1 00:00:05,960 --> 00:00:09,039 Speaker 1: A man with a beard wearing a blue Hawaiian shirt 2 00:00:09,600 --> 00:00:13,960 Speaker 1: strides onto a stage. He peers out into the packed 3 00:00:14,000 --> 00:00:23,439 Speaker 1: concert hall. The audience is full of feathered hair and 4 00:00:23,560 --> 00:00:28,639 Speaker 1: thick coke bottle glasses, bowl cuts and oshkosh bagosh overalls. 5 00:00:29,520 --> 00:00:40,199 Speaker 1: It's definitely He pauses and takes a seat. Hello, Hi, 6 00:00:40,360 --> 00:00:50,200 Speaker 1: boys and girls, Oh, mom's and dads. His eyes land 7 00:00:50,280 --> 00:00:53,240 Speaker 1: on each and every face in the crowd like he's 8 00:00:53,280 --> 00:00:58,440 Speaker 1: trying to make an intimate connection grandmas and grandpas. He's 9 00:00:58,480 --> 00:01:08,480 Speaker 1: not in a rush, Hello, do you It's almost like 10 00:01:08,560 --> 00:01:13,560 Speaker 1: he's slowing down time. And once he's sure he's got 11 00:01:13,600 --> 00:01:18,520 Speaker 1: all eyes on him, he begins. The more we get 12 00:01:18,560 --> 00:01:28,280 Speaker 1: together together together, the more we get together happier. The 13 00:01:28,319 --> 00:01:33,200 Speaker 1: more we get together, the happier will be talk about 14 00:01:33,200 --> 00:01:40,200 Speaker 1: a hopeful statement. I can hear you singing already. Oh 15 00:01:40,640 --> 00:01:46,880 Speaker 1: the more we get together together. Hearing this song now 16 00:01:47,360 --> 00:01:51,120 Speaker 1: with little kids singing in the background, it's almost too much, 17 00:01:52,240 --> 00:01:55,680 Speaker 1: coming off nearly two years of isolation. Who doesn't want 18 00:01:55,680 --> 00:01:58,760 Speaker 1: to get together? It's so obvious that this is what 19 00:01:58,800 --> 00:02:04,960 Speaker 1: we're missing togetherness. I'm gonna sing it again and I'll 20 00:02:05,000 --> 00:02:07,400 Speaker 1: see if I can get every single person in the 21 00:02:07,480 --> 00:02:10,720 Speaker 1: whole place to sing, and maybe even the chairs will 22 00:02:10,720 --> 00:02:15,959 Speaker 1: sing with this the more we get together. This guy 23 00:02:16,200 --> 00:02:20,000 Speaker 1: is Raffie Kabukian, but you might know him is just Raffi. 24 00:02:20,600 --> 00:02:23,800 Speaker 1: He's one of the most famous children's musicians of all time. 25 00:02:25,720 --> 00:02:31,079 Speaker 1: He's like the Beatles of kids music. Raphy has released 26 00:02:31,080 --> 00:02:35,200 Speaker 1: twenty four albums albums that went gold and platinum. He 27 00:02:35,280 --> 00:02:47,200 Speaker 1: played for presidents the Dalai Lama and Nelson Mandela, Ring Ring, ring, ring, ring, ring, ring, 28 00:02:47,240 --> 00:02:50,760 Speaker 1: Banana Phone. He had a sold out show on Broadway, 29 00:02:51,200 --> 00:02:54,600 Speaker 1: was nominated three times for a Grammy. The Simpsons even 30 00:02:54,600 --> 00:02:58,360 Speaker 1: based a character after him. Something about this guy and 31 00:02:58,400 --> 00:03:04,120 Speaker 1: his music is captivating. Down by the date where the 32 00:03:04,240 --> 00:03:09,640 Speaker 1: Lotos go back to my home, I dare not go 33 00:03:11,200 --> 00:03:16,680 Speaker 1: or if by dude, my mother will say, did you 34 00:03:16,760 --> 00:03:20,120 Speaker 1: ever see a goose kissing a moose? Down by the 35 00:03:20,360 --> 00:03:27,640 Speaker 1: bait down by bab Ralfie embedded himself in the childhood 36 00:03:27,680 --> 00:03:31,239 Speaker 1: memories of his fans, and he showed adults that kids 37 00:03:31,240 --> 00:03:35,280 Speaker 1: should be taken seriously, that their voices are just as important. 38 00:03:36,320 --> 00:03:39,680 Speaker 1: Thousands of preschool teachers played Rafi's cassettes on repeat for 39 00:03:39,760 --> 00:03:42,520 Speaker 1: sing a long time. His songs about the joys and 40 00:03:42,560 --> 00:03:47,800 Speaker 1: wonders of growing up are universal and infectious. That's because Raffie, 41 00:03:48,200 --> 00:03:52,240 Speaker 1: with his playfulness and patience, was making connections with his audience. 42 00:03:53,240 --> 00:04:00,320 Speaker 1: Maybe he even connected with you. But here's a thing, 43 00:04:00,960 --> 00:04:03,480 Speaker 1: there's a lot more in that music than you think. 44 00:04:07,400 --> 00:04:10,080 Speaker 1: For decades, Raffie has been telling us to wake up 45 00:04:10,520 --> 00:04:13,040 Speaker 1: to the needs of our children, to the kitten side 46 00:04:13,040 --> 00:04:17,880 Speaker 1: of us into the destruction of our planet. From the beginning, 47 00:04:18,040 --> 00:04:22,480 Speaker 1: he saw our potential. He believed in our capacity to grow. Now, 48 00:04:22,520 --> 00:04:25,240 Speaker 1: you wouldn't necessarily know that by listening to opals and 49 00:04:25,279 --> 00:04:28,560 Speaker 1: bononas or shake your sillies out. You need to talk 50 00:04:28,600 --> 00:04:31,719 Speaker 1: with his old friends and collaborators, the people who built 51 00:04:31,760 --> 00:04:41,640 Speaker 1: movements around him, and the man himself. I'm Chris Garcia 52 00:04:41,800 --> 00:04:44,920 Speaker 1: and this is Finding Raffie, a ten part series for 53 00:04:45,040 --> 00:04:48,520 Speaker 1: My Heart Radio and Fatherly in partnership with Rococo Punch 54 00:04:49,320 --> 00:04:54,520 Speaker 1: about the life, philosophy, and the work of Raffie, the 55 00:04:54,560 --> 00:05:05,000 Speaker 1: man behind the music. I'm a stand up comedian. I'm 56 00:05:05,080 --> 00:05:07,560 Speaker 1: used to late nights and dark, crowded bars with an 57 00:05:07,600 --> 00:05:11,359 Speaker 1: over served audience, but now this is how I spend 58 00:05:11,400 --> 00:05:22,919 Speaker 1: my evenings free during the pandemic my wife, Val and 59 00:05:22,960 --> 00:05:26,640 Speaker 1: I decided to make things even harder. We decided to 60 00:05:26,760 --> 00:05:29,800 Speaker 1: have a kid, or at least start trying, and before 61 00:05:29,800 --> 00:05:32,400 Speaker 1: we knew it, Val was standing in the bathroom holding 62 00:05:32,400 --> 00:05:34,839 Speaker 1: a little stick with two pink lines on it, and 63 00:05:34,960 --> 00:05:40,240 Speaker 1: a long came Sunny, Yeah, you're my best girl. I 64 00:05:40,320 --> 00:05:46,120 Speaker 1: have sweet dreams. Okay, m sweetie. There was one aspect 65 00:05:46,160 --> 00:05:50,320 Speaker 1: of being a dad where I felt confident music. I'm 66 00:05:50,360 --> 00:05:53,479 Speaker 1: a music snob. I love music. My vinyl collection is 67 00:05:53,520 --> 00:05:56,960 Speaker 1: slowly taking over the house. It's important to me that 68 00:05:57,120 --> 00:06:00,920 Speaker 1: Sunny knows good music. So I began with my personal 69 00:06:00,960 --> 00:06:06,720 Speaker 1: favorites Creed, Limp, Biscuit More, Creed, just Kidding, stuff like 70 00:06:06,760 --> 00:06:14,719 Speaker 1: Brian Eno and Jazz. I tried music made for kids. 71 00:06:14,720 --> 00:06:19,360 Speaker 1: A friend made me a mixtape Casper Baby Pants, Blippy, 72 00:06:20,080 --> 00:06:24,200 Speaker 1: Elmo sings Hamilton's Let's No. I couldn't do that to 73 00:06:24,240 --> 00:06:30,200 Speaker 1: her or me. And just when I was feeling really desperate, 74 00:06:30,800 --> 00:06:38,880 Speaker 1: Bell introduced me and Sonny to Raffie about Sam Jim, 75 00:06:39,040 --> 00:06:47,360 Speaker 1: one for me and one for David md Jim. I 76 00:06:47,400 --> 00:06:50,120 Speaker 1: grew up listening to Raffie for a very long time. 77 00:06:50,279 --> 00:06:53,120 Speaker 1: I mean, I didn't remember how many songs that I 78 00:06:53,200 --> 00:06:55,000 Speaker 1: knew until I started listening to them with her, and 79 00:06:55,040 --> 00:06:56,960 Speaker 1: I was like, oh, I remember this one. Oh yeah, 80 00:06:57,000 --> 00:06:59,760 Speaker 1: this one. Oh the corner grocery store. Oh, you know, 81 00:07:00,640 --> 00:07:03,760 Speaker 1: beats and barley and all that stuff. And there was 82 00:07:03,800 --> 00:07:07,200 Speaker 1: one day where she was being super fussy and a 83 00:07:07,320 --> 00:07:09,560 Speaker 1: Raffi song came on the rotation and she immediately shut 84 00:07:09,640 --> 00:07:14,040 Speaker 1: up and started smiling. It was like the baby whisper 85 00:07:14,040 --> 00:07:16,920 Speaker 1: appeared out of the speaker and magically calm, sunny down. 86 00:07:17,480 --> 00:07:20,400 Speaker 1: There was something to this. I had no idea what 87 00:07:20,920 --> 00:07:27,560 Speaker 1: is it. Raffie's voice, the melody, the simplicity, whatever it was. 88 00:07:27,960 --> 00:07:31,800 Speaker 1: I watched my daughter and my wife become entranced. It 89 00:07:31,840 --> 00:07:34,200 Speaker 1: makes me think of summertime for some reason, and early 90 00:07:34,200 --> 00:07:37,600 Speaker 1: sure why. It just makes me think of like being 91 00:07:37,640 --> 00:07:44,040 Speaker 1: young and fun, carefree, listening to like sweet songs. As 92 00:07:44,080 --> 00:07:47,200 Speaker 1: we talk, I see val snap back in time to 93 00:07:47,360 --> 00:07:50,880 Speaker 1: a warm, comforting place when her parents played Raffie cassettes 94 00:07:51,000 --> 00:07:53,440 Speaker 1: to help her fall asleep. I wish I still had 95 00:07:53,520 --> 00:07:56,400 Speaker 1: my cassette of One Night, One Son, that would be 96 00:07:56,400 --> 00:08:01,080 Speaker 1: sweet to player. Do you think your dad is it? Honestly, 97 00:08:01,120 --> 00:08:04,400 Speaker 1: I would not be surprised if he still had that somewhere. 98 00:08:05,680 --> 00:08:08,240 Speaker 1: It would be so sweet to play vows old Raphi 99 00:08:08,280 --> 00:08:11,560 Speaker 1: cassettes for Sunnis, you know, so we call up her dad. Jeff, 100 00:08:12,200 --> 00:08:15,400 Speaker 1: you know, it's funny because we had several of them, 101 00:08:15,600 --> 00:08:17,840 Speaker 1: and I said that to Mom the other day. I 102 00:08:17,880 --> 00:08:20,320 Speaker 1: wonder what happened to those tapes and the answer is 103 00:08:20,840 --> 00:08:24,680 Speaker 1: I don't have a clue. But that's not the same thing. 104 00:08:24,920 --> 00:08:27,320 Speaker 1: I thought it would be come full circle that you 105 00:08:27,320 --> 00:08:29,920 Speaker 1: could be playing those for Sunny. You used to play 106 00:08:30,000 --> 00:08:31,920 Speaker 1: music before I go to sleep, right? Was that some 107 00:08:32,000 --> 00:08:36,320 Speaker 1: of that? It was like, Willoby Wallaby an Elephants sat 108 00:08:36,400 --> 00:08:41,760 Speaker 1: on you? Will it be Wallaby Woozing an elephant sat 109 00:08:41,840 --> 00:08:48,079 Speaker 1: on Susan graphs? The best names for those songs? Will 110 00:08:48,080 --> 00:08:53,200 Speaker 1: it be Wallaby Wanny an elephant sat on Bunny? Will 111 00:08:53,240 --> 00:08:59,280 Speaker 1: it be Wallaby, Witness an Elephants sat on Dennis. I'm 112 00:08:59,320 --> 00:09:03,960 Speaker 1: listening in awe. Jeff hasn't heard those songs in thirty years, 113 00:09:04,360 --> 00:09:06,960 Speaker 1: but just the mention of Ralphie's name makes him break 114 00:09:07,000 --> 00:09:11,800 Speaker 1: out into song. Jeff's six ft five professor from the Midwest. 115 00:09:11,880 --> 00:09:14,600 Speaker 1: His idea of a fun Friday night is watching Turner 116 00:09:14,640 --> 00:09:18,640 Speaker 1: classic movies. He thinks Will Ferrell is too goofy. But 117 00:09:18,760 --> 00:09:22,600 Speaker 1: Willoby Wallaby woo. These words come to him in an instant. 118 00:09:23,000 --> 00:09:29,040 Speaker 1: He doesn't miss a beat, and all this time Val 119 00:09:29,160 --> 00:09:33,439 Speaker 1: has carried good feelings about Ralphie's music too. There's something 120 00:09:33,480 --> 00:09:41,040 Speaker 1: emotional happening here, something really deep. The idea that Sonny 121 00:09:41,160 --> 00:09:44,360 Speaker 1: can hear an old song decades from now and tap 122 00:09:44,400 --> 00:09:49,080 Speaker 1: into a warm childhood memory that blows me away. And 123 00:09:49,160 --> 00:09:52,720 Speaker 1: it seems like a cheap code something Sunny could rely on. 124 00:09:52,920 --> 00:09:57,520 Speaker 1: If I couldn't be there to console her, maybe there 125 00:09:57,559 --> 00:10:10,480 Speaker 1: was something for me and Ralphie's music too. Here we 126 00:10:10,520 --> 00:10:14,440 Speaker 1: are awesome. Well, it's so nice to see you and 127 00:10:14,600 --> 00:10:16,800 Speaker 1: um talk to you, Raffie. Thank you so much for 128 00:10:16,880 --> 00:10:20,200 Speaker 1: making the time. Let me first ask you, what is 129 00:10:20,240 --> 00:10:26,040 Speaker 1: your daughter's name? Oh, my daughter's name is Sunny. Sunny, Yeah, beautiful. 130 00:10:26,880 --> 00:10:29,520 Speaker 1: We named her after the song by Bobby heb We 131 00:10:29,600 --> 00:10:33,600 Speaker 1: named her after that song. Well, let's dedicate this whole 132 00:10:33,880 --> 00:10:38,520 Speaker 1: podcast series too Sunny and her bright future, because that's 133 00:10:38,559 --> 00:10:45,040 Speaker 1: what we all want for the children we love. Not 134 00:10:45,160 --> 00:10:48,320 Speaker 1: to brag, but that's me talking with Raffi. He lives 135 00:10:48,320 --> 00:10:51,480 Speaker 1: in Canada on Salt Spring Island, off the coast of Vancouver. 136 00:10:52,679 --> 00:10:54,839 Speaker 1: When I googled it, it looks like an idyllic place 137 00:10:54,840 --> 00:10:57,559 Speaker 1: where the forest meets the sea, a place where you'd 138 00:10:57,559 --> 00:11:02,280 Speaker 1: go to find serenity or hide the body Raphae seventy 139 00:11:02,360 --> 00:11:05,320 Speaker 1: three now, and looking at his face on my computer 140 00:11:05,480 --> 00:11:08,280 Speaker 1: as we talk, I realized I could see a bit 141 00:11:08,320 --> 00:11:11,640 Speaker 1: of me in him. And it's not just because we're 142 00:11:11,640 --> 00:11:14,560 Speaker 1: both fans of Hawaiian shirts or we both have beards. 143 00:11:15,120 --> 00:11:18,600 Speaker 1: He kind of looks like me from the future, and 144 00:11:18,679 --> 00:11:23,640 Speaker 1: he seems gentle and sensitive. I immediately feel at ease. 145 00:11:24,800 --> 00:11:27,440 Speaker 1: I wonder what's driven him to make children's music all 146 00:11:27,480 --> 00:11:33,319 Speaker 1: these years. Very early on, actually, I sort of steep 147 00:11:33,400 --> 00:11:37,920 Speaker 1: myself in an informal education of what is childhood? Who 148 00:11:37,920 --> 00:11:41,680 Speaker 1: are these impressionable young beings who happened to be fun 149 00:11:41,800 --> 00:11:45,640 Speaker 1: and spontaneous and at times more than we can handle? 150 00:11:48,120 --> 00:11:50,480 Speaker 1: You know, who are these beings? And what do they need? 151 00:11:50,679 --> 00:11:54,360 Speaker 1: And so on? You know, And I think I gained 152 00:11:54,360 --> 00:11:58,000 Speaker 1: a sense of my own self as a child. You know, 153 00:11:58,080 --> 00:12:01,240 Speaker 1: what did I feel when I was younger and so on? 154 00:12:01,480 --> 00:12:05,160 Speaker 1: It was not all rosie for me in my childhood. 155 00:12:05,960 --> 00:12:08,920 Speaker 1: Mocked and humiliated at times, and I was hit and 156 00:12:09,160 --> 00:12:12,480 Speaker 1: I couldn't square that with the fact that I knew 157 00:12:12,480 --> 00:12:17,320 Speaker 1: I was loved, So why didn't I feel respected for 158 00:12:17,400 --> 00:12:21,520 Speaker 1: who I felt I was? Respect This is a word 159 00:12:21,520 --> 00:12:24,200 Speaker 1: that kept coming up over and over again in my 160 00:12:24,280 --> 00:12:28,960 Speaker 1: conversations with Raffie. It's a word he studied, dissected, even 161 00:12:29,000 --> 00:12:33,000 Speaker 1: meditated on. It's not enough to say we need love. 162 00:12:33,960 --> 00:12:36,400 Speaker 1: As the Beatles song said, all you need is love, 163 00:12:36,480 --> 00:12:39,320 Speaker 1: which is true? What kind of love do we need? 164 00:12:40,080 --> 00:12:45,199 Speaker 1: And the word respectful came up. This connection between love 165 00:12:45,320 --> 00:12:52,080 Speaker 1: and respect is something Raffie's devoted his lifetime exploring. Ralphie's father, Arto, 166 00:12:52,360 --> 00:12:55,640 Speaker 1: was an enormous presence in his life. Arto was a 167 00:12:55,640 --> 00:12:59,440 Speaker 1: well known portrait photographer and he was a perfectionist. He 168 00:12:59,480 --> 00:13:02,640 Speaker 1: had him possibly high standards for his work and his son. 169 00:13:03,800 --> 00:13:06,760 Speaker 1: Ralphie says that his parents saw him as an extension 170 00:13:06,800 --> 00:13:10,280 Speaker 1: of themselves. They didn't see him as his own person, 171 00:13:10,960 --> 00:13:14,600 Speaker 1: and that was painful and confusing. It turns out that 172 00:13:14,720 --> 00:13:16,880 Speaker 1: Raffie and I have a lot more in common than 173 00:13:16,920 --> 00:13:20,640 Speaker 1: just our looks. Rafi grew up in Egypt, but his 174 00:13:20,720 --> 00:13:23,480 Speaker 1: family moved to Canada when Rafi was ten years old. 175 00:13:24,240 --> 00:13:26,640 Speaker 1: This wasn't the first time the Cabukians fled their home 176 00:13:26,679 --> 00:13:29,160 Speaker 1: in search of a new one. They'd already survived the 177 00:13:29,240 --> 00:13:33,360 Speaker 1: Armenian genocide in Turkey. My parents escaped an oppressive regime 178 00:13:33,360 --> 00:13:36,679 Speaker 1: in Cuba, eventually settling here in Los Angeles in search 179 00:13:36,720 --> 00:13:40,160 Speaker 1: of a better life. When you grow up like Raffie 180 00:13:40,200 --> 00:13:42,760 Speaker 1: and I did, with one foot in the New world 181 00:13:43,080 --> 00:13:46,720 Speaker 1: and one in the old, it can feel lonely. I 182 00:13:46,800 --> 00:13:50,400 Speaker 1: must say, I relate to you as um. A thing 183 00:13:50,480 --> 00:13:52,880 Speaker 1: that I believe we have in common is that our 184 00:13:52,920 --> 00:13:56,800 Speaker 1: parents are exiles and immigrants from you know, a different country, 185 00:13:56,800 --> 00:13:58,800 Speaker 1: and you raised in Canada. I was born in the 186 00:13:58,880 --> 00:14:02,640 Speaker 1: United States, and that was a sensitive child. And although 187 00:14:02,679 --> 00:14:06,200 Speaker 1: I did feel loved, I was confused a lot by 188 00:14:07,559 --> 00:14:10,280 Speaker 1: the way with which I was loved, because my parents 189 00:14:10,360 --> 00:14:13,720 Speaker 1: had a certain expectation of what a young man was 190 00:14:13,760 --> 00:14:16,760 Speaker 1: supposed to be, or what is interests are supposed to be. 191 00:14:17,320 --> 00:14:23,920 Speaker 1: My father's a tough, masculine machinist, where I use the 192 00:14:23,960 --> 00:14:29,320 Speaker 1: word journal as a verb. You know, I was very emotional, 193 00:14:29,360 --> 00:14:31,640 Speaker 1: and I don't think they could understand how a boy 194 00:14:32,200 --> 00:14:36,440 Speaker 1: born in Los Angeles in freedom could cry if he 195 00:14:36,560 --> 00:14:39,440 Speaker 1: was moved by a movie or something like that. So 196 00:14:39,840 --> 00:14:43,160 Speaker 1: a lot of the times I felt misunderstood or like 197 00:14:43,240 --> 00:14:47,480 Speaker 1: I couldn't even express these emotions. Did they not ask 198 00:14:47,520 --> 00:14:50,920 Speaker 1: you what you wanted to be when you grew up? Um? No, 199 00:14:51,640 --> 00:14:53,680 Speaker 1: I don't think they really did. I think they were 200 00:14:53,720 --> 00:15:03,560 Speaker 1: just like. May I say about respect, Chris, I think 201 00:15:03,600 --> 00:15:06,840 Speaker 1: it's the word that is going to be in this 202 00:15:07,360 --> 00:15:10,240 Speaker 1: Finding Ravy series of podcasts. It's going to be the 203 00:15:10,400 --> 00:15:15,200 Speaker 1: word because, if you think about it, every human being 204 00:15:16,440 --> 00:15:22,800 Speaker 1: wants to feel respected without exception. I don't think you 205 00:15:22,800 --> 00:15:27,280 Speaker 1: could ask that question of anyone, Um, would you like 206 00:15:27,400 --> 00:15:30,480 Speaker 1: to be respected? I don't think anyone would say no. 207 00:15:31,600 --> 00:15:34,880 Speaker 1: Or maybe I think people would say, yeah, I'd like 208 00:15:35,000 --> 00:15:44,239 Speaker 1: to feel respected for who I feel I am. Respect 209 00:15:44,320 --> 00:15:48,040 Speaker 1: can mean so many things. For me. It's tied to authority, 210 00:15:48,920 --> 00:15:52,080 Speaker 1: kids respect adults. I hadn't thought about it as a 211 00:15:52,120 --> 00:15:56,040 Speaker 1: two way street. And trust me, I thought about my 212 00:15:56,160 --> 00:15:59,600 Speaker 1: childhood a lot as a stand up comedian. My parents 213 00:15:59,640 --> 00:16:03,720 Speaker 1: are the meat of most of my jokes. As a kid, 214 00:16:04,160 --> 00:16:15,800 Speaker 1: I knew my parents loved me, but respect me. My 215 00:16:15,880 --> 00:16:22,920 Speaker 1: mom's dope. She's adorable. She's tiny. She's four eight. Yeah, 216 00:16:23,000 --> 00:16:28,960 Speaker 1: she's so small. She looks far away. She should have 217 00:16:29,000 --> 00:16:31,280 Speaker 1: a little sign on it that says Cubans in the mirror, 218 00:16:31,320 --> 00:16:38,240 Speaker 1: maybe closer than they appear. She's a lovely lady. She's 219 00:16:38,360 --> 00:16:42,480 Speaker 1: very critical. We're hanging out recently. She's like, I don't 220 00:16:42,480 --> 00:16:45,840 Speaker 1: like how you dress. You don't, I don't know. I 221 00:16:45,840 --> 00:16:49,360 Speaker 1: don't like it. Too many buttons? Why the top button? 222 00:16:49,400 --> 00:16:54,600 Speaker 1: What are you hiding? You look like you look like 223 00:16:54,640 --> 00:17:00,200 Speaker 1: a You look like a teacher that nobody respects. You 224 00:17:00,240 --> 00:17:02,440 Speaker 1: look like I'm agician with no tricks. It's very sad. 225 00:17:04,440 --> 00:17:07,160 Speaker 1: That's cold blooded. Mom. She's like, you need to dress 226 00:17:07,200 --> 00:17:11,240 Speaker 1: like a man, like a Cuban man. I'm like, what's 227 00:17:11,240 --> 00:17:14,520 Speaker 1: a Cuban man supposed to dress like? She goes like 228 00:17:14,640 --> 00:17:23,880 Speaker 1: pit bull. I love piple, I respect people, but I'm 229 00:17:23,880 --> 00:17:26,680 Speaker 1: not gonna dress like a tuxedo mannequin that won the lottery, 230 00:17:26,720 --> 00:17:30,800 Speaker 1: you know what I mean. My mom Anna is the 231 00:17:30,880 --> 00:17:33,760 Speaker 1: real comedian in the family, and she doesn't hold back 232 00:17:34,200 --> 00:17:41,560 Speaker 1: like a Cuban female. Don Rickles, like, don't you Rickles. 233 00:17:42,359 --> 00:17:51,359 Speaker 1: She came up with ima that when she comes to visit, 234 00:17:51,520 --> 00:17:54,760 Speaker 1: she always brings a gift. She thinks she could buy 235 00:17:54,760 --> 00:17:57,959 Speaker 1: the love and affection of the baby to the baby. 236 00:17:58,960 --> 00:18:06,880 Speaker 1: Oh we need that, I think, Yeah, a perfect growing up. 237 00:18:06,920 --> 00:18:09,800 Speaker 1: My parents didn't play kids music for me. They played 238 00:18:09,880 --> 00:18:13,200 Speaker 1: music they liked. We're Talking, Sonny and Share the Beatles 239 00:18:13,440 --> 00:18:17,320 Speaker 1: the Saturday Night Fever soundtrack in case you're wondering. My 240 00:18:17,359 --> 00:18:20,680 Speaker 1: mom has no idea who Raffie is, so I play 241 00:18:20,680 --> 00:18:24,680 Speaker 1: her one of his biggest hits, Banana Phone. I've got 242 00:18:24,760 --> 00:18:39,399 Speaker 1: this fevering for us to get together. You like you 243 00:18:42,280 --> 00:18:45,000 Speaker 1: say about whatever Anthony? She was hoping that I would 244 00:18:45,040 --> 00:18:47,520 Speaker 1: play this Mark Anthony song that she loves so much. 245 00:18:48,440 --> 00:18:52,119 Speaker 1: Ever since my conversation with Raffie, I've been thinking about 246 00:18:52,160 --> 00:18:55,760 Speaker 1: the idea of respect and how that factored into my upbringing. 247 00:18:56,119 --> 00:18:58,360 Speaker 1: I mean, even the thought of asking my mom if 248 00:18:58,400 --> 00:19:02,880 Speaker 1: she respected me. It feels awkward. What the heck I ask? Anyway, 249 00:19:04,080 --> 00:19:13,560 Speaker 1: a significant significant if they don't need you know. It 250 00:19:13,600 --> 00:19:17,520 Speaker 1: turns out my mom has this whole philosophy about respecting children. 251 00:19:18,280 --> 00:19:22,000 Speaker 1: She says, to respect a child is to recognize their innocence, 252 00:19:22,560 --> 00:19:27,399 Speaker 1: to embrace them where they are. I'm realizing that respect 253 00:19:27,680 --> 00:19:30,399 Speaker 1: has always been at the heart of how she raised me. 254 00:19:30,840 --> 00:19:34,040 Speaker 1: She's always seen me for me, an individual with my 255 00:19:34,080 --> 00:19:41,440 Speaker 1: own thoughts and emotions. Oh no, didn't get it. Okay, okay, 256 00:19:44,480 --> 00:19:48,080 Speaker 1: whoa mom. Wow, my name is Anna Garcia and I'm 257 00:19:48,160 --> 00:19:56,600 Speaker 1: running for president. Ok is waste that maduena public level? 258 00:20:00,920 --> 00:20:05,240 Speaker 1: I'm overwhelmed listening to my mom. She says, of course 259 00:20:05,240 --> 00:20:09,479 Speaker 1: she respected me because she wanted me. She chose to 260 00:20:09,480 --> 00:20:12,520 Speaker 1: bring me into this world. I always joked that I 261 00:20:12,560 --> 00:20:15,040 Speaker 1: was an accident because I popped out twelve years after 262 00:20:15,040 --> 00:20:18,159 Speaker 1: my sister Laura. She was born in Cuba during a 263 00:20:18,200 --> 00:20:22,280 Speaker 1: particularly bleak moment in Cuban history. My parents probably didn't 264 00:20:22,280 --> 00:20:25,440 Speaker 1: want to bring another kid into that chaos, so they 265 00:20:25,480 --> 00:20:27,840 Speaker 1: had me once they could keep me safe here in 266 00:20:27,840 --> 00:20:31,440 Speaker 1: the United States. It was part of their plan. They 267 00:20:31,480 --> 00:20:38,120 Speaker 1: wanted more for me. This is not at all how 268 00:20:38,160 --> 00:20:40,760 Speaker 1: my parents grew up. For a while as a kid, 269 00:20:40,920 --> 00:20:43,760 Speaker 1: my dad was homeless, living on the street. My mom 270 00:20:43,840 --> 00:20:45,800 Speaker 1: dropped out of school in the sixth grade because their 271 00:20:45,800 --> 00:20:49,359 Speaker 1: family couldn't afford books. Neither my mom nor my dad 272 00:20:49,480 --> 00:20:55,040 Speaker 1: knew their fathers, and my mom's mom, Maola Caruca, was tough. 273 00:20:55,640 --> 00:20:58,719 Speaker 1: She wasn't the nurturing type, more of a get your 274 00:20:58,720 --> 00:21:00,800 Speaker 1: shoes on and hustle those sig rats on the corner 275 00:21:00,840 --> 00:21:04,040 Speaker 1: so we can buy dinner kind of mom. She was 276 00:21:04,080 --> 00:21:06,720 Speaker 1: single and funneled all of her energy and just surviving, 277 00:21:08,080 --> 00:21:13,959 Speaker 1: so I don't think my mom had much of a childhood. 278 00:21:15,560 --> 00:21:21,879 Speaker 1: You're going to different, no mamas Amiga. She's saying that 279 00:21:21,920 --> 00:21:25,480 Speaker 1: her mom is really strictum and she told herself that 280 00:21:25,560 --> 00:21:28,600 Speaker 1: she wasn't going to be like that with us, which 281 00:21:28,640 --> 00:21:33,520 Speaker 1: is true. It's interesting to think about how parenting skills 282 00:21:33,600 --> 00:21:39,960 Speaker 1: and world views and traumas trickled down from that, and 283 00:21:40,040 --> 00:21:44,840 Speaker 1: the amazing that she's so it doesn't seem to carry 284 00:21:44,840 --> 00:21:47,960 Speaker 1: any of it, you know. It's just kind of blows 285 00:21:48,040 --> 00:21:51,720 Speaker 1: me away. I get emotional about it. It's really little 286 00:21:51,760 --> 00:22:02,800 Speaker 1: special person. My mom's on her own now. My dad 287 00:22:02,880 --> 00:22:07,080 Speaker 1: died four years ago from Alzheimer's, and sitting here talking 288 00:22:07,119 --> 00:22:09,560 Speaker 1: to her, knowing all that she and my dad had 289 00:22:09,600 --> 00:22:12,720 Speaker 1: been through, I'm realizing that they had to invent what 290 00:22:12,840 --> 00:22:22,119 Speaker 1: it meant to be parents. And what really amazes me 291 00:22:22,160 --> 00:22:26,520 Speaker 1: about my mom is she always finds humor, especially in 292 00:22:26,560 --> 00:22:31,159 Speaker 1: the toughest times, like when we cremated my dad, she 293 00:22:31,320 --> 00:22:35,600 Speaker 1: asked the funeral director for a senior discount just so 294 00:22:35,680 --> 00:22:45,000 Speaker 1: I would laugh. I'm not sure how she ended up 295 00:22:45,040 --> 00:22:48,520 Speaker 1: this way, but I am, hands down a reflection of 296 00:22:48,560 --> 00:22:51,840 Speaker 1: where I come from. I mean, you heard my stand up. 297 00:22:53,160 --> 00:23:29,800 Speaker 1: Maybe Raphae's music reflects who he is too. M my 298 00:23:29,880 --> 00:23:37,480 Speaker 1: mom says, but it's hard for me just I think 299 00:23:37,560 --> 00:23:41,399 Speaker 1: this is my favorite Raffi song. I wonder if I'm growing. 300 00:23:42,040 --> 00:23:45,320 Speaker 1: It taps into a feeling from my childhood. My parents 301 00:23:45,440 --> 00:23:47,679 Speaker 1: left for work early in the morning, so they dropped 302 00:23:47,680 --> 00:23:50,600 Speaker 1: me off at my friend Leo Vlone's house long before school. 303 00:23:51,440 --> 00:23:54,440 Speaker 1: The house was pitch dark and quiet, and I'd awkwardly 304 00:23:54,480 --> 00:23:57,040 Speaker 1: hang out with Leo's mom in the kitchen until everyone 305 00:23:57,080 --> 00:24:00,239 Speaker 1: woke up. I knew my parents were doing it so 306 00:24:00,280 --> 00:24:02,480 Speaker 1: I could have a shot at a good education, but 307 00:24:02,560 --> 00:24:12,760 Speaker 1: it made me feel insecure, like I didn't belong. There's 308 00:24:12,800 --> 00:24:16,040 Speaker 1: something about listening to this song. There's a vulnerability in 309 00:24:16,160 --> 00:24:19,960 Speaker 1: Raphe's voice. It takes me right back to Leo Valone's kitchen, 310 00:24:20,640 --> 00:24:24,080 Speaker 1: sitting there so unsure of myself, and by the end 311 00:24:24,080 --> 00:24:27,639 Speaker 1: of the song, rapew reassures us that everything is going 312 00:24:27,680 --> 00:24:30,320 Speaker 1: to be okay. It doesn't sound like a kid's song 313 00:24:30,400 --> 00:24:43,480 Speaker 1: to me. Speaks to me now, and I think growing growing, 314 00:24:51,080 --> 00:24:55,000 Speaker 1: and it's true, we're all still growing. I mean hopefully 315 00:24:55,040 --> 00:24:58,440 Speaker 1: we are, and part of growing is making sense of 316 00:24:58,440 --> 00:25:02,360 Speaker 1: where we've come from. Would you say that you're singing 317 00:25:02,400 --> 00:25:05,720 Speaker 1: to yourself and is this a response to your own childhood? 318 00:25:06,680 --> 00:25:11,200 Speaker 1: That's a start a question. Clearly, our past informs are present, 319 00:25:11,280 --> 00:25:16,080 Speaker 1: and you know, I think there's a measure of Catharsis 320 00:25:16,119 --> 00:25:21,000 Speaker 1: in my career that has benefited my whole being, and 321 00:25:21,080 --> 00:25:26,000 Speaker 1: certainly in recognizing that I didn't feel respected and love 322 00:25:26,080 --> 00:25:28,000 Speaker 1: for who I felt I was. You know, it was 323 00:25:28,040 --> 00:25:31,919 Speaker 1: a possessive love. But my parents dolled out, if you 324 00:25:31,960 --> 00:25:34,639 Speaker 1: will again, They loved me greatly and I love them 325 00:25:34,680 --> 00:25:36,920 Speaker 1: for that, but I certainly had to come to terms 326 00:25:36,960 --> 00:25:41,240 Speaker 1: with the difficulty of being their child, you know. And 327 00:25:41,440 --> 00:25:45,560 Speaker 1: but every one of us actually is charged with making 328 00:25:45,600 --> 00:25:49,199 Speaker 1: meaning of our life in our adulthood, and you're in 329 00:25:49,240 --> 00:25:54,200 Speaker 1: that process yourself. You're you're actually in your comedic shows, 330 00:25:54,240 --> 00:25:57,080 Speaker 1: as you say, you know, you're you're working through those 331 00:25:57,119 --> 00:26:00,800 Speaker 1: emotions through humor, which is very interesting. Actually you're kind 332 00:26:00,800 --> 00:26:06,480 Speaker 1: of doing your therapy and public as a stand up comedian. Yeah, 333 00:26:06,520 --> 00:26:09,439 Speaker 1: that's literally all I do, and a lot of what 334 00:26:09,480 --> 00:26:12,560 Speaker 1: I'm working out deals with my sensitivity. To me. There's 335 00:26:12,600 --> 00:26:15,120 Speaker 1: no such thing as a sensitive child. We're all sensitive 336 00:26:15,160 --> 00:26:19,560 Speaker 1: because we have needs. And it's interesting to consider that 337 00:26:20,080 --> 00:26:24,679 Speaker 1: the human infant of every culture is the same human 338 00:26:24,720 --> 00:26:30,000 Speaker 1: being physiologically. Every child in the world at that early 339 00:26:30,200 --> 00:26:36,680 Speaker 1: stage has exactly the same needs. The universal, irreducible needs 340 00:26:36,720 --> 00:26:41,520 Speaker 1: of early childhood are the best place to see how 341 00:26:41,560 --> 00:26:46,440 Speaker 1: connected are human species is the fact that we can 342 00:26:46,520 --> 00:26:52,119 Speaker 1: see the interconnectedness of human experience most vividly in early 343 00:26:52,200 --> 00:26:55,120 Speaker 1: years should make us jump from the rooftops and well 344 00:26:55,160 --> 00:26:59,920 Speaker 1: at these shout from the rooftops. This is exciting. Here 345 00:27:00,080 --> 00:27:02,760 Speaker 1: we are. Here's where we are one. We are one 346 00:27:02,800 --> 00:27:06,200 Speaker 1: in the human infant. This is where we can see 347 00:27:06,200 --> 00:27:11,359 Speaker 1: our our oneness. Isn't that joyful? Isn't that something to celebrate? 348 00:27:11,400 --> 00:27:14,959 Speaker 1: I believe it is. I could see it in Sunny herself. 349 00:27:15,000 --> 00:27:18,240 Speaker 1: Every morning I take her on a walk, and I'm 350 00:27:18,280 --> 00:27:22,640 Speaker 1: observing the world through her eyes, so curious and so 351 00:27:22,920 --> 00:27:27,000 Speaker 1: joyful and so spirited. My job is to hopefully guide 352 00:27:27,000 --> 00:27:29,800 Speaker 1: her to maintain this for all of her years. But 353 00:27:29,880 --> 00:27:32,840 Speaker 1: I wish I could bottle it and share it with 354 00:27:32,880 --> 00:27:36,879 Speaker 1: adults and kids alike. What she's giving you is a 355 00:27:37,840 --> 00:27:41,840 Speaker 1: vibration of frequency of a light that you can't help 356 00:27:41,880 --> 00:27:55,040 Speaker 1: but shine because you see it's worth and you feel yeah, excited. 357 00:27:56,520 --> 00:28:02,200 Speaker 1: See those little birds I'm singing for still, I'm a 358 00:28:02,200 --> 00:28:08,080 Speaker 1: little concert for you. My daily walks with Sonny ground 359 00:28:08,160 --> 00:28:10,560 Speaker 1: me and remind me that there's still a lot of 360 00:28:10,560 --> 00:28:14,439 Speaker 1: wonder out there. Like Ralphie said, our curiosities don't have 361 00:28:14,480 --> 00:28:17,440 Speaker 1: to wither and die when we reach adulthood. So I'm 362 00:28:17,440 --> 00:28:20,439 Speaker 1: trying to notice how I'm growing with these new experiences, 363 00:28:20,880 --> 00:28:28,280 Speaker 1: with Sonny's new experiences. It's a dog. Yeah, I'm telling 364 00:28:36,800 --> 00:28:39,280 Speaker 1: it's so humbling to bring a child into the world, 365 00:28:40,040 --> 00:28:43,280 Speaker 1: and at this tenuous point in history. She was born 366 00:28:43,280 --> 00:28:45,280 Speaker 1: in the thick of the pandemic, and she doesn't know 367 00:28:45,320 --> 00:28:48,520 Speaker 1: what's going on at all. She doesn't know that we 368 00:28:48,560 --> 00:28:51,240 Speaker 1: had an insurrection or that the oceans are on fire. 369 00:28:51,840 --> 00:28:55,040 Speaker 1: And I get to be her point of contact her father. 370 00:28:56,120 --> 00:28:58,600 Speaker 1: I mean, as my mom said about me, Sonny didn't 371 00:28:58,640 --> 00:29:02,000 Speaker 1: ask to be here. It's my job to help her 372 00:29:02,040 --> 00:29:06,480 Speaker 1: become a confident person capable of accepting love and giving love. 373 00:29:07,320 --> 00:29:10,600 Speaker 1: At least that's what I want for her. No pressure 374 00:29:10,680 --> 00:29:38,760 Speaker 1: right next time on finding Raffie. If you were to 375 00:29:38,840 --> 00:29:44,640 Speaker 1: meet Raffie, you wouldn't say, Oh, my god, grandson of 376 00:29:44,840 --> 00:29:50,560 Speaker 1: survivors of a cataclysmic genocide who is scarred for life. 377 00:29:51,120 --> 00:29:55,120 Speaker 1: Rafi's music is like the happiest music on the planet. 378 00:29:57,040 --> 00:30:01,200 Speaker 1: There were stories of survival of my family, survival from 379 00:30:01,240 --> 00:30:06,960 Speaker 1: the massacres of the Ottoman Empire, stories of how arts 380 00:30:06,960 --> 00:30:14,480 Speaker 1: saved the day. Finding Raffie is a production in My 381 00:30:14,640 --> 00:30:18,920 Speaker 1: Heart Radio and Fatherly in partnership with Rococo Punch. It's 382 00:30:18,960 --> 00:30:23,760 Speaker 1: produced by Catherine Fennalosa, Meredith Hannig, and James Trout. Production 383 00:30:23,760 --> 00:30:27,600 Speaker 1: assistance from Charlotte Livingston. Alex French is our story consultant. 384 00:30:27,920 --> 00:30:32,240 Speaker 1: Our senior producer is Andrea Swahee. Emily Foreman is our editor. 385 00:30:32,800 --> 00:30:37,920 Speaker 1: Fact checking by Andrea Lopez Cruzado. Raphae's music is courtesy 386 00:30:37,960 --> 00:30:41,720 Speaker 1: of Troubadour Records. Special thanks to Kim Layton at Troubadour. 387 00:30:42,760 --> 00:30:46,080 Speaker 1: Our executive producers are Jessica Albert and John Parotti at 388 00:30:46,160 --> 00:30:50,400 Speaker 1: Rococo Punch, Ty Trimble, Mike Rothman and Jeff Eisenman at Fatherly, 389 00:30:50,760 --> 00:30:56,120 Speaker 1: and me Chris Garcia. Thank you for listening, and then 390 00:30:56,160 --> 00:31:00,240 Speaker 1: I would end the song with Willoughby Wallaby Waffy, an 391 00:31:00,320 --> 00:31:05,720 Speaker 1: Elephants sat on Raffie and I go whoa slide in 392 00:31:05,800 --> 00:31:09,520 Speaker 1: my chair and gets squished and they loved it, and 393 00:31:09,640 --> 00:31:10,840 Speaker 1: I was smiling too,