WEBVTT - White Supremacy Then and Now

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<v Speaker 1>This episode is sponsored by FX's Fleischman Is in Trouble,

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<v Speaker 1>starring Jesse Eisenberg, Claire Danes, Lizzie Kaplan, and Adam Brodie.

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<v Speaker 1>The strama tells the story of recently divorced Toby Fleischmann,

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<v Speaker 1>who dies into the world of at based dating with

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<v Speaker 1>the kind of success he never had in his youth.

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<v Speaker 1>Then his ex wife disappears, leaving him with their two

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<v Speaker 1>children and no hint of her return effectus. Fleischman Is

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<v Speaker 1>in Trouble, streaming November seventeenth only on Hulu. Greetings and

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<v Speaker 1>welcome to Woke f with me Danielle Moodye. This past week,

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<v Speaker 1>we saw a major shift in American politics with the

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<v Speaker 1>long awaited inauguration of President Joe Biden. But we still

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<v Speaker 1>have a long road ahead of us to get to

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<v Speaker 1>a place of justice and equality in this country. One

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<v Speaker 1>path we need to take in pursuit of justice is

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<v Speaker 1>the impeachment trial of the former twice impeached President Donald Trump.

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<v Speaker 1>On Tuesday's episode of Woke a F Daily, which you

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<v Speaker 1>can hear right now at patreon dot com slash woke AF,

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<v Speaker 1>I had the honor and privilege of speaking with one

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<v Speaker 1>of our nation's impeachment managers. Congresswoman Stacy Plaskett about her

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<v Speaker 1>role in impeachment and why Trump needs to be convicted

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<v Speaker 1>even after leaving office. I have to tell you I've

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<v Speaker 1>really thrown myself into work, and the work that I'm

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<v Speaker 1>doing I think is so incredibly important as an impeachment manager.

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<v Speaker 1>And Jamie Raskin's words, I saw him on Cable News

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<v Speaker 1>yesterday when he said he lost his son in twenty

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<v Speaker 1>twenty and he'll be damned if he loses his country

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<v Speaker 1>in twenty twenty one. You know, I have had the

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<v Speaker 1>good fortune of also speaking with Representative Raskin and to

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<v Speaker 1>think about how committed, you know, you have to be

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<v Speaker 1>to this country, to the constitution, to this democracy, to

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<v Speaker 1>be able to push through the unspeakable trauma of losing

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<v Speaker 1>a child to now working so desperately not to lose

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<v Speaker 1>a country. Can you talk to us about what it

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<v Speaker 1>is like to be an impeachment manager, what has come

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<v Speaker 1>up for you as a representative but also as you know,

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<v Speaker 1>just a believer in democracy, a believer in institution. Right, yeah, Well,

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<v Speaker 1>you know, my legal career began in the Bronx District

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<v Speaker 1>Attorney's office, which is kind of a trial by fireplace.

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<v Speaker 1>You're given a week of training and then you're sent

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<v Speaker 1>assigned to a courtroom and giving a stack of cases.

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<v Speaker 1>And you know, people pride themselves there on being very

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<v Speaker 1>fast paced, my core, weekend, core, complaint room, the whole bit.

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<v Speaker 1>And so I kind of took this the same way

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<v Speaker 1>of just throwing myself into it. But one of maybe

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<v Speaker 1>the things that as well comes as a bronch district

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<v Speaker 1>attorney is being very i have to say, unemotional about

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<v Speaker 1>criminal trial and just getting to the facts and to justice.

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<v Speaker 1>And I've really tried to be this way in working

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<v Speaker 1>through how we are going to present this case. Is

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<v Speaker 1>not getting caught up in the emotion of what we

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<v Speaker 1>all experience, but how do we prove the elements of

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<v Speaker 1>the crime place on January and leading up to January sixth, Right,

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<v Speaker 1>because January sixth was the fulfillment of a conspiracy or

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<v Speaker 1>throw this government. Insurrection doesn't occur at the beginning of

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<v Speaker 1>an individual's time and office. It occurs at the end.

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<v Speaker 1>And this is classic to what our founding fathers anticipated

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<v Speaker 1>when they were drafting the Constitution and discussed impeachment while

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<v Speaker 1>an impeachment was going on in England while they were

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<v Speaker 1>having the conversation about putting impeachment, because impeachment is two parts. One,

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<v Speaker 1>it is removing that individual from the clear and present

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<v Speaker 1>danger that they present, but it is also preventing that

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<v Speaker 1>individual or individuals from ever being able again to do that.

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<v Speaker 1>It's qualification of the person from being able to run

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<v Speaker 1>for office, from receiving the trappings of what we give

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<v Speaker 1>those individuals who were our former presidents. That doesn't just

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<v Speaker 1>include the tax player, social Security, retirement pay staff and

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<v Speaker 1>the others. It includes briefings. Right say, right, do we

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<v Speaker 1>want this individual to continue to have access to the

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<v Speaker 1>leavers of power knowing what he will do to retain

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<v Speaker 1>power for himself. Those are the reasons that we are

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<v Speaker 1>having in this drib. Tell me what is different between

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<v Speaker 1>the one article that we are looking at right now,

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<v Speaker 1>which is incitement and insurrection, correct, versus what we were

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<v Speaker 1>looking at in twenty nineteen, which was obstruction of justice? Right?

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<v Speaker 1>What are the what are the what are the impeachment

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<v Speaker 1>one point zero and now impeaching two point zero? Right?

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<v Speaker 1>Two point zero is always bigger better. The differences is

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<v Speaker 1>that we've all seen the crime. M hmm. The difference

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<v Speaker 1>is that not only were we all witnesses, but that

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<v Speaker 1>the jurors were actually victims of the crime. That is

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<v Speaker 1>going to be the difference in how this is presented,

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<v Speaker 1>And the issue is now for these senators. If they

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<v Speaker 1>are able as victims and continuing ongoing victims, as they

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<v Speaker 1>are threatened right by this president and by those conspirators

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<v Speaker 1>who were with them with him, are they able to

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<v Speaker 1>transcend that or to be protected from that, to be

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<v Speaker 1>able to render a verdict? Our nation's future is at stake.

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<v Speaker 1>Are we going to hold a white supremacist demagogue accountable

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<v Speaker 1>for his crimes against our country? And if not, what

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<v Speaker 1>does that say about America? But to be honest, white

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<v Speaker 1>supremacy is in our legacy and lineage, going back before

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<v Speaker 1>the founding of our nation. I was also joined this

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<v Speaker 1>week by the amazing Robert Jones Junior aka son of Baldwin,

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<v Speaker 1>author of the new brilliant novel The Prophets. In addition

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<v Speaker 1>to talking all about the long journey that led to

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<v Speaker 1>the creation of his first novel, Robert also discussed how

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<v Speaker 1>white supremist patriarchy is tied to the legacy of slavery

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<v Speaker 1>and the long held suppression of black queer love. It

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<v Speaker 1>was an enlightening and emotional conversation which you can hear

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<v Speaker 1>all thirty minutes of right now at patreon dot com

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<v Speaker 1>slash Woke af Here's a taste of what we talked about.

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<v Speaker 1>Why do you think that it is still so difficult?

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<v Speaker 1>We're talking twenty first century, so many decades removed from

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<v Speaker 1>Harlem Renaissance, from these different iconic moments for us to

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<v Speaker 1>talk still about black queer love for that question, for

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<v Speaker 1>you still to ask that question, what about? And I

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<v Speaker 1>would even say what about our love? Right right? Because

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<v Speaker 1>there are so many answers to the what about love?

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<v Speaker 1>People will point to what they believe to be representations

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<v Speaker 1>of love, But I say, what about our love? What

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<v Speaker 1>is it about black queer love that is still something

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<v Speaker 1>that is so underground, that is still so wanting and

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<v Speaker 1>still seem so fictational? I know when I was doing

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<v Speaker 1>the research, everything pointed to Christian indoctrination because when listeners

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<v Speaker 1>might not know. But there are several chapters in a

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<v Speaker 1>novel that go back to pre colonial Africa to discuss

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<v Speaker 1>what life was like for pre colonial continental Africans in

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<v Speaker 1>terms of gender and sexuality and such. It is not

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<v Speaker 1>until the European colonizer and the Christian missionaries show up

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<v Speaker 1>to many of these African tribes that we begin to

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<v Speaker 1>look at things that we deemed a normal part of

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<v Speaker 1>the landscape, a normal part of life, as sinful and disgusting,

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<v Speaker 1>and then internalize those feelings as almost to say that

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<v Speaker 1>they rose up out of themselves. And I tie it

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<v Speaker 1>very closely to white supremacist capitalist patriarchy, the desire to

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<v Speaker 1>ensure that each black person is basically a machine to

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<v Speaker 1>make more laborers and soldiers, So it needs to be

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<v Speaker 1>in these heterosexual paradigms, under these rape cultures in order

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<v Speaker 1>to produce more laborers and soldiers for the overseers and

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<v Speaker 1>the plantation owners. And that trauma has really affected the

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<v Speaker 1>way in which black queer people are regarded and the

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<v Speaker 1>ways in which we are able to be free about

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<v Speaker 1>our love and care for one another. And it is deeply,

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<v Speaker 1>deeply sad. But I hope that with a confrontation we

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<v Speaker 1>could get to restoration and then eventually to healing. Oh

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<v Speaker 1>my god, I can remember, and I still there are

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<v Speaker 1>some sites that, you know, celebrate black queer life right

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<v Speaker 1>some you know, there are so many on Instagram. I

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<v Speaker 1>think Native Suns is one of them that my friend

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<v Speaker 1>of Meal and he says, and when years as well

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<v Speaker 1>created because he has always been a visionary about the

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<v Speaker 1>power of images, right, and the power of those images

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<v Speaker 1>to transform our perception, our stereotypes, ourselves through those pictures. Right.

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<v Speaker 1>And I think about the way in which your writing

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<v Speaker 1>creates this beautiful cinema in our minds of what we

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<v Speaker 1>can see and smell and taste and connect with in

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<v Speaker 1>such a brutal period of our history, you were able

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<v Speaker 1>to articulate something that was also beautiful. How do you

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<v Speaker 1>find you know? You know what I'm saying, because even

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<v Speaker 1>in these moments, Robert, it is so hard to find

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<v Speaker 1>the beauty and the tragedy. Yes, but it was so

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<v Speaker 1>necessary because what I realized when I was writing this

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<v Speaker 1>book was the pain, the physical pain I was feeling

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<v Speaker 1>on my skin as I was writing some of these scenes.

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<v Speaker 1>I said, the reader is going to feel this thing too.

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<v Speaker 1>So I have to imbue as much love and compassion

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<v Speaker 1>for this situation and for these characters, particularly the black characters,

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<v Speaker 1>as I can, because I have to remember, I'm writing

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<v Speaker 1>for the ancestors like this, this is a witnessing. I

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<v Speaker 1>am giving testimony on behalf of the people who survived

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<v Speaker 1>so that I could be here to do what was

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<v Speaker 1>illegal for them to do, read and write, And so

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<v Speaker 1>I had to ensure that their lives were as full

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<v Speaker 1>as they really were, because when we whenever we think

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<v Speaker 1>of this time period, we only think of the labor

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<v Speaker 1>m and the brutality that they faced, But we don't

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<v Speaker 1>think about how they loved and who they loved, and

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<v Speaker 1>what made them laugh and when they went to bed,

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<v Speaker 1>where they dream about. You know, these were people. They

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<v Speaker 1>were not slaves. They were people, and slavery was not

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<v Speaker 1>their burden. Slavery is the burden of the white people

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<v Speaker 1>who enslaved them. And that's the only reason why white

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<v Speaker 1>characters show up in this book is because I wanted

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<v Speaker 1>to make sure that the sin rested with the sinner,

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<v Speaker 1>and the sinner and in my mind, are the white

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<v Speaker 1>people who enslaved our ancestors. White supremacy is not in

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<v Speaker 1>the past. Patriarchy is not in the past. Homophobia is

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<v Speaker 1>not in the past. The same forces that oppressed us

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<v Speaker 1>from hundreds of years are still working out in the

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<v Speaker 1>open to this very day. It's up to us to

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<v Speaker 1>fight back to create a better world and sustainable future

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<v Speaker 1>for ourselves and for those that come after us. These

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<v Speaker 1>are the kinds of conversations I will continue to have

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<v Speaker 1>this year on woke F daily. So please head over

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<v Speaker 1>to patreon dot com slash woke F and subscribe so

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<v Speaker 1>you don't miss a single moment. Five dollars a month

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<v Speaker 1>gets you five shows a week, as well as some

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<v Speaker 1>bonus content, so you get a lot of me every

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<v Speaker 1>single month. For now. I hope you stay safe and

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<v Speaker 1>well as we enter into this new era of what

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<v Speaker 1>America can be. Power to the people and to all

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<v Speaker 1>the people. Power, Get woke and stay woke as fuck.