WEBVTT - Keith Sweat

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<v Speaker 1>R and B Money. Thanks, we are the authorities.

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<v Speaker 2>R and B.

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<v Speaker 3>I'm Jay Valentine and this is the R and B

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<v Speaker 3>Money Podcast.

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<v Speaker 2>I know you see the marble and all the cool shit.

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<v Speaker 3>That means I am at a very very special residence

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<v Speaker 3>because you know, we couldn't shoot this in those studio

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<v Speaker 3>you know, I had to get on the highways and

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<v Speaker 3>the byways to come see my player, pot the man.

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<v Speaker 2>You know what.

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<v Speaker 3>I would usually do some intro where I'm talking about

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<v Speaker 3>all the platinum records of platinum status that is in,

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<v Speaker 3>all of the accomplishments and all the cool shit. But

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<v Speaker 3>I want to get straight to it because this is

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<v Speaker 3>my real brother in real life. I'm talking about call

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<v Speaker 3>me at six in the morning because I'm on the

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<v Speaker 3>West coast and he's not.

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<v Speaker 2>Talking shit every morning. He know what, he called me,

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<v Speaker 2>I pick up.

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<v Speaker 3>So I'm gonna get to it, Ladies and gentlemen, the amazing,

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<v Speaker 3>the legendary, the icon himself, Keith Sweat.

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<v Speaker 2>What's up, Jay?

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<v Speaker 4>What's up?

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<v Speaker 2>Long time?

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<v Speaker 4>No get me on the show?

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<v Speaker 3>Exactly, yes, long time not getting you on the show.

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<v Speaker 3>But you you know what, I'm not bringing none of

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<v Speaker 3>that up, man, because you're here. I know you didn't

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<v Speaker 3>cancel some other you know what I mean. I'm pretty

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<v Speaker 3>sure you had some other shit to do.

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<v Speaker 2>But yeah, you fuck with your player pocket.

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<v Speaker 4>You're my man.

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<v Speaker 5>So I you know, we talked about it. I said, Yo,

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<v Speaker 5>I have to do the show because I'm always running, running,

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<v Speaker 5>running me like, Man, you're gonna do the show? Yeah,

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<v Speaker 5>And I said, man, I'm running, running, running, So I said, man,

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<v Speaker 5>let me. I'm running out of town tomorrow. So I said, man,

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<v Speaker 5>let me get it. Let me knock it out because

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<v Speaker 5>I appreciate you. You won't be screaming on me, and

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<v Speaker 5>said Matt Sweat.

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<v Speaker 2>But you told me.

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<v Speaker 4>You know what I'm saying.

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<v Speaker 3>So you know we come from a certain cloth. You

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<v Speaker 3>know that you're right. You tell me something, I'll hold

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<v Speaker 3>you to it. I tell you something, You're gonna hold

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<v Speaker 3>me to it. And that's why our friendship is with

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<v Speaker 3>the way it is.

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<v Speaker 2>It's always gonna be that. Appreciate that, man for sure.

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<v Speaker 3>Man, let's get to it. Man, let's look, let's get

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<v Speaker 3>to Harlem, okay, because you know, I know I know

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<v Speaker 3>how you are.

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<v Speaker 2>I know you.

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<v Speaker 3>I know you were Harlem, not on your sleep, in

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<v Speaker 3>your heart, and you know you and I have always

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<v Speaker 3>talked about that and you know, our shared experiences of

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<v Speaker 3>where we come from.

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<v Speaker 2>How was how was Keith in Harlem Man coming up?

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<v Speaker 5>I mean I was, you know, a young kid, you know,

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<v Speaker 5>trying to figure it out like everybody else. And you know,

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<v Speaker 5>when you grow up in the hood, you try to

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<v Speaker 5>just figure it out, you know. Yeah, my mother raised

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<v Speaker 5>five kids in the project by herself, so I was

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<v Speaker 5>the youngest of the boys. So but I took the

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<v Speaker 5>approach that I wanted to take care of the family.

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<v Speaker 5>So keep growing up in Harlem was you know, I

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<v Speaker 5>got into my little little mischief things and uh, you know,

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<v Speaker 5>I had to figure out what I wanted to be

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<v Speaker 5>in life and what I wanted to be. That I

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<v Speaker 5>want to be a gangster that I want to be,

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<v Speaker 5>you know what I'm saying, a nice kid, whatever I

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<v Speaker 5>wanted to be. So I had to figure all of

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<v Speaker 5>that out, you know what I'm saying. So I did

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<v Speaker 5>figure it out, you know, I mean, I you know,

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<v Speaker 5>I got myself in.

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<v Speaker 4>A little trouble.

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<v Speaker 5>And the trouble that I got myself in, which you

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<v Speaker 5>know I talk about that in my documentary, is something

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<v Speaker 5>that you know, kind of straightened me up.

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<v Speaker 4>And made me move the right way.

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<v Speaker 3>How did you find your voice or did you? Were

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<v Speaker 3>you always singing as a kid.

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<v Speaker 5>As a kid, I always watched you know, I watched

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<v Speaker 5>all the shows, soul training, all the different type of shows.

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<v Speaker 4>I watched them.

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<v Speaker 5>So you know, I watched the Jacksons and all the

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<v Speaker 5>people growing up, and you know I used to imitate

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<v Speaker 5>a lot of those young acts.

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<v Speaker 4>And you know when I realized, like.

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<v Speaker 5>I say, I was singing out the project window, and

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<v Speaker 5>you know, to some girls that because I used to

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<v Speaker 5>live on the third floor in the project, so I

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<v Speaker 5>used to be singing out the window. You're not put

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<v Speaker 5>on the dead fhonded reggit and be singing out the

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<v Speaker 5>window and go who you.

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<v Speaker 2>Know you saw that reaction earlier. And then my mama

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<v Speaker 2>came home.

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<v Speaker 5>Boy, if I hear you singing out the window again,

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<v Speaker 5>I'm whip your my eye.

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<v Speaker 2>So that's how, that's what that how it all started.

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<v Speaker 3>Actually, yeah, how do you go from singing out the

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<v Speaker 3>project window knowing you got a voice to going to

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<v Speaker 3>Wall Street?

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<v Speaker 2>Though?

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<v Speaker 5>Well, you know, I mean like in life, you know,

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<v Speaker 5>in which you know a lot of your young brothers

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<v Speaker 5>and sisters need to take he but the heat of this, uh,

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<v Speaker 5>you know, my attitude was, you know, you have to

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<v Speaker 5>also have other things that you're doing just in case

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<v Speaker 5>the things you desired don't work out, you know, which

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<v Speaker 5>I try.

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<v Speaker 2>To teach my sons.

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<v Speaker 4>You know, Hey, you have to wear more in one hat, right.

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<v Speaker 5>So if regardless of what your dreams might be, that

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<v Speaker 5>don't mean you're going to accomplish your dreams.

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<v Speaker 2>So were you day trading like you were? Literally? I

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<v Speaker 2>was really?

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<v Speaker 5>I mean I started with Potential Bach and in the

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<v Speaker 5>stock room working with the potential base.

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<v Speaker 2>Then I moved up the paint to pain Webber.

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<v Speaker 5>Right, and h I met this guy who definitely took

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<v Speaker 5>an interest in me name Clyde Burrows. I still remember

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<v Speaker 5>his name, Blackbroker, and he took me under his wings,

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<v Speaker 5>and that's how it all started with me.

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<v Speaker 4>On on on full World Trade Center.

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<v Speaker 5>But I started with Paine Webber Potential Bach and then

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<v Speaker 5>went to Paint Webber and that's how that all started.

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<v Speaker 2>Are you doing music at the same time you going

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<v Speaker 2>to work? Though?

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<v Speaker 5>At the same time I was doing with this group

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<v Speaker 5>called Jamila Okay, and we were doing the Chitlin circuit

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<v Speaker 5>around the city. We would do places like the Mark

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<v Speaker 5>four Smallest Paradise, the Cellar staurant, which Brad Johnson owned it,

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<v Speaker 5>you know what I'm saying, and his father, and so

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<v Speaker 5>I would do the little clubs around it.

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<v Speaker 4>It's called the Chitlin Circuit.

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<v Speaker 5>So I was doing the little clubs around that area,

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<v Speaker 5>and and pretty much that's what I was doing why

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<v Speaker 5>I was on Wall Street and then you know, because

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<v Speaker 5>I had the real passion to do music. Yeah, that's

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<v Speaker 5>what I was doing on my on the time that

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<v Speaker 5>I was off of work.

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<v Speaker 2>Wow, so is this funding it for you? Though? Are

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<v Speaker 2>you like this is working?

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<v Speaker 5>So I can well, well, doing doing the clubs was

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<v Speaker 5>more for more entertainment and.

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<v Speaker 2>Driving because you weren't really making no money doing that.

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<v Speaker 5>No, No, I was making like he would three through

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<v Speaker 5>three sets in the club and come up and do

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<v Speaker 5>one hundred dollars back in them.

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<v Speaker 2>Days, so thirty three dollars a set, so.

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<v Speaker 5>Basically or maybe two hundred dollars something like that. But

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<v Speaker 5>that's when you knew you loved doing what you do, right,

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<v Speaker 5>you know, because I didn't get into the game for

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<v Speaker 5>the money. I got into the game because I loved

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<v Speaker 5>doing what I loved singing. I love being on stage.

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<v Speaker 5>It had nothing to do with the money. You know,

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<v Speaker 5>the money just came, but because of your passion.

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<v Speaker 4>Because of the.

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<v Speaker 3>Passion, right, how long were you in the group before

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<v Speaker 3>you decide you want to go on your solo path?

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<v Speaker 5>Well, what happened is I was in the group of

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<v Speaker 5>you know, I had probably been in the group for

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<v Speaker 5>a couple of years, and you know they had you know,

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<v Speaker 5>during the time, we had another guy named Peter DaCosta

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<v Speaker 5>who was a single with me.

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<v Speaker 3>He was a light skinned, pretty boy like you you know,

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<v Speaker 3>he was the Billy D Williams, like the other man.

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<v Speaker 2>You got to have a Bill D. So you know,

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<v Speaker 2>he was he.

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<v Speaker 5>Was the one, you know, you know what I'm saying.

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<v Speaker 5>You know, you know, you know during them days, you

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<v Speaker 5>know that was that was the look, you know, trying

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<v Speaker 5>to say so, you know, he was the lead. So

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<v Speaker 5>I wouldn't you know, they wanted me to just make

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<v Speaker 5>the group you know, one hundred percent, and he's like, yo,

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<v Speaker 5>you need to quit. Don't what you're doing? Had come

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<v Speaker 5>to just do you know if you really want to

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<v Speaker 5>do mere talking about.

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<v Speaker 2>Get off the get off the stock market. Yeah, just

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<v Speaker 2>do that, I say, hold.

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<v Speaker 5>Away to the minute, baby, No, no, that though, that

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<v Speaker 5>don't pay the bills, that don't.

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<v Speaker 2>Work right, and are you making good money on the

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<v Speaker 2>stock is yeah?

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<v Speaker 5>Yeah, but and and but they wanted me. They felt

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<v Speaker 5>like my overall commitment to the group was wasn't there.

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<v Speaker 5>And then you know the person that owned Jamila and

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<v Speaker 5>that was the name of the group. Uh, the bass

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<v Speaker 5>player was the leader of the group, and his father

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<v Speaker 5>managed the group.

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<v Speaker 4>So you really you understand.

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<v Speaker 2>How that goes. Everything was tied in, tied it in.

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<v Speaker 5>So they decided, you know, yo, we decided you don't

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<v Speaker 5>need to be with the group.

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<v Speaker 2>You got kicked out. I got kicked out. Yeah, it's

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<v Speaker 2>all good.

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<v Speaker 5>So I got kicked out, and it devastated me to

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<v Speaker 5>the point where because that was where I picked up

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<v Speaker 5>the girls on the weekend. You know, that was your

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<v Speaker 5>new project, that was my I knew, I knew what

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<v Speaker 5>it was gonna be. Yeah, yeah, saying oh like that.

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<v Speaker 5>So I think, you know, that's how you invite people

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<v Speaker 5>to the club. Hey, hey, they come to the club,

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<v Speaker 5>I'm singing like that type of thing, right, So they

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<v Speaker 5>kicked me out the group. So when they kicked me

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<v Speaker 5>out the group, I'm a person like this and everybody know.

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<v Speaker 5>And I'm still like that to this day. Don't don't

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<v Speaker 5>don't mess with me because I'm approval point. So I say, Yo,

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<v Speaker 5>I'm approval point. I don't need you. I'm still gonna

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<v Speaker 5>hit and it's gonna be bigger than you ever thought

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<v Speaker 5>it would be.

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<v Speaker 4>And that's what happened.

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<v Speaker 5>So once they kicked me out of the group, it's

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<v Speaker 5>just that the gentleman just hit me and I just

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<v Speaker 5>went hard on you know, the music side.

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<v Speaker 2>Yeah, how long did it take you to get a

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<v Speaker 2>record deal?

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<v Speaker 4>About the Yeah?

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<v Speaker 3>From getting kicked off the group about a yeah after

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<v Speaker 3>And you had been in this group a couple of years,

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<v Speaker 3>but as a soul artist, get year. Yeah, sometime is

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<v Speaker 3>meant to be right. You get the record deal, you

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<v Speaker 3>start working on the project. Could you feel it before

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<v Speaker 3>you dropped?

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<v Speaker 2>Make it last forever? Could you feel it like? Yo?

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<v Speaker 5>Actually, I was working for Suitu Records to producing before

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<v Speaker 5>I did my own project. I had I was with

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<v Speaker 5>working with GQ. Okay, before I even you know drab

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<v Speaker 5>my project. I had worked with Raheem and GQ and

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<v Speaker 5>we did a song called My Mind Is Made Up.

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<v Speaker 5>So I was working with the organization Tony Lopez and

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<v Speaker 5>home with them before I even you know, after I

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<v Speaker 5>I left your mil I started working with GQ and

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<v Speaker 5>me and Raheem would write songs together like you know

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<v Speaker 5>which is still on the end of that.

0:10:47.200 --> 0:10:49.920
<v Speaker 4>Lucky seven and my mind is made up.

0:10:50.760 --> 0:10:54.240
<v Speaker 5>So and then I was writing songs, and then I

0:10:54.320 --> 0:10:58.160
<v Speaker 5>went down to Suture Records, and I was producing song

0:10:58.320 --> 0:11:01.680
<v Speaker 5>for you know, Sutra Records, which his Mark Adam Levey,

0:11:02.080 --> 0:11:05.880
<v Speaker 5>which was Mars Leevy's son. But the Fat Boys Wash

0:11:06.280 --> 0:11:08.840
<v Speaker 5>put the record out by this girl. I wrote this

0:11:08.880 --> 0:11:12.000
<v Speaker 5>record called All I Wanted my Baby by this girl

0:11:12.120 --> 0:11:15.840
<v Speaker 5>named Erta Gilliam. And you know, that's where everything really

0:11:15.920 --> 0:11:18.520
<v Speaker 5>kind of started, you know, because I started as a

0:11:18.520 --> 0:11:21.120
<v Speaker 5>songwriter and producer because that's what I wanted to be.

0:11:21.600 --> 0:11:26.400
<v Speaker 5>So that's the initial focus for you after after I,

0:11:26.520 --> 0:11:29.360
<v Speaker 5>you know, even though I wanted was the soul er,

0:11:29.400 --> 0:11:31.719
<v Speaker 5>I still was because my pen was crazy or it

0:11:31.840 --> 0:11:34.240
<v Speaker 5>was crazy. I knew I had to pay crazy pin.

0:11:34.320 --> 0:11:36.760
<v Speaker 5>I could write like who and come up with and

0:11:36.800 --> 0:11:38.600
<v Speaker 5>then listen to it like, oh damn, I wrote that

0:11:38.600 --> 0:11:42.400
<v Speaker 5>that shit hot. So that's what happened. So I started writing.

0:11:42.600 --> 0:11:46.800
<v Speaker 5>So what made me decide to actually be an artist

0:11:46.880 --> 0:11:51.600
<v Speaker 5>was when I took a song down there and Adam

0:11:51.679 --> 0:11:53.880
<v Speaker 5>Levy told me it wasn't a hit.

0:11:54.200 --> 0:12:02.400
<v Speaker 3>There they go again, somebody is yeah, i'ma proved my point.

0:12:02.600 --> 0:12:03.640
<v Speaker 3>So that's what happened.

0:12:04.120 --> 0:12:06.160
<v Speaker 5>And then I end up writing don't Stop Your Love

0:12:07.080 --> 0:12:10.160
<v Speaker 5>and took it down there and he said that Don't

0:12:10.160 --> 0:12:13.320
<v Speaker 5>Stop Your Love other than a hit because I took

0:12:13.520 --> 0:12:15.800
<v Speaker 5>I actually wrote don't Stop Your Love for somebody else,

0:12:15.840 --> 0:12:18.120
<v Speaker 5>but my voice was order that I met this girl

0:12:18.200 --> 0:12:21.320
<v Speaker 5>named Judy Hudson, who was who knew, you know, Vincent.

0:12:21.880 --> 0:12:24.440
<v Speaker 5>She said, oh my god, that record high. So when

0:12:24.440 --> 0:12:27.640
<v Speaker 5>I finished Don't Stop Your Love, I took it to Judy,

0:12:27.760 --> 0:12:29.800
<v Speaker 5>and Judy introduced me to Vincent. And that's how that

0:12:29.880 --> 0:12:31.760
<v Speaker 5>whole thing started off.

0:12:31.800 --> 0:12:34.840
<v Speaker 3>A record that someone else told you wasn't good, right,

0:12:35.200 --> 0:12:38.319
<v Speaker 3>that you literally wrote as a demo, so you take

0:12:38.360 --> 0:12:38.920
<v Speaker 3>it there.

0:12:39.200 --> 0:12:40.880
<v Speaker 2>They it wasn't, so I said, I'm gonna do this

0:12:40.960 --> 0:12:41.680
<v Speaker 2>join myself.

0:12:42.160 --> 0:12:45.319
<v Speaker 3>That in itself just shows too though, that it's subjective.

0:12:45.440 --> 0:12:49.480
<v Speaker 3>Music is subjective right certain ears. And I see a

0:12:49.520 --> 0:12:52.440
<v Speaker 3>lot of artists that have just come across just at

0:12:52.480 --> 0:12:54.880
<v Speaker 3>different times, and I'm I'll tell people when they send

0:12:54.880 --> 0:12:57.480
<v Speaker 3>me music sometimes just like if I don't hear it,

0:12:57.480 --> 0:12:59.720
<v Speaker 3>I'll tell you I don't hear it. But that don't

0:12:59.760 --> 0:13:03.800
<v Speaker 3>mean it's yeah, I just don't hear it. Because I

0:13:03.800 --> 0:13:08.080
<v Speaker 3>think sometimes people bank too heavy on one person's opinion,

0:13:08.240 --> 0:13:10.000
<v Speaker 3>somebody that they see in a certain light.

0:13:10.120 --> 0:13:13.040
<v Speaker 2>To me, hearing that part of it and seeing that,

0:13:13.120 --> 0:13:13.840
<v Speaker 2>that's where.

0:13:13.760 --> 0:13:16.800
<v Speaker 3>It all kicked off for you though, by literally just

0:13:16.840 --> 0:13:18.760
<v Speaker 3>being like, no, I'm just not gonna take one opinion.

0:13:19.360 --> 0:13:21.520
<v Speaker 3>I'm gonna go see what what else this record got.

0:13:22.280 --> 0:13:24.280
<v Speaker 3>So when you take it to Vincent he hears it.

0:13:24.800 --> 0:13:29.439
<v Speaker 5>I'm gonna actually give the love to Judy Hudson, okay,

0:13:29.840 --> 0:13:32.520
<v Speaker 5>because she was the secret She was the one working

0:13:32.600 --> 0:13:35.920
<v Speaker 5>at Suit Record. Yo, I need to take this record

0:13:35.920 --> 0:13:38.720
<v Speaker 5>to somebody, this record hot. And she's the one that

0:13:38.760 --> 0:13:44.320
<v Speaker 5>took it to Vincent, who was who had Chelsky Love Yeah,

0:13:44.360 --> 0:13:47.559
<v Speaker 5>and he had he with hear him under. So yeah,

0:13:47.559 --> 0:13:49.400
<v Speaker 5>I already I had had that record out. So when

0:13:49.400 --> 0:13:52.480
<v Speaker 5>I took the Vincent, he said, yo, I won't put

0:13:52.480 --> 0:13:55.040
<v Speaker 5>this record out. That record hot, you know. So that's

0:13:55.080 --> 0:13:57.560
<v Speaker 5>how it already initially started for me.

0:13:57.760 --> 0:14:00.720
<v Speaker 2>But at this point, you don't have the album done.

0:14:00.960 --> 0:14:03.320
<v Speaker 4>No, At this point, no, I don't have anything done.

0:14:03.559 --> 0:14:04.600
<v Speaker 4>They gave me.

0:14:04.679 --> 0:14:08.280
<v Speaker 5>I got a deal with Electra Entertainment based on Don't

0:14:08.280 --> 0:14:11.160
<v Speaker 5>Stop Your Love because they wanted to do a twelve

0:14:11.200 --> 0:14:15.439
<v Speaker 5>inch situation with me. Yeah, because because you know, a

0:14:15.480 --> 0:14:17.199
<v Speaker 5>lot of people had turned me down.

0:14:17.920 --> 0:14:19.000
<v Speaker 2>They're like, all right, we'll try to sing it.

0:14:19.000 --> 0:14:19.400
<v Speaker 4>Because ERL.

0:14:19.440 --> 0:14:23.000
<v Speaker 5>Monroe had pretty pro records he turned me down. Yeah,

0:14:23.280 --> 0:14:24.040
<v Speaker 5>so I didn't.

0:14:24.080 --> 0:14:26.040
<v Speaker 2>I didn't know at a record label.

0:14:26.120 --> 0:14:29.040
<v Speaker 5>Yeah, he had pretty pro records. He turned me down.

0:14:29.040 --> 0:14:30.960
<v Speaker 5>A lot a few people turned me down, you know.

0:14:31.600 --> 0:14:35.880
<v Speaker 5>So Vincent gave me the shot, and I wouldn't be

0:14:35.880 --> 0:14:37.680
<v Speaker 5>the keys what I am today if it wasn't for

0:14:37.800 --> 0:14:41.120
<v Speaker 5>that shot. Because what that shot, what he did was

0:14:41.200 --> 0:14:43.080
<v Speaker 5>allow me to go to certain people and say, yo,

0:14:44.160 --> 0:14:48.240
<v Speaker 5>I gotta deal. A lot of people think that I

0:14:48.320 --> 0:14:50.120
<v Speaker 5>wanted was the one that got the deal. No, it

0:14:50.160 --> 0:14:52.640
<v Speaker 5>was gonna Stop Your Love because that was the one

0:14:52.640 --> 0:14:57.000
<v Speaker 5>that gave me to deal with Electra and then other stuff,

0:14:57.040 --> 0:14:59.960
<v Speaker 5>you know, like I said, which we'll say for the documentary,

0:15:00.760 --> 0:15:04.920
<v Speaker 5>was the thing that allowed me to come and do

0:15:05.000 --> 0:15:06.920
<v Speaker 5>what I did and make.

0:15:06.760 --> 0:15:09.080
<v Speaker 4>My and be known as the keys for that I

0:15:09.080 --> 0:15:09.640
<v Speaker 4>am today.

0:15:10.480 --> 0:15:14.160
<v Speaker 5>And you know, like I always tell people, you know,

0:15:14.200 --> 0:15:18.240
<v Speaker 5>people always look at situations and say to themselves they

0:15:18.280 --> 0:15:20.880
<v Speaker 5>get mad at the record company, right. I used to

0:15:20.880 --> 0:15:23.680
<v Speaker 5>be mad at Bencent and Entertainment. And I was like,

0:15:23.760 --> 0:15:25.560
<v Speaker 5>hold on, wait a minute. He was the only one

0:15:25.560 --> 0:15:28.600
<v Speaker 5>that gave me the shot that nobody else gave a

0:15:28.640 --> 0:15:30.920
<v Speaker 5>lot of people forget about that. And I said, yo,

0:15:31.200 --> 0:15:34.080
<v Speaker 5>when everybody else turned me down, he was the one

0:15:34.120 --> 0:15:39.000
<v Speaker 5>that took the gamble. And as you get older, you think.

0:15:38.880 --> 0:15:40.720
<v Speaker 4>About that type of stuff, you say, hold on, wait

0:15:40.720 --> 0:15:41.840
<v Speaker 4>a minute.

0:15:42.040 --> 0:15:43.960
<v Speaker 5>If he hadn't gave me the shot to be who

0:15:44.000 --> 0:15:52.360
<v Speaker 5>I am today, he invested his time and his money.

0:15:50.240 --> 0:15:53.560
<v Speaker 4>And in the me. Yeah, and it was me.

0:15:54.400 --> 0:15:57.120
<v Speaker 5>And at that time, when someone does that, you have

0:15:57.200 --> 0:15:58.680
<v Speaker 5>to All you got to do is show and tell

0:15:58.840 --> 0:16:04.240
<v Speaker 5>improve that you can do. Be you and do you.

0:16:04.240 --> 0:16:06.360
<v Speaker 5>You know what I'm saying, Because everybody's not gonna invest

0:16:06.400 --> 0:16:09.000
<v Speaker 5>in you. Everybody's not gonna take their money and say, yo,

0:16:09.080 --> 0:16:12.200
<v Speaker 5>I'm gonna put my money. It's like it's like it's

0:16:12.240 --> 0:16:14.160
<v Speaker 5>like when you go to the crap table and gamble,

0:16:14.240 --> 0:16:18.200
<v Speaker 5>you put your money down and seven, you can seven

0:16:18.280 --> 0:16:18.960
<v Speaker 5>or crap.

0:16:20.640 --> 0:16:24.280
<v Speaker 2>And whatever you do. You know, if you seven, you're good.

0:16:24.480 --> 0:16:28.080
<v Speaker 5>If you crap out, Hey, but you you got to

0:16:28.080 --> 0:16:29.200
<v Speaker 5>be strong enough to just move on.

0:16:29.280 --> 0:16:29.640
<v Speaker 4>Okay.

0:16:29.840 --> 0:16:32.480
<v Speaker 5>I took that rest, I took that gammel, I moved

0:16:32.520 --> 0:16:35.400
<v Speaker 5>on to an I'm moving on, Like everybody don't get

0:16:35.480 --> 0:16:36.800
<v Speaker 5>that that kind of shot.

0:16:36.880 --> 0:16:38.680
<v Speaker 4>You know, there's a whole lot of people.

0:16:39.080 --> 0:16:41.400
<v Speaker 5>That would love out here, that would love to get

0:16:41.800 --> 0:16:44.720
<v Speaker 5>someone to invest in the one time to show the

0:16:44.720 --> 0:16:45.920
<v Speaker 5>world what they got to offer.

0:16:46.080 --> 0:16:48.480
<v Speaker 3>Right, But I think that's that's super important that you

0:16:48.520 --> 0:16:52.520
<v Speaker 3>bring that up, sweat that somebody that invests in you

0:16:52.560 --> 0:16:54.600
<v Speaker 3>in the beginning. You can't forget. You can never forget that.

0:16:55.280 --> 0:16:58.080
<v Speaker 3>And I think when it when it comes to the

0:16:58.120 --> 0:17:01.400
<v Speaker 3>business side of it, right, an artist may get some

0:17:01.400 --> 0:17:02.880
<v Speaker 3>success and forget that a time.

0:17:03.000 --> 0:17:05.119
<v Speaker 5>Right And because you got so many people whispering in

0:17:05.160 --> 0:17:07.920
<v Speaker 5>your hey boom boom boom, what what they should have done?

0:17:08.000 --> 0:17:09.440
<v Speaker 4>Or what you what you could?

0:17:09.840 --> 0:17:13.120
<v Speaker 5>But you for are you You're not You're forgetting about

0:17:13.160 --> 0:17:15.200
<v Speaker 5>all the times you showed up and bagged that person.

0:17:15.280 --> 0:17:17.800
<v Speaker 5>They just give me one opportunity, Just give me one

0:17:17.920 --> 0:17:20.720
<v Speaker 5>when nobody else was doing it, you know what I'm saying.

0:17:21.160 --> 0:17:25.440
<v Speaker 5>So I had to look at that where I was concerned,

0:17:26.080 --> 0:17:28.000
<v Speaker 5>just like I look at that with the opportunity to

0:17:28.040 --> 0:17:28.240
<v Speaker 5>I have for.

0:17:28.240 --> 0:17:29.800
<v Speaker 4>Giving another talent.

0:17:30.440 --> 0:17:34.200
<v Speaker 5>It's like know the business, learn the business, understanding the business,

0:17:34.200 --> 0:17:36.600
<v Speaker 5>because there's so many people that don't know the being

0:17:36.600 --> 0:17:39.399
<v Speaker 5>and don't understand the business. And then you know, somebody

0:17:39.520 --> 0:17:42.679
<v Speaker 5>like myself and other people get blamed for them not

0:17:42.800 --> 0:17:45.840
<v Speaker 5>knowing the business or understanding the business. Nine times at

0:17:45.840 --> 0:17:48.480
<v Speaker 5>the tenant person to make getting money off their first album, right,

0:17:49.400 --> 0:17:52.520
<v Speaker 5>because you end up paying back the record company for

0:17:52.720 --> 0:17:56.919
<v Speaker 5>the investment because you haven't made no money for the company.

0:17:57.080 --> 0:18:00.800
<v Speaker 5>So everything they put out is there, so they they

0:18:00.840 --> 0:18:02.800
<v Speaker 5>got to recoup. They gotta be cooked. They money, right.

0:18:03.280 --> 0:18:06.520
<v Speaker 5>So I was fortunate to make money off the first

0:18:06.520 --> 0:18:11.679
<v Speaker 5>album because I wrote, Yeah, at least seven or eight

0:18:11.720 --> 0:18:13.119
<v Speaker 5>of those songs on their first album.

0:18:13.200 --> 0:18:16.959
<v Speaker 4>Then it hit. Then I'm a solo artist.

0:18:17.440 --> 0:18:17.760
<v Speaker 2>I'm not.

0:18:19.000 --> 0:18:21.439
<v Speaker 5>I don't have four or five people won't split my

0:18:21.560 --> 0:18:24.200
<v Speaker 5>money with. So when they hit, I was able.

0:18:24.040 --> 0:18:26.000
<v Speaker 4>To make money on the tour because Keith.

0:18:25.760 --> 0:18:35.840
<v Speaker 6>Sweat tell me about when it hit.

0:18:35.880 --> 0:18:39.399
<v Speaker 3>It tell me about like that the feeling because at

0:18:39.400 --> 0:18:42.159
<v Speaker 3>this point you a few years in, you working a

0:18:42.200 --> 0:18:45.960
<v Speaker 3>regular gig, and now you got a hit record and

0:18:46.040 --> 0:18:48.280
<v Speaker 3>a hit album, like you come out the Gate with.

0:18:48.400 --> 0:18:50.840
<v Speaker 5>A hit with a hit and so, and then up

0:18:50.920 --> 0:18:52.320
<v Speaker 5>Michael Jackson out of number one.

0:18:52.640 --> 0:18:54.320
<v Speaker 2>Come on, man, come on man.

0:18:54.920 --> 0:18:57.280
<v Speaker 5>So I was when they did that. I was like,

0:18:57.359 --> 0:18:59.960
<v Speaker 5>hold up on billboards. Yeah, I was like, hold on,

0:19:00.520 --> 0:19:02.360
<v Speaker 5>I'm not an m J out of the number one

0:19:02.400 --> 0:19:06.200
<v Speaker 5>spot on. So, and then I still didn't. I still

0:19:06.200 --> 0:19:07.639
<v Speaker 5>wouldn't quit the stock market.

0:19:07.920 --> 0:19:09.760
<v Speaker 2>Are you still working this whole time? Right?

0:19:10.440 --> 0:19:14.080
<v Speaker 5>I didn't quit the stock market. Right then people started

0:19:14.119 --> 0:19:17.560
<v Speaker 5>coming up to the to the to the Stock Exchange.

0:19:18.000 --> 0:19:20.080
<v Speaker 5>Asked them before I said, you can't be up here.

0:19:20.480 --> 0:19:23.920
<v Speaker 5>They was getting finding ways it on the elevator to

0:19:24.000 --> 0:19:27.919
<v Speaker 5>come to the eighth floor where I was working at on.

0:19:27.840 --> 0:19:30.280
<v Speaker 3>The on the change, crazy because I's a super fan

0:19:30.320 --> 0:19:31.840
<v Speaker 3>back then Tonet.

0:19:32.200 --> 0:19:34.520
<v Speaker 2>And then they would be like, you know, get I said,

0:19:34.560 --> 0:19:36.080
<v Speaker 2>hold up, you're gonna get in trouble. You can't be

0:19:36.160 --> 0:19:37.439
<v Speaker 2>up here. Hell you do it.

0:19:37.960 --> 0:19:41.080
<v Speaker 5>So people would do that and then so that's how

0:19:41.119 --> 0:19:41.960
<v Speaker 5>all that started.

0:19:41.960 --> 0:19:44.600
<v Speaker 4>And then eventually Mark Siegel.

0:19:44.240 --> 0:19:47.159
<v Speaker 5>Who was my first agent, but I see him, he

0:19:47.240 --> 0:19:50.119
<v Speaker 5>came and he said, man, you got to go on

0:19:50.119 --> 0:19:52.720
<v Speaker 5>the road and the O shit too hot right now,

0:19:52.880 --> 0:19:54.879
<v Speaker 5>I mean people want to see you. You have to

0:19:55.080 --> 0:19:58.720
<v Speaker 5>you can't and you have to because I was number

0:19:58.720 --> 0:20:03.000
<v Speaker 5>one on Billboard at that point, but still working, right.

0:20:03.080 --> 0:20:05.640
<v Speaker 4>I said, I ain't even there. I'm shit, I ain't.

0:20:05.520 --> 0:20:09.800
<v Speaker 2>Even Are you investing the bread into the stock market?

0:20:09.840 --> 0:20:11.040
<v Speaker 2>Then no, I'm not.

0:20:11.960 --> 0:20:14.439
<v Speaker 5>I'm what I'm saying what I was in the stock market,

0:20:14.960 --> 0:20:17.520
<v Speaker 5>and I was fine with my job, right, So you know,

0:20:17.560 --> 0:20:21.080
<v Speaker 5>I've had about all these one hit wonders and all

0:20:21.160 --> 0:20:23.800
<v Speaker 5>that shit. So I'm like, man, I'm not leaving this.

0:20:23.800 --> 0:20:26.800
<v Speaker 5>This is in my cushion. This is where I am.

0:20:27.080 --> 0:20:29.200
<v Speaker 5>And he said, nah, man, you don't understand.

0:20:29.359 --> 0:20:31.960
<v Speaker 3>You're huge out here in the street.

0:20:32.800 --> 0:20:35.240
<v Speaker 5>So he said, you know, man, I'll tell you what.

0:20:35.800 --> 0:20:38.840
<v Speaker 5>So he gave me a big as advance, so you

0:20:39.040 --> 0:20:42.040
<v Speaker 5>have to and that's what made you quit, right, No,

0:20:42.080 --> 0:20:43.440
<v Speaker 5>but I took a lib of absence.

0:20:44.000 --> 0:20:46.360
<v Speaker 2>He still didn't quit. I took a live of absence.

0:20:47.160 --> 0:20:50.920
<v Speaker 3>So in your mind, in a sense, did you have

0:20:51.040 --> 0:20:54.600
<v Speaker 3>as a would say, imposter syndrome, like a this ain't real?

0:20:55.600 --> 0:20:56.920
<v Speaker 4>Yeah, I guess you could say that.

0:20:56.960 --> 0:20:59.199
<v Speaker 5>In my mind, I'm like, yo, this is a dream, right,

0:20:59.240 --> 0:21:01.920
<v Speaker 5>and when I wake up up, this ship ain't gonna

0:21:01.920 --> 0:21:04.840
<v Speaker 5>be here. So I still had still had his mother

0:21:04.880 --> 0:21:09.520
<v Speaker 5>from job. So basically all that was a dream. Because

0:21:09.600 --> 0:21:12.720
<v Speaker 5>my first, my first check that I got, which was

0:21:12.720 --> 0:21:14.159
<v Speaker 5>a lot of money, I went home and threw it

0:21:14.240 --> 0:21:16.359
<v Speaker 5>up on the throw it in and throw it on

0:21:16.400 --> 0:21:17.560
<v Speaker 5>the bed and jumped on the bed.

0:21:18.400 --> 0:21:19.840
<v Speaker 2>You do the check or you do the cave because

0:21:19.960 --> 0:21:22.480
<v Speaker 2>the cast you in cash, do it all on the

0:21:22.840 --> 0:21:27.240
<v Speaker 2>jumped on the bed. How much was it that so

0:21:27.320 --> 0:21:32.439
<v Speaker 2>it can't tell you what It was a lot, but

0:21:32.520 --> 0:21:34.880
<v Speaker 2>I threw it all on the bed. I'm getting ready

0:21:34.920 --> 0:21:40.960
<v Speaker 2>to dive into this money. Did you buy anything crazy? No? No,

0:21:41.119 --> 0:21:41.439
<v Speaker 2>I was.

0:21:41.520 --> 0:21:42.520
<v Speaker 4>Never a person that.

0:21:43.359 --> 0:21:46.840
<v Speaker 5>I never was a person that, just like to this day,

0:21:47.520 --> 0:21:49.879
<v Speaker 5>like just because everybody else got certain things, you know,

0:21:50.680 --> 0:21:54.479
<v Speaker 5>I'm not a person even when like I don't know.

0:21:54.760 --> 0:21:56.880
<v Speaker 5>I made sure my mom was good, I made sure

0:21:56.920 --> 0:21:59.320
<v Speaker 5>my sisters was good. I mean, but I really didn't

0:21:59.320 --> 0:22:01.560
<v Speaker 5>buy anything, you know what I'm saying. Bought a little

0:22:01.560 --> 0:22:04.879
<v Speaker 5>townhouse and that was it. But as far as like

0:22:05.000 --> 0:22:08.560
<v Speaker 5>going crazy and doing rams and all that, I ain't

0:22:08.840 --> 0:22:10.440
<v Speaker 5>you shure that wasn't I mean?

0:22:10.680 --> 0:22:12.960
<v Speaker 3>You say, to this day, as we were sitting in

0:22:12.960 --> 0:22:16.439
<v Speaker 3>a marble room pretty much a marble house that you have,

0:22:17.040 --> 0:22:17.800
<v Speaker 3>it's kind of crazy.

0:22:17.800 --> 0:22:18.080
<v Speaker 2>Sweat.

0:22:18.080 --> 0:22:20.240
<v Speaker 3>I'm just gonna put that out there. Well, that was crazy.

0:22:20.240 --> 0:22:22.880
<v Speaker 3>I've never seen marble wall because it's thirty five years later,

0:22:22.920 --> 0:22:25.360
<v Speaker 3>thirty some years. So I feel like I can do

0:22:25.400 --> 0:22:28.120
<v Speaker 3>that thirty some year. But it's not borrowed.

0:22:29.240 --> 0:22:32.840
<v Speaker 2>So okay, okay, speak on it that.

0:22:33.160 --> 0:22:36.240
<v Speaker 5>Yes, yes, it's very well earned in a very long

0:22:36.280 --> 0:22:40.320
<v Speaker 5>period of time. And when people are counting my money,

0:22:40.320 --> 0:22:42.479
<v Speaker 5>they're not counting my accomplishments.

0:22:42.640 --> 0:22:43.000
<v Speaker 2>Okay.

0:22:43.359 --> 0:22:50.000
<v Speaker 5>I do movies, executive produced record I do my own tours,

0:22:51.320 --> 0:22:55.160
<v Speaker 5>promote my some of them not I'm not just the artist,

0:22:55.200 --> 0:23:00.240
<v Speaker 5>I'm the promoter. I know some of them, right, Candle line.

0:23:01.240 --> 0:23:03.640
<v Speaker 2>Bag you know. You see I'm following suit.

0:23:03.600 --> 0:23:09.199
<v Speaker 5>Like so you know real estate, you know. And this

0:23:09.320 --> 0:23:12.040
<v Speaker 5>is not about me. It's about my legacy and my kids.

0:23:12.920 --> 0:23:15.600
<v Speaker 5>So everything you see me do ain't got nothing to

0:23:15.600 --> 0:23:18.439
<v Speaker 5>do with key sweat. It's about the foundation of my

0:23:18.600 --> 0:23:22.679
<v Speaker 5>kids and their kids and their kids' kids. So this

0:23:22.840 --> 0:23:27.520
<v Speaker 5>house is paid for, but where does it go if

0:23:27.520 --> 0:23:28.880
<v Speaker 5>I'm not here to day tomorrow?

0:23:29.080 --> 0:23:30.280
<v Speaker 4>Who does it go to?

0:23:30.280 --> 0:23:30.920
<v Speaker 2>To the kids?

0:23:32.280 --> 0:23:35.480
<v Speaker 5>So people don't understand. So when I do things, it's

0:23:35.560 --> 0:23:38.080
<v Speaker 5>not like even me going on to and working today.

0:23:38.080 --> 0:23:40.160
<v Speaker 5>It ain't got nothing to do with me. I've been

0:23:40.160 --> 0:23:43.640
<v Speaker 5>blessed to have everything somebody could ever want. So when

0:23:43.920 --> 0:23:47.240
<v Speaker 5>when it comes to me doing stuff, is to make

0:23:47.280 --> 0:23:50.400
<v Speaker 5>sure they are good and their kids kids are good,

0:23:50.440 --> 0:23:53.040
<v Speaker 5>and their kids kids kids are good. So you know,

0:23:53.119 --> 0:23:56.320
<v Speaker 5>I changed the sweat name and made it a name

0:23:56.440 --> 0:24:00.800
<v Speaker 5>that is it is, it's real, it's you know. Sometimes

0:24:01.160 --> 0:24:03.919
<v Speaker 5>I tell people when you change sometime we have a

0:24:03.960 --> 0:24:06.360
<v Speaker 5>curse on our name, and somebody in that family has

0:24:06.359 --> 0:24:11.080
<v Speaker 5>to change the direction of the family and the name

0:24:11.200 --> 0:24:14.080
<v Speaker 5>and the value of the name, and and and and

0:24:14.320 --> 0:24:17.160
<v Speaker 5>make sure. And it's about where you live, and how

0:24:17.160 --> 0:24:20.119
<v Speaker 5>will you treat other people when and those type of

0:24:20.119 --> 0:24:24.400
<v Speaker 5>things like if I'm doing something i feel somebody got

0:24:24.400 --> 0:24:27.600
<v Speaker 5>a crazy spirit, I won't let them in my house

0:24:27.840 --> 0:24:33.639
<v Speaker 5>because I'm a firm believer that spirits will jump on you.

0:24:33.640 --> 0:24:35.800
<v Speaker 5>You know what I'm saying, Bad spirits will jump on you.

0:24:35.880 --> 0:24:39.840
<v Speaker 5>So I limit myself from the people that's around my

0:24:40.000 --> 0:24:42.560
<v Speaker 5>kids and around me and whatever. You know what I'm saying,

0:24:42.600 --> 0:24:46.080
<v Speaker 5>I'm very funny about it. If I feel like you

0:24:46.119 --> 0:24:48.200
<v Speaker 5>know what I'm saying, you keep it from around you.

0:24:48.359 --> 0:24:50.800
<v Speaker 5>You don't need to be around me. That type of

0:24:50.840 --> 0:24:51.480
<v Speaker 5>thing and.

0:24:51.440 --> 0:24:53.440
<v Speaker 2>You have you always been that way, always just sound

0:24:53.480 --> 0:24:54.960
<v Speaker 2>like a learned thing for you over time.

0:24:55.000 --> 0:24:56.600
<v Speaker 4>Well, I got a prayer mom. I always had a

0:24:56.640 --> 0:24:57.240
<v Speaker 4>praying mom.

0:24:57.480 --> 0:25:01.240
<v Speaker 5>So and everything I do and everything I've done and

0:25:01.280 --> 0:25:04.720
<v Speaker 5>everything I do to this day is because of her

0:25:04.760 --> 0:25:07.800
<v Speaker 5>prayers and it and my success don't have anything to

0:25:07.840 --> 0:25:09.159
<v Speaker 5>do with me, and has I would a lot to

0:25:09.160 --> 0:25:12.560
<v Speaker 5>do with me having a praying moment, and you know

0:25:13.160 --> 0:25:16.240
<v Speaker 5>what was instilled in me, and I ain't got nothing

0:25:16.240 --> 0:25:21.720
<v Speaker 5>to do with because I'm being blessed abundantly because of

0:25:21.880 --> 0:25:23.960
<v Speaker 5>the things she's told me.

0:25:24.680 --> 0:25:25.560
<v Speaker 4>I'm a giver.

0:25:26.359 --> 0:25:28.200
<v Speaker 5>You know, you got people in the world that are given,

0:25:28.240 --> 0:25:30.040
<v Speaker 5>and you got people in the world that have taken

0:25:30.080 --> 0:25:31.320
<v Speaker 5>us correct.

0:25:31.800 --> 0:25:33.000
<v Speaker 4>And I'm a giver.

0:25:33.600 --> 0:25:36.040
<v Speaker 5>Some women, when I'm a get because I'm gonna give it,

0:25:36.400 --> 0:25:38.720
<v Speaker 5>they look at it as being a trick. No, if

0:25:38.720 --> 0:25:42.560
<v Speaker 5>you look like you're in a bad situation, I feel like, damn,

0:25:42.640 --> 0:25:44.080
<v Speaker 5>you could do better for yourself.

0:25:45.320 --> 0:25:46.880
<v Speaker 2>And I give.

0:25:47.000 --> 0:25:50.880
<v Speaker 5>And I don't take that my kindness weak weakness, because

0:25:50.880 --> 0:25:52.400
<v Speaker 5>it ain't got nothing to do with that jet Because

0:25:52.440 --> 0:25:55.359
<v Speaker 5>just like I can give, I could take and I

0:25:55.359 --> 0:25:57.720
<v Speaker 5>can move on. I don't have to have you and

0:25:57.800 --> 0:26:00.520
<v Speaker 5>you don't have to have me, that's.

0:26:00.400 --> 0:26:01.200
<v Speaker 4>The bottom line.

0:26:01.240 --> 0:26:05.879
<v Speaker 5>But you know, in our society today and and the

0:26:05.920 --> 0:26:10.119
<v Speaker 5>way things today with social media, like you got to

0:26:10.119 --> 0:26:11.680
<v Speaker 5>actually sat where all the good girls at?

0:26:13.400 --> 0:26:15.360
<v Speaker 2>Yeah? And I don't mean when I where the good

0:26:15.359 --> 0:26:15.880
<v Speaker 2>people at?

0:26:15.920 --> 0:26:16.600
<v Speaker 4>What the good people?

0:26:16.680 --> 0:26:19.040
<v Speaker 5>And when I say and when I say the good girl,

0:26:19.080 --> 0:26:21.399
<v Speaker 5>you don't have to do what I say when I

0:26:21.440 --> 0:26:24.600
<v Speaker 5>say jump, I'm not talking about that. Just look in

0:26:24.600 --> 0:26:26.879
<v Speaker 5>the mirror at yourself and am I a good person?

0:26:27.040 --> 0:26:31.040
<v Speaker 5>Am I a good person? What's your values? What's your morals? Morals?

0:26:31.080 --> 0:26:33.760
<v Speaker 2>What type of what will you do?

0:26:34.680 --> 0:26:36.520
<v Speaker 4>And how will you do? What would what?

0:26:36.520 --> 0:26:38.800
<v Speaker 2>What would you do to get over?

0:26:39.160 --> 0:26:40.880
<v Speaker 4>Like if you will go.

0:26:40.880 --> 0:26:44.840
<v Speaker 5>To the extreme, then something is wrong because for no

0:26:44.920 --> 0:26:46.800
<v Speaker 5>amount of money, am I going to the extreme?

0:26:47.040 --> 0:26:47.240
<v Speaker 2>Right?

0:26:47.760 --> 0:26:48.320
<v Speaker 4>That's just me.

0:26:48.760 --> 0:26:51.680
<v Speaker 3>Now, everybody's not like that. Yeah, no, I got you.

0:26:52.240 --> 0:26:55.040
<v Speaker 3>Let's get into the records. Get into some of these records.

0:26:55.400 --> 0:26:59.520
<v Speaker 3>Make your last forever. When you write a record like that,

0:26:59.720 --> 0:27:00.600
<v Speaker 3>is it a first.

0:27:00.400 --> 0:27:00.920
<v Speaker 2>Listen for you?

0:27:00.960 --> 0:27:03.119
<v Speaker 3>Because as a songwriter, now now we're talking about the

0:27:03.160 --> 0:27:08.760
<v Speaker 3>from the constructing of records because even that title, obviously

0:27:08.800 --> 0:27:11.280
<v Speaker 3>we're still talking about it to this day.

0:27:11.320 --> 0:27:12.440
<v Speaker 2>We're gonna talk about it forever.

0:27:12.480 --> 0:27:15.720
<v Speaker 3>You literally put that out in the universe, making it

0:27:15.800 --> 0:27:16.320
<v Speaker 3>last forever.

0:27:16.960 --> 0:27:18.679
<v Speaker 2>Did you come up with the title first.

0:27:18.800 --> 0:27:21.760
<v Speaker 5>Yeah, I think yeah, because I normally come up with

0:27:21.800 --> 0:27:24.280
<v Speaker 5>the hook first and then build a song around the hook.

0:27:24.359 --> 0:27:26.960
<v Speaker 3>Yeah, don't let our love in said, don't let our

0:27:27.040 --> 0:27:28.480
<v Speaker 3>love in take it last?

0:27:28.480 --> 0:27:28.720
<v Speaker 2>Fact.

0:27:28.840 --> 0:27:30.960
<v Speaker 5>So and then I told people every time with somebody

0:27:31.000 --> 0:27:32.240
<v Speaker 5>talk about it, I said, then I tell you I

0:27:32.280 --> 0:27:32.920
<v Speaker 5>was gonna make it last.

0:27:32.960 --> 0:27:35.760
<v Speaker 2>Fav I mean, and that's what that why you.

0:27:35.720 --> 0:27:37.880
<v Speaker 5>Still you're still relevant, You're still doing it. I said,

0:27:37.880 --> 0:27:39.640
<v Speaker 5>I told you I was gonna make it last fail. Yeah,

0:27:39.640 --> 0:27:42.639
<v Speaker 5>he's spoken into existing so something. And I tell people

0:27:42.720 --> 0:27:44.320
<v Speaker 5>be careful what you say, because some things you can

0:27:44.320 --> 0:27:45.399
<v Speaker 5>speak into existence.

0:27:46.040 --> 0:27:46.639
<v Speaker 2>Most things.

0:27:46.920 --> 0:27:50.639
<v Speaker 3>I'm a firm believer in that as well, right, Yeah, yeah, No,

0:27:51.000 --> 0:27:54.280
<v Speaker 3>I think artists should pay more attention to what they

0:27:54.359 --> 0:27:55.720
<v Speaker 3>rap or sing about.

0:27:55.680 --> 0:27:57.480
<v Speaker 4>Yeah, because it will come back to bite you in

0:27:57.480 --> 0:27:58.560
<v Speaker 4>the ass. Yeah, want you.

0:27:58.920 --> 0:28:05.960
<v Speaker 3>Yeah, Triple Plot the first album, change me baby, you

0:28:06.040 --> 0:28:06.760
<v Speaker 3>know what man?

0:28:07.280 --> 0:28:07.679
<v Speaker 4>Change me?

0:28:07.800 --> 0:28:10.000
<v Speaker 2>All right? That's what I'm not gonna do. I ain't

0:28:10.000 --> 0:28:17.800
<v Speaker 2>gonna that's that's not And these are physical copies.

0:28:17.840 --> 0:28:22.080
<v Speaker 3>This is not These are not stream full trillion stream

0:28:22.160 --> 0:28:24.919
<v Speaker 3>that add up to whatever the hell they add up to.

0:28:25.000 --> 0:28:27.840
<v Speaker 3>This is actually people going to the store buying these

0:28:27.880 --> 0:28:32.200
<v Speaker 3>records four to five million. Yeah, first album, out the gate,

0:28:32.359 --> 0:28:36.240
<v Speaker 3>out the gate. Do you get right to the next

0:28:36.280 --> 0:28:40.440
<v Speaker 3>project or do you renegotiate from a business standpoint after

0:28:40.480 --> 0:28:42.920
<v Speaker 3>you sell that many records? I'm sure listen, we talked

0:28:42.920 --> 0:28:50.400
<v Speaker 3>about it. The deal probably wasn't the best renegotiate. Yeah, definitely, because.

0:28:51.720 --> 0:28:56.680
<v Speaker 5>First of all, people didn't understand, Like I didn't even

0:28:56.720 --> 0:28:57.160
<v Speaker 5>know how.

0:28:57.040 --> 0:28:57.720
<v Speaker 4>Dope I was.

0:28:58.520 --> 0:29:03.440
<v Speaker 5>Hmm, knew I was good, okay, but I ain't know

0:29:03.480 --> 0:29:05.920
<v Speaker 5>how dope I was as far as writing.

0:29:06.640 --> 0:29:08.640
<v Speaker 4>I mean like I didn't know that.

0:29:08.920 --> 0:29:11.360
<v Speaker 5>Like I knew my first album was a hit because

0:29:11.400 --> 0:29:13.880
<v Speaker 5>I just like, ooh, this is hot this because you know,

0:29:13.920 --> 0:29:16.719
<v Speaker 5>I listened to radio. I listened to the songs I listened.

0:29:16.880 --> 0:29:20.480
<v Speaker 5>Grew up listening to Jackson, del Phonics, Blue Magic, the

0:29:20.520 --> 0:29:22.720
<v Speaker 5>Spinner is all of them. I grew up listening to that.

0:29:23.920 --> 0:29:27.640
<v Speaker 5>So me growing up listening to that, I was like, Okay,

0:29:27.760 --> 0:29:30.920
<v Speaker 5>I can do this. You know, Tom Bell and Filled

0:29:30.960 --> 0:29:33.280
<v Speaker 5>all the Philadelphia and like Teddy.

0:29:32.960 --> 0:29:33.560
<v Speaker 4>P and all that.

0:29:34.080 --> 0:29:37.400
<v Speaker 5>I grew up listening to them. It's like, okay. Then

0:29:37.400 --> 0:29:39.000
<v Speaker 5>when I did my first album, I'm.

0:29:38.880 --> 0:29:42.880
<v Speaker 3>Like, oh, hell oh, I'm getting ready to hit them

0:29:42.920 --> 0:29:43.480
<v Speaker 3>over the head.

0:29:44.000 --> 0:29:49.320
<v Speaker 5>So basically that's what happened. So after the first album,

0:29:49.440 --> 0:29:53.520
<v Speaker 5>everybody knew what it was for me because the world

0:29:53.600 --> 0:29:57.160
<v Speaker 5>knew at that point. You know, the record company was saying,

0:29:58.960 --> 0:30:03.040
<v Speaker 5>at that point, I proved the point, right, So because

0:30:03.080 --> 0:30:05.840
<v Speaker 5>you came out of nowhere right in the first and

0:30:06.080 --> 0:30:08.320
<v Speaker 5>I was able to produce him write the first album,

0:30:08.320 --> 0:30:12.320
<v Speaker 5>which was unheard of by a new artist, you know,

0:30:12.520 --> 0:30:13.920
<v Speaker 5>somebody who nobody ever heard.

0:30:13.960 --> 0:30:16.880
<v Speaker 3>Do you think you were afforded that because you were

0:30:16.960 --> 0:30:19.800
<v Speaker 3>already a writer just because you're small signed to a smaller.

0:30:20.200 --> 0:30:23.760
<v Speaker 5>Because for a boutique label, Definitely, most they just like

0:30:23.800 --> 0:30:25.840
<v Speaker 5>let him do a stand. And most definitely because he

0:30:25.840 --> 0:30:28.320
<v Speaker 5>heard that I he heard the songs I was writing,

0:30:28.960 --> 0:30:31.720
<v Speaker 5>So definitely, because I think if I would have just

0:30:31.760 --> 0:30:34.040
<v Speaker 5>signed directly, and that's what I said, God worked in

0:30:34.120 --> 0:30:38.480
<v Speaker 5>mysterious ways because the person that signed me was knowledgeable

0:30:38.880 --> 0:30:43.760
<v Speaker 5>enough and understood the game enough to say, yo, he dope,

0:30:43.840 --> 0:30:45.840
<v Speaker 5>let let me let him do him.

0:30:45.280 --> 0:30:45.480
<v Speaker 2>Yeah.

0:30:46.080 --> 0:30:48.240
<v Speaker 5>And if it would have been signed to directly to

0:30:48.280 --> 0:30:51.120
<v Speaker 5>a lecture, which what Anita Baker was on and after

0:30:51.360 --> 0:30:54.320
<v Speaker 5>at the time it was one by Bob krat Now,

0:30:54.720 --> 0:30:58.640
<v Speaker 5>I believe they would have submitted me songs and it

0:30:58.680 --> 0:31:00.200
<v Speaker 5>wouldn't I wouldn't.

0:30:59.880 --> 0:31:01.360
<v Speaker 2>Have been able to do the songs that I was

0:31:01.400 --> 0:31:01.920
<v Speaker 2>able to do.

0:31:02.280 --> 0:31:04.360
<v Speaker 3>And now at this point, you you had a chance

0:31:04.400 --> 0:31:07.880
<v Speaker 3>to prove yourself right, and you absolutely prove yourself right.

0:31:08.120 --> 0:31:12.680
<v Speaker 3>Does the business immediately become advantageous for you from a

0:31:12.720 --> 0:31:15.000
<v Speaker 3>business side after this first album or where you were

0:31:15.000 --> 0:31:18.000
<v Speaker 3>able to with it, It's like, okay, y'all here, I'm here.

0:31:18.160 --> 0:31:21.880
<v Speaker 2>In the beginning, did it go like here are you now? No?

0:31:22.000 --> 0:31:25.440
<v Speaker 5>I still had to finago. Okay, certain things I still

0:31:25.480 --> 0:31:28.760
<v Speaker 5>had too. You know, can he do it again?

0:31:29.080 --> 0:31:29.200
<v Speaker 1>Right?

0:31:29.320 --> 0:31:32.440
<v Speaker 3>Type of thing? Sophomore sophomore jinks? Can he do it again?

0:31:33.680 --> 0:31:36.120
<v Speaker 3>I say, I knew I could do it again.

0:31:36.000 --> 0:31:37.920
<v Speaker 2>And then we jump all the way into this, I'll

0:31:37.920 --> 0:31:38.360
<v Speaker 2>give all.

0:31:38.280 --> 0:31:40.200
<v Speaker 4>My love to you. I'll give my love to you.

0:31:41.080 --> 0:31:45.480
<v Speaker 4>You know that that was proof that goes number one

0:31:45.640 --> 0:31:48.440
<v Speaker 4>right pop? Not just RM b oh.

0:31:48.440 --> 0:31:49.440
<v Speaker 2>It went pop number one.

0:31:49.520 --> 0:31:52.960
<v Speaker 3>Yeah, and it went pop number one. So that's a

0:31:52.960 --> 0:31:57.000
<v Speaker 3>whole different conversation, that's a whole different kind of money too. Absolutely,

0:31:57.320 --> 0:32:00.360
<v Speaker 3>so it went number one pop. Also, that's when I

0:32:00.400 --> 0:32:04.000
<v Speaker 3>did the tour with I'm Gonna tell You. That's when

0:32:04.040 --> 0:32:08.360
<v Speaker 3>I did the triple threat to with Johnny, myself and

0:32:08.520 --> 0:32:08.920
<v Speaker 3>bb D.

0:32:10.400 --> 0:32:12.320
<v Speaker 4>That's when that came out.

0:32:12.360 --> 0:32:17.000
<v Speaker 5>The first tour was Heavy D, Salt and Pepper and myself.

0:32:17.480 --> 0:32:19.400
<v Speaker 5>That was the first album.

0:32:19.600 --> 0:32:22.960
<v Speaker 3>And uh yeah that was the first two and now

0:32:22.960 --> 0:32:25.160
<v Speaker 3>you got the triple threat to her second album.

0:32:25.600 --> 0:32:27.400
<v Speaker 2>You just tell me what is album at this? One?

0:32:27.400 --> 0:32:31.560
<v Speaker 3>Four five million two? Come on, man, so out the gate.

0:32:31.960 --> 0:32:33.200
<v Speaker 3>Hit after hit after.

0:32:33.120 --> 0:32:36.520
<v Speaker 4>Hit, right, not just five hits.

0:32:36.920 --> 0:32:41.840
<v Speaker 2>Ah, I didn't say it.

0:32:39.960 --> 0:32:44.480
<v Speaker 3>I did show him the clip though, and I don't

0:32:44.520 --> 0:32:46.320
<v Speaker 3>know what that five ship came from.

0:32:46.960 --> 0:32:49.440
<v Speaker 2>He explained it, well, well he explained it.

0:32:49.440 --> 0:32:50.680
<v Speaker 4>Nobody do their homework.

0:32:51.280 --> 0:32:52.440
<v Speaker 2>We made them do their homework.

0:32:52.520 --> 0:32:54.640
<v Speaker 4>Please do your home work because that's in sultant but go.

0:32:54.560 --> 0:32:57.400
<v Speaker 3>Ahead, yeah, because I mean listen, the first album only

0:32:57.440 --> 0:33:00.800
<v Speaker 3>had eight songs on it, all hit record you why

0:33:00.800 --> 0:33:02.320
<v Speaker 3>did you only put eight records on there?

0:33:02.360 --> 0:33:04.920
<v Speaker 2>Though? Because that was an odd number. Because I ain't

0:33:04.960 --> 0:33:07.920
<v Speaker 2>want to do no more I knew. So it wasn't

0:33:07.920 --> 0:33:10.560
<v Speaker 2>no close composition clause at this It was.

0:33:10.520 --> 0:33:12.440
<v Speaker 5>Like shit, if that if this don't get them ain't

0:33:12.480 --> 0:33:15.640
<v Speaker 5>nothing gonna get them right, Yeah, they have nothing else

0:33:15.720 --> 0:33:15.920
<v Speaker 5>to do.

0:33:16.400 --> 0:33:17.680
<v Speaker 2>I'm giving you eight out of eight.

0:33:18.040 --> 0:33:19.680
<v Speaker 4>Well, I don't need to put no more on.

0:33:19.960 --> 0:33:22.000
<v Speaker 3>Now that you're on this second album, you sell all

0:33:22.000 --> 0:33:25.080
<v Speaker 3>these records again, do you ever have the at what

0:33:25.160 --> 0:33:27.640
<v Speaker 3>point do you have the moment where you just you're like, damn,

0:33:27.680 --> 0:33:32.520
<v Speaker 3>this is real. Like I'm really selling a lot of records,

0:33:32.520 --> 0:33:33.920
<v Speaker 3>selling out arenas.

0:33:34.440 --> 0:33:35.800
<v Speaker 2>This is a real thing for me.

0:33:35.880 --> 0:33:38.240
<v Speaker 3>Now do you have that moment by this time or are

0:33:38.240 --> 0:33:40.520
<v Speaker 3>you still like, ah.

0:33:40.000 --> 0:33:42.120
<v Speaker 5>No, I still I have that moment at that point,

0:33:42.160 --> 0:33:46.160
<v Speaker 5>because now I'm seeing the people, I'm seeing the tours,

0:33:46.160 --> 0:33:48.920
<v Speaker 5>I'm seeing the fact that I can take my mama

0:33:48.920 --> 0:33:53.360
<v Speaker 5>off the project, give a house. All that becomes reality

0:33:53.440 --> 0:33:57.360
<v Speaker 5>now at this point, I'm still New York at that point,

0:33:57.400 --> 0:34:00.520
<v Speaker 5>but I'm slowly you getting to the South, getting to

0:34:00.600 --> 0:34:02.240
<v Speaker 5>this app I mean, I didn't even know I was

0:34:02.240 --> 0:34:04.520
<v Speaker 5>gonna move to Atlanta, to be honest with you, And

0:34:04.640 --> 0:34:07.040
<v Speaker 5>that just happened on a wing when I just have

0:34:07.160 --> 0:34:08.640
<v Speaker 5>to be on tour and I said, Damn, I can

0:34:08.680 --> 0:34:10.279
<v Speaker 5>get this kind of house for this kind of money.

0:34:10.360 --> 0:34:12.920
<v Speaker 2>Yeah, coming listen.

0:34:12.920 --> 0:34:15.440
<v Speaker 3>I was driving around today like, man, they still got

0:34:15.520 --> 0:34:17.680
<v Speaker 3>them three we saw me a rube. I'm like, ruge,

0:34:17.680 --> 0:34:19.640
<v Speaker 3>you think they still got the houses from three fifty

0:34:19.760 --> 0:34:23.479
<v Speaker 3>somewhere because we all it's so funny, especially even coming

0:34:23.520 --> 0:34:27.960
<v Speaker 3>in from California. And I had a brother that went

0:34:28.000 --> 0:34:31.880
<v Speaker 3>to Clark and I remember him telling me, actually, I

0:34:32.160 --> 0:34:32.560
<v Speaker 3>take that back.

0:34:32.600 --> 0:34:35.799
<v Speaker 2>He was the Morris Brown which don't even exist no more.

0:34:36.239 --> 0:34:39.080
<v Speaker 3>And I remember him calling home and I was I

0:34:39.120 --> 0:34:40.080
<v Speaker 3>was a teenage, I'm young.

0:34:40.120 --> 0:34:44.959
<v Speaker 2>You're like, man, it's Atlanta. It's it Atlanta. Is it

0:34:45.880 --> 0:34:46.640
<v Speaker 2>like Atlanta?

0:34:47.440 --> 0:34:50.080
<v Speaker 3>Like I'm telling you, man, you get the basement, you

0:34:50.120 --> 0:34:54.080
<v Speaker 3>get the backyard, you got this. You know, the prices

0:34:54.120 --> 0:34:56.640
<v Speaker 3>of everything in the streets is higher there than they.

0:34:56.560 --> 0:35:00.400
<v Speaker 2>He is here. I'm like, okay, and I have a

0:35:00.440 --> 0:35:01.200
<v Speaker 2>full understanding.

0:35:01.200 --> 0:35:02.759
<v Speaker 3>Then when I got in the music business, I start

0:35:02.840 --> 0:35:06.040
<v Speaker 3>taking writers' trips, like when I became an adult and

0:35:06.080 --> 0:35:07.920
<v Speaker 3>I could, you know, fly to Atlanta.

0:35:07.920 --> 0:35:08.880
<v Speaker 2>And now I'm at.

0:35:08.840 --> 0:35:12.120
<v Speaker 3>Such and such as writer who might got half a hit.

0:35:13.000 --> 0:35:17.040
<v Speaker 3>I'm like, man, you can afford all this out here right?

0:35:17.239 --> 0:35:22.240
<v Speaker 2>This is my ass. Just couldn't leave California. I was stuck.

0:35:22.480 --> 0:35:25.240
<v Speaker 2>I love Cali. I was stuck. Man, I ain't stuck.

0:35:25.480 --> 0:35:27.239
<v Speaker 3>I should have brought my ass to Atlanta and bought

0:35:27.239 --> 0:35:33.239
<v Speaker 3>me some makers and ship man. Yeah, but this this place, man,

0:35:33.520 --> 0:35:37.480
<v Speaker 3>were you here during the Face era?

0:35:38.200 --> 0:35:38.480
<v Speaker 2>Yeah?

0:35:39.200 --> 0:35:41.520
<v Speaker 3>Were you already here before that? Are you came around

0:35:41.560 --> 0:35:42.560
<v Speaker 3>that same time?

0:35:42.280 --> 0:35:44.239
<v Speaker 4>The time, the same time?

0:35:44.280 --> 0:35:49.920
<v Speaker 3>So the music scene too, it was building right, Oh yeah,

0:35:50.280 --> 0:35:51.439
<v Speaker 3>I can't imagine the life.

0:35:51.520 --> 0:35:52.280
<v Speaker 4>Yeah, I was living.

0:35:53.160 --> 0:35:55.799
<v Speaker 3>I was supposed to sign Usher, but I didn't. Wait

0:35:55.840 --> 0:35:57.359
<v Speaker 3>what I was supposed to sign Usher?

0:35:57.400 --> 0:35:58.160
<v Speaker 4>But I didn't.

0:35:58.600 --> 0:36:02.480
<v Speaker 2>Why not because at the time La beat me to

0:36:02.520 --> 0:36:02.960
<v Speaker 2>the punch?

0:36:03.120 --> 0:36:05.879
<v Speaker 3>Okay, but so you you got it when you saw

0:36:05.880 --> 0:36:06.160
<v Speaker 3>it though.

0:36:06.560 --> 0:36:10.879
<v Speaker 5>Yeah, I was gonna and he was a talent show

0:36:10.920 --> 0:36:16.200
<v Speaker 5>was going on, and he started singing for me, and he.

0:36:16.200 --> 0:36:18.799
<v Speaker 4>Went in there and did this thing with La. Read

0:36:19.000 --> 0:36:20.879
<v Speaker 4>was and La got him.

0:36:20.800 --> 0:36:23.120
<v Speaker 3>Before I got La was like, I'm signing it now,

0:36:24.040 --> 0:36:27.800
<v Speaker 3>That's what happened. That's something that I wanted to highlight

0:36:27.840 --> 0:36:30.520
<v Speaker 3>to it. I you know, because I've had those conversations

0:36:30.560 --> 0:36:35.000
<v Speaker 3>about you, about being an artist who's always been willing

0:36:35.040 --> 0:36:39.200
<v Speaker 3>to share their life, which is rare, right, we know this,

0:36:40.960 --> 0:36:45.080
<v Speaker 3>And I've always had the utmost respect for you because

0:36:45.080 --> 0:36:51.520
<v Speaker 3>of that, because there are many artists that really want

0:36:51.600 --> 0:36:53.239
<v Speaker 3>to put other artists on like.

0:36:53.280 --> 0:36:56.319
<v Speaker 2>They may say, oh yeah, yeah, I got I'm gonna

0:36:56.320 --> 0:36:59.240
<v Speaker 2>start this label. We're gonna But like you were literally

0:36:59.280 --> 0:37:05.359
<v Speaker 2>discovering artists, what was that for you internally that said, Okay,

0:37:05.440 --> 0:37:09.440
<v Speaker 2>I gotta really reach back, because that's what it really becomes,

0:37:09.560 --> 0:37:13.560
<v Speaker 2>especially when you're having a success you're having. It's not like, Okay,

0:37:13.840 --> 0:37:15.560
<v Speaker 2>I'm on my last leg and I need to find

0:37:15.560 --> 0:37:18.880
<v Speaker 2>somebody else to get hot. You literally keep sweat.

0:37:19.360 --> 0:37:22.120
<v Speaker 3>You don't have to do these deals because we both

0:37:22.200 --> 0:37:25.800
<v Speaker 3>know what comes along with that. There's an added stress

0:37:25.840 --> 0:37:28.760
<v Speaker 3>and an added thing when you start taking on artists

0:37:28.800 --> 0:37:30.280
<v Speaker 3>and their lives.

0:37:31.280 --> 0:37:33.640
<v Speaker 2>So what pushed you toward that to give back?

0:37:34.200 --> 0:37:36.080
<v Speaker 5>Like my mother would say, you a given out of

0:37:36.120 --> 0:37:40.040
<v Speaker 5>taken so basically, and it also made me feel good

0:37:40.080 --> 0:37:41.640
<v Speaker 5>to show that I could do.

0:37:41.600 --> 0:37:43.680
<v Speaker 4>The same thing for myself for somebody.

0:37:43.280 --> 0:37:45.840
<v Speaker 5>Else, somebody else, and I could write hit records for

0:37:45.920 --> 0:37:49.920
<v Speaker 5>somebody else, not just for myself. Yeah, So that was

0:37:49.960 --> 0:37:54.239
<v Speaker 5>another type of feeling, amazing feeling for me because not

0:37:54.400 --> 0:37:56.719
<v Speaker 5>only I was able to do it for me, I

0:37:56.760 --> 0:38:00.920
<v Speaker 5>was able to do it or make somebody else dream reality.

0:38:01.120 --> 0:38:05.120
<v Speaker 5>So for the I mean, certain things in life make

0:38:05.200 --> 0:38:08.600
<v Speaker 5>me happy, not everything but certain things just me. That's

0:38:08.640 --> 0:38:10.399
<v Speaker 5>one of the things that made me happy to give

0:38:10.760 --> 0:38:15.319
<v Speaker 5>to people that may not be fortunate enough to get

0:38:15.440 --> 0:38:17.319
<v Speaker 5>on their own by itself, you know.

0:38:18.040 --> 0:38:18.640
<v Speaker 4>And you know.

0:38:19.120 --> 0:38:23.920
<v Speaker 5>Because like that, that's the type of fulfillment for me.

0:38:24.239 --> 0:38:29.320
<v Speaker 5>I mean, people don't understand that, but that fulfills certain

0:38:29.360 --> 0:38:31.400
<v Speaker 5>things in me and makes me feel good.

0:38:31.280 --> 0:38:32.880
<v Speaker 4>About me when I look in the mirror.

0:38:33.200 --> 0:38:35.200
<v Speaker 5>You know what I'm saying, Because you might have a

0:38:35.200 --> 0:38:37.799
<v Speaker 5>whole lot and nay say is saying this and saying that,

0:38:38.320 --> 0:38:41.880
<v Speaker 5>and it could upset you. But when you know yourself

0:38:43.239 --> 0:38:45.880
<v Speaker 5>that what you do and what you have done and

0:38:45.920 --> 0:38:48.719
<v Speaker 5>you don't have to speak about it or say I've

0:38:48.760 --> 0:38:50.160
<v Speaker 5>done this for you and so on, that for you

0:38:50.239 --> 0:38:51.720
<v Speaker 5>that's a great, amazing feeling.

0:38:52.200 --> 0:38:53.120
<v Speaker 4>But because people do.

0:38:53.160 --> 0:38:59.480
<v Speaker 3>Know absolutely absolutely, and you look at different you put

0:38:59.520 --> 0:39:04.640
<v Speaker 3>in a different light. When you're able to discover, develop

0:39:05.440 --> 0:39:08.120
<v Speaker 3>and and see those type of projects through where you

0:39:08.120 --> 0:39:11.400
<v Speaker 3>you help people become stars as well, it's just it

0:39:11.440 --> 0:39:14.400
<v Speaker 3>builds it builds everything up, right, I you know, but

0:39:14.520 --> 0:39:16.759
<v Speaker 3>I do, like I said, I understand that the other

0:39:16.880 --> 0:39:20.879
<v Speaker 3>side of you know, the pressures of it, but.

0:39:21.200 --> 0:39:23.360
<v Speaker 2>Where somebody else going I.

0:39:23.400 --> 0:39:25.600
<v Speaker 5>Used to get upset when people I put on it

0:39:25.719 --> 0:39:29.200
<v Speaker 5>might have said things. And then I smile, and then

0:39:29.440 --> 0:39:32.480
<v Speaker 5>I look at the position I'm still laying and I

0:39:32.640 --> 0:39:36.880
<v Speaker 5>laugh because I said, you know, God will make your

0:39:37.000 --> 0:39:38.040
<v Speaker 5>enemy your footstool.

0:39:39.040 --> 0:39:39.439
<v Speaker 2>Mm hmm.

0:39:40.040 --> 0:39:43.600
<v Speaker 5>So I said, okay, cool. If you feel I never

0:39:43.640 --> 0:39:48.680
<v Speaker 5>did nothing for you, I moved on. That's a battle

0:39:48.719 --> 0:39:51.600
<v Speaker 5>you have to fight with yourself, and you have to

0:39:51.600 --> 0:39:53.840
<v Speaker 5>be honest with yourself and look in the mirror with yourself.

0:39:53.880 --> 0:39:57.080
<v Speaker 5>And you gotta like because I always tell people there's

0:39:57.080 --> 0:39:59.480
<v Speaker 5>three sides to every story, mind, yours and the truth.

0:40:00.520 --> 0:40:03.880
<v Speaker 4>So you gotta you gotta come to a.

0:40:03.920 --> 0:40:08.759
<v Speaker 5>Point in your life and say, hey, dag, you know, everybody,

0:40:10.000 --> 0:40:14.279
<v Speaker 5>if you're a real person, you can a lot of

0:40:14.320 --> 0:40:15.480
<v Speaker 5>things that you do that are.

0:40:15.320 --> 0:40:17.160
<v Speaker 2>Not right will convict you.

0:40:17.160 --> 0:40:19.399
<v Speaker 5>You're looking at your marror, at yourself, and then we'll

0:40:19.440 --> 0:40:21.359
<v Speaker 5>convict you for real, for real, right.

0:40:21.680 --> 0:40:26.480
<v Speaker 2>So I don't like to be convicted. So I try

0:40:26.520 --> 0:40:27.359
<v Speaker 2>to do the right thing.

0:40:27.520 --> 0:40:29.560
<v Speaker 5>So you know what other people think it's the right

0:40:29.600 --> 0:40:31.319
<v Speaker 5>thing or don't think it's the right thing. If I

0:40:31.360 --> 0:40:35.520
<v Speaker 5>feel I've done everything I could to make it right,

0:40:35.600 --> 0:40:36.200
<v Speaker 5>then there's nothing.

0:40:36.239 --> 0:40:47.920
<v Speaker 2>No, I'm fine, it's commendable. Tell me about New Jackson.

0:40:49.960 --> 0:40:50.840
<v Speaker 6>Did you know.

0:40:52.440 --> 0:40:55.759
<v Speaker 2>Andy, No, no, no, you know what. I'm there, you're

0:40:55.760 --> 0:40:58.320
<v Speaker 2>gonna tell me know again? It's not a wedding song.

0:40:59.520 --> 0:41:05.400
<v Speaker 2>It's not No, how does that even come together? I

0:41:05.400 --> 0:41:09.879
<v Speaker 2>remember watching as a kid. I'm like, that, don't make

0:41:09.960 --> 0:41:11.840
<v Speaker 2>no sense that he's singing there you go telling me

0:41:11.880 --> 0:41:12.600
<v Speaker 2>know again at a.

0:41:12.520 --> 0:41:17.120
<v Speaker 5>Wedding, right, Well, honestly what happened, And I've talked about

0:41:17.160 --> 0:41:19.440
<v Speaker 5>it in the press so I can talk about it.

0:41:19.440 --> 0:41:23.239
<v Speaker 5>It's not documentary for him, because the documentary form I

0:41:23.239 --> 0:41:24.200
<v Speaker 5>wouldn't even.

0:41:24.840 --> 0:41:25.839
<v Speaker 4>Be on it right now.

0:41:25.920 --> 0:41:29.840
<v Speaker 5>But it was supposed to be Let's chill, ah and

0:41:29.960 --> 0:41:33.239
<v Speaker 5>Let's chill. Like, I'm not gonna blame it on t

0:41:34.000 --> 0:41:37.319
<v Speaker 5>I'm not gonna I'm blame it on you know, the

0:41:37.360 --> 0:41:40.640
<v Speaker 5>powers that be at the time. Yeah, you know. I

0:41:40.719 --> 0:41:43.799
<v Speaker 5>was in the studio with Bnard Bell Teddy. We did

0:41:43.920 --> 0:41:46.720
<v Speaker 5>Let's Chill. Let's Chill was supposed to go on the movie.

0:41:47.280 --> 0:41:47.960
<v Speaker 4>It didn't.

0:41:48.800 --> 0:41:52.320
<v Speaker 5>I didn't get the master to give it to Mario

0:41:52.440 --> 0:41:56.280
<v Speaker 5>van Peeples to go into the movie, so they needed

0:41:56.320 --> 0:41:58.560
<v Speaker 5>a song. So I was singing at the wedding, so

0:41:58.600 --> 0:42:00.440
<v Speaker 5>I had to. I wrote, there you go tell me,

0:42:00.840 --> 0:42:02.759
<v Speaker 5>you know getting that same night that said, man, y'all

0:42:02.760 --> 0:42:05.640
<v Speaker 5>better take that and call of the day, and that's

0:42:05.680 --> 0:42:06.240
<v Speaker 5>what happened.

0:42:08.239 --> 0:42:11.640
<v Speaker 2>Classic, classic record, classic scene.

0:42:11.400 --> 0:42:16.480
<v Speaker 3>Another hit, another hit, and then they had a shootout, right,

0:42:17.600 --> 0:42:20.600
<v Speaker 3>everything that went with that scene, it's just it's just

0:42:20.680 --> 0:42:24.200
<v Speaker 3>it's like a period piece in my life, honestly, like that.

0:42:24.280 --> 0:42:27.520
<v Speaker 3>I just I just remember, right, like, Okay, that's not

0:42:27.520 --> 0:42:29.480
<v Speaker 3>supposed to be there. But the song is great and

0:42:29.520 --> 0:42:32.040
<v Speaker 3>I love the record, okay, And then they had a shootout,

0:42:32.040 --> 0:42:33.759
<v Speaker 3>and you know Brown has got Baby's guard.

0:42:33.800 --> 0:42:35.239
<v Speaker 2>Then why you have to shootout? Right?

0:42:36.120 --> 0:42:39.440
<v Speaker 3>Were you when you get called to do the movie?

0:42:41.120 --> 0:42:46.279
<v Speaker 3>Had you seen like any dailies of it anything? So

0:42:46.320 --> 0:42:48.160
<v Speaker 3>you didn't even know what it was about to be about.

0:42:48.600 --> 0:42:50.560
<v Speaker 3>I mean, you knew obviously knew the premise of the movie, right,

0:42:50.640 --> 0:42:50.960
<v Speaker 3>but I.

0:42:50.920 --> 0:42:55.160
<v Speaker 5>Didn't know whatever's gonna do, what it was gonna be about. Nothing.

0:42:54.800 --> 0:42:57.359
<v Speaker 5>They called me, that's what you on the wedding scene.

0:42:57.400 --> 0:42:58.760
<v Speaker 5>I didn't know I was gonna be in the wedding

0:42:58.800 --> 0:43:02.640
<v Speaker 5>thing thing. So okay, cool boom sang.

0:43:03.520 --> 0:43:06.640
<v Speaker 2>Oh man, that is great. And like you said, another

0:43:06.760 --> 0:43:10.560
<v Speaker 2>hit record. As you're moving it on your into your career,

0:43:10.640 --> 0:43:13.480
<v Speaker 2>have you ever had moments where you like, can I

0:43:13.520 --> 0:43:17.480
<v Speaker 2>write another one? Because you've written so many, have you

0:43:17.560 --> 0:43:21.080
<v Speaker 2>had like have you had those moments as a writer? Never?

0:43:22.760 --> 0:43:24.319
<v Speaker 4>Aw Never?

0:43:25.480 --> 0:43:28.120
<v Speaker 5>I mean because I've always been I've been writing since

0:43:28.120 --> 0:43:32.160
<v Speaker 5>I was the kids. It's never and I'm always trying

0:43:32.200 --> 0:43:34.680
<v Speaker 5>to out do myself and I'm always trying to I'll

0:43:34.719 --> 0:43:35.640
<v Speaker 5>do somebody else.

0:43:36.040 --> 0:43:36.239
<v Speaker 2>Yeah.

0:43:36.360 --> 0:43:38.320
<v Speaker 5>On the writing tip, you know a lot of people

0:43:38.320 --> 0:43:43.239
<v Speaker 5>don't like I can like I can write anything country,

0:43:44.360 --> 0:43:46.719
<v Speaker 5>you know, I know planning for me, Yeah, I can

0:43:46.719 --> 0:43:49.640
<v Speaker 5>write anything. So a lot of people don't know that. Yeah,

0:43:49.680 --> 0:43:54.360
<v Speaker 5>so you know, me being able to just show people

0:43:54.520 --> 0:43:59.040
<v Speaker 5>aside me that they really don't know. I enjoyed that.

0:43:59.040 --> 0:44:02.600
<v Speaker 5>That that like I'm oh, lord, I see. I love

0:44:02.680 --> 0:44:05.600
<v Speaker 5>doing that. I love proving a point. That's what I do.

0:44:05.920 --> 0:44:07.960
<v Speaker 3>To me, it feels like it always goes back to

0:44:07.960 --> 0:44:11.279
<v Speaker 3>the song for you though, like yeah, you're you're the artist,

0:44:11.320 --> 0:44:13.719
<v Speaker 3>and you're the vessel who's you know, bringing those those

0:44:13.760 --> 0:44:18.440
<v Speaker 3>records to life. But it just feels like in the

0:44:18.480 --> 0:44:20.960
<v Speaker 3>beginning of everything, it starts with the song. For you,

0:44:21.080 --> 0:44:24.759
<v Speaker 3>you are a songwriter, right, Like we were talking about

0:44:24.800 --> 0:44:28.400
<v Speaker 3>that one day, Like when you file taxes, what do

0:44:28.480 --> 0:44:32.360
<v Speaker 3>you put like, what do you put? It's your occupation entertainer,

0:44:32.640 --> 0:44:35.840
<v Speaker 3>just entertaining. Mm hmmm, because for a long time I

0:44:35.880 --> 0:44:39.160
<v Speaker 3>didn't know what to put. I didn't know for I

0:44:39.200 --> 0:44:42.360
<v Speaker 3>had no and then I start putting the songwriter put entertainer.

0:44:42.400 --> 0:44:45.319
<v Speaker 2>You put entertainer. Yeah, I don't entertain as much as you.

0:44:45.360 --> 0:44:45.640
<v Speaker 2>I don't.

0:44:45.680 --> 0:44:49.279
<v Speaker 3>You know, I pop out every now and then I can't.

0:44:49.600 --> 0:44:51.440
<v Speaker 3>I can't really put entertainer.

0:44:51.000 --> 0:44:51.160
<v Speaker 2>You know.

0:44:51.160 --> 0:44:53.120
<v Speaker 3>I mean, I if I only sing every two years,

0:44:53.120 --> 0:44:54.640
<v Speaker 3>I can't be putting out an entertainer.

0:44:54.680 --> 0:44:55.160
<v Speaker 4>Entertainer.

0:44:55.480 --> 0:44:58.640
<v Speaker 2>Yeah, all right, so we got whatever what other? Let

0:44:58.680 --> 0:44:58.920
<v Speaker 2>me think.

0:44:59.000 --> 0:45:00.920
<v Speaker 3>I'm thinking all the record Man, it's so many of

0:45:00.960 --> 0:45:03.880
<v Speaker 3>them that I want to ask about, you know what Twisted,

0:45:04.680 --> 0:45:08.759
<v Speaker 3>Twisted and Nobody because it was coming the same project.

0:45:09.040 --> 0:45:14.080
<v Speaker 3>To me, they felt like a shift. It felt like

0:45:14.120 --> 0:45:18.759
<v Speaker 3>a shift in what you was doing musically, like this

0:45:18.880 --> 0:45:20.960
<v Speaker 3>is just me as a fan at the time, I

0:45:21.000 --> 0:45:23.280
<v Speaker 3>was like, oh, this is a brand new keyp sweat

0:45:23.560 --> 0:45:23.799
<v Speaker 3>to me?

0:45:25.120 --> 0:45:26.040
<v Speaker 2>Was that intentional?

0:45:27.120 --> 0:45:30.200
<v Speaker 5>No, it was what I felt like writing at the

0:45:30.239 --> 0:45:36.719
<v Speaker 5>time or the oh, I don't think. To me, it

0:45:36.840 --> 0:45:41.319
<v Speaker 5>was the same thing as me writing something just saying

0:45:41.440 --> 0:45:44.600
<v Speaker 5>right because it kind of something something that you know you.

0:45:45.680 --> 0:45:48.359
<v Speaker 5>So to me, it wasn't a shift. It was just,

0:45:49.120 --> 0:45:52.440
<v Speaker 5>you know, we in a whole nother year. Yeah, we did.

0:45:52.440 --> 0:45:52.920
<v Speaker 2>We in the.

0:45:53.000 --> 0:45:56.520
<v Speaker 5>Nineties late nineties, so it was like, Okay, what are

0:45:56.520 --> 0:45:58.960
<v Speaker 5>we doing now? You know what I'm saying, dude, I

0:45:59.000 --> 0:46:02.280
<v Speaker 5>don't want to change what people know is Keith Sweat,

0:46:02.480 --> 0:46:05.359
<v Speaker 5>and so I don't want to go somewhere else that

0:46:05.440 --> 0:46:08.759
<v Speaker 5>I never went. So I want to people love who

0:46:09.000 --> 0:46:12.719
<v Speaker 5>people still messing with what I've done before, So I

0:46:12.760 --> 0:46:17.480
<v Speaker 5>don't want to. You know the problem with most entertainers,

0:46:18.160 --> 0:46:20.880
<v Speaker 5>they go drastically different and people be like, what the

0:46:20.920 --> 0:46:22.880
<v Speaker 5>hell is he doing for me?

0:46:22.960 --> 0:46:25.640
<v Speaker 3>I don't but you got to find that happy medium

0:46:25.640 --> 0:46:29.960
<v Speaker 3>that I feel like you did as fine as stand current.

0:46:29.760 --> 0:46:32.800
<v Speaker 2>But it was still Keith Sweat absolutely well.

0:46:33.000 --> 0:46:36.759
<v Speaker 3>You also have a very distinctive voice like that is

0:46:37.920 --> 0:46:39.280
<v Speaker 3>that can never be confused.

0:46:40.120 --> 0:46:40.919
<v Speaker 2>It shines through.

0:46:42.239 --> 0:46:45.840
<v Speaker 3>I've never heard you on the song about Who's that?

0:46:45.840 --> 0:46:50.040
<v Speaker 2>That's what. It's no confusion about that.

0:46:51.120 --> 0:46:55.600
<v Speaker 3>And so but I think just for me sonically, you've

0:46:55.600 --> 0:47:00.439
<v Speaker 3>been able to find your space in every decade, right,

0:47:01.080 --> 0:47:05.799
<v Speaker 3>which that is hard to do, man st down there impossible, right,

0:47:07.120 --> 0:47:10.000
<v Speaker 3>So to to see you being able to do that. Man,

0:47:10.040 --> 0:47:13.840
<v Speaker 3>it's so inspiring, like you know, sweat just really and

0:47:13.920 --> 0:47:15.120
<v Speaker 3>do you do you do you.

0:47:16.680 --> 0:47:20.400
<v Speaker 2>In staying current and standing the test of time? Do

0:47:20.480 --> 0:47:20.719
<v Speaker 2>you that?

0:47:20.800 --> 0:47:24.040
<v Speaker 3>Do you attribute that to just you really staying tapped

0:47:24.040 --> 0:47:25.680
<v Speaker 3>in like you know what's going on?

0:47:26.640 --> 0:47:31.560
<v Speaker 5>Yeah, and and and I contribute that to I really

0:47:31.600 --> 0:47:34.719
<v Speaker 5>don't listen to radio like that because when I get

0:47:34.760 --> 0:47:38.120
<v Speaker 5>in the studio and and certain songs hit me or

0:47:38.200 --> 0:47:40.359
<v Speaker 5>music hit me, I said like, yo, everybody get out

0:47:40.400 --> 0:47:44.439
<v Speaker 5>the room. I put the headphones on and I'm come

0:47:44.480 --> 0:47:48.320
<v Speaker 5>out and there's a song there. So I've been gifted

0:47:48.400 --> 0:47:51.320
<v Speaker 5>enough to go in there and just to write based

0:47:51.400 --> 0:47:54.560
<v Speaker 5>on what that music says I should be writing. Yeah,

0:47:54.840 --> 0:47:56.120
<v Speaker 5>so's I don't know how.

0:47:56.680 --> 0:47:57.520
<v Speaker 4>I don't be knowing.

0:47:58.080 --> 0:47:59.640
<v Speaker 2>I don't be knowing how it happens.

0:47:59.680 --> 0:48:02.040
<v Speaker 4>Is just happens. And I don't question it.

0:48:02.120 --> 0:48:05.200
<v Speaker 2>Now you got the gift. Yeah, I don't even question it.

0:48:05.239 --> 0:48:07.680
<v Speaker 2>They'll be like my team be like what the hell

0:48:07.840 --> 0:48:08.040
<v Speaker 2>you know?

0:48:08.280 --> 0:48:10.480
<v Speaker 5>Yeah, because you know, I'll go and act like somebody

0:48:10.480 --> 0:48:13.279
<v Speaker 5>bought me a record and they had they was they

0:48:13.280 --> 0:48:16.080
<v Speaker 5>had somebody on the song. And when I heard the

0:48:16.080 --> 0:48:19.319
<v Speaker 5>first two lines, I may cut that mess off. Man,

0:48:19.400 --> 0:48:23.080
<v Speaker 5>take him up, you mute that ship and give me

0:48:23.120 --> 0:48:26.200
<v Speaker 5>the track. Yeah, and I freaked the track. I said, now,

0:48:26.239 --> 0:48:26.879
<v Speaker 5>this is what that shit?

0:48:27.000 --> 0:48:30.399
<v Speaker 4>It sounds like? It was like, oh my god, like that.

0:48:30.560 --> 0:48:34.640
<v Speaker 5>So I mean, I know what, Like I can follow

0:48:35.120 --> 0:48:38.640
<v Speaker 5>rhythms and patterns in and come up with the song

0:48:38.719 --> 0:48:40.759
<v Speaker 5>and lyrics and I don't know how it be and

0:48:40.840 --> 0:48:42.799
<v Speaker 5>hooks and it be in about an hour.

0:48:43.040 --> 0:48:47.120
<v Speaker 2>That's crazy, that is that's a gift, blessing.

0:48:47.480 --> 0:48:50.479
<v Speaker 5>Yeah, my friends went to the to the club one

0:48:50.560 --> 0:48:53.440
<v Speaker 5>night and they left me in the studio and I

0:48:53.480 --> 0:48:56.040
<v Speaker 5>had three tracks. They came back off. Three was done

0:48:57.400 --> 0:48:59.239
<v Speaker 5>in about two two and a half hours.

0:48:59.280 --> 0:49:02.960
<v Speaker 2>Are you still actively every day in the studio?

0:49:03.320 --> 0:49:06.040
<v Speaker 4>Not actively? Every day? I get my old man's rest,

0:49:06.680 --> 0:49:06.960
<v Speaker 4>did I?

0:49:09.480 --> 0:49:11.400
<v Speaker 5>And then I come down and I feel like it

0:49:11.719 --> 0:49:15.319
<v Speaker 5>because I can't be in the studio and like I

0:49:15.400 --> 0:49:17.880
<v Speaker 5>have to mentally get myself together because I'm always on

0:49:17.920 --> 0:49:20.359
<v Speaker 5>the road. Like I don't mean old man's ress, because

0:49:20.400 --> 0:49:22.600
<v Speaker 5>I be in the gym running, running like a young

0:49:22.680 --> 0:49:25.480
<v Speaker 5>boy and doing that type of stuff. So I just

0:49:25.560 --> 0:49:27.799
<v Speaker 5>need to mentally get my head right because I wear

0:49:27.880 --> 0:49:32.080
<v Speaker 5>so many hats. I'm the executive producer hat the movie

0:49:32.160 --> 0:49:40.640
<v Speaker 5>hat the touring hat, the entrepreneur hats, the restaurant hats. Like,

0:49:40.719 --> 0:49:43.359
<v Speaker 5>I got so many hats that I wear that I

0:49:43.440 --> 0:49:44.839
<v Speaker 5>try to be good at all of them.

0:49:44.960 --> 0:49:48.240
<v Speaker 2>It's just that sometime you have to take a break.

0:49:48.400 --> 0:49:52.479
<v Speaker 3>Yeah, no, absolutely, But during this time you weren't taking

0:49:52.520 --> 0:49:56.280
<v Speaker 3>no breaks at all because you go from your solo

0:49:56.400 --> 0:49:58.000
<v Speaker 3>project and then you say, all right, I'm gonna do.

0:49:57.960 --> 0:50:03.440
<v Speaker 4>A group because Jill and Johnny with my boys. So

0:50:03.800 --> 0:50:06.000
<v Speaker 4>you know, Jill never happened.

0:50:06.280 --> 0:50:11.040
<v Speaker 5>Jill never went platinum before ever, and Johnny that's my boy.

0:50:11.840 --> 0:50:14.560
<v Speaker 5>So I said, I want to do a group. So

0:50:16.040 --> 0:50:17.680
<v Speaker 5>the record company was against it.

0:50:18.440 --> 0:50:21.440
<v Speaker 3>Oh they fought that. Yeah for it, that would seem

0:50:21.560 --> 0:50:25.160
<v Speaker 3>like an They fought that, and I had to fight back.

0:50:25.320 --> 0:50:28.239
<v Speaker 3>So they ended up going through Electure. Yeah okay, they thought. No,

0:50:28.360 --> 0:50:29.960
<v Speaker 3>they fought Electure for it.

0:50:30.800 --> 0:50:32.799
<v Speaker 5>I won't you know this is this part where you

0:50:32.840 --> 0:50:35.160
<v Speaker 5>say boom boom boom what you say and you won't

0:50:35.200 --> 0:50:39.560
<v Speaker 5>tell the story. I'm not gonna tell it. Who ford it?

0:50:40.000 --> 0:50:43.680
<v Speaker 5>They It was like, you're not doing nothing. I said,

0:50:43.880 --> 0:50:47.520
<v Speaker 5>I don't you talking to like that, y'all. I'm doing this.

0:50:48.000 --> 0:50:50.160
<v Speaker 5>If you don't like it, you don't like it. But

0:50:50.239 --> 0:50:53.879
<v Speaker 5>I bet it happened. So you see that it happened, right.

0:50:53.840 --> 0:50:56.960
<v Speaker 2>It absolutely happened. Another multiplat the Marvel.

0:50:56.920 --> 0:51:00.640
<v Speaker 3>Right my body, and they tried to take dit for it,

0:51:00.640 --> 0:51:03.720
<v Speaker 3>but Jell said, yo, and that was all y'all.

0:51:03.840 --> 0:51:04.800
<v Speaker 4>That was Keith Sweat.

0:51:04.800 --> 0:51:11.399
<v Speaker 2>I did, hey man, once again being a giver. Being

0:51:11.440 --> 0:51:11.719
<v Speaker 2>a giver.

0:51:12.360 --> 0:51:15.320
<v Speaker 3>But so much has been given to you for being

0:51:15.400 --> 0:51:18.560
<v Speaker 3>that type of person, right, It always, it always comes back.

0:51:18.640 --> 0:51:21.959
<v Speaker 5>That's why I feel I'm still relevant all these years later,

0:51:22.080 --> 0:51:26.080
<v Speaker 5>because God has blessed me abundantly because of the things

0:51:26.160 --> 0:51:30.279
<v Speaker 5>I've done to give, because you know, I mean, and

0:51:30.320 --> 0:51:31.560
<v Speaker 5>that I contributed to.

0:51:31.600 --> 0:51:34.399
<v Speaker 4>Him, not nothing else but him.

0:51:34.440 --> 0:51:36.359
<v Speaker 5>Now, I mean, it's like I said, it's not I

0:51:36.400 --> 0:51:39.040
<v Speaker 5>can't take the credit because you know, there's a lot

0:51:39.040 --> 0:51:40.759
<v Speaker 5>of people that came out when I came out that's

0:51:40.800 --> 0:51:44.200
<v Speaker 5>not relevant at this point. So for him to have

0:51:44.520 --> 0:51:50.480
<v Speaker 5>to make me knowledgeable and to have him still have me.

0:51:50.480 --> 0:51:53.120
<v Speaker 4>Headlining after all these years, it's amazing.

0:51:53.520 --> 0:51:56.919
<v Speaker 3>I'm glad you mentioned that because that is something that's

0:51:56.960 --> 0:52:01.360
<v Speaker 3>so important to an artist and to the longevity of

0:52:01.440 --> 0:52:06.880
<v Speaker 3>an artist. What made you start really paying attention to

0:52:06.920 --> 0:52:12.360
<v Speaker 3>the business of the road and touring because most artists

0:52:12.360 --> 0:52:13.600
<v Speaker 3>are just like, Okay, I'm gonna get my friend in

0:52:13.960 --> 0:52:14.880
<v Speaker 3>my back in there.

0:52:15.200 --> 0:52:15.480
<v Speaker 2>Cool.

0:52:15.800 --> 0:52:19.640
<v Speaker 3>But you started to start looking at the gate, start

0:52:19.640 --> 0:52:23.400
<v Speaker 3>looking at the merch How much is this back line?

0:52:24.440 --> 0:52:28.040
<v Speaker 3>Can I buy these buses? Can I buy these sprinter vans?

0:52:28.480 --> 0:52:30.759
<v Speaker 3>Like what kicked in for you? Or you were just

0:52:30.800 --> 0:52:34.440
<v Speaker 3>like you know what? This is now another ancillary business.

0:52:34.000 --> 0:52:36.960
<v Speaker 5>For me because even at the first album, I bought

0:52:37.120 --> 0:52:40.480
<v Speaker 5>my own SSL board, even after the first album, so

0:52:40.760 --> 0:52:42.919
<v Speaker 5>because I felt like, if I'm gonna spend my money

0:52:42.920 --> 0:52:46.160
<v Speaker 5>in studio, own it on my own, my SSL boards.

0:52:46.200 --> 0:52:49.640
<v Speaker 5>So for fifty four channel in put SSL.

0:52:49.239 --> 0:52:52.200
<v Speaker 2>Board, how much was that back then it was.

0:52:52.760 --> 0:52:56.279
<v Speaker 5>About close to three on thousands, and put it in

0:52:56.320 --> 0:52:58.920
<v Speaker 5>my house. And then that's why I did the Silk album.

0:52:58.960 --> 0:53:02.160
<v Speaker 5>At my my album Matt Cut Close album.

0:53:02.200 --> 0:53:04.960
<v Speaker 3>And now you're charging back the studio because now you're

0:53:05.040 --> 0:53:05.400
<v Speaker 3>the studio.

0:53:05.560 --> 0:53:09.120
<v Speaker 5>Yeah, because I felt like I'm not going into the

0:53:09.160 --> 0:53:11.239
<v Speaker 5>studio and spend that kind of money when I can

0:53:11.280 --> 0:53:13.839
<v Speaker 5>put this board in my house and you know.

0:53:14.120 --> 0:53:16.040
<v Speaker 3>And back then you couldn't get in the studio for

0:53:16.120 --> 0:53:18.200
<v Speaker 3>less than fifteen hundred a day twenty five hundred the

0:53:18.239 --> 0:53:19.759
<v Speaker 3>day South studios.

0:53:19.360 --> 0:53:21.279
<v Speaker 5>I would spend all the time and then I would

0:53:21.320 --> 0:53:23.399
<v Speaker 5>have the speaker come up to my bedroom and listen

0:53:23.440 --> 0:53:24.080
<v Speaker 5>to the mixes.

0:53:24.480 --> 0:53:25.000
<v Speaker 4>So I knew it.

0:53:25.080 --> 0:53:27.680
<v Speaker 2>But the mix is gonna sound like because I had

0:53:29.960 --> 0:53:31.000
<v Speaker 2>man put the.

0:53:31.000 --> 0:53:33.160
<v Speaker 5>Speakers up in my house. So I'll tell my end

0:53:33.200 --> 0:53:35.480
<v Speaker 5>of that mixed the song. Now, no turn that base

0:53:35.560 --> 0:53:36.480
<v Speaker 5>to turn that base down?

0:53:36.520 --> 0:53:39.799
<v Speaker 2>Are you making you're really making bedroom music? Yeah? Yeah,

0:53:39.920 --> 0:53:42.040
<v Speaker 2>so this was this was gonna sound in your bedroom.

0:53:42.120 --> 0:53:44.719
<v Speaker 2>This guy is gonna sound Yeah. So that's what I did.

0:53:44.960 --> 0:53:45.560
<v Speaker 4>That's genius.

0:53:45.600 --> 0:53:46.680
<v Speaker 2>That's genius.

0:53:46.920 --> 0:53:51.040
<v Speaker 5>And the THESG album there I did, the old school

0:53:51.120 --> 0:53:53.000
<v Speaker 5>album cut Close, Yeah I did.

0:53:53.719 --> 0:53:55.640
<v Speaker 2>Then you took that same mindset to the road.

0:53:55.640 --> 0:53:58.920
<v Speaker 3>Though, right, if I'm gonna be on the road, I

0:53:58.960 --> 0:54:00.439
<v Speaker 3>need to own these I bought.

0:54:00.560 --> 0:54:03.239
<v Speaker 5>I bought that first, I bought the key Voice, and

0:54:03.840 --> 0:54:07.000
<v Speaker 5>I was buying stuff like I'm a person that if

0:54:07.040 --> 0:54:09.720
<v Speaker 5>I'm gonna spend money on it, I'm gonna buy it. Yeah,

0:54:09.800 --> 0:54:14.160
<v Speaker 5>because like most people, right, when you don't think like that,

0:54:14.160 --> 0:54:17.320
<v Speaker 5>that means you don't you're telling yourself you're not gonna

0:54:17.360 --> 0:54:21.480
<v Speaker 5>be here for for a year. When you're doing things

0:54:21.520 --> 0:54:23.440
<v Speaker 5>like that, you're telling yourself you're gonna be here for

0:54:23.480 --> 0:54:24.160
<v Speaker 5>some time.

0:54:24.040 --> 0:54:25.279
<v Speaker 2>Right, I'm gonna be able to get the use out

0:54:25.320 --> 0:54:25.480
<v Speaker 2>of this.

0:54:25.640 --> 0:54:25.960
<v Speaker 4>Yeah.

0:54:26.000 --> 0:54:29.120
<v Speaker 5>So, And I tell people, you know, it's like, if

0:54:29.160 --> 0:54:31.359
<v Speaker 5>you're only thinking I want now, that means you ain't

0:54:31.400 --> 0:54:33.120
<v Speaker 5>thinking about five years from now. You don't think you

0:54:33.239 --> 0:54:34.960
<v Speaker 5>bought going to be here five years from now, or

0:54:35.000 --> 0:54:36.640
<v Speaker 5>you don't think you're gonna be in the game five years.

0:54:36.680 --> 0:54:38.000
<v Speaker 4>I man that whatever the case is.

0:54:38.480 --> 0:54:41.520
<v Speaker 5>I feel like everything like me buying a red camera,

0:54:41.640 --> 0:54:45.520
<v Speaker 5>me buying my lights, me doing everything I do for me,

0:54:45.800 --> 0:54:47.879
<v Speaker 5>it's I'm gonna get the use oude of it.

0:54:48.239 --> 0:54:50.399
<v Speaker 2>I'm not gonna ready for nobody else because I'm gonna

0:54:50.440 --> 0:54:55.480
<v Speaker 2>end up using it more than yeah, just buying it

0:54:55.520 --> 0:54:56.399
<v Speaker 2>for yourself, right, so.

0:54:56.360 --> 0:54:58.000
<v Speaker 4>You might as go buy it and own it and

0:54:58.080 --> 0:54:58.600
<v Speaker 4>now you're good.

0:54:59.000 --> 0:55:01.200
<v Speaker 3>Why I was hounding you so much to come on

0:55:01.239 --> 0:55:05.520
<v Speaker 3>this show because the things I know about you, because

0:55:06.080 --> 0:55:09.319
<v Speaker 3>you've let me into your life, in your circle, and

0:55:10.120 --> 0:55:12.200
<v Speaker 3>you know, I feel like I'm a confident of yours

0:55:12.239 --> 0:55:14.439
<v Speaker 3>that you know you call me, you tell me you like, hey, Jay,

0:55:14.520 --> 0:55:18.680
<v Speaker 3>pay attention to this or that. I kind of got

0:55:18.680 --> 0:55:23.040
<v Speaker 3>tired of just telling people. Make keev Man. They mentioned

0:55:23.080 --> 0:55:26.399
<v Speaker 3>whoever else y'all want to mention. But when I look

0:55:26.440 --> 0:55:31.239
<v Speaker 3>at you, you are what it's supposed to be as

0:55:31.400 --> 0:55:38.640
<v Speaker 3>an artist, businessman, business person, right Like I can look

0:55:38.640 --> 0:55:41.640
<v Speaker 3>at everybody's accomplishments and yeah, that's cool, it's cool you

0:55:41.680 --> 0:55:45.040
<v Speaker 3>did that. Okay, cool, cool, cool? Do you own your masters?

0:55:45.600 --> 0:55:48.560
<v Speaker 3>Are you promoting your own shows? Have you figured out

0:55:48.600 --> 0:55:51.720
<v Speaker 3>how to really run your own program for real?

0:55:52.000 --> 0:55:53.560
<v Speaker 2>Right? And yes?

0:55:53.800 --> 0:55:56.160
<v Speaker 3>And I think most people think, Okay, if I'm learning

0:55:56.160 --> 0:55:57.520
<v Speaker 3>all those things, I don't need nobody.

0:55:57.600 --> 0:55:59.319
<v Speaker 2>You don't think like that. You're like, no, no, I need

0:55:59.320 --> 0:55:59.840
<v Speaker 2>the right people.

0:56:00.200 --> 0:56:03.280
<v Speaker 5>But still gotta have the right team in position because

0:56:04.040 --> 0:56:06.480
<v Speaker 5>at the right time you want them to do certain things.

0:56:07.160 --> 0:56:08.680
<v Speaker 5>Even though I wear a bunch of hats, I still

0:56:08.719 --> 0:56:12.760
<v Speaker 5>have my team and I'm still the bottom.

0:56:12.440 --> 0:56:16.000
<v Speaker 2>Line, I'm still the last say, but.

0:56:16.920 --> 0:56:19.759
<v Speaker 5>You give them the opportunity to be the last thing,

0:56:19.800 --> 0:56:22.440
<v Speaker 5>to see how they can move without you having to

0:56:22.480 --> 0:56:24.400
<v Speaker 5>say boom boom boom boom boom.

0:56:24.480 --> 0:56:24.719
<v Speaker 4>Yeah.

0:56:24.800 --> 0:56:26.359
<v Speaker 5>You got some people that can do that, and you've

0:56:26.360 --> 0:56:30.040
<v Speaker 5>got some people that can't do that. So you have

0:56:30.160 --> 0:56:32.839
<v Speaker 5>to entrust in certain people to do things and get

0:56:32.840 --> 0:56:36.839
<v Speaker 5>things done because you really it's only twenty four hours

0:56:36.840 --> 0:56:39.200
<v Speaker 5>in a day, and you can't do everything yourself, so

0:56:39.280 --> 0:56:41.840
<v Speaker 5>you really got to, you know, confide in certain people

0:56:41.840 --> 0:56:45.560
<v Speaker 5>and hope hopefully they will get certain things done. The

0:56:45.600 --> 0:56:47.960
<v Speaker 5>problem with some people that go broke or whatever, they

0:56:48.480 --> 0:56:53.680
<v Speaker 5>get the wrong team, or they don't they're not they

0:56:53.680 --> 0:56:57.160
<v Speaker 5>don't want to know what's going on in their lane

0:56:57.239 --> 0:57:00.160
<v Speaker 5>or their business, and they don't do enough research or

0:57:00.239 --> 0:57:03.160
<v Speaker 5>they don't do enough finding out. Okay, house this being run,

0:57:03.200 --> 0:57:05.840
<v Speaker 5>who's doing this, who's not doing this? Just like something

0:57:05.920 --> 0:57:08.919
<v Speaker 5>came up, and not to mention or throw anybody under

0:57:08.920 --> 0:57:11.960
<v Speaker 5>the bus. You know, I'm behind the eight ball on

0:57:12.040 --> 0:57:14.800
<v Speaker 5>some things that I should have been in front of

0:57:14.840 --> 0:57:18.600
<v Speaker 5>the eight ball on, you know. So my attitude is like, yo,

0:57:18.840 --> 0:57:22.120
<v Speaker 5>don't let that happen again. Don't let it happen again.

0:57:22.160 --> 0:57:26.800
<v Speaker 5>Because I designed my things to be on point. There's

0:57:26.840 --> 0:57:30.360
<v Speaker 5>a method to my madness. Like I move in a

0:57:30.400 --> 0:57:34.200
<v Speaker 5>way like, yeah, I jumped from one thing to another,

0:57:34.600 --> 0:57:37.000
<v Speaker 5>but because I feel that because the one thing I

0:57:37.080 --> 0:57:40.680
<v Speaker 5>jumped from was supposed to be already handled, right, So

0:57:40.720 --> 0:57:45.640
<v Speaker 5>when I jump onto something else, I'm thinking like that

0:57:45.800 --> 0:57:48.880
<v Speaker 5>was being handled. I wouldn't have jumped from that to

0:57:49.040 --> 0:57:51.040
<v Speaker 5>that if I didn't think it was being handled.

0:57:51.200 --> 0:57:52.400
<v Speaker 4>Yeah, so that's how I am.

0:57:53.080 --> 0:57:55.640
<v Speaker 3>It's part of why you're still here. It's part of

0:57:55.680 --> 0:57:57.560
<v Speaker 3>why you're still relevant. It's part of why you.

0:57:57.680 --> 0:57:59.400
<v Speaker 2>Still printing money.

0:57:59.720 --> 0:58:02.000
<v Speaker 3>People ask me, but man like gow Sweat, I said, man,

0:58:02.240 --> 0:58:06.560
<v Speaker 3>friend money friend money man, you know, and and just

0:58:07.200 --> 0:58:10.120
<v Speaker 3>how you've gone about your business man and what your

0:58:10.360 --> 0:58:14.320
<v Speaker 3>what your name means to us, especially the ones that

0:58:14.480 --> 0:58:16.280
<v Speaker 3>really know you in his name like.

0:58:17.360 --> 0:58:20.680
<v Speaker 5>It's a one, right, I hope you know that. Yeah, No,

0:58:20.960 --> 0:58:22.960
<v Speaker 5>your name is your name is a one, like I know,

0:58:23.120 --> 0:58:29.440
<v Speaker 5>thank you, Bobby, I mean Joe, I mean a pleasure.

0:58:29.640 --> 0:58:33.600
<v Speaker 5>I mean, I don't think all all of I mean,

0:58:33.640 --> 0:58:37.160
<v Speaker 5>I don't think there's nobody that don't give me my

0:58:37.320 --> 0:58:40.800
<v Speaker 5>props or what I deserve. And the people that don't

0:58:40.800 --> 0:58:43.040
<v Speaker 5>give them to me they don't know me, or they

0:58:43.040 --> 0:58:46.840
<v Speaker 5>don't know my business or and they shouldn't. You know

0:58:46.880 --> 0:58:49.840
<v Speaker 5>what I'm saying, because to me, I don't. I'm not

0:58:50.680 --> 0:58:54.120
<v Speaker 5>trying to sell myself to people. That's not that I

0:58:54.160 --> 0:58:56.680
<v Speaker 5>don't feel as relevant to my life. You know what

0:58:56.720 --> 0:59:03.040
<v Speaker 5>I'm saying. I'm not trying to prove a point. If

0:59:02.840 --> 0:59:06.680
<v Speaker 5>if the point hasn't been proven by now, there's nothing

0:59:06.720 --> 0:59:07.080
<v Speaker 5>to prove.

0:59:07.360 --> 0:59:10.200
<v Speaker 2>I mean, I'm fine. I'm fine with where I am

0:59:10.240 --> 0:59:10.800
<v Speaker 2>in my life.

0:59:11.120 --> 0:59:13.680
<v Speaker 5>You know, one thing about in life, and I tell

0:59:13.720 --> 0:59:16.840
<v Speaker 5>people you have to be happy with yourself and you

0:59:17.120 --> 0:59:20.000
<v Speaker 5>and you know, everything ain't for everybody, and everybody ain't

0:59:20.000 --> 0:59:23.680
<v Speaker 5>for everything. I don't need what everybody else has to

0:59:23.800 --> 0:59:24.560
<v Speaker 5>make me happy.

0:59:24.680 --> 0:59:27.680
<v Speaker 4>I ain't got to.

0:59:26.520 --> 0:59:27.880
<v Speaker 2>Be seen here, here, here.

0:59:27.960 --> 0:59:31.000
<v Speaker 5>That's why you don't see me everywhere. Because I don't

0:59:31.000 --> 0:59:33.360
<v Speaker 5>want to be everywhere. I don't want to be seen everywhere.

0:59:33.360 --> 0:59:37.240
<v Speaker 5>That's just not me. I'm an introvert, yeah, you know.

0:59:38.440 --> 0:59:41.919
<v Speaker 5>And because I'm an introvert, I'm happy with staying home

0:59:41.960 --> 0:59:43.080
<v Speaker 5>watching TV or.

0:59:43.040 --> 0:59:45.920
<v Speaker 2>Something like that, you know, even by myself thinking of

0:59:45.960 --> 0:59:48.680
<v Speaker 2>two be because now you have movies everywhere, you know.

0:59:49.680 --> 0:59:52.240
<v Speaker 5>But I'm just saying, I mean, but before that, I'm

0:59:52.800 --> 0:59:55.920
<v Speaker 5>I just like being in my space. And you know,

0:59:56.040 --> 0:59:59.120
<v Speaker 5>because I'm gonna be honest with you to the world,

1:00:00.200 --> 1:00:02.040
<v Speaker 5>I've accomplished more than I ever thought I would ever

1:00:02.040 --> 1:00:06.480
<v Speaker 5>accomplish in life anyway. So at this point, I'm fine,

1:00:06.720 --> 1:00:11.240
<v Speaker 5>you know what I'm saying, Because I did something that

1:00:12.280 --> 1:00:14.280
<v Speaker 5>I proved the point to my mom. I was able

1:00:14.320 --> 1:00:17.240
<v Speaker 5>to take care of her, so sometimes people are never

1:00:17.320 --> 1:00:20.800
<v Speaker 5>satisfied and they always want more and warm right because

1:00:20.800 --> 1:00:24.680
<v Speaker 5>they never satisfied. When do you become satisfied? Why is

1:00:24.680 --> 1:00:25.000
<v Speaker 5>it that?

1:00:25.160 --> 1:00:26.280
<v Speaker 2>So that was never your drive?

1:00:26.440 --> 1:00:28.520
<v Speaker 5>Now that's never my drive because you can't take none

1:00:28.560 --> 1:00:32.120
<v Speaker 5>of the shit with you.

1:00:30.640 --> 1:00:31.440
<v Speaker 4>You know what I'm saying.

1:00:31.680 --> 1:00:36.120
<v Speaker 5>The only thing I care about is like, how make

1:00:36.200 --> 1:00:38.600
<v Speaker 5>sure my kids are good and my kids kids are

1:00:38.600 --> 1:00:42.240
<v Speaker 5>good or whatever. But in terms of me doing whatever

1:00:42.280 --> 1:00:44.600
<v Speaker 5>I can to get whatever I can and throwing it

1:00:44.600 --> 1:00:45.400
<v Speaker 5>in people face.

1:00:45.240 --> 1:00:46.760
<v Speaker 4>Look what I got, Look what I got, looked with it.

1:00:47.160 --> 1:00:51.120
<v Speaker 5>I think that's whack When somebody do that and throw

1:00:51.160 --> 1:00:52.840
<v Speaker 5>it in people face. It's like, Yo, these are the

1:00:52.920 --> 1:00:54.720
<v Speaker 5>same people that help you get what you got it

1:00:54.800 --> 1:00:56.040
<v Speaker 5>while you're throwing it in their face.

1:00:56.720 --> 1:00:57.440
<v Speaker 4>You know what I'm saying.

1:00:57.600 --> 1:01:00.440
<v Speaker 5>And I'm a firm believer that you know you it's

1:01:00.480 --> 1:01:03.680
<v Speaker 5>insulting for me to see somebody bragging about all the

1:01:03.720 --> 1:01:07.120
<v Speaker 5>things they got and the people that has helped them

1:01:07.120 --> 1:01:09.160
<v Speaker 5>get it. They starve and and they ain't got nothing,

1:01:09.520 --> 1:01:11.760
<v Speaker 5>and people are bragging about what they got. That's kind

1:01:11.760 --> 1:01:14.840
<v Speaker 5>of whack to me because you throw way that in

1:01:14.880 --> 1:01:18.000
<v Speaker 5>their face. Look what you did for me? Yeah, you know,

1:01:18.120 --> 1:01:19.680
<v Speaker 5>that's kind of like not good.

1:01:20.080 --> 1:01:22.080
<v Speaker 2>No, I respect that. I respect that.

1:01:30.760 --> 1:01:33.720
<v Speaker 3>What was the shift for you to get into film

1:01:33.840 --> 1:01:34.840
<v Speaker 3>and film and television?

1:01:35.120 --> 1:01:38.640
<v Speaker 5>One thing my son acts, okay, like I don't want

1:01:38.720 --> 1:01:40.120
<v Speaker 5>him begging nobody.

1:01:39.760 --> 1:01:42.280
<v Speaker 2>For no role, Like I'll help create it.

1:01:42.880 --> 1:01:45.800
<v Speaker 4>So don't beg nobody for no role.

1:01:45.880 --> 1:01:47.600
<v Speaker 5>I create a road for you, and I do the

1:01:47.840 --> 1:01:50.200
<v Speaker 5>movie for you, and you know you and that now

1:01:50.280 --> 1:01:53.520
<v Speaker 5>once I do that, you take it to a whole

1:01:53.520 --> 1:01:57.120
<v Speaker 5>another level of yourself, right like I mean, And this

1:01:57.400 --> 1:02:00.680
<v Speaker 5>giving opportunity, still giving, even though he's mount still giving

1:02:00.800 --> 1:02:03.080
<v Speaker 5>you opportunity to show what you could.

1:02:02.960 --> 1:02:04.040
<v Speaker 4>Do right now.

1:02:04.240 --> 1:02:07.960
<v Speaker 5>That's I'm not gonna hold your hand, but now that

1:02:08.840 --> 1:02:12.680
<v Speaker 5>I'm giving you a platform to stand on, show me

1:02:12.720 --> 1:02:13.520
<v Speaker 5>what else you could do.

1:02:13.600 --> 1:02:14.680
<v Speaker 4>Take that and run with it.

1:02:15.240 --> 1:02:19.320
<v Speaker 5>So that's my thing, you know, in terms of getting

1:02:19.320 --> 1:02:22.840
<v Speaker 5>it's more like you know, people that I've invested in

1:02:23.240 --> 1:02:25.440
<v Speaker 5>or they film I invested it was more so to

1:02:25.480 --> 1:02:28.680
<v Speaker 5>help them, not to help me, but more so to

1:02:28.720 --> 1:02:31.000
<v Speaker 5>help them. So that's why I get into a lot

1:02:31.040 --> 1:02:34.920
<v Speaker 5>of films, because I try to help people and accomplishing

1:02:35.000 --> 1:02:36.200
<v Speaker 5>their dreams and.

1:02:36.560 --> 1:02:41.560
<v Speaker 4>Putting on screening what their vision is.

1:02:41.600 --> 1:02:43.360
<v Speaker 3>That's right, I do It's a different type of power

1:02:43.400 --> 1:02:45.720
<v Speaker 3>in being able to greenlight something right.

1:02:45.800 --> 1:02:49.600
<v Speaker 5>Right, so I'm able to somebody say, yo, I'm short.

1:02:49.640 --> 1:02:52.240
<v Speaker 5>Boom boom boom, I got an amazing film. I look

1:02:52.280 --> 1:02:54.120
<v Speaker 5>at the film, I'm like, okay, who will you have

1:02:54.200 --> 1:02:54.960
<v Speaker 5>attached to it?

1:02:55.320 --> 1:02:58.080
<v Speaker 4>Okay, I need the money to go ahead.

1:02:58.080 --> 1:02:59.680
<v Speaker 2>And there how many films you got?

1:02:59.720 --> 1:02:59.880
<v Speaker 4>Now?

1:03:00.600 --> 1:03:03.440
<v Speaker 2>About five or six you got? You got one out

1:03:03.480 --> 1:03:04.360
<v Speaker 2>now right, yeah.

1:03:04.280 --> 1:03:08.320
<v Speaker 5>Secret between us with Michael John White, Lisa Aarondale and

1:03:09.120 --> 1:03:10.080
<v Speaker 5>and uh.

1:03:10.440 --> 1:03:13.480
<v Speaker 4>A few people. Yeah right, yeah, things behind that's some

1:03:13.560 --> 1:03:13.920
<v Speaker 4>way out.

1:03:15.640 --> 1:03:17.160
<v Speaker 2>What else behind you? Back then? You got?

1:03:17.360 --> 1:03:19.320
<v Speaker 3>Okay, you got bags too. Let's talk about the bag.

1:03:19.440 --> 1:03:22.400
<v Speaker 3>Let's talk about platinum status? Man, what made what made

1:03:22.440 --> 1:03:24.200
<v Speaker 3>you get into that to say, okay, you know what

1:03:24.240 --> 1:03:25.080
<v Speaker 3>I want to do luggage?

1:03:25.080 --> 1:03:27.760
<v Speaker 2>I want to do bags. I on do luxury, high end.

1:03:27.640 --> 1:03:31.680
<v Speaker 5>Things because the bags that I was getting didn't they

1:03:31.680 --> 1:03:33.800
<v Speaker 5>didn't fit you, they didn't fit me, and you know

1:03:34.040 --> 1:03:36.160
<v Speaker 5>they were not conducers.

1:03:36.200 --> 1:03:37.360
<v Speaker 4>But what I want.

1:03:37.400 --> 1:03:40.280
<v Speaker 2>You know, you got your computer, yeah, I pad.

1:03:40.080 --> 1:03:42.120
<v Speaker 4>Your phone. You know, I'm like, yo, this is just

1:03:42.160 --> 1:03:42.560
<v Speaker 4>for shure.

1:03:42.640 --> 1:03:46.000
<v Speaker 5>I need a bag that really, yeah, you know, can

1:03:46.840 --> 1:03:50.040
<v Speaker 5>facilitate everything that I want because you know, we travel,

1:03:50.080 --> 1:03:52.360
<v Speaker 5>we go overseas, we do whatever. You're like, Yo, you

1:03:52.360 --> 1:03:55.120
<v Speaker 5>need a bag that you don't want to want five

1:03:55.160 --> 1:03:58.880
<v Speaker 5>bags when you want condense? Yeah, condense everything, you know,

1:03:58.960 --> 1:04:00.560
<v Speaker 5>as much as you can. And you want the bag

1:04:00.600 --> 1:04:02.080
<v Speaker 5>that still looks like right.

1:04:02.560 --> 1:04:03.880
<v Speaker 4>So that's why I met it.

1:04:04.680 --> 1:04:11.120
<v Speaker 2>And then candles. You got George too. You know, listen

1:04:11.400 --> 1:04:13.720
<v Speaker 2>when you talk, I listen. You got George too.

1:04:13.800 --> 1:04:15.920
<v Speaker 4>You know, we be on the floor, George kund of

1:04:15.920 --> 1:04:16.880
<v Speaker 4>slippers the mind.

1:04:17.200 --> 1:04:22.880
<v Speaker 3>See now man, but you standing in fringe, man square,

1:04:23.000 --> 1:04:26.400
<v Speaker 3>Geors out, you know, but I got I look like

1:04:26.440 --> 1:04:30.600
<v Speaker 3>I'm giving people more candle here we go, but I feel.

1:04:30.400 --> 1:04:33.720
<v Speaker 2>Like I'm giving people more wax. Mine is marble like

1:04:33.760 --> 1:04:36.360
<v Speaker 2>the walls and the floor. But as you mileless.

1:04:36.400 --> 1:04:39.160
<v Speaker 3>But as you see, mine got that song I give

1:04:39.200 --> 1:04:41.040
<v Speaker 3>all my love to you, you know.

1:04:41.920 --> 1:04:45.880
<v Speaker 2>For mine also has the Valentine logo on Oh, but

1:04:46.120 --> 1:04:54.240
<v Speaker 2>mine have music and no the stones in it. I

1:04:54.280 --> 1:04:55.000
<v Speaker 2>can't beat him.

1:04:55.880 --> 1:04:59.560
<v Speaker 7>I can't beat him. He's gonna join him. Let me

1:04:59.600 --> 1:05:03.000
<v Speaker 7>tell you can't us to man. I'm selling this way

1:05:03.080 --> 1:05:06.040
<v Speaker 7>Canada's oh man, this is great?

1:05:06.440 --> 1:05:09.120
<v Speaker 2>What other what? What? What other businesses? Am I missing?

1:05:10.040 --> 1:05:11.640
<v Speaker 4>What the restaurant.

1:05:11.800 --> 1:05:15.920
<v Speaker 5>Yeah, the restaurant I forgot twisted pie, twisted pie, twisted

1:05:16.080 --> 1:05:17.080
<v Speaker 5>twisted pie.

1:05:17.400 --> 1:05:21.000
<v Speaker 2>P y E not p i eh. Okay, p y E.

1:05:21.400 --> 1:05:23.280
<v Speaker 2>Don't get it confused with the p I E with

1:05:23.360 --> 1:05:27.240
<v Speaker 2>the p y E, you know. And I hope the

1:05:27.320 --> 1:05:32.040
<v Speaker 2>p y ts get a nice Yeah you hear me talk. Yeah,

1:05:32.320 --> 1:05:35.520
<v Speaker 2>I'm here. Where where's that restaurant.

1:05:35.200 --> 1:05:37.840
<v Speaker 3>At It's in Douglas still in Atlanta, Okay. And how

1:05:37.840 --> 1:05:38.840
<v Speaker 3>long have you had the restaurant?

1:05:38.880 --> 1:05:40.000
<v Speaker 4>It's about three years now.

1:05:40.520 --> 1:05:44.439
<v Speaker 2>Are you going to do more franchises? Definitely franchise, franchise black.

1:05:44.920 --> 1:05:48.480
<v Speaker 3>Yeah, you don't have to fantasize.

1:05:49.520 --> 1:05:49.760
<v Speaker 2>Man.

1:05:51.560 --> 1:05:55.360
<v Speaker 3>This is why I ain't just so listen because this

1:05:55.400 --> 1:05:58.480
<v Speaker 3>episode is y'all just seeing how we hang out and how.

1:05:58.360 --> 1:06:00.920
<v Speaker 2>We be on the phone talking ship. This is this

1:06:01.000 --> 1:06:01.840
<v Speaker 2>is amazing. Man.

1:06:03.560 --> 1:06:08.840
<v Speaker 3>Your career is inspiring. And I'll continue to say that

1:06:09.040 --> 1:06:12.840
<v Speaker 3>because it's a true feeling of mine. You know, as

1:06:12.880 --> 1:06:15.959
<v Speaker 3>I as I look at you know, obviously I've I've

1:06:16.040 --> 1:06:19.600
<v Speaker 3>moved into different spaces and pivoted and those things, but

1:06:20.600 --> 1:06:24.440
<v Speaker 3>I look at it like, in whatever facet of this industry,

1:06:25.720 --> 1:06:29.080
<v Speaker 3>I gotta do it like sweat. You're literally a person

1:06:29.120 --> 1:06:32.200
<v Speaker 3>I think of when I'm making certain decisions, and I

1:06:32.240 --> 1:06:35.080
<v Speaker 3>wanted to tell you that, Like, something may come.

1:06:35.000 --> 1:06:39.040
<v Speaker 2>Up and I'm like, who is Sweat do this?

1:06:40.560 --> 1:06:43.840
<v Speaker 3>How could how would that make sense in the realm

1:06:43.880 --> 1:06:46.480
<v Speaker 3>of the Valentine because you know you're the sweat.

1:06:46.680 --> 1:06:48.080
<v Speaker 2>I'm the Valentine. So you know.

1:06:48.080 --> 1:06:51.960
<v Speaker 3>I'm letting the people know. Man, I'm not mad. I'm

1:06:52.040 --> 1:06:55.160
<v Speaker 3>learning from the best. And I also want to thank you.

1:06:56.280 --> 1:06:59.480
<v Speaker 3>During the pandemic, we will be on the phone. You'll

1:06:59.480 --> 1:07:00.600
<v Speaker 3>be giving me ourtips.

1:07:01.560 --> 1:07:03.720
<v Speaker 2>You're like, yay, yeah, this is I.

1:07:03.640 --> 1:07:05.919
<v Speaker 3>Ain't gonna say the names of the companies, but you'd

1:07:05.920 --> 1:07:11.200
<v Speaker 3>be like, do some research on that company. I appreciate you, man,

1:07:11.560 --> 1:07:13.560
<v Speaker 3>that's all good. Help me make a couple of dollars. Man,

1:07:13.600 --> 1:07:15.520
<v Speaker 3>that's rights. And did you holler?

1:07:16.080 --> 1:07:20.840
<v Speaker 2>I'm always gonna holler. I'm always yeah, nigga governor dollars,

1:07:20.880 --> 1:07:23.120
<v Speaker 2>so you can holler. Man. You see how I'm on

1:07:23.200 --> 1:07:24.640
<v Speaker 2>his crat every week.

1:07:27.120 --> 1:07:30.560
<v Speaker 3>But yeah, man, we you know, I know it's gonna

1:07:30.640 --> 1:07:32.240
<v Speaker 3>you would be here all night if we talked about

1:07:32.240 --> 1:07:34.080
<v Speaker 3>all your accomplishments, man, And I don't want to hold

1:07:34.120 --> 1:07:36.880
<v Speaker 3>you too long, but I it's some things that I

1:07:36.960 --> 1:07:37.720
<v Speaker 3>it's some segments.

1:07:37.760 --> 1:07:40.520
<v Speaker 2>Man, I need you for man, Ruben, what we got

1:07:40.560 --> 1:07:41.880
<v Speaker 2>over there? Man? What we got?

1:07:42.680 --> 1:07:44.840
<v Speaker 4>Come on, Ruben, don't move too slow?

1:07:47.600 --> 1:07:49.080
<v Speaker 6>Yeah?

1:07:49.240 --> 1:07:52.560
<v Speaker 2>Your top five man. You want to know something? Sweat

1:07:54.080 --> 1:08:07.400
<v Speaker 2>fun Yeah, singers, allaby songs? Oh thank we got to

1:08:07.560 --> 1:08:12.680
<v Speaker 2>know lord? Are you going there wrong? This shore? Everbody

1:08:13.240 --> 1:08:17.880
<v Speaker 2>what they want to know? Yes?

1:08:28.960 --> 1:08:39.120
<v Speaker 1>You curry?

1:08:39.160 --> 1:08:43.920
<v Speaker 2>Oh boy, come on, Sweat, we need to know something Marvin.

1:08:44.160 --> 1:08:46.320
<v Speaker 3>Okay, okay, okay, hold on, hold on, let me set

1:08:46.360 --> 1:08:48.760
<v Speaker 3>up for you this Keith Sweats, Top five R and

1:08:48.800 --> 1:08:57.960
<v Speaker 3>B singers, marm and Gay okay, Teddy Pindergrind Lou, the Vangos. Yeah, oh,

1:09:00.080 --> 1:09:01.760
<v Speaker 3>let me think, Let me think. I won't make sure

1:09:01.760 --> 1:09:04.479
<v Speaker 3>I'm doing it right now. We have three, that's three.

1:09:04.520 --> 1:09:08.200
<v Speaker 3>I know I'm keeping it. I gotta make sure. Eddie

1:09:08.280 --> 1:09:14.559
<v Speaker 3>Libert yeah, yes, sir. And Philip bay Win, Yes, sir,

1:09:15.680 --> 1:09:15.960
<v Speaker 3>that's a.

1:09:18.280 --> 1:09:20.840
<v Speaker 2>I respect it. Okay, okay, okay, okay.

1:09:21.040 --> 1:09:23.479
<v Speaker 4>It takes some food to learn that love. Don't love

1:09:23.600 --> 1:09:25.280
<v Speaker 4>nobody he could say.

1:09:25.400 --> 1:09:31.559
<v Speaker 2>Yeah, cold like everybody I mentioned it was cold? Yeah yeah,

1:09:31.640 --> 1:09:36.760
<v Speaker 2>flat Foot Yeah, Top five songs, Oh my god, come

1:09:36.800 --> 1:09:40.639
<v Speaker 2>on your song, your song, guys, wet.

1:09:41.800 --> 1:09:42.640
<v Speaker 4>Let me think. Let me.

1:09:42.760 --> 1:09:47.240
<v Speaker 5>Thank well, it's something I said, Philippe. It takes a fool. Okay,

1:09:48.200 --> 1:09:53.400
<v Speaker 5>we know that Teddy turned out the lights. Stevie Wonder

1:09:54.040 --> 1:09:54.960
<v Speaker 5>very superstitious.

1:09:55.320 --> 1:09:58.680
<v Speaker 4>Yeah, I love that song. You love that song.

1:09:58.840 --> 1:09:59.439
<v Speaker 2>Love that song.

1:10:00.040 --> 1:10:01.600
<v Speaker 4>If for winning five reasons.

1:10:02.800 --> 1:10:12.439
<v Speaker 2>You're a false little guy. Uh what.

1:10:14.400 --> 1:10:20.599
<v Speaker 4>Oh oh jays leave once? No, that's uh, that's spenders

1:10:20.840 --> 1:10:25.639
<v Speaker 4>like let me think, Let me think, let me think.

1:10:26.840 --> 1:10:27.439
<v Speaker 4>What's going on?

1:10:27.600 --> 1:10:32.920
<v Speaker 5>Marm and Gate. Yes, sir, that's perfect for this time. Yeah,

1:10:33.040 --> 1:10:34.640
<v Speaker 5>what we're going through. What's going on?

1:10:35.400 --> 1:10:38.719
<v Speaker 3>We need more music like that, We need more socially

1:10:38.760 --> 1:10:42.559
<v Speaker 3>conscious music, man, and we need people taking that chance two.

1:10:43.920 --> 1:10:44.920
<v Speaker 2>To give that to the world.

1:10:45.240 --> 1:10:45.360
<v Speaker 6>Right.

1:10:46.560 --> 1:10:49.679
<v Speaker 5>I mean, and you know the younger the younger brothers

1:10:49.720 --> 1:10:53.240
<v Speaker 5>that came after that, they have phenomenal But I always

1:10:53.280 --> 1:10:56.680
<v Speaker 5>look at the people that open doors for everybody, and

1:10:56.800 --> 1:10:59.320
<v Speaker 5>the brothers that I name I feel opened the doors

1:10:59.360 --> 1:11:02.840
<v Speaker 5>for me to be who I am, and Johnny and

1:11:03.680 --> 1:11:07.560
<v Speaker 5>Jerald and just you know, so I always got to

1:11:07.640 --> 1:11:11.160
<v Speaker 5>look back on those brothers, even though it ain't the

1:11:11.320 --> 1:11:14.160
<v Speaker 5>ones the younger people might know, those were the ones

1:11:14.200 --> 1:11:16.559
<v Speaker 5>that were essential and.

1:11:16.720 --> 1:11:21.719
<v Speaker 4>Impact for in my life, that made me or allow

1:11:21.840 --> 1:11:23.440
<v Speaker 4>me to be the singer I am today.

1:11:23.800 --> 1:11:27.639
<v Speaker 3>Speaking of your brothers of LSG. How you feel about

1:11:27.680 --> 1:11:29.640
<v Speaker 3>the fact that y'all inspired TGT.

1:11:30.840 --> 1:11:33.160
<v Speaker 4>I didn't even know it was that. I didn't even

1:11:33.160 --> 1:11:34.200
<v Speaker 4>know TV.

1:11:34.360 --> 1:11:39.400
<v Speaker 2>You knew y'all inspired TGT did. Yeah, I fired y'all

1:11:39.479 --> 1:11:41.160
<v Speaker 2>that I inspired them. That's good.

1:11:41.439 --> 1:11:46.400
<v Speaker 5>That's that's a blessing. Now I'm listen, let me say

1:11:46.439 --> 1:11:50.919
<v Speaker 5>this to you. There's nothing in this game or industry

1:11:50.960 --> 1:11:55.080
<v Speaker 5>that hasn't been done already. It makes me feel good

1:11:55.240 --> 1:12:01.559
<v Speaker 5>when people will take something that was done by someone else,

1:12:01.680 --> 1:12:06.160
<v Speaker 5>especially myself, and take it and run with it, meaning

1:12:06.320 --> 1:12:09.360
<v Speaker 5>that I did a good job in creating it, where

1:12:09.400 --> 1:12:13.120
<v Speaker 5>they want to create something that's just as good or

1:12:13.200 --> 1:12:13.960
<v Speaker 5>better from that.

1:12:14.400 --> 1:12:14.639
<v Speaker 2>Yeah.

1:12:14.800 --> 1:12:17.120
<v Speaker 4>So I'm not mad at anything like that.

1:12:17.360 --> 1:12:24.360
<v Speaker 5>I'm I'm more like appreciate, appreciative of it, you know,

1:12:24.520 --> 1:12:30.800
<v Speaker 5>because it's like you're actually giving me my award and saying, yo, man,

1:12:31.800 --> 1:12:34.000
<v Speaker 5>we want to do this because y'all inspired us to

1:12:34.120 --> 1:12:34.320
<v Speaker 5>do this.

1:12:35.360 --> 1:12:38.559
<v Speaker 3>So and even even you know, the like the shows

1:12:38.640 --> 1:12:41.720
<v Speaker 3>and the tours that you've been a part of, like

1:12:41.880 --> 1:12:46.439
<v Speaker 3>now seeing the R and B tour, Raymond and Brown,

1:12:47.600 --> 1:12:50.160
<v Speaker 3>you know what I mean us You're and Chris how

1:12:50.320 --> 1:12:52.720
<v Speaker 3>is it for you to see that happen? The two

1:12:52.840 --> 1:12:56.599
<v Speaker 3>guys top of their game say, you know what, we're

1:12:56.600 --> 1:12:57.559
<v Speaker 3>going to roll together.

1:12:57.680 --> 1:12:59.439
<v Speaker 4>Well, as you know, I've been trying to get brothers

1:12:59.520 --> 1:12:59.760
<v Speaker 4>do that.

1:12:59.840 --> 1:13:01.080
<v Speaker 2>For that's why I asked.

1:13:01.320 --> 1:13:04.559
<v Speaker 4>I know it, and it's good that they could figure

1:13:04.600 --> 1:13:06.639
<v Speaker 4>it out. I just wish.

1:13:08.560 --> 1:13:11.280
<v Speaker 5>That some R and B artists could figure it out.

1:13:11.360 --> 1:13:14.160
<v Speaker 5>And it shouldn't always be about the money. I know

1:13:14.280 --> 1:13:17.560
<v Speaker 5>it's about the money, but that's why I come in

1:13:17.720 --> 1:13:20.080
<v Speaker 5>as a promoter or whatever, so I can make it

1:13:21.240 --> 1:13:23.920
<v Speaker 5>where let's do it together. And that's why I say

1:13:25.080 --> 1:13:28.080
<v Speaker 5>I wish more brothers would think a certain way whereas

1:13:28.640 --> 1:13:32.120
<v Speaker 5>we invest in ourselves, because then you could.

1:13:32.000 --> 1:13:33.679
<v Speaker 4>Do it to it like that because all the money

1:13:33.720 --> 1:13:34.760
<v Speaker 4>is I was on the back end.

1:13:35.160 --> 1:13:35.280
<v Speaker 2>Right.

1:13:35.800 --> 1:13:39.439
<v Speaker 5>If we get more people to think like that, you'll

1:13:39.520 --> 1:13:43.960
<v Speaker 5>actually make more money. You just won't get your money

1:13:44.040 --> 1:13:48.120
<v Speaker 5>up front up front, and that's always the tricky part, right,

1:13:48.200 --> 1:13:50.639
<v Speaker 5>But you will get your money because if you put

1:13:50.680 --> 1:13:52.400
<v Speaker 5>a tour together, that's phenomenal.

1:13:54.680 --> 1:13:55.240
<v Speaker 4>You're gonna win.

1:13:55.320 --> 1:13:58.800
<v Speaker 5>Because I was telling them and nobody better steal my

1:13:58.880 --> 1:14:01.160
<v Speaker 5>idea because I was to you, if you're still my idea,

1:14:01.520 --> 1:14:03.439
<v Speaker 5>anybody take trying to take my idea. Right now, I'm

1:14:03.479 --> 1:14:04.920
<v Speaker 5>gonna put it out there right here on camera.

1:14:05.479 --> 1:14:06.680
<v Speaker 2>I can say it and.

1:14:06.720 --> 1:14:09.040
<v Speaker 3>He'll put you in because right now it's right here,

1:14:10.080 --> 1:14:11.759
<v Speaker 3>because everybody know it was my idea.

1:14:13.920 --> 1:14:22.840
<v Speaker 2>He's my idea. I'm glad I did that. It's my

1:14:25.560 --> 1:14:29.600
<v Speaker 2>So don't till my ship. You're gonna tell us what

1:14:29.720 --> 1:14:32.280
<v Speaker 2>I did? Should I tell him? Little? Because it's here.

1:14:34.120 --> 1:14:36.720
<v Speaker 2>That means it's solidified. I'm right.

1:14:37.800 --> 1:14:40.160
<v Speaker 3>That means if somebody take it, the floor is yours

1:14:40.200 --> 1:14:43.920
<v Speaker 3>you thank you so knowing this is my idea and

1:14:44.040 --> 1:14:47.240
<v Speaker 3>I'm padding this. So basically, this is like I came

1:14:47.360 --> 1:14:49.320
<v Speaker 3>up with it. This is a pattern right here on

1:14:49.400 --> 1:14:51.120
<v Speaker 3>this show, right am I right room?

1:14:55.320 --> 1:14:55.599
<v Speaker 2>Okay?

1:14:55.680 --> 1:15:01.479
<v Speaker 3>You know I know I know how to choking. I

1:15:01.520 --> 1:15:03.559
<v Speaker 3>ain't gonna do it. I ain't gonna say I tell

1:15:03.600 --> 1:15:06.240
<v Speaker 3>you that you're where I was going with it. Boy,

1:15:06.360 --> 1:15:10.400
<v Speaker 3>Oh lord Jesus, there's already a few of them get anyway,

1:15:10.680 --> 1:15:13.080
<v Speaker 3>So I ain't gonna say nothing more. All right, So

1:15:13.200 --> 1:15:16.320
<v Speaker 3>we're gonna, we're gonna, we're gonna get into the vote tron. Okay,

1:15:16.880 --> 1:15:20.160
<v Speaker 3>where you build us the ultimate R and B singer

1:15:21.240 --> 1:15:25.559
<v Speaker 3>top to bottom? Will you give us the vocals.

1:15:26.040 --> 1:15:27.439
<v Speaker 2>Who vocals? M hm?

1:15:28.600 --> 1:15:33.240
<v Speaker 3>They look the performance okay, performance style. Who's gonna kill

1:15:33.280 --> 1:15:37.200
<v Speaker 3>that stage? Who's gonna put that fly ship on? You know, listen,

1:15:37.479 --> 1:15:39.280
<v Speaker 3>I don't know. I don't know if y'all be paying attention.

1:15:39.840 --> 1:15:43.840
<v Speaker 3>I've never seen sweat not fly. This is he just

1:15:43.880 --> 1:15:44.320
<v Speaker 3>so y'all know.

1:15:44.400 --> 1:15:46.599
<v Speaker 2>He changed off his five years to I've only been

1:15:46.640 --> 1:15:47.120
<v Speaker 2>here for thirty.

1:15:47.200 --> 1:15:49.360
<v Speaker 3>No, and if I take one and if I take

1:15:49.439 --> 1:15:51.720
<v Speaker 3>one off up and keep one on, that means I'm

1:15:51.760 --> 1:15:53.479
<v Speaker 3>thinking and don't disturb me.

1:15:55.360 --> 1:15:58.840
<v Speaker 2>They know me? Am I right or wrong? I walk

1:15:58.880 --> 1:16:00.320
<v Speaker 2>around to have the one shoe of sweat?

1:16:00.360 --> 1:16:00.720
<v Speaker 4>What you doing?

1:16:00.760 --> 1:16:03.479
<v Speaker 2>I'm thinking, don't leave me get leave me alone? Goddamn it.

1:16:06.920 --> 1:16:10.799
<v Speaker 3>It's on the drip and then the passion of the artists.

1:16:11.960 --> 1:16:13.519
<v Speaker 3>Who's gonna make you feel it? So we're gonna start

1:16:13.520 --> 1:16:14.080
<v Speaker 3>with the first thing.

1:16:14.600 --> 1:16:18.439
<v Speaker 2>Who's your singer, Who's who's the who's the vocal for

1:16:18.600 --> 1:16:20.920
<v Speaker 2>this ultimate R and B singer?

1:16:21.160 --> 1:16:23.080
<v Speaker 4>Because I named a bunch of them in the beginning.

1:16:23.200 --> 1:16:25.040
<v Speaker 2>One of them can be, yeah, one of the one

1:16:25.040 --> 1:16:25.680
<v Speaker 2>of your time for her.

1:16:25.680 --> 1:16:28.479
<v Speaker 5>It could be the vocal whoever you wanted to think about,

1:16:28.520 --> 1:16:33.160
<v Speaker 5>who had the range who had range, yeah and everything else.

1:16:33.240 --> 1:16:38.639
<v Speaker 5>And you know who's so do back then. It's sad

1:16:38.720 --> 1:16:41.880
<v Speaker 5>that I can't think because you know, there were so many.

1:16:43.000 --> 1:16:47.799
<v Speaker 5>It's so sad it still would be Marvin because Marvin

1:16:47.880 --> 1:16:51.519
<v Speaker 5>had the silkid's voice to Marvel's the vocals, Marvin is

1:16:51.560 --> 1:16:52.040
<v Speaker 5>the vocal.

1:16:52.320 --> 1:16:55.040
<v Speaker 2>Now, who's a stage performance who put on the show?

1:16:55.880 --> 1:17:00.519
<v Speaker 2>Not Usher and Chris Usher Brown and Chris Yeah, yeah, yeah,

1:17:01.520 --> 1:17:05.360
<v Speaker 2>if I attitude, I can't even do that so that

1:17:05.560 --> 1:17:06.000
<v Speaker 2>I get.

1:17:07.600 --> 1:17:12.360
<v Speaker 3>I can amerge him Chris stage Usher and Chris who

1:17:12.439 --> 1:17:15.759
<v Speaker 3>put on the fly ship, Keith Sweat.

1:17:16.120 --> 1:17:20.680
<v Speaker 2>Come on, I'm thinking to myself, if he don't name himself.

1:17:20.360 --> 1:17:25.840
<v Speaker 3>I'm gonna get Keith Ahead Sweat Sweats, the sweat drip

1:17:26.840 --> 1:17:33.080
<v Speaker 3>and the passion. Who got the passion? Who's the most

1:17:33.200 --> 1:17:34.680
<v Speaker 3>passionate artist that you can think of?

1:17:36.040 --> 1:17:36.080
<v Speaker 2>That?

1:17:36.240 --> 1:17:36.479
<v Speaker 6>You know?

1:17:36.720 --> 1:17:37.720
<v Speaker 2>Like I believe it?

1:17:38.640 --> 1:17:39.040
<v Speaker 4>Mm hmm.

1:17:40.400 --> 1:17:45.160
<v Speaker 5>I think Luther had that. Luther had that yeah when

1:17:45.240 --> 1:17:49.000
<v Speaker 5>I yeah, have that like like he made you feel that.

1:17:49.240 --> 1:17:54.559
<v Speaker 5>I gotta say Luther, yeah, every word, every word. That's

1:17:54.640 --> 1:18:01.439
<v Speaker 5>a crazy artist. Marvin vocals, Chris and Usher, stage, Keith

1:18:01.520 --> 1:18:07.479
<v Speaker 5>Swat to swag, the drip and Luther Vandross's passion. Yeah,

1:18:07.560 --> 1:18:09.760
<v Speaker 5>that's that's gonna be a tough one to be. That's

1:18:09.760 --> 1:18:11.920
<v Speaker 5>gonna that's gonna be a tough okay' you know.

1:18:12.000 --> 1:18:16.240
<v Speaker 3>Since you are a songwriter, throw that curveball who writing

1:18:16.240 --> 1:18:17.200
<v Speaker 3>the songs for that artist?

1:18:18.200 --> 1:18:24.160
<v Speaker 2>Me and Tank, that means that it's gonna be timeless. Yeah, yeah, yeah,

1:18:24.880 --> 1:18:26.160
<v Speaker 2>I love that. I love that.

1:18:26.640 --> 1:18:29.519
<v Speaker 5>I gotta vinced think because you know that's my man anyway, man,

1:18:29.600 --> 1:18:30.240
<v Speaker 5>that's my boy.

1:18:30.400 --> 1:18:31.320
<v Speaker 6>No, I know, I know.

1:18:31.680 --> 1:18:34.240
<v Speaker 4>So you know me and Tank because Tank is for

1:18:34.360 --> 1:18:35.120
<v Speaker 4>people that don't know.

1:18:35.240 --> 1:18:38.120
<v Speaker 5>Tank is phenomenal writer. You know, I'm just as dope,

1:18:38.479 --> 1:18:42.599
<v Speaker 5>absolutely hope. So it's kind of like together. We haven't

1:18:42.640 --> 1:18:43.599
<v Speaker 5>never written nothing together.

1:18:43.680 --> 1:18:55.240
<v Speaker 2>But oh my god, the word on the streets is

1:18:55.320 --> 1:18:57.599
<v Speaker 2>that you and Tank both cheated at Versus.

1:18:58.760 --> 1:19:01.120
<v Speaker 4>Cheated. Yeah, how we cheating because.

1:19:00.960 --> 1:19:03.200
<v Speaker 3>Y'all got y'all heads, But then y'all got the hits

1:19:03.280 --> 1:19:04.160
<v Speaker 3>of others as well.

1:19:06.520 --> 1:19:07.120
<v Speaker 4>I didn't cheat.

1:19:09.760 --> 1:19:10.960
<v Speaker 2>I was at that versus too.

1:19:12.040 --> 1:19:14.320
<v Speaker 4>Bob didn't Bobbie single addition songs.

1:19:15.040 --> 1:19:18.320
<v Speaker 2>This is okay, so are we? That's fair? That's fair?

1:19:18.920 --> 1:19:23.040
<v Speaker 3>So and Johnny is part of LSG. So I didn't cheat,

1:19:23.240 --> 1:19:26.679
<v Speaker 3>you know, because Bobby Definitely. I'm like, that's when I said,

1:19:26.720 --> 1:19:28.479
<v Speaker 3>hold on, you're gonna go there, we can go ahead

1:19:28.560 --> 1:19:31.280
<v Speaker 3>it And you had the classic moments the same as

1:19:31.360 --> 1:19:32.520
<v Speaker 3>Tank Tank turtleneck.

1:19:32.560 --> 1:19:38.200
<v Speaker 2>You had the sh rock this ain't tea this tennesc Yeah.

1:19:39.760 --> 1:19:43.599
<v Speaker 2>So you know, you know, we just entertainer. Yeah, now

1:19:43.640 --> 1:19:44.960
<v Speaker 2>I had a I had a great time.

1:19:45.280 --> 1:19:46.320
<v Speaker 4>That's just entertaining.

1:19:46.439 --> 1:19:46.599
<v Speaker 3>Man.

1:19:46.720 --> 1:19:50.960
<v Speaker 5>We like like, I love entertaining. I love doing things

1:19:51.080 --> 1:19:55.719
<v Speaker 5>that everybody else is not doing. I think I loved

1:19:56.600 --> 1:19:59.000
<v Speaker 5>like here my people tell you. I think every day

1:19:59.000 --> 1:20:02.400
<v Speaker 5>about what else can I do the to shock the

1:20:02.520 --> 1:20:07.320
<v Speaker 5>audience because most people that never saw me unimpression that

1:20:07.400 --> 1:20:09.240
<v Speaker 5>I come out there, don't do what I do, and

1:20:09.280 --> 1:20:10.880
<v Speaker 5>then when they see me, they be, oh my god,

1:20:10.960 --> 1:20:14.960
<v Speaker 5>I had no clue. So I like to put that

1:20:15.200 --> 1:20:17.320
<v Speaker 5>shock shock value on people.

1:20:18.000 --> 1:20:20.200
<v Speaker 3>And so you got you got some you got something new.

1:20:20.240 --> 1:20:22.080
<v Speaker 3>That's that's about the shock some people. Man, what's what's

1:20:22.120 --> 1:20:22.599
<v Speaker 3>what's next?

1:20:24.200 --> 1:20:28.040
<v Speaker 5>Well, I dropped the new record with Good Luck Part

1:20:28.080 --> 1:20:33.360
<v Speaker 5>two with Calvin Richardson, George and Cupid and Roy and

1:20:33.560 --> 1:20:34.280
<v Speaker 5>Chip Anthony.

1:20:34.880 --> 1:20:38.600
<v Speaker 4>That dropped the day with the video and you know

1:20:38.720 --> 1:20:40.640
<v Speaker 4>my Afrobeat the album I'm dropping.

1:20:41.240 --> 1:20:43.040
<v Speaker 2>Man, when when is that? When is the Afrobeat the

1:20:43.040 --> 1:20:43.759
<v Speaker 2>album coming.

1:20:44.280 --> 1:20:47.439
<v Speaker 5>As soon as I finished one or two more songs

1:20:48.439 --> 1:20:52.080
<v Speaker 5>and she but the song one song came out already

1:20:52.120 --> 1:20:53.520
<v Speaker 5>with Clinton King Maddie.

1:20:53.280 --> 1:20:56.880
<v Speaker 4>But I'm getting ready, fool lord, I'm getting ready hit people.

1:20:56.920 --> 1:20:59.479
<v Speaker 3>Is that your Is that your main focus right now musically?

1:20:59.640 --> 1:21:03.160
<v Speaker 3>Define really get in that space afore definitely. And you know,

1:21:03.360 --> 1:21:06.120
<v Speaker 3>I got a record that I'm working on that's going

1:21:06.200 --> 1:21:08.680
<v Speaker 3>to be impactful to the world. I'm should have wore

1:21:08.760 --> 1:21:11.559
<v Speaker 3>my T shirt called thank Love. It's a record I'm

1:21:11.600 --> 1:21:12.679
<v Speaker 3>working on called thank Love.

1:21:12.760 --> 1:21:14.920
<v Speaker 5>Once I get all the people on the right people

1:21:14.960 --> 1:21:18.040
<v Speaker 5>on it that I want, and I'm released it, and

1:21:18.840 --> 1:21:21.600
<v Speaker 5>that's going to be very impactful to what's going on

1:21:21.720 --> 1:21:26.600
<v Speaker 5>in the world today, because it's very important that like

1:21:26.760 --> 1:21:28.680
<v Speaker 5>back in the day when everything was going on in

1:21:28.720 --> 1:21:32.000
<v Speaker 5>the wall and stuff, Marvins put the song he put

1:21:32.280 --> 1:21:37.240
<v Speaker 5>out What's going on right and all that. But it

1:21:37.439 --> 1:21:41.400
<v Speaker 5>just seems like there's a lot going on. But a

1:21:41.520 --> 1:21:44.479
<v Speaker 5>lot of people look at us as artists. They listen

1:21:44.560 --> 1:21:49.160
<v Speaker 5>to our music, but we as artists, we have a voice,

1:21:50.120 --> 1:21:52.559
<v Speaker 5>and our voice is not being used in the way

1:21:53.360 --> 1:21:55.280
<v Speaker 5>that it can't be used. I don't mean we need

1:21:55.360 --> 1:21:58.639
<v Speaker 5>to be very political on things, but there are certain

1:21:58.720 --> 1:22:02.439
<v Speaker 5>things we can do and say musically that will impact

1:22:02.520 --> 1:22:04.280
<v Speaker 5>people and help.

1:22:04.160 --> 1:22:08.639
<v Speaker 4>People absolutely, and a lot of things are not being done.

1:22:08.640 --> 1:22:12.559
<v Speaker 5>We're too busy worrying about certain other things, didn't worry

1:22:12.560 --> 1:22:13.599
<v Speaker 5>about what's really going.

1:22:13.479 --> 1:22:14.160
<v Speaker 4>On in the world.

1:22:14.520 --> 1:22:16.080
<v Speaker 5>A lot of a lot of us are not even

1:22:16.120 --> 1:22:19.479
<v Speaker 5>being not knowledgeable about what's going on because they're so

1:22:19.640 --> 1:22:22.719
<v Speaker 5>caught up in social media and looking at other things,

1:22:22.760 --> 1:22:25.519
<v Speaker 5>and we're not even looking at what's going on. You

1:22:25.600 --> 1:22:29.160
<v Speaker 5>know what I'm saying because sometimes in life, you know,

1:22:31.120 --> 1:22:33.760
<v Speaker 5>some people will dingle this in front of your face

1:22:33.840 --> 1:22:36.360
<v Speaker 5>so you won't see this, and we have to learn

1:22:36.400 --> 1:22:40.680
<v Speaker 5>how to look at what's real and what's not and

1:22:41.240 --> 1:22:45.080
<v Speaker 5>how our focus is being taken off of this. Are

1:22:45.080 --> 1:22:48.400
<v Speaker 5>they doing something by doing something completely now? Yeah, So

1:22:48.680 --> 1:22:52.000
<v Speaker 5>I'm just saying that. That's why, you know, I mean,

1:22:52.280 --> 1:22:54.920
<v Speaker 5>you know, but musically, you could say a lot of

1:22:55.040 --> 1:23:00.000
<v Speaker 5>things that that will affect and touch people, and people

1:23:00.040 --> 1:23:04.960
<v Speaker 5>will understand what you're saying because you know, that's we

1:23:05.080 --> 1:23:06.880
<v Speaker 5>were all built on music.

1:23:07.000 --> 1:23:09.640
<v Speaker 2>That's what you ain't gonna know where without it.

1:23:10.280 --> 1:23:14.519
<v Speaker 5>It's everywhere right there, you go everywhere so once we

1:23:14.680 --> 1:23:18.280
<v Speaker 5>as brothers and sisters understand what we need to do

1:23:18.840 --> 1:23:24.560
<v Speaker 5>as a family, as a unit, as a whatever to

1:23:24.720 --> 1:23:26.760
<v Speaker 5>change certain things in the world. We don't have to

1:23:26.880 --> 1:23:29.680
<v Speaker 5>beat people over the head to change the world. Sometimes

1:23:30.439 --> 1:23:33.760
<v Speaker 5>things are done in a different way and can be

1:23:33.840 --> 1:23:34.760
<v Speaker 5>done in a different way.

1:23:35.800 --> 1:23:40.120
<v Speaker 3>That's my attitude, great attitude. How do you feel about sampling?

1:23:41.040 --> 1:23:42.759
<v Speaker 3>What's your what's your thoughts on sampling?

1:23:44.439 --> 1:23:46.120
<v Speaker 4>Yeah, as it is.

1:23:46.840 --> 1:23:49.280
<v Speaker 2>Plus I'm slampling my stuff for my apple.

1:23:49.080 --> 1:23:49.559
<v Speaker 4>Me the album.

1:23:52.920 --> 1:23:54.680
<v Speaker 2>But are you cool with letting other people say with

1:23:55.720 --> 1:23:56.439
<v Speaker 2>if people.

1:23:56.280 --> 1:23:57.960
<v Speaker 5>Slam with my stuff, I want to hear what these

1:23:58.000 --> 1:24:01.000
<v Speaker 5>sampling and if it's dope, I'm gonna let it go.

1:24:01.520 --> 1:24:04.920
<v Speaker 5>If it ain't, they ain't gonna be it. Because everything

1:24:05.000 --> 1:24:08.200
<v Speaker 5>shouldn't be sample every all. My sample should not be

1:24:08.320 --> 1:24:11.759
<v Speaker 5>on certain records because some records it's dope, some workers

1:24:11.840 --> 1:24:12.320
<v Speaker 5>it's whack.

1:24:12.960 --> 1:24:15.559
<v Speaker 4>And I have the right to say, right, you can't

1:24:15.640 --> 1:24:17.000
<v Speaker 4>add sample my song.

1:24:17.680 --> 1:24:22.200
<v Speaker 2>So have you thought about like catalog acquisitions or any

1:24:22.200 --> 1:24:22.920
<v Speaker 2>of those type of things?

1:24:23.000 --> 1:24:25.880
<v Speaker 3>Are you Where does your mind go when it comes

1:24:25.920 --> 1:24:28.120
<v Speaker 3>to that, because that's obviously in our business now that's

1:24:28.160 --> 1:24:30.519
<v Speaker 3>been a big thing over the last few years where

1:24:30.560 --> 1:24:36.320
<v Speaker 3>people just like okay, twenty x fifteen x on on

1:24:36.439 --> 1:24:40.280
<v Speaker 3>what the number is yearly to you know, either self

1:24:40.400 --> 1:24:44.280
<v Speaker 3>piece or whole of your catalog. It depends that you

1:24:44.360 --> 1:24:46.320
<v Speaker 3>got your choice to say yes or no. But if

1:24:46.360 --> 1:24:49.000
<v Speaker 3>you do a catalog deal now they control that.

1:24:49.439 --> 1:24:51.640
<v Speaker 5>Well, it depends on where you at in your life, right.

1:24:52.320 --> 1:24:55.000
<v Speaker 5>I can't talk about how people financially. A lot of

1:24:55.040 --> 1:24:58.439
<v Speaker 5>people do things because that's where they at financially, so

1:24:58.640 --> 1:25:01.000
<v Speaker 5>they are a lot to do with whether you can

1:25:01.080 --> 1:25:03.839
<v Speaker 5>hold off from doing that or whether you can. Sometimes

1:25:03.880 --> 1:25:06.479
<v Speaker 5>people have to do that because that's where they are

1:25:06.520 --> 1:25:08.760
<v Speaker 5>in their life, and I can't knock that because you know,

1:25:09.720 --> 1:25:13.120
<v Speaker 5>you know, that's that's their idea of the option. You know,

1:25:13.400 --> 1:25:15.840
<v Speaker 5>I mean, I don't know, you know, they might have

1:25:15.960 --> 1:25:17.439
<v Speaker 5>to take care of their family, or they might have

1:25:17.560 --> 1:25:18.479
<v Speaker 5>loved ones they want to take.

1:25:18.680 --> 1:25:21.880
<v Speaker 4>Yeah, why they're alive or whatever the case is.

1:25:21.960 --> 1:25:25.280
<v Speaker 5>You know what I'm saying. So if you can hold

1:25:25.360 --> 1:25:27.479
<v Speaker 5>on to it, fine, If you can't, I mean, you know,

1:25:27.960 --> 1:25:30.880
<v Speaker 5>to each his own. That's how I feel, honestly, because

1:25:31.760 --> 1:25:38.400
<v Speaker 5>you know, I mean, if you build something that that's precious,

1:25:39.600 --> 1:25:41.640
<v Speaker 5>and I mean because everything you know, you try to

1:25:41.680 --> 1:25:45.000
<v Speaker 5>build any life from having a house and the house

1:25:45.040 --> 1:25:45.559
<v Speaker 5>of praising.

1:25:45.960 --> 1:25:48.120
<v Speaker 4>Yeah right, that ain't no different from that.

1:25:49.000 --> 1:25:50.840
<v Speaker 5>At a time if you want to sell out and

1:25:50.960 --> 1:25:53.120
<v Speaker 5>sell out because you might want the money to use

1:25:53.160 --> 1:25:56.560
<v Speaker 5>it for something else or an investment, whatever the case is.

1:25:56.760 --> 1:25:59.439
<v Speaker 5>You know, I don't know, So it depends on that person.

1:26:01.080 --> 1:26:03.360
<v Speaker 3>And I you know, listen, I don't ask those questions

1:26:03.400 --> 1:26:05.320
<v Speaker 3>to people that don't got the catalog. That's why I

1:26:05.360 --> 1:26:07.280
<v Speaker 3>asked you, because you got a real catalog and I'm

1:26:07.400 --> 1:26:11.599
<v Speaker 3>sure you get a lot of heah, But I'm gonna

1:26:11.600 --> 1:26:12.120
<v Speaker 3>say this to you.

1:26:12.400 --> 1:26:14.880
<v Speaker 5>If you know, I want my kids to always have

1:26:14.960 --> 1:26:18.160
<v Speaker 5>an amazing life, and if my catalog can give them

1:26:18.200 --> 1:26:21.200
<v Speaker 5>an amazing life instead of me holding going to it

1:26:21.240 --> 1:26:23.800
<v Speaker 5>and I can do certain things where they can have

1:26:23.880 --> 1:26:26.720
<v Speaker 5>an amazing life and live their life, of course, I'm

1:26:26.720 --> 1:26:29.479
<v Speaker 5>gonna do what I gotta do in terms of because see,

1:26:29.600 --> 1:26:32.040
<v Speaker 5>what's the point of me doing that? I leave hre

1:26:32.160 --> 1:26:36.479
<v Speaker 5>there tomorrow. They don't get it. It's just sitting there.

1:26:37.920 --> 1:26:40.400
<v Speaker 5>They don't have an amazing life, and they you know,

1:26:41.200 --> 1:26:43.240
<v Speaker 5>like life is supposed to be enjoyed, right, because you

1:26:43.320 --> 1:26:44.360
<v Speaker 5>can't take none of us.

1:26:44.280 --> 1:26:45.960
<v Speaker 2>With you for sure.

1:26:46.280 --> 1:26:50.720
<v Speaker 3>So what he's saying, is you catalog companies, He gonna

1:26:50.760 --> 1:26:52.920
<v Speaker 3>need that heavy bag if he gonna even.

1:26:53.200 --> 1:26:53.800
<v Speaker 4>Think about it.

1:26:54.400 --> 1:26:56.680
<v Speaker 3>Don't cost sweat talking about a couple of dollars here

1:26:56.720 --> 1:26:59.439
<v Speaker 3>and there, because that ain't gonna make him holor you're

1:26:59.520 --> 1:27:00.760
<v Speaker 3>right on hollow.

1:27:02.760 --> 1:27:08.400
<v Speaker 2>Dollar gotta be right, the dollar gotta be right. And

1:27:09.040 --> 1:27:10.320
<v Speaker 2>new music all day long.

1:27:10.439 --> 1:27:13.080
<v Speaker 5>So that's a whole other catalog stream. Yeah, yeah, so

1:27:13.200 --> 1:27:15.599
<v Speaker 5>it ain't nothing going nowhere. I'm shooting movies. I put

1:27:15.640 --> 1:27:17.719
<v Speaker 5>the catalog in the movie. Another catalog.

1:27:17.800 --> 1:27:20.720
<v Speaker 2>So everything is gonna be what it's gonna gonna be right.

1:27:21.880 --> 1:27:24.960
<v Speaker 3>All right, So we got we got, we got one

1:27:25.040 --> 1:27:31.280
<v Speaker 3>more segment, one more segment. Man, play this record. I

1:27:31.280 --> 1:27:35.759
<v Speaker 3>ain't saying no nigga, A saying no name, saying no names,

1:27:36.120 --> 1:27:37.120
<v Speaker 3>ain't saying no name.

1:27:40.360 --> 1:27:47.000
<v Speaker 2>What you did, don't say? She ain't saying no.

1:27:54.680 --> 1:27:56.000
<v Speaker 4>Well, ain't nobody shipped to me.

1:28:01.240 --> 1:28:02.960
<v Speaker 2>It could be funny. Then it could just be funny,

1:28:02.960 --> 1:28:03.880
<v Speaker 2>you know.

1:28:04.160 --> 1:28:06.320
<v Speaker 3>So so yeah, this is where you tell us a

1:28:06.400 --> 1:28:10.080
<v Speaker 3>story funny or fucked up? Are funny and fucked up?

1:28:10.280 --> 1:28:13.880
<v Speaker 2>The only rule to the game is Keith sweat the

1:28:13.960 --> 1:28:16.920
<v Speaker 2>sweat himself. I can't say no names.

1:28:18.720 --> 1:28:23.120
<v Speaker 5>So so what happened is like there was a show

1:28:25.040 --> 1:28:31.360
<v Speaker 5>and the show was hot. It was that was they

1:28:31.479 --> 1:28:34.160
<v Speaker 5>was grooving, they was doing their thing. And then I

1:28:34.240 --> 1:28:39.000
<v Speaker 5>walked on stage and the crowd just went crazy and

1:28:40.360 --> 1:28:42.000
<v Speaker 5>they thought they were screaming for them.

1:28:44.520 --> 1:28:47.160
<v Speaker 2>Wait, you walked on stage while somebody else was performing and.

1:28:47.160 --> 1:28:49.840
<v Speaker 5>They thought they were screaming the crowd when and they

1:28:49.880 --> 1:28:53.320
<v Speaker 5>thought they were screaming for them. And they looked and

1:28:53.400 --> 1:28:54.720
<v Speaker 5>turned around and looked at that me and said, oh

1:28:54.920 --> 1:28:58.639
<v Speaker 5>ship that I can't tell you sweat.

1:28:59.479 --> 1:29:05.160
<v Speaker 2>You walked on somebody else stage, man, I mean somebody

1:29:05.280 --> 1:29:07.400
<v Speaker 2>a performance show man. Somebody told me to do it.

1:29:07.520 --> 1:29:09.280
<v Speaker 2>Somebody told me, go on, just go on stage, just

1:29:09.360 --> 1:29:10.360
<v Speaker 2>go and walk on the stage.

1:29:10.400 --> 1:29:13.519
<v Speaker 5>And I did it, and the cross and they thought

1:29:13.720 --> 1:29:15.760
<v Speaker 5>everybody thought they thought they were screaming for them.

1:29:16.120 --> 1:29:19.240
<v Speaker 4>And they about me and they oh this nigga.

1:29:19.000 --> 1:29:24.519
<v Speaker 2>Here, Oh no, yeah, that's fucked up and funny.

1:29:24.800 --> 1:29:28.479
<v Speaker 5>Yeah, but I don't I don't know. I didn't want

1:29:28.520 --> 1:29:30.120
<v Speaker 5>to walk on the stage. They told me to walk

1:29:30.160 --> 1:29:35.760
<v Speaker 5>on the stage. I was minding my business, so you know.

1:29:37.840 --> 1:29:37.880
<v Speaker 2>What.

1:29:38.000 --> 1:29:40.080
<v Speaker 4>The no, I ain't gonna tell you about the stage.

1:29:40.400 --> 1:29:44.479
<v Speaker 5>The other story that I was called on somebody else stage,

1:29:44.520 --> 1:29:46.800
<v Speaker 5>and I was singing and they cut me off on

1:29:46.920 --> 1:29:48.960
<v Speaker 5>the third songs. They said, man, if I let him

1:29:49.000 --> 1:29:52.120
<v Speaker 5>sing that third song, it's gonna be a rap. They

1:29:52.200 --> 1:29:55.560
<v Speaker 5>cut your mic, yeah, because like I had to it

1:29:55.720 --> 1:29:58.280
<v Speaker 5>was not my tour for somebody else. Yeah, And I

1:29:58.439 --> 1:30:02.320
<v Speaker 5>was killing it and they cut my BA. They said, yo, sweat,

1:30:02.479 --> 1:30:05.040
<v Speaker 5>if we let you sing one more damns, it's gonna

1:30:05.040 --> 1:30:07.360
<v Speaker 5>be this concert over. Niggas ain't gonna be able to

1:30:07.400 --> 1:30:10.360
<v Speaker 5>come on behind you, boy let. I said, Man, all right, cool,

1:30:10.479 --> 1:30:15.200
<v Speaker 5>no problem. But I can't tell that either. That's not

1:30:15.720 --> 1:30:16.599
<v Speaker 5>that's not good to tell.

1:30:17.280 --> 1:30:20.160
<v Speaker 2>I get it. Listen, I've seen I don't I've seen

1:30:20.240 --> 1:30:21.880
<v Speaker 2>it with my own eyes. Yo. I've been on the road.

1:30:21.960 --> 1:30:23.960
<v Speaker 4>You know what the amazing thing is.

1:30:24.600 --> 1:30:27.080
<v Speaker 5>And I just you know, and I tell people that

1:30:27.280 --> 1:30:30.280
<v Speaker 5>I can walk on anybody stay, whether it's the Millennial Tour,

1:30:31.200 --> 1:30:37.799
<v Speaker 5>whether it is Masterpiece hip Hop, whatever, and the crowd

1:30:37.880 --> 1:30:38.640
<v Speaker 5>will give me.

1:30:40.479 --> 1:30:44.479
<v Speaker 4>Nothing but love. They'll go crazy. And I'm blessed to

1:30:44.560 --> 1:30:44.920
<v Speaker 4>have that.

1:30:45.080 --> 1:30:50.560
<v Speaker 5>I don't you know, like that that still like posles

1:30:50.680 --> 1:30:52.680
<v Speaker 5>me to this day, that I can walk on a

1:30:52.760 --> 1:30:56.200
<v Speaker 5>hip hop show, like when I went out and did

1:30:56.280 --> 1:31:01.479
<v Speaker 5>bumby thing at the rodeo and and not when I

1:31:01.560 --> 1:31:07.559
<v Speaker 5>walked and I came behind everybody but Ludacris, and they

1:31:07.600 --> 1:31:11.240
<v Speaker 5>were in Banana. They were sixty thousands or better and

1:31:11.439 --> 1:31:13.160
<v Speaker 5>they weren't Banana's out there.

1:31:13.320 --> 1:31:16.800
<v Speaker 3>That's the thing too that I saw with my own

1:31:16.880 --> 1:31:22.240
<v Speaker 3>eyes was all the different races, all the different colors

1:31:22.280 --> 1:31:25.040
<v Speaker 3>of people that rock with key sweating, especially on the

1:31:25.040 --> 1:31:25.439
<v Speaker 3>West coast.

1:31:25.479 --> 1:31:28.120
<v Speaker 2>Right. You know, I'm a West Coast Julio Glaciers.

1:31:29.800 --> 1:31:34.760
<v Speaker 3>Your Spanish crowd, it's different because I've seen you in

1:31:34.840 --> 1:31:37.000
<v Speaker 3>the Bay. Well, you know, we got the mixed up.

1:31:37.160 --> 1:31:40.200
<v Speaker 3>You know, we are melting pot up there, your La

1:31:40.400 --> 1:31:41.200
<v Speaker 3>crowds though.

1:31:42.080 --> 1:31:43.519
<v Speaker 4>The Spanish, what did you?

1:31:43.960 --> 1:31:44.280
<v Speaker 2>What did you?

1:31:44.640 --> 1:31:51.120
<v Speaker 3>The Latinos, the Chicanos, the lowriders like your music is

1:31:51.479 --> 1:31:53.800
<v Speaker 3>like the soundtrack of their life.

1:31:53.840 --> 1:31:58.760
<v Speaker 2>Don't don't dumb, don't like man. And when I got

1:31:58.840 --> 1:32:00.360
<v Speaker 2>to see that, I think I came to you. And

1:32:01.680 --> 1:32:05.479
<v Speaker 2>what's the Greek. I remember looking at the crowd.

1:32:05.280 --> 1:32:12.599
<v Speaker 3>And I was like, oh shit, this is a whole

1:32:12.880 --> 1:32:20.439
<v Speaker 3>Spanish Latino crowd going crazy to your music. Like your

1:32:20.560 --> 1:32:24.519
<v Speaker 3>music has reached so many people, man, that feeling has

1:32:24.600 --> 1:32:25.360
<v Speaker 3>to be incredible.

1:32:26.000 --> 1:32:26.840
<v Speaker 4>Yeah, I mean.

1:32:28.760 --> 1:32:31.960
<v Speaker 5>To me, like when I came out, I had all

1:32:32.120 --> 1:32:37.080
<v Speaker 5>the gang bangers and they probably go in the game

1:32:37.120 --> 1:32:38.439
<v Speaker 5>bang you listen in the Key Sweat.

1:32:39.600 --> 1:32:41.120
<v Speaker 2>I mean, well, you know in the Jack City they

1:32:41.120 --> 1:32:42.840
<v Speaker 2>did have a shootout after you say, but I ain't

1:32:42.840 --> 1:32:45.360
<v Speaker 2>got nothing to do it, you know, I mean smaked

1:32:45.360 --> 1:32:47.800
<v Speaker 2>the music. Smaked the music, man.

1:32:47.880 --> 1:32:51.439
<v Speaker 5>So I mean, you know, yeah, but it's always been

1:32:51.600 --> 1:32:55.400
<v Speaker 5>like that and it's never stopped. And that's the whole

1:32:55.560 --> 1:32:59.080
<v Speaker 5>thing that I'm amazed that, you know what I'm saying.

1:32:59.360 --> 1:33:02.960
<v Speaker 5>It's like it's I've been blessed, you know, definitely been blessed.

1:33:03.160 --> 1:33:05.720
<v Speaker 2>He's still going to test of time and you've absolutely

1:33:05.800 --> 1:33:08.599
<v Speaker 2>done it. And I man, I just want to say

1:33:08.640 --> 1:33:09.400
<v Speaker 2>thank you, thank you.

1:33:09.760 --> 1:33:12.479
<v Speaker 4>I appreciated five hits. Only I only have five hits.

1:33:12.280 --> 1:33:17.759
<v Speaker 3>And my man, five times what five times zero five?

1:33:18.200 --> 1:33:19.320
<v Speaker 3>Let me stop playing now.

1:33:20.280 --> 1:33:23.240
<v Speaker 5>But no, you know, for you know, I'm happy that,

1:33:24.120 --> 1:33:26.280
<v Speaker 5>you know, I've they been able to, you know, give

1:33:26.360 --> 1:33:28.880
<v Speaker 5>the people the music that they wanted to hear. You know,

1:33:29.160 --> 1:33:31.400
<v Speaker 5>maybe I'm happy, jes you know, to be able to

1:33:31.439 --> 1:33:33.680
<v Speaker 5>still do what I'm doing and doing it in a

1:33:33.720 --> 1:33:36.479
<v Speaker 5>big way. So I mean I'm on tour right now,

1:33:36.640 --> 1:33:39.799
<v Speaker 5>so I called R and B Lovers too with myself

1:33:39.960 --> 1:33:45.040
<v Speaker 5>Joe Jenuine cut clothes through here. May sure y'all come

1:33:45.080 --> 1:33:46.360
<v Speaker 5>and check it out if you need to go to

1:33:46.479 --> 1:33:51.760
<v Speaker 5>keysweat dot com. Come on and see these dates dot com.

1:33:52.120 --> 1:33:55.320
<v Speaker 5>I just dropped a new song called Good Love Part

1:33:55.400 --> 1:34:06.160
<v Speaker 5>two Calvin Richardson, King George Fid, Roy Anthony, myself, Chip

1:34:06.320 --> 1:34:09.479
<v Speaker 5>Roy Anthony. To make sure y'all go Good Love Part too.

1:34:09.560 --> 1:34:11.559
<v Speaker 5>Go listen to it now the videos out, You're gonna

1:34:11.600 --> 1:34:13.680
<v Speaker 5>love it, I promise you. Then the Apple Beat the

1:34:13.680 --> 1:34:16.760
<v Speaker 5>album is dropping. You want to hear that I'm saying,

1:34:16.760 --> 1:34:17.759
<v Speaker 5>plating my own stuff.

1:34:18.960 --> 1:34:19.800
<v Speaker 2>I want my question?

1:34:20.760 --> 1:34:21.200
<v Speaker 4>What's up?

1:34:21.560 --> 1:34:24.240
<v Speaker 2>Is my good friend keV on stage? Safe? If he

1:34:24.320 --> 1:34:26.880
<v Speaker 2>see you? Man, you're not? Yeah, you ain't gona put

1:34:26.920 --> 1:34:29.000
<v Speaker 2>him in the trunk? Nah? He don't. You know he

1:34:29.040 --> 1:34:29.519
<v Speaker 2>didn't do it?

1:34:29.640 --> 1:34:32.960
<v Speaker 5>Man, I mean, but you know, I'm just saying he's good. Knowledge.

1:34:33.400 --> 1:34:35.839
<v Speaker 5>Knowledge is But let me say this to you. Knowledge

1:34:35.920 --> 1:34:40.200
<v Speaker 5>is key. So when people talk, know what they talking about.

1:34:40.479 --> 1:34:42.000
<v Speaker 5>That's all I ask people to do. You know what

1:34:42.000 --> 1:34:45.639
<v Speaker 5>I'm saying, do your homework. Like like if I'm gonna

1:34:45.680 --> 1:34:47.680
<v Speaker 5>speak on something, I'm gonna do my homework, you know,

1:34:47.920 --> 1:34:50.200
<v Speaker 5>because knowledge is key, you know what I'm saying. And

1:34:50.360 --> 1:34:53.240
<v Speaker 5>then and because I'm never gonna speak on somebody or

1:34:53.360 --> 1:34:55.920
<v Speaker 5>what somebody doing unless than I do my research. Yeah,

1:34:56.080 --> 1:34:58.000
<v Speaker 5>that's the whole key, you know. And I know he

1:34:58.120 --> 1:34:59.240
<v Speaker 5>probably was having fun.

1:34:59.400 --> 1:34:59.680
<v Speaker 2>I'm mad.

1:34:59.720 --> 1:35:01.599
<v Speaker 4>I'm not even tripping on that like that for real,

1:35:01.800 --> 1:35:03.439
<v Speaker 4>for real, I'm just you know what I'm saying.

1:35:03.439 --> 1:35:06.400
<v Speaker 2>I laugh. It's funny because I laugh at well, I

1:35:06.520 --> 1:35:08.120
<v Speaker 2>be threatening him for you don't do that.

1:35:09.320 --> 1:35:09.760
<v Speaker 4>Don't do that.

1:35:10.560 --> 1:35:12.479
<v Speaker 2>You know what sweat do, don't do that, don't do that.

1:35:12.920 --> 1:35:12.960
<v Speaker 1>No.

1:35:13.160 --> 1:35:15.080
<v Speaker 2>But seriously, I'll be just laughing.

1:35:15.120 --> 1:35:18.000
<v Speaker 5>I'll be a lot of things that used to bother

1:35:18.120 --> 1:35:19.840
<v Speaker 5>me back in the day just make me smile right

1:35:19.960 --> 1:35:23.080
<v Speaker 5>now because to me, it's like they just don't know.

1:35:23.280 --> 1:35:23.640
<v Speaker 2>You don't know.

1:35:24.320 --> 1:35:25.400
<v Speaker 4>If you don't know, you don't know.

1:35:25.840 --> 1:35:26.040
<v Speaker 2>Yeah.

1:35:26.560 --> 1:35:29.680
<v Speaker 5>So I mean because there's things that I don't know

1:35:29.800 --> 1:35:33.600
<v Speaker 5>unless I do my research. So like, you know, I

1:35:33.680 --> 1:35:35.960
<v Speaker 5>don't you know when I watch things like that, when

1:35:36.000 --> 1:35:38.240
<v Speaker 5>I call you and be saying, who this dude talking that? Man,

1:35:38.880 --> 1:35:41.000
<v Speaker 5>I kind of be like, man, pick that nigga on

1:35:41.040 --> 1:35:44.960
<v Speaker 5>the fall right now, let me let me, let me

1:35:45.040 --> 1:35:47.800
<v Speaker 5>have a conversation with her. Man Like dude, what's wrong

1:35:47.840 --> 1:35:50.280
<v Speaker 5>with you? Stop making like I'm too old for you

1:35:50.360 --> 1:35:52.080
<v Speaker 5>to rebringing my name up. Bring one of them young

1:35:52.160 --> 1:35:54.120
<v Speaker 5>dudes's names of it. Leave me alone. I'm you know

1:35:54.120 --> 1:35:55.799
<v Speaker 5>what I'm saying, like, I ain't.

1:35:55.640 --> 1:35:56.719
<v Speaker 2>Got time for that mess.

1:35:56.800 --> 1:35:56.960
<v Speaker 4>Man.

1:35:57.000 --> 1:35:59.280
<v Speaker 2>You know what, that's just me at this point in

1:35:59.320 --> 1:36:01.160
<v Speaker 2>my life. That's just me. If I ain't bother you,

1:36:01.280 --> 1:36:03.720
<v Speaker 2>don't bother me, leave me alone. Keep my name at

1:36:03.800 --> 1:36:04.160
<v Speaker 2>your mouth.

1:36:04.640 --> 1:36:06.760
<v Speaker 5>I feel better when you do that, you know what

1:36:06.840 --> 1:36:10.240
<v Speaker 5>I'm saying, because I still get a little irritated when

1:36:10.280 --> 1:36:13.400
<v Speaker 5>you're speaking like I don't like. I don't like to

1:36:13.479 --> 1:36:15.960
<v Speaker 5>be spoken on, especially if you was just speaking out

1:36:16.000 --> 1:36:17.679
<v Speaker 5>of content text.

1:36:17.760 --> 1:36:20.120
<v Speaker 3>You know what I'm saying. I just like, come on, man,

1:36:20.280 --> 1:36:23.000
<v Speaker 3>why you gotta bring my name up? And there's so

1:36:23.120 --> 1:36:24.640
<v Speaker 3>many other people names you can bring up.

1:36:24.720 --> 1:36:25.360
<v Speaker 2>Leave me alone.

1:36:25.640 --> 1:36:28.120
<v Speaker 3>I ain't bothering you. I'm not bothering nobody. I'm doing

1:36:28.160 --> 1:36:30.679
<v Speaker 3>what I love and doing my thing. If I stop

1:36:30.840 --> 1:36:39.519
<v Speaker 3>bothering you, you're gonna know it. People don't bother sweat now.

1:36:40.360 --> 1:36:44.360
<v Speaker 3>I'm happy. I'm I'm I'm happy. I'm content. You know

1:36:44.400 --> 1:36:46.720
<v Speaker 3>what I'm saying. I'm blocking people.

1:36:49.920 --> 1:36:52.000
<v Speaker 2>You block I ain't never blocked. Nobody's blocking people.

1:36:53.160 --> 1:36:55.880
<v Speaker 5>I'm blocking if you, if if you, if you, if

1:36:57.040 --> 1:36:59.440
<v Speaker 5>if you feel like I feel there's a pressure.

1:36:59.160 --> 1:37:02.200
<v Speaker 3>Heat cook on on me, I'm blocking you. If I

1:37:02.240 --> 1:37:07.599
<v Speaker 3>feel like there's a pressure cooking on me, I'm blocking you. Man,

1:37:07.960 --> 1:37:11.360
<v Speaker 3>if you're somebody that's been blocked by Keith sweatna, I

1:37:11.400 --> 1:37:14.800
<v Speaker 3>mean you're not blocked from watching let me let me

1:37:14.880 --> 1:37:15.320
<v Speaker 3>chase your son.

1:37:16.160 --> 1:37:17.479
<v Speaker 4>Bad energy is not good.

1:37:18.640 --> 1:37:21.200
<v Speaker 5>And if I feel like you've got bad energy, what's

1:37:21.240 --> 1:37:24.080
<v Speaker 5>the point of me holding what's the point that you letting?

1:37:24.160 --> 1:37:25.559
<v Speaker 4>You even call me? Yeah?

1:37:26.240 --> 1:37:27.160
<v Speaker 2>Like, don't I want?

1:37:27.400 --> 1:37:30.000
<v Speaker 5>Like when I see your numbers? Like, yo, all, I

1:37:30.040 --> 1:37:32.360
<v Speaker 5>already know what that this is gonna be about. It's

1:37:32.360 --> 1:37:36.320
<v Speaker 5>about bad energy. Don't even call me. I'm good. You

1:37:36.400 --> 1:37:39.720
<v Speaker 5>could be flys hell No, I respect that, Like, but

1:37:40.439 --> 1:37:42.960
<v Speaker 5>you be fly by yourself. Don't call my phone, leave

1:37:43.000 --> 1:37:45.439
<v Speaker 5>me alone. You know that's just how you know what

1:37:45.479 --> 1:37:48.519
<v Speaker 5>I'm saying. Once you get to a point that you fly,

1:37:50.479 --> 1:37:57.479
<v Speaker 5>then everything around me then you outding me. Baby, you

1:37:57.520 --> 1:38:00.479
<v Speaker 5>don't need me. You fly, so you don't need me

1:38:00.560 --> 1:38:02.840
<v Speaker 5>to be around you. You don't even need to talk

1:38:02.880 --> 1:38:04.599
<v Speaker 5>to me. You don't need you A good morning, goodbye.

1:38:05.200 --> 1:38:07.679
<v Speaker 5>You know what I'm saying, kiss my butt, don't need lock.

1:38:10.120 --> 1:38:13.320
<v Speaker 5>That's healthy for you. You don't agree.

1:38:13.760 --> 1:38:14.320
<v Speaker 2>I agree.

1:38:14.880 --> 1:38:18.960
<v Speaker 5>It's healthy when you get certainly like it's healthy when

1:38:18.960 --> 1:38:23.200
<v Speaker 5>you remove or healthy things about your life. Right because

1:38:23.200 --> 1:38:24.760
<v Speaker 5>you know you have somebody in your life it will

1:38:24.800 --> 1:38:29.799
<v Speaker 5>blame you for everything and it won't take responsibility for nothing.

1:38:30.000 --> 1:38:37.639
<v Speaker 5>Nothing that's unhealthy because like there's nobody perfect and somebody

1:38:37.880 --> 1:38:40.200
<v Speaker 5>you know, I'm not perfect. If I'm in a relationship

1:38:40.240 --> 1:38:42.800
<v Speaker 5>with somebody, I got my fault, so you're gonna tell

1:38:42.840 --> 1:38:43.680
<v Speaker 5>me you faultless.

1:38:44.439 --> 1:38:45.479
<v Speaker 4>I don't get out of here with that.

1:38:45.560 --> 1:38:47.640
<v Speaker 2>I ain't hard working, I don't know something, so just

1:38:47.760 --> 1:38:48.360
<v Speaker 2>ain't right man.

1:38:49.920 --> 1:38:53.840
<v Speaker 3>Back to the music, Yeah, yeah, you know, make it

1:38:53.920 --> 1:38:58.280
<v Speaker 3>last for every candles, Yes, yeah, you know, platinum status, bad.

1:38:58.120 --> 1:39:00.759
<v Speaker 2>And don't give me trust what we are and don't

1:39:00.800 --> 1:39:06.200
<v Speaker 2>get it twisted. They put it to a pie. Okay, man, Like.

1:39:06.280 --> 1:39:09.799
<v Speaker 3>I said, sweat, thank you, this is this has been amazing.

1:39:10.640 --> 1:39:14.280
<v Speaker 3>Thank you, super appreciative man. Boy man, you always showed

1:39:14.280 --> 1:39:17.120
<v Speaker 3>me love since the day I met you. Thank you always, man,

1:39:17.320 --> 1:39:20.559
<v Speaker 3>and I can't thank you enough appreciate it. So I'm

1:39:20.640 --> 1:39:27.160
<v Speaker 3>Jay Valentine and sweat. I'm you know what, Go ahead, Valentine.

1:39:27.200 --> 1:39:30.519
<v Speaker 4>Be sweat and this is all and be money man.

1:39:30.560 --> 1:39:32.880
<v Speaker 3>We finished, and I hope he ain't got no more

1:39:33.000 --> 1:39:36.920
<v Speaker 3>questions if he wanted to ask me, take you got

1:39:37.000 --> 1:39:38.880
<v Speaker 3>some to take to call me to ask a question.

1:39:42.000 --> 1:39:42.519
<v Speaker 2>I got that