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Speaker 1: Welcome back Alchemy This. I'm your host, Kevin Pollock. Yes,

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Speaker 1: not Kevin Pollock. What's that? No? I don't believe I

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Speaker 1: will give up on America or democracy. What kills us

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Speaker 1: makes me sleepy, dear freaks and free Willie's. I was

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Speaker 1: a very pleased to welcome you to get another episode

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Speaker 1: up Alchemy This. Let's do an Alchemist roll call. But

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Speaker 1: that's a wraglin Craig Atkowski, Yeah, Mark Gagliardi joining student

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Speaker 1: Chris Alvarado here, Joey Graham Mit, all right? No from

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Speaker 1: his car? Still didn't Let's get to our first scene.

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Speaker 1: Suggestify your listener mail. Please please rye to us. I've

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Speaker 1: governs his child voice in my head. Please right to us.

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Speaker 1: Your name here at alchemy this dot com. Your name

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Speaker 1: here at alchemy this dot com. Give us your suggestions

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Speaker 1: for scenes. We'll use most of them as we have. Uh.

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Speaker 1: This next one comes from Andy Maloney from Australia, big

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Speaker 1: fan of the show. YadA YadA, YadA, usual other bullshit.

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Speaker 1: Here's my pitch. We Aussies have a long standing joke

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Speaker 1: that you Yanks have no idea about anything that goes

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Speaker 1: on in our country. I've been to both West and

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Speaker 1: East Coast USA and can fully back this up. Vanessa,

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Speaker 1: you may be the exception. As you know, Canberra is

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Speaker 1: ship house is a ship house, and you've also used

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Speaker 1: the same bum fuck nowhere, which is a great AUSSI

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Speaker 1: saying it's kind of a great American saying too that yeah,

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Speaker 1: we're keeping it. Uh yeah, So I would like you

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Speaker 1: all to take a trip to Australia and be taken

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Speaker 1: on an outback tour throughout our country. One of you

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Speaker 1: can be the AUSI tour guid. I'm gonna say Vanessa,

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Speaker 1: since it's the only Australian accent I've heard in the room. Um,

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Speaker 1: while the others are acting as standard Yankee tourists. Takes

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Speaker 1: another shot. You will come across the following animals. Hey,

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Speaker 1: you know what, why don't we just let the tour happen, kangaroos,

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Speaker 1: drop bears, crocodile snakes, But then luckily come across a yawwee,

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Speaker 1: which is essentially our bigfoot. Keep up the hilarity, Andy

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Speaker 1: in Australia. Stay in the path, honey, stay in the path. Alright,

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Speaker 1: everybody holding on tight? Are we holding on tight? I

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Speaker 1: thought that's the rail you're gonna hold on tight to

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Speaker 1: the rail. That's right. Now. Look around you. What do

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Speaker 1: you say? We're taking a lot of very desolate, a

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Speaker 1: different big to differ. My hat was too low. Okay,

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Speaker 1: there we are. Now, what do you say? Look at

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Speaker 1: the nothing? You can feel the buner? Can't you the buner?

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Speaker 1: Feeling the bon she's saying boner. I don't feel the burn.

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Speaker 1: I'm not saying boner. I'm saying Buonay, okay, boone. It's

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Speaker 1: sort of the ephemeral life force here. I don't feel either,

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Speaker 1: norwan's feeling the buona. What would it feel? What's wrong

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Speaker 1: with you if you felt a boner? You know you're

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Speaker 1: feeling a boner? Okay, No, no, no, no, you're you're

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Speaker 1: saying boner again. I'm sorry, no, no, no, no, I'm

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Speaker 1: slaying boner, not boner. Baby. Why can't you feel a boner?

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Speaker 1: Because I don't think it's no, there's no bona, no grinding. Okay,

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Speaker 1: this is a grind free tour. This is nice. We're

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Speaker 1: just taking a look. Would there'll be kangaroos? We kangaroos,

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Speaker 1: give it up for the idiot. Will there be kangaroos?

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Speaker 1: Do you think they're cute. You love a kangaroo. I

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Speaker 1: think it looks like a little box, like yeah, oh yeah, right, okay,

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Speaker 1: so you can leave the tour. Oh no, no, I

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Speaker 1: can't use it by myself. I'm not really I'm here now,

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Speaker 1: so someone who left a tour and now I'm able

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Speaker 1: to join, Is that right? Because you said I couldn't

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Speaker 1: join earlier because you were too full. We can rotate

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Speaker 1: out and say if you want to stay, you can

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Speaker 1: stay at the back. But I don't want to hear

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Speaker 1: any more sort of comments about kangaroos looking like boxes

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Speaker 1: or anything else that I'm going to find offensive. So

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Speaker 1: I might find things offensive that you don't know, but

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Speaker 1: I don't want you to say. Then what else could

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Speaker 1: they carry in their pouch? Just before I go to

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Speaker 1: the back of the line, other than a little baby?

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Speaker 1: Only a joey, I say, if you can behave yourself,

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Speaker 1: does anyone want some fairy bread? Yes, fairy bread. It's

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Speaker 1: very bread. Okay, sir, you're not allowed to talk anymore.

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Speaker 1: You don't know what's very bread. I don't know what

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Speaker 1: that is, nor in his butter in sprinkles. It's white bread,

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Speaker 1: narser offensive white bread butter sprinkles, fairy bread. We've been

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Speaker 1: eating it since we were tiny. You, the country as

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Speaker 1: a as a whole, we're all one here. Oh, can

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Speaker 1: you feel the warm Toms? Did you feel that warm Tom? Now,

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Speaker 1: if you look over to the horizon, everyone knows what

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Speaker 1: the horizon is. Winter your eyes you're going to keep

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Speaker 1: You're gonna keep looking. You're gonna look down, You're gonna

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Speaker 1: look up. You're gonna look down. You're gonna what are

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Speaker 1: we're looking for here? What do you look at? You'll

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Speaker 1: know it when you see it, sir. All right, up

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Speaker 1: and down, up and down. We're gonna be seeing some

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Speaker 1: awesome massupials. Kayla, I don't want been going great problem

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Speaker 1: of ahead problems. Keep your voice on something, people. I

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Speaker 1: don't want the people to hear it. Doesn't it, Kaylor,

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Speaker 1: it doesn't it got to now they don't got to know.

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Speaker 1: I gotta know that. You gotta tell them. All right.

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Speaker 1: All the animals, all the low walls are going nuts.

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Speaker 1: They're going to take in each other. Hey, down, try

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Speaker 1: to keep your voice down. They're using rudimentary tools, all right.

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Speaker 1: Keep you in the back of the Kayla, is it

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Speaker 1: to a guide? Okay? Part of me is just here

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Speaker 1: to help me. Okay, if there's no one's using any

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Speaker 1: sort of rudimentary tools, No one's school is about to

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Speaker 1: be cracked open by a fire toe. I came with

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Speaker 1: a weapon, so if anybody needs help, I have a

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Speaker 1: weapon down. Trying to pat him down, your bigger knife.

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Speaker 1: You're you're Mike. There's a slur here, trying to punch

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Speaker 1: him in the head. What is it I want you

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Speaker 1: want to do is remember we're here to see the outback,

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Speaker 1: the real outback. Bl onion jump. Why am I so

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Speaker 1: mad at you? Do you think kangaroos are cute? Yeah?

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Speaker 1: What do you think about a Quaker? You know anything

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Speaker 1: about a Quaker? This tour that I'll no, no, no trying,

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Speaker 1: And we've been to the states, have it. We tried

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Speaker 1: to hear. We've taught it a ski camp for two winters, okay,

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Speaker 1: and we came. Yeah, it was a ski camp for children.

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Speaker 1: And you know what, while we were here, we knew

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Speaker 1: about your country. Okay. We didn't say anything about pizza

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Speaker 1: or fat people or anything else that we know you're

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Speaker 1: riddled with. But now you're talking about kangaroos. En calm yourself, Kayla,

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Speaker 1: Calm down. Try that, don't calm me down to alright,

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Speaker 1: the LaaS are making rudimentary tools are there, and they're

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Speaker 1: organizing in a way it's far beyond my comprehension. Or

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Speaker 1: have time to get back to the teetoe. I may

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Speaker 1: just as were probably at the Lady American. See no problem,

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Speaker 1: We're fine, We're good. I have a knife and he's

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Speaker 1: got a knife. Wait, you're just gonna leave us out

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Speaker 1: here in the out back. There's like tons of poisons

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Speaker 1: sneaks and stuff. Common misconception. There's not tons of poisonous

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Speaker 1: sheet There is a ship tone, just a ton is

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Speaker 1: sheep tone, and you're never going to see him coming. Okay,

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Speaker 1: And we all know that the cause have chlamydia. Yes,

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Speaker 1: we all know. Raise our hands. I hope you'll brought

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Speaker 1: body rubbers because you're gonna need them if they descend,

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Speaker 1: and they will descend. Might be to make love to them,

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Speaker 1: all right, gentle love, consensual love? How do we do that?

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Speaker 1: Tell him? Try to what do you mean I've got

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Speaker 1: the boner? Was curious what to do with it? Well,

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Speaker 1: you're going to rub the mid section right of the koala.

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Speaker 1: You want the digestive trick to open up right right,

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Speaker 1: it's going to vomit. You used that fluid, rub it

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Speaker 1: on your chest. It's going to look at the top

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Speaker 1: of the hill. Look at time to get back. Now

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Speaker 1: is that a diy? Do? You are out of here?

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Speaker 1: It's defensing, mate. You know what I'm gonna do. I'm

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Speaker 1: gonna put a dig do please? Please? Oh isn't your man?

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Speaker 1: This looks like a man to me. Tell me, what's

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Speaker 1: your name? Tina? Come here, I'm gonna shake it. I'm

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Speaker 1: gonna shake your head. I'm gonna shake your head. All right.

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Speaker 1: It's a beautiful country. And we're not a bunch of criminals.

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Speaker 1: And anyone who says we are a bunch of criminals.

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Speaker 1: You know what we're gonna do to you. I'm gonna

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Speaker 1: chop you up. We're going to make a crime on you,

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Speaker 1: a crime on. Now you start the crime on, I'll

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Speaker 1: complete the crime on. We're going to need you all

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Speaker 1: to do a classic four or five seven? What's the

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Speaker 1: four or five seven? What's the fourth? Tri to seving?

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Speaker 1: Is near four people below seving, people on top, and

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Speaker 1: then five people in the middle, and it makes a pyramid. Right,

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Speaker 1: there's more, there's fewer people at the bottom people. What

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Speaker 1: a questions? Right? You know what I mean? It's clear

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Speaker 1: the way doramid in the United States what he's talking about. Yeah,

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Speaker 1: what do you know? How are you going to intimidate

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Speaker 1: these animals when they come for you with their tools?

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Speaker 1: Did bring their pouches? Their mammals like us? That's why

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Speaker 1: we have a tour guy, right, so protect us? Yeah?

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Speaker 1: Is it hostile every day? Yeah? I don't think every day?

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Speaker 1: Am I hostle? We paid for Honestly, at this point,

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Speaker 1: I'd rather fight a rabbit whatever is out of Yeah.

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Speaker 1: So I'm leaving the group and I'm going on my

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Speaker 1: own walk. All right, he's got a knave. Listen for

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Speaker 1: the high pitched screen that will occur in one to three. Yeah,

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Speaker 1: I am god. It seems to be doing all right.

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Speaker 1: So it wasn't that high bit. No, I'm not pretty natural. Okay,

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Speaker 1: the Jesus Chris, you just killed the small boy that's

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Speaker 1: a child. Should kill the child. I mean he clearly

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Speaker 1: wanted to make a statement. I think that statement has

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Speaker 1: been made. Brandon. Where Brandon, we just say, okay, you

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Speaker 1: know this is almost done. Set, this is slur We're

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Speaker 1: not putting you in the jeep. We're not putting you

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Speaker 1: in the Jeep final walk back. I don't care. Good luck.

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Speaker 1: Can I ask you a respectful question, please? What did

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Speaker 1: you think of Meryl Streep's accent in that film? Let's

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Speaker 1: not go to what the character said and how offensive

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Speaker 1: it was. I'm just curious if you thought the hard

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Speaker 1: question to answer? Right? Right? It's really hard because because

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Speaker 1: it was quite good. Oh, and you'd rather not give

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Speaker 1: Americans credit for the ability to do that. You know,

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Speaker 1: we do this every day. Every great film start, every

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Speaker 1: current film start is Australian and you don't even know.

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Speaker 1: You don't even know. Name one Australian films, Name one

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Speaker 1: film star Nicole Kimman Australian, Russell Crowe Australian. Helms Worth, Guy,

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Speaker 1: helms Worth, Guy With Austan Australian, Jeffrey Rush Australian Naomi Watts. Yeah,

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Speaker 1: what's happening? We own you and you don't even respect us.

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Speaker 1: We give you stories, your own stories, and you don't

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Speaker 1: even care. Oh Man, when I was out there slaughtering

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Speaker 1: that five year old boy, it was a boy then

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Speaker 1: ordering the boy I know now now holds up in

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Speaker 1: the bushes. When I was in a pile over there,

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Speaker 1: taken care of by a little yank. Friends, let's before

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Speaker 1: I'm I'm an attorney from the United States. Oh wow, No, no,

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Speaker 1: you're right. I didn't go to school forever to become one.

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Speaker 1: Uh what what did you think? The boy was some

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Speaker 1: kind of outback animal? Right exactly, because there's nine million

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Speaker 1: things that can kill you as we in Austria. And frankly,

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Speaker 1: if I had I known it was a human, I

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Speaker 1: still might have proceeded with the way I did it,

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Speaker 1: because we all know this this land is made up

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Speaker 1: of criminals, criminal dangerous order in the core. Has there

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Speaker 1: ever been order? Now? I have a genleman from the

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Speaker 1: United stikesin represented boy, gentleman from America. Yeah you Mr Cohen,

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Speaker 1: Mr Cohen, I could be referred to as Mr. And

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Speaker 1: anyway might charge with murder. I'm charged with objection. Objection.

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Speaker 1: You have to sing the Australia now now that's good? Alright,

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Speaker 1: Well then we get to the singers, uh America? Good, alright,

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Speaker 1: Let's just keep to this Kai smikey quick please if

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Speaker 1: I went please, oh no, I'm just calling it yourona.

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Speaker 1: You have nor fit her honor. If I may, thank you,

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Speaker 1: pandering pandering is the is the galley just allowed to

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Speaker 1: shout things out in this country. I'm gonna do something.

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Speaker 1: I'm gonna do something a little out of the ordinary.

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Speaker 1: Oh great, he goes to the American. I'm gonna call

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Speaker 1: her up to the stand. I asked some questions for her, yes, yes, yeah,

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Speaker 1: or before they no. We got some young blocks over

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Speaker 1: there with some powetr the gonna read about Australia. All right, Um,

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Speaker 1: Australia's beautiful country. Um, I'm from New South Wales. Um,

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Speaker 1: I've got tons of pales. Very nice. That was very nice.

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Speaker 1: That was my my poems a lot longer than that.

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Speaker 1: That was. I think it's give the ChIL child alright, Well, allegedly,

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Speaker 1: when you murder a child in this country, you have

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Speaker 1: to listen to a child poetry poem. Okay, so you know,

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Speaker 1: snuffed out, snuffed out a lot, You snuffed out a lot.

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Speaker 1: I got a question out a lot, she's talking a lot.

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Speaker 1: Get her up on the stands. I want to take

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Speaker 1: let the child finish the poem. I live in Sydney.

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Speaker 1: Just can't be part of your kidney disease, your honor objection?

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Speaker 1: Do you can't do that? Might not during a poem

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Speaker 1: in the court at all, not an Australian. Can it

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Speaker 1: object to a poem an art piece? Okay, it's a

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Speaker 1: little different here, mate. Clearly we respect the arts for

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Speaker 1: one right? Uh uh? Do I have to wear this

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Speaker 1: wig the entire try? You can take it off your

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Speaker 1: croutch might put it on to your head? Okay, all right,

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Speaker 1: so no American on the head? Okay? Will it be

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Speaker 1: Willaby Cohen? Will it be Willoby Willing? An elephant sat

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Speaker 1: on Cohen? Okay, objection, move forward. We got a long

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Speaker 1: loined children about the poetry, mate, My client is on.

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Speaker 1: This is a Travis. Once upon a time in the

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Speaker 1: world wide field, I found myself at an elephant's heel.

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Speaker 1: I said, how did you get here? You're not native?

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Speaker 1: He agreed. I put my lips to his trunk. We

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Speaker 1: exchanged air. It was amazing in out in out. He

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Speaker 1: smelled like grass, but it tastes like peanuts. Objections, beautiful,

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Speaker 1: your on it was nice to Can we just jump

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Speaker 1: to the conclusion that the rest of the thirty seven

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Speaker 1: children also were brilliant poet We don't know that, my

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Speaker 1: it's a lap to say they're all brill They might

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Speaker 1: be all right, I'm giving them credit where I feel

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Speaker 1: it might features with criticism. If we want them to

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Speaker 1: be honest, we have to be open. Why don't you

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Speaker 1: get to keep just talking whatever she wants to and

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Speaker 1: when I want to question her, we can't do that.

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Speaker 1: But she gets to continue to talk the whole time.

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Speaker 1: Then I'm just gonna go ahead and say it. You

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Speaker 1: Kayla hurt? You are you so sad some American man?

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Speaker 1: Do you have a big crush on an American man?

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Speaker 1: Maybe something? Maybe some Jonathan Taylor Thomas or something. It

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Speaker 1: really just crushed your heart? Is that what's happening here? Improvement? Yeah? Okay,

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Speaker 1: So I'm thinking about maybe we can put a bookshelf

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Speaker 1: over here, Maybe we can get maybe who knows. I

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Speaker 1: can't to have the rest of my life, my future

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Speaker 1: with you. Look what I got on the tit it's

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Speaker 1: a flat. Oh wow, your flag America? I love it. Baby.

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Speaker 1: My Jem can't be bad, Johnny. Yeah, Hey it's Jim,

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Speaker 1: get to work. It's uh, it's tonight. It's on for tonight. Okay,

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Speaker 1: I can't tell you more. Your show at the warehouse. Okay.

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Speaker 1: I was thinking we could have hamburgers for dinner if

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Speaker 1: you like, Uh, yeah, that sounds great. Anything you like.

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Speaker 1: You know, French fires And I gotta run and do

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Speaker 1: this thing tonight. I just got to do this paperwork.

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Speaker 1: You love me forever, of course, forever forever. You've never

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Speaker 1: hurt me, very fragile. I'm abound to go back to

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Speaker 1: the tour guiding. If you hurt me, John, Yeah, John, Yeah,

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Speaker 1: it's Dave hand Mr Memo. Did Jim call about where

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Speaker 1: we're supposed to do the thing tonight? Yeah? Did you not?

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Speaker 1: Did you? Did you not? I mean it was between

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Speaker 1: the warehouse, in the in the bakery, but to the

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Speaker 1: warehouse tonight. Okay, okay, thanks, I didn't mean interrupt. I'm

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Speaker 1: doing okay, what are you going to? Warehouse to warehouse?

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Speaker 1: Are you proposing to me? Baby? Are you sitting up

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Speaker 1: a prop? I was? I just gotta do, babe. I

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Speaker 1: just gotta do something for work. I gotta do some paperwork. Okay.

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Speaker 1: How much she loved me enough? Tarny, Kayla, Tarny. If

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Speaker 1: you hurt me, hold that one. Hi, it's Jessica there.

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Speaker 1: Who is it? I think it's wrong? No, no, no, no,

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Speaker 1: she's she's here, she's here. What's going on, baby, it's work.

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Speaker 1: It's working. Good. Is this Jessica? Yes, it is Jesica.

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Speaker 1: It happens. Oh you guys told up, Well I'm pregnant,

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Speaker 1: that's for sure. I told him. I told him maybe

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Speaker 1: it's work. It's work. Why just make some burgers, babe?

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Speaker 1: All right? Yeah, thank you for being there for me.

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Speaker 1: Such just a quick question. Yeah, Am I keeping it

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Speaker 1: or not? Um? Yeah? Awesome? I love you. I love you.

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Speaker 1: That's WoT you in sales? I am, baby. It's just

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Speaker 1: some paperwork. It's not a big it's not a bigger dealer. Okay,

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Speaker 1: don't use it on me. It will render me helpless.

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Speaker 1: So perhaps the reason why Kayla is accusing me of

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Speaker 1: slaughtering a five year old boy in the outback, it's

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Speaker 1: because she herself was slaughtered by an American man. I

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Speaker 1: rest my case in the Middle East. Um he I'm

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Speaker 1: accusing him because he oh he bit me. But also

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Speaker 1: he slaughtered a child in front of the whole group.

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Speaker 1: I didn't make the hit up, he ran into the bush.

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Speaker 1: Objection if I made the point was he didn't know

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Speaker 1: it was a child? Yes, afterwards he said, had I known?

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Speaker 1: I still probably Kayla didn't know that her heart was

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Speaker 1: going to be shattered. Yes, it happened after nothing to

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Speaker 1: do with Tony. We saw him smoosh the child. It

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Speaker 1: didn't look like anything else. There was no fur nor

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Speaker 1: a big teeth. Yeah. We a lot of talk about

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Speaker 1: a lot of terraforming things in front of the children.

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Speaker 1: These children have a little prey from the horrors. Can

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Speaker 1: a little British baby reads poem I'm bad? Or a

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Speaker 1: little bloke? Who can it be? Knocking at my door?

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Speaker 1: Make no sound, tiptoe across the floor? Is this a riddle? Now?

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Speaker 1: It's a poem? Martin continue, Yes, your knock all day? Right? Sorry,

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Speaker 1: I can't read this, Oh, Mike, just speaking from a

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Speaker 1: hot mine. If you write it, who can it be? Now?

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Speaker 1: Who can it be? Now? It sounds like a riddle?

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Speaker 1: Who can it be? Now? Your honor? I want to

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Speaker 1: put it in the plate. I am guilty of slut

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Speaker 1: a small child, but I'm only as guilty ask of

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Speaker 1: watering those of us she took on that tour, that

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Speaker 1: of those of us who she she she she was

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Speaker 1: screaming at and was mad at, and was and was

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Speaker 1: putting down. Yeah, I took the life of a baby

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Speaker 1: to American you have a barman, my client, you're the

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Speaker 1: American sane you this is this is not a kangaroo court.

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Speaker 1: I don't believe. Yeah, get you. I don't even put

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Speaker 1: bait root on their baggages. My cli driven insane from

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Speaker 1: that kangaroo kangaroo dog fang bang bang bang bang. Put

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Speaker 1: a gun in here. Go you're I'm holding kle hostage capsicum,

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Speaker 1: spry caicus. We all know what that is. No need

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Speaker 1: to explain. All right, I'm letting her go. I'm letting

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Speaker 1: her go. Three sort of cool at him, get out,

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Speaker 1: don't hit that animals some times MI your lated dudes, joel, alright,

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Speaker 1: court to jan my uh, let's let's make sure the

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Speaker 1: kids side. That's what we think of Australia. Oh man, brilliant,

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Speaker 1: Oh my god, oh my, so much happened, so much?

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Speaker 1: Too much or not enough. This next letter was written

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Speaker 1: email was written by Carla Caldera. Hello, that's like Carla.

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Speaker 1: It could be she could be uh us if that

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Speaker 1: is her? What a terrible student is? Thank you for

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Speaker 1: the fun podcast. Like everybody else that keeps me her changling.

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00:23:00,000 --> 00:23:02,119
Speaker 1: I'm at school and or work. I thought of some

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Speaker 1: ideas that might be interesting. One idea is someone brings

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Speaker 1: their group of friends to the woods where he swears

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Speaker 1: he saw bigfoot. The group of friends can consist of

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Speaker 1: a believer of skeptic friends who don't care and are

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Speaker 1: just going along for the ride. And I want to

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Speaker 1: be journalists trying to get a big story. Thanks Carla Caldera.

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Speaker 1: Oh god, does anyoney have a flashlight? Mine is not working?

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Speaker 1: How do we got what here? Are going batteries in it?

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Speaker 1: Or what? Yeah? That's probably it. Probably the batteries aren't.

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Speaker 1: We're gonna make sure we gotta have a fifteen foot

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Speaker 1: perimeter around camp. Okay, because if we I want all

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Speaker 1: tracks to be noted, to copy that, all right? Because

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Speaker 1: if we have any footprints, we've gotta make sure they're

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Speaker 1: ours and not the foot Yeah yeah, yeah, I know

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Speaker 1: you brought like some sort of like fake thing right

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Speaker 1: to make your own big Foot tracks? Tad? Okay, yeah, sure, okay,

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Speaker 1: Well guys, uh, look, I I apologize for for my photographer.

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Speaker 1: My newspaper were very professional usually yeah what all right?

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Speaker 1: All right? You know what can I apologize? We were

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Speaker 1: trying to where do you want me to put the bait?

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Speaker 1: We'll put it outside the perimeter. So outside the perimeter

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Speaker 1: aft plus feet plus feet away from fifteen plus what

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Speaker 1: just away? Fifteen away from camp? All right, I got

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Speaker 1: two big buckets, a bike, an better gonna help me

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Speaker 1: slop it or I have to do it myself. Just

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Speaker 1: do it for now we're in. I can't do it

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Speaker 1: for now because it's too heavy. A cow in trails

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Speaker 1: take a little lot of time. I'm sorry, Tad. Nate Swanson,

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Speaker 1: Wilderness Times. Um, why cow in trails specifically? Is it

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Speaker 1: every time? Is it going to be? You didn't have

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Speaker 1: to ask, Tad. I'm on snack. Yeah, that's true. A carnivore.

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Speaker 1: Is that what you're asking me? Yes, yes, exactly all right.

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Speaker 1: I wasn't trying I wasn't trying to exclude you. He's

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Speaker 1: the one that called us out here, had ing home

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Speaker 1: gets all the attention because he's got a pretty little

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00:24:59,240 --> 00:25:01,960
Speaker 1: fight for those little lips on it. Also a pretty

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00:25:02,000 --> 00:25:05,520
Speaker 1: great story. But if you, if you, if you know,

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Speaker 1: I don't know, if you if you wanted like an

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00:25:06,920 --> 00:25:09,480
Speaker 1: exclusive or something, uh, you know, I am the only

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Speaker 1: one in the group that has actually encountered a big foot.

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Speaker 1: So if you wanted to do a little expose on

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Speaker 1: me or a little article or something. I might be

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Speaker 1: someone inclined to speak, right, Tad, And yes, yes he

393
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Speaker 1: did see one. I did see one. You have seen

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Speaker 1: a big foot? Well yeah, I mean, I mean we

395
00:25:24,440 --> 00:25:27,320
Speaker 1: were all there that we're all there, but there that

396
00:25:27,440 --> 00:25:29,920
Speaker 1: brought him close and ted ted set up everything because

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00:25:29,920 --> 00:25:32,720
Speaker 1: he's the brains. But I had like an emotional connection

398
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Speaker 1: with one. But he can also stay up lighter than us.

399
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Speaker 1: He's kind of fall asleep eventually that y'all hate this guy?

400
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Speaker 1: Never us like I don't sleep. I wasn't there that night,

401
00:25:41,840 --> 00:25:43,720
Speaker 1: but I have always wanted to ask ever since I

402
00:25:43,760 --> 00:25:46,840
Speaker 1: heard that you saw the big foot? It seems pedestrian.

403
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Speaker 1: And please forgive me, I'm really not trying to be

404
00:25:49,080 --> 00:25:53,879
Speaker 1: funny here. Does the big foot indeed have big feet?

405
00:25:55,960 --> 00:25:58,439
Speaker 1: I do like that question? Well why would anybody like

406
00:25:58,480 --> 00:26:01,840
Speaker 1: that question? Well? I do? Can you answer? Sure? It's

407
00:26:02,119 --> 00:26:05,560
Speaker 1: so straightforward, not like that, It's like it's so obvious,

408
00:26:05,560 --> 00:26:07,720
Speaker 1: like but we've never talked about it. That's like where

409
00:26:07,720 --> 00:26:10,679
Speaker 1: you should start. You know. That's how big are we talking?

410
00:26:10,920 --> 00:26:14,520
Speaker 1: It's a clown shoes size. It's not an ironic name

411
00:26:14,640 --> 00:26:19,000
Speaker 1: like curly right, Yeah, because he might have small feet.

412
00:26:19,000 --> 00:26:21,919
Speaker 1: Then well I can't really speak to the foot size

413
00:26:22,119 --> 00:26:25,280
Speaker 1: per se, but I know emotionally the connection with felt

414
00:26:25,359 --> 00:26:29,280
Speaker 1: was large. Felt in a large emotional Was this creature

415
00:26:29,400 --> 00:26:33,840
Speaker 1: overall how tall? I don't know, as big as your

416
00:26:33,880 --> 00:26:37,040
Speaker 1: imagination or something, oh man, as big as your imagination.

417
00:26:37,080 --> 00:26:40,320
Speaker 1: I'm sorry, Nate Swanson Wilderness Times. How many journalists did

418
00:26:40,320 --> 00:26:44,800
Speaker 1: you invite on this, because um, I'm pretty sure that

419
00:26:45,080 --> 00:26:46,680
Speaker 1: that I was I was supposed to be the one

420
00:26:46,760 --> 00:26:52,040
Speaker 1: that was that was getting questions. And and he's from

421
00:26:52,920 --> 00:26:55,760
Speaker 1: breaking Out, he's from the high school. This is he's

422
00:26:55,760 --> 00:26:58,840
Speaker 1: just from the high school paper. Okay, okay, well why

423
00:26:58,840 --> 00:27:06,360
Speaker 1: do you let a real journalist getting I'm just not

424
00:27:06,480 --> 00:27:13,280
Speaker 1: used to camping. I would be in my pictures. No,

425
00:27:13,480 --> 00:27:19,879
Speaker 1: stop the stop listen, damn, somebody tell me stop. Not

426
00:27:20,000 --> 00:27:24,240
Speaker 1: just slept harder. Okay, So clearly somebody prerecorded some bigfoot

427
00:27:24,359 --> 00:27:28,359
Speaker 1: sound effects and they've planted some sort of recorders and

428
00:27:29,600 --> 00:27:39,280
Speaker 1: oh she's burpened so loud that whoever smelled it on

429
00:27:39,320 --> 00:27:47,040
Speaker 1: this part what whoa whoa? You know what talk? We

430
00:27:47,040 --> 00:27:49,000
Speaker 1: could be here just as much as you are. Wow,

431
00:27:49,040 --> 00:27:54,200
Speaker 1: that's a big, tall mountain man with Harry Beard Nick

432
00:27:54,240 --> 00:27:57,200
Speaker 1: Swanson Wilderness Times. Sir, could you give me your name?

433
00:27:57,280 --> 00:28:00,439
Speaker 1: And do you ever actually get mistaken for Bigod? And

434
00:28:00,680 --> 00:28:03,919
Speaker 1: follow up question, did you actually have an emotional relationship

435
00:28:03,960 --> 00:28:08,280
Speaker 1: with one member of this party? My um my name

436
00:28:08,560 --> 00:28:17,600
Speaker 1: do you want to sit down? Is Night Swanson. That's

437
00:28:13,000 --> 00:28:21,760
Speaker 1: what I'm from, Wilderness Time, and get to the emotional

438
00:28:21,800 --> 00:28:26,159
Speaker 1: connection part. His name Night Swanson. I got got here.

439
00:28:26,560 --> 00:28:29,320
Speaker 1: I't know you ain't going nowhere. You ain't going nowhere.

440
00:28:29,440 --> 00:28:36,880
Speaker 1: I gotta go, I gotta gotta go, Creek get the wow.

441
00:28:36,920 --> 00:28:41,440
Speaker 1: That kid is strong alright, mountain man. What's your real story?

442
00:28:44,840 --> 00:28:48,240
Speaker 1: Nate Swanson from the Don't You Start? High School kid?

443
00:28:48,760 --> 00:28:51,640
Speaker 1: Don't you start? Just tell him? My name is gust Templeton,

444
00:28:52,280 --> 00:28:56,040
Speaker 1: the guest Wait, the Gust Templeton that went missing several

445
00:28:56,120 --> 00:28:58,800
Speaker 1: years ago. Yeah. Run a nonprofit now out in the

446
00:28:58,840 --> 00:29:03,560
Speaker 1: wilderness and I collect I like leaves and sticks and

447
00:29:03,600 --> 00:29:07,600
Speaker 1: I put them all together this nonprofit or is this

448
00:29:07,720 --> 00:29:10,360
Speaker 1: just a self proclaimed or are you just not profiting

449
00:29:10,440 --> 00:29:12,640
Speaker 1: from it? Because it's supposed to be a whole father

450
00:29:12,800 --> 00:29:14,720
Speaker 1: once a three thing. We're trying to get through that

451
00:29:14,760 --> 00:29:16,240
Speaker 1: and there's a lot of PaperWorks. I don't believe in

452
00:29:16,280 --> 00:29:18,120
Speaker 1: the government. That's what I came out here. So you

453
00:29:18,200 --> 00:29:20,960
Speaker 1: still just call something you're not making money from a nonprofit.

454
00:29:21,160 --> 00:29:24,400
Speaker 1: I mean, I guess it's true, though I guess so nonprofiting.

455
00:29:24,760 --> 00:29:27,880
Speaker 1: It feels more nonprofiting. Why are we all being so

456
00:29:28,000 --> 00:29:30,480
Speaker 1: mean to him? He's got stories, he's seen. Well, the

457
00:29:30,520 --> 00:29:33,480
Speaker 1: first thing he did was like nights nine. That wasn't cool?

458
00:29:33,680 --> 00:29:36,960
Speaker 1: Yeah that I I was just freak day. How many questions?

459
00:29:36,960 --> 00:29:39,680
Speaker 1: I freaked out? But Carl might be right. Let's hear

460
00:29:39,720 --> 00:29:43,920
Speaker 1: your stories alright. When I was about give a story

461
00:29:44,000 --> 00:29:49,160
Speaker 1: number three three ninth grade, I had I think the

462
00:29:49,280 --> 00:29:53,200
Speaker 1: stories that you've encountered while living in the woods. Uh?

463
00:29:53,320 --> 00:29:57,600
Speaker 1: This guy here claims to have seen bigfoot? Guss Templeton.

464
00:29:57,840 --> 00:30:05,720
Speaker 1: Have you seen any bigfoot creature? Come on? Hot? Also,

465
00:30:05,800 --> 00:30:09,200
Speaker 1: there's no thank you either have or you have something

466
00:30:09,240 --> 00:30:11,000
Speaker 1: you have to think about. Am I talking about the

467
00:30:11,000 --> 00:30:12,920
Speaker 1: big foot babies? Am I talking about the big foot

468
00:30:12,960 --> 00:30:20,280
Speaker 1: full babies? Are you the photographer or are you the journalist?

469
00:30:20,320 --> 00:30:22,760
Speaker 1: I'm a pop I am a I'm a photo journalist. Oh,

470
00:30:22,800 --> 00:30:27,040
Speaker 1: here we go that I am a photojournalist versus night round.

471
00:30:27,720 --> 00:30:30,480
Speaker 1: Everybody's a photo journalist if they have an iPhone. Maybe

472
00:30:30,480 --> 00:30:32,200
Speaker 1: you'll get into it like this, it's lunch over that

473
00:30:32,280 --> 00:30:36,840
Speaker 1: grilled cheese. This is our first camping trip together, Dennis Nate.

474
00:30:37,040 --> 00:30:43,080
Speaker 1: You're ground breaking reporting had given light to the big

475
00:30:43,080 --> 00:30:47,840
Speaker 1: Foot community into the world. Thank you, Tad. We really yes,

476
00:30:48,000 --> 00:30:50,480
Speaker 1: you have. Well, I mean we're sitting here, okay, we

477
00:30:50,560 --> 00:30:53,560
Speaker 1: are here Radio City Music Hall in the back, waiting

478
00:30:54,440 --> 00:30:55,800
Speaker 1: to go out and talk to I don't know how

479
00:30:55,840 --> 00:30:57,400
Speaker 1: many people. I just want to say, so, I don't

480
00:30:57,400 --> 00:31:00,080
Speaker 1: know where I am right now. Okay, we're deeper the

481
00:31:00,120 --> 00:31:04,080
Speaker 1: woods and we have a witness. We gotta clear some

482
00:31:04,120 --> 00:31:06,360
Speaker 1: things up for one second here, all right, here's the thing.

483
00:31:06,640 --> 00:31:09,360
Speaker 1: Here's the thing about Tad. Tad likes to make things

484
00:31:09,360 --> 00:31:12,080
Speaker 1: bigger than they actually are. Okay, and so to him,

485
00:31:12,360 --> 00:31:15,640
Speaker 1: he's saying, this forum, this woods might as well sworn

486
00:31:15,680 --> 00:31:17,640
Speaker 1: we were really about to go on. I know it

487
00:31:17,680 --> 00:31:19,360
Speaker 1: felt like that. I felt like that, but then went

488
00:31:19,440 --> 00:31:22,479
Speaker 1: in the high school student. I believed in it for

489
00:31:22,520 --> 00:31:27,160
Speaker 1: a second again, I'm like, well, it felt like I

490
00:31:27,200 --> 00:31:30,760
Speaker 1: had flashed forward in time, Yeah, to a time where

491
00:31:30,760 --> 00:31:33,280
Speaker 1: our reports. He felt that to achieved a certain level

492
00:31:33,320 --> 00:31:39,040
Speaker 1: of notre righting the guy the net shut up, but

493
00:31:39,160 --> 00:31:48,080
Speaker 1: he wasn't on the net. Another just what Bigfoot wants

494
00:31:48,160 --> 00:31:50,200
Speaker 1: is to do? Do you have any more of that?

495
00:31:51,080 --> 00:31:54,920
Speaker 1: Tasted good? I got another bucket of it. You're a

496
00:31:55,000 --> 00:32:01,800
Speaker 1: lady in the tramp, this gus and the other that.

497
00:32:02,000 --> 00:32:04,840
Speaker 1: You won't take a picture of that. You won't get

498
00:32:04,840 --> 00:32:11,560
Speaker 1: a camera, jammed. I shoot with film. Oh man. Anyway,

499
00:32:11,600 --> 00:32:13,680
Speaker 1: So I see young and I've seen big hums. I've

500
00:32:13,720 --> 00:32:15,920
Speaker 1: seen them all man. Hell, I've seen flying SAgs out

501
00:32:15,960 --> 00:32:19,240
Speaker 1: here too. I have here for you. You have a

502
00:32:19,280 --> 00:32:21,920
Speaker 1: nonprofit to vote into. I'm sorry, I'm saying, Nate Swanson

503
00:32:22,000 --> 00:32:24,760
Speaker 1: Wilden this times. You have a nonprofit. I have a

504
00:32:24,800 --> 00:32:27,800
Speaker 1: NOD and a non You have a nod profit. People

505
00:32:27,800 --> 00:32:29,280
Speaker 1: look at me and they go they pay you to

506
00:32:29,360 --> 00:32:34,040
Speaker 1: just say yes? What was that? Sounds like a big

507
00:32:34,080 --> 00:32:37,080
Speaker 1: moaning noise. Sounds like a gust, sounds like a wookie.

508
00:32:37,320 --> 00:32:39,920
Speaker 1: There a Mr and Mrs BIGFOOTO. Could he be? I

509
00:32:39,920 --> 00:32:50,760
Speaker 1: don't know who? Whoa there's an actual get your out

510
00:32:56,320 --> 00:32:58,160
Speaker 1: trying to forget my pass code? The big Foot's start

511
00:32:58,160 --> 00:33:06,960
Speaker 1: to speak. Yeah, Jesus, dumb, just say something, dummy, Say

512
00:33:07,000 --> 00:33:13,120
Speaker 1: something dummy. We're not pist off cold, I'm cold. Food

513
00:33:13,400 --> 00:33:33,920
Speaker 1: food food ma, cow intestines for you? Is he choking?

514
00:33:35,640 --> 00:33:37,200
Speaker 1: Let me let me do, Let me out of this.

515
00:33:37,640 --> 00:33:40,480
Speaker 1: You know what I'm doing, putting in, shutting in my

516
00:33:40,480 --> 00:33:43,880
Speaker 1: past a second, he's out west. I think he's dead.

517
00:33:44,560 --> 00:33:48,920
Speaker 1: Check his checking something, check check back up. I have

518
00:33:48,960 --> 00:33:51,400
Speaker 1: an emotional connection with this beast. Let me see. Yeah,

519
00:33:51,720 --> 00:33:54,920
Speaker 1: see if you can read it's inner thoughts? Do that

520
00:33:55,000 --> 00:34:01,880
Speaker 1: spock mind melt here that he's still alive? Do we

521
00:34:01,960 --> 00:34:04,840
Speaker 1: hear that? Put my hand upon his chest. Let's see

522
00:34:04,840 --> 00:34:08,399
Speaker 1: if the heart beats even faster? Okay, I killed it?

523
00:34:10,640 --> 00:34:14,080
Speaker 1: Did you get that? It's heart? Many? Did you please? Dennis?

524
00:34:14,400 --> 00:34:19,040
Speaker 1: Please tell me the light is not great? Oh my god? Wow,

525
00:34:19,120 --> 00:34:22,680
Speaker 1: Bay looks like we got is that? It's awesome? It's

526
00:34:22,680 --> 00:34:31,200
Speaker 1: ours looking for That's it. We've been hiding this lel

527
00:34:31,360 --> 00:34:37,440
Speaker 1: for a minute. My what do they called a right? Right?

528
00:34:37,600 --> 00:34:42,680
Speaker 1: Quickly down? We're teaching it to ski school over the hill,

529
00:34:43,160 --> 00:34:45,440
Speaker 1: and we've been tracking this guy. You're all going to

530
00:34:45,520 --> 00:34:47,359
Speaker 1: need to back off now. I want to say one

531
00:34:47,400 --> 00:34:52,200
Speaker 1: quick thing. I love that tattoo on your chest. Jesus,

532
00:34:52,880 --> 00:34:56,960
Speaker 1: I was just run inside that fat. I'm so sorry.

533
00:34:57,640 --> 00:35:00,360
Speaker 1: Just you know, confirsion. I don't think we got to

534
00:35:00,400 --> 00:35:05,640
Speaker 1: figure free people. You know what I mean? Don't think

535
00:35:05,680 --> 00:35:08,960
Speaker 1: in these room with it. Quick question Nate Swanson Wilderness

536
00:35:08,960 --> 00:35:15,040
Speaker 1: time you wrote it takes on the cook on it,

537
00:35:15,080 --> 00:35:17,560
Speaker 1: blew them on you STI don't even know what ka is.

538
00:35:18,360 --> 00:35:21,040
Speaker 1: It's a round bull hollow on the inside, but the

539
00:35:21,080 --> 00:35:23,480
Speaker 1: exterior is furry or am I? And if you tip

540
00:35:23,520 --> 00:35:29,359
Speaker 1: it is right, you're not thinking of the thing I'm

541
00:35:29,360 --> 00:35:34,080
Speaker 1: thinking about. Quick quick question. How about if we just

542
00:35:34,200 --> 00:35:38,200
Speaker 1: give you our guts? Yeah, I guess it's this uh,

543
00:35:38,280 --> 00:35:41,759
Speaker 1: this big foot guy underneath the net over here. Yeah,

544
00:35:41,880 --> 00:35:45,200
Speaker 1: we take us and we'll take the actual big foot

545
00:35:45,239 --> 00:35:47,799
Speaker 1: because we were out here before. You see. That's how

546
00:35:47,840 --> 00:35:53,520
Speaker 1: it works in America. We don't just creep up with um.

547
00:35:53,560 --> 00:36:05,360
Speaker 1: I'm gonna go with Robie Margot Robbie Australian US right away,

548
00:36:05,760 --> 00:36:08,879
Speaker 1: well basically tagging him. Why don't you go get him?

549
00:36:10,680 --> 00:36:14,319
Speaker 1: Got dots lia fensive Kita wish I could kill you

550
00:36:14,360 --> 00:36:17,239
Speaker 1: my Yeah, so you're expecting away from high school kid.

551
00:36:17,239 --> 00:36:19,120
Speaker 1: If anyone's gonna pick on that high school kid, it's

552
00:36:19,120 --> 00:36:24,720
Speaker 1: gonna be us. You expoking. We believe the two Australians. Scot,

553
00:36:25,120 --> 00:36:30,160
Speaker 1: I'm a photo journalist and a skeptics. You're a guy

554
00:36:30,160 --> 00:36:32,680
Speaker 1: with an iPhone. Now, what do you want to say

555
00:36:32,719 --> 00:36:35,759
Speaker 1: about us? You You've come all the way to the

556
00:36:35,800 --> 00:36:40,480
Speaker 1: Pacific Northwest, tracking Bigfoot and getting our vases to work

557
00:36:40,480 --> 00:36:45,880
Speaker 1: at the skate camp. Carlin at what was the Bigfoot

558
00:36:45,920 --> 00:36:48,920
Speaker 1: thinking before he ran off? I want to tell you, please,

559
00:36:49,040 --> 00:36:52,560
Speaker 1: y'all here bigger in talking about things that don't even matter.

560
00:36:52,640 --> 00:36:54,680
Speaker 1: I came out here to find out what the Bigfoot think.

561
00:36:54,760 --> 00:36:59,520
Speaker 1: Hold you eleven? Are you high school? And you're eleven school?

562
00:36:59,560 --> 00:37:03,120
Speaker 1: With eleven? That I'm a athlete, he's smart. You got

563
00:37:03,160 --> 00:37:08,080
Speaker 1: quotity voice, well that too well, comnes in American food

564
00:37:08,120 --> 00:37:11,200
Speaker 1: that we just don't eat. I ate a lot of

565
00:37:11,280 --> 00:37:14,319
Speaker 1: g MS. It's true sucking up. That's right. You gotta

566
00:37:14,320 --> 00:37:16,840
Speaker 1: watch out for him. Welcome back to All Things considered.

567
00:37:16,920 --> 00:37:19,400
Speaker 1: We are here today with Dennis Mike. What are you

568
00:37:19,440 --> 00:37:28,080
Speaker 1: doing Mike right the woods? Well, you start doing something terry,

569
00:37:28,120 --> 00:37:35,680
Speaker 1: gross and pressure like, what what was that? Well? This

570
00:37:35,760 --> 00:37:37,840
Speaker 1: has been a lot of fun, y'all. I was just

571
00:37:37,880 --> 00:37:40,879
Speaker 1: trying to maybe maybe, I mean, you know, I ain't

572
00:37:40,880 --> 00:37:43,400
Speaker 1: gonna try to justify what my actions where, y'all justified.

573
00:37:43,480 --> 00:37:45,920
Speaker 1: I'm going after that big foot. That Finne, I love

574
00:37:45,960 --> 00:37:50,680
Speaker 1: each other, have fun in this mess. You're all in.

575
00:37:50,400 --> 00:37:55,360
Speaker 1: I'm I can't believe he wanted to create a moment

576
00:37:55,480 --> 00:37:58,719
Speaker 1: and you just took a big old Australian poop on it.

577
00:38:01,280 --> 00:38:04,880
Speaker 1: What's he doing that? What's dad? Tried it earlier? And

578
00:38:04,880 --> 00:38:08,240
Speaker 1: everyone went with it? Well. I could almost in vision,

579
00:38:08,320 --> 00:38:11,120
Speaker 1: like backstage at Radio City Music call. That's how real

580
00:38:11,200 --> 00:38:13,239
Speaker 1: it felt. That's what I was thinking, because I thought

581
00:38:13,239 --> 00:38:16,080
Speaker 1: I was there. I felt like the buzz and air.

582
00:38:16,120 --> 00:38:18,719
Speaker 1: I felt like it was months later, maybe a year.

583
00:38:18,880 --> 00:38:23,720
Speaker 1: I didn't know. We've all seen Radio City Music recording studios.

584
00:38:24,760 --> 00:38:31,120
Speaker 1: Big Carl, you're baking camp. My read Victor game. It

585
00:38:31,160 --> 00:38:33,200
Speaker 1: was quick. Didn't work out with the big Foot, Carl,

586
00:38:33,239 --> 00:38:37,480
Speaker 1: What do you are? You all right? No? You expect

587
00:38:37,560 --> 00:38:41,680
Speaker 1: us to believe that you saw a big foot? You

588
00:38:42,239 --> 00:38:45,520
Speaker 1: saw it too. I don't know that I did. It

589
00:38:45,560 --> 00:38:48,800
Speaker 1: broke your It broke your camera, jag off, it totally

590
00:38:48,880 --> 00:38:51,719
Speaker 1: did well. I don't know. I think I'm done hanging

591
00:38:51,719 --> 00:38:56,360
Speaker 1: out with y'all in the big Foot didn't work out? No,

592
00:38:56,480 --> 00:38:59,799
Speaker 1: I guess it didn't work. I don't know. You've been

593
00:39:00,040 --> 00:39:05,200
Speaker 1: checked in. I've been rejected. Yeah, yeah, Kyla, don't bring

594
00:39:05,200 --> 00:39:08,319
Speaker 1: it up. I can't help it. It seems like the

595
00:39:08,360 --> 00:39:10,919
Speaker 1: right kind of thing to do to console him. There's

596
00:39:10,960 --> 00:39:14,400
Speaker 1: this guy, Tony. I thought he worked in sales. What

597
00:39:14,480 --> 00:39:16,960
Speaker 1: do you do? You'll want to hear about it? Yes,

598
00:39:17,600 --> 00:39:20,279
Speaker 1: a great get around. Okayla, Look, I'm just gonna take

599
00:39:20,320 --> 00:39:22,200
Speaker 1: a minute. I'm gonna head out for a bit. I'll

600
00:39:22,239 --> 00:39:24,480
Speaker 1: be back. I trust you so much. Why is dad

601
00:39:24,520 --> 00:39:29,759
Speaker 1: talking like Tony? What's happening in these I really didn't

602
00:39:29,760 --> 00:39:35,239
Speaker 1: believe me with this. I thought he was tarny. So

603
00:39:35,360 --> 00:39:39,759
Speaker 1: this is an American guy who worked in sales and

604
00:39:39,840 --> 00:39:43,040
Speaker 1: he was your boyfriend. Boy going up at the end

605
00:39:43,080 --> 00:39:48,759
Speaker 1: of everything is just a natural skeptic. This would have

606
00:39:48,840 --> 00:39:52,719
Speaker 1: magical I think that's something we can all lick. A

607
00:39:52,760 --> 00:39:55,759
Speaker 1: gum trade. Do you have gum trees ready, Jess? Cool?

608
00:39:55,800 --> 00:40:01,680
Speaker 1: Deal a gum tree? Judging me? You you think you've

609
00:40:01,680 --> 00:40:05,160
Speaker 1: got enough for a big story or what? Yeah? Read back?

610
00:40:05,200 --> 00:40:09,279
Speaker 1: What you have? Nick? All right? Everything? The first seven

611
00:40:09,360 --> 00:40:13,600
Speaker 1: paragraphs or just okay, the first seven paragraphs? Al right?

612
00:40:13,840 --> 00:40:17,040
Speaker 1: I love you work so excited to hear this from

613
00:40:17,040 --> 00:40:25,480
Speaker 1: the actual I'm sorry, what sorry? Wilderness Times? Good question

614
00:40:25,560 --> 00:40:31,280
Speaker 1: may I keep going. Paragraph one, Dennis ate my Derito's

615
00:40:31,280 --> 00:40:33,520
Speaker 1: in the car ride up to the campsite, and I

616
00:40:33,560 --> 00:40:37,800
Speaker 1: have a picture of it. Paragraph number two just talks

617
00:40:37,840 --> 00:40:41,520
Speaker 1: more about Dennis waving his camera out the window and

618
00:40:41,560 --> 00:40:44,480
Speaker 1: taking random pictures of whatever was going. But Chief selfies

619
00:40:44,560 --> 00:40:48,040
Speaker 1: to prove that. Paragraph three, we get to the woods.

620
00:40:48,040 --> 00:40:51,960
Speaker 1: Paragraph four, we all hallucinate about Radio City Music Hall.

621
00:40:52,080 --> 00:40:55,880
Speaker 1: Paragraph five, a big foot shows up and uh and uh,

622
00:40:56,040 --> 00:40:58,279
Speaker 1: Karl may or may not know the big foot. Then

623
00:40:58,360 --> 00:41:01,600
Speaker 1: paragraph six, gust shows up thinking we were thinking that

624
00:41:01,640 --> 00:41:03,720
Speaker 1: it was a big foot, but it wasn't, in fact

625
00:41:03,719 --> 00:41:09,560
Speaker 1: a big foot. Chapters or a paragraph seven, Carl Fair,

626
00:41:09,600 --> 00:41:15,040
Speaker 1: this could be a book. You could flush it out. Really, No,

627
00:41:15,200 --> 00:41:19,360
Speaker 1: he's a great writer. Come on, but you really blushed

628
00:41:19,400 --> 00:41:20,920
Speaker 1: that he's a little bit all right? You want to

629
00:41:20,960 --> 00:41:23,760
Speaker 1: read it? Yeah, that's wow, that's that's great. I'm probably

630
00:41:23,760 --> 00:41:28,080
Speaker 1: going to read this fantastic. Y. I just I don't

631
00:41:28,080 --> 00:41:29,719
Speaker 1: know from from what I just heard you say, I

632
00:41:29,760 --> 00:41:32,520
Speaker 1: feel like I felt like you, you and Dennis have

633
00:41:32,560 --> 00:41:35,560
Speaker 1: an actual, real connection that you might not even be

634
00:41:35,600 --> 00:41:39,279
Speaker 1: aware of. Frankly, let's flush this out. You talked to him,

635
00:41:39,360 --> 00:41:41,040
Speaker 1: You talked to him, You talked about him a lot,

636
00:41:41,360 --> 00:41:44,600
Speaker 1: and I don't know the work did center around Dennis.

637
00:41:44,680 --> 00:41:49,520
Speaker 1: That's what that's about. The big Foot, like an afterthought.

638
00:41:49,520 --> 00:41:52,160
Speaker 1: Maybe maybe Dennis is is like your big Foot or

639
00:41:52,200 --> 00:41:57,400
Speaker 1: sounding Dennis Well, he's real though Dennis is crying. He's crying.

640
00:41:57,880 --> 00:42:01,160
Speaker 1: I think he believes from believe in something for the

641
00:42:01,239 --> 00:42:19,640
Speaker 1: first time. My thank you? How could there be a scene? Three?

642
00:42:19,880 --> 00:42:24,440
Speaker 1: When Seen To just took all of our hearts and souls?

643
00:42:30,239 --> 00:42:33,319
Speaker 1: This one from Chris Gillen High Alchemy. It's great work

644
00:42:33,360 --> 00:42:38,040
Speaker 1: on the show. It's hilarious and as I've gone down

645
00:42:38,120 --> 00:42:42,839
Speaker 1: a true crime podcast rabbit hole, it's refreshing when your

646
00:42:42,920 --> 00:42:47,799
Speaker 1: episodes pop up every Friday. In parentheses New Zealand time.

647
00:42:50,960 --> 00:42:54,120
Speaker 1: I worked in the film industry in New Zealand as

648
00:42:54,120 --> 00:42:58,160
Speaker 1: a sculptor think Hoppits, etcetera, and have for about ten

649
00:42:58,239 --> 00:43:00,640
Speaker 1: years or so. I thought a funny scene for Alchemist

650
00:43:00,840 --> 00:43:04,799
Speaker 1: might be the first day for an onset assistant on

651
00:43:04,880 --> 00:43:08,440
Speaker 1: a blockbuster feature film. This kid thinks they've hit the

652
00:43:08,480 --> 00:43:11,720
Speaker 1: big time, but realized that they're They're to get coffee

653
00:43:11,719 --> 00:43:14,480
Speaker 1: and snacks, run tedious errands for their needy, needy stars.

654
00:43:14,760 --> 00:43:18,640
Speaker 1: Keep up the great work ps the Concierge with Marvin

655
00:43:18,840 --> 00:43:25,120
Speaker 1: from Room Marvin mckeugh Marvin M. It's the one I

656
00:43:25,120 --> 00:43:27,400
Speaker 1: get friends to listen to when I introduced them to

657
00:43:27,440 --> 00:43:31,719
Speaker 1: the show. Chris Killen from New Zealand, so sweet? Um,

658
00:43:31,800 --> 00:43:35,560
Speaker 1: all right, who's uh? Who's Does anybody got eyes on

659
00:43:35,719 --> 00:43:40,399
Speaker 1: the new assistant, the new p A, the short guy? Yeah, yeah,

660
00:43:40,400 --> 00:43:43,000
Speaker 1: he's the outback. Someone had better have eyes on him,

661
00:43:43,040 --> 00:43:45,359
Speaker 1: and someone had better have hands on the latte. That's

662
00:43:45,360 --> 00:43:47,440
Speaker 1: all I'm saying. We'll get it for you. We'll make

663
00:43:47,480 --> 00:43:52,400
Speaker 1: sure that happens here. I'll be in someone's trick. Do

664
00:43:52,400 --> 00:43:54,000
Speaker 1: you want me to walk you to the trailer? I'm

665
00:43:54,040 --> 00:43:56,720
Speaker 1: going to choose which one I want to understood, understand,

666
00:43:56,840 --> 00:44:01,320
Speaker 1: and I will come back and ask you. Yeah, Timmy,

667
00:44:01,360 --> 00:44:04,480
Speaker 1: you're you're the new pa. Am Yeah you got the

668
00:44:04,560 --> 00:44:09,280
Speaker 1: latte for whom? For me? They just handing him out. Okay,

669
00:44:09,680 --> 00:44:12,880
Speaker 1: So I have some questions, Timmy. I'm gonna bring you

670
00:44:12,920 --> 00:44:15,359
Speaker 1: over to the third a D the second second because

671
00:44:15,360 --> 00:44:16,560
Speaker 1: I just want to get a costume and then like

672
00:44:16,600 --> 00:44:19,239
Speaker 1: really just center myself before Peter, would you mind? How

673
00:44:19,320 --> 00:44:23,440
Speaker 1: I do? I would? How are you? No? You're not

674
00:44:23,480 --> 00:44:27,480
Speaker 1: feeling well you ask me no more questions. You are

675
00:44:27,560 --> 00:44:33,120
Speaker 1: feeling well, Timmy, but I fucking sucking it and listen

676
00:44:33,160 --> 00:44:38,319
Speaker 1: to everything Peter has to say. All Right, I guess

677
00:44:38,360 --> 00:44:41,719
Speaker 1: we're going to retake that that shot. Let's set up,

678
00:44:41,840 --> 00:44:45,040
Speaker 1: let's get lighting on the sound and all that stuff going. Peter,

679
00:44:45,320 --> 00:44:47,040
Speaker 1: I haven't gotten my sides yet. I don't know if

680
00:44:47,080 --> 00:44:49,719
Speaker 1: I'm supposed to be in them. What is this kid

681
00:44:49,760 --> 00:44:54,359
Speaker 1: talking about? Hi, I'm Linda. I'm the script supervisor, and Linda,

682
00:44:54,360 --> 00:44:55,600
Speaker 1: I think I'm supposed to be talking to you. Then

683
00:44:55,680 --> 00:44:58,120
Speaker 1: I don't think you are. I think you are not

684
00:44:58,239 --> 00:45:01,640
Speaker 1: ever Okay, we're ad living. A lot of the lines

685
00:45:01,680 --> 00:45:05,279
Speaker 1: are who? What is this? What's happening? He's the new guy?

686
00:45:05,360 --> 00:45:10,400
Speaker 1: I think I am? So you think I am? The

687
00:45:11,040 --> 00:45:14,800
Speaker 1: move your mouth with words go. We can't hear you.

688
00:45:14,800 --> 00:45:19,839
Speaker 1: You think that you're in the movie though you thought

689
00:45:19,880 --> 00:45:21,560
Speaker 1: as an assistant you were going to be in the movie.

690
00:45:21,600 --> 00:45:24,160
Speaker 1: Let's all right, we gotta christion things up. Fun all right, everybody,

691
00:45:24,440 --> 00:45:29,520
Speaker 1: that's a break. We're holiday here holiday your background you

692
00:45:29,560 --> 00:45:32,480
Speaker 1: can get out of your bigot costumes. All right, everybody

693
00:45:32,520 --> 00:45:36,879
Speaker 1: on everyone background, give me the bullhorn, please, this is

694
00:45:36,920 --> 00:45:42,319
Speaker 1: Timmy everybody. Timmy wants to stop production because he has

695
00:45:42,360 --> 00:45:46,960
Speaker 1: a lot of questions. So this is gonna cost us money. Elliott,

696
00:45:46,960 --> 00:45:49,879
Speaker 1: you're going a little too far. Then you handle it.

697
00:45:50,680 --> 00:45:52,120
Speaker 1: I don't want to handle it, Okay, I don't like

698
00:45:52,239 --> 00:46:01,400
Speaker 1: him quiet? Everybody quiet? We are quiet? Well, isn't so quiet? Him?

699
00:46:01,440 --> 00:46:04,080
Speaker 1: Gonna get some room tone while we're this quiet? Fine,

700
00:46:04,520 --> 00:46:06,520
Speaker 1: I will catch you in a minute. All right, thirty

701
00:46:06,560 --> 00:46:15,279
Speaker 1: seconds of room tone? Everyone and rolling? What trying to

702
00:46:15,320 --> 00:46:22,200
Speaker 1: get room tone? Okay, I'm not saying anything. Is he

703
00:46:22,320 --> 00:46:26,280
Speaker 1: still talking? What? What are we waiting for? Just getting

704
00:46:26,320 --> 00:46:29,640
Speaker 1: thirty seconds of room tom, We'll get it. Trying to

705
00:46:29,680 --> 00:46:36,000
Speaker 1: get it? Okay? Why is this stopped talking? Okay? Are

706
00:46:36,040 --> 00:46:39,320
Speaker 1: we doing? I will say when we're done, dear boy, please,

707
00:46:39,800 --> 00:46:41,760
Speaker 1: God say, I need you to be quiet and damn

708
00:46:42,120 --> 00:46:46,040
Speaker 1: sound everyone's talking to me right? Room Tom means the

709
00:46:46,120 --> 00:46:49,160
Speaker 1: sound of the room, not your fucking voice. Room is us.

710
00:46:49,280 --> 00:46:52,000
Speaker 1: The room should be sounds of us. It should be

711
00:46:52,040 --> 00:46:53,640
Speaker 1: the sounds of us. Stand here. I'm gonna get your

712
00:46:53,719 --> 00:46:57,520
Speaker 1: uncle on the phone. Sorry, all right, I'm just gonna

713
00:46:57,560 --> 00:47:00,440
Speaker 1: I'm just gonna loop the two or three good seconds

714
00:47:00,480 --> 00:47:05,080
Speaker 1: I got of room tone. I think that's good. Thank you. Alright,

715
00:47:05,120 --> 00:47:10,160
Speaker 1: So from the top, don't get what alright? What is?

716
00:47:10,520 --> 00:47:13,839
Speaker 1: Where did you come from? Is that in your hand?

717
00:47:14,000 --> 00:47:18,160
Speaker 1: My latte? I got it. It's your latte, that's not it,

718
00:47:18,200 --> 00:47:20,160
Speaker 1: says my stro on it. That's how I asked for

719
00:47:20,200 --> 00:47:24,279
Speaker 1: my latte's. Oh oh, actually it's his mastro but same,

720
00:47:24,600 --> 00:47:26,560
Speaker 1: you know what I mean? Yeah, yeah, if you want

721
00:47:26,560 --> 00:47:30,720
Speaker 1: to share it, Oh my gosh, oh my god, share

722
00:47:30,840 --> 00:47:36,480
Speaker 1: a latte. This is Clive Mastro kid. That's right. I

723
00:47:36,520 --> 00:47:38,720
Speaker 1: love you him, Clive Master. I know who you are, sorright.

724
00:47:38,760 --> 00:47:40,600
Speaker 1: I love all your work. You better love all of

725
00:47:40,680 --> 00:47:43,319
Speaker 1: my work. I love deep knife, Deep knife too. I

726
00:47:43,360 --> 00:47:46,080
Speaker 1: love all the surf sides. I mean, I can't think

727
00:47:46,200 --> 00:47:49,200
Speaker 1: of a side. Three was so good. Technically was just

728
00:47:49,239 --> 00:47:50,799
Speaker 1: my face. It was not my voice, but it was

729
00:47:50,840 --> 00:47:53,759
Speaker 1: said laryngitis and they used Glenn Clothe. No one could tell.

730
00:47:54,000 --> 00:47:55,640
Speaker 1: No one could tell, No one could tell. You and

731
00:47:55,680 --> 00:47:58,160
Speaker 1: your face give me that you got it. Let me

732
00:47:58,160 --> 00:48:02,359
Speaker 1: just get a sip first, get as much room tone

733
00:48:02,360 --> 00:48:05,200
Speaker 1: as you like. I will be in someone's trainer. Oh

734
00:48:05,239 --> 00:48:11,160
Speaker 1: my god, I just make timmy, What is it you

735
00:48:11,239 --> 00:48:13,680
Speaker 1: are trying to accomplish here today? Why do you want

736
00:48:13,719 --> 00:48:16,440
Speaker 1: this job? Oscars? I think, I think, I think if

737
00:48:16,480 --> 00:48:20,000
Speaker 1: I give a hundred and ten percent, I honestly believe

738
00:48:20,040 --> 00:48:22,880
Speaker 1: I could be up there. There's no oscars for p A.

739
00:48:24,640 --> 00:48:27,200
Speaker 1: Do you know what a p A is, Tommy? Production

740
00:48:27,520 --> 00:48:32,680
Speaker 1: assistant police officer? Close, police officer, police officer? Did he

741
00:48:32,719 --> 00:48:36,480
Speaker 1: say police officer? Is that part of your acting training? Huh?

742
00:48:36,520 --> 00:48:39,800
Speaker 1: To just make shut up? You're not a police officer, Tommy.

743
00:48:39,960 --> 00:48:44,320
Speaker 1: Your dad help funded this film. That's why you're here.

744
00:48:44,800 --> 00:48:49,279
Speaker 1: But the reason you leave here is that everyone something

745
00:48:49,320 --> 00:48:50,719
Speaker 1: to do with Why are you going to get his uncle?

746
00:48:50,760 --> 00:48:54,200
Speaker 1: The brothers and they both have money. Yeah, I come

747
00:48:54,239 --> 00:48:57,280
Speaker 1: from a lot of money. Oh really, I'm so shocked

748
00:48:57,320 --> 00:49:00,120
Speaker 1: to hear that you entitled piece of shit. I'm sorry,

749
00:49:00,600 --> 00:49:04,600
Speaker 1: Dad listens to you. He's very they're very closer, twins.

750
00:49:05,960 --> 00:49:08,319
Speaker 1: If we could just go over my line? Is really quick?

751
00:49:08,360 --> 00:49:10,560
Speaker 1: That mean helpful? I just don't know my police officer

752
00:49:10,640 --> 00:49:13,759
Speaker 1: would like to go over his? Okay, how about this,

753
00:49:15,640 --> 00:49:18,400
Speaker 1: We'll try it your way, Timmy. Are you thinking, I

754
00:49:18,400 --> 00:49:19,960
Speaker 1: don't know? Is it that we're gonna put him on

755
00:49:19,960 --> 00:49:23,080
Speaker 1: camera everything he wants today because today we're going to

756
00:49:23,239 --> 00:49:26,399
Speaker 1: change things on set ladies and gentlemen. Today is Timmy's day.

757
00:49:26,560 --> 00:49:28,520
Speaker 1: I don't have pages for that. Do you remember that

758
00:49:28,600 --> 00:49:30,200
Speaker 1: kid that wanted to be Batman for a day and

759
00:49:30,239 --> 00:49:32,799
Speaker 1: run around the city. Yeah, but he was ill. Well,

760
00:49:32,880 --> 00:49:36,520
Speaker 1: Timmy's obviously ill as well, because he's a fucking crazy person.

761
00:49:36,560 --> 00:49:38,160
Speaker 1: If we're adding him to the shot, I gotta wire

762
00:49:38,239 --> 00:49:44,040
Speaker 1: him for sound. What your line is going to be? Une?

763
00:49:44,600 --> 00:49:46,640
Speaker 1: You want me to write this down? Whatever he says?

764
00:49:46,800 --> 00:49:52,520
Speaker 1: You need new pages? Oh god, I'm gonna drop this

765
00:49:52,560 --> 00:49:56,759
Speaker 1: down your pants. Oh it's cold. Just let me know

766
00:49:56,880 --> 00:49:59,760
Speaker 1: when you find the wire. Okay, we're gonna put the Tommy.

767
00:49:59,760 --> 00:50:01,200
Speaker 1: What can a scene you want to do with clave

768
00:50:02,120 --> 00:50:03,840
Speaker 1: action scene? Am I supposed to grab it with an

769
00:50:03,880 --> 00:50:06,680
Speaker 1: action scene? Okay? No, no, I'm just putting the pack

770
00:50:06,760 --> 00:50:10,000
Speaker 1: around your ankle. There, no one have a latte in

771
00:50:10,000 --> 00:50:13,600
Speaker 1: the trailer, Timmy. I need you to be the the

772
00:50:14,160 --> 00:50:19,560
Speaker 1: dying ex partner of Clive. Okay, that's your part. You're

773
00:50:19,640 --> 00:50:22,040
Speaker 1: dying in his arms. Are you ready? When you're ready?

774
00:50:22,160 --> 00:50:25,680
Speaker 1: Reminded me of fifteen extras in Bigfoot costumes. I just

775
00:50:25,760 --> 00:50:30,360
Speaker 1: walk off. No, I can't help, sure, you can. Please

776
00:50:30,400 --> 00:50:34,640
Speaker 1: do Elliott the way you challenge me in front of people.

777
00:50:35,880 --> 00:50:37,640
Speaker 1: I thought that was inspiring. I thought you wanted to

778
00:50:37,640 --> 00:50:40,759
Speaker 1: be Okay, that explains a lot. Well, you always tell me,

779
00:50:40,840 --> 00:50:43,640
Speaker 1: challenge me, challenge me, I do, but I mean it

780
00:50:43,719 --> 00:50:48,239
Speaker 1: in a totally different way than what you just did Elliott. Linda, Um,

781
00:50:48,880 --> 00:50:50,800
Speaker 1: what why is the man who stole my latte? A

782
00:50:50,880 --> 00:50:55,400
Speaker 1: dress like a police officer? Sne Why don't you tell em? Elliott?

783
00:50:55,400 --> 00:50:57,439
Speaker 1: Elliott has a great idea, Clive. I think you're gonna

784
00:50:57,440 --> 00:50:59,680
Speaker 1: love it. It's gonna make you shine. What is the idea? Well,

785
00:50:59,719 --> 00:51:02,279
Speaker 1: Linda wanted me to challenge her, and I figured why not?

786
00:51:02,280 --> 00:51:06,719
Speaker 1: Why not challenge everybody today? And today's challenges. It's Timmy's day,

787
00:51:06,760 --> 00:51:08,719
Speaker 1: so Timmy gets to do whatever he wants today. We're

788
00:51:08,760 --> 00:51:11,680
Speaker 1: going to roll with it. This sounds fine, okay. And

789
00:51:13,320 --> 00:51:19,120
Speaker 1: pleasure of working with you, pleasure working with spa action. No, No, okay,

790
00:51:19,719 --> 00:51:23,000
Speaker 1: well you know what. It's Timmy day? So yeah, quick,

791
00:51:23,120 --> 00:51:27,640
Speaker 1: quick question? What disease does he have? No, we're being

792
00:51:27,719 --> 00:51:36,600
Speaker 1: very nice to disease entitled entitlement? Very quickly? Is it

793
00:51:36,719 --> 00:51:39,279
Speaker 1: small brain? Or is it it's entitled small brain? Oh

794
00:51:39,800 --> 00:51:45,359
Speaker 1: that is horrifying. There's milk in my coffee. Sorry, Timmy,

795
00:51:45,400 --> 00:51:48,279
Speaker 1: that's and is the latte and the shot as he dies?

796
00:51:48,480 --> 00:51:54,040
Speaker 1: Are we rob can? I held you? Please? No? I

797
00:51:54,080 --> 00:51:56,400
Speaker 1: want it all right. Here we go and just let

798
00:51:56,480 --> 00:52:02,120
Speaker 1: him have speed. Look at me, look at me? What

799
00:52:02,200 --> 00:52:06,040
Speaker 1: do we go now? When you want him? I actually

800
00:52:06,120 --> 00:52:10,720
Speaker 1: did that, but I'm allowed to do that. That's amazing.

801
00:52:10,800 --> 00:52:13,240
Speaker 1: Keep going, This is great, this is really good. Don't

802
00:52:13,280 --> 00:52:15,680
Speaker 1: you die on me. I'm not going to die. You

803
00:52:15,719 --> 00:52:19,319
Speaker 1: are going to die, you know you. Don't you die

804
00:52:19,360 --> 00:52:21,960
Speaker 1: on me? I won't, Timmy, You're actually going to die.

805
00:52:22,120 --> 00:52:26,839
Speaker 1: What you have one act? They wrote die I want

806
00:52:26,840 --> 00:52:32,520
Speaker 1: to die. Yes, I'm dying. I'm dying. Didn't I'm dying.

807
00:52:32,560 --> 00:52:43,200
Speaker 1: I can't. I can't die. Mr Mastroke, can't die again

808
00:52:43,520 --> 00:52:45,279
Speaker 1: like that. I want to see so many things. I

809
00:52:45,320 --> 00:52:50,359
Speaker 1: want to do, so many things. Mr please, please do

810
00:52:50,360 --> 00:52:52,200
Speaker 1: do you have a cure for me? Do you have

811
00:52:52,239 --> 00:52:56,719
Speaker 1: a cure for me? You a cure? There is no

812
00:52:56,840 --> 00:52:59,359
Speaker 1: cue for what do you have? God? You have been

813
00:53:00,680 --> 00:53:12,960
Speaker 1: bitten by big feet? God? Fuck, he's speaking out Let

814
00:53:20,880 --> 00:53:27,320
Speaker 1: ving close up. I'm gonna kill him. Go with the experts,

815
00:53:27,360 --> 00:53:35,360
Speaker 1: go with it. Oh, called Timmy, Timmy, No, call Timmy.

816
00:53:37,880 --> 00:53:42,920
Speaker 1: Don't you die on me and God, Peter, listen, if

817
00:53:43,000 --> 00:53:45,239
Speaker 1: this was all the footage you had for the documentary,

818
00:53:45,280 --> 00:53:48,640
Speaker 1: the answer is yes, I know Netflix here everything is

819
00:53:48,680 --> 00:53:51,040
Speaker 1: kind of green that already. But what we just saw,

820
00:53:51,120 --> 00:53:54,040
Speaker 1: what you just showed us, first of all, is it

821
00:53:54,080 --> 00:53:57,320
Speaker 1: heightened reality at all? Did you create the reality zero

822
00:53:57,480 --> 00:54:01,200
Speaker 1: of it? Okay? So this happened this okay because Hulus

823
00:54:01,239 --> 00:54:03,600
Speaker 1: rushing their version out and we really want to get

824
00:54:03,600 --> 00:54:06,040
Speaker 1: this out understood, understood. They don't have the good stuff.

825
00:54:06,040 --> 00:54:08,200
Speaker 1: This is the real footage, the raw footage that no

826
00:54:08,239 --> 00:54:10,760
Speaker 1: one else has. I have the actual moment where Timmy

827
00:54:10,920 --> 00:54:14,000
Speaker 1: o'hallihan dies on camera. So that's what I was gonna

828
00:54:14,000 --> 00:54:17,400
Speaker 1: ask he actually, don't just have a title. Please raw footage.

829
00:54:17,480 --> 00:54:22,240
Speaker 1: We make foot bigger than the edge, raw footage. Okay,

830
00:54:22,360 --> 00:54:25,080
Speaker 1: all right, I love that, Diane out. I'm not gonna

831
00:54:25,200 --> 00:54:27,920
Speaker 1: so so Timmy did die on camera. He didn't die

832
00:54:27,960 --> 00:54:30,279
Speaker 1: in that take that we just saw. Okay, I have

833
00:54:30,320 --> 00:54:33,080
Speaker 1: more footage of him actually, sooner you can get this

834
00:54:33,120 --> 00:54:35,319
Speaker 1: cut because we've already booked Radio City Music Hall for

835
00:54:35,360 --> 00:54:38,560
Speaker 1: the premier. So okay, okay, that's hard to get Yes, no,

836
00:54:38,680 --> 00:54:42,680
Speaker 1: agree with that. Interviews tomorrow on fresh air. Yes, okay, alright,

837
00:54:42,880 --> 00:54:45,840
Speaker 1: this is great. So Clive, and and your what was

838
00:54:46,000 --> 00:54:47,880
Speaker 1: your name? Dennis? Is that your name or the you

839
00:54:47,960 --> 00:54:51,160
Speaker 1: did sound? Is that correct? Yeah? Yeah, yeah, my name

840
00:54:51,200 --> 00:54:55,440
Speaker 1: is Dennis. Used to be a photo of journalist. Is

841
00:54:55,480 --> 00:55:01,080
Speaker 1: that scared to you? God's just I'm sorry? Actually, oh yeah,

842
00:55:01,239 --> 00:55:03,719
Speaker 1: I completely Why should it be scary? I don't know.

843
00:55:03,800 --> 00:55:07,520
Speaker 1: I thought it was scary the skeptic. Okay, we gotta

844
00:55:07,520 --> 00:55:09,600
Speaker 1: get on the same page, okay, because this doc through

845
00:55:09,680 --> 00:55:12,120
Speaker 1: Hulu is going to drop before the Netflix one. Okay,

846
00:55:12,280 --> 00:55:14,359
Speaker 1: we got our names attached to it. You guys are

847
00:55:14,360 --> 00:55:16,840
Speaker 1: doing this big favor for us, as you keep saying.

848
00:55:16,960 --> 00:55:23,120
Speaker 1: Ok we all know who your uncle is. Yeah, don Hulu,

849
00:55:23,920 --> 00:55:26,239
Speaker 1: Don Hulu past a lot of money to a lot

850
00:55:26,239 --> 00:55:28,920
Speaker 1: of films of the Hulu twins. Now look if we

851
00:55:29,080 --> 00:55:32,680
Speaker 1: if we don't need to talk about that, Okay, Clive, Okay,

852
00:55:32,880 --> 00:55:35,359
Speaker 1: you're big time star. You doing a lot of shady ship.

853
00:55:35,600 --> 00:55:38,279
Speaker 1: I know that, we know that, all right, glam close

854
00:55:38,400 --> 00:55:40,719
Speaker 1: was my voice? One? Yeah? And how did that happen? Right,

855
00:55:41,440 --> 00:55:43,640
Speaker 1: let's talk about that for a minute. Dennis. Look, I've

856
00:55:43,680 --> 00:55:47,880
Speaker 1: got so much good audio. Okay, uh, do you have

857
00:55:48,000 --> 00:55:51,680
Speaker 1: room tone? I have tongues of room tone. Alright, we

858
00:55:51,680 --> 00:55:53,880
Speaker 1: we had a problem with the lack of room tone.

859
00:55:54,320 --> 00:55:57,120
Speaker 1: If you could speak to that for a moment, please sure. Now,

860
00:55:57,200 --> 00:55:59,800
Speaker 1: I imagine somewhere across town, in this beautiful city of

861
00:56:00,000 --> 00:56:02,960
Speaker 1: our Hulu is going at it. They probably have good sound. Okay,

862
00:56:03,200 --> 00:56:07,239
Speaker 1: so what I have the footage, but the sound of

863
00:56:07,239 --> 00:56:11,040
Speaker 1: a bus in the background of almost every scene seemed incongruent.

864
00:56:11,239 --> 00:56:13,200
Speaker 1: So then get rid of the sound. Let's watch that

865
00:56:13,280 --> 00:56:15,640
Speaker 1: kid die silently. I don't give a ship. We have

866
00:56:15,960 --> 00:56:18,600
Speaker 1: the footage and we need to go out before Hulu

867
00:56:19,840 --> 00:56:23,719
Speaker 1: look as Disney's new streaming service, I'm not certain that

868
00:56:23,760 --> 00:56:29,480
Speaker 1: a documentary about about a death is appro children. No,

869
00:56:29,680 --> 00:56:33,280
Speaker 1: children love action, children love bigfoot. Children love to watch

870
00:56:33,400 --> 00:56:35,719
Speaker 1: things die. They love to see the life drain out

871
00:56:35,760 --> 00:56:43,080
Speaker 1: of eyes. Do they like lion King? Lion thank you,

872
00:56:43,520 --> 00:56:49,320
Speaker 1: thank you, Lion King? Other example, Lion King. Look, everything

873
00:56:49,360 --> 00:56:52,800
Speaker 1: we did from back in the day involves a parent dying.

874
00:56:52,880 --> 00:56:56,279
Speaker 1: Look when when I did Bambi, they said, Walt, you

875
00:56:56,320 --> 00:57:02,960
Speaker 1: can't do it, and anyone else it's traumatic traumatic. Wait

876
00:57:03,040 --> 00:57:04,799
Speaker 1: is that the same guy for the Netflix movie? So

877
00:57:05,400 --> 00:57:10,520
Speaker 1: wait a minute, Mr Disney, I promised you all that

878
00:57:10,600 --> 00:57:12,520
Speaker 1: if you take this on, these kids are going to

879
00:57:12,560 --> 00:57:14,239
Speaker 1: go bonkers for it. The parents are gonna love it.

880
00:57:14,239 --> 00:57:16,200
Speaker 1: All parents wanted a break, Okay, they're going to get

881
00:57:16,200 --> 00:57:20,960
Speaker 1: a break. They're going to see an actual child's death

882
00:57:21,160 --> 00:57:24,520
Speaker 1: or an actual person's death. Alex, I'm so glad you

883
00:57:24,560 --> 00:57:28,240
Speaker 1: came into the I Heart Radio Network. I think a

884
00:57:28,360 --> 00:57:31,960
Speaker 1: crime trauma podcast about the death of Timmy on set

885
00:57:32,400 --> 00:57:35,480
Speaker 1: is a great idea. And we understand that you have

886
00:57:35,640 --> 00:57:38,760
Speaker 1: good sound. We understand that you talked to Hulu, but

887
00:57:38,840 --> 00:57:41,200
Speaker 1: we're glad you've broken off and coming to us. Coming

888
00:57:41,200 --> 00:57:43,120
Speaker 1: to us, you know what I mean? What if you

889
00:57:43,120 --> 00:57:46,840
Speaker 1: mean came? Okay, what did you mean? This is a

890
00:57:46,920 --> 00:57:49,560
Speaker 1: recurring thing acually harasses a lot of people during this meeting.

891
00:57:51,040 --> 00:57:53,120
Speaker 1: What did you say? I meant, Alex, you know what

892
00:57:53,120 --> 00:57:54,720
Speaker 1: I mean. I'm glad that you came to us. Just

893
00:57:54,800 --> 00:57:57,160
Speaker 1: be clear, just so real clear. We're on the same boat.

894
00:57:58,000 --> 00:58:00,520
Speaker 1: I wrote an R and I heard come into us,

895
00:58:01,480 --> 00:58:04,440
Speaker 1: come into us. Um So after this meeting, I'm just

896
00:58:04,440 --> 00:58:06,120
Speaker 1: gonna need to come down to the third I bet

897
00:58:06,120 --> 00:58:13,000
Speaker 1: you would. I bet you'd like that. What I'm saying, Yes,

898
00:58:13,120 --> 00:58:14,680
Speaker 1: you could be with Hulu, but if you with who

899
00:58:14,680 --> 00:58:17,120
Speaker 1: you'd be attached to the other people, including that Clive

900
00:58:17,200 --> 00:58:22,000
Speaker 1: guy right here. You're the star. Look, I could just

901
00:58:22,200 --> 00:58:26,040
Speaker 1: talk about what I could talk about the project or

902
00:58:26,160 --> 00:58:30,439
Speaker 1: I could play the clip. Play the clip, play the clip. Okay,

903
00:58:30,480 --> 00:58:35,600
Speaker 1: I need thirty seconds of roomtown. What tam me? Shut

904
00:58:35,600 --> 00:58:38,520
Speaker 1: the funk up? No, that's when everybody stops talking for

905
00:58:38,520 --> 00:58:40,720
Speaker 1: a bit and we just get room time. Okay, what's

906
00:58:40,720 --> 00:58:45,680
Speaker 1: he doing? I'm not talking anything. Tommy stopped talking. Okay.

907
00:58:48,120 --> 00:58:51,440
Speaker 1: I feel like I could hear the moment he was

908
00:58:51,480 --> 00:58:53,360
Speaker 1: about to die like that was that was there was

909
00:58:53,400 --> 00:58:57,360
Speaker 1: moments before he was very close before I said, so fun,

910
00:58:57,360 --> 00:58:58,880
Speaker 1: I didn't know you. Why do you? How come on

911
00:58:59,000 --> 00:59:02,200
Speaker 1: the in the in the audio footage? Was that called

912
00:59:03,880 --> 00:59:06,680
Speaker 1: audio track? The audio track? I didn't want to I

913
00:59:06,680 --> 00:59:09,280
Speaker 1: didn't want to say anything offensive. So I you know

914
00:59:09,360 --> 00:59:12,320
Speaker 1: the way you said that? What is that? What is that?

915
00:59:12,400 --> 00:59:19,960
Speaker 1: So you're the president of the AFRAID exclusively an audio media.

916
00:59:20,120 --> 00:59:23,880
Speaker 1: That's correct, That's correct. I'm saying so on that footage,

917
00:59:23,880 --> 00:59:25,800
Speaker 1: you don't have an accent here, you have an accent.

918
00:59:25,880 --> 00:59:28,000
Speaker 1: I was I'm making jerk off gestures with your hands

919
00:59:28,520 --> 00:59:30,520
Speaker 1: doing that. I'm writing all this don't make a jerk

920
00:59:30,520 --> 00:59:32,439
Speaker 1: off motion with your hands. Look, this is the house

921
00:59:32,480 --> 00:59:37,960
Speaker 1: stuff works in network. Okay, sure, I heart radio is

922
00:59:38,000 --> 00:59:41,760
Speaker 1: the Mother's ship. But there you're saying when Philip the

923
00:59:41,800 --> 00:59:45,640
Speaker 1: sound engineer was running, that was okay, yeah, that that

924
00:59:45,680 --> 00:59:47,640
Speaker 1: was you. I was mistaken. I thought that was Dennis

925
00:59:47,840 --> 00:59:49,960
Speaker 1: or was it Tim? It's Deadnis. Tim is the one

926
00:59:49,960 --> 00:59:53,840
Speaker 1: who who died. Dennis is the guy who was a photojournalist.

927
00:59:54,000 --> 00:59:56,000
Speaker 1: Oh and then he had that love affair and that

928
00:59:56,120 --> 01:00:04,920
Speaker 1: makes breakdown whatever made Swanson Wilderness times? I'm not certain

929
01:00:04,960 --> 01:00:07,760
Speaker 1: we can run an actual printed story about this when

930
01:00:07,800 --> 01:00:11,280
Speaker 1: it's going to be a podcast in three films. Do

931
01:00:11,360 --> 01:00:14,120
Speaker 1: you really think anybody's gonna check out the print version

932
01:00:14,120 --> 01:00:19,480
Speaker 1: of Absolutely we hit it out? Did you read? Did

933
01:00:19,520 --> 01:00:21,400
Speaker 1: you read the thing us gave you in a while?

934
01:00:21,960 --> 01:00:24,760
Speaker 1: I did? I did read the What do you think

935
01:00:24,840 --> 01:00:30,160
Speaker 1: my the if I may? I'm certain this was a

936
01:00:30,160 --> 01:00:34,240
Speaker 1: great episode, and thank you participating. Whe our time is

937
01:00:34,240 --> 01:00:37,120
Speaker 1: simply run out, let's thank all our alchemists please, starting

938
01:00:37,160 --> 01:00:45,520
Speaker 1: with Ms. Vanessa, Oh honey, honey, how are things? What's

939
01:00:45,520 --> 01:00:47,320
Speaker 1: going on? What can you tell us? Things are great?

940
01:00:48,000 --> 01:00:52,600
Speaker 1: Life is good to blast to be stressed that good

941
01:00:52,640 --> 01:00:55,640
Speaker 1: life drinking more smoothies than usual, and I think it's

942
01:00:55,680 --> 01:01:01,160
Speaker 1: paying off. Let's take our cells across the street. Craig Kakowski, kiku,

943
01:01:01,760 --> 01:01:06,200
Speaker 1: so many smoothies right at Kakowski on Twitter or at

944
01:01:06,320 --> 01:01:09,440
Speaker 1: Orange Chucks improv to find out out shows correct continue

945
01:01:09,480 --> 01:01:12,680
Speaker 1: Christoph Varado, Yes, sir, thank you very much for having me.

946
01:01:12,680 --> 01:01:18,240
Speaker 1: I enjoy doing improvisation for the podcast Fired from the Heart.

947
01:01:18,520 --> 01:01:20,080
Speaker 1: From the heart, that's all we can never ask. Joey

948
01:01:20,080 --> 01:01:24,400
Speaker 1: grahaman holla, everything's good. I recommend everyone watched Behind the

949
01:01:24,400 --> 01:01:30,760
Speaker 1: Curve on Netflix. It's a very funny documentary. It's about

950
01:01:30,800 --> 01:01:33,919
Speaker 1: flat Earth. It's hilarious, it's about what flat Earth? Okay, cool,

951
01:01:34,120 --> 01:01:37,000
Speaker 1: behind a lot of great characters. I appreciate that. And

952
01:01:37,000 --> 01:01:39,160
Speaker 1: what was your involvement in the project? Just a fan

953
01:01:39,280 --> 01:01:43,480
Speaker 1: exact prodesse. I try to get some on camera time,

954
01:01:43,520 --> 01:01:48,160
Speaker 1: didn't let it got a little Yeah and Mark Gagliardi,

955
01:01:48,360 --> 01:01:52,440
Speaker 1: hello the gags. Yeah, thanks for joining us. I'm sorry

956
01:01:52,440 --> 01:01:54,120
Speaker 1: it was so late. No, I don't think anyone new

957
01:01:54,200 --> 01:01:57,920
Speaker 1: until you brought it up. Great, we missed, James Ni

958
01:01:58,000 --> 01:02:00,400
Speaker 1: came back as soon as you can. I do us

959
01:02:00,440 --> 01:02:03,040
Speaker 1: please us always your name here DomU dot com. I'm

960
01:02:03,040 --> 01:02:06,240
Speaker 1: your host, Kevin Poblic. We want to thank our engineer,

961
01:02:06,280 --> 01:02:09,000
Speaker 1: who is uh. I guess the Great Doug Bam is

962
01:02:09,040 --> 01:02:11,640
Speaker 1: still Um what does Doug do? Back? Do we know?

963
01:02:12,520 --> 01:02:17,480
Speaker 1: I got a gesture of next week, um, which is

964
01:02:17,520 --> 01:02:21,720
Speaker 1: which is one finger point leap across across the sing

965
01:02:21,760 --> 01:02:24,920
Speaker 1: along and I'll thank you in the meantime. So if

966
01:02:24,920 --> 01:02:26,840
Speaker 1: you can edit from last week's show where I say

967
01:02:26,880 --> 01:02:29,880
Speaker 1: your name right in this spot, that would be fantastic.

968
01:02:30,360 --> 01:02:42,920
Speaker 1: And also thanks Raphael Brito so Like and all the

969
01:02:43,080 --> 01:02:46,480
Speaker 1: fine super duper folks at I Heeart Radio thanks for

970
01:02:46,520 --> 01:02:50,840
Speaker 1: the auspice is. We are super super grateful. Um yeah,

971
01:02:50,880 --> 01:02:52,480
Speaker 1: your name here, talk to me this dot com until

972
01:02:52,520 --> 01:03:21,920
Speaker 1: next time. I mean it. And a football and a

973
01:03:22,040 --> 01:03:23,040
Speaker 1: football p