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Speaker 1: So I turned to Tony Pail and I say see.

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Speaker 2: You at the bottom, and I jump in the upside

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Speaker 2: down turtle shell and just.

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Speaker 1: Spread it up.

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Speaker 2: And he paid up.

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Speaker 3: He had to. The bet was that I couldn't snowboard

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Speaker 3: down the mountain in an upside down turtleshellday. Welcome to

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Speaker 3: Hollywood handbooking insiders, guy to kicking button dropping names of

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Speaker 3: the red carpet lineback hallways of this industry we call showbiz.

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Speaker 1: What what do we want to do today? You didn't snowboard?

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Speaker 3: No, it is still snowboarding because it's a turtleshef no

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Speaker 3: snowboarding board stance. It's snowboarding. Is the stands not ski

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Speaker 3: It refers to the stance because I wasn't using two turtleshells.

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Speaker 1: Look, I hate Tony Ale as much as anybody else.

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Speaker 3: It's not about what.

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Speaker 1: The guy's a real weasel, So I'm glad to see

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Speaker 1: some money hop out of his pocket into yours.

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Speaker 3: So what would you like me to say? What would

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Speaker 3: you like me to say? Instead of saying snowboard using

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Speaker 3: a turtle shell, just to show the moutain, shredd the

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Speaker 3: mountain using a turtle shell?

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Speaker 1: Should the mountain? Yeah?

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Speaker 3: Well, people would know, Like, if I like shoot the mount,

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Speaker 3: how do people visualize that?

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Speaker 1: You see, I'm gon shud the Montain on T show?

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Speaker 3: But what are people picturing? If I say that I'm

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Speaker 3: snowboarding using a turtle shell, and I'm clearly shut up

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Speaker 3: for a second, shut up. If I say I'm snowboarding

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Speaker 3: using a turtle shell, I'm clearly saying that I'm substituting

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Speaker 3: the snowboard. You don't just let me, ever say shut

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Speaker 3: up to me. I just okay, finished, I apologize. I

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Speaker 3: apologize for saying shut up. I was angry. When I

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Speaker 3: say that I snowboard using a turtle shell. I'm clearly

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Speaker 3: showing that I'm substituting a snowboard for a turtle shell,

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Speaker 3: and that that gives people a mental image.

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Speaker 1: If that's you angry, I don't like you angry. And

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Speaker 1: I and I am letting you finish and go ahead

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Speaker 1: and finish. But I don't like that, sidy.

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Speaker 3: I am finished. I don't like it either. I'm not.

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Speaker 3: I'm listen. I wish I wish I hadn't said John.

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Speaker 3: I wish I hadn't said that I would do anything

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Speaker 3: to take that back. Okay, I believe I apologize for that,

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Speaker 3: but you have to understand how frustrating it is when

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Speaker 3: you call me out on things like that.

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Speaker 1: No, I know it, and it's not part of the show,

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Speaker 1: and it won't be and we'll cut this. But it's

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Speaker 1: not part of the show.

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Speaker 3: I know part of the show.

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Speaker 1: I'm saying for you to protect you. That's all I

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Speaker 1: care about. If you make a bet like that, If

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Speaker 1: you're going to go back to the mountain next weekend,

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Speaker 1: which you said you are, and you're going to make

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Speaker 1: another bet and ride the turtle shell and shed the

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Speaker 1: mountain on.

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Speaker 3: Here's how you say, snowboard. Here's how I could do it.

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Speaker 2: You could contraction.

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Speaker 3: I understand that I would prefer that next time. Instead

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Speaker 3: of you saying the way you did that was wrong,

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Speaker 3: say another way for me to say it, right. I

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Speaker 3: hear that contribute, Contribute something instead of just yes it be.

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Speaker 3: I could be gentler with it. And I know that

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Speaker 3: I can be kind of a know it all sometimes,

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Speaker 3: So you would like me to say, in the future,

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Speaker 3: I shredded the mountain with a turtle shell.

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Speaker 1: If you say it like that, of course, no, it's not.

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Speaker 1: I mean do whatever you I'm saying in order.

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Speaker 3: To protect you, don't do whatever you want. That's obviously

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Speaker 3: not how you feel.

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Speaker 1: Now you now you're raising your voice again.

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Speaker 3: I just want I just want you to be able

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Speaker 3: to hear me. Okay, how would you like me to

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Speaker 3: say it next time?

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Speaker 4: If you if you are comfortable with doing it this way,

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Speaker 4: If you just want to say snowboard, just say snowboard,

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Speaker 4: and don't sounds tell me when someone doesn't pay up, okay,

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Speaker 4: because it's not a board, and a board is flat.

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Speaker 3: That sounds like a shell is curved. That sounds like

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Speaker 3: an apology that doesn't use the word sorry. Which were

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Speaker 3: those were?

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Speaker 1: If that's what you want to do it, I let

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Speaker 1: you now. I let you finish. Now, I let you finish.

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Speaker 1: When you were saying, you're thing okay, and so you're

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Speaker 1: gonna listen to me? Okay, okay, so you're so you're

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Speaker 1: gonna listen to me.

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Speaker 3: Do you remember what we said about apologies that don't

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Speaker 3: use the word sorry when we apologize, they're not they're

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Speaker 3: not they're not good apologies. Let's both say I'm sorry.

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Speaker 3: I'm saying that now. I'm sorry for telling you to

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Speaker 3: shut up earlier. I'm sorry for raising my voice a

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Speaker 3: little bit ago.

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Speaker 1: Thank you, I'm I'm sorry. If it felt to you, okay,

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Speaker 1: like I was interrupting you.

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Speaker 3: And this is another thing we've talked about. You're apologizing,

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Speaker 3: you know about it. Sorry you said if I said,

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Speaker 3: if you if I was offended is basically what you're saying,

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Speaker 3: and that puts it on me.

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Speaker 1: It felt to you like I was interrupting you.

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Speaker 2: I didn't well it was, well it did, and I

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Speaker 2: don't want you to feel that.

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Speaker 3: We don't do if we don't do if sorries. Remember

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Speaker 3: what we said about if sorries.

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Speaker 2: They're not good.

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Speaker 3: Sorry, they're not good sorries.

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Speaker 1: Okay, So okay, So I fucked up, Okay, So I'm

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Speaker 1: you know, I'm pos thank you, I'm I'm okay. So

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Speaker 1: I'm sorry, and I am looking out for your best interests.

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Speaker 3: Thank you.

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Speaker 1: And I want you to be happy and to make

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Speaker 1: all the money on the Turtleshells that you can and

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Speaker 1: so and I know.

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Speaker 3: Sean, I know that's why you do these things. Your

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Speaker 3: motives are never in question with me. I know you

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Speaker 3: did it because you care about me, and that's the

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Speaker 3: same reason that I get so upset.

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Speaker 1: Well, I'm passionate we're passionate people. I'm and I interrupted

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Speaker 1: you again. Go ahead, go ahead.

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Speaker 3: No, I was done. I was done.

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Speaker 1: Okay, well me too. So let's do a short segment

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Speaker 1: now because we don't you know, I've got tea time.

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Speaker 3: And mhm, hey bye, what up?

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Speaker 1: What up?

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Speaker 3: Okay, but let's clear it.

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Speaker 1: Let's clear it out.

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Speaker 3: Hey, holly, guy to kicking button dropping names of the

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Speaker 3: rick carpet lineback hallways of this industry we call showbiz.

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Speaker 3: My name is Ay Stavenport. I'm here with Sean Clements.

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Speaker 3: We are in the movies. We talk about the movies.

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Speaker 1: We make them, we do them, and they love us

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Speaker 1: and we love them right back. Yeah, what an experience

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Speaker 1: to have movies.

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Speaker 3: Everyone's talking about the Critics Choice Awards. We watched them.

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Speaker 3: You know, it's a good show. It's one of the showmanship,

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Speaker 3: probably the single best spectacle in Hollywood in terms of

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Speaker 3: just pure entertainment.

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Speaker 1: And people have known this for a long time. You

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Speaker 1: can't beat the Critics' Choice Award.

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Speaker 3: It's appointment viewing and even for you know, when you're

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Speaker 3: in show business for a long time, you can sort

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Speaker 3: of get jaded and when you need to learn a

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Speaker 3: lesson about the magic of cinema. Again, you tune into

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Speaker 3: the critics.

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Speaker 5: You returned to the TCAs yes, but but, but but

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Speaker 5: we watch the Critics Choice Awards and we say, well,

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Speaker 5: it's so nice that the critics are putting this on

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Speaker 5: for us, But we.

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Speaker 3: Say, what about an awards show that's for the critics,

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Speaker 3: What about what about critics who are themselves choice?

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Speaker 1: The unsung heroes? Is there is bad.

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Speaker 2: Critics and critics that are so choice.

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Speaker 1: So choice, and so we wanted to do a segment

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Speaker 1: that we call.

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Speaker 6: The Choice Critics Critics Choice Awards.

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Speaker 3: So this is like a Critics Choice Awards for the

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Speaker 3: most choice, the most choice critics, critics who are really

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Speaker 3: just doing an excellent job.

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Speaker 1: Now, this year they happen to have all said complimentary

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Speaker 1: things about we've done yes exactly. And that's not always

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Speaker 1: the case, I think, but it certainly didn't hurt that they.

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Speaker 3: Were different things are choice in different years.

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Speaker 1: And I find so often that when a critic is

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Speaker 1: saying something negative about work that Hayes and I have done,

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Speaker 1: that they are stupid, fucking idiots and that they really

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Speaker 1: truly just didn't get it and were they were not

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Speaker 1: evolved enough of people and their thick heads wouldn't let

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Speaker 1: anything smart in their brain.

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Speaker 3: They've become close minded.

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Speaker 1: Yes, they're truly close minded, and for all intensive purposes,

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Speaker 1: they are a caveman.

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Speaker 2: So let's just get to the award.

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Speaker 3: Yeah, I like to give a choice critics a word

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Speaker 3: to a man who I think is one of the

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Speaker 3: choicest critics out there. Rex Read wrote a review of

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Speaker 3: Fool's Gold, the movie I wrote and directed several years ago.

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Speaker 3: It was a treasure hunting movie with Kate Hudson and

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Speaker 3: Matthew McConaughey.

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Speaker 1: And if you do want to rent that movie or

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Speaker 1: watch it on some sort of streaming device, please say

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Speaker 1: goodbye to your butt first, because you will be laughing

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Speaker 1: it off.

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Speaker 3: I appreciate, first of all, so many critics do movies

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Speaker 3: that are just like coming out right now, Like that's

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Speaker 3: in the theaters already. I already know about it.

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Speaker 1: They're already on my way.

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Speaker 3: There are commercials for it saying that it's good.

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Speaker 1: I've already been invited.

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Speaker 3: The foresight to go back and look at a movie

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Speaker 3: from a long time ago and to say that that

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Speaker 3: movie is smart and that that movie has like good

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Speaker 3: colors in it, like that's what he was saying, all

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Speaker 3: three of you, that he loved the colors, and he

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Speaker 3: said that when they found the gold at the end,

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Speaker 3: it made him feel so good and he was so

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Speaker 3: happy for them. And the gold was so shiny that

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Speaker 3: it jumped right off the screen. And like his description

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Speaker 3: of the shininess.

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Speaker 1: And he felt rich. And I've read this review a

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Speaker 1: few times, but.

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Speaker 2: He felt made him watch that he was.

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Speaker 1: And he doesn't make that much money, you know, so

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Speaker 1: that's a nice f.

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Speaker 3: And he loves the movie that makes you want gold.

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Speaker 1: I actually loved that you gave that award, and I

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Speaker 1: think it's great. But I actually am giving maybe probably

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Speaker 1: a braver award, and it is going to not a

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Speaker 1: man critic and it is Lisa Schwarzenbaum at e W

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Speaker 1: Entertainment Weekly, and she did a review also for a

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Speaker 1: movie that we were involved in that also was a

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Speaker 1: few years old. It's a little movie that you've probably

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Speaker 1: heard of called American Wedding. It's the third installment in

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Speaker 1: the American Pie series, third and best, and Lisa recognized

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Speaker 1: that she was saying that it was so nice to

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Speaker 1: see where these characters had gone. We fell in love

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Speaker 1: with them as teens, and they were horny teens, and

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Speaker 1: that too many movies make you feel like horniness is

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Speaker 1: a teenage face.

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Speaker 2: But we kept them.

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Speaker 1: Horny all the way up through their wedding. And isn't

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Speaker 1: that a nice message that you don't have to stop

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Speaker 1: being horny?

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Speaker 2: And Hayes and I never had.

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Speaker 3: And she said something in that review that I really

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Speaker 3: put was sort of the message we were trying to

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Speaker 3: get across, which is ladies can be horny too.

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Speaker 1: Yes, that women can have a horny experience and that

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Speaker 1: that's okay, and they can vocalize it to a man

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Speaker 1: who they're close with, or to a woman, or to

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Speaker 1: their dad, or to a scientist.

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Speaker 3: The sensation of wanting to shove something up there was

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Speaker 3: not something that she These are her words, are not

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Speaker 3: things that something that she had seen communicated so eloquently

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Speaker 3: in movies before.

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Speaker 1: Yeah, and to pull it back out and shove it

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Speaker 1: in again. And I think that we tackled the horniness

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Speaker 1: of a woman in a way that maybe she hadn't

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Speaker 1: seen a woman do, and it may made it made

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Speaker 1: it okay.

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Speaker 3: And her description just as a writer, she's a professional writer,

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Speaker 3: but her description of her becoming extremely horny watching that

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Speaker 3: movie for us was so vivid, and for the creators

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Speaker 3: of the movie.

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Speaker 1: To be horny, for the writers, directors and to say,

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Speaker 1: you know that we really get it. That of course

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Speaker 1: it's not the same as horniness for a man, because

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Speaker 1: the woman don't know what's happening to her body when

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Speaker 1: it's happening, and that she had never seen it captured.

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Speaker 1: And her words was, God, I got so fucking horny

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Speaker 1: for those two studs who must have written it. And

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Speaker 1: I was, you know, getting horny reading the review, and

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Speaker 1: I relieved myself with masturbation at the end of it,

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Speaker 1: I think.

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Speaker 3: And one last award to the choicest of critics, Ao

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Speaker 3: Scott so Choice of the New York Times, who went

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Speaker 3: back to review All Hail the King, who went back

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Speaker 3: to review our movie Evolution. And what I appreciated about

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Speaker 3: that review that a lot of people hadn't noticed before

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Speaker 3: was our decision to cast a guy named Orlando Jones

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Speaker 3: and make him the first black man in a movie,

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Speaker 3: because before that it was only white people in movies.

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Speaker 1: And the thing that Ao gets, because he does really

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Speaker 1: understand movies, is that there was a layer on it

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Speaker 1: where yes, the movie's called evolution, but also it's an

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Speaker 1: evolution of Hollywood into being evolved enough to let a

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Speaker 1: black man be in the movie and have an alien

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Speaker 1: sort of crawling up the inside his skin, inside his

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Speaker 1: legs like it might bite his dick, you know, like

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Speaker 1: in Where the Miller's or something. Of course, they stole

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Speaker 1: that bit from us, that he's doing that and making

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Speaker 1: a big bug eyed face like he's scared. You know.

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Speaker 3: They wanted us to cast Dennis Franz for that, and

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Speaker 3: it just didn't you know.

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Speaker 1: We had a big fight and we wound up having

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Speaker 1: to finance it independently.

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Speaker 3: M hm uh.

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Speaker 1: And it was also the first indie film which Ao

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Speaker 1: gave us a lot of credit for. Yes, it was us,

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Speaker 1: you know, Cassavettis and Kevin Smith, Yes Smith, I was

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Speaker 1: Jarmash came later, Yes, but I yes, Smith and so

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Speaker 1: Ao really talked about the global idea of evolution that

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Speaker 1: you know, humans had evolved into a couple of different colors.

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Speaker 3: Yes, and that and that's okay. And like people say,

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Speaker 3: for Wild, well the cameras are black, and well maybe

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Speaker 3: like that's not enough, you know, that's not enough. Maybe

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Speaker 3: some of the people can be black also.

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Speaker 1: Yes, and I think they were concerned that black people

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Speaker 1: wouldn't show up on the black cameras.

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Speaker 3: Well, someone had to try it, and there was a

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Speaker 3: risk involved in that we would have lost a lot

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Speaker 3: of money.

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Speaker 1: Yeah, and we did.

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Speaker 3: It turned to show up and what a relief when

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Speaker 3: we showed up in the theater and it was he

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Speaker 3: was up there. You could see him.

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Speaker 6: So hey, ho ao, this Choice Critics Critics Choice Award

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Speaker 6: goes to you.

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Speaker 1: So that was the Choice Critics Critics Choice Awards. Ohen

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Speaker 1: Kevin McFarland at av Club love him.

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Speaker 3: We have a great guest today. Sean O'Connor is here.

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Speaker 3: He's a stand up comedian. He has a new album

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Speaker 3: out called James Dean Type. He comes to have a

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Speaker 3: really really really great conversation with with Sean and I

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Speaker 3: on this podcast Hollywood Handbook.

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Speaker 1: Well no, Darren.

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Speaker 2: Aaron Omsky is like, I think the frame should be dirty.

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Speaker 1: You know, let's get like he's doing his director thing.

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Speaker 1: And I go, that's a great note, Darren, and ps,

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Speaker 1: you're out of my fucking biography. It's like watch your step.

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Speaker 1: You know. That's a real consequence people can have.

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Speaker 3: You were gonna write about.

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Speaker 1: Him, he was gonna have a chapter.

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Speaker 7: Yeah, hey, welcome to an Insider's Guide to Kicking button

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Speaker 7: dropping names in the red carpet line back hallways of

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Speaker 7: this industry we call showbiz.

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Speaker 3: Very exciting, guess joining us to It's a red carpet

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Speaker 3: lined industry or something like that. Isn't it red carpet line? No,

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Speaker 3: the hallways are lined with carpet.

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Speaker 1: I'm so sleepy, Hayes, what up?

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Speaker 3: What up?

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Speaker 1: Everybody?

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Speaker 3: But this whole time that it was the red carpet

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Speaker 3: lined industry, I don't.

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Speaker 1: I don't know what I thought. Do you know, I

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Speaker 1: haven't been getting any sleep.

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Speaker 3: Why not?

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Speaker 1: My neighbor's building a water park in his backyard.

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Speaker 3: Sean O'Connor is here. He's a really he's a really

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Speaker 3: exciting guest for us. Sean, thank you so much for

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Speaker 3: coming on the show.

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Speaker 2: I am thrilled to be here.

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Speaker 3: We first caught onto you watching. We like to scout

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Speaker 3: for like the young guys who were like sort of

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Speaker 3: who are coming up? We're really doing at a high

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Speaker 3: level and.

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Speaker 1: Like the I like, I like to say that I've

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Speaker 1: got my ear to the ground and I'm laughing at.

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Speaker 2: What you're hearing.

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Speaker 1: Yes, because because I'm listening to some very funny, you know,

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Speaker 1: up and coming hot comics.

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Speaker 3: And it's Indian heritage.

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Speaker 1: Yes I do, Yes, I am one eighth Navajo, and

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Speaker 1: so because of that, I do actually listen to You

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Speaker 1: can actually.

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Speaker 3: Hear stuff the way we would look. Put our ear

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Speaker 3: there and just it just gets dirty.

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Speaker 2: I thought you meant other Indian. I'm sorry.

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Speaker 3: No, that's a dance that they do when they put

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Speaker 3: their to the ground. That is, they're just it's it's

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Speaker 3: part of it.

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Speaker 1: They're trying to trick a snake or something.

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Speaker 3: Now, so we we scout. One of our biggest talent

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Speaker 3: pools is of course at midnight.

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Speaker 2: I love at midnight. Of course you do. It made you,

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Speaker 2: it did. I'm a star.

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Speaker 3: You went on, You went on at midnight. We were

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Speaker 3: watching you, rooting for you so hard, thank you, and

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Speaker 3: you ended up. You went you won the show.

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Speaker 2: I won, I did win. I won. I beat Julia

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Speaker 2: McCollough and Annie Letterman. It was great and.

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Speaker 1: What a crushing defeat it was. And to beat a

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Speaker 1: woman too must have really felt good for you. I did.

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Speaker 1: She was so so dirty.

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Speaker 2: That's not what I like.

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Speaker 1: No, And they've been starting to do that some of

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Speaker 1: them are doing some jokes that are very blue and

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Speaker 1: we don't work in that area.

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Speaker 2: Okay, because I don't want a curse today.

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Speaker 3: It's for a ten.

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Speaker 1: Yeah, I want just to make us think about it.

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Speaker 1: There were I mean, it's very hard to shock me

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Speaker 1: with a word. I can only think of a dozen

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Speaker 1: off the top of my head. So basically, you know,

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Speaker 1: you really can't do it.

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Speaker 3: Of how many words that don't shock you?

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Speaker 1: Oh gosh, I can think of you know, dozens and dozens.

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Speaker 1: So in that way, I don't like that humor. But

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Speaker 1: when you won, you went and put it in your

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Speaker 1: Twitter bio.

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Speaker 2: Hey do you have that available?

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Speaker 3: It's been taken down recently.

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Speaker 2: I took it down, but I felt like I was

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Speaker 2: just like throwing it in people's face too much.

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Speaker 3: Yes, yeah, too much attention. Twitter bio still does begin.

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Speaker 3: I am twenty nine. What happens when you turn say thirty?

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Speaker 2: Oh, I think I'm going to change it? Although you never.

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Speaker 3: See I'm thirty anything in those bios, but you see

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Speaker 3: a lot of twenties.

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Speaker 2: I think it's because you're so proud of being in

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Speaker 2: your twenties.

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Speaker 1: You had thirty.

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Speaker 2: Ugh, it is all downhill from there.

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Speaker 1: I remember that being difficult.

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Speaker 2: How old are you?

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Speaker 8: You know?

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Speaker 1: A lady never tells, But Hayes and I have seen

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Speaker 1: our fair share of sunrises.

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Speaker 3: Let's say we've seen presidents come and go, oh my,

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Speaker 3: George's w bush a lot more presidents, more than just

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Speaker 3: the one you named.

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Speaker 2: Now he's the only president to be.

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Speaker 1: Now, what's it like being a winner?

400
00:20:32,880 --> 00:20:35,399
Speaker 2: It is great? It is Uh. Well, as soon as

401
00:20:35,400 --> 00:20:37,400
Speaker 2: you get there, they just walk us through.

402
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Speaker 3: Were you scared?

403
00:20:38,560 --> 00:20:42,000
Speaker 2: Oh yeah, I'm terrified. I do not like cameras. But

404
00:20:42,520 --> 00:20:44,119
Speaker 2: as soon as I came in, you think.

405
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Speaker 1: They're going to steal your my soul.

406
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Speaker 2: Yes, I'm an Aborigine. Uh, that's who thinks that I'm

407
00:20:51,359 --> 00:20:56,080
Speaker 2: one eighth aboriginy. Anyway, you go in. They give you

408
00:20:56,119 --> 00:21:00,199
Speaker 2: a car service, which immediately I'm like chut ching. I

409
00:21:00,680 --> 00:21:04,680
Speaker 2: go in. They give you a T shirt with the

410
00:21:04,760 --> 00:21:09,000
Speaker 2: at Midnight symbol and cookies. Then you're like, all right,

411
00:21:09,359 --> 00:21:12,400
Speaker 2: here's all my jokes, and they're like those are all fantastic.

412
00:21:12,480 --> 00:21:16,800
Speaker 2: You're probably going to win. You play the game, you win.

413
00:21:18,080 --> 00:21:23,479
Speaker 2: Then they take the other two people's shirts away in

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Speaker 2: front of you, like.

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Speaker 1: They're like would you tho yes, oh my and they

416
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Speaker 1: don't have anything on underneath, do they.

417
00:21:31,600 --> 00:21:35,080
Speaker 2: No, And they actually make them remove their pants and

418
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Speaker 2: put a spotlight on. Then they bring them out into

419
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Speaker 2: the crowd and they just start throwing things at them,

420
00:21:43,520 --> 00:21:45,800
Speaker 2: and then they're like, would you like to partake in this?

421
00:21:45,880 --> 00:21:48,480
Speaker 2: And then you're like, of course, yeah, you're there, and

422
00:21:48,520 --> 00:21:51,520
Speaker 2: then Chris Hardwick is just chanting for you to do it.

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Speaker 2: Which one is guys, he he's the nerd.

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Speaker 1: Oh, yes, yes, yes, boy? Can we relate?

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00:22:02,280 --> 00:22:04,040
Speaker 2: You guys don't seem like nerds at all.

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Speaker 3: We've heard that, we this, We have heard that, We've

427
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Speaker 3: gotten that.

428
00:22:09,840 --> 00:22:12,400
Speaker 1: I wish you could have seen me in middle school.

429
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Speaker 3: Reading science books. Yeah, and just watching Japanese cartoons.

430
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Speaker 2: That's nerdy. I agree, I agree, But now you guys

431
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Speaker 2: are cool.

432
00:22:26,200 --> 00:22:27,520
Speaker 3: Well, nerds is cool.

433
00:22:28,480 --> 00:22:30,439
Speaker 2: Yeah, but I saw what you guys drive.

434
00:22:31,760 --> 00:22:35,120
Speaker 1: Oh I don't. I could give a fuck about status.

435
00:22:35,359 --> 00:22:38,040
Speaker 1: I hate it when people bring up my car. I

436
00:22:38,080 --> 00:22:40,879
Speaker 1: don't care about status. It's her functions. It gets me

437
00:22:40,960 --> 00:22:44,199
Speaker 1: from here to there. About functionality, yeah, that's for me.

438
00:22:44,359 --> 00:22:46,040
Speaker 1: Is just the only reason I have a really fast

439
00:22:46,080 --> 00:22:47,879
Speaker 1: car is because I run laid a lot. I'm just

440
00:22:47,920 --> 00:22:51,320
Speaker 1: really disorganizing my snooze button is it goes for too long?

441
00:22:53,400 --> 00:22:54,600
Speaker 1: I don't know how to reset it.

442
00:22:54,640 --> 00:22:56,520
Speaker 3: And the red.

443
00:22:56,320 --> 00:22:58,320
Speaker 1: Wheels it's easy to find in a parking lot.

444
00:22:58,760 --> 00:23:00,000
Speaker 2: Yeah, that's very helpful.

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00:23:00,320 --> 00:23:01,680
Speaker 3: I've never seen red wheels.

446
00:23:01,720 --> 00:23:05,920
Speaker 2: I liked those. Oh yeah, you're stupid.

447
00:23:06,160 --> 00:23:10,399
Speaker 1: Yeah red bottom. Yeah, I think my car's kind of

448
00:23:10,400 --> 00:23:15,320
Speaker 1: a Samantha. You do stand up all over the countries

449
00:23:15,359 --> 00:23:18,880
Speaker 1: and states. Now is different states different from each other?

450
00:23:19,640 --> 00:23:25,400
Speaker 2: Yeah, I find that to be true. I find Providence,

451
00:23:26,040 --> 00:23:31,800
Speaker 2: Rhode Island, Rhode Island in Massachusetts. Sure, those states similar.

452
00:23:32,760 --> 00:23:35,399
Speaker 2: But then you go to New York. There's nowhere. I

453
00:23:35,520 --> 00:23:39,120
Speaker 2: liked New York. We love New York speak on that

454
00:23:39,720 --> 00:23:42,560
Speaker 2: Oh well, I mean like it's just like the general vibe.

455
00:23:43,040 --> 00:23:44,399
Speaker 2: Like have you ever been to Green Point?

456
00:23:45,920 --> 00:23:48,720
Speaker 1: Not what it was called that they have the wettest

457
00:23:48,800 --> 00:23:49,480
Speaker 1: pizza there.

458
00:23:49,960 --> 00:23:55,280
Speaker 2: They do have wet pizza there. I was recently in Reno, Nevada,

459
00:23:55,320 --> 00:23:58,360
Speaker 2: and I will say the wettest buffet I've ever ever.

460
00:23:59,040 --> 00:24:00,880
Speaker 2: Everything was sopping Wow.

461
00:24:01,880 --> 00:24:02,600
Speaker 1: That's culture.

462
00:24:03,040 --> 00:24:03,840
Speaker 2: It is culture.

463
00:24:04,000 --> 00:24:07,240
Speaker 3: How do you how do you show if you're doing

464
00:24:07,280 --> 00:24:14,000
Speaker 3: a show in like, uh, certain parts of Pennsylvania or

465
00:24:14,040 --> 00:24:17,800
Speaker 3: like a Ohio or like a flyover stay like an

466
00:24:17,880 --> 00:24:21,360
Speaker 3: Arizona like that. How do you show to the audience

467
00:24:21,480 --> 00:24:24,879
Speaker 3: that they missed a joke that you told that because

468
00:24:24,880 --> 00:24:26,959
Speaker 3: they didn't laugh, it was because they didn't understand it.

469
00:24:26,960 --> 00:24:30,040
Speaker 3: It's there, like a hand signal you use to show

470
00:24:30,080 --> 00:24:30,959
Speaker 3: that they didn't get it.

471
00:24:31,119 --> 00:24:36,600
Speaker 2: I do basically word for word, Carlosmancy is I just

472
00:24:36,680 --> 00:24:40,200
Speaker 2: do that over and over word basically, word for basically.

473
00:24:40,560 --> 00:24:45,919
Speaker 2: I go a dirt dititter, but he does dirt du

474
00:24:46,000 --> 00:24:50,359
Speaker 2: dumb dum, and I go dirt dirt. It's that little

475
00:24:50,400 --> 00:24:53,000
Speaker 2: It's that little change like vanilla ice.

476
00:24:53,680 --> 00:24:56,080
Speaker 1: Yes, that's what keeps you out of legal hot water

477
00:24:56,359 --> 00:24:56,960
Speaker 1: with Yes.

478
00:24:56,840 --> 00:25:00,479
Speaker 2: With carl Carlo Meno, that's how you suppose to say it.

479
00:25:00,520 --> 00:25:04,080
Speaker 2: Is Carlos a friend? Not anymore? Because I feel like

480
00:25:04,119 --> 00:25:06,919
Speaker 2: his social status is dropped off a lot. I'm like

481
00:25:07,000 --> 00:25:10,240
Speaker 2: kind of hanging out now with Kevin Hart and Diablo Cody.

482
00:25:11,000 --> 00:25:11,320
Speaker 3: Mmmm.

483
00:25:11,760 --> 00:25:14,000
Speaker 1: Yes, I see those two round.

484
00:25:14,760 --> 00:25:15,440
Speaker 3: Are they a thing?

485
00:25:16,200 --> 00:25:21,320
Speaker 2: They are? I mean I can't say they are. I'm

486
00:25:21,320 --> 00:25:25,320
Speaker 2: waiting for crazy days and nights to confirm it. Have

487
00:25:25,440 --> 00:25:36,119
Speaker 2: you guys thought about going on at midnight? Have we?

488
00:25:38,119 --> 00:25:43,400
Speaker 3: Scott did it? Scott Anchorman are boss and he was coming.

489
00:25:43,119 --> 00:25:44,959
Speaker 1: Back and he was a collaborator.

490
00:25:46,800 --> 00:25:49,280
Speaker 3: Well in like the fictional ear wolf, like in the

491
00:25:49,320 --> 00:25:50,399
Speaker 3: comedy Banking Universe.

492
00:25:50,560 --> 00:25:53,000
Speaker 1: Yes, yes, yes, yes, yes, the Banga verse.

493
00:25:53,080 --> 00:25:56,280
Speaker 3: Yes, he came back and he said it was so fun.

494
00:25:56,359 --> 00:25:58,399
Speaker 3: I had such a great time. I love the T

495
00:25:58,520 --> 00:26:02,920
Speaker 3: shirt and I have a lot of T shirts.

496
00:26:03,000 --> 00:26:05,240
Speaker 2: Sean, you can always use more T shirts. And this

497
00:26:05,280 --> 00:26:08,760
Speaker 2: one has the at Midnight symbol, which is an ad sign.

498
00:26:09,080 --> 00:26:10,080
Speaker 3: Is it just the AT?

499
00:26:10,240 --> 00:26:12,840
Speaker 2: It's just the AT so like people are like walking

500
00:26:12,960 --> 00:26:15,320
Speaker 2: when you walk by them, they're like, there's a millennial.

501
00:26:15,560 --> 00:26:16,639
Speaker 3: I'm usually asleep.

502
00:26:17,800 --> 00:26:22,000
Speaker 2: Are you usually asleep during at midnight or during the day?

503
00:26:22,160 --> 00:26:23,760
Speaker 3: No, during the time that the show is.

504
00:26:24,040 --> 00:26:24,880
Speaker 2: Oh midnight.

505
00:26:25,480 --> 00:26:29,320
Speaker 1: Yeah, and during the day my kids run me around.

506
00:26:29,480 --> 00:26:30,760
Speaker 3: Yeah, I am usually.

507
00:26:30,840 --> 00:26:34,480
Speaker 2: But do you have kids? Great deal, Yes, I feel

508
00:26:34,520 --> 00:26:36,400
Speaker 2: like I should have listened to this podcast.

509
00:26:37,760 --> 00:26:40,840
Speaker 1: Oh no, don't trouble yourself. It's not for you, you know.

510
00:26:40,920 --> 00:26:45,000
Speaker 1: It's really who it's for is it's for the people

511
00:26:45,040 --> 00:26:48,760
Speaker 1: who haven't won at midnight, who don't have a taste

512
00:26:48,760 --> 00:26:49,920
Speaker 1: of that success.

513
00:26:50,000 --> 00:26:52,800
Speaker 2: Oh, like Annie Letterman, Julian McCullough.

514
00:26:53,040 --> 00:26:55,720
Speaker 1: Great examples. Julian was a friend of yours.

515
00:26:55,760 --> 00:26:57,240
Speaker 2: He was a friend of mine, but when I saw

516
00:26:57,320 --> 00:27:01,160
Speaker 2: him humiliated on national television, and I can't be friends

517
00:27:01,160 --> 00:27:01,840
Speaker 2: with him anymore.

518
00:27:02,080 --> 00:27:03,840
Speaker 3: Let's be to be honest. On to be honest.

519
00:27:04,640 --> 00:27:07,520
Speaker 2: I just to be honest right now, me, Please be honest.

520
00:27:09,000 --> 00:27:15,159
Speaker 3: I do worry that going on with my friends. A

521
00:27:15,200 --> 00:27:18,280
Speaker 3: person I'm hosting a show with that I love, m hmm.

522
00:27:18,359 --> 00:27:19,560
Speaker 3: There's a one winner on that.

523
00:27:19,720 --> 00:27:21,359
Speaker 1: I love you too. I never want you to say

524
00:27:21,359 --> 00:27:22,840
Speaker 1: that and have to not hear it back.

525
00:27:24,359 --> 00:27:27,360
Speaker 3: Do you hear what I'm saying? Like one person leaves

526
00:27:27,400 --> 00:27:28,399
Speaker 3: at midnight a winner?

527
00:27:29,240 --> 00:27:33,840
Speaker 1: I hear you mm hmm. And I respect you. I'm

528
00:27:33,840 --> 00:27:37,239
Speaker 1: here and I'm listening to you, and I don't and

529
00:27:37,280 --> 00:27:40,000
Speaker 1: I don't want to have that kind of competition either.

530
00:27:40,680 --> 00:27:42,639
Speaker 1: And I wonder if the two of us could maybe

531
00:27:42,800 --> 00:27:47,040
Speaker 1: team up against yes, some sort of third oh.

532
00:27:46,960 --> 00:27:48,920
Speaker 2: Like an Andrew t like an Earwolf night.

533
00:27:49,080 --> 00:27:52,560
Speaker 1: Okay, well you said it, Okay, yes, but if we

534
00:27:52,600 --> 00:27:56,320
Speaker 1: could somehow get that dastardly Andrew Tea on there with us,

535
00:27:56,560 --> 00:27:57,639
Speaker 1: don't you think we could? Just?

536
00:27:58,080 --> 00:28:00,200
Speaker 3: I do think I'd be good at it. I I'm

537
00:28:00,280 --> 00:28:03,080
Speaker 3: very good at knowing what tweets are real and which

538
00:28:03,080 --> 00:28:07,320
Speaker 3: ones are not real. I'm good at watching part of

539
00:28:07,359 --> 00:28:09,760
Speaker 3: a YouTube video and guessing what the rest of it's about.

540
00:28:10,160 --> 00:28:11,879
Speaker 2: Oh, you would be great at this.

541
00:28:12,280 --> 00:28:15,320
Speaker 1: These are you know, skills that I have. He's good

542
00:28:15,359 --> 00:28:15,600
Speaker 1: at that.

543
00:28:15,920 --> 00:28:16,800
Speaker 2: I've won.

544
00:28:18,320 --> 00:28:23,840
Speaker 1: Just over six thousand New Yorker caption contests, so you

545
00:28:23,840 --> 00:28:26,359
Speaker 1: know that I think qualifies me for some of the

546
00:28:26,400 --> 00:28:29,920
Speaker 1: stuff that they do on there. And I just love

547
00:28:30,320 --> 00:28:33,080
Speaker 1: any thing where I get points. I love pinball and

548
00:28:33,400 --> 00:28:33,720
Speaker 1: all that.

549
00:28:34,560 --> 00:28:36,760
Speaker 2: I would worry about going on with Andrew Ty though

550
00:28:37,359 --> 00:28:39,240
Speaker 2: he's kind of a racist watchdog.

551
00:28:39,880 --> 00:28:42,320
Speaker 1: Yes, I would be concerned that some of my humor

552
00:28:42,400 --> 00:28:44,840
Speaker 1: might Well, you you don't.

553
00:28:44,600 --> 00:28:50,080
Speaker 3: Want his sights on you. So if you're not, you know,

554
00:28:50,200 --> 00:28:52,320
Speaker 3: if there are points to be given out, you're gonna

555
00:28:52,320 --> 00:28:56,560
Speaker 3: want to give them to Edrty lest you fall under.

556
00:28:56,800 --> 00:29:01,600
Speaker 1: His Yes, him being eliminated first would be regardless of.

557
00:29:04,840 --> 00:29:07,200
Speaker 3: Yes, it is a small town.

558
00:29:07,360 --> 00:29:09,479
Speaker 1: The best way to deal with Andrew T is just

559
00:29:09,520 --> 00:29:14,640
Speaker 1: to stay and stay way.

560
00:29:14,400 --> 00:29:19,280
Speaker 2: Yes, arms length and then some oh yeah, yeah he's

561
00:29:19,280 --> 00:29:19,920
Speaker 2: a nice guy.

562
00:29:20,240 --> 00:29:21,720
Speaker 3: What happened with you and Julian?

563
00:29:22,480 --> 00:29:25,000
Speaker 2: Well he went on at midnight and then and see

564
00:29:25,040 --> 00:29:27,920
Speaker 2: him anymore? Not really, he had a kid, It was

565
00:29:27,960 --> 00:29:28,680
Speaker 2: the last I heard.

566
00:29:29,880 --> 00:29:32,160
Speaker 1: Yeah, he's been how big?

567
00:29:32,880 --> 00:29:36,720
Speaker 2: Uh? Eight by six? That's how I say eight pound

568
00:29:36,760 --> 00:29:38,080
Speaker 2: six sounds as eight by six.

569
00:29:39,320 --> 00:29:43,680
Speaker 3: Yes, yeah, I saw him scurry into a sewer the

570
00:29:43,720 --> 00:29:44,160
Speaker 3: other day.

571
00:29:44,920 --> 00:29:46,920
Speaker 2: Did you see is that where he's living?

572
00:29:47,080 --> 00:29:47,320
Speaker 3: Yes?

573
00:29:47,480 --> 00:29:49,680
Speaker 2: I did. The last I heard he did move So

574
00:29:49,720 --> 00:29:53,360
Speaker 2: it's a sewer. Yes, poor guy and.

575
00:29:53,240 --> 00:29:57,800
Speaker 3: His baby is living in like a detached toilet tank.

576
00:29:58,040 --> 00:30:00,960
Speaker 2: No pram, No, prayer doesn't have a pram.

577
00:30:01,280 --> 00:30:01,520
Speaker 3: No.

578
00:30:01,880 --> 00:30:04,640
Speaker 2: I said it because I mean, we've fallen so out

579
00:30:04,640 --> 00:30:07,520
Speaker 2: of touch. I don't know this because it's gator as

580
00:30:07,560 --> 00:30:08,440
Speaker 2: gator like features.

581
00:30:08,560 --> 00:30:10,000
Speaker 1: Yeah, and it's a sad state.

582
00:30:10,120 --> 00:30:10,320
Speaker 2: Yeah.

583
00:30:10,360 --> 00:30:12,240
Speaker 1: You can't see you can't be seen with him?

584
00:30:12,720 --> 00:30:13,640
Speaker 2: Can I ask you?

585
00:30:14,520 --> 00:30:15,800
Speaker 1: Did you do a comedy c D?

586
00:30:16,560 --> 00:30:16,720
Speaker 2: Oh?

587
00:30:16,800 --> 00:30:16,960
Speaker 3: Yeah?

588
00:30:17,000 --> 00:30:19,880
Speaker 2: I have a My album came out the last week.

589
00:30:19,920 --> 00:30:22,040
Speaker 2: What's it called James Dean Type?

590
00:30:22,120 --> 00:30:24,120
Speaker 3: Oh, because James Dean type.

591
00:30:24,160 --> 00:30:28,080
Speaker 2: What I'm like, a James Dean type rebel. I I

592
00:30:28,160 --> 00:30:30,960
Speaker 2: riffed it on stage and it bombed, and I thought

593
00:30:30,960 --> 00:30:33,280
Speaker 2: it did well, so I did the album that Then

594
00:30:33,360 --> 00:30:36,120
Speaker 2: when I listened to it, it did not go over well.

595
00:30:37,120 --> 00:30:39,400
Speaker 2: So I kept it because I think that's my whole

596
00:30:39,400 --> 00:30:40,440
Speaker 2: thing is I don't care?

597
00:30:41,000 --> 00:30:41,240
Speaker 3: Yes?

598
00:30:42,000 --> 00:30:46,760
Speaker 1: Yes, And to d G A F to truly, truly

599
00:30:46,920 --> 00:30:51,600
Speaker 1: d a to give, to give, to be able to

600
00:30:51,640 --> 00:30:53,160
Speaker 1: say at the to look back at the end of

601
00:30:53,160 --> 00:30:58,120
Speaker 1: your life and say zero fox were given. And I

602
00:30:58,160 --> 00:31:02,120
Speaker 1: know you're not comfortable with that language, but that is

603
00:31:02,160 --> 00:31:04,360
Speaker 1: the height of artistry.

604
00:31:04,080 --> 00:31:07,640
Speaker 3: As you're fading away and you're looking back on everything

605
00:31:07,640 --> 00:31:10,400
Speaker 3: you've accomplished, to be able to say sean ft W.

606
00:31:11,000 --> 00:31:16,040
Speaker 1: Yeah, what a dream. Yes, this is truly the greatest.

607
00:31:15,360 --> 00:31:18,720
Speaker 2: Sean F word the world.

608
00:31:19,240 --> 00:31:25,080
Speaker 1: Yes, yes, yes, And I am curious because you did

609
00:31:25,120 --> 00:31:27,200
Speaker 1: do the stand up CD and it's a recording of

610
00:31:27,200 --> 00:31:28,120
Speaker 1: a stand up show.

611
00:31:28,520 --> 00:31:29,680
Speaker 2: Yeah, with all my jokes.

612
00:31:29,960 --> 00:31:34,360
Speaker 1: One thing that Hayes and I love is when people

613
00:31:34,560 --> 00:31:37,480
Speaker 1: dissect the anatomy of a joke. Now, we don't want

614
00:31:37,480 --> 00:31:40,720
Speaker 1: to hear any jokes and don't ruin them, but what

615
00:31:40,760 --> 00:31:45,360
Speaker 1: we'd love to hear is like, where are these ideas

616
00:31:45,400 --> 00:31:45,840
Speaker 1: coming from?

617
00:31:45,920 --> 00:31:47,400
Speaker 2: And what are these ideas?

618
00:31:47,560 --> 00:31:47,720
Speaker 1: Oh?

619
00:31:47,760 --> 00:31:50,240
Speaker 3: I would love I just the very broad areas of

620
00:31:50,280 --> 00:31:52,560
Speaker 3: a joke that you do and then and then take

621
00:31:52,640 --> 00:31:53,080
Speaker 3: us in there.

622
00:31:53,080 --> 00:31:54,600
Speaker 1: To me, that's more interesting.

623
00:31:54,920 --> 00:31:58,600
Speaker 2: Oh, I love dissecting jokes. So this is I feel

624
00:31:58,600 --> 00:32:00,160
Speaker 2: like I'm at home. What's a really had?

625
00:32:00,160 --> 00:32:02,240
Speaker 1: One from your album for example, that people could look

626
00:32:02,280 --> 00:32:02,760
Speaker 1: forward to.

627
00:32:02,960 --> 00:32:04,360
Speaker 2: I have a I have a joke about going to

628
00:32:04,440 --> 00:32:08,760
Speaker 2: a Kesha concert and I went there with limited expectations

629
00:32:08,920 --> 00:32:10,320
Speaker 2: and what I found.

630
00:32:10,680 --> 00:32:12,360
Speaker 3: Well, don't don't don't don't say what you found.

631
00:32:12,120 --> 00:32:16,280
Speaker 1: Okay, okay, okay, yes, yes, we don't say positively.

632
00:32:17,200 --> 00:32:20,920
Speaker 3: Now, what made you think about, like, use Kesha as

633
00:32:20,920 --> 00:32:22,920
Speaker 3: a target for comedy because she's a singer.

634
00:32:23,040 --> 00:32:26,000
Speaker 2: She's a singer, and you know what, she's a serious singer. Yes,

635
00:32:26,200 --> 00:32:31,600
Speaker 2: there's no goofies that she's saying singing a comedy. It's

636
00:32:31,640 --> 00:32:35,200
Speaker 2: not a comedy. So she's not a weird alt, not even.

637
00:32:34,960 --> 00:32:37,880
Speaker 1: A president of the USA. Who did I thought lump was.

638
00:32:38,000 --> 00:32:40,320
Speaker 1: I had some laughs during that one. I had more

639
00:32:40,400 --> 00:32:41,280
Speaker 1: mother's sister.

640
00:32:41,960 --> 00:32:45,520
Speaker 2: I had more laughs during gump By weird Out.

641
00:32:45,920 --> 00:32:49,200
Speaker 1: Yeah, well, okay, I mean, you know, weird. Now we've

642
00:32:49,280 --> 00:32:51,560
Speaker 1: established that's a funny singer. But I think I could

643
00:32:51,640 --> 00:32:53,760
Speaker 1: name funny singers too, and that's okay.

644
00:32:53,720 --> 00:32:56,400
Speaker 2: Yeah, no, you may, I'm just saying the presidence of

645
00:32:56,440 --> 00:32:57,040
Speaker 2: the United States.

646
00:32:57,200 --> 00:32:59,600
Speaker 1: Okay, Well, Peaches, that's another one that I thought that

647
00:32:59,680 --> 00:33:02,480
Speaker 1: was pretty and believele actually has a fun.

648
00:33:02,560 --> 00:33:06,920
Speaker 3: See like if they were comedy singers that weird Al

649
00:33:07,240 --> 00:33:09,000
Speaker 3: wouldn't do a comedy song.

650
00:33:09,120 --> 00:33:12,600
Speaker 1: They're not even playing a whole guitar is only has

651
00:33:12,680 --> 00:33:16,160
Speaker 1: some of the strings. So if you actually know about

652
00:33:16,240 --> 00:33:19,200
Speaker 1: presidence of the USA, you can talk to me about it.

653
00:33:19,320 --> 00:33:20,080
Speaker 1: And you don't.

654
00:33:20,400 --> 00:33:22,200
Speaker 2: But I feel like it's kind of like gilding the

655
00:33:22,320 --> 00:33:25,200
Speaker 2: lily if they're making a parody song. If he's making

656
00:33:25,200 --> 00:33:28,000
Speaker 2: a parody song about and take that up with weird Al,

657
00:33:28,160 --> 00:33:28,440
Speaker 2: you know.

658
00:33:28,600 --> 00:33:30,840
Speaker 1: And I think he capitalized on what was a very

659
00:33:30,880 --> 00:33:34,239
Speaker 1: popular movie that some of our friends made, and I

660
00:33:34,280 --> 00:33:36,920
Speaker 1: think that he found the moment and took this song

661
00:33:37,000 --> 00:33:40,040
Speaker 1: that had entered the mainstream despite being i'll say it,

662
00:33:40,480 --> 00:33:44,120
Speaker 1: laugh out loud funny.

663
00:33:43,960 --> 00:33:47,400
Speaker 3: Anyway, Sean O'Connor, why do you like that joke that

664
00:33:47,480 --> 00:33:47,920
Speaker 3: you tell?

665
00:33:48,440 --> 00:33:50,520
Speaker 2: Oh? I, you know, I think it's just because, like

666
00:33:50,560 --> 00:33:52,920
Speaker 2: it's an extension of who I am as a person,

667
00:33:53,160 --> 00:33:56,040
Speaker 2: Like I'm someone who will go to a Kesha concert

668
00:33:56,080 --> 00:33:59,160
Speaker 2: on a whim, yes, and then what well, I'll see

669
00:33:59,640 --> 00:34:03,000
Speaker 2: maybe isn't for fodder, but I make it.

670
00:34:02,880 --> 00:34:05,040
Speaker 1: For fodder, yes, And why do other people like it?

671
00:34:05,480 --> 00:34:08,479
Speaker 2: I really do not know why anyone likes that joke,

672
00:34:08,800 --> 00:34:12,160
Speaker 2: but it's constantly singled out as being my masterpiece.

673
00:34:12,520 --> 00:34:15,040
Speaker 3: You're magnum opus.

674
00:34:15,280 --> 00:34:19,600
Speaker 2: Yeah yeah, sure, you're painting.

675
00:34:19,280 --> 00:34:22,400
Speaker 3: With the sunflowers and the stars.

676
00:34:23,080 --> 00:34:27,920
Speaker 2: Yeah, my, my my. Well it did come during my

677
00:34:28,120 --> 00:34:31,319
Speaker 2: blue period. I was trying to think of the guy

678
00:34:31,320 --> 00:34:34,720
Speaker 2: with the guitar playing the guitar painting. I don't remember

679
00:34:34,760 --> 00:34:35,279
Speaker 2: what it's called.

680
00:34:35,480 --> 00:34:38,640
Speaker 1: Well, i'll tell you who played the guitar, and they

681
00:34:38,719 --> 00:34:42,160
Speaker 1: played like three string ones and you know, two string

682
00:34:42,200 --> 00:34:45,120
Speaker 1: ones as he's present in the USA Fellas and the

683
00:34:45,160 --> 00:34:47,720
Speaker 1: Peaches song, just the idea to sing a whole song

684
00:34:47,920 --> 00:34:51,000
Speaker 1: just you know, about just eating the peaches. It's you know,

685
00:34:51,040 --> 00:34:52,800
Speaker 1: it's a little tongue in cheek. You have to admit

686
00:34:52,920 --> 00:34:53,680
Speaker 1: it's farcical.

687
00:34:53,960 --> 00:34:56,359
Speaker 2: Yeah, I get you know what. I guess I wasn't

688
00:34:56,360 --> 00:34:59,880
Speaker 2: looking at them as being silly, so you're right. I'm sorry.

689
00:35:00,000 --> 00:35:01,600
Speaker 2: Remember the bull Eevil song that they did.

690
00:35:02,680 --> 00:35:06,200
Speaker 1: Tell me about it, Well, it's like the Bullyevel is

691
00:35:06,239 --> 00:35:08,480
Speaker 1: this sort of character in it. You know that they're

692
00:35:08,520 --> 00:35:11,240
Speaker 1: singing too and he and that's a bug. It's a

693
00:35:11,280 --> 00:35:16,120
Speaker 1: farm bug. Okay, so talking to the farm bug in

694
00:35:16,160 --> 00:35:19,840
Speaker 1: the song, Sean O'Connor, tell me that's not funny.

695
00:35:19,920 --> 00:35:22,000
Speaker 2: I mean, it's it's kind of funny. I mean, it's

696
00:35:22,000 --> 00:35:25,919
Speaker 2: not Bloodhound Gang funny? But what is? Do you guys?

697
00:35:25,960 --> 00:35:28,160
Speaker 2: Are you familiar with the Bloodhound.

698
00:35:27,520 --> 00:35:29,200
Speaker 1: Gang fun Love in Creminals?

699
00:35:29,400 --> 00:35:29,840
Speaker 2: Yeah?

700
00:35:29,880 --> 00:35:30,080
Speaker 8: Is that?

701
00:35:30,160 --> 00:35:30,239
Speaker 1: What?

702
00:35:30,840 --> 00:35:31,920
Speaker 2: Did they have a song called that?

703
00:35:32,520 --> 00:35:32,680
Speaker 8: No?

704
00:35:32,800 --> 00:35:38,799
Speaker 1: I think that's another band. I get confused with them.

705
00:35:39,440 --> 00:35:51,520
Speaker 8: Yes, points, So tell us another joke, Sean, Oh, I

706
00:35:51,880 --> 00:35:54,080
Speaker 8: have an I have another joke about something that happened

707
00:35:54,080 --> 00:35:54,760
Speaker 8: in high school.

708
00:35:54,840 --> 00:35:56,520
Speaker 2: Okay, yeah, And I like.

709
00:35:56,640 --> 00:35:58,279
Speaker 3: What does it concern thematically?

710
00:35:59,680 --> 00:36:03,400
Speaker 2: I think, just like the lengths teenage boys would go

711
00:36:03,880 --> 00:36:11,400
Speaker 2: to impress a girl and how incorrect their initial thought.

712
00:36:11,400 --> 00:36:15,440
Speaker 1: Was yes, on the journey, we do have to learn

713
00:36:16,200 --> 00:36:19,840
Speaker 1: a little bit about the female mind as we age.

714
00:36:20,160 --> 00:36:22,880
Speaker 1: You seem to draw a lot from your own past

715
00:36:22,960 --> 00:36:23,920
Speaker 1: and experiences.

716
00:36:24,080 --> 00:36:27,600
Speaker 2: Is history or your own history funny? I think so.

717
00:36:27,880 --> 00:36:31,799
Speaker 2: I think that's what makes me me m That's what

718
00:36:31,840 --> 00:36:32,760
Speaker 2: I'm going for.

719
00:36:32,840 --> 00:36:38,800
Speaker 1: Because I'm thinking of Jerry Steinfeld and some other comics

720
00:36:38,840 --> 00:36:40,080
Speaker 1: who I've seen who.

721
00:36:41,520 --> 00:36:47,560
Speaker 2: Do jokes not really about their self, Yeah, observational jokes.

722
00:36:48,000 --> 00:36:48,440
Speaker 1: I don't know.

723
00:36:48,600 --> 00:36:52,359
Speaker 2: Yeah, yeah, sure, yeah, I can't do that. I don't

724
00:36:52,400 --> 00:36:53,880
Speaker 2: know how to do it. I don't know how to

725
00:36:54,400 --> 00:36:55,919
Speaker 2: I don't would you try?

726
00:36:56,719 --> 00:36:56,919
Speaker 1: Well?

727
00:36:57,239 --> 00:37:00,440
Speaker 2: Yeah, I mean, people enjoy it a lot, and he's

728
00:37:00,520 --> 00:37:04,640
Speaker 2: very successful. Oh, Jerry Steinfeld, Jerry Steinfeld is fantastic, Like

729
00:37:05,000 --> 00:37:07,640
Speaker 2: his show is like one of the most important television

730
00:37:07,680 --> 00:37:08,479
Speaker 2: shows of all time.

731
00:37:08,719 --> 00:37:13,799
Speaker 1: Getting cars, coffee and a Mets hat in homage.

732
00:37:14,000 --> 00:37:17,040
Speaker 2: Yeah, because I love Jerry steinfeldt so much. In fact,

733
00:37:17,480 --> 00:37:19,120
Speaker 2: I shouldn't be saying this because I've never said this

734
00:37:19,120 --> 00:37:21,440
Speaker 2: out loud, but I would like to be the most

735
00:37:21,440 --> 00:37:22,560
Speaker 2: famous Mets.

736
00:37:22,239 --> 00:37:25,040
Speaker 3: Fan that's worth aspiring to.

737
00:37:25,360 --> 00:37:27,960
Speaker 2: I know it's gonna be tough. There's Jerry Steinfeld and

738
00:37:29,480 --> 00:37:35,759
Speaker 2: Kay James, but James Dandelfini's dead. He died, which not

739
00:37:35,920 --> 00:37:36,640
Speaker 2: too sad about.

740
00:37:36,800 --> 00:37:39,480
Speaker 1: Yeah, it makes you numbers famous living.

741
00:37:39,480 --> 00:37:43,160
Speaker 2: Yeah, most famous living because if we include dead people.

742
00:37:42,880 --> 00:37:45,440
Speaker 3: Well what about all the Mets. They love the team, They.

743
00:37:45,360 --> 00:37:48,520
Speaker 2: Too love the team, but you know, have you been

744
00:37:48,560 --> 00:37:51,320
Speaker 2: watching them? They are not famous at all. They're the

745
00:37:51,400 --> 00:37:53,560
Speaker 2: least famous baseball players I've ever seen.

746
00:37:53,840 --> 00:37:56,040
Speaker 1: The one picture they have made me think of ice

747
00:37:56,080 --> 00:37:56,839
Speaker 1: cream cones with.

748
00:37:56,800 --> 00:38:02,239
Speaker 2: His name, Oh David Cone. Speak on that, speak on

749
00:38:02,320 --> 00:38:04,600
Speaker 2: speak on that. Oh well, yeah, David Cone used to

750
00:38:04,600 --> 00:38:08,440
Speaker 2: play for the Mets. He he was involved in a

751
00:38:08,480 --> 00:38:12,320
Speaker 2: famous sexual harassment lawsuit. He pulled his penis out and

752
00:38:12,480 --> 00:38:15,319
Speaker 2: the bullpen and showed it and waved it to a

753
00:38:15,320 --> 00:38:16,399
Speaker 2: bunch of female fans.

754
00:38:16,400 --> 00:38:18,480
Speaker 3: And that's the funny ways we go to the lengths

755
00:38:18,520 --> 00:38:18,759
Speaker 3: we go.

756
00:38:19,280 --> 00:38:21,320
Speaker 1: Yes, it's just like the high school stories.

757
00:38:21,400 --> 00:38:25,120
Speaker 2: Yeah, saying, I mean I feel like I am David Cone,

758
00:38:25,920 --> 00:38:27,640
Speaker 2: but I look at him as more of a Yankee.

759
00:38:28,280 --> 00:38:28,560
Speaker 3: Is that?

760
00:38:28,760 --> 00:38:28,960
Speaker 6: Yeah?

761
00:38:29,080 --> 00:38:30,440
Speaker 1: Is that a Hollywood movie.

762
00:38:31,719 --> 00:38:32,400
Speaker 2: The Yankees?

763
00:38:32,640 --> 00:38:35,160
Speaker 1: Just you being David Kuhle or yeah.

764
00:38:35,280 --> 00:38:38,040
Speaker 2: I think it could be like just like a really

765
00:38:38,080 --> 00:38:41,359
Speaker 2: fun David Cone bio pic. Yeah, take notes, Scoop, you've

766
00:38:41,400 --> 00:38:44,600
Speaker 2: got the hat. I had the hat, Scoop, trip, take.

767
00:38:44,560 --> 00:38:47,200
Speaker 1: Note, because sometimes you're having a fun conversation and you

768
00:38:47,239 --> 00:38:49,239
Speaker 1: need to stop and say, isn't this a movie what

769
00:38:49,280 --> 00:38:51,440
Speaker 1: we're talking about? And it is?

770
00:38:51,719 --> 00:38:52,120
Speaker 3: It is.

771
00:38:52,520 --> 00:38:55,719
Speaker 2: It's so rarely is but right now what we're talking about.

772
00:38:55,719 --> 00:39:02,040
Speaker 3: Is Cone, right, just Cone? Just call it Cone or

773
00:39:02,120 --> 00:39:02,720
Speaker 3: cone heads.

774
00:39:03,000 --> 00:39:05,879
Speaker 2: I like cone Heads. That's fun because then you could

775
00:39:05,920 --> 00:39:09,719
Speaker 2: have like a Detroit rock City story. Yes, Now, three

776
00:39:09,800 --> 00:39:12,600
Speaker 2: guys who really want to see David Cone pitch.

777
00:39:12,840 --> 00:39:16,560
Speaker 1: And one of them touches glove and get his powers away.

778
00:39:16,640 --> 00:39:22,080
Speaker 2: He gets his powers. I love that. Keep going, keep going,

779
00:39:22,360 --> 00:39:24,480
Speaker 2: and you know, he just like really blows through high

780
00:39:24,560 --> 00:39:28,440
Speaker 2: school college. This is years of his life. Yeah, with

781
00:39:28,560 --> 00:39:30,799
Speaker 2: David Code's abilities, which were pretty good.

782
00:39:30,920 --> 00:39:32,120
Speaker 3: Do you pitch for a long time?

783
00:39:32,360 --> 00:39:36,000
Speaker 2: He pitched for a long time. It's the longevity, so

784
00:39:36,239 --> 00:39:37,960
Speaker 2: like is not when you're out there, you're trying to

785
00:39:37,960 --> 00:39:42,400
Speaker 2: get your powers back. I need them back. I'm selling shoes. Yeah,

786
00:39:42,480 --> 00:39:44,719
Speaker 2: looking for this guy hoping one day he needs to

787
00:39:44,719 --> 00:39:46,319
Speaker 2: buy new cleats. Mm hmm.

788
00:39:46,600 --> 00:39:49,680
Speaker 3: And anytime in your life when you have to throw something,

789
00:39:49,719 --> 00:39:50,440
Speaker 3: you can't do it.

790
00:39:50,800 --> 00:39:51,400
Speaker 2: I can't.

791
00:39:52,040 --> 00:39:54,040
Speaker 3: It's basically leave your hand.

792
00:39:54,400 --> 00:39:56,840
Speaker 2: It's the It's basically the opposite of Rookie of the

793
00:39:56,920 --> 00:40:01,560
Speaker 2: Year starring me as David Cone. M hmmm, who's buying

794
00:40:01,960 --> 00:40:05,520
Speaker 2: David Cone type? I'm a David Coten. That's my second album.

795
00:40:05,560 --> 00:40:09,359
Speaker 1: M hmm mmm. Yes, that's a nice theme you can

796
00:40:09,400 --> 00:40:13,560
Speaker 1: do and good for you. The confidence that's my second album.

797
00:40:13,760 --> 00:40:18,400
Speaker 2: Yeah, it might happen. I might not quit comedy.

798
00:40:19,600 --> 00:40:22,040
Speaker 1: I love seeing I like that that you.

799
00:40:22,040 --> 00:40:25,200
Speaker 3: Might not quit comedy. Yeah, Sean, look at you. You're

800
00:40:25,400 --> 00:40:27,399
Speaker 3: very inspired by you.

801
00:40:27,080 --> 00:40:28,759
Speaker 1: Oh, can you call him something else?

802
00:40:29,560 --> 00:40:29,759
Speaker 3: Yeah?

803
00:40:29,840 --> 00:40:30,880
Speaker 1: I agree, it is very.

804
00:40:31,080 --> 00:40:37,279
Speaker 2: It's really it's really please call me David. Oh, yeah,

805
00:40:37,520 --> 00:40:39,960
Speaker 2: just call him David and then you can still be Sean.

806
00:40:40,000 --> 00:40:40,839
Speaker 3: What do you think of that?

807
00:40:40,920 --> 00:40:43,600
Speaker 2: You're Sean and I'm David Cone Or But then.

808
00:40:43,440 --> 00:40:45,560
Speaker 1: Do you want a new name since we're getting new names?

809
00:40:45,760 --> 00:40:48,200
Speaker 1: I wouldn't mind being engineer Cody.

810
00:40:49,000 --> 00:40:52,440
Speaker 2: I could go with that. But who was gonna be engineer?

811
00:40:52,640 --> 00:40:52,759
Speaker 1: Like?

812
00:40:52,840 --> 00:40:57,080
Speaker 2: What's engineer Cody's name? Gonna be m Sean?

813
00:41:00,200 --> 00:41:01,759
Speaker 1: That doesn't quite suit him, does it?

814
00:41:02,239 --> 00:41:02,479
Speaker 3: No?

815
00:41:03,360 --> 00:41:03,600
Speaker 4: Hmm?

816
00:41:04,160 --> 00:41:07,759
Speaker 3: How about I'll take Sean HM and engineer Cody can

817
00:41:07,800 --> 00:41:14,160
Speaker 3: be shipbird or I like that shipbird is good? Shipbird?

818
00:41:14,480 --> 00:41:17,600
Speaker 1: Ship bird? Name bird to?

819
00:41:17,640 --> 00:41:22,680
Speaker 3: Who your name to? Who you don't like birds?

820
00:41:23,800 --> 00:41:24,960
Speaker 1: Guy doesn't like birds?

821
00:41:25,040 --> 00:41:27,960
Speaker 2: Do you believe this, Engineer Cody? This guy doesn't like birds?

822
00:41:28,040 --> 00:41:31,320
Speaker 1: I can't believe it. Thank you, and and and Sean.

823
00:41:31,400 --> 00:41:33,360
Speaker 1: Tell him about the bird that you own, because this

824
00:41:33,440 --> 00:41:35,880
Speaker 1: is an important story that he had a very majestic

825
00:41:35,920 --> 00:41:37,719
Speaker 1: bird that was very important to his family, and you're

826
00:41:37,719 --> 00:41:40,080
Speaker 1: insulting him. Yes, I keep tropical birds.

827
00:41:40,920 --> 00:41:41,240
Speaker 2: Uh.

828
00:41:41,280 --> 00:41:44,399
Speaker 3: And I say keep because I don't own them. I

829
00:41:45,200 --> 00:41:48,200
Speaker 3: because you can't own something, can't own the personality and

830
00:41:48,239 --> 00:41:49,160
Speaker 3: the life of its own.

831
00:41:49,280 --> 00:41:49,920
Speaker 1: That's slavery.

832
00:41:50,400 --> 00:41:56,520
Speaker 3: H This bird his name is Bryce Dallis Howard and

833
00:41:56,800 --> 00:42:00,720
Speaker 3: I taught it to speak, you know, and to answer

834
00:42:01,040 --> 00:42:02,399
Speaker 3: calls and things like that.

835
00:42:02,560 --> 00:42:06,000
Speaker 1: It's a smart bird. Did a great deal more than

836
00:42:06,040 --> 00:42:10,719
Speaker 1: you ship bird, David Cone. Have you had any experience

837
00:42:10,760 --> 00:42:12,320
Speaker 1: with any sort of majestic birds.

838
00:42:12,560 --> 00:42:15,759
Speaker 2: I've never had any experiences with majestic birds, but I mean, like,

839
00:42:15,840 --> 00:42:19,520
Speaker 2: I like birds. My favorite bird is a parrot.

840
00:42:19,360 --> 00:42:22,600
Speaker 3: That seems like a healthy added that's a whole. There's

841
00:42:22,600 --> 00:42:24,520
Speaker 3: a at least reasonable.

842
00:42:24,560 --> 00:42:28,120
Speaker 1: Yeah, it is not a single bird, you know. Wait

843
00:42:28,160 --> 00:42:31,000
Speaker 1: what it's like a type of here's a type of bird. Yeah,

844
00:42:31,080 --> 00:42:35,000
Speaker 1: it's a type bird. Which parrot? Yes, which one?

845
00:42:35,160 --> 00:42:37,640
Speaker 2: Very specifically Coco be Ware's parrot.

846
00:42:37,960 --> 00:42:41,319
Speaker 3: Okay, yes, now we're getting someone speak on speak on that.

847
00:42:41,400 --> 00:42:43,799
Speaker 2: Well. Coco be Ware was a famous professional wrestler in

848
00:42:43,800 --> 00:42:45,920
Speaker 2: the late eighties, and he had a parrot, and you

849
00:42:46,040 --> 00:42:48,320
Speaker 2: liked him. I love that parrot. It was one of

850
00:42:48,360 --> 00:42:54,520
Speaker 2: my favorite parrots ever. Number two is of course, uh Polly.

851
00:42:55,080 --> 00:42:59,919
Speaker 3: M yes, love yes, boy it does that motherfucker watch crack?

852
00:43:00,520 --> 00:43:02,200
Speaker 2: Yeah, but rest in peace?

853
00:43:03,600 --> 00:43:07,399
Speaker 1: Mm yeah yeah. Jane Moore did.

854
00:43:07,360 --> 00:43:10,479
Speaker 2: Jane Moore die? Is he dead?

855
00:43:10,520 --> 00:43:10,840
Speaker 8: Now?

856
00:43:13,280 --> 00:43:15,560
Speaker 3: We can't oh break the news?

857
00:43:15,960 --> 00:43:16,480
Speaker 2: Breaking?

858
00:43:16,680 --> 00:43:19,240
Speaker 1: No, no, no, no, because there's still a lot of episodes

859
00:43:19,239 --> 00:43:21,960
Speaker 1: of his syndicated radio show that they need to air out,

860
00:43:22,360 --> 00:43:23,799
Speaker 1: they need to run out, and they don't want people

861
00:43:23,840 --> 00:43:25,120
Speaker 1: thinking about that, and they don't.

862
00:43:25,120 --> 00:43:28,160
Speaker 3: People don't want to know how it ends. Happens.

863
00:43:28,840 --> 00:43:35,760
Speaker 2: It happens on Arrow. Okay, him and Bobcat gold with Wait.

864
00:43:37,360 --> 00:43:40,200
Speaker 1: That's a hard word to say, isn't it. Ship Bird

865
00:43:44,040 --> 00:43:45,040
Speaker 1: Bobcat gold Wait.

866
00:43:45,320 --> 00:43:46,480
Speaker 2: Oh that was really good.

867
00:43:46,880 --> 00:43:49,719
Speaker 1: Oh, bravo, you learned a word. You're more like a

868
00:43:49,760 --> 00:43:54,880
Speaker 1: parrot that I thought. Yeah, what a smart bird. Jesus Christ.

869
00:43:55,920 --> 00:43:57,560
Speaker 1: If you think you're getting points for that, you got

870
00:43:57,560 --> 00:43:58,440
Speaker 1: another thing coming.

871
00:44:00,680 --> 00:44:02,759
Speaker 3: Sean. Do we have any popcorn gallery cars? We don't

872
00:44:02,800 --> 00:44:05,080
Speaker 3: have any Pope questions, but we do have a new

873
00:44:05,160 --> 00:44:06,520
Speaker 3: song that I can play.

874
00:44:06,680 --> 00:44:07,719
Speaker 1: Okay, I haven't heard this.

875
00:44:07,719 --> 00:44:09,560
Speaker 3: Ship Birds give me the cable?

876
00:44:11,080 --> 00:44:12,600
Speaker 1: They were were they just not good?

877
00:44:13,719 --> 00:44:14,120
Speaker 3: There were?

878
00:44:14,560 --> 00:44:14,759
Speaker 1: Yeah?

879
00:44:14,920 --> 00:44:17,239
Speaker 3: Okay, great, let's play the new song.

880
00:44:17,680 --> 00:44:20,480
Speaker 2: Yeah, let's get into your forum questions.

881
00:44:21,239 --> 00:44:24,000
Speaker 3: This is a new and you can uh. This is

882
00:44:24,040 --> 00:44:29,080
Speaker 3: an introduction to a segment and the song explains sort

883
00:44:29,120 --> 00:44:34,600
Speaker 3: of what the segment is. Okay, perfect popcorn Earwolf on them, yum,

884
00:44:34,600 --> 00:44:36,359
Speaker 3: popcorn Earwolf on.

885
00:44:36,360 --> 00:44:39,520
Speaker 2: Them to peanut walking to a bob.

886
00:44:41,080 --> 00:44:44,279
Speaker 1: Get popcorn? What up?

887
00:44:44,320 --> 00:44:44,719
Speaker 3: What up?

888
00:44:45,239 --> 00:44:46,200
Speaker 2: Popcorn? Stream?

889
00:44:46,480 --> 00:44:51,840
Speaker 7: Popcorn road, exactly a popcorn Now.

890
00:44:56,160 --> 00:44:59,400
Speaker 2: Got pop comb gallery, reached.

891
00:44:59,200 --> 00:45:05,480
Speaker 1: Down, gravel, gripper, stamp, peel around, grab out grape popcorn.

892
00:45:05,840 --> 00:45:10,719
Speaker 3: Hopefully everyone's looks sappy and healthy out there, because it's.

893
00:45:10,560 --> 00:45:12,280
Speaker 2: The United States of whatever.

894
00:45:15,320 --> 00:45:18,560
Speaker 3: So that should you know? Explain You've got a pretty.

895
00:45:18,320 --> 00:45:21,040
Speaker 1: Good sense, and I think that's probably the clearest explanation

896
00:45:21,040 --> 00:45:22,120
Speaker 1: we've been able to provide.

897
00:45:22,880 --> 00:45:25,800
Speaker 3: Let's reach into the pop Do we have any questions?

898
00:45:25,880 --> 00:45:28,279
Speaker 1: Yes, I have a good one right here, but do

899
00:45:28,320 --> 00:45:31,240
Speaker 1: you want to read it? Well, get out of that tradition.

900
00:45:30,960 --> 00:45:32,520
Speaker 3: Get it out of the bag and okay and I'll

901
00:45:32,560 --> 00:45:32,960
Speaker 3: read it.

902
00:45:41,920 --> 00:45:45,279
Speaker 1: Oh, it's the new CD James Dean type. What a

903
00:45:45,320 --> 00:45:48,080
Speaker 1: great prize to find at the bottom of my popcorn bag.

904
00:45:48,360 --> 00:45:50,919
Speaker 1: Most people have to purchase it and it's worth it,

905
00:45:51,080 --> 00:45:53,040
Speaker 1: But I found mine in a popcorn bag.

906
00:45:54,200 --> 00:45:57,520
Speaker 3: Here's a question for Michael Bay of Pigs. Hello, Sean O'Connor,

907
00:45:57,600 --> 00:46:01,160
Speaker 3: If you're Sarah O'Connor's dad from termin couldn't Skynet just

908
00:46:01,200 --> 00:46:03,280
Speaker 3: go back in time and kill you before you banged

909
00:46:03,280 --> 00:46:05,759
Speaker 3: her mom? Or would that be a paradox? Could you

910
00:46:05,840 --> 00:46:10,080
Speaker 3: explain what a paradox is? Oh wow, that's a very

911
00:46:10,080 --> 00:46:15,000
Speaker 3: good question. Uh well, I've never seen the terminator mm hmm.

912
00:46:15,880 --> 00:46:18,600
Speaker 2: And too close to home. It's too close to home.

913
00:46:19,400 --> 00:46:23,640
Speaker 2: But I believe a paradox, and I could be completely wrong.

914
00:46:24,560 --> 00:46:26,320
Speaker 1: Is it's a box full of parrots?

915
00:46:28,080 --> 00:46:28,640
Speaker 2: Am I wrong?

916
00:46:28,840 --> 00:46:30,239
Speaker 1: Well we'd have to ask Shipbird.

917
00:46:30,840 --> 00:46:35,080
Speaker 2: Am I wrong? Am I wrong?

918
00:46:36,480 --> 00:46:41,160
Speaker 3: Yeah? What is it? Then? If you're such a smart bird,

919
00:46:44,080 --> 00:46:44,480
Speaker 3: you mad.

920
00:46:44,480 --> 00:46:45,160
Speaker 1: To like look it up?

921
00:46:45,560 --> 00:46:48,479
Speaker 3: No, I want you to if you knew it was wrong,

922
00:46:48,560 --> 00:46:50,360
Speaker 3: and you must know what the right thing is.

923
00:46:50,480 --> 00:46:52,279
Speaker 2: Shippard didn't even know what it was.

924
00:46:53,680 --> 00:46:56,799
Speaker 1: Shipbard apologized to David Kohn for smart enough like this,

925
00:46:58,800 --> 00:46:59,440
Speaker 1: that's absurd.

926
00:47:00,840 --> 00:47:01,920
Speaker 2: I am waiting.

927
00:47:02,000 --> 00:47:08,520
Speaker 1: No, it's a bird. It's as bird. Now, there are

928
00:47:08,560 --> 00:47:10,480
Speaker 1: not a couple more questions on here. I don't think

929
00:47:10,480 --> 00:47:11,319
Speaker 1: they're all that good.

930
00:47:13,560 --> 00:47:15,359
Speaker 3: Short notice, short note.

931
00:47:15,440 --> 00:47:15,879
Speaker 2: It's true.

932
00:47:15,920 --> 00:47:17,439
Speaker 1: It's true. They didn't have a lot of time.

933
00:47:17,520 --> 00:47:19,760
Speaker 3: I mean, let's do want and sort of pick it apart,

934
00:47:19,800 --> 00:47:22,680
Speaker 3: and your cody, let me let me when you reach

935
00:47:22,680 --> 00:47:29,080
Speaker 3: into the popcorn back all right, ship Bird? Please, that

936
00:47:29,200 --> 00:47:32,520
Speaker 3: was actually a very good sound effect. I'm sorry, I'm sorry.

937
00:47:33,040 --> 00:47:34,759
Speaker 3: We could just hold half one second. I think we

938
00:47:34,840 --> 00:47:37,640
Speaker 3: might have discovered something here. Can you do that that

939
00:47:37,800 --> 00:47:43,839
Speaker 3: the popcorn sound effect again that you just did. It's

940
00:47:43,880 --> 00:47:59,320
Speaker 3: really quite sound thing. It really sounds just like popcorn. Okay,

941
00:47:59,360 --> 00:48:00,000
Speaker 3: we got it.

942
00:48:05,480 --> 00:48:11,040
Speaker 1: You buttery movie treat uh?

943
00:48:11,760 --> 00:48:18,640
Speaker 3: Question from doctor doctorpus Sean O'Connor used to be a

944
00:48:18,680 --> 00:48:21,200
Speaker 3: writer for The Ben Show with Ben Hoffman. Did you

945
00:48:21,239 --> 00:48:23,400
Speaker 3: ever see him take off his baseball cap around the

946
00:48:23,440 --> 00:48:26,759
Speaker 3: office locker room? Please describe the birthmark underneath if you

947
00:48:26,800 --> 00:48:31,200
Speaker 3: saw it. My thing with that question is love Ben Hoffman,

948
00:48:31,480 --> 00:48:34,920
Speaker 3: love him to death. I don't know if our audience

949
00:48:35,760 --> 00:48:41,640
Speaker 3: is the right market for jokes about Ben Hoffman. Yeah,

950
00:48:41,680 --> 00:48:43,200
Speaker 3: you know, you have to know you have to have

951
00:48:43,200 --> 00:48:45,320
Speaker 3: a pretty deep knowledge of Ben Hoffman.

952
00:48:45,840 --> 00:48:48,399
Speaker 2: Yeah, you have to know who Ben Hoffman is. Yeah,

953
00:48:48,480 --> 00:48:51,760
Speaker 2: you have to know what we're saying. Always wears a hat.

954
00:48:53,280 --> 00:48:56,640
Speaker 2: You have to have seen him without his hat, which

955
00:48:56,680 --> 00:48:59,839
Speaker 2: I haven't. I've known him for two years. Sure, and

956
00:48:59,880 --> 00:49:03,480
Speaker 2: you have to know he has a birthmark. I don't

957
00:49:03,520 --> 00:49:06,360
Speaker 2: want to answer that. I don't know any of those things.

958
00:49:06,480 --> 00:49:08,640
Speaker 2: I don't even knows.

959
00:49:09,040 --> 00:49:13,080
Speaker 3: No reasonable person, reasonable person should expect you to answer

960
00:49:13,080 --> 00:49:13,719
Speaker 3: a question.

961
00:49:13,719 --> 00:49:15,040
Speaker 2: He never takes his hat off.

962
00:49:15,920 --> 00:49:19,640
Speaker 1: Okay, maybe, but you know, I don't know that, and

963
00:49:19,760 --> 00:49:22,160
Speaker 1: so how can I expect my audience to know that?

964
00:49:22,280 --> 00:49:24,799
Speaker 1: And what and how did this guy? What's he even

965
00:49:24,880 --> 00:49:29,239
Speaker 1: talking about? Octor Doctopus doesn't even know how to say

966
00:49:29,239 --> 00:49:30,200
Speaker 1: his own name, right.

967
00:49:31,239 --> 00:49:33,400
Speaker 2: I don't know. These people seem like nerds.

968
00:49:33,640 --> 00:49:36,879
Speaker 1: And Chanson asks who your celebrity man crush is? Don't

969
00:49:36,920 --> 00:49:38,600
Speaker 1: even get me started online. I'm not going to get

970
00:49:38,840 --> 00:49:41,240
Speaker 1: into that question, Shanson.

971
00:49:41,640 --> 00:49:45,040
Speaker 2: Wait, really, who is your celebrity man crush?

972
00:49:45,120 --> 00:49:46,520
Speaker 1: Well, he asked who yours was?

973
00:49:46,600 --> 00:49:51,440
Speaker 2: Oh, I mean that's very obvious. James Gandalphoenix, it's the

974
00:49:51,640 --> 00:49:57,160
Speaker 2: It's yes, it's Gandalf. Maybe you know they like that

975
00:49:57,160 --> 00:49:58,360
Speaker 2: wizard in the Ring movie.

976
00:49:58,400 --> 00:50:03,480
Speaker 3: After him, he's like small good mm hmm. David Cone,

977
00:50:04,239 --> 00:50:05,080
Speaker 3: thank you so much.

978
00:50:05,719 --> 00:50:07,720
Speaker 1: Oh it's great, we're coming on the show.

979
00:50:07,800 --> 00:50:09,640
Speaker 3: I have fun. I hope you guys have fun. We're

980
00:50:09,680 --> 00:50:11,759
Speaker 3: pulling for you. We're pulling for you.

981
00:50:12,320 --> 00:50:12,799
Speaker 2: Thank you.

982
00:50:13,360 --> 00:50:17,640
Speaker 3: Bye. James Dean type on iTunes. Figure out what it

983
00:50:17,680 --> 00:50:20,200
Speaker 3: is that he types an email?

984
00:50:21,719 --> 00:50:24,560
Speaker 1: An email or a tweet, a whole big book, a

985
00:50:24,600 --> 00:50:27,880
Speaker 1: funny tweet like an olden Times because he's sort of

986
00:50:27,920 --> 00:50:28,480
Speaker 1: an older.

987
00:50:28,719 --> 00:50:32,440
Speaker 2: You know, dog, I've never even listened to it, but

988
00:50:32,560 --> 00:50:35,400
Speaker 2: by it it goes straight to my bad you see it.

989
00:50:35,440 --> 00:50:35,920
Speaker 3: I can't.

990
00:50:36,000 --> 00:50:37,200
Speaker 1: I can't watch myself.

991
00:50:37,320 --> 00:50:38,440
Speaker 2: I don't like my voice.

992
00:50:38,640 --> 00:50:40,680
Speaker 3: It's so hard because you hear it, and you're like,

993
00:50:40,680 --> 00:50:41,879
Speaker 3: why does everyone like this?

994
00:50:42,280 --> 00:50:47,239
Speaker 2: I like, believe it or not engineer Cody's voice. In fact,

995
00:50:47,640 --> 00:50:50,920
Speaker 2: as you've been talking, I'm like, I love that voice.

996
00:50:51,560 --> 00:50:53,799
Speaker 1: Oh, that's the nicest thing anyone's ever said.

997
00:50:53,960 --> 00:50:55,680
Speaker 3: What do you love about it? I don't know.

998
00:50:55,719 --> 00:50:59,040
Speaker 2: I just like the tone. Everything he says sounds so sincere.

999
00:50:59,200 --> 00:51:01,840
Speaker 1: Oh is it buttery? I mean, I mean, I don't know,

1000
00:51:02,080 --> 00:51:04,400
Speaker 1: and I can't listen to myself, but everybody has this

1001
00:51:05,080 --> 00:51:09,680
Speaker 1: silky Okay, well that's very nice, and you know, if

1002
00:51:09,680 --> 00:51:11,920
Speaker 1: you agree, just go ahead write it on iTunes or

1003
00:51:12,360 --> 00:51:14,279
Speaker 1: put it on our Facebook page. If you think my

1004
00:51:14,360 --> 00:51:15,600
Speaker 1: voice is buttery with me, it.

1005
00:51:15,640 --> 00:51:17,080
Speaker 3: Must be more about looks.

1006
00:51:17,400 --> 00:51:23,239
Speaker 2: Yeah, well, Sean, you're handsome, you're striking like I adore you.

1007
00:51:23,239 --> 00:51:26,160
Speaker 2: You are now my new celebrity man crush because James

1008
00:51:26,160 --> 00:51:30,640
Speaker 2: Gandolfini rest in peace. Yes, Jmore, rest in peace.

1009
00:51:30,719 --> 00:51:32,799
Speaker 1: Well, David cone Wee like your voice. We think it's

1010
00:51:32,840 --> 00:51:35,919
Speaker 1: part of what makes you funny? And you're a funny man,

1011
00:51:36,040 --> 00:51:38,720
Speaker 1: and thanks for coming on the show. And we're gonna

1012
00:51:38,760 --> 00:51:42,480
Speaker 1: be you know, on the forums, reading and lurking and

1013
00:51:42,520 --> 00:51:45,080
Speaker 1: commenting back at you. And you can talk to us there,

1014
00:51:45,200 --> 00:51:47,680
Speaker 1: and you can get on Facebook and iTunes and nowhere

1015
00:51:47,719 --> 00:51:49,400
Speaker 1: else can they talk to us? Hey, is did anyone

1016
00:51:49,440 --> 00:51:50,200
Speaker 1: by the pro version?

1017
00:51:50,719 --> 00:51:52,080
Speaker 3: I don't know if anyone did.

1018
00:51:52,480 --> 00:51:55,799
Speaker 1: Okay, well let me think. I feel like somebody must

1019
00:51:55,840 --> 00:51:56,680
Speaker 1: have bought it, right.

1020
00:51:57,880 --> 00:51:59,960
Speaker 2: Uh, what's the pro version?

1021
00:52:00,880 --> 00:52:04,480
Speaker 1: Well, there's a pro version available. It's like sort of

1022
00:52:04,480 --> 00:52:07,640
Speaker 1: a premium version of the show podcast with more tips

1023
00:52:07,680 --> 00:52:11,560
Speaker 1: and like special yeah, special prize.

1024
00:52:11,280 --> 00:52:14,200
Speaker 3: The newsletter. You get the newsletter and.

1025
00:52:15,960 --> 00:52:18,479
Speaker 1: Hayes sends you when he finishes a pack of gum,

1026
00:52:18,600 --> 00:52:20,680
Speaker 1: he sends you a couple of the rappers and he

1027
00:52:20,800 --> 00:52:23,480
Speaker 1: sort of origamied them into something wild.

1028
00:52:23,800 --> 00:52:25,840
Speaker 3: Usually a reference to the show, like sort of an

1029
00:52:25,880 --> 00:52:26,239
Speaker 3: in joke.

1030
00:52:26,600 --> 00:52:29,839
Speaker 1: Yes, and inside jokes. So it's like if you didn't, yes,

1031
00:52:29,920 --> 00:52:32,080
Speaker 1: they like it, or if they're posers, they don't get

1032
00:52:32,120 --> 00:52:33,680
Speaker 1: anything out of it. Did Game of Scones?

1033
00:52:33,719 --> 00:52:36,600
Speaker 3: I was about to ask question, did Game of Scones

1034
00:52:36,600 --> 00:52:40,160
Speaker 3: ever buy the pro version? I guess not.

1035
00:52:40,840 --> 00:52:43,600
Speaker 1: What did he get a Game of Scones? Brought the

1036
00:52:43,640 --> 00:52:47,640
Speaker 1: pro version and so what he's gonna get is from

1037
00:52:47,880 --> 00:52:51,400
Speaker 1: Sean O'Connor is a description of one more joke.

1038
00:52:52,440 --> 00:52:53,799
Speaker 2: I will even send him a CD.

1039
00:52:55,560 --> 00:52:58,640
Speaker 1: Okay, yeah, I mean that's kind of better than we've

1040
00:52:58,680 --> 00:53:02,319
Speaker 1: given anybody else. Game of Scones is kind of a

1041
00:53:02,320 --> 00:53:04,480
Speaker 1: deep cut. I feel like, uh.

1042
00:53:04,880 --> 00:53:07,480
Speaker 2: But okay, yeah, well let's send it.

1043
00:53:07,800 --> 00:53:08,400
Speaker 1: Let's do it.

1044
00:53:08,680 --> 00:53:11,120
Speaker 2: Game of Scones. Get on Facebook.

1045
00:53:11,160 --> 00:53:13,080
Speaker 1: I guess messages how to get a CD to you?

1046
00:53:13,400 --> 00:53:14,160
Speaker 2: Or hayes?

1047
00:53:14,200 --> 00:53:15,040
Speaker 1: Am I doing this right?

1048
00:53:15,200 --> 00:53:15,799
Speaker 3: What?

1049
00:53:15,920 --> 00:53:17,880
Speaker 1: I'm sorry? Sean? Am I doing this?

1050
00:53:20,400 --> 00:53:20,760
Speaker 2: Sorry?

1051
00:53:20,840 --> 00:53:22,399
Speaker 3: I do want to hear one more Joe?

1052
00:53:22,560 --> 00:53:26,080
Speaker 2: Oh okay, well you know, have you ever been to

1053
00:53:26,120 --> 00:53:26,839
Speaker 2: a haunted house?

1054
00:53:27,120 --> 00:53:27,359
Speaker 3: Yes?

1055
00:53:27,440 --> 00:53:28,400
Speaker 2: Points bye.

1056
00:53:35,200 --> 00:53:38,160
Speaker 1: This has been an Earwolf Media production executive producers Jeff

1057
00:53:38,200 --> 00:53:41,160
Speaker 1: Ulrick and Scott Ackerman. For more information, visit Earwolf dot.

1058
00:53:41,000 --> 00:53:56,680
Speaker 3: Com, ear Wolf Radio, Boom dot com, The Wolf Dead