WEBVTT - Works of Art

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<v Speaker 1>You're listening to American Shadows, a production of I Heart

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<v Speaker 1>Radio and Grimm and Mild from Aaron Manky. French historian

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<v Speaker 1>Eduard de Lablay had an idea. It was eighteen sixty five,

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<v Speaker 1>the American Civil War was drawing to a close, and

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<v Speaker 1>he wanted France to give the US a gift. He

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<v Speaker 1>decided on a statue that would mark America's hard thought

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<v Speaker 1>democracy and celebrate its centennial. And he didn't propose just

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<v Speaker 1>any statue. His concept would take years to build. Frederic

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<v Speaker 1>Auguste Bartoldi, who shared Labala's vision, was commissioned for the

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<v Speaker 1>monumental task. Bartoldi traveled to America in eighteen seventy one

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<v Speaker 1>and chose Bedloe's Island for the statue's location. Though small,

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<v Speaker 1>its position made it a landmark noticeable to every ship

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<v Speaker 1>entering the harbor. He envisioned the statue greeting all who

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<v Speaker 1>entered the port and thus the nation. The first phase

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<v Speaker 1>of construction began in France in eighteen seventy six. Bartoldi

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<v Speaker 1>created the arm holding the torch first. In eighteen seventy

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<v Speaker 1>eight he finished the head and shoulders. He finally completed

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<v Speaker 1>the statue in eighteen eighty four. While Bartoldi and his

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<v Speaker 1>team in France put the final touches on the statue,

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<v Speaker 1>a crew in the US built the pedestal. In eighteen

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<v Speaker 1>eighty five. All that remained was shipping the Statue of

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<v Speaker 1>Liberty to her new home. Workers disassembled the statue and

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<v Speaker 1>carefully packed it in over two hundred crates. The Zaire,

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<v Speaker 1>a French frigate, arrived in New York that June. The

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<v Speaker 1>laborers got to work erecting the pedestal and the statue.

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<v Speaker 1>On October of eighteen eighty six, President Grover Cleveland stood

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<v Speaker 1>before a crowd of thousands to dedicate the three hundred

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<v Speaker 1>and five foot tall statue. From that moment, Bartoldie's vision

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<v Speaker 1>came to life. The Statue of Liberty greeted everyone who

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<v Speaker 1>entered the harbor. In eighteen ninety two, when Ellis Island opened,

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<v Speaker 1>immigrants viewed the statue as a symbol of freedom, hope,

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<v Speaker 1>and a new way of life. It remained both monument

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<v Speaker 1>and working lighthouse until nineteen thirty three, when the National

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<v Speaker 1>Park Service took over its care and maintenance. Though they

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<v Speaker 1>shut down the lighthouse, the Park Service opened the Statute

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<v Speaker 1>of Visitors The iconic plaque and poem of the New

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<v Speaker 1>Colossus by Emma Lazarus became a favorite photo opportunity for tourists,

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<v Speaker 1>and like the statue itself, the poem, with its famous

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<v Speaker 1>lines welcoming the tired and huddled masses, had its own story.

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<v Speaker 1>New York born Emma and her siblings wanted for nothing.

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<v Speaker 1>Her father owned a successful sugar refinery and provided his

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<v Speaker 1>family with a comfortable lifestyle, and private tutors taught them German, French,

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<v Speaker 1>and Italian, in addition to other subjects. In eighteen sixty six,

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<v Speaker 1>seventeen year old Emma authored her first book, titled Poems

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<v Speaker 1>and Translations. Her father loved her work and published the

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<v Speaker 1>book to support his daughter. Emma sent a copy to

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<v Speaker 1>Ralph Waldo Emerson, and the famous writers shared her father's

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<v Speaker 1>praise and mentored the very talented Emma For several years.

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<v Speaker 1>She wrote more books expressing her opinions on life. In

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<v Speaker 1>eighty three, she donated a sonnet to help raise money

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<v Speaker 1>for the pedestal. The words became synonymous with immigration, yet

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<v Speaker 1>the poem didn't become part of the statue until after

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<v Speaker 1>Emma's death. She died a year after Cleveland's speech, and

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<v Speaker 1>mostly her sonnet was forgotten. The new Colossus wasn't memorialized

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<v Speaker 1>until nineteen o three, when one of Emma's friends pushed

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<v Speaker 1>to make the sonnet a permanent part of the monument.

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<v Speaker 1>While we recall the names behind many famous works of art,

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<v Speaker 1>others remained in the shadows of their creations. This is

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<v Speaker 1>one such story. I'm Lauren Vogelbaum. Welcome to American shadows US.

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<v Speaker 1>What many people born to the lower socioeconomic status at

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<v Speaker 1>the time. We don't know what year and Monia Lewis

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<v Speaker 1>was born. When asked, she gave different responses for different situations.

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<v Speaker 1>It could have been eighteen forty two, eighteen forty four,

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<v Speaker 1>or even eighteen fifty four. What we do know is

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<v Speaker 1>that she was born in New York sometime in July Catherine.

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<v Speaker 1>Her mother was Afro indigenous of the Ojibwe people and

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<v Speaker 1>lived in the Credit River Reserve on Lake Ontario. Her

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<v Speaker 1>father was as mysterious as her birth year. Some believe

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<v Speaker 1>her father was Samuel Lewis, a valet of Afro Haitian heritage.

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<v Speaker 1>Other sources speculate that African and Native American writer Robert

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<v Speaker 1>Benjamin Lewis was her father. Proper birth certificates were rare

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<v Speaker 1>at the time, and none appears to have been recorded

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<v Speaker 1>for her. And Monia had a half brother, Samuel, from

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<v Speaker 1>her father's first marriage, and even though Sam was nine

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<v Speaker 1>years older, the two siblings were inseparable for a while.

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<v Speaker 1>The children enjoyed a perfect family life with loving parents

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<v Speaker 1>and time spent growing up in Greenbush, New York, and

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<v Speaker 1>by the time Edmonia turned nine, however, both parents had died.

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<v Speaker 1>Sam and Agmonia went to live with their mother's sisters

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<v Speaker 1>near Niagara Falls. Despite the tragedy, the children thrived. Edmonia

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<v Speaker 1>continued to make the traditional a jibwei crafts her mother

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<v Speaker 1>had taught her. Tourists loved her artwork, often buying whatever

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<v Speaker 1>Edmonia and her aunt's maide. She ran through the forests

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<v Speaker 1>in the summer with her brother and other local children.

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<v Speaker 1>They fished, swam, and explored the great outdoors, even hunted

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<v Speaker 1>together for the rest of her days. Agmonia recalled this

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<v Speaker 1>part of her childhood as some of the best times

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<v Speaker 1>of her life. But life moved on, and one day

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<v Speaker 1>her brother told her he was leaving. He had caught

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<v Speaker 1>what people called gold fever. Men across the country were

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<v Speaker 1>leaving their families and droves, hoping to strike it rich

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<v Speaker 1>out west. The moment that sparked the gold rush happened

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<v Speaker 1>on January forty eight one. James Wilson Marshall, a carpenter

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<v Speaker 1>from New Jersey, caught a glimpse of something shiny in

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<v Speaker 1>the American River at the base of the Sierra Nevada Mountains.

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<v Speaker 1>He discovered an abundance of gold flakes. Marshall originally moved

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<v Speaker 1>west to work on a sawmill for John Sutter, who

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<v Speaker 1>set up a colony that would later become Sacramento, and

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<v Speaker 1>the men swore each other to secrecy so that the

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<v Speaker 1>gold would be all theirs. A Sutter had already claimed

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<v Speaker 1>quite a bit of land, enslaving hundreds of Native Americans

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<v Speaker 1>who helped colonize the area. The amount of gold the

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<v Speaker 1>men found made it impossible to hide. Soon, gold miners

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<v Speaker 1>from miles around appeared for their steak in the riches.

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<v Speaker 1>Sam Brannon, a storekeeper in San Francisco, proudly displayed the

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<v Speaker 1>vial of gold had panned from Sutter's creek. Within weeks,

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<v Speaker 1>most of the men in San Francisco converged on the

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<v Speaker 1>settlement to pan for gold, words spread, bringing in people

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<v Speaker 1>from around the world. In December of eighty eight, President

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<v Speaker 1>James Cape Holp announced the California had gold. California's population

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<v Speaker 1>jumped from twenty thousand to over a hundred thousand the

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<v Speaker 1>following year. Most of those heading to the gold mines

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<v Speaker 1>in eight were men, known as the Forty Niners. The

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<v Speaker 1>men left everything behind, including wives and children. In the

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<v Speaker 1>men's absence, women struggled to keep businesses afloat the farms running,

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<v Speaker 1>and raised children alone. Many of the forty Niners found

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<v Speaker 1>the wealth they saw it holding onto It was another matter.

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<v Speaker 1>Businesses charged extra pushing up the cost of living. Many

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<v Speaker 1>lost their fortunes to gambling, drinking, and time spent in

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<v Speaker 1>brothels that San Francisco storekeeper Sam Brannon never went back

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<v Speaker 1>to seek out more gold. Instead, he bought nearly all

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<v Speaker 1>the local supply of mining equipment, then marked it up

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<v Speaker 1>and sold it to miners. His business model inspired the

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<v Speaker 1>saying during a gold rush cell shovels. While Stutter went bankrupt,

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<v Speaker 1>Brannon became the state's first millionaire. Others also made their fortunes,

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<v Speaker 1>including Edmonia's brother Emuel Lewis. It's unclear why sam took

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<v Speaker 1>Edmonia away from her aunts and left her with one,

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<v Speaker 1>Captain S. R. Mills, But Edmonia fell into a deep depression.

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<v Speaker 1>Her parents were dead, her brother abandoned her, and she

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<v Speaker 1>had been taken away from her aunt's and the place

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<v Speaker 1>she called home. Gone were her forests with animals and trees.

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<v Speaker 1>Gone where the fields where she ran and played with

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<v Speaker 1>other children. She was living with a man she didn't

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<v Speaker 1>know in Manhattan, a crowded, dirty city, and though she

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<v Speaker 1>waited for her brother, he never returned home. Samuel headed

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<v Speaker 1>to San Francisco and opened a barbershop while searching for

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<v Speaker 1>his fortune in gold. He made enough to travel to

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<v Speaker 1>Europe and eventually returned to the States, settling in Idaho.

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<v Speaker 1>His business ventures failed, though, and some of his buildings

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<v Speaker 1>caught fire. He moved Montana and opened another barbershop. Fifteen

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<v Speaker 1>years later, he built a home, married and had a son.

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<v Speaker 1>Though he never returned to see his sister, he sent

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<v Speaker 1>money for her housing, food, and schooling, and after four

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<v Speaker 1>years in Manhattan and Monia left to attend the New

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<v Speaker 1>York Central College Upstate, established in eighteen forty nine. The

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<v Speaker 1>school offered black and white students in education. Higher education

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<v Speaker 1>was rare for black people, much less women at the time.

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<v Speaker 1>The school focused on grammar, reading, math, and geography, while

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<v Speaker 1>the male students took additional science, natural history, and astronomy classes.

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<v Speaker 1>The women learned needlework and knitting. Edmonia studied at the

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<v Speaker 1>school from eighteen fifty six to eighteen fifty seven. In

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<v Speaker 1>eighteen fifty nine, she resumed her studies at Oberlin College

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<v Speaker 1>in Ohio. The founders prided themselves on the school's Christian values.

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<v Speaker 1>Like Central College, they accepted students black and white, men

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<v Speaker 1>and women. The school also became the first in the

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<v Speaker 1>country to offer co ed classes. Though many departments offered

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<v Speaker 1>coed learning, most women's studied in the school's ladies department,

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<v Speaker 1>earning a literary degree at the end of four years.

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<v Speaker 1>Edmonia received a well rounded education, but of all her studies,

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<v Speaker 1>she demonstrated a rare talent in her favorite subject art.

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<v Speaker 1>As a woman of color, Edmonia felt at home there.

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<v Speaker 1>Oberlin had strong ties to the abolitionist movement and took

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<v Speaker 1>part in the underground railroad that helped enslaved people escaped

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<v Speaker 1>to Canada. One reverend John Keep and his wife welcomed

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<v Speaker 1>her into their home, and she lived with them from

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<v Speaker 1>eighteen fifty nine until eighteen sixty three. The community also

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<v Speaker 1>reflected the school's ideals. Both black and white residents lived

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<v Speaker 1>and worked alongside each other. But while the school in

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<v Speaker 1>town seemed progressive and somewhat idyllic, black people, Native Americans,

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<v Speaker 1>and women still lacked equality. Politics and contentions surrounding slavery

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<v Speaker 1>led to arguments and other conflicts. Several classmates participated in

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<v Speaker 1>John Brown's raid at Harper's Ferry. Brown hoped to start

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<v Speaker 1>a rebellion that would result to freedom for all enslaved people.

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<v Speaker 1>While the uprising failed, it sparked conversation. The tensions on

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<v Speaker 1>both sides grew. Oberlin's leaders feared something terrible would eventually happen.

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<v Speaker 1>They were right. The headlines for February eleventh of eighteen

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<v Speaker 1>sixty two read that two women at the college had

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<v Speaker 1>been poisoned and a suspect was in custody. A month earlier,

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<v Speaker 1>Edmonia had joined classmates Maria Miles and Christina Ennis for

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<v Speaker 1>an unschaperoned slave ride with a few young men. All

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<v Speaker 1>enjoyed the rod despite the bitter cold Afterward, Amnia asked

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<v Speaker 1>the other women to join her for a hot drink.

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<v Speaker 1>The women eagerly accepted. Ammonia poured two glasses of spiced

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<v Speaker 1>wine and handed them to the women. The three sat

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<v Speaker 1>and talked until the glasses were empty. Maria and Christina

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<v Speaker 1>bad Edmonia good night and retired to their rooms. Not

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<v Speaker 1>long afterward, the two became violently ill. The school administration

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<v Speaker 1>sent them home to their parents until they recovered. A

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<v Speaker 1>couple of days later, both women accused Agmonia of lacing

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<v Speaker 1>their drinks with the drug popularly known as Spanish fly.

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<v Speaker 1>Though most often historically used as an aphrodisiac in large doses,

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<v Speaker 1>it's a poison. In retrospect, Agmonia realized that asking them

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<v Speaker 1>to join her and not participating in the drinking had

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<v Speaker 1>made her instantly suspect. No matter how much the reverend

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<v Speaker 1>insisted Agmonia was innocent, she was arrested without any evidence.

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<v Speaker 1>The court and jury found Ammonia not guilty. At first,

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<v Speaker 1>she thought life might go on as it had before,

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<v Speaker 1>but that was before the second incident. Agmonia struggled through

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<v Speaker 1>her studies and was preparing for her final paper when

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<v Speaker 1>professor accused her of theft. The subsequent investigation proved she

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<v Speaker 1>had not stolen the missing art supplies, but innocent or not,

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<v Speaker 1>the controversy around Agmonia too much for the school's reputation.

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<v Speaker 1>Oberlin asked her to leave and not return for the

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<v Speaker 1>false semester. She had worked hard, but Edmonia would not

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<v Speaker 1>finish her degree. Determined nonetheless, to make a career from

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<v Speaker 1>her artistic talents, Agmonia moved to Boston with financial help

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<v Speaker 1>from her brother. She mingled with abolitionists and confided that

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<v Speaker 1>she would love to make fine art. She never told

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<v Speaker 1>anyone how she came to leave Oberlin. One day she

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<v Speaker 1>saw a statue of Benjamin Franklin and thought she could

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<v Speaker 1>learn to make statues too. The three male sculpting tutors

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<v Speaker 1>turned her down. Male sculptors usually learned sculpting by taking

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<v Speaker 1>anatomy classes. First women didn't have that luxury. Finally, she

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<v Speaker 1>found Edward Augustus Brackett, who specialized in creating busts. Oh

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<v Speaker 1>With his mentoring, Edmonia began to make and sell claim medallions,

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<v Speaker 1>and prominent Boston women began to commission her. But it

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<v Speaker 1>was her rendition of Robert Shaw that brought her fame.

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<v Speaker 1>A Shaw, a white man hailing from Massachusetts, had headed

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<v Speaker 1>into this of a war with America's first all black regiment.

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<v Speaker 1>He stood by his men when they were ambushed and

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<v Speaker 1>died with them. Confederate soldiers unceremoniously tossed them into a

0:14:09.559 --> 0:14:13.280
<v Speaker 1>mass grave, and Mania made enough money on creating busts

0:14:13.320 --> 0:14:16.319
<v Speaker 1>that she began setting aside money for her ultimate dream

0:14:16.360 --> 0:14:21.040
<v Speaker 1>to move to Europe and find more inspiration for her art. Meanwhile,

0:14:21.160 --> 0:14:24.000
<v Speaker 1>she wanted to help others with the war over, and

0:14:24.160 --> 0:14:27.040
<v Speaker 1>Monia traveled to Richmond to give newly freed black people

0:14:27.160 --> 0:14:31.160
<v Speaker 1>basic educations. By August she had enough money to set sail.

0:14:31.840 --> 0:14:35.920
<v Speaker 1>She chose Florence, Italy, where neoclassical sculpture was popular due

0:14:35.960 --> 0:14:39.080
<v Speaker 1>to the number of marble quarries, and Monia was pleased

0:14:39.080 --> 0:14:43.040
<v Speaker 1>to discover that Italy widely accepted women, artists with color

0:14:43.120 --> 0:14:46.800
<v Speaker 1>and sects were not nearly as controversial. Soon she felt

0:14:46.840 --> 0:14:51.080
<v Speaker 1>right at home with local artists and American expats. In time,

0:14:51.200 --> 0:14:54.560
<v Speaker 1>she traveled to Paris and London for more inspiration before

0:14:54.560 --> 0:14:58.360
<v Speaker 1>returning to Italy and settling in Rome. At the time,

0:14:58.520 --> 0:15:01.880
<v Speaker 1>sculptors often paid stone crafters to help with their statues.

0:15:02.360 --> 0:15:05.800
<v Speaker 1>Admonia locked the resources and did the work herself. She

0:15:05.920 --> 0:15:10.960
<v Speaker 1>created traditional busts of famous and influential people. However, most

0:15:11.000 --> 0:15:14.560
<v Speaker 1>of her work comprised African American and Native American subjects.

0:15:15.280 --> 0:15:19.760
<v Speaker 1>Native American sculptures weren't unheard of, but Admonia's depictions stood out,

0:15:20.200 --> 0:15:22.120
<v Speaker 1>and one of her better known works was a series

0:15:22.120 --> 0:15:26.520
<v Speaker 1>of statues inspired by Henry Wadsworth Longfellows The Song of Hiawatha.

0:15:26.640 --> 0:15:30.680
<v Speaker 1>Admonias versions of Native Americans possessed a more respectful reality

0:15:30.760 --> 0:15:34.840
<v Speaker 1>than the stereotyped and fantasized versions that her fellow artists created.

0:15:35.640 --> 0:15:39.240
<v Speaker 1>She told stories with her sculptures. In one of her works,

0:15:39.320 --> 0:15:42.479
<v Speaker 1>an African American couple has broken free from their shackles.

0:15:43.080 --> 0:15:46.000
<v Speaker 1>The beauty and depth of emotion in her subjects made

0:15:46.000 --> 0:15:49.240
<v Speaker 1>her very successful. In eighteen seventy she returned to the

0:15:49.320 --> 0:15:52.400
<v Speaker 1>United States for a while. She tried to reunite with

0:15:52.400 --> 0:15:56.400
<v Speaker 1>her brother. Though she made several attempts, he never reciprocated

0:15:56.440 --> 0:16:00.000
<v Speaker 1>the effort. In eighteen seventy three, she traveled to San France,

0:16:00.000 --> 0:16:03.080
<v Speaker 1>Cisco for a major art show, praising the West Coast

0:16:03.160 --> 0:16:06.080
<v Speaker 1>for being much more friendly than the East Coast. The

0:16:06.080 --> 0:16:09.720
<v Speaker 1>show wasn't as profitable as she had hoped, and disillusioned,

0:16:09.880 --> 0:16:13.320
<v Speaker 1>she tried seeing her beloved brother once more. When he

0:16:13.320 --> 0:16:17.040
<v Speaker 1>still wouldn't see her, she returned to Europe. Edmonia would

0:16:17.080 --> 0:16:20.760
<v Speaker 1>never see Samuel again. Back in Rome, she created her

0:16:20.800 --> 0:16:26.080
<v Speaker 1>most famous work, inspired by Cleopatra's legendary suicide, and Monia

0:16:26.160 --> 0:16:29.160
<v Speaker 1>chiseled the queen's image slumped back on her throne, a

0:16:29.240 --> 0:16:32.000
<v Speaker 1>smile on her face as venom from a poisonous snake

0:16:32.080 --> 0:16:36.240
<v Speaker 1>took hold. Her message seemed to say that Cleopatra died

0:16:36.280 --> 0:16:39.840
<v Speaker 1>on her own terms as queen. Edmonia first revealed the

0:16:39.880 --> 0:16:44.360
<v Speaker 1>sculpture during the eighteen seventy six Philadelphia Centennial Exposition, and

0:16:44.480 --> 0:16:48.720
<v Speaker 1>judges were astounded. While some viewers considered the dying queen's

0:16:48.760 --> 0:16:53.680
<v Speaker 1>image ghastly and graphic, others praised it as masterful. The

0:16:53.760 --> 0:16:56.440
<v Speaker 1>statue failed to find a buyer when the expo ended,

0:16:56.640 --> 0:16:59.360
<v Speaker 1>and it went into storage, but a Monia returned to Rome.

0:17:00.160 --> 0:17:03.600
<v Speaker 1>She continued to create more sculptures and inspire other artists,

0:17:04.480 --> 0:17:16.920
<v Speaker 1>and then Edmonia disappeared from history almost Ammonia Lewis died

0:17:16.960 --> 0:17:20.960
<v Speaker 1>in London on September seventeenth of nine seven. She never

0:17:21.040 --> 0:17:24.359
<v Speaker 1>married and had no children. In her will, she requested

0:17:24.400 --> 0:17:27.680
<v Speaker 1>two things, a dark walnut casket and for her death

0:17:27.680 --> 0:17:31.120
<v Speaker 1>notice to appear in the British Roman Catholic publication The Tablet.

0:17:31.720 --> 0:17:35.320
<v Speaker 1>Edmonia faded from history until two women dug into her past,

0:17:35.800 --> 0:17:41.520
<v Speaker 1>biographer Marilyn Richardson and ROBERTA. Bobby Reno, historian in East Greenbush,

0:17:41.560 --> 0:17:45.639
<v Speaker 1>New York, where Edmonia grew up, Richardson tracked down at

0:17:45.680 --> 0:17:50.080
<v Speaker 1>Monia's most famous sculpture, the Death of Cleopatra. It wasn't easy.

0:17:50.800 --> 0:17:54.840
<v Speaker 1>Edmonia left the sculpture in Philadelphia. Richardson first tracked a

0:17:54.920 --> 0:17:59.399
<v Speaker 1>twist saloon in Chicago. After that, it marked a racehorse's

0:17:59.440 --> 0:18:03.119
<v Speaker 1>grave a track. The racetrack eventually fell out of favor

0:18:03.160 --> 0:18:06.159
<v Speaker 1>and was sold to become a golf course. The Cleopatra,

0:18:06.359 --> 0:18:09.359
<v Speaker 1>still on her throne, stood vigil over the changes that

0:18:09.520 --> 0:18:12.200
<v Speaker 1>came and went. The golf course gave way to a

0:18:12.280 --> 0:18:15.240
<v Speaker 1>munition site, which later became a center for bulk mail.

0:18:15.720 --> 0:18:19.080
<v Speaker 1>Through all sorts of weather, neglect and abuse, andedmonious work

0:18:19.119 --> 0:18:22.840
<v Speaker 1>of art. Endured boy scouts attempted to cover the graffiti

0:18:22.880 --> 0:18:26.520
<v Speaker 1>with paint. But finally the sculpture found its way to

0:18:26.640 --> 0:18:29.840
<v Speaker 1>a mall. From there, Richardson managed to find it in

0:18:29.840 --> 0:18:33.600
<v Speaker 1>a storage room. The Forest Park Historical Society rescued the

0:18:33.600 --> 0:18:37.120
<v Speaker 1>sculpture in the nineteen eighties. Ten years later they donated

0:18:37.160 --> 0:18:40.680
<v Speaker 1>it to the Smithsonian. Along the Way another sculpture surface

0:18:40.840 --> 0:18:44.879
<v Speaker 1>of two sleeping infants, simply called Night. Along the Way

0:18:44.920 --> 0:18:49.240
<v Speaker 1>another sculpture surface of two sleeping infants called simply Night.

0:18:50.280 --> 0:18:52.520
<v Speaker 1>The Baltimore Museum of Art purchased the piece at a

0:18:52.520 --> 0:18:55.679
<v Speaker 1>Southeby's auction for a hundred and thirty thousand, seven hundred

0:18:55.720 --> 0:18:59.040
<v Speaker 1>and twenty dollars. Other pieces were sent to the Howard

0:18:59.119 --> 0:19:02.880
<v Speaker 1>University Gallery of Art, the Metropolitan Museum, and the Detroit

0:19:02.920 --> 0:19:07.240
<v Speaker 1>Institute of Arts. The historian Bobby Reno was a devoted

0:19:07.280 --> 0:19:10.920
<v Speaker 1>fan of Ammonia's, though she knew very little about her life,

0:19:11.440 --> 0:19:15.320
<v Speaker 1>In fairness, no one did. Dedicated to finding out more

0:19:15.359 --> 0:19:19.440
<v Speaker 1>about this former Greenbush resident, Reno began searching for Admonia's

0:19:19.440 --> 0:19:23.359
<v Speaker 1>grave site. Eventually, it was found under an unmarked slab.

0:19:24.200 --> 0:19:27.040
<v Speaker 1>Reno restored the grave site and added a simple marker

0:19:27.320 --> 0:19:31.920
<v Speaker 1>per Admonious Will. But Reno and Richardson weren't finished. They

0:19:31.920 --> 0:19:34.760
<v Speaker 1>wanted to do one more thing in honor of Ammonia.

0:19:35.320 --> 0:19:39.320
<v Speaker 1>In Reno sent a request to Oberlin College to write

0:19:39.320 --> 0:19:42.800
<v Speaker 1>a wrong. The college took their request to grant Aedmonia

0:19:42.880 --> 0:19:47.080
<v Speaker 1>Lewis an honorary degree before a committee. Meanwhile, Reno lobbied

0:19:47.119 --> 0:19:53.240
<v Speaker 1>for more public recognition. On January, Ammonia appeared on a

0:19:53.359 --> 0:19:58.000
<v Speaker 1>U S postage stamp honoring her talent and heritage. In April,

0:19:58.280 --> 0:20:01.480
<v Speaker 1>the college finally got back to re Now the committee

0:20:01.480 --> 0:20:05.120
<v Speaker 1>would not grant the request for an honorary degree. Instead,

0:20:05.240 --> 0:20:07.760
<v Speaker 1>Oberlin decided to give it Monia Lewis the full degree

0:20:07.840 --> 0:20:10.280
<v Speaker 1>she had nearly completed a hundred and sixty years ago.

0:20:11.080 --> 0:20:16.040
<v Speaker 1>On June five, Oberlin President Carmen Ambar stood before the

0:20:16.040 --> 0:20:20.520
<v Speaker 1>graduating class and awarded Edmonia Lewis her degree in Ladies Courses.

0:20:20.960 --> 0:20:26.280
<v Speaker 1>Posthumous and Monia, who her aunts and family sometimes called Wildfire,

0:20:26.640 --> 0:20:29.800
<v Speaker 1>had finally received the recognition she had earned all those

0:20:29.880 --> 0:20:35.120
<v Speaker 1>years ago. There's more to this story. Stick around after

0:20:35.160 --> 0:20:46.000
<v Speaker 1>this brief sponsor break to hear all about it. In nine,

0:20:46.200 --> 0:20:49.080
<v Speaker 1>the good times of the Roaring twenties came to a halt.

0:20:49.720 --> 0:20:53.560
<v Speaker 1>The New York stock market crashed, People lost their life savings.

0:20:54.000 --> 0:20:58.760
<v Speaker 1>Businesses failed, leaving what in four workers unemployed. Many had

0:20:58.760 --> 0:21:02.000
<v Speaker 1>to stand in long breadline for rations to feed their families.

0:21:02.520 --> 0:21:06.000
<v Speaker 1>For those struggling to survive, it seemed that no one cared.

0:21:06.480 --> 0:21:11.360
<v Speaker 1>Banks defaulted on mortgages and evicted families. President Hoover believed

0:21:11.359 --> 0:21:13.520
<v Speaker 1>that dead all get through it if people just helped

0:21:13.520 --> 0:21:19.160
<v Speaker 1>one another. Families moved in together. Philanthropy increased with food drives.

0:21:19.480 --> 0:21:22.240
<v Speaker 1>Communities came together to help farmers through a sort of

0:21:22.280 --> 0:21:25.240
<v Speaker 1>collective action that's come to be known as penny auctions.

0:21:26.000 --> 0:21:29.159
<v Speaker 1>After foreclosures, they bid on the houses, farming equipment, and

0:21:29.200 --> 0:21:32.600
<v Speaker 1>livestock the banks had seized for only pennies and returned

0:21:32.680 --> 0:21:35.639
<v Speaker 1>them to the farmers who had supplied their food. But

0:21:35.720 --> 0:21:38.800
<v Speaker 1>it wasn't enough. Neighbors often had no more to give

0:21:38.880 --> 0:21:43.280
<v Speaker 1>than those in need. Without anything left to share, Americans

0:21:43.320 --> 0:21:47.320
<v Speaker 1>turned to the government for assistance, but Hoover remained unmoved.

0:21:47.680 --> 0:21:50.600
<v Speaker 1>Americans who had once lived in apartments and houses now

0:21:50.640 --> 0:21:53.720
<v Speaker 1>lived in makeshift huts made of cardboard, tar, paper, or

0:21:53.840 --> 0:21:57.640
<v Speaker 1>other discarded supplies. Some dug holes in the ground and

0:21:57.840 --> 0:21:59.879
<v Speaker 1>used whatever might count as a roof to keep the

0:22:00.000 --> 0:22:02.760
<v Speaker 1>a now, others took up residence inside water mains and

0:22:02.840 --> 0:22:07.960
<v Speaker 1>under bridges. The settlements became known as Hooverville's. The residents

0:22:08.000 --> 0:22:11.359
<v Speaker 1>referred to the newspapers they used as blankets as Hoover blankets.

0:22:11.800 --> 0:22:15.600
<v Speaker 1>Empty pockets turned inside out were called Hoover flags. When

0:22:15.640 --> 0:22:18.119
<v Speaker 1>people wore out the soles in their shoes, they placed

0:22:18.160 --> 0:22:21.719
<v Speaker 1>Hoover leather, which amounted to pieces of cardboard, into their shoes.

0:22:22.760 --> 0:22:25.240
<v Speaker 1>It's easy to see that the President's reluctance to help

0:22:25.280 --> 0:22:30.080
<v Speaker 1>Americans didn't win him many fans. Typically, Americans looked down

0:22:30.160 --> 0:22:33.760
<v Speaker 1>on those seeking handouts. People thought taking state welfare was

0:22:33.800 --> 0:22:37.000
<v Speaker 1>shameful unless it was someone they knew who had fallen

0:22:37.000 --> 0:22:39.800
<v Speaker 1>on hard times. The general sentiment was that people on

0:22:39.840 --> 0:22:44.159
<v Speaker 1>welfare did little to nothing to help themselves. Droughts in

0:22:44.200 --> 0:22:47.960
<v Speaker 1>the Plain States made the situation worse. Without water, crops,

0:22:48.040 --> 0:22:52.600
<v Speaker 1>animals and people died. Some government officials insisted the situation

0:22:52.680 --> 0:22:55.040
<v Speaker 1>was hardly as dyer as people made it out to be.

0:22:55.640 --> 0:22:59.080
<v Speaker 1>If they didn't see it, then it didn't exist. But

0:22:59.240 --> 0:23:02.359
<v Speaker 1>a group of bographers was about to change that. In

0:23:02.440 --> 0:23:05.879
<v Speaker 1>March of nineteen thirty six, Dorothea Lange passed a sign

0:23:05.960 --> 0:23:10.360
<v Speaker 1>the Long Road in California. Sensing a story, she turned around.

0:23:10.920 --> 0:23:14.760
<v Speaker 1>The handmade sign read pe Pickers Camp. Lange worked as

0:23:14.760 --> 0:23:18.480
<v Speaker 1>a photographer for the Farm Security Administration. Her job was

0:23:18.520 --> 0:23:21.600
<v Speaker 1>to help raise awareness of the American farmer's plight. She

0:23:21.640 --> 0:23:23.919
<v Speaker 1>grabbed her camera equipment and got out of the car.

0:23:24.240 --> 0:23:27.120
<v Speaker 1>The thin, disheveled woman and her children were friendly enough.

0:23:27.960 --> 0:23:30.080
<v Speaker 1>The woman told Lange that she and her children had

0:23:30.119 --> 0:23:33.240
<v Speaker 1>been living on vegetables from a nearby field and whatever

0:23:33.320 --> 0:23:36.440
<v Speaker 1>birds the children managed to catch. A thirty two year

0:23:36.440 --> 0:23:40.400
<v Speaker 1>old Florence Owens. Thompson and her seven children allowed Lange

0:23:40.440 --> 0:23:43.879
<v Speaker 1>to take several photos, including a close up of Thompson's

0:23:43.920 --> 0:23:48.680
<v Speaker 1>tired and desperate face. This was the face of rural America.

0:23:49.480 --> 0:23:53.080
<v Speaker 1>Thompson's portrait came to represent the Great Depression and made

0:23:53.160 --> 0:23:56.840
<v Speaker 1>Lange one of America's top photographers. She had always loved art,

0:23:56.960 --> 0:24:00.800
<v Speaker 1>but especially photography. In nineteen four teen, she had worked

0:24:00.800 --> 0:24:05.520
<v Speaker 1>for the famous Pictorialist movement photographer Arnold Genta. In nineteen seventeen,

0:24:05.600 --> 0:24:08.720
<v Speaker 1>she had studied at the Clarence H. White School of Photography.

0:24:08.880 --> 0:24:12.280
<v Speaker 1>After graduation in nineteen nineteen, she had opened a portrait studio.

0:24:12.920 --> 0:24:17.000
<v Speaker 1>Lang's gift for photography had captured the Farm Security Administration's attention.

0:24:17.880 --> 0:24:21.480
<v Speaker 1>They asked if she and other photographers, predominantly men, could

0:24:21.560 --> 0:24:24.679
<v Speaker 1>document the effects the Great Depression had had on America.

0:24:24.800 --> 0:24:28.199
<v Speaker 1>Between nineteen thirty five and nineteen forty four, Lange and

0:24:28.200 --> 0:24:32.040
<v Speaker 1>the others took eighty thousand photographs of struggling Americans and

0:24:32.040 --> 0:24:35.840
<v Speaker 1>the drought bridden dust Bowl migrant mother. The portrait Lang

0:24:35.920 --> 0:24:40.440
<v Speaker 1>took of Florence and her children spread across the nation. Florence,

0:24:40.480 --> 0:24:43.840
<v Speaker 1>an indigenous woman, had lost her husband in nineteen thirty one.

0:24:44.600 --> 0:24:47.080
<v Speaker 1>Since then she had worked in the fields for minimal

0:24:47.119 --> 0:24:51.200
<v Speaker 1>pay and scraps. Americans called Florence the Madonna of the

0:24:51.280 --> 0:24:55.000
<v Speaker 1>dust Bowl. Without a word, she had described the plight

0:24:55.119 --> 0:24:59.600
<v Speaker 1>of rural farmers. Lange took more heartbreaking photos of malnourished

0:24:59.640 --> 0:25:03.399
<v Speaker 1>children in breadlines and farm workers from all kinds of backgrounds,

0:25:03.560 --> 0:25:07.760
<v Speaker 1>hunched over crops and sparse fields. Her photography captured the

0:25:07.800 --> 0:25:12.520
<v Speaker 1>moments where Americans, regardless of heritage or upbringing, shared compassion.

0:25:13.200 --> 0:25:15.560
<v Speaker 1>Lang went on to say that she strove to create

0:25:15.640 --> 0:25:20.240
<v Speaker 1>photos that created social change. The day after Lang's photo

0:25:20.280 --> 0:25:23.040
<v Speaker 1>of Florence and her children appeared in the San Francisco News.

0:25:23.720 --> 0:25:28.000
<v Speaker 1>The state Relief Administration arrived with food rations. In nineteen forty,

0:25:28.240 --> 0:25:30.919
<v Speaker 1>Lang became the first woman to be awarded a Guggenheim

0:25:30.960 --> 0:25:34.320
<v Speaker 1>Fellowship Grant for her exceptional talent and creativity in the arts.

0:25:35.280 --> 0:25:40.680
<v Speaker 1>Like edmonious Statue of Cleopatra, Lang's art reflected reality. Lang

0:25:40.760 --> 0:25:44.879
<v Speaker 1>died in ninety five, though she is not forgotten. She

0:25:44.960 --> 0:25:48.560
<v Speaker 1>inspired a host of photographers to prioritize humanity in their

0:25:48.600 --> 0:25:59.440
<v Speaker 1>photos and influenced the development of documentary photography. American Shadows

0:25:59.480 --> 0:26:03.000
<v Speaker 1>as host it by Lauren Vogelbaum, this episode was written

0:26:03.000 --> 0:26:06.920
<v Speaker 1>by Michelle Muto, researched by Ali Steed, and produced by

0:26:06.920 --> 0:26:11.040
<v Speaker 1>Miranda Hawkins and Trevor Young, with executive producers Aaron Mankey,

0:26:11.400 --> 0:26:15.320
<v Speaker 1>Alex Williams, and Matt Frederick. To learn more about the show,

0:26:15.440 --> 0:26:18.440
<v Speaker 1>visit grim and mil dot com. For more podcasts from

0:26:18.440 --> 0:26:22.520
<v Speaker 1>iHeart Radio, visit the iHeart Radio app, Apple Podcasts, or

0:26:22.520 --> 0:26:24.200
<v Speaker 1>wherever you get your podcasts.