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Speaker 1: The original like when it all first started. Just tell

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Speaker 1: me the idea behind it, because not only in the South,

3
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Speaker 1: but in Miami for sure, they ain't give us, they

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Speaker 1: ain't give us no love when it came to the music.

5
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Speaker 1: So just talk about when you and the homeboys y'all

6
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Speaker 1: sitting around, like, where did it all start at? Where

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Speaker 1: was the idea? Where did it originate? Where did it start?

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Speaker 2: Man? It all started. And that's a great question because

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Speaker 2: most people don't ask that. Me.

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Speaker 3: As a DJ, I was a part of the ghetto

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Speaker 3: style DJs. We were playing exactly let's say, African swept jam,

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Speaker 3: the dances and all that, and so I would bring

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Speaker 3: down I was pretty much one of the first people

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Speaker 3: to bring down hip hop artists from New York to

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Speaker 3: Miami because there was no such thing as hip hop

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Speaker 3: in the South period. You don't nothing, bring nothing, nothing nothing.

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Speaker 2: I'm creat it eighty five, nineteen eighty five.

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Speaker 3: This year we're celebrating forty year anniversary SOD hip hop

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Speaker 3: right now. So when we started, it's just me bringing

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Speaker 3: these artists down and then television her stories. I brought

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Speaker 3: down run DMC Tela, Rock Jams, j.

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Speaker 2: Divine Sound Miami.

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Speaker 3: I would bring them down to play my partons, you know, crazy,

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Speaker 3: all the parties. That's when it was an airline called

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Speaker 3: People's Express. Y'all have heard of that people Express.

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Speaker 2: That sounds like so funny.

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Speaker 3: People said, People's Express.

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Speaker 2: You old man probably know you know, oh nobody.

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Speaker 3: I mean that it was crazy because People's Express you

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Speaker 3: would get on the airplane and pay your money at

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Speaker 3: that time, so you hop on the plane and stewarts

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Speaker 3: came around and then they collect the money. So I

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Speaker 3: would put these artists on the plane from New York

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Speaker 3: and all that stuff like that, and when they come

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Speaker 3: down here, obviously they didn't have no money. They would

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Speaker 3: hop on the plane and me and the police standing

37
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Speaker 3: had to do it, bringing to me in like oh

38
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Speaker 3: I got the money, come on perform.

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Speaker 2: Because I went about to send them money. So basically

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Speaker 2: it started the money that showed up.

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Speaker 3: Yeah, and then you know, two live crew came down

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Speaker 3: from California. At the time, I didn't know they were

43
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Speaker 3: in the military. You know, I would in our dances.

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Speaker 3: We would create these dances. We would create, you know,

45
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Speaker 3: like Kettle Nasty. The first song we created was Everybody

46
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Speaker 3: get Old Jump Jump Jump, So that was really the

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Speaker 3: first hip hop song in the South. And then them dudes,

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Speaker 3: I said, man, do a free show for me, you know, like, nah,

49
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Speaker 3: we we.

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Speaker 2: Were hot now.

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Speaker 3: And I was like, so throw the d we were

52
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Speaker 3: doing that dance and the girls were doing throw the p.

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Speaker 2: You feel me. I want to hear the finish. That's

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Speaker 2: what happens.

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Speaker 3: So I so again, you know, two live crew came

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Speaker 3: down and I was like, you know, they were like, man.

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Speaker 2: We want to do some music. I ain't.

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Speaker 4: I didn't want to do You're just DJ, just straight D.

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Speaker 3: I'm doing big parties, a lot of money, you know,

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Speaker 3: up under the table. And so you know, I just

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Speaker 3: did the record. We say, look, let's go in the

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Speaker 3: studio and do a record. I tried to take it

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Speaker 3: around different people. They were like, no, ain't no hip

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Speaker 3: hop in the South never happened. And so we just

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Speaker 3: started playing it at at at the party.

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Speaker 1: No hip hop that's crazy. Yeah, they were They would

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Speaker 1: not have literally, because you was from the South. That

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Speaker 1: was what you got to play. They don't want to

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Speaker 1: he want here.

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Speaker 3: Yeah, I couldn't send the record that you know, New York,

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Speaker 3: different record companies. There's no such thing as hip hop

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Speaker 3: in the South. Bama's y'all country ass. They called us

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Speaker 3: everything in the in the book, you feel me. And

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Speaker 3: so at the end of that I just took I took.

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Speaker 2: It personally, like yeah, I'm gonna put the record out.

76
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Speaker 3: And then I went to these gangs and start distributing myself,

77
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Speaker 3: putting in the trunkt go.

78
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Speaker 2: To the Fleet Lee a T shirt for the flag.

79
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Speaker 2: So we're selling it.

80
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Speaker 3: And then and you know, all the you know, Miami, Miami,

81
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Speaker 3: but most people don't know is is considered a breakout market,

82
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Speaker 3: you know, by because so many tourists coming from Yeah,

83
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Speaker 3: and so music is played and then people take it

84
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Speaker 3: back to wherever they're from. In the college students from

85
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Speaker 3: there go to a different city.

86
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Speaker 2: Go you know, yeah and play out, you know, they

87
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Speaker 2: being the party, and then before you know, it just

88
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Speaker 2: starts spreading, Like wow, Is.

89
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Speaker 5: That when you started Luke Records or was that later on?

90
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Speaker 2: Yeah?

91
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Speaker 3: I started Luke Records eighty five years ago, not five

92
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Speaker 3: years in nineteen, Yes, sir.

93
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Speaker 2: That's how it started.

94
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Speaker 3: Yeah, that's how I started with that one record. In

95
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Speaker 3: order for me to get paid for that record, they

96
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Speaker 3: told me, oh.

97
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Speaker 2: You know, young fella, you got to do another record.

98
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Speaker 2: I'm like, what, I'm just going to do this and

99
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Speaker 2: get my money.

100
00:04:47,800 --> 00:04:51,560
Speaker 1: You spending all your bread. I was spending money everything.

101
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Speaker 3: Yep, taking my money and I made doing dances like

102
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Speaker 3: that and I ended up. You know, I got to

103
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Speaker 3: do an answer because back then everybody did an to

104
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Speaker 3: every record. Yes, and so we did dance and throw

105
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Speaker 3: the pee. I got my niece and my niece and

106
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Speaker 3: a couple of her little friends.

107
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Speaker 2: Yeah, before you know, we went in and did that song.

108
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Speaker 2: They didn't know nothing.

109
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Speaker 3: It was like, what, just sing this, right, I gotta

110
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Speaker 3: get my money from the other And before you know,

111
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Speaker 3: I'm like, oh, hell y'all, I like this.

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Speaker 2: Yeah, this is better than doing all this street.

113
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Speaker 1: So when did obviously because you brought two Live Crew,

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Speaker 1: they came from California to perform, and at that time

115
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Speaker 1: he was a DJ. But when did you decide to

116
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Speaker 1: collaborate Uncle Luke in the two Live Crew? Like, when

117
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Speaker 1: when did all that?

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Speaker 2: Yeah? I mean right then? Right then.

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Speaker 3: It was like I said, they came down at the

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Speaker 3: right time that this one group did not want to.

121
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Speaker 2: Do a free show. All this kind of happened right

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Speaker 2: up there.

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Speaker 3: Yeah, and then it was like it, yeah, we'll do

124
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Speaker 3: another song, don't want to You know, y'all whooped me

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Speaker 3: on that song.

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Speaker 2: So we ended up doing the d and before you

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Speaker 2: know it.

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Speaker 1: And how was the city responding to it? I know

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Speaker 1: how we was responding to throw that that came on

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Speaker 1: you in the living room and your cousins. But how

131
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Speaker 1: just talk about how the city responded to me?

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Speaker 2: Oh man?

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Speaker 3: People loved it because the thing about our music is

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Speaker 3: heavily based driven.

135
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Speaker 2: Well, most people don't know. We're a melting pot. Yes,

136
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Speaker 2: you know.

137
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Speaker 3: We got Haitian, Jamaicans, Bahamians, Cubans, Puerto Ricans and the

138
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Speaker 3: music everything is up Temple.

139
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Speaker 2: You know, most people think we country. We just South long.

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Speaker 1: We tell people that we don't ride horses around here.

141
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Speaker 1: You know I hate that, man, that's what. We don't

142
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Speaker 1: ride horses around here, Like that's somewhere else, Like I

143
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Speaker 1: don't know what part of South you're talking about, but

144
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Speaker 1: here we don't ride.

145
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Speaker 3: It is not here under those circumstances. So the music

146
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Speaker 3: had to be what we're about, you know what I'm saying.

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Speaker 3: The music had to be heavily based driven because you know,

148
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Speaker 3: when I dj' I had sixty four speakers.

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Speaker 1: Say that again, sixty four. That's a real jam. Yeah,

150
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Speaker 1: that's a real jail. That's how we used to jail

151
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Speaker 1: back in the day. Who take everybody be outside, That's

152
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Speaker 1: imagine the whole block, everybody outside and all these speakers booming.

153
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Speaker 2: Everybody. It's a vibe. I told you because I wanted

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Speaker 2: to be there. We're supposed to be there together.

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Speaker 3: Bro.

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Speaker 2: Yeah, yeah you missed out. You ain't get the memo

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Speaker 2: straight up.

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Speaker 1: Listen though, listen honest, see everything but the wind down here, bro.

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Speaker 1: Like I tell people all the time, and this is

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Speaker 1: what I told you earlier. Club that was just a

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Speaker 1: gathering place for us. Before we done got to the

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Speaker 1: we done fellowship for two hours talking about to day exact.

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Speaker 1: This is just a regular thing for us. We ain't

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Speaker 1: even seen the naked with me yet. We ain't even

165
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Speaker 1: notice them. We just fellowshipping. Oh after two hours now

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Speaker 1: it's the necd that oh here go to ass exactly.

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Speaker 1: But it's just it's just it's just the culture. Man,

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Speaker 1: It's nothing, and.

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Speaker 3: People don't people don't realize that. That's what I mean,

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Speaker 3: that's what it's all about us. We go to other

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Speaker 3: places and be like people be amazed at how we

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Speaker 3: live down here, and that's what inspired me even with

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Speaker 3: that album cover when I created that.

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Speaker 5: That's what I'm saying marketing like that's yeah, it was like, man,

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Speaker 5: it's perfect for that here. It's perfect that record too.

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Speaker 3: Yeah, yeah, people, I knew that again. Now I'm spending

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Speaker 3: this money out of my own pocket.

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Speaker 1: Yeah, fellas, I'm talking to y'all one more time. Nobody

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Speaker 1: likes to wait, none of us. I can't stand being

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Speaker 1: in traffic. I can't stay wait for my coffee. I

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Speaker 1: hate waiting to get off work. So why would I

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Speaker 1: make my woman wait. I don't even wait in line.

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Speaker 1: I get out and leave. Can you imagine if my

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Speaker 1: woman was waiting on me and she walked out the

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Speaker 1: house and left, So I don't make her wait?

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Speaker 2: Stay ready? See, ain't got to get ready.

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Speaker 1: Had that roast box in your pocket, have it in

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189
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