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Speaker 1: Okay, wait, well here's one thing Danielle and I were

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Speaker 1: just talking about writer. Can you remember the last time?

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Speaker 1: And maybe you're different, But I've hit an age where

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Speaker 1: even I, if I sleep a good night's sleep, I'm

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Speaker 1: still tired when I wake up. Can you remember waking

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Speaker 1: up and being like, what a night? I'm raring to go? Like,

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Speaker 1: I don't remember that at all? Yeah, I do. I

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Speaker 1: feel like that. If I don't drink any alcohol pretty

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Speaker 1: much wake up, I pretty much wake up like fully,

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Speaker 1: like I feel like a super human. You know. If

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Speaker 1: I don't drink for like five days in a row

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Speaker 1: or something like that, sixth day, I wake up feeling like,

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Speaker 1: oh this is this is what your body should feel

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Speaker 1: most of the time. But yeah, no, that's that's doesn't

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Speaker 1: happen that often. Yeah, I quit drinking a few years ago,

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Speaker 1: and I have more of those days than um than

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Speaker 1: I ever did before. But I do think I generally

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Speaker 1: still I'm also I think I've I've hurt my sleep

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Speaker 1: by wearing my fitbit to bed and it tracks my sleep,

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Speaker 1: and I become obsessed with like, well, I don't know

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Speaker 1: how I slept. Let me see what my fitbits is.

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Speaker 1: And then I read it and I'm like, oh, you

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Speaker 1: know what I'm lacking in REM sleep? There's nothing like

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Speaker 1: what am I doing? Why am I lacking in REM sleep?

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Speaker 1: You're scientifically sleeping? Do you also to get So Sue

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Speaker 1: will get mad at me because we'll be right about

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Speaker 1: to go to bed, but I'll look down at my

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Speaker 1: watch and be like, I have six hundred steps. I

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Speaker 1: need got four hundred more steps before I can go

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Speaker 1: to And I'll walk around the bed like a century

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Speaker 1: keeping her, you know, safe at night for four hundred steps,

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Speaker 1: so I hit my numbers. We have just we have

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Speaker 1: become the podcast version of a meme that I've been

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Speaker 1: involved in. Have you guys seen this meme where it's

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Speaker 1: pictures of like Jonathan Taylor, Thomas, Me and someone else

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Speaker 1: and you're like a bunch of the team beat people

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Speaker 1: and it says if this was your childhood crush, it's

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Speaker 1: time to take your back medication. Yeah, I think I've

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Speaker 1: seen them, but it's true. That's what we're doing. We're saying,

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Speaker 1: you're talking about how old are aches and beads and

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Speaker 1: getting our steps in. Yes, that's if you're listening to

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Speaker 1: this podcast, It's time for your back medication. Yeah, we're

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Speaker 1: talking about your sweeping patterns. As we just did this

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Speaker 1: thing where it was like, if you can recognize these

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Speaker 1: thirty objects, you're you're officially old. And it's the big

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Speaker 1: old TV and the phone with the rotary dial and

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Speaker 1: and it was all stuff. It was everything I knew

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Speaker 1: and grew up with. I sent it to my brothers.

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Speaker 1: It was like the Fisher Price, you know, actual toys

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Speaker 1: you used to play with, stuff like that, and it

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Speaker 1: is you've hit an age where it's we're nostalgic. Apparently, well,

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Speaker 1: India is very confused by cordless phones in movies or

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Speaker 1: TV shows, like even on our show, like because he

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Speaker 1: doesn't understand it's not the cell phone. I'm like, I

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Speaker 1: don't know, that's still a landline. They're not gonna like

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Speaker 1: carry that around in their podcasts walk around with it, right,

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Speaker 1: But he still I don't think he completely wraps his

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Speaker 1: head around. You know how awesome car phones were and dangerous? Yeah,

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Speaker 1: yeah it was. We all had one when we were

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Speaker 1: doing Boy and it was the coolest thing in the world,

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Speaker 1: Like I'm driving home and talking to you like it was.

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Speaker 1: We didn't really use it that often because it costs

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Speaker 1: so much. Like remember, just like it was only for emergencies.

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Speaker 1: I never used it, you know, I remember being weirded

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Speaker 1: out by I know we talked about texting on this

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Speaker 1: show before, but like it is strange to think, like

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Speaker 1: I never would have assumed that texting would have become

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Speaker 1: the main form of communication. Like when we first had

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Speaker 1: cell phones, the idea was like you talked to somebody,

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Speaker 1: you wouldn't want to like send a text mess that

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Speaker 1: seems like it would take longer to sit there and type.

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Speaker 1: And then I remember in like whatever two thousand and one,

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Speaker 1: two thousand two, and texting started happening, being so weird

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Speaker 1: it out, And of course now that's primarily the way

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Speaker 1: people communicated. My nephew showed me when he was probably

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Speaker 1: about twelve. He showed me that he could text perfectly

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Speaker 1: from his pocket so that he and his friends could

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Speaker 1: which was the thing everyone was doing. He and his

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Speaker 1: friends could text during class. So he would be looking

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Speaker 1: at me and you'd see like these fingers going, and

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Speaker 1: then my phone would buzz and you'd be like, hey, uncle, will,

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Speaker 1: I'm texting from my pocket perfectly. Wow, And it's like

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Speaker 1: how did you. Oh, we memorize the key pads, and

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Speaker 1: he's all my friends and I do this, and I

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Speaker 1: guess that was a thing where you just it's insane

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Speaker 1: to me, it's insane. I love aging, I do. I

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Speaker 1: love that. I've always wanted to be an old man.

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Speaker 1: So I'm just I just not mean version of myself.

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Speaker 1: I'm just becoming more and more me, you know, and

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Speaker 1: like I feel like, old people, did you get away

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Speaker 1: with just you know, like all the things that I

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Speaker 1: feel like I've been attacked for being pretentious and grumpy,

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Speaker 1: and it was yeah, you know, like referencing Socrates, all

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Speaker 1: the things you guys used to make fun of me

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Speaker 1: for when you're eighty five. Everyone's just like, that's a

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Speaker 1: cool old They do say that youth is wasted on

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Speaker 1: the young. Though there's there you do get that time

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Speaker 1: where you kind of wish I wish I knew then

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Speaker 1: what I know now, and I wish at times it

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Speaker 1: could be in my body then where I have reached

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Speaker 1: the point where I will finish, you know, I'll walk

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Speaker 1: down one flight of stairs and be like, how did

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Speaker 1: I hurt my ankle? You know. So there's moments where

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Speaker 1: I have that where it's like that that. That's weird.

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Speaker 1: That's especially cool considering you live in a single story house.

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Speaker 1: I have one step, one step, and I will I will,

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Speaker 1: I'll step down and be like I just hurt myself.

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Speaker 1: So yeah, I don't know, it's bizarre. Boy, Well is

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Speaker 1: everyone happy with that? Pre show chatter about have we

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Speaker 1: done it already? I don't remember. I'm a little tired.

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Speaker 1: It's over sausted, sausted. What season is this? Welcome to

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Speaker 1: Pod Meets World. I'm Daniel Fish and I'm Wilfredell. So

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Speaker 1: today we are recapping the very final episode of season one?

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Speaker 1: Can you believe that we've done? It's crazy? It felt

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Speaker 1: like it was taking forever, and then it kind of

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Speaker 1: came went like the ending came fast, like we were

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Speaker 1: like ten episodes and I was like, We're never going

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Speaker 1: to get through this, and I'm like, wait, wait, wait,

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Speaker 1: what season? You know? We did? So we did season

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Speaker 1: one in six months, which feels, you know, good. I

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Speaker 1: think I think it's the appropriate amount of time. I

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Speaker 1: think I think if we had gone any faster, it

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Speaker 1: would be Disney. Actually, at this rate, are we kind

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Speaker 1: of keeping up with what the error schedule would have been,

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Speaker 1: or was it was every week? That's a good question.

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Speaker 1: How long was the season A season which started in

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Speaker 1: the fall and started September and end in March. Okay,

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Speaker 1: I do this on my fingers. Okay, about five or

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Speaker 1: six months, right, I had this many Okay, seven, so

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Speaker 1: we're we're a little a little ahead. Yeah, I mean

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Speaker 1: that's not bad. No, I agree, it's not bad. For one,

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Speaker 1: I'm not a fan of binging in general, Like I'm

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Speaker 1: not either. I like the idea of a show coming

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Speaker 1: out every week and having to way I think extending

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Speaker 1: the experience. So extending this experience of watching the first

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Speaker 1: season has been really cool. I like binging books way

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Speaker 1: more than I like binging TV. But I guess you

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Speaker 1: can binge books more with fantasy because you know it's

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Speaker 1: a series. But yeah, it's a way different thing to

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Speaker 1: be able to. You know, you finished one book and

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Speaker 1: it's like, I gotta get to the next one. But

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Speaker 1: I like to I like the savoring of TV. Yeah, yeah,

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Speaker 1: well I really, I mean, we will get into it. Um.

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Speaker 1: We will actually later be doing a season one Pod

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Speaker 1: meets World recap with the bra meets World guys. Um,

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Speaker 1: and so we'll talk about we'll talk about our experiences

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Speaker 1: with recapping season one, but just very to touch on

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Speaker 1: it very briefly. I really enjoyed season one a lot

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Speaker 1: to me too. There was so much of this season

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Speaker 1: that I had no like, I just was unaware of

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Speaker 1: because I was sixteen or seventeen when it was happening. Like,

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Speaker 1: I go right to Betsy and Rusty's performances, how important

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Speaker 1: they were in the whole dynamic of the show, how

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Speaker 1: amazing they were as actors. I again, we've harped on

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Speaker 1: this over and over, but how you watch season one

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Speaker 1: and go, you know, what's kind of change is Leon Norris.

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Speaker 1: I will never understand that. Um, I think that as

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Speaker 1: a travesty. They left so much comedy on the table

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Speaker 1: with bringing him in high school. Uh So, yeah, there's

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Speaker 1: a lot I was not aware of, um that I

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Speaker 1: just didn't remember from season one. So yeah, it was cool.

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Speaker 1: Speaking of Leon Norris, we actually tried really hard to

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Speaker 1: get him in for another season one episode for you guys.

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Speaker 1: We wanted to have him recap an episode with us,

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Speaker 1: and it was just nearly impossible to schedule because he

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Speaker 1: is working non stop. So I'm really excited about that.

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Speaker 1: I can't wait to see what he's working on and

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Speaker 1: truly it was an absolute joy watching him the season

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Speaker 1: on our show, and like Will said, it was a

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Speaker 1: run that was cut way too short. Um, we know

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Speaker 1: he appears later in this series, so we're going to

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Speaker 1: try to have him back, well as trying to perfect

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Speaker 1: his hair here just one or two. Yeah, yeah, you're right,

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Speaker 1: it's just that one that's really the better. So we're

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Speaker 1: going to try to have Leonorris on later in the series. Um,

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Speaker 1: it'll probably be about you know, ten to fifteen years

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Speaker 1: before we get there, but um, I'm it'll come up

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Speaker 1: real fast. I'm sure we will be in our eighties

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Speaker 1: by that point. Yeah. So we are recapping season one,

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Speaker 1: episode twenty two, I Dream of Phoenie. It originally aired May.

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Speaker 1: The synopsis is that Corey wishes that Phoenie would get

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Speaker 1: sick so they don't have to take a geography exam,

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Speaker 1: and when Phoenie winds up in the hospital, Corey feels

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Speaker 1: very guilty. It was directed by David Trainer. It was

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Speaker 1: written by Mark Fink, which again I'd like to ask you,

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Speaker 1: do you have any idea who Mark Fink is or

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Speaker 1: any memory of Mark Fink? No? None, I don't even

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Speaker 1: remember the name, to be honest, until you just said it,

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Speaker 1: I don't even think I've heard that name ever. I know,

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Speaker 1: I thought, again, I don't know how this happened with

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Speaker 1: so many people that were like, Hi, I don't know

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Speaker 1: what's going on there. So this was ant was like

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Speaker 1: because there were usually two scripts bought from outside, so

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Speaker 1: Bill Lawrence would have been and then maybe this was

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Speaker 1: the other one. So Mark Fink, this was his first

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Speaker 1: episode of Boy Meats World, but he has other credits

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Speaker 1: on Full House, Who's the Boss, threes Company, Head of

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Speaker 1: the Class, and two episodes of Saved by the Bell

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Speaker 1: and the Saved by the Bell TV movie where Zack

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Speaker 1: and Kelly got married in Vegas. Did he write any

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Speaker 1: more Boy's World episodes? I don't think so. I don't

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Speaker 1: think this. I think this is it. So it must

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Speaker 1: have been one of those outside scripts. It's a great name,

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Speaker 1: Mark Fink, mark the great names. Just a solid name

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Speaker 1: like that. Okay. So our guest cast was Janet Carroll

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Speaker 1: as Nurse Chill, who was best known as Tom Cruise's

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Speaker 1: mom in Risky Business. I didn't know that when I

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Speaker 1: watched it because she familiar, and then when I saw

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Speaker 1: the name I was like, oh, I know that name

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Speaker 1: that I didn't know if it was just she's been

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Speaker 1: in this episode of stuff. Yeah, she's a character actress

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Speaker 1: that's been in a ton of things. She's great. Yeah. Um.

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Speaker 1: And then we had Juliette Jeffers as Karen Chaw, who

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Speaker 1: is still working. She was on episodes of Law and

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Speaker 1: Order and One Lone Star this year. Oh that's awesome.

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Speaker 1: There we go. I just got by the way. Sorry

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Speaker 1: to jump in, but I just got like a nine

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Speaker 1: cent residual check from my Law and Order when I

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Speaker 1: was fifteen. Really, last week, we're thinking Venice, but we're

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Speaker 1: not sure where we're going to travel with that Venice

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Speaker 1: l A. No, that'll be too far. There's a there's

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Speaker 1: a I can't get to Venice on nine cents. Come on.

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Speaker 1: So to start our recap, we are in the Matthews kitchen.

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Speaker 1: Corey and Sean are making a smoothie with milk, pean butter,

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Speaker 1: and unpeeled banana and raw eggs because stallone eats raw eggs. Um,

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Speaker 1: do you have memories of of doing this scene. I

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Speaker 1: absolutely remember doing this scene. Yeah, I thought in my

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Speaker 1: memory this was the first time we did the handshake.

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Speaker 1: I think I even said that when we were recording

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Speaker 1: and I got as the Q and A episode and

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Speaker 1: I got asked about the hand For some reason, I

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Speaker 1: thought it was this scene. And I don't even think

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Speaker 1: we did it in this scene, so uh, it's but yeah,

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Speaker 1: I vividly remember doing this. You know, it's always when

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Speaker 1: you're a kid, And I know this from directing Girl

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Speaker 1: Meets World two. You're always dealing with like water stuff,

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Speaker 1: food stuff, making a mess. Yes, lime, It's like so

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Speaker 1: much and I remember so much of this as a

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Speaker 1: kid actor like I did. I did an ABC movie

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Speaker 1: called Summertime Switch maybe between second and third season, where

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Speaker 1: I just get garbage dumped on me. I did a

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Speaker 1: movie called My Giant where I got puked on and

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Speaker 1: they had to make like a whole batch of fake

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Speaker 1: puke to like shoot it at me. It's just like, wait,

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Speaker 1: you're also held out your arms like it was a

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Speaker 1: huge batch of puke. What it looked like? No, it

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Speaker 1: was the best pur So we were shooting with Budapest

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Speaker 1: and they made this Smike Giant in Budapest. Yes, Billy Crystal, Yeah,

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Speaker 1: it's it's it's not. I mean, I don't know. I

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Speaker 1: have to watch the movie. I wonder how bad it is.

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Speaker 1: But it did not did not do well. But it

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Speaker 1: was so fun because I had a very small part,

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Speaker 1: but I get to fire Billy Crystal is my age

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Speaker 1: and I'm like this Brady act or whatever. It was

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Speaker 1: super fun. Um. But yeah, so we were in Budapest

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Speaker 1: and they made this giant batch, like like a cukee

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Speaker 1: because they didn't know how many takes they were going

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Speaker 1: to do. And the whole thing is like this giant

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Speaker 1: this this character George Morrison is playing pukes on me.

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Speaker 1: Um and it's like, oh, it's a whole bunch of pukes.

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Speaker 1: So they had made this giant batch and the local

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Speaker 1: extras thought it was a suit. Oh god, God to

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Speaker 1: stop all the background actors. It was like a big

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Speaker 1: battle scenes. We had all these background actors and they

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Speaker 1: were lining up to like eat the fake Oh god.

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Speaker 1: I had to like tell them no, no, no no no,

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Speaker 1: but yeah, I was like all food stuff anyway. Okay

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Speaker 1: made sense because it looked like food. Um. Anyway. Yeah,

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Speaker 1: so I remember this scene. I remember always like having

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Speaker 1: to do bits and of course the thing it's fun,

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Speaker 1: it is it isn't actually like it was a kid,

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Speaker 1: it wasn't a kid. It's not fun as a director

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Speaker 1: because this kind of stuff is a nightmare because first

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Speaker 1: of all, it's never big enough. It's never there's never

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Speaker 1: enough slime, enough water, enough food, like whatever you want

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Speaker 1: it to be. It's like it's always the joke is

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Speaker 1: that it's a big explosion or a big splattering. And

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Speaker 1: then of course you have to have multiple changes of

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Speaker 1: clothing for every take, and continuity is a mess. You

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Speaker 1: have to you have to you have to usually shoot

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Speaker 1: the scene up until the moment where the thing happens,

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Speaker 1: do that a couple of times to make sure you

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Speaker 1: have Then you have to do it, and then you

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Speaker 1: have to match all you know scenes like if you

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Speaker 1: think about this, we have to continue this scene for

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Speaker 1: a while actually, like there's a whole bunch and I'm like, well,

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Speaker 1: how did we do that? Did we have to deal

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Speaker 1: with the splatter on our clothes? I mean, it's just

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Speaker 1: a nightmares a director. As an actor, it was always

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Speaker 1: fun because that was the difference between Disney and Nickelodeon,

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Speaker 1: because Nickelodeon when I was coming up in Nickelodeon, that

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Speaker 1: we didn't shoot up to anything. We didn't do you

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Speaker 1: did the big stunt. It was as big as possible,

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Speaker 1: and then whatever happened happened, and that was absolutely there

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Speaker 1: was no sense let's slime them, Let's do this and

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Speaker 1: then you're in. It does define the difference between Nickel

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Speaker 1: is better now obviously great shows, but I feel like

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Speaker 1: back in the day, like Nickelodeon wasn't not great quality.

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Speaker 1: It was funny, yeah, but it was never it was

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Speaker 1: never like well made production wise. Can I ask a

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Speaker 1: question why I didn't get the bit of why taking

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Speaker 1: off the lid? Was it just to make a mess. Yeah,

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Speaker 1: it's just me making fun of him for being mom

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Speaker 1: me whipped right, so you could never. You also say

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Speaker 1: you could never do that at your house, so you

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Speaker 1: specifically you were at your friends. And why are we

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Speaker 1: making this thing? I'm not sure. Never were never never

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Speaker 1: can drink and you don't pick it up? You don't.

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Speaker 1: It's just kind of like, let's do big blender and

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Speaker 1: walk away. It seemed like, Yeah. I also was very

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Speaker 1: confused about why you put in the banana unpeeled but

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Speaker 1: then cracked the eggs still, I thought, if you're throwing

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Speaker 1: in a banana with the feel, I thought next was

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Speaker 1: just going to be throwing the whole egg in and

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Speaker 1: like that was going to be part of the joke

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Speaker 1: because that there was egg shell in it. It's wasting here.

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Speaker 1: So anyway, it was definitely let's start this show off

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Speaker 1: on a high jinksy note of just a mess. Yeah,

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Speaker 1: here's a bit and ignore it entirely. Well, but I

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Speaker 1: think the the ultimate like Boy meets World slash Michael

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Speaker 1: Jacob's line is when Bett says, just because we're kids,

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Speaker 1: we're not going to make a mess, or you know,

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Speaker 1: it's like you gotta state the obvious. We're gonna say that.

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Speaker 1: You know, I'm going to be the mature, responsible one

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Speaker 1: and state what's gonna happen and what's not going to happen.

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Speaker 1: And then that's exactly what happened, and they but yeah,

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Speaker 1: you could hear like you know that that's like that

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Speaker 1: Corey voice is, you know, like the way to sort

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Speaker 1: of make this okay, right, it's like to comment on

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Speaker 1: it and to be ironic about it. Then you can

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Speaker 1: just do the thing, but you still kind of just

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Speaker 1: doing the thing. Well. I remembered as a kid watching

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Speaker 1: the scene writer saying or Shawn saying, man, I could

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Speaker 1: never do that. At my house reminded me of a

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Speaker 1: moment that just stuck with me from my childhood when

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Speaker 1: I was over at my best friend Jessica Whittier's house.

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Speaker 1: Jessica shout out, Shout out to Jessica Whittier and um Stephanie.

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Speaker 1: Jessica's mom had closed the door, the front door, and

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Speaker 1: had did the latch up the top, you know, up top,

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Speaker 1: like the one they have in hotels where if you

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Speaker 1: open the door from the outside, it gets locked. And

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Speaker 1: she went upstairs to rest while Jessica and I were

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Speaker 1: playing and we wanted to go outside, but basically we

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Speaker 1: were locked inside the house because she wanted us locked

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Speaker 1: inside the house. And there was a ledge next to

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Speaker 1: the front door, and I was like, oh, I'll just

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Speaker 1: stand on that and lean over and I can undo

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Speaker 1: that latch and we can go outside. And Stephanie opened

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Speaker 1: her bedroom door right at the moment that I was

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Speaker 1: standing on that ledge leaning forward to unlock it, and

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Speaker 1: Stephanie she it was a classic mom I'm not angry,

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Speaker 1: I'm just disappointed. She looked at me and she said, Danielle,

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Speaker 1: would you ever do this at your house? And I

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Speaker 1: was like, no, I would definitely not have no, you're right,

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Speaker 1: And it was like she was so hurt because she

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Speaker 1: knew I was like brave because it wasn't my mom,

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Speaker 1: it wasn't my house, and I felt awful and I

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Speaker 1: was like never again. So any can I ask you

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Speaker 1: a question? Did you call your parents friends by their

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Speaker 1: first names growing up? Yeah, it's such a West Coast thing.

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Speaker 1: It's such a West Coast thing. Yeah yeah, I don't.

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Speaker 1: Oh yeah, no, I know her Stephanie. Sure, I didn't

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Speaker 1: call her Mrs Whittier, oh Man, Ernie, Mr Mrs. The

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Speaker 1: idea as a kid of being like my friend's mom's Stephanie.

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Speaker 1: I remember talking about this well, I remember when I

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Speaker 1: met your parents and and and having to like sort

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Speaker 1: of adjust and you're being weirded out. I mean I

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Speaker 1: called my teachers by their first name. I know, somebody

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Speaker 1: some kid calling Captain Attorney Gary Fordell, my dad calling

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Speaker 1: him Gary. It would have been like the you would

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Speaker 1: have heard the record scratch, like there's no way if

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Speaker 1: by the way, on the West Coast someone said Mrs

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Speaker 1: so and so the first response would be, oh my gosh,

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Speaker 1: call me never here. It would have been the opposite.

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Speaker 1: It would have been like I haven't. I even had

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Speaker 1: friends who went through the stage where they would call

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Speaker 1: their parents by their first name, you know, like that.

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Speaker 1: I remember being weirded out by that as a kid,

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Speaker 1: being like, I only did that when my mom wasn't

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Speaker 1: listening to me, Mom, Mom, Mom, Mom, Jennifer. And then

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Speaker 1: she turned around. Well you know, I was saying, Mom,

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Speaker 1: you weren't listening. She's wanted to tune me out. So anyway,

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Speaker 1: you are doing the bit. Corey says, they're not going

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Speaker 1: to make a mess, but he does, but he doesn't

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Speaker 1: put the lid on correctly. The blender splashes everywhere. Corey,

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Speaker 1: I'm a lid boy. And then Amy turns the corner.

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00:20:10,320 --> 00:20:12,600
Speaker 1: She enters, she sees the mess, and she turns and

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Speaker 1: walks right out. That funny. She didn't say anything, but

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Speaker 1: she was kind of weird to see her in the

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Speaker 1: window after that. Did she noticed that? I was like, Oh,

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Speaker 1: is she gonna come back? Is this? Where where does

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00:20:23,640 --> 00:20:26,960
Speaker 1: she goes? She's like Topanga when Panca just stood in

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Speaker 1: the background, Well, well this is our little corner of

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Speaker 1: the set back there. It is what's happening. It was

395
00:20:33,680 --> 00:20:36,920
Speaker 1: a weird area with nowhere to go. Um. And then

396
00:20:37,000 --> 00:20:38,840
Speaker 1: he says, I'll clean it. I'll clean it, and he

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Speaker 1: cleans up for about I don't know, maybe two seconds,

398
00:20:41,280 --> 00:20:44,240
Speaker 1: and then just completely gives up and they sit down. Um,

399
00:20:44,720 --> 00:20:47,359
Speaker 1: and they need to study for their geography test. So

400
00:20:47,880 --> 00:20:51,040
Speaker 1: book that I set on the kitchen table I remember

401
00:20:51,359 --> 00:20:56,399
Speaker 1: so well, No, it's just a generic book. I don't know,

402
00:20:56,440 --> 00:20:58,160
Speaker 1: but it has like these cubes on it. We must

403
00:20:58,160 --> 00:21:00,439
Speaker 1: have used it all the first season. But the second

404
00:21:00,520 --> 00:21:02,520
Speaker 1: I saw it, it was like part of my heart

405
00:21:02,600 --> 00:21:05,399
Speaker 1: just burst. I was like, oh, so I want to

406
00:21:05,440 --> 00:21:07,919
Speaker 1: go back now and see if I if I'm carrying

407
00:21:07,920 --> 00:21:10,240
Speaker 1: that book or using that book all throughout other scenes

408
00:21:10,359 --> 00:21:13,119
Speaker 1: or what, or maybe it really was just from this moment,

409
00:21:13,359 --> 00:21:15,600
Speaker 1: but like the second I saw the cover of that book,

410
00:21:15,640 --> 00:21:17,960
Speaker 1: I was like, oh my gosh, I remember that. We

411
00:21:18,040 --> 00:21:20,479
Speaker 1: had the same folders the whole time too, with the

412
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Speaker 1: yellow folders with the football player on a junior football player. Yeah,

413
00:21:24,000 --> 00:21:27,160
Speaker 1: we had that the entire time too, But in particular,

414
00:21:27,480 --> 00:21:31,960
Speaker 1: did when you guys are talking about geography, I don't

415
00:21:32,000 --> 00:21:34,159
Speaker 1: have I can't work my remote because I'm old. We

416
00:21:34,200 --> 00:21:41,160
Speaker 1: started with this. Does Corey say Banff or Biff? That's

417
00:21:41,160 --> 00:21:42,560
Speaker 1: what I thought. Okay, I couldn't tell its like did

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00:21:42,600 --> 00:21:47,359
Speaker 1: he say bam for biff? Okay y um. So Phoene

419
00:21:47,400 --> 00:21:52,240
Speaker 1: is outside, he's putting up some geeky duck keep duck.

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Speaker 1: I love that the d is geek. It's actually kind

421
00:21:55,920 --> 00:21:58,800
Speaker 1: of accurate. That's where you would call that, right, Yeah,

422
00:21:58,920 --> 00:22:01,920
Speaker 1: and what is that thing? It's like a decoy wind.

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00:22:02,280 --> 00:22:05,000
Speaker 1: I think it's a wind. Yeah, that's to keep the

424
00:22:05,080 --> 00:22:10,320
Speaker 1: other birds. So maybe there's nothing planted there now until later,

425
00:22:10,480 --> 00:22:17,760
Speaker 1: right maybe crow kind of yeah, yeah, a scared scared

426
00:22:17,840 --> 00:22:25,160
Speaker 1: pinky duck. Scary it's at that's what it is exactly up. Yeah,

427
00:22:26,560 --> 00:22:29,560
Speaker 1: so he is completely Phoenie is completely stressed free. Corey

428
00:22:29,560 --> 00:22:31,520
Speaker 1: and Shawn don't know anything for the test, and Shawn

429
00:22:31,560 --> 00:22:34,919
Speaker 1: says he's out of medical excuses. Um. Corey thinks the

430
00:22:34,920 --> 00:22:38,439
Speaker 1: capital of North Dakota is bamf And Corey looks at

431
00:22:38,440 --> 00:22:42,240
Speaker 1: Phoenie and realizes he never misses a day, even though

432
00:22:42,440 --> 00:22:45,600
Speaker 1: he still gets paid on sick days, and Seawan is

433
00:22:45,680 --> 00:22:51,680
Speaker 1: just flabbergasted by this idea, And yeah, like I love

434
00:22:51,720 --> 00:22:53,160
Speaker 1: these kinds of It's like when we were talking about

435
00:22:53,160 --> 00:22:56,479
Speaker 1: Phoenie's pay with Nakas and that other episode. It's like

436
00:22:56,920 --> 00:22:59,680
Speaker 1: kid logic. You know, kids understanding of money and now

437
00:22:59,720 --> 00:23:01,760
Speaker 1: things out of the adult world where they get paid

438
00:23:01,800 --> 00:23:06,320
Speaker 1: even if they're sick. You are also writer by this point,

439
00:23:06,400 --> 00:23:10,800
Speaker 1: you are one Sean. You are so comfortable with and

440
00:23:10,840 --> 00:23:13,760
Speaker 1: I noticed that. It's like, oh, yes, it's completely comfortable

441
00:23:13,800 --> 00:23:16,760
Speaker 1: hitting we're having fun. We're having fun, like Ben and

442
00:23:16,760 --> 00:23:19,320
Speaker 1: I are so casual, so relaxed. This clearly the end

443
00:23:19,320 --> 00:23:21,639
Speaker 1: of the season. Yeah, and this is an easy scene.

444
00:23:21,720 --> 00:23:23,639
Speaker 1: You know, this is fun eases. It was just you

445
00:23:23,680 --> 00:23:27,200
Speaker 1: were completely and totally Sean by this point. It was great. Yeah,

446
00:23:27,480 --> 00:23:30,360
Speaker 1: it was fun to watch. So Corey learned this information

447
00:23:30,400 --> 00:23:33,719
Speaker 1: through Mincus. And then Corey stares intensely at Phoenie and

448
00:23:33,800 --> 00:23:37,679
Speaker 1: basically will's him to cough, and instead Phoenie takes a

449
00:23:37,840 --> 00:23:43,720
Speaker 1: very healthy, deep breath, and then we still continue the

450
00:23:43,760 --> 00:23:48,080
Speaker 1: cold open. I know I was waiting. Yeah, I was like,

451
00:23:48,560 --> 00:23:50,920
Speaker 1: not have credits because I feel like there were episodes

452
00:23:50,920 --> 00:23:53,280
Speaker 1: where well, I actually I guess we ended up not

453
00:23:53,359 --> 00:23:57,080
Speaker 1: having opening credits the next season, but like, um, I

454
00:23:57,119 --> 00:24:00,639
Speaker 1: feel like there were episodes where we didn't have opening credits,

455
00:24:00,640 --> 00:24:01,960
Speaker 1: like we had to cut them out to make more

456
00:24:02,040 --> 00:24:04,920
Speaker 1: room for our cold open. That was longer whatever season one,

457
00:24:05,520 --> 00:24:07,320
Speaker 1: season one, but so I thought maybe this was that.

458
00:24:07,400 --> 00:24:09,080
Speaker 1: When I when I went to another scene, I was like, what,

459
00:24:09,320 --> 00:24:11,680
Speaker 1: maybe we don't have open credits because we went long

460
00:24:11,720 --> 00:24:15,360
Speaker 1: on this episode. I rewound it. So I rewound it, thinking, oh,

461
00:24:15,359 --> 00:24:17,760
Speaker 1: I must have missed the cold open and what was that?

462
00:24:17,840 --> 00:24:21,320
Speaker 1: What's going on? I was very confused too, But we

463
00:24:21,520 --> 00:24:25,040
Speaker 1: move locations. We are now in Phoenees classroom and Corey

464
00:24:25,080 --> 00:24:27,520
Speaker 1: and Seawan walk in and to Pengga is upside down

465
00:24:27,560 --> 00:24:32,760
Speaker 1: against the wall in the classroom. I did not remember this.

466
00:24:31,560 --> 00:24:35,320
Speaker 1: Why do you remember this? You don't remember this at all?

467
00:24:35,359 --> 00:24:37,600
Speaker 1: I was like, how do I know? It was like,

468
00:24:37,680 --> 00:24:42,680
Speaker 1: that's an intense thing to have to do. Remember uncomfortable. Yeah,

469
00:24:42,720 --> 00:24:47,040
Speaker 1: I think I have a vague, vague recollection of um

470
00:24:47,280 --> 00:24:50,160
Speaker 1: feeling like trying to talk and having been upside down

471
00:24:50,200 --> 00:24:52,560
Speaker 1: and like being upside down and then having the actually

472
00:24:52,560 --> 00:24:54,040
Speaker 1: blood rushed to my head and there's kind of a

473
00:24:54,080 --> 00:24:57,000
Speaker 1: lot of dialogue and you get walking in so uncomfortable. Yes,

474
00:24:57,040 --> 00:24:59,720
Speaker 1: it's awful. Yeah, I have a vague recollection of that

475
00:24:59,800 --> 00:25:02,639
Speaker 1: being like a little uncomfortable, but also being like no, no,

476
00:25:02,680 --> 00:25:05,160
Speaker 1: I got it. It's totally fine, totally fine. Of course

477
00:25:05,280 --> 00:25:07,200
Speaker 1: you know that. You can also tell they are not

478
00:25:07,280 --> 00:25:14,840
Speaker 1: cutting anybody's hair. By this point, everybody's hair is getting trimmed.

479
00:25:15,040 --> 00:25:17,320
Speaker 1: Danielle your hair, It's like I was like, did she

480
00:25:17,359 --> 00:25:20,360
Speaker 1: even need the cushion? Like, now you have so much hair? Right,

481
00:25:21,160 --> 00:25:24,000
Speaker 1: Rusty's hair was long. Everybody it's like they just gave up.

482
00:25:25,480 --> 00:25:27,919
Speaker 1: They were like, let him go into summer with too

483
00:25:28,000 --> 00:25:31,440
Speaker 1: much hair. Crazy here, So to Panka's upside down, because

484
00:25:31,440 --> 00:25:34,159
Speaker 1: she says she's maximizing her brain power, and Corey and

485
00:25:34,160 --> 00:25:36,720
Speaker 1: Shawn are very nervous about the test. Shawn is so

486
00:25:36,720 --> 00:25:39,159
Speaker 1: sweaty he can't see the answers that he wrote on

487
00:25:39,240 --> 00:25:42,639
Speaker 1: his palms. Mincas says they have an acute case of

488
00:25:42,640 --> 00:25:46,200
Speaker 1: performance anxiety, and Corey retorts that all of mincas A's

489
00:25:46,240 --> 00:25:50,920
Speaker 1: still won't make him popular. And then Sean does a

490
00:25:50,960 --> 00:25:56,119
Speaker 1: fantastic Mincus impression. Do you it's so good? Great? Do

491
00:25:56,160 --> 00:25:58,320
Speaker 1: you remember it right her? Yes, it was funny. The

492
00:25:58,359 --> 00:26:00,399
Speaker 1: second I started saying I think I repeated did throughout

493
00:26:00,400 --> 00:26:03,159
Speaker 1: the years. I would go people people, because like the

494
00:26:03,160 --> 00:26:05,200
Speaker 1: second that came out, I was like, oh, I remember

495
00:26:05,240 --> 00:26:09,040
Speaker 1: saying that. It's like an audit joke like he's it's

496
00:26:09,080 --> 00:26:10,639
Speaker 1: pretty it's pretty funny. I know, I was like, is

497
00:26:10,680 --> 00:26:12,800
Speaker 1: he an accountant or is he an I R s auditor?

498
00:26:12,840 --> 00:26:15,919
Speaker 1: I think he's an right, yeah, But I also just

499
00:26:16,000 --> 00:26:20,240
Speaker 1: like I just like that they clearly where it's a

500
00:26:20,280 --> 00:26:22,600
Speaker 1: call back to that other episode where we imitated each other,

501
00:26:22,760 --> 00:26:24,679
Speaker 1: you know, And I was like, it was obvious that

502
00:26:24,680 --> 00:26:27,000
Speaker 1: the writers enjoyed that that that went over well, so

503
00:26:27,000 --> 00:26:29,000
Speaker 1: it was like, let's find an excuse to do that again.

504
00:26:29,240 --> 00:26:34,119
Speaker 1: And it's so much better and the insult jokes and

505
00:26:34,240 --> 00:26:36,800
Speaker 1: and this episode has both like this episode has a

506
00:26:36,840 --> 00:26:39,720
Speaker 1: lot of the like nerd and Hurle and need. It's

507
00:26:39,760 --> 00:26:42,679
Speaker 1: just like, but this is a clever version. It's like

508
00:26:43,400 --> 00:26:47,040
Speaker 1: giving letting Sean be smart enough to make a you know,

509
00:26:47,160 --> 00:26:50,240
Speaker 1: a clever joke. Imitating it's just better. It's just so

510
00:26:50,320 --> 00:26:52,639
Speaker 1: much better that way, and it works. I wish, you know,

511
00:26:52,800 --> 00:26:54,840
Speaker 1: I wish we had gone more this direction, and I

512
00:26:54,880 --> 00:26:56,800
Speaker 1: wish we had stuck around was gonna say this is

513
00:26:56,920 --> 00:26:58,360
Speaker 1: you know, we didn't know we were not gonna see

514
00:26:58,400 --> 00:27:01,439
Speaker 1: Lee anymore anyway. But then he does his hair, running

515
00:27:01,480 --> 00:27:04,119
Speaker 1: the hands back through his dress. It's so fun like

516
00:27:04,160 --> 00:27:06,600
Speaker 1: and he's just so we're enjoying it. You know, you're

517
00:27:06,640 --> 00:27:14,600
Speaker 1: instantly in front of a judge to criminal I love uh.

518
00:27:14,640 --> 00:27:17,359
Speaker 1: And then a substitute teacher, Ms. Chase walks in and

519
00:27:17,359 --> 00:27:19,960
Speaker 1: says Mr Finie is sick. She asks what was on

520
00:27:19,960 --> 00:27:21,760
Speaker 1: their schedule for the day, and Mincus is about to

521
00:27:21,800 --> 00:27:24,160
Speaker 1: say they have a geography test, but Sean runs over

522
00:27:24,200 --> 00:27:26,760
Speaker 1: to cover his mouth. Corey and Sean say, all they

523
00:27:26,760 --> 00:27:29,320
Speaker 1: have to do is write short, non rhyming poems about

524
00:27:29,359 --> 00:27:33,000
Speaker 1: their lives, can we say? Rider runs over and covers

525
00:27:33,400 --> 00:27:38,760
Speaker 1: Lee's mouth with the biggest man hands in the history

526
00:27:39,080 --> 00:27:43,120
Speaker 1: of the world. They are, you look like you're holding

527
00:27:43,160 --> 00:27:49,080
Speaker 1: a greep because he was, because you were built like

528
00:27:49,119 --> 00:27:52,920
Speaker 1: a puppy, right, like a puppy, like really like parts

529
00:27:52,920 --> 00:27:55,560
Speaker 1: of my body had like gone down and the rest

530
00:27:55,560 --> 00:27:57,359
Speaker 1: of my body was still shrunk in and going what

531
00:27:58,080 --> 00:28:01,159
Speaker 1: mentioned my puppy pop to like it was just it

532
00:28:01,240 --> 00:28:04,200
Speaker 1: could wrap around his head twice. Because I'm sitting there

533
00:28:04,200 --> 00:28:06,159
Speaker 1: with Sue and She's like, oh my god, look at

534
00:28:06,200 --> 00:28:10,040
Speaker 1: the size of his hands. It was hysterically funny. Yeah,

535
00:28:10,160 --> 00:28:13,880
Speaker 1: the combo of Lee being particularly small and you being

536
00:28:13,960 --> 00:28:19,120
Speaker 1: having puppy pos my giant hands. Yes, Uh, so Mincus

537
00:28:19,200 --> 00:28:23,200
Speaker 1: goes along with it, but oh ms, Chase's expertise is

538
00:28:23,240 --> 00:28:32,080
Speaker 1: actually very serious, unfun poetry wolf backfire. So and you

539
00:28:32,080 --> 00:28:35,600
Speaker 1: guys scream at the end of that scene, right, be

540
00:28:35,800 --> 00:28:39,120
Speaker 1: a wolf. Not Have we done a scream like this before?

541
00:28:39,280 --> 00:28:42,520
Speaker 1: I can't remember we've done each other, but we looked

542
00:28:42,520 --> 00:28:45,200
Speaker 1: at each other and screamed like this. I don't think so,

543
00:28:45,320 --> 00:28:47,600
Speaker 1: at least not to this level. This was definitely a

544
00:28:47,640 --> 00:28:54,600
Speaker 1: big It's like, yikes, yikes. I remember loving doing it though.

545
00:28:55,440 --> 00:28:58,160
Speaker 1: Oh like Ben and I, anytime we got to do

546
00:28:58,200 --> 00:29:02,920
Speaker 1: stuff like this, we're just like, let out scream and

547
00:29:02,960 --> 00:29:12,400
Speaker 1: then we get our credits, the longest cold open in history. Yeah.

548
00:29:13,480 --> 00:29:16,160
Speaker 1: So we are in the school cafeteria to Pega is

549
00:29:16,200 --> 00:29:18,360
Speaker 1: talking to Corey and Seawan and says she can't believe

550
00:29:18,480 --> 00:29:24,680
Speaker 1: Mr Feenie is outsick. My outfit is amazing, great, great outfit.

551
00:29:25,160 --> 00:29:28,080
Speaker 1: Isn't it cool? Yeah? Really cool? I was when I

552
00:29:28,120 --> 00:29:30,760
Speaker 1: was upside down. I could really see the suspenders a

553
00:29:30,800 --> 00:29:33,320
Speaker 1: lot more in that previous classroom scene, and it really

554
00:29:33,360 --> 00:29:37,000
Speaker 1: looked like T G I Friday's flair, you know, when

555
00:29:37,040 --> 00:29:39,960
Speaker 1: they all that stuff. Yeah, I wish we got to

556
00:29:40,000 --> 00:29:42,320
Speaker 1: see more of it, But this outfit is fantastic. I

557
00:29:42,360 --> 00:29:45,320
Speaker 1: wish I had somebody who could dress me like that.

558
00:29:45,440 --> 00:29:48,160
Speaker 1: Now you know, I just don't have been me. Can't

559
00:29:48,160 --> 00:29:50,320
Speaker 1: you dress yourself like? No, no, I can't dress myself.

560
00:29:50,760 --> 00:29:52,360
Speaker 1: And now, by the way, did you notice Dusty in

561
00:29:52,400 --> 00:29:55,600
Speaker 1: the background, just for some reason, handing napkins out to

562
00:29:55,680 --> 00:29:58,880
Speaker 1: everyone at his table that he's doing. He's just got

563
00:29:58,920 --> 00:30:00,760
Speaker 1: a pile of napkins and he like one napkin for

564
00:30:00,840 --> 00:30:02,959
Speaker 1: you one like he's the mom of the table, just

565
00:30:03,080 --> 00:30:11,480
Speaker 1: handing out. I notice these things you're just handing out.

566
00:30:11,480 --> 00:30:13,960
Speaker 1: Now you also you read the signs behind like all

567
00:30:13,960 --> 00:30:16,600
Speaker 1: the rules of the cafeteria. It's like, you know, do

568
00:30:16,680 --> 00:30:19,320
Speaker 1: not speak loud, bust your trade, do all this stuff.

569
00:30:19,320 --> 00:30:20,720
Speaker 1: But then right next to for some reason, it's like

570
00:30:20,760 --> 00:30:25,680
Speaker 1: return your library books or the cafeteria. Yeah, but yeah,

571
00:30:25,720 --> 00:30:29,960
Speaker 1: Dusty's nicely handing out napkins. One of Will's superpowers is

572
00:30:30,000 --> 00:30:42,600
Speaker 1: being able to notice everything that goes all. Yeah. So

573
00:30:42,720 --> 00:30:45,440
Speaker 1: Corey says he made it happen because he wished Phenie

574
00:30:45,520 --> 00:30:47,200
Speaker 1: Was would get sick so that he could get out

575
00:30:47,200 --> 00:30:49,440
Speaker 1: of the test. And Seawan says, just because he says

576
00:30:49,520 --> 00:30:51,920
Speaker 1: something doesn't mean it will happen, but to Penga says,

577
00:30:51,960 --> 00:30:54,360
Speaker 1: the power of the mind is not to be taken lightly.

578
00:30:54,640 --> 00:30:58,040
Speaker 1: Force of will is the most powerful weapon on earth.

579
00:31:00,040 --> 00:31:02,880
Speaker 1: Then Sean tries to use his mental power on her

580
00:31:03,040 --> 00:31:05,200
Speaker 1: to do what we don't know exactly, maybe to disappear,

581
00:31:05,280 --> 00:31:07,880
Speaker 1: who knows, but it doesn't want this. I mean, this

582
00:31:07,920 --> 00:31:10,200
Speaker 1: is the second time we've done a sort of looking

583
00:31:10,200 --> 00:31:11,960
Speaker 1: to make something happen. And then of course at the

584
00:31:12,080 --> 00:31:14,120
Speaker 1: end of the episode, we'll we'll talk about we'll talk

585
00:31:14,120 --> 00:31:16,120
Speaker 1: about when we get there. This was a big laugh

586
00:31:16,120 --> 00:31:18,920
Speaker 1: for Indie watching me make this face to you know, yeah,

587
00:31:19,040 --> 00:31:21,240
Speaker 1: which that was cool because it's it's a less obvious

588
00:31:21,320 --> 00:31:23,239
Speaker 1: joke that you don't know what Sean is thinking, right.

589
00:31:23,240 --> 00:31:24,800
Speaker 1: The idea is that he just does it with a

590
00:31:24,880 --> 00:31:27,720
Speaker 1: look and then that's enough of a joke. And I

591
00:31:27,760 --> 00:31:30,080
Speaker 1: thought it was hysterically he totally like he got it,

592
00:31:30,320 --> 00:31:31,760
Speaker 1: he got it, he got you know. I think it

593
00:31:31,800 --> 00:31:33,480
Speaker 1: made him feel smart to be like, oh, I get

594
00:31:33,680 --> 00:31:36,120
Speaker 1: I'm in on it he's doing. Yeah. Do you think

595
00:31:36,160 --> 00:31:38,160
Speaker 1: there was ever and I'm just throwing this out there.

596
00:31:38,240 --> 00:31:40,200
Speaker 1: I'm sure we'll get emails everything. Do you think there

597
00:31:40,240 --> 00:31:43,240
Speaker 1: was ever a time that it was contemplated that it

598
00:31:43,320 --> 00:31:45,520
Speaker 1: was going to be Sewn into Panga and not Corey

599
00:31:45,520 --> 00:31:50,160
Speaker 1: into Panga. You don't think, you don't think. Ever, there's

600
00:31:50,160 --> 00:31:54,440
Speaker 1: just that one episode, you know where under pants or

601
00:31:54,480 --> 00:31:57,760
Speaker 1: whatever the no, I mean even even before they had

602
00:31:57,800 --> 00:32:00,080
Speaker 1: like because I'm not sure they've even thought it is

603
00:32:00,080 --> 00:32:02,160
Speaker 1: going to be to Pangan Corey at this point. So

604
00:32:02,160 --> 00:32:04,800
Speaker 1: I'm wondering if there's ever a conversation of about you know,

605
00:32:04,840 --> 00:32:06,840
Speaker 1: what would be really interesting is if it was sewn

606
00:32:06,880 --> 00:32:10,040
Speaker 1: in Topanga. No. I mean, if anything, they did Eric

607
00:32:10,080 --> 00:32:12,200
Speaker 1: and Topanga right in the first season, they have that

608
00:32:12,280 --> 00:32:17,040
Speaker 1: little crush moment, but like they never they never really

609
00:32:17,800 --> 00:32:21,480
Speaker 1: established you having any relationship with Sean other than annoyance

610
00:32:21,640 --> 00:32:26,200
Speaker 1: that is presence, right, Like, yeah, Topanga certainly never seems

611
00:32:26,800 --> 00:32:29,800
Speaker 1: other than that one episode where the underpants episode, which

612
00:32:29,800 --> 00:32:31,720
Speaker 1: I think is that the episode when we kiss, Yes,

613
00:32:32,040 --> 00:32:36,080
Speaker 1: that's like we're doing this college video or whatever make out.

614
00:32:36,920 --> 00:32:42,560
Speaker 1: I'm glad we have two years before we get there. Um, yeah,

615
00:32:42,600 --> 00:32:44,200
Speaker 1: I think that was it. Like that was the only

616
00:32:44,200 --> 00:32:47,120
Speaker 1: insinuation that we ever because I'm trying to remember, like,

617
00:32:47,280 --> 00:32:49,400
Speaker 1: i mean, how often did we ever have scenes just

618
00:32:49,520 --> 00:32:52,400
Speaker 1: the two of us they must have happened, right, Yeah,

619
00:32:52,440 --> 00:32:54,120
Speaker 1: but they were pretty few and far between. It was

620
00:32:54,200 --> 00:32:58,360
Speaker 1: usually the three of us, right, I will, I do think,

621
00:32:58,400 --> 00:33:01,440
Speaker 1: I I do think maybe there's maybe you're right. I

622
00:33:01,480 --> 00:33:03,320
Speaker 1: don't know. I wonder, I wonder if there was any

623
00:33:03,360 --> 00:33:06,280
Speaker 1: sort of thought of of I wonder if it could

624
00:33:06,280 --> 00:33:09,720
Speaker 1: be a love triangle, or if it was always or

625
00:33:09,760 --> 00:33:11,880
Speaker 1: if you know, it just kind of evolved naturally that

626
00:33:11,920 --> 00:33:13,400
Speaker 1: it was going to be Korean to Panga. But and

627
00:33:13,440 --> 00:33:16,480
Speaker 1: I think we know our producer well enough to where

628
00:33:16,520 --> 00:33:19,040
Speaker 1: he would claim at this point, oh, I already knew

629
00:33:19,080 --> 00:33:20,719
Speaker 1: Corey and to Pango, we're gonna be married and do it.

630
00:33:20,760 --> 00:33:22,440
Speaker 1: But I don't buy that for a second. I don't

631
00:33:22,440 --> 00:33:24,840
Speaker 1: think they had any notion at this point that it

632
00:33:24,880 --> 00:33:26,800
Speaker 1: was going to be Corey and to Panga forever. I

633
00:33:26,840 --> 00:33:29,160
Speaker 1: don't think they knew that at all, right, But really,

634
00:33:29,480 --> 00:33:32,960
Speaker 1: I don't know. I think I think maybe we've talked

635
00:33:33,000 --> 00:33:35,239
Speaker 1: about the fact that this aired out of order, so

636
00:33:35,320 --> 00:33:37,680
Speaker 1: this would have been the second to last episode we filmed,

637
00:33:38,360 --> 00:33:41,400
Speaker 1: and the last episode that we filmed was the scene

638
00:33:40,920 --> 00:33:45,000
Speaker 1: with I think by that episode we all knew that

639
00:33:45,000 --> 00:33:47,680
Speaker 1: the core wasn't a regular I mean, I think they

640
00:33:47,720 --> 00:33:50,400
Speaker 1: wanted to maybe have him start liking girls. But I

641
00:33:50,400 --> 00:33:52,840
Speaker 1: don't think they thought this is it, this is what

642
00:33:53,000 --> 00:33:55,400
Speaker 1: we've got. I don't think. I don't think. I don't

643
00:33:55,440 --> 00:33:58,160
Speaker 1: think they thought this is going to last for seven years.

644
00:33:58,520 --> 00:34:01,080
Speaker 1: But I think we have to bring that character back

645
00:34:01,160 --> 00:34:05,480
Speaker 1: and maintain to Panga and Corey's relationship throughout as long

646
00:34:05,520 --> 00:34:07,400
Speaker 1: as we can. I think that decision was made after

647
00:34:07,440 --> 00:34:11,759
Speaker 1: appoint meets Girl. I wonder definitely remember the feeling we

648
00:34:11,800 --> 00:34:14,480
Speaker 1: all had, like of course, but that the core of

649
00:34:14,480 --> 00:34:16,879
Speaker 1: the shows. But then you would think that the next

650
00:34:16,920 --> 00:34:20,400
Speaker 1: thing then they do is the Maker Maker regular and

651
00:34:20,440 --> 00:34:23,000
Speaker 1: they start writing to it instantly, and yet there's episode

652
00:34:23,000 --> 00:34:25,359
Speaker 1: after episode that she's not in. I think they knew

653
00:34:25,360 --> 00:34:27,920
Speaker 1: they didn't have to make Danielle right there. Maybe they

654
00:34:27,920 --> 00:34:32,840
Speaker 1: could tell her to not take the job on just

655
00:34:33,080 --> 00:34:35,719
Speaker 1: show anyway, you know, I think I think we had

656
00:34:35,760 --> 00:34:37,760
Speaker 1: a lot, We had a big We had a big cast,

657
00:34:37,880 --> 00:34:41,360
Speaker 1: you know, between family and school, and especially when the

658
00:34:41,400 --> 00:34:45,600
Speaker 1: second season, when I think the came down characters a

659
00:34:45,640 --> 00:34:47,640
Speaker 1: second season, that's what we're talking about. Well, but the

660
00:34:47,680 --> 00:34:50,240
Speaker 1: only regular that was added second season was Mr Turner.

661
00:34:50,280 --> 00:34:53,600
Speaker 1: So when Tony was the new actual you know, paid

662
00:34:53,640 --> 00:34:55,560
Speaker 1: regular on the show. Everybody else was still a guest

663
00:34:55,600 --> 00:34:58,680
Speaker 1: cast occurring. So and that was as far as I know,

664
00:34:58,719 --> 00:35:01,319
Speaker 1: because Friends was a hit, and the idea was, we

665
00:35:01,320 --> 00:35:03,600
Speaker 1: gotta go, we gotta have like twenty somethings on the show.

666
00:35:03,920 --> 00:35:06,000
Speaker 1: That's what That's what I remember. We'll talk about season

667
00:35:06,040 --> 00:35:12,319
Speaker 1: two when we get to say next month. Okay, next month, yes, okay. Um.

668
00:35:12,360 --> 00:35:15,160
Speaker 1: So Corey says maybe he does have the power to

669
00:35:15,200 --> 00:35:19,920
Speaker 1: make people sick. He's a mutant superhero. He's sick boys,

670
00:35:19,920 --> 00:35:21,960
Speaker 1: sick boy. They're really just trying to get this to

671
00:35:22,000 --> 00:35:27,120
Speaker 1: work lid boy and sick Boy. Episode What did I

672
00:35:27,120 --> 00:35:38,080
Speaker 1: just say? Episode that's a smaller episode. So Sean wants

673
00:35:38,120 --> 00:35:41,160
Speaker 1: Corey to try his new mutant power on Mincus. Sean

674
00:35:41,280 --> 00:35:43,480
Speaker 1: calls Mincus over and makes a joke about his hair.

675
00:35:43,760 --> 00:35:46,560
Speaker 1: Mincus tells him he's not feeling well. Corey brags about

676
00:35:46,600 --> 00:35:48,719
Speaker 1: his gift, but MICUs feels bad because he heard Mr

677
00:35:48,719 --> 00:35:52,440
Speaker 1: Fini's in the hospital. Then Topanga brings up karma and

678
00:35:52,520 --> 00:35:55,400
Speaker 1: Corey should be scared because what goes around comes around.

679
00:35:55,719 --> 00:35:57,680
Speaker 1: And I remember the second this line was said. I

680
00:35:57,680 --> 00:35:59,759
Speaker 1: remember the callback. I was like, oh, I know the

681
00:35:59,800 --> 00:36:02,840
Speaker 1: one the like sister line to this, which is that

682
00:36:02,920 --> 00:36:07,040
Speaker 1: karma goes around. I wrote it down. I was like,

683
00:36:07,040 --> 00:36:11,040
Speaker 1: I know what's coming. That's funny. I don't remember that

684
00:36:11,080 --> 00:36:15,680
Speaker 1: at all. Shawn says maybe the power does work, and

685
00:36:15,760 --> 00:36:18,000
Speaker 1: Corey starts to backpedal, saying there's no way you could

686
00:36:18,000 --> 00:36:20,080
Speaker 1: make things happen just by thinking of them, and then

687
00:36:20,080 --> 00:36:23,960
Speaker 1: Shawn says, you're scary, core and eventually totally avoids him

688
00:36:24,000 --> 00:36:26,319
Speaker 1: by running out of there by yelling don't look at me,

689
00:36:26,440 --> 00:36:29,120
Speaker 1: just don't look at me, which is very funny. Then

690
00:36:29,120 --> 00:36:31,480
Speaker 1: looked like he was going to break a little before that.

691
00:36:31,520 --> 00:36:33,919
Speaker 1: If you looks like he was going to break. Yeah,

692
00:36:33,920 --> 00:36:37,120
Speaker 1: I thought that was good. I thought writer, you were

693
00:36:37,160 --> 00:36:41,960
Speaker 1: really good. Um at playing like I think that there's

694
00:36:41,960 --> 00:36:44,319
Speaker 1: a little part of me the beliefs is maybe I

695
00:36:44,360 --> 00:36:46,640
Speaker 1: thought it was really good. Yeah, it's really kind of

696
00:36:46,640 --> 00:36:49,560
Speaker 1: the last time you can have these kinds of conversations

697
00:36:49,680 --> 00:36:52,720
Speaker 1: because we're still young enough to like believe these believe

698
00:36:52,760 --> 00:36:55,439
Speaker 1: the magic. And you know, although I guess we haven't

699
00:36:55,440 --> 00:36:57,799
Speaker 1: done the werewolf episode, so that's second season. Does does

700
00:36:57,840 --> 00:36:59,759
Speaker 1: Corey actually think he's turning into a werewolf? On that

701
00:36:59,840 --> 00:37:02,719
Speaker 1: up We'll get to it. Whatever, Yeah, yeah, come on

702
00:37:02,880 --> 00:37:06,920
Speaker 1: the next time. There are so many episodes that I

703
00:37:06,920 --> 00:37:09,680
Speaker 1: thought were first season that are actually second so I

704
00:37:09,719 --> 00:37:11,239
Speaker 1: can't wait to get into it. And I must not

705
00:37:11,280 --> 00:37:13,400
Speaker 1: have been in the Werewolf episode because I have no

706
00:37:13,480 --> 00:37:15,120
Speaker 1: memory of it. So we'll we'll see. I have a

707
00:37:15,160 --> 00:37:17,080
Speaker 1: great memory of that episode. But we'll get there. We'll

708
00:37:17,080 --> 00:37:20,439
Speaker 1: get there, actually, people. Then we're in the Matthews living room.

709
00:37:20,480 --> 00:37:23,319
Speaker 1: Alan is trying to read Amy's get Well card for Mr.

710
00:37:23,400 --> 00:37:26,360
Speaker 1: Feeney and she wants Corey to sign it. Corey declines

711
00:37:26,440 --> 00:37:29,600
Speaker 1: to sign uh. Amy explains that I get well card

712
00:37:29,880 --> 00:37:33,040
Speaker 1: um can help make somebody feel better with the power

713
00:37:33,080 --> 00:37:36,160
Speaker 1: of positive thinking, and Corey asks if that's actually true.

714
00:37:36,200 --> 00:37:38,760
Speaker 1: She says yes, so then he asks if the reverse

715
00:37:38,880 --> 00:37:41,200
Speaker 1: is actually true. If he wishes someone could get sick,

716
00:37:41,280 --> 00:37:44,120
Speaker 1: would that actually happen? And Alan says, well, yeah, I

717
00:37:44,160 --> 00:37:48,200
Speaker 1: guess that's what voodoo is. And Corey is now very scared.

718
00:37:48,239 --> 00:37:59,120
Speaker 1: He is the reason for Mr Ye could just right.

719
00:37:59,760 --> 00:38:02,640
Speaker 1: Very occasionally, there's something that happens in a scene where

720
00:38:02,880 --> 00:38:06,480
Speaker 1: it's so real, and this happens in my house all

721
00:38:06,480 --> 00:38:08,719
Speaker 1: the time with reading something because Sue can't read my

722
00:38:08,760 --> 00:38:11,640
Speaker 1: writing and so it's not just seen as exact. And

723
00:38:11,640 --> 00:38:16,680
Speaker 1: when then Ben's delivery of Boloney Love Alvin was was great.

724
00:38:16,800 --> 00:38:20,680
Speaker 1: It's just what it says, and that's what That's the

725
00:38:20,719 --> 00:38:23,319
Speaker 1: only where that works. She'll call me and she'd be like,

726
00:38:23,360 --> 00:38:26,480
Speaker 1: what does Rondolo down the street mean? I'm like, oranges

727
00:38:26,640 --> 00:38:29,239
Speaker 1: is what you have to buy? So it was very

728
00:38:29,239 --> 00:38:32,040
Speaker 1: real that moment. Yeah, the back door is wide open,

729
00:38:32,080 --> 00:38:33,920
Speaker 1: by the way, just wide open the whole side door.

730
00:38:33,920 --> 00:38:39,600
Speaker 1: If anybody else. Yeah, I love I love the end

731
00:38:39,640 --> 00:38:42,400
Speaker 1: of this scene when when when Ben just says no reason, no,

732
00:38:42,600 --> 00:38:44,720
Speaker 1: you know whatever, No, it just it just like walks

733
00:38:44,719 --> 00:38:48,080
Speaker 1: away from, you know, the conflict with his dad. It's

734
00:38:48,080 --> 00:38:49,960
Speaker 1: like the second time that this episode has done that,

735
00:38:50,000 --> 00:38:53,520
Speaker 1: where like Amy just walks in and it's like it's

736
00:38:53,560 --> 00:38:56,680
Speaker 1: like we're at the point now where we know we're sick,

737
00:38:57,200 --> 00:39:00,759
Speaker 1: we know the situation, the characters are more aware, so

738
00:39:00,800 --> 00:39:04,319
Speaker 1: we're allowed to have these like ironic non beats and

739
00:39:04,320 --> 00:39:07,839
Speaker 1: that's actually better than doing the obligatory thing. Right. It's

740
00:39:07,840 --> 00:39:10,839
Speaker 1: just it's like it's like an interesting evolution in the show. Right,

741
00:39:10,880 --> 00:39:14,480
Speaker 1: It's like we're past the point of delivering the sitcom.

742
00:39:14,800 --> 00:39:17,520
Speaker 1: We are now commenting on the delivery of the sitcom,

743
00:39:17,760 --> 00:39:19,839
Speaker 1: and I liked it. I thought it was it's it's

744
00:39:19,840 --> 00:39:22,320
Speaker 1: a comforting feeling to be like, oh, I know Corey

745
00:39:22,600 --> 00:39:24,440
Speaker 1: and he's stressing out to his dad, and now he

746
00:39:24,440 --> 00:39:25,960
Speaker 1: doesn't have to. We know the kids are going to

747
00:39:26,040 --> 00:39:27,840
Speaker 1: make a mess, and she doesn't have to do so

748
00:39:27,880 --> 00:39:30,680
Speaker 1: we don't have to have those beats. That's a comforting

749
00:39:30,719 --> 00:39:33,479
Speaker 1: place to be with the show. It is. It means

750
00:39:33,520 --> 00:39:36,480
Speaker 1: the audience. It means that the writers and the cast

751
00:39:36,600 --> 00:39:39,600
Speaker 1: are confident that the audience knows the characters enough that

752
00:39:39,680 --> 00:39:42,120
Speaker 1: we don't you already know what the reaction is. We

753
00:39:42,160 --> 00:39:44,200
Speaker 1: don't have to give it to you. Yes, and we

754
00:39:44,239 --> 00:39:46,239
Speaker 1: can just we can be self aware enough to just

755
00:39:46,440 --> 00:39:49,560
Speaker 1: laugh at ourselves. It's a nice shorthand with the audience,

756
00:39:49,680 --> 00:39:52,879
Speaker 1: which is a feeling of success, like we know each

757
00:39:52,880 --> 00:39:54,839
Speaker 1: other and so I don't have to do this. I agree.

758
00:39:54,840 --> 00:39:57,479
Speaker 1: It feels like it does. This out of order though,

759
00:39:57,640 --> 00:39:59,759
Speaker 1: changes the show a little bit since this was shot

760
00:39:59,760 --> 00:40:02,480
Speaker 1: out of order because his birthday, which we already talked

761
00:40:02,480 --> 00:40:06,160
Speaker 1: about how nobody celebrated at all. Um it would have

762
00:40:06,320 --> 00:40:09,680
Speaker 1: made him thirteen, but in this episode he clearly says

763
00:40:09,719 --> 00:40:14,360
Speaker 1: I'm twelve. Really, So it's well, here's either he turned

764
00:40:14,440 --> 00:40:18,560
Speaker 1: twelve in that birthday episode or he turned thirteen, and

765
00:40:18,600 --> 00:40:20,600
Speaker 1: now we're back to him being twelve because the shows

766
00:40:20,600 --> 00:40:23,520
Speaker 1: are out of order. I don't think that that episode counts.

767
00:40:23,719 --> 00:40:26,720
Speaker 1: We're just gonna go. We're just gonn remove kid Gloves

768
00:40:26,760 --> 00:40:31,279
Speaker 1: from the cabin. We didn't say in Kid Gloves whether

769
00:40:31,280 --> 00:40:33,840
Speaker 1: he was twelve or thirteen. He'sn't really sure. And I

770
00:40:33,920 --> 00:40:37,360
Speaker 1: do think that he was turning twelve, which makes the

771
00:40:37,600 --> 00:40:43,760
Speaker 1: season two and there were multiple references to being eleven

772
00:40:43,840 --> 00:40:47,719
Speaker 1: years old in season one. Right, I'm on a schedule here. Yeah,

773
00:40:47,760 --> 00:40:50,360
Speaker 1: we live. I'm we're eleven. We live again, he says

774
00:40:50,400 --> 00:40:53,560
Speaker 1: to writer um in the you know, Fugitive episode. So

775
00:40:53,840 --> 00:40:56,399
Speaker 1: I do think he was turning twelve, and I think

776
00:40:56,400 --> 00:40:58,319
Speaker 1: that's one of the things that always weirded us out.

777
00:40:58,360 --> 00:41:01,080
Speaker 1: Then when we jumped ahead to high school in season two,

778
00:41:01,200 --> 00:41:03,680
Speaker 1: which was like, so are we also jumping ahead a

779
00:41:03,760 --> 00:41:06,879
Speaker 1: year a year in age, because no one's in high

780
00:41:06,880 --> 00:41:10,120
Speaker 1: school at twelve. No, But they, I think, and we'll

781
00:41:10,120 --> 00:41:12,520
Speaker 1: get to this. I think they say that they're high

782
00:41:12,560 --> 00:41:16,000
Speaker 1: school starts at grade seven. Yeah, that's what we over

783
00:41:18,080 --> 00:41:20,480
Speaker 1: But we actually stayed there for four years and then

784
00:41:20,480 --> 00:41:22,920
Speaker 1: went to college, So I think we jump ahead a year.

785
00:41:23,440 --> 00:41:27,440
Speaker 1: I think, yeah, yeah, yeah, you go from you clearly

786
00:41:27,480 --> 00:41:29,400
Speaker 1: go from sixth grade to seventh grade, and then you

787
00:41:29,440 --> 00:41:33,080
Speaker 1: go from seventh grade to graduate school. So it's like

788
00:41:33,160 --> 00:41:38,880
Speaker 1: it's very strange seventh through twelve takes us only four years. Yeah, yeah, okay,

789
00:41:39,120 --> 00:41:45,520
Speaker 1: it's just yeah, weird away anyway. Um, so, uh, We're

790
00:41:45,560 --> 00:41:48,560
Speaker 1: then in Korey and Eric's bedroom. Corey tells Eric everything

791
00:41:48,600 --> 00:41:50,879
Speaker 1: that happened with wishing Phenie would get sick, and Eric

792
00:41:50,920 --> 00:41:54,640
Speaker 1: reveals Phoenie had to get his appendix removed. Corey compares

793
00:41:54,680 --> 00:41:56,959
Speaker 1: the operation to their cat who fell out of a tree,

794
00:41:57,440 --> 00:42:00,120
Speaker 1: and Eric says, no, don't worry. They had to so

795
00:42:00,280 --> 00:42:04,279
Speaker 1: his head back on. It was not like that. Yeah,

796
00:42:04,280 --> 00:42:05,880
Speaker 1: it was likely he was not going to live to

797
00:42:05,880 --> 00:42:09,600
Speaker 1: see that anyway. Yeah, this is the first time besides

798
00:42:10,280 --> 00:42:13,680
Speaker 1: the lovely leather jacket makes you rest in peace. Um,

799
00:42:14,719 --> 00:42:18,040
Speaker 1: you were wearing a cool shirt. Will wear this shirt?

800
00:42:18,080 --> 00:42:21,960
Speaker 1: I was looking at it was like, that's a cool shirt.

801
00:42:22,520 --> 00:42:25,640
Speaker 1: Eric is doing what every high school kid apparently does

802
00:42:25,680 --> 00:42:28,080
Speaker 1: all the time. Every time Corey walks in. He's lying

803
00:42:28,160 --> 00:42:30,760
Speaker 1: on his stomach on a bed reading a magazine every

804
00:42:30,840 --> 00:42:35,080
Speaker 1: single high school kid all the time. Um. And then

805
00:42:35,280 --> 00:42:41,400
Speaker 1: Eric is strangely excited about Pheenie being in surgery. My

806
00:42:41,560 --> 00:42:43,520
Speaker 1: reading was like, I had this face. It's like they're

807
00:42:43,520 --> 00:42:46,040
Speaker 1: cutting him up right now or whatever. It was so weird.

808
00:42:46,640 --> 00:42:51,160
Speaker 1: It's like, why am I so excited about that? And

809
00:42:51,280 --> 00:42:54,000
Speaker 1: the girl posters are gone from the wall. Remember the

810
00:42:54,000 --> 00:42:56,440
Speaker 1: girl posting? You specifically pointed out Danielle where you were like,

811
00:42:56,560 --> 00:43:00,279
Speaker 1: is that who? A lifeguard? Gone? Yeah, gone. Mark Fink

812
00:43:00,400 --> 00:43:02,040
Speaker 1: was like, I won't have it. I won't have it

813
00:43:02,080 --> 00:43:05,239
Speaker 1: in my script. Put him on a bed, put him

814
00:43:05,239 --> 00:43:09,840
Speaker 1: on a bed with a magazine magazine at a motive magazine.

815
00:43:10,080 --> 00:43:15,000
Speaker 1: Always very strange. Uh So Corey wishes for a sign

816
00:43:15,080 --> 00:43:17,440
Speaker 1: from God that Phoenie will be okay, and then he

817
00:43:17,520 --> 00:43:22,280
Speaker 1: looks out the window and sees Phoenie's wind spinner faced down.

818
00:43:22,960 --> 00:43:28,719
Speaker 1: It's it's a great moment. It's a great moment, makes

819
00:43:28,760 --> 00:43:31,040
Speaker 1: it all worthwhile when you don't understand what's happening in

820
00:43:31,080 --> 00:43:34,600
Speaker 1: the cold open payoff moment. So then we're back in

821
00:43:34,640 --> 00:43:37,319
Speaker 1: Phoenie's classroom. The substitute is still there, and half the

822
00:43:37,320 --> 00:43:39,480
Speaker 1: class is asleep while she goes over bay a wolf

823
00:43:39,520 --> 00:43:42,759
Speaker 1: Mincus is obviously just eating this up. Corey asks if

824
00:43:42,800 --> 00:43:45,000
Speaker 1: it's just him or if anyone else wants to hurl

825
00:43:45,120 --> 00:43:49,640
Speaker 1: from boredom, and when the most nineties, no one says

826
00:43:49,640 --> 00:43:53,839
Speaker 1: that anymore, right, don't think? Oh god, I mean yeah,

827
00:43:53,880 --> 00:43:55,959
Speaker 1: I just that's so funny. Was one of the second

828
00:43:56,000 --> 00:43:58,280
Speaker 1: I heard it. I wrote it down. It was like, hurl, hurl.

829
00:43:58,440 --> 00:44:01,080
Speaker 1: Of course that's just to say, and then there is

830
00:44:01,160 --> 00:44:07,200
Speaker 1: great they will need it. No, yeah, exactly, the classic

831
00:44:07,680 --> 00:44:11,279
Speaker 1: Corey voice. Right, this is the third time we've done that.

832
00:44:11,400 --> 00:44:14,319
Speaker 1: The first was the hair episode. Then you said it,

833
00:44:14,440 --> 00:44:17,560
Speaker 1: you quoted it, Danielle when you were being then or

834
00:44:17,600 --> 00:44:19,840
Speaker 1: being Corey, and then here he brings it back again.

835
00:44:19,880 --> 00:44:22,279
Speaker 1: Of course it turns out to be this turns out

836
00:44:22,280 --> 00:44:25,680
Speaker 1: to be a dream sequence, so which I thought it

837
00:44:25,719 --> 00:44:28,919
Speaker 1: was very obvious that this was a dream sequence, did

838
00:44:28,960 --> 00:44:31,440
Speaker 1: you Okay? I didn't. At first, I was like, is

839
00:44:31,520 --> 00:44:35,240
Speaker 1: this a dream? I think the only reason I knew

840
00:44:35,320 --> 00:44:39,840
Speaker 1: it was a dream was because Corey was so obnoxious,

841
00:44:39,880 --> 00:44:43,720
Speaker 1: like so over the top obnoxious that I thought there's

842
00:44:43,760 --> 00:44:47,000
Speaker 1: no way even Corey would speak to a teacher this way,

843
00:44:47,040 --> 00:44:51,400
Speaker 1: even a sub like, it's so obvious that even that

844
00:44:51,400 --> 00:44:53,759
Speaker 1: that the show would have never allowed this. It's just

845
00:44:53,800 --> 00:44:55,560
Speaker 1: a little out of character for him. And I thought

846
00:44:55,600 --> 00:44:58,280
Speaker 1: it has to be a dream because he's I wanted

847
00:44:58,360 --> 00:45:00,600
Speaker 1: for the first time ever, truthfully, I wanted to be

848
00:45:00,640 --> 00:45:05,960
Speaker 1: like you, I don't like that little kid, get the

849
00:45:05,960 --> 00:45:08,319
Speaker 1: way you're talking to that teacher. Well, you know why,

850
00:45:08,440 --> 00:45:11,120
Speaker 1: I agree, But I'm not for the same reason. I

851
00:45:11,480 --> 00:45:14,319
Speaker 1: think it's because he's being obnoxious to a character we're

852
00:45:14,360 --> 00:45:16,919
Speaker 1: not comfortable with. If if he had the exact same

853
00:45:16,960 --> 00:45:20,879
Speaker 1: delivering the exact same there would be a sense of like, oh,

854
00:45:21,000 --> 00:45:23,360
Speaker 1: this is there a thing because he's doing it to

855
00:45:23,400 --> 00:45:25,840
Speaker 1: a substitute it. Because I had the same reaction, it

856
00:45:25,880 --> 00:45:29,000
Speaker 1: was like, whoa chilling kid, you know, and it just

857
00:45:29,040 --> 00:45:31,680
Speaker 1: felt wrong. Um, of course, until she turns it and

858
00:45:31,680 --> 00:45:33,359
Speaker 1: it's like, you're right, and then I was like, oh,

859
00:45:33,400 --> 00:45:36,440
Speaker 1: it's all a dream. But I definitely felt something was

860
00:45:36,520 --> 00:45:40,400
Speaker 1: off from the get go, not remembering um and then yeah,

861
00:45:40,440 --> 00:45:43,040
Speaker 1: And I think that it's just simply when you introduce

862
00:45:43,320 --> 00:45:45,600
Speaker 1: an unknown character. You can't have a kid talked to

863
00:45:45,960 --> 00:45:49,520
Speaker 1: a teacher like without without it being established that that's

864
00:45:49,560 --> 00:45:54,400
Speaker 1: part of their band. I wrote down here she down

865
00:45:54,520 --> 00:46:00,200
Speaker 1: the moocher, which clearly means she's great the teacher. Um so,

866
00:46:00,360 --> 00:46:03,160
Speaker 1: and she was, she was, she was phenomenal. But yeah,

867
00:46:03,440 --> 00:46:06,320
Speaker 1: so that's I love that you can't read your own writing.

868
00:46:06,400 --> 00:46:13,319
Speaker 1: I can never read I was. I was scribbling one time,

869
00:46:13,400 --> 00:46:17,040
Speaker 1: like writing something, a note with my brother, and he

870
00:46:17,080 --> 00:46:18,960
Speaker 1: looked over my shoulder, just put a hand on my shoulder.

871
00:46:18,960 --> 00:46:21,759
Speaker 1: He's like, write, writer, write it, as if somebody's going

872
00:46:21,800 --> 00:46:25,239
Speaker 1: to have to read it. I was like, right, right,

873
00:46:25,280 --> 00:46:27,320
Speaker 1: that's the point of that's the point of writing a

874
00:46:27,440 --> 00:46:29,520
Speaker 1: note because I literally just start writing and it's just

875
00:46:29,560 --> 00:46:32,879
Speaker 1: like just get it out without He's like, somebody's gonna

876
00:46:32,920 --> 00:46:34,360
Speaker 1: have to read that. It was like, oh right that.

877
00:46:34,640 --> 00:46:36,640
Speaker 1: So I always have to remind myself that if I'm

878
00:46:36,640 --> 00:46:44,200
Speaker 1: writing something my kitchen does that say kitchen? I don't know.

879
00:46:44,200 --> 00:46:54,439
Speaker 1: No oldest TV ever classroom. She's he saw a boom

880
00:46:54,480 --> 00:46:56,719
Speaker 1: mic for a long time, dude. In this scene, there's

881
00:46:56,719 --> 00:46:59,080
Speaker 1: a boom mic hanging down for like half of the scene.

882
00:46:59,080 --> 00:47:01,759
Speaker 1: Are you staring? And it's not like this much, it's

883
00:47:01,840 --> 00:47:10,400
Speaker 1: like this much. It's unbelievable. Oh that's funny, you know

884
00:47:10,440 --> 00:47:12,440
Speaker 1: what I think I saw the boom mic and thought, well,

885
00:47:12,440 --> 00:47:14,239
Speaker 1: there's no way that's the boom Mike, because it's been

886
00:47:14,239 --> 00:47:16,160
Speaker 1: there for so long. I think I thought it was

887
00:47:16,239 --> 00:47:23,640
Speaker 1: something like in the wall, like something behind him. It's

888
00:47:23,719 --> 00:47:27,920
Speaker 1: clearly a bloom looke, of course, which is what you

889
00:47:27,960 --> 00:47:32,879
Speaker 1: wrote down bloom loom boom Mike for a long time. Yes,

890
00:47:41,400 --> 00:47:44,399
Speaker 1: shows up, Yeah, well yeah, she keeps. Corey keeps going

891
00:47:44,440 --> 00:47:47,200
Speaker 1: on and on about how not even needing geography and

892
00:47:47,320 --> 00:47:49,560
Speaker 1: that the and says that students should be able to

893
00:47:49,600 --> 00:47:52,080
Speaker 1: talk about whatever they want and the sub should make

894
00:47:52,120 --> 00:47:56,480
Speaker 1: them cupcakes. And then the substitute says he's right, and

895
00:47:56,520 --> 00:47:59,919
Speaker 1: she magically grabs a plate of cupcakes. Everything is coming

896
00:48:00,040 --> 00:48:03,439
Speaker 1: up Corey, and she even says stuff at Nerd Boy

897
00:48:03,560 --> 00:48:07,160
Speaker 1: to Mincus. And then Phoenie shows up at the door

898
00:48:07,239 --> 00:48:09,799
Speaker 1: and asks Corey who the new teacher is. Corey calls

899
00:48:09,800 --> 00:48:12,080
Speaker 1: her Karen and says they're on a first name basis

900
00:48:12,120 --> 00:48:15,200
Speaker 1: and they're not studying geography. Corey then tells Phenie he

901
00:48:15,239 --> 00:48:17,720
Speaker 1: needs to lighten up and messes up the definition of karma.

902
00:48:17,760 --> 00:48:23,600
Speaker 1: That's when he says, and then Phoenie throws a cupcake

903
00:48:23,640 --> 00:48:25,680
Speaker 1: at Shawn's head, which is exactly what writer was talking

904
00:48:25,680 --> 00:48:27,760
Speaker 1: about at the beginning of this episode, You're just always

905
00:48:27,800 --> 00:48:33,440
Speaker 1: getting And then Sean tells Corey to stop. Corey then

906
00:48:33,480 --> 00:48:38,200
Speaker 1: blames it on Phoenie. But Sean can't see Phoenie. He's

907
00:48:38,239 --> 00:48:41,640
Speaker 1: a figment of Corey's mind because Phoenie is dead now

908
00:48:41,960 --> 00:48:47,239
Speaker 1: thanks to Corey. So phoene said, I died, Mr Mouths,

909
00:48:47,560 --> 00:48:51,440
Speaker 1: and Indie turned to me like dead seriously, and he

910
00:48:51,560 --> 00:48:56,080
Speaker 1: was really kind of dark, and and Indy was like,

911
00:48:56,239 --> 00:48:58,759
Speaker 1: he was like, no, he didn't write. It was like

912
00:48:58,800 --> 00:49:02,080
Speaker 1: there was there was jin you were concerned and like

913
00:49:02,680 --> 00:49:05,360
Speaker 1: totally just not understanding it was I was like, great,

914
00:49:05,440 --> 00:49:08,279
Speaker 1: oh great, then that this is turning on the way

915
00:49:08,280 --> 00:49:11,520
Speaker 1: it's supposed to turn Corey, It's turning on you, my son.

916
00:49:11,920 --> 00:49:14,440
Speaker 1: And then also just great that he cares about you, know,

917
00:49:14,480 --> 00:49:17,799
Speaker 1: that he cares that he was concerned. It was cool.

918
00:49:18,480 --> 00:49:22,719
Speaker 1: That is cool. It's nice that this episode. I think

919
00:49:22,960 --> 00:49:24,560
Speaker 1: one of the reasons they ended with this episode of

920
00:49:24,560 --> 00:49:27,360
Speaker 1: the season instead of Boy Meets Girl is because season

921
00:49:27,480 --> 00:49:30,600
Speaker 1: the season really started as a relationship between Corey and

922
00:49:30,680 --> 00:49:34,759
Speaker 1: Peeney and the exact same thing. Yeah, and it's also

923
00:49:34,960 --> 00:49:36,520
Speaker 1: had to bring it full circle of the book and

924
00:49:37,160 --> 00:49:39,719
Speaker 1: it was this relationship a two piece for most of

925
00:49:39,719 --> 00:49:43,040
Speaker 1: the most of the episode really became just Corey and Phoene,

926
00:49:43,760 --> 00:49:47,640
Speaker 1: and it was great. Ben was really good in this episode.

927
00:49:47,680 --> 00:49:50,080
Speaker 1: I don't yeah, um, you know, he kind of carries

928
00:49:50,120 --> 00:49:53,120
Speaker 1: this thing. He played the kind of line between comedy

929
00:49:53,239 --> 00:49:55,600
Speaker 1: and oh my god, I think I might have killed

930
00:49:55,640 --> 00:49:57,839
Speaker 1: my teacher. I thought he did a really, really good

931
00:49:57,920 --> 00:50:01,560
Speaker 1: job in this episode. It was great, right he did. So.

932
00:50:02,160 --> 00:50:04,640
Speaker 1: When Phoenie says he's dead, we abruptly end up in

933
00:50:04,719 --> 00:50:07,000
Speaker 1: Corey and Eric's room. Corey wakes up yelling, don't die,

934
00:50:07,120 --> 00:50:10,000
Speaker 1: Mr Feenie. I didn't mean to kill you. Corey realizes

935
00:50:10,040 --> 00:50:12,439
Speaker 1: he was dreaming, but he looks over at Eric's bed

936
00:50:12,600 --> 00:50:16,239
Speaker 1: and Eric isn't there. It's Mr Feenie. Phoenie says he

937
00:50:16,280 --> 00:50:19,680
Speaker 1: can be anywhere he wants because he's dead. Poenie walks

938
00:50:19,719 --> 00:50:23,799
Speaker 1: through a wall and outer room. Corey is shook. The

939
00:50:23,840 --> 00:50:27,480
Speaker 1: best special effects Boy Meats World has to offer. Say,

940
00:50:27,560 --> 00:50:32,120
Speaker 1: Corey is shooken shook it? Okay, shook it, okay, shot better? Yeah,

941
00:50:32,120 --> 00:50:37,200
Speaker 1: he shook it? Um writer, did Indie freak out? When

942
00:50:37,200 --> 00:50:39,360
Speaker 1: then he woke up from the dream and he was

943
00:50:39,440 --> 00:50:43,320
Speaker 1: still dead. Uh No, he was laughing at this point. Okay,

944
00:50:43,320 --> 00:50:47,279
Speaker 1: but this part was seeing Poenie in Eric's bed made

945
00:50:47,280 --> 00:50:49,359
Speaker 1: Andy laugh and then it was like, okay, so this

946
00:50:49,400 --> 00:50:51,800
Speaker 1: is all a dream sequence, this is all a figment

947
00:50:51,840 --> 00:50:53,960
Speaker 1: of his imagination. But it was just the seriousness of

948
00:50:54,120 --> 00:50:58,279
Speaker 1: of Bill's tone saying I died, And that was just

949
00:50:58,360 --> 00:51:01,400
Speaker 1: like a moment of think they kot the girl down

950
00:51:01,640 --> 00:51:03,880
Speaker 1: from the post, so it's not Penie in front of

951
00:51:03,880 --> 00:51:06,080
Speaker 1: a giant girl poster. Do you think they actually thought

952
00:51:06,120 --> 00:51:08,960
Speaker 1: about that? I mean, could it be that it was

953
00:51:09,000 --> 00:51:12,439
Speaker 1: there every other time? Yeah, maybe it was a bad call.

954
00:51:12,480 --> 00:51:15,480
Speaker 1: Actually it would probably be a little awkward to see, maybe,

955
00:51:15,640 --> 00:51:18,120
Speaker 1: and a grown man with a poster of a moment

956
00:51:18,160 --> 00:51:20,879
Speaker 1: that would imply that they insisted on the continuity through

957
00:51:20,920 --> 00:51:23,319
Speaker 1: the episode that the girl poster couldn't be there in

958
00:51:23,360 --> 00:51:26,560
Speaker 1: the previous scene and then just for this scene. But yeah,

959
00:51:26,760 --> 00:51:28,959
Speaker 1: you're right, it may they would have shot this scene first,

960
00:51:28,960 --> 00:51:30,720
Speaker 1: because this would have been a pre tape with special

961
00:51:30,719 --> 00:51:38,080
Speaker 1: effects before the audience came in. Okay, they could have

962
00:51:38,080 --> 00:51:41,560
Speaker 1: saying could have happened. That's that's a really good read.

963
00:51:42,080 --> 00:51:49,680
Speaker 1: A stupid point. Will I am perception boy? And then

964
00:51:49,719 --> 00:51:54,040
Speaker 1: we did its shirt merch shirt. That's just a Will

965
00:51:54,800 --> 00:51:59,880
Speaker 1: Hulk underwear or wearing superhero underwear, nothing else doing perception.

966
00:52:02,160 --> 00:52:05,840
Speaker 1: I love it. Oh my gosh, Will does want to

967
00:52:05,880 --> 00:52:07,759
Speaker 1: have a pair of underwear, So I do want a

968
00:52:07,800 --> 00:52:14,560
Speaker 1: pair of underwear, ar underwear just with a cape. Yes.

969
00:52:15,960 --> 00:52:19,080
Speaker 1: Then we're in the Matthews kitchen. Corey is sitting dressed,

970
00:52:19,280 --> 00:52:24,839
Speaker 1: absolutely stressed and tired. I thought Ben looked so like

971
00:52:25,040 --> 00:52:30,080
Speaker 1: so tirer st It was fantastic. I said, what did

972
00:52:30,080 --> 00:52:32,839
Speaker 1: they do? Did they put eyeliner on him? When when

973
00:52:33,080 --> 00:52:36,839
Speaker 1: Rusty comes down and says and Cory's is coffee, I

974
00:52:36,920 --> 00:52:39,799
Speaker 1: was like, whoa, this is a kid who hasn't slept. Yeah,

975
00:52:40,320 --> 00:52:42,600
Speaker 1: he looked like he just got back from Marti Gras. Yes,

976
00:52:43,160 --> 00:52:45,280
Speaker 1: it was really good. He looked great. So he's sitting

977
00:52:45,320 --> 00:52:48,279
Speaker 1: at the kitchen table, looks what is going on with Like,

978
00:52:48,360 --> 00:52:51,840
Speaker 1: why does Rusty have this completely out of character Eagles

979
00:52:51,880 --> 00:52:55,200
Speaker 1: shirt on? It doesn't sleep shirt, but it does not

980
00:52:55,400 --> 00:52:58,680
Speaker 1: feel like Alan at all. I wanted it to be

981
00:52:58,719 --> 00:53:01,160
Speaker 1: a Dino shirt. I was hoping it was another Dino.

982
00:53:02,560 --> 00:53:04,560
Speaker 1: There was just something about this image. I was like,

983
00:53:04,640 --> 00:53:07,960
Speaker 1: this is not we've seen Rusty in his pajamas before,

984
00:53:08,040 --> 00:53:11,080
Speaker 1: like during the Hamlet scene, wasn't he wearing like a sleepout?

985
00:53:11,160 --> 00:53:13,680
Speaker 1: Like he just felt so out of character. I was like, oh,

986
00:53:13,719 --> 00:53:15,600
Speaker 1: this is clearly there, Like we gotta have a reference

987
00:53:15,640 --> 00:53:18,120
Speaker 1: to Philadelphia in here. Let's put him in an Eagle shirt.

988
00:53:18,280 --> 00:53:21,080
Speaker 1: He does watch a lot of sports though, like they done,

989
00:53:21,080 --> 00:53:23,680
Speaker 1: like the game, they all that kind of stuff. I

990
00:53:23,760 --> 00:53:26,440
Speaker 1: don't remember what were his pajamas like in a previous episode,

991
00:53:26,520 --> 00:53:27,880
Speaker 1: and when did we say I feel like he was

992
00:53:27,920 --> 00:53:31,400
Speaker 1: wearing a robe or pajamas in the Hamlet episode when

993
00:53:31,400 --> 00:53:35,200
Speaker 1: he when he with the creepy melon, the weird melon.

994
00:53:36,000 --> 00:53:38,279
Speaker 1: It does have something. He's got the blanket around him,

995
00:53:38,280 --> 00:53:41,640
Speaker 1: he's gonna blanket around, but he's wearing pajamas underneath. I think,

996
00:53:41,840 --> 00:53:43,440
Speaker 1: I don't know. This just felt off to me. It

997
00:53:43,480 --> 00:53:48,640
Speaker 1: was like a very distracting shirt and feel like, I

998
00:53:48,640 --> 00:53:51,879
Speaker 1: don't know this man. It's funny. I disagree. I think

999
00:53:51,920 --> 00:53:56,600
Speaker 1: Alan wearing a big oversized athletic T shirt to sleep

1000
00:53:56,920 --> 00:53:59,920
Speaker 1: and some sort of really like casual pants is definitely

1001
00:54:00,000 --> 00:54:02,000
Speaker 1: what he would sleep. I kind of agree. But whatever,

1002
00:54:02,040 --> 00:54:04,400
Speaker 1: it's all a dream sequence anyway, so this isn't really Alan.

1003
00:54:05,360 --> 00:54:09,279
Speaker 1: Well then fine, writer, he is a dream sequence. No,

1004
00:54:09,480 --> 00:54:13,880
Speaker 1: Phoenie's in the coffee and then Phoenie's in the room.

1005
00:54:14,920 --> 00:54:20,480
Speaker 1: He's hallucinating, hallucinating. Yes, I agree, Okay, I really okay.

1006
00:54:20,520 --> 00:54:22,719
Speaker 1: This This was a moment we talked about how the

1007
00:54:22,719 --> 00:54:25,640
Speaker 1: show had sort of earned this level of irony where

1008
00:54:25,640 --> 00:54:27,880
Speaker 1: you didn't have to do the obligatory things. This is

1009
00:54:27,920 --> 00:54:30,439
Speaker 1: one where I wanted, like Rusty doing story time about

1010
00:54:30,480 --> 00:54:33,080
Speaker 1: when he was a kid. I was like, okay, we've

1011
00:54:33,120 --> 00:54:36,399
Speaker 1: done this now. This is like number four or five,

1012
00:54:37,000 --> 00:54:38,680
Speaker 1: and I wanted it to a bad joke. I was like,

1013
00:54:38,760 --> 00:54:41,120
Speaker 1: if this is a dream sequence, I wanted it to be.

1014
00:54:41,440 --> 00:54:43,440
Speaker 1: It would have been so great if he starts to

1015
00:54:43,480 --> 00:54:46,399
Speaker 1: tell like some story and then it either has nothing

1016
00:54:46,440 --> 00:54:49,040
Speaker 1: to do with what Corey was going through, or Corey

1017
00:54:49,160 --> 00:54:51,040
Speaker 1: stops him, or you know. I just wanted it to

1018
00:54:51,160 --> 00:54:53,200
Speaker 1: be comment on it instead of it being like when

1019
00:54:53,200 --> 00:54:55,279
Speaker 1: I was a kid and my friend Richie did it

1020
00:54:55,360 --> 00:54:56,880
Speaker 1: was just like, oh my god, we've done this so

1021
00:54:56,880 --> 00:54:58,640
Speaker 1: many times. This is also and I know I'm going

1022
00:54:58,680 --> 00:55:00,520
Speaker 1: to get blasted for this as well, but this to

1023
00:55:00,560 --> 00:55:02,920
Speaker 1: me is also a perfect place. Why couldn't it have

1024
00:55:02,960 --> 00:55:06,279
Speaker 1: been any She's like almost not in this episode at all.

1025
00:55:06,840 --> 00:55:09,040
Speaker 1: Why couldn't it have been exactly the same thing. But

1026
00:55:09,200 --> 00:55:11,680
Speaker 1: it's his mom like, well, I don't, I don't know.

1027
00:55:11,719 --> 00:55:13,359
Speaker 1: I'm going to get because his dad is the one

1028
00:55:13,360 --> 00:55:16,759
Speaker 1: who I understand, But it's like, it's just why just

1029
00:55:16,760 --> 00:55:18,960
Speaker 1: write the same scene with Amy? I know, I know

1030
00:55:19,040 --> 00:55:21,080
Speaker 1: there were opportunities where they could have given her some

1031
00:55:21,160 --> 00:55:24,239
Speaker 1: meteor stuff, uh, and just you know, they just defaulted

1032
00:55:24,280 --> 00:55:27,680
Speaker 1: to a dad and his son. Um going back to

1033
00:55:27,719 --> 00:55:30,560
Speaker 1: the idea that this this episode book ends the season,

1034
00:55:31,200 --> 00:55:34,400
Speaker 1: it goes if this episode hearkens back to the first

1035
00:55:34,680 --> 00:55:38,960
Speaker 1: three or four where it was so much Alan Corey

1036
00:55:39,239 --> 00:55:42,560
Speaker 1: Feenie and the fact that they have the three of them,

1037
00:55:42,680 --> 00:55:44,680
Speaker 1: and the final scenes of this you know, where he's

1038
00:55:44,680 --> 00:55:46,759
Speaker 1: putting the duck back up and Dad's going to help

1039
00:55:46,800 --> 00:55:49,240
Speaker 1: him get the tools to fix it for Mr Feenie,

1040
00:55:49,560 --> 00:55:54,680
Speaker 1: it's like this sort of male patriarchal passing of the

1041
00:55:54,719 --> 00:55:57,760
Speaker 1: torch going on, you know, And I feel like that

1042
00:55:57,320 --> 00:56:00,520
Speaker 1: that is the way the show established reference a moment

1043
00:56:00,600 --> 00:56:04,160
Speaker 1: later to like moment like that stuff. Okay, yeah, yeah,

1044
00:56:04,160 --> 00:56:07,120
Speaker 1: So Corey sees Foenie in his coffee and fights the

1045
00:56:07,160 --> 00:56:10,480
Speaker 1: feeling by saying he's just a manifestation of his guilty conscience.

1046
00:56:10,520 --> 00:56:13,600
Speaker 1: And then he disappears, but then a bunch of poenies

1047
00:56:13,600 --> 00:56:16,239
Speaker 1: appear everywhere in the kitchen and they're laughing at him,

1048
00:56:16,320 --> 00:56:20,000
Speaker 1: and it was kind of scary. I love it. The

1049
00:56:20,080 --> 00:56:22,960
Speaker 1: fridge was hysterical. Top of the fee was the best one.

1050
00:56:24,320 --> 00:56:26,359
Speaker 1: I love these kinds of things because, like, as an

1051
00:56:26,360 --> 00:56:28,399
Speaker 1: adult you see them and you're like, that's just kind

1052
00:56:28,440 --> 00:56:30,520
Speaker 1: of weird. But I remember as a kid having moments

1053
00:56:30,560 --> 00:56:33,440
Speaker 1: we were like weird things like this or people laughing

1054
00:56:33,440 --> 00:56:35,640
Speaker 1: out of context. You think about like Alice in Wonderland,

1055
00:56:35,719 --> 00:56:38,800
Speaker 1: like the cheshire Cat, or like people talk about the

1056
00:56:39,080 --> 00:56:43,319
Speaker 1: boat sequence in it's like one of the scariest things

1057
00:56:43,320 --> 00:56:47,560
Speaker 1: in the world. Yeah, and it's mostly just because like

1058
00:56:47,640 --> 00:56:49,680
Speaker 1: somebody and it's and when you see it as an adult,

1059
00:56:49,680 --> 00:56:52,080
Speaker 1: it's kind of funny. But as a kid, these more

1060
00:56:52,200 --> 00:56:56,839
Speaker 1: like bizarreness or you know, a surreality is just so

1061
00:56:57,000 --> 00:57:00,200
Speaker 1: weird and it just why is Feedie laughing? I don't yet?

1062
00:57:01,000 --> 00:57:03,080
Speaker 1: Have you noticed that there's just enough seats in the

1063
00:57:03,080 --> 00:57:05,000
Speaker 1: boat for the kids that are still on the tour,

1064
00:57:05,120 --> 00:57:06,680
Speaker 1: So he already knew he was going to lose one

1065
00:57:06,719 --> 00:57:10,440
Speaker 1: of the kids. Have you did you not notice that

1066
00:57:10,680 --> 00:57:12,640
Speaker 1: he get there's exactly the right number of seats for

1067
00:57:12,640 --> 00:57:14,239
Speaker 1: the kids on the boat, so he already knew he

1068
00:57:14,280 --> 00:57:17,160
Speaker 1: was going to lose Augustus Glue. At the hospital, Corey

1069
00:57:17,240 --> 00:57:19,480
Speaker 1: took the bus to see Mr Feenie and he's on

1070
00:57:19,520 --> 00:57:21,840
Speaker 1: the mend. He didn't even tell his parents he was

1071
00:57:21,880 --> 00:57:25,360
Speaker 1: going to see Phenie. And he brings Phenie a geranium,

1072
00:57:25,360 --> 00:57:29,160
Speaker 1: but he calls it a germanium and Poenie, that was

1073
00:57:29,160 --> 00:57:34,040
Speaker 1: a great moment. Yeah, Phoenie shows off his very big brain,

1074
00:57:34,160 --> 00:57:37,360
Speaker 1: explaining the difference. And then a nurse comes in and

1075
00:57:37,400 --> 00:57:40,640
Speaker 1: asks if Corey is Phoenie's grandson, and they both immediately

1076
00:57:40,680 --> 00:57:45,040
Speaker 1: say no, and I kind of disgusted. Um, Corey is

1077
00:57:45,080 --> 00:57:49,120
Speaker 1: impressed by Nurse Jill, and Nurse Jill calls him George. Uh,

1078
00:57:49,160 --> 00:57:52,240
Speaker 1: Phoenie's kind of into the nurse in the hospital that

1079
00:57:52,280 --> 00:57:54,880
Speaker 1: they cut you in the beginning was from like the seventies.

1080
00:57:55,120 --> 00:57:57,480
Speaker 1: This kind of grainy shot of the hospital. And then

1081
00:57:57,520 --> 00:57:59,400
Speaker 1: do you remember this swing set at all? I don't

1082
00:57:59,440 --> 00:58:04,080
Speaker 1: remember this even this it's not much of a set. Yeah,

1083
00:58:04,200 --> 00:58:07,800
Speaker 1: but I didn't remember this like normally, I remember I

1084
00:58:07,840 --> 00:58:10,160
Speaker 1: wasn't in him, but you kind of remember, like you'd

1085
00:58:10,160 --> 00:58:12,160
Speaker 1: watch run throughs and stuff. I don't remember this set

1086
00:58:12,200 --> 00:58:15,840
Speaker 1: even a little bit. Yeah, yeah, I don't either. Well,

1087
00:58:15,880 --> 00:58:18,320
Speaker 1: Corey and Feenie agree that Nurse Jill is very nice

1088
00:58:18,360 --> 00:58:21,800
Speaker 1: after she leaves, and that they have a mutual guy moment.

1089
00:58:22,520 --> 00:58:24,640
Speaker 1: Corey says he's stopped by to make sure Foenie is

1090
00:58:24,640 --> 00:58:26,920
Speaker 1: okay and not dead, and Phoenie says he has too

1091
00:58:26,960 --> 00:58:28,760
Speaker 1: much left to do to die and too many kids

1092
00:58:28,800 --> 00:58:32,680
Speaker 1: like Corey to continue teaching. Corey and Poenie have finally connected,

1093
00:58:32,800 --> 00:58:35,360
Speaker 1: and Corey thanks Foenie on the way out, but says

1094
00:58:35,400 --> 00:58:38,120
Speaker 1: he doesn't know exactly what the thank you is for yet.

1095
00:58:38,400 --> 00:58:41,960
Speaker 1: This is a great scene, and this this is why

1096
00:58:42,000 --> 00:58:45,800
Speaker 1: this is the end of the season is because if

1097
00:58:45,800 --> 00:58:49,960
Speaker 1: you think about this as the reverse of the first

1098
00:58:50,120 --> 00:58:54,520
Speaker 1: pilot detention scene, um, and I think what it? The

1099
00:58:55,160 --> 00:58:59,520
Speaker 1: key moment is Poenie laughing at Corey's joke. Corey makes

1100
00:58:59,680 --> 00:59:02,760
Speaker 1: pen laugh, which do you think about like him dancing

1101
00:59:02,760 --> 00:59:05,680
Speaker 1: in that detention seem like I'm dead scene. He's always

1102
00:59:05,680 --> 00:59:09,320
Speaker 1: trying to get Phoenie. He's trying to control Phoenie's emotions

1103
00:59:09,400 --> 00:59:11,680
Speaker 1: or to get to get a reaction from Poenie that's

1104
00:59:11,720 --> 00:59:14,560
Speaker 1: that's not planned, that's not guarded, and this is the

1105
00:59:14,600 --> 00:59:18,280
Speaker 1: first time that we see that where he Phoenie laughs

1106
00:59:18,320 --> 00:59:20,680
Speaker 1: at what Corey says and he can't help himself, and

1107
00:59:20,720 --> 00:59:24,400
Speaker 1: it's like Corey has finally charmed Phoenie. And it felt

1108
00:59:24,480 --> 00:59:26,160
Speaker 1: like the end of the season in a way that

1109
00:59:26,200 --> 00:59:28,320
Speaker 1: I hadn't you know, I didn't remember it, didn't think

1110
00:59:28,320 --> 00:59:31,080
Speaker 1: about the show, and it's wonderful. It's like, here they

1111
00:59:31,080 --> 00:59:33,680
Speaker 1: are in a situation where Corey kind of has the

1112
00:59:33,680 --> 00:59:37,040
Speaker 1: power because Poenie is weak. He's Corey has gone out

1113
00:59:37,040 --> 00:59:40,800
Speaker 1: of his way to do something for Phoenie and disarmed

1114
00:59:40,800 --> 00:59:43,240
Speaker 1: Phoenie and made him laugh, and that I was just like,

1115
00:59:43,720 --> 00:59:46,320
Speaker 1: this is pheniece of weakness. He's totally in a place

1116
00:59:46,360 --> 00:59:48,600
Speaker 1: to be in a hospital bed. It's great. From from

1117
00:59:48,640 --> 00:59:51,640
Speaker 1: from pilot episode to this episode, you see a whole

1118
00:59:51,800 --> 00:59:56,160
Speaker 1: arc that makes sense. It also helps solidify and bond

1119
00:59:56,280 --> 00:59:58,440
Speaker 1: the two of them, knowing how much the show is

1120
00:59:58,480 --> 01:00:01,560
Speaker 1: about to change going into see Eason two, where they're

1121
01:00:01,560 --> 01:00:05,000
Speaker 1: going to introduce new teachers and new characters, and now

1122
01:00:05,080 --> 01:00:09,760
Speaker 1: maybe the Phoenie influence isn't going to feel as present

1123
01:00:09,920 --> 01:00:12,080
Speaker 1: on a you know, on a scene by scene basis.

1124
01:00:12,320 --> 01:00:15,720
Speaker 1: They really solidified that relationship so that moving forward, you

1125
01:00:15,760 --> 01:00:18,640
Speaker 1: don't have any questions about whether or not they have

1126
01:00:18,680 --> 01:00:22,360
Speaker 1: a connection or they have a bond. They're like solid um.

1127
01:00:22,480 --> 01:00:23,800
Speaker 1: I think they also went out of their way to

1128
01:00:23,840 --> 01:00:26,320
Speaker 1: mention that Corey was the only student that came and

1129
01:00:26,400 --> 01:00:29,840
Speaker 1: visited him, and I think there's something too too. He's like,

1130
01:00:29,920 --> 01:00:31,840
Speaker 1: he's the only one that came. He's obviously been teaching

1131
01:00:31,840 --> 01:00:35,000
Speaker 1: people for thirty nine years and one student showed up.

1132
01:00:35,080 --> 01:00:38,960
Speaker 1: I think that's interesting. Well, we end on Matthews, the

1133
01:00:39,040 --> 01:00:43,200
Speaker 1: Matthews and Phoenie's backyard. Corey is fixing Phoenie's fallen duck

1134
01:00:43,280 --> 01:00:47,920
Speaker 1: wind spinner, and surprisingly, Phoene walks out. He's home early

1135
01:00:48,240 --> 01:00:50,360
Speaker 1: and he's got the plant that Corey brought him to

1136
01:00:50,440 --> 01:00:54,080
Speaker 1: the hospital, the geranium. Phoenie wants Corey to help implant it,

1137
01:00:54,160 --> 01:00:56,200
Speaker 1: and Corey is surprised that Phoenie wants to plant it

1138
01:00:56,240 --> 01:00:58,959
Speaker 1: at all. Phoenie says that the plant is immature now,

1139
01:00:59,000 --> 01:01:02,000
Speaker 1: but has the potential to grow if taken care of correctly,

1140
01:01:03,080 --> 01:01:07,720
Speaker 1: and Dot dot Dot is no one that wishes it

1141
01:01:07,920 --> 01:01:10,480
Speaker 1: still will for as long as no one wishes it

1142
01:01:10,520 --> 01:01:15,160
Speaker 1: ill and uh then we get our credits and our

1143
01:01:15,240 --> 01:01:17,240
Speaker 1: tag is in the Phoenie classroom to paying A Corey,

1144
01:01:17,240 --> 01:01:19,320
Speaker 1: Sean and Mancas are trying to light a light bulb

1145
01:01:19,400 --> 01:01:22,720
Speaker 1: with their brains to Penga says, the greatest power company

1146
01:01:22,720 --> 01:01:25,040
Speaker 1: of all is the Human Mind, and Minca says Sean

1147
01:01:25,120 --> 01:01:28,280
Speaker 1: didn't pay his bill, which I thought was funny. The

1148
01:01:28,320 --> 01:01:30,120
Speaker 1: group tries to light it, but they fail. Sean says

1149
01:01:30,160 --> 01:01:32,680
Speaker 1: the electricity must have got stuck into Penga's hair. Minca

1150
01:01:32,720 --> 01:01:34,880
Speaker 1: says the boys aren't serious, that's why this isn't working,

1151
01:01:34,920 --> 01:01:37,120
Speaker 1: and they need to concentrate on what they actually want

1152
01:01:37,160 --> 01:01:44,920
Speaker 1: to see happen. And then Mincas disappears the saddest I can't.

1153
01:01:44,960 --> 01:01:47,120
Speaker 1: I mean, somebody, I think at one point pointed this

1154
01:01:47,120 --> 01:01:49,360
Speaker 1: out to us. Maybe we got a lot of emails

1155
01:01:49,400 --> 01:01:51,800
Speaker 1: about it. Oh God, and I didn't remember it. I

1156
01:01:51,840 --> 01:01:59,760
Speaker 1: didn't remember it. Disappears and disappears. Oh and then we

1157
01:01:59,840 --> 01:02:02,960
Speaker 1: never talked about him until the graduation from high School episode, right,

1158
01:02:03,360 --> 01:02:05,320
Speaker 1: and that was it. That's the last wee softly. He

1159
01:02:05,480 --> 01:02:10,640
Speaker 1: literally disappears. We will him away. Yeah, they put it

1160
01:02:10,640 --> 01:02:16,280
Speaker 1: on you. They're like, um, I don't want to take

1161
01:02:16,280 --> 01:02:21,040
Speaker 1: responsibility for getting this kid off the show. Let's so

1162
01:02:21,040 --> 01:02:23,760
Speaker 1: so they knew by this point, you think they had

1163
01:02:23,800 --> 01:02:25,800
Speaker 1: to have known. No, well, we didn't know that this

1164
01:02:25,840 --> 01:02:27,560
Speaker 1: was going to be our last episode. So how could

1165
01:02:27,560 --> 01:02:31,080
Speaker 1: we have known because the last episode was girl Boy

1166
01:02:31,080 --> 01:02:34,520
Speaker 1: Meets Girl and he's clearly in that and so it's

1167
01:02:34,800 --> 01:02:36,520
Speaker 1: not like it was not part of the plan to

1168
01:02:36,560 --> 01:02:39,840
Speaker 1: have him disappear as the actual last time we see him,

1169
01:02:39,880 --> 01:02:44,800
Speaker 1: But unfortunately that is what happened. And it's a bummer. Man.

1170
01:02:44,080 --> 01:02:51,920
Speaker 1: It really made me sad. It felt, it felt ignoble,

1171
01:02:52,240 --> 01:02:55,640
Speaker 1: is that the right word, Like just it was just

1172
01:02:55,800 --> 01:02:59,280
Speaker 1: disrespectful and I don't know, I don't think it was intentional,

1173
01:02:59,320 --> 01:03:01,320
Speaker 1: but it just feel, you know, the end result is

1174
01:03:01,360 --> 01:03:07,840
Speaker 1: not cool, it feels. And then he's never even mentioned again.

1175
01:03:07,880 --> 01:03:10,280
Speaker 1: It's never like I can't believe Minkus went to private school.

1176
01:03:10,280 --> 01:03:12,240
Speaker 1: I can't believe that. But I mean, just that's it.

1177
01:03:12,680 --> 01:03:15,960
Speaker 1: Thanks for thanks for playing. You know, it's a different time,

1178
01:03:16,120 --> 01:03:18,760
Speaker 1: like sitcoms did this all the time, right that you

1179
01:03:18,800 --> 01:03:23,080
Speaker 1: replace characters, you lost character Like Michael's previous show, Charles

1180
01:03:23,080 --> 01:03:26,040
Speaker 1: and Charge replaced the entire cast for the second season

1181
01:03:26,600 --> 01:03:28,840
Speaker 1: We obviously did it multiple times on our show, and

1182
01:03:28,880 --> 01:03:32,560
Speaker 1: I think it was just a completely different TV watching mentality.

1183
01:03:32,760 --> 01:03:35,520
Speaker 1: It was a pre VCR mentality. Yes, we had VCRs

1184
01:03:35,560 --> 01:03:38,280
Speaker 1: at this point, but our writing staff hadn't grown up

1185
01:03:38,320 --> 01:03:42,240
Speaker 1: with them, so they thought of the sort of eternal

1186
01:03:42,320 --> 01:03:46,160
Speaker 1: present of television as okay, and that that that eternal

1187
01:03:46,200 --> 01:03:49,480
Speaker 1: present was actually more powerful. So you could sort of

1188
01:03:49,560 --> 01:03:52,200
Speaker 1: revise week to week like this is now the crew

1189
01:03:52,240 --> 01:03:55,320
Speaker 1: of Friends, this is now the you know, the love

1190
01:03:55,360 --> 01:03:57,400
Speaker 1: of Corey's life, this is now, you know, and you

1191
01:03:57,400 --> 01:04:00,040
Speaker 1: could just revise history on a sort of moment to

1192
01:04:00,160 --> 01:04:03,040
Speaker 1: moment basis, because it would never You didn't think that

1193
01:04:03,080 --> 01:04:06,720
Speaker 1: it would ever be revisited as intensely as it obviously

1194
01:04:06,760 --> 01:04:10,640
Speaker 1: can be now. Um, and that's that's short sighted. But

1195
01:04:10,720 --> 01:04:13,160
Speaker 1: I don't know if we can really fault them for that,

1196
01:04:13,400 --> 01:04:16,200
Speaker 1: because that that that, you know, you think about the

1197
01:04:16,240 --> 01:04:20,400
Speaker 1: way that the media changed so much and now we

1198
01:04:20,520 --> 01:04:23,440
Speaker 1: and we think of everything is being serialized, like you

1199
01:04:23,520 --> 01:04:26,560
Speaker 1: cannot even a multi camera show has to have some

1200
01:04:26,600 --> 01:04:29,360
Speaker 1: sort of continuity because it's going to live on streaming

1201
01:04:29,360 --> 01:04:32,959
Speaker 1: in our YouTube or whatever forever. But back then, what

1202
01:04:33,000 --> 01:04:36,800
Speaker 1: was showing that night being paid for? By the commercials

1203
01:04:36,880 --> 01:04:39,920
Speaker 1: that you know we're airing that live. That was it,

1204
01:04:39,920 --> 01:04:43,040
Speaker 1: It would never come back necessarily. I find it more

1205
01:04:43,320 --> 01:04:46,080
Speaker 1: my I'm I'm, I mean, obviously it's I feel terrible

1206
01:04:46,080 --> 01:04:47,880
Speaker 1: for Lee and I was not in the room to

1207
01:04:47,920 --> 01:04:50,680
Speaker 1: make any of these decisions. But I find it an

1208
01:04:50,680 --> 01:04:54,840
Speaker 1: affront to comedy because the idea, well, we'll know, we

1209
01:04:54,840 --> 01:04:56,680
Speaker 1: have to make them older or bring him the high school.

1210
01:04:56,720 --> 01:04:58,720
Speaker 1: And you're telling me this little kid who has an

1211
01:04:58,800 --> 01:05:02,800
Speaker 1: aged walking through the halls with Harley Quinn isn't the

1212
01:05:02,840 --> 01:05:06,560
Speaker 1: funniest damn thing, Harley Kinder, Sorry, Harley Quinn, that's my

1213
01:05:06,720 --> 01:05:11,840
Speaker 1: that's my uhh, my life um with Harley Kinner and

1214
01:05:11,920 --> 01:05:15,880
Speaker 1: with Tony Quinn and with all these people, isn't comedy gold.

1215
01:05:16,200 --> 01:05:18,680
Speaker 1: I mean, there's so much to mind there that to me,

1216
01:05:18,720 --> 01:05:20,800
Speaker 1: it's like that's a that's a bad excuse to me.

1217
01:05:20,960 --> 01:05:24,480
Speaker 1: It just well, it's also just interesting, Like I'm curious

1218
01:05:24,560 --> 01:05:27,960
Speaker 1: as to why why Sean instead of Makas like Mincus

1219
01:05:28,000 --> 01:05:31,320
Speaker 1: makes a better I don't know, like it seems to

1220
01:05:31,360 --> 01:05:34,920
Speaker 1: me with Corey being the sort of like wise ass

1221
01:05:35,160 --> 01:05:40,200
Speaker 1: not great student lawyery, you know, talkative guy, putting him

1222
01:05:40,440 --> 01:05:43,480
Speaker 1: with a really smart and nerdy by the book kid

1223
01:05:43,720 --> 01:05:46,680
Speaker 1: kind of makes more sense to me than like Sean,

1224
01:05:46,880 --> 01:05:49,120
Speaker 1: I don't know, Like, well, no, I think what they

1225
01:05:49,120 --> 01:05:52,000
Speaker 1: were trying to do is so essentially what the balance

1226
01:05:52,080 --> 01:05:54,160
Speaker 1: that they had and if if we can't, if we

1227
01:05:54,240 --> 01:05:56,640
Speaker 1: do all think that Topango was going to be part

1228
01:05:56,640 --> 01:05:59,120
Speaker 1: of the overall plan, then the balance they had was

1229
01:05:59,160 --> 01:06:01,680
Speaker 1: Now Corey a fit, Sally has the little Devil and

1230
01:06:01,720 --> 01:06:04,320
Speaker 1: the little Angel on his shoulder, So then where does

1231
01:06:04,400 --> 01:06:06,480
Speaker 1: Mincus go after that? Sean is clearly the devil on

1232
01:06:06,480 --> 01:06:08,920
Speaker 1: his shoulder, and to paying Us, clearly the angel on

1233
01:06:08,920 --> 01:06:12,280
Speaker 1: his shoulder, So where do you fit Minkus in? And

1234
01:06:12,360 --> 01:06:14,640
Speaker 1: to me he would he would just be the comedy foil.

1235
01:06:14,880 --> 01:06:16,880
Speaker 1: But then they brought in kind of Harley and the

1236
01:06:17,080 --> 01:06:20,000
Speaker 1: and Joey and Frankie, and that changed. That's where they

1237
01:06:20,000 --> 01:06:22,120
Speaker 1: went comedy wise. But yeah, I just man, I thought

1238
01:06:22,120 --> 01:06:28,920
Speaker 1: they missed a golden opportunity with Lee and that school. Yeah, agreed. Well,

1239
01:06:29,000 --> 01:06:31,200
Speaker 1: that's the end of our episode. It's the end of

1240
01:06:31,280 --> 01:06:33,960
Speaker 1: season one, but it is not quite the end of

1241
01:06:34,000 --> 01:06:37,000
Speaker 1: season one of Pod Meets World. Our next recap is

1242
01:06:37,040 --> 01:06:40,000
Speaker 1: going to be a season one recap, kind of a

1243
01:06:40,080 --> 01:06:44,040
Speaker 1: recap of the show and Pod Meets World. We will

1244
01:06:44,080 --> 01:06:46,400
Speaker 1: be looking back at our feelings on everything we watched,

1245
01:06:46,600 --> 01:06:49,480
Speaker 1: but with the great guys from Meets World as guests,

1246
01:06:49,560 --> 01:06:52,680
Speaker 1: asking us questions about things we may have missed. And

1247
01:06:52,760 --> 01:06:55,160
Speaker 1: we are going to get into season two in the

1248
01:06:55,200 --> 01:06:58,640
Speaker 1: new year, because all of December for the holidays, with

1249
01:06:58,720 --> 01:07:03,720
Speaker 1: some very special guests, including one Miss Cathy Ireland. Yeah,

1250
01:07:03,760 --> 01:07:05,880
Speaker 1: that's gonna be awesome. I can't wait to go like, Hey,

1251
01:07:05,880 --> 01:07:07,000
Speaker 1: what was it like to be on the show, and

1252
01:07:07,000 --> 01:07:08,920
Speaker 1: she'd be like, I don't remember, I don't know. Are

1253
01:07:09,000 --> 01:07:13,600
Speaker 1: you who are you? What's happening? Hopefully, hopefully it's better

1254
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Speaker 1: than that. I think I think she will. You know what, well,

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Speaker 1: I actually am going to completely counteract you. I think

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Speaker 1: she's going to remember it well, I think I do.

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Speaker 1: I think she will very curious. I can't wait. At

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Speaker 1: least she's going to pretend she does, and that will

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Speaker 1: be very sweet at her and that will be Wikipedia

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Speaker 1: page done some research and I loved Boys meet Girl. Well,

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Speaker 1: thank you all for joining us for this episode. As always,

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Speaker 1: you can follow us on Instagram Pod Meets World Show.

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Speaker 1: You can send us your emails. Pod Meets World Show

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Speaker 1: at gmail dot com and we have March much pod

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Speaker 1: Meets World Show dot com. Thanks for being here with us.

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Speaker 1: We'll see you all next time. We love you all,

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Speaker 1: pod dismissed. Pod Meets World is an I heeart podcast

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Speaker 1: produced and hosted by Danielle Fischel, Wilford l and Wryter

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Speaker 1: Strong Executive producers, Jensen Carp and Amy Sugarman Executive in

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Speaker 1: charge of production, Danielle Romo, producer and editor, Tara sud Batch, producer,

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Speaker 1: Jackie Rodriguez, engineer and Boy Meets World super fan Easton Allen.

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Speaker 1: Our theme song is by Kyle Morton of Typhoon. You

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Speaker 1: can follow us on Instagram at Pod Meets World Show

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Speaker 1: or email us at pod Meets World Show at gmail

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Speaker 1: dot com.