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Speaker 1: Are you ready to start? Ready, we're starting, We've started.

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Speaker 2: Let's do it.

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Speaker 1: I'm feeling it.

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Speaker 3: I'm nobody knows what that No, it's yeah, it's a

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Speaker 3: ridiculous joke.

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Speaker 2: Too long of a story.

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Speaker 1: So boy is it ever? Hi?

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Speaker 2: What's up? Hi?

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Speaker 1: What's up?

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Speaker 2: What's up? What's up? I uh? I just got a

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Speaker 2: mammogram yesterday. Not my first I've had money, but.

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Speaker 3: I got I had one of those fun things a

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Speaker 3: few weeks ago.

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Speaker 1: We could have gone together, now, we should.

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Speaker 2: Have gone together. Yeah, well that would have been that

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Speaker 2: would have been more fun.

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Speaker 1: I mean, it's very important. It is.

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Speaker 3: It is very important to get your mama. Ladies, it

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Speaker 3: is you just you do it.

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Speaker 2: You grin and your bear it the tatas. And you

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Speaker 2: know what I just learned.

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Speaker 1: Hmmm.

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Speaker 2: They've okay, sorry to anyone who's not into middle aged ailments,

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Speaker 2: but they've lowered the en they've lowered the age of

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Speaker 2: colonoscopies to forty five. So now I have it. It

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Speaker 2: was fifty, now it's forty five and I'm forty seven,

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Speaker 2: so apparently I'm overdue for a colonoscopy. Just what I recommendations.

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Speaker 1: I will tell you that it's very important.

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Speaker 3: My best friend Celia lost her sister in her early

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Speaker 3: forties to colon cancer that spread and she only found

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Speaker 3: out that she had it after she had her kid.

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Speaker 3: She was pregnant at the time and they found it

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Speaker 3: when she had the kid, but they didn't notice. So

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Speaker 3: it is very prevalent and women not to like bring

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Speaker 3: the vibe down. But this is the more Yeah, it's yeah,

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Speaker 3: it's it's It is super important, and it is also

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Speaker 3: important because the way that we eat and take care

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Speaker 3: of our insides is not great. So like I definitely am.

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Speaker 3: You know, they call the gut the second brain. It

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Speaker 3: is actually just as important to your mental health and

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Speaker 3: well being if you have a healthy gut biome, and

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Speaker 3: obviously cooldoscopies.

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Speaker 2: Are part of that, so totally okay, Well, so this

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Speaker 2: is your PSA.

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Speaker 1: Yeah, it's it's not fun.

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Speaker 3: I heard it's not like the I haven't had one,

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Speaker 3: but I've heard that the procedure itself isn't terrible.

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Speaker 1: It's the disgusting schmuck, not schmuck that's the wrong clean

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Speaker 1: Yiddish term.

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Speaker 3: The disgusting stuff you have to drink the night before,

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Speaker 3: and that basically you should just move everything that you

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Speaker 3: need into a comfortable spot in the bathroom and just

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Speaker 3: hang out there.

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Speaker 2: I've heard I've heard this basically.

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Speaker 3: Be like Steph, move into the bathroom and just do

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Speaker 3: that for a night, and then you'll be over it.

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Speaker 2: The next day. Yeah, yeah, I know. I think it's

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Speaker 2: just the anticipation of because I've never done it, so

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Speaker 2: I'm kind of like, I'm nervous, don't know what to expect,

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Speaker 2: but I do know how important it is.

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Speaker 1: And you just yeah, you know, look you get a colonoscopy,

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Speaker 1: then you'll be ready for a colonic and then you'll

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Speaker 1: just be like, yeah, every three months, just hose me out.

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Speaker 1: You know.

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Speaker 3: It was great, clean as a whistle, right, yeah, perfect.

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Speaker 3: I don't they say those are probably bad for you

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Speaker 3: actually because it again takes out the good healthy gut.

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Speaker 2: You need the good you need the good stuff inside you.

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Speaker 3: I mean, look, everyone's just doing their best, you know,

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Speaker 3: and uh and sometimes you gotta you know, get a

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Speaker 3: little invasive.

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Speaker 2: Okay, it's important, all right, I will. You've got to

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Speaker 2: hold your butt, people, hold me to it. But uh,

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Speaker 2: there you go.

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Speaker 1: That's the day.

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Speaker 3: Check your boobs in your butt, Check your boobs in

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Speaker 3: your butt, it's very yep, but it's very important.

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Speaker 1: It is.

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Speaker 3: It is, and nobody wants to talk about it because

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Speaker 3: we're weird about body parts in this country.

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Speaker 2: But let me tell you, we shouldn't feel we shouldn't.

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Speaker 2: It shouldn't be a weird topic, like we should be

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Speaker 2: more open about it. I wish people would talk to

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Speaker 2: me more about mammograms and stuff. And it's like, yeah,

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Speaker 2: it's no big deal, it's not a taboo topic. Just

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Speaker 2: talk about it.

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Speaker 1: And now that I know that, I'm going to talk

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Speaker 1: about mammograms all the time. That's it.

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Speaker 3: I'm just gonna find random mammogram facts and be like

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Speaker 3: did you know? Yeah, And that's it.

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Speaker 2: There we go.

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Speaker 1: Because you said you wish that people would talk to

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Speaker 1: you more about it.

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Speaker 2: So now, hey, another idea, another idea for a live show.

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Speaker 2: We get live mammograms on stage.

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Speaker 3: No I'm good, No, no, because you know what, there'd

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Speaker 3: be way too many people that would be in for it,

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Speaker 3: and that creeps me the fuck out. Okay, there's way

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Speaker 3: too many people will be like I'd go watch that,

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Speaker 3: and you're like no.

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Speaker 2: No, no, no, Well we could have like a privacy screen.

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Speaker 2: They wouldn't like actually see see it happen.

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Speaker 3: You're gonna bring a like a mimmography machine, yeah, X

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Speaker 3: ray machine somewhere.

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Speaker 2: Yes, and the and the boob handler, the lady that

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Speaker 2: handles your boob Yes, the boob handler.

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Speaker 3: I mean it is true. They do kind of go

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Speaker 3: all right, and then they're like closer to the machine.

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Speaker 3: You're like, I am crawling inside of the machine. I

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Speaker 3: can't possibly get any closer.

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Speaker 2: You can't get any closer. Get closer, get closer.

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Speaker 3: It'll be like when they get closer, they're going to

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Speaker 3: be giving me a colonoscopy.

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Speaker 2: That's really hey, well you know if you want to too.

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Speaker 2: First one, Katie Couric did it on the Today Show.

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Speaker 2: She got her colonoscopy live on the Today Show. So

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Speaker 2: I'm feeling inspired, you know.

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Speaker 3: But don't they give you something that makes you like, like, no,

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Speaker 3: one want I don't want to be live after that.

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Speaker 2: I want to see that. I'm buying a ticket right

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Speaker 2: now that you.

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Speaker 3: Know what it probably it would be like one of

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Speaker 3: those like wisdom tooth extractions where it's like, what.

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Speaker 1: Is happening to this person?

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Speaker 3: Yeah, yes, yes, I'm so glad we started off the

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Speaker 3: show there.

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Speaker 1: This has started really, you know, what we are helping people.

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Speaker 1: Someone might hear this and be like, you know what,

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Speaker 1: I'm forty five, I should go get that and maybe

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Speaker 1: we'll help them.

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Speaker 2: So if it helps even one person, it was worth

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Speaker 2: all the awkwardness of talking about talking about it.

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Speaker 1: Right, and all the awkwardness of drinking the terrible stuff.

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Speaker 2: Yes, yes, all right, stay tuned. I'll tell that story

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Speaker 2: on another minisode sometimes whenever I actually schedule the darnaplaue.

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Speaker 3: Oh, the mini mimography episode.

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Speaker 2: Now I'm already sweating and we just started.

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Speaker 1: That's just a hot flash.

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Speaker 2: It's true, that's true. Ay hrt our podcast initials and yeah, and.

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Speaker 3: We've never felt it more than talking about colonoscopies and

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Speaker 3: mammigrants today.

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Speaker 1: And everyone under forty is like, what what's wrong with them?

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Speaker 1: With these two? Yeah?

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Speaker 2: What's wrong with the host girls?

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Speaker 1: Guess what?

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Speaker 3: When you're forty plus you also will have people saying

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Speaker 3: what is wrong with you?

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Speaker 1: And I hope you do yaues. Then you know you've succeeded.

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Speaker 2: It's a rite of passage. I'm here for it. I'm

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Speaker 2: here for it. Well, let's get into the episode. Let's

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Speaker 2: get away from these topics of boobs, and butts and

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Speaker 2: get into today's episode.

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Speaker 1: Of Danny's First Date, which really isn't that far off.

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Speaker 3: I think, you know what I mean, if we're talking

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Speaker 3: thought process, I don't think that's too far of a stretch.

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Speaker 2: You know, Bob would love it. Bob would love if

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Speaker 2: we've dedicated this episode to Boo, ubes and butts, and

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Speaker 2: this is his episode, so.

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Speaker 3: Yeah, and it really is, and that, Bob, you're welcome.

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Speaker 3: He would love nothing more than inappropriate bathroom humor, especially

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Speaker 3: especially about an episode where he's, you know, nervous about

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Speaker 3: going on.

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Speaker 1: A first date after his wife's death.

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Speaker 3: So nothing more that Bob appreciates than really terrible humor.

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Speaker 1: I'm looking at your picture right now, Bob, You're welcome.

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Speaker 2: We love you, Bob. Well, welcome back to How Rude

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Speaker 2: Tanner Ritos. I am Andrea.

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Speaker 1: Barber, and I am Jody Sweeten and How Rude.

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Speaker 2: Indeed, today we are discussing episode season one, episode eighteen,

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Speaker 2: seventeen seventeen. I'm still having a hot flash.

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Speaker 3: Okay, it's this is our episode eighteen, but we did

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Speaker 3: a inter episode, so yeah, yeah, I.

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Speaker 2: Was reading the wrong thing. Okay, So today we are

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Speaker 2: discussing season one episode seventeen titled Danny's First Date, and

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Speaker 2: it originally aired on February eleventh, nineteen eighty eight, before

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Speaker 2: Valentine's Day. And it goes a little something like this,

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Speaker 2: Danny has not dated anyone since his wife's death one

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Speaker 2: year ago.

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Speaker 1: Wait, what about the check that came to his birthday party?

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Speaker 2: He wasn't ready to date. Remember he turned her down

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Speaker 2: for like a lunch or a meal.

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Speaker 1: Okay, that's right.

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Speaker 2: It's just like he wasn't ready for Carolyn the seacreuse.

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Speaker 2: Car Carolyn was the only good thing about that sea

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Speaker 2: cruise episode, and I wish she could come back. But

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Speaker 2: that's okay. We have Linda the Hive, the hive mother instead.

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Speaker 1: Linda. Linda listen, Linda listen.

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Speaker 2: Uh So, Danny becomes interested in this hive mother of

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Speaker 2: Stephanie's honeybee troop, but when his kids find out that

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Speaker 2: he might be going on a date, their negative response

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Speaker 2: surprises him.

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Speaker 1: It's the little it's a little dangerous though, to date

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Speaker 1: the hive mother of your kids.

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Speaker 2: You know, yeah, it's it seems messy to me. It

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Speaker 2: seems a little messy.

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Speaker 3: I feel like, yeah, well it's that's right.

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Speaker 1: It's not the point of it gonna go you know

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Speaker 1: what I mean?

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Speaker 2: Right, has got a limited pool here. So this episode

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Speaker 2: was directed by joel's Wick. It was written by Jeff Franklin.

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Speaker 2: And we have a couple of guest stars here. We

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Speaker 2: have Karen copp Karen Coppins, Copen's Karen Coppins. I don't

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Speaker 2: know how you say it would I would go Copen's,

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Speaker 2: but go Copen's, okay. Karen coppens as she plays Linda Stratton.

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Speaker 2: She's also known for eighties vampire Jim Carrey debut Once Bitten.

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Speaker 3: Oh, that is a historical piece of films.

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Speaker 1: Now it's not.

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Speaker 2: It's just I liked it and I don't even like

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Speaker 2: scary stuff. She was also in Troup Beverly Hills. She

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Speaker 2: was in Dallas and Troop. Yeah, Troupe Beverly Hills was fantastic.

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Speaker 1: I wonder why.

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Speaker 2: Anyway, So we love Karen even though her hair is

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Speaker 2: you know, very very eighties, very very blunt cut eighties.

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Speaker 2: That's great.

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Speaker 1: Yeah. Uh.

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Speaker 2: And the other guest star this week is Deborah Ann Gorman.

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Speaker 2: She plays Julie, who is Linda's daughter, another Honeybee.

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Speaker 1: Yes, and she was I don't think necessarily in anything else.

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Speaker 2: Being on full House killed her desire to pursue acting

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Speaker 2: as a child. Wow.

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Speaker 1: Uh yeah, well I mean maybe maybe.

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Speaker 2: Maybe, maybe not, We don't know, right, So the show

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Speaker 2: opens with Stephanie and her friends having a Honeybee meeting

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Speaker 2: in the living room.

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Speaker 1: The High love the honey Bees.

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Speaker 2: We love those Honeybees. They you know, we haven't seen you.

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Speaker 2: We haven't seen you in your Honeybee outfit in a

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Speaker 2: couple of episodes here, so love that costume. The Hive

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Speaker 2: mother Linda has made Joey an honorary Queen Bee. This

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Speaker 2: is great. There's so many kids in this scene too,

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Speaker 2: like you finally get to play with kids.

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Speaker 3: One of whom was our stage manager, Keith Richmond's daughter,

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Speaker 3: Allison Wish. She was sitting I think like the furthest

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Speaker 3: kind of upstage in like the front row, long dark hair.

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Speaker 3: Yeah that was because we were I was friends with

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Speaker 3: his u with Keith's daughters. They would come to birthday

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Speaker 3: parties and whatever. But yeah, she was one of the Honeybees.

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Speaker 3: I'm sure there were other I actually had written down.

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Speaker 3: It was like there's probably other you know, crew kids,

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Speaker 3: crew kids in the Honeybees.

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Speaker 2: But that's such a great perk of being a crew

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Speaker 2: member's kid, right, Yeah, you can get an extra in

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Speaker 2: a scene. Yeah, okay, So today today is the start

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Speaker 2: of the Honeybee Honey Drive, which is akin to Girl

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Speaker 2: Scouts selling Girl Scout cookies, which both you and I

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Speaker 2: are very familiar with because we've both indeed been there,

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Speaker 2: done that indeed.

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Speaker 3: And then yeah, I gotta say, I feel like selling

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Speaker 3: honey would have been a lot harder. So I'm cookies

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Speaker 3: way easy.

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Speaker 2: Cookies are way easier because you can eat so many

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Speaker 2: of those.

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Speaker 3: Truthfully, how much honey does one need? And it doesn't

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Speaker 3: go bad?

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Speaker 2: No, A jar of honey will last me easily, a year, easily,

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Speaker 2: but it doesn't.

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Speaker 1: It doesn't.

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Speaker 3: You can keep jar honey for as long as you

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Speaker 3: want and it does not go bad.

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Speaker 2: So this is a this is a difficult product to sell,

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Speaker 2: and I guess it's on on theme with the Honeybees,

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Speaker 2: but you're right, this is a very difficult product to move.

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Speaker 2: So Linda explains that they are raising money for underprivileged

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Speaker 2: children and the Honeybee who sells the most honey will

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Speaker 2: win a special grand prize a new bicycle.

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Speaker 1: I mean, couldn't the underprivileged kid use the bike one.

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Speaker 2: I know, I know if you're right, if you're raising money, well,

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Speaker 2: and I have I have issues. I've conflicted feelings about this.

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Speaker 2: I'll get to this.

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Speaker 1: Okay, we'll get suit. Sorry.

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Speaker 2: So they take the cover off to reveal the brand

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Speaker 2: new bike, and Stephanie immediately runs over to climb on it.

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Speaker 2: Joey awkwardly attempts to extract Stephanie from the bike, and

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Speaker 2: Stephanie exclaims that seat was made for my tush.

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Speaker 3: See, we were on brand. We started the show in

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Speaker 3: a very on brand way. But to be fair, you know,

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Speaker 3: the meeting is at Steph's house. She's like, there is

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Speaker 3: a new bike in my living room. True, I get why.

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Speaker 1: She feels a little entitled to it, but it's kind

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Speaker 1: I'm like, Steph, you kind of just sit.

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Speaker 2: Down, I know, have some chill, have some chill stuff.

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Speaker 1: Don't be don't be that kid.

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Speaker 2: Well you were six, it was like that was your

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Speaker 2: impulsive Yes, I want the bike. I want the bike.

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Speaker 1: Yeah, yeah, I understand, I understand it.

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Speaker 2: So Joey introduces a young lady who holds the record

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Speaker 2: for selling seven hundred and twenty five jars of honey,

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Speaker 2: DJ Tanner.

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Speaker 1: Wow, that is a lot of honey, a lot of honey.

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Speaker 2: DJ walks in. She's wearing a purple denim dress, which

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Speaker 2: is a departure from her normal amish look that she

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Speaker 2: or yellowstone costume that she at least wearing.

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Speaker 1: The eighteen twenty three or whatever. Yeah, I I don't.

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Speaker 2: Yes, this was.

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Speaker 3: This was an updated denim, an updated Canadian tuxedo.

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Speaker 1: You know what I mean? It was.

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Speaker 3: It was purple denim, purple acid washed denim, acid washed denim.

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Speaker 2: Yeah, she looked great. I love it.

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Speaker 1: I was so cute.

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Speaker 2: I loved it. So DJ gives the honey bees a

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Speaker 2: pep talk about how they will need to work their

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Speaker 2: little stingers off.

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Speaker 1: And she's not a honeybee anymore, right, No, she passed hastired.

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Speaker 2: Passed antenna onto you in one of the previous episodes.

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Speaker 2: So now she's the mentor who's imparting wisdom to the honeybees.

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Speaker 2: She leads them in a chant of sell, sell, sell sell,

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Speaker 2: and this, you know, this brings me to my conflicted

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Speaker 2: feelings about fundraisers like this, which yes, I love and

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Speaker 2: I was a cookie mom, so I'm you know, I'm

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Speaker 2: very much I was the cookie mom for the Our

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Speaker 2: Girl Scout troupe. So I have done this many many times,

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Speaker 2: and I think it's great. It teaches girls the skills

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Speaker 2: like managing money, setting goals, understanding customers, meeting deadlines. All

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Speaker 2: of that is great. But I feel like there's become

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Speaker 2: too much attention on an emphasis on the prizes that

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Speaker 2: you get for selling X number of products, like in

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Speaker 2: this case, selling so many the top seller is going

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Speaker 2: to win a bike. Same thing with those scouts. The

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Speaker 2: girls are all they want are like the prizes, the bears,

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Speaker 2: the sweatshirts, the trip to whatever, trip to Disneyland.

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Speaker 3: You do realize we live in a an incredibly capitalist

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Speaker 3: country in which everything is incentivized to sell the most

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Speaker 3: to other people of things they don't need, like seven

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Speaker 3: hundred jars of honey.

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Speaker 1: I don't, so I don't, And it was I think

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Speaker 1: the cell sell sell thing.

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Speaker 3: Also is is like a kind of a throwback to

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Speaker 3: like Gordon Gecko in Wall Street, Michael Douglas's car, like

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Speaker 3: it's all about I mean, it's the eighties. Is the

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Speaker 3: the yuppie stockbroker money money money you know vibe?

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Speaker 1: Right now?

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Speaker 2: Yeah?

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Speaker 1: I get it. Not but that's ever gone anywhere. I

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Speaker 1: don't know, you know, but that was this was definitely

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Speaker 1: you know, this was this was that era.

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Speaker 2: This was that era, and I just I don't I

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Speaker 2: think the point the point should be the underprivileged children

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Speaker 2: that you're raising money for, not the prizes and the

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Speaker 2: bike and the you know, the top seller that. I mean,

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Speaker 2: you got to keep the got to keep the emphasis

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Speaker 2: of where it's belonging.

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Speaker 3: I wonder why they didn't just say that it was

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Speaker 3: like benefiting the like the troop, rather like why they

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Speaker 3: have to make it about the kid like other Did

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Speaker 3: they just think that that wasn't gonna play as well?

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Speaker 1: Well?

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Speaker 2: I think normally, like our girls Scout Troop would always

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Speaker 2: take our profits from cookie selling, right, and that always

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Speaker 2: went back to a charity. Yeah, half of it stays

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Speaker 2: with the troop for whatever, you know, field trips got

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Speaker 2: common up or expenses, and then we would donate the

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Speaker 2: other half to a charity where like we did a

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Speaker 2: shelter one time, and an animal shelter. We brought blankets

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Speaker 2: and we donated money so that they could help pets.

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Speaker 2: And so I think that's good, that's very good. It's

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Speaker 2: it teaches, you know, altruism. But yeah, this it's it's

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Speaker 2: the incentives that I have I have an issue with.

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Speaker 1: Yeah, no, I get it, I get it. That's but

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Speaker 1: that's you know, it's common. Kids are kids are self

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Speaker 1: obsessed little creatures, and really we'll only do things if

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Speaker 1: there's something in it for them most of the time,

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Speaker 1: because that's and that's we all were like that, and

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Speaker 1: we and some people.

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Speaker 3: Never grow out of that. I know a lot of

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Speaker 3: adults like that have tons several several well uh uh

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Speaker 3: like that. But yeah, I get it, though I also

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Speaker 3: am not.

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Speaker 1: Comfortable with the selling of things.

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Speaker 2: Yeah, yeah, it's always awkward. He needs a bike, So

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Speaker 2: Steph needs a bike. This is she's on a mission.

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Speaker 2: She needs a bike. So Jesse walks in the front door.

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Speaker 2: He's wearing his exterminator uniform and DJ Yell's attack. The

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Speaker 2: honeybees surround Jesse until he explains that he's been exterminating

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Speaker 2: bugs all day and he will not hesitate to take

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Speaker 2: care of them if.

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Speaker 1: Need That was I love that. That was a hilarious joke.

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Speaker 2: Actually, that was really a good one. Such a good one.

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Speaker 1: Uh.

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Speaker 2: He shoes he shoes them away, and we follow Jesse

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Speaker 2: into the kitchen. In the kitchen, Jesse laughs at Joey's

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Speaker 2: b costume, and Joey explains to Jesse that he is

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Speaker 2: an honorary Queen Bee and this is.

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Speaker 1: High wasted pants. He certainly is.

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Speaker 3: My god, those the pants, and I literally wrote down

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Speaker 3: Joey's high waisted pants. They were his torso looked like

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Speaker 3: it was an inch long. They were, it was.

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Speaker 2: They get higher every episode. I'm convinced he just keeps

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Speaker 2: hiking him up.

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Speaker 1: And the belt loops were like this wide, and that

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Speaker 1: it was It's a choice.

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Speaker 2: That was a choice.

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Speaker 1: I preferred joe in the three piece suit. The high

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Speaker 1: waisted pants were not doing anything.

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Speaker 2: Me too, Me too. So Jesse sees a large cardboard

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Speaker 2: box in a kitchen and Joey explains that it's a

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Speaker 2: dream house from Jesse's mom for Michelle. At this moment,

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Speaker 2: Danny rushes in from the back door and he asks

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Speaker 2: if he missed the honeybee meeting. Jesse assures him that

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Speaker 2: the honeybees are still there, but more importantly, so is

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Speaker 2: their hive mother, Linda, and he says this in like

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Speaker 2: a sing songy voice, alluding to a hopeful love interest

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Speaker 2: for Danny. Woo so Danny grabs a pan from the

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Speaker 2: drying rack. He starts just casually checking out his hair

404
00:18:53,040 --> 00:18:57,439
Speaker 2: and fixing his cowlic and Jesse comments that Linda is

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Speaker 2: very pretty and very divorced. Joey and Jesse want Danny

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Speaker 2: to admit that he has a crush on Linda, but

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Speaker 2: Danny denies it. Joey tells him go for it. It's

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Speaker 2: obvious he's ready to start dating again, but Danny is unsure.

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Speaker 2: Jesse explains that it's been a year since Pam died.

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Speaker 2: This is very helpful timeline for us. Yes, Audio, I

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Speaker 2: was very I was like, okay, a year noted notice.

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Speaker 2: So it's been it's been twelve months, and Jesse and

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Speaker 2: Joey think that Danny is Danny's ready to day. He's ready,

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Speaker 2: Danny's Danny's not sure, though. Danny claims that it's been

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Speaker 2: so long he doesn't even remember how to ask a

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Speaker 2: girl out.

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Speaker 3: Yeah, he says, it was since prom since because remember

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Speaker 3: we find out that that they.

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Speaker 2: Were high school sweethearts. Oh I know, I know. So yeah,

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Speaker 2: it's understandable. It's been it's been over ten years and

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Speaker 2: he doesn't know how to ask anyone out on a date.

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Speaker 1: And I have thoughts. What are your thought on this?

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Speaker 3: Because Danny says that it was actually Joey who asked

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Speaker 3: out Ham for him, right, and Jesse seems surprised at

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Speaker 3: all this.

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Speaker 1: But Jesse was the brother, right, So wouldn't he.

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Speaker 3: Have met Danny and Joey then too, if they were dating?

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Speaker 3: I don't know, maybe maybe I'm just no, it's it's

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Speaker 3: that messy thing of like we've known each other forever,

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Speaker 3: but we've just now met.

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Speaker 2: Yeah, I guess I was sort of thinking thinking of it,

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Speaker 2: sort of like Joey was like the Sereno Dibersion Act.

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Speaker 2: Did I say that right?

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Speaker 1: Sereno not Tomeron. He was.

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Speaker 2: He was the one. He was just like basically speaking

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Speaker 2: for Danny. He I don't think anything to do with Jesse.

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Speaker 2: He was just like the one that.

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Speaker 1: No, no, no, I know that.

439
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Speaker 3: But if but if if Joey and Danny were best

440
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Speaker 3: friends in high school and Danny and Pam started dating

441
00:20:55,160 --> 00:20:59,359
Speaker 3: in high school and Jesse was he the older brother

442
00:20:59,600 --> 00:21:00,200
Speaker 3: or young.

443
00:21:00,400 --> 00:21:02,520
Speaker 2: I think he's the younger. He's the younger. He's younger,

444
00:21:02,600 --> 00:21:04,360
Speaker 2: Kam five years younger Pam.

445
00:21:05,320 --> 00:21:08,280
Speaker 1: So would he wouldn't he have seen the two of

446
00:21:08,320 --> 00:21:09,240
Speaker 1: them around.

447
00:21:10,240 --> 00:21:14,639
Speaker 2: Maybe sure, I'm trying to think. I'm five years younger

448
00:21:14,640 --> 00:21:19,320
Speaker 2: than my brother, one of my brothers, and yeah, they

449
00:21:19,320 --> 00:21:21,199
Speaker 2: were always hanging out. I would always say, yeah, I

450
00:21:21,240 --> 00:21:23,479
Speaker 2: was always wanted to hang out with the older kids,

451
00:21:23,560 --> 00:21:25,560
Speaker 2: and like.

452
00:21:23,920 --> 00:21:26,400
Speaker 3: Right, I just feel like I feel like they would

453
00:21:26,440 --> 00:21:30,320
Speaker 3: have been in this like at least known of each other.

454
00:21:30,560 --> 00:21:33,760
Speaker 3: It just always feels a little bit like Jesse is

455
00:21:33,800 --> 00:21:38,640
Speaker 3: this outlier instead of his mom being the grandma for everybody.

456
00:21:38,640 --> 00:21:40,879
Speaker 1: Well, I don't know, I'm reading too much into it.

457
00:21:41,080 --> 00:21:43,320
Speaker 2: I maybe thinking too much maybe, but no, you do.

458
00:21:43,400 --> 00:21:45,480
Speaker 2: You do bring up a good point though about it.

459
00:21:45,560 --> 00:21:48,399
Speaker 2: I don't think because I tend to forget too is

460
00:21:48,440 --> 00:21:49,560
Speaker 2: the brother in law Jesse.

461
00:21:50,000 --> 00:21:53,600
Speaker 3: Jesse would have known that. Joey asked Pam and Dan,

462
00:21:53,720 --> 00:21:54,280
Speaker 3: you know what I mean?

463
00:21:54,480 --> 00:21:58,600
Speaker 2: Yeah, unless, okay, if Pam was eighteen, that means Jesse

464
00:21:58,800 --> 00:22:02,560
Speaker 2: was like thirteen. Maybe he was just too self absorbed

465
00:22:02,640 --> 00:22:04,560
Speaker 2: to notice what was going on in Pam's life. I

466
00:22:04,560 --> 00:22:05,520
Speaker 2: don't know. I don't know.

467
00:22:05,640 --> 00:22:06,040
Speaker 1: I don't know.

468
00:22:06,320 --> 00:22:08,640
Speaker 2: That's fine. There's way too much logic for a sitcom.

469
00:22:08,920 --> 00:22:11,960
Speaker 1: I know that's too much logic.

470
00:22:12,119 --> 00:22:15,000
Speaker 2: Okay, So Danny reveals it's Joey who actually asked Pam out.

471
00:22:15,200 --> 00:22:17,719
Speaker 2: Jesse's very disturbed at the idea of Joey being an

472
00:22:17,760 --> 00:22:21,480
Speaker 2: expert on romance, and Jesse gives Danny a pep talk.

473
00:22:21,520 --> 00:22:24,200
Speaker 2: He says, now, go out there and be bold, be confident,

474
00:22:24,280 --> 00:22:27,680
Speaker 2: and ask that girl out. The guys pushed Danny into

475
00:22:27,680 --> 00:22:29,960
Speaker 2: the living room. Yes, I love that pep talk. So

476
00:22:30,000 --> 00:22:32,879
Speaker 2: now we're in the living room. Danny's confidence has waned

477
00:22:32,920 --> 00:22:35,679
Speaker 2: a little bit as he walks in on the honeybee meeting.

478
00:22:35,840 --> 00:22:38,800
Speaker 2: They're just wrapping up. Linda has all the honey bees

479
00:22:38,840 --> 00:22:40,760
Speaker 2: assembled by the front door, and she tells them to

480
00:22:40,840 --> 00:22:44,000
Speaker 2: buzz into the car, which is a little big.

481
00:22:44,200 --> 00:22:46,240
Speaker 1: She's got to be driving a rather large vand or

482
00:22:46,280 --> 00:22:47,080
Speaker 1: a station wagon.

483
00:22:47,240 --> 00:22:49,760
Speaker 2: Yeah, I'm trying. I'm wondering are all those honey bees

484
00:22:49,800 --> 00:22:51,800
Speaker 2: going to fit in her car? And they're just unattended,

485
00:22:51,880 --> 00:22:53,040
Speaker 2: Like she spends another.

486
00:22:52,920 --> 00:22:56,280
Speaker 1: Right, kids on a street and in a car on

487
00:22:56,359 --> 00:22:58,359
Speaker 1: a hill, you know what I mean? Like what they

488
00:22:58,359 --> 00:23:00,520
Speaker 1: have the keys? What happened?

489
00:23:01,680 --> 00:23:06,400
Speaker 2: It's the eighties. Safety was not a big concern.

490
00:23:06,160 --> 00:23:07,639
Speaker 1: That's true. They had the flip down seats in the

491
00:23:07,640 --> 00:23:09,600
Speaker 1: back of the stage wagon. Half the troops back there

492
00:23:09,640 --> 00:23:10,440
Speaker 1: just bopping around.

493
00:23:10,280 --> 00:23:13,679
Speaker 2: With those sea bult ons, pile them in. Yeah. So

494
00:23:13,760 --> 00:23:16,400
Speaker 2: with the kids gone, Linda thanks Danny for letting her

495
00:23:16,560 --> 00:23:20,240
Speaker 2: use the house, and Danny says, anytime me hive is

496
00:23:20,480 --> 00:23:25,000
Speaker 2: Sue Hive, which is lame joke, but that's okay. A

497
00:23:25,000 --> 00:23:26,920
Speaker 2: little girl walks up to Danny was a little.

498
00:23:26,720 --> 00:23:29,360
Speaker 1: Bit of a little but he's nervous.

499
00:23:29,480 --> 00:23:30,359
Speaker 2: He's nervous.

500
00:23:30,480 --> 00:23:32,640
Speaker 1: He's Danny always. He was a little bit of a nerd.

501
00:23:32,800 --> 00:23:34,520
Speaker 2: He is a nerd, and that's why I love him

502
00:23:34,560 --> 00:23:37,439
Speaker 2: so much, because he's he's not the suave you know

503
00:23:37,640 --> 00:23:43,200
Speaker 2: Jesse Cochran character. He's Danny. He's he's nerdy and and very, very,

504
00:23:43,400 --> 00:23:47,600
Speaker 2: just a wonderful person. She sends out everyone except her

505
00:23:47,600 --> 00:23:50,639
Speaker 2: own child, who then asks Danny to buy some honey

506
00:23:50,680 --> 00:23:54,160
Speaker 2: from her. So Linda's like, listen, honey, mister Tanner will

507
00:23:54,160 --> 00:23:57,200
Speaker 2: probably buy honey from Stephanie, you know, his own flesh

508
00:23:57,240 --> 00:24:00,359
Speaker 2: and blood. Yeah, but Danny wants a soft kid back

509
00:24:00,400 --> 00:24:02,640
Speaker 2: off right, it's Stephanie's territory.

510
00:24:02,720 --> 00:24:05,320
Speaker 3: He got that cell sell sell message, sees nothing else

511
00:24:05,400 --> 00:24:08,200
Speaker 3: but just say just that bike. She just wants the

512
00:24:08,280 --> 00:24:10,160
Speaker 3: bike right in my own living room.

513
00:24:10,840 --> 00:24:15,280
Speaker 2: How rude, right, So Danny wants to stay in Linda's

514
00:24:15,280 --> 00:24:18,000
Speaker 2: good graces, though, so he tells the little girl that

515
00:24:18,040 --> 00:24:21,679
Speaker 2: he will buy three jars, and Stephanie is just unhinged.

516
00:24:21,920 --> 00:24:26,119
Speaker 2: Stephanie is like, what he's buying from the competition? Doesn't

517
00:24:26,160 --> 00:24:29,760
Speaker 2: he know that she needs that bike? I don't blame

518
00:24:29,800 --> 00:24:34,840
Speaker 2: steph for being so mad, right, So Danny makes up

519
00:24:34,840 --> 00:24:36,600
Speaker 2: for it, and he says, okay, I will buy ten

520
00:24:36,760 --> 00:24:38,160
Speaker 2: jars from you.

521
00:24:38,240 --> 00:24:41,000
Speaker 3: What is happening with all this honey? Where is it going?

522
00:24:41,080 --> 00:24:44,880
Speaker 3: What are they doing? What is who is slathering themselves

523
00:24:44,880 --> 00:24:48,680
Speaker 3: in honey? What is just vats of honey somewhere?

524
00:24:48,880 --> 00:24:49,760
Speaker 2: So much honey?

525
00:24:50,119 --> 00:24:51,040
Speaker 1: It's good God.

526
00:24:51,400 --> 00:24:55,080
Speaker 2: So Stephanie's excited about this, but DJ covers her mouth

527
00:24:55,119 --> 00:24:57,040
Speaker 2: and says, no, no, no, we're gonna counter. We're gonna haggle

528
00:24:57,040 --> 00:25:00,280
Speaker 2: a little bit. Here, only ten Stephanie's flesh and blood.

529
00:25:00,359 --> 00:25:03,320
Speaker 2: So DJ and Danny haggle back and forth, the negotiate,

530
00:25:03,359 --> 00:25:07,399
Speaker 2: and finally settle on seventeen jars that Danny's gonna buy

531
00:25:07,440 --> 00:25:08,080
Speaker 2: from Stephanie.

532
00:25:08,480 --> 00:25:13,159
Speaker 1: What can't I can't seven? And they're not small jars either, No,

533
00:25:13,200 --> 00:25:14,000
Speaker 1: they're large jars.

534
00:25:14,119 --> 00:25:17,760
Speaker 2: They're full honey, big ones like big Mason jars. It's

535
00:25:18,000 --> 00:25:20,720
Speaker 2: way too much. So the girls leave and Linda remarks

536
00:25:20,760 --> 00:25:23,520
Speaker 2: to Danny that he just bought twenty jars of honey.

537
00:25:24,240 --> 00:25:26,919
Speaker 2: Danny says, oh, that's nothing. When DJ set the record

538
00:25:26,920 --> 00:25:29,199
Speaker 2: he bought one hundred and twelve jars and built a

539
00:25:29,240 --> 00:25:31,520
Speaker 2: honey cellar downstairs. There we go.

540
00:25:31,680 --> 00:25:35,240
Speaker 1: Now that explains it. There, it's right. Joey's room was

541
00:25:35,320 --> 00:25:36,399
Speaker 1: a honey sellar.

542
00:25:36,640 --> 00:25:40,400
Speaker 3: And now yeah, yeah, it's just because there's so much room.

543
00:25:41,359 --> 00:25:43,600
Speaker 2: This is also so relatable because how many times you

544
00:25:43,680 --> 00:25:45,760
Speaker 2: end up as a parent just buying out Like you're like,

545
00:25:46,040 --> 00:25:48,240
Speaker 2: the kid has to sell so many whatever for the

546
00:25:48,280 --> 00:25:50,840
Speaker 2: fundraiser for the school. As a parent, you're just like,

547
00:25:50,920 --> 00:25:52,440
Speaker 2: dang it, do I just have to buy the rest

548
00:25:52,440 --> 00:25:53,440
Speaker 2: of these if the kid didn't.

549
00:25:53,240 --> 00:25:54,639
Speaker 1: See Yeah, but they're always buying.

550
00:25:54,800 --> 00:25:57,840
Speaker 3: That's always like seized candy or like Girl Scout nuts

551
00:25:57,840 --> 00:26:00,760
Speaker 3: and chocolate or Girl Scout cookies. So the problem is

552
00:26:00,760 --> 00:26:03,760
Speaker 3: is that I'm not like, oh darn, there's one hundred

553
00:26:03,760 --> 00:26:06,000
Speaker 3: and twelve boxes of Girl Scout cookies in my house.

554
00:26:06,040 --> 00:26:08,800
Speaker 3: I'm like, yo, here we go. And that's the problem.

555
00:26:08,960 --> 00:26:11,159
Speaker 2: That is the problem. It's the product. It's it is

556
00:26:11,200 --> 00:26:14,600
Speaker 2: the product that's the problem. So Linda starts to leave,

557
00:26:14,800 --> 00:26:18,760
Speaker 2: but Danny stammers and stutters, and he awkwardly asks Linda

558
00:26:18,800 --> 00:26:21,240
Speaker 2: if she likes movies. He is so bad at this

559
00:26:21,359 --> 00:26:24,760
Speaker 2: and he loses his concentration, and Linda's like, hurry up.

560
00:26:24,800 --> 00:26:26,200
Speaker 2: I got a car full of honeybees.

561
00:26:27,200 --> 00:26:28,160
Speaker 1: I got a car full of bees.

562
00:26:28,280 --> 00:26:28,959
Speaker 2: Got a carful of bees.

563
00:26:29,080 --> 00:26:31,159
Speaker 3: Let's get That's gonna be my excuse for everything from now.

564
00:26:31,200 --> 00:26:32,880
Speaker 3: And I'm sorry, I've got a car full of bees.

565
00:26:32,920 --> 00:26:33,480
Speaker 1: I have to leave.

566
00:26:33,640 --> 00:26:34,840
Speaker 2: I've got a carful of bees.

567
00:26:35,440 --> 00:26:37,960
Speaker 1: We've I've got turtles and bags and cars full of bees.

568
00:26:38,600 --> 00:26:42,800
Speaker 2: I've got to leave turtles and bags. So Linda cuts

569
00:26:42,880 --> 00:26:45,119
Speaker 2: right to the chase. She has two tickets to the

570
00:26:45,160 --> 00:26:48,280
Speaker 2: Modern Art Exhibit tonight. Does Danny want to go with

571
00:26:48,320 --> 00:26:51,879
Speaker 2: her if she can find a sitter. Danny immediately offers

572
00:26:51,960 --> 00:26:55,240
Speaker 2: up Joey and Jesse to babysit, and great, it's a date.

573
00:26:55,800 --> 00:26:58,760
Speaker 2: Linda's thrilled. She says she will even buy Danny dinner

574
00:26:58,880 --> 00:27:01,159
Speaker 2: as well. She's gonna make him up at seven. All right.

575
00:27:01,320 --> 00:27:03,840
Speaker 2: Thank goodness for Linda for being forward, because Danny wasn't

576
00:27:03,840 --> 00:27:06,560
Speaker 2: getting it. Out and like, this date never would.

577
00:27:06,359 --> 00:27:08,640
Speaker 1: Have been set. Come on, buddy, let's do this.

578
00:27:08,880 --> 00:27:11,000
Speaker 2: Leave it to a woman. Just get get shit done.

579
00:27:11,080 --> 00:27:13,199
Speaker 2: You know Linda that's setting up the date.

580
00:27:13,280 --> 00:27:15,520
Speaker 1: She's yeah, she's running a hive. She's got a car

581
00:27:15,560 --> 00:27:16,080
Speaker 1: full of bees.

582
00:27:16,280 --> 00:27:20,280
Speaker 2: Yeah, she asmire her. I do, I'm here for Linda.

583
00:27:20,359 --> 00:27:22,919
Speaker 2: So Danny closes the door and he keeps repeating, I

584
00:27:22,920 --> 00:27:25,680
Speaker 2: have a date tonight. I have a date tonight. He's

585
00:27:25,680 --> 00:27:28,639
Speaker 2: in disbelief, and then he does this weird leg kick

586
00:27:28,680 --> 00:27:29,919
Speaker 2: thing that.

587
00:27:30,240 --> 00:27:32,440
Speaker 3: He would do that, And that was one of Bob's

588
00:27:32,440 --> 00:27:35,439
Speaker 3: more awkward moments because again he was so long that

589
00:27:35,520 --> 00:27:38,680
Speaker 3: like getting his knee up was like it was like

590
00:27:38,680 --> 00:27:40,119
Speaker 3: like an Ostrich, you know what I mean.

591
00:27:40,040 --> 00:27:42,679
Speaker 1: Like just yan, Yeah, he was. It was great. It

592
00:27:42,720 --> 00:27:44,080
Speaker 1: was so awkward and so Danny.

593
00:27:44,320 --> 00:27:46,879
Speaker 2: It's so Danny. I loved it. It made me laugh.

594
00:27:48,160 --> 00:27:50,960
Speaker 2: So next in the kitchen, Joey is putting together the

595
00:27:51,040 --> 00:27:54,000
Speaker 2: dream house, which also sometimes I thought.

596
00:27:53,800 --> 00:27:57,120
Speaker 1: They were calling it a treehouse.

597
00:27:57,160 --> 00:27:59,399
Speaker 2: They call it a treehouse. Sometimes they call it a

598
00:27:59,520 --> 00:28:01,240
Speaker 2: dream house. But I'm like, no, it's like a it's

599
00:28:01,240 --> 00:28:02,440
Speaker 2: like a playhouse, a playhouse.

600
00:28:02,480 --> 00:28:03,240
Speaker 1: It's a playhouse.

601
00:28:03,280 --> 00:28:06,080
Speaker 3: Well that's I mean I'm sure it was written by

602
00:28:06,119 --> 00:28:10,240
Speaker 3: men who had never unboxed any sort of small playground

603
00:28:10,280 --> 00:28:11,200
Speaker 3: equipment and had to.

604
00:28:11,119 --> 00:28:14,240
Speaker 1: Build it right right, okay, night before a holiday, so

605
00:28:14,840 --> 00:28:15,359
Speaker 1: right when.

606
00:28:15,240 --> 00:28:17,160
Speaker 2: You need you're like, oh, I'm out of I'm out

607
00:28:17,160 --> 00:28:20,040
Speaker 2: of batteries, I'm out of whatever other tools I need

608
00:28:20,040 --> 00:28:21,000
Speaker 2: to build this dang thing.

609
00:28:21,160 --> 00:28:21,400
Speaker 1: Yeah.

610
00:28:21,960 --> 00:28:24,639
Speaker 2: So Joey's putting together the playhouse and Jesse is talking

611
00:28:24,640 --> 00:28:28,280
Speaker 2: to Michelle about how much better this playhouse will be

612
00:28:28,440 --> 00:28:30,119
Speaker 2: than Benny the Dishrag.

613
00:28:30,240 --> 00:28:30,760
Speaker 1: Why is this?

614
00:28:31,040 --> 00:28:33,600
Speaker 3: There's toys all over this damn house. Why have they

615
00:28:33,640 --> 00:28:34,920
Speaker 3: given the child a dish rag?

616
00:28:35,160 --> 00:28:38,560
Speaker 1: Well that this is so because seventeen million dollars and

617
00:28:39,280 --> 00:28:40,480
Speaker 1: the kids playing with a dish rag.

618
00:28:40,920 --> 00:28:43,680
Speaker 2: Yes, because babies are like that. They'll just attach themselves

619
00:28:43,720 --> 00:28:45,680
Speaker 2: to like a lovey, like a weird like Felicity to this.

620
00:28:45,800 --> 00:28:48,320
Speaker 2: She had an old shirt of mine that she would

621
00:28:48,320 --> 00:28:50,680
Speaker 2: just like sniff and like rub on her nose. She's

622
00:28:50,720 --> 00:28:52,440
Speaker 2: gonna be so embarrassed that I'm telling you this. She hates,

623
00:28:52,760 --> 00:28:54,240
Speaker 2: but she would just had a lovey and it would

624
00:28:54,280 --> 00:28:56,520
Speaker 2: like it got so ragged because she didn't.

625
00:28:59,240 --> 00:29:00,840
Speaker 1: Not a dishrag, not a dishrag.

626
00:29:00,920 --> 00:29:03,080
Speaker 2: Well, no, and they should have set this up a

627
00:29:03,120 --> 00:29:05,520
Speaker 2: little better because I by the end of the episode,

628
00:29:05,520 --> 00:29:08,680
Speaker 2: I was like, what, So the Dishrag is a lovey

629
00:29:08,840 --> 00:29:11,040
Speaker 2: and Michelle doesn't want to let go of it. So

630
00:29:11,280 --> 00:29:14,480
Speaker 2: they're trying to wean Michelle off of Benny the Dishrag.

631
00:29:14,800 --> 00:29:17,880
Speaker 2: And they're hoping that this playhouse will be the place house. Yes,

632
00:29:17,960 --> 00:29:19,240
Speaker 2: replace it with a place.

633
00:29:19,040 --> 00:29:23,000
Speaker 1: Like a very odd uh lateral transfer.

634
00:29:22,640 --> 00:29:23,720
Speaker 2: Of things, you know what I mean?

635
00:29:23,920 --> 00:29:26,280
Speaker 3: Like, was she going to do carry the playhouse around

636
00:29:26,280 --> 00:29:28,480
Speaker 3: with her? At least Benny the dish rags portable?

637
00:29:28,680 --> 00:29:30,560
Speaker 2: Yeah, at least you can sleep with Benny the Dishrag.

638
00:29:30,600 --> 00:29:32,720
Speaker 2: You can't really cuddle with your your playhouse.

639
00:29:32,800 --> 00:29:35,120
Speaker 1: But who hasn't slept with Benny the Dishrag?

640
00:29:35,160 --> 00:29:35,360
Speaker 3: You know?

641
00:29:37,400 --> 00:29:40,000
Speaker 2: Well I had had a time every time.

642
00:29:40,160 --> 00:29:42,920
Speaker 1: Yeah, God, guy, Okay, that guy? All right?

643
00:29:44,080 --> 00:29:46,760
Speaker 2: Uh So Danny enters the kitchen. He's giddy, and he

644
00:29:46,800 --> 00:29:49,880
Speaker 2: announces that he has a date tonight and the guys

645
00:29:50,000 --> 00:29:53,480
Speaker 2: he's so cute, he's so excited. Jesse says, oh, it

646
00:29:53,560 --> 00:29:56,360
Speaker 2: was my pep talk about being bold and confident, wasn't it.

647
00:29:56,440 --> 00:29:59,480
Speaker 2: And Danny says, no, I was shy and awkward, and

648
00:29:59,520 --> 00:30:02,760
Speaker 2: she asked me out and she's treating me to dinner

649
00:30:02,840 --> 00:30:06,120
Speaker 2: and an art exhibit. Joey and Jesse are stunned and

650
00:30:06,160 --> 00:30:07,920
Speaker 2: perhaps even a little jealous.

651
00:30:07,680 --> 00:30:11,040
Speaker 3: Too, right, very very feminist of her to be like,

652
00:30:11,160 --> 00:30:13,520
Speaker 3: I'm taking you out and she's.

653
00:30:13,320 --> 00:30:16,719
Speaker 2: Paying for it. Yeah, I'm starting to really love Linda.

654
00:30:16,760 --> 00:30:17,040
Speaker 2: I do.

655
00:30:18,720 --> 00:30:18,800
Speaker 3: So.

656
00:30:18,880 --> 00:30:23,200
Speaker 2: Jesse offers to watch the girls, and suddenly Danny is reminded, Oh, yeah,

657
00:30:23,440 --> 00:30:27,120
Speaker 2: the girls. He is stressed about how he's going to

658
00:30:27,200 --> 00:30:31,160
Speaker 2: tell the girls that he has a date. Joey and

659
00:30:31,200 --> 00:30:34,760
Speaker 2: Jesse offer up some generic, unhelpful advice, and Danny says,

660
00:30:34,880 --> 00:30:36,640
Speaker 2: you guys don't have a clue how to handle this,

661
00:30:36,720 --> 00:30:38,360
Speaker 2: do you? They really don't.

662
00:30:38,440 --> 00:30:41,560
Speaker 1: I mean, who does I don't. Yeah, there's no answers.

663
00:30:41,560 --> 00:30:44,600
Speaker 2: It's a hard situation. So Danny goes over to Michelle

664
00:30:44,640 --> 00:30:47,080
Speaker 2: in the high chair and asks she will help him

665
00:30:47,200 --> 00:30:49,760
Speaker 2: tell the girls. Michelle nods her head yes and then

666
00:30:49,800 --> 00:30:54,160
Speaker 2: grabs onto Danny's nose and oh my god, and you

667
00:30:54,200 --> 00:30:57,560
Speaker 2: can bob kind of looking off at the camera, and

668
00:30:58,080 --> 00:30:59,240
Speaker 2: he totally.

669
00:30:58,800 --> 00:31:00,800
Speaker 1: Broke the fourth wall there. He did not think that

670
00:31:00,840 --> 00:31:01,719
Speaker 1: they were going to use that.

671
00:31:01,880 --> 00:31:04,080
Speaker 2: And yeah, I'm like, I don't know if he's looking

672
00:31:04,120 --> 00:31:06,720
Speaker 2: for Adria like to be like looking his hand off

673
00:31:06,720 --> 00:31:08,719
Speaker 2: my nose, Like what do I do?

674
00:31:08,960 --> 00:31:10,840
Speaker 1: The baby has my nose? But it was so funny.

675
00:31:10,920 --> 00:31:14,200
Speaker 2: Yes, it is so great. Was he always insecure about

676
00:31:14,200 --> 00:31:15,800
Speaker 2: his nose? I feel like this is sort of a

677
00:31:15,840 --> 00:31:18,200
Speaker 2: recurring thing? I mean maybe not.

678
00:31:18,320 --> 00:31:21,040
Speaker 1: I don't. I don't. I mean, I don't know about insecure.

679
00:31:21,080 --> 00:31:23,160
Speaker 3: I mean I'm sure like I don't know if you

680
00:31:23,200 --> 00:31:25,120
Speaker 3: ever really made comments about it, but it was you know,

681
00:31:25,200 --> 00:31:26,920
Speaker 3: there's a joke, L like Bob didn't know.

682
00:31:27,440 --> 00:31:29,720
Speaker 2: Yeah, there's a joke later about Jesse says something about

683
00:31:29,800 --> 00:31:32,320
Speaker 2: how something about a nose job for Danny, and I'm

684
00:31:32,360 --> 00:31:34,760
Speaker 2: just like, why is this a why is this nose bit?

685
00:31:35,000 --> 00:31:38,120
Speaker 3: Or maybe it maybe it wasn't a recurring thing until

686
00:31:38,320 --> 00:31:40,640
Speaker 3: the baby grabbed the nose and then John ran with

687
00:31:40,720 --> 00:31:44,440
Speaker 3: it and probably improvised that joke and Bob probably hated

688
00:31:44,440 --> 00:31:45,680
Speaker 3: it but didn't say anything.

689
00:31:45,800 --> 00:31:47,320
Speaker 1: That's going town.

690
00:31:47,640 --> 00:31:50,440
Speaker 2: That's what I'm remembering, Yes, that's what I'm remembering. Okay.

691
00:31:51,440 --> 00:31:55,280
Speaker 2: Uh So we cut now to the girl's bedroom, where

692
00:31:55,400 --> 00:31:58,440
Speaker 2: DJ has given Stephanie instructions on how to give the

693
00:31:58,440 --> 00:32:03,520
Speaker 2: best honeybee seller speed. She demonstrates this and Stephanie's very impressed.

694
00:32:03,800 --> 00:32:04,800
Speaker 2: Danny walks in se.

695
00:32:04,920 --> 00:32:07,480
Speaker 3: Iced to esk himos Man, I'm telling you, she kills

696
00:32:07,560 --> 00:32:08,720
Speaker 3: the honey back to the bees.

697
00:32:08,920 --> 00:32:11,680
Speaker 2: She could. She's very resourceful. She knows what she's doing.

698
00:32:12,760 --> 00:32:16,720
Speaker 2: Danny walks in and Stephanie tries her speech on him. Hi, Daddy,

699
00:32:16,800 --> 00:32:22,400
Speaker 2: I'm Stephanie Tanny, Stephanie Tanner, and your honey is tax

700
00:32:22,600 --> 00:32:27,520
Speaker 2: duck build. Happy birthday. She's just getting all of it

701
00:32:27,560 --> 00:32:28,680
Speaker 2: wrong but selling it.

702
00:32:28,760 --> 00:32:32,320
Speaker 1: I mean's deductible. When you're six, You're like tax duck build.

703
00:32:32,440 --> 00:32:35,760
Speaker 2: Yes, that makes more sense than tax deductible to a

704
00:32:35,800 --> 00:32:39,640
Speaker 2: six year old. So funny. So Danny sits them down

705
00:32:39,680 --> 00:32:42,880
Speaker 2: for an important talk. He has trouble getting the words out,

706
00:32:43,000 --> 00:32:45,440
Speaker 2: and instead he just buys two more jars of honey.

707
00:32:46,080 --> 00:32:48,440
Speaker 2: Then he stutters and buys it four more jars of

708
00:32:48,440 --> 00:32:52,320
Speaker 2: honey because I mean. Stephanie's like, wow, I'm great, I'm great.

709
00:32:52,320 --> 00:32:55,280
Speaker 1: I have a honey swimming pool in the backyard. Yeah.

710
00:32:55,520 --> 00:32:57,840
Speaker 2: He finally gets it out that he is going out

711
00:32:57,880 --> 00:33:02,280
Speaker 2: with Julie's mom, Linda tonight. Stephanie mistakes this as an

712
00:33:02,320 --> 00:33:06,760
Speaker 2: invitation that they are all going out together. Danny explains it, no,

713
00:33:07,080 --> 00:33:08,280
Speaker 2: it's just him and Linda.

714
00:33:08,760 --> 00:33:09,400
Speaker 1: So awkward.

715
00:33:09,560 --> 00:33:11,160
Speaker 2: It's so awkward to do you hey, I'll go no,

716
00:33:11,240 --> 00:33:16,600
Speaker 2: you're yeah, I was cringing. DJ is clearly bitter, and

717
00:33:16,640 --> 00:33:20,360
Speaker 2: she explains to Stephanie in clear terms, Dad is going

718
00:33:20,360 --> 00:33:22,800
Speaker 2: out on a date and he doesn't want us there.

719
00:33:23,360 --> 00:33:27,280
Speaker 2: They want to be alone out. DJ starts to storm out,

720
00:33:27,320 --> 00:33:29,960
Speaker 2: but Danny stops her and explains that he and Linda

721
00:33:30,080 --> 00:33:32,400
Speaker 2: just want to get to know each other better, but

722
00:33:32,520 --> 00:33:35,120
Speaker 2: DJ's not having it. She tries to guilt Danny into

723
00:33:35,120 --> 00:33:36,720
Speaker 2: staying home to help with homework.

724
00:33:37,360 --> 00:33:37,640
Speaker 1: Yep.

725
00:33:38,160 --> 00:33:41,440
Speaker 2: Now, Stephanie asks if Julie's mommy is going to become

726
00:33:41,840 --> 00:33:45,720
Speaker 2: their new mommy. Danny is shocked, and he explains that

727
00:33:45,800 --> 00:33:48,440
Speaker 2: this is just a date. People go out on dates

728
00:33:48,440 --> 00:33:51,080
Speaker 2: and they don't get married. And you know, I don't

729
00:33:51,080 --> 00:33:53,360
Speaker 2: know if you could relate to this, but I totally

730
00:33:53,440 --> 00:33:56,840
Speaker 2: could relate to the fear of introducing a new partner

731
00:33:57,360 --> 00:33:59,520
Speaker 2: to your kids. And I mean, granted, mine, mine wasn't

732
00:33:59,520 --> 00:34:02,120
Speaker 2: a death situation. Mine was a divorce. But when I

733
00:34:02,120 --> 00:34:05,520
Speaker 2: brought Michael, my boyfriend of nine years, around to meet

734
00:34:05,520 --> 00:34:08,359
Speaker 2: the kids, I was like so nervous. I waited six

735
00:34:08,440 --> 00:34:11,919
Speaker 2: months to even introduce them because I was paranoid about

736
00:34:11,920 --> 00:34:13,000
Speaker 2: what they were going to think. Are they going to

737
00:34:13,080 --> 00:34:14,239
Speaker 2: be mad? What's you know, what's going.

738
00:34:14,239 --> 00:34:14,600
Speaker 1: To go on?

739
00:34:16,360 --> 00:34:18,200
Speaker 2: And the kids they were they were good, they were

740
00:34:18,200 --> 00:34:22,239
Speaker 2: good about it, but a little bit hesitant. And I

741
00:34:22,280 --> 00:34:25,160
Speaker 2: found out later that Tate, Tate, my son, my oldest son,

742
00:34:25,719 --> 00:34:27,680
Speaker 2: he was a little bit like, I don't know about this.

743
00:34:27,760 --> 00:34:29,200
Speaker 2: He was kind of cranky about it, kind of like

744
00:34:29,239 --> 00:34:32,399
Speaker 2: DJ was. And I was like, what's going on, Tate,

745
00:34:32,480 --> 00:34:34,200
Speaker 2: you know, are you okay with this situation?

746
00:34:34,320 --> 00:34:34,520
Speaker 1: Well?

747
00:34:34,600 --> 00:34:38,360
Speaker 2: I found out later that he assumed that because I

748
00:34:38,400 --> 00:34:41,000
Speaker 2: was dating Michael and Michael was from Texas, that that

749
00:34:41,120 --> 00:34:42,759
Speaker 2: meant the whole family was moving to.

750
00:34:42,719 --> 00:34:43,680
Speaker 1: Texas, Texas.

751
00:34:44,080 --> 00:34:47,239
Speaker 2: And he was announcing to his the whole his whole classroom,

752
00:34:47,680 --> 00:34:50,400
Speaker 2: I'm moving to Texas. And I'm like, no, honey, like

753
00:34:50,440 --> 00:34:53,280
Speaker 2: this is just we're just dating. We're not getting married,

754
00:34:53,320 --> 00:34:56,560
Speaker 2: we're not moving to Texas. Nothing is going to change.

755
00:34:56,640 --> 00:35:00,520
Speaker 2: But just watching the scene brought back those men memories

756
00:35:00,560 --> 00:35:03,080
Speaker 2: of just having those conversations with your kids.

757
00:35:03,360 --> 00:35:03,560
Speaker 1: You know.

758
00:35:03,640 --> 00:35:06,200
Speaker 3: I actually loved this episode for that because it was

759
00:35:07,480 --> 00:35:09,880
Speaker 3: and it was such a real moment where like nobody

760
00:35:09,960 --> 00:35:10,560
Speaker 3: knew I don't.

761
00:35:11,560 --> 00:35:13,800
Speaker 1: I don't know, you know, Danny didn't know, the guys

762
00:35:13,800 --> 00:35:16,960
Speaker 1: didn't know. There's no handbook for it. Like, yeah, it's

763
00:35:17,000 --> 00:35:17,759
Speaker 1: it is what it.

764
00:35:17,719 --> 00:35:20,840
Speaker 3: Is, and like walking the kids through it and letting

765
00:35:20,880 --> 00:35:24,240
Speaker 3: them have their emotions and you know, feeling that being

766
00:35:24,440 --> 00:35:27,279
Speaker 3: torn as a parent of like, well, how do I,

767
00:35:28,640 --> 00:35:30,920
Speaker 3: you know, make sure my kids are taken care of

768
00:35:31,000 --> 00:35:32,880
Speaker 3: and okay, but how do I also make choices that

769
00:35:32,920 --> 00:35:33,640
Speaker 3: make me happy?

770
00:35:33,760 --> 00:35:35,600
Speaker 1: You know? What's that? What's the balance? How do you

771
00:35:35,640 --> 00:35:35,960
Speaker 1: do that?

772
00:35:36,080 --> 00:35:38,960
Speaker 3: So it was such a great episode for that, But

773
00:35:39,120 --> 00:35:40,000
Speaker 3: I and.

774
00:35:40,000 --> 00:35:44,880
Speaker 2: DJ was but like she's mad, she has feelings about

775
00:35:44,920 --> 00:35:48,400
Speaker 2: she has fee and she's not she's not gonna hold it,

776
00:35:48,680 --> 00:35:51,040
Speaker 2: hold him back, Like she's gonna let Danny know exactly

777
00:35:51,080 --> 00:35:51,640
Speaker 2: how I feel.

778
00:35:51,719 --> 00:35:56,040
Speaker 1: She's like he's leaving. I was like, yeah, yeah, it's pretty.

779
00:35:56,440 --> 00:36:00,839
Speaker 2: She's very bitter. But this is very very la And yeah,

780
00:36:00,840 --> 00:36:04,239
Speaker 2: like you said, for writers that couldn't get the play

781
00:36:04,360 --> 00:36:06,759
Speaker 2: the playhouse right, the Benny, the dish rag and the

782
00:36:06,760 --> 00:36:10,400
Speaker 2: playhouse and all these little kid kid specificities, like they

783
00:36:10,400 --> 00:36:13,560
Speaker 2: get that stuff wrong, But then they nailed this storyline

784
00:36:13,600 --> 00:36:16,400
Speaker 2: of how to explain to your kids that you know,

785
00:36:16,719 --> 00:36:18,560
Speaker 2: Dad's moving on and Dad needs to take care of

786
00:36:18,640 --> 00:36:21,360
Speaker 2: himself and do things that make him happy, but Danny

787
00:36:21,360 --> 00:36:22,120
Speaker 2: still loves his dog.

788
00:36:22,280 --> 00:36:24,000
Speaker 3: Well maybe that's an area of life that they had

789
00:36:24,040 --> 00:36:24,880
Speaker 3: more experience with.

790
00:36:25,120 --> 00:36:26,520
Speaker 2: Yeah, maybe maybe.

791
00:36:26,600 --> 00:36:28,560
Speaker 1: Okay, you know, well they just they.

792
00:36:28,560 --> 00:36:30,600
Speaker 2: Really they really nailed it. I think they hit all

793
00:36:30,640 --> 00:36:31,720
Speaker 2: these emotional.

794
00:36:31,239 --> 00:36:32,759
Speaker 1: Beats and yeah, move was great.

795
00:36:32,840 --> 00:36:37,160
Speaker 2: I really like it. Okay, Moving on, DJ continues to

796
00:36:37,160 --> 00:36:40,600
Speaker 2: give Danny a guilt trip until Danny finally decides fine,

797
00:36:40,640 --> 00:36:43,239
Speaker 2: he will stay home with the kids and cancel his date.

798
00:36:43,760 --> 00:36:45,440
Speaker 2: DJ looks very pleased with herself.

799
00:36:45,680 --> 00:36:46,200
Speaker 1: Mm hmm.

800
00:36:46,480 --> 00:36:47,880
Speaker 2: The girls kiss him on the cheeks.

801
00:36:47,920 --> 00:36:50,120
Speaker 1: Oh, go ahead, No, I was gonna say I.

802
00:36:50,120 --> 00:36:52,360
Speaker 3: I also noticed in this scene I have a giant

803
00:36:52,400 --> 00:36:54,600
Speaker 3: band aid on my knee, and I don't know.

804
00:36:54,880 --> 00:36:57,080
Speaker 1: I was like, what did I do?

805
00:36:57,120 --> 00:37:01,000
Speaker 2: You probably fell down or who knows fell down, but

806
00:37:01,040 --> 00:37:02,279
Speaker 2: I saw that I do.

807
00:37:02,400 --> 00:37:04,440
Speaker 1: Yeah, it was like a big wound.

808
00:37:04,719 --> 00:37:07,360
Speaker 2: Anyway, we should keep a running tally of your injuries.

809
00:37:08,360 --> 00:37:12,080
Speaker 3: Right during the with my little fuzzy face thing, it

810
00:37:12,160 --> 00:37:13,799
Speaker 3: was like, if you look too, there was like a

811
00:37:13,800 --> 00:37:17,239
Speaker 3: little face on that fuzzy outfit that I had. It

812
00:37:17,320 --> 00:37:23,200
Speaker 3: was like a weird little gnome looking thing, like made

813
00:37:23,239 --> 00:37:23,880
Speaker 3: out of clay.

814
00:37:23,920 --> 00:37:24,480
Speaker 1: It was a button.

815
00:37:24,520 --> 00:37:24,840
Speaker 2: I don't know.

816
00:37:24,840 --> 00:37:25,959
Speaker 1: It was very strange, very.

817
00:37:25,840 --> 00:37:30,920
Speaker 2: Eighties, but very eighties. Love it. So we hear some

818
00:37:31,000 --> 00:37:33,920
Speaker 2: sad instrumental music, and that takes us to the commercial break.

819
00:37:34,120 --> 00:37:35,720
Speaker 2: And after the sad commercial.

820
00:37:35,560 --> 00:37:37,760
Speaker 1: You're having a feeling, Yes, you're.

821
00:37:37,719 --> 00:37:41,520
Speaker 2: This sad instrumental music. After the commercial break, Danny's in

822
00:37:41,560 --> 00:37:44,799
Speaker 2: the kitchen and he's calling Linda to cancel this date.

823
00:37:45,920 --> 00:37:49,160
Speaker 2: Jesse and Joey walk in and overhear this conversation. In

824
00:37:49,320 --> 00:37:53,520
Speaker 2: side note, Jesse's wearing yellow and not blue his stand.

825
00:37:53,560 --> 00:37:55,120
Speaker 2: He's not wearing his traditional teal.

826
00:37:55,680 --> 00:37:59,040
Speaker 1: He's wearing a bowling shirt.

827
00:37:59,320 --> 00:38:01,760
Speaker 3: Oh, if you know, it's like a like a vintage

828
00:38:01,800 --> 00:38:08,880
Speaker 3: style bowling shirt with.

829
00:38:05,320 --> 00:38:08,520
Speaker 2: AA with the leather vest. Yes, he's got the leather vest.

830
00:38:08,520 --> 00:38:10,880
Speaker 2: He's got it's his standard uniform. But the shirt is

831
00:38:10,960 --> 00:38:13,960
Speaker 2: so the color so bright, shocking. It took me out

832
00:38:13,960 --> 00:38:16,480
Speaker 2: of the scene. I was like, what, where's his traditional

833
00:38:16,600 --> 00:38:20,920
Speaker 2: teal and black outfit? The color story changed, Yeah, it changed,

834
00:38:21,360 --> 00:38:25,280
Speaker 2: very jarring, very jarring. So Jesse and Joey questioned Danny

835
00:38:25,280 --> 00:38:28,680
Speaker 2: about what happened, and Danny explains that he couldn't handle

836
00:38:28,760 --> 00:38:32,480
Speaker 2: the looks on the girl's faces. Joey and Jesse think

837
00:38:32,520 --> 00:38:34,960
Speaker 2: that he should have kept the date, and Danny claims

838
00:38:35,000 --> 00:38:37,040
Speaker 2: it'll be much easier to date when the girls move

839
00:38:37,040 --> 00:38:40,839
Speaker 2: out to college. Joey says he'll be pushing fifty at

840
00:38:40,880 --> 00:38:43,680
Speaker 2: the singles bars, and then Dave does this really funny

841
00:38:43,680 --> 00:38:47,440
Speaker 2: impression of old man Danny Danner, which is great.

842
00:38:47,360 --> 00:38:48,879
Speaker 1: Again fifty though not all.

843
00:38:48,920 --> 00:38:54,600
Speaker 3: That's no, no, you're right, reminder everyone, Yes, no, fifty

844
00:38:54,800 --> 00:38:55,040
Speaker 3: is not.

845
00:38:55,360 --> 00:38:56,480
Speaker 1: Yeah, you're not You're just.

846
00:38:56,600 --> 00:38:58,200
Speaker 2: You're just starting life at fifty.

847
00:38:58,600 --> 00:39:01,640
Speaker 3: Yeah, so I mean maybe not just starting, but you

848
00:39:01,680 --> 00:39:03,120
Speaker 3: know you're well into it.

849
00:39:03,200 --> 00:39:06,479
Speaker 2: Well, yes, well it's the best is yet to come? No,

850
00:39:06,560 --> 00:39:10,160
Speaker 2: not done at all. Jesse says, what do you want

851
00:39:10,160 --> 00:39:13,000
Speaker 2: to do, Danny, and Danny replies that well, he wants

852
00:39:13,040 --> 00:39:15,440
Speaker 2: to go out with Linda, so Danny calls Linda back

853
00:39:15,480 --> 00:39:17,920
Speaker 2: to reinstate their date. He claims that it was his

854
00:39:18,000 --> 00:39:20,839
Speaker 2: evil twin brother, Manny Tanner, who called.

855
00:39:22,040 --> 00:39:22,839
Speaker 1: Loved to have.

856
00:39:22,800 --> 00:39:28,000
Speaker 3: Seen that episode where Danny's evil twin Manny shows up.

857
00:39:28,760 --> 00:39:30,080
Speaker 3: I feel like it should have been in the same

858
00:39:30,120 --> 00:39:33,880
Speaker 3: episode as stav Ros and yes, and the could have

859
00:39:33,880 --> 00:39:35,840
Speaker 3: had a battle to the death. Oh, that would have

860
00:39:35,840 --> 00:39:38,239
Speaker 3: been so Bodn versus starv Ros.

861
00:39:37,920 --> 00:39:40,360
Speaker 2: Star Rose, and then they had the Olsen there was

862
00:39:40,360 --> 00:39:45,319
Speaker 2: the Greek Olsen twin or the Greek cousin, so both

863
00:39:45,320 --> 00:39:50,279
Speaker 2: Olsen in that episode. That would be so great cage match,

864
00:39:50,520 --> 00:39:54,600
Speaker 2: that would be amazing. So the date is back on, Hallelujah.

865
00:39:55,200 --> 00:39:57,920
Speaker 2: Just then DJ and Stephanie walk in and announce that

866
00:39:57,960 --> 00:40:00,960
Speaker 2: they're so thankful that Danny can't his date that they

867
00:40:00,960 --> 00:40:03,560
Speaker 2: want to take him out for ice cream. They say,

868
00:40:03,600 --> 00:40:06,920
Speaker 2: you're a great dad and we love you so much. Oh,

869
00:40:07,000 --> 00:40:11,920
Speaker 2: the guilt, the guilt. So Danny hugs the girls and

870
00:40:12,040 --> 00:40:14,959
Speaker 2: once again gets on the phone and cancels the date.

871
00:40:15,360 --> 00:40:20,080
Speaker 2: A lah Manny Tanner, Oh Manny, Danny, Danny Manny. So

872
00:40:20,160 --> 00:40:22,600
Speaker 2: we fade to the living room, where Joey is giving

873
00:40:22,719 --> 00:40:26,560
Speaker 2: Jesse instructions on how to build the playhouse. DJ and

874
00:40:26,560 --> 00:40:28,400
Speaker 2: Stephanie come in and ask if the guys want to

875
00:40:28,440 --> 00:40:31,239
Speaker 2: join them for ice cream with Danny. Joey and Jesse

876
00:40:31,360 --> 00:40:34,320
Speaker 2: propose that they take the girls to ice cream instead

877
00:40:34,520 --> 00:40:38,160
Speaker 2: and let Danny go on the date. DJ says that

878
00:40:38,160 --> 00:40:42,080
Speaker 2: that idea stinks, and Stephanie is just still confused. Man,

879
00:40:42,120 --> 00:40:44,719
Speaker 2: I don't remember DJ ever being this bratty, like she's

880
00:40:44,840 --> 00:40:46,400
Speaker 2: very DJ.

881
00:40:46,280 --> 00:40:49,560
Speaker 3: In this one was pretty uh and I understandably, but

882
00:40:49,640 --> 00:40:52,200
Speaker 3: I think that was always the thing, like like DJ

883
00:40:52,400 --> 00:40:53,600
Speaker 3: because she was the oldest one.

884
00:40:53,600 --> 00:40:54,480
Speaker 1: I noticed there were.

885
00:40:54,520 --> 00:40:59,200
Speaker 3: A couple episodes where like she really like the thought

886
00:40:59,239 --> 00:41:01,640
Speaker 3: of the change of like having Steph move in. I

887
00:41:01,640 --> 00:41:04,120
Speaker 3: think in that pilot episode and stuff like, and this

888
00:41:04,160 --> 00:41:06,600
Speaker 3: is where we really see it come out, and like it's.

889
00:41:06,400 --> 00:41:09,279
Speaker 1: A little like she's you know, she's just like a

890
00:41:10,440 --> 00:41:11,239
Speaker 1: she's unhappy.

891
00:41:11,320 --> 00:41:15,480
Speaker 2: She's yeah, you know, it makes sense. She's pissed, she's pissed,

892
00:41:15,520 --> 00:41:18,840
Speaker 2: she she's mad, her mom is gone. Yeah, these weird

893
00:41:18,840 --> 00:41:20,960
Speaker 2: men have moved in with her and her sister's now

894
00:41:21,040 --> 00:41:23,960
Speaker 2: infiltrated her room, and she's just like and now Dad's

895
00:41:24,000 --> 00:41:26,560
Speaker 2: gonna start dating too. So yeah, right, she had more

896
00:41:26,640 --> 00:41:29,600
Speaker 2: years with Pam than Stephan he did and so yeahe

897
00:41:29,800 --> 00:41:32,360
Speaker 2: was like Steph's just confused this whole episode.

898
00:41:32,360 --> 00:41:35,719
Speaker 3: But DJ, ye, I mean that's I get that. I

899
00:41:35,800 --> 00:41:38,000
Speaker 3: got a lot of my time there. Yeah, has just

900
00:41:38,000 --> 00:41:41,279
Speaker 3: said I've been confused all day, and that is that's.

901
00:41:41,280 --> 00:41:42,400
Speaker 1: Stitched that onto a pillow.

902
00:41:43,920 --> 00:41:45,200
Speaker 2: I've been confused all day.

903
00:41:45,200 --> 00:41:46,600
Speaker 1: I've been confused all day.

904
00:41:46,840 --> 00:41:50,960
Speaker 2: Yeah, Yep, some things never changed. So Joey explains that

905
00:41:51,040 --> 00:41:54,240
Speaker 2: he knows how the girls feel because he was only

906
00:41:54,320 --> 00:41:57,279
Speaker 2: six when his parents got divorced, and he wasn't very

907
00:41:57,320 --> 00:41:59,680
Speaker 2: happy when his mom started to date again.

908
00:42:00,040 --> 00:42:00,200
Speaker 1: Hmm.

909
00:42:00,960 --> 00:42:03,640
Speaker 2: But once his mom started dating again, Joey saw that

910
00:42:03,680 --> 00:42:07,120
Speaker 2: she was much happier because she wasn't so lonely anymore.

911
00:42:07,760 --> 00:42:10,840
Speaker 2: And this stops DJ and she asks, hmm, do you

912
00:42:10,880 --> 00:42:14,879
Speaker 2: think dad is lonely? And Joey replies, yes, he does

913
00:42:14,960 --> 00:42:18,040
Speaker 2: think that Danny is lonely, and so this gives D's

914
00:42:18,080 --> 00:42:20,200
Speaker 2: day pause and she admits that she wants her dad

915
00:42:20,239 --> 00:42:22,960
Speaker 2: to be happy, and Stephanie says, well, let's go talk

916
00:42:23,000 --> 00:42:26,960
Speaker 2: to Daddy, and the girl's exit. Jesse announces that he's

917
00:42:26,960 --> 00:42:31,200
Speaker 2: finished building this dream house, finally without instructions, by the way,

918
00:42:32,040 --> 00:42:35,400
Speaker 2: but he quickly realizes he is stuck inside the playhouse

919
00:42:35,400 --> 00:42:37,000
Speaker 2: and he can't get out, so he just picks up

920
00:42:37,000 --> 00:42:39,680
Speaker 2: the whole damn house and walks into the kitchen with

921
00:42:39,760 --> 00:42:40,400
Speaker 2: the house around.

922
00:42:40,480 --> 00:42:43,400
Speaker 3: John's moments of great physical comedy. That was very funny,

923
00:42:44,400 --> 00:42:47,160
Speaker 3: even though he could have just lifted it over his

924
00:42:47,239 --> 00:42:50,320
Speaker 3: head and stood up through the hole in the bottom,

925
00:42:50,360 --> 00:42:51,960
Speaker 3: but that doesn't make for a good job.

926
00:42:52,080 --> 00:42:54,760
Speaker 2: That wouldn't have been nearly as funny as this bit.

927
00:42:54,800 --> 00:42:55,680
Speaker 1: Now with the house.

928
00:42:56,760 --> 00:42:59,840
Speaker 2: So now, DJ pulls Stephanie into their bedroom and says

929
00:43:00,040 --> 00:43:02,759
Speaker 2: he's not sure about this. Stephanie says, but I thought

930
00:43:02,800 --> 00:43:05,719
Speaker 2: you wanted Daddy to be happy, and DJ says, well,

931
00:43:05,880 --> 00:43:10,680
Speaker 2: you're forgetting about someone very important, mom. DJ thinks that

932
00:43:11,080 --> 00:43:13,520
Speaker 2: mom might not be so happy about dad going out

933
00:43:13,560 --> 00:43:16,760
Speaker 2: on dates, and Stephanie says, well, she doesn't want mommy,

934
00:43:17,000 --> 00:43:20,200
Speaker 2: daddy or her and DJ to be not happy. And

935
00:43:20,200 --> 00:43:22,360
Speaker 2: Stephanie says, well, I think I'm just having my first.

936
00:43:22,120 --> 00:43:24,839
Speaker 1: Headache, which relatable you know many more.

937
00:43:25,320 --> 00:43:27,520
Speaker 3: This was such a cute scene though, Like it was

938
00:43:27,560 --> 00:43:31,160
Speaker 3: such a sweet moment. This scene and then and the

939
00:43:31,200 --> 00:43:34,759
Speaker 3: next scene in Danny's room were such sweet scenes, like

940
00:43:35,280 --> 00:43:38,720
Speaker 3: between the girls and between you know, Danny and his girls.

941
00:43:38,800 --> 00:43:40,880
Speaker 1: It was I like these two moments.

942
00:43:40,960 --> 00:43:44,080
Speaker 2: It's it's very tender and honest and real.

943
00:43:44,200 --> 00:43:46,279
Speaker 1: Yeah, and Steph was just so like, wait, I don't

944
00:43:46,320 --> 00:43:49,640
Speaker 1: know what's happening, Like it was. It was a real moment.

945
00:43:49,680 --> 00:43:51,279
Speaker 3: You know, we're like the older kids, like no, I

946
00:43:51,320 --> 00:43:53,719
Speaker 3: have I have a little more experience here in the

947
00:43:53,719 --> 00:43:54,920
Speaker 3: little the younger ones, just.

948
00:43:54,880 --> 00:43:56,719
Speaker 1: Like, Okay, I don't know what's going on.

949
00:43:56,920 --> 00:44:01,360
Speaker 2: Yes, very very real moments here. Uh So we fade

950
00:44:01,360 --> 00:44:02,440
Speaker 2: to Danny's bedroom.

951
00:44:03,000 --> 00:44:05,040
Speaker 1: The first time we've seen Danny's bedroom, is it not?

952
00:44:05,280 --> 00:44:09,279
Speaker 2: No, we've seen it once before. I can't remember the

953
00:44:09,320 --> 00:44:10,879
Speaker 2: episode off the top of my head, but we've seen

954
00:44:10,920 --> 00:44:13,239
Speaker 2: it once before. There was a weird exercise bite in

955
00:44:13,280 --> 00:44:17,600
Speaker 2: his bedroom, which is not time. That's right. Okay, yeah,

956
00:44:17,600 --> 00:44:18,960
Speaker 2: I can't remember the episode, but yeah, this is the

957
00:44:19,000 --> 00:44:21,880
Speaker 2: second time we've seen Danny's room, right, which is great.

958
00:44:22,400 --> 00:44:24,480
Speaker 2: And Danny's laying on his bed, he's throwing a football

959
00:44:24,520 --> 00:44:26,840
Speaker 2: in the air, and the girls walk in carrying bowls

960
00:44:26,840 --> 00:44:29,839
Speaker 2: of ice cream. Danny sits the girls on the bed

961
00:44:29,880 --> 00:44:34,480
Speaker 2: and asks them what's wrong. Stephanie says, DJ was wondering

962
00:44:34,880 --> 00:44:38,399
Speaker 2: if you still love mom? Ohh God, And the look

963
00:44:38,440 --> 00:44:40,520
Speaker 2: on your face, Jody is just like.

964
00:44:40,960 --> 00:44:43,200
Speaker 3: I wrote down, this is the first time I've cried

965
00:44:43,239 --> 00:44:45,240
Speaker 3: watching them. Oh well, maybe not the first time because

966
00:44:45,239 --> 00:44:47,319
Speaker 3: it like seeing it in Bob and all. But like

967
00:44:47,360 --> 00:44:50,759
Speaker 3: for an emotional scene, this scene, really, this scene got me.

968
00:44:51,160 --> 00:44:52,839
Speaker 2: It's just it's a gut punch, like it's just like,

969
00:44:52,840 --> 00:44:55,880
Speaker 2: oh my gosh, what a what a what a weighty question.

970
00:44:56,880 --> 00:45:00,200
Speaker 2: It's a huge question, and it's an honest question, and yes,

971
00:45:00,320 --> 00:45:03,359
Speaker 2: you know, yeah, wow, it's you just delivered that so

972
00:45:03,400 --> 00:45:05,760
Speaker 2: well and the look on your face was just amazing.

973
00:45:06,520 --> 00:45:09,759
Speaker 2: So Danny reassures them, of course, I still love mom.

974
00:45:10,120 --> 00:45:14,000
Speaker 2: She was the first love of my life. Danny reassures

975
00:45:14,040 --> 00:45:16,480
Speaker 2: them that he will always love mom even if he

976
00:45:16,560 --> 00:45:20,160
Speaker 2: goes out on a date. DJ asks, well, how do

977
00:45:20,239 --> 00:45:23,080
Speaker 2: you think mom would feel about that? And Danny says

978
00:45:23,120 --> 00:45:25,560
Speaker 2: he knows exactly how she would feel because they once

979
00:45:25,640 --> 00:45:28,520
Speaker 2: talked about it. If something happened to either of them,

980
00:45:28,600 --> 00:45:31,560
Speaker 2: the surviving spouse should feel free to find someone to

981
00:45:31,680 --> 00:45:35,320
Speaker 2: share their life with, and he's not looking for someone

982
00:45:35,360 --> 00:45:39,319
Speaker 2: to replace their mom's He will never ever forget her.

983
00:45:40,280 --> 00:45:41,920
Speaker 2: And at this point we cut to a wide shot

984
00:45:41,960 --> 00:45:44,160
Speaker 2: of the four of them. Michelle, for some reasons, fast

985
00:45:44,160 --> 00:45:45,439
Speaker 2: asleep on Danny's lap.

986
00:45:45,680 --> 00:45:47,759
Speaker 1: No, she wasn't even asleep though. She was just like

987
00:45:47,840 --> 00:45:48,360
Speaker 1: curled up.

988
00:45:48,440 --> 00:45:50,479
Speaker 3: No, she was just if you see like her face,

989
00:45:50,480 --> 00:45:53,520
Speaker 3: she's awake and probably looking at Adria like, oh okay,

990
00:45:53,640 --> 00:45:55,839
Speaker 3: she's just curled up like Bob, sitting kind of like

991
00:45:55,880 --> 00:45:59,320
Speaker 3: cross legged and She's just curled up like in his lap.

992
00:45:59,640 --> 00:46:02,800
Speaker 3: Oh so sweet, and it like it was, it's so cute.

993
00:46:02,880 --> 00:46:04,360
Speaker 3: And then like she sits up for a moment and

994
00:46:04,360 --> 00:46:06,279
Speaker 3: then does it again, like uh huh. And it was

995
00:46:06,400 --> 00:46:09,600
Speaker 3: just such a sweet moment like that would happen with

996
00:46:09,640 --> 00:46:11,839
Speaker 3: a parent, you know, like you're having a conversation with

997
00:46:11,880 --> 00:46:13,799
Speaker 3: your two older ones and then your little toddler's just

998
00:46:13,840 --> 00:46:16,479
Speaker 3: being silly and like curled up in your lap, and

999
00:46:16,600 --> 00:46:19,880
Speaker 3: it was I loved watching that dynamic.

1000
00:46:20,920 --> 00:46:21,720
Speaker 1: It was very sweet.

1001
00:46:21,880 --> 00:46:24,200
Speaker 2: It's very cute, and it shows how comfortable the Olsens

1002
00:46:24,239 --> 00:46:26,239
Speaker 2: were with all of the guys that they could just

1003
00:46:26,360 --> 00:46:29,560
Speaker 2: lay down and yeah they're not sleeping, but they're just comfortable.

1004
00:46:29,600 --> 00:46:32,600
Speaker 2: They just kind of wrap their body around yeah, whoever

1005
00:46:32,640 --> 00:46:35,520
Speaker 2: they're sitting, whoever they're sitting on. It was very very sweet.

1006
00:46:36,320 --> 00:46:36,880
Speaker 1: I love that.

1007
00:46:37,239 --> 00:46:40,120
Speaker 2: So DJ finally gives her blessing for Danny to go

1008
00:46:40,239 --> 00:46:43,160
Speaker 2: on his date. Danny says, well, he can't call Linda

1009
00:46:43,239 --> 00:46:47,600
Speaker 2: yet again after already breaking their date twice. So DJ says,

1010
00:46:47,640 --> 00:46:50,799
Speaker 2: I'll call her and she runs to the phone. We

1011
00:46:50,880 --> 00:46:54,040
Speaker 2: cut to later in the day. We're still in Danny's room,

1012
00:46:54,040 --> 00:46:57,640
Speaker 2: but it's now messy with clothes strewn all over the place.

1013
00:46:58,080 --> 00:47:00,480
Speaker 2: Jesse and Joey enter the room and Jesse's eating a

1014
00:47:00,600 --> 00:47:03,120
Speaker 2: chicken leg. Is this the cold chicken chicken? Is this

1015
00:47:03,160 --> 00:47:03,879
Speaker 2: the first cold chicken?

1016
00:47:04,120 --> 00:47:06,319
Speaker 3: If it's the first cold chicken leg? But this is

1017
00:47:06,360 --> 00:47:07,600
Speaker 3: the cold chicken?

1018
00:47:08,320 --> 00:47:11,040
Speaker 1: Is a thing? The thing was, that was the thing.

1019
00:47:11,000 --> 00:47:13,480
Speaker 2: That was John's thing. That was just he just always

1020
00:47:13,520 --> 00:47:17,399
Speaker 2: had a chicken, a cold a cold chicken, fried chicken leg,

1021
00:47:17,520 --> 00:47:18,040
Speaker 2: fried chicken.

1022
00:47:18,120 --> 00:47:21,399
Speaker 3: Yeah, and I weirdly actually started liking it as a kid,

1023
00:47:21,520 --> 00:47:23,080
Speaker 3: like the weird cold chicken.

1024
00:47:23,160 --> 00:47:24,880
Speaker 1: I don't, Yeah, I blame.

1025
00:47:25,040 --> 00:47:26,520
Speaker 2: It's just such a weird thing because it has nothing

1026
00:47:26,560 --> 00:47:28,480
Speaker 2: to do with the scene or the episode. It's just

1027
00:47:28,560 --> 00:47:29,040
Speaker 2: he's just ran.

1028
00:47:29,120 --> 00:47:31,600
Speaker 3: But that's John, right, just like I'm me and my

1029
00:47:31,680 --> 00:47:35,320
Speaker 3: chicken wing are walking into this scene and and maybe

1030
00:47:35,320 --> 00:47:37,000
Speaker 3: pulling a little focus, but that's okay.

1031
00:47:37,520 --> 00:47:39,279
Speaker 2: I'm going to keep a running tally of how many

1032
00:47:39,440 --> 00:47:40,399
Speaker 2: cold chicken legs?

1033
00:47:40,920 --> 00:47:44,040
Speaker 1: Yes, running a chicken wing tally. I'm here for it,

1034
00:47:44,120 --> 00:47:45,160
Speaker 1: a chicken wing tally.

1035
00:47:45,239 --> 00:47:49,080
Speaker 3: And also this leads us into a montage, which the

1036
00:47:49,840 --> 00:47:54,080
Speaker 3: montage and more music we haven't had We've been a

1037
00:47:54,120 --> 00:47:56,600
Speaker 3: little lacking in well, no, we haven't we had Venus

1038
00:47:56,640 --> 00:47:57,239
Speaker 3: in the last one.

1039
00:47:57,280 --> 00:47:58,279
Speaker 2: Oh yeah, you're right, you're right.

1040
00:47:58,320 --> 00:47:59,160
Speaker 1: Another musical moment.

1041
00:47:59,200 --> 00:47:59,799
Speaker 2: So the music.

1042
00:48:00,000 --> 00:48:04,719
Speaker 1: This was a montage moment. It's montage. It reminds me

1043
00:48:04,800 --> 00:48:08,680
Speaker 1: of a Team America montage. We're having the montage.

1044
00:48:08,840 --> 00:48:11,440
Speaker 2: Yeah, So Danny asked the guys for help putting a

1045
00:48:11,440 --> 00:48:14,720
Speaker 2: look together, and we flipped too this montage where first

1046
00:48:14,800 --> 00:48:17,839
Speaker 2: Danny is wearing an exact shirt of Joey's as well

1047
00:48:17,880 --> 00:48:21,360
Speaker 2: as the high waisted trousers that are so high, like

1048
00:48:21,440 --> 00:48:24,120
Speaker 2: so high? Why did day boil those pants so high?

1049
00:48:24,280 --> 00:48:26,399
Speaker 3: So? It was the eighties, man, that was a thing.

1050
00:48:26,480 --> 00:48:29,239
Speaker 3: It was like people wanted to look like they had

1051
00:48:29,560 --> 00:48:34,600
Speaker 3: no middle section. Yeah, like your pants were up over

1052
00:48:34,680 --> 00:48:35,480
Speaker 3: your belly button.

1053
00:48:35,560 --> 00:48:38,840
Speaker 2: Why, I don't know. It was it was. It's a choice.

1054
00:48:38,920 --> 00:48:40,040
Speaker 2: It was definitely a choice.

1055
00:48:40,360 --> 00:48:45,120
Speaker 1: Yeah, no, it doesn't look cute. You get poopa or whatever.

1056
00:48:45,160 --> 00:48:45,840
Speaker 1: You''s not.

1057
00:48:48,719 --> 00:48:50,880
Speaker 3: Don't look that up, guys, don't look it up. Okay,

1058
00:48:51,000 --> 00:48:52,480
Speaker 3: don't those of you who.

1059
00:48:52,280 --> 00:48:54,880
Speaker 2: Know you know, I know, and now I don't know

1060
00:48:54,880 --> 00:49:01,000
Speaker 2: if I can continue. Okay, it's not wrong, I'll I'll continue.

1061
00:49:01,040 --> 00:49:01,600
Speaker 2: It's it's a.

1062
00:49:01,600 --> 00:49:03,239
Speaker 1: Choice that you're Yeah, you should keep going.

1063
00:49:03,280 --> 00:49:05,880
Speaker 2: I'm gonna keep going before I say something else. Okay,

1064
00:49:05,880 --> 00:49:08,719
Speaker 2: because I can tell it's on the tip of your tongue. Okay,

1065
00:49:08,760 --> 00:49:11,160
Speaker 2: we flip again. We flip again to Danny is now

1066
00:49:11,200 --> 00:49:14,080
Speaker 2: all rocked out with a leather jacket. His hair is

1067
00:49:14,160 --> 00:49:15,840
Speaker 2: slipped back like Jesse.

1068
00:49:16,280 --> 00:49:18,359
Speaker 1: Little tail in the front.

1069
00:49:19,640 --> 00:49:23,000
Speaker 2: Jesse's adjusting his hair with the little Oh it's so funny.

1070
00:49:24,280 --> 00:49:26,760
Speaker 2: And then we cut to the living room where Linda

1071
00:49:26,840 --> 00:49:29,280
Speaker 2: is waiting on the couch with the guys.

1072
00:49:29,520 --> 00:49:31,359
Speaker 1: Woman, you know, I got it.

1073
00:49:31,600 --> 00:49:33,040
Speaker 2: How long has she been waiting downstairs?

1074
00:49:33,080 --> 00:49:35,080
Speaker 1: Well long enough for there to be a montage?

1075
00:49:35,160 --> 00:49:38,000
Speaker 3: And also the guys were upstairs with her, so she's

1076
00:49:38,040 --> 00:49:39,719
Speaker 3: just like sitting in the livingroom. Can you imagine this

1077
00:49:39,719 --> 00:49:43,840
Speaker 3: poor woman? This man has called three times pretended to

1078
00:49:43,840 --> 00:49:46,640
Speaker 3: be an evil twin. Yes, said he's going, He's not going,

1079
00:49:46,680 --> 00:49:49,680
Speaker 3: he's going, he's not going, bought honey off of your kid.

1080
00:49:50,400 --> 00:49:53,760
Speaker 3: Now he's having a montage moment upstairs and you're still waiting.

1081
00:49:53,880 --> 00:49:56,600
Speaker 2: She waits for FOURNI and I'm paying for this year.

1082
00:49:57,239 --> 00:49:59,960
Speaker 2: You know, I really I gotta say this, split the

1083
00:50:00,040 --> 00:50:02,279
Speaker 2: bill with her or something. Linda, He's not ready, He's

1084
00:50:02,320 --> 00:50:07,520
Speaker 2: not ready, so not ready, not ready, Linda, run, Linda run. Yeah,

1085
00:50:08,280 --> 00:50:11,320
Speaker 2: So Jesse says Danny should be down any minute, and

1086
00:50:11,400 --> 00:50:13,840
Speaker 2: right then Danny walks in from the kitchen wearing a

1087
00:50:13,880 --> 00:50:16,120
Speaker 2: suit and tie again, back to his normal look.

1088
00:50:16,160 --> 00:50:19,520
Speaker 3: Back, yes, back to the Danny look, which is his best,

1089
00:50:19,560 --> 00:50:23,279
Speaker 3: with the skinny eighties ties and everything. Yeah, those ties

1090
00:50:23,320 --> 00:50:26,640
Speaker 3: were no more than an inch wide, no top to bottom.

1091
00:50:26,360 --> 00:50:26,839
Speaker 1: O thing.

1092
00:50:28,320 --> 00:50:31,040
Speaker 2: So Danny tells Linda thanks for waiting and sorry about

1093
00:50:31,080 --> 00:50:34,080
Speaker 2: all the confusion, and Linda's very understanding. She says, I

1094
00:50:34,160 --> 00:50:38,520
Speaker 2: understand completely. DJ brings Michelle in to say goodbye, and

1095
00:50:38,560 --> 00:50:40,680
Speaker 2: Danny kisses them on the cheek and then opens the

1096
00:50:40,719 --> 00:50:44,160
Speaker 2: door for Linda to exit. Jesse and Joy pretend to

1097
00:50:44,160 --> 00:50:47,200
Speaker 2: be old parents, saying goodbye, take two dimes for a

1098
00:50:47,200 --> 00:50:49,040
Speaker 2: phone call, you kids, behave yourself.

1099
00:50:49,600 --> 00:50:53,480
Speaker 3: They remind me of Billy Crystal and oh god, I

1100
00:50:53,480 --> 00:50:55,880
Speaker 3: can't think of her name. She's a brilliant comedian in

1101
00:50:56,560 --> 00:51:02,359
Speaker 3: a princess bride. Oh fun yes, yeah, yeah, the two

1102
00:51:02,520 --> 00:51:04,520
Speaker 3: the like the witches that live the old.

1103
00:51:04,320 --> 00:51:07,080
Speaker 2: Yeah, the old ye witch And yeah, no, I don't

1104
00:51:07,120 --> 00:51:07,960
Speaker 2: know Carol Chance is.

1105
00:51:07,960 --> 00:51:09,480
Speaker 1: It Carol not Carol Channing?

1106
00:51:09,560 --> 00:51:13,839
Speaker 3: No, Carol's something, Oh she's and I can picture her

1107
00:51:13,880 --> 00:51:15,400
Speaker 3: out of the makeup, but I can't think of her

1108
00:51:15,440 --> 00:51:16,600
Speaker 3: name right now anyway, Okay.

1109
00:51:16,440 --> 00:51:18,640
Speaker 2: That's all right, Well somebody will somebody will email us

1110
00:51:18,680 --> 00:51:22,160
Speaker 2: and tell us yes. So Danny and Linda exit and

1111
00:51:22,239 --> 00:51:25,680
Speaker 2: Jesse announces that it's time for Michelle's big moment. Time

1112
00:51:25,760 --> 00:51:28,400
Speaker 2: to get rid of Benny the dishrag, and he throws

1113
00:51:28,480 --> 00:51:31,200
Speaker 2: the dish rag on the floor and introduce her to

1114
00:51:31,280 --> 00:51:35,440
Speaker 2: her brand new playhouse. They slide Michelle down the slide.

1115
00:51:35,719 --> 00:51:38,720
Speaker 2: Michelle stands up and walks right over to pick up Benny,

1116
00:51:39,000 --> 00:51:41,600
Speaker 2: looks over her shoulder and makes a break for the kitchen.

1117
00:51:42,920 --> 00:51:45,000
Speaker 2: And that's our show.

1118
00:51:45,000 --> 00:51:46,520
Speaker 1: There's are they everwhere you look? Moment?

1119
00:51:46,800 --> 00:51:48,960
Speaker 3: At the bottom of that yeah, yeah, oh at the bottom.

1120
00:51:49,120 --> 00:51:51,040
Speaker 3: What's Your's not the bottom, but at the end of

1121
00:51:51,080 --> 00:51:51,640
Speaker 3: the show.

1122
00:51:52,040 --> 00:51:52,480
Speaker 2: What's your?

1123
00:51:52,719 --> 00:51:56,439
Speaker 3: What's your everywhere you look moment? If you look at

1124
00:51:56,440 --> 00:52:00,560
Speaker 3: the very last, like ten seconds, when Michelle is exiting

1125
00:52:00,680 --> 00:52:03,760
Speaker 3: from the living room into the kitchen, you will see

1126
00:52:04,000 --> 00:52:09,640
Speaker 3: on the ground the skirt of Adria later sitting by

1127
00:52:09,719 --> 00:52:12,040
Speaker 3: the kitchen door, like kind of in the doorway, but

1128
00:52:12,160 --> 00:52:15,239
Speaker 3: like a little bit off camera. You see, remember Adria

1129
00:52:15,280 --> 00:52:17,960
Speaker 3: always had those like long flowy skirts. You see her

1130
00:52:18,000 --> 00:52:22,839
Speaker 3: skirt where like the either Ashley or Carol Kane, that's

1131
00:52:22,840 --> 00:52:23,640
Speaker 3: the who was with Billy.

1132
00:52:23,920 --> 00:52:26,040
Speaker 1: Carol came in and producer.

1133
00:52:28,000 --> 00:52:33,480
Speaker 3: But you see Adria's You see Adrian's skirt.

1134
00:52:32,840 --> 00:52:35,719
Speaker 2: I notice that. So she was waiting kind of in

1135
00:52:35,719 --> 00:52:36,080
Speaker 2: the kitchen.

1136
00:52:36,120 --> 00:52:38,480
Speaker 1: She was waiting like she could calling them over to

1137
00:52:38,600 --> 00:52:40,640
Speaker 1: the yeah, to like towards the kitchen.

1138
00:52:40,400 --> 00:52:44,080
Speaker 2: Air them out, cooks them into the kitchen. Yeah, but she.

1139
00:52:44,120 --> 00:52:45,719
Speaker 3: Was like just inside the door because she had to

1140
00:52:45,760 --> 00:52:48,719
Speaker 3: be there so that they could see Adria, because they

1141
00:52:48,719 --> 00:52:50,719
Speaker 3: would go to her, but she couldn't be on the

1142
00:52:50,719 --> 00:52:52,439
Speaker 3: other side of the door because they wouldn't have seen

1143
00:52:52,960 --> 00:52:55,040
Speaker 3: the girls wouldn't have seen Adria, and you would have

1144
00:52:55,040 --> 00:52:56,600
Speaker 3: seen her even more in the shots.

1145
00:52:56,680 --> 00:52:58,600
Speaker 1: So yeah, but I did. I like had to rewind

1146
00:52:58,600 --> 00:52:59,200
Speaker 1: it a couple times.

1147
00:52:59,200 --> 00:53:01,960
Speaker 2: I was like please, uh so, yeah, I'm gonna look

1148
00:53:02,000 --> 00:53:04,920
Speaker 2: that up. Oh I love it. I love that little

1149
00:53:04,920 --> 00:53:07,879
Speaker 2: easter egg that nobody would have noticed or even known

1150
00:53:07,920 --> 00:53:08,799
Speaker 2: what it was or.

1151
00:53:08,840 --> 00:53:11,200
Speaker 1: Been like what is that? Who's that random person?

1152
00:53:11,520 --> 00:53:13,600
Speaker 2: Yeah, oh that's cool. I'm gonna go back and look

1153
00:53:13,640 --> 00:53:13,840
Speaker 2: at that.

1154
00:53:14,200 --> 00:53:15,040
Speaker 1: Uh yeah.

1155
00:53:15,080 --> 00:53:17,759
Speaker 3: And the dish rag moment was a total little improvised

1156
00:53:18,440 --> 00:53:20,640
Speaker 3: laugh moment from the girls.

1157
00:53:20,719 --> 00:53:22,759
Speaker 2: Oh, it's so cute. It's so cute that they're just

1158
00:53:22,800 --> 00:53:25,239
Speaker 2: like they know that they've done they haven't done something wrong,

1159
00:53:25,280 --> 00:53:27,600
Speaker 2: but she's just like, I got mynny and I'm I'm

1160
00:53:27,640 --> 00:53:28,600
Speaker 2: making a making a.

1161
00:53:28,520 --> 00:53:31,879
Speaker 3: Break when they grab something and they get that look

1162
00:53:32,000 --> 00:53:32,520
Speaker 3: like I know.

1163
00:53:32,520 --> 00:53:34,440
Speaker 1: I'm not supposed to do this, and they do it,

1164
00:53:34,480 --> 00:53:35,080
Speaker 1: and you're.

1165
00:53:34,840 --> 00:53:37,880
Speaker 2: Like, yeah, it's so great. Well, my Eve, and everywhere

1166
00:53:37,880 --> 00:53:39,839
Speaker 2: you look, I do, I do. I just I feel

1167
00:53:39,840 --> 00:53:42,279
Speaker 2: like we really need to deconstruct Danny's bedroom a little

1168
00:53:42,320 --> 00:53:44,759
Speaker 2: bit more, because even though we've seen it before, we

1169
00:53:44,800 --> 00:53:47,520
Speaker 2: see a lot more of it this time. And he's

1170
00:53:47,560 --> 00:53:50,320
Speaker 2: got this nautical theme. This nautical theme is running strong

1171
00:53:50,560 --> 00:53:53,799
Speaker 2: through through his bedroom. He's got the blue plaid.

1172
00:53:54,800 --> 00:53:58,960
Speaker 3: Bassibly, he basically lives on the boat from from the

1173
00:53:59,000 --> 00:53:59,800
Speaker 3: Secrews episode.

1174
00:53:59,840 --> 00:54:00,560
Speaker 1: He does.

1175
00:54:00,680 --> 00:54:03,520
Speaker 2: He's got the blue plaid. He's got it on his bedspread,

1176
00:54:03,520 --> 00:54:04,840
Speaker 2: he's got on a surta.

1177
00:54:04,480 --> 00:54:08,319
Speaker 1: And the couch and the curtains are the same, the same, basically.

1178
00:54:08,040 --> 00:54:09,560
Speaker 2: And it's in the kitchen, it's in the living room,

1179
00:54:09,560 --> 00:54:10,560
Speaker 2: and it's in Danny's bedroom.

1180
00:54:10,600 --> 00:54:13,000
Speaker 1: Can you imagine being surrounded by that much blue plaid.

1181
00:54:13,040 --> 00:54:15,160
Speaker 2: That's a lot of blue plaid. It's a lot. And

1182
00:54:15,200 --> 00:54:18,000
Speaker 2: you love plaid, and I love that. I do love

1183
00:54:18,080 --> 00:54:20,640
Speaker 2: plat I do that is even I don't have that

1184
00:54:20,719 --> 00:54:22,840
Speaker 2: many plaid curtains in my house.

1185
00:54:23,880 --> 00:54:25,879
Speaker 1: And clad curtains do you have in your house?

1186
00:54:27,840 --> 00:54:30,720
Speaker 2: No? Zero, I have a Gingham. I have one gingham. Okay,

1187
00:54:30,760 --> 00:54:35,720
Speaker 2: not totally not totally plaid. It's kind of related, yeah, one.

1188
00:54:35,800 --> 00:54:38,319
Speaker 2: But I also saw, Okay, there it looks like in

1189
00:54:38,440 --> 00:54:42,120
Speaker 2: Danny's bedroom, there's like a side patio door. It's like

1190
00:54:42,120 --> 00:54:44,279
Speaker 2: a single door with like I saw that to Yeah,

1191
00:54:44,360 --> 00:54:46,960
Speaker 2: where does that go to? Like, isn't his room on

1192
00:54:47,040 --> 00:54:49,600
Speaker 2: the second floor? So why is there door?

1193
00:54:49,719 --> 00:54:50,280
Speaker 1: That's where?

1194
00:54:50,520 --> 00:54:56,960
Speaker 3: Is there a balcony small balcony, yeahalcon well a.

1195
00:54:56,880 --> 00:54:59,080
Speaker 1: Balcony in a shape shifting backyard. And you know how

1196
00:54:59,160 --> 00:55:00,680
Speaker 1: much that goes for San Francisco.

1197
00:55:02,080 --> 00:55:05,560
Speaker 3: Yeah, No, he's it's I mean, the assumption is right

1198
00:55:05,719 --> 00:55:08,400
Speaker 3: that Danny's room is at the end.

1199
00:55:08,280 --> 00:55:09,359
Speaker 2: Of the hallway, end of the hall.

1200
00:55:09,480 --> 00:55:10,560
Speaker 1: So I always picture it like.

1201
00:55:11,080 --> 00:55:17,399
Speaker 3: Michelle's room, Jesse's room, Danny's room, and stephan DJ's room

1202
00:55:17,440 --> 00:55:18,440
Speaker 3: in the room, right, And.

1203
00:55:18,480 --> 00:55:20,919
Speaker 2: That's how I've pictured it as well. So that that's

1204
00:55:20,960 --> 00:55:21,640
Speaker 2: second floor.

1205
00:55:22,000 --> 00:55:26,799
Speaker 4: So that yes, So the the door I guess if

1206
00:55:26,840 --> 00:55:30,680
Speaker 4: you were approximating it that way would be like a

1207
00:55:30,719 --> 00:55:36,000
Speaker 4: little side of the house, balcony, little side of the house,

1208
00:55:36,239 --> 00:55:39,200
Speaker 4: because the closet would be the end of the house.

1209
00:55:39,600 --> 00:55:42,680
Speaker 2: Okay, okay, I can picture that if you walked in that.

1210
00:55:42,760 --> 00:55:43,520
Speaker 1: You know what I'm saying.

1211
00:55:43,920 --> 00:55:45,840
Speaker 2: Man, we got to get an architect on this show

1212
00:55:45,880 --> 00:55:48,720
Speaker 2: to just describe all that. There is the problem.

1213
00:55:48,760 --> 00:55:52,680
Speaker 3: Somewhere online I saw someone who actually like made a

1214
00:55:52,760 --> 00:55:55,640
Speaker 3: recreation of what the house would.

1215
00:55:55,520 --> 00:55:57,520
Speaker 1: Have to look like in order for all of those

1216
00:55:57,600 --> 00:55:58,120
Speaker 1: rooms to fit.

1217
00:55:58,200 --> 00:56:01,000
Speaker 3: And it was it was a because you're like, it

1218
00:56:01,080 --> 00:56:03,000
Speaker 3: was the most monstrosity house.

1219
00:56:03,560 --> 00:56:06,680
Speaker 1: It was put the Winchester Mystery House to shame. Stairs

1220
00:56:06,719 --> 00:56:08,760
Speaker 1: that went nowhere. Yeah, it was crazy.

1221
00:56:08,840 --> 00:56:10,480
Speaker 2: Nothing makes sense, nothing.

1222
00:56:10,320 --> 00:56:12,160
Speaker 1: No, nothing makes sense. Nothing makes sense.

1223
00:56:13,000 --> 00:56:15,440
Speaker 2: Well that's on brand for this show, you know, just

1224
00:56:15,840 --> 00:56:18,920
Speaker 2: secret doors and that's more rooms and shape shifting and everything.

1225
00:56:19,000 --> 00:56:21,920
Speaker 1: So yeah, that's I'm sure that's probably at one point

1226
00:56:22,040 --> 00:56:23,000
Speaker 1: was like, we don't need that anymore.

1227
00:56:23,000 --> 00:56:24,640
Speaker 2: Just get rid of that, Yeah, just get rid of it.

1228
00:56:24,680 --> 00:56:26,520
Speaker 2: I'll be curious to see if that door is still there,

1229
00:56:26,880 --> 00:56:29,319
Speaker 2: because they know we see Danny's room again, like when

1230
00:56:29,360 --> 00:56:31,399
Speaker 2: you poke a hole through the wall. Like, so, I'm

1231
00:56:31,440 --> 00:56:33,960
Speaker 2: curious to see that that patio door stays, right if

1232
00:56:33,960 --> 00:56:38,520
Speaker 2: they get rid of it. Anyway, everywhere you look, that's

1233
00:56:38,560 --> 00:56:40,680
Speaker 2: everywhere you look, there's blue plaid.

1234
00:56:41,920 --> 00:56:45,279
Speaker 1: True, so true, that's I'm going to redo my entire

1235
00:56:45,320 --> 00:56:46,520
Speaker 1: house in all blue plaid.

1236
00:56:47,719 --> 00:56:50,600
Speaker 2: And charge people to come visit and like, yeah, yeah,

1237
00:56:50,640 --> 00:56:54,399
Speaker 2: it's get my plaid curtains, that's it. Yeah, well, I'll

1238
00:56:54,400 --> 00:56:56,879
Speaker 2: bring my my full house merch and like display it

1239
00:56:56,960 --> 00:56:59,359
Speaker 2: like a like a museum. It'll be like a little

1240
00:56:59,360 --> 00:57:01,200
Speaker 2: full house museum. Come see this.

1241
00:57:02,200 --> 00:57:06,200
Speaker 1: This is sad. We can't do this. That's no.

1242
00:57:06,200 --> 00:57:10,400
Speaker 2: No. We started with colonoscopies and we're envy with I

1243
00:57:10,400 --> 00:57:13,800
Speaker 2: don't know something even weirder, which is a full house

1244
00:57:13,880 --> 00:57:16,960
Speaker 2: museum and me having plaid curtains that we're running somehow

1245
00:57:17,000 --> 00:57:19,800
Speaker 2: and charging people what a wooden nickel to come in,

1246
00:57:19,920 --> 00:57:20,560
Speaker 2: Like what is this?

1247
00:57:20,560 --> 00:57:22,040
Speaker 1: This is some sort of strange Maybe we.

1248
00:57:21,960 --> 00:57:24,520
Speaker 2: Should pay that to come in. I don't know. This

1249
00:57:24,600 --> 00:57:27,040
Speaker 2: has been too much. Let's wrap this up. Yeah, we

1250
00:57:27,160 --> 00:57:30,040
Speaker 2: need to somebody, somebody please just unplug our microphones.

1251
00:57:30,760 --> 00:57:32,400
Speaker 1: I will say.

1252
00:57:32,520 --> 00:57:35,280
Speaker 3: It is always a pleasure doing these wonderful episodes with

1253
00:57:35,320 --> 00:57:36,480
Speaker 3: you and everyone.

1254
00:57:36,600 --> 00:57:39,000
Speaker 1: If you want to follow us on Instagram, make.

1255
00:57:38,920 --> 00:57:42,480
Speaker 3: Sure you follow at how Rude podcast, or you can

1256
00:57:42,520 --> 00:57:47,280
Speaker 3: send us messages, emails, show ideas, questions for our minisodes,

1257
00:57:47,360 --> 00:57:52,080
Speaker 3: all that kind of stuff at Howarudepodcast at gmail dot com,

1258
00:57:52,200 --> 00:57:55,600
Speaker 3: and make sure you tune in next week for more

1259
00:57:55,960 --> 00:57:57,440
Speaker 3: fun episodes.

1260
00:57:57,480 --> 00:57:58,960
Speaker 1: We'll be covering what is it?

1261
00:57:59,040 --> 00:58:02,760
Speaker 2: Episode EA, Episode eighteen, Yeah.

1262
00:58:02,600 --> 00:58:03,520
Speaker 1: Episode eighteen.

1263
00:58:04,360 --> 00:58:06,480
Speaker 3: I'm not sure what our next one will be, but anyway,

1264
00:58:06,920 --> 00:58:10,040
Speaker 3: make sure you follow, subscribe, rate the podcast, all that

1265
00:58:10,080 --> 00:58:12,600
Speaker 3: fun stuff, and remember.

1266
00:58:14,080 --> 00:58:15,520
Speaker 2: You can do it. The house is full.

1267
00:58:16,480 --> 00:58:19,840
Speaker 1: Nope, nope, nope, The world is no, nope the world.

1268
00:58:19,920 --> 00:58:22,040
Speaker 1: The world is small, but the house is full. You

1269
00:58:22,080 --> 00:58:25,840
Speaker 1: did it? Yes, ye see. If I just close my eyes,

1270
00:58:25,840 --> 00:58:26,200
Speaker 1: it's there.

1271
00:58:26,280 --> 00:58:28,400
Speaker 2: Yeah. It helps when you close your eyes, I could

1272
00:58:28,400 --> 00:58:31,560
Speaker 2: see you concentrating. Yeah yeah, yeah, good job, Jody Bro.

1273
00:58:31,800 --> 00:58:35,320
Speaker 1: The world is small. The house is full of blue plaid.

1274
00:58:37,080 --> 00:58:40,479
Speaker 2: So true, so true. Until next time.

1275
00:58:40,800 --> 00:58:43,320
Speaker 1: Until next time you guys, Bye b