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Speaker 1: Hey, Discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party of the bridge to get you from one

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Speaker 1: full episode of Disgraceland to the other, the backyard, to

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Speaker 1: dig into the dirt. On this bonus episode, we are talking,

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Speaker 1: well mainly you are talking. We get into a ton

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Speaker 1: of your texts, voicemails, dms and more on everything under

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Speaker 1: the sun, your stories of rock and roll, animalism, more

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Speaker 1: on your favorite Christmas songs, what's in the skies of

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Speaker 1: New Jersey, your favorite SNL characters, and more, and as always,

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Speaker 1: a whole lot of rosie. All right, Discos, let's get

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Speaker 1: into it. Merry Christmas, Happy Holidays, Happy Hanukah. Wherever you

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Speaker 1: are in the world, whatever you're doing, I hope you're

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Speaker 1: enjoying some peace of mind, and I hope that there's

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Speaker 1: some peace in your heart. I asked you guys last

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Speaker 1: week for your stories of rock and roll animalism of

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Speaker 1: stories that you've heard, stories you've been a part of

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Speaker 1: that left an impression on you, Stories that are so

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Speaker 1: dramatic you can't put them down, that you and your

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Speaker 1: friends keep going back to you. I asked, because this

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Speaker 1: is our newfound mission here in disgraceon to preserve the

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Speaker 1: true spirit of rock and roll, to try to keep

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Speaker 1: this dying Dodo bird of a genre alive in some way,

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Speaker 1: whether it's Chuck Berry picking up pitchhikers after a gig,

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Speaker 1: or Ggi Allen's brother punching out a fan on stage.

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Speaker 1: We want to know, We want to retell, and we

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Speaker 1: want to document these stories.

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Speaker 2: Hey, Jake, this is Joe from the five three Hate,

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Speaker 2: big fan of your show. Keep up the good work.

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Speaker 2: I wanted to tell you what my favorite rock legend is,

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Speaker 2: and that would be the one where Phil Kaufman, Grand

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Speaker 2: Parsons manager, still his dead body from lax in a

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Speaker 2: hearse and took it to Joshua Tree and cremated it.

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Speaker 2: It's a pretty sweet story. I can't blame him for

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Speaker 2: wanting to be cremated there, and God blessed Phil Kaufman.

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Speaker 2: Looking forward to hearing more and hope to hear a

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Speaker 2: disgrace Land just about Graham one of these days.

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Speaker 1: Jeers, Joe, thanks for colling. I played your voicemail because

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Speaker 1: this is the perfect story to demonstrate the rock and

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Speaker 1: roll analysm that I'm talking about. And even though most

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Speaker 1: of us, I think you're familiar with this story, it

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Speaker 1: bears repeating because we're getting new listeners all the time.

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Speaker 1: There's people who are as familiar with rock and roll

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Speaker 1: lore as some of us might be. They're younger, whatever

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Speaker 1: the case may be. They're interested, they're new to this space,

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Speaker 1: and this story is one of the og Disgraceland stories.

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Speaker 1: When I think about stories, it made me want to

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Speaker 1: start Disgraceland. This is one of them. I first heard

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Speaker 1: this story working on a loading dock in my high

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Speaker 1: school years, summers working for my old man, trying to

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Speaker 1: make some extra cash, hating every minute of the work part,

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Speaker 1: loving every minute of the bullshitting they went along with,

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Speaker 1: hanging out with the older guys on the crew who

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Speaker 1: worked on the trucks. Occasionally, I too get to go

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Speaker 1: on the trucks and the stories that I heard were incredible,

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Speaker 1: and this was one of them, told to me by

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Speaker 1: a guy named Joe Allen. B people from the Boston

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Speaker 1: music scene will know Joe, except in Joe's telling, Keith

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Speaker 1: Richards was involved somehow. I'm not exactly sure that's accurate.

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Speaker 1: I don't know. Maybe people know something that I don't,

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Speaker 1: possibly behind the stolen body hest though don't think so. Anyways,

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Speaker 1: I'm fairly certain the Keith Richer part is not true.

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Speaker 1: But however, the story of Graham parsons body being stolen

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Speaker 1: is absolutely true. I spoke with the man who did it,

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Speaker 1: Phil Kaufman. He did indeed steal Graham Parsons's body. I

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Speaker 1: can't remember how I got Phil's number, but I did,

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Speaker 1: and I called him up when I was writing my book,

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Speaker 1: and Phil was helpful, if not super crotchety in this story.

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Speaker 1: The Grand Parsons Grand Theft Parsons, as the movie title goes,

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Speaker 1: the Johnny Knoxville movie. This is a big part of

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Speaker 1: my book. It's obviously a huge part of the Disgrace

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Speaker 1: Line episode on Graham Parsons, which if you haven't heard it,

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Speaker 1: you must. It embodies what this show is about. If

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Speaker 1: you've never heard of Graham Parsons, he basically invented all

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Speaker 1: country without giving it a name. Well, he did give

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Speaker 1: it a name, but that's not what he called it.

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Speaker 1: He called it cosmic American music, and he influenced the

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Speaker 1: Rolling Stones in real time, compelled them to make what

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Speaker 1: I think is their greatest album and possibly the greatest

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Speaker 1: rock and roll album of all time, Eggsile on Main Street.

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Speaker 1: So the storylory of Graham's body being stolen and brought

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Speaker 1: out to Joshua Tree for a desert pirate funeral is

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Speaker 1: one hundred percent disgraceland. I thank you for the voicemail

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Speaker 1: five oh three, and for anyone else who has not

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Speaker 1: heard the Graham Parsons episode, go check that out. Even

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Speaker 1: if you have heard it, go check it out. Listen

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Speaker 1: to it again. It's a I guarantee it's gonna better

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Speaker 1: on second listening. Okay, Nile from the five oh five

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Speaker 1: called in and left the voicemail.

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Speaker 3: Hey Jacobs is Niall from the five o five in

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Speaker 3: New Mexico. Good job on everything. Always as always that

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Speaker 3: I I've always had a question about the gross out

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Speaker 3: contest between Alice Cooper and Frank Zappa.

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Speaker 1: But I'm not going to play Nile's voicemail because it's disgusting.

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Speaker 1: All I have to say is that Nile even though

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Speaker 1: your rock and roll story is too gross to play,

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Speaker 1: you might have convinced me to do an Alice Cooper episode.

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Speaker 1: So a bit of a tease here. We brought up

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Speaker 1: Alice Cooper. Someone brought up Alice Cooper last week. I

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Speaker 1: think I did. Actually, yeah, I did, but I've gotten

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Speaker 1: I've got other voicemails, sorry, other dms and texts. This

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Speaker 1: is the only voicemail. That's why I wanted to play it,

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Speaker 1: but I did not want to go into the details.

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Speaker 1: So guys, I guess niles El's Cooper's story is developing.

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Speaker 1: More on this as we go, all right. Gabe Ceta

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Speaker 1: on Instagram writ saying, Okay, I wanted to share my

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Speaker 1: favorite rock and roll story. Back sometime around maybe two

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Speaker 1: thousand and seven, I saw the Murder Junkies at a

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Speaker 1: legendary Pittsburgh venue called thirty first Street Pub. They were

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Speaker 1: being fronted by Gigi's brother Merle Allen, and in between songs,

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Speaker 1: a twenty something kid kept yelling for Merle to punch

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Speaker 1: him in the face man, and Merle said, quote, your

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Speaker 1: dad is probably a lawyer and you'll sue me for

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Speaker 1: everything I have, But fuck it, I don't have shit,

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Speaker 1: And then Merle proceeded to punch this kid full strength

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Speaker 1: square Oh boy, just under the eye and his hand

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Speaker 1: with his hand and a fist rapping around the microphone.

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Speaker 1: Oh my gosh. The kid took it like a champ.

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Speaker 1: His knees buckled a little, but his friends kept him

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Speaker 1: on his feet and he enjoyed the rest of the

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Speaker 1: show from right in front of the stage with blood

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Speaker 1: dripping down his face. It was punk af, punk af

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Speaker 1: and just dumb gabber Gaber. Sorry, I don't know if

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Speaker 1: I'm pronouncing your Instagram handle correctly. I think it's Gaber

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Speaker 1: because your name's Gabe. I never understood that aspect of

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Speaker 1: punk rock, the self imposed violence and destruction and you know,

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Speaker 1: spitting on each other and that whole, the whole gg

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Speaker 1: Allen side of it. Oh boy, Uh just yeah. I

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Speaker 1: mean you want to talk about rock and roll animalism?

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Speaker 1: Gg Allen is on another level for sure. It's like

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Speaker 1: he needs his own category completely, all right. Five four

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Speaker 1: to one writes in Hey, j Corge Venezuela in the

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Speaker 1: five to four to one here been listening since twenty

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Speaker 1: twenty right in the middle of the COVID lockdowns, I

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Speaker 1: found your podcast and have been hooked since I backtracked him.

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Speaker 1: Now listened to the entire Disgracelands series on Spotify and

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Speaker 1: eagerly await each new episode and bonus episode like a fiend. Anyway,

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Speaker 1: my rock star story is that I opened for Kid

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Speaker 1: Rock at the Rose Theater in Portland, Oregon in October

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Speaker 1: two thousand and seven. The local band that was supposed

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Speaker 1: to open for Kid Rock dropped out in the last second,

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Speaker 1: so they went down the line outside the building asking

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Speaker 1: for volunteers. Me, trying to impress my future wife, raise

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Speaker 1: my hand and they asked, without knowing that they would

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Speaker 1: be asking me to sing a karaoke song to open

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Speaker 1: for Kid Rock. I chose killing in the Name by

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Speaker 1: rage against the Machine and completely fucking crushed it. Even

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Speaker 1: had Amashpik going during the fuck you won't do it

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Speaker 1: you tell me part talk about core memory. It also

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Speaker 1: sealed the deal with my wife. She got a good

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Speaker 1: glimpse at what I'm all about. I could see her

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Speaker 1: in the front row staring up at me with a

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Speaker 1: look in her eye that said, what am I getting

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Speaker 1: myself into? Needless to say, one of the best nights

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Speaker 1: of my life. Keep up the great work and as always,

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Speaker 1: rock a rolla and Merry Christmas, which is confidentially also

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Speaker 1: my forty fourth birthday, Orge, Happy birthday, buddy. I love

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Speaker 1: this story. I hope your wife is still your wife.

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Speaker 1: I hope you're not, you know, laying down a little

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Speaker 1: fuck you. I won't do it. You tell me at

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Speaker 1: the holiday Christmas karaoke and alien eaton the old missus.

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Speaker 1: Great story, exactly what we're looking for. Thank you, Jorge,

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Speaker 1: Appreciate you, Jorge, just real, real, real quick. Jorgey wanted

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Speaker 1: to shout out his twin brothers, Nick and Derek. So

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Speaker 1: Nick and Derek, if you're listening, your brother's thinking of you.

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Speaker 1: Merry Christmas. Kerrie Kennedy writes in Disgrace Lampot at gemail

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Speaker 1: dot com. She emailed this, Hey, Jake, really entertained by

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Speaker 1: the podcast and appreciate your storytelling. Came to Disgraceland from

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Speaker 1: the Dead and Gone podcast. My mom was a massive

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Speaker 1: Willie Nelson fan. I've literally been going to Willie concert

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Speaker 1: since before I was born in Utero through the day

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Speaker 1: I graduated from college. I am convinced that part of

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Speaker 1: what kept her fascinated was the rock and Roll stories

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Speaker 1: around Willie Nelson her favorite and now mine because I

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Speaker 1: haven't heard it anywhere else, including Disgrace. Sam is that

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Speaker 1: Willie came home drunk and having been with a girlfriend,

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Speaker 1: and his wife so him into the sheets at the

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Speaker 1: bed while he was passed out, packed up and his

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Speaker 1: wife left. Because how much it fascinated my mom, I

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Speaker 1: think it still has a hold on me, this story,

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Speaker 1: and I kind of don't care if it's true. It's

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Speaker 1: a great story either way. Rock and ROLLA Carrie and

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Speaker 1: Annapolis Marilyn Carrie, what a fantastic story. This is incredible.

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Speaker 1: And yes you've never heard this story in dis Graceland.

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Speaker 1: We have I think, yeah, two Willie Nelson episodes and

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Speaker 1: this story did not come across our desk. It's amazing.

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Speaker 1: And yeah, even if it's not true, it's still amazing.

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Speaker 1: I love it. Thanks Carry Travis Carter writes in this

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Speaker 1: is via email as well. Hey Jake, first off, thoroughly

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Speaker 1: enjoyed the podcast. I love history, I love rock and roll.

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Speaker 1: In your show's perfect marriage of these two things, along

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Speaker 1: with great storytime of quite a few rock and roll

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Speaker 1: stories from my younger days back in the mid to

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Speaker 1: late eighties, and one of my favorites was the time

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Speaker 1: that I saw Motorhead open for Slayer at the Ocean

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Speaker 1: Center in Daytona Beach, Florida. After the show, we customarily

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Speaker 1: would go out to the tour buses to try to

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Speaker 1: meet the bands, and I was around sixteen at the time,

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Speaker 1: and Lemmy for Motorhead happened to be standing outside the

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Speaker 1: bus signing autographs, and when we got our turn to

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Speaker 1: meet him, we asked for a photo, to which he exclaimed,

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Speaker 1: of course, mates, and proceeded to grab both me and

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Speaker 1: my friend in headlocks for the photo. It's one of

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Speaker 1: the coolest interactions I've ever had with any rock star

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Speaker 1: that I've met. To this day, I don't know what

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Speaker 1: happened to this photo because I wasn't my camera, but

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Speaker 1: I wish I had a copy of it. Travis, this

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Speaker 1: is amazing. I appreciate this, and I'm reading this in

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Speaker 1: part not just because it's a great story, but also

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Speaker 1: I saw the same tour but up in Boston. I

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Speaker 1: was real young. My old man took me and it

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Speaker 1: was mind blowing. I remember it was truly scary all

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Speaker 1: of it, and Overkill was the opening band. I don't

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Speaker 1: know if it was on the leg of the tour

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Speaker 1: that you saw. But Motorhead came out. They were opening

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Speaker 1: for Slayer, and it was truly frightening. They were truly frightening.

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Speaker 1: I was in the sixth grade, i believe, and that

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Speaker 1: was scary enough. But then and I was a motor fan,

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Speaker 1: but I'd never seen anything like this. I'd been to

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Speaker 1: concerts before, been to huge stadium shows, never anything like this.

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Speaker 1: I think I'd see Jimmy Page in the firm by

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Speaker 1: this point. I might have seen ac DC by this point.

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Speaker 1: This was another level. It was dangerous, It was scary.

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Speaker 1: The crowd was dangerous. The crowd was scary. The volume,

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Speaker 1: the sound of this concert was the loudest, loudest thing

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Speaker 1: I'd ever heard to that point in my life. And

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Speaker 1: then Slayer came on and everything was that much extra.

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Speaker 1: I love Motorhead, I love Slayer, but it was horrifying

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Speaker 1: in the best possible rock and roll way. What a frickin' show, Travis,

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Speaker 1: thanks for reminding me of it. I appreciate you. All Right, guys,

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Speaker 1: next week we've got an episode on Hank Williams. Why well,

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Speaker 1: aside from the fact that Hank is the greatest country

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Speaker 1: songwriter of all time, also one of the greatest songwriters period.

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Speaker 1: Hank died right around New Year's Day or on Newyears Day,

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Speaker 1: excuse me, on Newsday and next week, you know, we

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Speaker 1: usher in the new year, so you're gonna get some

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Speaker 1: Hank Williams in your feed. And when you're listening to

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Speaker 1: Hank and nursing your your champagne hangover, be thinking about

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Speaker 1: those sad songs, those songwriters whose words and music make

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Speaker 1: you tear up, who cut you to the bone, who

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Speaker 1: get you all emotional? Who are the singers that bring

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Speaker 1: you to tears like Hank Williams does to me? That's

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Speaker 1: what I want to know. Which singers, which songwriters make

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Speaker 1: you all emotional, give you all the feels, tear you

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Speaker 1: up emotionally. Let me know six one seven nine oh

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Speaker 1: six six six three eight. You can leave me a voicemail,

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Speaker 1: send me a text, can hit me up to s

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Speaker 1: Gracelampod at gmail dot com or at s Gracelampod on Facebook,

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Speaker 1: on x on Instagram. All right, of course, as always,

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Speaker 1: keep the stories of rock and roll animalism coming. We

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Speaker 1: got a bunch more in here. I'll probably read more

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Speaker 1: of them next week, but I want more from you guys,

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Speaker 1: and tell me your story of your text voicemail will

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Speaker 1: get into it here in the after party and eventually

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Speaker 1: out in the real world as well, and some fun

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Speaker 1: in exciting ways that I'm still putting together. All right,

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Speaker 1: I'll be back in a flash with more of your

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Speaker 1: stories and some responses on your favorite Christmas tunes and

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Speaker 1: your favorite SNL characters. Plus TENZ Tiny Little Diddy jay

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Speaker 1: Z update. All right, we are back, and I was

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Speaker 1: hoping that I wouldn't have to talk about the grossness

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Speaker 1: that is the allegations against Sean Ditty Combs in jay

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Speaker 1: Z this week Christmas Week, And I might regret saying this,

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Speaker 1: but as of the recording of this episode, there is

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Speaker 1: no news worthy enough of getting into here in this space.

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Speaker 1: Of course, there is some rumblings out there that they

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Speaker 1: did make some media. Jay Z's lawyers and Tony Busby

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Speaker 1: are going back and forth in the press. Jay's lawyers

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Speaker 1: are trying to get the case thrown out. There's yet

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Speaker 1: another woman accusing Sean Combs of abuse. But like I said,

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Speaker 1: no news worthy of getting into here. We'll surely have

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Speaker 1: more though when we returned for the new year, got

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Speaker 1: a special, fully scripted episode on Diddy coming the second

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Speaker 1: week of January. The details the indictments against him and

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Speaker 1: all of the alleged behavior that compelled those indictments relative

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Speaker 1: to Sean didty Combs's background in history. So this is

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Speaker 1: a straight up disgrace in an episode. We did a

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Speaker 1: Diddy episode last year. Okay, we're gonna put that back

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Speaker 1: in the feed because it's a part one. It's a

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Speaker 1: natural part one. We didn't intend for it to be

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Speaker 1: a part one. We thought at the time we were

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Speaker 1: just doing an episode on Seawn Combs, and then all

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Speaker 1: holy hell broke loose with the cast event tourist story.

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Speaker 1: We had already had that episode written and recorded and

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Speaker 1: ready to go when the cast event tour story broke.

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Speaker 1: We released that episode about two weeks after Comb's settled

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Speaker 1: with Cassie, and it's mainly story about his upcoming, his upbringing,

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Speaker 1: the stampede, the nightclub shooting, j LO, that era of

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Speaker 1: Sean Combs. But naturally, it all serves as a perfect backdrop,

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Speaker 1: a perfect origin story, a perfect part one for the

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Speaker 1: story the recent story of Shawn Combs on Cassie Ventura

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Speaker 1: and the federal indictment that he is facing right now.

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Speaker 1: That is going to be the new episode on Sean

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Speaker 1: Diddy Combs that is coming your way in a couple weeks,

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Speaker 1: and I can't wait for you guys to hear at

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Speaker 1: six one seven nine oh six six six three eight.

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Speaker 1: That's how you get in touch with me. One of

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Speaker 1: the ways. You can leave me a voicemail there, you

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Speaker 1: can send me a text. You can also hit me

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Speaker 1: up on the socials at Disgrace lamp Pod. You guys

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Speaker 1: know this, and you can email me Disgray Lampod at

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Speaker 1: gmail dot com. All Right, we just released an episode

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Speaker 1: on Chris Farley, and normally I would have spent a

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Speaker 1: considerable amount of time in the first part of this episode,

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Speaker 1: the bonus episode, talking about our previous full episode, as

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Speaker 1: I usually do, but I wanted to give you guys

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Speaker 1: more time this week. It's the end of the year,

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Speaker 1: it's Christmas. I wanted this to be a little bit

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Speaker 1: more communal.

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Speaker 3: You know.

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Speaker 1: We didn't do a big Christmas party or anything like that.

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Speaker 1: We had some folks jump on a zoom. We had

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Speaker 1: an improp to disco Christmas party with our book club members,

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Speaker 1: but yeah, no big bash. So I wanted to include

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Speaker 1: more of you guys in this bonus episode, so Chris

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Speaker 1: Farley unfortunately get a little bit of the acts. However,

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Speaker 1: six to one OH chimes in on fave SNL characters

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Speaker 1: question of the week. Favorite SNL player gotta be Phil Hartman,

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Speaker 1: hands down, so hard to play straight in hilarity and

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Speaker 1: maintain a straight face. So great And if there's any doubt,

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Speaker 1: see Unfrozen gay Man Lawyer in Cooking with the anal

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Speaker 1: retentive Chef Gone too Soon, Happy Everything, Marry Everything, rock

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Speaker 1: a rolla from Jonathan in the six to one OHO.

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Speaker 1: I agree on Phil Hartman and that era. To me,

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Speaker 1: that sort of era of Phil Hartman and Dennis Miller

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Speaker 1: and Dana Carvey, Mike Myers transitioning into the Adam Sandler,

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Speaker 1: Chris Farley, David Spade era just peak peak peak SNL

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Speaker 1: in my mind nine one seven text in Hey Jake,

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Speaker 1: I live in New York, but I work in Little Falls,

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Speaker 1: New Jersey, and my coworkers have been talking about these

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Speaker 1: drones for weeks. I finally saw some driving home this week.

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Speaker 1: Not sure I can help figure this out, but I

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Speaker 1: can tell you what I saw. They're not small backyard drones.

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Speaker 1: They flew right above the tree line, too low to

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Speaker 1: be a plane, and maybe I saw the drones that

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Speaker 1: hunt other drones. I've been scouring the internet trying to

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Speaker 1: find out myself what I saw. Had what looked like

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Speaker 1: two white lights, a blue light and a blinking red

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Speaker 1: light that reminded me of a recording light or maybe

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Speaker 1: the light on a remote. Finally seeing them gives me

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Speaker 1: more questions. But hope this is at least interesting to you.

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Speaker 1: Of course it's interesting. Nine one seven is fascinating. I

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Speaker 1: can't stop thinking of this. It's insanity and I'm not

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Speaker 1: gonna lie down here in our neck of the woods.

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Speaker 1: We saw something very anomalous the other night, and you

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Speaker 1: know the absurdity of UAPs and UFOs I believe is intentional.

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Speaker 1: I have a whole, whole, deep, deep take on this

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Speaker 1: that I'm not going to bore you with. But my wife,

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Speaker 1: my kids, and I. My wife is extremely skeptical of

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Speaker 1: this type of stuff. We saw something last week. It

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Speaker 1: was not a plane, and it was not a backyard drone,

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Speaker 1: and the flight pattern was not a flight pattern. It

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Speaker 1: flew in basically a square over our house, our neighborhood.

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Speaker 1: Actually it was wider than just our house, and unfortunately

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Speaker 1: it was cloudy that night and we couldn't really get

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Speaker 1: eyes on it, and it freaked me out, freaked me out,

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Speaker 1: pretty hardcore, freaked both of us up. But it was low.

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Speaker 1: It's too low for a plane. It sounded at first,

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Speaker 1: I thought it sounded like a plane. That was my take.

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Speaker 1: I was like, that's a plane, but it wasn't a

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Speaker 1: propeller plane. And then the next night I saw a

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Speaker 1: low propeller plane and I heard it and it was

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Speaker 1: nothing like what we saw the night before. Now, I'm

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Speaker 1: not telling you that I saw one of these drones.

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Speaker 1: I'm just telling you that I saw some weird shit.

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Speaker 1: And the lighting pattern that you've described here nine one

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Speaker 1: seven was the exact lighting pattern that we saw. What

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Speaker 1: we saw looked looked exactly like what we're seeing on

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Speaker 1: the news on TikTok. But again, I'm not saying it

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Speaker 1: was a drone. I'm not saying it was a UFO.

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Speaker 1: I'm not saying it was UAP. All I'm saying is

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Speaker 1: that it was anomalous and I cannot explain what it was,

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Speaker 1: and neither came my wife. It was weird. There's weird

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Speaker 1: shit happening up there. Three zero two right say, I'm

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Speaker 1: not here in anything to let hear from Tom DeLong.

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Speaker 1: Tom has spoken on this and it's pretty fascinating. This

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Speaker 1: is a post from his Instagram from last week, from

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Speaker 1: December fourteenth, so a little over a week ago. It

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Speaker 1: says the drones that are being discussed can hover for

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Speaker 1: six hours and then disappear once they are spotted. This

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Speaker 1: is why it's been hard to get facts from any

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Speaker 1: US agencies. Some of them can even move into the

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Speaker 1: ocean and then back up into the air, which is

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Speaker 1: called trans medium travel, a very hard thing to do.

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Speaker 1: If you look at this document above, and there's a

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Speaker 1: it's Instagram, so there's an image of this document. It's

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Speaker 1: not redacted. In fact, it has and has graphics indicating

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Speaker 1: where to look. If you look at this document above,

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Speaker 1: it seems like it's a repeat of exactly what happened

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Speaker 1: in the sixties, it being what we're seeing now in

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Speaker 1: New Jersey. There's a good chance that these things could

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Speaker 1: potentially be mimicking other aircraft. And this even happened more

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Speaker 1: recently in situations at Skinwalker Ranch years ago, and it

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Speaker 1: was being studied by the US government under Baas and

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Speaker 1: aatip and again also decades ago in the sixties. It's

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Speaker 1: all something to consider. And although we don't have all

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Speaker 1: the facts yet, we do know that UFOs play with mimicry,

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Speaker 1: and that has been known for quite some time. Why

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Speaker 1: to get us to notice them without a major freak out?

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Speaker 1: Who knows? But well, we are noticing them nonetheless. And

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Speaker 1: he's right. I didn't mean that, but Tom was right.

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Speaker 1: He's right here, we are noticing them. We are noticing something.

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Speaker 1: I don't know if it's them, but we're noticing something.

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Speaker 1: And something that I read the other day about this

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Speaker 1: was very, very interesting and you can verify this on

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Speaker 1: the internet if you feel like it. The truth is

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Speaker 1: out there, as they say, So these drones in New Jersey.

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Speaker 1: I'm not going to go deep on this, I promise,

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Speaker 1: but I'm just going to indulge my inner obsession here

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Speaker 1: for a second. These drones in New Jersey. Turns out,

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Speaker 1: not last year, but the year before was the first

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Speaker 1: time they appeared in a way that they are peering

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Speaker 1: now very similar drone like unidentified flying objects in the

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Speaker 1: air three years ago, not last year, the year before.

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Speaker 1: Right over Langley, Cia. Okay, and they didn't know what

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Speaker 1: they were. Then again last year, the same thing over Langley, Cia.

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Speaker 1: And I'm blowing the point here, the main point. It

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Speaker 1: was exact same time of year that they appeared in

423
00:23:01,880 --> 00:23:06,040
Speaker 1: both instances. So this year Langley was ready for them,

424
00:23:06,720 --> 00:23:10,199
Speaker 1: but they didn't appear over Langley. They appeared in New

425
00:23:10,280 --> 00:23:13,920
Speaker 1: Jersey and with more intensity and more of them, more

426
00:23:14,000 --> 00:23:17,680
Speaker 1: volume apparently. So like I said, you can look that

427
00:23:17,840 --> 00:23:20,960
Speaker 1: up and you can find that information there, and I

428
00:23:20,960 --> 00:23:23,040
Speaker 1: would tell you to look into this guy named Ryan

429
00:23:23,080 --> 00:23:27,159
Speaker 1: Graves who's a former naval pilot and he has some

430
00:23:27,160 --> 00:23:30,240
Speaker 1: incredible things to say about the subject. Okay, let's get

431
00:23:30,240 --> 00:23:32,040
Speaker 1: off the UFO here for a second. Go to the

432
00:23:32,040 --> 00:23:34,480
Speaker 1: four one two who says, just listen to the bonus

433
00:23:34,520 --> 00:23:38,040
Speaker 1: episode last week wondering how the guy backpacking in Cambodi

434
00:23:38,119 --> 00:23:41,800
Speaker 1: I can mention run DMC and not Dead Kennedy's holiday

435
00:23:41,800 --> 00:23:44,640
Speaker 1: in Cambodia. Keep up the good work, love your stuff. Well,

436
00:23:44,920 --> 00:23:47,600
Speaker 1: he was talking about a Christmas song man, and maybe

437
00:23:47,640 --> 00:23:50,360
Speaker 1: he's not a Dead Kennedy fan. Are the Dead Kennedy's

438
00:23:50,600 --> 00:23:52,920
Speaker 1: Is that hiking music? I don't know, but I take

439
00:23:52,920 --> 00:23:56,200
Speaker 1: your point. Cambodia being the main thing here, and we're

440
00:23:56,200 --> 00:23:58,399
Speaker 1: going to close out this subject on Christmas songs right here.

441
00:23:58,400 --> 00:24:01,280
Speaker 1: We're gonna put it to bed. Hey Jake, Happy Holidays

442
00:24:01,400 --> 00:24:04,240
Speaker 1: is from the five three. I just learned a new

443
00:24:04,280 --> 00:24:07,000
Speaker 1: to me Christmas song yesterday, and it's definitely jumped up

444
00:24:07,040 --> 00:24:09,240
Speaker 1: as a favorite. Since it's new to me, I could

445
00:24:09,240 --> 00:24:12,119
Speaker 1: definitely say it's my card favorite Christmas song. So I

446
00:24:12,160 --> 00:24:14,720
Speaker 1: got real excited when you extended the request so that

447
00:24:14,760 --> 00:24:18,119
Speaker 1: I could text in and say Spinal taps Christmas with

448
00:24:18,320 --> 00:24:22,320
Speaker 1: the Devil Whales. Before I heard the song, I would

449
00:24:22,320 --> 00:24:24,840
Speaker 1: have said the band's Christmas must be tonight. So a

450
00:24:24,840 --> 00:24:26,840
Speaker 1: couple things here. I didn't know anything about either of

451
00:24:26,840 --> 00:24:30,240
Speaker 1: these songs, so thank you. This is amazing. I appreciate this.

452
00:24:30,760 --> 00:24:34,359
Speaker 1: I'm adding them to my Christmas mix, which I know

453
00:24:34,400 --> 00:24:35,760
Speaker 1: it's late, but if you want to check it out,

454
00:24:36,000 --> 00:24:38,800
Speaker 1: go to my Instagram. You'll see you'll find a link

455
00:24:38,880 --> 00:24:42,560
Speaker 1: somewhere for my Christmas mix. Hey Jake, it's Jack. This

456
00:24:42,640 --> 00:24:44,640
Speaker 1: is Jack from the seven oh seven, saying the best

457
00:24:44,720 --> 00:24:47,720
Speaker 1: Christmas music, as with most music, comes from an emotional

458
00:24:47,760 --> 00:24:52,160
Speaker 1: connection of heartbreak and pain and then the catharsist that follows.

459
00:24:52,200 --> 00:24:55,280
Speaker 1: It's why River By Joni Mitchell or Last Christmas by

460
00:24:55,359 --> 00:24:59,000
Speaker 1: Wham can still be a gut punch after all these years,

461
00:24:59,320 --> 00:25:01,439
Speaker 1: and you keep going come back to it. But the

462
00:25:01,480 --> 00:25:05,760
Speaker 1: man with the bag makes you want to gouge your earballs.

463
00:25:07,040 --> 00:25:09,560
Speaker 1: The best example of this is Christmas Card from a

464
00:25:09,600 --> 00:25:12,840
Speaker 1: Hooker in Minneapolis by Tom Waite's Cheers Man, Happy Holidays.

465
00:25:13,040 --> 00:25:15,800
Speaker 1: Tom Waits one is great, the Wham one is great,

466
00:25:16,040 --> 00:25:17,720
Speaker 1: and I don't know the Joni Mitchell one, but I'm

467
00:25:17,720 --> 00:25:20,520
Speaker 1: going to check it out. And uh, seven oh seven.

468
00:25:20,560 --> 00:25:22,680
Speaker 1: This is perfect because next week we're talking about sad

469
00:25:22,720 --> 00:25:24,919
Speaker 1: songs and seven oh seven I want to hear. I

470
00:25:24,960 --> 00:25:27,920
Speaker 1: want to hear from you on the artist that guts

471
00:25:27,960 --> 00:25:30,040
Speaker 1: you emotionally. Okay, I want to hear from all you guys,

472
00:25:30,080 --> 00:25:32,360
Speaker 1: but seven oh seven, I specifically want to hear from

473
00:25:32,359 --> 00:25:35,480
Speaker 1: you on this. Is it Tom Waits, Is it Hank Williams?

474
00:25:35,680 --> 00:25:39,000
Speaker 1: Who is it? Speaking the Last Christmas by Wham? This

475
00:25:39,080 --> 00:25:42,879
Speaker 1: is kind of messed up and I have like this.

476
00:25:43,000 --> 00:25:45,200
Speaker 1: I don't know if you guys who are who are

477
00:25:45,880 --> 00:25:49,840
Speaker 1: relatively gen X my age. You know, the nineties were

478
00:25:50,640 --> 00:25:54,399
Speaker 1: a weird, a weird year for us for media because

479
00:25:54,960 --> 00:25:59,240
Speaker 1: on the one hand, everything we had loved before Nirvana.

480
00:26:00,280 --> 00:26:03,919
Speaker 1: The whole culture of alternative culture became popular, and it

481
00:26:03,960 --> 00:26:06,800
Speaker 1: became huge, and it became mainstream, and there was a

482
00:26:06,840 --> 00:26:09,639
Speaker 1: reaction to that where you instantly just don't want to

483
00:26:09,680 --> 00:26:12,159
Speaker 1: have anything to do with it anymore because it's no

484
00:26:12,240 --> 00:26:16,159
Speaker 1: longer your secret. Somebody else has co opted it. And

485
00:26:16,240 --> 00:26:21,080
Speaker 1: I find that I have huge black holes of culture

486
00:26:21,160 --> 00:26:24,600
Speaker 1: in the nineties because I must have just checked out completely.

487
00:26:25,040 --> 00:26:29,760
Speaker 1: And I know Last Christmas by Wham is an eighties song, However,

488
00:26:29,840 --> 00:26:32,679
Speaker 1: it was getting played in the nineties and it was

489
00:26:32,720 --> 00:26:35,679
Speaker 1: a hit in the eighties, And I realized this week

490
00:26:36,160 --> 00:26:38,639
Speaker 1: that the first version I heard of that song was

491
00:26:38,680 --> 00:26:41,879
Speaker 1: the Jimmy Eat World version, which is kind of a

492
00:26:41,920 --> 00:26:44,880
Speaker 1: different arrangement. They leave out like an entire verse, I think,

493
00:26:46,920 --> 00:26:50,439
Speaker 1: which is just crazy that I completely missed that George

494
00:26:50,520 --> 00:26:54,160
Speaker 1: Michael thing. I just completely missed it the Wham song

495
00:26:54,480 --> 00:26:58,280
Speaker 1: when it was happening. Totally missed it, like the until

496
00:26:58,280 --> 00:27:01,600
Speaker 1: like two thousand and six ish in that era, I

497
00:27:01,600 --> 00:27:07,160
Speaker 1: guess wild Anyways, love that song. It's my son has learned.

498
00:27:07,200 --> 00:27:10,200
Speaker 1: My oldest son is learning bass and we were rocking

499
00:27:10,200 --> 00:27:11,920
Speaker 1: on it last night as a family. He was playing

500
00:27:11,960 --> 00:27:14,800
Speaker 1: bass I was playing guitar, my youngest was singing, and

501
00:27:14,880 --> 00:27:17,200
Speaker 1: my wife even at the tambourino. We were getting to

502
00:27:17,280 --> 00:27:21,399
Speaker 1: the Christmas spirit. Guys, come on seven seven five, text

503
00:27:21,480 --> 00:27:27,720
Speaker 1: it my dog. You hear that the poor poor Amazon

504
00:27:27,760 --> 00:27:30,960
Speaker 1: workers they come to the door, they're working their asses off,

505
00:27:31,000 --> 00:27:36,399
Speaker 1: they're overtired, and they get greeted with attitude by Dusty Dusty,

506
00:27:36,480 --> 00:27:38,280
Speaker 1: Dusty Dusty. I can hear it, growl, and I hope

507
00:27:38,280 --> 00:27:41,080
Speaker 1: you can. Okay the seven seven five text in. I

508
00:27:41,160 --> 00:27:43,919
Speaker 1: knew the story of Johnny Ayace, but never connected the

509
00:27:43,960 --> 00:27:49,560
Speaker 1: dots till hearing the Disgraceland episode seven seven five. Appreciate you.

510
00:27:49,800 --> 00:27:51,760
Speaker 1: Glad you dug that episode. If you guys haven't heard

511
00:27:52,040 --> 00:27:55,280
Speaker 1: the Elvis Presley, Johnny Yce disgracing that episode from a

512
00:27:55,320 --> 00:27:57,920
Speaker 1: couple weeks ago, it's my new favorite Christmas episode. I

513
00:27:57,960 --> 00:27:59,760
Speaker 1: don't know what you're waiting for. Go check that out.

514
00:28:00,400 --> 00:28:02,080
Speaker 1: And while we're waiting for you to listen to it,

515
00:28:02,480 --> 00:28:05,119
Speaker 1: we're gonna keep the party going throughout the holiday season.

516
00:28:05,440 --> 00:28:07,080
Speaker 1: You can call me, you can text me six one

517
00:28:07,200 --> 00:28:08,879
Speaker 1: seven nine and six six six three eight, leave me

518
00:28:08,920 --> 00:28:12,240
Speaker 1: a voicemail. You can hit me up at Disgrace Ampod

519
00:28:12,280 --> 00:28:14,720
Speaker 1: on Instagram, Facebook, or x or you can email me

520
00:28:14,800 --> 00:28:21,080
Speaker 1: Disgrace Lampod at gmail dot com. Nicholas Ryan Emmanuel on

521
00:28:21,119 --> 00:28:23,679
Speaker 1: Facebook rights, Hey, I absolutely love your podcast. If you

522
00:28:23,760 --> 00:28:26,199
Speaker 1: get time, you should do one on depeche Mode and

523
00:28:26,280 --> 00:28:29,879
Speaker 1: include devotional tour, the most debauched tour in rock history.

524
00:28:29,920 --> 00:28:32,760
Speaker 1: You're the best, Nicholas, Get in touch where you get

525
00:28:32,840 --> 00:28:37,600
Speaker 1: your depeche Mode information from? Okay, what's the book. There's

526
00:28:37,600 --> 00:28:39,320
Speaker 1: a bunch of books, I'm sure, but what is the

527
00:28:39,480 --> 00:28:42,600
Speaker 1: depeche Mode book I should read to? Really kind of

528
00:28:42,720 --> 00:28:45,240
Speaker 1: you know, get the vibes. Let me know, particularly on

529
00:28:45,320 --> 00:28:48,840
Speaker 1: the debauchery. Michael Lobella on Facebook. Great shows, keep it

530
00:28:48,880 --> 00:28:50,880
Speaker 1: the good work, love listening to the stories. And now

531
00:28:50,920 --> 00:28:54,240
Speaker 1: the extra stuff. Michael Lobella on Facebook. You're in for it, man,

532
00:28:54,240 --> 00:28:56,280
Speaker 1: because we're going to be bringing some extra stuff to

533
00:28:56,440 --> 00:29:00,520
Speaker 1: Facebook in twenty twenty five. Teresa Burden writes in Elvis'

534
00:29:01,360 --> 00:29:03,800
Speaker 1: Six question Marks, I thought Elvis was a topic you

535
00:29:03,840 --> 00:29:06,280
Speaker 1: were not going to touch until the end. Please tell

536
00:29:06,320 --> 00:29:09,720
Speaker 1: me this isn't a death noll for Disgraceland. Teresa, No,

537
00:29:09,800 --> 00:29:11,920
Speaker 1: it is not. Yes, I did say that, but this

538
00:29:12,000 --> 00:29:15,520
Speaker 1: is not an Elvis episode completely. It's an Elvis and

539
00:29:15,640 --> 00:29:18,520
Speaker 1: Johnny Ace episode. It is more of a Johnny Ace episode,

540
00:29:18,520 --> 00:29:21,160
Speaker 1: if we're being honest. It covers one particular moment in

541
00:29:21,200 --> 00:29:25,280
Speaker 1: Elvis's life, actually two. But yeah, I did say that

542
00:29:25,480 --> 00:29:28,800
Speaker 1: when you hear the Elvis Presley episode in your Disgraceland feed,

543
00:29:28,920 --> 00:29:31,160
Speaker 1: it will mean that I have left the building that

544
00:29:31,160 --> 00:29:35,520
Speaker 1: that is the last episode of Disgraceland. However, that's not

545
00:29:35,600 --> 00:29:37,840
Speaker 1: the case here. Like I said, it's an Elvis and

546
00:29:38,000 --> 00:29:41,280
Speaker 1: Johnny Ace episode, So what I said still holds true,

547
00:29:41,720 --> 00:29:44,680
Speaker 1: still holds true. I know, I know I'm flubbing it here,

548
00:29:45,120 --> 00:29:47,400
Speaker 1: but I really wanted to get Elvis into this story

549
00:29:47,800 --> 00:29:50,360
Speaker 1: because it really framed it up nicely for me, and

550
00:29:50,400 --> 00:29:52,840
Speaker 1: it made it a lot more interesting. But Teresa, have

551
00:29:52,920 --> 00:29:57,080
Speaker 1: no fear. Disgraceland is going nowhere over on Instagram at

552
00:29:57,240 --> 00:30:00,720
Speaker 1: Leo x Fury Rights in just Finish your Last after Party.

553
00:30:01,080 --> 00:30:04,160
Speaker 1: And my all time favorite rock and roll story is

554
00:30:04,200 --> 00:30:07,600
Speaker 1: the one where Rick James saves Jim Morrison's life or

555
00:30:07,600 --> 00:30:09,640
Speaker 1: a wild story that is, thinking that if it wasn't

556
00:30:09,640 --> 00:30:11,720
Speaker 1: for him, I wouldn't have my beloved doors making so

557
00:30:11,800 --> 00:30:16,200
Speaker 1: much awesome music. You know, you're probably right at unlearned

558
00:30:16,320 --> 00:30:21,600
Speaker 1: underscore hand, bas Heel writes on Instagram, one of my

559
00:30:21,640 --> 00:30:25,480
Speaker 1: favorite Christmas movies just unsolicited Christmas movie talk. I love this.

560
00:30:25,920 --> 00:30:27,800
Speaker 1: I love it. We didn't talk at all about Christmas

561
00:30:27,800 --> 00:30:30,320
Speaker 1: movies this year, and we should have and I know

562
00:30:30,400 --> 00:30:32,480
Speaker 1: Christmas to send it, but I don't care. I still

563
00:30:32,480 --> 00:30:34,440
Speaker 1: have a bunch I need to watch and I love

564
00:30:35,320 --> 00:30:38,120
Speaker 1: what bas Heel here is getting at. One of my

565
00:30:38,160 --> 00:30:42,120
Speaker 1: favorite Christmas movies, Trading Places. Also better than Late Than Ever,

566
00:30:42,200 --> 00:30:47,120
Speaker 1: but best concert film, Blues Brothers. Trading places top three

567
00:30:47,480 --> 00:30:50,880
Speaker 1: Christmas movie for me, maybe top two. Yeah, I'm trying

568
00:30:50,920 --> 00:30:53,320
Speaker 1: to think of one that I like better. I want

569
00:30:53,360 --> 00:30:57,680
Speaker 1: to say Goodfellas, but I don't want all the heat

570
00:30:57,680 --> 00:31:00,960
Speaker 1: I'm gonna take for that goodfellow This is a Christmas movie.

571
00:31:00,960 --> 00:31:02,840
Speaker 1: I don't care. It's as much of a Christmas movie

572
00:31:02,840 --> 00:31:05,640
Speaker 1: as Diehard is. Diehard's definitely a Christmas movie. I never

573
00:31:05,640 --> 00:31:07,959
Speaker 1: got that argument didn't make any sense. All right, If

574
00:31:07,960 --> 00:31:10,200
Speaker 1: you guys are following me on Instagram, we saw last

575
00:31:10,200 --> 00:31:12,880
Speaker 1: week I posted this incredible clip that I either forgot

576
00:31:12,880 --> 00:31:15,720
Speaker 1: about or it was not part of the original film

577
00:31:15,760 --> 00:31:19,120
Speaker 1: Easy Rider. I had no recollection of this. It's a

578
00:31:19,200 --> 00:31:21,440
Speaker 1: scene where Jack Nicholson is sitting around the fire with

579
00:31:21,520 --> 00:31:24,280
Speaker 1: Dennis Hopper and they're talking about aliens and if you

580
00:31:24,440 --> 00:31:28,480
Speaker 1: just suspend your disbelief and you imagine this happening like

581
00:31:28,560 --> 00:31:31,680
Speaker 1: in the last ten days, it is fascinating to hear.

582
00:31:32,120 --> 00:31:36,440
Speaker 1: Fascinating in my Jersey Drone hysteria. Last week I really

583
00:31:36,440 --> 00:31:42,040
Speaker 1: fell back in touch with John Coltrane's A Love Supreme album.

584
00:31:42,560 --> 00:31:46,680
Speaker 1: There's something about that record, the way it starts, in

585
00:31:46,720 --> 00:31:52,440
Speaker 1: particular to me, it completely just connects the insanity of

586
00:31:52,480 --> 00:31:56,640
Speaker 1: the twenty twenty four moment that we are ending right now,

587
00:31:57,440 --> 00:32:01,800
Speaker 1: the UAPs, the drones, the madness of the last year,

588
00:32:02,200 --> 00:32:07,480
Speaker 1: and the Christmas spirit. A Love Supreme is John Coltrane's

589
00:32:07,560 --> 00:32:11,600
Speaker 1: most spiritual album, at least that I know of, and

590
00:32:12,160 --> 00:32:13,840
Speaker 1: I don't know. Listening to it last week, it just

591
00:32:13,920 --> 00:32:15,920
Speaker 1: kind of tied the whole year together and the moment

592
00:32:15,960 --> 00:32:18,240
Speaker 1: for me. All Right, I'll be back in a flash

593
00:32:18,280 --> 00:32:34,160
Speaker 1: with your reviews and your emails. All right, as we

594
00:32:34,200 --> 00:32:36,720
Speaker 1: are back. You know, the drill reviews help with discovery.

595
00:32:36,760 --> 00:32:39,800
Speaker 1: We appreciate it. Get on Apple Podcasts, Get on Spotify,

596
00:32:39,880 --> 00:32:41,440
Speaker 1: leave a review for the show if I read it

597
00:32:41,480 --> 00:32:43,960
Speaker 1: here on the after party. You guys, get in touch

598
00:32:43,960 --> 00:32:46,240
Speaker 1: with me. We hook you up with some free merch.

599
00:32:47,280 --> 00:32:48,920
Speaker 1: Not all of you, A couple of you, the ones

600
00:32:48,960 --> 00:32:51,720
Speaker 1: we read the reviews from. We pick a couple every week.

601
00:32:51,760 --> 00:32:56,200
Speaker 1: This one comes from the Big Gabber. I listen while

602
00:32:56,240 --> 00:32:59,760
Speaker 1: I work, and I often find myself audibly gasping. The

603
00:33:00,040 --> 00:33:03,640
Speaker 1: latest hag episode gave me legit chills. And this person,

604
00:33:03,760 --> 00:33:06,360
Speaker 1: this reviewer, this listener is obviously talking about the Merle

605
00:33:06,360 --> 00:33:09,920
Speaker 1: Haggard episode of Disgraceland that's in your feed right now.

606
00:33:09,960 --> 00:33:12,600
Speaker 1: Top of your feed. You can check that out. Merle's

607
00:33:12,680 --> 00:33:16,520
Speaker 1: early life of crime, his conversion to the not so

608
00:33:16,640 --> 00:33:20,240
Speaker 1: fight inside of life via a Johnny Cash show at

609
00:33:20,240 --> 00:33:23,240
Speaker 1: San Quentin. Check that out. That was an Apple podcast review.

610
00:33:23,240 --> 00:33:27,200
Speaker 1: This one comes from Spotify. Delkan says, another excellent afterparty.

611
00:33:27,200 --> 00:33:29,520
Speaker 1: Thanks man, really digging. Appreciate all the research you put

612
00:33:29,560 --> 00:33:32,320
Speaker 1: into your podcasts. Feels like a lot of them are

613
00:33:32,360 --> 00:33:35,320
Speaker 1: just someone reading Wikipedia some Yahoo with the podcast. Keep

614
00:33:35,400 --> 00:33:37,760
Speaker 1: up the good work and know we love you out here.

615
00:33:37,840 --> 00:33:40,480
Speaker 1: Thank you so much, Delakan, appreciate you, Love you back.

616
00:33:40,520 --> 00:33:42,240
Speaker 1: Hope you're having a good holiday. Hope you had a

617
00:33:42,240 --> 00:33:44,320
Speaker 1: good Christmas. Hope you're set for a good new year.

618
00:33:44,400 --> 00:33:47,120
Speaker 1: Hope we're all set for a good new year. Hope

619
00:33:47,120 --> 00:33:49,120
Speaker 1: we can all grab some peace of mind and has

620
00:33:49,120 --> 00:33:52,000
Speaker 1: some peace in our hearts. Get ready to take on

621
00:33:52,080 --> 00:33:55,600
Speaker 1: twenty twenty five kick its ass as thoroughly as we

622
00:33:55,680 --> 00:34:01,240
Speaker 1: kicked twenty twenty four's. This episode is nearing it's end, unfortunately,

623
00:34:01,320 --> 00:34:03,720
Speaker 1: but the after Party does not have to end. Okay,

624
00:34:03,760 --> 00:34:07,320
Speaker 1: it continues. For our all access members. You can sign

625
00:34:07,440 --> 00:34:11,120
Speaker 1: up disgrace lampod dot com slash membership, get the bonus

626
00:34:11,200 --> 00:34:13,680
Speaker 1: section of the after party bonus episode that's coming up

627
00:34:13,760 --> 00:34:16,040
Speaker 1: right here, the exclusive section, I should say, you also

628
00:34:16,080 --> 00:34:18,560
Speaker 1: get an exclusive episode per month, and you get in

629
00:34:18,680 --> 00:34:22,920
Speaker 1: on the chat at Patreon plus ad free listening with

630
00:34:23,000 --> 00:34:25,720
Speaker 1: your Patreon or Apple subscriptions. All right, go to disgrace

631
00:34:25,760 --> 00:34:45,000
Speaker 1: lampod dot com slash Membership. I gotta split. All right,

632
00:34:45,040 --> 00:34:48,400
Speaker 1: we are back Christmas man. I hope you had a

633
00:34:48,400 --> 00:34:51,040
Speaker 1: good one, I really do, and I hope you have

634
00:34:51,080 --> 00:34:53,840
Speaker 1: a great New Year's. I want to thank you guys

635
00:34:53,880 --> 00:34:56,920
Speaker 1: for an incredible year twenty twenty four. I want to

636
00:34:56,960 --> 00:35:00,600
Speaker 1: tell you something, I'm very much looking forward to twenty

637
00:35:00,680 --> 00:35:02,759
Speaker 1: twenty five and all that we are going to do

638
00:35:02,800 --> 00:35:06,920
Speaker 1: together here in Disgraceland, from the preservation of the real

639
00:35:07,000 --> 00:35:10,680
Speaker 1: rock and roll spirit to the continuation of these batshit

640
00:35:10,880 --> 00:35:14,480
Speaker 1: crazy stories about rock stars in the dark side of entertainment.

641
00:35:15,200 --> 00:35:17,240
Speaker 1: We have so much on tap for you in twenty

642
00:35:17,320 --> 00:35:21,320
Speaker 1: twenty five, New Sean Combs, as I mentioned, Beastie Boys,

643
00:35:21,600 --> 00:35:24,400
Speaker 1: another Martins Corsese episode which we are not going to

644
00:35:24,440 --> 00:35:30,280
Speaker 1: want to miss, Louis Armstrong, Blink one eighty two, Thin Lizzie, George, Michael,

645
00:35:30,880 --> 00:35:33,640
Speaker 1: Billy Idel. I kind of want to sneak a Sleigher

646
00:35:33,680 --> 00:35:36,200
Speaker 1: episode in here in the early part of the year somehow,

647
00:35:36,239 --> 00:35:38,040
Speaker 1: I don't know how We're going to do it. Go Gos.

648
00:35:38,480 --> 00:35:42,400
Speaker 1: We're gonna do another Princes episode for you guys, finally

649
00:35:42,440 --> 00:35:44,239
Speaker 1: going to do an episode on Big l. We have

650
00:35:44,320 --> 00:35:46,840
Speaker 1: a lot going on in twenty twenty five. I cannot

651
00:35:46,840 --> 00:35:49,560
Speaker 1: wait to get into these stories with all of you,

652
00:35:49,680 --> 00:35:51,319
Speaker 1: and I thank you from the bottom of my heart

653
00:35:51,360 --> 00:35:54,680
Speaker 1: for all your support, all the texts, all the voicemails,

654
00:35:54,800 --> 00:35:58,120
Speaker 1: all the dms, all the emails, all the reviews, the

655
00:35:58,160 --> 00:36:00,880
Speaker 1: back and forth we have here in the after Party,

656
00:36:01,360 --> 00:36:04,399
Speaker 1: everything we have going on on the socials. Looking forward

657
00:36:04,440 --> 00:36:07,160
Speaker 1: to bringing you guys, new video content in twenty twenty

658
00:36:07,200 --> 00:36:09,880
Speaker 1: five as well. Thanks for hanging in there with me.

659
00:36:10,160 --> 00:36:14,520
Speaker 1: Appreciate you. All right, Happy Holidays, Merry Christmas, whatever you

660
00:36:14,560 --> 00:36:16,600
Speaker 1: get up to. I hope you're safe, and I hope

661
00:36:16,600 --> 00:36:18,879
Speaker 1: you got peace of mind and peace in your heart.

662
00:36:19,120 --> 00:36:22,160
Speaker 1: All right, Listen, we mentioned a lot of previously covered

663
00:36:22,200 --> 00:36:24,920
Speaker 1: Disgrace Sland subjects in this episode. You guys mentioned it.

664
00:36:24,960 --> 00:36:27,400
Speaker 1: You guys brought them up. I brought some of them up,

665
00:36:27,400 --> 00:36:28,920
Speaker 1: but mainly you guys. So I'm gonna give your list

666
00:36:29,040 --> 00:36:31,720
Speaker 1: of just a few here, because there's a ton of them,

667
00:36:32,280 --> 00:36:34,160
Speaker 1: but just a few here for you to check out.

668
00:36:34,200 --> 00:36:37,840
Speaker 1: Back in the archive, all right, we talked about Graham Parsons.

669
00:36:37,840 --> 00:36:41,440
Speaker 1: Talked a lot about Graham, especially in the bonus section here.

670
00:36:41,440 --> 00:36:45,520
Speaker 1: Grand Parsons is episode number sixty eight, released on January twelfth,

671
00:36:45,560 --> 00:36:49,200
Speaker 1: twenty twenty one. That's from season seven Grand Parsons Rolling

672
00:36:49,280 --> 00:36:53,560
Speaker 1: Stones in Exile. Obviously we talked about that because of

673
00:36:53,640 --> 00:36:57,840
Speaker 1: Graham Parsons. That is from season three episode thirty six,

674
00:36:57,920 --> 00:37:02,000
Speaker 1: released on July twenty third, twant nineteen. Gg Allen going

675
00:37:02,160 --> 00:37:07,120
Speaker 1: all the way back to season two, episode nineteen, released

676
00:37:07,160 --> 00:37:11,080
Speaker 1: on September eleventh, twenty eighteen. Willie Nelson we talked about.

677
00:37:11,760 --> 00:37:16,040
Speaker 1: Got two episodes on the Wilster Season eleven released back

678
00:37:16,080 --> 00:37:19,120
Speaker 1: in April twenty fifth, twenty twenty three. That's part one,

679
00:37:19,160 --> 00:37:22,440
Speaker 1: Part two on May two, twenty twenty three. Willie Nelson

680
00:37:22,640 --> 00:37:27,279
Speaker 1: from season eleven of Disgraceland. And Chuck Berry. That's going

681
00:37:27,320 --> 00:37:31,239
Speaker 1: to be back in season six. Chuck is episode number

682
00:37:31,280 --> 00:37:34,160
Speaker 1: sixty seven. Release date November twenty fourth, twenty twenty Get

683
00:37:34,200 --> 00:37:38,080
Speaker 1: in the archive, guys. We're adding to the archive every week,

684
00:37:38,480 --> 00:37:41,000
Speaker 1: thinking about maybe an Alice Cooper episode two. I mentioned

685
00:37:41,000 --> 00:37:44,480
Speaker 1: Slayer Alice Cooper. Feels like you guys want an Alice

686
00:37:44,480 --> 00:37:47,440
Speaker 1: Cooper episode. I mean, Alice would talk to me too.

687
00:37:47,560 --> 00:37:49,120
Speaker 1: I don't think that's that would be that hard to

688
00:37:49,160 --> 00:37:52,480
Speaker 1: hook up. And I you know, as as we get

689
00:37:52,480 --> 00:37:55,520
Speaker 1: into the bonus section of this after party, I got

690
00:37:55,560 --> 00:37:59,880
Speaker 1: thinking that there's there's an Elvis Costello episode here somewhere.

691
00:38:00,600 --> 00:38:02,760
Speaker 1: I think I can do something around the whole SNL

692
00:38:02,840 --> 00:38:10,040
Speaker 1: thing and bb bule something something interesting. Perhaps we shall see.

693
00:38:10,360 --> 00:38:12,879
Speaker 1: All right, let's recap, shall we? Number one? I want

694
00:38:12,920 --> 00:38:15,440
Speaker 1: your story. This is the new thing. I want your story.

695
00:38:15,520 --> 00:38:17,600
Speaker 1: Call me, text me, hit me, up out of the socials.

696
00:38:17,840 --> 00:38:20,760
Speaker 1: Your favorite story of rock and roll animalism as wild,

697
00:38:20,760 --> 00:38:22,799
Speaker 1: a story about a rock star as you are aware of,

698
00:38:22,960 --> 00:38:25,120
Speaker 1: or that you maybe were part of you want to

699
00:38:25,120 --> 00:38:27,040
Speaker 1: tell me about. It could be something that I've already

700
00:38:27,080 --> 00:38:29,440
Speaker 1: told in a podcast. We can go deeper into here,

701
00:38:29,480 --> 00:38:31,840
Speaker 1: all right. Let me know number two right now in

702
00:38:31,880 --> 00:38:35,920
Speaker 1: your feed. Our episode on Hank Williams, number three coming tomorrow,

703
00:38:35,960 --> 00:38:38,920
Speaker 1: a special New Year's rewind episode two of them actually

704
00:38:38,960 --> 00:38:41,399
Speaker 1: from our archive on Dennis Wilson to the Beach Boys

705
00:38:41,400 --> 00:38:43,600
Speaker 1: who passed away right around this time, back in nineteen

706
00:38:44,280 --> 00:38:49,480
Speaker 1: eighty one, eighty three, early eighties. Number four merch winners,

707
00:38:49,520 --> 00:38:51,760
Speaker 1: get in touch. You know who you are. Number five. Remember,

708
00:38:51,880 --> 00:38:53,960
Speaker 1: no one cares about preserving the true spirit of rock

709
00:38:54,000 --> 00:38:56,680
Speaker 1: and roll more than you do. And well that's a disgrace,

710
00:38:57,120 --> 00:39:00,000
Speaker 1: all right, An honor of this week's subject, Hank Williams.

711
00:39:00,200 --> 00:39:03,600
Speaker 1: This is me reading to you the Billboard chart from

712
00:39:03,600 --> 00:39:07,800
Speaker 1: the day he died on New Year's nineteen fifty three.

713
00:39:09,040 --> 00:39:12,160
Speaker 1: Number one, Don't let the Stars Get in Your Eyes

714
00:39:12,360 --> 00:39:17,839
Speaker 1: Perry Como last week two weeks on chart seven. Number two,

715
00:39:18,320 --> 00:39:24,279
Speaker 1: Glowworm Mills Brothers last week four weeks on Chart sixteen,

716
00:39:24,880 --> 00:39:29,320
Speaker 1: number three, Why don't You Believe Me? James weeks last

717
00:39:29,320 --> 00:39:34,440
Speaker 1: week three weeks on Chart thirteen, number four. It's in

718
00:39:34,480 --> 00:39:39,560
Speaker 1: the Book, Parts one and two. Jay stands out last

719
00:39:39,600 --> 00:39:44,920
Speaker 1: week three weeks on Chart fifty, number five weeks on

720
00:39:45,040 --> 00:39:49,600
Speaker 1: Untill I Waltz Again with You. T Bower number last

721
00:39:49,600 --> 00:39:54,320
Speaker 1: week weeks on Chart five, number six,