1 00:00:00,800 --> 00:00:03,640 Speaker 1: This is the almost famous podcast with iHeartRadio. 2 00:00:04,480 --> 00:00:07,120 Speaker 2: It's almost for this podcast. We are here, we are lucky, 3 00:00:07,480 --> 00:00:11,520 Speaker 2: we are gifted. She's part of our team. She's also 4 00:00:11,760 --> 00:00:16,800 Speaker 2: the Queen Oh franchise. Trista, Welcome to the podcast. 5 00:00:17,079 --> 00:00:18,840 Speaker 1: Thank you, sir and madam. 6 00:00:19,200 --> 00:00:23,720 Speaker 3: Hey Trista. Yes, you are literally on every season now. 7 00:00:24,440 --> 00:00:28,960 Speaker 1: It's been awesome. I love it. It's so much fun 8 00:00:29,000 --> 00:00:29,319 Speaker 1: for me. 9 00:00:29,600 --> 00:00:33,240 Speaker 4: Like for a long time, I was like you feeling 10 00:00:33,320 --> 00:00:38,280 Speaker 4: like Joan, like feeling invisible. And then and then for 11 00:00:38,320 --> 00:00:40,640 Speaker 4: some reason, I don't know what it was, but I 12 00:00:40,720 --> 00:00:43,280 Speaker 4: reached out to somebody and I was like, dude, like, 13 00:00:43,880 --> 00:00:44,960 Speaker 4: can I go back on? 14 00:00:45,440 --> 00:00:46,400 Speaker 1: I love the show. 15 00:00:46,520 --> 00:00:49,400 Speaker 4: I watch it all the time. I'm a success story, 16 00:00:49,680 --> 00:00:52,680 Speaker 4: So can I go back on? And yeah, thankfully I 17 00:00:52,720 --> 00:00:54,120 Speaker 4: asked and they listened. 18 00:00:55,280 --> 00:00:58,520 Speaker 3: That's really fun. Ben's jealous because he's gone back four times. 19 00:00:58,600 --> 00:00:59,600 Speaker 3: They cut his scene. 20 00:01:00,320 --> 00:01:03,880 Speaker 1: Oh I know last time. Then last season they cut you. 21 00:01:03,880 --> 00:01:08,600 Speaker 2: You went like they've cut me four different times. Now, Yeah, 22 00:01:08,640 --> 00:01:11,160 Speaker 2: so I go back. I like go and hang out, 23 00:01:11,600 --> 00:01:15,720 Speaker 2: but I now to have no expectation. It is fun 24 00:01:15,959 --> 00:01:16,920 Speaker 2: to go back though. 25 00:01:17,280 --> 00:01:17,800 Speaker 4: Yeah. 26 00:01:18,120 --> 00:01:23,640 Speaker 3: The worst scene cut ever was Jojo and in Tasia. 27 00:01:23,840 --> 00:01:26,360 Speaker 3: They both had the quarantine. I think Jojo for a 28 00:01:26,400 --> 00:01:31,000 Speaker 3: couple more days, for an entire week during COVID, and 29 00:01:31,040 --> 00:01:33,720 Speaker 3: then and I saw no One for a week in 30 00:01:33,760 --> 00:01:35,880 Speaker 3: a regular hotel. Well it was a very nice hotel room, 31 00:01:35,880 --> 00:01:37,360 Speaker 3: but it wasn't like a little cottage or I think 32 00:01:37,360 --> 00:01:40,039 Speaker 3: it was a hotel room. And then her scene got 33 00:01:40,040 --> 00:01:41,080 Speaker 3: cut d. 34 00:01:41,880 --> 00:01:45,040 Speaker 2: Yeah, so you're doing something right, Trista. You're not only 35 00:01:45,080 --> 00:01:47,920 Speaker 2: making it back, you're making on our screens, which is 36 00:01:47,960 --> 00:01:50,120 Speaker 2: a gift to us all. Really thank you. 37 00:01:50,480 --> 00:01:52,920 Speaker 4: There is one thing that I got cut from. I 38 00:01:53,160 --> 00:01:55,840 Speaker 4: actually asked Joey to be the Bachelor. 39 00:01:55,520 --> 00:01:57,880 Speaker 1: And they cut it. Yeah. 40 00:01:58,040 --> 00:01:58,640 Speaker 2: Interesting. 41 00:01:59,280 --> 00:02:01,920 Speaker 4: It was during we were there for the Pickup ball 42 00:02:02,000 --> 00:02:07,720 Speaker 4: date and Bennett and Claire were like, Hey, do you 43 00:02:07,760 --> 00:02:09,960 Speaker 4: want to ask him if he'll be the Bachelor? 44 00:02:10,040 --> 00:02:14,000 Speaker 2: And I was like duh. So we're here tonight to 45 00:02:14,000 --> 00:02:17,280 Speaker 2: talk about your scene on The Golden Bachelor. Att Trista. 46 00:02:17,960 --> 00:02:19,919 Speaker 2: We talked about how excited you already go back on 47 00:02:19,960 --> 00:02:21,880 Speaker 2: the show. That was one of the original questions, like 48 00:02:21,919 --> 00:02:25,440 Speaker 2: does this make you excited to go back? I want 49 00:02:25,480 --> 00:02:29,480 Speaker 2: to start this conversation with this question. The theme of 50 00:02:29,520 --> 00:02:32,200 Speaker 2: this season that Ashley and I have been talked about 51 00:02:32,960 --> 00:02:37,160 Speaker 2: for Joan at least who we love dearly, yes, is 52 00:02:37,200 --> 00:02:40,160 Speaker 2: that she might not be ready, Like that's kind of 53 00:02:40,200 --> 00:02:45,120 Speaker 2: been the like undertone of the season. Is Joan ready 54 00:02:45,200 --> 00:02:45,720 Speaker 2: to move on? 55 00:02:46,280 --> 00:02:46,520 Speaker 1: Right? 56 00:02:47,520 --> 00:02:52,120 Speaker 2: Obviously? We see in this episode that well, she says 57 00:02:52,160 --> 00:02:54,960 Speaker 2: that Mark isn't as far along even in that experience 58 00:02:55,000 --> 00:02:59,560 Speaker 2: as her. So my question for you, after sitting down 59 00:02:59,600 --> 00:03:02,640 Speaker 2: with her in giving her advice, do you think Joan 60 00:03:02,760 --> 00:03:03,520 Speaker 2: is ready to move on? 61 00:03:04,440 --> 00:03:06,000 Speaker 1: I do do. 62 00:03:06,520 --> 00:03:09,880 Speaker 4: I think that she is struggling because that's natural. You know, 63 00:03:10,000 --> 00:03:12,320 Speaker 4: she spent how long were they married? 64 00:03:12,360 --> 00:03:14,200 Speaker 1: Over thirty years? 65 00:03:14,360 --> 00:03:16,440 Speaker 2: Thirty two years? They said in this episode. 66 00:03:16,760 --> 00:03:19,720 Speaker 4: Yeah, so they were married for thirty two years. That's 67 00:03:19,800 --> 00:03:25,200 Speaker 4: like if someone is lucky enough to die when they're ninety, 68 00:03:25,240 --> 00:03:27,799 Speaker 4: that's a third of your life, you know, Like that 69 00:03:27,960 --> 00:03:32,240 Speaker 4: is a long time to be with someone, and was 70 00:03:32,560 --> 00:03:35,680 Speaker 4: it was really sad the way that she lost him. 71 00:03:35,760 --> 00:03:39,800 Speaker 4: So I think that it takes some time, but I 72 00:03:39,880 --> 00:03:45,880 Speaker 4: do feel like she is ready. When I talked to her, 73 00:03:46,800 --> 00:03:50,040 Speaker 4: she was struggling a lot with the fantasy sweet part 74 00:03:50,080 --> 00:03:56,760 Speaker 4: of it. So you know, her kids specifically reached out 75 00:03:56,840 --> 00:04:00,920 Speaker 4: and said, we don't feel comfortable with this, and I 76 00:04:00,960 --> 00:04:04,520 Speaker 4: totally get it. You know, want their kids or whatever 77 00:04:06,440 --> 00:04:09,040 Speaker 4: watching this and being like, you know, like you don't 78 00:04:09,040 --> 00:04:12,160 Speaker 4: really want your watch your mom make it out with somebody, 79 00:04:12,280 --> 00:04:16,760 Speaker 4: or your dad make it out with somebody. So I 80 00:04:17,160 --> 00:04:21,080 Speaker 4: she is all about family and she did not want 81 00:04:21,120 --> 00:04:25,640 Speaker 4: to put them in an uncomfortable position. And so I 82 00:04:25,680 --> 00:04:29,680 Speaker 4: think that was weighing pretty heavily on her. And I 83 00:04:29,720 --> 00:04:39,040 Speaker 4: think when you are embarking on a relationship, right, you 84 00:04:39,080 --> 00:04:41,640 Speaker 4: want at least I feel like it's like more the 85 00:04:41,760 --> 00:04:45,080 Speaker 4: norm to you want. You want to know how your 86 00:04:45,080 --> 00:04:50,279 Speaker 4: compatibility is right physically, and you know, this is a 87 00:04:50,279 --> 00:04:57,160 Speaker 4: big deal, her moving on from losing John and then 88 00:04:57,200 --> 00:05:02,640 Speaker 4: going into this new maybe hopefully potentially long term relationship 89 00:05:02,839 --> 00:05:05,960 Speaker 4: for the rest of her life. And like, I think 90 00:05:06,000 --> 00:05:09,159 Speaker 4: that's just it's really heavy. You know, there's a lot 91 00:05:09,279 --> 00:05:13,400 Speaker 4: going into it. It's a very emotional thing. It's a 92 00:05:13,440 --> 00:05:17,120 Speaker 4: different person, so getting to know these people and we 93 00:05:17,240 --> 00:05:20,240 Speaker 4: all know it's a very short period of time. It's 94 00:05:20,360 --> 00:05:24,320 Speaker 4: very stressful. She feels really bad about sending people home 95 00:05:25,960 --> 00:05:29,120 Speaker 4: because she has a heart, you know, And I think 96 00:05:29,160 --> 00:05:32,240 Speaker 4: there's just a lot going on. But I do, I 97 00:05:32,360 --> 00:05:35,360 Speaker 4: truly do feel like at her core that she's ready. 98 00:05:35,279 --> 00:05:38,080 Speaker 3: Okay, Well, what was she going to do about what 99 00:05:38,120 --> 00:05:39,000 Speaker 3: fantasy suiteit's now? 100 00:05:41,720 --> 00:05:44,280 Speaker 4: So when we talked, she was having a hard time, 101 00:05:45,040 --> 00:05:48,360 Speaker 4: and I told her, listen, fantasy suite's like in the 102 00:05:48,640 --> 00:05:51,640 Speaker 4: in the public eye, in the press, it's all about sex. 103 00:05:52,000 --> 00:05:52,200 Speaker 1: Right. 104 00:05:52,480 --> 00:05:55,040 Speaker 4: Everyone thinks, oh, you're going in the fantasy suite, You're 105 00:05:55,040 --> 00:05:55,520 Speaker 4: having sex. 106 00:05:55,839 --> 00:05:57,239 Speaker 1: That is not the case. 107 00:05:57,480 --> 00:06:00,360 Speaker 4: And at least in my experience, in some people's ex sperience, 108 00:06:00,440 --> 00:06:03,160 Speaker 4: maybe that's what they what they want to be doing 109 00:06:03,160 --> 00:06:06,000 Speaker 4: in the fantasy suites is just having sex or getting 110 00:06:06,000 --> 00:06:10,440 Speaker 4: physical or getting intimate physically. But in my mind, the 111 00:06:10,480 --> 00:06:15,920 Speaker 4: real value in fantasy suites is the time away from 112 00:06:16,040 --> 00:06:20,320 Speaker 4: the freaking cameras, Like, get the cameras away, get time 113 00:06:20,360 --> 00:06:24,160 Speaker 4: where you can actually sit down and have a really 114 00:06:24,400 --> 00:06:32,280 Speaker 4: good deep conversation about your wants, your values, your your desires, 115 00:06:32,480 --> 00:06:36,400 Speaker 4: you know all of that. And so I gave her 116 00:06:36,440 --> 00:06:39,400 Speaker 4: that advice is that you know, I get that you're 117 00:06:39,440 --> 00:06:42,320 Speaker 4: thinking fantasy suites. It's going to look like I'm having 118 00:06:42,400 --> 00:06:44,719 Speaker 4: sex with three guys or whatever if I go in 119 00:06:44,760 --> 00:06:45,719 Speaker 4: the fantasy suites. 120 00:06:46,200 --> 00:06:47,360 Speaker 1: And I just was. 121 00:06:47,760 --> 00:06:52,200 Speaker 4: Hoping that she would utilize that time. And this is 122 00:06:52,279 --> 00:06:55,440 Speaker 4: so it was before Hometowns and before Fantasy Suite, So 123 00:06:56,120 --> 00:06:58,040 Speaker 4: I really wanted to put that. 124 00:06:59,480 --> 00:07:00,400 Speaker 1: On her art, that. 125 00:07:02,520 --> 00:07:06,200 Speaker 4: It's really valuable to get in a in a room 126 00:07:06,440 --> 00:07:10,440 Speaker 4: without anybody else. Just you two make it like more 127 00:07:10,520 --> 00:07:14,360 Speaker 4: like real life, you know, not like a television show. 128 00:07:14,880 --> 00:07:17,120 Speaker 3: The guys that are on top of her mind, which 129 00:07:17,160 --> 00:07:19,320 Speaker 3: ones do you think are the ones that are the 130 00:07:19,320 --> 00:07:19,960 Speaker 3: front runners? 131 00:07:19,960 --> 00:07:20,120 Speaker 4: Now? 132 00:07:20,120 --> 00:07:23,800 Speaker 3: I mean we are down to the top six, so 133 00:07:24,640 --> 00:07:26,960 Speaker 3: you know, yes, she likes them all, but like if 134 00:07:27,000 --> 00:07:29,440 Speaker 3: you had to pick top two, top three right now, 135 00:07:29,840 --> 00:07:32,120 Speaker 3: who did she seem to light up talking about. 136 00:07:32,440 --> 00:07:35,320 Speaker 4: If I had to pick top two, I would say, Pascal, 137 00:07:37,320 --> 00:07:46,840 Speaker 4: I think she really actually loves like h his spontaneity 138 00:07:46,880 --> 00:07:51,280 Speaker 4: and his like and I listen, you guys, I am 139 00:07:51,320 --> 00:07:55,080 Speaker 4: so far behind. I haven't I've only watched the first 140 00:07:55,120 --> 00:07:58,560 Speaker 4: episode and then like a quarter of the second episode, 141 00:07:58,600 --> 00:08:00,760 Speaker 4: so I don't see what you guys scene like in 142 00:08:00,840 --> 00:08:02,600 Speaker 4: terms of like what's happening at the house. 143 00:08:02,720 --> 00:08:04,640 Speaker 3: I think that makes it even more interesting for you 144 00:08:04,640 --> 00:08:05,679 Speaker 3: to be answering this question. 145 00:08:06,040 --> 00:08:09,120 Speaker 4: Okay, good, Well, I so I know nothing besides what 146 00:08:09,200 --> 00:08:11,160 Speaker 4: happened in the first episode and then when they moved 147 00:08:11,160 --> 00:08:17,720 Speaker 4: into the house. So Pascal, actually I remember her talking 148 00:08:17,760 --> 00:08:20,640 Speaker 4: about him and really lighting up. I just feel like 149 00:08:20,840 --> 00:08:25,200 Speaker 4: his Botan eighty. He's like really fun and he's like 150 00:08:25,280 --> 00:08:28,480 Speaker 4: youthful in a way, like he just you know, he 151 00:08:28,760 --> 00:08:31,000 Speaker 4: has this money and he doesn't really even care. He 152 00:08:31,120 --> 00:08:33,400 Speaker 4: just wants to live life and have fun. It seems 153 00:08:33,480 --> 00:08:40,079 Speaker 4: like that's to me. And then Chalk, I love. I 154 00:08:42,440 --> 00:08:46,160 Speaker 4: loved how she was talking about Chalk and how he 155 00:08:46,200 --> 00:08:48,480 Speaker 4: made her feel. I feel like he made her feel safe, 156 00:08:49,120 --> 00:08:53,920 Speaker 4: and I think that's really important to her, especially on 157 00:08:54,480 --> 00:08:56,679 Speaker 4: you know, the heels or not on the heels, but 158 00:08:57,120 --> 00:09:00,439 Speaker 4: in taking into account that she is questioning whether or 159 00:09:00,480 --> 00:09:02,880 Speaker 4: not she's ready, I think she really wants someone to 160 00:09:02,880 --> 00:09:12,600 Speaker 4: make her feel safe. 161 00:09:14,559 --> 00:09:18,040 Speaker 2: I want to go back to your conversation with Joan, 162 00:09:18,160 --> 00:09:21,880 Speaker 2: because you were called in to give some wisdom at 163 00:09:21,880 --> 00:09:25,880 Speaker 2: a very unique time in her experience. Obviously this you know, 164 00:09:26,000 --> 00:09:29,480 Speaker 2: hometowns are next week, and everybody is very excited during 165 00:09:29,520 --> 00:09:32,839 Speaker 2: this episode, so to show her pictures of family and 166 00:09:32,920 --> 00:09:36,160 Speaker 2: to tell them about tell her about their families. 167 00:09:36,440 --> 00:09:37,840 Speaker 4: Yeah. 168 00:09:37,880 --> 00:09:40,080 Speaker 2: The one observation, and I'm going to call it an 169 00:09:40,120 --> 00:09:43,240 Speaker 2: observation because I don't think it's a criticism because I 170 00:09:43,240 --> 00:09:45,800 Speaker 2: think this is unique and we're learning how the golden 171 00:09:45,880 --> 00:09:47,640 Speaker 2: is going to play out and what their love stories 172 00:09:47,640 --> 00:09:54,000 Speaker 2: look like. Is that Joan has been less physical than 173 00:09:54,320 --> 00:09:58,640 Speaker 2: you know Gary for sure. You know, the kisses are short, 174 00:09:58,840 --> 00:10:01,040 Speaker 2: the kisses are not drawn up, the kisses are not 175 00:10:01,320 --> 00:10:05,480 Speaker 2: you know of plenty, and even so it's made it 176 00:10:05,520 --> 00:10:08,560 Speaker 2: hard to figure out what guys even during this episode, 177 00:10:08,600 --> 00:10:11,000 Speaker 2: like what guys she's into and who she's not on 178 00:10:11,040 --> 00:10:16,120 Speaker 2: that level. So two questions there, why do you think 179 00:10:16,160 --> 00:10:18,960 Speaker 2: you were called in this moment? And the second from 180 00:10:19,000 --> 00:10:23,240 Speaker 2: sitting with her and obviously giving the insight that her 181 00:10:23,280 --> 00:10:25,600 Speaker 2: family was a little cautious of what this would look 182 00:10:25,679 --> 00:10:29,000 Speaker 2: like on television. Do you think that is why she's 183 00:10:29,080 --> 00:10:32,480 Speaker 2: been more hesitant to be more physical than you know 184 00:10:32,640 --> 00:10:33,360 Speaker 2: past seasons. 185 00:10:33,720 --> 00:10:39,680 Speaker 4: Yes, So she asked them. There were actually two reasons 186 00:10:39,720 --> 00:10:41,319 Speaker 4: she asked them, and I asked them. 187 00:10:41,960 --> 00:10:44,920 Speaker 1: So I was like, I want to be part of this. 188 00:10:45,240 --> 00:10:47,920 Speaker 4: I love Joan and we've been you know, we had 189 00:10:47,920 --> 00:10:54,640 Speaker 4: been messaging each other at the Golden wedding, Milsey pulled 190 00:10:54,640 --> 00:10:57,240 Speaker 4: me aside or we ended up talking and he's like, okay, 191 00:10:57,280 --> 00:10:59,240 Speaker 4: what do you think about Golden Bachelorette? 192 00:10:59,240 --> 00:11:00,160 Speaker 1: Like who would you cast? 193 00:11:00,679 --> 00:11:05,120 Speaker 4: And I said Leslie and Joan, and I was like, 194 00:11:05,200 --> 00:11:10,079 Speaker 4: if you don't do uh, Joan, if you don't do Leslie, 195 00:11:10,080 --> 00:11:10,920 Speaker 4: then I think she should be. 196 00:11:10,920 --> 00:11:11,840 Speaker 1: On Dancing with the Stars. 197 00:11:11,880 --> 00:11:14,480 Speaker 4: Obviously that's not the case, and I'm sad for her, 198 00:11:14,559 --> 00:11:19,320 Speaker 4: but I definitely Joan was on my list. I think 199 00:11:19,360 --> 00:11:21,959 Speaker 4: that everyone fell in love with her. I fell in 200 00:11:22,040 --> 00:11:25,880 Speaker 4: love with her, and we stayed in touch, and so 201 00:11:26,000 --> 00:11:29,800 Speaker 4: I asked if if there was any way that I 202 00:11:29,840 --> 00:11:33,280 Speaker 4: could be part of her experience, and then she actually asked, 203 00:11:33,800 --> 00:11:37,960 Speaker 4: And I think it's because you know, she sees a 204 00:11:38,040 --> 00:11:40,480 Speaker 4: kindred spirit in me in that I was the first 205 00:11:40,480 --> 00:11:45,000 Speaker 4: bachelorette and she's the first Golden bachelorette. And I truly 206 00:11:45,080 --> 00:11:49,959 Speaker 4: do feel like we have very similar experiences because when 207 00:11:50,000 --> 00:11:52,880 Speaker 4: I went on the show and I We've probably talked 208 00:11:52,920 --> 00:11:56,200 Speaker 4: about this before, but the press was not always like 209 00:11:56,280 --> 00:12:00,360 Speaker 4: super kind with me. They were calling me all kinds 210 00:12:00,400 --> 00:12:03,240 Speaker 4: of names, like a slut and I'm gonna look like 211 00:12:03,280 --> 00:12:06,040 Speaker 4: a horror on television because I've got I'm picking from 212 00:12:06,080 --> 00:12:08,360 Speaker 4: twenty five guys. You know, of course, the guy picking 213 00:12:08,360 --> 00:12:10,600 Speaker 4: from twenty five girls is going to look like, you know, 214 00:12:11,360 --> 00:12:15,240 Speaker 4: macho and like cool and whatever. But the girl's gonna look, 215 00:12:15,520 --> 00:12:19,760 Speaker 4: you know, trashy, and so when I went on the show, 216 00:12:20,240 --> 00:12:26,880 Speaker 4: I was very conscientious about being physical with people. And 217 00:12:26,920 --> 00:12:30,440 Speaker 4: now you know, she's not being called trashy. She just 218 00:12:30,559 --> 00:12:32,040 Speaker 4: has it in the back of her mind that she 219 00:12:32,080 --> 00:12:36,240 Speaker 4: wants to be respectful of her children's wishes and just 220 00:12:36,600 --> 00:12:39,800 Speaker 4: be respectable, you know, on television. So and I think 221 00:12:39,840 --> 00:12:42,960 Speaker 4: in her mind that means just trying to keep the 222 00:12:43,000 --> 00:12:47,880 Speaker 4: physicality to a minimum, you know. And so I really 223 00:12:47,920 --> 00:12:53,160 Speaker 4: do think that she's she's going you know, I don't 224 00:12:53,160 --> 00:12:56,280 Speaker 4: think it's it's awful. I think it's really interesting to 225 00:12:56,360 --> 00:13:01,560 Speaker 4: me that you you are using the physical. 226 00:13:03,160 --> 00:13:04,000 Speaker 1: The physicalness. 227 00:13:04,040 --> 00:13:06,640 Speaker 4: I don't know what the word is of the people 228 00:13:06,679 --> 00:13:09,680 Speaker 4: that you see on the show as a gauge as 229 00:13:09,720 --> 00:13:12,960 Speaker 4: to who they're into, right, So if they're all over 230 00:13:13,040 --> 00:13:16,559 Speaker 4: somebody and they're just you know, making out left and right, 231 00:13:16,840 --> 00:13:20,880 Speaker 4: that that means that they're they're number one. But I 232 00:13:21,040 --> 00:13:23,600 Speaker 4: feel like the people on the Golden are more mature. 233 00:13:23,720 --> 00:13:26,720 Speaker 4: And why does it have to just be about physicality. 234 00:13:26,160 --> 00:13:26,840 Speaker 1: Do you know what I mean? 235 00:13:27,600 --> 00:13:29,840 Speaker 2: I definitely don't think at any level it has to 236 00:13:29,960 --> 00:13:31,840 Speaker 2: just be I do think it is a gauge. It's 237 00:13:31,880 --> 00:13:35,720 Speaker 2: like one of the you know, there is the conversation, 238 00:13:35,960 --> 00:13:38,800 Speaker 2: time spent, physical like, it's all those things added up 239 00:13:38,840 --> 00:13:41,840 Speaker 2: in the one. But on this show, it's hard to 240 00:13:43,120 --> 00:13:47,680 Speaker 2: it's hard to pinpoint any of those others because, well, 241 00:13:47,760 --> 00:13:49,880 Speaker 2: time spent we don't always see we don't see the 242 00:13:49,920 --> 00:13:55,600 Speaker 2: whole conversation. Sometimes bad conversations look as just as intimate 243 00:13:55,640 --> 00:14:00,320 Speaker 2: as good conversations, and so it's usually it is. I 244 00:14:00,320 --> 00:14:02,559 Speaker 2: think a big teller on this show is who are 245 00:14:02,600 --> 00:14:05,720 Speaker 2: you most attracted to physically and what does that physical 246 00:14:05,720 --> 00:14:06,600 Speaker 2: intimacy look like? 247 00:14:07,040 --> 00:14:10,240 Speaker 3: You're right, Why do I have this feeling that Joan 248 00:14:10,640 --> 00:14:14,400 Speaker 3: would prefer this show to end without the pressure of 249 00:14:14,440 --> 00:14:16,559 Speaker 3: an engagement. Did you gauge that at all? 250 00:14:17,360 --> 00:14:21,440 Speaker 1: I don't think we talked about it. I don't know. 251 00:14:22,680 --> 00:14:25,600 Speaker 1: I don't know really how she feels about that. 252 00:14:29,320 --> 00:14:33,840 Speaker 4: I think, like I would think I would guess, knowing 253 00:14:33,960 --> 00:14:36,520 Speaker 4: Joan as much as I do, I don't know her. 254 00:14:37,120 --> 00:14:41,120 Speaker 4: You know, I know her well, but I don't know 255 00:14:41,440 --> 00:14:46,680 Speaker 4: that well. You know, uh, I would say that if 256 00:14:46,720 --> 00:14:50,720 Speaker 4: you're she's similar to me in that we both went 257 00:14:50,800 --> 00:14:54,480 Speaker 4: on the show for the right reasons, and if you're 258 00:14:54,520 --> 00:14:56,360 Speaker 4: gonna take that leap, why not take. 259 00:14:56,240 --> 00:15:00,560 Speaker 1: The whole leap. Okay, that's that's my take. 260 00:15:00,800 --> 00:15:03,760 Speaker 4: But but there are people who get there and they're like, oh, 261 00:15:03,880 --> 00:15:06,840 Speaker 4: this is fun, and I really am not into these people, 262 00:15:06,920 --> 00:15:08,000 Speaker 4: and maybe it's not gonna last. 263 00:15:08,040 --> 00:15:10,800 Speaker 1: I don't sense that with Joan. I sensed like that 264 00:15:11,560 --> 00:15:14,680 Speaker 1: she is there for the long haul. 265 00:15:15,640 --> 00:15:17,960 Speaker 3: So Gary and Theresa didn't freak her out. 266 00:15:18,920 --> 00:15:21,440 Speaker 1: You know, we did talk about that. I wish I 267 00:15:21,440 --> 00:15:22,560 Speaker 1: could remember what we said. 268 00:15:23,680 --> 00:15:28,480 Speaker 4: She. I asked her if if that was something that 269 00:15:28,520 --> 00:15:33,160 Speaker 4: worried her, and I believe what she said was no, 270 00:15:33,360 --> 00:15:35,440 Speaker 4: it doesn't at all. You know, they had their path. 271 00:15:35,640 --> 00:15:40,920 Speaker 4: I could be wrong, but I know we talked about it. 272 00:15:40,960 --> 00:15:42,600 Speaker 4: I don't think it was a thing for her. I 273 00:15:43,280 --> 00:15:46,680 Speaker 4: think that she knows them both really well and she knew, 274 00:15:47,040 --> 00:15:49,800 Speaker 4: you know, the struggles that they were dealing with, and 275 00:15:51,360 --> 00:15:53,160 Speaker 4: they just couldn't work it out. And I don't think 276 00:15:53,200 --> 00:15:56,960 Speaker 4: that that had any bearing on her process. 277 00:15:57,800 --> 00:16:01,200 Speaker 2: I also would imagine that Joan, walking into this, knowing 278 00:16:01,240 --> 00:16:05,040 Speaker 2: how committed she is to her family, would have never said, hey, 279 00:16:05,080 --> 00:16:07,080 Speaker 2: you know what, this sounds fun. For two months for 280 00:16:07,120 --> 00:16:09,240 Speaker 2: me to leave and be cut off like it had 281 00:16:09,280 --> 00:16:12,160 Speaker 2: to be a I think this could work for me 282 00:16:14,120 --> 00:16:19,320 Speaker 2: in this moment and you know, I do think the 283 00:16:19,560 --> 00:16:24,479 Speaker 2: being on the Golden Show does at a level of complexity. 284 00:16:24,560 --> 00:16:27,560 Speaker 2: Your grandkids are watching most of the time, right, and 285 00:16:27,600 --> 00:16:30,640 Speaker 2: that's got to be a wild experience for them. So 286 00:16:30,720 --> 00:16:32,880 Speaker 2: you're going you're coming in at this time right before 287 00:16:32,920 --> 00:16:36,680 Speaker 2: hometowns where she's probably going to meet grandkids of these 288 00:16:36,760 --> 00:16:43,040 Speaker 2: men and kids of these men. Yeah, what do if 289 00:16:43,080 --> 00:16:45,440 Speaker 2: like when you I don't know, maybe I don't know 290 00:16:45,520 --> 00:16:48,280 Speaker 2: your process, but when I've called been called back to 291 00:16:48,320 --> 00:16:51,760 Speaker 2: the show, there's always this there's a rundown of briefing 292 00:16:51,880 --> 00:16:53,760 Speaker 2: kind of where they're at in their experience, where the 293 00:16:53,840 --> 00:16:57,760 Speaker 2: lead is, and then it's always what would I hope 294 00:16:57,800 --> 00:17:00,600 Speaker 2: to be of? Like told in this time when I 295 00:17:00,640 --> 00:17:03,400 Speaker 2: was on the show if I could remember? Yeah, So 296 00:17:03,520 --> 00:17:06,879 Speaker 2: for you, like walking into that conversation with Joan, what 297 00:17:06,960 --> 00:17:08,480 Speaker 2: did you hope she walked away with? 298 00:17:09,720 --> 00:17:14,000 Speaker 4: Well, first, I wanted to ease her fears about the 299 00:17:14,040 --> 00:17:17,400 Speaker 4: fantasy suites and let her know she can do whatever 300 00:17:17,440 --> 00:17:23,000 Speaker 4: she wants and who cares about what people think not 301 00:17:23,200 --> 00:17:25,560 Speaker 4: in the fantasy suites with her, do what she needs 302 00:17:25,600 --> 00:17:29,240 Speaker 4: to do in order to really get to know these 303 00:17:29,240 --> 00:17:33,040 Speaker 4: guys and spend quality time with them. 304 00:17:32,480 --> 00:17:33,439 Speaker 1: And I think that. 305 00:17:33,440 --> 00:17:37,000 Speaker 4: Meant that she didn't do fantasy suites in like the 306 00:17:37,119 --> 00:17:41,280 Speaker 4: traditional way. I think the camera's left and probably gave 307 00:17:41,320 --> 00:17:44,040 Speaker 4: her some time, but I don't think that she did, 308 00:17:44,480 --> 00:17:48,760 Speaker 4: like they didn't stay overnight together in a room. So 309 00:17:49,160 --> 00:17:52,720 Speaker 4: I wanted to make sure that she knew that this 310 00:17:52,800 --> 00:17:55,640 Speaker 4: is her journey. Yes, there are producers who are telling 311 00:17:55,680 --> 00:17:57,199 Speaker 4: her they need to do she needs to do a 312 00:17:57,240 --> 00:18:01,800 Speaker 4: certain thing, you know, certain things, do a certain process, whatever, 313 00:18:02,440 --> 00:18:05,480 Speaker 4: but stand up for yourself, advocate for yourself because if 314 00:18:05,480 --> 00:18:08,600 Speaker 4: this is really important, then you should make it happen. 315 00:18:10,280 --> 00:18:13,320 Speaker 4: And then also a big thing for me was letting 316 00:18:13,320 --> 00:18:17,320 Speaker 4: her know that on my season, one of my biggest 317 00:18:17,359 --> 00:18:21,439 Speaker 4: regrets was that I didn't tell Ryan that I was 318 00:18:21,480 --> 00:18:27,639 Speaker 4: falling in love with him, and still to this day, 319 00:18:28,000 --> 00:18:33,879 Speaker 4: I regret it. He struggled so much because he was 320 00:18:33,920 --> 00:18:36,639 Speaker 4: not getting validation from me, to the point where I 321 00:18:36,680 --> 00:18:40,200 Speaker 4: know I've talked about this before. He disappeared on the 322 00:18:41,520 --> 00:18:44,520 Speaker 4: day of the final row ceremony, like he went over 323 00:18:44,720 --> 00:18:47,919 Speaker 4: to the hotel that I think Russ was at, like 324 00:18:47,960 --> 00:18:50,560 Speaker 4: another hotel and hung out at the pool with Russ. 325 00:18:50,920 --> 00:18:54,280 Speaker 4: The producers couldn't like his handler couldn't find him, had 326 00:18:54,280 --> 00:18:56,520 Speaker 4: no idea where he was. They came into the makeup 327 00:18:56,600 --> 00:18:58,760 Speaker 4: room while I was getting ready and they're like, we 328 00:18:58,800 --> 00:18:59,400 Speaker 4: can't find Ryan. 329 00:18:59,520 --> 00:19:04,960 Speaker 1: I'm like, oh great, amazing. This is stressing me out. 330 00:19:05,119 --> 00:19:09,760 Speaker 4: So anyway, he was ready to leave, and it's because 331 00:19:09,880 --> 00:19:12,439 Speaker 4: I didn't give him the validation that I feel like 332 00:19:12,480 --> 00:19:14,440 Speaker 4: he needed. I felt like I was giving him the 333 00:19:14,520 --> 00:19:18,040 Speaker 4: validation because I was being lovey with him, but he 334 00:19:18,160 --> 00:19:20,919 Speaker 4: didn't know. He didn't know how I was with Charlie 335 00:19:21,040 --> 00:19:23,320 Speaker 4: or with Russ or Greg or whatever. 336 00:19:23,920 --> 00:19:25,359 Speaker 1: He needed to hear it from me. 337 00:19:26,240 --> 00:19:29,959 Speaker 4: And I think it is really interesting because you know, 338 00:19:30,359 --> 00:19:35,080 Speaker 4: in like juxtaposition with you Ben and how you were 339 00:19:35,200 --> 00:19:37,840 Speaker 4: like you know, all in and you told everybody that 340 00:19:37,880 --> 00:19:39,040 Speaker 4: you love them. 341 00:19:39,560 --> 00:19:43,400 Speaker 2: Just like everybody else since me. Yeah, you know. 342 00:19:43,560 --> 00:19:48,280 Speaker 4: So I basically said it to nobody because I was like, 343 00:19:48,560 --> 00:19:50,880 Speaker 4: first of all, I was scared because I'm the bachelor, 344 00:19:51,760 --> 00:19:54,800 Speaker 4: I you know, got to the final row ceremony and 345 00:19:54,840 --> 00:19:57,359 Speaker 4: then he was like yeah no, and he had just 346 00:19:57,400 --> 00:19:59,119 Speaker 4: told me two nights before that he was going to 347 00:19:59,160 --> 00:20:01,520 Speaker 4: pick me. So I I was really worried that things 348 00:20:01,560 --> 00:20:06,320 Speaker 4: would change and my feelings would change, so I didn't 349 00:20:06,359 --> 00:20:07,480 Speaker 4: want to give into it. 350 00:20:07,640 --> 00:20:09,879 Speaker 1: But I wish I had, so I wanted her to 351 00:20:10,000 --> 00:20:11,320 Speaker 1: know to. 352 00:20:11,680 --> 00:20:15,320 Speaker 4: Just go all in, like whatever you need to do 353 00:20:16,240 --> 00:20:19,080 Speaker 4: to get there, whether it's right in a journal, call 354 00:20:19,119 --> 00:20:23,200 Speaker 4: your kids, talk to the producers, just say it out loud, 355 00:20:23,280 --> 00:20:26,520 Speaker 4: whatever your process is, Like, do whatever you need to 356 00:20:26,560 --> 00:20:29,840 Speaker 4: do to really truly hone in on who is making 357 00:20:29,880 --> 00:20:32,359 Speaker 4: you happy and what you want out of this relationship. 358 00:20:33,520 --> 00:20:38,119 Speaker 4: And then and then don't be afraid to open up 359 00:20:38,119 --> 00:20:38,960 Speaker 4: about what you're feeling. 360 00:20:39,640 --> 00:20:43,800 Speaker 2: Yeah, I wish you know. It's sad. It's not sad. 361 00:20:43,960 --> 00:20:46,360 Speaker 2: It's unfortunate that Joan won't have like the five year 362 00:20:46,440 --> 00:20:49,160 Speaker 2: perspective here because it's you can't when you're in it. 363 00:20:49,200 --> 00:20:51,560 Speaker 2: But like, I was just at a Christian conference this 364 00:20:51,600 --> 00:20:53,719 Speaker 2: week and the number one question asked me was how 365 00:20:53,760 --> 00:20:57,280 Speaker 2: did you feel about the fantasy suites and what I like? 366 00:20:57,359 --> 00:21:00,400 Speaker 2: My response was, I think they're vitally important. I think 367 00:21:00,400 --> 00:21:02,439 Speaker 2: they're so important because it's the first one for your 368 00:21:02,440 --> 00:21:04,520 Speaker 2: own sanity. It's the first time in three months or 369 00:21:04,520 --> 00:21:07,240 Speaker 2: two and a half months or whatever. The cameras aren't there, 370 00:21:07,280 --> 00:21:10,000 Speaker 2: so you just get a chance to like breathe and 371 00:21:10,040 --> 00:21:12,639 Speaker 2: not worry about like are you picking your nose in 372 00:21:12,640 --> 00:21:14,639 Speaker 2: the wrong moment, like you just don't have to be 373 00:21:14,720 --> 00:21:17,760 Speaker 2: in your own head totally. And then it's also just 374 00:21:17,800 --> 00:21:19,800 Speaker 2: a time for like that breadth to be taken where 375 00:21:19,960 --> 00:21:23,560 Speaker 2: you know, two humans can connect without the pressures of 376 00:21:23,600 --> 00:21:28,400 Speaker 2: the show, and the show will make fantasy suites look 377 00:21:28,560 --> 00:21:30,879 Speaker 2: like whatever they want them to look like. The innu 378 00:21:30,880 --> 00:21:35,400 Speaker 2: windows will always exist, right unless the storyline is that 379 00:21:35,480 --> 00:21:37,720 Speaker 2: you're not going to and you make that very clear. 380 00:21:38,600 --> 00:21:41,200 Speaker 2: But like this is her experience, and I hope she 381 00:21:41,440 --> 00:21:43,760 Speaker 2: has the peace of mind to know that the world 382 00:21:43,760 --> 00:21:45,359 Speaker 2: will look at this however they want to, and the 383 00:21:45,359 --> 00:21:47,520 Speaker 2: show will show it however they want to. But she's, 384 00:21:47,880 --> 00:21:50,199 Speaker 2: you know, gonna stay true to what you know she believes, 385 00:21:50,240 --> 00:21:52,600 Speaker 2: and that's awesome. She's done it the whole time. That's 386 00:21:52,640 --> 00:21:55,240 Speaker 2: why I think she's been a great lead. They're gonna 387 00:21:55,240 --> 00:21:57,720 Speaker 2: have a hard time placer agree. 388 00:21:57,920 --> 00:22:01,320 Speaker 4: And I just love that everyone And again, like Golden 389 00:22:01,400 --> 00:22:04,240 Speaker 4: Bachelor is just so supportive, Like at least so far, 390 00:22:04,280 --> 00:22:07,800 Speaker 4: I don't know if there's been any drama, but they're 391 00:22:07,800 --> 00:22:09,679 Speaker 4: of course going to make some kind of drama, but 392 00:22:09,880 --> 00:22:13,480 Speaker 4: I feel like it's just like refreshing because they're kind 393 00:22:13,920 --> 00:22:16,840 Speaker 4: like they are mature, and I don't know. 394 00:22:17,000 --> 00:22:20,880 Speaker 1: I love her and I love her guys, and I'm 395 00:22:20,920 --> 00:22:21,560 Speaker 1: really hopeful. 396 00:22:21,800 --> 00:22:25,919 Speaker 2: Yeah, but Trista, things are coming on. Thanks Will continuing 397 00:22:25,960 --> 00:22:27,439 Speaker 2: to be a part of the show. It makes the 398 00:22:27,480 --> 00:22:31,080 Speaker 2: show better. And if you want to hear more of Trista, 399 00:22:31,160 --> 00:22:33,879 Speaker 2: make sure you continue to check out the Almost Famous 400 00:22:33,920 --> 00:22:37,080 Speaker 2: podcast og episodes with her and Bob Guinea to the 401 00:22:37,119 --> 00:22:40,280 Speaker 2: best of all time. Till next time, I've been Ben, 402 00:22:40,680 --> 00:22:41,080 Speaker 2: ha been. 403 00:22:41,000 --> 00:22:42,760 Speaker 1: Ashley, I've been Trista. 404 00:22:43,119 --> 00:22:43,600 Speaker 4: Bye. 405 00:22:44,640 --> 00:22:47,600 Speaker 1: Follow the Ben and Ashley I Almost Famous podcasts on 406 00:22:47,640 --> 00:22:50,879 Speaker 1: iHeartRadio or subscribe wherever you listen to podcasts.