WEBVTT - Episode 289 w/ 2nd Round 2021

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<v Speaker 1>Welcome to Drink Champs, the production of the Black Effect

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<v Speaker 1>and I Heart Radio and it's drink Cha's Mother podcast.

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<v Speaker 1>He's a legendary queen's rapper. He'sagreed is your boy in

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<v Speaker 1>O R E. He's a Miami hip popper pioneer d

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<v Speaker 1>J e f N. Together they drink it up with

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<v Speaker 1>some of the biggest players in the most professional unprofessional podcast.

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<v Speaker 1>And your number one sort for drunk is New year

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<v Speaker 1>z do for Drink Champs, Drink Up Mother Mother, what

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<v Speaker 1>it could be? Hopefully's when it should be. This is

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<v Speaker 1>your boy in O R What up is d J

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<v Speaker 1>e f N. This is Drink Chaps, Yappy our make

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<v Speaker 1>some no ll Naughty by Nature. I stowed them for years.

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<v Speaker 1>One dmc ump and walk Away. Yeah. I was very

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<v Speaker 1>ambiguous on purpose because I remember having a conversation with

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<v Speaker 1>my father when I was first decided I was gonna

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<v Speaker 1>go for it with walk Away, and I was like,

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<v Speaker 1>I don't know if they'll accept a woman making mens clothes,

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<v Speaker 1>you know, and he was like, well, if you got

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<v Speaker 1>a chance that, don't do it. Yeah. So I just

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<v Speaker 1>was like, let the product, le just make dope product,

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<v Speaker 1>put it out there. Let that be the star and

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<v Speaker 1>let people rocket like. We never had official ambassadors. It

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<v Speaker 1>was just love at that time with hip hop, like

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<v Speaker 1>hip hop was energy feeds energy, and we were all

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<v Speaker 1>building and growing at that time. So it was just

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<v Speaker 1>like I believe even you, you believe in me? Less Rock.

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<v Speaker 1>I kind of know a blood sign and the crypt sign.

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<v Speaker 1>I don't know a Luminati sign. What's some luminati? Bro? Bro, Bro, Honestly, look,

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<v Speaker 1>I don't know this. What's crazy apparently so apparently like

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<v Speaker 1>it's all this type of ship. But I never knew

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<v Speaker 1>that we were indulged in, bro. This is what's crazy.

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<v Speaker 1>The point if you look at our album covers and ship,

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<v Speaker 1>if you look at our album curverls, they're always some

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<v Speaker 1>mystic ship, always some crazy ship talking about both. I

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<v Speaker 1>never yet, I never knew what this ship was that

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<v Speaker 1>you was putting out No No, our first album, You

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<v Speaker 1>Gotta Watch You. I became Grandmaster. My original name in

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<v Speaker 1>hip hop was casting off at d j MC, casting

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<v Speaker 1>over Flying. Now one night I'm playing in my spot

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<v Speaker 1>the Blue Lagoon and the Bronx website Avenue Honey for

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<v Speaker 1>I'm cutting up a record I think it was I

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<v Speaker 1>can't stop and I'm cutting it back and forth because

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<v Speaker 1>he get that doo do cat to do that doom

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<v Speaker 1>cayin that foot that man, man man, I just kept

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<v Speaker 1>catching it. My man. I was like, Yo, faster, saster, faster, faster.

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<v Speaker 1>The crowd was going faster, faster, faster. Then he started

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<v Speaker 1>going grand master, grand master. The crowd started going grand master,

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<v Speaker 1>grand master. That's when I became grandmother. Oh my god.

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<v Speaker 1>That was man visit saying okay, yeah, yeah, So I'm

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<v Speaker 1>a meeting after that A ton of times, after a

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<v Speaker 1>ton of times. Um so, I love how he laughed

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<v Speaker 1>at I'm so fucking I love it. I love it.

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<v Speaker 1>I love so. I saw him and be at a

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<v Speaker 1>Grammy after party. I love the floss. I love the

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<v Speaker 1>floor him and be at the Grammy at the party, Um,

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<v Speaker 1>I had two cups of Hennessey. So I couldn't shake this.

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<v Speaker 1>Hennessey ain't going nowhere. It did, it didn't leave You

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<v Speaker 1>didn't shake the man's hand. I couldn't. I had two

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<v Speaker 1>cups of hands because it's more important than Hennessy. Put

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<v Speaker 1>its no tables, There's literally no where I had to

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<v Speaker 1>put it on the ground. Could have been weird, but

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<v Speaker 1>they were, but they were really fucking they were like

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<v Speaker 1>this were they were the man were they were very full.

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<v Speaker 1>I would have my finger in the two girls handy,

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<v Speaker 1>and I was I was thinking of what to say.

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<v Speaker 1>I wanted to say two things, and they collided. I

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<v Speaker 1>wanted to say thank you for everything, but also sorry

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<v Speaker 1>for the confusion. And I fucking said sorry for everything.

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<v Speaker 1>H Bro, he knew I couldn't shake his hand. And

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<v Speaker 1>the nigger hit me with one of the it's all good, bro,

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<v Speaker 1>yeah on my head broad and then I tried to

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<v Speaker 1>oh god, damn, I'm tried to comfort myself a little

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<v Speaker 1>bit by doing the elbow to be she hit the elbow.

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<v Speaker 1>The fucking hennessy dropped on her white dress. God, this

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<v Speaker 1>is getting I was like, you know what, I'm gonna

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<v Speaker 1>gonna find the closest gun. I'm gonna just go ahead

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<v Speaker 1>and just find it, cloes gun. And this is this

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<v Speaker 1>has been great. I appreciate tomic. I'm gonna just go

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<v Speaker 1>ahead and I'm gonnad and end it now. I'm just

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<v Speaker 1>gonna five security. Just come on kick me out, bro,

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<v Speaker 1>somebody come take these I don't want to do somebody's

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<v Speaker 1>kicking me out this motherfucker. Please, Bro, seeing my elbow

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<v Speaker 1>and the ship long ass white dress, like one of

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<v Speaker 1>the ones like somebody just wants to everybody it was

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<v Speaker 1>I did not do good that day my block to

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<v Speaker 1>your block. That's yep, that's the one that's that's the

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<v Speaker 1>jay z Okay, how did this happen? So you know

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<v Speaker 1>what um J? I mean? So it's funny that Jay

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<v Speaker 1>is like, um successful, but back you know, back then

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<v Speaker 1>he had the work ethics of I don't know, but

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<v Speaker 1>I'm saying what I'm saying because it's the people who

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<v Speaker 1>have that kind of determination and drive. It takes me

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<v Speaker 1>a while, but like like even like going jad because

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<v Speaker 1>you say, like Jadaki has been dope, right, but I

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<v Speaker 1>think yesterday proves to everybody else that who didn't know

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<v Speaker 1>how dope he was. Right, So he's great actually that

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<v Speaker 1>but he's been great though, right. So what j is

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<v Speaker 1>like even from the first time at priority whatever he

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<v Speaker 1>was doing whatever he's trying to look for ant even

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<v Speaker 1>that quick he was he was the quick. But what

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<v Speaker 1>happened was, um it's this is a funny story. It's

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<v Speaker 1>like I wanted j. Nobody really knew what JA at

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<v Speaker 1>the time, but I kind of wanted before and then

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<v Speaker 1>it kind of worked out. We got together and um,

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<v Speaker 1>and so I'm like, y'all need this song and and

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<v Speaker 1>by that time, by time I actually got to it,

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<v Speaker 1>JA was kind of popping a little more and rest

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<v Speaker 1>in piece of DMX too. I think, um, it's supposed

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<v Speaker 1>to be me, me, dm X and j on the record.

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<v Speaker 1>And you know, the DMX was like, I got you.

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<v Speaker 1>You know what I'm saying, not to say I got you, right,

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<v Speaker 1>And I think what happened I had had watching right there,

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<v Speaker 1>he's watching my guy. You know what I'm But so

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<v Speaker 1>what happened was, um, my album had Remember the UM

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<v Speaker 1>was it was a it was a tour that jay

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<v Speaker 1>Z n DMX was on. Um. Um no, it was right,

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<v Speaker 1>that's the one. So what happened was my album spposed

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<v Speaker 1>to be turned in on a Thursday at ten at

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<v Speaker 1>eleven am, and um, I think, um, the Hunter tour

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<v Speaker 1>was over Wednesday night. So Wednesday night and I needed

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<v Speaker 1>I said, I need to say by Thursday we were

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<v Speaker 1>masking it right. So he no, no, he's he's he's in.

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<v Speaker 1>He's at the concert. He's a concert. And he was like, UM,

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<v Speaker 1>I got you. But you know, it's funny because he

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<v Speaker 1>um uh left the show. I think immediately went back

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<v Speaker 1>and and knocked it out like a couple like three

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<v Speaker 1>or four in the morning, and sent it you know

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<v Speaker 1>what I'm saying, and for you to make the time

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<v Speaker 1>time what I'm saying like, and he could have just

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<v Speaker 1>been you know, and I'm I'm tied. I just dropped

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<v Speaker 1>the show and and sloop the d MX two. He

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<v Speaker 1>really want to do it, but you know, he just

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<v Speaker 1>probably was like, I'm gonna get in the morning. I

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<v Speaker 1>didn't have time to do it, so I just had

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<v Speaker 1>to go with boom with Jay gay Man. He came

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<v Speaker 1>through man and I hit Jay. I'm like, yo, because

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<v Speaker 1>Jake killed it. I'm like, yeah, how am I told you?

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<v Speaker 1>Jay life and even nothing. I was about to get

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<v Speaker 1>my hunted. He was like, He's like, now we're good

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<v Speaker 1>on the house. So um and it's good because he

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<v Speaker 1>asked me to do something, I did something for him.

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<v Speaker 1>So it was it was dope. It was dope situation,

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<v Speaker 1>Jay solid man, Jay's all the slid just be clear.

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<v Speaker 1>He just said I was gonna give my honey, let's

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<v Speaker 1>just be clear. Yea and these girls and he was like, well,

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<v Speaker 1>we don't want anybody to get offended or think that

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<v Speaker 1>you're taking shot to them. I was like, yeah, I

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<v Speaker 1>don't even know nobody in real life but Missy Elliot

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<v Speaker 1>and I'm not talking about her, Like, are you kidding me?

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<v Speaker 1>So um, I did Supermoman Part two. I was in

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<v Speaker 1>l A with Clue working on the record because we

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<v Speaker 1>had did songs with B two K like cluing up,

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<v Speaker 1>cluing or produced. So you heard that young girl we did.

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<v Speaker 1>We did uh someone a girl artists that was on

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<v Speaker 1>dream Words because they cut checks. Her name is Caneyla

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<v Speaker 1>Cox and we had that with Steven Spielberg record Yeah okay,

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<v Speaker 1>And Dreno was cutting checks. He was from l A.

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<v Speaker 1>He was street. He'd be like, I want fifty thousand

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<v Speaker 1>for a song and then motherfucker, don't even come out. Hey,

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<v Speaker 1>I don't care day checks. We were doing the stream

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<v Speaker 1>and we were doing the song and the session was over.

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<v Speaker 1>There was two hours left, but Clue had to get

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<v Speaker 1>back to the East Coast for his Monday Night mixtape

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<v Speaker 1>and I was selling l and I was like, you

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<v Speaker 1>got we ain't wasting this two hours and we ain't

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<v Speaker 1>just sitting up here. So I was like, hey, play

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<v Speaker 1>me a beat. He played me the Superwoman beat. He

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<v Speaker 1>was playing beats. He was like, I think you should

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<v Speaker 1>do something like this, and I was like, I don't

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<v Speaker 1>like when people tell me what you do. This is clue.

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<v Speaker 1>He's playing beats. So he plays a beat and it

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<v Speaker 1>was just and I was like, I want that because

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<v Speaker 1>that's so that sound is so annoying. I want to

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<v Speaker 1>annoy people. But when I put my vocals over it

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<v Speaker 1>that she's gonna go out, he was like, I can't

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<v Speaker 1>give you that beat, sist that's for m o p waa.

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<v Speaker 1>Did EMP have a version of it already day beat

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<v Speaker 1>because way too fast? Do a remix already with I

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<v Speaker 1>was like, how about some This is so great, this

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<v Speaker 1>of stuff people would never not super Woman Superwoman to

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<v Speaker 1>Part two. Original beat for that song was made for

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<v Speaker 1>the m M WHOA you killed like you said, you

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<v Speaker 1>killed it so much I can't even think about and

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<v Speaker 1>then trust me, m O P. I'm a big Emmo

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<v Speaker 1>pi fan, but now that I hear what you did

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<v Speaker 1>to I can't even that was crazy. It was it

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<v Speaker 1>was literally just and the beat was dope dope what

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<v Speaker 1>I sang over soda every day. I sang that there

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<v Speaker 1>was no chords and no key, so I had to

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<v Speaker 1>sing that. When I told him, I said, drop the music,

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<v Speaker 1>tell me how many beats per minutes? So I duro

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<v Speaker 1>edited out, but I would have to. I was like

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<v Speaker 1>ever every day, I was snapping my fingers singing that,

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<v Speaker 1>and I had to stack my vocals. So we later

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<v Speaker 1>had some producers, not producers, some musicians come in and

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<v Speaker 1>play the bridge, the strings and then those keys or

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<v Speaker 1>so if you had the original beat to what it

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<v Speaker 1>became the TV track, you'll be like you could tell

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<v Speaker 1>I was around Quincy Jones and them because the way

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<v Speaker 1>from your closet. No, but it was just like it

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<v Speaker 1>was for m O P. So I did the song

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<v Speaker 1>and I sent it to Clue. We had the Delta dashing.

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<v Speaker 1>This was those days and fab on there. Okay, So

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<v Speaker 1>the thing is was with Fab I'm always listening. I

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<v Speaker 1>used to be a mixtape head, and Clues like, who

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<v Speaker 1>do you want to get it? Because by that time

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<v Speaker 1>I had worked with Missy job J. Everybody knew my name.

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<v Speaker 1>Who you want to get on it? I was like

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<v Speaker 1>I could have had I could have had m Op

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<v Speaker 1>on it or anybody you know. And I was with

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<v Speaker 1>a lecture. So it was. It could have been a check,

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<v Speaker 1>but my budget was basically tapped out, which means that

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<v Speaker 1>I still had money on the back end, but I

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<v Speaker 1>didn't want to use all the money because I knew

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<v Speaker 1>they were going to hit me even met that by

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<v Speaker 1>that but it was just like listen, once we put

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<v Speaker 1>us out, Yeah, I know they're gonna be like, I

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<v Speaker 1>know do Rose Mixing is gonna be gonna absorbed that.

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<v Speaker 1>So I know jay Z is gonna charge a hundred

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<v Speaker 1>thousand dollars, Mrs gonna charge me to dollars and is

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<v Speaker 1>gonna dry me for disrespect for taking their record. So

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<v Speaker 1>they already knew that they had that record. Well I

0:14:26.560 --> 0:14:31.880
<v Speaker 1>don't find out now. So um Clue was like, so,

0:14:31.960 --> 0:14:33.240
<v Speaker 1>who you want to get on the record. I think

0:14:33.280 --> 0:14:34.880
<v Speaker 1>it would be dope with a rap, I said, the

0:14:35.000 --> 0:14:37.960
<v Speaker 1>boarder speller's name on all your records. He was like Spins.

0:14:38.520 --> 0:14:41.200
<v Speaker 1>I'm like yeah, I'm like he's dope. He was like, oh,

0:14:41.280 --> 0:14:46.360
<v Speaker 1>that's easy. Text him and bab and he was with um.

0:14:46.960 --> 0:14:50.800
<v Speaker 1>He wasn't with he was with Webb and Chayo. Him

0:14:50.840 --> 0:14:53.720
<v Speaker 1>and Webb came to the studio with yellow due rags

0:14:53.840 --> 0:14:56.480
<v Speaker 1>or chicken boxes and the Scott Tell pages. So I'm thinking, like,

0:14:56.560 --> 0:14:58.240
<v Speaker 1>he's gonna come in there being this business. I don't

0:14:58.280 --> 0:15:00.680
<v Speaker 1>know what chicken boxes is, chicken like, it comes in

0:15:00.720 --> 0:15:06.600
<v Speaker 1>the box with chicken the fridge, fricking they came in

0:15:06.600 --> 0:15:13.960
<v Speaker 1>there with food. Thinking in the mixta Dancing Rabbit Spelling's day,

0:15:13.960 --> 0:15:15.360
<v Speaker 1>I'm think he's gonna come in there with all these

0:15:15.440 --> 0:15:18.400
<v Speaker 1>slick rick jewelryes on and waggling out. He came in

0:15:18.600 --> 0:15:22.080
<v Speaker 1>with just him, yellow du Rex and chicken box, and

0:15:22.120 --> 0:15:26.360
<v Speaker 1>I believe maybe street Fair k. It was like, I'm

0:15:26.440 --> 0:15:28.160
<v Speaker 1>just like, oh yeah, don't come here with a hundred people.

0:15:28.640 --> 0:15:29.960
<v Speaker 1>So I was just like, so you're ready to do

0:15:30.000 --> 0:15:31.640
<v Speaker 1>your podcast, I'm gonna go. I'm gonna let you do

0:15:31.720 --> 0:15:34.360
<v Speaker 1>your thing. He's like, I'm ready, okay, let me move

0:15:34.440 --> 0:15:36.720
<v Speaker 1>out your way. So we were at right track. I

0:15:36.920 --> 0:15:39.560
<v Speaker 1>leave out. So he comes back like a couple of

0:15:39.600 --> 0:15:42.120
<v Speaker 1>minutes later. So I'm like, you're finished. He's like yeah,

0:15:42.200 --> 0:15:43.840
<v Speaker 1>So before we push for I hope you know mind.

0:15:43.840 --> 0:15:45.560
<v Speaker 1>I did a little something in the intro, and I

0:15:45.640 --> 0:15:48.760
<v Speaker 1>did something at that Oh, so you're just working above

0:15:48.800 --> 0:15:52.280
<v Speaker 1>and beyond. So soon as I heard something like he

0:15:52.400 --> 0:15:55.280
<v Speaker 1>was like little oh, I was like, oh my god,

0:15:55.360 --> 0:15:58.440
<v Speaker 1>he spelled my name after so he was like, I

0:15:58.520 --> 0:16:00.200
<v Speaker 1>guess I ain't got As soon as I heard heard

0:16:00.520 --> 0:16:03.000
<v Speaker 1>his voice and what he said, I was like, you

0:16:03.200 --> 0:16:06.200
<v Speaker 1>got to be I guess I ain't got no reason

0:16:06.240 --> 0:16:08.400
<v Speaker 1>the men go around. I found a superwoman that could

0:16:08.440 --> 0:16:10.760
<v Speaker 1>leave from the truck in a single bound. Mommy, I'm

0:16:10.760 --> 0:16:13.040
<v Speaker 1>trying to bling you down. Something was without shades on

0:16:13.120 --> 0:16:15.240
<v Speaker 1>the kids stand. When I bring you round, she put

0:16:15.280 --> 0:16:17.120
<v Speaker 1>her lips on the weeds, still put it to work

0:16:17.160 --> 0:16:19.240
<v Speaker 1>her tongue and made me come faster than the speed

0:16:19.320 --> 0:16:21.920
<v Speaker 1>and bullet my love, stronger than our locomotive. But only

0:16:22.000 --> 0:16:31.960
<v Speaker 1>for the mother. So that way, he's like, oh, here

0:16:32.000 --> 0:16:33.240
<v Speaker 1>go to the impart. So I'm like, where does it

0:16:33.320 --> 0:16:36.560
<v Speaker 1>come then? After the bridge, and he was like, the

0:16:36.600 --> 0:16:39.200
<v Speaker 1>superwoman might have saved my day to KOs that would

0:16:39.240 --> 0:16:41.640
<v Speaker 1>have gave some play. Now he wouldn't even wave that way.

0:16:41.720 --> 0:16:44.080
<v Speaker 1>I understand why the mother she's behaved that way. They

0:16:44.120 --> 0:16:46.480
<v Speaker 1>see the icy yes in your chest engraved and be

0:16:46.560 --> 0:16:48.720
<v Speaker 1>whipped the mike because usually with them things he type,

0:16:48.760 --> 0:16:51.200
<v Speaker 1>but only greeny Keith from me is krypton knife. The

0:16:51.280 --> 0:16:53.440
<v Speaker 1>way that blew a red fitting on your hips so right.

0:16:53.480 --> 0:17:02.720
<v Speaker 1>I'd be like, I was like where, like, how did you?

0:17:03.480 --> 0:17:05.120
<v Speaker 1>I didn't even have to say, well, maybe you should

0:17:05.160 --> 0:17:06.679
<v Speaker 1>take that up, and I was like, we added here.

0:17:06.920 --> 0:17:08.919
<v Speaker 1>Electra didn't want to put out the records because they

0:17:08.960 --> 0:17:11.160
<v Speaker 1>didn't feel like nobody knew who he was. So clue

0:17:11.200 --> 0:17:13.640
<v Speaker 1>played on his mixtape and then after Well the Money

0:17:13.720 --> 0:17:15.840
<v Speaker 1>Knight Makes tape on High ninety seven, he just kept

0:17:15.920 --> 0:17:17.840
<v Speaker 1>on going up to and after that there was oh

0:17:17.880 --> 0:17:20.360
<v Speaker 1>my god, this record is a smash. So I literally

0:17:20.520 --> 0:17:24.520
<v Speaker 1>saw him go from them. We had a basically say

0:17:24.560 --> 0:17:35.280
<v Speaker 1>you put fab one let commercial commercially. Is anybody ever

0:17:35.320 --> 0:17:37.440
<v Speaker 1>gonna tell a land that the waffle house is trash?

0:17:37.760 --> 0:17:40.160
<v Speaker 1>It's not that good, It's not that good. I don't

0:17:40.160 --> 0:17:47.680
<v Speaker 1>like I'm just being on that ship, feel like I

0:17:47.760 --> 0:17:50.680
<v Speaker 1>feel dirty. Like ever you ever win the court and

0:17:50.760 --> 0:17:52.719
<v Speaker 1>left court? Yeah, and you know how you gonna want

0:17:52.720 --> 0:17:56.040
<v Speaker 1>to take a shower with me and the county. Let's

0:17:56.040 --> 0:18:01.520
<v Speaker 1>be honest. I'm sorry the county, the county jail get you.

0:18:01.720 --> 0:18:04.240
<v Speaker 1>I'm so sorry, Atlanta, so sorry. Anybody in the South

0:18:04.359 --> 0:18:06.240
<v Speaker 1>is gonna say this one. I'm just being honest. For

0:18:06.320 --> 0:18:09.160
<v Speaker 1>twenty five years, I went had meetings at the waffle house.

0:18:09.880 --> 0:18:12.480
<v Speaker 1>They got the little tile floor. Now, motherfuck the top

0:18:12.560 --> 0:18:15.879
<v Speaker 1>of McDonald's got the McDonald's old McDonald's mopping there. As

0:18:15.920 --> 0:18:17.280
<v Speaker 1>soon as you take your shit out like that, that

0:18:17.320 --> 0:18:19.680
<v Speaker 1>smells like hamburglar, you know what I'm saying. And it's

0:18:19.720 --> 0:18:22.640
<v Speaker 1>just it's just not a good scene. It's really literally

0:18:23.080 --> 0:18:25.320
<v Speaker 1>what it's for the last middle of the night, like

0:18:25.440 --> 0:18:27.440
<v Speaker 1>you know, after the club and all that. But I'll

0:18:27.440 --> 0:18:29.720
<v Speaker 1>be seeing people wake up in the morning the waffle house,

0:18:29.760 --> 0:18:31.680
<v Speaker 1>like no, that's not a thing to do, like like

0:18:31.840 --> 0:18:34.399
<v Speaker 1>this stuff. I know people will get to go to

0:18:34.480 --> 0:18:38.840
<v Speaker 1>the they go get fresh, they know somebody that worked there. Okay,

0:18:40.440 --> 0:18:42.840
<v Speaker 1>house is not that good. You do agree on that. Okay,

0:18:45.400 --> 0:18:48.280
<v Speaker 1>South South guys looking like that, we lost the whouse.

0:18:48.840 --> 0:18:54.240
<v Speaker 1>You're like, look, nobody look. And it went to a

0:18:54.320 --> 0:18:59.200
<v Speaker 1>black college though he didn't HBCU. That's what they call. Okay,

0:18:59.280 --> 0:19:04.800
<v Speaker 1>only mother go out, gonna be going there, all right? Okay,

0:19:06.119 --> 0:19:10.800
<v Speaker 1>what happened to bush Bill on the cover the hospital?

0:19:11.200 --> 0:19:14.720
<v Speaker 1>And it is that picture real? Right? That pictures real

0:19:15.880 --> 0:19:20.720
<v Speaker 1>really man, Okay, it's a real, real ship. Okay, Yeah,

0:19:21.680 --> 0:19:27.159
<v Speaker 1>so we got flowers. I'm gonna put this are I

0:19:27.160 --> 0:19:31.879
<v Speaker 1>don't know what, don't we goes. We just want we

0:19:31.960 --> 0:19:33.560
<v Speaker 1>just wanted to do our part of the job, you

0:19:33.600 --> 0:19:43.400
<v Speaker 1>know what. Look so told about the cover the night

0:19:43.480 --> 0:19:53.240
<v Speaker 1>before the night before we heard Bill got shot you

0:19:53.359 --> 0:19:58.040
<v Speaker 1>know by bye his girl and uh, let's say you

0:19:58.119 --> 0:20:02.399
<v Speaker 1>got shot nine. So I had already you know, I

0:20:02.800 --> 0:20:04.639
<v Speaker 1>was already in my mind that day. You know, that

0:20:04.760 --> 0:20:06.679
<v Speaker 1>was the end of that Like you just shot your

0:20:06.720 --> 0:20:09.960
<v Speaker 1>fucking eye. That's the end of that story. So I

0:20:10.119 --> 0:20:12.720
<v Speaker 1>was like, damn, So we had to go up to

0:20:12.800 --> 0:20:15.600
<v Speaker 1>the hospital the next day. And let me tell you,

0:20:19.840 --> 0:20:24.680
<v Speaker 1>let me tell you how uh how much of the

0:20:24.800 --> 0:20:32.000
<v Speaker 1>thinking James is j Prince James, Yeah, yeah, old man. Yeah,

0:20:32.040 --> 0:20:34.679
<v Speaker 1>he wanted to go to the hospital that next fucking

0:20:34.840 --> 0:20:39.560
<v Speaker 1>day when Bill can have visitors man and shoot the

0:20:40.359 --> 0:20:45.320
<v Speaker 1>album cover Scots and Jesus it makes sense now, But

0:20:45.480 --> 0:20:52.960
<v Speaker 1>back then, man, Bill is fucking dead, right, And Bill

0:20:53.000 --> 0:20:56.320
<v Speaker 1>sit up in the guarney, and she pushed him out

0:20:56.359 --> 0:20:58.800
<v Speaker 1>in the hallway. And Bill sitting up on the guarney,

0:20:58.800 --> 0:21:05.480
<v Speaker 1>I'm talking about a man. So because he and and

0:21:05.800 --> 0:21:08.560
<v Speaker 1>uh got me and willing to stand on east side

0:21:08.600 --> 0:21:10.480
<v Speaker 1>of the gurney, man like we was pushing him out

0:21:10.560 --> 0:21:13.000
<v Speaker 1>the hospital saying we can't be stopped and snapped the

0:21:13.080 --> 0:21:15.840
<v Speaker 1>photo with his I hanging out and that was it.

0:21:17.280 --> 0:21:23.160
<v Speaker 1>So that's not props. No, that's not Yeah, I didn't

0:21:23.160 --> 0:21:25.440
<v Speaker 1>know that. I didn't know that. I was like ship

0:21:25.600 --> 0:21:28.880
<v Speaker 1>build friend die man, all right. And he's a small

0:21:28.960 --> 0:21:31.080
<v Speaker 1>guy too, so you're not thinking he got the same

0:21:31.680 --> 0:21:35.680
<v Speaker 1>strengthens everyone else ship had that mentality. I don't give

0:21:35.680 --> 0:21:38.040
<v Speaker 1>a funk if he died that we're gonna get this.

0:21:44.520 --> 0:21:50.200
<v Speaker 1>We're gonna get that picture, man, holy ship, treat right,

0:21:51.080 --> 0:22:10.520
<v Speaker 1>Meek mel Ross Hi show never So I gotta ask

0:22:10.560 --> 0:22:14.680
<v Speaker 1>me this. Everybody's in the same Joane that fast while

0:22:14.680 --> 0:22:16.280
<v Speaker 1>you take this shot, you take the whole shot though, sir,

0:22:17.480 --> 0:22:20.240
<v Speaker 1>Come on, you know you're a drinking the layer shot

0:22:20.280 --> 0:22:25.800
<v Speaker 1>I just had at his fast break. This is a

0:22:25.960 --> 0:22:28.880
<v Speaker 1>funny ship. I got the delf finings and the shootout

0:22:28.960 --> 0:22:31.480
<v Speaker 1>on sat Nland. They didn't shoot that with me. The

0:22:31.600 --> 0:22:37.040
<v Speaker 1>delfonics de Yeah, the niggas in the shoot out with me.

0:22:38.480 --> 0:22:41.560
<v Speaker 1>Got the niggas in the fast and I'm blowing that

0:22:41.760 --> 0:22:45.040
<v Speaker 1>this chick, this chick playing games. I started shooting at

0:22:45.080 --> 0:22:48.240
<v Speaker 1>this nigga. Niggas is back of me and the fucking game,

0:22:48.920 --> 0:22:51.880
<v Speaker 1>you know what I mean, and and and money hitting

0:22:51.920 --> 0:22:55.440
<v Speaker 1>back and those others just so we riding by like

0:22:55.720 --> 0:22:58.280
<v Speaker 1>no just it was crazy. So by the time I

0:22:58.359 --> 0:23:00.040
<v Speaker 1>got to say sorry to these niggas and ship it,

0:23:01.160 --> 0:23:04.119
<v Speaker 1>know what I mean, dude. The niggas was like Yo,

0:23:04.720 --> 0:23:07.320
<v Speaker 1>They're like, Yo, don't worry back, man, I said, told

0:23:07.320 --> 0:23:10.080
<v Speaker 1>me to bring my knife and ship. Remember these whole

0:23:10.160 --> 0:23:12.040
<v Speaker 1>men now like you know me, like, but they're like,

0:23:12.200 --> 0:23:14.520
<v Speaker 1>niga cool because I'm thinking, like damn, what the fight

0:23:14.920 --> 0:23:19.640
<v Speaker 1>throw filing to the shoot out like well, that's like crazy.

0:23:19.760 --> 0:23:22.359
<v Speaker 1>I'm like I'm like, I'm like, oh shit, this is

0:23:22.720 --> 0:23:26.399
<v Speaker 1>your way. They feeling this album? They feeling Yeah, it

0:23:26.520 --> 0:23:28.440
<v Speaker 1>was on my album yea. They might have did that

0:23:28.520 --> 0:23:31.399
<v Speaker 1>record that night after the Circus clip. Oh my god.

0:23:31.720 --> 0:23:35.399
<v Speaker 1>I'm like, Yo, I got to the to the studio,

0:23:35.440 --> 0:23:38.440
<v Speaker 1>I like, Yo, were the elevated like you, I'm sorry man,

0:23:38.960 --> 0:23:41.560
<v Speaker 1>yo the fucking sorry Yo. I'm sorry yo, yo, Yo,

0:23:41.680 --> 0:23:44.120
<v Speaker 1>worry not. And then so told me to bring my knife,

0:23:44.760 --> 0:23:48.840
<v Speaker 1>told me to bring my knife and ship. So I'm like, fun,

0:23:49.080 --> 0:23:52.359
<v Speaker 1>I felt so fucking bad for like, you know, you

0:23:52.520 --> 0:23:57.760
<v Speaker 1>get to shoot out with the delt they back of me.

0:23:58.680 --> 0:24:02.200
<v Speaker 1>Fifteen passengers. They just see me blowing that the nigger.

0:24:02.840 --> 0:24:04.480
<v Speaker 1>You know what I mean, because nigga was like in

0:24:04.600 --> 0:24:07.920
<v Speaker 1>the front of me, in the front. The nigga listen,

0:24:08.200 --> 0:24:10.640
<v Speaker 1>the nick in the front. He playing games and ship.

0:24:11.000 --> 0:24:13.800
<v Speaker 1>So he seen me through the fucking red view. So

0:24:13.920 --> 0:24:17.000
<v Speaker 1>we in and whip and I'm like, yo, he's I

0:24:17.119 --> 0:24:20.200
<v Speaker 1>sees Nigga smiling looking through the rift, looking through the ship.

0:24:20.640 --> 0:24:22.960
<v Speaker 1>He's spilling at me like yello like that, Like yeah,

0:24:23.080 --> 0:24:27.880
<v Speaker 1>nigga taking real slow, real slow. I'm like, oh ship,

0:24:29.400 --> 0:24:32.800
<v Speaker 1>Dell finds in the back fixing white dad something like yo,

0:24:33.200 --> 0:24:36.560
<v Speaker 1>just snicking playing games like yo, and I had to join,

0:24:37.000 --> 0:24:41.040
<v Speaker 1>so I'm like, I don't know. The nigga just kept

0:24:41.080 --> 0:24:43.600
<v Speaker 1>on going slow, stopping, so we gotta stop behind because

0:24:43.600 --> 0:24:46.200
<v Speaker 1>you're right behind them, like yo, the snicking throughing ship.

0:24:46.480 --> 0:24:48.800
<v Speaker 1>As soon as he turned off the eyes good ship

0:24:48.920 --> 0:24:51.159
<v Speaker 1>like that, the Laurel ship, like you don't come down.

0:24:51.840 --> 0:25:02.240
<v Speaker 1>As soon as he made that turn windows back windows. Yeah,

0:25:02.280 --> 0:25:07.720
<v Speaker 1>I got the dude, they're following us. No, check it out.

0:25:07.880 --> 0:25:12.200
<v Speaker 1>They followed us in the room the other shooting niggas

0:25:12.560 --> 0:25:17.800
<v Speaker 1>they turned around. That ain't back in the big bag, yo,

0:25:19.480 --> 0:25:25.440
<v Speaker 1>racing the project down. They speak through all this, well

0:25:26.320 --> 0:25:28.200
<v Speaker 1>they turned off. I guess I ain't see him when

0:25:28.200 --> 0:25:31.000
<v Speaker 1>we got to the studio and ship, but I was like, yo, man,

0:25:31.080 --> 0:25:33.679
<v Speaker 1>I'm worried about these niggers, you know what I mean,

0:25:33.760 --> 0:25:36.760
<v Speaker 1>like go hold on by came to the record. Ye're listening.

0:25:36.760 --> 0:25:45.800
<v Speaker 1>There was man telling you the call. I was like, yeah,

0:25:45.840 --> 0:25:50.400
<v Speaker 1>that is the best shit I heard about at the one,

0:25:50.920 --> 0:25:58.320
<v Speaker 1>La la la Yo. The record when you see accent

0:25:58.920 --> 0:26:03.879
<v Speaker 1>was the record boo. I think we might reactor that night,

0:26:04.720 --> 0:26:13.320
<v Speaker 1>you know what I mean? You know what, so what

0:26:13.440 --> 0:26:15.320
<v Speaker 1>we were talking about before that, I was into it.

0:26:15.480 --> 0:26:19.080
<v Speaker 1>The vessel, the vessel, Oh yeah, I know, you know

0:26:19.240 --> 0:26:21.000
<v Speaker 1>we we can get off that we're going to something else.

0:26:21.040 --> 0:26:23.040
<v Speaker 1>But I was just talking about, you know, just art

0:26:23.320 --> 0:26:25.440
<v Speaker 1>in music and happen. Did you feel this was like

0:26:25.520 --> 0:26:30.520
<v Speaker 1>a reintroduction of yourself to people? Let me, we introduced

0:26:30.560 --> 0:26:35.520
<v Speaker 1>myself not to not to me really, you know, like

0:26:35.800 --> 0:26:44.840
<v Speaker 1>like I gotta, I gotta just versus is a heavyweight fight.

0:26:46.280 --> 0:26:50.199
<v Speaker 1>And I'm gonna say that again because most artists are

0:26:50.240 --> 0:26:55.320
<v Speaker 1>not friendly like me and Crack. They don't have you know,

0:26:55.480 --> 0:26:59.440
<v Speaker 1>relationship speaking the phone like and so getting in there

0:26:59.520 --> 0:27:03.840
<v Speaker 1>is different. You know what I'm saying, because now it

0:27:03.920 --> 0:27:07.000
<v Speaker 1>has become I'm telling you it's become it's no more celebration.

0:27:07.800 --> 0:27:10.399
<v Speaker 1>But no, but it's also become Let's be clear, it's

0:27:10.440 --> 0:27:14.399
<v Speaker 1>not a celebration. It's a celebration. People want to win more.

0:27:17.600 --> 0:27:23.159
<v Speaker 1>I'm being honest, I'm inside and I'm just it's no

0:27:23.280 --> 0:27:26.720
<v Speaker 1>more celebration like that is what got guns. Like celebration.

0:27:26.800 --> 0:27:30.119
<v Speaker 1>You're trying to kill. Hip always win. You trying to

0:27:30.320 --> 0:27:34.200
<v Speaker 1>kill and hip hop will always winning these battles. But

0:27:34.800 --> 0:27:37.679
<v Speaker 1>that's politically correct. No, no, no, that's the real thing.

0:27:37.800 --> 0:27:40.280
<v Speaker 1>Because but what it's being I love that it's becoming

0:27:40.320 --> 0:27:43.040
<v Speaker 1>a showcase of more than just your records, more than

0:27:43.119 --> 0:27:45.800
<v Speaker 1>just the music. When you're performing in front of a crowd,

0:27:45.840 --> 0:27:48.480
<v Speaker 1>it's becoming a showcase of this showmanship, how you know,

0:27:48.600 --> 0:27:51.680
<v Speaker 1>how you command the stage, how you who's who's you

0:27:51.760 --> 0:27:54.639
<v Speaker 1>know who who, who's holding the fucking room. It becomes

0:27:54.760 --> 0:28:00.440
<v Speaker 1>all of that too. Okay, Okay, I don't want some

0:28:00.520 --> 0:28:09.480
<v Speaker 1>Japanese um call Yate or Jess Blaze both. You don't

0:28:09.520 --> 0:28:11.280
<v Speaker 1>want to take a shot of this specif ship the Japanese.

0:28:11.320 --> 0:28:14.960
<v Speaker 1>We can take a tiny shop that again. Change man,

0:28:15.800 --> 0:28:24.760
<v Speaker 1>It's okay, No, it's not take that shot. Cool. Yeah,

0:28:24.880 --> 0:28:29.000
<v Speaker 1>I told you this thousand bottom. Come on, just call me,

0:28:29.680 --> 0:28:32.840
<v Speaker 1>come on cool. That's good. Yeah, that's a double for me.

0:28:33.760 --> 0:28:37.800
<v Speaker 1>Let's go back. Let's made back, cousins. Okay, got n

0:28:37.840 --> 0:28:41.760
<v Speaker 1>A k A tv C. It's TV. Let's what's up,

0:28:42.200 --> 0:28:48.720
<v Speaker 1>It's up. Make some Morrison TVC. You can't see it.

0:28:48.840 --> 0:28:51.840
<v Speaker 1>Look when I was a fat boy. That that was

0:28:51.920 --> 0:28:58.400
<v Speaker 1>my stunt. Double. I just made your famous. I've been famous, famous,

0:28:58.880 --> 0:29:06.680
<v Speaker 1>God damnit, don't you know? So during the during the

0:29:06.760 --> 0:29:09.520
<v Speaker 1>course of time, I started to think of something the

0:29:09.560 --> 0:29:11.440
<v Speaker 1>other day and knowing that if I had you here,

0:29:11.960 --> 0:29:13.160
<v Speaker 1>and I just want to be straight up and just

0:29:13.240 --> 0:29:16.480
<v Speaker 1>asked the question right like, I don't remember seeing you

0:29:16.760 --> 0:29:20.480
<v Speaker 1>and Swiss in the same room, and over ten years

0:29:21.840 --> 0:29:23.959
<v Speaker 1>the only time I can think of you and Swiss

0:29:24.040 --> 0:29:29.440
<v Speaker 1>being in the same room, was it like all that time? Yeah,

0:29:29.760 --> 0:29:32.120
<v Speaker 1>And I don't know. This is a question. I seriously

0:29:32.200 --> 0:29:34.680
<v Speaker 1>don't know. Like I know I'm close to both sides,

0:29:34.720 --> 0:29:38.280
<v Speaker 1>so I should know, But I seriously don't know what this.

0:29:38.360 --> 0:29:39.760
<v Speaker 1>I swear to God, I swear to go if I

0:29:39.960 --> 0:29:42.479
<v Speaker 1>if you want to take my fingers not crossed, none

0:29:42.480 --> 0:29:44.600
<v Speaker 1>of that. You know that funny sh I swear to

0:29:44.760 --> 0:29:47.000
<v Speaker 1>I don't know the answer to this. Why is that? Though?

0:29:47.080 --> 0:29:51.600
<v Speaker 1>Like you it's okay, I did we all it was

0:29:51.600 --> 0:29:54.200
<v Speaker 1>a little big paper I did. If you think I'm jiggie,

0:29:54.320 --> 0:29:57.440
<v Speaker 1>five cuts from the money per respect boom, I did

0:29:57.560 --> 0:30:01.720
<v Speaker 1>get out me dog, numerous cuts and core produce on

0:30:01.920 --> 0:30:07.280
<v Speaker 1>like these thirteen cuts on h it's Alcohelo's hot. They

0:30:07.320 --> 0:30:10.160
<v Speaker 1>were the keen time for fleshing my flesh, the blood,

0:30:10.240 --> 0:30:13.240
<v Speaker 1>the blood, right, you know what I'm saying. I was

0:30:13.400 --> 0:30:16.440
<v Speaker 1>getting kind of veto, okay, but I was getting kind

0:30:16.480 --> 0:30:19.320
<v Speaker 1>of blocked. Yeah, I was getting kind of blocked because

0:30:19.440 --> 0:30:21.600
<v Speaker 1>rough riders with my management. I wasn't a rough friuther

0:30:21.640 --> 0:30:24.440
<v Speaker 1>of producing, you know what I'm saying. At the same time,

0:30:24.520 --> 0:30:26.720
<v Speaker 1>like my phone call stopped coming through the office on

0:30:28.360 --> 0:30:32.240
<v Speaker 1>I'm like, yo, I got just so seven million records collectively,

0:30:32.400 --> 0:30:34.200
<v Speaker 1>matter of fact, but on you know it's a little

0:30:34.200 --> 0:30:35.920
<v Speaker 1>bit popular beast sign and miss. You know it's like

0:30:36.040 --> 0:30:40.000
<v Speaker 1>six million money probably respected from one point five dog

0:30:40.080 --> 0:30:44.440
<v Speaker 1>went about three out the gate five all that underwearth management,

0:30:45.720 --> 0:30:47.880
<v Speaker 1>know what I'm saying. So at the beginning of them

0:30:47.960 --> 0:30:51.120
<v Speaker 1>starting fleshing my flesh. Yeah, felt on Vito, I think

0:30:51.120 --> 0:30:53.800
<v Speaker 1>you said, yeah, like my phone calls wasn't coming through

0:30:54.680 --> 0:30:56.520
<v Speaker 1>from you, the management. Yeah, so I had to go

0:30:56.600 --> 0:30:58.760
<v Speaker 1>a little deep cover. Okay, you know what I'm saying.

0:30:58.760 --> 0:31:01.040
<v Speaker 1>I spoke to I think I was the so so death.

0:31:01.200 --> 0:31:02.720
<v Speaker 1>The was like yo, he says, you're not doing bet

0:31:02.760 --> 0:31:08.600
<v Speaker 1>some more, hold on, hold on, okay, and then they're insinuated,

0:31:08.600 --> 0:31:13.560
<v Speaker 1>this is coming from your camp exactly. Okay, from my management. Okay, wow,

0:31:13.880 --> 0:31:15.760
<v Speaker 1>you know what I'm saying. So the same time, and

0:31:15.800 --> 0:31:19.040
<v Speaker 1>it actually it's written in blood, you know what I'm saying,

0:31:19.040 --> 0:31:22.040
<v Speaker 1>the same time doing flesh your flesh, if you know

0:31:22.120 --> 0:31:25.520
<v Speaker 1>the Swiss of the majority of flesher my flesh and

0:31:25.600 --> 0:31:29.440
<v Speaker 1>different things. And I did one song it's called Dogs

0:31:29.480 --> 0:31:31.720
<v Speaker 1>for Life, you know what I'm saying the same time,

0:31:31.840 --> 0:31:38.280
<v Speaker 1>And Dog was catching the the the the vibes. He

0:31:38.440 --> 0:31:41.080
<v Speaker 1>just made the song for me, Robber, still with your dog,

0:31:41.200 --> 0:31:43.400
<v Speaker 1>nig it was right to be died thinking like bloods

0:31:43.440 --> 0:31:45.280
<v Speaker 1>you know what I'm saying. So with the one song

0:31:45.360 --> 0:31:48.160
<v Speaker 1>that didn't flesh my flesh, Dog just he made it

0:31:48.520 --> 0:31:50.880
<v Speaker 1>for me. Okay. You know what I'm saying that. You know, Greece, Nick,

0:31:50.920 --> 0:31:52.920
<v Speaker 1>I'm here, you know what I'm saying beside. But the

0:31:52.960 --> 0:31:55.520
<v Speaker 1>politics is you know what I'm saying. But actually Swiss

0:31:55.520 --> 0:31:57.480
<v Speaker 1>is successful to let's not get it to us, right right?

0:31:57.600 --> 0:31:59.840
<v Speaker 1>No word ship? Yeah yeah, yeah, actually was the best

0:31:59.840 --> 0:32:02.200
<v Speaker 1>thing that happened to me. You're not being a part

0:32:02.280 --> 0:32:03.840
<v Speaker 1>of flesh, of my flesh as much as you wanted

0:32:03.880 --> 0:32:05.959
<v Speaker 1>to be. No, just really it made me to an

0:32:06.000 --> 0:32:11.680
<v Speaker 1>individual producer. Okay, yeah, it made me to like iron grease,

0:32:12.440 --> 0:32:15.280
<v Speaker 1>you know what I'm saying. That came after that, Yeah,

0:32:16.000 --> 0:32:18.600
<v Speaker 1>came out. They focused say, okay, let's say over that. Okay,

0:32:18.600 --> 0:32:21.200
<v Speaker 1>all right, I said, less in my flesh. You're feeling

0:32:21.280 --> 0:32:23.920
<v Speaker 1>a little crazy. But you don't get word. You get

0:32:24.000 --> 0:32:26.160
<v Speaker 1>word from social death. But did you have to go

0:32:26.280 --> 0:32:29.719
<v Speaker 1>to your management and say what's going on here? Like, um,

0:32:33.200 --> 0:32:37.760
<v Speaker 1>not quite? Okay, not quite? He took so no, no, no,

0:32:37.880 --> 0:32:39.680
<v Speaker 1>no no no no no no no no. I got

0:32:39.760 --> 0:32:42.960
<v Speaker 1>it from the office downtown, Michael say specific names of

0:32:43.120 --> 0:32:45.600
<v Speaker 1>the ladies working there. It's so funny, ship going on.

0:32:46.520 --> 0:32:49.600
<v Speaker 1>They sending your phone calls, so another producer, so it's

0:32:49.680 --> 0:32:53.560
<v Speaker 1>forth like, oh but the cap all this up, pulled

0:32:53.600 --> 0:32:55.600
<v Speaker 1>up to jay Z clip. Jay Z said the loll

0:32:55.720 --> 0:32:57.880
<v Speaker 1>in one shot. Okay, what clip is this? It's a

0:32:58.000 --> 0:33:00.400
<v Speaker 1>clip that jay Z put up because at I'm so

0:33:00.480 --> 0:33:03.040
<v Speaker 1>glad Jay did. I'm like, I gotta tell this storry

0:33:03.080 --> 0:33:06.480
<v Speaker 1>no more. But Jay was like, um for one of

0:33:06.520 --> 0:33:08.440
<v Speaker 1>his albums, like, yo, I went to the dude was

0:33:08.520 --> 0:33:13.400
<v Speaker 1>doing all them records. Uh, Dame Crease that produced the

0:33:13.480 --> 0:33:15.840
<v Speaker 1>Stalk and hell of Shot and then um, that's just

0:33:15.920 --> 0:33:23.480
<v Speaker 1>smell good too. Right then, um Ja was like, you know,

0:33:23.640 --> 0:33:26.240
<v Speaker 1>I wanted I wanted Damn Crease and then he sent

0:33:26.320 --> 0:33:29.280
<v Speaker 1>me the Nephew, but now I want to Crease. I'm like, nah,

0:33:29.520 --> 0:33:32.160
<v Speaker 1>I can't be sitting what you're doing, you know what

0:33:32.240 --> 0:33:35.040
<v Speaker 1>I'm saying. So at the same time, you know what

0:33:35.120 --> 0:33:37.320
<v Speaker 1>I'm saying, you know, Jay kept the Fisher like no

0:33:37.480 --> 0:33:38.960
<v Speaker 1>for mean enough. I we did some hits, you know

0:33:38.960 --> 0:33:40.600
<v Speaker 1>what I'm seeing. We did some ship you know what

0:33:40.600 --> 0:33:43.120
<v Speaker 1>I'm saying. But I can't front. I went to work

0:33:43.200 --> 0:33:46.440
<v Speaker 1>with Fat Nigger. So that was one of the phone

0:33:46.480 --> 0:33:49.880
<v Speaker 1>calls that got redistributed. Did you ever get a chance

0:33:49.920 --> 0:33:55.680
<v Speaker 1>to work with the whole one song? Okay? Um Freeway,

0:33:55.760 --> 0:34:01.760
<v Speaker 1>Big Spender, Hey, big spender. Do you know what I'm saying?

0:34:02.640 --> 0:34:04.920
<v Speaker 1>That was the only time. It's the only time. But

0:34:05.040 --> 0:34:07.840
<v Speaker 1>we actually we always have great, good dialogue, especially on

0:34:07.920 --> 0:34:10.760
<v Speaker 1>the toys with dog and everything. Great dollargue there. Always

0:34:10.760 --> 0:34:13.000
<v Speaker 1>give me a lot of great insight. So this is

0:34:13.040 --> 0:34:15.200
<v Speaker 1>for people that don't know, and obviously me, I'm a

0:34:15.239 --> 0:34:18.080
<v Speaker 1>part of that and they don't know. So Flash of

0:34:18.120 --> 0:34:22.000
<v Speaker 1>My Flesh comes out another successful He has too number

0:34:22.040 --> 0:34:24.400
<v Speaker 1>one albums in one year. You guys know each other

0:34:24.440 --> 0:34:26.960
<v Speaker 1>from back then. You did feel a little Vito like

0:34:27.080 --> 0:34:30.000
<v Speaker 1>you said, how do you black ball? Black ball? So

0:34:30.080 --> 0:34:32.680
<v Speaker 1>how do you amendous? Like, how do y'all come back together?

0:34:32.840 --> 0:34:37.440
<v Speaker 1>No dog? Dog never ever ever dog. You never saw

0:34:37.520 --> 0:34:44.680
<v Speaker 1>that as him. No dog never ever. I love my nig.

0:34:45.400 --> 0:34:49.400
<v Speaker 1>He always kept it two billion with me. Always some

0:34:49.520 --> 0:34:53.120
<v Speaker 1>new album pull up if nobody else wanted me to.

0:34:54.520 --> 0:34:57.400
<v Speaker 1>His movie scores Greece. I'm doing a movie called excell Wounds.

0:34:57.600 --> 0:34:59.799
<v Speaker 1>Come through the score, the whole score on that Greece.

0:34:59.840 --> 0:35:02.560
<v Speaker 1>Some do a movie called Crady to the Grave, Come

0:35:02.600 --> 0:35:04.959
<v Speaker 1>through the score. And that, you know what I'm saying,

0:35:05.040 --> 0:35:08.520
<v Speaker 1>In all the main things. So he will always keep

0:35:08.560 --> 0:35:11.040
<v Speaker 1>me involved with all his projects. Or anything he was

0:35:11.080 --> 0:35:14.040
<v Speaker 1>doing but yourself. But earlier you said you felt black ball.

0:35:14.120 --> 0:35:17.360
<v Speaker 1>You can't feel black ball that they're doing scores. No, no,

0:35:18.000 --> 0:35:21.560
<v Speaker 1>I was black ball in the almost society in your

0:35:21.560 --> 0:35:23.960
<v Speaker 1>own camp. You're saying no, you know from the rough

0:35:24.000 --> 0:35:26.719
<v Speaker 1>fry of situation was a little Yeah, it was a

0:35:26.800 --> 0:35:31.759
<v Speaker 1>little like, uh, I don't know, but from X there's DMX.

0:35:31.920 --> 0:35:35.520
<v Speaker 1>Let me just ask you thought it was Swiss himself

0:35:35.640 --> 0:35:39.360
<v Speaker 1>saying no, I don't know. Never, no, never never, I

0:35:39.560 --> 0:35:42.319
<v Speaker 1>never never never never never. I'm actually actually quite proud

0:35:42.360 --> 0:35:45.160
<v Speaker 1>of sless. Okay, but I was just having beat competition.

0:35:45.239 --> 0:35:48.759
<v Speaker 1>That's what everyone had at that time. Not quite. I

0:35:48.800 --> 0:35:52.000
<v Speaker 1>didn't always having to beat competitions. Okay, I'm just cranking

0:35:52.840 --> 0:35:57.719
<v Speaker 1>and doing dope. Ship. I know it was uh competition

0:35:57.800 --> 0:36:00.560
<v Speaker 1>and closes door behind you, ship that was coming. It's

0:36:00.640 --> 0:36:03.239
<v Speaker 1>always coming. No, I just got just do dope, ship.

0:36:03.960 --> 0:36:05.560
<v Speaker 1>I ain't know. It was like getting the closest door

0:36:05.560 --> 0:36:09.920
<v Speaker 1>behind you. Times. Sometimes yeah, you know, it happens like that.

0:36:09.960 --> 0:36:12.320
<v Speaker 1>I don't say sometimes it is like that, but sometimes

0:36:12.440 --> 0:36:15.880
<v Speaker 1>it happens like, right, wow, this is interesting ship, this

0:36:16.000 --> 0:36:17.759
<v Speaker 1>is interesting. Now. I just don't through, man, it's dope

0:36:18.000 --> 0:36:25.040
<v Speaker 1>it's still a movie still filming, so it's eat Booty

0:36:25.080 --> 0:36:28.000
<v Speaker 1>Gang still in the fact. But I started, I built,

0:36:28.440 --> 0:36:32.400
<v Speaker 1>I'm building, I'm feeling franchise. So it's to eat a

0:36:32.400 --> 0:36:35.640
<v Speaker 1>booty game. I'm building a franchise up now. Now I'm

0:36:35.640 --> 0:36:37.480
<v Speaker 1>getting the women to support to eat a booty game.

0:36:37.640 --> 0:36:40.719
<v Speaker 1>Wait wait, wait, wait wait wait, come who when you

0:36:40.800 --> 0:36:43.400
<v Speaker 1>say women to support to eat booty game? Women is

0:36:43.440 --> 0:36:48.040
<v Speaker 1>eating the booty Yeah, women eat good? Wait what I

0:36:48.080 --> 0:36:56.480
<v Speaker 1>don't know what? Get what? You don't have your legs

0:36:56.520 --> 0:37:01.719
<v Speaker 1>in the air, though it depends we had any think

0:37:01.719 --> 0:37:07.040
<v Speaker 1>about that. Listen to be ruling my childhood. Listen, I'm

0:37:07.120 --> 0:37:09.200
<v Speaker 1>on the road. I'm on the road. You can free

0:37:09.239 --> 0:37:11.120
<v Speaker 1>tell me to come to this room to watch the

0:37:11.200 --> 0:37:13.839
<v Speaker 1>play PlayStation. At the time, I'm eighteen years old, I'm

0:37:13.880 --> 0:37:16.200
<v Speaker 1>really thinking, you're gonna go play PlayStation. I go to

0:37:16.280 --> 0:37:18.479
<v Speaker 1>this thing of rule stick and put on the video

0:37:18.600 --> 0:37:21.000
<v Speaker 1>he got his legs? Why the funk? I'm in the

0:37:21.080 --> 0:37:23.919
<v Speaker 1>air and adventure to eat it up. Ruling my child

0:37:24.400 --> 0:37:26.600
<v Speaker 1>it's never the same, never looked at PlayStation the same.

0:37:26.640 --> 0:37:33.040
<v Speaker 1>After that, my man, I got over that. But it

0:37:33.160 --> 0:37:34.759
<v Speaker 1>was the first time I've never seen that. I've never

0:37:34.840 --> 0:37:37.840
<v Speaker 1>seen that before. So you started out eating boody then

0:37:38.360 --> 0:37:40.200
<v Speaker 1>made no no, no, no, no no no. I first

0:37:40.200 --> 0:37:44.279
<v Speaker 1>of all, first of all, I'm I'm gonna please the first.

0:37:44.560 --> 0:37:47.160
<v Speaker 1>I would prefer to eat the girl out before she

0:37:47.280 --> 0:37:49.680
<v Speaker 1>give me because I had I had a lot of

0:37:49.800 --> 0:37:52.600
<v Speaker 1>terrible head like there's there's a lot of there's a

0:37:52.680 --> 0:37:54.759
<v Speaker 1>lot of none dick, something's out there, And I'm just

0:37:54.840 --> 0:37:57.800
<v Speaker 1>gonna be straight up with there's a lot of the

0:37:57.920 --> 0:38:00.880
<v Speaker 1>majority of other women that something they they're supposed to

0:38:00.960 --> 0:38:02.920
<v Speaker 1>him that they have to suck. I want me a

0:38:03.000 --> 0:38:06.160
<v Speaker 1>woman to appreciate it and love to sing like like

0:38:06.600 --> 0:38:15.160
<v Speaker 1>you know what I'm saying. I guess we could come.

0:38:15.400 --> 0:38:18.799
<v Speaker 1>So I became a pleaser insta where to the part

0:38:18.840 --> 0:38:20.560
<v Speaker 1>where she didn't even got to suck my day this

0:38:20.719 --> 0:38:23.759
<v Speaker 1>let me eat that pussy. And then after a while,

0:38:23.800 --> 0:38:26.800
<v Speaker 1>you gotta you know, you got the gooch? You know

0:38:27.120 --> 0:38:34.440
<v Speaker 1>the women got the gooch? What was that in between

0:38:34.800 --> 0:38:39.360
<v Speaker 1>the whole wat? Okay, okay. So that's when when a

0:38:39.400 --> 0:38:42.040
<v Speaker 1>girl hit my goof two or three times with the

0:38:42.080 --> 0:38:49.160
<v Speaker 1>flick of the tongue, I was like, so I raised

0:38:49.200 --> 0:38:58.759
<v Speaker 1>the bridge up on like I'm like, hey, so I

0:38:58.880 --> 0:39:07.560
<v Speaker 1>raised from literally from the It's just you know, I

0:39:07.640 --> 0:39:09.719
<v Speaker 1>get I get mad sometimes when I go on the

0:39:09.800 --> 0:39:14.000
<v Speaker 1>clubhouses and I go on um, you know, Twitter and

0:39:14.080 --> 0:39:16.360
<v Speaker 1>things like that, and they have trending topics like Kevin

0:39:16.440 --> 0:39:19.279
<v Speaker 1>Hart ain't funny. I can't. I don't understand that. I

0:39:19.360 --> 0:39:21.600
<v Speaker 1>went into a room like that one time with they

0:39:21.600 --> 0:39:24.640
<v Speaker 1>said Tiffany hatsh ain't funny, And normally what that is

0:39:24.760 --> 0:39:26.840
<v Speaker 1>is troll. So when I went in that room, she

0:39:27.040 --> 0:39:31.479
<v Speaker 1>jumped in into and about She stayed in for about

0:39:31.520 --> 0:39:34.400
<v Speaker 1>an hour, but I spent about ten minutes telling them, niggas,

0:39:35.080 --> 0:39:37.759
<v Speaker 1>don't do that corny ship. You know what I'm saying,

0:39:37.760 --> 0:39:42.440
<v Speaker 1>because no matter if you affect five people, people just

0:39:42.480 --> 0:39:46.040
<v Speaker 1>winning then started screaming, Okay, look man, y'all here doing

0:39:46.040 --> 0:39:47.560
<v Speaker 1>this troll ship. It was like, no, we just wanted

0:39:47.560 --> 0:39:49.160
<v Speaker 1>to get her in here so we could talk to

0:39:49.239 --> 0:39:54.200
<v Speaker 1>her about some issues over in Africa. Alright, cool, I

0:39:54.320 --> 0:39:59.200
<v Speaker 1>get that, right, But to go and say someone's not funny,

0:39:59.239 --> 0:40:01.839
<v Speaker 1>to go against the hold something against their livelihood. Black

0:40:01.840 --> 0:40:03.680
<v Speaker 1>people always talking about we don't have enough and we

0:40:03.719 --> 0:40:05.239
<v Speaker 1>don't have this, but we're the first people to do

0:40:05.360 --> 0:40:12.200
<v Speaker 1>some dumb ship like that. So um, moving on, how

0:40:12.280 --> 0:40:14.560
<v Speaker 1>did you start acting? What was what was the actor

0:40:14.680 --> 0:40:18.920
<v Speaker 1>Bob who who told you it was the first. The

0:40:19.000 --> 0:40:21.760
<v Speaker 1>first off I got was to be in the Friday

0:40:21.880 --> 0:40:24.799
<v Speaker 1>Movie to Being Fridays as the little kid Chris kicking

0:40:24.840 --> 0:40:27.080
<v Speaker 1>over the garbage kids. And I was like, I ain't

0:40:27.120 --> 0:40:30.960
<v Speaker 1>doing that. You're going to go So when you said

0:40:31.040 --> 0:40:34.880
<v Speaker 1>kicking over the garbage, what are you talking about? They

0:40:34.920 --> 0:40:36.840
<v Speaker 1>told you not to do it. I didn't want to

0:40:36.880 --> 0:40:39.400
<v Speaker 1>do because think about it, right, during that time, right

0:40:39.440 --> 0:40:45.000
<v Speaker 1>we're talking the early nineties, you just kind of sell out.

0:40:45.280 --> 0:40:46.719
<v Speaker 1>Like at that time, it was like, yo, you got

0:40:46.800 --> 0:40:51.399
<v Speaker 1>the movie. It was to sell out, right. Remember there's

0:40:51.440 --> 0:40:53.640
<v Speaker 1>just no disrespect to anybody. But I remember there was

0:40:53.719 --> 0:40:56.600
<v Speaker 1>a time right because I hung with came and came, man,

0:40:56.680 --> 0:40:58.920
<v Speaker 1>that's like that's like that's all that's my heart, right,

0:40:59.160 --> 0:41:01.000
<v Speaker 1>And he will always get me the Jews like never

0:41:01.080 --> 0:41:03.400
<v Speaker 1>sell your publishing but this, and he said, you know

0:41:03.520 --> 0:41:05.480
<v Speaker 1>you need to take your career to two movies and

0:41:05.600 --> 0:41:08.840
<v Speaker 1>things like that. And I would come back home around

0:41:09.040 --> 0:41:13.120
<v Speaker 1>the trying to set me you will sell out, and

0:41:13.160 --> 0:41:15.680
<v Speaker 1>I'm like yo, and then so I'm like nah. My

0:41:15.840 --> 0:41:17.600
<v Speaker 1>mind was like I don't want to be a sellout.

0:41:17.640 --> 0:41:24.800
<v Speaker 1>You know what I'm saying, like, na, I'm hipop that radio.

0:41:24.880 --> 0:41:27.759
<v Speaker 1>You ain't barbe throwing stretch to the red is dub.

0:41:27.880 --> 0:41:29.759
<v Speaker 1>You're being a party and be like nah he he

0:41:30.040 --> 0:41:32.520
<v Speaker 1>you don't wrap us no more. It wasn't to commercials

0:41:32.600 --> 0:41:34.480
<v Speaker 1>and things of money like that. And then he said,

0:41:34.480 --> 0:41:36.799
<v Speaker 1>forget all this gets sticking true to the culture. I'm

0:41:36.840 --> 0:41:38.600
<v Speaker 1>going to get the bag. And if I got to

0:41:38.640 --> 0:41:40.600
<v Speaker 1>do a flip in the strike commercial, that's what they

0:41:40.640 --> 0:41:44.200
<v Speaker 1>did and it made it sells everybody out at the

0:41:44.320 --> 0:41:46.040
<v Speaker 1>end of the day. But what wait, was the Frinday

0:41:46.120 --> 0:41:48.560
<v Speaker 1>thing before the til Yeah? Yeah, it was before because

0:41:48.600 --> 0:41:51.160
<v Speaker 1>it's the same director. So when that ain't happened for that,

0:41:51.600 --> 0:41:54.600
<v Speaker 1>he called me back. He said, all right, it's not acting,

0:41:55.719 --> 0:41:57.960
<v Speaker 1>it's just being in the video. And or you're doing

0:41:58.040 --> 0:42:00.800
<v Speaker 1>this being yourself, he said. I said, what is it for?

0:42:00.960 --> 0:42:04.320
<v Speaker 1>He said TLC. I was saying, yeah, I'm on that,

0:42:04.480 --> 0:42:06.200
<v Speaker 1>and it was just to be in a video. I

0:42:06.239 --> 0:42:08.520
<v Speaker 1>didn't think of it that. I didn't think of it

0:42:08.600 --> 0:42:10.560
<v Speaker 1>as acting. I just thought of its being in the video.

0:42:10.840 --> 0:42:12.920
<v Speaker 1>But Friday, did you know that ice cube was attached

0:42:13.000 --> 0:42:15.839
<v Speaker 1>to that? I didn't. I didn't get you know, I mean,

0:42:15.920 --> 0:42:18.080
<v Speaker 1>I didn't care because for me with me and the

0:42:18.160 --> 0:42:21.839
<v Speaker 1>world was coming to a party and rock him giving

0:42:21.880 --> 0:42:24.239
<v Speaker 1>you a dap or Chuck Deed telling me that I'm

0:42:25.120 --> 0:42:29.640
<v Speaker 1>the bridge, and it's like, no, I'm not, man, I

0:42:29.719 --> 0:42:32.000
<v Speaker 1>want to be accepted. You know what I'm saying on

0:42:32.120 --> 0:42:34.680
<v Speaker 1>the block. I don't really care about that, you know

0:42:34.680 --> 0:42:39.759
<v Speaker 1>what I mean. So that's why I like you holding

0:42:39.800 --> 0:42:42.239
<v Speaker 1>a smoke champ like that. You want to light up?

0:42:42.239 --> 0:42:44.560
<v Speaker 1>You can light up? You want to light up? Yeah,

0:42:44.560 --> 0:42:47.000
<v Speaker 1>you can light up. It's okay, yeah, no, no, no, no,

0:42:47.600 --> 0:42:50.440
<v Speaker 1>you're thinking about thinking, come on, you're job. Let's go.

0:42:55.560 --> 0:42:57.319
<v Speaker 1>You know, man, I'm not a real smoke You ain't

0:42:57.320 --> 0:43:01.440
<v Speaker 1>got embarrassing you gotta I gotta go. Somebody like, yeah,

0:43:01.480 --> 0:43:05.920
<v Speaker 1>somebody liked it. So let me ask this as this

0:43:06.080 --> 0:43:10.040
<v Speaker 1>kind of a serious question, right, because um, I remember

0:43:10.160 --> 0:43:16.200
<v Speaker 1>when nas Um named his company ill Will, right, and

0:43:16.360 --> 0:43:18.520
<v Speaker 1>I believe that he had to change the name of

0:43:18.560 --> 0:43:22.799
<v Speaker 1>his company because it's easy to say like fun ill Will,

0:43:22.880 --> 0:43:25.480
<v Speaker 1>but ill Will is an actual person. It Will was

0:43:25.640 --> 0:43:30.719
<v Speaker 1>his actual best friend. So was it ever a time

0:43:30.760 --> 0:43:33.160
<v Speaker 1>when you said that about naming your album that? Because

0:43:33.320 --> 0:43:35.480
<v Speaker 1>that's what somebody don't like this. This is album and

0:43:35.560 --> 0:43:38.879
<v Speaker 1>somebody could say fun Donna. They're not saying fuck your mother,

0:43:39.160 --> 0:43:42.160
<v Speaker 1>but they're saying funk the actual material. Did you ever

0:43:42.560 --> 0:43:45.440
<v Speaker 1>feel any concern about that naming it after after her?

0:43:46.480 --> 0:43:48.399
<v Speaker 1>Not at all. But I have seen them do these

0:43:48.440 --> 0:43:50.880
<v Speaker 1>things when when everybody said they like donned the Way

0:43:51.160 --> 0:43:54.440
<v Speaker 1>better than uh CLB. They had this thing where they

0:43:54.480 --> 0:43:56.560
<v Speaker 1>had these football players coming up saying, what you like

0:43:56.719 --> 0:43:59.960
<v Speaker 1>better CLB A Donda and then they was like cl

0:44:00.080 --> 0:44:01.759
<v Speaker 1>be and then one of them was like yeah down.

0:44:01.880 --> 0:44:19.279
<v Speaker 1>I was like, bro, that's my mama. Yeah. So so

0:44:19.760 --> 0:44:22.400
<v Speaker 1>so you didn't feel that as a certain way, like

0:44:22.600 --> 0:44:25.480
<v Speaker 1>as a football player saying fun yeah, but he was

0:44:25.520 --> 0:44:29.680
<v Speaker 1>saying for the album. There's a lot of us fighting

0:44:29.920 --> 0:44:32.200
<v Speaker 1>in all kinds of different ways. It's like that thirteenth

0:44:32.239 --> 0:44:36.440
<v Speaker 1>Amendment needs to completely be eradicated. What the thing is,

0:44:37.000 --> 0:44:41.600
<v Speaker 1>it's uh, it's a it's a specific amendment for slavery

0:44:41.680 --> 0:44:45.200
<v Speaker 1>for black people that's in the current constitution. When we

0:44:45.320 --> 0:44:48.040
<v Speaker 1>shut up and dribble and we wrapped and we do

0:44:48.160 --> 0:44:50.600
<v Speaker 1>all this, this thing is still in the constitutions. As

0:44:50.680 --> 0:44:53.360
<v Speaker 1>famous as black people, as powerful as we are, and

0:44:53.440 --> 0:44:58.760
<v Speaker 1>as influential as we are this, there's still are pieces

0:44:58.880 --> 0:45:04.279
<v Speaker 1>of our one constitution that our only aim towards the

0:45:04.400 --> 0:45:08.879
<v Speaker 1>lost Hebrew race, knowing the lost people people army known

0:45:08.960 --> 0:45:14.439
<v Speaker 1>as black and that is still modern day um mom

0:45:14.480 --> 0:45:19.319
<v Speaker 1>and day slavery. So I'm you gotta give collectively. That's

0:45:19.400 --> 0:45:21.680
<v Speaker 1>that's the whole point. That's the reason why it's talks

0:45:21.719 --> 0:45:27.400
<v Speaker 1>to me and Drake doing a concert uh two uh

0:45:27.920 --> 0:45:31.320
<v Speaker 1>to bring life to Hoover together. And that's what I

0:45:31.440 --> 0:45:34.640
<v Speaker 1>see you with Ja Prince and and Jake Prince obviously

0:45:34.800 --> 0:45:36.759
<v Speaker 1>is affiliated. I see here to rap a lot change.

0:45:36.880 --> 0:45:39.640
<v Speaker 1>J Prince spoke about it here. I believe I'm not wrong. Yeah,

0:45:39.840 --> 0:45:41.800
<v Speaker 1>you know, so for a bigger car for period. I

0:45:41.880 --> 0:45:43.279
<v Speaker 1>love Drake, anybody you know what I'm saying. It's just

0:45:43.640 --> 0:45:45.560
<v Speaker 1>I was just basically I was just telling you, like

0:45:46.600 --> 0:45:50.120
<v Speaker 1>little back for basketball type of professional rap stuff he's

0:45:50.120 --> 0:45:53.000
<v Speaker 1>dealing with, but on a bigger and also, I say,

0:45:54.120 --> 0:45:56.600
<v Speaker 1>you know, those of us that know how to organize

0:45:57.640 --> 0:46:00.560
<v Speaker 1>are fraught to their demise be as they do not

0:46:00.719 --> 0:46:02.480
<v Speaker 1>want us to be organized. They want us to be

0:46:02.640 --> 0:46:12.080
<v Speaker 1>modern day slaves. Deep Ship, Deep Ship, deep Ship, thanks

0:46:12.120 --> 0:46:14.640
<v Speaker 1>for joining us for another episode of Drink Champs hosted

0:46:14.680 --> 0:46:17.040
<v Speaker 1>by Yours Truly, d J E F and n O

0:46:17.200 --> 0:46:19.200
<v Speaker 1>r E. Please make sure to follow us on all

0:46:19.239 --> 0:46:22.920
<v Speaker 1>our socials. Let's add Drink Champs across all platforms at

0:46:22.960 --> 0:46:26.879
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0:46:27.000 --> 0:46:29.800
<v Speaker 1>is at Who's Crazy on I g at d j

0:46:30.000 --> 0:46:32.520
<v Speaker 1>e f N on Twitter, and most importantly, stay up

0:46:32.560 --> 0:46:35.719
<v Speaker 1>to date with the latest releases, news and merch by

0:46:35.760 --> 0:46:42.800
<v Speaker 1>going to drink champs dot com For more podcasts. For

0:46:42.920 --> 0:46:47.000
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0:46:47.200 --> 0:46:49.120
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