1 00:00:00,120 --> 00:00:02,520 Speaker 1: Welcome to Drink Champs, the production of the Black Effect 2 00:00:02,560 --> 00:00:17,400 Speaker 1: and I Heart Radio and it's drink Cha's Mother podcast. 3 00:00:18,880 --> 00:00:22,160 Speaker 1: He's a legendary queen's rapper. He'sagreed is your boy in 4 00:00:22,239 --> 00:00:25,640 Speaker 1: O R E. He's a Miami hip popper pioneer d 5 00:00:25,800 --> 00:00:28,160 Speaker 1: J e f N. Together they drink it up with 6 00:00:28,280 --> 00:00:33,440 Speaker 1: some of the biggest players in the most professional unprofessional podcast. 7 00:00:33,600 --> 00:00:38,120 Speaker 1: And your number one sort for drunk is New year 8 00:00:38,200 --> 00:00:48,440 Speaker 1: z do for Drink Champs, Drink Up Mother Mother, what 9 00:00:48,640 --> 00:00:50,239 Speaker 1: it could be? Hopefully's when it should be. This is 10 00:00:50,240 --> 00:00:52,440 Speaker 1: your boy in O R What up is d J 11 00:00:52,680 --> 00:00:56,080 Speaker 1: e f N. This is Drink Chaps, Yappy our make 12 00:00:56,280 --> 00:01:05,720 Speaker 1: some no ll Naughty by Nature. I stowed them for years. 13 00:01:06,360 --> 00:01:17,199 Speaker 1: One dmc ump and walk Away. Yeah. I was very 14 00:01:17,240 --> 00:01:22,360 Speaker 1: ambiguous on purpose because I remember having a conversation with 15 00:01:22,520 --> 00:01:26,160 Speaker 1: my father when I was first decided I was gonna 16 00:01:26,200 --> 00:01:28,760 Speaker 1: go for it with walk Away, and I was like, 17 00:01:28,959 --> 00:01:33,080 Speaker 1: I don't know if they'll accept a woman making mens clothes, 18 00:01:33,920 --> 00:01:36,280 Speaker 1: you know, and he was like, well, if you got 19 00:01:36,280 --> 00:01:40,959 Speaker 1: a chance that, don't do it. Yeah. So I just 20 00:01:41,080 --> 00:01:43,880 Speaker 1: was like, let the product, le just make dope product, 21 00:01:43,959 --> 00:01:46,480 Speaker 1: put it out there. Let that be the star and 22 00:01:46,560 --> 00:01:50,520 Speaker 1: let people rocket like. We never had official ambassadors. It 23 00:01:50,600 --> 00:01:52,720 Speaker 1: was just love at that time with hip hop, like 24 00:01:53,120 --> 00:01:56,440 Speaker 1: hip hop was energy feeds energy, and we were all 25 00:01:56,680 --> 00:01:59,200 Speaker 1: building and growing at that time. So it was just 26 00:01:59,240 --> 00:02:01,640 Speaker 1: like I believe even you, you believe in me? Less Rock. 27 00:02:03,800 --> 00:02:05,800 Speaker 1: I kind of know a blood sign and the crypt sign. 28 00:02:05,840 --> 00:02:12,560 Speaker 1: I don't know a Luminati sign. What's some luminati? Bro? Bro, Bro, Honestly, look, 29 00:02:12,720 --> 00:02:20,200 Speaker 1: I don't know this. What's crazy apparently so apparently like 30 00:02:20,320 --> 00:02:23,120 Speaker 1: it's all this type of ship. But I never knew 31 00:02:24,120 --> 00:02:26,959 Speaker 1: that we were indulged in, bro. This is what's crazy. 32 00:02:26,960 --> 00:02:28,840 Speaker 1: The point if you look at our album covers and ship, 33 00:02:29,280 --> 00:02:31,120 Speaker 1: if you look at our album curverls, they're always some 34 00:02:31,160 --> 00:02:34,320 Speaker 1: mystic ship, always some crazy ship talking about both. I 35 00:02:34,520 --> 00:02:37,359 Speaker 1: never yet, I never knew what this ship was that 36 00:02:37,520 --> 00:02:47,840 Speaker 1: you was putting out No No, our first album, You 37 00:02:47,919 --> 00:02:58,680 Speaker 1: Gotta Watch You. I became Grandmaster. My original name in 38 00:02:58,760 --> 00:03:03,280 Speaker 1: hip hop was casting off at d j MC, casting 39 00:03:03,320 --> 00:03:06,160 Speaker 1: over Flying. Now one night I'm playing in my spot 40 00:03:06,240 --> 00:03:09,000 Speaker 1: the Blue Lagoon and the Bronx website Avenue Honey for 41 00:03:09,360 --> 00:03:11,000 Speaker 1: I'm cutting up a record I think it was I 42 00:03:11,120 --> 00:03:15,560 Speaker 1: can't stop and I'm cutting it back and forth because 43 00:03:15,560 --> 00:03:18,360 Speaker 1: he get that doo do cat to do that doom 44 00:03:18,840 --> 00:03:30,440 Speaker 1: cayin that foot that man, man man, I just kept 45 00:03:30,480 --> 00:03:35,160 Speaker 1: catching it. My man. I was like, Yo, faster, saster, faster, faster. 46 00:03:35,440 --> 00:03:39,520 Speaker 1: The crowd was going faster, faster, faster. Then he started 47 00:03:39,560 --> 00:03:44,120 Speaker 1: going grand master, grand master. The crowd started going grand master, 48 00:03:44,520 --> 00:03:53,280 Speaker 1: grand master. That's when I became grandmother. Oh my god. 49 00:03:53,400 --> 00:03:59,480 Speaker 1: That was man visit saying okay, yeah, yeah, So I'm 50 00:03:59,520 --> 00:04:02,880 Speaker 1: a meeting after that A ton of times, after a 51 00:04:03,000 --> 00:04:09,640 Speaker 1: ton of times. Um so, I love how he laughed 52 00:04:09,640 --> 00:04:14,840 Speaker 1: at I'm so fucking I love it. I love it. 53 00:04:15,080 --> 00:04:21,280 Speaker 1: I love so. I saw him and be at a 54 00:04:22,400 --> 00:04:24,800 Speaker 1: Grammy after party. I love the floss. I love the 55 00:04:24,839 --> 00:04:34,560 Speaker 1: floor him and be at the Grammy at the party, Um, 56 00:04:36,279 --> 00:04:38,520 Speaker 1: I had two cups of Hennessey. So I couldn't shake this. 57 00:04:38,640 --> 00:04:43,360 Speaker 1: Hennessey ain't going nowhere. It did, it didn't leave You 58 00:04:43,440 --> 00:04:46,000 Speaker 1: didn't shake the man's hand. I couldn't. I had two 59 00:04:46,160 --> 00:04:49,360 Speaker 1: cups of hands because it's more important than Hennessy. Put 60 00:04:49,400 --> 00:04:51,640 Speaker 1: its no tables, There's literally no where I had to 61 00:04:51,680 --> 00:04:53,360 Speaker 1: put it on the ground. Could have been weird, but 62 00:04:53,440 --> 00:04:56,440 Speaker 1: they were, but they were really fucking they were like 63 00:04:56,560 --> 00:05:01,760 Speaker 1: this were they were the man were they were very full. 64 00:05:03,240 --> 00:05:08,120 Speaker 1: I would have my finger in the two girls handy, 65 00:05:11,680 --> 00:05:16,640 Speaker 1: and I was I was thinking of what to say. 66 00:05:19,120 --> 00:05:23,040 Speaker 1: I wanted to say two things, and they collided. I 67 00:05:23,160 --> 00:05:27,680 Speaker 1: wanted to say thank you for everything, but also sorry 68 00:05:27,800 --> 00:05:31,560 Speaker 1: for the confusion. And I fucking said sorry for everything. 69 00:05:37,120 --> 00:05:43,120 Speaker 1: H Bro, he knew I couldn't shake his hand. And 70 00:05:43,240 --> 00:05:46,280 Speaker 1: the nigger hit me with one of the it's all good, bro, 71 00:05:52,040 --> 00:06:08,000 Speaker 1: yeah on my head broad and then I tried to 72 00:06:09,200 --> 00:06:11,960 Speaker 1: oh god, damn, I'm tried to comfort myself a little 73 00:06:11,960 --> 00:06:16,680 Speaker 1: bit by doing the elbow to be she hit the elbow. 74 00:06:17,360 --> 00:06:22,360 Speaker 1: The fucking hennessy dropped on her white dress. God, this 75 00:06:22,520 --> 00:06:25,159 Speaker 1: is getting I was like, you know what, I'm gonna 76 00:06:25,160 --> 00:06:28,520 Speaker 1: gonna find the closest gun. I'm gonna just go ahead 77 00:06:28,520 --> 00:06:30,320 Speaker 1: and just find it, cloes gun. And this is this 78 00:06:30,440 --> 00:06:33,440 Speaker 1: has been great. I appreciate tomic. I'm gonna just go 79 00:06:33,480 --> 00:06:36,240 Speaker 1: ahead and I'm gonnad and end it now. I'm just 80 00:06:36,360 --> 00:06:40,480 Speaker 1: gonna five security. Just come on kick me out, bro, 81 00:06:41,000 --> 00:06:50,000 Speaker 1: somebody come take these I don't want to do somebody's 82 00:06:50,080 --> 00:06:54,000 Speaker 1: kicking me out this motherfucker. Please, Bro, seeing my elbow 83 00:06:54,080 --> 00:06:58,760 Speaker 1: and the ship long ass white dress, like one of 84 00:06:58,800 --> 00:07:01,560 Speaker 1: the ones like somebody just wants to everybody it was 85 00:07:02,760 --> 00:07:08,680 Speaker 1: I did not do good that day my block to 86 00:07:08,760 --> 00:07:11,160 Speaker 1: your block. That's yep, that's the one that's that's the 87 00:07:11,680 --> 00:07:15,560 Speaker 1: jay z Okay, how did this happen? So you know 88 00:07:15,720 --> 00:07:19,960 Speaker 1: what um J? I mean? So it's funny that Jay 89 00:07:20,160 --> 00:07:23,560 Speaker 1: is like, um successful, but back you know, back then 90 00:07:24,040 --> 00:07:26,840 Speaker 1: he had the work ethics of I don't know, but 91 00:07:26,920 --> 00:07:30,800 Speaker 1: I'm saying what I'm saying because it's the people who 92 00:07:30,880 --> 00:07:35,400 Speaker 1: have that kind of determination and drive. It takes me 93 00:07:35,440 --> 00:07:37,920 Speaker 1: a while, but like like even like going jad because 94 00:07:37,920 --> 00:07:41,560 Speaker 1: you say, like Jadaki has been dope, right, but I 95 00:07:41,640 --> 00:07:44,600 Speaker 1: think yesterday proves to everybody else that who didn't know 96 00:07:44,680 --> 00:07:47,040 Speaker 1: how dope he was. Right, So he's great actually that 97 00:07:47,120 --> 00:07:50,160 Speaker 1: but he's been great though, right. So what j is 98 00:07:50,240 --> 00:07:53,160 Speaker 1: like even from the first time at priority whatever he 99 00:07:53,240 --> 00:07:56,720 Speaker 1: was doing whatever he's trying to look for ant even 100 00:07:57,000 --> 00:07:58,800 Speaker 1: that quick he was he was the quick. But what 101 00:07:58,960 --> 00:08:02,880 Speaker 1: happened was, um it's this is a funny story. It's 102 00:08:02,960 --> 00:08:05,960 Speaker 1: like I wanted j. Nobody really knew what JA at 103 00:08:05,960 --> 00:08:07,640 Speaker 1: the time, but I kind of wanted before and then 104 00:08:07,680 --> 00:08:09,960 Speaker 1: it kind of worked out. We got together and um, 105 00:08:10,160 --> 00:08:12,960 Speaker 1: and so I'm like, y'all need this song and and 106 00:08:13,080 --> 00:08:14,720 Speaker 1: by that time, by time I actually got to it, 107 00:08:14,880 --> 00:08:18,080 Speaker 1: JA was kind of popping a little more and rest 108 00:08:18,120 --> 00:08:20,800 Speaker 1: in piece of DMX too. I think, um, it's supposed 109 00:08:20,800 --> 00:08:23,119 Speaker 1: to be me, me, dm X and j on the record. 110 00:08:23,560 --> 00:08:25,680 Speaker 1: And you know, the DMX was like, I got you. 111 00:08:25,760 --> 00:08:28,160 Speaker 1: You know what I'm saying, not to say I got you, right, 112 00:08:28,520 --> 00:08:31,560 Speaker 1: And I think what happened I had had watching right there, 113 00:08:31,840 --> 00:08:34,959 Speaker 1: he's watching my guy. You know what I'm But so 114 00:08:35,120 --> 00:08:39,679 Speaker 1: what happened was, um, my album had Remember the UM 115 00:08:40,040 --> 00:08:41,600 Speaker 1: was it was a it was a tour that jay 116 00:08:41,679 --> 00:08:47,520 Speaker 1: Z n DMX was on. Um. Um no, it was right, 117 00:08:47,559 --> 00:08:50,400 Speaker 1: that's the one. So what happened was my album spposed 118 00:08:50,400 --> 00:08:52,640 Speaker 1: to be turned in on a Thursday at ten at 119 00:08:52,679 --> 00:09:00,559 Speaker 1: eleven am, and um, I think, um, the Hunter tour 120 00:09:00,800 --> 00:09:05,680 Speaker 1: was over Wednesday night. So Wednesday night and I needed 121 00:09:05,760 --> 00:09:08,520 Speaker 1: I said, I need to say by Thursday we were 122 00:09:08,559 --> 00:09:12,439 Speaker 1: masking it right. So he no, no, he's he's he's in. 123 00:09:12,720 --> 00:09:15,719 Speaker 1: He's at the concert. He's a concert. And he was like, UM, 124 00:09:16,280 --> 00:09:18,880 Speaker 1: I got you. But you know, it's funny because he 125 00:09:19,160 --> 00:09:24,800 Speaker 1: um uh left the show. I think immediately went back 126 00:09:25,120 --> 00:09:26,920 Speaker 1: and and knocked it out like a couple like three 127 00:09:26,960 --> 00:09:28,760 Speaker 1: or four in the morning, and sent it you know 128 00:09:28,760 --> 00:09:31,120 Speaker 1: what I'm saying, and for you to make the time 129 00:09:31,559 --> 00:09:33,480 Speaker 1: time what I'm saying like, and he could have just 130 00:09:33,559 --> 00:09:35,440 Speaker 1: been you know, and I'm I'm tied. I just dropped 131 00:09:35,480 --> 00:09:37,520 Speaker 1: the show and and sloop the d MX two. He 132 00:09:37,720 --> 00:09:39,079 Speaker 1: really want to do it, but you know, he just 133 00:09:39,120 --> 00:09:40,520 Speaker 1: probably was like, I'm gonna get in the morning. I 134 00:09:40,559 --> 00:09:42,520 Speaker 1: didn't have time to do it, so I just had 135 00:09:42,559 --> 00:09:44,679 Speaker 1: to go with boom with Jay gay Man. He came 136 00:09:44,760 --> 00:09:47,400 Speaker 1: through man and I hit Jay. I'm like, yo, because 137 00:09:47,480 --> 00:09:49,439 Speaker 1: Jake killed it. I'm like, yeah, how am I told you? 138 00:09:49,760 --> 00:09:51,480 Speaker 1: Jay life and even nothing. I was about to get 139 00:09:51,559 --> 00:09:53,319 Speaker 1: my hunted. He was like, He's like, now we're good 140 00:09:53,320 --> 00:09:55,480 Speaker 1: on the house. So um and it's good because he 141 00:09:55,520 --> 00:09:56,920 Speaker 1: asked me to do something, I did something for him. 142 00:09:56,960 --> 00:09:58,480 Speaker 1: So it was it was dope. It was dope situation, 143 00:10:02,160 --> 00:10:04,840 Speaker 1: Jay solid man, Jay's all the slid just be clear. 144 00:10:04,920 --> 00:10:06,600 Speaker 1: He just said I was gonna give my honey, let's 145 00:10:06,600 --> 00:10:16,720 Speaker 1: just be clear. Yea and these girls and he was like, well, 146 00:10:16,800 --> 00:10:18,880 Speaker 1: we don't want anybody to get offended or think that 147 00:10:18,920 --> 00:10:22,439 Speaker 1: you're taking shot to them. I was like, yeah, I 148 00:10:22,520 --> 00:10:24,760 Speaker 1: don't even know nobody in real life but Missy Elliot 149 00:10:24,760 --> 00:10:27,079 Speaker 1: and I'm not talking about her, Like, are you kidding me? 150 00:10:27,440 --> 00:10:33,160 Speaker 1: So um, I did Supermoman Part two. I was in 151 00:10:33,480 --> 00:10:36,360 Speaker 1: l A with Clue working on the record because we 152 00:10:36,440 --> 00:10:38,800 Speaker 1: had did songs with B two K like cluing up, 153 00:10:39,040 --> 00:10:43,440 Speaker 1: cluing or produced. So you heard that young girl we did. 154 00:10:44,280 --> 00:10:46,679 Speaker 1: We did uh someone a girl artists that was on 155 00:10:46,800 --> 00:10:49,600 Speaker 1: dream Words because they cut checks. Her name is Caneyla 156 00:10:49,679 --> 00:10:53,959 Speaker 1: Cox and we had that with Steven Spielberg record Yeah okay, 157 00:10:54,240 --> 00:10:56,679 Speaker 1: And Dreno was cutting checks. He was from l A. 158 00:10:56,760 --> 00:10:59,040 Speaker 1: He was street. He'd be like, I want fifty thousand 159 00:10:59,080 --> 00:11:01,560 Speaker 1: for a song and then motherfucker, don't even come out. Hey, 160 00:11:01,640 --> 00:11:07,040 Speaker 1: I don't care day checks. We were doing the stream 161 00:11:07,240 --> 00:11:10,160 Speaker 1: and we were doing the song and the session was over. 162 00:11:10,200 --> 00:11:12,400 Speaker 1: There was two hours left, but Clue had to get 163 00:11:12,480 --> 00:11:15,000 Speaker 1: back to the East Coast for his Monday Night mixtape 164 00:11:15,320 --> 00:11:16,599 Speaker 1: and I was selling l and I was like, you 165 00:11:16,679 --> 00:11:19,120 Speaker 1: got we ain't wasting this two hours and we ain't 166 00:11:19,160 --> 00:11:20,840 Speaker 1: just sitting up here. So I was like, hey, play 167 00:11:20,880 --> 00:11:23,079 Speaker 1: me a beat. He played me the Superwoman beat. He 168 00:11:23,200 --> 00:11:24,720 Speaker 1: was playing beats. He was like, I think you should 169 00:11:24,720 --> 00:11:26,640 Speaker 1: do something like this, and I was like, I don't 170 00:11:26,679 --> 00:11:28,560 Speaker 1: like when people tell me what you do. This is clue. 171 00:11:28,600 --> 00:11:32,079 Speaker 1: He's playing beats. So he plays a beat and it 172 00:11:32,160 --> 00:11:36,000 Speaker 1: was just and I was like, I want that because 173 00:11:36,040 --> 00:11:38,400 Speaker 1: that's so that sound is so annoying. I want to 174 00:11:38,440 --> 00:11:40,439 Speaker 1: annoy people. But when I put my vocals over it 175 00:11:40,600 --> 00:11:42,360 Speaker 1: that she's gonna go out, he was like, I can't 176 00:11:42,400 --> 00:11:45,560 Speaker 1: give you that beat, sist that's for m o p waa. 177 00:11:46,400 --> 00:11:49,720 Speaker 1: Did EMP have a version of it already day beat 178 00:11:49,840 --> 00:11:54,959 Speaker 1: because way too fast? Do a remix already with I 179 00:11:55,080 --> 00:11:59,920 Speaker 1: was like, how about some This is so great, this 180 00:12:00,000 --> 00:12:05,120 Speaker 1: of stuff people would never not super Woman Superwoman to 181 00:12:05,640 --> 00:12:10,199 Speaker 1: Part two. Original beat for that song was made for 182 00:12:10,360 --> 00:12:15,120 Speaker 1: the m M WHOA you killed like you said, you 183 00:12:15,280 --> 00:12:17,079 Speaker 1: killed it so much I can't even think about and 184 00:12:17,120 --> 00:12:19,000 Speaker 1: then trust me, m O P. I'm a big Emmo 185 00:12:19,080 --> 00:12:22,760 Speaker 1: pi fan, but now that I hear what you did 186 00:12:22,800 --> 00:12:26,439 Speaker 1: to I can't even that was crazy. It was it 187 00:12:26,559 --> 00:12:33,520 Speaker 1: was literally just and the beat was dope dope what 188 00:12:34,280 --> 00:12:37,960 Speaker 1: I sang over soda every day. I sang that there 189 00:12:38,040 --> 00:12:39,439 Speaker 1: was no chords and no key, so I had to 190 00:12:39,559 --> 00:12:42,160 Speaker 1: sing that. When I told him, I said, drop the music, 191 00:12:42,200 --> 00:12:44,560 Speaker 1: tell me how many beats per minutes? So I duro 192 00:12:44,840 --> 00:12:46,240 Speaker 1: edited out, but I would have to. I was like 193 00:12:46,320 --> 00:12:49,000 Speaker 1: ever every day, I was snapping my fingers singing that, 194 00:12:49,280 --> 00:12:51,040 Speaker 1: and I had to stack my vocals. So we later 195 00:12:51,160 --> 00:12:54,679 Speaker 1: had some producers, not producers, some musicians come in and 196 00:12:54,840 --> 00:13:01,199 Speaker 1: play the bridge, the strings and then those keys or 197 00:13:01,920 --> 00:13:03,839 Speaker 1: so if you had the original beat to what it 198 00:13:03,920 --> 00:13:07,880 Speaker 1: became the TV track, you'll be like you could tell 199 00:13:07,960 --> 00:13:15,160 Speaker 1: I was around Quincy Jones and them because the way 200 00:13:15,240 --> 00:13:17,839 Speaker 1: from your closet. No, but it was just like it 201 00:13:17,960 --> 00:13:19,800 Speaker 1: was for m O P. So I did the song 202 00:13:20,160 --> 00:13:23,360 Speaker 1: and I sent it to Clue. We had the Delta dashing. 203 00:13:23,640 --> 00:13:31,280 Speaker 1: This was those days and fab on there. Okay, So 204 00:13:31,440 --> 00:13:35,480 Speaker 1: the thing is was with Fab I'm always listening. I 205 00:13:35,920 --> 00:13:39,839 Speaker 1: used to be a mixtape head, and Clues like, who 206 00:13:39,880 --> 00:13:41,040 Speaker 1: do you want to get it? Because by that time 207 00:13:41,040 --> 00:13:43,920 Speaker 1: I had worked with Missy job J. Everybody knew my name. 208 00:13:44,160 --> 00:13:45,319 Speaker 1: Who you want to get on it? I was like 209 00:13:48,080 --> 00:13:49,520 Speaker 1: I could have had I could have had m Op 210 00:13:49,679 --> 00:13:51,480 Speaker 1: on it or anybody you know. And I was with 211 00:13:51,600 --> 00:13:54,000 Speaker 1: a lecture. So it was. It could have been a check, 212 00:13:54,040 --> 00:13:57,040 Speaker 1: but my budget was basically tapped out, which means that 213 00:13:57,440 --> 00:13:58,760 Speaker 1: I still had money on the back end, but I 214 00:13:58,800 --> 00:14:00,280 Speaker 1: didn't want to use all the money because I knew 215 00:14:00,280 --> 00:14:07,000 Speaker 1: they were going to hit me even met that by 216 00:14:07,040 --> 00:14:09,319 Speaker 1: that but it was just like listen, once we put 217 00:14:09,440 --> 00:14:11,480 Speaker 1: us out, Yeah, I know they're gonna be like, I 218 00:14:11,559 --> 00:14:14,319 Speaker 1: know do Rose Mixing is gonna be gonna absorbed that. 219 00:14:14,720 --> 00:14:16,520 Speaker 1: So I know jay Z is gonna charge a hundred 220 00:14:16,520 --> 00:14:20,320 Speaker 1: thousand dollars, Mrs gonna charge me to dollars and is 221 00:14:20,320 --> 00:14:23,880 Speaker 1: gonna dry me for disrespect for taking their record. So 222 00:14:24,520 --> 00:14:26,520 Speaker 1: they already knew that they had that record. Well I 223 00:14:26,560 --> 00:14:31,880 Speaker 1: don't find out now. So um Clue was like, so, 224 00:14:31,960 --> 00:14:33,240 Speaker 1: who you want to get on the record. I think 225 00:14:33,280 --> 00:14:34,880 Speaker 1: it would be dope with a rap, I said, the 226 00:14:35,000 --> 00:14:37,960 Speaker 1: boarder speller's name on all your records. He was like Spins. 227 00:14:38,520 --> 00:14:41,200 Speaker 1: I'm like yeah, I'm like he's dope. He was like, oh, 228 00:14:41,280 --> 00:14:46,360 Speaker 1: that's easy. Text him and bab and he was with um. 229 00:14:46,960 --> 00:14:50,800 Speaker 1: He wasn't with he was with Webb and Chayo. Him 230 00:14:50,840 --> 00:14:53,720 Speaker 1: and Webb came to the studio with yellow due rags 231 00:14:53,840 --> 00:14:56,480 Speaker 1: or chicken boxes and the Scott Tell pages. So I'm thinking, like, 232 00:14:56,560 --> 00:14:58,240 Speaker 1: he's gonna come in there being this business. I don't 233 00:14:58,280 --> 00:15:00,680 Speaker 1: know what chicken boxes is, chicken like, it comes in 234 00:15:00,720 --> 00:15:06,600 Speaker 1: the box with chicken the fridge, fricking they came in 235 00:15:06,600 --> 00:15:13,960 Speaker 1: there with food. Thinking in the mixta Dancing Rabbit Spelling's day, 236 00:15:13,960 --> 00:15:15,360 Speaker 1: I'm think he's gonna come in there with all these 237 00:15:15,440 --> 00:15:18,400 Speaker 1: slick rick jewelryes on and waggling out. He came in 238 00:15:18,600 --> 00:15:22,080 Speaker 1: with just him, yellow du Rex and chicken box, and 239 00:15:22,120 --> 00:15:26,360 Speaker 1: I believe maybe street Fair k. It was like, I'm 240 00:15:26,440 --> 00:15:28,160 Speaker 1: just like, oh yeah, don't come here with a hundred people. 241 00:15:28,640 --> 00:15:29,960 Speaker 1: So I was just like, so you're ready to do 242 00:15:30,000 --> 00:15:31,640 Speaker 1: your podcast, I'm gonna go. I'm gonna let you do 243 00:15:31,720 --> 00:15:34,360 Speaker 1: your thing. He's like, I'm ready, okay, let me move 244 00:15:34,440 --> 00:15:36,720 Speaker 1: out your way. So we were at right track. I 245 00:15:36,920 --> 00:15:39,560 Speaker 1: leave out. So he comes back like a couple of 246 00:15:39,600 --> 00:15:42,120 Speaker 1: minutes later. So I'm like, you're finished. He's like yeah, 247 00:15:42,200 --> 00:15:43,840 Speaker 1: So before we push for I hope you know mind. 248 00:15:43,840 --> 00:15:45,560 Speaker 1: I did a little something in the intro, and I 249 00:15:45,640 --> 00:15:48,760 Speaker 1: did something at that Oh, so you're just working above 250 00:15:48,800 --> 00:15:52,280 Speaker 1: and beyond. So soon as I heard something like he 251 00:15:52,400 --> 00:15:55,280 Speaker 1: was like little oh, I was like, oh my god, 252 00:15:55,360 --> 00:15:58,440 Speaker 1: he spelled my name after so he was like, I 253 00:15:58,520 --> 00:16:00,200 Speaker 1: guess I ain't got As soon as I heard heard 254 00:16:00,520 --> 00:16:03,000 Speaker 1: his voice and what he said, I was like, you 255 00:16:03,200 --> 00:16:06,200 Speaker 1: got to be I guess I ain't got no reason 256 00:16:06,240 --> 00:16:08,400 Speaker 1: the men go around. I found a superwoman that could 257 00:16:08,440 --> 00:16:10,760 Speaker 1: leave from the truck in a single bound. Mommy, I'm 258 00:16:10,760 --> 00:16:13,040 Speaker 1: trying to bling you down. Something was without shades on 259 00:16:13,120 --> 00:16:15,240 Speaker 1: the kids stand. When I bring you round, she put 260 00:16:15,280 --> 00:16:17,120 Speaker 1: her lips on the weeds, still put it to work 261 00:16:17,160 --> 00:16:19,240 Speaker 1: her tongue and made me come faster than the speed 262 00:16:19,320 --> 00:16:21,920 Speaker 1: and bullet my love, stronger than our locomotive. But only 263 00:16:22,000 --> 00:16:31,960 Speaker 1: for the mother. So that way, he's like, oh, here 264 00:16:32,000 --> 00:16:33,240 Speaker 1: go to the impart. So I'm like, where does it 265 00:16:33,320 --> 00:16:36,560 Speaker 1: come then? After the bridge, and he was like, the 266 00:16:36,600 --> 00:16:39,200 Speaker 1: superwoman might have saved my day to KOs that would 267 00:16:39,240 --> 00:16:41,640 Speaker 1: have gave some play. Now he wouldn't even wave that way. 268 00:16:41,720 --> 00:16:44,080 Speaker 1: I understand why the mother she's behaved that way. They 269 00:16:44,120 --> 00:16:46,480 Speaker 1: see the icy yes in your chest engraved and be 270 00:16:46,560 --> 00:16:48,720 Speaker 1: whipped the mike because usually with them things he type, 271 00:16:48,760 --> 00:16:51,200 Speaker 1: but only greeny Keith from me is krypton knife. The 272 00:16:51,280 --> 00:16:53,440 Speaker 1: way that blew a red fitting on your hips so right. 273 00:16:53,480 --> 00:17:02,720 Speaker 1: I'd be like, I was like where, like, how did you? 274 00:17:03,480 --> 00:17:05,120 Speaker 1: I didn't even have to say, well, maybe you should 275 00:17:05,160 --> 00:17:06,679 Speaker 1: take that up, and I was like, we added here. 276 00:17:06,920 --> 00:17:08,919 Speaker 1: Electra didn't want to put out the records because they 277 00:17:08,960 --> 00:17:11,160 Speaker 1: didn't feel like nobody knew who he was. So clue 278 00:17:11,200 --> 00:17:13,640 Speaker 1: played on his mixtape and then after Well the Money 279 00:17:13,720 --> 00:17:15,840 Speaker 1: Knight Makes tape on High ninety seven, he just kept 280 00:17:15,920 --> 00:17:17,840 Speaker 1: on going up to and after that there was oh 281 00:17:17,880 --> 00:17:20,360 Speaker 1: my god, this record is a smash. So I literally 282 00:17:20,520 --> 00:17:24,520 Speaker 1: saw him go from them. We had a basically say 283 00:17:24,560 --> 00:17:35,280 Speaker 1: you put fab one let commercial commercially. Is anybody ever 284 00:17:35,320 --> 00:17:37,440 Speaker 1: gonna tell a land that the waffle house is trash? 285 00:17:37,760 --> 00:17:40,160 Speaker 1: It's not that good, It's not that good. I don't 286 00:17:40,160 --> 00:17:47,680 Speaker 1: like I'm just being on that ship, feel like I 287 00:17:47,760 --> 00:17:50,680 Speaker 1: feel dirty. Like ever you ever win the court and 288 00:17:50,760 --> 00:17:52,719 Speaker 1: left court? Yeah, and you know how you gonna want 289 00:17:52,720 --> 00:17:56,040 Speaker 1: to take a shower with me and the county. Let's 290 00:17:56,040 --> 00:18:01,520 Speaker 1: be honest. I'm sorry the county, the county jail get you. 291 00:18:01,720 --> 00:18:04,240 Speaker 1: I'm so sorry, Atlanta, so sorry. Anybody in the South 292 00:18:04,359 --> 00:18:06,240 Speaker 1: is gonna say this one. I'm just being honest. For 293 00:18:06,320 --> 00:18:09,160 Speaker 1: twenty five years, I went had meetings at the waffle house. 294 00:18:09,880 --> 00:18:12,480 Speaker 1: They got the little tile floor. Now, motherfuck the top 295 00:18:12,560 --> 00:18:15,879 Speaker 1: of McDonald's got the McDonald's old McDonald's mopping there. As 296 00:18:15,920 --> 00:18:17,280 Speaker 1: soon as you take your shit out like that, that 297 00:18:17,320 --> 00:18:19,680 Speaker 1: smells like hamburglar, you know what I'm saying. And it's 298 00:18:19,720 --> 00:18:22,640 Speaker 1: just it's just not a good scene. It's really literally 299 00:18:23,080 --> 00:18:25,320 Speaker 1: what it's for the last middle of the night, like 300 00:18:25,440 --> 00:18:27,440 Speaker 1: you know, after the club and all that. But I'll 301 00:18:27,440 --> 00:18:29,720 Speaker 1: be seeing people wake up in the morning the waffle house, 302 00:18:29,760 --> 00:18:31,680 Speaker 1: like no, that's not a thing to do, like like 303 00:18:31,840 --> 00:18:34,399 Speaker 1: this stuff. I know people will get to go to 304 00:18:34,480 --> 00:18:38,840 Speaker 1: the they go get fresh, they know somebody that worked there. Okay, 305 00:18:40,440 --> 00:18:42,840 Speaker 1: house is not that good. You do agree on that. Okay, 306 00:18:45,400 --> 00:18:48,280 Speaker 1: South South guys looking like that, we lost the whouse. 307 00:18:48,840 --> 00:18:54,240 Speaker 1: You're like, look, nobody look. And it went to a 308 00:18:54,320 --> 00:18:59,200 Speaker 1: black college though he didn't HBCU. That's what they call. Okay, 309 00:18:59,280 --> 00:19:04,800 Speaker 1: only mother go out, gonna be going there, all right? Okay, 310 00:19:06,119 --> 00:19:10,800 Speaker 1: what happened to bush Bill on the cover the hospital? 311 00:19:11,200 --> 00:19:14,720 Speaker 1: And it is that picture real? Right? That pictures real 312 00:19:15,880 --> 00:19:20,720 Speaker 1: really man, Okay, it's a real, real ship. Okay, Yeah, 313 00:19:21,680 --> 00:19:27,159 Speaker 1: so we got flowers. I'm gonna put this are I 314 00:19:27,160 --> 00:19:31,879 Speaker 1: don't know what, don't we goes. We just want we 315 00:19:31,960 --> 00:19:33,560 Speaker 1: just wanted to do our part of the job, you 316 00:19:33,600 --> 00:19:43,400 Speaker 1: know what. Look so told about the cover the night 317 00:19:43,480 --> 00:19:53,240 Speaker 1: before the night before we heard Bill got shot you 318 00:19:53,359 --> 00:19:58,040 Speaker 1: know by bye his girl and uh, let's say you 319 00:19:58,119 --> 00:20:02,399 Speaker 1: got shot nine. So I had already you know, I 320 00:20:02,800 --> 00:20:04,639 Speaker 1: was already in my mind that day. You know, that 321 00:20:04,760 --> 00:20:06,679 Speaker 1: was the end of that Like you just shot your 322 00:20:06,720 --> 00:20:09,960 Speaker 1: fucking eye. That's the end of that story. So I 323 00:20:10,119 --> 00:20:12,720 Speaker 1: was like, damn, So we had to go up to 324 00:20:12,800 --> 00:20:15,600 Speaker 1: the hospital the next day. And let me tell you, 325 00:20:19,840 --> 00:20:24,680 Speaker 1: let me tell you how uh how much of the 326 00:20:24,800 --> 00:20:32,000 Speaker 1: thinking James is j Prince James, Yeah, yeah, old man. Yeah, 327 00:20:32,040 --> 00:20:34,679 Speaker 1: he wanted to go to the hospital that next fucking 328 00:20:34,840 --> 00:20:39,560 Speaker 1: day when Bill can have visitors man and shoot the 329 00:20:40,359 --> 00:20:45,320 Speaker 1: album cover Scots and Jesus it makes sense now, But 330 00:20:45,480 --> 00:20:52,960 Speaker 1: back then, man, Bill is fucking dead, right, And Bill 331 00:20:53,000 --> 00:20:56,320 Speaker 1: sit up in the guarney, and she pushed him out 332 00:20:56,359 --> 00:20:58,800 Speaker 1: in the hallway. And Bill sitting up on the guarney, 333 00:20:58,800 --> 00:21:05,480 Speaker 1: I'm talking about a man. So because he and and 334 00:21:05,800 --> 00:21:08,560 Speaker 1: uh got me and willing to stand on east side 335 00:21:08,600 --> 00:21:10,480 Speaker 1: of the gurney, man like we was pushing him out 336 00:21:10,560 --> 00:21:13,000 Speaker 1: the hospital saying we can't be stopped and snapped the 337 00:21:13,080 --> 00:21:15,840 Speaker 1: photo with his I hanging out and that was it. 338 00:21:17,280 --> 00:21:23,160 Speaker 1: So that's not props. No, that's not Yeah, I didn't 339 00:21:23,160 --> 00:21:25,440 Speaker 1: know that. I didn't know that. I was like ship 340 00:21:25,600 --> 00:21:28,880 Speaker 1: build friend die man, all right. And he's a small 341 00:21:28,960 --> 00:21:31,080 Speaker 1: guy too, so you're not thinking he got the same 342 00:21:31,680 --> 00:21:35,680 Speaker 1: strengthens everyone else ship had that mentality. I don't give 343 00:21:35,680 --> 00:21:38,040 Speaker 1: a funk if he died that we're gonna get this. 344 00:21:44,520 --> 00:21:50,200 Speaker 1: We're gonna get that picture, man, holy ship, treat right, 345 00:21:51,080 --> 00:22:10,520 Speaker 1: Meek mel Ross Hi show never So I gotta ask 346 00:22:10,560 --> 00:22:14,680 Speaker 1: me this. Everybody's in the same Joane that fast while 347 00:22:14,680 --> 00:22:16,280 Speaker 1: you take this shot, you take the whole shot though, sir, 348 00:22:17,480 --> 00:22:20,240 Speaker 1: Come on, you know you're a drinking the layer shot 349 00:22:20,280 --> 00:22:25,800 Speaker 1: I just had at his fast break. This is a 350 00:22:25,960 --> 00:22:28,880 Speaker 1: funny ship. I got the delf finings and the shootout 351 00:22:28,960 --> 00:22:31,480 Speaker 1: on sat Nland. They didn't shoot that with me. The 352 00:22:31,600 --> 00:22:37,040 Speaker 1: delfonics de Yeah, the niggas in the shoot out with me. 353 00:22:38,480 --> 00:22:41,560 Speaker 1: Got the niggas in the fast and I'm blowing that 354 00:22:41,760 --> 00:22:45,040 Speaker 1: this chick, this chick playing games. I started shooting at 355 00:22:45,080 --> 00:22:48,240 Speaker 1: this nigga. Niggas is back of me and the fucking game, 356 00:22:48,920 --> 00:22:51,880 Speaker 1: you know what I mean, and and and money hitting 357 00:22:51,920 --> 00:22:55,440 Speaker 1: back and those others just so we riding by like 358 00:22:55,720 --> 00:22:58,280 Speaker 1: no just it was crazy. So by the time I 359 00:22:58,359 --> 00:23:00,040 Speaker 1: got to say sorry to these niggas and ship it, 360 00:23:01,160 --> 00:23:04,119 Speaker 1: know what I mean, dude. The niggas was like Yo, 361 00:23:04,720 --> 00:23:07,320 Speaker 1: They're like, Yo, don't worry back, man, I said, told 362 00:23:07,320 --> 00:23:10,080 Speaker 1: me to bring my knife and ship. Remember these whole 363 00:23:10,160 --> 00:23:12,040 Speaker 1: men now like you know me, like, but they're like, 364 00:23:12,200 --> 00:23:14,520 Speaker 1: niga cool because I'm thinking, like damn, what the fight 365 00:23:14,920 --> 00:23:19,640 Speaker 1: throw filing to the shoot out like well, that's like crazy. 366 00:23:19,760 --> 00:23:22,359 Speaker 1: I'm like I'm like, I'm like, oh shit, this is 367 00:23:22,720 --> 00:23:26,399 Speaker 1: your way. They feeling this album? They feeling Yeah, it 368 00:23:26,520 --> 00:23:28,440 Speaker 1: was on my album yea. They might have did that 369 00:23:28,520 --> 00:23:31,399 Speaker 1: record that night after the Circus clip. Oh my god. 370 00:23:31,720 --> 00:23:35,399 Speaker 1: I'm like, Yo, I got to the to the studio, 371 00:23:35,440 --> 00:23:38,440 Speaker 1: I like, Yo, were the elevated like you, I'm sorry man, 372 00:23:38,960 --> 00:23:41,560 Speaker 1: yo the fucking sorry Yo. I'm sorry yo, yo, Yo, 373 00:23:41,680 --> 00:23:44,120 Speaker 1: worry not. And then so told me to bring my knife, 374 00:23:44,760 --> 00:23:48,840 Speaker 1: told me to bring my knife and ship. So I'm like, fun, 375 00:23:49,080 --> 00:23:52,359 Speaker 1: I felt so fucking bad for like, you know, you 376 00:23:52,520 --> 00:23:57,760 Speaker 1: get to shoot out with the delt they back of me. 377 00:23:58,680 --> 00:24:02,200 Speaker 1: Fifteen passengers. They just see me blowing that the nigger. 378 00:24:02,840 --> 00:24:04,480 Speaker 1: You know what I mean, because nigga was like in 379 00:24:04,600 --> 00:24:07,920 Speaker 1: the front of me, in the front. The nigga listen, 380 00:24:08,200 --> 00:24:10,640 Speaker 1: the nick in the front. He playing games and ship. 381 00:24:11,000 --> 00:24:13,800 Speaker 1: So he seen me through the fucking red view. So 382 00:24:13,920 --> 00:24:17,000 Speaker 1: we in and whip and I'm like, yo, he's I 383 00:24:17,119 --> 00:24:20,200 Speaker 1: sees Nigga smiling looking through the rift, looking through the ship. 384 00:24:20,640 --> 00:24:22,960 Speaker 1: He's spilling at me like yello like that, Like yeah, 385 00:24:23,080 --> 00:24:27,880 Speaker 1: nigga taking real slow, real slow. I'm like, oh ship, 386 00:24:29,400 --> 00:24:32,800 Speaker 1: Dell finds in the back fixing white dad something like yo, 387 00:24:33,200 --> 00:24:36,560 Speaker 1: just snicking playing games like yo, and I had to join, 388 00:24:37,000 --> 00:24:41,040 Speaker 1: so I'm like, I don't know. The nigga just kept 389 00:24:41,080 --> 00:24:43,600 Speaker 1: on going slow, stopping, so we gotta stop behind because 390 00:24:43,600 --> 00:24:46,200 Speaker 1: you're right behind them, like yo, the snicking throughing ship. 391 00:24:46,480 --> 00:24:48,800 Speaker 1: As soon as he turned off the eyes good ship 392 00:24:48,920 --> 00:24:51,159 Speaker 1: like that, the Laurel ship, like you don't come down. 393 00:24:51,840 --> 00:25:02,240 Speaker 1: As soon as he made that turn windows back windows. Yeah, 394 00:25:02,280 --> 00:25:07,720 Speaker 1: I got the dude, they're following us. No, check it out. 395 00:25:07,880 --> 00:25:12,200 Speaker 1: They followed us in the room the other shooting niggas 396 00:25:12,560 --> 00:25:17,800 Speaker 1: they turned around. That ain't back in the big bag, yo, 397 00:25:19,480 --> 00:25:25,440 Speaker 1: racing the project down. They speak through all this, well 398 00:25:26,320 --> 00:25:28,200 Speaker 1: they turned off. I guess I ain't see him when 399 00:25:28,200 --> 00:25:31,000 Speaker 1: we got to the studio and ship, but I was like, yo, man, 400 00:25:31,080 --> 00:25:33,679 Speaker 1: I'm worried about these niggers, you know what I mean, 401 00:25:33,760 --> 00:25:36,760 Speaker 1: like go hold on by came to the record. Ye're listening. 402 00:25:36,760 --> 00:25:45,800 Speaker 1: There was man telling you the call. I was like, yeah, 403 00:25:45,840 --> 00:25:50,400 Speaker 1: that is the best shit I heard about at the one, 404 00:25:50,920 --> 00:25:58,320 Speaker 1: La la la Yo. The record when you see accent 405 00:25:58,920 --> 00:26:03,879 Speaker 1: was the record boo. I think we might reactor that night, 406 00:26:04,720 --> 00:26:13,320 Speaker 1: you know what I mean? You know what, so what 407 00:26:13,440 --> 00:26:15,320 Speaker 1: we were talking about before that, I was into it. 408 00:26:15,480 --> 00:26:19,080 Speaker 1: The vessel, the vessel, Oh yeah, I know, you know 409 00:26:19,240 --> 00:26:21,000 Speaker 1: we we can get off that we're going to something else. 410 00:26:21,040 --> 00:26:23,040 Speaker 1: But I was just talking about, you know, just art 411 00:26:23,320 --> 00:26:25,440 Speaker 1: in music and happen. Did you feel this was like 412 00:26:25,520 --> 00:26:30,520 Speaker 1: a reintroduction of yourself to people? Let me, we introduced 413 00:26:30,560 --> 00:26:35,520 Speaker 1: myself not to not to me really, you know, like 414 00:26:35,800 --> 00:26:44,840 Speaker 1: like I gotta, I gotta just versus is a heavyweight fight. 415 00:26:46,280 --> 00:26:50,199 Speaker 1: And I'm gonna say that again because most artists are 416 00:26:50,240 --> 00:26:55,320 Speaker 1: not friendly like me and Crack. They don't have you know, 417 00:26:55,480 --> 00:26:59,440 Speaker 1: relationship speaking the phone like and so getting in there 418 00:26:59,520 --> 00:27:03,840 Speaker 1: is different. You know what I'm saying, because now it 419 00:27:03,920 --> 00:27:07,000 Speaker 1: has become I'm telling you it's become it's no more celebration. 420 00:27:07,800 --> 00:27:10,399 Speaker 1: But no, but it's also become Let's be clear, it's 421 00:27:10,440 --> 00:27:14,399 Speaker 1: not a celebration. It's a celebration. People want to win more. 422 00:27:17,600 --> 00:27:23,159 Speaker 1: I'm being honest, I'm inside and I'm just it's no 423 00:27:23,280 --> 00:27:26,720 Speaker 1: more celebration like that is what got guns. Like celebration. 424 00:27:26,800 --> 00:27:30,119 Speaker 1: You're trying to kill. Hip always win. You trying to 425 00:27:30,320 --> 00:27:34,200 Speaker 1: kill and hip hop will always winning these battles. But 426 00:27:34,800 --> 00:27:37,679 Speaker 1: that's politically correct. No, no, no, that's the real thing. 427 00:27:37,800 --> 00:27:40,280 Speaker 1: Because but what it's being I love that it's becoming 428 00:27:40,320 --> 00:27:43,040 Speaker 1: a showcase of more than just your records, more than 429 00:27:43,119 --> 00:27:45,800 Speaker 1: just the music. When you're performing in front of a crowd, 430 00:27:45,840 --> 00:27:48,480 Speaker 1: it's becoming a showcase of this showmanship, how you know, 431 00:27:48,600 --> 00:27:51,680 Speaker 1: how you command the stage, how you who's who's you 432 00:27:51,760 --> 00:27:54,639 Speaker 1: know who who, who's holding the fucking room. It becomes 433 00:27:54,760 --> 00:28:00,440 Speaker 1: all of that too. Okay, Okay, I don't want some 434 00:28:00,520 --> 00:28:09,480 Speaker 1: Japanese um call Yate or Jess Blaze both. You don't 435 00:28:09,520 --> 00:28:11,280 Speaker 1: want to take a shot of this specif ship the Japanese. 436 00:28:11,320 --> 00:28:14,960 Speaker 1: We can take a tiny shop that again. Change man, 437 00:28:15,800 --> 00:28:24,760 Speaker 1: It's okay, No, it's not take that shot. Cool. Yeah, 438 00:28:24,880 --> 00:28:29,000 Speaker 1: I told you this thousand bottom. Come on, just call me, 439 00:28:29,680 --> 00:28:32,840 Speaker 1: come on cool. That's good. Yeah, that's a double for me. 440 00:28:33,760 --> 00:28:37,800 Speaker 1: Let's go back. Let's made back, cousins. Okay, got n 441 00:28:37,840 --> 00:28:41,760 Speaker 1: A k A tv C. It's TV. Let's what's up, 442 00:28:42,200 --> 00:28:48,720 Speaker 1: It's up. Make some Morrison TVC. You can't see it. 443 00:28:48,840 --> 00:28:51,840 Speaker 1: Look when I was a fat boy. That that was 444 00:28:51,920 --> 00:28:58,400 Speaker 1: my stunt. Double. I just made your famous. I've been famous, famous, 445 00:28:58,880 --> 00:29:06,680 Speaker 1: God damnit, don't you know? So during the during the 446 00:29:06,760 --> 00:29:09,520 Speaker 1: course of time, I started to think of something the 447 00:29:09,560 --> 00:29:11,440 Speaker 1: other day and knowing that if I had you here, 448 00:29:11,960 --> 00:29:13,160 Speaker 1: and I just want to be straight up and just 449 00:29:13,240 --> 00:29:16,480 Speaker 1: asked the question right like, I don't remember seeing you 450 00:29:16,760 --> 00:29:20,480 Speaker 1: and Swiss in the same room, and over ten years 451 00:29:21,840 --> 00:29:23,959 Speaker 1: the only time I can think of you and Swiss 452 00:29:24,040 --> 00:29:29,440 Speaker 1: being in the same room, was it like all that time? Yeah, 453 00:29:29,760 --> 00:29:32,120 Speaker 1: And I don't know. This is a question. I seriously 454 00:29:32,200 --> 00:29:34,680 Speaker 1: don't know. Like I know I'm close to both sides, 455 00:29:34,720 --> 00:29:38,280 Speaker 1: so I should know, But I seriously don't know what this. 456 00:29:38,360 --> 00:29:39,760 Speaker 1: I swear to God, I swear to go if I 457 00:29:39,960 --> 00:29:42,479 Speaker 1: if you want to take my fingers not crossed, none 458 00:29:42,480 --> 00:29:44,600 Speaker 1: of that. You know that funny sh I swear to 459 00:29:44,760 --> 00:29:47,000 Speaker 1: I don't know the answer to this. Why is that? Though? 460 00:29:47,080 --> 00:29:51,600 Speaker 1: Like you it's okay, I did we all it was 461 00:29:51,600 --> 00:29:54,200 Speaker 1: a little big paper I did. If you think I'm jiggie, 462 00:29:54,320 --> 00:29:57,440 Speaker 1: five cuts from the money per respect boom, I did 463 00:29:57,560 --> 00:30:01,720 Speaker 1: get out me dog, numerous cuts and core produce on 464 00:30:01,920 --> 00:30:07,280 Speaker 1: like these thirteen cuts on h it's Alcohelo's hot. They 465 00:30:07,320 --> 00:30:10,160 Speaker 1: were the keen time for fleshing my flesh, the blood, 466 00:30:10,240 --> 00:30:13,240 Speaker 1: the blood, right, you know what I'm saying. I was 467 00:30:13,400 --> 00:30:16,440 Speaker 1: getting kind of veto, okay, but I was getting kind 468 00:30:16,480 --> 00:30:19,320 Speaker 1: of blocked. Yeah, I was getting kind of blocked because 469 00:30:19,440 --> 00:30:21,600 Speaker 1: rough riders with my management. I wasn't a rough friuther 470 00:30:21,640 --> 00:30:24,440 Speaker 1: of producing, you know what I'm saying. At the same time, 471 00:30:24,520 --> 00:30:26,720 Speaker 1: like my phone call stopped coming through the office on 472 00:30:28,360 --> 00:30:32,240 Speaker 1: I'm like, yo, I got just so seven million records collectively, 473 00:30:32,400 --> 00:30:34,200 Speaker 1: matter of fact, but on you know it's a little 474 00:30:34,200 --> 00:30:35,920 Speaker 1: bit popular beast sign and miss. You know it's like 475 00:30:36,040 --> 00:30:40,000 Speaker 1: six million money probably respected from one point five dog 476 00:30:40,080 --> 00:30:44,440 Speaker 1: went about three out the gate five all that underwearth management, 477 00:30:45,720 --> 00:30:47,880 Speaker 1: know what I'm saying. So at the beginning of them 478 00:30:47,960 --> 00:30:51,120 Speaker 1: starting fleshing my flesh. Yeah, felt on Vito, I think 479 00:30:51,120 --> 00:30:53,800 Speaker 1: you said, yeah, like my phone calls wasn't coming through 480 00:30:54,680 --> 00:30:56,520 Speaker 1: from you, the management. Yeah, so I had to go 481 00:30:56,600 --> 00:30:58,760 Speaker 1: a little deep cover. Okay, you know what I'm saying. 482 00:30:58,760 --> 00:31:01,040 Speaker 1: I spoke to I think I was the so so death. 483 00:31:01,200 --> 00:31:02,720 Speaker 1: The was like yo, he says, you're not doing bet 484 00:31:02,760 --> 00:31:08,600 Speaker 1: some more, hold on, hold on, okay, and then they're insinuated, 485 00:31:08,600 --> 00:31:13,560 Speaker 1: this is coming from your camp exactly. Okay, from my management. Okay, wow, 486 00:31:13,880 --> 00:31:15,760 Speaker 1: you know what I'm saying. So the same time, and 487 00:31:15,800 --> 00:31:19,040 Speaker 1: it actually it's written in blood, you know what I'm saying, 488 00:31:19,040 --> 00:31:22,040 Speaker 1: the same time doing flesh your flesh, if you know 489 00:31:22,120 --> 00:31:25,520 Speaker 1: the Swiss of the majority of flesher my flesh and 490 00:31:25,600 --> 00:31:29,440 Speaker 1: different things. And I did one song it's called Dogs 491 00:31:29,480 --> 00:31:31,720 Speaker 1: for Life, you know what I'm saying the same time, 492 00:31:31,840 --> 00:31:38,280 Speaker 1: And Dog was catching the the the the vibes. He 493 00:31:38,440 --> 00:31:41,080 Speaker 1: just made the song for me, Robber, still with your dog, 494 00:31:41,200 --> 00:31:43,400 Speaker 1: nig it was right to be died thinking like bloods 495 00:31:43,440 --> 00:31:45,280 Speaker 1: you know what I'm saying. So with the one song 496 00:31:45,360 --> 00:31:48,160 Speaker 1: that didn't flesh my flesh, Dog just he made it 497 00:31:48,520 --> 00:31:50,880 Speaker 1: for me. Okay. You know what I'm saying that. You know, Greece, Nick, 498 00:31:50,920 --> 00:31:52,920 Speaker 1: I'm here, you know what I'm saying beside. But the 499 00:31:52,960 --> 00:31:55,520 Speaker 1: politics is you know what I'm saying. But actually Swiss 500 00:31:55,520 --> 00:31:57,480 Speaker 1: is successful to let's not get it to us, right right? 501 00:31:57,600 --> 00:31:59,840 Speaker 1: No word ship? Yeah yeah, yeah, actually was the best 502 00:31:59,840 --> 00:32:02,200 Speaker 1: thing that happened to me. You're not being a part 503 00:32:02,280 --> 00:32:03,840 Speaker 1: of flesh, of my flesh as much as you wanted 504 00:32:03,880 --> 00:32:05,959 Speaker 1: to be. No, just really it made me to an 505 00:32:06,000 --> 00:32:11,680 Speaker 1: individual producer. Okay, yeah, it made me to like iron grease, 506 00:32:12,440 --> 00:32:15,280 Speaker 1: you know what I'm saying. That came after that, Yeah, 507 00:32:16,000 --> 00:32:18,600 Speaker 1: came out. They focused say, okay, let's say over that. Okay, 508 00:32:18,600 --> 00:32:21,200 Speaker 1: all right, I said, less in my flesh. You're feeling 509 00:32:21,280 --> 00:32:23,920 Speaker 1: a little crazy. But you don't get word. You get 510 00:32:24,000 --> 00:32:26,160 Speaker 1: word from social death. But did you have to go 511 00:32:26,280 --> 00:32:29,719 Speaker 1: to your management and say what's going on here? Like, um, 512 00:32:33,200 --> 00:32:37,760 Speaker 1: not quite? Okay, not quite? He took so no, no, no, 513 00:32:37,880 --> 00:32:39,680 Speaker 1: no no no no no no no no. I got 514 00:32:39,760 --> 00:32:42,960 Speaker 1: it from the office downtown, Michael say specific names of 515 00:32:43,120 --> 00:32:45,600 Speaker 1: the ladies working there. It's so funny, ship going on. 516 00:32:46,520 --> 00:32:49,600 Speaker 1: They sending your phone calls, so another producer, so it's 517 00:32:49,680 --> 00:32:53,560 Speaker 1: forth like, oh but the cap all this up, pulled 518 00:32:53,600 --> 00:32:55,600 Speaker 1: up to jay Z clip. Jay Z said the loll 519 00:32:55,720 --> 00:32:57,880 Speaker 1: in one shot. Okay, what clip is this? It's a 520 00:32:58,000 --> 00:33:00,400 Speaker 1: clip that jay Z put up because at I'm so 521 00:33:00,480 --> 00:33:03,040 Speaker 1: glad Jay did. I'm like, I gotta tell this storry 522 00:33:03,080 --> 00:33:06,480 Speaker 1: no more. But Jay was like, um for one of 523 00:33:06,520 --> 00:33:08,440 Speaker 1: his albums, like, yo, I went to the dude was 524 00:33:08,520 --> 00:33:13,400 Speaker 1: doing all them records. Uh, Dame Crease that produced the 525 00:33:13,480 --> 00:33:15,840 Speaker 1: Stalk and hell of Shot and then um, that's just 526 00:33:15,920 --> 00:33:23,480 Speaker 1: smell good too. Right then, um Ja was like, you know, 527 00:33:23,640 --> 00:33:26,240 Speaker 1: I wanted I wanted Damn Crease and then he sent 528 00:33:26,320 --> 00:33:29,280 Speaker 1: me the Nephew, but now I want to Crease. I'm like, nah, 529 00:33:29,520 --> 00:33:32,160 Speaker 1: I can't be sitting what you're doing, you know what 530 00:33:32,240 --> 00:33:35,040 Speaker 1: I'm saying. So at the same time, you know what 531 00:33:35,120 --> 00:33:37,320 Speaker 1: I'm saying, you know, Jay kept the Fisher like no 532 00:33:37,480 --> 00:33:38,960 Speaker 1: for mean enough. I we did some hits, you know 533 00:33:38,960 --> 00:33:40,600 Speaker 1: what I'm seeing. We did some ship you know what 534 00:33:40,600 --> 00:33:43,120 Speaker 1: I'm saying. But I can't front. I went to work 535 00:33:43,200 --> 00:33:46,440 Speaker 1: with Fat Nigger. So that was one of the phone 536 00:33:46,480 --> 00:33:49,880 Speaker 1: calls that got redistributed. Did you ever get a chance 537 00:33:49,920 --> 00:33:55,680 Speaker 1: to work with the whole one song? Okay? Um Freeway, 538 00:33:55,760 --> 00:34:01,760 Speaker 1: Big Spender, Hey, big spender. Do you know what I'm saying? 539 00:34:02,640 --> 00:34:04,920 Speaker 1: That was the only time. It's the only time. But 540 00:34:05,040 --> 00:34:07,840 Speaker 1: we actually we always have great, good dialogue, especially on 541 00:34:07,920 --> 00:34:10,760 Speaker 1: the toys with dog and everything. Great dollargue there. Always 542 00:34:10,760 --> 00:34:13,000 Speaker 1: give me a lot of great insight. So this is 543 00:34:13,040 --> 00:34:15,200 Speaker 1: for people that don't know, and obviously me, I'm a 544 00:34:15,239 --> 00:34:18,080 Speaker 1: part of that and they don't know. So Flash of 545 00:34:18,120 --> 00:34:22,000 Speaker 1: My Flesh comes out another successful He has too number 546 00:34:22,040 --> 00:34:24,400 Speaker 1: one albums in one year. You guys know each other 547 00:34:24,440 --> 00:34:26,960 Speaker 1: from back then. You did feel a little Vito like 548 00:34:27,080 --> 00:34:30,000 Speaker 1: you said, how do you black ball? Black ball? So 549 00:34:30,080 --> 00:34:32,680 Speaker 1: how do you amendous? Like, how do y'all come back together? 550 00:34:32,840 --> 00:34:37,440 Speaker 1: No dog? Dog never ever ever dog. You never saw 551 00:34:37,520 --> 00:34:44,680 Speaker 1: that as him. No dog never ever. I love my nig. 552 00:34:45,400 --> 00:34:49,400 Speaker 1: He always kept it two billion with me. Always some 553 00:34:49,520 --> 00:34:53,120 Speaker 1: new album pull up if nobody else wanted me to. 554 00:34:54,520 --> 00:34:57,400 Speaker 1: His movie scores Greece. I'm doing a movie called excell Wounds. 555 00:34:57,600 --> 00:34:59,799 Speaker 1: Come through the score, the whole score on that Greece. 556 00:34:59,840 --> 00:35:02,560 Speaker 1: Some do a movie called Crady to the Grave, Come 557 00:35:02,600 --> 00:35:04,959 Speaker 1: through the score. And that, you know what I'm saying, 558 00:35:05,040 --> 00:35:08,520 Speaker 1: In all the main things. So he will always keep 559 00:35:08,560 --> 00:35:11,040 Speaker 1: me involved with all his projects. Or anything he was 560 00:35:11,080 --> 00:35:14,040 Speaker 1: doing but yourself. But earlier you said you felt black ball. 561 00:35:14,120 --> 00:35:17,360 Speaker 1: You can't feel black ball that they're doing scores. No, no, 562 00:35:18,000 --> 00:35:21,560 Speaker 1: I was black ball in the almost society in your 563 00:35:21,560 --> 00:35:23,960 Speaker 1: own camp. You're saying no, you know from the rough 564 00:35:24,000 --> 00:35:26,719 Speaker 1: fry of situation was a little Yeah, it was a 565 00:35:26,800 --> 00:35:31,759 Speaker 1: little like, uh, I don't know, but from X there's DMX. 566 00:35:31,920 --> 00:35:35,520 Speaker 1: Let me just ask you thought it was Swiss himself 567 00:35:35,640 --> 00:35:39,360 Speaker 1: saying no, I don't know. Never, no, never never, I 568 00:35:39,560 --> 00:35:42,319 Speaker 1: never never never never never. I'm actually actually quite proud 569 00:35:42,360 --> 00:35:45,160 Speaker 1: of sless. Okay, but I was just having beat competition. 570 00:35:45,239 --> 00:35:48,759 Speaker 1: That's what everyone had at that time. Not quite. I 571 00:35:48,800 --> 00:35:52,000 Speaker 1: didn't always having to beat competitions. Okay, I'm just cranking 572 00:35:52,840 --> 00:35:57,719 Speaker 1: and doing dope. Ship. I know it was uh competition 573 00:35:57,800 --> 00:36:00,560 Speaker 1: and closes door behind you, ship that was coming. It's 574 00:36:00,640 --> 00:36:03,239 Speaker 1: always coming. No, I just got just do dope, ship. 575 00:36:03,960 --> 00:36:05,560 Speaker 1: I ain't know. It was like getting the closest door 576 00:36:05,560 --> 00:36:09,920 Speaker 1: behind you. Times. Sometimes yeah, you know, it happens like that. 577 00:36:09,960 --> 00:36:12,320 Speaker 1: I don't say sometimes it is like that, but sometimes 578 00:36:12,440 --> 00:36:15,880 Speaker 1: it happens like, right, wow, this is interesting ship, this 579 00:36:16,000 --> 00:36:17,759 Speaker 1: is interesting. Now. I just don't through, man, it's dope 580 00:36:18,000 --> 00:36:25,040 Speaker 1: it's still a movie still filming, so it's eat Booty 581 00:36:25,080 --> 00:36:28,000 Speaker 1: Gang still in the fact. But I started, I built, 582 00:36:28,440 --> 00:36:32,400 Speaker 1: I'm building, I'm feeling franchise. So it's to eat a 583 00:36:32,400 --> 00:36:35,640 Speaker 1: booty game. I'm building a franchise up now. Now I'm 584 00:36:35,640 --> 00:36:37,480 Speaker 1: getting the women to support to eat a booty game. 585 00:36:37,640 --> 00:36:40,719 Speaker 1: Wait wait, wait, wait wait wait, come who when you 586 00:36:40,800 --> 00:36:43,400 Speaker 1: say women to support to eat booty game? Women is 587 00:36:43,440 --> 00:36:48,040 Speaker 1: eating the booty Yeah, women eat good? Wait what I 588 00:36:48,080 --> 00:36:56,480 Speaker 1: don't know what? Get what? You don't have your legs 589 00:36:56,520 --> 00:37:01,719 Speaker 1: in the air, though it depends we had any think 590 00:37:01,719 --> 00:37:07,040 Speaker 1: about that. Listen to be ruling my childhood. Listen, I'm 591 00:37:07,120 --> 00:37:09,200 Speaker 1: on the road. I'm on the road. You can free 592 00:37:09,239 --> 00:37:11,120 Speaker 1: tell me to come to this room to watch the 593 00:37:11,200 --> 00:37:13,839 Speaker 1: play PlayStation. At the time, I'm eighteen years old, I'm 594 00:37:13,880 --> 00:37:16,200 Speaker 1: really thinking, you're gonna go play PlayStation. I go to 595 00:37:16,280 --> 00:37:18,479 Speaker 1: this thing of rule stick and put on the video 596 00:37:18,600 --> 00:37:21,000 Speaker 1: he got his legs? Why the funk? I'm in the 597 00:37:21,080 --> 00:37:23,919 Speaker 1: air and adventure to eat it up. Ruling my child 598 00:37:24,400 --> 00:37:26,600 Speaker 1: it's never the same, never looked at PlayStation the same. 599 00:37:26,640 --> 00:37:33,040 Speaker 1: After that, my man, I got over that. But it 600 00:37:33,160 --> 00:37:34,759 Speaker 1: was the first time I've never seen that. I've never 601 00:37:34,840 --> 00:37:37,840 Speaker 1: seen that before. So you started out eating boody then 602 00:37:38,360 --> 00:37:40,200 Speaker 1: made no no, no, no, no no no. I first 603 00:37:40,200 --> 00:37:44,279 Speaker 1: of all, first of all, I'm I'm gonna please the first. 604 00:37:44,560 --> 00:37:47,160 Speaker 1: I would prefer to eat the girl out before she 605 00:37:47,280 --> 00:37:49,680 Speaker 1: give me because I had I had a lot of 606 00:37:49,800 --> 00:37:52,600 Speaker 1: terrible head like there's there's a lot of there's a 607 00:37:52,680 --> 00:37:54,759 Speaker 1: lot of none dick, something's out there, And I'm just 608 00:37:54,840 --> 00:37:57,800 Speaker 1: gonna be straight up with there's a lot of the 609 00:37:57,920 --> 00:38:00,880 Speaker 1: majority of other women that something they they're supposed to 610 00:38:00,960 --> 00:38:02,920 Speaker 1: him that they have to suck. I want me a 611 00:38:03,000 --> 00:38:06,160 Speaker 1: woman to appreciate it and love to sing like like 612 00:38:06,600 --> 00:38:15,160 Speaker 1: you know what I'm saying. I guess we could come. 613 00:38:15,400 --> 00:38:18,799 Speaker 1: So I became a pleaser insta where to the part 614 00:38:18,840 --> 00:38:20,560 Speaker 1: where she didn't even got to suck my day this 615 00:38:20,719 --> 00:38:23,759 Speaker 1: let me eat that pussy. And then after a while, 616 00:38:23,800 --> 00:38:26,800 Speaker 1: you gotta you know, you got the gooch? You know 617 00:38:27,120 --> 00:38:34,440 Speaker 1: the women got the gooch? What was that in between 618 00:38:34,800 --> 00:38:39,360 Speaker 1: the whole wat? Okay, okay. So that's when when a 619 00:38:39,400 --> 00:38:42,040 Speaker 1: girl hit my goof two or three times with the 620 00:38:42,080 --> 00:38:49,160 Speaker 1: flick of the tongue, I was like, so I raised 621 00:38:49,200 --> 00:38:58,759 Speaker 1: the bridge up on like I'm like, hey, so I 622 00:38:58,880 --> 00:39:07,560 Speaker 1: raised from literally from the It's just you know, I 623 00:39:07,640 --> 00:39:09,719 Speaker 1: get I get mad sometimes when I go on the 624 00:39:09,800 --> 00:39:14,000 Speaker 1: clubhouses and I go on um, you know, Twitter and 625 00:39:14,080 --> 00:39:16,360 Speaker 1: things like that, and they have trending topics like Kevin 626 00:39:16,440 --> 00:39:19,279 Speaker 1: Hart ain't funny. I can't. I don't understand that. I 627 00:39:19,360 --> 00:39:21,600 Speaker 1: went into a room like that one time with they 628 00:39:21,600 --> 00:39:24,640 Speaker 1: said Tiffany hatsh ain't funny, And normally what that is 629 00:39:24,760 --> 00:39:26,840 Speaker 1: is troll. So when I went in that room, she 630 00:39:27,040 --> 00:39:31,479 Speaker 1: jumped in into and about She stayed in for about 631 00:39:31,520 --> 00:39:34,400 Speaker 1: an hour, but I spent about ten minutes telling them, niggas, 632 00:39:35,080 --> 00:39:37,759 Speaker 1: don't do that corny ship. You know what I'm saying, 633 00:39:37,760 --> 00:39:42,440 Speaker 1: because no matter if you affect five people, people just 634 00:39:42,480 --> 00:39:46,040 Speaker 1: winning then started screaming, Okay, look man, y'all here doing 635 00:39:46,040 --> 00:39:47,560 Speaker 1: this troll ship. It was like, no, we just wanted 636 00:39:47,560 --> 00:39:49,160 Speaker 1: to get her in here so we could talk to 637 00:39:49,239 --> 00:39:54,200 Speaker 1: her about some issues over in Africa. Alright, cool, I 638 00:39:54,320 --> 00:39:59,200 Speaker 1: get that, right, But to go and say someone's not funny, 639 00:39:59,239 --> 00:40:01,839 Speaker 1: to go against the hold something against their livelihood. Black 640 00:40:01,840 --> 00:40:03,680 Speaker 1: people always talking about we don't have enough and we 641 00:40:03,719 --> 00:40:05,239 Speaker 1: don't have this, but we're the first people to do 642 00:40:05,360 --> 00:40:12,200 Speaker 1: some dumb ship like that. So um, moving on, how 643 00:40:12,280 --> 00:40:14,560 Speaker 1: did you start acting? What was what was the actor 644 00:40:14,680 --> 00:40:18,920 Speaker 1: Bob who who told you it was the first. The 645 00:40:19,000 --> 00:40:21,760 Speaker 1: first off I got was to be in the Friday 646 00:40:21,880 --> 00:40:24,799 Speaker 1: Movie to Being Fridays as the little kid Chris kicking 647 00:40:24,840 --> 00:40:27,080 Speaker 1: over the garbage kids. And I was like, I ain't 648 00:40:27,120 --> 00:40:30,960 Speaker 1: doing that. You're going to go So when you said 649 00:40:31,040 --> 00:40:34,880 Speaker 1: kicking over the garbage, what are you talking about? They 650 00:40:34,920 --> 00:40:36,840 Speaker 1: told you not to do it. I didn't want to 651 00:40:36,880 --> 00:40:39,400 Speaker 1: do because think about it, right, during that time, right 652 00:40:39,440 --> 00:40:45,000 Speaker 1: we're talking the early nineties, you just kind of sell out. 653 00:40:45,280 --> 00:40:46,719 Speaker 1: Like at that time, it was like, yo, you got 654 00:40:46,800 --> 00:40:51,399 Speaker 1: the movie. It was to sell out, right. Remember there's 655 00:40:51,440 --> 00:40:53,640 Speaker 1: just no disrespect to anybody. But I remember there was 656 00:40:53,719 --> 00:40:56,600 Speaker 1: a time right because I hung with came and came, man, 657 00:40:56,680 --> 00:40:58,920 Speaker 1: that's like that's like that's all that's my heart, right, 658 00:40:59,160 --> 00:41:01,000 Speaker 1: And he will always get me the Jews like never 659 00:41:01,080 --> 00:41:03,400 Speaker 1: sell your publishing but this, and he said, you know 660 00:41:03,520 --> 00:41:05,480 Speaker 1: you need to take your career to two movies and 661 00:41:05,600 --> 00:41:08,840 Speaker 1: things like that. And I would come back home around 662 00:41:09,040 --> 00:41:13,120 Speaker 1: the trying to set me you will sell out, and 663 00:41:13,160 --> 00:41:15,680 Speaker 1: I'm like yo, and then so I'm like nah. My 664 00:41:15,840 --> 00:41:17,600 Speaker 1: mind was like I don't want to be a sellout. 665 00:41:17,640 --> 00:41:24,800 Speaker 1: You know what I'm saying, like, na, I'm hipop that radio. 666 00:41:24,880 --> 00:41:27,759 Speaker 1: You ain't barbe throwing stretch to the red is dub. 667 00:41:27,880 --> 00:41:29,759 Speaker 1: You're being a party and be like nah he he 668 00:41:30,040 --> 00:41:32,520 Speaker 1: you don't wrap us no more. It wasn't to commercials 669 00:41:32,600 --> 00:41:34,480 Speaker 1: and things of money like that. And then he said, 670 00:41:34,480 --> 00:41:36,799 Speaker 1: forget all this gets sticking true to the culture. I'm 671 00:41:36,840 --> 00:41:38,600 Speaker 1: going to get the bag. And if I got to 672 00:41:38,640 --> 00:41:40,600 Speaker 1: do a flip in the strike commercial, that's what they 673 00:41:40,640 --> 00:41:44,200 Speaker 1: did and it made it sells everybody out at the 674 00:41:44,320 --> 00:41:46,040 Speaker 1: end of the day. But what wait, was the Frinday 675 00:41:46,120 --> 00:41:48,560 Speaker 1: thing before the til Yeah? Yeah, it was before because 676 00:41:48,600 --> 00:41:51,160 Speaker 1: it's the same director. So when that ain't happened for that, 677 00:41:51,600 --> 00:41:54,600 Speaker 1: he called me back. He said, all right, it's not acting, 678 00:41:55,719 --> 00:41:57,960 Speaker 1: it's just being in the video. And or you're doing 679 00:41:58,040 --> 00:42:00,800 Speaker 1: this being yourself, he said. I said, what is it for? 680 00:42:00,960 --> 00:42:04,320 Speaker 1: He said TLC. I was saying, yeah, I'm on that, 681 00:42:04,480 --> 00:42:06,200 Speaker 1: and it was just to be in a video. I 682 00:42:06,239 --> 00:42:08,520 Speaker 1: didn't think of it that. I didn't think of it 683 00:42:08,600 --> 00:42:10,560 Speaker 1: as acting. I just thought of its being in the video. 684 00:42:10,840 --> 00:42:12,920 Speaker 1: But Friday, did you know that ice cube was attached 685 00:42:13,000 --> 00:42:15,839 Speaker 1: to that? I didn't. I didn't get you know, I mean, 686 00:42:15,920 --> 00:42:18,080 Speaker 1: I didn't care because for me with me and the 687 00:42:18,160 --> 00:42:21,839 Speaker 1: world was coming to a party and rock him giving 688 00:42:21,880 --> 00:42:24,239 Speaker 1: you a dap or Chuck Deed telling me that I'm 689 00:42:25,120 --> 00:42:29,640 Speaker 1: the bridge, and it's like, no, I'm not, man, I 690 00:42:29,719 --> 00:42:32,000 Speaker 1: want to be accepted. You know what I'm saying on 691 00:42:32,120 --> 00:42:34,680 Speaker 1: the block. I don't really care about that, you know 692 00:42:34,680 --> 00:42:39,759 Speaker 1: what I mean. So that's why I like you holding 693 00:42:39,800 --> 00:42:42,239 Speaker 1: a smoke champ like that. You want to light up? 694 00:42:42,239 --> 00:42:44,560 Speaker 1: You can light up? You want to light up? Yeah, 695 00:42:44,560 --> 00:42:47,000 Speaker 1: you can light up. It's okay, yeah, no, no, no, no, 696 00:42:47,600 --> 00:42:50,440 Speaker 1: you're thinking about thinking, come on, you're job. Let's go. 697 00:42:55,560 --> 00:42:57,319 Speaker 1: You know, man, I'm not a real smoke You ain't 698 00:42:57,320 --> 00:43:01,440 Speaker 1: got embarrassing you gotta I gotta go. Somebody like, yeah, 699 00:43:01,480 --> 00:43:05,920 Speaker 1: somebody liked it. So let me ask this as this 700 00:43:06,080 --> 00:43:10,040 Speaker 1: kind of a serious question, right, because um, I remember 701 00:43:10,160 --> 00:43:16,200 Speaker 1: when nas Um named his company ill Will, right, and 702 00:43:16,360 --> 00:43:18,520 Speaker 1: I believe that he had to change the name of 703 00:43:18,560 --> 00:43:22,799 Speaker 1: his company because it's easy to say like fun ill Will, 704 00:43:22,880 --> 00:43:25,480 Speaker 1: but ill Will is an actual person. It Will was 705 00:43:25,640 --> 00:43:30,719 Speaker 1: his actual best friend. So was it ever a time 706 00:43:30,760 --> 00:43:33,160 Speaker 1: when you said that about naming your album that? Because 707 00:43:33,320 --> 00:43:35,480 Speaker 1: that's what somebody don't like this. This is album and 708 00:43:35,560 --> 00:43:38,879 Speaker 1: somebody could say fun Donna. They're not saying fuck your mother, 709 00:43:39,160 --> 00:43:42,160 Speaker 1: but they're saying funk the actual material. Did you ever 710 00:43:42,560 --> 00:43:45,440 Speaker 1: feel any concern about that naming it after after her? 711 00:43:46,480 --> 00:43:48,399 Speaker 1: Not at all. But I have seen them do these 712 00:43:48,440 --> 00:43:50,880 Speaker 1: things when when everybody said they like donned the Way 713 00:43:51,160 --> 00:43:54,440 Speaker 1: better than uh CLB. They had this thing where they 714 00:43:54,480 --> 00:43:56,560 Speaker 1: had these football players coming up saying, what you like 715 00:43:56,719 --> 00:43:59,960 Speaker 1: better CLB A Donda and then they was like cl 716 00:44:00,080 --> 00:44:01,759 Speaker 1: be and then one of them was like yeah down. 717 00:44:01,880 --> 00:44:19,279 Speaker 1: I was like, bro, that's my mama. Yeah. So so 718 00:44:19,760 --> 00:44:22,400 Speaker 1: so you didn't feel that as a certain way, like 719 00:44:22,600 --> 00:44:25,480 Speaker 1: as a football player saying fun yeah, but he was 720 00:44:25,520 --> 00:44:29,680 Speaker 1: saying for the album. There's a lot of us fighting 721 00:44:29,920 --> 00:44:32,200 Speaker 1: in all kinds of different ways. It's like that thirteenth 722 00:44:32,239 --> 00:44:36,440 Speaker 1: Amendment needs to completely be eradicated. What the thing is, 723 00:44:37,000 --> 00:44:41,600 Speaker 1: it's uh, it's a it's a specific amendment for slavery 724 00:44:41,680 --> 00:44:45,200 Speaker 1: for black people that's in the current constitution. When we 725 00:44:45,320 --> 00:44:48,040 Speaker 1: shut up and dribble and we wrapped and we do 726 00:44:48,160 --> 00:44:50,600 Speaker 1: all this, this thing is still in the constitutions. As 727 00:44:50,680 --> 00:44:53,360 Speaker 1: famous as black people, as powerful as we are, and 728 00:44:53,440 --> 00:44:58,760 Speaker 1: as influential as we are this, there's still are pieces 729 00:44:58,880 --> 00:45:04,279 Speaker 1: of our one constitution that our only aim towards the 730 00:45:04,400 --> 00:45:08,879 Speaker 1: lost Hebrew race, knowing the lost people people army known 731 00:45:08,960 --> 00:45:14,439 Speaker 1: as black and that is still modern day um mom 732 00:45:14,480 --> 00:45:19,319 Speaker 1: and day slavery. So I'm you gotta give collectively. That's 733 00:45:19,400 --> 00:45:21,680 Speaker 1: that's the whole point. That's the reason why it's talks 734 00:45:21,719 --> 00:45:27,400 Speaker 1: to me and Drake doing a concert uh two uh 735 00:45:27,920 --> 00:45:31,320 Speaker 1: to bring life to Hoover together. And that's what I 736 00:45:31,440 --> 00:45:34,640 Speaker 1: see you with Ja Prince and and Jake Prince obviously 737 00:45:34,800 --> 00:45:36,759 Speaker 1: is affiliated. I see here to rap a lot change. 738 00:45:36,880 --> 00:45:39,640 Speaker 1: J Prince spoke about it here. I believe I'm not wrong. Yeah, 739 00:45:39,840 --> 00:45:41,800 Speaker 1: you know, so for a bigger car for period. I 740 00:45:41,880 --> 00:45:43,279 Speaker 1: love Drake, anybody you know what I'm saying. It's just 741 00:45:43,640 --> 00:45:45,560 Speaker 1: I was just basically I was just telling you, like 742 00:45:46,600 --> 00:45:50,120 Speaker 1: little back for basketball type of professional rap stuff he's 743 00:45:50,120 --> 00:45:53,000 Speaker 1: dealing with, but on a bigger and also, I say, 744 00:45:54,120 --> 00:45:56,600 Speaker 1: you know, those of us that know how to organize 745 00:45:57,640 --> 00:46:00,560 Speaker 1: are fraught to their demise be as they do not 746 00:46:00,719 --> 00:46:02,480 Speaker 1: want us to be organized. They want us to be 747 00:46:02,640 --> 00:46:12,080 Speaker 1: modern day slaves. Deep Ship, Deep Ship, deep Ship, thanks 748 00:46:12,120 --> 00:46:14,640 Speaker 1: for joining us for another episode of Drink Champs hosted 749 00:46:14,680 --> 00:46:17,040 Speaker 1: by Yours Truly, d J E F and n O 750 00:46:17,200 --> 00:46:19,200 Speaker 1: r E. Please make sure to follow us on all 751 00:46:19,239 --> 00:46:22,920 Speaker 1: our socials. Let's add Drink Champs across all platforms at 752 00:46:22,960 --> 00:46:26,879 Speaker 1: the Real Noriegon, I g at Noriega on Twitter, mine 753 00:46:27,000 --> 00:46:29,800 Speaker 1: is at Who's Crazy on I g at d j 754 00:46:30,000 --> 00:46:32,520 Speaker 1: e f N on Twitter, and most importantly, stay up 755 00:46:32,560 --> 00:46:35,719 Speaker 1: to date with the latest releases, news and merch by 756 00:46:35,760 --> 00:46:42,800 Speaker 1: going to drink champs dot com For more podcasts. For 757 00:46:42,920 --> 00:46:47,000 Speaker 1: my heart radio, visit the iHeart Radio app, Apple Podcast, 758 00:46:47,200 --> 00:46:49,120 Speaker 1: or wherever you listen to your favorite shows.