: and they're both so heavily vested, and it becomes really

357
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Speaker 4: tricky as a group to navigate.

358
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Speaker 2: That makes sense to me now, I'm starting to understand,

359
00:16:24,920 --> 00:16:28,680
Speaker 2: because you're right, Marlowe, feels like what I give out

360
00:16:29,240 --> 00:16:32,600
Speaker 2: I should be able to get in return, and to

361
00:16:32,640 --> 00:16:33,240
Speaker 2: your point.

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00:16:33,800 --> 00:16:36,280
Speaker 1: Not everyone is wired that way.

363
00:16:36,480 --> 00:16:40,040
Speaker 2: And I will say this on the record, Marlowe is

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00:16:40,280 --> 00:16:44,120
Speaker 2: very generous. She is very giving, She is very thoughtful.

365
00:16:44,160 --> 00:16:46,360
Speaker 2: Marlowe loves to give a gift, child, and I love

366
00:16:46,440 --> 00:16:47,040
Speaker 2: taking them.

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Speaker 1: So I do.

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00:16:48,760 --> 00:16:51,920
Speaker 2: I do know that about her, And now I'm starting

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00:16:51,960 --> 00:16:55,240
Speaker 2: to understand a little bit more about what she was

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00:16:55,320 --> 00:16:58,440
Speaker 2: expecting is because she feels like I will do that

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00:16:58,720 --> 00:17:02,960
Speaker 2: in a situation. So, okay, I understand that much. Do

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00:17:03,080 --> 00:17:06,120
Speaker 2: you understand Manyetta? Though her presence on the show.

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00:17:06,119 --> 00:17:09,439
Speaker 4: Carlos almost Carlos not you passing? Now?

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00:17:09,560 --> 00:17:11,800
Speaker 2: I thought you weren't tracks y'all who could run miles

375
00:17:11,840 --> 00:17:13,040
Speaker 2: and breathe? Child?

376
00:17:13,720 --> 00:17:17,120
Speaker 3: You know what I've been telling folks. I haven't trained

377
00:17:17,200 --> 00:17:18,879
Speaker 3: for poor Olympics.

378
00:17:20,040 --> 00:17:23,199
Speaker 4: I have been all of Nothing has prepared me for

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00:17:23,240 --> 00:17:24,440
Speaker 4: the real house sives of Atlanta.

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00:17:24,520 --> 00:17:28,720
Speaker 3: Do you understand nothing? Nothing has prepared me for this? Okay?

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00:17:28,760 --> 00:17:32,960
Speaker 3: Do I understand man Yetta's presence on the show? Yes,

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00:17:33,119 --> 00:17:37,320
Speaker 3: of course I do. Of course I do.

383
00:17:38,920 --> 00:17:41,480
Speaker 1: What do you think? What is it? Tella's enlighten up?

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00:17:41,480 --> 00:17:42,720
Speaker 1: Because we're not there every day.

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00:17:42,600 --> 00:17:42,920
Speaker 2: My love.

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00:17:43,280 --> 00:17:44,159
Speaker 3: There are other people in.

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00:17:44,160 --> 00:17:46,600
Speaker 4: This room, cross and they've also fallen out everybody's on

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Speaker 4: the floor.

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00:17:47,440 --> 00:17:50,439
Speaker 3: My la thought everybody's on the floor, just so you know.

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Speaker 5: Okay, well, quarter minds want to know, honey, this is

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00:17:53,920 --> 00:17:56,320
Speaker 5: reality with the King, and I want to know the

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00:17:56,400 --> 00:17:59,240
Speaker 5: reality of when y'all together. You cannot believe that you're

393
00:17:59,280 --> 00:18:01,800
Speaker 5: asking these quest, Carlos, I would love for you to

394
00:18:01,840 --> 00:18:02,440
Speaker 5: answer one.

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Speaker 3: So, okay, here's the thing.

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Speaker 1: I think.

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Speaker 4: I think Mayetta, like you said, she is like a wonderful,

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00:18:09,480 --> 00:18:13,439
Speaker 4: wonderful person. I think that she is one of the

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00:18:13,440 --> 00:18:19,000
Speaker 4: best human beings I've ever met. However, I think that

400
00:18:19,040 --> 00:18:21,480
Speaker 4: it has been tricky for her to navigate the show,

401
00:18:21,520 --> 00:18:26,040
Speaker 4: and to navigate, you know, because she loves her and

402
00:18:26,119 --> 00:18:29,399
Speaker 4: Candy's relationship is so significant to her and important to

403
00:18:29,440 --> 00:18:32,760
Speaker 4: her that I feel like she sometimes isn't able to

404
00:18:32,800 --> 00:18:35,240
Speaker 4: step out of that and just be on her own.

405
00:18:35,320 --> 00:18:38,879
Speaker 3: And it's hard. This this show is so hard.

406
00:18:39,480 --> 00:18:42,080
Speaker 4: Maybe have so many comments about it, but if you

407
00:18:42,160 --> 00:18:44,439
Speaker 4: were in the same situation, trust me, it's not as

408
00:18:44,560 --> 00:18:47,400
Speaker 4: easy as it appears when you are watching.

409
00:18:47,040 --> 00:18:47,760
Speaker 3: It on TV.

410
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Speaker 4: And so, you know, I do think that Mayette is

411
00:18:50,880 --> 00:18:53,680
Speaker 4: tricky for Mayette because she has such an alliance and

412
00:18:53,760 --> 00:18:56,840
Speaker 4: allegiance with Candy that and you saw it when she

413
00:18:56,920 --> 00:18:59,440
Speaker 4: was like I almost lost my friend. It's like why,

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00:18:59,520 --> 00:19:01,679
Speaker 4: like just for like you know, sitting with Marlow for

415
00:19:01,720 --> 00:19:04,840
Speaker 4: two seconds like that. That doesn't make any sense, Like

416
00:19:05,680 --> 00:19:07,040
Speaker 4: you got to you got to be out here on

417
00:19:07,040 --> 00:19:07,800
Speaker 4: your own sis.

418
00:19:07,840 --> 00:19:09,199
Speaker 3: So I love Mayeta Todath.

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00:19:09,600 --> 00:19:11,960
Speaker 4: I think that this season she brings a lot more

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00:19:12,160 --> 00:19:14,639
Speaker 4: to the show. She brings a lot more to the

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00:19:14,640 --> 00:19:17,680
Speaker 4: show this season. But we'll see, you know, we'll see.

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Speaker 1: Do you think she's in Candy Shadow?

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Speaker 3: Yeah? Yeah, I think she's in Candy Shadow. I think that.

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Speaker 4: I think that I think that her personality type makes

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Speaker 4: it hard for her to break out of Candy Shadow,

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Speaker 4: because she's such a loyal friend and she's such a

427
00:19:31,640 --> 00:19:33,600
Speaker 4: sweet girl. So yes, I do think that, and I

428
00:19:33,640 --> 00:19:35,160
Speaker 4: don't think I think that she would agree. I don't

429
00:19:35,160 --> 00:19:38,600
Speaker 4: think that's an insult. I think that she came on

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Speaker 4: as Candy's friend and she's really been loyal to her.

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Speaker 1: I hate your interrupt, but stay tuned for more.

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00:19:46,720 --> 00:19:54,439
Speaker 2: We'll be right back after these quick ads. Support for

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491
00:23:45,400 --> 00:23:48,440
Speaker 2: with the King and I'm Carlos King. Let's get back

492
00:23:48,640 --> 00:23:53,560
Speaker 2: into the show. What are your thoughts on Ralph and Drew.

493
00:23:54,119 --> 00:23:56,360
Speaker 2: I mean, obviously you and Drew have had your moments,

494
00:23:56,520 --> 00:23:59,440
Speaker 2: which by the way, was funny, but when you think

495
00:23:59,480 --> 00:24:01,760
Speaker 2: about what she's going through and one thing, listen, one

496
00:24:01,760 --> 00:24:05,520
Speaker 2: thing I know about everybody on the Atlanta Housewives and

497
00:24:05,520 --> 00:24:08,719
Speaker 2: a lot of reality TV, everybody can throw shade and

498
00:24:08,760 --> 00:24:12,240
Speaker 2: do whatever, but no, there's not one person who takes

499
00:24:12,280 --> 00:24:14,840
Speaker 2: pleasure in seeing the breakup of a marriage. And that's

500
00:24:14,840 --> 00:24:17,840
Speaker 2: one thing I know for sure. Yes, I absolutely there's

501
00:24:17,920 --> 00:24:21,160
Speaker 2: never been any gleeful moments of somebody's marriage breaking up

502
00:24:21,600 --> 00:24:25,000
Speaker 2: When you learn of the divorce. And again we're only

503
00:24:25,080 --> 00:24:28,719
Speaker 2: in episode six right now this season, right did you

504
00:24:28,840 --> 00:24:31,440
Speaker 2: see signs that pointed in this direction?

505
00:24:32,040 --> 00:24:36,040
Speaker 4: So it caught me completely off guard, Carlos, because to

506
00:24:36,040 --> 00:24:38,600
Speaker 4: give you some context, like I'm not the best on

507
00:24:38,840 --> 00:24:40,480
Speaker 4: dates and times and stuff, but I would say probably

508
00:24:40,480 --> 00:24:43,960
Speaker 4: about two weeks prior to the announcement of the divorce,

509
00:24:44,680 --> 00:24:47,920
Speaker 4: Ross and I were at Ralph's fortieth that drew through

510
00:24:47,960 --> 00:24:51,439
Speaker 4: for him, and they looked super happy. I mean, it

511
00:24:51,600 --> 00:24:53,720
Speaker 4: was like it was a vibe, like we were having

512
00:24:53,720 --> 00:24:56,359
Speaker 4: so much fun. They were dancing together, they played her songs,

513
00:24:56,359 --> 00:24:59,600
Speaker 4: she gave him a whole moment in the club, and

514
00:24:59,680 --> 00:25:02,439
Speaker 4: so so I know marriage is tough, and I know

515
00:25:02,560 --> 00:25:05,080
Speaker 4: sometimes we got to put on even when things are

516
00:25:05,119 --> 00:25:09,040
Speaker 4: not perfect. But I would have never anticipated that a

517
00:25:09,080 --> 00:25:11,679
Speaker 4: week or two later they'd be both rushing to the

518
00:25:11,720 --> 00:25:14,760
Speaker 4: courthouse to like outsign each other.

519
00:25:15,240 --> 00:25:17,639
Speaker 2: They were watching they were watching YouTube videos of you

520
00:25:17,720 --> 00:25:20,520
Speaker 2: sprinting and followed suit and ran.

521
00:25:20,440 --> 00:25:21,960
Speaker 1: To the courthouse as.

522
00:25:21,880 --> 00:25:24,120
Speaker 2: If but Tom was waiting on them at the end.

523
00:25:24,160 --> 00:25:26,359
Speaker 1: Honey, I was like, but it.

524
00:25:26,280 --> 00:25:28,639
Speaker 4: Didn't really surprise me because everything with Ralph and she

525
00:25:28,720 --> 00:25:30,680
Speaker 4: was always a little bit Quirky says that this is this,

526
00:25:30,680 --> 00:25:33,240
Speaker 4: this sounds about right right, like them rushing to the courthouse,

527
00:25:33,280 --> 00:25:36,520
Speaker 4: so just about right. But like you said, I honestly,

528
00:25:36,560 --> 00:25:39,320
Speaker 4: I'm really heartbroken, mainly for the kids because there were

529
00:25:39,400 --> 00:25:43,520
Speaker 4: three beautiful kids, and I when I met them prior

530
00:25:43,600 --> 00:25:45,640
Speaker 4: to the show two or three before we started filming,

531
00:25:45,960 --> 00:25:48,080
Speaker 4: I just thought they were a great couple. I thought

532
00:25:48,119 --> 00:25:49,919
Speaker 4: they have a lot of fun together. So it just

533
00:25:49,960 --> 00:25:51,959
Speaker 4: it's just sad that they're not. You know, haven't been

534
00:25:52,000 --> 00:25:53,000
Speaker 4: able to figure it out.

535
00:25:53,440 --> 00:25:54,760
Speaker 1: Have you spoken to her recently?

536
00:25:55,960 --> 00:25:58,280
Speaker 3: So I text her.

537
00:25:58,320 --> 00:26:00,560
Speaker 4: I had been texting her like consistently, like you know,

538
00:26:00,640 --> 00:26:05,240
Speaker 4: just checking in on her, and and then she like

539
00:26:05,280 --> 00:26:06,280
Speaker 4: made a tweet the other.

540
00:26:06,160 --> 00:26:10,120
Speaker 2: Day and I'm like about you, and I'm like, girl.

541
00:26:09,960 --> 00:26:12,600
Speaker 3: Man, you are good, Like why are you tweeting?

542
00:26:12,840 --> 00:26:16,840
Speaker 4: It's like Drew Sometimes I feel like Drew thinks like

543
00:26:16,880 --> 00:26:19,560
Speaker 4: she's supposed to be like wherever the show is, that's

544
00:26:19,560 --> 00:26:20,600
Speaker 4: where it's just a mess.

545
00:26:20,640 --> 00:26:21,960
Speaker 3: I can't I can't.

546
00:26:21,760 --> 00:26:23,520
Speaker 4: Deal with that, Like I want to be real in

547
00:26:23,600 --> 00:26:27,120
Speaker 4: the moment, like reality reality. So after that, I was like, Okay,

548
00:26:27,200 --> 00:26:29,160
Speaker 4: let me just give her some more space again because

549
00:26:29,200 --> 00:26:30,639
Speaker 4: she's just on one again.

550
00:26:30,760 --> 00:26:35,520
Speaker 2: So a lot of people have accused Drew of acting

551
00:26:35,960 --> 00:26:39,480
Speaker 2: a lot on this show and getting the set confused

552
00:26:39,520 --> 00:26:43,560
Speaker 2: with a Lifetime movie set starring Carrie Hillson and directed

553
00:26:43,560 --> 00:26:44,000
Speaker 2: by T. D.

554
00:26:44,160 --> 00:26:44,640
Speaker 1: Jakes.

555
00:26:45,119 --> 00:26:49,480
Speaker 2: So do you feel that when you're in scene with

556
00:26:49,680 --> 00:26:53,119
Speaker 2: Drew do you sometimes feel like are you reading a

557
00:26:53,240 --> 00:26:55,240
Speaker 2: script or are you being yourself?

558
00:26:55,520 --> 00:26:59,000
Speaker 3: One? Like it is?

559
00:26:59,160 --> 00:27:02,160
Speaker 4: That has been one of the hardest things to navigate

560
00:27:02,160 --> 00:27:05,600
Speaker 4: and my biggest frustration, especially coming on as her friend.

561
00:27:06,960 --> 00:27:08,000
Speaker 3: You know, it was it was.

562
00:27:08,000 --> 00:27:10,639
Speaker 4: Really hard because but you know what's funny, Carlos and

563
00:27:10,680 --> 00:27:12,359
Speaker 4: I ain't never told nobody this, but I'm gonna just

564
00:27:12,440 --> 00:27:15,399
Speaker 4: drop your little tea right here. When I when I

565
00:27:15,600 --> 00:27:18,480
Speaker 4: first met them, right when I first met Ralph and Drew,

566
00:27:19,440 --> 00:27:21,240
Speaker 4: he one of the things he said was He's like.

567
00:27:21,440 --> 00:27:22,760
Speaker 3: You know, we'll be cool.

568
00:27:22,800 --> 00:27:24,439
Speaker 4: And then all of a sudden the mood scene, she

569
00:27:24,560 --> 00:27:27,120
Speaker 4: just like flips the script like she'll just like go

570
00:27:27,240 --> 00:27:29,000
Speaker 4: like do something crazy.

571
00:27:29,400 --> 00:27:31,080
Speaker 1: About his own wife.

572
00:27:31,359 --> 00:27:36,800
Speaker 4: Yeah, And so it shouldn't have surprised me that she

573
00:27:36,880 --> 00:27:39,879
Speaker 4: did that to me in season one and that she

574
00:27:40,160 --> 00:27:42,679
Speaker 4: continues to do that. I just I but here's the

575
00:27:42,720 --> 00:27:44,480
Speaker 4: thing about it, and this is gonna be crazy. Is

576
00:27:44,480 --> 00:27:48,040
Speaker 4: that I don't feel like she knows that she's doing it.

577
00:27:48,600 --> 00:27:52,480
Speaker 4: I don't feel like she understands like when she goes

578
00:27:52,520 --> 00:27:55,760
Speaker 4: into this actress mode, I really don't and I think that,

579
00:27:56,400 --> 00:27:58,360
Speaker 4: but but she does it a lot, and it's it's

580
00:27:58,400 --> 00:28:02,399
Speaker 4: really tricky to be around her because literally we'll be texting,

581
00:28:02,440 --> 00:28:04,239
Speaker 4: we'll be cool, and we'll talk off camera, and then

582
00:28:04,240 --> 00:28:05,760
Speaker 4: she comes on camera and she has a whole different

583
00:28:05,840 --> 00:28:08,800
Speaker 4: vibe and it's like, girl, like I don't like it,

584
00:28:08,880 --> 00:28:11,480
Speaker 4: Like I'd prefer to like know, like we're not cool

585
00:28:11,600 --> 00:28:13,720
Speaker 4: or we're cool, but don't like flip the script on

586
00:28:13,800 --> 00:28:15,680
Speaker 4: me on screen, and you know what I mean, because

587
00:28:15,680 --> 00:28:17,639
Speaker 4: I'm not acting. So it's it's really hard for me

588
00:28:17,720 --> 00:28:20,639
Speaker 4: to be able to figure out how to move with

589
00:28:20,720 --> 00:28:21,879
Speaker 4: her in that case.

590
00:28:21,920 --> 00:28:23,960
Speaker 1: You know, Yeah, No, I love you, Drew.

591
00:28:24,400 --> 00:28:26,879
Speaker 2: Just note that they don't give about oscars for the

592
00:28:26,880 --> 00:28:29,560
Speaker 2: real Housebots of Atlanta, Baby, so we can stop auditioning

593
00:28:29,600 --> 00:28:33,600
Speaker 2: for an oscar, leave that for a movie directed by

594
00:28:33,640 --> 00:28:36,880
Speaker 2: Martin Scorsese because these scenes are directed.

595
00:28:36,520 --> 00:28:46,120
Speaker 1: By Eric Fuller. Okay, exactly, I love you, Okay.

596
00:28:46,680 --> 00:28:49,680
Speaker 2: One of the biggest conversations about this season is a

597
00:28:49,720 --> 00:28:53,360
Speaker 2: lot of people are saying the cast feels disjointed, that

598
00:28:53,400 --> 00:28:58,520
Speaker 2: there doesn't seem to be this cohesive sisterhood that Conda

599
00:28:58,680 --> 00:28:59,959
Speaker 2: was apparent last season.

600
00:29:00,040 --> 00:29:03,240
Speaker 1: And what did you contribute that to?

601
00:29:03,880 --> 00:29:06,400
Speaker 2: Because again, I've worked on the show, and I've known

602
00:29:06,440 --> 00:29:08,200
Speaker 2: that relationship goes through up and down.

603
00:29:08,200 --> 00:29:11,880
Speaker 1: We've seen it with Kim and Nini, Minia and Charie, We've.

604
00:29:11,760 --> 00:29:15,720
Speaker 2: Seen it with Kenya, Porscha, Cynthia King, Like, we've seen

605
00:29:15,760 --> 00:29:18,680
Speaker 2: these up and downs, but the girls always found their

606
00:29:18,680 --> 00:29:19,400
Speaker 2: way back.

607
00:29:20,120 --> 00:29:22,640
Speaker 1: Why is it in your feelings?

608
00:29:22,760 --> 00:29:25,880
Speaker 2: Obviously is your second season, but why it seems to

609
00:29:25,960 --> 00:29:29,800
Speaker 2: be this jointed so much to the point where everyone

610
00:29:29,920 --> 00:29:33,000
Speaker 2: is confused by where this friendship can go.

611
00:29:33,320 --> 00:29:35,959
Speaker 4: Yeah, and that's so unfortunately to me, Carlos, because I

612
00:29:36,040 --> 00:29:39,760
Speaker 4: felt that this season we were building on this sisterhood

613
00:29:39,760 --> 00:29:42,400
Speaker 4: and friendship and I thought it would you know, radiate

614
00:29:42,440 --> 00:29:44,479
Speaker 4: through the screens this year if you would see that

615
00:29:44,560 --> 00:29:47,080
Speaker 4: we were, you know, actually really trying to be great

616
00:29:47,080 --> 00:29:50,640
Speaker 4: friends and stuff. So it's disappointing that the opposite is happening.

617
00:29:51,640 --> 00:29:53,960
Speaker 3: But I think I think ultimately where.

618
00:29:53,760 --> 00:29:58,400
Speaker 4: The break happens is when Marlowe and Kenya, which obviously

619
00:29:58,440 --> 00:30:01,400
Speaker 4: that's been a few that's been predates me and has

620
00:30:01,440 --> 00:30:02,880
Speaker 4: been going on for a long time.

621
00:30:03,440 --> 00:30:04,960
Speaker 3: I think it's okay when they're like.

622
00:30:04,960 --> 00:30:08,080
Speaker 4: Two girls that are not not really getting along. But

623
00:30:08,120 --> 00:30:10,960
Speaker 4: I think the issue really happens when marlow and Candy

624
00:30:11,160 --> 00:30:15,560
Speaker 4: start to feud, and then because Kenya and Marlowe you know,

625
00:30:15,800 --> 00:30:19,960
Speaker 4: are you know, you know, Nemesis, It then really devised

626
00:30:19,960 --> 00:30:22,160
Speaker 4: the group because I think that Candy when Cay like

627
00:30:22,240 --> 00:30:25,200
Speaker 4: and one thing I really do respect about Candy is

628
00:30:25,240 --> 00:30:29,120
Speaker 4: that she's very level headed and even after the worst feud,

629
00:30:29,280 --> 00:30:31,480
Speaker 4: she kind of always finds her way back to like,

630
00:30:31,920 --> 00:30:34,360
Speaker 4: you know, a cordial place, like a place where we

631
00:30:34,400 --> 00:30:35,480
Speaker 4: can all coexist.

632
00:30:35,920 --> 00:30:38,120
Speaker 3: And so I think what happens this season.

633
00:30:37,920 --> 00:30:41,760
Speaker 4: Unfortunately, is that with marlow and Candy feuding so much,

634
00:30:41,840 --> 00:30:44,360
Speaker 4: and of course Kenya and Marlowe, it makes it really

635
00:30:44,400 --> 00:30:48,200
Speaker 4: hard for our group, our group to be cohesive because

636
00:30:48,240 --> 00:30:49,880
Speaker 4: you know, those are two big players in the group,

637
00:30:49,920 --> 00:30:53,120
Speaker 4: you know what I mean. So unfortunately, I think that

638
00:30:53,160 --> 00:30:56,840
Speaker 4: causes the divide. But but there is hope, Like I

639
00:30:56,840 --> 00:30:59,680
Speaker 4: think that as you continue to watch this season, especially

640
00:30:59,680 --> 00:31:02,520
Speaker 4: when going our group trip to Portugal, there is some mending,

641
00:31:03,080 --> 00:31:05,640
Speaker 4: you know, and and we do, we do go on

642
00:31:05,720 --> 00:31:07,840
Speaker 4: some really cool journeys, and I think we have some

643
00:31:07,880 --> 00:31:10,840
Speaker 4: really beautiful moments, but it is hard when you have

644
00:31:11,000 --> 00:31:15,000
Speaker 4: so many women with big personalities who do have real

645
00:31:15,080 --> 00:31:18,160
Speaker 4: feelings of their issues. I think, you know, it makes

646
00:31:18,160 --> 00:31:21,400
Speaker 4: it really hard to push past some of those things.

647
00:31:21,400 --> 00:31:23,200
Speaker 4: But you know, we do try and think that. I

648
00:31:23,200 --> 00:31:25,080
Speaker 4: think that people will be happy as a season progresses.

649
00:31:25,400 --> 00:31:29,800
Speaker 2: Okay, when you joined the show, is it everything that

650
00:31:29,920 --> 00:31:32,840
Speaker 2: you imagine it would be or are you completely caught

651
00:31:32,840 --> 00:31:33,400
Speaker 2: off guard?

652
00:31:35,120 --> 00:31:39,480
Speaker 4: I don't know what I imagined it would be, but

653
00:31:39,880 --> 00:31:41,600
Speaker 4: not out of ten times I'm completely caught off.

654
00:31:45,480 --> 00:31:48,720
Speaker 1: Because sometimes I want this up. Times that you like,

655
00:31:49,200 --> 00:31:51,880
Speaker 1: what do I get myself to?

656
00:31:54,040 --> 00:31:55,960
Speaker 4: But you know what, it's funny, it's like, but not

657
00:31:56,200 --> 00:31:57,840
Speaker 4: ten times I'm having a lot of fun too.

658
00:31:57,920 --> 00:31:59,160
Speaker 3: Like, So here here's the.

659
00:31:59,120 --> 00:32:00,959
Speaker 4: Thing that people need to know about me, because I

660
00:32:01,000 --> 00:32:02,800
Speaker 4: know people write all kinds of stuff about me, and

661
00:32:02,800 --> 00:32:06,800
Speaker 4: stuff is like I am old, Like I am okay

662
00:32:07,040 --> 00:32:08,280
Speaker 4: with trying and failing.

663
00:32:08,760 --> 00:32:10,960
Speaker 3: I am okay with like you know, it's like none

664
00:32:10,960 --> 00:32:12,040
Speaker 3: of those things bother me.

665
00:32:12,200 --> 00:32:15,640
Speaker 4: Like I chase my dreams college for twenty years to

666
00:32:15,640 --> 00:32:18,120
Speaker 4: the Olympic champion and in two thousand and eight I

667
00:32:18,120 --> 00:32:21,600
Speaker 4: failed on the largest scale, there's nothing that can ever

668
00:32:21,720 --> 00:32:23,240
Speaker 4: rattle me, you know what I mean. Like after that,

669
00:32:23,280 --> 00:32:25,040
Speaker 4: I came back and I won in twenty twelve. So

670
00:32:25,080 --> 00:32:28,120
Speaker 4: it's like I'm navigating a new space. I'm figuring out

671
00:32:28,120 --> 00:32:30,640
Speaker 4: how to show fully authentically as myself, trying to figure

672
00:32:30,640 --> 00:32:32,200
Speaker 4: out who I'm gonna be, my ride or dies, like

673
00:32:32,280 --> 00:32:35,560
Speaker 4: all of these things like comes with pitfalls in real life,

674
00:32:35,840 --> 00:32:38,600
Speaker 4: much less on camera, you know what I mean. So

675
00:32:38,640 --> 00:32:41,480
Speaker 4: it's like I think I'm someone who's self deprecating. I

676
00:32:41,480 --> 00:32:44,120
Speaker 4: don't take myself too seriously. I'm not like trying to

677
00:32:44,160 --> 00:32:44,800
Speaker 4: be perfect.

678
00:32:44,920 --> 00:32:45,080
Speaker 2: You know.

679
00:32:45,120 --> 00:32:46,760
Speaker 4: It's like it is what it is, and as people

680
00:32:46,800 --> 00:32:49,000
Speaker 4: get to know me, you know, my hope is I'm

681
00:32:49,000 --> 00:32:50,960
Speaker 4: in for the long haul and people will see over

682
00:32:51,040 --> 00:32:54,360
Speaker 4: time who I am and that, you know, the little

683
00:32:54,360 --> 00:32:56,440
Speaker 4: things and the little pitfalls and a little moments, I

684
00:32:56,480 --> 00:32:58,800
Speaker 4: don't I don't harp on them too much. I keep

685
00:32:58,840 --> 00:33:01,720
Speaker 4: it moving and I'm genuinely trying to build real friendships

686
00:33:01,760 --> 00:33:03,400
Speaker 4: and I really want this show to go back to

687
00:33:03,440 --> 00:33:05,640
Speaker 4: what it really was, which was a group of women

688
00:33:05,640 --> 00:33:08,719
Speaker 4: who really care about each other, who are bonded on

689
00:33:08,840 --> 00:33:12,480
Speaker 4: issues and you know, we're connected because we have commonalities,

690
00:33:12,720 --> 00:33:15,560
Speaker 4: but obviously it's not going to be perfect because life isn't.

691
00:33:15,680 --> 00:33:17,520
Speaker 4: And you know that's that's really what I hope for

692
00:33:17,600 --> 00:33:17,920
Speaker 4: the show.

693
00:33:18,120 --> 00:33:19,880
Speaker 2: No, I do too, And I love the fact that

694
00:33:19,920 --> 00:33:22,960
Speaker 2: you don't take things too seriously and you're you're aware

695
00:33:23,520 --> 00:33:27,320
Speaker 2: that girl. One thing about the Real Housewives of Atlanta fans,

696
00:33:27,600 --> 00:33:29,160
Speaker 2: Those fans are tough.

697
00:33:29,440 --> 00:33:32,520
Speaker 4: What they like worse than sports.

698
00:33:32,240 --> 00:33:38,200
Speaker 2: Fans, Oh girls, forget look forget the basketball, baseball, football,

699
00:33:38,360 --> 00:33:42,000
Speaker 2: all of that. The Real Housewives of Atlanta, of all

700
00:33:42,000 --> 00:33:46,880
Speaker 2: the franchises Atlanta, those fans have very strong opinions. When

701
00:33:46,920 --> 00:33:49,520
Speaker 2: you hear people say things about you, they call you boring?

702
00:33:49,760 --> 00:33:50,840
Speaker 1: Why is she on the show?

703
00:33:51,240 --> 00:33:53,480
Speaker 2: Does that hurt your feelings when you when you hear

704
00:33:53,520 --> 00:33:54,520
Speaker 2: people say you're boring?

705
00:33:55,160 --> 00:33:58,000
Speaker 4: Well, not really, because what I have seen is that

706
00:33:58,280 --> 00:34:00,120
Speaker 4: a lot of times the fans really don't know what

707
00:34:00,160 --> 00:34:02,440
Speaker 4: they want, you know what I mean. On the one hand,

708
00:34:02,480 --> 00:34:06,240
Speaker 4: they will say we want positive women who have real relationships,

709
00:34:06,240 --> 00:34:08,960
Speaker 4: who have businesses and stuff, and then you get that

710
00:34:09,040 --> 00:34:11,640
Speaker 4: and it's like, oh, she's boring, you know what I mean?

711
00:34:11,760 --> 00:34:14,040
Speaker 3: And it's like the fans can also be really fickle.

712
00:34:14,200 --> 00:34:16,359
Speaker 4: One week they love this person, next week they love

713
00:34:16,400 --> 00:34:18,680
Speaker 4: that person, and so I kind of take it with

714
00:34:18,719 --> 00:34:19,480
Speaker 4: a grain of salt.

715
00:34:19,560 --> 00:34:19,799
Speaker 3: You know.

716
00:34:19,960 --> 00:34:23,400
Speaker 4: I've seen over the years where people complain about a

717
00:34:23,400 --> 00:34:25,600
Speaker 4: person then they're gone and they want them back more

718
00:34:25,640 --> 00:34:28,520
Speaker 4: than anything, and you know, it's like just this constant,

719
00:34:29,040 --> 00:34:32,120
Speaker 4: you know, desire to have what isn't there. And so

720
00:34:32,440 --> 00:34:35,000
Speaker 4: for me, I just kind of learned from sports to

721
00:34:35,120 --> 00:34:38,960
Speaker 4: quiet the noise, like, you know, focus on the fact

722
00:34:39,000 --> 00:34:40,759
Speaker 4: that I'm blessed to be on this platform and I'm

723
00:34:40,760 --> 00:34:44,160
Speaker 4: gonna keep being me and whether you know, I thank

724
00:34:44,200 --> 00:34:45,719
Speaker 4: god the fans don't cast.

725
00:34:47,360 --> 00:34:48,880
Speaker 3: And you know, just keep it pushing.

726
00:34:49,640 --> 00:34:51,279
Speaker 1: Yeah, So this will be my advice to you.

727
00:34:51,360 --> 00:34:53,600
Speaker 2: I got one more question for you, but as somebody

728
00:34:53,640 --> 00:34:57,799
Speaker 2: who produced that show from seasons one through four and

729
00:34:57,840 --> 00:35:01,160
Speaker 2: then six through nine, I want to give you some

730
00:35:01,239 --> 00:35:03,960
Speaker 2: advice if you if you if you want it.

731
00:35:03,840 --> 00:35:05,400
Speaker 3: Honey, Okay.

732
00:35:05,880 --> 00:35:08,520
Speaker 2: So look, I said this about you last season that

733
00:35:09,120 --> 00:35:12,240
Speaker 2: I did feel like your personal story was super strong

734
00:35:12,640 --> 00:35:15,000
Speaker 2: because it reminded me of the early days of Candy,

735
00:35:15,200 --> 00:35:18,120
Speaker 2: like I said earlier, in the sense of working with

736
00:35:18,200 --> 00:35:21,680
Speaker 2: your husband and the family and your your mom is

737
00:35:22,440 --> 00:35:27,080
Speaker 2: fan fantastic television, and it reminded me of like the

738
00:35:27,120 --> 00:35:31,840
Speaker 2: great Mama Joys and getting I'll say this, I felt

739
00:35:31,880 --> 00:35:37,680
Speaker 2: like you were bringing the old school Atlanta Housewives personal

740
00:35:37,760 --> 00:35:40,560
Speaker 2: story back to the show in terms of what it

741
00:35:40,600 --> 00:35:45,240
Speaker 2: looks like for a family dynamic because of some listen,

742
00:35:45,280 --> 00:35:48,799
Speaker 2: no shade, but some of these women are older and

743
00:35:49,160 --> 00:35:53,000
Speaker 2: they don't have a robust family with young kids. So

744
00:35:53,320 --> 00:35:56,520
Speaker 2: for us to see that from you, I felt was

745
00:35:56,560 --> 00:36:00,359
Speaker 2: super strong. And I what I would want more from you,

746
00:36:00,120 --> 00:36:04,920
Speaker 2: if I can say this to you, is I want

747
00:36:04,960 --> 00:36:07,920
Speaker 2: to see more of that. I listen, my opinion, I

748
00:36:07,960 --> 00:36:11,000
Speaker 2: could care less about your relationship with the girls to

749
00:36:11,040 --> 00:36:17,040
Speaker 2: a degree, I really am invested in you and Ross

750
00:36:17,160 --> 00:36:19,920
Speaker 2: and what you guys are talking about and what you

751
00:36:20,080 --> 00:36:22,839
Speaker 2: have going on. I really want to see more with

752
00:36:22,880 --> 00:36:25,000
Speaker 2: you and your mom, and I want to see your

753
00:36:25,040 --> 00:36:28,000
Speaker 2: mom around the girls more. When I met your mom

754
00:36:28,000 --> 00:36:29,600
Speaker 2: in person, first of all, your mom.

755
00:36:29,560 --> 00:36:31,080
Speaker 1: Is a baddie.

756
00:36:32,080 --> 00:36:35,400
Speaker 2: And I feel like the beauty of Atlanta housewise was

757
00:36:35,440 --> 00:36:37,800
Speaker 2: there was always that specialness when it came to the moms.

758
00:36:38,160 --> 00:36:40,320
Speaker 2: And because we haven't seen Mama Joyce in a while,

759
00:36:40,760 --> 00:36:43,480
Speaker 2: who's an icon and a legend herself, I would love

760
00:36:43,480 --> 00:36:45,880
Speaker 2: to see your mom more and I would love to

761
00:36:45,880 --> 00:36:48,200
Speaker 2: see more of what you and Ross are talking about,

762
00:36:48,280 --> 00:36:53,400
Speaker 2: because I feel like when you have these marital relationships,

763
00:36:53,480 --> 00:36:55,200
Speaker 2: that's what we want to see. And I feel like

764
00:36:55,239 --> 00:36:57,840
Speaker 2: you're getting your footwear, and when I'm.

765
00:36:57,719 --> 00:37:00,560
Speaker 1: Watching you, I feel like.

766
00:37:02,040 --> 00:37:04,799
Speaker 2: I feel like you'd be thinking, like what is going

767
00:37:04,840 --> 00:37:09,080
Speaker 2: on here? Like is this really happening? Or like when

768
00:37:09,160 --> 00:37:12,440
Speaker 2: Kenya stormed out to her room child in Alabama and

769
00:37:12,560 --> 00:37:15,480
Speaker 2: on the speakerphone, she said, y'all can go, and you said.

770
00:37:16,120 --> 00:37:19,560
Speaker 1: I will leave. I don't have to be here.

771
00:37:20,800 --> 00:37:24,080
Speaker 2: So I do feel like sometimes you're like, are y'all

772
00:37:24,120 --> 00:37:28,520
Speaker 2: putting on? Or what is really happening here? Because I

773
00:37:28,680 --> 00:37:32,360
Speaker 2: don't navigate this way, So I would just say, you know,

774
00:37:32,480 --> 00:37:34,960
Speaker 2: let's see more because I feel like you're trying to

775
00:37:34,960 --> 00:37:36,560
Speaker 2: figure these girls out. And I get it because there

776
00:37:36,560 --> 00:37:39,680
Speaker 2: are fifteen seasons and I feel like girl focused on

777
00:37:40,680 --> 00:37:43,000
Speaker 2: showing us the personal story because I do feel like

778
00:37:43,000 --> 00:37:44,600
Speaker 2: I want to see more personal story.

779
00:37:44,840 --> 00:37:47,200
Speaker 3: I love that and I mean that we can deliver on.

780
00:37:47,400 --> 00:37:49,560
Speaker 4: So thank you for that note, and I'll, you know,

781
00:37:49,719 --> 00:37:53,360
Speaker 4: definitely want to incorporate more and hopefully next season, you know,

782
00:37:54,040 --> 00:37:56,560
Speaker 4: Ross will be more put you know, staying in the

783
00:37:56,560 --> 00:37:58,200
Speaker 4: house more and so we can do more of that,

784
00:37:58,239 --> 00:37:59,239
Speaker 4: So I appreciate it.

785
00:37:59,400 --> 00:38:00,879
Speaker 1: Okay, question.

786
00:38:02,160 --> 00:38:07,360
Speaker 2: If you had a magic wand yes, and you're looking

787
00:38:07,400 --> 00:38:11,359
Speaker 2: at this show for next season, and if someone came

788
00:38:11,440 --> 00:38:14,600
Speaker 2: to you a Genie in a bottle, not Christina Aguileras

789
00:38:14,640 --> 00:38:16,600
Speaker 2: Genie in the bottle, because that was about some nest child,

790
00:38:16,960 --> 00:38:18,680
Speaker 2: a real genie in a bottle.

791
00:38:18,760 --> 00:38:19,880
Speaker 1: And they said, Okay.

792
00:38:19,680 --> 00:38:23,399
Speaker 2: Sonya, you're able to cast the women around you who

793
00:38:23,480 --> 00:38:27,760
Speaker 2: you want to move forward with. Who are five women

794
00:38:28,600 --> 00:38:32,239
Speaker 2: that you would love to be on a season with?

795
00:38:33,239 --> 00:38:37,320
Speaker 4: Oh wow, that's a that's a good that's a good one.

796
00:38:38,360 --> 00:38:44,320
Speaker 3: So obviously I bring back my girl Marlowe. So Marlowe

797
00:38:44,360 --> 00:38:45,080
Speaker 3: and Chara.

798
00:38:46,880 --> 00:38:50,240
Speaker 4: So five though, because that makes it shouldn't it be six?

799
00:38:50,560 --> 00:38:53,799
Speaker 1: Well you're six, it's you plus five.

800
00:38:54,600 --> 00:38:59,200
Speaker 3: Okay, So me, marlow Chare uh huh oh man.

801
00:39:00,880 --> 00:39:03,080
Speaker 2: Any House White, past, present, future.

802
00:39:03,160 --> 00:39:05,240
Speaker 4: But I'm thinking, I'm like, I've been on with Candy

803
00:39:05,280 --> 00:39:08,040
Speaker 4: and Kenya, so I feel like I've you know, experienced them.

804
00:39:08,440 --> 00:39:10,239
Speaker 3: So do I bring them back or do I bring

805
00:39:10,280 --> 00:39:11,239
Speaker 3: on somebody new?

806
00:39:11,560 --> 00:39:16,959
Speaker 4: So I always thought Phaedra was a wots so I think,

807
00:39:17,120 --> 00:39:20,520
Speaker 4: you know, it'd be cool to film with Phaedra. Even

808
00:39:20,560 --> 00:39:23,120
Speaker 4: though I know Candy and Phaedra won't film, so that

809
00:39:23,200 --> 00:39:24,920
Speaker 4: means I have to leave Candy off for next time.

810
00:39:24,920 --> 00:39:25,640
Speaker 3: I'm gonna bring her back.

811
00:39:25,640 --> 00:39:28,200
Speaker 1: I bring her back for season twenty okay.

812
00:39:29,320 --> 00:39:31,000
Speaker 3: And and Porsche.

813
00:39:32,080 --> 00:39:35,400
Speaker 2: Oh okay, Yeah, that's a good list.

814
00:39:35,880 --> 00:39:38,920
Speaker 1: That's a good list. Is that so? Yeah? So it's

815
00:39:39,080 --> 00:39:41,359
Speaker 1: yeah you so you plus five?

816
00:39:41,440 --> 00:39:49,320
Speaker 2: So that's Marlowe, Charae, Phaedra, I get one more more.

817
00:39:51,680 --> 00:39:55,680
Speaker 3: So I would bring back Dangs.

818
00:39:55,719 --> 00:39:57,640
Speaker 4: So who else is somebody that's from the past that

819
00:39:57,680 --> 00:39:58,759
Speaker 4: I would love to film with?

820
00:39:58,840 --> 00:40:04,160
Speaker 2: Because you have have Deshaun Snow, Lisa will Niani, Leeks, Kim,

821
00:40:04,320 --> 00:40:10,360
Speaker 2: Zoe Ziak, Claudia Jordan Shamari, the Claudia Claudia Claudia.

822
00:40:10,440 --> 00:40:13,520
Speaker 1: Okay, there you go. See that wasn't so bad.

823
00:40:13,600 --> 00:40:16,160
Speaker 3: I wasn't one last question.

824
00:40:16,239 --> 00:40:18,680
Speaker 1: I'm gonna let you go. I know you're busy. Do

825
00:40:18,719 --> 00:40:20,279
Speaker 1: you know who Tamra Judge is.

826
00:40:21,600 --> 00:40:23,480
Speaker 3: Yeah, yeah, she's one of the housewives.

827
00:40:23,080 --> 00:40:26,680
Speaker 2: Right of Orange County. Yes, she did an interview recently

828
00:40:27,280 --> 00:40:30,279
Speaker 2: and they asked her which housewife shod be put on

829
00:40:30,360 --> 00:40:33,640
Speaker 2: Pauls And she said, you why why?

830
00:40:33,680 --> 00:40:34,200
Speaker 1: She hadn't know me?

831
00:40:34,920 --> 00:40:37,600
Speaker 2: She said, as she's watching this show she thinks you're

832
00:40:37,600 --> 00:40:39,880
Speaker 2: a nice girl, but she had to choose anybody she

833
00:40:39,920 --> 00:40:41,360
Speaker 2: would choose to put you on pause?

834
00:40:42,160 --> 00:40:43,719
Speaker 3: Is she still is she still on the show?

835
00:40:44,320 --> 00:40:46,880
Speaker 1: She was on Pauls but now she's bad.

836
00:40:47,640 --> 00:40:49,480
Speaker 3: Uh, well she she should go like a pause, tune in.

837
00:40:54,840 --> 00:40:56,520
Speaker 3: People don't know what they won't. People don't know what

838
00:40:56,560 --> 00:40:56,960
Speaker 3: they won't.

839
00:40:57,080 --> 00:41:00,800
Speaker 1: Okay, and you're saying that includes housewives saw.

840
00:41:00,719 --> 00:41:03,440
Speaker 3: The dynamic to the show, that it is what it is.

841
00:41:04,120 --> 00:41:07,000
Speaker 2: Yes, yes, yes, yes, yes, well sonya, thank you so

842
00:41:07,160 --> 00:41:11,600
Speaker 2: much for coming on Reality with the King, and I

843
00:41:11,800 --> 00:41:14,960
Speaker 2: am going to continue watching the show, and I want

844
00:41:14,960 --> 00:41:16,719
Speaker 2: you to follow my bodies. We want to see you

845
00:41:16,760 --> 00:41:19,920
Speaker 2: and Ross mamm We want to see and listen, listen, listen.

846
00:41:20,000 --> 00:41:23,120
Speaker 2: I know it's not your control what's get shown, so

847
00:41:23,239 --> 00:41:26,600
Speaker 2: trust me, I get that, but I speak for the

848
00:41:26,680 --> 00:41:30,480
Speaker 2: congregation and just know that that's our biggest request. We

849
00:41:30,480 --> 00:41:31,239
Speaker 2: want to see more of that.

850
00:41:31,760 --> 00:41:34,040
Speaker 4: All right, Well, I appreciate that. Thanks for having me, Carlos,

851
00:41:34,160 --> 00:41:34,640
Speaker 4: was a pleasure.

852
00:41:38,960 --> 00:41:41,200
Speaker 1: Thank you for listening to Reality with the King.

853
00:41:41,640 --> 00:41:47,839
Speaker 2: New episodes drop every Tuesday, Share, comment, follow, and subscribe

854
00:41:48,239 --> 00:41:51,400
Speaker 2: to Reality with the King. Wherever you get your podcast,

855
00:41:51,960 --> 00:41:55,400
Speaker 2: visit Reality withthe King dot com and be sure to

856
00:41:55,480 --> 00:42:00,000
Speaker 2: follow me at the Carlos King Underscore on Instagram, Twitter,

857
00:42:00,400 --> 00:42:03,879
Speaker 2: TikTok and yes, Baby, my YouTube channel where you could

858
00:42:03,920 --> 00:42:07,920
Speaker 2: get all of my visuals, baby, my expressions. Yeah, and

859
00:42:08,040 --> 00:42:11,440
Speaker 2: don't forget tweet me your thoughts and hot takes about

860
00:42:11,480 --> 00:42:16,880
Speaker 2: this episode using the hashtag reality with the King. Reality

861
00:42:16,920 --> 00:42:20,360
Speaker 2: with the King is a production of Kingdom Rain Entertainment.

862
00:42:21,160 --> 00:42:25,520
Speaker 2: It is produced by Sierra Spragley Rix An executive produced

863
00:42:25,640 --> 00:42:33,880
Speaker 2: by Me, Carlos King, Kingdom Rain Entertainment, Baby,