1
00:00:10,000 --> 00:00:13,200
Speaker 1: Hey, everybody, welcome to a bonus episode of I Saw

2
00:00:13,200 --> 00:00:16,079
Speaker 1: What You Did. My name is Milly to Jericho, I'm

3
00:00:16,160 --> 00:00:18,439
Speaker 1: Daniel Henderson. Oh my god, I must forgot how to

4
00:00:18,440 --> 00:00:21,960
Speaker 1: do it intro because you are juiced right now. Look

5
00:00:22,000 --> 00:00:24,119
Speaker 1: at my face. None of you can see it, but

6
00:00:24,720 --> 00:00:28,400
Speaker 1: Daniel's see. I'm virtual corn holy owing again.

7
00:00:30,320 --> 00:00:34,640
Speaker 2: Millie and I both are so fucking cranked on coffee

8
00:00:34,680 --> 00:00:34,879
Speaker 2: right now.

9
00:00:35,000 --> 00:00:37,279
Speaker 1: Is not even funny. Listen, they don't know this. We'll

10
00:00:37,360 --> 00:00:39,680
Speaker 1: let them into a little secret. Because you guys are

11
00:00:39,720 --> 00:00:42,600
Speaker 1: susuer premium subscribers, we can give you a little secret.

12
00:00:43,000 --> 00:00:46,239
Speaker 1: Normally we record at night right, not too late, but

13
00:00:46,280 --> 00:00:49,080
Speaker 1: you know, in the evening right, And sometimes when we

14
00:00:49,120 --> 00:00:51,479
Speaker 1: do these bonus episodes, we do them in the earliest morning,

15
00:00:51,560 --> 00:00:55,200
Speaker 1: mid early afternoon, late morning, and the energy is just

16
00:00:55,280 --> 00:01:00,960
Speaker 1: different because coffee is extremely fresh. And uh uh now

17
00:01:01,040 --> 00:01:04,320
Speaker 1: I feel insane. I'm like ready to jump off the roof.

18
00:01:04,520 --> 00:01:06,600
Speaker 2: Yeah, I feel like you're gonna get up there and

19
00:01:06,640 --> 00:01:09,559
Speaker 2: start chucking mocker nuts at the neighborhood.

20
00:01:09,840 --> 00:01:10,839
Speaker 1: And I can't wait.

21
00:01:11,800 --> 00:01:13,760
Speaker 2: I mean, I feel like we should record at this

22
00:01:13,880 --> 00:01:16,319
Speaker 2: time for our regular episodes. Think about how much we're

23
00:01:16,319 --> 00:01:20,240
Speaker 2: already popping off, dude. I know, imagine how much energy

24
00:01:20,280 --> 00:01:22,919
Speaker 2: we would bring to a regular episode. I'm already talking

25
00:01:22,920 --> 00:01:25,320
Speaker 2: about Gregory pecks dick at eight pm.

26
00:01:25,480 --> 00:01:27,959
Speaker 1: I know what would happen is it would be like

27
00:01:28,000 --> 00:01:32,360
Speaker 1: you talking about Gregory Peckstick, but you being Leonardo DiCaprio

28
00:01:32,400 --> 00:01:34,920
Speaker 1: from The Wolf of Wall Street where he's yes slamming

29
00:01:35,000 --> 00:01:37,480
Speaker 1: the microphone into his face as he's talking.

30
00:01:39,880 --> 00:01:42,120
Speaker 2: I would be eating the microphone. By the end of

31
00:01:42,160 --> 00:01:43,880
Speaker 2: every episode.

32
00:01:44,880 --> 00:01:49,120
Speaker 1: We would have a DiCaprio vain pop every fucking five seconds.

33
00:01:49,360 --> 00:01:50,760
Speaker 2: We would never be able to do an all the

34
00:01:50,760 --> 00:01:53,520
Speaker 2: way up episode again because every episode would be all

35
00:01:53,560 --> 00:01:54,520
Speaker 2: the way up for us.

36
00:01:55,800 --> 00:01:58,240
Speaker 1: They'd be like, damn, didn't this podcast.

37
00:01:57,840 --> 00:01:59,720
Speaker 2: Used to be these two talking and now they're just

38
00:02:00,000 --> 00:02:05,000
Speaker 2: literally shouting every.

39
00:02:03,440 --> 00:02:06,760
Speaker 1: Yeah, So we just want to preface this entire conversation

40
00:02:06,840 --> 00:02:09,160
Speaker 1: we're about to have with the fact that we are

41
00:02:09,639 --> 00:02:13,600
Speaker 1: jacked on coffee cused. Oh my god, I'm so jacked.

42
00:02:14,080 --> 00:02:17,360
Speaker 1: You are like genuinely vibrating. I know, I'm like sitting

43
00:02:17,400 --> 00:02:18,800
Speaker 1: here holding a CuPy Like.

44
00:02:21,720 --> 00:02:26,160
Speaker 2: Also, before we started recording, we shared some exciting news

45
00:02:26,200 --> 00:02:28,960
Speaker 2: with each other, and yeah, I think we were both

46
00:02:29,000 --> 00:02:30,320
Speaker 2: vibrating from that as well.

47
00:02:30,639 --> 00:02:32,880
Speaker 1: Yeah, it was a Friday double surprise. As we've just

48
00:02:32,919 --> 00:02:37,640
Speaker 1: figured out a double surprise. Your surprise has me Roland. Yes,

49
00:02:38,000 --> 00:02:45,760
Speaker 1: my surprise involved a creepy mask, so so that set

50
00:02:45,760 --> 00:02:47,480
Speaker 1: a tone I feel like, and then I just went

51
00:02:47,520 --> 00:02:51,400
Speaker 1: downhill from there, but or uphill or uphill yes step

52
00:02:51,480 --> 00:02:54,320
Speaker 1: not downhill, uphill. Hello. Incredible.

53
00:02:54,600 --> 00:02:57,280
Speaker 2: But we have got so many great emails, as you know,

54
00:02:57,720 --> 00:02:59,239
Speaker 2: or maybe this is your first time listening to a

55
00:02:59,280 --> 00:03:04,240
Speaker 2: bonus episode, but we like to read your emails to you,

56
00:03:04,240 --> 00:03:06,800
Speaker 2: your lovely messages that you send us, and so we

57
00:03:06,960 --> 00:03:09,720
Speaker 2: are gonna just jump right in and start doing that.

58
00:03:09,800 --> 00:03:15,919
Speaker 2: We ask for emails of all variety, your favorite experiences

59
00:03:16,200 --> 00:03:19,520
Speaker 2: in movie theaters, you know, if you've ever worked in

60
00:03:19,560 --> 00:03:21,959
Speaker 2: the theater, and we've got some good ones.

61
00:03:22,560 --> 00:03:26,440
Speaker 1: Absolutely. Do you want me to read this first one? Yeah? Okay,

62
00:03:26,880 --> 00:03:29,919
Speaker 1: So this is an email from Laura and the title

63
00:03:29,960 --> 00:03:35,720
Speaker 1: of it is called mind Fuck Movies. Dearris Millie and Danielle.

64
00:03:35,920 --> 00:03:38,120
Speaker 1: I am a huge fan of the podcast and want

65
00:03:38,120 --> 00:03:40,960
Speaker 1: to thank you so much for sharing your insightful commentary,

66
00:03:41,240 --> 00:03:46,400
Speaker 1: great sense of humor, and beautiful friendship. My question is

67
00:03:46,480 --> 00:03:51,280
Speaker 1: if either of you have a recommendation for mind fuck movies.

68
00:03:51,920 --> 00:03:55,640
Speaker 1: What I mean by that is dark movies with an

69
00:03:55,640 --> 00:04:00,280
Speaker 1: incredible twist, to the exclusion of movies with a usual, visual,

70
00:04:00,560 --> 00:04:05,560
Speaker 1: predictable ending. For example, a friend once heard me describe

71
00:04:05,600 --> 00:04:09,720
Speaker 1: that and recommended Old Boy. He was right, but damn

72
00:04:09,720 --> 00:04:13,240
Speaker 1: it fucked me up. Other examples. If it is helpful,

73
00:04:13,600 --> 00:04:18,200
Speaker 1: the prestige Gone Girl, and seven. Any thoughts you have

74
00:04:18,320 --> 00:04:22,560
Speaker 1: are greatly appreciated. Thank you, Laura. Mm.

75
00:04:23,440 --> 00:04:27,880
Speaker 2: Yeah, that is a category unto itself, and because of

76
00:04:27,920 --> 00:04:31,040
Speaker 2: where my head is right now, I thought the question

77
00:04:31,200 --> 00:04:35,120
Speaker 2: was about mind fuck movies, and I was like, what

78
00:04:35,120 --> 00:04:39,760
Speaker 2: what is that? What is a mind fuck movie? Like,

79
00:04:39,800 --> 00:04:42,880
Speaker 2: are you saying fuck movies are like fuck movies?

80
00:04:45,880 --> 00:04:49,839
Speaker 1: Yeah, So basically, Laura's asking us if we have any

81
00:04:50,520 --> 00:04:54,080
Speaker 1: faves of movies that have like fucked up endings.

82
00:04:54,279 --> 00:04:54,479
Speaker 2: Yeah.

83
00:04:54,520 --> 00:04:57,440
Speaker 1: I gotta say, like, I uh, I have a couple

84
00:04:57,839 --> 00:05:00,159
Speaker 1: that I'm thinking of. But then I'm also like, I

85
00:05:00,160 --> 00:05:03,080
Speaker 1: don't know if it's necessarily what they might be asking,

86
00:05:03,200 --> 00:05:06,200
Speaker 1: because there's a couple of movies that I think have

87
00:05:06,320 --> 00:05:11,599
Speaker 1: really fucking crazy endings. I don't think it's maybe necessarily

88
00:05:12,320 --> 00:05:15,359
Speaker 1: sort of something that you weren't expecting for the first

89
00:05:15,400 --> 00:05:18,039
Speaker 1: part of the movie, but definitely shocking in the sense

90
00:05:18,080 --> 00:05:21,200
Speaker 1: that that's like how a movie ends, right, that could

91
00:05:21,240 --> 00:05:23,680
Speaker 1: be part of it. Yeah, if that was the case.

92
00:05:23,839 --> 00:05:28,080
Speaker 1: I think Rosebery's Baby, honestly, for me, is one where

93
00:05:28,480 --> 00:05:31,160
Speaker 1: the ending was sort of like holy fuck really like,

94
00:05:32,640 --> 00:05:35,080
Speaker 1: and I mean Roseberry's Baby is a very famous movie

95
00:05:35,120 --> 00:05:38,599
Speaker 1: and we pretty much know at this point what happens.

96
00:05:38,640 --> 00:05:42,000
Speaker 1: But the ending to me, I think is fucking crazy.

97
00:05:42,839 --> 00:05:47,240
Speaker 1: And it's not as if like it wasn't expected necessarily,

98
00:05:47,440 --> 00:05:49,920
Speaker 1: but it's more than like I can't believe they went

99
00:05:49,960 --> 00:05:51,880
Speaker 1: there in that direction in a way. I don't know

100
00:05:51,880 --> 00:05:54,880
Speaker 1: if I'm saying what I mean, but I think you are.

101
00:05:55,120 --> 00:05:56,600
Speaker 1: I get it. I know.

102
00:05:56,640 --> 00:05:59,599
Speaker 2: I think Laura named one of my favorite movies in

103
00:05:59,600 --> 00:06:03,039
Speaker 2: this cat Degory already, which is the Prestige. And for me,

104
00:06:03,120 --> 00:06:05,680
Speaker 2: it's a movie that you're like, it's going along at

105
00:06:05,680 --> 00:06:08,600
Speaker 2: a clip. It's already a good story, and the fact

106
00:06:08,600 --> 00:06:11,960
Speaker 2: that the ending is so shocking just adds another layer

107
00:06:12,000 --> 00:06:14,159
Speaker 2: to it, because I keep thinking about movies that like

108
00:06:15,040 --> 00:06:16,800
Speaker 2: make you want to go back to the beginning and

109
00:06:16,839 --> 00:06:19,680
Speaker 2: watch it again. Yeah, to get all that Now that

110
00:06:19,720 --> 00:06:21,599
Speaker 2: you know the secret, you can like get all the

111
00:06:21,680 --> 00:06:25,800
Speaker 2: nuances so the prestige is definitely that for me. And

112
00:06:25,839 --> 00:06:28,440
Speaker 2: that's a movie that stars Hugh Jackman and Christian Bale

113
00:06:28,520 --> 00:06:32,640
Speaker 2: and just an incredible film and David Bowie weirdly, and

114
00:06:32,680 --> 00:06:34,880
Speaker 2: it's about Tesla. It's got like a bunch of stuff.

115
00:06:36,080 --> 00:06:40,080
Speaker 1: Yeah, never saw it, but we'll put it for sure.

116
00:06:40,720 --> 00:06:43,800
Speaker 1: Oh we're gonna put it on the pod. Sure. Hey,

117
00:06:44,040 --> 00:06:46,120
Speaker 1: if that's how if that's what gets me to watch

118
00:06:46,120 --> 00:06:49,880
Speaker 1: some of these films, then that's what happens, right, I mean, oh, yeah,

119
00:06:50,000 --> 00:06:51,880
Speaker 1: I've seen a lot of stuff because of the Pod

120
00:06:52,040 --> 00:06:55,120
Speaker 1: that I ever saw, So yeah, I'll watch that. But yeah,

121
00:06:55,160 --> 00:06:56,880
Speaker 1: seven I think is a good one. I mean obviously

122
00:06:56,960 --> 00:06:59,560
Speaker 1: like stuff like Usual Suspects. I mean, yeah, that's a

123
00:06:59,640 --> 00:07:02,000
Speaker 1: kind of that has a twist ending. And then here's

124
00:07:02,040 --> 00:07:04,080
Speaker 1: a movie that I haven't seen in a very long time,

125
00:07:04,320 --> 00:07:08,359
Speaker 1: but I remember it being fucked up, which is primal Fear,

126
00:07:08,839 --> 00:07:12,320
Speaker 1: that movie from the nineties with Richard Gear. I just

127
00:07:12,400 --> 00:07:16,320
Speaker 1: watched it again for the first time in a long time. Wow,

128
00:07:16,840 --> 00:07:18,280
Speaker 1: maybe we have to talk about that one at some

129
00:07:18,280 --> 00:07:20,520
Speaker 1: point too, because I remember that being so fucked up,

130
00:07:20,520 --> 00:07:22,960
Speaker 1: and then I was like, oh, I should watch that again.

131
00:07:23,360 --> 00:07:26,800
Speaker 2: Absolutely ough ed Norton incredible.

132
00:07:27,240 --> 00:07:28,320
Speaker 1: Yeah, that's a good one.

133
00:07:28,360 --> 00:07:30,560
Speaker 2: Also, I know this is probably not a lot of

134
00:07:30,600 --> 00:07:33,280
Speaker 2: people's list for mind fuck movies, but Memento is a

135
00:07:33,280 --> 00:07:36,280
Speaker 2: good movie. Yeah, like Memento will fuck you up and

136
00:07:36,320 --> 00:07:37,320
Speaker 2: it is a good movie.

137
00:07:37,480 --> 00:07:41,320
Speaker 1: Well listen. Hopefully that's enough recommendations for you, Laura. I

138
00:07:41,360 --> 00:07:44,160
Speaker 1: feel like you already listed really good ones too, so

139
00:07:44,200 --> 00:07:47,480
Speaker 1: I'm like, Okay, now I gotta watch Gone Girl again

140
00:07:47,520 --> 00:07:49,280
Speaker 1: because I haven't seen that since it came out.

141
00:07:49,480 --> 00:07:52,240
Speaker 2: Sough another one that I watched recently.

142
00:07:52,920 --> 00:07:56,360
Speaker 1: Thank you for the recommendations, Laura. I know I'm gonna

143
00:07:56,360 --> 00:07:59,000
Speaker 1: fire up the Prestige this weekend. Yeah.

144
00:07:59,080 --> 00:08:03,080
Speaker 2: Well, we have another great email and the topic is

145
00:08:03,240 --> 00:08:06,320
Speaker 2: love this show from another middle aged lady. In this

146
00:08:06,400 --> 00:08:09,680
Speaker 2: email is from Jessica Kay, who uses she her pronouns,

147
00:08:10,320 --> 00:08:15,000
Speaker 2: and Jessica says, dear movie queens, I love this podcast.

148
00:08:15,160 --> 00:08:17,880
Speaker 2: I've been listening since the beginning and can honestly say

149
00:08:17,920 --> 00:08:21,800
Speaker 2: Tuesdays are a highlight for my ear holes. As another

150
00:08:22,040 --> 00:08:25,840
Speaker 2: a hem, middle aged lady of a certain decade, I

151
00:08:25,880 --> 00:08:29,400
Speaker 2: love all you're reminiscing about the eighties and nineties, Millie.

152
00:08:29,440 --> 00:08:31,920
Speaker 2: I believe your outfit from high school was exactly the

153
00:08:31,960 --> 00:08:34,880
Speaker 2: same as mine, just a different baby doll tea under

154
00:08:34,880 --> 00:08:38,839
Speaker 2: an old man cardigan. You reference The Babysitters Club and

155
00:08:38,960 --> 00:08:43,160
Speaker 2: Sweet Valley Be Still my old Heart. I truly appreciate

156
00:08:43,200 --> 00:08:45,920
Speaker 2: your take on movies and realize how much I relish

157
00:08:45,960 --> 00:08:48,520
Speaker 2: a podcast that features two women who aren't living in

158
00:08:48,520 --> 00:08:53,400
Speaker 2: Hollywood bemoaning LA traffic or complaining about making TV shows. Well,

159
00:08:53,559 --> 00:09:00,920
Speaker 2: not anymore, Jessica, but we certainly were in the Midwest.

160
00:09:01,280 --> 00:09:05,440
Speaker 2: These complaints mean nothing to me but home ownership woes. Yes,

161
00:09:05,720 --> 00:09:08,440
Speaker 2: if you have it already, may I suggest the great

162
00:09:08,520 --> 00:09:11,640
Speaker 2: movie Sneakers from the nineties. I feel like you could

163
00:09:11,640 --> 00:09:15,920
Speaker 2: definitely make a theme featuring that one and technology and

164
00:09:16,040 --> 00:09:19,559
Speaker 2: Robert Redford. Sincerely, though, as an RN in Chicago working

165
00:09:19,559 --> 00:09:21,600
Speaker 2: in a pandemic, you have brought a lot of laughs

166
00:09:21,640 --> 00:09:25,960
Speaker 2: at three am. Happy one year anniversary, sincerely, Jessica Kay.

167
00:09:26,559 --> 00:09:29,000
Speaker 2: Thank you Jessica so much for writing in and for

168
00:09:29,200 --> 00:09:32,000
Speaker 2: thanking you for being so nice about our anniversary and

169
00:09:32,280 --> 00:09:36,480
Speaker 2: for being an OG listener. We really appreciate that, and

170
00:09:36,520 --> 00:09:38,280
Speaker 2: I love this email, and I think that you know

171
00:09:38,320 --> 00:09:41,560
Speaker 2: it's not often that we get an email that references

172
00:09:41,600 --> 00:09:42,360
Speaker 2: the movie Sneakers.

173
00:09:42,360 --> 00:09:43,080
Speaker 1: From the nineties.

174
00:09:43,120 --> 00:09:45,839
Speaker 2: But I gotta say that is the number one way

175
00:09:45,880 --> 00:09:47,600
Speaker 2: to my heart is the movie Sneakers.

176
00:09:47,960 --> 00:09:48,920
Speaker 1: I love Sneakers.

177
00:09:49,640 --> 00:09:51,560
Speaker 2: We should do with theme around Sneakers and I don't

178
00:09:51,600 --> 00:09:55,080
Speaker 2: know what, so Jessica's recommendations A move is to show

179
00:09:55,120 --> 00:09:58,400
Speaker 2: the movie Sneakers and then another movie about technology from

180
00:09:58,400 --> 00:10:00,960
Speaker 2: the nineties, which could be kind to fun. And I

181
00:10:00,960 --> 00:10:03,440
Speaker 2: feel like lawnmower Man might be in there, or like,

182
00:10:03,840 --> 00:10:06,199
Speaker 2: what's that Angelina Joe Lee one Hackers?

183
00:10:06,360 --> 00:10:09,040
Speaker 1: Hackers. I mean, I've been wanting to do Hackers for

184
00:10:09,080 --> 00:10:11,240
Speaker 1: a long time. I mean, you could do a horny

185
00:10:11,280 --> 00:10:14,400
Speaker 1: for David Strethern if you want to go down that road.

186
00:10:14,600 --> 00:10:17,160
Speaker 1: Who doesn't want to go down that road? Are you kidding? Hello,

187
00:10:18,040 --> 00:10:20,960
Speaker 1: there's a lot of possible because there's it's like an

188
00:10:21,080 --> 00:10:23,880
Speaker 1: ensemble cast, so there's so many roads you can go down.

189
00:10:24,080 --> 00:10:27,240
Speaker 1: Maybe we could do a theme about like aging spy

190
00:10:27,360 --> 00:10:32,320
Speaker 1: people or something like that. Oh it's right, cause Sidney Potier.

191
00:10:32,160 --> 00:10:36,080
Speaker 2: Old spies, old spies instead of old Spice, it'll be

192
00:10:36,120 --> 00:10:36,920
Speaker 2: old spies.

193
00:10:37,840 --> 00:10:39,960
Speaker 1: Yeah, any excuse.

194
00:10:40,120 --> 00:10:42,240
Speaker 2: Sidney Potti is in that movie I love it? Isn't

195
00:10:42,280 --> 00:10:43,200
Speaker 2: remember Phoenix in it?

196
00:10:43,280 --> 00:10:45,240
Speaker 1: That's what I mean. Rimber Phoenix is in that movie?

197
00:10:46,240 --> 00:10:49,439
Speaker 1: Is Bonnie Badelia. Who's the woman in the film? The woman?

198
00:10:49,520 --> 00:10:53,120
Speaker 1: I love the nineties, but like, who's the woman who's

199
00:10:53,160 --> 00:10:57,199
Speaker 1: the only lady in the ensemble male cast.

200
00:10:57,400 --> 00:11:00,760
Speaker 2: I hope it's Bonnie Badelia because I just love that name.

201
00:11:00,840 --> 00:11:04,720
Speaker 2: I love saying Bonnie Bidelia too. As a little kid,

202
00:11:04,720 --> 00:11:07,520
Speaker 2: I remember watching her in movies and being like, Amelia

203
00:11:07,559 --> 00:11:08,920
Speaker 2: Badelia is an actress.

204
00:11:09,120 --> 00:11:14,160
Speaker 1: Okay, it is Mary McDonald. Oh even better, I mean

205
00:11:14,760 --> 00:11:16,880
Speaker 1: kind of a similar look. Not gonna lie.

206
00:11:17,000 --> 00:11:20,440
Speaker 2: Yeah, Look, the nineties, you've got three options for a

207
00:11:20,520 --> 00:11:23,000
Speaker 2: middle aged woman in a role. You've got Mary McDonald,

208
00:11:23,360 --> 00:11:28,679
Speaker 2: Mary Elizabeth Mastrantonio or Bonnie Badelia. You might throw Overnee

209
00:11:28,720 --> 00:11:31,079
Speaker 2: Russo in there towards the end of the nineties, but

210
00:11:31,240 --> 00:11:34,000
Speaker 2: early nineties you were mostly dealing with those three.

211
00:11:35,360 --> 00:11:38,880
Speaker 1: Listen, I love them all. I've known a million Bonnies

212
00:11:38,920 --> 00:11:43,800
Speaker 1: and I've rocked them all. But uh, Sneakers is such

213
00:11:43,840 --> 00:11:44,839
Speaker 1: a great suggestion.

214
00:11:45,320 --> 00:11:48,199
Speaker 2: Yeah, that is a fantastic film, And you're right, it's

215
00:11:48,200 --> 00:11:52,760
Speaker 2: got it. It has everything. Sneakers has everything. You've got

216
00:11:52,760 --> 00:11:56,440
Speaker 2: a young River Phoenix, an old Robert Redford at tired,

217
00:11:56,480 --> 00:12:03,040
Speaker 2: Sydney Platier, Mary McDonald, David Strathairn, a dan Ackroid, A

218
00:12:03,120 --> 00:12:06,720
Speaker 2: dan Ackroid for some reason. Yes, I'm into this idea,

219
00:12:07,120 --> 00:12:09,920
Speaker 2: and we normally love taking your ideas for themes, but

220
00:12:09,960 --> 00:12:12,319
Speaker 2: we usually have the movies under cover, like we've got

221
00:12:12,320 --> 00:12:15,440
Speaker 2: those under control. But this was a really nice email

222
00:12:15,480 --> 00:12:17,199
Speaker 2: suggesting both, and I think we're going to take you

223
00:12:17,280 --> 00:12:20,520
Speaker 2: up on that. Jessica, Kay, Yes, thank you, and thanks

224
00:12:20,520 --> 00:12:22,200
Speaker 2: for being an r N in Chicago.

225
00:12:22,280 --> 00:12:26,560
Speaker 1: My god, three am I hope you're laughing Jesus. All right,

226
00:12:26,600 --> 00:12:29,480
Speaker 1: So this next email has probably one of the best

227
00:12:29,520 --> 00:12:32,520
Speaker 1: titles I've ever heard for an email. It comes from

228
00:12:33,559 --> 00:12:39,200
Speaker 1: Jenny and the title is at the movies Colon Trippin'

229
00:12:39,240 --> 00:12:45,720
Speaker 1: on Acid. Ah, all right, dear Milly and Danielle, I'm

230
00:12:45,800 --> 00:12:49,679
Speaker 1: heting your original call for crazy movie experiences. In the

231
00:12:49,760 --> 00:12:52,079
Speaker 1: early nineteen eighties, my boyfriend and I went to a

232
00:12:52,120 --> 00:12:56,840
Speaker 1: double feature of The Road Warrior and Pink Floyd's The

233
00:12:56,920 --> 00:13:04,440
Speaker 1: Wall Tripping on Acid. Wow, quite a double feature. I

234
00:13:04,440 --> 00:13:08,920
Speaker 1: had to say. We'd seen both movies before, so we

235
00:13:09,000 --> 00:13:11,319
Speaker 1: knew what we were getting into, although now it would

236
00:13:11,360 --> 00:13:16,040
Speaker 1: be through a psychedelic lens. The experience did not disappoint.

237
00:13:16,160 --> 00:13:19,800
Speaker 1: In The Road Warrior, the Lord Hormongus and his gang

238
00:13:19,880 --> 00:13:22,600
Speaker 1: and the Feral Kid were extra freaky and all those

239
00:13:22,679 --> 00:13:26,160
Speaker 1: high speed chases left tons of tracers on the screen. FYI,

240
00:13:26,559 --> 00:13:32,440
Speaker 1: tracers aren't acid effect, where visual trails are left behind

241
00:13:32,600 --> 00:13:34,080
Speaker 1: moving objects.

242
00:13:34,520 --> 00:13:39,359
Speaker 2: I love NY's like, look, as your resident acid professional,

243
00:13:40,320 --> 00:13:44,880
Speaker 2: let me tell you, Nubes what a tracer is. And

244
00:13:44,960 --> 00:13:48,000
Speaker 2: I've never done acid, so I do truly appreciate the

245
00:13:48,400 --> 00:13:50,480
Speaker 2: education I have.

246
00:13:50,720 --> 00:13:53,480
Speaker 1: And I actually was not clear that that's what that

247
00:13:53,640 --> 00:13:59,040
Speaker 1: was called we are. I just thought it was like,

248
00:13:59,200 --> 00:14:02,840
Speaker 1: I'm up. I didn't realize there was there was a

249
00:14:02,960 --> 00:14:05,920
Speaker 1: term for that. But thank you. You're like, this is

250
00:14:06,080 --> 00:14:11,800
Speaker 1: this is my life now, Thank you, Jenny. The most

251
00:14:11,840 --> 00:14:15,520
Speaker 1: alarming part was when Max gets into an accident and

252
00:14:15,559 --> 00:14:18,480
Speaker 1: it's picked up by the Giro captain. Did I say

253
00:14:18,480 --> 00:14:23,040
Speaker 1: that right? Yeah, Giro is it's not Euros. That whole

254
00:14:23,120 --> 00:14:23,800
Speaker 1: different movie.

255
00:14:24,440 --> 00:14:27,520
Speaker 2: Mad Max is picked up by a fucking a guy

256
00:14:27,560 --> 00:14:32,880
Speaker 2: with a SMA, a guy that owns a euro restaurant.

257
00:14:33,520 --> 00:14:36,840
Speaker 2: He's like, he's like slathered in tatsiki sauce.

258
00:14:38,120 --> 00:14:48,520
Speaker 1: A whole different crying. I mean, I've seen the Road

259
00:14:48,520 --> 00:14:51,520
Speaker 1: Warriors several times, but I guess I don't know how

260
00:14:51,520 --> 00:14:54,560
Speaker 1: to pronounce that what it's not the sandwich. Yeah, I

261
00:14:54,560 --> 00:14:58,840
Speaker 1: don't know any of the character names at all. Jero, Giro, Giro,

262
00:15:00,160 --> 00:15:03,920
Speaker 1: the guy no Captain, the guy no Captain. The most

263
00:15:03,920 --> 00:15:06,560
Speaker 1: alarming part was when Max gets into an accident and

264
00:15:06,600 --> 00:15:09,520
Speaker 1: it's picked up by the Guiro captain, where the sequence

265
00:15:09,640 --> 00:15:13,120
Speaker 1: was shot in blurred and slow motion, the Giro captain

266
00:15:13,200 --> 00:15:18,080
Speaker 1: saying relax, partner and laughing with this big old mossy

267
00:15:18,160 --> 00:15:23,200
Speaker 1: teeth front and center on the screen. Terrifying. The Wall

268
00:15:23,280 --> 00:15:25,400
Speaker 1: had an abundance of trippy things even if you're not

269
00:15:25,440 --> 00:15:28,320
Speaker 1: on acid. But the most mesmerizing thing was the wall itself.

270
00:15:28,680 --> 00:15:32,120
Speaker 1: They periodically show this giant, full screen stone wall, and

271
00:15:32,200 --> 00:15:34,520
Speaker 1: in my state of mind, the wall became a living,

272
00:15:34,840 --> 00:15:38,760
Speaker 1: breathing entity. I got drawn into and fascinated by its

273
00:15:38,800 --> 00:15:42,920
Speaker 1: many textures and the pulsating at the end. Not too

274
00:15:42,960 --> 00:15:45,960
Speaker 1: much of a spoiler when it explodes. I knew it

275
00:15:46,000 --> 00:15:48,120
Speaker 1: was coming, but I was so hypnotized by the wall

276
00:15:48,160 --> 00:15:50,520
Speaker 1: that the explosion made me jump about ten feet in

277
00:15:50,520 --> 00:15:54,760
Speaker 1: the air. All at all in a plus movie experience,

278
00:15:55,000 --> 00:15:57,800
Speaker 1: So much so we went back two weeks later to

279
00:15:57,840 --> 00:16:06,400
Speaker 1: see those movies tripping on us again. Oh, don't do

280
00:16:06,640 --> 00:16:12,480
Speaker 1: drugs kids. That was Jenny saying that. By the way,

281
00:16:13,240 --> 00:16:15,920
Speaker 1: I love you both. I love your podcast. It's made

282
00:16:16,000 --> 00:16:18,920
Speaker 1: me start watching more movies again, having mostly been watching

283
00:16:18,960 --> 00:16:23,400
Speaker 1: TV series. I appreciate how cinematically bold you are. I'm

284
00:16:23,400 --> 00:16:27,160
Speaker 1: looking at you shame and desperate living, and how you

285
00:16:27,200 --> 00:16:31,440
Speaker 1: discuss movies across a full range of years and genres. Danielle,

286
00:16:31,520 --> 00:16:33,920
Speaker 1: thank you for your recommendation of Can You Ever Forgive Me?

287
00:16:34,320 --> 00:16:36,440
Speaker 1: I'd avoided it because I thought it would be too depressing,

288
00:16:36,520 --> 00:16:38,600
Speaker 1: but now it's one of my favorite films and Millie,

289
00:16:38,760 --> 00:16:41,320
Speaker 1: courtesy of you, I can make the following statement, I

290
00:16:41,400 --> 00:16:46,160
Speaker 1: have mcgruber on my watch list cinematically yours, Jenny.

291
00:16:46,720 --> 00:16:49,280
Speaker 2: I could not love this email more if I tried.

292
00:16:50,800 --> 00:16:53,800
Speaker 2: It is like it's like hanging out with a friend.

293
00:16:54,320 --> 00:16:56,440
Speaker 1: Like I love everything about this.

294
00:16:56,600 --> 00:17:01,240
Speaker 2: Jenny is so descriptive and I just appbsolutely adore. Thank

295
00:17:01,320 --> 00:17:03,360
Speaker 2: you so much for saying such nice things about the

296
00:17:03,400 --> 00:17:05,680
Speaker 2: podcast and the movies that we pick, and that it's

297
00:17:05,680 --> 00:17:08,160
Speaker 2: starting to make you watch more movies again. That's always

298
00:17:08,200 --> 00:17:10,720
Speaker 2: a goal of ours. So very grateful for that.

299
00:17:11,080 --> 00:17:14,960
Speaker 1: And listen, you just walked our listeners through an acid trip.

300
00:17:15,200 --> 00:17:18,280
Speaker 1: I appreciate it mad For the folks that have never

301
00:17:18,400 --> 00:17:21,520
Speaker 1: tripped on LSD, now they know what it's sort of like.

302
00:17:22,280 --> 00:17:25,119
Speaker 1: And you know, all we know now is that the

303
00:17:25,240 --> 00:17:32,560
Speaker 1: wall becomes a breathing, living entity beautifully described, and that

304
00:17:32,680 --> 00:17:36,000
Speaker 1: is terrifying. And maybe that is a reason to not

305
00:17:36,119 --> 00:17:38,840
Speaker 1: do acid. But I'm just saying thank you for doing that,

306
00:17:39,440 --> 00:17:41,719
Speaker 1: or in Jenny's case, to do it again.

307
00:17:43,560 --> 00:17:46,280
Speaker 2: She's like, you know what, I don't have enough of

308
00:17:46,320 --> 00:17:49,800
Speaker 2: this blowing up wall in my life. Let's drop some

309
00:17:49,840 --> 00:17:53,199
Speaker 2: acid and do it again. I appreciate the commitment to

310
00:17:53,359 --> 00:17:54,119
Speaker 2: the theme of that.

311
00:17:54,960 --> 00:17:59,000
Speaker 1: Also two weeks later, yeah, the turnaround time for acid trips.

312
00:17:59,440 --> 00:18:03,320
Speaker 1: I gotta say, like two weeks later to watch the

313
00:18:03,359 --> 00:18:07,120
Speaker 1: same movies. I love it. I just love it.

314
00:18:07,560 --> 00:18:10,840
Speaker 2: I have never done psychedelics, and I don't know that

315
00:18:10,880 --> 00:18:15,600
Speaker 2: I can handle psychedelics in any film, but especially these two.

316
00:18:15,800 --> 00:18:20,439
Speaker 2: Like I can't imagine being high in that way and

317
00:18:20,520 --> 00:18:23,399
Speaker 2: watching any movie, but let alone these two movies.

318
00:18:24,040 --> 00:18:28,600
Speaker 1: Yeah, The Road Warrior is very interesting. I don't think

319
00:18:28,640 --> 00:18:30,720
Speaker 1: I could watch that on acid, to be honest, I

320
00:18:30,720 --> 00:18:33,040
Speaker 1: could definitely watch The Wall on acid, just because it

321
00:18:33,080 --> 00:18:36,560
Speaker 1: feels like it was like intended for that. Yes, the

322
00:18:36,640 --> 00:18:39,000
Speaker 1: Road Warrior doesn't seem like it was intended for acid.

323
00:18:39,040 --> 00:18:43,720
Speaker 1: I'm just gonna throw that out there. Also, The Wall

324
00:18:43,800 --> 00:18:44,639
Speaker 1: is one of those movies.

325
00:18:44,640 --> 00:18:47,080
Speaker 2: I don't know if you what experience you have with it,

326
00:18:47,160 --> 00:18:50,840
Speaker 2: but I saw it when I was a teenager, and

327
00:18:50,880 --> 00:18:52,840
Speaker 2: of course, you know, you're absolutely right. Like the big

328
00:18:52,880 --> 00:18:56,560
Speaker 2: thing was everyone being like, you've got to watch it Stoned.

329
00:18:56,280 --> 00:18:57,359
Speaker 1: It'll blow your mind.

330
00:18:57,600 --> 00:18:59,680
Speaker 2: And then that was also around the time when people

331
00:18:59,680 --> 00:19:01,960
Speaker 2: were talking talking about how if you put on the

332
00:19:02,160 --> 00:19:05,200
Speaker 2: album and then play Wizard of Oz it syncs up

333
00:19:05,200 --> 00:19:07,280
Speaker 2: with Dorothy and all that stuff. Like, you know, we

334
00:19:07,280 --> 00:19:08,800
Speaker 2: didn't have the Internet back then. We just had to

335
00:19:08,800 --> 00:19:13,000
Speaker 2: make shit up. And so I remember my reluctance to

336
00:19:13,040 --> 00:19:15,840
Speaker 2: both watch this film and start even listening to Pink

337
00:19:15,880 --> 00:19:18,959
Speaker 2: Floyd was because I'm like, oh, it's an experience for

338
00:19:18,960 --> 00:19:21,639
Speaker 2: people who are on drugs, and I don't do drugs, right,

339
00:19:21,800 --> 00:19:24,399
Speaker 2: So when I finally watched the film, I'm like, oh,

340
00:19:24,480 --> 00:19:26,200
Speaker 2: it's actually a beautiful film.

341
00:19:26,240 --> 00:19:27,480
Speaker 1: It's an allegory. It's great.

342
00:19:27,520 --> 00:19:29,840
Speaker 2: And then you know, I didn't need to be high

343
00:19:29,840 --> 00:19:33,040
Speaker 2: to get all the nuances of it. However, I know

344
00:19:33,119 --> 00:19:34,520
Speaker 2: that if I was high, it would be a whole

345
00:19:34,520 --> 00:19:35,320
Speaker 2: different experience.

346
00:19:35,640 --> 00:19:38,760
Speaker 1: Yes, I saw it at the drive in probably about

347
00:19:39,200 --> 00:19:42,800
Speaker 1: fifteen years ago or something like that. I was probably stoned.

348
00:19:43,000 --> 00:19:46,119
Speaker 1: Definitely not on acid. My acid days are for the

349
00:19:46,119 --> 00:19:48,240
Speaker 1: most part behind me. I have to say I did

350
00:19:48,320 --> 00:19:51,320
Speaker 1: acid in high school. And I think I've talked about

351
00:19:51,359 --> 00:19:54,239
Speaker 1: this on another episode where I feel like you have

352
00:19:54,280 --> 00:19:57,159
Speaker 1: to be very aware of where you're doing acid. In

353
00:19:57,200 --> 00:19:59,520
Speaker 1: my mind, I feel like, yes, if I'm doing a

354
00:19:59,520 --> 00:20:03,480
Speaker 1: psychoel like, I am not leaving the house, Nope, in

355
00:20:03,520 --> 00:20:07,880
Speaker 1: any capacity. Not going to a public place in any capacity.

356
00:20:08,400 --> 00:20:10,919
Speaker 1: So I don't even know if this email says that

357
00:20:11,000 --> 00:20:13,000
Speaker 1: they went to a movie theater to see it, I

358
00:20:13,040 --> 00:20:15,600
Speaker 1: don't know if they saw it at home. I hope

359
00:20:15,600 --> 00:20:17,440
Speaker 1: you saw it at home. They said that they went

360
00:20:17,920 --> 00:20:21,560
Speaker 1: they went to a double feature, Oh so they want.

361
00:20:21,480 --> 00:20:23,320
Speaker 2: That makes me think that they did go somewhere and

362
00:20:23,359 --> 00:20:25,080
Speaker 2: they were talking about tracers on the screen.

363
00:20:25,240 --> 00:20:27,760
Speaker 1: So I think this was like at a movie theater. Yes,

364
00:20:28,320 --> 00:20:32,120
Speaker 1: that is bold. That is fucking bold, and I don't

365
00:20:32,160 --> 00:20:35,080
Speaker 1: think I would ever do that. But it's it's listen,

366
00:20:35,480 --> 00:20:38,840
Speaker 1: you had this experience. It was memorable. You wrote to

367
00:20:38,920 --> 00:20:41,960
Speaker 1: us about it, and we can't thank you enough, because cannot.

368
00:20:42,200 --> 00:20:51,080
Speaker 1: These movies are really crazy on drugs, So twice twice.

369
00:20:51,640 --> 00:20:54,280
Speaker 2: Also, I hope that you either got married to this

370
00:20:54,320 --> 00:20:59,000
Speaker 2: person that or just had a beautiful relationship that petered

371
00:20:59,000 --> 00:21:00,600
Speaker 2: out naturally and you are now friends.

372
00:21:00,640 --> 00:21:04,200
Speaker 1: Because this is just a beautiful beginning to a story.

373
00:21:04,680 --> 00:21:08,480
Speaker 1: Here's what I'm gonna recommend, Danielle. Maybe you and I

374
00:21:08,560 --> 00:21:13,000
Speaker 1: drop acid and watch Shame and Desperate Living. Wow, bitch,

375
00:21:17,280 --> 00:21:23,119
Speaker 1: maybe that's our next retreat. Wow, you know I'm down

376
00:21:23,160 --> 00:21:24,800
Speaker 1: for it. I just can't believe you're the one that

377
00:21:24,880 --> 00:21:30,080
Speaker 1: recommended it. Listen, I'll put the old LSD boots back

378
00:21:30,119 --> 00:21:32,679
Speaker 1: on and go and go down this road with you.

379
00:21:34,040 --> 00:21:38,120
Speaker 2: We got sexy living in mid air and gastration.

380
00:21:38,320 --> 00:21:42,000
Speaker 1: Let's do it. I'm you know, I'm down for it. Okay.

381
00:21:42,560 --> 00:21:46,439
Speaker 1: I want your first acid experience to be with naked

382
00:21:46,480 --> 00:21:49,120
Speaker 1: Michael Fassbender. That's all I'll say. I could not ask

383
00:21:49,160 --> 00:21:53,080
Speaker 1: for anything more, truly, truly. All right, let's put a

384
00:21:53,119 --> 00:21:54,159
Speaker 1: p let's put a pin in that.

385
00:21:54,600 --> 00:21:56,879
Speaker 2: Oh, we'll start planning and we'll get Jenny involved and

386
00:21:56,920 --> 00:21:59,080
Speaker 2: see if Jenny's still down to guide us through the

387
00:21:59,119 --> 00:22:00,000
Speaker 2: acid experience.

388
00:22:00,760 --> 00:22:05,360
Speaker 1: Yes, JENNI will be our sharpa. I love it well.

389
00:22:05,400 --> 00:22:09,680
Speaker 2: This next email is from Cheryl, who uses she her pronouns,

390
00:22:09,840 --> 00:22:14,520
Speaker 2: and the subject is playing hooky, Hi, Danielle and Milly.

391
00:22:15,119 --> 00:22:18,080
Speaker 2: In the middle of a genuinely shit morning, I decided

392
00:22:18,160 --> 00:22:21,440
Speaker 2: I had to leave my house, procure coffee and snack

393
00:22:21,880 --> 00:22:24,000
Speaker 2: and not look at work email for about an hour.

394
00:22:24,640 --> 00:22:27,919
Speaker 2: You guys accompanied me on my merry wanderings around rural

395
00:22:28,000 --> 00:22:31,640
Speaker 2: New Hampshire and lighten my mood so much I've lost

396
00:22:31,680 --> 00:22:34,280
Speaker 2: count of how many times during the pandemic I've gone

397
00:22:34,280 --> 00:22:36,240
Speaker 2: for a drive or a walk with you guys in

398
00:22:36,280 --> 00:22:40,480
Speaker 2: my ears and giggled or fully snort laughed the entire way.

399
00:22:41,320 --> 00:22:43,400
Speaker 2: And a time when I can't see most of my friends,

400
00:22:43,560 --> 00:22:46,280
Speaker 2: listening to your friendship has honestly been a real help

401
00:22:46,320 --> 00:22:48,920
Speaker 2: to me and I'm sure so many of your listeners

402
00:22:49,400 --> 00:22:51,720
Speaker 2: because I I saw what you did. I finally watched

403
00:22:51,720 --> 00:22:55,880
Speaker 2: bad Lands Amazing, rewatched Smokey and the Bandit a Treasure,

404
00:22:56,400 --> 00:22:59,080
Speaker 2: and fell in love with Joe versus the Volcano. I'm

405
00:22:59,160 --> 00:23:01,720
Speaker 2: saving to sleep with anger because I fear that evil

406
00:23:01,800 --> 00:23:05,520
Speaker 2: Teddy Glover will truly fuck me up. Instead of trying

407
00:23:05,520 --> 00:23:07,960
Speaker 2: to stick the landing here, I'll simply sign off with

408
00:23:08,040 --> 00:23:11,120
Speaker 2: the request to pretty please do another Paul Newman episode.

409
00:23:11,440 --> 00:23:14,160
Speaker 2: May I suggest the Verdict and Slapshot for a down

410
00:23:14,200 --> 00:23:20,240
Speaker 2: and out with Paul double feature. You guys rule, Cheryl, Cheryl,

411
00:23:20,320 --> 00:23:24,160
Speaker 2: thank you so much. I like that people feel comforted

412
00:23:24,200 --> 00:23:27,359
Speaker 2: by us, because I feel like we are just too

413
00:23:27,400 --> 00:23:32,280
Speaker 2: shrieking witches sometimes, just like the movies.

414
00:23:32,320 --> 00:23:40,439
Speaker 1: Movies. Yeah, I'm happy that you found some comfort in

415
00:23:40,520 --> 00:23:44,960
Speaker 1: this over caffeinated podcast. In terms of the Paul Newman thing,

416
00:23:45,000 --> 00:23:47,560
Speaker 1: I swear to god, it's like every time we think

417
00:23:47,600 --> 00:23:52,520
Speaker 1: about doing another you know, horny fourth theme, the instinct

418
00:23:52,640 --> 00:23:55,159
Speaker 1: is to go back to Paul Newman all the time.

419
00:23:55,440 --> 00:23:59,160
Speaker 1: There's so many movies where we could easily talk about

420
00:23:59,200 --> 00:24:02,600
Speaker 1: how hat he is and again throughout the generations, like

421
00:24:02,720 --> 00:24:06,360
Speaker 1: a Verdict Paul Newman and a kat on the hot

422
00:24:06,520 --> 00:24:10,760
Speaker 1: and roof Paul Newman equally as hot, you know, completely,

423
00:24:10,960 --> 00:24:14,520
Speaker 1: and slap Shot is a podcast fave. Danielle and I

424
00:24:14,640 --> 00:24:17,640
Speaker 1: have talked about slap Shot, not in an episode, as

425
00:24:17,680 --> 00:24:20,800
Speaker 1: a movie, but just sort of like we've referenced it before. Yes,

426
00:24:20,920 --> 00:24:23,360
Speaker 1: that movie is a fave, and we gotta do it

427
00:24:23,800 --> 00:24:24,600
Speaker 1: one of these days.

428
00:24:24,760 --> 00:24:27,359
Speaker 2: And here's the thing with Slapshot, because it is personally

429
00:24:27,640 --> 00:24:29,639
Speaker 2: on my top ten list, Like it is one of

430
00:24:29,640 --> 00:24:33,560
Speaker 2: my favorite movies of all time. I've got t shirts,

431
00:24:33,600 --> 00:24:37,720
Speaker 2: I've got a slap Shot T shirt, a slap Shot hoodie.

432
00:24:38,240 --> 00:24:41,280
Speaker 2: I love this movie. I have watched it within the

433
00:24:41,359 --> 00:24:44,639
Speaker 2: last year. And here is my fear with Slapshot. It

434
00:24:44,760 --> 00:24:49,400
Speaker 2: is so offensive on so many levels that I don't

435
00:24:49,480 --> 00:24:53,200
Speaker 2: know how we would enter that conversation with people who

436
00:24:53,200 --> 00:24:55,720
Speaker 2: had never seen it before. If you've seen it before,

437
00:24:55,800 --> 00:24:57,800
Speaker 2: you know that it's like, you know, it's from the seventies,

438
00:24:58,000 --> 00:25:01,400
Speaker 2: it's it is what it is. But it is deeply

439
00:25:01,400 --> 00:25:05,400
Speaker 2: offensive from top to bottom, start to finish, And it's

440
00:25:05,440 --> 00:25:08,600
Speaker 2: one of the things I love about it about being honest,

441
00:25:08,720 --> 00:25:12,400
Speaker 2: like it is one of those pure moments of cinema

442
00:25:12,800 --> 00:25:16,080
Speaker 2: that was made at a time when it wasn't seeking

443
00:25:16,200 --> 00:25:18,239
Speaker 2: to be offensive for the fuck of it, but it

444
00:25:18,320 --> 00:25:21,840
Speaker 2: was just like really showcasing how people talked right and

445
00:25:22,240 --> 00:25:23,880
Speaker 2: you know, never better and for worse. So I think

446
00:25:23,920 --> 00:25:25,359
Speaker 2: that it's a tough one though. It would be a

447
00:25:25,480 --> 00:25:27,160
Speaker 2: really tough one for us to do on the pod

448
00:25:27,920 --> 00:25:31,080
Speaker 2: as a podcast that is often introducing movies to people

449
00:25:31,160 --> 00:25:33,119
Speaker 2: that they have never seen before. I think that would

450
00:25:33,119 --> 00:25:36,280
Speaker 2: be an interesting pick. But he's never been hotter for sure.

451
00:25:36,600 --> 00:25:39,400
Speaker 1: Yeah, I mean there is something to that too. About

452
00:25:39,440 --> 00:25:42,720
Speaker 1: that thing. We come across it a lot. I mean, actually,

453
00:25:42,840 --> 00:25:45,440
Speaker 1: it is something that I thought about with Desperate Living,

454
00:25:45,480 --> 00:25:46,959
Speaker 1: if you want to go back to the last email,

455
00:25:47,359 --> 00:25:49,320
Speaker 1: where I'm like, these are movies that are made at

456
00:25:49,320 --> 00:25:53,280
Speaker 1: a completely different time, obviously not informed by sort of

457
00:25:53,280 --> 00:25:56,719
Speaker 1: what's happening right now in the world, and it is

458
00:25:56,800 --> 00:25:59,600
Speaker 1: that thing where we do you know, I do feel

459
00:25:59,600 --> 00:26:01,960
Speaker 1: a response sometimes about some of the movies in that

460
00:26:02,200 --> 00:26:04,080
Speaker 1: there's a lot of people who listen to the podcasts

461
00:26:04,119 --> 00:26:06,040
Speaker 1: that have not watched a lot of the stuff that

462
00:26:06,080 --> 00:26:09,480
Speaker 1: we're talking about. And yeah, it's hard to be like, hey,

463
00:26:09,560 --> 00:26:14,560
Speaker 1: let's watch this like really hardcore, a lot of cuss words,

464
00:26:14,600 --> 00:26:18,199
Speaker 1: a lot of other words, like it's really surly, but

465
00:26:18,640 --> 00:26:20,960
Speaker 1: like you said, the reason why it's charming in a

466
00:26:20,960 --> 00:26:21,560
Speaker 1: lot of ways.

467
00:26:21,800 --> 00:26:23,800
Speaker 2: Sometimes I feel like it would be easier to show

468
00:26:23,880 --> 00:26:25,359
Speaker 2: actual hardcore porn.

469
00:26:26,760 --> 00:26:28,040
Speaker 1: Than some of the movies we pick.

470
00:26:28,080 --> 00:26:29,960
Speaker 2: And I love it, Like I'm up for the challenge

471
00:26:29,960 --> 00:26:31,679
Speaker 2: and I love it, and I think we do a

472
00:26:31,720 --> 00:26:35,560
Speaker 2: really great job with navigating people through those films. But yeah,

473
00:26:35,560 --> 00:26:38,960
Speaker 2: it is definitely like there are some hard ones that

474
00:26:39,119 --> 00:26:41,080
Speaker 2: we have to really think about before we present, or

475
00:26:41,080 --> 00:26:42,960
Speaker 2: think about how we want to talk about them before

476
00:26:42,960 --> 00:26:43,680
Speaker 2: we present them.

477
00:26:44,080 --> 00:26:46,600
Speaker 1: Well, and like it's happened. I think we've done episodes

478
00:26:46,720 --> 00:26:49,200
Speaker 1: with movies like that, and I think it's just sort

479
00:26:49,200 --> 00:26:51,359
Speaker 1: of like, do we want to go through the Sleepless

480
00:26:51,440 --> 00:26:54,840
Speaker 1: Night of like suggesting a film that people might freak

481
00:26:54,880 --> 00:26:59,000
Speaker 1: out about. I don't know, but again it's something that

482
00:26:59,000 --> 00:27:02,040
Speaker 1: we'll have to all over. I would actually love to

483
00:27:02,080 --> 00:27:03,800
Speaker 1: talk about The Verdict at some point too, because I

484
00:27:03,800 --> 00:27:06,000
Speaker 1: haven't seen that in a very long time, and that

485
00:27:06,119 --> 00:27:08,280
Speaker 1: was a movie that that was one of the movies

486
00:27:08,280 --> 00:27:11,840
Speaker 1: that I remember growing up sort of introducing me to

487
00:27:11,880 --> 00:27:14,440
Speaker 1: who Paul Newman was because it was like, you know, obviously,

488
00:27:14,480 --> 00:27:17,240
Speaker 1: I you know, was too young to really know. I

489
00:27:17,320 --> 00:27:20,160
Speaker 1: mean I was too young to no slap shot obviously. Yeah,

490
00:27:20,200 --> 00:27:22,600
Speaker 1: But it wasn't until his like eighties and you know,

491
00:27:22,640 --> 00:27:24,280
Speaker 1: early nineties stuff that I was like, who is this

492
00:27:24,359 --> 00:27:28,280
Speaker 1: like older actor, very attractive, and of course you have

493
00:27:28,359 --> 00:27:31,120
Speaker 1: your parents and your family members going, uh, he's an

494
00:27:31,200 --> 00:27:34,280
Speaker 1: older actor. He's been around forever, like what are you

495
00:27:34,359 --> 00:27:35,000
Speaker 1: talking about?

496
00:27:35,160 --> 00:27:37,520
Speaker 2: But he's the king of cinema? Like, what is wrong

497
00:27:37,560 --> 00:27:39,879
Speaker 2: with you? Have I taught you nothing? Have I taught

498
00:27:39,920 --> 00:27:40,479
Speaker 2: you nothing?

499
00:27:41,320 --> 00:27:43,840
Speaker 1: Yeah? So I'd love to see a Verdict again.

500
00:27:43,960 --> 00:27:46,520
Speaker 2: I would love to do a Paul Newman horny for

501
00:27:46,560 --> 00:27:48,639
Speaker 2: the movies that introduced us to Paul Newman, and it

502
00:27:48,640 --> 00:27:52,720
Speaker 2: would be The Verdict and Color of Money. Oh exactly,

503
00:27:52,880 --> 00:27:55,280
Speaker 2: So maybe we don't do that, Listen.

504
00:27:55,560 --> 00:27:57,639
Speaker 1: Those are the two. Yeah, those are the two, The

505
00:27:57,760 --> 00:27:59,600
Speaker 1: Verdict and The Color of Money where I was like,

506
00:27:59,680 --> 00:28:02,200
Speaker 1: who who is this hot? Who is this dude? Salt

507
00:28:02,240 --> 00:28:05,359
Speaker 1: and Pepper guy? And maybe the hey pin in that

508
00:28:05,400 --> 00:28:05,840
Speaker 1: one too.

509
00:28:06,200 --> 00:28:09,439
Speaker 2: Okay, But thank you so much for this email, Cheryl,

510
00:28:09,560 --> 00:28:12,399
Speaker 2: and we're happy to keep you company and hope that

511
00:28:12,480 --> 00:28:15,520
Speaker 2: your year gets easier and that next year is even better.

512
00:28:15,880 --> 00:28:20,480
Speaker 1: Hey, all right? Moving on here with Kim. Kim goes by,

513
00:28:20,520 --> 00:28:24,680
Speaker 1: she her pronouns. She wrote us an email called Awkward,

514
00:28:24,880 --> 00:28:29,160
Speaker 1: Sexy and story and movie theme suggestion. I'm already in

515
00:28:29,560 --> 00:28:33,200
Speaker 1: definitely in. Hey, ladies. I've been a listener since the beginning,

516
00:28:33,240 --> 00:28:35,560
Speaker 1: and I just love this podcast. It feels like I'm

517
00:28:35,560 --> 00:28:38,200
Speaker 1: hanging out with two good friends. I was listening to

518
00:28:38,240 --> 00:28:41,160
Speaker 1: some bonus episodes about embarrassing sexy and stories, and I

519
00:28:41,200 --> 00:28:43,719
Speaker 1: had to share mine. Growing up, my dad and I

520
00:28:43,800 --> 00:28:48,680
Speaker 1: watched tons of movies together. We mostly watched Hitchcock musicals

521
00:28:48,720 --> 00:28:51,800
Speaker 1: and any kind of comedy. One Saturday night in two

522
00:28:51,840 --> 00:28:55,760
Speaker 1: thousand and two, we rented not another teen movie from Blockbuster.

523
00:28:55,960 --> 00:28:58,520
Speaker 2: I mean a sentence that is that is ancient, A

524
00:28:58,560 --> 00:29:01,400
Speaker 2: sentence that makes you sound like you grew up with

525
00:29:01,600 --> 00:29:02,680
Speaker 2: room tablets.

526
00:29:03,120 --> 00:29:06,320
Speaker 1: That was twenty years ago. I remember that night like

527
00:29:06,400 --> 00:29:10,320
Speaker 1: I was yesterday. Not another teen movie from Blockbuster. Not

528
00:29:10,400 --> 00:29:13,200
Speaker 1: only does it immediately open with a girl master mating

529
00:29:13,320 --> 00:29:18,000
Speaker 1: and a dildo ending up in a birthday cake, but

530
00:29:18,080 --> 00:29:20,400
Speaker 1: there are several parts throughout the movie where a woman

531
00:29:20,480 --> 00:29:24,400
Speaker 1: is walking around completely naked. Needless to say, it was

532
00:29:24,440 --> 00:29:26,560
Speaker 1: painful to get through and my twelve year old self

533
00:29:26,640 --> 00:29:30,200
Speaker 1: was mortified. I'll never forget it. My movie theme suggestion

534
00:29:30,440 --> 00:29:33,480
Speaker 1: is one that I've had since last fall. I inadvertently

535
00:29:33,520 --> 00:29:36,920
Speaker 1: watched a double feature of Stepmom with Susan Srandon and

536
00:29:37,000 --> 00:29:41,720
Speaker 1: Julia Roberts and the Family Stone. Both take place around

537
00:29:41,720 --> 00:29:45,480
Speaker 1: the holidays, and both have strong and stubborn, overprotective moms

538
00:29:45,520 --> 00:29:48,200
Speaker 1: who have a terminal illness. Also, they both have an

539
00:29:48,200 --> 00:29:50,960
Speaker 1: amazing cast. Thanks so much for reading this. I literally

540
00:29:51,000 --> 00:29:53,480
Speaker 1: suggest this podcast to everyone I know, and my friend

541
00:29:53,560 --> 00:29:57,040
Speaker 1: and I have a virtual movie night every Thursday, mostly horror.

542
00:29:57,440 --> 00:29:59,880
Speaker 1: It was definitely inspired by y'all. Kim.

543
00:30:00,520 --> 00:30:03,360
Speaker 2: I love that, Kim. I'm so glad you have a

544
00:30:03,400 --> 00:30:04,760
Speaker 2: movie night with a friend.

545
00:30:06,440 --> 00:30:10,080
Speaker 1: I never saw not Another teen movie me either. I

546
00:30:10,120 --> 00:30:12,760
Speaker 1: had no idea it had any of that in it

547
00:30:13,000 --> 00:30:13,520
Speaker 1: me either.

548
00:30:14,000 --> 00:30:17,400
Speaker 2: I'm scandalized. All I knew about not another teen movie.

549
00:30:17,480 --> 00:30:19,680
Speaker 2: I think Chris Evans is in it, like a young

550
00:30:19,760 --> 00:30:23,080
Speaker 2: Chris Evans, right, That's what I remember him from.

551
00:30:23,200 --> 00:30:26,880
Speaker 1: It sounds like it's one of the classic dildo in

552
00:30:26,960 --> 00:30:31,520
Speaker 1: birthday cake films, and for that reason alone, we must

553
00:30:31,600 --> 00:30:33,960
Speaker 1: watch it. We have to put it on the pod.

554
00:30:36,880 --> 00:30:40,280
Speaker 1: Maybe we should do now Okay, now I'm now I'm scheming.

555
00:30:40,480 --> 00:30:43,320
Speaker 1: What if we did in an episode where we did

556
00:30:43,600 --> 00:30:48,160
Speaker 1: the early work from some actor in the Marvel universe

557
00:30:48,160 --> 00:30:50,040
Speaker 1: that had something to do with like sex comedy.

558
00:30:50,320 --> 00:30:55,480
Speaker 2: Okay, I'm into this. Yes, for sure, we've got Robert

559
00:30:55,520 --> 00:30:56,480
Speaker 2: Downey Junior.

560
00:30:56,200 --> 00:30:59,920
Speaker 1: To choose from. Yes, Paul Rudd, Paul Rudd for sure

561
00:31:00,920 --> 00:31:05,560
Speaker 1: for sure. Yeah, So the theme would be like Marvel

562
00:31:06,040 --> 00:31:09,440
Speaker 1: superheroes in their early sex comedies type of thing.

563
00:31:09,560 --> 00:31:12,720
Speaker 2: I'm into it. They're early sex comedies that kicked off

564
00:31:12,760 --> 00:31:14,600
Speaker 2: the Marvel cinematic universe.

565
00:31:14,800 --> 00:31:18,160
Speaker 1: Yes, holy shit, say now we're just scared. Now we're

566
00:31:18,200 --> 00:31:21,080
Speaker 1: just using this bonus episode to come up with other episodes.

567
00:31:21,200 --> 00:31:22,960
Speaker 1: I like it. I feel like people will appreciate it.

568
00:31:23,000 --> 00:31:25,040
Speaker 1: They're suggesting stuff, they're suggesting movies.

569
00:31:25,280 --> 00:31:28,080
Speaker 2: Also, this is something that I'm interested in discussing too,

570
00:31:28,160 --> 00:31:29,840
Speaker 2: So I think we do have to do that theme

571
00:31:30,360 --> 00:31:33,400
Speaker 2: because I feel like these not another teen movies. And

572
00:31:33,840 --> 00:31:37,040
Speaker 2: you know, sex heavy teen movies is such a genre

573
00:31:37,080 --> 00:31:40,560
Speaker 2: onto itself, like we had Porky's and Revenge of the

574
00:31:40,640 --> 00:31:43,720
Speaker 2: Nerds and like, but it's such a weird genre that

575
00:31:43,720 --> 00:31:45,880
Speaker 2: people are kind of like, we know teens are horny,

576
00:31:45,920 --> 00:31:47,479
Speaker 2: we will give them a little bit, but we are

577
00:31:47,520 --> 00:31:48,440
Speaker 2: not going all the way.

578
00:31:48,720 --> 00:31:51,800
Speaker 1: Yeah, I agree, And I also think it was different,

579
00:31:51,960 --> 00:31:56,280
Speaker 1: Like I think the late seventies early eighties sex comedies

580
00:31:56,320 --> 00:32:00,200
Speaker 1: were different than the like two thousands ones. Yes, and

581
00:32:00,360 --> 00:32:02,200
Speaker 1: I think that it would be like an interesting thing

582
00:32:02,280 --> 00:32:04,320
Speaker 1: to compare and contrast.

583
00:32:04,640 --> 00:32:07,640
Speaker 2: We're gonna get academic with these little hornball comedies.

584
00:32:07,920 --> 00:32:11,600
Speaker 1: Listen. Has anybody out there written a dissertation about fucking

585
00:32:11,680 --> 00:32:14,760
Speaker 1: sex comedies? You know they have? I would love to

586
00:32:14,800 --> 00:32:16,880
Speaker 1: meet you. I would love to sit down with you.

587
00:32:17,280 --> 00:32:19,280
Speaker 1: Maybe you can come on the pod. Send it in.

588
00:32:19,440 --> 00:32:22,200
Speaker 2: We'll have you on the pod for sure, because I'm interested.

589
00:32:22,560 --> 00:32:26,040
Speaker 2: And I also I love this recommendation of Stepmom and

590
00:32:26,080 --> 00:32:29,480
Speaker 2: The Family Stone. The Family Stone is a bizarrely great

591
00:32:29,600 --> 00:32:31,560
Speaker 2: movie for what it is like. It has no business

592
00:32:31,560 --> 00:32:34,200
Speaker 2: being that good. It's a holiday movie that I go

593
00:32:34,280 --> 00:32:37,960
Speaker 2: back to again and again. And Stepmom has Now this

594
00:32:38,040 --> 00:32:40,760
Speaker 2: is not something that Kim mentioned in her email. Stepmom

595
00:32:40,800 --> 00:32:44,400
Speaker 2: has a scene with Ed Harris proposing to Julia Roberts

596
00:32:44,440 --> 00:32:47,600
Speaker 2: in a way that I have never seen before, and

597
00:32:47,640 --> 00:32:50,520
Speaker 2: it rocked lives. I remember when this movie came out,

598
00:32:50,520 --> 00:32:53,160
Speaker 2: and it rocked people's lives where they would look at

599
00:32:53,200 --> 00:32:55,440
Speaker 2: their partner and be like, you are a worthless piece

600
00:32:55,440 --> 00:32:57,600
Speaker 2: of shit for not proposing to me like this.

601
00:32:57,920 --> 00:33:00,520
Speaker 1: God, I have seen neither of those films.

602
00:33:01,840 --> 00:33:05,440
Speaker 2: Maybe we should look There's always a space in the

603
00:33:05,520 --> 00:33:08,400
Speaker 2: I Saw What You Did Universe for an overprotected mom

604
00:33:08,440 --> 00:33:09,440
Speaker 2: who's gonna die.

605
00:33:10,120 --> 00:33:13,280
Speaker 1: Listen, this is a nineteen ninety eight film too. Yeah,

606
00:33:13,400 --> 00:33:15,680
Speaker 1: I thought it was came out in the two thousands

607
00:33:15,760 --> 00:33:19,960
Speaker 1: or even the twenty tens. So no, this is all

608
00:33:20,000 --> 00:33:22,960
Speaker 1: news to me. We gotta watch this film at least

609
00:33:23,000 --> 00:33:25,760
Speaker 1: I do. I mean, this is looking pretty fucking good.

610
00:33:25,840 --> 00:33:27,800
Speaker 1: And we can even do it for a bonus. Yeah,

611
00:33:27,840 --> 00:33:31,720
Speaker 1: we could do a bonus. Also, the family stone is

612
00:33:31,760 --> 00:33:33,800
Speaker 1: that the one with Sarah Jessica Parker? Is she in

613
00:33:33,800 --> 00:33:34,480
Speaker 1: that film? Yes?

614
00:33:34,600 --> 00:33:39,680
Speaker 2: Okay, Sarah Dence Parker, Luke Wilson, Rachel what's her face?

615
00:33:40,280 --> 00:33:45,000
Speaker 1: Rachel at McAdams. Oh right, right, Okay, this is a

616
00:33:45,040 --> 00:33:49,200
Speaker 1: good suggestion, Kim. This entire email has really like sent

617
00:33:49,360 --> 00:33:53,760
Speaker 1: us in to thought experiment territory here. I love it absolutely.

618
00:33:54,280 --> 00:33:57,880
Speaker 1: Thank you for lighting up the synapses. I think we

619
00:33:58,000 --> 00:34:00,920
Speaker 1: have time for one more. Maybe I believe we do.

620
00:34:01,280 --> 00:34:05,400
Speaker 1: All right. This is from Jase and the title is

621
00:34:05,600 --> 00:34:09,160
Speaker 1: thank you. First off, I love you guys because you're

622
00:34:09,200 --> 00:34:11,400
Speaker 1: only a few years older than me, so I always

623
00:34:11,440 --> 00:34:14,799
Speaker 1: imagined you were the high school girls middle school me

624
00:34:15,080 --> 00:34:18,520
Speaker 1: hung out with and idolized in the nineties. That is

625
00:34:18,520 --> 00:34:22,680
Speaker 1: such a compliment, truly, I love it. Second, thank you

626
00:34:22,760 --> 00:34:27,440
Speaker 1: for reviewing Splendor. I love Greg Rocky his films and

627
00:34:27,640 --> 00:34:30,760
Speaker 1: Christian from Clueless made me feel like it was okay

628
00:34:30,800 --> 00:34:35,239
Speaker 1: to be gay Nowhere even though it was crazy was

629
00:34:35,239 --> 00:34:38,840
Speaker 1: my favorite. Yes, So I appreciate all you have to say,

630
00:34:38,960 --> 00:34:42,680
Speaker 1: and we'll continue making my husband listen as well. Light

631
00:34:42,880 --> 00:34:46,200
Speaker 1: and love Jace. Oh, thank you, Jace.

632
00:34:46,400 --> 00:34:48,960
Speaker 2: That's such to start off with such a strong compliment

633
00:34:49,840 --> 00:34:52,479
Speaker 2: is beautiful, and then it only gets better from there.

634
00:34:52,760 --> 00:34:53,279
Speaker 1: I love it.

635
00:34:53,320 --> 00:34:56,120
Speaker 2: I love any film that makes someone feel like it's

636
00:34:56,160 --> 00:34:58,720
Speaker 2: okay to be who they are top to bottom.

637
00:34:59,160 --> 00:35:02,080
Speaker 1: Yes, I'm so happy that you wrote us and told

638
00:35:02,160 --> 00:35:04,360
Speaker 1: us all of that. Yeah, there was a moment, you know,

639
00:35:04,440 --> 00:35:06,920
Speaker 1: because when we talked about Splendor, it was in the

640
00:35:07,520 --> 00:35:09,520
Speaker 1: episode that we did with the Opposite of Sex, and

641
00:35:10,040 --> 00:35:11,520
Speaker 1: there was a moment where I thought, oh my gosh,

642
00:35:11,600 --> 00:35:14,000
Speaker 1: like I can't believe we never talked about Gregor Rocky before,

643
00:35:14,160 --> 00:35:16,080
Speaker 1: and I can't believe that the first time is going

644
00:35:16,160 --> 00:35:19,000
Speaker 1: to be like this, very like I will I don't

645
00:35:19,000 --> 00:35:21,880
Speaker 1: want to say off brand for Gregor Rocky, but definitely

646
00:35:21,920 --> 00:35:24,719
Speaker 1: like a movie that is way different than a lot

647
00:35:24,760 --> 00:35:27,520
Speaker 1: of his filmography. Yeah, and there's benefits to that too.

648
00:35:27,719 --> 00:35:29,719
Speaker 1: I mean, obviously it's nice to see kind of like

649
00:35:29,840 --> 00:35:33,000
Speaker 1: him go into this like rom calm direction but I

650
00:35:33,040 --> 00:35:35,120
Speaker 1: did feel like, oh man, we should have talked about

651
00:35:35,160 --> 00:35:36,799
Speaker 1: another one of his films, like we could have. We

652
00:35:36,800 --> 00:35:38,960
Speaker 1: could have talked about The Living End, which is something

653
00:35:39,000 --> 00:35:40,640
Speaker 1: I would have I would love to talk about on

654
00:35:40,640 --> 00:35:44,239
Speaker 1: the on the podcast. Nowhere obviously is a big one too.

655
00:35:44,719 --> 00:35:47,360
Speaker 1: So yeah, I think, don't We're not We're not completely

656
00:35:47,360 --> 00:35:49,239
Speaker 1: done with gregor Rocky. I feel like we could go

657
00:35:49,360 --> 00:35:51,440
Speaker 1: back into that world for sure, and I think we

658
00:35:51,560 --> 00:35:51,840
Speaker 1: have to.

659
00:35:51,920 --> 00:35:54,000
Speaker 2: Like I know that I brought this up during the

660
00:35:54,520 --> 00:35:56,719
Speaker 2: recording of the episode, but some of his films from

661
00:35:56,719 --> 00:36:00,279
Speaker 2: the early two thousands or mid two thousands, like Mysterious Skin,

662
00:36:00,920 --> 00:36:03,520
Speaker 2: I think are worth a look. It's what Mysterious Skin,

663
00:36:03,600 --> 00:36:05,000
Speaker 2: to me, is one of those films that is so

664
00:36:05,280 --> 00:36:08,879
Speaker 2: underrated because the subject matter is so freaks people out.

665
00:36:09,040 --> 00:36:11,400
Speaker 2: But I thought he handled it well and that it

666
00:36:11,480 --> 00:36:14,520
Speaker 2: was really I remember that film just being very eye

667
00:36:14,520 --> 00:36:18,560
Speaker 2: opening for its honesty and its willingness to like go

668
00:36:18,680 --> 00:36:21,960
Speaker 2: somewhere that other filmmakers will never go. And it was

669
00:36:22,040 --> 00:36:24,000
Speaker 2: creepy and it had a great cast. And I also

670
00:36:24,040 --> 00:36:26,239
Speaker 2: think that, you know, like The Doom Generation is a

671
00:36:26,400 --> 00:36:30,879
Speaker 2: formative movie for me, So like definitely worth revisiting him

672
00:36:30,880 --> 00:36:33,520
Speaker 2: because I think again, like Jase says in this this

673
00:36:33,600 --> 00:36:36,680
Speaker 2: email that Gregor Roki is someone who he's one of

674
00:36:36,760 --> 00:36:38,400
Speaker 2: those what do you I think you call it like

675
00:36:38,440 --> 00:36:41,640
Speaker 2: a card carrying handshake, a handshake film.

676
00:36:41,680 --> 00:36:42,040
Speaker 1: Thank you.

677
00:36:42,080 --> 00:36:45,960
Speaker 2: I'm like, you know, card carrying handshake whatever, defer, but

678
00:36:46,040 --> 00:36:49,360
Speaker 2: a handshake film, which is like if you he speaks

679
00:36:49,400 --> 00:36:53,840
Speaker 2: to people in such an intense way that he becomes

680
00:36:54,000 --> 00:36:56,440
Speaker 2: an instant discussion point, Like if you've seen in a

681
00:36:56,440 --> 00:36:59,160
Speaker 2: Gregoraki film and you know someone who has, you're.

682
00:36:59,080 --> 00:37:01,399
Speaker 1: Kind of around your peace. So I think it's worth

683
00:37:01,400 --> 00:37:03,560
Speaker 1: digging in a little bit. I agree. I didn't tell

684
00:37:03,600 --> 00:37:06,360
Speaker 1: this story in the episode. Anytime I have a movie

685
00:37:06,480 --> 00:37:09,759
Speaker 1: to talk about, I write like feverish notes for all

686
00:37:09,800 --> 00:37:11,480
Speaker 1: of my movies, and then I end up having to

687
00:37:11,560 --> 00:37:14,280
Speaker 1: like cut a lot of them for time, right, because

688
00:37:14,320 --> 00:37:16,880
Speaker 1: we don't have forever to do these podcasts. So the

689
00:37:16,920 --> 00:37:20,680
Speaker 1: first time I ever saw the Doom Generation was with

690
00:37:20,880 --> 00:37:24,839
Speaker 1: this friend of mine, Jason Martinez, who was I think

691
00:37:24,960 --> 00:37:28,560
Speaker 1: the only out gay man in my high school at

692
00:37:28,560 --> 00:37:32,080
Speaker 1: the time. And I met him in ninety three, I think,

693
00:37:32,600 --> 00:37:34,680
Speaker 1: and I went to high school in this very suburban,

694
00:37:34,960 --> 00:37:39,759
Speaker 1: white North Georgia place, right, and there wasn't a lot

695
00:37:39,760 --> 00:37:42,120
Speaker 1: of people of color in my high school, and there

696
00:37:42,200 --> 00:37:45,680
Speaker 1: wasn't anybody really out in my high school. And he

697
00:37:45,920 --> 00:37:49,880
Speaker 1: was both. He was a LATINX gay guy. Yeah. I

698
00:37:49,920 --> 00:37:52,120
Speaker 1: mean at the time, I was thinking like wow, like

699
00:37:52,520 --> 00:37:56,920
Speaker 1: he's kind of like bold to be himself in this school,

700
00:37:57,080 --> 00:38:00,880
Speaker 1: in this community. And we connected and I used to

701
00:38:00,920 --> 00:38:02,960
Speaker 1: spend a lot of time at his house. He was

702
00:38:03,040 --> 00:38:05,839
Speaker 1: raised by a single mom who worked a lot, so

703
00:38:05,960 --> 00:38:08,200
Speaker 1: we had a lot of free time to spend at

704
00:38:08,200 --> 00:38:11,560
Speaker 1: his house with no parental supervision, and he introduced me

705
00:38:11,600 --> 00:38:13,600
Speaker 1: to a lot of things. He was the first time

706
00:38:13,600 --> 00:38:17,239
Speaker 1: I ever saw gay porn was at his house. Wait

707
00:38:17,360 --> 00:38:20,560
Speaker 1: tell that story. Tell me at least a truncated version

708
00:38:20,600 --> 00:38:23,840
Speaker 1: of that story. It was me and I can't remember

709
00:38:23,840 --> 00:38:26,439
Speaker 1: who the other friend was, but we were sitting around

710
00:38:26,560 --> 00:38:30,320
Speaker 1: his mom's house smoking cigarettes and he was like, Hey,

711
00:38:30,719 --> 00:38:33,320
Speaker 1: I got this porn. This It was like a French

712
00:38:33,480 --> 00:38:36,440
Speaker 1: gay porn, And all I remember the plot was they

713
00:38:36,440 --> 00:38:39,040
Speaker 1: were all at like a bathhouse, but it was very

714
00:38:39,200 --> 00:38:42,680
Speaker 1: like sort of inspired by like Roman architecture, like this

715
00:38:42,960 --> 00:38:47,160
Speaker 1: kind of fuck. It had a lot of pillars and

716
00:38:47,200 --> 00:38:50,400
Speaker 1: there was a lot of drapery hanging off the pillars

717
00:38:50,719 --> 00:38:54,160
Speaker 1: and it was a bunch of like extremely hot European

718
00:38:54,239 --> 00:38:57,479
Speaker 1: guys and that was the story. Okay, not that old

719
00:38:57,480 --> 00:38:59,960
Speaker 1: porn has something like that, but I'm just saying that,

720
00:39:00,160 --> 00:39:02,080
Speaker 1: like that was that was the story of this porn.

721
00:39:02,239 --> 00:39:05,160
Speaker 1: And I just remember, like I never I never really

722
00:39:05,239 --> 00:39:07,400
Speaker 1: seen a lot of porn before then because I was

723
00:39:07,440 --> 00:39:09,319
Speaker 1: pretty young, but it was it was I think where

724
00:39:09,320 --> 00:39:11,320
Speaker 1: I was like, oh, okay, and he introduced me to

725
00:39:11,360 --> 00:39:15,560
Speaker 1: the doom generation. And I'll never forget him. He passed

726
00:39:15,560 --> 00:39:19,480
Speaker 1: away actually, like probably about eight or nine years ago.

727
00:39:19,520 --> 00:39:21,759
Speaker 1: I lost touch with him, unfortunately, but even though we

728
00:39:21,840 --> 00:39:25,280
Speaker 1: did work together at some point when I graduated high school,

729
00:39:25,320 --> 00:39:27,520
Speaker 1: he was a year ahead of me, but he got

730
00:39:27,560 --> 00:39:31,560
Speaker 1: me this job at the coolest hair salon in my town.

731
00:39:31,840 --> 00:39:35,239
Speaker 1: I love this where if you wanted to dye your

732
00:39:35,280 --> 00:39:37,400
Speaker 1: hair pink, like, this was the place to do it.

733
00:39:37,480 --> 00:39:41,319
Speaker 1: This man has shaped your whole alternative culture life. I'm

734
00:39:41,320 --> 00:39:44,279
Speaker 1: telling you. He was very formative for me, and he

735
00:39:44,360 --> 00:39:46,680
Speaker 1: got me a job there, and I remember where I

736
00:39:46,719 --> 00:39:49,240
Speaker 1: worked with him for maybe like a year or something

737
00:39:49,280 --> 00:39:51,040
Speaker 1: after high school, but then I lost touch with him,

738
00:39:51,080 --> 00:39:54,000
Speaker 1: and then I heard that he passed away unfortunately. But yeah,

739
00:39:54,040 --> 00:39:56,960
Speaker 1: he is the person that I can thank for introducing

740
00:39:56,960 --> 00:39:59,759
Speaker 1: me to Greg Rocky, and you know, it is a

741
00:39:59,800 --> 00:40:02,759
Speaker 1: hand him as a director. I think is people have

742
00:40:02,800 --> 00:40:05,080
Speaker 1: a lot of experiences like that, Like you're sort of like,

743
00:40:05,280 --> 00:40:08,040
Speaker 1: I remember when this cool person introduced me to Greg

744
00:40:08,120 --> 00:40:10,680
Speaker 1: Rocky and viceversus. So it's kind of like, I don't know,

745
00:40:10,960 --> 00:40:12,719
Speaker 1: I'm glad we did that episode, and we're not We're

746
00:40:12,719 --> 00:40:14,040
Speaker 1: gonna do more. We're gonna do more.

747
00:40:14,120 --> 00:40:17,319
Speaker 2: I completely completely agree. I think that that's it is

748
00:40:17,360 --> 00:40:20,040
Speaker 2: a very cool and it's cool, and it's also kind

749
00:40:20,080 --> 00:40:22,200
Speaker 2: of its own right of passage to have those kinds

750
00:40:22,239 --> 00:40:24,880
Speaker 2: of directors introduced to you by people who.

751
00:40:24,760 --> 00:40:27,279
Speaker 1: Are cool and and I love that, you know.

752
00:40:27,280 --> 00:40:29,400
Speaker 2: At the beginning of this email, Jase said that he

753
00:40:29,480 --> 00:40:31,400
Speaker 2: imagined that we were the high school girls that the

754
00:40:31,400 --> 00:40:32,439
Speaker 2: middle school.

755
00:40:32,400 --> 00:40:34,279
Speaker 1: Version of him would have wanted to hang out with.

756
00:40:34,440 --> 00:40:35,480
Speaker 1: And we all have that.

757
00:40:35,640 --> 00:40:37,480
Speaker 2: So I think we all have those people in our

758
00:40:37,520 --> 00:40:40,480
Speaker 2: lives who were like, we need their guidance and we

759
00:40:40,560 --> 00:40:42,680
Speaker 2: think they're cool, and we want to know what they're

760
00:40:42,719 --> 00:40:45,319
Speaker 2: into so that we can be into cool stuff. And

761
00:40:45,360 --> 00:40:47,400
Speaker 2: that's a very big part of growing up and it's

762
00:40:47,440 --> 00:40:50,600
Speaker 2: a big part of developing a personality and developing your

763
00:40:50,600 --> 00:40:54,480
Speaker 2: own cultural currency, and it's important to all of us.

764
00:40:54,520 --> 00:40:57,080
Speaker 2: So I think that Gregor Rocky is definitely I mean,

765
00:40:57,080 --> 00:40:58,160
Speaker 2: I would love to get him on the POD.

766
00:40:58,200 --> 00:40:58,880
Speaker 1: He's definitely one of.

767
00:40:58,880 --> 00:41:03,080
Speaker 2: Those directors who I think has gone under the radar

768
00:41:03,640 --> 00:41:07,480
Speaker 2: in some ways that are unnecessary, but also has resulted

769
00:41:07,480 --> 00:41:10,919
Speaker 2: in him making incredible work because he's not taking big

770
00:41:10,960 --> 00:41:13,080
Speaker 2: budget from studios and he's just kind of doing his

771
00:41:13,080 --> 00:41:13,480
Speaker 2: own thing.

772
00:41:13,920 --> 00:41:17,359
Speaker 1: Yeah, well, that I think is all we have time for.

773
00:41:17,520 --> 00:41:20,799
Speaker 1: This was such a great little collection of letters. Thank

774
00:41:20,840 --> 00:41:22,360
Speaker 1: you guys so much.

775
00:41:23,040 --> 00:41:25,600
Speaker 2: Yes, please keep writing into us. We want all of

776
00:41:25,640 --> 00:41:28,960
Speaker 2: your I was high at the movies experiences, all of

777
00:41:29,000 --> 00:41:32,040
Speaker 2: your embarrassing parent moments at the movies, if you worked

778
00:41:32,040 --> 00:41:34,880
Speaker 2: at a theater, if you were introduced to gay porn

779
00:41:34,960 --> 00:41:36,880
Speaker 2: by somebody in your suburb.

780
00:41:37,880 --> 00:41:42,920
Speaker 1: Maybe not that one. Yeah, that was very specific to

781
00:41:43,000 --> 00:41:48,640
Speaker 1: my experience. Well, listen, if you are wanting to write

782
00:41:48,640 --> 00:41:50,640
Speaker 1: to us, please do so at I Saw What you

783
00:41:50,640 --> 00:41:53,680
Speaker 1: did Pod at gmail dot com. You can definitely follow

784
00:41:53,719 --> 00:41:55,160
Speaker 1: us on our social media accounts.

785
00:41:55,200 --> 00:42:00,000
Speaker 2: We are at I Saw Pod on Twitter and Instagram.

786
00:42:00,080 --> 00:42:02,960
Speaker 1: On top of that, you know, holidays are literally right

787
00:42:03,000 --> 00:42:05,560
Speaker 1: around the corner if you haven't done so, and you

788
00:42:05,560 --> 00:42:08,160
Speaker 1: want some holiday merch to give to friends and family,

789
00:42:08,239 --> 00:42:09,600
Speaker 1: or listen when it comes down tore if you just

790
00:42:09,640 --> 00:42:12,640
Speaker 1: want to buy holiday worch for yourself, Yes, which is

791
00:42:12,640 --> 00:42:16,640
Speaker 1: always a move. We have some stuff in the Exactly

792
00:42:16,680 --> 00:42:18,640
Speaker 1: Why shop at exactly Wrightmedia dot com.

793
00:42:18,719 --> 00:42:21,040
Speaker 2: And you're already listening to this, which means that you

794
00:42:21,080 --> 00:42:23,440
Speaker 2: have found your way to stitch your Premium, which is

795
00:42:23,480 --> 00:42:28,880
Speaker 2: where our bonus episodes live exclusively. And if you're listening

796
00:42:29,000 --> 00:42:31,759
Speaker 2: because you are listening on a friend's phone and you're like,

797
00:42:31,800 --> 00:42:33,640
Speaker 2: how do I get more of this? You can go

798
00:42:33,680 --> 00:42:36,520
Speaker 2: ahead and enter the promo code SAW for a free

799
00:42:36,600 --> 00:42:39,440
Speaker 2: month and get Stitcher Premium all for yourself.

800
00:42:39,680 --> 00:42:43,360
Speaker 1: Yes, exactly right, Well, Danielle. As always, it was a

801
00:42:43,400 --> 00:42:48,680
Speaker 1: pleasure to pound coffee with you and read these awesome letters. Beautiful.

802
00:42:48,960 --> 00:42:50,319
Speaker 1: I guess we'll see everybody soon.

803
00:42:50,520 --> 00:42:52,680
Speaker 2: And I also wanted to say that the whole time

804
00:42:52,760 --> 00:42:56,200
Speaker 2: we've been recording, Carrot has been asleep next to me

805
00:42:56,200 --> 00:42:58,520
Speaker 2: in his little bed, snoring his head off. So I

806
00:42:58,560 --> 00:43:00,359
Speaker 2: don't know if you can hear it, but I'm gonna

807
00:43:00,360 --> 00:43:02,160
Speaker 2: see I can get the mic a little bit closer.

808
00:43:02,160 --> 00:43:04,640
Speaker 2: You can hear a big old snore, Well, of course

809
00:43:04,640 --> 00:43:06,520
Speaker 2: he stops snoring when I want to fucking record.

810
00:43:06,920 --> 00:43:10,640
Speaker 1: You little shit, You little shit. You're like a stage mom.

811
00:43:10,760 --> 00:43:13,560
Speaker 1: You're like, come on, do the thing. Well, thank you

812
00:43:13,640 --> 00:43:16,359
Speaker 1: everybody care. We'll live to snore again and we'll catch

813
00:43:16,400 --> 00:43:26,280
Speaker 1: it next time. But thank you so much. Bye, everyone.

814
00:43:28,120 --> 00:43:31,640
Speaker 2: This has been an exactly right production. Our producers Alexis Amressi,

815
00:43:31,800 --> 00:43:35,400
Speaker 2: our engineers Annalise Nelson. Our theme songs by Tom bry Foegel,

816
00:43:35,719 --> 00:43:39,080
Speaker 2: artwork by Garrett Ross. Our executive producers are Georgia Hart

817
00:43:39,120 --> 00:43:42,080
Speaker 2: Start Caring Till Gareth and Danielle Kramer. Follow us on

818
00:43:42,120 --> 00:43:45,319
Speaker 2: Instagram and Twitter at I saw pod email us at

819
00:43:45,360 --> 00:43:47,759
Speaker 2: I saw you did pod at Gmail, and please don't

820
00:43:47,760 --> 00:43:51,680
Speaker 2: forget to listen, subscribe, leave us a review on Apple Podcast, Stitcher,

821
00:43:51,840 --> 00:43:52,920
Speaker 2: or wherever you listen