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Speaker 1: Hey, welcome to episode to fourteen of the Bobby Cast.

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Speaker 1: It is me and Eddie. I was Thanksgiving. It was great.

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Speaker 1: It was good. A little fool still yeah, me too,

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Speaker 1: like grossful, like gross grossful for sure. And my parents

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Speaker 1: came in town. They brought more food and more sweets.

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Speaker 1: It's almost like they brought Christmas sweets when it's just Thanksgiving.

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Speaker 1: So yeah, I don't feel good. Yeah. I I had

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Speaker 1: texted my stylist for American Idol because she puts me

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Speaker 1: in clothes and I'm gonna leave as soon as we

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Speaker 1: finished this. I fly to Los Angeles for the last

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Speaker 1: week of taping of this year, and I must stress. Said, hey,

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Speaker 1: uh gotta hit it a little too hard with the food,

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Speaker 1: so I'm not really wanting to put anything tight on.

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Speaker 1: And she hit me back and she was like, better

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Speaker 1: get too fasting Zee. It works, but in reality, in reality,

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Speaker 1: you probably didn't gain a lot of weight. You just gross.

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Speaker 1: I don't know. I add one meal today for lunch.

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Speaker 1: I probably want eat again. Are you still eating like

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Speaker 1: turkey and stuff? Did you get I went to UM,

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Speaker 1: I had lunch, yeah, at a restaurant. Yeah, because I

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Speaker 1: still a lot of turkey leftover you once at the

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Speaker 1: house A lots tons. Well, glad everybody's here. Uh something

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Speaker 1: I do want to say that since our last podycast,

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Speaker 1: I've been listening to the coal Play record a lot. Yeah.

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Speaker 1: It's good, really good. It's different. It's different, me too.

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Speaker 1: I listened to it the day after we talked about it,

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Speaker 1: and it's definitely different. But I I love it, Yeah,

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Speaker 1: me too. And I like slow Coalplay. Some people like

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Speaker 1: fast Coalplay, like Coldplay that likes the anthems. I like slow,

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Speaker 1: sad Coldplay. That's my favorite versday of Coldplay. And so

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Speaker 1: I've been listening to mikedar. If you listen to cold Play,

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Speaker 1: it's pretty good. Yeah, and I think we all have

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Speaker 1: kind of different Coldplay tastes as well, but still it's

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Speaker 1: it's really great. I've been flying with it a lot. Also,

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Speaker 1: just speaking of music, because that's mostly what this podcast is.

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Speaker 1: I was on my Instagram story yesterday and I was

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Speaker 1: about to shoot something. They have a Luke Coombs Instagram filter.

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Speaker 1: Did you guys see that? I have seen that. That's

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Speaker 1: how you know you freaking made it when Luke Coombs

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Speaker 1: when you have your own filter on Instagram. Now, I

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Speaker 1: don't know if that's for just the entire country or

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Speaker 1: the world that has Instagram. Gotta be country right where

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Speaker 1: they customize it for like you, since you're such a

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Speaker 1: big fan. Because I haven't seen that, Mike be pull

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Speaker 1: it up now. So if you see it, I'm looking,

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Speaker 1: I see Billie Eilish. So maybe they customized to what

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Speaker 1: you're listen. Really yeah, I'm gonna pull my mine back up.

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Speaker 1: Pickause last night and again they could have pulled it

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Speaker 1: down since last night, but they had a Luke Coombs

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Speaker 1: Instagram filter and I was like, that's crazy. Good for him. Um,

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Speaker 1: it's still up here, Luke Coombs Instagram filter. So is

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Speaker 1: that like on yours stories? It's like one of the

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Speaker 1: filters on your Instagram story. So what does it give you?

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Speaker 1: Like a camo hat gives me a cameo hat and

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Speaker 1: it's a beard. That's really funny. You guys don't have

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Speaker 1: Luke Combs, huh. So maybe it is built to what

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Speaker 1: we're listening to or the pictures that we like. Because

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Speaker 1: I also have a Will Smith one. I only have

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Speaker 1: a Louke Combs. That's wild, not that them pinpointing us

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Speaker 1: based on our preferences. Wild but that I don't have

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Speaker 1: a Will Smith one because I like fresh friends. Do

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Speaker 1: you follow Will Smith? No? I do follow Luke Holmbs

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Speaker 1: Smith and Billie Eilish, So maybe it's like based on

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Speaker 1: who you follow interesting? Do you follow Luke Combs Eddie,

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Speaker 1: do you have a lu Kombs? No? I don't follow

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Speaker 1: any of those guys. I don't have a special filter

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Speaker 1: at all. Eddie has a Dak Prescott the Californys. Yeah,

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Speaker 1: I got nothing. Um okay, Well a bit like that

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Speaker 1: takes it down the cool factor, but still it's pretty

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Speaker 1: cool to have Instagram make a filter of you. Still cool.

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Speaker 1: So those are my music notes from the last Bobby cast.

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Speaker 1: I did see this story about the most important music

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Speaker 1: moments of the decade and I kind of wanted to

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Speaker 1: roll through them and just kind of give our thoughts

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Speaker 1: to it as well. So Rolling Stone put out a

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Speaker 1: list of the fifty more important music moments of the

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Speaker 1: past decade, and it's a list of happenings, changes in

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Speaker 1: the industry, viral sensations. Want to say, viral sensation, Eddie,

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Speaker 1: what do you think of? Um that? What's his name?

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Speaker 1: Gungham style? Oh a great great one side didn't think

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Speaker 1: about that, I would have thought immediately old Town Road,

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Speaker 1: Oh that's a good one too, because that's a TikTok

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Speaker 1: viral song. And when that song came out too, and

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Speaker 1: I'll get to the list in a second, I didn't

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Speaker 1: quite understand what that meant for a TikTok song to

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Speaker 1: go viral. But then once you get on TikTok, you

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Speaker 1: do get it because people use the same song over

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Speaker 1: and over again, and you're here in fifteen seconds a

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Speaker 1: song over and over again, and then you go and

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Speaker 1: stream it, and then so many people do it that

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Speaker 1: it starts to get a bunch streams and starts to

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Speaker 1: make play list. Next thing, you know, open bad. But

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Speaker 1: I didn't know what that meant because old Town Road

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Speaker 1: is a TikTok song, blew up from there. But yeah, Mike,

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Speaker 1: what's a viral for you? What do you think? I mean?

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Speaker 1: Now I think of TikTok. It's weird hearing songs on

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Speaker 1: there and then hearing him on the radio and you

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Speaker 1: recognize that from TikTok. That yeah, that right? I mean

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Speaker 1: on poverstations all the time. Now I hear roxon you

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Speaker 1: know how to do to me on a good and

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Speaker 1: so that's the song that they used on TikTok. I

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Speaker 1: used it as a dance with Sharnat a month ago.

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Speaker 1: So yeah, because like I listened to the the Y

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Speaker 1: two K one that we used for the um, I

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Speaker 1: don't know whatever the stance we were doing, that yoga

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Speaker 1: thing we were doing. Yeah, and that that that that

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Speaker 1: that that that I've never heard that. I forget the

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Speaker 1: melody how's it go? Yeah? Yeah? And so now now

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Speaker 1: I listened that song every day. Um okay number twenty

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Speaker 1: July to present. This is a brand new one. Taylor

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Speaker 1: Swift's public fight with Scooter Braun and her old label

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Speaker 1: boss over her master recording. That's a one. It is

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Speaker 1: a big one and one that I've not really jumped

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Speaker 1: into because I don't have a dog in this fight

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Speaker 1: or race, whichever term you'd like for me to use.

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Speaker 1: I like the dog. Um well, it's either some people

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Speaker 1: don't like dog in this fight because you're they think

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Speaker 1: you're condoning saying people say it all the time. Yeah. Um.

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Speaker 1: There's justification to both of their points, and there needs

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Speaker 1: to be there has to be some middle ground med

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Speaker 1: except there doesn't have to be. They can just hold

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Speaker 1: on Taylor can go make her records on secondly and

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Speaker 1: redo the records, which never turns out the way they

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Speaker 1: want them to. And then secondly they can just hold

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Speaker 1: on and everybody wins by their contract. Taylor did sign

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Speaker 1: a deal. The deal that she signed did allow her

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Speaker 1: to become a hundred millionaire. The deal that she signed,

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Speaker 1: they put her in the position she did. But then

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Speaker 1: she did write all the songs and she did sign

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Speaker 1: the deal at fifteen am. By doing that, she lost

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Speaker 1: her not lost, gave her right and her dad was

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Speaker 1: in on the deal when it's her dad's on the

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Speaker 1: board right now the record companies. There's just a lot

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Speaker 1: with anything polar in life, the answer is always somewhere

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Speaker 1: in the middle ish and with this there are some

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Speaker 1: concessions that have to be made by both sides. But

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Speaker 1: it's not the Taylor's side. That's like, she give her

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Speaker 1: no because the label built her the lifestyle and teamed

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Speaker 1: her up with the people and the producers and paid

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Speaker 1: for but she also was fifteen and did all. It's

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Speaker 1: just somewhere in the middle, And so if you don't

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Speaker 1: pick a side, it's almost like why even jump in? Yeah,

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Speaker 1: but I do love that Taylor made the fight public

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Speaker 1: and now we're all I I hate that she did that,

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Speaker 1: really because she all she did was sent her She

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Speaker 1: just bullying on social media, right, But we would have

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Speaker 1: never known the fight. But I don't care if it's

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Speaker 1: not a fight for us to know she's sending all

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Speaker 1: of her fans over to beat on people like that's

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Speaker 1: just bullying. But then again again, I'm just on I'm

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Speaker 1: not on both sides. It's just there's a sense of

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Speaker 1: It's like in politics, there's just a sensible place to go.

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Speaker 1: That doesn't mean you're far right or far left. There's

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Speaker 1: just a sensible place. But that's not the invoked thing

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Speaker 1: to be noticed for is being sensible. So almost said

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Speaker 1: over here to be sensible, but that isn't number twenty Mike,

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Speaker 1: what's your thoughts on that? I mean, I did see

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Speaker 1: a scooter header post like a thing on Instagram like

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Speaker 1: death threats to my wife. That's what he had to say.

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Speaker 1: That's pretty bad. It's like s and his wife on

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Speaker 1: social media. And that's my points. Yeah, it's it's your point.

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Speaker 1: Is their business and whatever they agreed on, that's their problem,

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Speaker 1: not ours. I get that it's not even a problem

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Speaker 1: they're all you're telling you're talking about super millionaires fighting

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Speaker 1: it out, and although they're justified to fight it out,

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Speaker 1: it's like, all right, I got other things to worry about.

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Speaker 1: Then two super millionaires finding have any airplanes? Are gonna

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Speaker 1: have a number nineteen. The biggest events of the last

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Speaker 1: ten years, Old Town Road goes viral. Here you go

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Speaker 1: March this song. I remember waking up one day and

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Speaker 1: hit the chart and was classified as country, and I

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Speaker 1: was in New York and Good Morning America calls and goes, hey,

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Speaker 1: will you come on talking about this song? And I

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Speaker 1: tell you I don't know much about song, but I

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Speaker 1: just had the feeling that I have regardless of whatever

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Speaker 1: the song is, that the market kind of deems what

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Speaker 1: it always has, not now and not ten years ago,

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Speaker 1: but for fifty sixty years. The people determine what goes

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Speaker 1: where and how successful things are. And so they're like,

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Speaker 1: this country's a night country. I'm always going to go

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Speaker 1: into the camp of you know what, if the person

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Speaker 1: says it's country, I'm not gonna say it's not. What

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Speaker 1: does even country mean? You tell a good story, you

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Speaker 1: say it authentically, it's fun. I'm not gonna say instrumentation

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Speaker 1: is a weird thing because when you watch the country

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Speaker 1: music documentary, when they started using a still pedal with

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Speaker 1: an amp, people were like, what the are you doing?

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Speaker 1: That's not country? Now, that's country today. That's the most

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Speaker 1: country thing today. When they start using electric guitars, that's

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Speaker 1: not country. What the eff are you doing today? It's

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Speaker 1: just you just see it time and time again. So

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Speaker 1: when I see people go to something's not country, I

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Speaker 1: roll my eyes and go, you're what's been happening every

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Speaker 1: generation that people have to keep proving it wrong. So

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Speaker 1: do you hear it and go as an immediately country?

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Speaker 1: You don't. But I'm never going to hop into a

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Speaker 1: battle and go that's absolutely not country. Let me see

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Speaker 1: what's in the heart of the person. What's I don't

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Speaker 1: know now where you see a little nozas going now,

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Speaker 1: do you see it as like, Okay, this wasn't country,

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Speaker 1: or a song is still country? But him as an

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Speaker 1: artist is not of the race. Virus is on it.

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Speaker 1: I don't think you always have to. I think bon

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Speaker 1: Jovi has been in the country song he's not country?

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Speaker 1: Who says can't go? I mean that's big, it's a

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Speaker 1: big country song. But Darius wasn't country a good one.

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Speaker 1: So I'm just saying I don't think it's at all

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Speaker 1: or nothing type thing where it's like you're only country

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Speaker 1: nothing else of course not what does it even mean? Nowadays?

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Speaker 1: I think the person listening can feel like their country.

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Speaker 1: I feel like I am, for the most part, something.

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Speaker 1: He's not something, he's alternative something. Did you think that

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Speaker 1: song was going to be as big as it was

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Speaker 1: as it is? I think anybody ever thinks no, but no.

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Speaker 1: But I don't think any song that goes like that,

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Speaker 1: anyone ever sees it doing that. It's like a viral video.

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Speaker 1: Something just kind of sweeps the world and you're like,

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Speaker 1: oh god, dang, I don't know that. The thing unabrad

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Speaker 1: teen the biggest moments of the decade, and this year

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Speaker 1: TikTok had one billion downloads. It's my favorite app, by

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Speaker 1: the way, and it has been now for months. Love it.

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Speaker 1: It's just the best as far as funny content, music, discovery.

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Speaker 1: It's young. But everything starts young Facebook, which is for

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Speaker 1: college kids. At one point Instagram was just for young

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Speaker 1: kids putting pictures out right. I didn't get Instagram really

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Speaker 1: every first time. Everything nothing starts with forty year olds.

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Speaker 1: There's nothing that a bunch and if it is not

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Speaker 1: even cool still, there's really nothing cool that a bunch

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Speaker 1: of adult men sit around and go this is cool,

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Speaker 1: and the kids go, you, you know what, Uncle John's right,

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Speaker 1: this is cool. Never how it works. Cardi b in

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Speaker 1: July the first female rapper to score two number one hits,

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Speaker 1: Bodak Yellow and I like it. So here's Here's Yellow,

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Speaker 1: Here's I like it. Come on, I like baby, I

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Speaker 1: like it like Bamber sixteen. Future unseats his own number

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Speaker 1: one album with another number one album. It's March seventeen.

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Speaker 1: I don't know a lot about Future, I mean honest

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Speaker 1: with you. I know that he was Russell Wilson's wife's

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Speaker 1: ex husband. Oh look at this song. The gym though

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Speaker 1: a lot, I got no individual songs. But and I

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Speaker 1: met meet Mill over the week on to next game,

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Speaker 1: met meet Mill Dang, who's m rapper from Philly, was

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Speaker 1: in jail. It was a whole like social justice thing.

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Speaker 1: Beef with Drake for a while, a lot big rapper.

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Speaker 1: But yeah, you'll have a conversation and just like it was,

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Speaker 1: I just touched him. Desposito at number fifteen. Come on

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Speaker 1: without a word of English. Huge Dude Bieber came on later,

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Speaker 1: but January Boito HiT's that number fourteen in the Grammy's

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Speaker 1: vote to include stream only albums, which is big for

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Speaker 1: someone like Chance, the rapper who his first record was

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Speaker 1: nothing but streaming, no physical copies, so he couldn't get in,

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Speaker 1: So he didn't win a Grammy for that, didn't get nominated.

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Speaker 1: Couldn't because it's it's almost like, um, the Oscars, before

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Speaker 1: they allowed things like streaming, had to be in theaters

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Speaker 1: and the Irishman is dealing with that. Now they put

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Speaker 1: in theaters for a minute. Huh. But it's on Netflix,

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Speaker 1: did you Yeah, it's three hours. Yeah, here's me. Well,

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Speaker 1: the Irishman's three hours. Don't have time for that. Nine

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Speaker 1: episodes of The Office later time for it? Number thirteen

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Speaker 1: on the list. The death of Prince happens in the

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Speaker 1: Shock and it was a shot because he wasn't old.

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Speaker 1: Oh I mean it's older and like normal adult, but

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Speaker 1: he wasn't. But it was a drug right, it was

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Speaker 1: fit over Yeah. Yeah. July July album releases moved to

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Speaker 1: Fridays instead of Tuesdays. James Gordon and does the very

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Speaker 1: first Call car point karaoke with who do you think

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Speaker 1: it was personal with um Adele right carry that was

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Speaker 1: the first one that kind of launched really his late

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Speaker 1: night career. Like that was a viral thing and then

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Speaker 1: a show go not even a show because not a

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Speaker 1: lot of people watched the show live, but people watch

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Speaker 1: it on YouTube more than they watch it live. I

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Speaker 1: watched some of it live the other night. I mean,

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Speaker 1: I'm probably only ever seen a live four times, and

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Speaker 1: it was kind of weird to watch it not on

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Speaker 1: YouTube because I usually watch it on YouTube. You know

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Speaker 1: what other show I watched with that show on NBC

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Speaker 1: the she has a late night show, my d She

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Speaker 1: was the YouTube girl that's now doing late night TV.

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Speaker 1: He's the late night show. Yeah, it's like the third

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Speaker 1: show now. She was a youtubeer. She hasn't all late night.

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Speaker 1: She was like where Carson Daily used to go. I

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Speaker 1: think I'm not sure who that is. Yeah, show is

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Speaker 1: not very good. It's new Year one, but it just

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Speaker 1: was pretty brutal. Uh. Let's see here. Top top ten

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Speaker 1: things now most important music moments of the decade. March

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Speaker 1: Robin Thick ripped off, Marvin Gate Gotta give It Up

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Speaker 1: and the jury said, okay, you all some tons of

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Speaker 1: money now, like almost eight million dollars probably probably all

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Speaker 1: the money he made on that song. This blurred line

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Speaker 1: song was so big. Remember when it came all the

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Speaker 1: naked girls in the video, they had to cover them

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Speaker 1: up for like the real video. Number nine on the

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Speaker 1: list is Taylor Swift pulling her entire catalog from Spotify.

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Speaker 1: She did that in this before all the mess. Well yeah,

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Speaker 1: this is the other message that it's like four months ago.

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Speaker 1: Why did you do Why did you do this? The

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Speaker 1: pay tier you get a free tier. YouTube at number

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Speaker 1: eight gives half a billion people unsolicited downloads of songs

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Speaker 1: of innocence when you had dry phone and Youto was

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Speaker 1: just on there with all that stupid songs and everyone

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Speaker 1: was so mad and it wasn't even good. Yeah I

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Speaker 1: like you too, And I was like, you know what,

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Speaker 1: I'm not even gonna hate. It's free. What am I

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Speaker 1: gonna do? Because iTunes days, early days, I would download

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Speaker 1: that free song even if it sucked. They'd be like,

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Speaker 1: here's your free download the week every week. But when

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Speaker 1: they put all these songs and let me and then

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Speaker 1: it sucked, I got angrier. Like this song Shawan Mendez

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Speaker 1: gets half a billion views on Vine with six second

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Speaker 1: covers of Justin Bieber and ed Shearon songs. That's how

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Speaker 1: he blew up Shawn Mendez in two thousand fourteen, half

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Speaker 1: a billion views on Buying with Bieber and Sharon songs.

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Speaker 1: Because we're lucky to have Sean Mendez. Yes he's so good.

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Speaker 1: Y Frozen crushes it at number six and wins the

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Speaker 1: Oscar for this song. Here let it Go, and now

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Speaker 1: we are into the top five songs of the decade

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Speaker 1: is according to Rolling Stone. SI Gangnam Style two thousand twelve.

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Speaker 1: There U Yeah, It's a big one. Two thousand twelve.

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Speaker 1: Tupac performs at Coachella as a hologram Number four. Are

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Speaker 1: they going to do this with anyone else? I know

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Speaker 1: they were talking about have it just hasn't been such

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Speaker 1: a man I've seen right, Mikey hasn't really caught onto.

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Speaker 1: They were supposed to do like tours with people weird

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Speaker 1: Spotify hits in July um and number two Rebecca Black

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Speaker 1: Friday jam funny this is number two and I haven't

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Speaker 1: thought about this? Do you ever meet her? No? Thirteen

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Speaker 1: year od Rebecca Black releases Friday. They made fun of

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Speaker 1: hers so hard. That's all this was was making fun of.

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Speaker 1: But the song was pretty good though it wasn't It's

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Speaker 1: only catchy because you know it. It definitely was turned

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Speaker 1: it up on that Do you take back here? The

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Speaker 1: song was pretty good. No, I don't. Then the music

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Speaker 1: video was kind of fun too, episode like cheesy and cheap.

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Speaker 1: That's why I really making fun of it. She's this

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Speaker 1: is two thousand eleven and now it's eight years old

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Speaker 1: or pretty pretty cute? Now? Is she's still making music? Yeah?

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Speaker 1: She ha the YouTube channel did you pretty gute? Yeah?

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Speaker 1: Is she not? Am I thinking of the Rebecca Romaine

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Speaker 1: stay Mode? Rebecca and I thought about that forever, I know.

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Speaker 1: Uh and number one on the list of the biggest

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Speaker 1: fifty music moments of the decade. The Beatles finally put

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Speaker 1: their music on iTunes November let it be Remember. I

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Speaker 1: remember going up even on threemy services. I guess at

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Speaker 1: the time it was Spotify, and I was just like, dang,

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Speaker 1: pretty cool and listen all the Beatles stuff. Now it's

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Speaker 1: kind of hard to It was hard to listen to

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Speaker 1: the Beatles when it wasn't on there. You have to

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Speaker 1: buy their albums and that was kind of like, we're

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Speaker 1: not gonna do all that, yeah, or listen to hit makers.

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Speaker 1: Let it be. That's right. A bunch of people would

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Speaker 1: cover beetles. There you go that. What's your biggest music moment?

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Speaker 1: I mean I had this, I was I was on

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Speaker 1: the whole road with Taylor. I think that was a

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Speaker 1: big deal. Um recently, Um was what the last stuff? Yeah?

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Speaker 1: The last stuff? How do you feel it? What do

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Speaker 1: you think? That's just it was just kind of a

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Speaker 1: good eye opening thing with the music business. I think

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Speaker 1: I don't think a lot of people realize how all

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Speaker 1: that works or how important it is, you know, with

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Speaker 1: like keeping masters and ownership of songs and stuff like

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Speaker 1: that. I I don't think people gets that in their first

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Speaker 1: many deals. Now, I think people are smarter now and

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Speaker 1: if they do get it, they're lucky. To get it.

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Speaker 1: You have to go with a bunch of leverage. Yeah,

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Speaker 1: you have to. You have to be worth because again,

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Speaker 1: a record company has to spend a lot of money

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Speaker 1: on you. They spent a lot of money on her

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Speaker 1: to let her, to put her in spot to be successful.

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Speaker 1: Because I get I get to like the how the

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Speaker 1: hard part it is for an artist to get get

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Speaker 1: rid of the stuff that they own, like they've created

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Speaker 1: that they don't own it. Really, they've created it under

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Speaker 1: the money of someone else. I get it. It's just

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Speaker 1: got to be internally hard for them. But it's like

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Speaker 1: be like me demanding I get to keep every show

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Speaker 1: that I've ever done in radio, that I've created. Somewhere

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Speaker 1: deep inside, you'd probably want to understand the money of it.

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Speaker 1: My Heart's given me a studio, they've allowed a platform,

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Speaker 1: They've promoted it. Like I understand why I don't get

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Speaker 1: it what I like it. Sure everybody wants all the

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Speaker 1: candy they can get, but I don't know. I signed

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Speaker 1: the deal that they have created an environment for me

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Speaker 1: where I can thrive to create. Now, if at my

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Speaker 1: next deal I want to own the tapes, I have

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Speaker 1: to negotiate that, and if they don't think I'm worth that,

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Speaker 1: then I don't do that. Yeah, but same thing. I've

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Speaker 1: created all this content. But I hear radio has built

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Speaker 1: the atmosphere for me to thrive in and given me

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Speaker 1: the opportunities to meet people, to make to hire people too.

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Speaker 1: So I definitely don't fall on Taylor's side. But also

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Speaker 1: it's also I opening to go maybe there should be

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Speaker 1: some concessions here for for people that are writing, and

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Speaker 1: they they should have a shot to win some of

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Speaker 1: it back. And they did give her a shot and

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Speaker 1: make a record you get it back. I don't then,

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Speaker 1: I don't know that was the right thing. But I'm

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Speaker 1: definitely on the business side of it to understand why

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Speaker 1: otherwise business would go broke and they wouldn't be able

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Speaker 1: to fund people to create to create things. Mine's probably

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Speaker 1: um singing with Carrie Underwood. You you singing with Carrie Unwood?

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Speaker 1: Huge musical musical events. Yeah, it's huge. That was pretty

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Speaker 1: cool though, right Like she was saying so loud in

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Speaker 1: my ears and I was like, holy crap. You were

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Speaker 1: like arms linked from her. We said, were that's pretty special,

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00:21:37,040 --> 00:21:39,040
Speaker 1: not special, just like she was, Holy craps. The girl

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Speaker 1: can sing um. Okay, cool, there you go. That's a

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Speaker 1: let's let's do that. We'll take a brain and come

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Speaker 1: back talk to hunt her Hays. How many people do

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Speaker 1: you know they get excited about luggage? I do. I

411
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Speaker 1: travel all the time, and away suitcases are known as

412
00:21:52,520 --> 00:21:54,800
Speaker 1: lifestyle luggage because they help you get more out of

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Speaker 1: your travel time in ways you never think about until

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Speaker 1: you're actually away Listen. I'm an expert in suitcases like

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00:22:00,119 --> 00:22:02,119
Speaker 1: have the built in t s A approved lock, the

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00:22:02,119 --> 00:22:06,040
Speaker 1: adjectable battery which is awesome, or built in compression pad.

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00:22:06,200 --> 00:22:08,119
Speaker 1: That's what helps you pack in even more than the

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Speaker 1: average carry on. The suitcase is awesome. I don't feel

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Speaker 1: like I'm an expert in many things, but this I do.

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Speaker 1: My favorite part is the charger. I don't have to

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Speaker 1: hug a wall at the airport to charge my phone.

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Speaker 1: I just charge it right there on a suitcase. Away

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00:22:18,000 --> 00:22:20,960
Speaker 1: luggage is lightweight, comes in a bunch of colors and materials,

424
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425
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426
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427
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428
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429
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430
00:22:37,960 --> 00:22:40,960
Speaker 1: com slash Bobby cast and use that promo code Bobby

431
00:22:41,200 --> 00:22:44,879
Speaker 1: away Travel dot com slash Bobby Cast. You'll love it,

432
00:22:44,920 --> 00:22:52,880
Speaker 1: promise you. Hey Hunter Hayz is on now. Hey Hunter, Hey,

433
00:22:52,960 --> 00:22:55,600
Speaker 1: how you doing? Bud I'm doing great. How are you.

434
00:22:55,760 --> 00:22:57,680
Speaker 1: I'm good. I was reading your Twitter a bit ago

435
00:22:57,880 --> 00:23:00,359
Speaker 1: and I think you tweeted out that you were being

436
00:23:00,400 --> 00:23:02,200
Speaker 1: noticed by some people in a pub and you were like,

437
00:23:02,240 --> 00:23:04,040
Speaker 1: all right, just play cool, just play cool. And then

438
00:23:04,080 --> 00:23:05,800
Speaker 1: you realize when you got up that you're actually sitting

439
00:23:05,880 --> 00:23:09,080
Speaker 1: underneath the game and everyone was watching the screen. Yeah,

440
00:23:09,080 --> 00:23:11,920
Speaker 1: it was a very humbling moment for good. It was

441
00:23:11,960 --> 00:23:16,480
Speaker 1: a good lesson. Where were you when this happened. I'm

442
00:23:16,720 --> 00:23:19,080
Speaker 1: I'm on a riding trip in uh in London right now,

443
00:23:19,280 --> 00:23:20,719
Speaker 1: and I was just kind of exploring how the day

444
00:23:20,760 --> 00:23:24,119
Speaker 1: off and was just kind of adjusting to the time change,

445
00:23:24,320 --> 00:23:26,919
Speaker 1: you know, wandering around and I love walking around here.

446
00:23:26,920 --> 00:23:29,920
Speaker 1: It's just I love the architecture and everything. But yeah,

447
00:23:29,920 --> 00:23:31,679
Speaker 1: I just donld them at the same this far that

448
00:23:31,680 --> 00:23:32,800
Speaker 1: I have been to a couple of times, puff that

449
00:23:32,800 --> 00:23:34,719
Speaker 1: I've been to a couple of times, and uh, I

450
00:23:34,800 --> 00:23:36,600
Speaker 1: was just sitting there. I was like, Wow, there's a

451
00:23:36,600 --> 00:23:38,760
Speaker 1: couple of people being kind of creepy and they're just

452
00:23:38,800 --> 00:23:41,280
Speaker 1: like to keep looking at me unapologetically, like they won't

453
00:23:41,320 --> 00:23:43,320
Speaker 1: look away when I look at them. And I was

454
00:23:43,359 --> 00:23:45,200
Speaker 1: just like, am I in some kind of movie? Or something,

455
00:23:45,240 --> 00:23:47,359
Speaker 1: and then I realized, you know that I was sitting

456
00:23:47,440 --> 00:23:51,120
Speaker 1: underneath the football game. So good times. That's fun. What's

457
00:23:51,160 --> 00:23:53,000
Speaker 1: what's been happening with you lately? Man, I'm seeing you

458
00:23:53,040 --> 00:23:56,639
Speaker 1: in a couple of months. Yeah, well, we um. I

459
00:23:56,760 --> 00:24:00,800
Speaker 1: put out part one of my three parts here, put

460
00:24:00,840 --> 00:24:02,840
Speaker 1: out Wild Blue Part one in August, and I've been

461
00:24:02,840 --> 00:24:05,840
Speaker 1: working on Part two. So it's it's it's been a

462
00:24:05,840 --> 00:24:09,200
Speaker 1: life changing experience. This whole album is very different from

463
00:24:09,200 --> 00:24:11,119
Speaker 1: anything I've ever done, and especially the three parts. The

464
00:24:11,119 --> 00:24:12,800
Speaker 1: way we're kind of putting it out and the way

465
00:24:12,800 --> 00:24:16,040
Speaker 1: that I'm going to be creative with it has been. Um,

466
00:24:16,119 --> 00:24:18,480
Speaker 1: I'll say this, it's been really it's been life changing

467
00:24:18,520 --> 00:24:20,960
Speaker 1: and in multiple ways of musically, it's been just God,

468
00:24:21,000 --> 00:24:22,920
Speaker 1: it's been good for the soul. I'm gonna play some

469
00:24:23,040 --> 00:24:25,080
Speaker 1: a Wild Blue in just a minute here, but tell

470
00:24:25,119 --> 00:24:27,040
Speaker 1: me about Wild Blue because we featured that on our

471
00:24:27,040 --> 00:24:29,560
Speaker 1: account down so like, just give me a little bit

472
00:24:29,560 --> 00:24:33,400
Speaker 1: about that. Yeah. Well, Wild Blue was kind of like

473
00:24:33,560 --> 00:24:35,680
Speaker 1: it was it's the first of this kind for me

474
00:24:35,840 --> 00:24:40,000
Speaker 1: in that for a while, like my debut record I made,

475
00:24:40,000 --> 00:24:41,480
Speaker 1: you know, when I moved to town, I got to

476
00:24:41,520 --> 00:24:43,800
Speaker 1: write with a bunch of brilliant writers. And I've learned

477
00:24:43,800 --> 00:24:45,399
Speaker 1: a lot about songwriting, learned a lot about how to

478
00:24:46,160 --> 00:24:48,639
Speaker 1: I guess I've started learning how to be an artist.

479
00:24:49,000 --> 00:24:52,320
Speaker 1: And by that I mean like how to find a

480
00:24:52,359 --> 00:24:56,000
Speaker 1: way to tell my story and and and but opened

481
00:24:56,040 --> 00:24:58,639
Speaker 1: the door not just present my story, here's my story,

482
00:24:58,680 --> 00:25:01,440
Speaker 1: here's my life. Would rather write music that hopefully everybody

483
00:25:01,480 --> 00:25:04,880
Speaker 1: can really grasp and make their own. I mean, once

484
00:25:04,960 --> 00:25:07,159
Speaker 1: the album's out, it's there is it's not mine anymore.

485
00:25:07,240 --> 00:25:12,000
Speaker 1: And with you know, I had for several albums slash

486
00:25:12,040 --> 00:25:14,159
Speaker 1: projects that we did. It was a lot of turning

487
00:25:14,160 --> 00:25:17,800
Speaker 1: in music and hundreds of songs um and just kind

488
00:25:17,800 --> 00:25:21,520
Speaker 1: of not really getting to love and me trying to

489
00:25:21,640 --> 00:25:23,560
Speaker 1: just reshape what I was doing to make it fit

490
00:25:23,560 --> 00:25:25,879
Speaker 1: and make it work. And bab Blue was me just

491
00:25:25,960 --> 00:25:28,080
Speaker 1: kind of. It was run after a breakup. It was

492
00:25:28,160 --> 00:25:30,600
Speaker 1: run after some massive business changes. I mean I I

493
00:25:30,640 --> 00:25:32,879
Speaker 1: had gone through every almost every form of change that

494
00:25:32,920 --> 00:25:34,840
Speaker 1: I could have possibly gone through at that time in

495
00:25:34,880 --> 00:25:37,119
Speaker 1: my life, and and I just decided, you know what,

496
00:25:37,160 --> 00:25:38,560
Speaker 1: I'm just gonna make it very this good for me,

497
00:25:38,560 --> 00:25:40,280
Speaker 1: and if nobody hears it, that's fine. Like if I

498
00:25:40,280 --> 00:25:42,080
Speaker 1: if I never put it out. That's that's fine. I

499
00:25:42,119 --> 00:25:45,280
Speaker 1: just want to make this for me and um, and

500
00:25:45,280 --> 00:25:47,679
Speaker 1: if nobody understands it, you know, if my team doesn't

501
00:25:47,720 --> 00:25:50,399
Speaker 1: rally around this, like like I feel like it's it's

502
00:25:50,440 --> 00:25:51,399
Speaker 1: you know. I didn't know what it was going to

503
00:25:51,440 --> 00:25:52,639
Speaker 1: be at the beginning of the year. It was the

504
00:25:52,680 --> 00:25:55,560
Speaker 1: top of two thousand and eighteen. Um, and I just

505
00:25:55,880 --> 00:25:58,240
Speaker 1: I picked the title. I picked the theme. The theme

506
00:25:58,320 --> 00:26:02,760
Speaker 1: being wab Blue like was about kind of the flying dreams.

507
00:26:02,800 --> 00:26:04,080
Speaker 1: You know. I've heard so many of my friends and

508
00:26:04,119 --> 00:26:05,680
Speaker 1: so many of you let to talk to, like talk

509
00:26:05,720 --> 00:26:08,119
Speaker 1: about these flying dreams and how that happens when they

510
00:26:08,160 --> 00:26:10,879
Speaker 1: feel free and and and I wanted this album to

511
00:26:10,920 --> 00:26:13,440
Speaker 1: be that for me. I wanted this album to dive

512
00:26:13,520 --> 00:26:17,560
Speaker 1: into things that I hadn't dove into topically. Musically, it

513
00:26:17,680 --> 00:26:19,720
Speaker 1: sort of touched up some things that I haven't really

514
00:26:19,760 --> 00:26:23,400
Speaker 1: allowed myself to because I was self editing, and um,

515
00:26:23,440 --> 00:26:25,080
Speaker 1: I've just removed a lot of the filters. And it's

516
00:26:25,080 --> 00:26:27,880
Speaker 1: only the beginning, right because like, once you start removing filters,

517
00:26:27,920 --> 00:26:30,560
Speaker 1: like it takes me a minute to get comfortable in

518
00:26:30,600 --> 00:26:33,080
Speaker 1: my own skin. If I'm being honest and diving into

519
00:26:33,119 --> 00:26:36,080
Speaker 1: some of these things. So it was the beginning of

520
00:26:36,080 --> 00:26:39,320
Speaker 1: of of a brilliant God, just an incredible adventure of

521
00:26:39,320 --> 00:26:44,280
Speaker 1: of self discovery and and I'm yeah, it's just it.

522
00:26:44,480 --> 00:26:47,520
Speaker 1: It It shaped itself very quickly. The songs that I

523
00:26:47,520 --> 00:26:49,520
Speaker 1: thought no one would connect with, a lot of people

524
00:26:49,800 --> 00:26:52,760
Speaker 1: connected with and they totally caught me off guard. Uh,

525
00:26:52,880 --> 00:26:56,800
Speaker 1: songs like Wild Blue, Madness and Dear God and One

526
00:26:56,840 --> 00:27:00,400
Speaker 1: Good Reason Night and Day became sort of banned favorites,

527
00:27:00,440 --> 00:27:03,480
Speaker 1: And that's that's the opposite direction of the album that

528
00:27:03,520 --> 00:27:06,200
Speaker 1: I thought would be. The fan favorites was really encouraging

529
00:27:06,280 --> 00:27:08,840
Speaker 1: because those are tums that like, you know, and you

530
00:27:08,920 --> 00:27:11,439
Speaker 1: just you you you don't write Dear God for to

531
00:27:11,480 --> 00:27:14,159
Speaker 1: be accepted if you don't write you know, wild Blue,

532
00:27:14,720 --> 00:27:17,600
Speaker 1: um for for for any reason, but you just need

533
00:27:17,640 --> 00:27:19,359
Speaker 1: to put cut out into the world. And those are

534
00:27:19,400 --> 00:27:22,800
Speaker 1: the songs that people really started connecting with immediately. So

535
00:27:22,840 --> 00:27:26,720
Speaker 1: it's very encouraging and and very eye opening too. You

536
00:27:26,720 --> 00:27:29,760
Speaker 1: know that that my fan base is going through you

537
00:27:29,760 --> 00:27:32,080
Speaker 1: know a lot of the same same things. I even

538
00:27:32,240 --> 00:27:34,879
Speaker 1: hate the word fan base. Let's just remove that was

539
00:27:34,880 --> 00:27:37,160
Speaker 1: the people that listen to my music that come through

540
00:27:37,240 --> 00:27:40,760
Speaker 1: our shows. Um, yeah, we're all, we're going through similar

541
00:27:40,800 --> 00:27:43,959
Speaker 1: experiences regardless of our you know, our job and all

542
00:27:44,000 --> 00:27:46,160
Speaker 1: that stuff. You know, our our our lives and all

543
00:27:46,200 --> 00:27:48,560
Speaker 1: of our details. There are a lot of common threads

544
00:27:48,560 --> 00:27:51,119
Speaker 1: and I think that's I think that's what encourages me

545
00:27:51,240 --> 00:27:53,200
Speaker 1: because I feel like, um, it makes me feel like

546
00:27:53,240 --> 00:27:55,080
Speaker 1: I'm not alone, and hopefully that it does the same

547
00:27:55,359 --> 00:27:57,920
Speaker 1: album does the same thing. Yeah, everybody checked it any

548
00:27:57,960 --> 00:27:59,320
Speaker 1: and you're working on part two right now, which is

549
00:27:59,320 --> 00:28:01,240
Speaker 1: pretty great. Um. I do want to talk because I

550
00:28:01,760 --> 00:28:03,800
Speaker 1: brought you on a lot too because of your in

551
00:28:03,840 --> 00:28:08,600
Speaker 1: the Bluebird documentary. M Yeah, I made it. You made it.

552
00:28:08,720 --> 00:28:11,080
Speaker 1: And you know the first time that I heard you

553
00:28:11,080 --> 00:28:13,679
Speaker 1: played Dear God, that I heard we were actually playing

554
00:28:13,680 --> 00:28:15,520
Speaker 1: it together. I was playing dopey comedy songs and you

555
00:28:15,560 --> 00:28:18,000
Speaker 1: were sitting to my left and you just came in

556
00:28:18,080 --> 00:28:21,760
Speaker 1: with with keys and and our and and this is

557
00:28:21,800 --> 00:28:23,480
Speaker 1: like my my honest feeling, which we were sitting there

558
00:28:23,480 --> 00:28:24,800
Speaker 1: and You're like, I'm just gonna play new stuff, and

559
00:28:24,800 --> 00:28:26,560
Speaker 1: I was like all right, But then you started playing

560
00:28:26,600 --> 00:28:28,040
Speaker 1: all those new stuff and I was like, oh my god,

561
00:28:28,080 --> 00:28:31,280
Speaker 1: it's all so good. I remember talking to you afterwards, going, man,

562
00:28:31,640 --> 00:28:34,399
Speaker 1: this stuff is next level. And one of those songs

563
00:28:34,400 --> 00:28:36,440
Speaker 1: that you played at the Bluebird that I can still

564
00:28:36,480 --> 00:28:39,240
Speaker 1: remember vividly was was Dear God And just hearing you

565
00:28:39,320 --> 00:28:41,920
Speaker 1: play that right next to me, and um and just

566
00:28:42,640 --> 00:28:46,000
Speaker 1: I don't know, feeling something that I felt like I

567
00:28:46,040 --> 00:28:49,680
Speaker 1: hadn't felt from from you in a while, Like tell me,

568
00:28:49,840 --> 00:28:52,960
Speaker 1: tell me about playing something so personal like Dear God

569
00:28:53,040 --> 00:28:54,880
Speaker 1: in the Bluebird where it's just such a such an

570
00:28:54,880 --> 00:28:59,280
Speaker 1: intimate venue. Well, dude, I mean my favorite topics right,

571
00:28:59,320 --> 00:29:03,800
Speaker 1: because I feel like as as a songwriter, you know,

572
00:29:03,800 --> 00:29:06,719
Speaker 1: I'm I'm. When someone asked me, like, if you had

573
00:29:06,720 --> 00:29:09,200
Speaker 1: to pick right being a being an artist or you know,

574
00:29:09,240 --> 00:29:13,120
Speaker 1: being a performers or writing songs, Um, that's an impossible

575
00:29:13,160 --> 00:29:15,360
Speaker 1: question to answer because I feel like both feed my

576
00:29:15,440 --> 00:29:17,880
Speaker 1: soul in such a big way and i'm i'm, I'm

577
00:29:18,680 --> 00:29:21,800
Speaker 1: I find purpose in both. But but as a songwriter,

578
00:29:21,880 --> 00:29:24,280
Speaker 1: I feel like, you know, as a performer, there's a

579
00:29:24,280 --> 00:29:27,120
Speaker 1: lot of moments that sort of validate you know, your

580
00:29:27,160 --> 00:29:29,760
Speaker 1: efforts and the time spent and the dreams you put

581
00:29:29,840 --> 00:29:31,480
Speaker 1: in and the and the work you put into something.

582
00:29:31,520 --> 00:29:35,760
Speaker 1: As a songwriter, Um, you know, sometimes that's that's sort

583
00:29:35,760 --> 00:29:38,600
Speaker 1: of I wouldn't say overlooked, right because you had you

584
00:29:38,720 --> 00:29:41,280
Speaker 1: don't have those moments of people saying your song back

585
00:29:41,320 --> 00:29:43,640
Speaker 1: to you on stage, but but also like to just

586
00:29:43,720 --> 00:29:47,120
Speaker 1: be a human and to say no, i'm, i'm, I'm.

587
00:29:47,160 --> 00:29:49,840
Speaker 1: This is my only way of explaining my my my

588
00:29:49,960 --> 00:29:54,400
Speaker 1: humanness is through song. I feel like, UM, the Bluebird

589
00:29:54,440 --> 00:29:56,400
Speaker 1: has always been the place. First of all, the first

590
00:29:56,440 --> 00:29:58,080
Speaker 1: time I got to play the first couple times I

591
00:29:58,080 --> 00:30:01,360
Speaker 1: got to play a Bluebird, I was another songwriter pulled

592
00:30:01,360 --> 00:30:03,440
Speaker 1: me up and invited me had to play one of

593
00:30:03,440 --> 00:30:05,680
Speaker 1: their songs, and and the good luck of that was,

594
00:30:06,000 --> 00:30:07,959
Speaker 1: you know, both of the songs that I ended up

595
00:30:07,960 --> 00:30:10,800
Speaker 1: playing were ended up being singles and big songs. But

596
00:30:11,160 --> 00:30:14,120
Speaker 1: when I got to play the Bluebird, UM, I noticed

597
00:30:14,120 --> 00:30:15,920
Speaker 1: when I got there that there were a lot of

598
00:30:16,400 --> 00:30:19,760
Speaker 1: long time fans. And also I remember my experiences from

599
00:30:19,760 --> 00:30:23,360
Speaker 1: the Bluebird going as a fan. UM, I saw a

600
00:30:23,360 --> 00:30:25,240
Speaker 1: lot of I saw a lot of new new material

601
00:30:25,280 --> 00:30:27,080
Speaker 1: that I ended up hearing later on in life. And

602
00:30:27,760 --> 00:30:30,000
Speaker 1: I will never forget the first time I heard them

603
00:30:30,200 --> 00:30:32,920
Speaker 1: at the Bluebird. And for me as as somebody who

604
00:30:33,000 --> 00:30:35,440
Speaker 1: loves writing, knowing that I had a lot of fans

605
00:30:35,480 --> 00:30:38,160
Speaker 1: and then who have been a lot of shows. Um,

606
00:30:38,320 --> 00:30:41,040
Speaker 1: it was it was kind of like I've looked up

607
00:30:41,040 --> 00:30:42,560
Speaker 1: and I was like, well, you guys want to hear

608
00:30:42,600 --> 00:30:44,640
Speaker 1: the same stuffs you've heard. You want to hear something

609
00:30:44,680 --> 00:30:47,560
Speaker 1: new and and they all said something new, and so

610
00:30:47,600 --> 00:30:49,520
Speaker 1: it kind of became a new tradition. It's like, okay, well,

611
00:30:49,520 --> 00:30:52,000
Speaker 1: anytime I played the Bluebird, like I have to prove

612
00:30:52,040 --> 00:30:54,840
Speaker 1: every song has to prove itself in that room because

613
00:30:54,840 --> 00:30:57,560
Speaker 1: there's no there's there's no way around it. There's no trickery,

614
00:30:57,880 --> 00:31:01,240
Speaker 1: there's no production you know, b as, there's no there's

615
00:31:01,280 --> 00:31:03,800
Speaker 1: nothing to hide behind. Uh. The song has to prove

616
00:31:03,880 --> 00:31:08,800
Speaker 1: itself and the performance has to be real. You can't like,

617
00:31:09,440 --> 00:31:11,640
Speaker 1: you know, overdo it. You can't you can't you know,

618
00:31:11,680 --> 00:31:14,160
Speaker 1: try to show off on anything or try anything, like

619
00:31:14,200 --> 00:31:16,840
Speaker 1: I said, any trickery. So that became my policy for

620
00:31:16,960 --> 00:31:19,120
Speaker 1: new music is it has to pass the Bluebird cast,

621
00:31:19,280 --> 00:31:22,520
Speaker 1: right um. And and I still play like some of

622
00:31:22,520 --> 00:31:24,760
Speaker 1: the some of the older tunes as well because I

623
00:31:24,800 --> 00:31:27,040
Speaker 1: feel like it's expected of me. But it's it's one

624
00:31:27,040 --> 00:31:29,320
Speaker 1: of my favorite things in the years when I get

625
00:31:29,360 --> 00:31:31,320
Speaker 1: to play the Bluebird. And also just as a songwriter,

626
00:31:31,360 --> 00:31:34,600
Speaker 1: it's just like, um, I feel like you're just being

627
00:31:34,640 --> 00:31:36,960
Speaker 1: in that room is like getting handed a trophy, you know,

628
00:31:37,000 --> 00:31:39,400
Speaker 1: as a songwriter. I don't. I think it's just because

629
00:31:39,400 --> 00:31:43,280
Speaker 1: I've I've seen so many like legendary writers there, and

630
00:31:43,400 --> 00:31:47,200
Speaker 1: I've experienced so many like life changing rounds. Are songs

631
00:31:47,240 --> 00:31:52,440
Speaker 1: that totally just yeah, either blew my mind or change

632
00:31:52,480 --> 00:31:54,960
Speaker 1: my perspective, or change the ways that worked or really

633
00:31:54,960 --> 00:31:56,480
Speaker 1: inspired me when I first moved down. I mean that

634
00:31:56,560 --> 00:31:58,040
Speaker 1: I could say a million things about The Bluebird, and

635
00:31:59,040 --> 00:32:01,640
Speaker 1: I mean, you bring up the documentary, which I love.

636
00:32:01,760 --> 00:32:06,240
Speaker 1: I I don't I don't not cry in movies, but

637
00:32:06,280 --> 00:32:09,640
Speaker 1: I don't cry very often. I don't, you know, but God,

638
00:32:09,720 --> 00:32:16,800
Speaker 1: the documentary, The Bluebird documentary absolutely made me emotional because

639
00:32:16,840 --> 00:32:18,920
Speaker 1: it's a special freaking place. I mean that, I feel

640
00:32:18,920 --> 00:32:25,600
Speaker 1: like it's such a um just a secret, a magical

641
00:32:26,000 --> 00:32:28,480
Speaker 1: place in Nashville. Not a secret necessarily, but you know

642
00:32:28,480 --> 00:32:34,320
Speaker 1: what I mean, very um a very important piece of Nashville.

643
00:32:35,120 --> 00:32:38,520
Speaker 1: It's out wide release December three, and you can get

644
00:32:38,520 --> 00:32:41,920
Speaker 1: it anywhere iTunes, Amazon, A, T and T directive, anywhere

645
00:32:41,960 --> 00:32:44,200
Speaker 1: you can buyron Rent movies. A big part of it.

646
00:32:44,280 --> 00:32:45,840
Speaker 1: I'm in it too, talking about it a bit and

647
00:32:46,040 --> 00:32:48,880
Speaker 1: I just remember, you know, the maybe two times ago

648
00:32:48,960 --> 00:32:50,160
Speaker 1: is when you and I were there together and you

649
00:32:50,160 --> 00:32:53,400
Speaker 1: played Dear God, and I was like, holy moldy like

650
00:32:53,600 --> 00:32:58,160
Speaker 1: that that song was. And again we both you know,

651
00:32:58,240 --> 00:33:00,760
Speaker 1: you mean, we hear a lot of songs from a

652
00:33:00,760 --> 00:33:03,600
Speaker 1: lot of different places writing them here, but I was

653
00:33:03,640 --> 00:33:05,360
Speaker 1: just that would touch me, man, that would touch me.

654
00:33:05,360 --> 00:33:06,800
Speaker 1: And so they were like, hey, we're doing the documentaries,

655
00:33:06,800 --> 00:33:08,280
Speaker 1: I want to get Hunter on because I just want

656
00:33:08,280 --> 00:33:10,560
Speaker 1: to remind him again and how powerful his stuff is

657
00:33:10,600 --> 00:33:14,680
Speaker 1: in that area, in that place, like the Bluebird. M Man,

658
00:33:14,720 --> 00:33:17,320
Speaker 1: I really appreciate you saying that. Thank you. That's high praise. Hey,

659
00:33:17,320 --> 00:33:19,280
Speaker 1: tell me quite real quick, tell me about the first

660
00:33:19,280 --> 00:33:23,320
Speaker 1: time you played the Bluebird. You said you got brought up. Yeah,

661
00:33:23,400 --> 00:33:26,520
Speaker 1: it was one of the first times um Andrew Dorf

662
00:33:27,040 --> 00:33:30,600
Speaker 1: was playing the Bluebird and and he looked to come

663
00:33:30,680 --> 00:33:35,080
Speaker 1: up and play uh, Somebody's Heartbreak. And that was at

664
00:33:35,080 --> 00:33:38,160
Speaker 1: a time where, like I remember, I pitched it as

665
00:33:38,200 --> 00:33:41,040
Speaker 1: a single. This was like before we even started recording

666
00:33:41,040 --> 00:33:43,200
Speaker 1: the first album. I just felt like the song was special.

667
00:33:43,240 --> 00:33:46,160
Speaker 1: And I don't claim to know singles or call singles.

668
00:33:46,200 --> 00:33:49,240
Speaker 1: I just sometimes, you know, sometimes you just have an instinct,

669
00:33:49,240 --> 00:33:52,720
Speaker 1: gut feeling and you gotta follow it. Um. And at

670
00:33:52,760 --> 00:33:54,440
Speaker 1: the time, no one of my things thought it was

671
00:33:54,440 --> 00:33:55,719
Speaker 1: going to be a single, and I was like, now

672
00:33:55,800 --> 00:33:59,200
Speaker 1: I really feel good about this to man, so um.

673
00:34:00,320 --> 00:34:02,720
Speaker 1: I think that's one of the things that made it

674
00:34:02,760 --> 00:34:05,000
Speaker 1: so special is because again, like it was in the

675
00:34:05,040 --> 00:34:09,759
Speaker 1: Blooper that you know, the song just yeah, I just

676
00:34:09,800 --> 00:34:12,480
Speaker 1: felt honest, it felt real. There was no big band

677
00:34:12,520 --> 00:34:15,120
Speaker 1: behind it. But obviously the most important part about that

678
00:34:15,160 --> 00:34:18,520
Speaker 1: looking back, now, what was my first time playing the Bluebird?

679
00:34:18,560 --> 00:34:21,200
Speaker 1: I got to sit in with, you know, with Andrew Dorff,

680
00:34:21,320 --> 00:34:23,239
Speaker 1: one of one of my all time favorite songwriters, and

681
00:34:24,160 --> 00:34:26,960
Speaker 1: somebody we don't have nearly enough music from. You were

682
00:34:26,960 --> 00:34:30,040
Speaker 1: in People Magazine Sexiest Man Issue or Sexiest Man Alive.

683
00:34:30,160 --> 00:34:34,799
Speaker 1: Come on, I did. I did not see that coming.

684
00:34:34,880 --> 00:34:37,200
Speaker 1: Come on, you didn't know there was no tip off

685
00:34:37,239 --> 00:34:40,879
Speaker 1: like about to be Sexiest Man Alive. Well, I mean

686
00:34:41,239 --> 00:34:43,080
Speaker 1: there was a photo shoot. Yeah, that's what I'm saying,

687
00:34:43,080 --> 00:34:44,560
Speaker 1: Like you had Do you just think people showed up

688
00:34:44,560 --> 00:34:47,680
Speaker 1: to take pictures for no reason? Like what's the deal? Well, yeah,

689
00:34:47,719 --> 00:34:50,200
Speaker 1: but the invite, the whole thing, it's just it's nuts.

690
00:34:50,239 --> 00:34:53,480
Speaker 1: I'm I'm happy though that like I'm happy. I don't know,

691
00:34:53,760 --> 00:34:56,440
Speaker 1: it's it's not something I used to put it that way.

692
00:34:56,480 --> 00:34:58,040
Speaker 1: I don't think it's other than that. I'll I'll get

693
00:34:58,120 --> 00:35:01,080
Speaker 1: used to but um, but it's a it's a fun

694
00:35:01,120 --> 00:35:03,160
Speaker 1: fact to talk about, you know. I don't know that

695
00:35:03,200 --> 00:35:05,640
Speaker 1: I'll talk about it around the table it's at Christmas.

696
00:35:05,719 --> 00:35:09,359
Speaker 1: But you know, it's fun fact. It's increat Honestly, it's

697
00:35:09,400 --> 00:35:11,759
Speaker 1: it's what I love is the part of it. You

698
00:35:11,800 --> 00:35:14,520
Speaker 1: know that's it's not it's not just you know, it's

699
00:35:14,560 --> 00:35:16,920
Speaker 1: talking more about animal adoption, which I'm a big fan

700
00:35:17,000 --> 00:35:20,279
Speaker 1: of that I'm a real big champion of and and

701
00:35:20,360 --> 00:35:22,439
Speaker 1: I love I love dance. Piece to his quote after

702
00:35:22,440 --> 00:35:25,759
Speaker 1: it came out, was really beautiful. It's so moving. Um

703
00:35:25,800 --> 00:35:27,880
Speaker 1: so yeah, I love what the focus was for for

704
00:35:28,440 --> 00:35:31,240
Speaker 1: our season. It wasn't I don't know. I wasn't trying

705
00:35:31,239 --> 00:35:33,160
Speaker 1: to be cool. I got to talk about something that

706
00:35:33,600 --> 00:35:35,719
Speaker 1: I truly am passionate about and something that I kind

707
00:35:35,719 --> 00:35:39,560
Speaker 1: of a little bit about. Well, listen, I'm proud of you.

708
00:35:39,680 --> 00:35:41,200
Speaker 1: Let me let me say a couple of things here.

709
00:35:41,280 --> 00:35:44,920
Speaker 1: First of all, with Hunter, you can check out Wild

710
00:35:45,000 --> 00:35:47,319
Speaker 1: Blue Part one. It's out now, it's working on Wild

711
00:35:47,320 --> 00:35:50,480
Speaker 1: Blue Part two, and then also the Bluebar documentary is

712
00:35:50,520 --> 00:35:53,799
Speaker 1: out and uh yeah, by the time you hear this,

713
00:35:53,840 --> 00:35:56,000
Speaker 1: it'll be out. So check it out wherever. Hunters a

714
00:35:56,040 --> 00:35:57,120
Speaker 1: big part of it. There are a lot of live

715
00:35:57,200 --> 00:36:01,040
Speaker 1: performances Taylor Garth Mayor and Vince Gill, j sinisbel t

716
00:36:01,160 --> 00:36:04,680
Speaker 1: Nil towns Um again, Hunters in it. If you listen,

717
00:36:04,719 --> 00:36:06,680
Speaker 1: my dope faces in it talking about a little bit too.

718
00:36:06,719 --> 00:36:09,320
Speaker 1: So you can check it out. And Hunter, I'm I'm

719
00:36:09,360 --> 00:36:11,200
Speaker 1: thankful that you you hopped on with us a little

720
00:36:11,200 --> 00:36:13,719
Speaker 1: bit from London, and I'll see you back around town

721
00:36:13,719 --> 00:36:16,960
Speaker 1: soon after, probably after Christmas. All right, looking forward to man,

722
00:36:17,400 --> 00:36:19,960
Speaker 1: there is the Hunter Hayes right here is I said,

723
00:36:20,000 --> 00:36:21,759
Speaker 1: we placed some of it. Here's Wild Blue from Hunter,

724
00:36:21,880 --> 00:36:33,879
Speaker 1: welcome to Well he can't find you start that you can.

725
00:36:34,040 --> 00:36:36,759
Speaker 1: Here's here's a little bit more Dear God, because why

726
00:36:37,200 --> 00:36:48,200
Speaker 1: is my life after so much? Why I can't find pizza?

727
00:36:44,239 --> 00:36:51,080
Speaker 1: And fear God? Are you sure that you don't that

728
00:36:51,320 --> 00:36:58,960
Speaker 1: you don't? All right? There you go. Well, well, well, um,

729
00:36:59,000 --> 00:37:01,000
Speaker 1: I think that's gonna gonna wrap it up for for

730
00:37:01,040 --> 00:37:03,480
Speaker 1: this episode. I had a good time with Eddie. Check

731
00:37:03,520 --> 00:37:05,919
Speaker 1: out Eddie on the Let's Bring Eddie Back Up Eddie

732
00:37:05,920 --> 00:37:10,040
Speaker 1: and the Sore Loser's Podcast. So I check out Eddie

733
00:37:10,280 --> 00:37:13,200
Speaker 1: and those guys talking about sports over there. Um, you

734
00:37:13,239 --> 00:37:15,520
Speaker 1: can also check out Eddie mostly most Important on the

735
00:37:15,520 --> 00:37:18,320
Speaker 1: Bobby Bones Show. Yeah, but hopefully you're listening to that anyway,

736
00:37:18,360 --> 00:37:21,600
Speaker 1: hopefully hopefully. Um, Mikedy, thank you anything I missed, Mike,

737
00:37:21,880 --> 00:37:24,640
Speaker 1: I think that's it thanks to Hunter Hayes. Check out

738
00:37:24,640 --> 00:37:27,680
Speaker 1: the documentary. I haven't seen it yet. From all that talk,

739
00:37:27,719 --> 00:37:30,640
Speaker 1: it sounded it's like it's really good. I remember doing

740
00:37:30,640 --> 00:37:33,319
Speaker 1: an interview for like nine months ago. I went into

741
00:37:33,560 --> 00:37:36,080
Speaker 1: like two hours of talk because I think I played

742
00:37:36,080 --> 00:37:40,359
Speaker 1: the Blue Were six or seven times and they were like, hey,

743
00:37:40,400 --> 00:37:42,640
Speaker 1: come talk about it because I was talking about it

744
00:37:42,640 --> 00:37:44,719
Speaker 1: from two different respective one from artists to get to

745
00:37:44,760 --> 00:37:46,319
Speaker 1: go through the come on my show, and then too

746
00:37:46,400 --> 00:37:49,879
Speaker 1: being able to play it a bunch of times. Um.

747
00:37:49,920 --> 00:37:52,000
Speaker 1: But I think the last time I played it was

748
00:37:52,040 --> 00:37:55,279
Speaker 1: with Party because I'll just go here's the night, like dude,

749
00:37:55,400 --> 00:37:59,640
Speaker 1: bring your friends. It's me and Party and Dustin Lynch

750
00:38:01,280 --> 00:38:03,920
Speaker 1: and maybe like Brandon Ray. It's a good line. It's

751
00:38:03,920 --> 00:38:05,759
Speaker 1: a good Yeah, it was fun just once it like

752
00:38:05,840 --> 00:38:09,319
Speaker 1: Planet I'm from from your side of it, and how

753
00:38:09,320 --> 00:38:11,240
Speaker 1: many people are in there, Well, not many, and everybody's

754
00:38:11,239 --> 00:38:14,040
Speaker 1: sitting right on top of you. It's crazy. Yeah, it's

755
00:38:14,080 --> 00:38:18,279
Speaker 1: a It's one of the most intimidating venues because you're

756
00:38:18,320 --> 00:38:19,920
Speaker 1: playing and there are people sitting behind you. It's like

757
00:38:19,920 --> 00:38:21,960
Speaker 1: you're just sitting in the middle of a dinner having dinner.

758
00:38:22,680 --> 00:38:25,640
Speaker 1: And it's not fancy, it's just something you do. And

759
00:38:25,680 --> 00:38:29,799
Speaker 1: it's in this strip mall and and you and you're

760
00:38:29,800 --> 00:38:32,360
Speaker 1: playing and no one else, just you by yourself. What

761
00:38:32,480 --> 00:38:35,320
Speaker 1: happens is it's like around though where you're playing, and

762
00:38:35,360 --> 00:38:37,959
Speaker 1: then other people are proficient at their instruments are singing

763
00:38:37,960 --> 00:38:40,560
Speaker 1: and they jump in. But for me, I'm not proficient

764
00:38:40,640 --> 00:38:44,319
Speaker 1: enough for even for them to jump in. So they

765
00:38:44,400 --> 00:38:46,880
Speaker 1: start coming in and they're like doing backgrounds and you know,

766
00:38:46,880 --> 00:38:48,680
Speaker 1: hopping in playing keys like Hunter would start to play

767
00:38:48,719 --> 00:38:50,600
Speaker 1: keys during and that stuffing like you can't do that, man,

768
00:38:51,920 --> 00:38:53,799
Speaker 1: I know it sounds like I know that you think

769
00:38:53,800 --> 00:38:55,919
Speaker 1: I should be able to stay with what they can't

770
00:38:55,960 --> 00:38:58,919
Speaker 1: do that because Hunter, which is on a keyboard, I'd

771
00:38:58,920 --> 00:39:00,680
Speaker 1: start playing it like I would do Chick fil A.

772
00:39:00,719 --> 00:39:02,920
Speaker 1: I play late and he would go, I'll play the

773
00:39:02,960 --> 00:39:05,439
Speaker 1: keys to this. I didn't like. I stopped me, like, Hunter,

774
00:39:05,480 --> 00:39:07,520
Speaker 1: you can't do that. Man, You're exactly right, and that's

775
00:39:07,520 --> 00:39:11,120
Speaker 1: gonna mess me up though. But it's really cool to

776
00:39:11,400 --> 00:39:14,160
Speaker 1: see somebody big sitting there with forty people. That's cool.

777
00:39:14,360 --> 00:39:16,359
Speaker 1: Pretty cool. Um, all right, that's it, Thank you very much.

778
00:39:16,360 --> 00:39:18,640
Speaker 1: Episode fourteen, tag us on it's a story if you

779
00:39:18,680 --> 00:39:23,600
Speaker 1: post this, thank you, goodbye, everybody,