WEBVTT - I Didn't Know About You. (S6 E9 "The Prodigal Daughter Returns")

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<v Speaker 1>I am all in. Let's do more.

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<v Speaker 2>I am all in with Scott Patterson an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in podcast, one

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<v Speaker 1>of them productions. iHeartRadio, I heart media, I heart podcasts.

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<v Speaker 1>Let me catch my breath, he everybody. I'm gonna be

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<v Speaker 1>a Columbus Galaxy con in Columbus, Ohio, December second and third,

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<v Speaker 1>twenty twenty three. So everybody, come on out. Let's do

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<v Speaker 1>a Saul thing, Let's do a Gilmore thing, and just celebrate.

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<v Speaker 1>So that's that's December two and three, Columbus, Ohio, Columbus

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<v Speaker 1>Galaxy con. Hope to see everybody out there. The Prodigal

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<v Speaker 1>Daughter returns.

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<v Speaker 3>Yes, yes she six.

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<v Speaker 1>Episode nine and return she did. And we have our

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<v Speaker 1>trepred crew Susanne French, the newly minted Queen of the airwaves,

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<v Speaker 1>is here. The valuable player Amy Sugarman.

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<v Speaker 2>Not if you read the comments, but that's okay, that's okay.

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<v Speaker 1>Then of the ball she's a manager of the ball club.

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<v Speaker 1>She's she's got a permanent she's a permanent fixture. And

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<v Speaker 1>yours truly, uh and what did everybody? Oh wait a minute,

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<v Speaker 1>hang on, do we have comments? Yes, we have one note.

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<v Speaker 1>I'm going to reappearing December second and third in Columbus,

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<v Speaker 1>Ohio at Columbus Galaxy Con. So come on down. Just

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<v Speaker 1>got back from Michigan MotorCity Comic Con, and what a blast.

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<v Speaker 1>Love Michigan, Love you people, love that con. Fantastic Michigan.

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<v Speaker 3>That's pretty cool.

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<v Speaker 1>Lots of trees, lots of lakes, loving it. Love it Columbus,

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<v Speaker 1>and I'm returning to Columbus. I in Columbus from eighty

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<v Speaker 1>two to eighty six, playing for the Columbus Clippers. I

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<v Speaker 1>was stuck in TRIPLEA for better parts.

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<v Speaker 3>Of Columbus is cool like Ohio's cool.

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<v Speaker 1>They say. They say Columbus is extraordinarily different from when

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<v Speaker 1>I was there forty years ago.

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<v Speaker 3>Really, I wonder if that means.

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<v Speaker 1>It's really built up now.

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<v Speaker 3>Oh better, so bigger and better.

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<v Speaker 1>It's bigger and better than ever. And I can't wait

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<v Speaker 1>to see it and reconnect with some old folks that

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<v Speaker 1>I used to know.

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<v Speaker 3>Anyway, what do you think of this episode?

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<v Speaker 1>I think we better synopsize first. Okay, okay, so I

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<v Speaker 1>need to gather my thoughts.

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<v Speaker 3>I get it, I may disagree with all of you.

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<v Speaker 1>We're hoping you do.

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<v Speaker 3>All right.

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<v Speaker 4>This episode is season six, episode nine, The Prodigal Daughter Returns.

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<v Speaker 4>It aired on November fifteenth, two thousand and five. A

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<v Speaker 4>surprise phone call from Christopher brings up issues of trust

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<v Speaker 4>between Lourai and Luke. Rory moves out of the Gilmours,

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<v Speaker 4>and Emily feels like she's lost her like she lost Laurai.

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<v Speaker 4>A person from Luke's past shows up and stars hollow,

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<v Speaker 4>and after months of estrangement, Lorlai and Rory make their

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<v Speaker 4>first move toward reconciliation, and Rory takes major steps to

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<v Speaker 4>change the direction of her life.

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<v Speaker 1>The one thing that I will comment on and thank

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<v Speaker 1>you Suzanne. That was spectacular.

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<v Speaker 2>It really was.

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<v Speaker 3>It really was.

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<v Speaker 1>I called Tara, Tara, you no La, I'm confused on

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<v Speaker 1>my own podcast. The one comment I will make about

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<v Speaker 1>this episode, and I don't want anybody to judge. I'm

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<v Speaker 1>not judging the episode yet. I just want to make

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<v Speaker 1>a comment if if you don't buy into the where

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<v Speaker 1>the story has gone, it's hard. The impact is lessened

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<v Speaker 1>when the lines get tied up or tied together, or

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<v Speaker 1>come to fruition and conclusion.

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<v Speaker 2>Will you be a little more specific on that or

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<v Speaker 2>do you not want to? Is that moving forward?

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<v Speaker 1>I saw. I thought it was as good an episode

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<v Speaker 1>as you can get.

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<v Speaker 3>I agree, I totally agree, given.

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<v Speaker 1>The circumstances that I didn't buy into all of the

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<v Speaker 1>narratives leading up to this.

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<v Speaker 3>Okay, interesting, Okay, got it, got okay?

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<v Speaker 1>You understand?

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<v Speaker 2>Yeah, yeah, you're saying, like the narrative of maybe Rory

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<v Speaker 2>dropping out.

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<v Speaker 3>Of school or.

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<v Speaker 2>Or Luke and Lorlai having conflict or whatever it is,

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<v Speaker 2>if you if you buy into that, then this becomes

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<v Speaker 2>a home run, right.

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<v Speaker 5>Why?

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<v Speaker 3>Yeah?

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<v Speaker 5>Why?

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<v Speaker 1>And I thought it was extraordinarily well written and directed.

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<v Speaker 1>I agree, absolutely, and it was, and it was beautifully

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<v Speaker 1>acted on everybody's part. And when there was the guy

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<v Speaker 1>at the newspaper that Rory was stalking, who was terrific,

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<v Speaker 1>by the way, whoever that guy.

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<v Speaker 2>Was, Oh my god, we're trying to get him on.

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<v Speaker 2>He's great, he was terrific, famous, he's like, does tons

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<v Speaker 2>of work, he.

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<v Speaker 1>Does tons of work. I did recognize him. I apologize

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<v Speaker 1>for not knowing his name. No, no, no, no, but

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<v Speaker 1>I thought that this is when I was missing Mitch.

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<v Speaker 1>This is what I was missing Logan. So mitcham should

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<v Speaker 1>be stepping in and doing this tidying up with Rory

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<v Speaker 1>so so he's such.

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<v Speaker 3>An ass he won't do it. He needed this other guy.

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<v Speaker 3>We needed the guy behind the guy.

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<v Speaker 1>Anyway, That's kind of how I felt about it, and

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<v Speaker 1>I felt very It felt very again, I don't. I

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<v Speaker 1>enjoyed the episode and I was riveted to it. I

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<v Speaker 1>really really.

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<v Speaker 3>Loved cried multiple times you did.

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<v Speaker 2>Cried full tears, plain scene, full tears, reunited Lower Lion Rory,

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<v Speaker 2>full tears.

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<v Speaker 3>And I didn't.

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<v Speaker 1>The reuniting thing didn't hit me because.

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<v Speaker 3>It seemed too too easy to drop.

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<v Speaker 1>Too easy. Yeah she was, she was distracted while driving

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<v Speaker 1>talking on her cell phone, and I didn't.

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<v Speaker 2>It made me you're not wrong, But I still cried,

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<v Speaker 2>and then I cried for you.

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<v Speaker 3>I cried that I thought you.

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<v Speaker 2>Did so well portraying what someone would go through realizing

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<v Speaker 2>this was happening, and still trying to be like normal

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<v Speaker 2>with a child. I thought the scene at the science fair,

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<v Speaker 2>the way you acted that was so well done because

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<v Speaker 2>I was like, oh god, I'm like feeling anxious for you, right.

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<v Speaker 1>My favorite season was when she came in and introduced

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<v Speaker 1>her sort of pulled the hair out of my head.

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<v Speaker 3>Giant helmet, but the helmet.

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<v Speaker 6>Yeah, I've been waiting to say this because this may

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<v Speaker 6>be an unpopular opinion, and I've been waiting for you

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<v Speaker 6>to see this episode.

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<v Speaker 3>I don't hate April. You know, there's like me too.

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<v Speaker 3>People people do not like her, and I was gonna

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<v Speaker 3>say the same thing. I actually love her.

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<v Speaker 2>I did too, I always did them and now the

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<v Speaker 2>rewatch I do just as much.

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<v Speaker 4>Like April's not the problem. It's Luke's reaction to April movie.

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<v Speaker 4>You know what we haven't seen, like not not what

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<v Speaker 4>we saw in the current moving forward?

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<v Speaker 2>Yeah, yes, yes, Well should we just go to the

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<v Speaker 2>beginning or is it? Yeah, so we'll go through it

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<v Speaker 2>because there's so many major scenes. The plane scene was

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<v Speaker 2>so heart wrenching, like.

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<v Speaker 3>It gutted me.

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<v Speaker 2>But we'll get to the big stuff at the end.

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<v Speaker 2>So we start with the door chained, which I did

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<v Speaker 2>laugh out loud.

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<v Speaker 3>Maybe only Scott and I got it. Well. Actually, Susan

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<v Speaker 3>Land Shark.

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<v Speaker 1>He's like Candy Gram. He did a Saturday Night You

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<v Speaker 1>have to get that.

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<v Speaker 7>Yeah, I don't get it.

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<v Speaker 1>It was a famous character Saturday a shark thing. It

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<v Speaker 1>would knock on people's doors and then it was like

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<v Speaker 1>a giant mascot sharks, totally goofy looking and harmless looking,

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<v Speaker 1>and then it would eat people if they answered the door,

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<v Speaker 1>and he would like, knock on the door, who's there?

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<v Speaker 1>Oh my god.

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<v Speaker 2>The house looked beautiful. Luke had made the house look amazing.

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<v Speaker 2>I are going didn't know if it was real fire

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<v Speaker 2>some kind of fake TV fire, but I was super

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<v Speaker 2>into it.

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<v Speaker 1>I think that was a real deal.

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<v Speaker 3>Seemed like it.

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<v Speaker 2>The photos are on the banister, the fall pumpkins are out, like,

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<v Speaker 2>the house looks amazing.

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<v Speaker 3>Now.

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<v Speaker 2>I don't think we've had that many scenes of people

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<v Speaker 2>walking down the hallway upstairs, so that was sort.

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<v Speaker 3>Of new and exciting.

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<v Speaker 7>Yeah, that's true.

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<v Speaker 2>And I never realized she has double doors in her bedrooms.

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<v Speaker 2>I'm assuming that was part of the remodel. I don't

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<v Speaker 2>know it.

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<v Speaker 4>Yeah, she didn't before in the like the earlier seasons,

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<v Speaker 4>it was just the single doorway, So that must have

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<v Speaker 4>been part of the whole remodel. We do in the

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<v Speaker 4>bathroom like the on suite bathroom and exactly.

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<v Speaker 3>Yeah, what do y'all think of the bedroom set?

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<v Speaker 1>Oh that was hysterical. That was so gnarly bad. It

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<v Speaker 1>was so bad the cherubs when she said, yes, look

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<v Speaker 1>at the cherubs. Yes, there's many of them.

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<v Speaker 4>My grandmother had like that, and it is still in

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<v Speaker 4>my mother's.

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<v Speaker 3>House to this, Oh my gosh.

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<v Speaker 4>Yeah, it's in the guest room. It's and so when

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<v Speaker 4>when we stay there, I have to sleep in it,

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<v Speaker 4>and it's it's an experience.

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<v Speaker 2>I'm not mad at I love Grandma Chic. I'm all

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<v Speaker 2>for it. But that was some heavy I think he

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<v Speaker 2>could have maybe figured out the bed, but it was

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<v Speaker 2>the sailboat.

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<v Speaker 1>Painting, all of it, all of it.

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<v Speaker 3>Totally the wrong size, Like it was just that's a lot.

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<v Speaker 1>Of carved dark wood that you got to wake up to.

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<v Speaker 1>You wake up to that and you're like, it's the

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<v Speaker 1>eighteen forties. What's happening here? And you wake up next

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<v Speaker 1>to Abe Lincoln? Like what's going on?

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<v Speaker 2>Not to be terrible, but the curtains are also awful, awful,

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<v Speaker 2>like those should have gone with the remodel.

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<v Speaker 1>Oh man, Like what's with Luke Danes and his his

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<v Speaker 1>bedroom taste not great? You gotta give it a thumbs down.

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<v Speaker 1>What's he thinking about? What's he thinking about?

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<v Speaker 3>I think he just doesn't know any better.

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<v Speaker 2>Yeah, he's just like and also I think it's sort

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<v Speaker 2>of glossed over, but I think it's important that he

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<v Speaker 2>remembers going to the storage unit with her and her

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<v Speaker 2>saying she liked it, so he remembers things always and

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<v Speaker 2>he's trying to do something good. She shouldn't have lied

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<v Speaker 2>at the storage room five years ago and said she

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<v Speaker 2>liked it.

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<v Speaker 3>She doesn't.

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<v Speaker 1>Anyway, It's quite funny.

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<v Speaker 2>So then we go to the scene Luke goes off

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<v Speaker 2>to make his risotto and we go to the scene

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<v Speaker 2>which I actually thought was quite funny with the muffin,

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<v Speaker 2>the dramatic muffin like we eat in the dining room

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<v Speaker 2>Rory and the two of them fighting is pretty interesting.

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<v Speaker 1>It's nah, it was cringey. It's cringey to me.

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<v Speaker 3>Really, I think it's time.

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<v Speaker 1>It's the I disliked that part of this whole series

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<v Speaker 1>the most, with Emily and Rory fighting just outright contempt

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<v Speaker 1>for each other. I hate that.

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<v Speaker 8>I get it.

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<v Speaker 1>I don't want to see that.

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<v Speaker 2>I get it, but it's so important, it's so important.

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<v Speaker 1>To somebody to help me out here. It's disturbing. It's disturbing,

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<v Speaker 1>the disturbing images.

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<v Speaker 8>Yeah, I don't I don't like it either. I just think, well, again,

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<v Speaker 8>I agree with Amy. I think it has to do

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<v Speaker 8>with the story. It's not like how i'd prefer them

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<v Speaker 8>to be. But I didn't think it was cringey. I

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<v Speaker 8>just think it was like I didn't want to see it,

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<v Speaker 8>Like it just makes me bummed, That's what I wasspectful.

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<v Speaker 3>I agree with you. I totally agree with you.

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<v Speaker 8>Awful behavior, awful, But we needed it because of what

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<v Speaker 8>comes up in the plane scene and the storyline, like

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<v Speaker 8>we just we need it, like Amy said, even though

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<v Speaker 8>I don't like it, we need it, right.

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<v Speaker 3>But I agree with you, guys.

0:12:46.360 --> 0:12:48.600
<v Speaker 1>So let's refer to my opening statement.

0:12:48.640 --> 0:12:53.400
<v Speaker 2>That's right, Scott, really great point because all roads lead

0:12:54.080 --> 0:12:58.320
<v Speaker 2>to essentially that plane scene. The plane scene is so

0:12:58.840 --> 0:13:03.520
<v Speaker 2>major for the whole show in so many ways. I

0:13:03.559 --> 0:13:06.360
<v Speaker 2>can't wait to talk about it. But Scott makes us

0:13:06.400 --> 0:13:11.960
<v Speaker 2>going harder just kidding, so I, uh.

0:13:12.559 --> 0:13:16.040
<v Speaker 1>Yeah, I can only keep this stallion on the track

0:13:16.160 --> 0:13:16.840
<v Speaker 1>for so long.

0:13:17.920 --> 0:13:19.800
<v Speaker 3>I actually really liked the scene.

0:13:19.880 --> 0:13:22.720
<v Speaker 2>Okay, So we then go into the kitchen at the inn,

0:13:23.360 --> 0:13:27.640
<v Speaker 2>and I think I thought Melissa McCarthy was a ten

0:13:27.679 --> 0:13:30.200
<v Speaker 2>out of ten in this episode. She's so funny and

0:13:30.240 --> 0:13:31.679
<v Speaker 2>when she says why do you hate it?

0:13:32.400 --> 0:13:34.000
<v Speaker 3>And Laura I.

0:13:34.080 --> 0:13:36.600
<v Speaker 2>Sort of lists off all the reasons why she shouldn't

0:13:36.600 --> 0:13:40.120
<v Speaker 2>hate it because she's right. Luke is so good to her,

0:13:40.320 --> 0:13:43.120
<v Speaker 2>and I was really happy to see her point that

0:13:43.320 --> 0:13:45.160
<v Speaker 2>out to others and herself.

0:13:45.559 --> 0:13:46.520
<v Speaker 3>I don't know what you guys think.

0:13:46.640 --> 0:13:49.280
<v Speaker 4>It was good to see that self awareness because as

0:13:49.360 --> 0:13:52.080
<v Speaker 4>much as I love Laura I, she can be a

0:13:52.160 --> 0:13:56.719
<v Speaker 4>little self centered. And I think seeing her actually acknowledge

0:13:56.800 --> 0:14:01.720
<v Speaker 4>that was good because sometimes the women in this show

0:14:01.720 --> 0:14:05.319
<v Speaker 4>don't have a lot of self awareness, and in that situation,

0:14:05.920 --> 0:14:08.720
<v Speaker 4>it was nice to see her acknowledging.

0:14:08.160 --> 0:14:13.080
<v Speaker 1>That, Yeah, she's a bit of a star in Stars Hollow,

0:14:13.120 --> 0:14:17.520
<v Speaker 1>isn't She's She's like she's like the like the Queen

0:14:17.600 --> 0:14:20.880
<v Speaker 1>Bee person. She's like the star, She's like the superstar

0:14:20.960 --> 0:14:21.480
<v Speaker 1>of the town.

0:14:21.640 --> 0:14:25.400
<v Speaker 3>She's like Suzanne. I get it. I totally.

0:14:27.360 --> 0:14:29.240
<v Speaker 2>I know what it feels like to be Emily, trust me.

0:14:40.160 --> 0:14:44.880
<v Speaker 2>I liked having that acknowledgment. I think that scene was important.

0:14:45.800 --> 0:14:50.600
<v Speaker 2>So then this cracked me up. We see Richard come

0:14:50.640 --> 0:14:53.600
<v Speaker 2>home and you kind of don't know what's happening. I

0:14:53.680 --> 0:14:56.560
<v Speaker 2>sort of had forgotten about that little hidden desk behind

0:14:56.600 --> 0:14:59.080
<v Speaker 2>the stairs and then when Colin and Finn come down,

0:14:59.480 --> 0:15:03.640
<v Speaker 2>Oh my god, I actually laughed out loud when Kinn.

0:15:03.400 --> 0:15:06.560
<v Speaker 3>Says, you're safe. Return Darling is all I need. I

0:15:06.680 --> 0:15:10.960
<v Speaker 3>was like, I'm actually dead at these two. That black nails.

0:15:11.000 --> 0:15:15.960
<v Speaker 9>He's so like, yeah, I actually had I'll just say

0:15:16.000 --> 0:15:18.000
<v Speaker 9>my favorite line now because it was from the scene

0:15:18.000 --> 0:15:19.720
<v Speaker 9>that's when Richard's like, who the hell are you and

0:15:19.760 --> 0:15:22.840
<v Speaker 9>Finn goes if I knew I could dismiss my therapist.

0:15:25.520 --> 0:15:28.680
<v Speaker 2>So I could watch it five times because it's really

0:15:28.800 --> 0:15:32.720
<v Speaker 2>fast and there's so many funny lines and like Colin,

0:15:33.000 --> 0:15:35.920
<v Speaker 2>you know, you know my father, Like it's just like

0:15:36.320 --> 0:15:38.560
<v Speaker 2>it's that my tenis racket, like the whole thing.

0:15:38.600 --> 0:15:40.200
<v Speaker 3>I was just like, this is awesome.

0:15:40.440 --> 0:15:43.160
<v Speaker 8>It's funny because you're not supposed to like them, but

0:15:43.200 --> 0:15:47.480
<v Speaker 8>you kind of love them, you know, I love them,

0:15:47.840 --> 0:15:48.880
<v Speaker 8>So that was amusing.

0:15:50.800 --> 0:15:52.960
<v Speaker 2>I do have one flag that we're not quite there yet,

0:15:52.960 --> 0:15:55.440
<v Speaker 2>but so now we go back to the diner and.

0:15:55.400 --> 0:15:57.680
<v Speaker 3>We sort of have the Laane Lorelei.

0:15:58.720 --> 0:16:03.040
<v Speaker 2>Revelation, although the nacho thing, like why are you trying

0:16:03.040 --> 0:16:04.840
<v Speaker 2>to have baked chips? But I guess she was trying

0:16:04.840 --> 0:16:11.720
<v Speaker 2>to keep her healthy soil.

0:16:11.920 --> 0:16:16.040
<v Speaker 4>The whole red needlell kill you line right, stealth dieticians,

0:16:16.160 --> 0:16:16.960
<v Speaker 4>stealth nutrition.

0:16:18.200 --> 0:16:19.920
<v Speaker 2>I love that she just like bellies up to the

0:16:19.960 --> 0:16:22.360
<v Speaker 2>table for some nachos, like in the middle of the day,

0:16:22.560 --> 0:16:26.920
<v Speaker 2>like it's ordering that anyway. So we sort of have

0:16:27.000 --> 0:16:31.240
<v Speaker 2>the awkwardness between l Lane and Laurlai, which I don't know.

0:16:31.400 --> 0:16:35.520
<v Speaker 3>I it didn't. It was fine for me, you guys.

0:16:35.360 --> 0:16:37.120
<v Speaker 8>I thought it was I thought it was weird because

0:16:37.160 --> 0:16:40.200
<v Speaker 8>like Lane grew up with Laura l I like, I

0:16:40.200 --> 0:16:43.520
<v Speaker 8>don't know, I just I understand maybe not wanting to

0:16:43.640 --> 0:16:47.359
<v Speaker 8>tell her to make her feel bad, but like avoiding

0:16:47.400 --> 0:16:48.560
<v Speaker 8>her felt a little weird.

0:16:48.680 --> 0:16:49.200
<v Speaker 10>I agree.

0:16:49.320 --> 0:16:52.920
<v Speaker 8>Just don't tell her, Yeah, just just don't bring it

0:16:53.000 --> 0:16:55.680
<v Speaker 8>up because Laurla doesn't have a clue, so it's.

0:16:56.200 --> 0:16:58.880
<v Speaker 2>Landing planes here, which was also weird because it's like, hey,

0:16:58.880 --> 0:17:02.600
<v Speaker 2>she's at the table, like you're acting like the restaurant

0:17:02.640 --> 0:17:06.359
<v Speaker 2>doesn't exist other than you like hey, hey, it's like okay,

0:17:06.520 --> 0:17:10.040
<v Speaker 2>what But also Laane, just say hey and just don't

0:17:10.080 --> 0:17:10.440
<v Speaker 2>tell her.

0:17:10.760 --> 0:17:13.080
<v Speaker 8>Yeah, it's not like she she has no clue, so

0:17:13.119 --> 0:17:15.440
<v Speaker 8>it's not like she it would even like remotely come

0:17:15.520 --> 0:17:18.320
<v Speaker 8>up unless she's like have you talked to Rory which

0:17:18.359 --> 0:17:19.399
<v Speaker 8>doesn't happen that often.

0:17:20.280 --> 0:17:23.680
<v Speaker 4>Yeah, it was like Lane's awkwardness is what made Laura

0:17:23.880 --> 0:17:26.240
<v Speaker 4>I ask her what's going on? Like if Lane had

0:17:26.280 --> 0:17:28.959
<v Speaker 4>just played it cool, it wouldn't have even been a conversation.

0:17:29.200 --> 0:17:30.720
<v Speaker 7>Yeah.

0:17:30.840 --> 0:17:33.680
<v Speaker 2>Yeah, it's like, you know, there's something else I wanted

0:17:33.680 --> 0:17:37.800
<v Speaker 2>to point out I and some have happened I think

0:17:37.840 --> 0:17:40.359
<v Speaker 2>at this point, and some haven't. Did you all notice

0:17:40.400 --> 0:17:46.520
<v Speaker 2>the subliminal message of trust that is mentioned throughout this episode?

0:17:47.000 --> 0:17:51.399
<v Speaker 2>There are references to trust already in this episode and

0:17:51.440 --> 0:17:54.080
<v Speaker 2>we haven't even gotten to the big moment between Luke

0:17:54.080 --> 0:17:56.000
<v Speaker 2>and Lorelai where it's like we can't hide things from

0:17:56.040 --> 0:17:59.840
<v Speaker 2>each other and Scott may not know why it's coming,

0:17:59.880 --> 0:18:02.399
<v Speaker 2>but Suzanne, Tara and I do, And it's like it

0:18:02.480 --> 0:18:04.200
<v Speaker 2>was almost too over the time.

0:18:04.480 --> 0:18:07.840
<v Speaker 1>I mean, I know why it's coming, I know why

0:18:07.920 --> 0:18:10.560
<v Speaker 1>it's there, and I know what's coming. So yeah, it's.

0:18:10.520 --> 0:18:16.200
<v Speaker 2>Like that seemed almost too I love foreshadowing more than anybody,

0:18:16.240 --> 0:18:17.400
<v Speaker 2>but it seemed too much.

0:18:17.480 --> 0:18:18.600
<v Speaker 1>It was a little extreme.

0:18:19.040 --> 0:18:21.359
<v Speaker 3>Yeah, I get it a little.

0:18:21.200 --> 0:18:23.399
<v Speaker 1>Much for me, But do you think you think that

0:18:23.440 --> 0:18:26.440
<v Speaker 1>was added character for Luke to pop that much?

0:18:27.119 --> 0:18:32.120
<v Speaker 8>I think extent he did, Yes, like being upset, Yes,

0:18:32.160 --> 0:18:33.600
<v Speaker 8>but he just kind of like, like you said, he

0:18:33.680 --> 0:18:36.159
<v Speaker 8>just popped off like I expected him to be upset,

0:18:36.160 --> 0:18:39.760
<v Speaker 8>but it considering the last time he didn't say anything

0:18:40.720 --> 0:18:41.800
<v Speaker 8>this to calm yourselves.

0:18:41.840 --> 0:18:43.439
<v Speaker 3>Calm yourselves. We're not there yet. We're not there yet.

0:18:43.480 --> 0:18:44.040
<v Speaker 3>Calm yourselves.

0:18:44.040 --> 0:18:45.760
<v Speaker 1>Okay, okay, you brought it up.

0:18:45.960 --> 0:18:51.159
<v Speaker 3>I know, sorry, and then you smack us down before

0:18:51.200 --> 0:18:53.760
<v Speaker 3>we get to that. We're almost there.

0:18:53.800 --> 0:18:57.200
<v Speaker 2>We've got two more things I think before that, the bit,

0:18:57.359 --> 0:19:00.960
<v Speaker 2>the recurring bit of Zach being irritated that Rory is

0:19:01.080 --> 0:19:03.480
<v Speaker 2>using the paper towels or the sponge or the soap

0:19:03.560 --> 0:19:05.520
<v Speaker 2>or the cereal, the cheese nips.

0:19:05.280 --> 0:19:08.080
<v Speaker 1>Whatever, I kuld have skip so annoying.

0:19:08.480 --> 0:19:11.080
<v Speaker 2>Yeah, I was like it sort of made me giggle once,

0:19:11.400 --> 0:19:13.960
<v Speaker 2>but then on the fifteenth time, I'm like, I don't

0:19:14.040 --> 0:19:15.200
<v Speaker 2>care stop it.

0:19:16.520 --> 0:19:21.840
<v Speaker 1>Yeah. Yeah, that scene was beneath Rory.

0:19:22.080 --> 0:19:22.359
<v Speaker 8>Yeah.

0:19:22.440 --> 0:19:22.960
<v Speaker 3>When she's like.

0:19:24.440 --> 0:19:26.680
<v Speaker 1>That scene was beneath the show. That was one scene

0:19:26.680 --> 0:19:27.439
<v Speaker 1>I would have remembered.

0:19:27.560 --> 0:19:29.760
<v Speaker 3>Yeah, it seemed like, did you need three more minutes

0:19:29.920 --> 0:19:30.879
<v Speaker 3>like chill?

0:19:31.600 --> 0:19:36.080
<v Speaker 1>Yeah, but I I had have taken three minutes of

0:19:36.359 --> 0:19:38.440
<v Speaker 1>Suki rolling around on the ugly bed.

0:19:41.000 --> 0:19:42.040
<v Speaker 3>I know I would have.

0:19:42.080 --> 0:19:45.760
<v Speaker 2>Actually, you're right, I would have taken more, Melissa, like

0:19:46.840 --> 0:19:49.359
<v Speaker 2>you know. So we have one more scene till we

0:19:49.400 --> 0:19:52.600
<v Speaker 2>get to my favorite scene of the episode. But now

0:19:52.640 --> 0:19:55.440
<v Speaker 2>we see Rory with Stuart on the phone, so we've

0:19:55.480 --> 0:20:00.160
<v Speaker 2>seen her on the phone getting the good wreck and

0:20:00.200 --> 0:20:06.120
<v Speaker 2>that becomes important for what unfolds. So you know, they're

0:20:06.160 --> 0:20:09.040
<v Speaker 2>having a nice communication and we realize he's sort of

0:20:09.040 --> 0:20:10.920
<v Speaker 2>saying I don't know what Mitch's problem was, and she's

0:20:10.960 --> 0:20:13.720
<v Speaker 2>sort of saying like, yeah, I am a good journalist,

0:20:13.840 --> 0:20:15.359
<v Speaker 2>blah blah blah.

0:20:15.920 --> 0:20:16.720
<v Speaker 1>Yeah.

0:20:16.760 --> 0:20:18.760
<v Speaker 2>So I liked that, and I also thought it was

0:20:18.800 --> 0:20:20.399
<v Speaker 2>very sweet that Lane made her a grilled cheese. I

0:20:20.440 --> 0:20:22.520
<v Speaker 2>literally must have been hungry watching it because I was like,

0:20:23.040 --> 0:20:25.680
<v Speaker 2>I love that grilled cheese, Like, don't forget your cheese.

0:20:27.200 --> 0:20:31.399
<v Speaker 1>And that's something about food on TV. It's always, my god, always.

0:20:31.040 --> 0:20:33.320
<v Speaker 2>Just still thinking about your risotto.

0:20:35.480 --> 0:20:40.320
<v Speaker 3>We haven't even gotten to the burger debate. So we.

0:20:41.640 --> 0:20:44.040
<v Speaker 2>Go to the scene and it's kind of a long

0:20:44.080 --> 0:20:48.640
<v Speaker 2>scene because it has multiple parts with Jackson, Luke, Suki,

0:20:49.000 --> 0:20:54.440
<v Speaker 2>and Laurli having dinner. So I'll just overview it and

0:20:54.480 --> 0:20:56.720
<v Speaker 2>then we can dig into it. So it basically has

0:20:56.800 --> 0:20:59.680
<v Speaker 2>a few things. One is it has Jackson and Luke

0:20:59.720 --> 0:21:05.080
<v Speaker 2>having or sort of burger fight whatever, and then Suki

0:21:05.160 --> 0:21:08.600
<v Speaker 2>and lower Lie seeing the hideous bed, the message from Christopher,

0:21:09.440 --> 0:21:12.439
<v Speaker 2>the awkward Luke saying we don't fight in front of guests,

0:21:12.680 --> 0:21:16.440
<v Speaker 2>the awkward dinner, all the way to the big explosion,

0:21:16.600 --> 0:21:17.760
<v Speaker 2>and over to Luke's apartment.

0:21:17.880 --> 0:21:19.399
<v Speaker 3>So let's just talk about it all.

0:21:21.760 --> 0:21:28.399
<v Speaker 1>Okay, So let me try to justify Luke's reaction from

0:21:28.440 --> 0:21:33.359
<v Speaker 1>the male perspective, the territorial male perspective, please do, and

0:21:33.400 --> 0:21:44.960
<v Speaker 1>it's and it's as if you and I will uh,

0:21:45.440 --> 0:21:49.600
<v Speaker 1>I think Obviously, Intellectually, he understands that Christopher is going

0:21:49.680 --> 0:21:54.040
<v Speaker 1>to be in their lives to one extent or another

0:21:54.680 --> 0:21:58.160
<v Speaker 1>because he's Rory's dad. There's there's just no question about it.

0:21:58.359 --> 0:22:03.840
<v Speaker 1>Sure emotion, he's so all in at this point, and

0:22:03.880 --> 0:22:08.639
<v Speaker 1>he's waiting for Lorelei to be ready to set a

0:22:08.720 --> 0:22:11.840
<v Speaker 1>date for the wedding, right, and this is an underlying

0:22:12.000 --> 0:22:15.879
<v Speaker 1>stress and tension for him and insecurity for him that

0:22:15.960 --> 0:22:22.240
<v Speaker 1>he's already covering and being a good guy about. He's

0:22:22.640 --> 0:22:25.280
<v Speaker 1>really a little probably worked up about it, but he's

0:22:25.320 --> 0:22:29.680
<v Speaker 1>not gonna pop, right. It just took this to send

0:22:29.760 --> 0:22:31.679
<v Speaker 1>him into a little bit of a rant, you know

0:22:31.680 --> 0:22:33.560
<v Speaker 1>what I mean. It's like, now we have to deal

0:22:33.560 --> 0:22:35.960
<v Speaker 1>with this guy, and now you're you're postponing the way

0:22:36.000 --> 0:22:38.000
<v Speaker 1>he got excuse. Now there's going to be another excuse,

0:22:38.040 --> 0:22:39.199
<v Speaker 1>and what the hell? What's going on?

0:22:39.359 --> 0:22:41.400
<v Speaker 3>Well, and it was the cause of their breakup.

0:22:41.560 --> 0:22:46.520
<v Speaker 1>Right, it's it's right, it's a it's a sensitive And

0:22:47.359 --> 0:22:51.520
<v Speaker 1>another thing is is it's territorial because that's Luke's living

0:22:51.560 --> 0:22:55.600
<v Speaker 1>there now. He paid for the reconstruction on the house.

0:22:56.280 --> 0:23:00.080
<v Speaker 1>That's his domain, that's his castle. Now that he's should well,

0:23:00.080 --> 0:23:02.040
<v Speaker 1>actually he's sharing it. You know. It's pretty much a

0:23:02.080 --> 0:23:04.760
<v Speaker 1>fifty to fifty splitter, maybe even a seventy thirty or

0:23:04.800 --> 0:23:08.000
<v Speaker 1>sixty forty split more more toward Laurel. It's really her house.

0:23:08.440 --> 0:23:11.439
<v Speaker 1>But he's in there now, right, So it's the first

0:23:11.440 --> 0:23:14.320
<v Speaker 1>time he's dug in. He feels like his dreams are

0:23:14.359 --> 0:23:18.040
<v Speaker 1>coming true. He's going to have a great life and

0:23:18.080 --> 0:23:21.080
<v Speaker 1>he doesn't want to deal with the complications from her

0:23:21.160 --> 0:23:28.560
<v Speaker 1>past any longer. As they say, triggering, how dare Christopher

0:23:28.600 --> 0:23:30.920
<v Speaker 1>and his Luke's mind is saying, how dare this guy

0:23:33.280 --> 0:23:36.879
<v Speaker 1>leave a message for Laurel? I that he knows I

0:23:36.960 --> 0:23:40.320
<v Speaker 1>can hear. Here's the questions. She doesn't know. He doesn't

0:23:40.359 --> 0:23:40.919
<v Speaker 1>know that I'm.

0:23:40.800 --> 0:23:42.879
<v Speaker 3>Moved in, right, No, he doesn't even know.

0:23:43.000 --> 0:23:46.240
<v Speaker 1>Your Other reason, what's in Luke's mind's like, why haven't

0:23:46.240 --> 0:23:48.439
<v Speaker 1>you told this guy that we're in the house together,

0:23:48.840 --> 0:23:51.960
<v Speaker 1>that I moved in, And don't leave messages on the machine.

0:23:51.960 --> 0:23:54.639
<v Speaker 1>If you want to talk to me, you know, I

0:23:54.640 --> 0:23:56.000
<v Speaker 1>don't know, call my cell phone.

0:23:56.440 --> 0:23:58.359
<v Speaker 3>Well, but you can't have it both ways.

0:23:58.400 --> 0:24:00.560
<v Speaker 4>If he's going to get mad at her because he

0:24:00.680 --> 0:24:02.720
<v Speaker 4>thinks that she's talking to him.

0:24:02.600 --> 0:24:06.000
<v Speaker 1>No, no, no, not mad at her, He's not. He's mad

0:24:06.040 --> 0:24:07.200
<v Speaker 1>at Yeah.

0:24:07.359 --> 0:24:08.480
<v Speaker 3>No, I know what I'm saying.

0:24:08.920 --> 0:24:12.360
<v Speaker 1>He actually has heard because it's being delayed, the wedding's

0:24:12.400 --> 0:24:14.000
<v Speaker 1>being delayed, and now that he's got to hear this

0:24:14.040 --> 0:24:17.359
<v Speaker 1>guy's voice on the home machine, and now he feels

0:24:17.440 --> 0:24:19.960
<v Speaker 1>like a sort of not a part really as big

0:24:20.000 --> 0:24:21.320
<v Speaker 1>a part of her life anymore.

0:24:21.359 --> 0:24:24.679
<v Speaker 2>In that moment, it showed, he showed he's got a

0:24:24.920 --> 0:24:28.520
<v Speaker 2>little lack of trust. Still we're not at a one

0:24:28.600 --> 0:24:32.640
<v Speaker 2>hundred percent yeah trust right, because he's like going on,

0:24:32.800 --> 0:24:33.680
<v Speaker 2>like what's going on.

0:24:34.240 --> 0:24:37.439
<v Speaker 3>And specifically with Christopher, Yeah, I think so.

0:24:37.600 --> 0:24:41.359
<v Speaker 4>Yeah, I was really bothered by at the at the

0:24:41.359 --> 0:24:45.119
<v Speaker 4>moment of the Answering Machine message, he wouldn't even let

0:24:45.400 --> 0:24:48.800
<v Speaker 4>Laurlai finish her sentence, like he just he heard a

0:24:48.920 --> 0:24:52.920
<v Speaker 4>second of Christopher's voice and went immediately to you're back

0:24:52.960 --> 0:24:55.639
<v Speaker 4>in contact with him? Why didn't you tell me? And

0:24:55.680 --> 0:24:58.359
<v Speaker 4>she's saying I haven't even talked to him in a year.

0:24:58.880 --> 0:24:59.920
<v Speaker 4>I wouldn't believe her.

0:25:00.119 --> 0:25:03.280
<v Speaker 1>And I think the setup. I think the setup was wrong.

0:25:03.359 --> 0:25:06.480
<v Speaker 1>I think it's a flaw in the scene. I think

0:25:06.680 --> 0:25:08.800
<v Speaker 1>I think there needed to be a little better set

0:25:08.880 --> 0:25:13.359
<v Speaker 1>up with the writing there, okay, because it seemed like

0:25:13.400 --> 0:25:15.520
<v Speaker 1>he just sort of came in and heard and then

0:25:15.520 --> 0:25:17.280
<v Speaker 1>it just got into this thing and I was like, oh,

0:25:17.320 --> 0:25:19.439
<v Speaker 1>wait a minute, we skipped over a couple of steps here.

0:25:19.560 --> 0:25:19.960
<v Speaker 3>Yeah.

0:25:20.040 --> 0:25:22.880
<v Speaker 2>Yeah, he was a little aggressive for his character, even

0:25:22.880 --> 0:25:26.399
<v Speaker 2>though like I get it now, I did giggle a

0:25:26.440 --> 0:25:30.800
<v Speaker 2>little when we're not fighting yet and then he goes off.

0:25:31.359 --> 0:25:34.119
<v Speaker 2>You know, I don't know that it warranted such a

0:25:34.119 --> 0:25:37.080
<v Speaker 2>blow up for me. I think that it was the

0:25:37.119 --> 0:25:40.400
<v Speaker 2>reason it blew up was because there was unfinished business

0:25:40.400 --> 0:25:44.400
<v Speaker 2>that they hadn't discussed. Yeah, and then I think it's

0:25:45.320 --> 0:25:48.960
<v Speaker 2>stressful for me that the unfinished business is they needed

0:25:48.960 --> 0:25:51.680
<v Speaker 2>to acknowledge trust and that they need to tell each

0:25:51.720 --> 0:25:56.040
<v Speaker 2>other everything and knowing what I know, that's very good.

0:25:56.280 --> 0:25:58.199
<v Speaker 1>But he wants to get out of this sort of

0:26:00.400 --> 0:26:04.400
<v Speaker 1>I don't know, it's, you know, this sort of neutral

0:26:04.480 --> 0:26:08.720
<v Speaker 1>zone that he's in right where she's not even she

0:26:08.720 --> 0:26:10.240
<v Speaker 1>didn't even want to set a date for the wedding.

0:26:10.400 --> 0:26:11.760
<v Speaker 1>It's like, what's the problem.

0:26:12.200 --> 0:26:13.320
<v Speaker 3>We know what the problem is.

0:26:13.359 --> 0:26:18.639
<v Speaker 1>It's I know, because he doesn't think that it's a

0:26:18.680 --> 0:26:23.280
<v Speaker 1>good enough excuse. Oh he doesn't. That's how he feels,

0:26:23.480 --> 0:26:26.359
<v Speaker 1>and he and that's the trust issue. He feels like

0:26:26.400 --> 0:26:27.800
<v Speaker 1>she's going to keep making excuses.

0:26:27.880 --> 0:26:29.600
<v Speaker 3>It's going to be something that's fair.

0:26:29.640 --> 0:26:32.359
<v Speaker 2>I never put myself in his position like that on

0:26:32.440 --> 0:26:34.920
<v Speaker 2>it because for me, it totally makes sense, and it's

0:26:34.960 --> 0:26:38.240
<v Speaker 2>why the ending of the episode is so awesome and

0:26:39.720 --> 0:26:41.679
<v Speaker 2>RINGI at the same time, I just.

0:26:41.520 --> 0:26:46.600
<v Speaker 1>Just think about how long he's been waiting, right, I

0:26:46.640 --> 0:26:49.359
<v Speaker 1>get it. I mean it's been years and years and

0:26:49.440 --> 0:26:51.640
<v Speaker 1>years and years and she still won't set a date.

0:26:51.880 --> 0:26:53.840
<v Speaker 1>She still wants to not do it.

0:26:54.080 --> 0:26:56.240
<v Speaker 3>Yet, Well, I get it.

0:26:56.119 --> 0:26:58.280
<v Speaker 2>Right, I get why he's yeah, and he's being a

0:26:58.400 --> 0:27:02.200
<v Speaker 2>very patient, loving fiance.

0:27:02.600 --> 0:27:05.040
<v Speaker 1>So now he's having a time this at this moment,

0:27:05.119 --> 0:27:05.879
<v Speaker 1>he's out of patience.

0:27:05.960 --> 0:27:08.200
<v Speaker 8>The only reason why I think it's not fair though,

0:27:08.320 --> 0:27:12.320
<v Speaker 8>is when Lorilia brings it up that Christopher will always

0:27:12.320 --> 0:27:14.280
<v Speaker 8>be in her life whether they like it or not,

0:27:14.359 --> 0:27:18.160
<v Speaker 8>and it kind of was foreshadowing in a sense what's

0:27:18.240 --> 0:27:19.080
<v Speaker 8>coming of.

0:27:19.560 --> 0:27:23.080
<v Speaker 7>He is the father of my daughter and.

0:27:24.920 --> 0:27:27.440
<v Speaker 1>That's a very modern definition of father.

0:27:28.080 --> 0:27:31.840
<v Speaker 4>At the same time an adult. So it's not like

0:27:31.920 --> 0:27:33.680
<v Speaker 4>he's going to be in their life day in and

0:27:33.760 --> 0:27:34.160
<v Speaker 4>day out.

0:27:34.160 --> 0:27:37.840
<v Speaker 8>No, but he's not going away forever, like you know what,

0:27:38.040 --> 0:27:40.800
<v Speaker 8>you know what I mean, whether they're whether they are

0:27:40.960 --> 0:27:43.680
<v Speaker 8>close or not, at the end of the day, it's

0:27:43.720 --> 0:27:46.680
<v Speaker 8>still her dad and it's still you know, that's that's it.

0:27:46.800 --> 0:27:50.719
<v Speaker 2>So and also college isn't forty like you still? Yeah,

0:27:51.240 --> 0:27:54.960
<v Speaker 2>like she yes, she's an adult, but like she's a kid,

0:27:55.119 --> 0:27:55.760
<v Speaker 2>she's a kid.

0:27:55.880 --> 0:28:05.760
<v Speaker 3>Yeah, yeah.

0:28:05.840 --> 0:28:08.320
<v Speaker 2>I think the thing that I love so many things

0:28:08.320 --> 0:28:10.240
<v Speaker 2>to talk about here, but one of the things is

0:28:10.800 --> 0:28:15.320
<v Speaker 2>that we have this total drama going on while we

0:28:15.359 --> 0:28:23.080
<v Speaker 2>still have the funniest moments between Jackson and Suki of

0:28:23.119 --> 0:28:24.200
<v Speaker 2>all time, like.

0:28:24.400 --> 0:28:26.880
<v Speaker 3>When he says was it what does he say?

0:28:26.960 --> 0:28:29.200
<v Speaker 2>Like he says something like was it that I brought

0:28:29.240 --> 0:28:32.760
<v Speaker 2>up the burgers and she's like, yeah it, And she

0:28:32.880 --> 0:28:33.879
<v Speaker 2>has two of.

0:28:33.760 --> 0:28:36.720
<v Speaker 3>Those where I'm like, I'm dying.

0:28:36.440 --> 0:28:40.280
<v Speaker 8>And their drama is always so just like whatever, you

0:28:40.320 --> 0:28:43.240
<v Speaker 8>know what I mean, Like there's no drama between Suki

0:28:43.320 --> 0:28:46.000
<v Speaker 8>and Jackson that's like groundbreaking.

0:28:47.080 --> 0:28:49.080
<v Speaker 3>So it was.

0:28:50.640 --> 0:28:52.640
<v Speaker 2>Oh my god, I just she had a couple of

0:28:52.640 --> 0:28:55.080
<v Speaker 2>those and I'm just like, oh my god, I'm dying.

0:28:56.320 --> 0:28:58.320
<v Speaker 1>Drama doesn't compare to the other drama.

0:28:58.400 --> 0:28:59.840
<v Speaker 7>Yeah, that's happening down the hall.

0:29:02.520 --> 0:29:05.000
<v Speaker 2>What do you think of Luke saying we will have

0:29:05.040 --> 0:29:07.600
<v Speaker 2>this fight later. It's rude to fight in front of

0:29:07.640 --> 0:29:13.760
<v Speaker 2>other people's aggressive manners.

0:29:14.480 --> 0:29:16.000
<v Speaker 1>I think it shows good breeding.

0:29:17.320 --> 0:29:18.440
<v Speaker 3>Yeah, I mean he's trying.

0:29:20.600 --> 0:29:25.640
<v Speaker 1>He's just trying to assert himself as he's overcompensating because

0:29:25.680 --> 0:29:30.120
<v Speaker 1>he feels a little castrated by the phone call and

0:29:31.880 --> 0:29:34.880
<v Speaker 1>that Christopher feels like he can even leave a message

0:29:34.880 --> 0:29:37.040
<v Speaker 1>on her machine. He feels like he's being cut out

0:29:37.040 --> 0:29:41.160
<v Speaker 1>of that whole scene, you know, not scene, but out

0:29:41.200 --> 0:29:44.960
<v Speaker 1>of her life a moment, in that moment, like there's

0:29:45.080 --> 0:29:48.640
<v Speaker 1>a compartmentalization there in her life where where he just

0:29:48.680 --> 0:29:52.840
<v Speaker 1>doesn't fit into that part. And and that's that's the

0:29:52.880 --> 0:29:55.800
<v Speaker 1>reason for that tude. Is tued.

0:29:56.240 --> 0:29:59.840
<v Speaker 2>Yeah, so I actually was very happy that she goes

0:30:00.040 --> 0:30:02.440
<v Speaker 2>over there right away and it gets resolved right away,

0:30:02.880 --> 0:30:07.880
<v Speaker 2>and they're sort of better than ever. Although what I

0:30:07.880 --> 0:30:11.640
<v Speaker 2>can't remember is with some of the over the top

0:30:11.680 --> 0:30:14.200
<v Speaker 2>sort of we can't hide things. It's the only way

0:30:14.200 --> 0:30:17.520
<v Speaker 2>it will work. I don't think it was so obvious

0:30:17.600 --> 0:30:20.040
<v Speaker 2>to me when I watched it the first time as

0:30:20.080 --> 0:30:23.360
<v Speaker 2>it is now. I actually have to say, I think

0:30:23.360 --> 0:30:26.200
<v Speaker 2>the writing and the whole setup everything is brilliant.

0:30:26.560 --> 0:30:29.400
<v Speaker 3>Like I think Season six is amazing.

0:30:30.520 --> 0:30:34.080
<v Speaker 2>So I get we have maybe some flaws coming, but

0:30:34.200 --> 0:30:37.560
<v Speaker 2>like so far, it's as good as any season we've

0:30:37.560 --> 0:30:39.480
<v Speaker 2>had in my humble opinion.

0:30:42.480 --> 0:30:43.680
<v Speaker 1>Yeah, I don't know about that.

0:30:44.800 --> 0:30:48.640
<v Speaker 7>I don't really agree, but I love the first half.

0:30:48.800 --> 0:30:50.840
<v Speaker 4>And this is about the point where I start getting

0:30:50.880 --> 0:30:56.800
<v Speaker 4>a little frustrated. I don't dislike it, but there it's frustrating. Yeah,

0:30:57.000 --> 0:30:59.440
<v Speaker 4>I like, I'll still watch it, but it's not like

0:31:00.240 --> 0:31:02.800
<v Speaker 4>I think. This season is not like episodes I'm going

0:31:02.840 --> 0:31:06.200
<v Speaker 4>back to or like. Besides, the scene with Jess is

0:31:06.240 --> 0:31:09.560
<v Speaker 4>not like a memorable, really big, big memorable moment for me,

0:31:09.920 --> 0:31:10.880
<v Speaker 4>but I still enjoy it.

0:31:11.480 --> 0:31:12.280
<v Speaker 1>Yeah, Yeah, I don't know.

0:31:12.280 --> 0:31:14.560
<v Speaker 3>I have to see how we go along? Sorry Scott that.

0:31:15.280 --> 0:31:18.920
<v Speaker 1>No, it's like I said, it's like the mac If

0:31:18.960 --> 0:31:21.440
<v Speaker 1>you don't buy into the macro narratives, it's hard to

0:31:22.000 --> 0:31:24.920
<v Speaker 1>enjoy it. You can still enjoy the episodes. They're still

0:31:25.120 --> 0:31:30.320
<v Speaker 1>really well written. Yeah, but you know, tying all these

0:31:30.360 --> 0:31:32.479
<v Speaker 1>loose ends together that you didn't sort of get on

0:31:32.520 --> 0:31:35.560
<v Speaker 1>board within the first place and objected to back a

0:31:35.640 --> 0:31:39.320
<v Speaker 1>season ago, and here they are, and it's like, Okay,

0:31:40.280 --> 0:31:42.600
<v Speaker 1>you know, I didn't really go along with this in

0:31:42.680 --> 0:31:44.560
<v Speaker 1>the first place. This doesn't have a great deal of

0:31:44.600 --> 0:31:47.600
<v Speaker 1>impact on me right now. But I know it's well acted,

0:31:47.640 --> 0:31:48.800
<v Speaker 1>and I know it's well written.

0:31:49.880 --> 0:31:54.200
<v Speaker 3>Yeah. Yeah, and it's funny too. It's emotional. I cried.

0:31:54.280 --> 0:31:54.800
<v Speaker 1>I laughed.

0:31:54.800 --> 0:31:57.520
<v Speaker 2>I literally laughed a bunch during this episode and cried.

0:31:57.800 --> 0:31:59.960
<v Speaker 1>I did not cry, Oh, I cried.

0:32:00.080 --> 0:32:00.480
<v Speaker 11>I really.

0:32:01.200 --> 0:32:04.280
<v Speaker 2>So before we get into April, let's just talk about

0:32:04.360 --> 0:32:04.880
<v Speaker 2>we can talk.

0:32:04.960 --> 0:32:06.520
<v Speaker 3>We can talk even though we're going a little out

0:32:06.520 --> 0:32:09.160
<v Speaker 3>of order. Let's talk about Rory and the job. Just

0:32:09.280 --> 0:32:10.680
<v Speaker 3>play that through that.

0:32:11.800 --> 0:32:13.400
<v Speaker 1>Wait a minute, what's the next scene? We go?

0:32:13.560 --> 0:32:15.280
<v Speaker 3>Story was the job?

0:32:15.400 --> 0:32:17.480
<v Speaker 2>So That's why I'm saying, let's just talk through it

0:32:17.920 --> 0:32:21.280
<v Speaker 2>right all in so, I like her persistence.

0:32:21.320 --> 0:32:22.800
<v Speaker 3>I like her how she's organized.

0:32:22.800 --> 0:32:27.000
<v Speaker 2>It's a little nuts, but I'm into it, and I

0:32:27.000 --> 0:32:28.120
<v Speaker 2>am just happy.

0:32:27.760 --> 0:32:29.080
<v Speaker 3>That I feel like she's back.

0:32:29.400 --> 0:32:29.600
<v Speaker 10>Yeah.

0:32:29.800 --> 0:32:33.240
<v Speaker 4>Yeah, I was a little conflicted on this scene because

0:32:33.280 --> 0:32:35.600
<v Speaker 4>I was, like you said, I was happy to see

0:32:35.600 --> 0:32:38.560
<v Speaker 4>that we had that glimpse of the old Rory, right

0:32:38.640 --> 0:32:41.600
<v Speaker 4>that was, you know, the go getter, and she's gonna

0:32:41.640 --> 0:32:43.680
<v Speaker 4>just go after what she wants and no one's gonna

0:32:43.720 --> 0:32:44.200
<v Speaker 4>stop her.

0:32:44.440 --> 0:32:47.080
<v Speaker 3>But at the same time, she was kind of.

0:32:47.000 --> 0:32:52.480
<v Speaker 4>Annoying about Yeah, she's nuts. The squeaky baby voice was back,

0:32:52.560 --> 0:32:54.959
<v Speaker 4>and she just was so frantic about it. If I

0:32:55.120 --> 0:32:57.160
<v Speaker 4>was that that editor guy, I would be like, can

0:32:57.240 --> 0:33:00.400
<v Speaker 4>we have security keep an eye on her because it's

0:33:00.440 --> 0:33:04.000
<v Speaker 4>a little intense. So I don't know, but it was

0:33:04.040 --> 0:33:08.640
<v Speaker 4>good to see that she's back on track and uh,

0:33:09.040 --> 0:33:12.120
<v Speaker 4>you know, kind of pursuing her dreams again and not

0:33:12.120 --> 0:33:14.840
<v Speaker 4>not you know, down in the dumps and Mitcham says,

0:33:14.840 --> 0:33:16.239
<v Speaker 4>I can't do it, So I can't do it.

0:33:16.280 --> 0:33:17.120
<v Speaker 3>I was glad to see that.

0:33:17.560 --> 0:33:17.760
<v Speaker 5>Yeah.

0:33:18.760 --> 0:33:22.760
<v Speaker 1>I kept thinking, is like, we didn't need all of this,

0:33:22.920 --> 0:33:28.440
<v Speaker 1>Michig gosh, we just needed Rory to maybe maybe be

0:33:28.560 --> 0:33:32.360
<v Speaker 1>a little stunned by the Mitcham comments and then just

0:33:33.760 --> 0:33:36.760
<v Speaker 1>buck up. All I kept thinking was we could we

0:33:36.800 --> 0:33:39.000
<v Speaker 1>missed so many episodes where she could have been.

0:33:38.920 --> 0:33:42.160
<v Speaker 3>At Yale totally and all that.

0:33:42.040 --> 0:33:45.760
<v Speaker 1>Great stuff with those Light and Death Brigade and and

0:33:46.840 --> 0:33:49.240
<v Speaker 1>all of the logan and more. Mitcham.

0:33:50.160 --> 0:33:52.880
<v Speaker 8>Yeah, So the one thing for me that I wish

0:33:53.080 --> 0:33:55.040
<v Speaker 8>and again, I like, I like the way now we're

0:33:55.040 --> 0:33:58.200
<v Speaker 8>transitioning back to normal, Rory. I wish there was like

0:33:58.360 --> 0:34:02.160
<v Speaker 8>a scene or an episode between last week and this

0:34:02.280 --> 0:34:05.040
<v Speaker 8>week that felt that was more of a buffer, because

0:34:05.080 --> 0:34:09.520
<v Speaker 8>I feel like she it's like Jess's speech to her

0:34:09.640 --> 0:34:12.719
<v Speaker 8>cure to everything, and I get it, but like I

0:34:12.760 --> 0:34:16.480
<v Speaker 8>wish that there was something in between where now she's like, Okay,

0:34:16.520 --> 0:34:17.960
<v Speaker 8>I think I'm read like you know what I mean,

0:34:18.000 --> 0:34:18.239
<v Speaker 8>Like I.

0:34:18.239 --> 0:34:21.280
<v Speaker 2>Just maybe it's just maybe it's just Jess, like maybe

0:34:21.320 --> 0:34:25.600
<v Speaker 2>we just go you know what. Yeah, Jess, she was

0:34:25.640 --> 0:34:28.560
<v Speaker 2>starting to head that direction, and then he pushed it

0:34:28.560 --> 0:34:28.879
<v Speaker 2>over there.

0:34:28.960 --> 0:34:29.600
<v Speaker 7>He really pushed it.

0:34:29.680 --> 0:34:29.839
<v Speaker 9>Yeah.

0:34:29.920 --> 0:34:30.520
<v Speaker 7>No, I get it.

0:34:32.160 --> 0:34:35.319
<v Speaker 1>No, I kind of I agree with you. I mean,

0:34:35.320 --> 0:34:38.400
<v Speaker 1>if they're going to string us along like this, yeah,

0:34:38.480 --> 0:34:41.520
<v Speaker 1>you know, just milk us dry before you turn.

0:34:43.040 --> 0:34:47.920
<v Speaker 8>I think it's because the job and the reuniting happened

0:34:47.960 --> 0:34:52.400
<v Speaker 8>in one episode when like the whole separation took like

0:34:52.960 --> 0:34:55.759
<v Speaker 8>eight you know, you know what I mean, Like we

0:34:55.800 --> 0:34:57.879
<v Speaker 8>went through eight episodes of that, which, by the way,

0:34:57.920 --> 0:35:00.600
<v Speaker 8>I'm happy, like I do not like and Laura lyon

0:35:00.680 --> 0:35:03.880
<v Speaker 8>Rory you're not talking. But it was like, give us

0:35:03.880 --> 0:35:05.480
<v Speaker 8>at least not even an episode, give us like a

0:35:05.480 --> 0:35:08.919
<v Speaker 8>little scene in between of like her planning, like this

0:35:08.960 --> 0:35:10.040
<v Speaker 8>is what I want to do.

0:35:10.000 --> 0:35:17.680
<v Speaker 2>Now interesting, Nope, don't need it?

0:35:16.960 --> 0:35:17.560
<v Speaker 5>Get it?

0:35:17.920 --> 0:35:19.600
<v Speaker 3>Yeah?

0:35:20.080 --> 0:35:24.839
<v Speaker 2>So okay, so now, so good, good, good. All she'd

0:35:24.880 --> 0:35:27.360
<v Speaker 2>got the job, she deserves the job. She's quite skilled.

0:35:29.400 --> 0:35:29.840
<v Speaker 3>April.

0:35:30.080 --> 0:35:32.560
<v Speaker 2>So here's my one flag on this episode. When we

0:35:32.600 --> 0:35:34.680
<v Speaker 2>get to the April scene. So we're in the diner

0:35:34.800 --> 0:35:37.520
<v Speaker 2>and we obviously see the pink bike or the pink

0:35:37.520 --> 0:35:39.960
<v Speaker 2>helmet pull up and the bike flops over and we

0:35:40.000 --> 0:35:42.640
<v Speaker 2>see it through the window. The part that confused me

0:35:42.719 --> 0:35:45.960
<v Speaker 2>is like, why was Luke making mistakes like that doesn't

0:35:46.080 --> 0:35:47.880
<v Speaker 2>I don't get it. It's not like he didn't I

0:35:47.880 --> 0:35:50.160
<v Speaker 2>don't get it. Why was he like forgetting her onions

0:35:50.200 --> 0:35:51.680
<v Speaker 2>and why was the burger not done right?

0:35:51.719 --> 0:35:53.280
<v Speaker 3>Like I didn't need it. He's busy.

0:35:53.600 --> 0:35:56.520
<v Speaker 8>I think he was from the whole thing with Christopher.

0:35:56.520 --> 0:35:59.240
<v Speaker 8>That's how I took it like he was just yeah,

0:35:59.440 --> 0:36:01.799
<v Speaker 8>could be he was just not up to his Yeah

0:36:01.880 --> 0:36:02.360
<v Speaker 8>he wasn't.

0:36:02.520 --> 0:36:04.960
<v Speaker 7>Yeah he was distracted thinking about something else.

0:36:05.000 --> 0:36:07.680
<v Speaker 2>That's how I kind of was just like, I don't

0:36:07.800 --> 0:36:09.520
<v Speaker 2>I didn't need him making mistakes.

0:36:09.640 --> 0:36:13.319
<v Speaker 1>But what and well maybe he was up all night,

0:36:13.520 --> 0:36:14.120
<v Speaker 1>you know what I mean?

0:36:14.480 --> 0:36:16.719
<v Speaker 3>Right? You know what I mean?

0:36:24.000 --> 0:36:26.400
<v Speaker 2>Okay, so you all, what do you all think of

0:36:26.520 --> 0:36:30.280
<v Speaker 2>April when she comes on in with the craziest helmet

0:36:30.320 --> 0:36:30.520
<v Speaker 2>of all?

0:36:30.719 --> 0:36:31.640
<v Speaker 3>I just love that.

0:36:31.680 --> 0:36:34.080
<v Speaker 7>She's just like, hey, can I get three pieces of

0:36:34.120 --> 0:36:34.520
<v Speaker 7>your hair?

0:36:34.719 --> 0:36:34.839
<v Speaker 3>Like?

0:36:34.960 --> 0:36:36.600
<v Speaker 7>It was just so casual.

0:36:36.680 --> 0:36:37.839
<v Speaker 3>I think that's why I like her.

0:36:37.880 --> 0:36:42.040
<v Speaker 8>It's just she doesn't even care, like who like she

0:36:42.239 --> 0:36:43.719
<v Speaker 8>she's lived without a father.

0:36:43.560 --> 0:36:44.040
<v Speaker 3>For so long.

0:36:44.080 --> 0:36:45.760
<v Speaker 7>She's like, I'm just doing a school project.

0:36:45.840 --> 0:36:48.279
<v Speaker 3>You know. Yeah, I thought it was I like her.

0:36:49.239 --> 0:36:51.839
<v Speaker 4>She was honorable in her helmet. She's like, well, if

0:36:51.880 --> 0:36:54.080
<v Speaker 4>you follow, you might break your teeth, and like.

0:36:54.400 --> 0:37:00.640
<v Speaker 3>She just yet we get her character really quick. I was.

0:37:00.680 --> 0:37:04.440
<v Speaker 2>I'm into that because I like her April. I obviously

0:37:04.520 --> 0:37:06.640
<v Speaker 2>like Vanessa, but I like April.

0:37:07.160 --> 0:37:12.120
<v Speaker 1>So name a better introduction to a character? Oh yeah,

0:37:12.160 --> 0:37:15.440
<v Speaker 1>in this entire piece, I mean this, it was there's

0:37:15.480 --> 0:37:18.239
<v Speaker 1>April in her helmet and it was hysterical and she's

0:37:18.239 --> 0:37:21.200
<v Speaker 1>delightful totally. I think it's.

0:37:21.080 --> 0:37:26.760
<v Speaker 2>Important to acknowledge the Moranos sisters for a second, because

0:37:27.280 --> 0:37:31.080
<v Speaker 2>they are really talented, and like, I can't wait till

0:37:31.080 --> 0:37:32.920
<v Speaker 2>we talked to Vanessa because I want to know what

0:37:32.960 --> 0:37:36.680
<v Speaker 2>it's been like for her then having people react to

0:37:36.719 --> 0:37:40.319
<v Speaker 2>the character the way they did, and now that's not

0:37:40.440 --> 0:37:44.640
<v Speaker 2>an easy character to be and also so young, and

0:37:44.719 --> 0:37:49.200
<v Speaker 2>both Laura and Vanessa Morano are like really really talented actress,

0:37:49.440 --> 0:37:55.160
<v Speaker 2>actresses even as kids. Yeah, to me, she pulls off

0:37:55.239 --> 0:37:58.680
<v Speaker 2>the character, Like I find it to be totally believable,

0:37:59.040 --> 0:38:02.160
<v Speaker 2>the whole quirky of her, all of it, all the

0:38:02.200 --> 0:38:04.319
<v Speaker 2>way through the Science Fair and just the way she is.

0:38:05.080 --> 0:38:08.799
<v Speaker 2>It didn't seem like it comes very easily to her

0:38:08.920 --> 0:38:10.320
<v Speaker 2>to play April.

0:38:11.080 --> 0:38:13.319
<v Speaker 1>Whise whise beyond her years, you know.

0:38:13.800 --> 0:38:17.640
<v Speaker 4>Yeah, and that whole the whole dialogue that she had

0:38:17.680 --> 0:38:20.760
<v Speaker 4>about the Science Fair, like that was a long stretch

0:38:20.800 --> 0:38:23.680
<v Speaker 4>of dialogue and she nailed it, Like I obviously I

0:38:23.680 --> 0:38:26.000
<v Speaker 4>don't know how many takes it took, but she was brilliant.

0:38:26.040 --> 0:38:28.960
<v Speaker 2>I thought she was great, even down to the spaghetti bit,

0:38:29.040 --> 0:38:31.960
<v Speaker 2>like she's obviously a genius, but she's also a kid,

0:38:32.040 --> 0:38:33.839
<v Speaker 2>and you get everything you need to know.

0:38:34.440 --> 0:38:35.640
<v Speaker 3>Also quick shout out.

0:38:35.719 --> 0:38:38.680
<v Speaker 2>If you want to be impressed, go on TikTok and

0:38:38.719 --> 0:38:43.560
<v Speaker 2>look at the maranos h Halloween costume from this year.

0:38:43.640 --> 0:38:46.360
<v Speaker 3>Oh my god, it's so good. It's so Scott.

0:38:46.800 --> 0:38:48.920
<v Speaker 2>I don't know if you've ever seen Princess Diaries, but

0:38:49.000 --> 0:38:53.200
<v Speaker 2>in Princess Diaries, Anne what's her name? Anne, Hathaway and Hathaway,

0:38:53.480 --> 0:38:57.640
<v Speaker 2>So she's like, not princessy, I don't want to say,

0:38:57.640 --> 0:39:00.279
<v Speaker 2>she's kind of like a scrappy kid. And then they

0:39:00.320 --> 0:39:04.000
<v Speaker 2>make her over into the Princess of Genovia or whatever

0:39:04.000 --> 0:39:04.319
<v Speaker 2>it is.

0:39:04.480 --> 0:39:07.400
<v Speaker 3>So the Morano sisters played both parts.

0:39:07.800 --> 0:39:10.960
<v Speaker 2>One of them is like the scrappy before and then

0:39:11.040 --> 0:39:14.080
<v Speaker 2>it turns and it's I couldn't even tell which Morano

0:39:14.280 --> 0:39:16.759
<v Speaker 2>was witch, and then she's the princess and they look

0:39:16.840 --> 0:39:17.719
<v Speaker 2>like twins.

0:39:17.400 --> 0:39:20.960
<v Speaker 3>Almost Vanessa was before and Laura was after. Right, it

0:39:21.000 --> 0:39:23.799
<v Speaker 3>couldn't even tell. I can't even tell, and I know them.

0:39:24.120 --> 0:39:24.400
<v Speaker 8>I know.

0:39:25.360 --> 0:39:26.160
<v Speaker 7>It was so good.

0:39:27.200 --> 0:39:29.279
<v Speaker 2>So anyway, and I look, I also don't know if

0:39:29.440 --> 0:39:32.440
<v Speaker 2>I have an affinity for the character now, because I

0:39:32.560 --> 0:39:34.759
<v Speaker 2>do know the girls, so it's like I don't know.

0:39:34.800 --> 0:39:37.160
<v Speaker 3>But anyway, I don't hate April at all.

0:39:39.600 --> 0:39:42.080
<v Speaker 1>Ething. I think it was one of the best scenes

0:39:42.120 --> 0:39:44.840
<v Speaker 1>I did in the whole six seasons so far, was

0:39:44.880 --> 0:39:45.279
<v Speaker 1>with her.

0:39:45.880 --> 0:39:48.880
<v Speaker 3>I totally agree. So let's just play it through, right, because.

0:39:49.200 --> 0:39:54.320
<v Speaker 1>Somebody really gave Luke some dimension, and you know, finally

0:39:55.000 --> 0:39:57.800
<v Speaker 1>there's there's a little more development than just a photo

0:39:57.880 --> 0:40:01.440
<v Speaker 1>and a crew cut haircut, a high school photo and

0:40:01.719 --> 0:40:03.920
<v Speaker 1>a couple of things about being under the bleachers. And

0:40:03.960 --> 0:40:06.040
<v Speaker 1>it's my dad's diner. I mean, like, give me something.

0:40:06.120 --> 0:40:08.359
<v Speaker 3>Yeah, it's meat. It's like a lot of meat.

0:40:08.400 --> 0:40:12.080
<v Speaker 2>So he's getting this like information and trying to process

0:40:12.120 --> 0:40:14.520
<v Speaker 2>it while in the diner. And this little girl is there,

0:40:14.560 --> 0:40:16.960
<v Speaker 2>I mean, she's a kid, she's like, what twelve?

0:40:17.000 --> 0:40:19.040
<v Speaker 3>What does she say she is? She's twelve?

0:40:20.160 --> 0:40:23.480
<v Speaker 2>Because he hasn't seen her mom in twelve years. Yeah,

0:40:23.880 --> 0:40:25.600
<v Speaker 2>then we and then I love that he goes to

0:40:25.640 --> 0:40:28.840
<v Speaker 2>the science fair and there's the science I mean, the

0:40:28.880 --> 0:40:29.719
<v Speaker 2>whole science.

0:40:29.400 --> 0:40:31.719
<v Speaker 3>Fair was so like legit and well done.

0:40:32.000 --> 0:40:33.920
<v Speaker 2>And that's the scene where I'm like, oh, like the

0:40:33.960 --> 0:40:36.400
<v Speaker 2>way you were breathing and the whole thing. I'm like

0:40:36.640 --> 0:40:39.759
<v Speaker 2>oh my god, this is actually like what a guy

0:40:39.920 --> 0:40:41.400
<v Speaker 2>like Luke would experience.

0:40:41.840 --> 0:40:43.680
<v Speaker 3>And he's like, do I stay, Like, should we go

0:40:43.719 --> 0:40:44.399
<v Speaker 3>get some ice cream?

0:40:44.400 --> 0:40:48.200
<v Speaker 2>Like he and how he says I didn't know, and

0:40:48.239 --> 0:40:50.480
<v Speaker 2>how important that was for him to say I didn't know,

0:40:50.560 --> 0:40:52.000
<v Speaker 2>And she says, I know you didn't know.

0:40:52.480 --> 0:40:54.520
<v Speaker 7>Yeah yeah, ah, so you could tell.

0:40:54.560 --> 0:40:57.239
<v Speaker 8>He like also cared because she didn't win, and like

0:40:57.320 --> 0:41:00.080
<v Speaker 8>she was just sitting by herself and like, you know,

0:41:00.160 --> 0:41:02.400
<v Speaker 8>she's just like reading a book. I felt bad for her,

0:41:02.400 --> 0:41:04.040
<v Speaker 8>and I think Luke did in that moment, Like he

0:41:04.080 --> 0:41:07.080
<v Speaker 8>doesn't know this kid, but now he has an attachment

0:41:07.160 --> 0:41:08.239
<v Speaker 8>he feels for her.

0:41:08.760 --> 0:41:10.560
<v Speaker 4>Yeah, he's like, I'm sorry you didn't win. I feel

0:41:10.560 --> 0:41:11.320
<v Speaker 4>like it's my fault.

0:41:14.080 --> 0:41:17.520
<v Speaker 3>Yeah, yeah, I don't know Scott what he Yeah, I agree.

0:41:17.560 --> 0:41:22.280
<v Speaker 1>I mean when he's just nice seeing him developed. Yeah,

0:41:22.600 --> 0:41:25.160
<v Speaker 1>you know, it's nice seeing him doing something else with

0:41:25.280 --> 0:41:29.680
<v Speaker 1>somebody new and it's his daughter, and it's a nice

0:41:29.800 --> 0:41:33.879
<v Speaker 1>piece of acting that you're asked to do because it's

0:41:34.000 --> 0:41:36.640
<v Speaker 1>all you know, it's all emotional.

0:41:36.600 --> 0:41:38.520
<v Speaker 8>And it's different from like, you know, I think he

0:41:39.960 --> 0:41:43.400
<v Speaker 8>grew Rory grew up with Luke, but this is very different.

0:41:43.600 --> 0:41:47.560
<v Speaker 8>Like Luke wasn't he was involved in Rory's life, but

0:41:47.680 --> 0:41:49.120
<v Speaker 8>I don't think to the extent.

0:41:49.520 --> 0:41:50.520
<v Speaker 1>We never see any of that.

0:41:50.680 --> 0:41:52.920
<v Speaker 8>We never see any of that. And really he's just

0:41:53.080 --> 0:41:56.600
<v Speaker 8>the guy in town who she grew up with, she loves.

0:41:56.640 --> 0:41:59.280
<v Speaker 8>He's basically her family. But this is a little different.

0:41:59.320 --> 0:42:00.319
<v Speaker 7>It's nice to see that.

0:42:01.440 --> 0:42:04.960
<v Speaker 1>Yeah it is. Yeah, So I love those scenes.

0:42:05.040 --> 0:42:07.040
<v Speaker 3>I love those I did too, and I get it.

0:42:07.120 --> 0:42:10.480
<v Speaker 1>I was shocked and delighted by those scenes. I really was.

0:42:10.560 --> 0:42:12.359
<v Speaker 1>I forgot them, and I was just like all this, Yeah,

0:42:12.360 --> 0:42:15.920
<v Speaker 1>you were great. Well I think I think Vanessa and

0:42:16.000 --> 0:42:19.560
<v Speaker 1>I are good together. You know, it really worked. The

0:42:19.640 --> 0:42:20.880
<v Speaker 1>chemistry really works.

0:42:28.320 --> 0:42:32.160
<v Speaker 12>Hey, it's Danielle Fischel, right or Strong and Wilfredo. But

0:42:32.239 --> 0:42:34.160
<v Speaker 12>you know us best as Tapanga.

0:42:33.880 --> 0:42:36.400
<v Speaker 10>Sean and Eric from Boy Meets World.

0:42:36.360 --> 0:42:39.080
<v Speaker 12>And now Pod Meets World, the podcast where we've been

0:42:39.120 --> 0:42:41.759
<v Speaker 12>sitting down weekly to rewatch the show we starred in

0:42:41.800 --> 0:42:45.399
<v Speaker 12>as kids, and we've been unpacking well a lot.

0:42:45.280 --> 0:42:47.520
<v Speaker 11>And we've been taking the show on the road with

0:42:47.560 --> 0:42:49.799
<v Speaker 11>the Kids Want to Jump Tour where Every stop in

0:42:49.880 --> 0:42:53.440
<v Speaker 11>cities across the US has been totally different and pretty hilarious,

0:42:53.440 --> 0:42:54.520
<v Speaker 11>if I do say so myself.

0:42:54.600 --> 0:42:56.359
<v Speaker 10>But we know not everyone could join us, so we're

0:42:56.360 --> 0:42:59.200
<v Speaker 10>happy to announce that our recent thirtieth anniversary of the show,

0:42:59.400 --> 0:43:02.640
<v Speaker 10>Live from the met in Philadelphia, will now be available

0:43:02.640 --> 0:43:04.479
<v Speaker 10>to stream no matter where you live.

0:43:04.800 --> 0:43:08.040
<v Speaker 12>Our biggest show yet in the hometown of the Matthews,

0:43:08.280 --> 0:43:13.320
<v Speaker 12>featuring appearances by Trina, Angela McGee, Matthew Lawrence aka Jack Hunter,

0:43:13.640 --> 0:43:17.719
<v Speaker 12>Tony Mister Turner Quinn, and Danny Harley McNulty, who makes

0:43:17.760 --> 0:43:19.520
<v Speaker 12>a very special surprise visit.

0:43:19.800 --> 0:43:22.280
<v Speaker 11>It was so much fun and now you can experience

0:43:22.320 --> 0:43:23.640
<v Speaker 11>it from the comfort of your own home.

0:43:24.000 --> 0:43:27.160
<v Speaker 10>It will be available on December eleventh at five pm Pacific.

0:43:27.400 --> 0:43:29.120
<v Speaker 10>You can learn more about how you can watch at

0:43:29.160 --> 0:43:31.279
<v Speaker 10>veeps Dot Events slash Pod meets.

0:43:31.000 --> 0:43:33.719
<v Speaker 3>World December eleventh, your birthday.

0:43:34.239 --> 0:43:37.520
<v Speaker 12>Let's boy get all the info on streaming the live

0:43:37.640 --> 0:43:39.759
<v Speaker 12>Pod meets World show so you don't miss out. Go

0:43:39.840 --> 0:43:43.760
<v Speaker 12>to Veeps, veeps Dot Events, slash Pod meets World.

0:43:43.880 --> 0:43:49.840
<v Speaker 2>Now, let's now talk about Richard coming home and realizing you.

0:43:49.840 --> 0:43:53.080
<v Speaker 1>Know what, let me let me say something. Sorry Aliah, sorry,

0:43:53.280 --> 0:43:58.839
<v Speaker 1>but Dondy, how old Vanessa was that age when we

0:43:58.960 --> 0:44:02.120
<v Speaker 1>filmed it? I think so, maybe a bit older.

0:44:02.160 --> 0:44:05.120
<v Speaker 7>I don't amaze She and her and I are the

0:44:05.160 --> 0:44:05.760
<v Speaker 7>same age.

0:44:06.360 --> 0:44:11.120
<v Speaker 8>Okay, so so she is Vanessa's thirty one.

0:44:11.160 --> 0:44:14.120
<v Speaker 3>Yeah, we're the same age. So that was a yeah

0:44:14.160 --> 0:44:15.120
<v Speaker 3>she was twelve.

0:44:15.120 --> 0:44:18.480
<v Speaker 1>Yeah okay, So imagine being twelve years old and coming

0:44:18.480 --> 0:44:22.399
<v Speaker 1>onto that set as mature as that show was at

0:44:22.400 --> 0:44:25.560
<v Speaker 1>that point. And see, you know, almost midway into season six,

0:44:26.640 --> 0:44:30.560
<v Speaker 1>and she doesn't miss a beat and she stands there

0:44:30.600 --> 0:44:34.400
<v Speaker 1>and she delivers the dialogue and she drives, helps drive

0:44:34.480 --> 0:44:38.600
<v Speaker 1>that scene, and she's fantastic and she knows her job. Yeah,

0:44:39.160 --> 0:44:42.400
<v Speaker 1>she knows what her job is at that tender age.

0:44:42.560 --> 0:44:45.480
<v Speaker 1>That's the thing that amazed me so much. It's like

0:44:46.000 --> 0:44:50.440
<v Speaker 1>I didn't work with another guest star that was as

0:44:50.520 --> 0:44:56.000
<v Speaker 1>prepared from first take on. She was just nailing, nailing, nailing,

0:44:56.120 --> 0:45:00.920
<v Speaker 1>nailing everything. It was amazing. So you trust an actor

0:45:01.080 --> 0:45:02.799
<v Speaker 1>like that, you know, to come in and know what

0:45:02.840 --> 0:45:07.240
<v Speaker 1>their job is and at twelve years old, very very impressed.

0:45:07.320 --> 0:45:10.279
<v Speaker 1>I was so impressed with her me too.

0:45:10.320 --> 0:45:12.280
<v Speaker 2>And isn't that a shout out to the casting person

0:45:12.360 --> 0:45:17.520
<v Speaker 2>because I feel like whoever casts this show really knew

0:45:17.520 --> 0:45:19.600
<v Speaker 2>what they were doing, because you get that, I mean,

0:45:19.640 --> 0:45:20.440
<v Speaker 2>and you can go.

0:45:20.440 --> 0:45:28.080
<v Speaker 1>Through it dared Milo like Melissa, but also also, mind you,

0:45:28.320 --> 0:45:31.160
<v Speaker 1>everybody wanted to be on that show. So every agent

0:45:31.200 --> 0:45:33.640
<v Speaker 1>in town one of their clients on that show, because

0:45:34.200 --> 0:45:37.239
<v Speaker 1>I don't know if it reached Seinfeld proportions as a

0:45:37.320 --> 0:45:39.640
<v Speaker 1>launching pad for people, but it kind of did.

0:45:39.880 --> 0:45:41.480
<v Speaker 7>It did. There's a lot of people.

0:45:41.600 --> 0:45:44.120
<v Speaker 1>Yeah, if you if you got a nice guest spot

0:45:44.200 --> 0:45:47.279
<v Speaker 1>on Gilmore, you had some nice tape for yourself that

0:45:48.120 --> 0:45:49.600
<v Speaker 1>was going to be get that was going to get

0:45:49.640 --> 0:45:50.080
<v Speaker 1>you more work.

0:45:50.160 --> 0:45:51.399
<v Speaker 2>Don't you think it's kind of like if you can

0:45:51.400 --> 0:45:53.399
<v Speaker 2>do Gilmore Girls, or if you can do West Wing

0:45:53.560 --> 0:45:56.520
<v Speaker 2>at that time, you can really do a lot, like

0:45:56.600 --> 0:45:57.840
<v Speaker 2>almost anything.

0:45:57.640 --> 0:46:03.000
<v Speaker 1>Right, that's a real proving ground. Yeah, for sure, for sure, yes, yeah.

0:46:02.440 --> 0:46:05.000
<v Speaker 4>Yeah, all right, So now let's go Oh sorry, Susanka,

0:46:05.160 --> 0:46:07.080
<v Speaker 4>Oh no, I just was going to make a quick comment.

0:46:07.320 --> 0:46:10.880
<v Speaker 4>In that role, you had to cast a child that

0:46:10.960 --> 0:46:14.319
<v Speaker 4>could hold her own with adults because there's not any

0:46:14.360 --> 0:46:17.799
<v Speaker 4>other children in the scenes with her, and so you

0:46:17.840 --> 0:46:21.640
<v Speaker 4>can't cast someone who's too childlike because that's not going

0:46:21.680 --> 0:46:24.960
<v Speaker 4>to fit the role. So to the comment about the casting,

0:46:25.160 --> 0:46:27.000
<v Speaker 4>it was they did a great job.

0:46:27.120 --> 0:46:30.560
<v Speaker 8>So I just realized, like there is no one close

0:46:30.600 --> 0:46:32.840
<v Speaker 8>to her age, Like I just realized that, like she

0:46:32.960 --> 0:46:34.040
<v Speaker 8>really is the only kid.

0:46:34.400 --> 0:46:39.200
<v Speaker 2>No, yeah, only Dean's sister. From time to she didn't.

0:46:39.040 --> 0:46:41.000
<v Speaker 7>Even have that many lines.

0:46:40.600 --> 0:46:41.879
<v Speaker 3>Like, nothing like this.

0:46:42.040 --> 0:46:44.839
<v Speaker 2>She had a few, you know, she had a few

0:46:45.040 --> 0:46:47.239
<v Speaker 2>important things, but nothing like this.

0:46:47.560 --> 0:46:50.600
<v Speaker 3>Yeah, okay, So.

0:46:50.600 --> 0:46:53.120
<v Speaker 1>Let's talk about Richard and a tough job walking into

0:46:53.160 --> 0:46:55.040
<v Speaker 1>the diner with all that activity.

0:46:56.440 --> 0:46:58.680
<v Speaker 2>That gear the bike has to fall over at the

0:46:58.800 --> 0:47:04.640
<v Speaker 2>right moment. And so okay, So Richard and Emily and

0:47:04.880 --> 0:47:09.919
<v Speaker 2>ultimately Lorlai. So Richard's like, where is Emily? Something isn't right,

0:47:10.600 --> 0:47:15.240
<v Speaker 2>calls Laura Lia frantic. All of it I am liking.

0:47:15.719 --> 0:47:19.160
<v Speaker 2>And Laura's getting the bits and pieces of like, okay,

0:47:19.600 --> 0:47:23.920
<v Speaker 2>Rory's moved out, she's having job interviews, she's cia putting

0:47:23.920 --> 0:47:27.720
<v Speaker 2>it together. I like that Laura called her mom and said,

0:47:28.600 --> 0:47:31.440
<v Speaker 2>you need to call me back, Like dad's frantic.

0:47:31.600 --> 0:47:34.319
<v Speaker 3>I need to know you're okay. I like all that.

0:47:35.280 --> 0:47:36.759
<v Speaker 3>So and that Emily does.

0:47:36.840 --> 0:47:40.400
<v Speaker 1>That's what family does, even if they're estranged or strained

0:47:40.480 --> 0:47:41.879
<v Speaker 1>or whatever. That's what family does.

0:47:41.960 --> 0:47:43.920
<v Speaker 2>Yes, and Emily does call her back, and that's how

0:47:43.920 --> 0:47:50.000
<v Speaker 2>we end up on the plane, and uh, that seems amazing.

0:47:49.960 --> 0:47:50.600
<v Speaker 7>Yeah it is.

0:47:51.200 --> 0:47:55.279
<v Speaker 1>It was. It was a culmination of emily frustration. And

0:47:55.360 --> 0:47:59.080
<v Speaker 1>you just wondered, and I have questioned it throughout the

0:47:59.120 --> 0:48:01.920
<v Speaker 1>episodes that we've been doing, when is she going to pop?

0:48:02.680 --> 0:48:05.000
<v Speaker 1>When is she going to tell her own daughter off?

0:48:06.120 --> 0:48:10.560
<v Speaker 1>And she did it, And what a speech and a speech.

0:48:10.560 --> 0:48:14.319
<v Speaker 2>What a great way for Lorlai as she's walking down

0:48:14.320 --> 0:48:17.680
<v Speaker 2>the stairs to say, I can't remember the exact line.

0:48:19.640 --> 0:48:22.799
<v Speaker 3>Lost me and oh my god, see it makes me

0:48:22.920 --> 0:48:23.960
<v Speaker 3>like I know.

0:48:26.360 --> 0:48:29.040
<v Speaker 2>I mean, I was full tears, full tears from the

0:48:29.040 --> 0:48:33.520
<v Speaker 2>whole thing because I even though Emily did a lot

0:48:33.520 --> 0:48:36.279
<v Speaker 2>of things wrong, I feel for her because she just

0:48:37.040 --> 0:48:41.279
<v Speaker 2>wants to be connected to these people so badly and

0:48:41.360 --> 0:48:44.759
<v Speaker 2>so the way she thinks it's her fault, and like

0:48:45.120 --> 0:48:47.600
<v Speaker 2>how hurt she is by the way Rory spoke to her,

0:48:48.120 --> 0:48:51.760
<v Speaker 2>and just how much she just wants connection with these people.

0:48:52.160 --> 0:48:55.320
<v Speaker 3>It's like all she wants and she's so sad.

0:48:56.760 --> 0:49:00.520
<v Speaker 1>It was. It was a great speech. It was it

0:49:00.560 --> 0:49:03.440
<v Speaker 1>was one of Emily's fine It was maybe her finest moment.

0:49:04.640 --> 0:49:06.280
<v Speaker 1>I mean, it was a real it was a real

0:49:06.320 --> 0:49:09.879
<v Speaker 1>climax for Emily. You know, finally she got to say

0:49:10.600 --> 0:49:15.520
<v Speaker 1>all the things we've all been thinking and feeling as

0:49:15.560 --> 0:49:19.400
<v Speaker 1>regards you know, their relationship and how she's been treated,

0:49:19.600 --> 0:49:22.160
<v Speaker 1>even though you know, some a lot of people don't

0:49:22.200 --> 0:49:24.879
<v Speaker 1>root for and there's plenty of opportunity not to root

0:49:24.960 --> 0:49:29.120
<v Speaker 1>for right right him beings with feelings, and she felt

0:49:29.160 --> 0:49:31.840
<v Speaker 1>like she screwed up Laura and she doesn't want to

0:49:31.840 --> 0:49:33.719
<v Speaker 1>screw up Rory, and she feels like it's just a

0:49:33.760 --> 0:49:36.920
<v Speaker 1>total screw up. And that's as low as you can feel.

0:49:37.000 --> 0:49:40.120
<v Speaker 1>So now she's buying a private jet. Poor woman.

0:49:41.200 --> 0:49:46.200
<v Speaker 2>I also love Lauren Laura Lauren because she doesn't have

0:49:46.280 --> 0:49:50.280
<v Speaker 2>a lot of dialogue, but she portrays so much.

0:49:51.640 --> 0:49:52.800
<v Speaker 3>I just listening.

0:49:53.320 --> 0:49:55.520
<v Speaker 7>Yeah, Like she really like took the moment.

0:49:55.520 --> 0:49:58.680
<v Speaker 8>Like usually she like makes a joke to Emily and

0:49:59.160 --> 0:50:01.719
<v Speaker 8>says something like and this time she just didn't say

0:50:01.719 --> 0:50:04.200
<v Speaker 8>anything and let her speak, And I think that was

0:50:04.239 --> 0:50:04.920
<v Speaker 8>really important.

0:50:05.560 --> 0:50:05.960
<v Speaker 1>Mm hmm.

0:50:06.560 --> 0:50:10.840
<v Speaker 4>It's it's an ongoing theme about you know, coming full circle.

0:50:10.920 --> 0:50:16.680
<v Speaker 4>And so when when Rory first moved into their house

0:50:17.320 --> 0:50:20.239
<v Speaker 4>and we talked about how you know, this was their

0:50:20.320 --> 0:50:23.480
<v Speaker 4>chance for the do over, like they everything went wrong

0:50:23.520 --> 0:50:25.480
<v Speaker 4>with Laurel. I so now they're going to raise Rory

0:50:25.520 --> 0:50:28.040
<v Speaker 4>and turn Rory into what they wanted to be. But

0:50:28.239 --> 0:50:31.240
<v Speaker 4>now we see how that turns out. Rory runs away

0:50:31.400 --> 0:50:31.759
<v Speaker 4>just like.

0:50:31.760 --> 0:50:32.600
<v Speaker 3>Laurel I didn't.

0:50:32.760 --> 0:50:35.560
<v Speaker 4>And so it like it really emphasizes, you know, kind

0:50:35.560 --> 0:50:37.120
<v Speaker 4>of the whole full circle thing.

0:50:37.920 --> 0:50:40.560
<v Speaker 2>I think they deep down all come from a place

0:50:40.560 --> 0:50:40.959
<v Speaker 2>of love.

0:50:41.400 --> 0:50:45.640
<v Speaker 3>It's like, yeah, there's just a lot of love between all.

0:50:45.440 --> 0:50:52.320
<v Speaker 2>Of these people, right, all right, family, let's talk about

0:50:52.440 --> 0:50:53.160
<v Speaker 2>the reunion.

0:50:53.840 --> 0:50:57.200
<v Speaker 3>The reunion of Rory and Lorelai, which I get we're.

0:50:58.520 --> 0:51:00.480
<v Speaker 1>Left field, hm hmm.

0:51:04.719 --> 0:51:08.000
<v Speaker 2>Like for me, I was so ready for it that

0:51:08.040 --> 0:51:09.960
<v Speaker 2>it was like I get it. It was a little

0:51:09.960 --> 0:51:12.279
<v Speaker 2>easy and I was all about.

0:51:11.960 --> 0:51:13.920
<v Speaker 3>It, like just make this easy on me. But I

0:51:13.960 --> 0:51:15.400
<v Speaker 3>don't know, you guys, say what you think.

0:51:16.080 --> 0:51:18.080
<v Speaker 7>I just love that it happened.

0:51:18.520 --> 0:51:20.759
<v Speaker 8>I like that the phone call happened because she got

0:51:20.760 --> 0:51:23.080
<v Speaker 8>a job and she's going back to Yale. I think

0:51:23.400 --> 0:51:26.080
<v Speaker 8>it was kind of the perfect way to do it,

0:51:26.120 --> 0:51:28.319
<v Speaker 8>because who else would you call when you get a job,

0:51:28.400 --> 0:51:30.359
<v Speaker 8>Like you'd call your mom or you call your dad.

0:51:30.400 --> 0:51:33.359
<v Speaker 8>In that sense, it's Laurel I and you want to

0:51:33.440 --> 0:51:36.160
<v Speaker 8>share that exciting news with them. And then obviously with

0:51:36.280 --> 0:51:39.400
<v Speaker 8>that comes she's going back to Yale. And I don't know,

0:51:39.480 --> 0:51:41.279
<v Speaker 8>I just I think of like when I got like

0:51:41.320 --> 0:51:42.840
<v Speaker 8>a job and I called my mom, you know what

0:51:42.880 --> 0:51:45.120
<v Speaker 8>I mean, Like, it just makes me think of those moments.

0:51:45.200 --> 0:51:47.560
<v Speaker 4>And she doesn't have Logan anymore, so she's not going

0:51:47.640 --> 0:51:51.640
<v Speaker 4>to call Logan, so that's kind of the default is,

0:51:51.800 --> 0:51:53.080
<v Speaker 4>you know, to call Laura I.

0:51:53.239 --> 0:51:56.600
<v Speaker 7>I don't think she would call Lorelei over Logan first too.

0:51:56.920 --> 0:52:01.560
<v Speaker 2>Yeah, I actually think, Look, I love Logan, but I

0:52:01.600 --> 0:52:06.960
<v Speaker 2>think because they were having a break or not, we'll

0:52:07.160 --> 0:52:12.239
<v Speaker 2>find out, it was easier for her to get the

0:52:12.440 --> 0:52:15.000
<v Speaker 2>job call. All of this had to happen the way

0:52:15.040 --> 0:52:18.320
<v Speaker 2>it happened because I think Logan was sort of because

0:52:18.360 --> 0:52:21.520
<v Speaker 2>he was so team Rory, it was holding her back.

0:52:22.000 --> 0:52:23.839
<v Speaker 3>It was like do whatever you want.

0:52:24.920 --> 0:52:27.279
<v Speaker 2>Yeah, and now that they're having a riff, it's like

0:52:28.320 --> 0:52:30.240
<v Speaker 2>she picked herself up and got.

0:52:30.080 --> 0:52:31.160
<v Speaker 3>Her bleep together.

0:52:31.640 --> 0:52:33.640
<v Speaker 7>Yeah.

0:52:33.880 --> 0:52:37.000
<v Speaker 4>I did notice one silly thing after the whole that

0:52:37.040 --> 0:52:40.200
<v Speaker 4>whole opening scene where Laurel Eyes got her arms stuck

0:52:40.200 --> 0:52:42.920
<v Speaker 4>in the door because the chain is latched. But then

0:52:42.960 --> 0:52:46.160
<v Speaker 4>when Rory returns and Laurel I runs out to meet her,

0:52:46.280 --> 0:52:56.400
<v Speaker 4>there was no chain on the door, so he eagleized.

0:52:58.840 --> 0:53:03.759
<v Speaker 3>It's really but I liked that.

0:53:03.960 --> 0:53:06.160
<v Speaker 4>I liked the hug on the front lawn and how

0:53:06.160 --> 0:53:07.000
<v Speaker 4>the camera did a.

0:53:06.960 --> 0:53:11.080
<v Speaker 3>Full three six. I like that, Yeah, I liked it all.

0:53:11.120 --> 0:53:15.200
<v Speaker 2>I like how it's like sometimes with a mom, you

0:53:15.239 --> 0:53:18.520
<v Speaker 2>don't need them to talk about it anymore, just be

0:53:18.680 --> 0:53:21.439
<v Speaker 2>done and forgive and run out with a big hug

0:53:21.640 --> 0:53:26.000
<v Speaker 2>like that. And so for me it played out like perfectly,

0:53:26.640 --> 0:53:29.960
<v Speaker 2>although I understand it was a little quick, it was

0:53:29.960 --> 0:53:30.880
<v Speaker 2>a little easy.

0:53:31.120 --> 0:53:31.560
<v Speaker 3>Whatever.

0:53:31.920 --> 0:53:33.480
<v Speaker 7>I liked it me too.

0:53:35.640 --> 0:53:38.200
<v Speaker 1>Reunion. The only the only thing they could have made

0:53:38.200 --> 0:53:41.799
<v Speaker 1>that reunion better is is Rory breaks away from the hug,

0:53:41.880 --> 0:53:45.520
<v Speaker 1>opens up the trunk and says, mom, look what I've got.

0:53:47.080 --> 0:53:55.319
<v Speaker 3>Body in there. Then it becomes a whole spin off,

0:53:55.760 --> 0:53:57.880
<v Speaker 3>equally popular, equally popular.

0:54:00.160 --> 0:54:01.800
<v Speaker 1>What's that, Benburg?

0:54:04.600 --> 0:54:08.839
<v Speaker 3>Somebody's gonna fiction now? As always with Gilmour girls, you.

0:54:08.960 --> 0:54:13.240
<v Speaker 2>Think you've reached the moment and then that you haven't.

0:54:13.760 --> 0:54:18.560
<v Speaker 2>So she comes into the diner and she's so happy,

0:54:18.680 --> 0:54:20.680
<v Speaker 2>grabbing the doughnuts, the whole thing.

0:54:21.360 --> 0:54:24.560
<v Speaker 3>We can get married now, and it's.

0:54:24.600 --> 0:54:31.680
<v Speaker 8>Like it's so, it's so, I mean obviously Amy and

0:54:32.520 --> 0:54:35.360
<v Speaker 8>like Amy did this on purpose, but like the second

0:54:35.480 --> 0:54:39.360
<v Speaker 8>that Rory reunites with Lorelei, now Luke has this like

0:54:39.440 --> 0:54:43.400
<v Speaker 8>it's just it's never the perfect fairy tale.

0:54:43.719 --> 0:54:46.560
<v Speaker 2>So can I throw something out? And this is something

0:54:46.960 --> 0:54:50.000
<v Speaker 2>that Suzanne said a few couple of weeks ago. And

0:54:50.040 --> 0:54:54.799
<v Speaker 2>there's the theories that the Palladinos through season six. I

0:54:54.800 --> 0:55:01.000
<v Speaker 2>don't think so it may not all be perfect wrote

0:55:01.200 --> 0:55:05.359
<v Speaker 2>kind of some crappy crap because they weren't negotiating their

0:55:05.360 --> 0:55:07.080
<v Speaker 2>deal and they weren't going to have their deal for

0:55:07.120 --> 0:55:07.640
<v Speaker 2>season seven.

0:55:07.719 --> 0:55:10.880
<v Speaker 3>Whatever it is. I might be misconstruing it a little bit.

0:55:11.560 --> 0:55:15.000
<v Speaker 4>I don't know that that was necessarily happening this early

0:55:15.080 --> 0:55:17.880
<v Speaker 4>in seasons. Okay, I think it was definitely happening in

0:55:17.960 --> 0:55:19.680
<v Speaker 4>the last episode because for.

0:55:19.600 --> 0:55:23.000
<v Speaker 2>Me, I think it's brilliant. I think the I love

0:55:23.040 --> 0:55:24.600
<v Speaker 2>the writing. I think it's as funny as ever.

0:55:24.719 --> 0:55:25.680
<v Speaker 3>I like it all.

0:55:25.960 --> 0:55:29.680
<v Speaker 2>But I the cleverness of the sort of this when

0:55:30.480 --> 0:55:35.800
<v Speaker 2>and the you know, like, to me, that just keeps

0:55:35.800 --> 0:55:36.520
<v Speaker 2>me hooked.

0:55:36.840 --> 0:55:37.040
<v Speaker 9>Well.

0:55:37.040 --> 0:55:39.640
<v Speaker 3>It's also hard because, like we're on season six.

0:55:39.680 --> 0:55:41.799
<v Speaker 8>I feel like a lot of shows, especially now, they

0:55:41.840 --> 0:55:45.240
<v Speaker 8>don't get up to six seasons. But at this point

0:55:45.400 --> 0:55:48.120
<v Speaker 8>you kind of start losing your audience and so you

0:55:48.320 --> 0:55:51.839
<v Speaker 8>needed that twist to like keep coming back. Like if

0:55:51.880 --> 0:55:55.200
<v Speaker 8>you think, like, oh, it's all you know, happy go lucky.

0:55:55.239 --> 0:55:57.840
<v Speaker 8>They're back together. It's not like there is a whole

0:55:57.920 --> 0:56:00.680
<v Speaker 8>other storyline coming for me.

0:56:00.800 --> 0:56:04.120
<v Speaker 2>April isn't cousin Oliver. If you get the reference, it's

0:56:04.200 --> 0:56:08.440
<v Speaker 2>like she's not She's not cousin Oliver. Like she that's

0:56:09.840 --> 0:56:10.600
<v Speaker 2>I'm into it.

0:56:11.520 --> 0:56:15.440
<v Speaker 1>I think. I think the episode on the whole was

0:56:16.200 --> 0:56:21.680
<v Speaker 1>beautifully written, beautifully directed, beautifully acted. Did it feel like

0:56:22.000 --> 0:56:25.760
<v Speaker 1>vintage Gilmore girls? Mmmm?

0:56:26.480 --> 0:56:26.960
<v Speaker 3>That's right?

0:56:27.800 --> 0:56:34.520
<v Speaker 1>Did it? I mean vintage? Right? It's a new It's

0:56:34.520 --> 0:56:37.360
<v Speaker 1>like kind of a new iteration. Right, it's a new show.

0:56:37.400 --> 0:56:41.640
<v Speaker 1>It feels different, it sounds different, but still it's an

0:56:41.719 --> 0:56:47.600
<v Speaker 1>excellent show. It's hitting on all cylinders. So all right,

0:56:47.640 --> 0:56:52.319
<v Speaker 1>so what are we giving it? Those two favorite lines? Uh, Tara,

0:56:52.400 --> 0:56:53.319
<v Speaker 1>what's your favorite line?

0:56:53.680 --> 0:56:55.960
<v Speaker 7>I said my earlier it was the fin line.

0:56:56.600 --> 0:56:59.240
<v Speaker 1>Oh, then you're you're not qualified to be in this round.

0:56:59.280 --> 0:57:02.319
<v Speaker 1>If you said it, really, you will get a letter

0:57:02.320 --> 0:57:05.320
<v Speaker 1>from the committee, Susan, who is now head of that committee.

0:57:06.200 --> 0:57:10.440
<v Speaker 4>Okay, I have two favorite lines, but probably my backe

0:57:10.680 --> 0:57:13.719
<v Speaker 4>favorite line is in the very beginning, and.

0:57:13.920 --> 0:57:15.480
<v Speaker 1>What am I to do with these people?

0:57:16.840 --> 0:57:18.320
<v Speaker 3>I know they don't follow.

0:57:18.040 --> 0:57:23.080
<v Speaker 4>Them a while, right, the very opening, when they're going

0:57:23.160 --> 0:57:26.000
<v Speaker 4>upstairs after all the construction is finished, and Luke says,

0:57:26.040 --> 0:57:34.280
<v Speaker 4>close your eyes. Laureliz says, I'm not scared of it anymore.

0:57:34.800 --> 0:57:38.280
<v Speaker 2>I still and I I apologize that I know there's two,

0:57:38.720 --> 0:57:42.520
<v Speaker 2>but for me when he says there's the big dramatic fight,

0:57:42.720 --> 0:57:43.960
<v Speaker 2>and then Jackson's like.

0:57:44.000 --> 0:57:46.200
<v Speaker 3>Was it my meet? Reb? It was?

0:57:46.640 --> 0:57:50.080
<v Speaker 2>And then there's another same kind of gist on the

0:57:50.560 --> 0:57:51.400
<v Speaker 2>another one.

0:57:51.240 --> 0:57:54.680
<v Speaker 3>There, and I'm just like, it was so funny.

0:57:55.840 --> 0:57:58.600
<v Speaker 2>There's a nice moment between Michelle and Laura Lai that

0:57:58.640 --> 0:58:00.840
<v Speaker 2>we didn't talk about too with the book. It was

0:58:00.840 --> 0:58:04.760
<v Speaker 2>sort of like nothing, but he's putting the books away

0:58:04.800 --> 0:58:07.080
<v Speaker 2>and that's how you learn that they called for the job.

0:58:07.120 --> 0:58:12.280
<v Speaker 2>Reference but it was not uber memorable, but yet enjoyable.

0:58:12.800 --> 0:58:17.640
<v Speaker 1>Mm hmmmm hm. My favorite line was every single line

0:58:17.840 --> 0:58:23.840
<v Speaker 1>from Emily's private plane. Yeah, model, Yeah, all right, what

0:58:23.880 --> 0:58:26.000
<v Speaker 1>are we giving it? Tara? Are you going to give it?

0:58:26.040 --> 0:58:28.000
<v Speaker 1>And what's your measuring stick?

0:58:28.200 --> 0:58:32.720
<v Speaker 8>My measuring measuring stick is going to be I'm going

0:58:32.800 --> 0:58:35.920
<v Speaker 8>to give it nine DNA tests.

0:58:37.760 --> 0:58:38.120
<v Speaker 1>Nice.

0:58:38.640 --> 0:58:43.440
<v Speaker 2>Ten of those leather bound giant book that Rory was

0:58:43.480 --> 0:58:46.880
<v Speaker 2>carrying around the whole time. Ten of those ten heavy

0:58:47.400 --> 0:58:50.240
<v Speaker 2>leather bound binders, whatever that was.

0:58:51.840 --> 0:59:01.840
<v Speaker 4>I'm going to give it eight Grandma's bedroom sets.

0:58:58.600 --> 0:59:02.360
<v Speaker 1>A lot of truths, ton of trubs. I was gonna

0:59:02.400 --> 0:59:07.160
<v Speaker 1>give it. I think it's for me. It's a it's

0:59:07.200 --> 0:59:16.200
<v Speaker 1>a nine point five M. I don't know what the

0:59:16.360 --> 0:59:22.160
<v Speaker 1>measuring stick is. Nine point five hair follicles yanked out

0:59:22.160 --> 0:59:25.520
<v Speaker 1>of his head. All right, that's gonna wrap it up, everybody.

0:59:25.560 --> 0:59:28.600
<v Speaker 1>Next episode, Season six, episode ten, he's slipping the bread

0:59:29.080 --> 0:59:35.360
<v Speaker 1>dig Thank you, Tara Suits, Susanne French, Amy Sugarman, best

0:59:35.440 --> 0:59:38.320
<v Speaker 1>fans on the planet. Thanks so much for your down

0:59:38.360 --> 0:59:41.240
<v Speaker 1>Let's keep your cards and letters coming. Remember we and

0:59:41.280 --> 0:59:43.360
<v Speaker 1>I am all In.

0:59:43.880 --> 1:00:14.840
<v Speaker 5>Stay safe, everyone, everybody off again.

1:00:14.920 --> 1:00:19.000
<v Speaker 1>Follow us on Instagram at I Am all In podcast

1:00:19.080 --> 1:00:33.200
<v Speaker 1>and email us at Gilmore at iHeartRadio dot com.