WEBVTT - Ridley Scott

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<v Speaker 1>You were listening to Ruthie's Table four in partnership with Montclair,

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<v Speaker 1>like knowing.

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<v Speaker 2>Where you were when you heard a song you love,

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<v Speaker 2>where you were when you shared a meal with one

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<v Speaker 2>of your children, or where you were when you discovered

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<v Speaker 2>a painting that stayed with you forever. I know where

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<v Speaker 2>I was when I saw Blade Runner London, Thelma and

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<v Speaker 2>Louise Harris, and Napoleon a few months ago in l A.

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<v Speaker 2>I also know that I was in this room in

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<v Speaker 2>the River Cafe three years ago, writing to Ridley Scott

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<v Speaker 2>and asking him to be my first guest for this

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<v Speaker 2>idea I had for a podcast about food and memories.

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<v Speaker 2>Ridley wrote back, saying, yes, Ruthie, but I'm directing Gucci.

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<v Speaker 2>A year later, Yes, Ruthie, but I'm directing Napoleon. A

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<v Speaker 2>year later, Yes Ruthie, but I'm directing the bee Gees.

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<v Speaker 2>Then a few days ago, sitting in the River Cafe

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<v Speaker 2>garden with his family celebrating the night Grand Cross he'd

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<v Speaker 2>been awarded at Windsor Castle, he drew a beautiful drawing

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<v Speaker 2>on the wine list with the words Ruthie, how about

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<v Speaker 2>next Tuesday. In preparation, his son Jake and I met

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<v Speaker 2>to talk about his father, how he exposed him to

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<v Speaker 2>every food possible, cheese with maggots and sardinia, steps in

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<v Speaker 2>the door, doin on the set of Duellists, and the

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<v Speaker 2>magical experience of producing wine at their vineyard, Mars Day

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<v Speaker 2>and Fermiere. Like knowing where you were when you saw

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<v Speaker 2>a movie. I know that in years to come I'll

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<v Speaker 2>remember exactly where I was Hammersmith when I sat with

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<v Speaker 2>Ridley Scott talking about food and memory, food and family,

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<v Speaker 2>food and wine, food and love.

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<v Speaker 1>Yes, Ridley, thank you, and answer that I'm honored.

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<v Speaker 2>We would love you to read The recipe for.

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<v Speaker 1>Asparagus an anchovy buttered with parmesan rynch dry and roughly chopped.

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<v Speaker 1>The anchovies in a bowl, Mixed together the answes with

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<v Speaker 1>lemon juice and black pepper, and with the fork mixed

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<v Speaker 1>the butter. Boil the esparats in salted water until tender.

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<v Speaker 1>Drain season and drizzle with olive oil. Place the asparagus

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<v Speaker 1>on warm plates, Spoon over the anchovy butter and scattered

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<v Speaker 1>with parmesan shavings, and my jaw is dripping the salagra.

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<v Speaker 1>You know I used to come by here the famous

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<v Speaker 1>Italian dish, which is the funny little piece the.

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<v Speaker 2>Farinata.

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<v Speaker 1>No, no, it's like a soup.

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<v Speaker 2>Oh yeah, the task of bean soup, cannellini bean soup.

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<v Speaker 1>Yeah. So I got so taken with it now every

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<v Speaker 1>time I drive past her pop in for lunch and

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<v Speaker 1>the guy said, I know what you want. You want

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<v Speaker 1>to yes, please? And then eventually the chef, because I

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<v Speaker 1>had two bowls and the chef said, you really like

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<v Speaker 1>this stuff? I said, yeah. I said, what's the secret?

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<v Speaker 1>Because I wish I was a cook. You said, it's

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<v Speaker 1>pretty simple to bring out to the boil said, he said,

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<v Speaker 1>and I take one carrot, chop the carrot, drop it

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<v Speaker 1>into that. Don't overcook it. I said. One of the

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<v Speaker 1>black pieces, He said, that is the secret. Is that

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<v Speaker 1>as a bit of black cabbage cavalodera. He says, there

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<v Speaker 1>you got it. I said, to kind of have another bowl.

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<v Speaker 2>It's a very simple look says everything about Tuscany. It says,

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<v Speaker 2>you know, beans, olive oil and the cabbage and that's it.

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<v Speaker 1>You know. I'm from the North of England and it

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<v Speaker 1>took a long time for me to discover my mother

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<v Speaker 1>was a good cook. But we were as a child,

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<v Speaker 1>we were on rationing warriors. So my mother made the

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<v Speaker 1>most of what she could. And the thing I used

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<v Speaker 1>to love most was mince and dumplings in the mince, Okay,

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<v Speaker 1>I love that. Or she made something what she called

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<v Speaker 1>beef olives. It was cheap beef slender bead which she'd

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<v Speaker 1>roll into into it. Something in the middle was magic.

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<v Speaker 1>So my mom always bread and us always good food,

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<v Speaker 1>but very plain. Then I'm at college, and at college

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<v Speaker 1>you can't afford very much. At also there was no

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<v Speaker 1>restaurants and near the world comes you were. And I

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<v Speaker 1>then became known pretty fast. I got to advertising, and

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<v Speaker 1>I went off like a bolt of lightning, and suddenly

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<v Speaker 1>I had money to spend because of good restaurants, and

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<v Speaker 1>like other places in the world, can be expensive, right,

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<v Speaker 1>And so at that time there was this big, fashionable,

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<v Speaker 1>small restaurant in Kings were called Alvaro, and right there,

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<v Speaker 1>for the first time in my life, had tested what

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<v Speaker 1>it was called kim at the heading of Italian Tarazza

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<v Speaker 1>food and Alvara, did you have a messing?

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<v Speaker 2>I think he came here right when we opened in

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<v Speaker 2>the ages.

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<v Speaker 1>And then Alvara then evolved really fast and became very faster.

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<v Speaker 2>With like white tiles, and they not in the.

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<v Speaker 1>Place was tiny, and he moved so quickly, evolved so quickly.

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<v Speaker 1>He owned a club, discotheque and restaurant just across the road,

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<v Speaker 1>down the street, and in there would be the Rolling Stones,

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<v Speaker 1>Paul McCartney, even Warren Beatty. I started eating there regularly

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<v Speaker 1>because I could afford to it. That's where I came

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<v Speaker 1>across Protruter and things and the magic of Pastor. The

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<v Speaker 1>story is he got so successful the mafia approaching them

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<v Speaker 1>wanted a piece. They scared him off. He stopped completely

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<v Speaker 1>and then open years later in a restaurant at World's

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<v Speaker 1>End in Chelsea, San Lorenzo. I'm known for years and

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<v Speaker 1>years and years Mora and Mara. They were Sardinian and

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<v Speaker 1>so on their advice, I had one of the best holidays.

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<v Speaker 1>I went up the coast to a small village that

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<v Speaker 1>some Italian prints had built, like a fake fishing village,

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<v Speaker 1>and we enjoyed the sud Indian food like.

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<v Speaker 2>That where Jake told me that you bought the cheese

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<v Speaker 2>and you took it home and it had maggots in it,

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<v Speaker 2>that's right. And then you took it back and the

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<v Speaker 2>man said, that's what it's supposed to.

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<v Speaker 1>Yes, but I but I also love the sud Indian wine.

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<v Speaker 1>I kind of like the food.

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<v Speaker 2>Yeah, I like the food. I like the food from

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<v Speaker 2>do you have Potargah? You have that fish roll? Every

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<v Speaker 2>and every everything may.

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<v Speaker 1>But then the evolution into America, I tend to lean

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<v Speaker 1>towards Italian cuisine always. I don't know why it's the most.

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<v Speaker 2>Maybe it's simple. If you like that bean soup it

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<v Speaker 2>has three ingredients, you know, simple.

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<v Speaker 1>And I don't like hamburger. I tend I tend to

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<v Speaker 1>know as as i've got older, towards being nearly vegan.

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<v Speaker 1>Yeah so, but I like curries. When I was at college,

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<v Speaker 1>the cheapest restaurant near me was Indian, and i'd go

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<v Speaker 1>in there there. I discovered that they're very careful about

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<v Speaker 1>what meat they have, the vegetable use it, and the

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<v Speaker 1>food was great.

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<v Speaker 2>Because let's go back to your parents. Your mother and

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<v Speaker 2>her cooking.

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<v Speaker 1>I always remember cooking was really excellent.

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<v Speaker 2>And would your brothers Tony and Frank and you would

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<v Speaker 2>meal times be very important, would you?

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<v Speaker 1>Well? He liked her food, and she liked the fact

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<v Speaker 1>that we liked her food, and it tended to be

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<v Speaker 1>Stew's whatever.

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<v Speaker 2>You lived in Germany as well? Do you remember that

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<v Speaker 2>at all? Living in Germany and eating Germany?

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<v Speaker 1>Nineteen forty seven, ninety fifty two, my dad became important

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<v Speaker 1>in Germany. So my dad the end wasn't acting brigadier general,

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<v Speaker 1>and he was there for the Marshall Plan, and he

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<v Speaker 1>was initially involved in D Day and designing something called

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<v Speaker 1>Maulberry Harbor, which is how we got all the truths

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<v Speaker 1>in the Normandy landing. So when forty seven came around,

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<v Speaker 1>he said the war ends. September forty five, he said,

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<v Speaker 1>we're going to Germany. And I was ten, and I

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<v Speaker 1>love the idea of that. And we went to Hamburg first.

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<v Speaker 1>Hamburg was as if we dropped the hydrogen box.

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<v Speaker 2>I was going to say it was it completely.

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<v Speaker 1>It was like we dropped an h BOM. And then

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<v Speaker 1>we worked there. He worked there briefly and said, I'm

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<v Speaker 1>now going to south to Frankfurt and Mainz and'll be

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<v Speaker 1>working in Eisenhower's office at the Eager Farm building.

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<v Speaker 2>Do you remember food there? Did you remember?

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<v Speaker 1>You know? Here's where it comes. He said, I'm going

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<v Speaker 1>to show you something going to like He took me

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<v Speaker 1>and my frank Tony was about to be born, and

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<v Speaker 1>he took me to the American p X, which of

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<v Speaker 1>course is a supermarket. I didn't know what that was,

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<v Speaker 1>and i'd been on rationing. He said, this thing is

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<v Speaker 1>called a soda fountain, he said, and the guy the

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<v Speaker 1>hat that he's the soda jerk, he said, I advised

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<v Speaker 1>that you have a Raspbey milkshake. He said, Oh, by

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<v Speaker 1>the way, do try that coca cola. How well were

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<v Speaker 1>you ten? So I got hooked on coca cola when

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<v Speaker 1>it was in the glass bottle, on the small glass bottle,

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<v Speaker 1>and I'd do six bottles a day. To me, I

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<v Speaker 1>still got one. And so in there was Hamburger, and

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<v Speaker 1>it was the American food in the American way of life.

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<v Speaker 2>So there was no immersion into Germany.

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<v Speaker 1>No. I loved what I saw because everything is shiny

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<v Speaker 1>and large, and the supermarket apples that are redder than

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<v Speaker 1>in snow white, right, and they eat him their.

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<v Speaker 2>Tasteless just bigger.

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<v Speaker 1>That's bigger.

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<v Speaker 2>Yeah, the taste doesn't matter, but.

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<v Speaker 1>You know, we got I didn't get over that for

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<v Speaker 1>a while because I was very impressed by the American

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<v Speaker 1>way of life.

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<v Speaker 2>And then you came back to England. In England and

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<v Speaker 2>then and then we settled down, it was rationing, still going.

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<v Speaker 1>No, no, no, that was over then, but my dad had

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<v Speaker 1>to Suddenly the war is over and all these guys

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<v Speaker 1>who enjoyed the high ranking positions suddenly joined the real

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<v Speaker 1>world and get a job. So my dad ended up

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<v Speaker 1>getting a job in soccer on Tees north of England,

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<v Speaker 1>and we were there for the next eighteen years.

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<v Speaker 2>Were they excited that you were going to the Royal College?

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<v Speaker 2>Were they you're there to be artist? Where they were?

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<v Speaker 1>No? Because I traveled so much with my father as

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<v Speaker 1>a army officer, growing to become a high ranking person.

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<v Speaker 1>I did ten schools, so I was academically inept in

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<v Speaker 1>those days. Parents would say you'll catch up. Of course

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<v Speaker 1>we never did because you moved foot one school to

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<v Speaker 1>the other. Teachers don't care, and teachers that time in

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<v Speaker 1>my generation hated the pupils and the pupils hated the teacher.

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<v Speaker 2>But you knew you could draw.

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<v Speaker 1>I did nothing but draw three years old. I will

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<v Speaker 1>draw you in three seconds. Okay, all right, okay, and

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<v Speaker 1>there you got.

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<v Speaker 2>It, Ruthie, Oh pick up, thank you.

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<v Speaker 1>And so what happened was when I came to this decision,

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<v Speaker 1>what do I do University of what my dad said,

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<v Speaker 1>go to art school. He did. He said, you go

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<v Speaker 1>to our school. Do what you'd love to do. Draw

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<v Speaker 1>He said, you'll probably be an art teacher. Be an

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<v Speaker 1>art teacher.

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<v Speaker 2>You were thrust into the world of London as you

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<v Speaker 2>were describing the world of artists and art and Indian

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<v Speaker 2>food and different cultures and abilities.

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<v Speaker 1>But the Royal College eventually really opened me up because

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<v Speaker 1>I'm on You're on your own.

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<v Speaker 2>Did you have money?

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<v Speaker 1>No, there was no grants. So I'd work taskin I'd

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<v Speaker 1>lay runways out concrete. I'd work in ICI Imperial Chemical Industries,

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<v Speaker 1>where I'd packed night shift dry cold it drives from

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<v Speaker 1>the ammonia plants. And I'd do post office work every.

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<v Speaker 2>Christmas and then go to school every day.

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<v Speaker 1>And then that they were the holidays. Now save that money.

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<v Speaker 1>It would enable me to then my dad at that

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<v Speaker 1>time would be on the magic salary of twenty five

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<v Speaker 1>pounds a week. People can't believe that, and the magic

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<v Speaker 1>salary of twelve hundred pounds a year. When I started BBC,

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<v Speaker 1>I started on a salary should take more than my

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<v Speaker 1>father earned his lifetime. So I started BBC as a

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<v Speaker 1>designer Tormentazia twelve hundred. Yeah, and believe it, you breakfast, so.

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<v Speaker 2>That food again, going back to that culture, if you

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<v Speaker 2>couldn't afford to eat out, but you could eat it.

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<v Speaker 2>You discovered Indian restaurants and probably Greek.

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<v Speaker 1>And I was good with bad cook yourself.

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<v Speaker 2>Yeah, you would, so you knew what good food was

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<v Speaker 2>and you wanted to eat it.

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<v Speaker 1>I think if I want to, I'd be a good

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<v Speaker 1>chef because it's about being precise. It's also having a

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<v Speaker 1>good sense of taste.

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<v Speaker 2>Just say, if you want to eat well and you

0:12:46.120 --> 0:12:47.800
<v Speaker 2>can't afford it, you have to learn to cook.

0:12:48.760 --> 0:12:51.600
<v Speaker 1>Yeah. And so even when I was in West Horleypool

0:12:51.720 --> 0:12:54.800
<v Speaker 1>Arts School, there would be the day and then i'd

0:12:54.880 --> 0:12:57.560
<v Speaker 1>have night school. There'd be a two hour gap. So

0:12:57.640 --> 0:13:00.520
<v Speaker 1>instead of getting fish and chips and go to the

0:13:00.559 --> 0:13:04.240
<v Speaker 1>local shop and buy good cheese, some good bread and

0:13:04.280 --> 0:13:07.280
<v Speaker 1>go and have half a pint of cider, that's a meal.

0:13:08.080 --> 0:13:15.000
<v Speaker 1>But it was selective, selective, Yeah, and I never ate badly.

0:13:15.040 --> 0:13:19.280
<v Speaker 1>As students, you didn't know. I mean a mom made

0:13:19.360 --> 0:13:21.719
<v Speaker 1>sure of that. She said do this, do that, and

0:13:21.760 --> 0:13:24.439
<v Speaker 1>make sure you don't and she did. You don't eat

0:13:24.480 --> 0:13:26.080
<v Speaker 1>wonder loafs and stuff like that.

0:13:26.080 --> 0:13:28.200
<v Speaker 2>That's it. What did you educate your children that way

0:13:28.240 --> 0:13:28.559
<v Speaker 2>as well?

0:13:28.600 --> 0:13:30.080
<v Speaker 1>Do you think I didn't have to do? There? All

0:13:30.120 --> 0:13:33.920
<v Speaker 1>great they are. The Jake is almost professional cook. Yeah.

0:13:33.920 --> 0:13:35.520
<v Speaker 2>When he came to see me the other day, we

0:13:35.559 --> 0:13:38.640
<v Speaker 2>sat and he was he just bought red mullet, and

0:13:38.679 --> 0:13:40.679
<v Speaker 2>so we had a long conversation of how he was

0:13:40.720 --> 0:13:42.559
<v Speaker 2>going to cook the red mullet, whether to grill it,

0:13:42.679 --> 0:13:43.240
<v Speaker 2>whether to do it.

0:13:43.360 --> 0:13:44.400
<v Speaker 1>He's really good and.

0:13:44.360 --> 0:13:45.320
<v Speaker 2>He was serious cook.

0:13:45.400 --> 0:13:48.280
<v Speaker 1>And his daughter and look is a serious cook.

0:13:49.000 --> 0:13:52.200
<v Speaker 2>And your granddaughter she Cuba apparently, is going to come

0:13:52.240 --> 0:13:53.120
<v Speaker 2>and cook with me here.

0:13:53.520 --> 0:13:56.040
<v Speaker 1>You'll be in shock. She's so clever.

0:13:56.400 --> 0:13:59.720
<v Speaker 2>Yeah, so you so. And the women that you married,

0:13:59.720 --> 0:14:00.560
<v Speaker 2>did you? Did you?

0:14:01.400 --> 0:14:07.040
<v Speaker 1>My first wife was mother Austrian, and that's why when

0:14:07.040 --> 0:14:11.120
<v Speaker 1>I was eighteen I was wooing my wife would be

0:14:11.160 --> 0:14:14.600
<v Speaker 1>my first wife. Eighteen nineteen twenty I went to the

0:14:14.640 --> 0:14:18.080
<v Speaker 1>Royal College and I'd go up. She lived in this

0:14:18.200 --> 0:14:21.040
<v Speaker 1>town called peter Lee in the north of England, just

0:14:21.080 --> 0:14:25.080
<v Speaker 1>north of Holeypool. Her mom was Austrian. It's the first

0:14:25.080 --> 0:14:27.960
<v Speaker 1>time I tasted garlic and I thought, God, the garlic

0:14:28.880 --> 0:14:32.000
<v Speaker 1>is wonderful, and I go home. My mom said, what's

0:14:32.000 --> 0:14:35.400
<v Speaker 1>that terrible smell? Are you even garlic? And that's how

0:14:35.400 --> 0:14:36.520
<v Speaker 1>it was introduced to garlic.

0:14:37.160 --> 0:14:39.400
<v Speaker 2>So she cooked and then she was a.

0:14:39.320 --> 0:14:41.520
<v Speaker 1>Very good girl. And I didn't say that. My mom

0:14:41.600 --> 0:14:46.640
<v Speaker 1>actually better, may be married well, and Felicity could always cook.

0:14:46.960 --> 0:14:49.760
<v Speaker 1>So Felicity was the mother of Jacob.

0:14:49.880 --> 0:14:50.760
<v Speaker 2>Yeah, he said.

0:14:51.240 --> 0:14:54.840
<v Speaker 1>From that she the all evolved. They could both call.

0:15:01.320 --> 0:15:05.080
<v Speaker 2>The River Cafe, cafe, steps away from our restaurant, is

0:15:05.120 --> 0:15:08.840
<v Speaker 2>now open in the morning an Italian breakfast with cornetti,

0:15:08.960 --> 0:15:13.200
<v Speaker 2>chiambella and cristada from our pastry kitchen. In the afternoon,

0:15:13.360 --> 0:15:17.080
<v Speaker 2>ice cream coops and River Cafe classic desserts. Come in

0:15:17.080 --> 0:15:20.240
<v Speaker 2>the evening for cocktails with our resident pianist in the bar.

0:15:20.960 --> 0:15:32.480
<v Speaker 2>No need to book see you here. In advertising, you

0:15:32.520 --> 0:15:36.960
<v Speaker 2>were making building a company. So was were you like

0:15:37.040 --> 0:15:39.320
<v Speaker 2>in mad Men? With you the sort of Don Draper

0:15:39.400 --> 0:15:43.200
<v Speaker 2>of lon Did you have long martini lunches and no

0:15:43.360 --> 0:15:44.280
<v Speaker 2>bar infice?

0:15:44.760 --> 0:15:47.720
<v Speaker 1>We opened the office in London and it took off,

0:15:48.520 --> 0:15:50.880
<v Speaker 1>and then I opened an office in Paris and it

0:15:51.000 --> 0:15:51.520
<v Speaker 1>took off.

0:15:51.640 --> 0:15:53.440
<v Speaker 2>Did you eat well in Paris? Yeah?

0:15:53.520 --> 0:15:59.080
<v Speaker 1>I love preferred Then I don't know what happened to Paris. Now, Yes,

0:15:59.200 --> 0:16:03.240
<v Speaker 1>Paris then there were a lot of brasseries, either because

0:16:03.280 --> 0:16:07.480
<v Speaker 1>it was fresh and new to me because I really

0:16:07.560 --> 0:16:11.920
<v Speaker 1>enjoyed the French cuisine at that point. I'm not sure

0:16:11.920 --> 0:16:13.200
<v Speaker 1>I enjoy it as much now.

0:16:13.480 --> 0:16:16.080
<v Speaker 2>There's still a very strong culture of food in France.

0:16:16.480 --> 0:16:18.400
<v Speaker 2>You know, you can get into a taxi cab and

0:16:18.400 --> 0:16:20.320
<v Speaker 2>the guy will tell you how to cook a sea bass.

0:16:20.440 --> 0:16:21.840
<v Speaker 1>Yeah, but I think there is.

0:16:21.920 --> 0:16:23.840
<v Speaker 2>It's probably changing, but I think there is.

0:16:23.960 --> 0:16:27.400
<v Speaker 1>But didn't things kind of slightly modernize and I noticed

0:16:27.440 --> 0:16:30.360
<v Speaker 1>that the modernization of the French food is better than

0:16:30.400 --> 0:16:34.400
<v Speaker 1>the becomes more interesting when it's done properly, when they

0:16:34.440 --> 0:16:36.320
<v Speaker 1>lose all the saurces like that.

0:16:36.600 --> 0:16:38.520
<v Speaker 2>Yeah, the world. We were just talking about the.

0:16:38.440 --> 0:16:40.080
<v Speaker 1>Three ingredients a lot.

0:16:40.200 --> 0:16:41.960
<v Speaker 2>There's a lot of and you have to you know,

0:16:42.120 --> 0:16:43.760
<v Speaker 2>if you're going to have three ingredients, they have to

0:16:43.760 --> 0:16:49.120
<v Speaker 2>be really good, don't they. You know? Yeah, So you're

0:16:49.120 --> 0:16:51.160
<v Speaker 2>with Alan Parker and David Putnam.

0:16:51.400 --> 0:16:56.680
<v Speaker 1>We were so competitive, we weren't friends. It was highly competitive.

0:16:57.000 --> 0:16:59.000
<v Speaker 1>And there used to be this thing called Monday Morning

0:16:59.040 --> 0:17:01.720
<v Speaker 1>Newcomers and I'd sit there with a cup of teena

0:17:01.800 --> 0:17:04.600
<v Speaker 1>cigarette and say, who did that? Adrian and I damn,

0:17:04.760 --> 0:17:10.000
<v Speaker 1>who did that? Alan Parker? Damn? In reality at that

0:17:10.200 --> 0:17:14.520
<v Speaker 1>moment that the Alan Parker, Adrian Lyne and me, then

0:17:15.280 --> 0:17:17.080
<v Speaker 1>we were the leader of the pack. We all had

0:17:17.119 --> 0:17:21.639
<v Speaker 1>our own production company, were separate, absolutely in competition, and

0:17:21.720 --> 0:17:25.000
<v Speaker 1>so in the English advertising and they called the English

0:17:25.119 --> 0:17:29.800
<v Speaker 1>lights got leaked into France and leaked into America, so

0:17:29.840 --> 0:17:33.600
<v Speaker 1>that I shipped out Freaquent shooters commercials in America. And

0:17:33.640 --> 0:17:35.879
<v Speaker 1>that's to when I then opened an office in America.

0:17:36.040 --> 0:17:38.159
<v Speaker 1>Agencies would come to you and say, yeah, they look

0:17:38.200 --> 0:17:39.760
<v Speaker 1>at the real what was it like?

0:17:39.840 --> 0:17:41.720
<v Speaker 2>If we can, we can talk about one ad which

0:17:41.760 --> 0:17:46.200
<v Speaker 2>was about Brett Food, so well, tell me about Hovis.

0:17:46.160 --> 0:17:49.080
<v Speaker 1>Hovas was the companies said, we have a campaign a

0:17:49.160 --> 0:17:53.359
<v Speaker 1>series and look, I would look. I think I'm blessed

0:17:53.400 --> 0:17:56.159
<v Speaker 1>with a good eye. I have a very good eye.

0:17:56.359 --> 0:18:00.639
<v Speaker 1>And while doing commercials, I discovered it's better to be

0:18:01.240 --> 0:18:05.639
<v Speaker 1>in a kitchen the chef can stir his own concoction.

0:18:06.440 --> 0:18:08.240
<v Speaker 1>To me, it was better to operate. So I'm a

0:18:08.320 --> 0:18:11.679
<v Speaker 1>very good camera operator. So I did camera operated on

0:18:11.720 --> 0:18:15.560
<v Speaker 1>two and a half thousand commercials, everything handheld, the whole

0:18:15.600 --> 0:18:18.280
<v Speaker 1>goddamn nineer. So then when I do the duelist, that's

0:18:18.320 --> 0:18:20.960
<v Speaker 1>me on one camera. When I do Alien, that's me

0:18:21.240 --> 0:18:25.040
<v Speaker 1>on one camera. Later under me. So all this evolved

0:18:25.040 --> 0:18:31.840
<v Speaker 1>into the exercise and art of that, and photographing and

0:18:32.040 --> 0:18:36.280
<v Speaker 1>in advertising. We were so successful. That's a lot of

0:18:36.520 --> 0:18:39.359
<v Speaker 1>very good over the top lunches where we'd have it

0:18:39.400 --> 0:18:41.840
<v Speaker 1>and lunch bloody Mary followed by a bottle of wine

0:18:41.880 --> 0:18:46.959
<v Speaker 1>and go back to work, which is not a good idea.

0:18:47.200 --> 0:18:48.000
<v Speaker 1>It doesn't work.

0:18:48.000 --> 0:18:50.679
<v Speaker 2>Do you do that now? No, you said that you

0:18:50.760 --> 0:18:54.000
<v Speaker 2>made an advertisement like a feature film.

0:18:54.280 --> 0:18:57.199
<v Speaker 1>The thirty second commercial I regard as a film, and

0:18:57.240 --> 0:18:59.760
<v Speaker 1>you could tell a big story in thirty seconds if

0:18:59.800 --> 0:19:02.720
<v Speaker 1>you don't what you're doing. I did Steve Job's first commercial.

0:19:02.840 --> 0:19:04.040
<v Speaker 2>I know the Matt.

0:19:04.320 --> 0:19:06.520
<v Speaker 1>I met the agency. They came into the chair of paper.

0:19:06.520 --> 0:19:09.400
<v Speaker 1>I said, George orwell at the end, he said, we're

0:19:09.400 --> 0:19:12.159
<v Speaker 1>going to show you how nineteen eighty four ain't going

0:19:12.200 --> 0:19:15.679
<v Speaker 1>to be like nineteen eighty four. I said, what is this?

0:19:15.840 --> 0:19:19.040
<v Speaker 1>Is it? What's the fau? They said, well, it's a computer.

0:19:19.040 --> 0:19:20.920
<v Speaker 1>So we don't talk about a computer. You don't show

0:19:20.920 --> 0:19:21.320
<v Speaker 1>a computer.

0:19:21.440 --> 0:19:21.480
<v Speaker 3>No.

0:19:22.160 --> 0:19:25.160
<v Speaker 1>I said, well, who's this girl running down a corner? Well,

0:19:25.160 --> 0:19:31.840
<v Speaker 1>that's freedom. She's being pursued by o'wellian threatening people. I said, oh,

0:19:31.880 --> 0:19:35.480
<v Speaker 1>it's George, okay, for what's it for? Computer? For what

0:19:37.080 --> 0:19:42.960
<v Speaker 1>domestic computer? I said to this was and Steve I said,

0:19:43.640 --> 0:19:46.639
<v Speaker 1>what you need a computer? Right? Shopping list? What's the

0:19:46.680 --> 0:19:49.320
<v Speaker 1>matter of the pattern pencil? It just laughed.

0:19:49.560 --> 0:19:51.679
<v Speaker 2>I was on a film set the other day and

0:19:51.840 --> 0:19:54.720
<v Speaker 2>George Clooney was there and Adam Sandler and they did,

0:19:54.920 --> 0:19:56.920
<v Speaker 2>you know, take after ten I've never been on it.

0:19:57.320 --> 0:19:59.480
<v Speaker 2>Gave me a little part. Hint, hint, he gave me

0:19:59.520 --> 0:20:03.680
<v Speaker 2>a part in movie. So Ridley Ridley, Yeah, he gave

0:20:03.720 --> 0:20:07.320
<v Speaker 2>me a little part in his movie. So next time, Yeah,

0:20:07.359 --> 0:20:10.639
<v Speaker 2>a little Ruthie Rogers cameo. I said, not one word.

0:20:10.760 --> 0:20:13.560
<v Speaker 2>But it was really interesting to see.

0:20:13.920 --> 0:20:17.520
<v Speaker 1>I do two takes. Think about it. I'm casting a

0:20:17.560 --> 0:20:21.119
<v Speaker 1>good actor and he's got a script. He's had the

0:20:21.160 --> 0:20:24.960
<v Speaker 1>script for a month or two. He is, she has

0:20:25.000 --> 0:20:27.879
<v Speaker 1>prepared what she's going to do. There's nothing worse in

0:20:27.920 --> 0:20:31.320
<v Speaker 1>the morning. Then they walk in and the director starts

0:20:31.359 --> 0:20:33.840
<v Speaker 1>to talk about the meaning of life. They want to

0:20:33.880 --> 0:20:34.560
<v Speaker 1>just get on.

0:20:34.520 --> 0:20:37.040
<v Speaker 2>With it, and how are you on set? Is it?

0:20:37.480 --> 0:20:40.360
<v Speaker 2>Is it fun to be on a Ridley Scott movie?

0:20:40.520 --> 0:20:42.560
<v Speaker 1>I think I think they keep coming back.

0:20:43.160 --> 0:20:46.720
<v Speaker 2>I'd like to talk about food in movies. So we

0:20:46.800 --> 0:20:52.040
<v Speaker 2>can remember Blade Runner and the noodles. They can remember Alien, well.

0:20:51.880 --> 0:20:54.600
<v Speaker 1>That was yeah, grain drive food.

0:20:54.880 --> 0:20:57.520
<v Speaker 2>So would you talk to me about movies and films?

0:20:57.520 --> 0:21:00.720
<v Speaker 1>Well, in making a movie is all to do with research,

0:21:02.000 --> 0:21:06.440
<v Speaker 1>and I have a great team, and so I've worked

0:21:06.440 --> 0:21:11.560
<v Speaker 1>with my costume designer, Janty since the first Gladiator, but

0:21:11.720 --> 0:21:15.280
<v Speaker 1>before that there were other costumes. Arthur Max I've worked

0:21:15.320 --> 0:21:20.280
<v Speaker 1>for he's the production designer since just after the timber Luiz.

0:21:20.600 --> 0:21:24.080
<v Speaker 1>I've worked with different people and over the years it's

0:21:24.119 --> 0:21:28.119
<v Speaker 1>simply easier to take up rains of the people, you know,

0:21:29.880 --> 0:21:33.600
<v Speaker 1>because we are so fast. As I finish, I'm already

0:21:33.640 --> 0:21:34.600
<v Speaker 1>prepping the next one.

0:21:34.880 --> 0:21:36.480
<v Speaker 2>Yeah, you're prepping Begs now.

0:21:36.640 --> 0:21:40.520
<v Speaker 1>Now yeah, I haven't quite delivered the Gladiators. So that's

0:21:40.760 --> 0:21:44.000
<v Speaker 1>for me's normal, but the means I mean, no, it's practical.

0:21:44.200 --> 0:21:49.120
<v Speaker 1>I hold onto the team, letting it go they're gone

0:21:49.480 --> 0:21:52.720
<v Speaker 1>and I need the team. Keeping my team makes me

0:21:52.880 --> 0:21:55.399
<v Speaker 1>more efficient and they like it because they never stopped working.

0:21:55.600 --> 0:21:57.920
<v Speaker 2>And so when you're thinking about when you let's take

0:21:57.920 --> 0:21:59.880
<v Speaker 2>one movie. Take a movie and talk to me about

0:21:59.880 --> 0:22:01.560
<v Speaker 2>the food in one of your movies.

0:22:02.760 --> 0:22:05.720
<v Speaker 1>Oh, alien would be one of people to eat in space.

0:22:06.080 --> 0:22:08.359
<v Speaker 1>It would have to be dried food. It would have

0:22:08.440 --> 0:22:14.280
<v Speaker 1>to be water that somehow you generate from condensation in

0:22:14.359 --> 0:22:17.879
<v Speaker 1>the ship? Is there conversation in the ship? There is now,

0:22:17.920 --> 0:22:20.680
<v Speaker 1>because Harry Dean Stanton died in a landing leg group

0:22:20.720 --> 0:22:23.119
<v Speaker 1>was dripping with water. So I made that up to

0:22:23.640 --> 0:22:26.359
<v Speaker 1>that was old bullsher. You'll say, what is a conversation

0:22:26.880 --> 0:22:29.480
<v Speaker 1>from what you said? Well, you know, And I also

0:22:29.560 --> 0:22:34.360
<v Speaker 1>by then you've learned to absorb your chemeras from your

0:22:34.400 --> 0:22:40.400
<v Speaker 1>own body, which would be turned in reconsumption. Now in space,

0:22:40.920 --> 0:22:45.040
<v Speaker 1>that packaging is edible. So all the packaging is light,

0:22:45.320 --> 0:22:48.960
<v Speaker 1>but it's there to be cooked. And actually, Martian to

0:22:49.000 --> 0:22:52.440
<v Speaker 1>me is one of my favorite recent films in a

0:22:52.480 --> 0:22:56.760
<v Speaker 1>way because it's a comedy in a way because Fox accommodis, yes,

0:22:56.880 --> 0:23:00.760
<v Speaker 1>a comedy. Why well, anybody survives by eating their own ship,

0:23:00.840 --> 0:23:06.439
<v Speaker 1>it's got to be good. You're right, okay, So, but

0:23:06.560 --> 0:23:10.040
<v Speaker 1>I think it was such a blow by blow logical

0:23:10.840 --> 0:23:14.040
<v Speaker 1>piece of science, and yet it was amusing. I thought

0:23:14.040 --> 0:23:18.199
<v Speaker 1>it worked perfectly. It's good, good form, he said to me.

0:23:19.440 --> 0:23:24.280
<v Speaker 1>Squeeze Matt Matt Damon, you said with tomato ketchup, I

0:23:24.359 --> 0:23:27.960
<v Speaker 1>love tamato ketcher. You just said, you said, should have

0:23:28.000 --> 0:23:30.800
<v Speaker 1>borded more ketchup because he was living on potatoes, so

0:23:30.840 --> 0:23:34.320
<v Speaker 1>you had to eke out the ketchup the potatoes and ketcher.

0:23:35.640 --> 0:23:38.359
<v Speaker 1>Why is why are potatoes so marvelous?

0:23:39.640 --> 0:23:41.040
<v Speaker 2>I will let you answer that question.

0:23:41.359 --> 0:23:46.880
<v Speaker 1>Well, there can be chips, cream potatoes, bad potatoes. It's

0:23:47.200 --> 0:23:50.240
<v Speaker 1>no one is a marvelous staple. It's a great food,

0:23:50.280 --> 0:23:50.640
<v Speaker 1>isn't it?

0:23:50.720 --> 0:23:53.480
<v Speaker 2>And the food is Gladiator? What did they eat?

0:23:53.960 --> 0:23:58.520
<v Speaker 1>Eggs, chicken, grain? But if you are upper class, it's

0:23:58.560 --> 0:24:02.800
<v Speaker 1>another story. You have what you want eating everything from probably,

0:24:03.560 --> 0:24:06.000
<v Speaker 1>and I think probably the challenges were healthier than the bread.

0:24:06.080 --> 0:24:13.000
<v Speaker 1>Who would eat hung meat, which is rotting without vegetables

0:24:13.000 --> 0:24:14.240
<v Speaker 1>because they didn't like vegetables.

0:24:14.400 --> 0:24:16.119
<v Speaker 2>Do you think about food when you wake up in

0:24:16.160 --> 0:24:18.680
<v Speaker 2>the morning, and do you think about what you're going

0:24:18.680 --> 0:24:19.360
<v Speaker 2>to eat that day?

0:24:19.800 --> 0:24:28.199
<v Speaker 1>Plan? It's I got blueberries, cherries, breakfast with Greek yogurts, expresso,

0:24:28.760 --> 0:24:34.960
<v Speaker 1>that's it. And lunch lunchtime protein with salad. Evening only

0:24:35.400 --> 0:24:39.439
<v Speaker 1>vegetables and vegetables cooked in some clever way. I like

0:24:39.640 --> 0:24:40.560
<v Speaker 1>curried vegetables.

0:24:40.600 --> 0:24:44.840
<v Speaker 2>How long have you been on this regime? Ten years?

0:24:44.920 --> 0:24:46.120
<v Speaker 2>And it works?

0:24:45.960 --> 0:24:51.439
<v Speaker 1>It's good you're still here. I do drink after dinner.

0:24:52.080 --> 0:24:53.160
<v Speaker 1>I don't drink with dinner.

0:24:53.200 --> 0:24:54.880
<v Speaker 2>But when you go to a restaurant, do you break

0:24:54.880 --> 0:24:55.600
<v Speaker 2>the rules?

0:24:56.080 --> 0:24:58.800
<v Speaker 1>No? No, I tend to stick with the rule book. Yeah.

0:24:59.320 --> 0:25:01.119
<v Speaker 2>And when you try, well, do you think about that

0:25:01.280 --> 0:25:02.760
<v Speaker 2>right now? Where are you shooting? The beaches?

0:25:03.560 --> 0:25:06.159
<v Speaker 1>Oh? Probably the beach A lot of time in England.

0:25:06.320 --> 0:25:07.400
<v Speaker 1>I've got to do Miami.

0:25:08.160 --> 0:25:09.560
<v Speaker 2>What's your favorite beg song?

0:25:10.359 --> 0:25:11.439
<v Speaker 1>Massachusetts?

0:25:18.240 --> 0:25:21.480
<v Speaker 3>If you like listening to Ruthie's Table four, would you

0:25:21.600 --> 0:25:25.639
<v Speaker 3>please make sure to rape and review the podcast on

0:25:25.680 --> 0:25:30.640
<v Speaker 3>the iHeartRadio app, Apple Podcasts, Spotify, or wherever you get

0:25:30.680 --> 0:25:31.840
<v Speaker 3>your podcasts.

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<v Speaker 2>Thank you, Ridley. Most people with the success you've had

0:25:43.000 --> 0:25:47.600
<v Speaker 2>might have bought penthouse, apartment in Central Park, a fabulous yacht,

0:25:48.240 --> 0:25:52.640
<v Speaker 2>but you bought a chateau. And I'm making award winning wine.

0:25:52.680 --> 0:25:56.360
<v Speaker 2>So I just thought, before Christophe and Melina come in,

0:25:56.440 --> 0:25:59.400
<v Speaker 2>both some ayas from the river cafe, you could tell

0:25:59.440 --> 0:26:00.880
<v Speaker 2>me why did you do this?

0:26:01.520 --> 0:26:07.160
<v Speaker 1>My gluten for punishment and I liked to evolve, and

0:26:07.600 --> 0:26:11.120
<v Speaker 1>I bought I had a farm in the Costle years ago,

0:26:11.240 --> 0:26:13.280
<v Speaker 1>and I loved it to death for ten years, but

0:26:13.320 --> 0:26:16.280
<v Speaker 1>it always rained, so the kids got bored and wouldn't

0:26:16.320 --> 0:26:19.360
<v Speaker 1>go down, and I got into horses in a big way.

0:26:19.400 --> 0:26:22.960
<v Speaker 1>I had sheep, so we sold it, and I always

0:26:23.040 --> 0:26:26.359
<v Speaker 1>missed that farm. And then I then did a film,

0:26:26.800 --> 0:26:30.800
<v Speaker 1>The Duelists. I experienced the door done, and I loved

0:26:30.840 --> 0:26:35.200
<v Speaker 1>that part of France, and I thought, but the door

0:26:35.240 --> 0:26:38.679
<v Speaker 1>Durne rains as well. Then I really missed it. And

0:26:38.720 --> 0:26:43.879
<v Speaker 1>so eventually twenty thirty two years ago, I decided I'm

0:26:43.920 --> 0:26:48.560
<v Speaker 1>going look for sun for sunshine, and I started looking

0:26:48.600 --> 0:26:52.119
<v Speaker 1>anywhere beneath Leon and I made fun of the trip,

0:26:52.640 --> 0:26:55.720
<v Speaker 1>and somebody was looking for me, and then took about

0:26:56.119 --> 0:26:58.120
<v Speaker 1>six months. Is one day I was in the camp

0:26:58.160 --> 0:27:01.560
<v Speaker 1>Film Festival and it calls it. I think I've got it,

0:27:02.440 --> 0:27:04.560
<v Speaker 1>So I drove the two and fifty kilometers there and

0:27:04.560 --> 0:27:08.639
<v Speaker 1>I bought it by lunchtime. And because I've known by now,

0:27:08.680 --> 0:27:11.600
<v Speaker 1>I've had big houses and medium sized houses, big houses

0:27:11.680 --> 0:27:14.200
<v Speaker 1>of pin and that you do not need twelve bedrooms.

0:27:14.520 --> 0:27:17.800
<v Speaker 1>And so this is a man which is a smaller sized.

0:27:18.440 --> 0:27:19.359
<v Speaker 1>It's not a chateau.

0:27:19.480 --> 0:27:21.760
<v Speaker 2>How many acres of vineyard do you have well.

0:27:21.840 --> 0:27:26.720
<v Speaker 1>He had actually eleven hectors, and I discovered later years

0:27:26.760 --> 0:27:31.440
<v Speaker 1>that it belonged to General Robert of the Napoleon Army,

0:27:31.560 --> 0:27:34.920
<v Speaker 1>and that was his house and his vineyard. I was

0:27:34.960 --> 0:27:39.480
<v Speaker 1>buying his eleven hector. And when I was buying it,

0:27:39.560 --> 0:27:42.959
<v Speaker 1>the people when you're looking for house, people who usually

0:27:43.800 --> 0:27:47.359
<v Speaker 1>died or they getting divorced. The couple getting divorced, they've

0:27:47.359 --> 0:27:50.440
<v Speaker 1>done quite good things to what is already a bit

0:27:50.440 --> 0:27:55.679
<v Speaker 1>of a gem, like stone floors and double glazing, but

0:27:55.800 --> 0:27:59.359
<v Speaker 1>matching the windows the way they should be. So I

0:27:59.520 --> 0:28:02.680
<v Speaker 1>bought it, and from that I did know what to

0:28:02.680 --> 0:28:05.280
<v Speaker 1>do with the eleven hectors. So I got a local

0:28:06.520 --> 0:28:08.600
<v Speaker 1>calf to say, we'll take it out as long as

0:28:08.640 --> 0:28:10.480
<v Speaker 1>you keep the venue on neat. I don't want to

0:28:10.520 --> 0:28:13.520
<v Speaker 1>do wine, as long as it looks chronically neat, and

0:28:13.560 --> 0:28:16.679
<v Speaker 1>I drive in and looks like a garden. Good. And

0:28:16.760 --> 0:28:19.400
<v Speaker 1>so they did a good job until after four years

0:28:19.440 --> 0:28:21.480
<v Speaker 1>they caught and said, we've just got a gold in

0:28:22.080 --> 0:28:25.399
<v Speaker 1>a Paris following you. He said, we've got to gold

0:28:25.480 --> 0:28:30.639
<v Speaker 1>and a silver on this for the wine in Paris.

0:28:30.680 --> 0:28:33.520
<v Speaker 1>And so the guy who was kind of giving me

0:28:33.600 --> 0:28:36.840
<v Speaker 1>advice to that moment, my lovely Uncle Denny Long said,

0:28:37.119 --> 0:28:40.320
<v Speaker 1>you know, suddenly we should and your grape is way

0:28:40.360 --> 0:28:42.880
<v Speaker 1>better than you and imagined he said, I think we

0:28:42.920 --> 0:28:44.880
<v Speaker 1>should try and take it back. So we took it

0:28:44.920 --> 0:28:46.880
<v Speaker 1>back and there we have the reverse of where we

0:28:46.920 --> 0:28:50.600
<v Speaker 1>went to. So suddenly I had to get involved in

0:28:50.640 --> 0:28:53.520
<v Speaker 1>this science of making wine. And I love it.

0:28:53.840 --> 0:28:55.560
<v Speaker 2>And what is the science of making wine?

0:28:56.440 --> 0:29:00.080
<v Speaker 1>It's precision. Everything's precision, and everything's taste, and so it

0:29:00.160 --> 0:29:02.240
<v Speaker 1>is personal. I think it's personal. So in the funny

0:29:02.280 --> 0:29:05.200
<v Speaker 1>kind of way, wine making is as creative as making

0:29:05.200 --> 0:29:08.040
<v Speaker 1>a movie. All right.

0:29:08.080 --> 0:29:11.080
<v Speaker 2>So we're here in the River Cafe dining room and

0:29:11.120 --> 0:29:14.680
<v Speaker 2>we're doing a wine tasting of Ridley Scott's wine. I

0:29:14.680 --> 0:29:18.320
<v Speaker 2>think we should start by the white wine. We try

0:29:18.320 --> 0:29:20.160
<v Speaker 2>the wine just before, just to open the wine.

0:29:20.240 --> 0:29:22.920
<v Speaker 1>Yeah, and he's they are very fresh. There's a lot

0:29:23.000 --> 0:29:28.280
<v Speaker 1>of freshness on the wine. Yeah, very elegant, yes, and yeah,

0:29:28.360 --> 0:29:33.400
<v Speaker 1>I mean it's lovely. I stole a great vintner from

0:29:33.640 --> 0:29:38.600
<v Speaker 1>a very elevated car in France. I want to say where.

0:29:39.040 --> 0:29:41.040
<v Speaker 1>And he now, he is the man who puts all

0:29:41.120 --> 0:29:45.200
<v Speaker 1>this stuff that crystal barrel, and he puts all the

0:29:45.360 --> 0:29:49.040
<v Speaker 1>he blends everything right, and so he said, describe the

0:29:49.120 --> 0:29:51.400
<v Speaker 1>kind of white we're looking for, And I said, I

0:29:51.560 --> 0:29:55.360
<v Speaker 1>tend to always drink for a quick kind of knee

0:29:55.400 --> 0:29:56.760
<v Speaker 1>jerk reaction, and say, what do you want to say?

0:29:56.760 --> 0:29:59.760
<v Speaker 1>A Pinot grisio or salt because in the funny kind

0:29:59.760 --> 0:30:03.280
<v Speaker 1>of way, the simple wine, simple white wine, I find

0:30:03.280 --> 0:30:07.959
<v Speaker 1>the French red white can get shabbies can get heavy,

0:30:08.200 --> 0:30:10.840
<v Speaker 1>the show can get heavy, and I don't like heavy wine.

0:30:11.520 --> 0:30:12.280
<v Speaker 1>That was that.

0:30:12.560 --> 0:30:15.880
<v Speaker 2>I think that's one point meant love drinkability.

0:30:15.680 --> 0:30:19.880
<v Speaker 4>Straight away, What do you say the wine? You get

0:30:19.920 --> 0:30:23.040
<v Speaker 4>this lovely freshness and then you get this beautiful like

0:30:23.240 --> 0:30:28.640
<v Speaker 4>lime flower notes, you know her base show's nose almost

0:30:28.680 --> 0:30:32.200
<v Speaker 4>like asparagus. You know it just it just feels like summer.

0:30:32.400 --> 0:30:35.960
<v Speaker 4>You like, yes, I love it works perfectly. It's in fact,

0:30:36.080 --> 0:30:39.240
<v Speaker 4>aspargus is a very difficult dish to pair with wine,

0:30:39.760 --> 0:30:42.760
<v Speaker 4>and it's like so many a nightmare like such things

0:30:42.800 --> 0:30:45.400
<v Speaker 4>like also to pair with art chalks as well, it's

0:30:45.480 --> 0:30:50.080
<v Speaker 4>quite difficult. And I agree with Chris said, the acidity

0:30:50.160 --> 0:30:54.080
<v Speaker 4>is lovely. You have this freshness, so it's not you know, crashing,

0:30:54.240 --> 0:30:58.120
<v Speaker 4>crushing the dish. So I think it's really a good compliment.

0:30:58.280 --> 0:31:07.640
<v Speaker 2>And shall we move on to the Yeah.

0:31:04.600 --> 0:31:10.880
<v Speaker 1>The roses is one of our biggest outputs. It's retracted

0:31:10.960 --> 0:31:14.120
<v Speaker 1>a bit. Why is that because there's too many bad roses?

0:31:15.240 --> 0:31:18.960
<v Speaker 1>Just the first time teaching the rose it's very proven,

0:31:20.520 --> 0:31:20.960
<v Speaker 1>very pale.

0:31:21.240 --> 0:31:26.760
<v Speaker 4>Yes, I think you know the roses, especially because you know,

0:31:26.880 --> 0:31:30.280
<v Speaker 4>like it's a great and a perry tip glass of wine.

0:31:30.760 --> 0:31:33.520
<v Speaker 4>But I can see prepairing so many kinds of dishes

0:31:33.680 --> 0:31:38.680
<v Speaker 4>like car patches style of food, or like lobster salad

0:31:38.800 --> 0:31:40.920
<v Speaker 4>or anything that's fresh and seafoody.

0:31:41.440 --> 0:31:47.680
<v Speaker 2>I just think it's delightful. We talk about food as

0:31:48.240 --> 0:31:51.360
<v Speaker 2>creating a movie. We talk about food is growing grapes

0:31:51.400 --> 0:31:55.360
<v Speaker 2>for wine. We talk about food is your children. In Sarginia,

0:31:55.600 --> 0:31:58.840
<v Speaker 2>we also talk about food is comfort. So when you

0:31:58.960 --> 0:32:02.120
<v Speaker 2>need comfort, even within the plan that you have, is

0:32:02.120 --> 0:32:03.640
<v Speaker 2>there something cheese?

0:32:04.720 --> 0:32:07.360
<v Speaker 1>I don't take chocolate, I don't have sweets.

0:32:08.360 --> 0:32:11.840
<v Speaker 2>I love cheese, okay, any particular type.

0:32:11.720 --> 0:32:14.240
<v Speaker 1>All of it. But you know, the king would be

0:32:14.360 --> 0:32:19.680
<v Speaker 1>probably still did you grow up with that good cheese?

0:32:19.720 --> 0:32:24.520
<v Speaker 1>Will always assumed and the Americans both struck Turbot boadshow

0:32:24.640 --> 0:32:28.640
<v Speaker 1>don't quite understand cheese. And but in Beverly Hills right now,

0:32:28.640 --> 0:32:30.040
<v Speaker 1>there's a very good cheese.

0:32:30.400 --> 0:32:33.720
<v Speaker 2>There's a good well, I remember there was one on.

0:32:34.280 --> 0:32:39.800
<v Speaker 1>Yeah, he's moved to as Evolved two Little Santa Monica.

0:32:39.800 --> 0:32:44.880
<v Speaker 1>It's really good. But I do love cheese cheese.

0:32:44.920 --> 0:32:46.840
<v Speaker 2>All right, well let's go have some cheese. We have

0:32:46.880 --> 0:32:47.720
<v Speaker 2>some cheese before you.

0:32:47.680 --> 0:32:51.960
<v Speaker 1>Go French, Have you got the French?

0:32:53.240 --> 0:32:55.040
<v Speaker 2>And we have some very good Italian.

0:32:56.200 --> 0:32:56.440
<v Speaker 1>Cheese.

0:32:56.560 --> 0:32:58.400
<v Speaker 2>Very with your wine.

0:32:58.680 --> 0:33:05.960
<v Speaker 1>Thank you, Ridley Scott, thank you, thank you for listening

0:33:06.040 --> 0:33:08.960
<v Speaker 1>to Ruthie's Table four in partnership with Montclair