WEBVTT - Angela Kinsey - Pt. 2 0:00:05.280 --> 0:00:16.040 My name is Angela Kinsey and I played Angela Martin. Hello, 0:00:16.800 --> 0:00:21.119 my dear friends and listeners. It's good to have you 0:00:21.200 --> 0:00:26.200 back and t G I F as they say. That's right, folks, 0:00:26.560 --> 0:00:30.880 I am coming to you with a very special bonus 0:00:31.240 --> 0:00:35.360 episode of the Office Deep Dive. I am your host, 0:00:35.760 --> 0:00:40.640 Brian Baumgartner. Today Friday, I am so happy to bring 0:00:40.640 --> 0:00:45.120 you the second half of my conversation with Angela Kinsey. Now, 0:00:45.159 --> 0:00:47.480 if you haven't listened to the first part, go back 0:00:47.920 --> 0:00:51.920 and check that out. It is delightful. But I wanted 0:00:52.000 --> 0:00:55.920 to save this part until now for two reasons. The 0:00:56.080 --> 0:01:03.040 first is that today is an Angela's birthday, or as 0:01:03.280 --> 0:01:09.680 Dwight would say, it is your birthday. Happy birthday, Angela, Uh. 0:01:09.800 --> 0:01:13.520 This is my this is my homage to you on 0:01:13.680 --> 0:01:18.000 your very special day. And the second reason is that 0:01:18.040 --> 0:01:22.520 today Angela and I are really getting into the camera's 0:01:22.920 --> 0:01:26.880 role on the show and her relationship to it as 0:01:26.920 --> 0:01:29.000 an actor, so I wanted to save this part for 0:01:29.120 --> 0:01:34.160 our camera as character mini Deep Dive, we also talk 0:01:34.240 --> 0:01:39.039 about Angela's love life, the character Angela uh, and the 0:01:39.080 --> 0:01:44.680 time I almost literally broke her on set, and lots 0:01:44.680 --> 0:01:47.760 of other fond memories. So pull up a chair, or 0:01:49.120 --> 0:01:52.400 strap on your seatbelt tighter however you're listening to this, 0:01:52.560 --> 0:02:01.680 or run on your peloton faster. Enjoy Angela, Kenzie, Bubble 0:02:01.720 --> 0:02:08.920 and Squeak, I love it. Bubble and Squeaker, Bubble and 0:02:08.960 --> 0:02:13.799 Squeaker Cookie every more live over from the nut before. 0:02:23.600 --> 0:02:25.720 In terms of the shooting of the show, the thing 0:02:25.760 --> 0:02:31.040 that I'm the most um proud of is the artistic 0:02:31.080 --> 0:02:36.040 integrity that came with having the camera be a character. 0:02:36.960 --> 0:02:39.680 Do you have any specific moments that you remember about 0:02:40.360 --> 0:02:45.920 interacting with the camera or having the camera as a character. Well, 0:02:45.960 --> 0:02:51.280 I have years of a clandestine relationship, you know, So 0:02:51.440 --> 0:02:54.560 that was always something we had to consider when Dwight 0:02:54.600 --> 0:02:57.400 and I had scenes, is like are we camera aware? 0:02:58.280 --> 0:03:00.560 Do we know that the camera's picking this up? Our 0:03:00.600 --> 0:03:04.120 secret rendezvous and our characters look around for the camera, 0:03:04.360 --> 0:03:06.640 and there's times when we see that we've been caught 0:03:06.840 --> 0:03:08.920 and when we react to being caught. So that the 0:03:08.960 --> 0:03:12.080 camera truly was a character. That crew member was there 0:03:12.520 --> 0:03:14.800 and we were trying to hide from that crew member 0:03:14.840 --> 0:03:17.120 and not be exposed. So that that was always a 0:03:17.200 --> 0:03:20.800 really fun um fun thing to play off of. And 0:03:20.840 --> 0:03:24.040 then I loved at the end that we then get 0:03:24.080 --> 0:03:26.600 to see the footage and we all crowd around Oscar's 0:03:26.639 --> 0:03:30.840 desk and the revelations that come from that. Um So 0:03:31.080 --> 0:03:34.800 I I love that that got to pay off. And 0:03:34.880 --> 0:03:40.160 so when Angela and Dwight were going off on their trysts, 0:03:40.640 --> 0:03:43.520 you were always camera aware. You were always aware of 0:03:43.520 --> 0:03:46.640 where the camera was. Did you ever forget? Oh we did. 0:03:46.720 --> 0:03:48.360 I mean we would get caught in the throes of 0:03:48.360 --> 0:03:51.080 passion and forget. But there was always a moment where 0:03:51.120 --> 0:03:54.480 we looked around before we spoke or did something. There 0:03:54.560 --> 0:03:56.680 was always some moment where we were checking in, like 0:03:56.760 --> 0:03:59.200 in the warehouse, did we get away kind of look around, 0:03:59.800 --> 0:04:02.920 and sometimes we never saw the camera. They truly were 0:04:02.960 --> 0:04:05.480 hidden and a spy shot. And then there were times 0:04:05.520 --> 0:04:08.280 where one of us would find it, usually me, and 0:04:08.280 --> 0:04:10.839 then I would walk off in a huff. That's such 0:04:10.840 --> 0:04:16.520 an interesting There's something so interesting to me about the 0:04:16.640 --> 0:04:20.240 camera being a character and thinking about Dwight and Angela 0:04:20.839 --> 0:04:24.960 that that they were really trying to figure you guys out. Yeah, 0:04:25.120 --> 0:04:27.040 Like if you think about it, like reality TV, there 0:04:27.080 --> 0:04:31.280 was some segment producer that's like get on that they're 0:04:31.279 --> 0:04:38.120 meeting in the warehouse find him. We want that. What, Um, 0:04:38.520 --> 0:04:42.880 how did your relationship? How did it change Angela? Well? 0:04:42.920 --> 0:04:45.400 I think for me, it just opened her up because 0:04:46.240 --> 0:04:48.760 you know, there's a lot of people that I guess 0:04:48.760 --> 0:04:51.040 in the beginning could sort of see her as one note, like, oh, 0:04:51.080 --> 0:04:54.160 she's just the office bitch. Well guess what, the office 0:04:54.160 --> 0:04:57.680 bitch can be a bitch in love. There's there's a 0:04:57.839 --> 0:05:01.799 there's you know, sneaky bitch. They're super dishes bitch, there's 0:05:01.839 --> 0:05:05.120 uppitty bitch, there's madly in love bitch. Like there's layers 0:05:05.160 --> 0:05:08.880 to her grumpiness, and um, she just as someone I 0:05:08.920 --> 0:05:12.320 think who's very fear based. And I think her falling 0:05:12.320 --> 0:05:15.039 in love with Dwight and having to step out of 0:05:15.040 --> 0:05:17.760 her comfort zone and trust someone and let someone in 0:05:18.080 --> 0:05:20.840 and made her just more three dimensional to me. Right 0:05:21.520 --> 0:05:26.080 when Angela and Dwight started together, were you aware of 0:05:26.120 --> 0:05:29.440 what it was going to turn into? No? No, absolutely not. 0:05:30.360 --> 0:05:32.240 And I mean I've talked about this quite a bit 0:05:32.279 --> 0:05:34.240 that we would find out things at the table read. 0:05:35.000 --> 0:05:37.640 So we're at the table read and it's the episode 0:05:37.640 --> 0:05:40.000 where Jim has a barbecue and all of a sudden 0:05:40.000 --> 0:05:42.320 there's two barking stocks rubbing back and forth in the 0:05:42.360 --> 0:05:46.559 dollhouse outside. Rain and I were like what and um, 0:05:46.600 --> 0:05:49.400 Greg had told me that in the writer's room, Um, 0:05:49.520 --> 0:05:52.200 they like to try to pitch like different people, different 0:05:52.279 --> 0:05:55.520 characters within the show that might bring out an interesting 0:05:55.520 --> 0:05:58.119 other side to the other person. And so they would 0:05:58.120 --> 0:06:01.440 like sort of brainstorm name on you know, postcards. And 0:06:01.600 --> 0:06:04.520 they love the idea of Dwight and Angela and that 0:06:04.520 --> 0:06:09.240 that kind of couple seeking power you know. Um, and 0:06:09.560 --> 0:06:14.039 they make sense right. It was ridiculous. I mean, having 0:06:14.080 --> 0:06:20.400 a you know, contract to have a baby and your 0:06:20.520 --> 0:06:24.760 rules and his rules and your needs and his requirements 0:06:25.480 --> 0:06:29.240 juxtaposed with Pam and Jam and they're sort of sweet, normal, 0:06:29.920 --> 0:06:37.520 well somewhat normal, unrequited. Yeah, um, I thought brought great comedy, 0:06:37.640 --> 0:06:40.839 but also it's a testament to you and your work 0:06:41.560 --> 0:06:45.680 and Rain that people bought into it and and believed 0:06:45.720 --> 0:06:48.640 it as ridiculous as it was. Well, I think in 0:06:48.680 --> 0:06:51.680 their own way. There's their story isn't much different than 0:06:51.720 --> 0:06:53.800 Jim and Pam. It's two people that love each other 0:06:54.320 --> 0:06:56.000 and are both a little too scared to let the 0:06:56.000 --> 0:06:58.599 other person know how much they love each other and 0:06:58.680 --> 0:07:02.080 find ways to throw up all these roadblocks, roadblocks, until 0:07:02.080 --> 0:07:04.719 they finally just step out into that scary place and say, 0:07:04.760 --> 0:07:08.120 all right, I'm in it to win it. This is me. 0:07:08.279 --> 0:07:11.320 You got me right. And but they have their you know, 0:07:11.400 --> 0:07:14.120 Jim and Pam. Maybe maybe hers is flirting with him 0:07:14.160 --> 0:07:15.800 a little bit and then he picks her up and 0:07:16.120 --> 0:07:17.640 her shirt comes up and you can see your belly 0:07:17.680 --> 0:07:19.120 and she gets embarrassed and then she doesn't talk to 0:07:19.200 --> 0:07:21.280 him the rest of the day. Maybe that's what's happening there. 0:07:21.480 --> 0:07:24.640 For us, it's like, well, I you know, I will 0:07:25.200 --> 0:07:28.400 here is my like card that we whole punched whenever 0:07:28.480 --> 0:07:31.560 we had sex, like what was it called like a 0:07:31.600 --> 0:07:36.400 frequent like it was an intercourse like punch car. I mean, 0:07:36.480 --> 0:07:39.920 we had our own weird things of just stalling what 0:07:40.000 --> 0:07:44.120 was ultimately what we both wanted. And how much communication 0:07:44.160 --> 0:07:47.520 did you have with the writers about that story? It 0:07:47.640 --> 0:07:49.920 really was the writers. It was they would come up 0:07:49.960 --> 0:07:53.640 with these ideas and I really didn't go to them 0:07:53.760 --> 0:07:56.440 very many times in the course of the show with 0:07:56.480 --> 0:07:59.480 anything that bumped me. Now I would have pitches for them, 0:07:59.520 --> 0:08:01.880 you know. Jim and I pitched to Greg one day 0:08:01.880 --> 0:08:05.000 on set about these ridiculous kind of workshops we'd have 0:08:05.040 --> 0:08:08.040 to do. We both worked in corporate America and there 0:08:08.040 --> 0:08:09.920 were these things like a women in the Workplace kind 0:08:09.920 --> 0:08:11.920 of seminar, and we were telling him about it and 0:08:11.920 --> 0:08:13.720 he was like, hold up, hold up, b J, come here, 0:08:13.880 --> 0:08:15.960 write this down. And he made b jaket a notepadded 0:08:16.320 --> 0:08:18.560 that one little nugget. Of course, BJ took it and 0:08:18.640 --> 0:08:21.480 ran with it became I think the episodes called Boys 0:08:21.480 --> 0:08:26.520 and Girls. Is that what it's called now I'm looking Yes, 0:08:26.600 --> 0:08:29.560 boys and Girls is the fifte episode of the second season. 0:08:29.800 --> 0:08:33.839 So that was Jenna and I pitching that, you know, 0:08:34.679 --> 0:08:41.280 are women in the workplace stuff? Interesting? Um, so Dwight 0:08:41.320 --> 0:08:44.640 and Angela are together. What was it like bringing Andy 0:08:44.960 --> 0:08:48.080 played by Ed Helms into that well, that just seemed 0:08:48.080 --> 0:08:50.959 doomed from the start. Yes, I mean, you know, it 0:08:51.080 --> 0:08:54.160 was revenge dating. I always felt bad for Andy. I 0:08:54.280 --> 0:08:57.920 felt bad for Andy from day one. Andy so desperately 0:08:57.960 --> 0:09:02.400 you just wanted someone, you think, anyone, you know, and 0:09:02.640 --> 0:09:06.040 I just I just always felt really badly for him. 0:09:06.720 --> 0:09:09.160 And again, it was that thing like Jim and Pam, 0:09:09.240 --> 0:09:11.640 where they had to have these foils, you know, to 0:09:11.880 --> 0:09:14.240 sort of keep them apart, you know, Dwight and I 0:09:14.720 --> 0:09:17.439 I mean, Dwight did put my cat in the freezer, 0:09:17.559 --> 0:09:21.400 which was really sucky. And then she dates Andy, and 0:09:21.520 --> 0:09:23.920 then he dates and then you know, so we had 0:09:23.960 --> 0:09:28.000 all of these sort of foil relationships. But Ed Helms 0:09:28.160 --> 0:09:30.439 as a person was so fun. He was so fun 0:09:30.520 --> 0:09:32.760 to work with. That was nice to throw that in there. 0:09:32.800 --> 0:09:37.080 At the end. I felt really bad. I felt my character. 0:09:37.160 --> 0:09:39.240 I felt bad for Andy, But it was really you 0:09:39.320 --> 0:09:41.880 were saying, how was it? Having Ed around? Ed is delightful? 0:09:42.080 --> 0:09:44.240 And his trailer was next to mine. He'd played the 0:09:44.240 --> 0:09:45.800 banjo and I'd go over and hang out and he 0:09:45.920 --> 0:09:48.319 was so fun. There's a behind the scenes story for 0:09:48.440 --> 0:09:54.120 you folks. Ed playing the banjo? Um, so are obviously 0:09:54.240 --> 0:09:59.439 are things were happening in our personal lives, and we were, well, 0:09:59.480 --> 0:10:03.480 you got during the writers strike, righty, and you came 0:10:03.520 --> 0:10:06.200 back and you were really pregnant. How was that? Well? 0:10:06.280 --> 0:10:08.480 It was? It was. It was a little tricky because 0:10:08.640 --> 0:10:13.480 I was very early pregnant right as the strike started, 0:10:13.600 --> 0:10:16.120 right as we all went on this kind of odd 0:10:16.200 --> 0:10:20.040 hiatus mid season. But my you couldn't tell my body. 0:10:20.120 --> 0:10:22.439 I didn't really start showing for a bit, and then 0:10:22.720 --> 0:10:28.959 we came back. Was it three months later. Yeah, and 0:10:29.080 --> 0:10:31.800 then all of a sudden, I was completely showing I 0:10:31.920 --> 0:10:34.680 was having a baby. And so I remember us sitting 0:10:34.720 --> 0:10:36.720 around being like, Okay, how do we hide this? How 0:10:36.760 --> 0:10:38.840 do we hide it? Because it wouldn't have made sense 0:10:38.920 --> 0:10:41.040 for my character to all of a sudden be pregnant. 0:10:41.320 --> 0:10:44.240 It maybe would have been different had the series had 0:10:44.280 --> 0:10:47.640 its full run that year. Um, So we had to 0:10:47.720 --> 0:10:50.360 hide it. There was no other way. And I had 0:10:50.640 --> 0:10:53.319 one of the most hilarious conversations with Paul Feig, who 0:10:53.400 --> 0:10:58.040 was directing an episode where Phillis Watson on UM Dwight 0:10:58.120 --> 0:11:01.640 and Angela making out in the office, and I was, oh, 0:11:02.400 --> 0:11:05.080 seven and a half months pregnant, and they were trying 0:11:05.120 --> 0:11:08.640 to have Rain hide my belly with his body as 0:11:08.720 --> 0:11:11.559 we're like making out and and we're supposed to be 0:11:11.640 --> 0:11:14.719 in like stages of mid undress, you know, like Rain 0:11:14.800 --> 0:11:16.600 has a shirt off. So they were like at first, 0:11:16.600 --> 0:11:19.120 they're like, well, what if Angel looked out on her 0:11:19.200 --> 0:11:22.160 force or I stood here, or what if we put 0:11:22.240 --> 0:11:24.040 her here? And it was like, where do you put 0:11:24.080 --> 0:11:27.720 the giant pregnant belly? What do we do that doesn't 0:11:27.760 --> 0:11:34.240 also look really inappropriate? And instead of mildly inappropriate. I 0:11:34.320 --> 0:11:56.760 did not know that story. Wow. So the show also 0:11:57.200 --> 0:12:02.880 sort of rode this wave of technology social media. Talk 0:12:02.920 --> 0:12:06.920 to me about your you were on my Space? Well, 0:12:07.160 --> 0:12:09.120 Jenna got on my Space and then got a few 0:12:09.200 --> 0:12:11.760 of us on it, and we did these MySpace blogs. 0:12:11.840 --> 0:12:14.880 We weren't just convinced, probably for two and a half years, 0:12:14.920 --> 0:12:17.280 that we were going to get canceled, so anyway we 0:12:17.400 --> 0:12:19.439 could try to connect and get the get the word 0:12:19.480 --> 0:12:21.240 out about the show, So we would do these behind 0:12:21.280 --> 0:12:26.199 the scenes blogs and stuff. I actually printed out all 0:12:26.280 --> 0:12:28.959 of them. I have all of mine, and you do. 0:12:29.520 --> 0:12:33.319 I do, and um, it is really funny you you 0:12:33.480 --> 0:12:38.080 really see just your journey even as just a young person. Wow. Yeah. 0:12:38.440 --> 0:12:41.000 And some of it is like embarrassing, like the stuff 0:12:41.040 --> 0:12:43.480 that I'm like, oh my god, here was the thing 0:12:44.240 --> 0:12:48.160 we had a chocolate fountain. You're like, okay, lady, relax, 0:12:49.400 --> 0:12:52.839 Well you were involved with that. The show. You know 0:12:53.280 --> 0:12:57.000 what we talked about before iTunes becoming big, and then 0:12:57.600 --> 0:13:03.000 we were the first show that did original content for 0:13:03.600 --> 0:13:09.040 the internet NBC dot com. We did webisodes. Of course, 0:13:09.120 --> 0:13:11.480 no one knew what the Hello We episode was. We 0:13:11.600 --> 0:13:14.760 didn't either. They were going to be little vignettes that 0:13:14.800 --> 0:13:18.640 would live on the Internet. And we won an Emmy 0:13:18.760 --> 0:13:23.199 for one The Accountants, The Accountants and a cameo by 0:13:23.320 --> 0:13:26.520 Rain as Dwight cameo by Rain, but he didn't win 0:13:26.559 --> 0:13:31.920 an Emmy. No, he did it. He did it. I 0:13:32.000 --> 0:13:36.240 know jennat so you let Jenna, you can touch mine, 0:13:37.120 --> 0:13:39.959 That's what she said. Um, so this is something that 0:13:40.360 --> 0:13:42.880 you know. I don't know that everybody knows. But when 0:13:42.920 --> 0:13:45.679 the show won an Emmy for Best Comedy Ensemble, you 0:13:45.720 --> 0:13:49.440 would think as the comedy ensemble, we would all get 0:13:49.480 --> 0:13:53.800 an Emmy, but we were not producer credit and only 0:13:53.920 --> 0:13:57.559 the producers get an Emmy. And I think that is 0:13:57.600 --> 0:14:00.360 a bunch of bs so um television and out of me. 0:14:01.360 --> 0:14:03.959 I think everyone should get an Emmy. That's what I think. 0:14:04.480 --> 0:14:07.880 But then as the webisode series, we were nominated Brian 0:14:07.960 --> 0:14:11.640 and Oscar and I for a Daytime Emmy and we 0:14:11.800 --> 0:14:15.560 got it. So Jenna does not have an Emmy because 0:14:15.600 --> 0:14:18.240 the year we won, she was not a producer. Years 0:14:18.320 --> 0:14:20.800 later some folks got producer credit, but we did not 0:14:20.920 --> 0:14:26.360 win again. So I told Jenna our idea that there 0:14:26.360 --> 0:14:30.000 should be The Accountants spin off, and she was like, yes, 0:14:30.080 --> 0:14:33.280 why is that happening? So Bonnie Hammer at NBC dot com, 0:14:33.640 --> 0:14:35.920 if you'd like to see the Accountants spin off, you 0:14:36.000 --> 0:14:38.440 know if we if we're available, we'll make it happen. 0:14:39.720 --> 0:14:42.640 What what do you remember some of your favorite moments? 0:14:42.920 --> 0:14:44.760 I just wanted to see what the Booths reaction of 0:14:44.840 --> 0:14:49.320 that was. Um, some of my favorite moments from the Corner, Brian. 0:14:49.560 --> 0:14:52.680 Every week, every week there was a favorite moment every week. 0:14:52.760 --> 0:14:54.640 One of my favorite things that Oscar would do is 0:14:54.920 --> 0:14:57.240 whenever I had lines that I had to say really 0:14:57.360 --> 0:15:00.800 seriously because Angela was always very serious. In the background, 0:15:00.960 --> 0:15:03.120 he would be pretending to add on his adding machine, 0:15:03.400 --> 0:15:06.560 but he only uses knuckles like a caveman like cluk 0:15:06.720 --> 0:15:09.000 cluk cluk, But he did that try to mess with 0:15:09.120 --> 0:15:12.200 me and then you and I there were times that 0:15:12.320 --> 0:15:14.080 there was a scene happening. I could not make eye 0:15:14.080 --> 0:15:16.360 contact with you because if I did, we'd both go. 0:15:17.400 --> 0:15:20.120 I love in the healthcare episode that you full and 0:15:20.200 --> 0:15:23.240 see us break and you do this thing, Brian that 0:15:23.320 --> 0:15:26.000 when someone breaks, it's it's like to deflect from you. 0:15:26.160 --> 0:15:29.480 You call him out. And so so Rain comes out 0:15:29.520 --> 0:15:32.800 and says hot dog fingers and I start laughing. I 0:15:32.960 --> 0:15:34.840 double I kind of double over and start laughing. I 0:15:34.920 --> 0:15:37.560 fully break character and you laugh, but you point at 0:15:37.600 --> 0:15:40.880 me like she did it, and it's in the episode 0:15:41.240 --> 0:15:46.280 they left it in. So every week was great. What 0:15:46.360 --> 0:15:48.760 do you think made our little group of the accounts 0:15:48.800 --> 0:15:52.120 in the corner so special? I think the dynamic. I mean, 0:15:52.200 --> 0:15:54.240 I just always felt like Oscar and I were your 0:15:54.280 --> 0:15:57.360 parents and you were our idiot son who still lived 0:15:57.400 --> 0:16:00.080 at home. I mean, I just the three of as, 0:16:00.120 --> 0:16:03.160 we're just so in sync. From the very beginning, I 0:16:04.000 --> 0:16:06.960 view it the three of us there as sort of 0:16:07.080 --> 0:16:12.960 this perfect comedy triangle. Right. You've got the stern one 0:16:13.320 --> 0:16:17.920 who's got to be in control, You've got the slower 0:16:18.040 --> 0:16:21.800 one who kind of likes to get under the skin 0:16:21.960 --> 0:16:23.920 of the one who likes to be in control. And 0:16:24.000 --> 0:16:27.200 then you have to put upon one Oscar and you 0:16:27.320 --> 0:16:30.120 have this, but he has to also be the referee totally. 0:16:30.640 --> 0:16:33.080 He's the referee in between you and I. But also 0:16:34.040 --> 0:16:37.600 then the alliances keep shifting. It's Kevin and Oscar against 0:16:37.600 --> 0:16:40.600 Angela whenever they want to play. It's Angela and Oscar 0:16:40.640 --> 0:16:43.040 against Kevin whenever they actually have to get things done. 0:16:44.080 --> 0:16:46.800 You know, is it ever Angela and Kevin. No, I 0:16:46.880 --> 0:16:50.440 don't think so. I don't think so. Well. Actually, one 0:16:50.480 --> 0:16:54.840 of my favorite pictures that I have is a picture. 0:16:54.920 --> 0:17:00.040 It's a selfie that we took in a car and 0:17:00.120 --> 0:17:03.520 we were filming the episode at your house with the 0:17:03.600 --> 0:17:08.840 creepy portrait of Angela. Yes, because he's mean to you. 0:17:09.520 --> 0:17:12.960 Oh that's right, you come up, you stand up for me. 0:17:13.400 --> 0:17:18.160 Kevin stands up for you. Oh that's really sweet. Yeah, 0:17:18.320 --> 0:17:22.199 you know what. It's Kevin and Angela versus Oscar when 0:17:22.280 --> 0:17:26.640 Angela finds out Oscar is sleeping with her husband. Yes, 0:17:26.720 --> 0:17:31.280 but Kevin knew, but Ken knew. Kevin knew, but he 0:17:31.520 --> 0:17:35.160 was more just happy that he kept a secret. Yeah, 0:17:35.240 --> 0:17:37.119 he was so proud of himself. Well. One of my 0:17:37.200 --> 0:17:39.280 favorite running bits that we had, and I know you 0:17:39.400 --> 0:17:42.520 know this, was that we would say, first of all, 0:17:42.600 --> 0:17:46.040 whenever we had the smallest scene, you would think it 0:17:46.160 --> 0:17:48.159 was gonna like we were going to get an Oscar 0:17:48.280 --> 0:17:50.399 or something like that. That sounds serious. We took it 0:17:50.760 --> 0:17:52.400 and there were times I would turn to you guys, 0:17:52.480 --> 0:17:54.720 and I'd be like, guys, it's not our show. It's 0:17:54.760 --> 0:17:57.800 not our show. Today is not about us. It's not 0:17:57.920 --> 0:18:01.239 our show. But one of my favorite things. As Oscar said, well, 0:18:01.359 --> 0:18:03.480 maybe we'll have a spin off on Telemundo and it 0:18:03.520 --> 0:18:10.879 would be Oscar and Hello Caban that. Oh gosh, I 0:18:11.000 --> 0:18:14.320 think that no one thought that we were funnier than 0:18:14.440 --> 0:18:18.680 we did over an accounting. Yeah, well just all of 0:18:18.800 --> 0:18:22.480 us over there. I just referred to um, I would 0:18:22.600 --> 0:18:26.080 injure you a lot. Okay, I have to say one 0:18:26.119 --> 0:18:29.400 thing about that. Creed just came on Jenna Nice podcast 0:18:30.240 --> 0:18:34.760 Office Ladies and we're talking about Halloween, and then he 0:18:34.920 --> 0:18:37.840 referenced another another episode and he goes and that's when 0:18:37.880 --> 0:18:41.359 Brian like like body checked you, Angela and you went flying. 0:18:41.480 --> 0:18:44.240 He was like he was always doing that. That was hilarious. 0:18:46.760 --> 0:18:50.000 Creed thought it was funny. That that's good. It cracked 0:18:50.080 --> 0:18:53.080 me up. I always just had the idea that Kevin 0:18:54.560 --> 0:18:59.080 was not aware of the size of his body and 0:18:59.280 --> 0:19:04.159 so he wouldn't think that he would, you know, potentially 0:19:04.280 --> 0:19:08.320 injure a smaller person walking by or anyone, because it 0:19:08.359 --> 0:19:11.960 would make me laugh so hard just nudging you and 0:19:12.080 --> 0:19:15.320 having you go flying one time into the well. I 0:19:15.400 --> 0:19:17.320 think I hurt you that one time into the bushes. 0:19:17.640 --> 0:19:20.359 The bushes when there was an actual physical imprint of 0:19:20.440 --> 0:19:22.600 my body in the bushes and I got peeled out. 0:19:22.840 --> 0:19:25.560 That was that wasn't a good my, my. And then 0:19:25.600 --> 0:19:28.240 there was one time you you checked me into the 0:19:28.720 --> 0:19:31.120 blinds in the conference room that I didn't think John 0:19:31.200 --> 0:19:33.480 was going to be able to recover from. But my 0:19:33.640 --> 0:19:36.160 personal favorite was one of the first times it happened. 0:19:36.160 --> 0:19:38.920 It was purely by accident, and you had to walk 0:19:39.000 --> 0:19:41.480 around behind me. They gave you the action at the 0:19:41.520 --> 0:19:43.440 top of the scene accounting. You were to walk behind 0:19:43.480 --> 0:19:45.520 me to the file cabinets behind me, and I'm standing 0:19:45.560 --> 0:19:47.760 at my desk and I had a line where I 0:19:47.800 --> 0:19:51.080 had to say, Oscar, did you do the payroll? And 0:19:51.200 --> 0:19:54.760 when Brian walked by, by accident, you bumped into me 0:19:55.600 --> 0:19:58.680 and I you you pump into me and I went 0:19:58.760 --> 0:20:01.560 flying and I said, Oscar, but I was midsing and 0:20:01.640 --> 0:20:04.520 so I said, Oscar, did you the and I didn't 0:20:04.600 --> 0:20:07.680 you hit me? I went up on payroll like like that, 0:20:08.320 --> 0:20:11.240 and you could not could not get back from that. 0:20:11.359 --> 0:20:15.440 You started laughing so hard. O god, And that was 0:20:15.520 --> 0:20:39.480 the beginning of that, the beginning. Yeah, um, who is 0:20:39.520 --> 0:20:43.320 your favorite guest star we ever had? Oh gosh, we 0:20:43.440 --> 0:20:45.960 had so many good ones. I mean I have favorites 0:20:46.040 --> 0:20:47.960 for different reasons, do you know what I mean? Like 0:20:48.119 --> 0:20:50.440 a dressed Elba he was just like so cool. I 0:20:50.480 --> 0:20:51.840 was like, maybe if I hang out with him, I'll 0:20:51.880 --> 0:20:57.520 be cool. Uh and then um, I loved Oh wait 0:20:57.600 --> 0:21:00.240 are you good? But you look you three? Brian laughed 0:21:00.280 --> 0:21:03.000 and throw his head back and his headphones came head 0:21:03.040 --> 0:21:05.639 fans went flying off. That was funny. Alright, um, did 0:21:05.720 --> 0:21:09.640 you say head fans, head fans, welcome to the podcast world. 0:21:09.960 --> 0:21:12.159 Shut it. That's Brian's favorite thing. By the way, when 0:21:12.160 --> 0:21:14.960 I would give him hard time, he'd go shut it. Um, Okay, 0:21:15.040 --> 0:21:17.120 So I loved it dress because he just was cool. 0:21:17.600 --> 0:21:20.720 I mean I talked to Cathy Bates about r VS 0:21:20.800 --> 0:21:23.840 and traveling around America and RV and I'm like, you're 0:21:24.040 --> 0:21:27.760 really cool. Um. James Spader though one of my all 0:21:27.840 --> 0:21:32.360 time favorites because, like Creed, he just would say things 0:21:32.400 --> 0:21:37.040 and would be like, wait, is that he has lived 0:21:37.160 --> 0:21:40.479 a life and and I'll never forget. We had hair 0:21:40.520 --> 0:21:43.479 and makeup side by side, Like we'd get touch ups 0:21:43.520 --> 0:21:45.080 at lunch side by side. So I'd be sitting in 0:21:45.080 --> 0:21:47.640 a chair next him and I was talking to Kenneth Paul, 0:21:47.680 --> 0:21:50.080 who did my makeup about the fact that my daughter 0:21:50.160 --> 0:21:51.920 liked to sleep in bed with me, and that I 0:21:52.040 --> 0:21:54.960 felt bad. And you know, I knew she was getting older. 0:21:55.200 --> 0:21:57.760 She was like four years old, and I knew I 0:21:57.760 --> 0:21:59.359 shouldn't let her crawl in a bed and sleep with 0:21:59.400 --> 0:22:01.879 me in the night, but she's so snugly, and and 0:22:02.000 --> 0:22:03.840 I just thought I was talking to Kenneth Paul because 0:22:03.880 --> 0:22:05.840 when James Spader would come in to get his makeup done, 0:22:05.920 --> 0:22:08.600 it looked like he went into a trance, like asleep, 0:22:08.840 --> 0:22:14.159 like some meditative trance. He looked asleep and he sat up, 0:22:14.240 --> 0:22:16.040 because at this time in my life I was a 0:22:16.080 --> 0:22:18.240 single mom. He sat up and he looked at me, 0:22:18.240 --> 0:22:21.879 and he goes, Angela, get that baby out of your 0:22:21.880 --> 0:22:24.639 bed if you ever want a man in there. I 0:22:24.840 --> 0:22:29.720 was like, what, You're alive and you're talking, And I 0:22:29.840 --> 0:22:36.879 was like, all right, James, I guess, okay, huh what 0:22:37.160 --> 0:22:41.119 what so James James being there? Now? What? Um? When 0:22:41.200 --> 0:22:43.320 did you find out Steve was leaving? And how did 0:22:43.359 --> 0:22:45.080 you feel did you feel the show could keep going? 0:22:46.000 --> 0:22:49.280 I mean, I can't remember the exact moment. I kind 0:22:49.320 --> 0:22:51.679 of feel like I was with everybody somewhere, maybe they 0:22:52.040 --> 0:22:54.320 announced it at a table read. I know there were 0:22:54.359 --> 0:22:56.440 some people who were privy before some of the rest 0:22:56.520 --> 0:22:59.480 of us, but I kind of like Steve talked to 0:22:59.600 --> 0:23:01.880 us on that one day and gave us the heads 0:23:01.960 --> 0:23:04.280 up before the announcement because he's just a class act 0:23:04.400 --> 0:23:07.760 like that. And I just remember thinking, well, God, I 0:23:08.160 --> 0:23:11.240 felt like we had such a deep bench. You know, Bryan, 0:23:11.280 --> 0:23:12.920 that's a basketball term. I don't know if you know 0:23:13.040 --> 0:23:16.600 basketball well. In a basketball game, you have your starters, 0:23:16.760 --> 0:23:19.840 but you want a really solid second string, right, So 0:23:19.960 --> 0:23:21.520 you want a deep bench they call it because in 0:23:21.560 --> 0:23:25.040 basketball you all sit on a bench. Now, I felt like, 0:23:25.320 --> 0:23:28.560 you're welcome, Bryan. Thank you for explaining that to me. Brian, 0:23:28.640 --> 0:23:30.520 who should, by the way, you have a spin off 0:23:30.560 --> 0:23:32.840 where he just has famous athletes coming here and talk 0:23:32.880 --> 0:23:35.639 to him because the guy knows everybody. I'll never this 0:23:35.800 --> 0:23:39.960 is like me getting off topic. But we were at 0:23:40.240 --> 0:23:44.040 like a fancy kind of restaurant bar place, and Brian 0:23:44.160 --> 0:23:46.479 was like, my friend's going to meet us here, Aaron, 0:23:47.119 --> 0:23:49.560 And I was like, okay, great, I meet Aaron. I'm like, Aaron, 0:23:49.640 --> 0:23:52.400 what do you do? How are things? He's like, good, 0:23:52.440 --> 0:23:54.880 I'm I play football. I was like, oh, that's fun, 0:23:55.359 --> 0:23:58.119