1 00:00:04,080 --> 00:00:07,480 Speaker 1: Welcome to Aaron Menkey's Cabinet of Curiosities, a production of 2 00:00:07,480 --> 00:00:13,840 Speaker 1: I Heart Radio and Grim and Mild. Our world is 3 00:00:13,960 --> 00:00:17,960 Speaker 1: full of the unexplainable, and if history is an open book, 4 00:00:18,280 --> 00:00:21,640 Speaker 1: all of these amazing tales are right there on display, 5 00:00:22,000 --> 00:00:27,600 Speaker 1: just waiting for us to explore. Welcome to the Cabinet 6 00:00:27,840 --> 00:00:39,280 Speaker 1: of Curiosities. So few of us ever get a second chance, 7 00:00:39,640 --> 00:00:42,320 Speaker 1: whether it's with our careers, are loved ones, or with 8 00:00:42,440 --> 00:00:45,280 Speaker 1: life itself. We get one shot to make the most 9 00:00:45,320 --> 00:00:48,240 Speaker 1: of what we're given, and then one day it's game over. 10 00:00:49,040 --> 00:00:51,760 Speaker 1: But life is not a game. Sure, there are winners 11 00:00:51,800 --> 00:00:54,160 Speaker 1: and losers, but the stakes are far higher than we 12 00:00:54,280 --> 00:00:58,840 Speaker 1: might realize. Just ask us At Bernstein. Bernstein was born 13 00:00:58,840 --> 00:01:01,480 Speaker 1: in the Ukraine in a teen eighty two, back when 14 00:01:01,520 --> 00:01:04,520 Speaker 1: his hometown was part of the Russian Empire. In nineteen 15 00:01:04,520 --> 00:01:07,440 Speaker 1: o six, he received his doctorate in law from Heidelberg 16 00:01:07,520 --> 00:01:11,240 Speaker 1: University and became a practicing financial lawyer. Shortly after that, 17 00:01:12,480 --> 00:01:15,800 Speaker 1: Bernstein saw great success in his legal career, earning a 18 00:01:15,840 --> 00:01:19,400 Speaker 1: comfortable living for himself and his family. Unfortunately, as he 19 00:01:19,440 --> 00:01:22,480 Speaker 1: would come to learn several times in his life, considerable 20 00:01:22,520 --> 00:01:25,800 Speaker 1: gains were often followed by immense losses, but it wasn't 21 00:01:25,840 --> 00:01:28,559 Speaker 1: his fault. He wasn't a gambler and he didn't play 22 00:01:28,560 --> 00:01:32,920 Speaker 1: the stock markets, although he did enjoy the occasional game chess. 23 00:01:33,040 --> 00:01:35,760 Speaker 1: To be specific, he picked it up in law school 24 00:01:35,920 --> 00:01:37,959 Speaker 1: and found that he had a talent for it. One 25 00:01:38,040 --> 00:01:41,080 Speaker 1: year after he started playing, he was entering competitions all 26 00:01:41,160 --> 00:01:44,160 Speaker 1: over Europe. In June of nineteen o two, his win 27 00:01:44,319 --> 00:01:47,039 Speaker 1: at the General Chess Federation of Berlin earned him a 28 00:01:47,160 --> 00:01:50,960 Speaker 1: master title, kicking off a spree of tournaments with varying results. 29 00:01:51,560 --> 00:01:54,680 Speaker 1: Sometimes he placed first or second, other times he tied 30 00:01:54,720 --> 00:01:57,200 Speaker 1: for third or fourth. Yet the more he played, the 31 00:01:57,240 --> 00:02:00,400 Speaker 1: more of a reputation he built for himself, and he 32 00:02:00,480 --> 00:02:04,560 Speaker 1: was also outspoken against certain players, such as Jose Capablanca, 33 00:02:04,680 --> 00:02:07,400 Speaker 1: who beat him several times over the years. But there 34 00:02:07,440 --> 00:02:10,640 Speaker 1: was something fascinating about this up and coming wonder kid. 35 00:02:11,040 --> 00:02:14,280 Speaker 1: Chess champions and enthusiasts alike spook highly of him, and 36 00:02:14,400 --> 00:02:18,120 Speaker 1: his name often appeared on high profile lists, although not 37 00:02:18,240 --> 00:02:22,280 Speaker 1: always in a good way. The Bolshevik Revolution of nineteen 38 00:02:22,320 --> 00:02:25,480 Speaker 1: seventeen brought a lot of turmoil to Russia, with Lennon's 39 00:02:25,520 --> 00:02:28,680 Speaker 1: Red Army overthrowing the government in setting up its own 40 00:02:29,280 --> 00:02:32,920 Speaker 1: Capitalists and their enablers were rounded up for contributing to 41 00:02:32,960 --> 00:02:36,480 Speaker 1: the plight of the workers, and among them was as Bernstein. 42 00:02:36,919 --> 00:02:40,000 Speaker 1: Ossip wasn't a banker, but as a financial lawyer, he 43 00:02:40,080 --> 00:02:42,880 Speaker 1: certainly helped them get richer, oftentimes on the backs of 44 00:02:42,919 --> 00:02:46,600 Speaker 1: the most vulnerable. He was practicing in Odessa, Ukraine, when 45 00:02:46,639 --> 00:02:49,800 Speaker 1: he was arrested by the Bolshevik's secret police in nineteen eighteen. 46 00:02:50,600 --> 00:02:53,760 Speaker 1: There was no trial or due process. Many people who 47 00:02:53,760 --> 00:02:57,280 Speaker 1: were apprehended were automatically sentenced to death by firing squad, 48 00:02:57,800 --> 00:03:01,440 Speaker 1: and Ossip was no exception. On the day of his execution, 49 00:03:01,520 --> 00:03:04,000 Speaker 1: he was lined up with the other prisoners, waiting for 50 00:03:04,120 --> 00:03:07,400 Speaker 1: the bullet that would end his life. Instead, he heard 51 00:03:07,400 --> 00:03:09,840 Speaker 1: a superior officer ask one of his men for the 52 00:03:09,919 --> 00:03:13,400 Speaker 1: list of offenders before him. As the officers skimmed the 53 00:03:13,440 --> 00:03:17,000 Speaker 1: list of names, the man recognized Bernstein and asked him 54 00:03:17,040 --> 00:03:19,280 Speaker 1: if he was the chess champion he had read about. 55 00:03:19,720 --> 00:03:24,880 Speaker 1: Bernstein said yes, he was not convinced. The officer demanded proof, 56 00:03:25,200 --> 00:03:28,040 Speaker 1: but no identification would tell him what he wanted to know. 57 00:03:28,600 --> 00:03:31,040 Speaker 1: He needed to see the man in action, so he 58 00:03:31,080 --> 00:03:33,720 Speaker 1: gave him an ultimatum if he won the game, he 59 00:03:33,720 --> 00:03:36,080 Speaker 1: would be free to go, and if he lost or 60 00:03:36,200 --> 00:03:39,760 Speaker 1: drew the match, he would be shot with the others. Quietly, 61 00:03:40,280 --> 00:03:44,080 Speaker 1: Bernstein agreed. The two men sat across from each other 62 00:03:44,120 --> 00:03:47,320 Speaker 1: as the game was set up. Ponds, knights, and rooks 63 00:03:47,480 --> 00:03:50,520 Speaker 1: flew across the board. The commanding officer may have been 64 00:03:50,560 --> 00:03:53,440 Speaker 1: a chess aficionado, but he wasn't much of a player, 65 00:03:53,760 --> 00:03:56,440 Speaker 1: and Bernstein was able to best him in a handful 66 00:03:56,480 --> 00:04:00,320 Speaker 1: of moves, and the officer, true to his word, leased 67 00:04:00,400 --> 00:04:03,480 Speaker 1: him right then and there. Satisfied with having played against 68 00:04:03,520 --> 00:04:07,600 Speaker 1: a real chess master, Bernstein and his family immediately fled 69 00:04:07,680 --> 00:04:10,920 Speaker 1: Ukraine to Paris to start their lives over far from 70 00:04:10,920 --> 00:04:14,840 Speaker 1: the dangers at home. Austin Bernstein went back to playing chess, 71 00:04:15,040 --> 00:04:17,200 Speaker 1: becoming a legend of the game by the end of 72 00:04:17,240 --> 00:04:20,560 Speaker 1: his life in nineteen sixty two. However, nothing would ever 73 00:04:20,640 --> 00:04:22,960 Speaker 1: measure up against the match he played on that day 74 00:04:22,960 --> 00:04:25,760 Speaker 1: that he was scheduled to be executed. He had played 75 00:04:25,839 --> 00:04:29,880 Speaker 1: the game of his life, quite literally, and survived, the 76 00:04:29,920 --> 00:04:48,800 Speaker 1: perfect embodiment of that famous word checkmate. Isador had a problem. 77 00:04:48,839 --> 00:04:51,320 Speaker 1: So many of the texts he was using needed to 78 00:04:51,320 --> 00:04:54,600 Speaker 1: be read out loud, but the written word on a page, well, 79 00:04:54,640 --> 00:04:56,920 Speaker 1: it doesn't really tell you how the words should sound, 80 00:04:57,320 --> 00:05:01,000 Speaker 1: and Isadore wanted to change that. You see, he was 81 00:05:01,040 --> 00:05:03,760 Speaker 1: from Spain, but he was also well traveled. He had 82 00:05:03,800 --> 00:05:06,719 Speaker 1: met people from all around Europe and the Mediterranean, and 83 00:05:06,760 --> 00:05:09,839 Speaker 1: he knew just how important it was to communicate clearly. 84 00:05:10,480 --> 00:05:13,120 Speaker 1: But not everyone he met shared the same culture, the 85 00:05:13,160 --> 00:05:16,520 Speaker 1: same habits, or the same ways of talking, let alone 86 00:05:16,560 --> 00:05:19,520 Speaker 1: the same language or way of reading. And even if 87 00:05:19,560 --> 00:05:21,839 Speaker 1: they could read the same language, it was a rare 88 00:05:21,880 --> 00:05:24,679 Speaker 1: thing for two people with different backgrounds to see things 89 00:05:24,720 --> 00:05:27,760 Speaker 1: the same way. Isador wanted to smooth some of that out. 90 00:05:28,040 --> 00:05:30,400 Speaker 1: He wanted to be sure that anyone, just by reading 91 00:05:30,440 --> 00:05:33,320 Speaker 1: a written page could tell what it was really supposed 92 00:05:33,320 --> 00:05:36,480 Speaker 1: to mean. Now he wasn't the first person to think 93 00:05:36,520 --> 00:05:38,640 Speaker 1: about this, of course, but he may just be the 94 00:05:38,680 --> 00:05:40,880 Speaker 1: first one to think about it the hardest and to 95 00:05:40,960 --> 00:05:43,480 Speaker 1: try and come up with a solution. So is a 96 00:05:43,560 --> 00:05:46,760 Speaker 1: Door started to experiment, and he had some good ideas too. 97 00:05:47,720 --> 00:05:49,599 Speaker 1: He started to come up with a new series of 98 00:05:49,640 --> 00:05:53,200 Speaker 1: complex symbols to appear around a writer's letter that could 99 00:05:53,279 --> 00:05:56,359 Speaker 1: guide someone who was reading the words, and he thought 100 00:05:56,360 --> 00:05:59,799 Speaker 1: about the marks already on the page around the letters. First, 101 00:05:59,839 --> 00:06:02,679 Speaker 1: he watched the way that other Spanish writers did things 102 00:06:02,760 --> 00:06:05,839 Speaker 1: like market quotation. Some of what they did made sense 103 00:06:05,880 --> 00:06:08,400 Speaker 1: to him. Some of it, though, seemed a little fussy, 104 00:06:08,560 --> 00:06:11,320 Speaker 1: a little too or nate. Then there were too many 105 00:06:11,320 --> 00:06:15,160 Speaker 1: flourishes before they got to the point. Complexity wasn't what 106 00:06:15,200 --> 00:06:18,320 Speaker 1: he actually wanted. If readers from all over Spain and 107 00:06:18,400 --> 00:06:20,760 Speaker 1: beyond were going to be able to follow the directions, 108 00:06:20,760 --> 00:06:24,120 Speaker 1: he wanted to actually have it be simple, elegant, not 109 00:06:24,360 --> 00:06:27,400 Speaker 1: or nate would be the rule. So that's when Isador 110 00:06:27,560 --> 00:06:31,359 Speaker 1: looked to history. Like many other writers in Europe, he 111 00:06:31,400 --> 00:06:33,919 Speaker 1: looked back to Greece. There he picked up on some 112 00:06:34,040 --> 00:06:37,600 Speaker 1: ideas from the writer Aristophanes and the simple idea he 113 00:06:37,640 --> 00:06:40,760 Speaker 1: had developed. It wasn't waves and flourishes that he had 114 00:06:40,839 --> 00:06:43,880 Speaker 1: used to mark the context of words. Instead, he used 115 00:06:43,880 --> 00:06:47,839 Speaker 1: a simple system of three dots. They marched along with 116 00:06:47,880 --> 00:06:51,080 Speaker 1: the letters and marked their meaning by where they were placed, 117 00:06:51,480 --> 00:06:53,839 Speaker 1: one at the top of the line, one in the middle, 118 00:06:54,080 --> 00:06:56,560 Speaker 1: and one at the bottom. It was just the thing. 119 00:06:57,080 --> 00:06:59,440 Speaker 1: Armed with that old method is a door set out 120 00:06:59,480 --> 00:07:02,880 Speaker 1: to give it a new spin. Now in ancient Greek texts, 121 00:07:02,960 --> 00:07:05,279 Speaker 1: the idea had been that these dots would guide someone 122 00:07:05,360 --> 00:07:08,760 Speaker 1: reading the texts out loud. Isadore was more interested in 123 00:07:08,760 --> 00:07:11,880 Speaker 1: guiding someone who was reading the text quietly to themselves. 124 00:07:12,240 --> 00:07:14,800 Speaker 1: But the point remained. If everyone could agree on the 125 00:07:14,840 --> 00:07:17,560 Speaker 1: meaning of a few simple marks, it could help readers 126 00:07:17,600 --> 00:07:21,080 Speaker 1: follow the tone and rhythm of the written word. So 127 00:07:21,160 --> 00:07:24,120 Speaker 1: Isador worked to spread his revival of the Greek thoughts. 128 00:07:24,520 --> 00:07:26,760 Speaker 1: He included a description of his system in a book 129 00:07:26,800 --> 00:07:31,000 Speaker 1: he called the Etymologies. Fortunately for the spread of his ideas, 130 00:07:31,040 --> 00:07:34,400 Speaker 1: at least it proved popular, and it quickly spread out 131 00:07:34,400 --> 00:07:38,160 Speaker 1: from Spain, and even long after Isadore was gone, people 132 00:07:38,200 --> 00:07:41,400 Speaker 1: were still reading and studying his work, including what he 133 00:07:41,440 --> 00:07:43,800 Speaker 1: had to say about language and what he had to 134 00:07:43,840 --> 00:07:47,360 Speaker 1: say about writing it. His book became the standard text 135 00:07:47,400 --> 00:07:52,360 Speaker 1: for teaching new writers in country after country, generation after generation, 136 00:07:53,120 --> 00:07:56,360 Speaker 1: and those little dots they stuck around. In fact, they 137 00:07:56,400 --> 00:07:59,040 Speaker 1: even became a standard way of marking writing from one 138 00:07:59,120 --> 00:08:02,559 Speaker 1: language to another. They endured for so long, in fact, 139 00:08:02,600 --> 00:08:06,000 Speaker 1: that we're still using them today in English, even if 140 00:08:06,000 --> 00:08:09,560 Speaker 1: they've changed slightly. They've moved around the page a little bit, 141 00:08:09,600 --> 00:08:12,040 Speaker 1: but they're more or less doing what Isador thought they 142 00:08:12,040 --> 00:08:15,440 Speaker 1: should showing the breaks between parts of sentences to let 143 00:08:15,480 --> 00:08:18,560 Speaker 1: readers know where the writer intended one idea to stop 144 00:08:19,000 --> 00:08:23,520 Speaker 1: and another to begin. Because those three dots, since Isador 145 00:08:23,640 --> 00:08:27,040 Speaker 1: of Seville invented them in the seventh century, they became 146 00:08:27,160 --> 00:08:31,560 Speaker 1: three of the marks we know today as punctuation, the colon, 147 00:08:32,200 --> 00:08:38,120 Speaker 1: the period, and the comma. I hope you've enjoyed today's 148 00:08:38,120 --> 00:08:41,760 Speaker 1: guided tour of the Cabinet of Curiosities. Subscribe for free 149 00:08:41,840 --> 00:08:44,520 Speaker 1: on Apple Podcasts, or learn more about the show by 150 00:08:44,600 --> 00:08:49,559 Speaker 1: visiting Curiosities podcast dot com. The show was created by 151 00:08:49,600 --> 00:08:53,240 Speaker 1: me Aaron Manky in partnership with how Stuff Works. I 152 00:08:53,320 --> 00:08:57,120 Speaker 1: make another award winning show called Lore, which is a podcast, 153 00:08:57,240 --> 00:09:00,200 Speaker 1: book series, and television show, and you can learn all 154 00:09:00,200 --> 00:09:03,760 Speaker 1: about it over at the World of Lore dot com. 155 00:09:03,760 --> 00:09:07,240 Speaker 1: And until next time, stay curious. Yeah,