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Speaker 1: All right, we're here with Matt Stowe and producer Ready,

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Speaker 1: And so I said, you guys some questions last night.

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Speaker 1: We're gonna do kind of an in house music discussion.

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Speaker 1: We're gonna start with the top three albums that changed

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Speaker 1: your life, So not the greatest of all time. And also,

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Speaker 1: don't pander either one of you. Pander to who, to

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Speaker 1: the artists, to you, no, not to me, to just

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Speaker 1: people like say cool things that you sound cool. But okay,

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Speaker 1: but what if we sound cool, That's fine. It's the

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Speaker 1: only time I'm gonna say that. I just don't want

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Speaker 1: you guys like holler not cool things that we don't

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Speaker 1: really know. Okay, I see it like Tchaikovski and B Major.

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Speaker 1: So as long as that's been stated up front, gotcha.

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Speaker 1: I'll go first. Then top three albums that change my

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Speaker 1: life I have and one of them I have actually

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Speaker 1: as a vinyl on the shelf behind us. I have

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Speaker 1: Beastie Boys License to Ill. Because to me, that was

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Speaker 1: three white dudes. They're Jewish dudes, but I didn't know

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Speaker 1: the differences.

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Speaker 2: From Arkansas white dudes.

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Speaker 1: Yeah, and they're rapping, and I was like, that's crazy,

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Speaker 1: because yeah, how I grew up, you didn't get to

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Speaker 1: be a rapper if you're white, and so it was like,

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Speaker 1: that's crazy, they can do that, and it was kind

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Speaker 1: of funny, you know, a little absurd. So Beastie Boys

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Speaker 1: License to Ill comes in on my list at number

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Speaker 1: one or I don't think I ranked them.

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Speaker 2: I just have my top three.

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Speaker 3: I also have Adam Sandler. They're all going to laugh

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Speaker 3: at you. Dude, that is so good.

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Speaker 1: And yes it had at a medium pace, which there

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Speaker 1: was a song about.

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Speaker 4: Dude, is that the one with with I mean he

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Speaker 4: had a couple, right, Was that the one with a

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Speaker 4: goat on the goats get?

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Speaker 2: And uh, I don't know if that's the goat one.

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Speaker 1: I think the goat one was the the heck yeah

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Speaker 1: or the h word one, but yes, the goat one

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Speaker 1: was was definitely that's it.

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Speaker 4: That's the one.

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Speaker 1: Yeah, but you can say it. I just okay, for

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Speaker 1: sake of my streak.

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Speaker 4: Put out what the hell Happened to Me?

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Speaker 2: Record?

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Speaker 3: That was?

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Speaker 4: That was a seminal record.

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Speaker 1: Uh the are they all going to laugh? When you

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Speaker 1: came out first? Changed my life?

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Speaker 3: And I didn't have any rules growing up on music.

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Speaker 1: I don't have any rules periods, So it wasn't like

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Speaker 1: I had to hide the music I was listening to.

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Speaker 1: But I had my neighbor's scotty bootleg recorded from his

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Speaker 1: dual tape deck and record me a version on a

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Speaker 1: blank tape. And I listened to that thing front and backward.

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Speaker 1: And you know, that to me was so funny that

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Speaker 1: you can make comedy music.

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Speaker 2: I think that's that's the real thing. Did you I

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Speaker 2: don't know you're younger than us, but did you ever

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Speaker 2: do that like tape dubbed a dub tape?

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Speaker 4: Uh? I'm sure maybe I did. I remember my sister

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Speaker 4: having a bunch of tape.

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Speaker 2: Year older sister.

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Speaker 3: Okay, also, that's not not twenty two, I get it.

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Speaker 2: But I mean, dude, that was a thing for us.

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Speaker 3: You ever heard of Napster?

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Speaker 4: Yeah? So was the Den computer It heard a Napster? Yeah? Absolutely?

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Speaker 1: And I have as my final album that changed my

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Speaker 1: life for a reason because I didn't pick my favorite

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Speaker 1: artist in this I picked like records that I heard

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Speaker 1: that actually changed like for some reason that I viewed music.

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Speaker 1: I picked the Diamond Rio Diamond Rio album. Yeah, that's

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Speaker 1: good because that was the first concert ever went to

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Speaker 1: I had listened to that so many times over and

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Speaker 1: over again because it didn't meet in the middle obviously,

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Speaker 1: but it had normal.

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Speaker 3: Genie riders going O me.

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Speaker 1: I listened to it so much, and the one I

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Speaker 1: saw them as my first concert at Magic Springs, I

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Speaker 1: was like, Oh, these are real people, like you can

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Speaker 1: actually see the people that you listened to in real life.

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Speaker 2: That's my that's mine opening.

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Speaker 1: So the fact that I listened to it all the time

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Speaker 1: and then got to see them laugh for my first concert,

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Speaker 1: I put the Diamond Rio self titled album in my

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Speaker 1: top three. One of the crazy things about Diamond Rio

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Speaker 1: is how high they sing. Just generally speaking, it's.

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Speaker 3: Wild man them and Tim McGraw.

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Speaker 1: You don't realize until you try to sing one of

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Speaker 1: their songs back or they sing in front of you,

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Speaker 1: how high they sing and how hard it is.

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Speaker 4: I wouldn't have thought that about Tim mcgrawl. It's crazy.

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Speaker 2: Have we met Diamond REO. I have met them. Yeah,

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Speaker 2: that's cool.

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Speaker 1: I was in California once. I did a video with

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Speaker 1: Blake Shelton and I was there while.

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Speaker 2: He was doing it.

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Speaker 3: I think it was California, I'm pretty sure it was,

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Speaker 3: and they were there shooting the video with him.

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Speaker 4: Oh that's cool.

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Speaker 1: And so all the guys like knew me from the show,

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Speaker 1: and I knew them from Magic Springs, Like there were

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Speaker 1: Magic Springs, I was there, but we haven't done anything

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Speaker 1: with them like here. And also they may have had

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Speaker 1: some lead singer changes too, okay, like I think I don't.

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Speaker 3: I'm also did the Lone Star. There's a lot of

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Speaker 3: overlap in my mind beturing the two.

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Speaker 4: Yeah, and then then you throw the Shenandoah and there

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Speaker 4: Shanando preebody problem were they.

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Speaker 2: Shannandoah Little Texas Diamond reel for me was like kind

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Speaker 2: of like he said, mart he row is still the guy, okay.

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Speaker 4: There, and they're all we've had him on the Bobbycast.

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Speaker 2: My Bad, Bones Bones, My Bad episode like that one

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Speaker 2: time that would by Shelton.

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Speaker 1: I thought that we just like talked in like real life.

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Speaker 1: That's how real this podcast is. It feels like real life.

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Speaker 1: Oh that's crazy, I remember that now. Yeah, Marti Roe,

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Speaker 1: lead singer of Diamond Reye.

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Speaker 2: So just the just the lead singer came into the Bobbycast.

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Speaker 1: Yes, okay, yeah, yeah, yeah, uh they they got they

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Speaker 1: got their name from Shannon.

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Speaker 4: Dooah ivon Real got their name from Shannon.

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Speaker 3: I remember that kind of being a story of like

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Speaker 3: they got their name.

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Speaker 1: I don't remember, but that's a cool podcast Episode four,

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Speaker 1: Episode four twenty two.

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Speaker 3: Yeah, Mike, do you remember that.

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Speaker 4: Part of it?

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Speaker 3: How do they get their name?

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Speaker 2: Maybe I don't remember.

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Speaker 1: Okay, anyway, those are my three albums. Let's go over

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Speaker 1: to Matt Stell.

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Speaker 4: Yeah, all right, my three albums, which you know when

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Speaker 4: you said that comedy album that got me to think

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Speaker 4: of man, I had that running with Scissors weird al

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Speaker 4: record that I wore. That was one of the first

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Speaker 4: record was one of the first CDs I ever bought,

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Speaker 4: So I mean honorable mentions.

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Speaker 2: Yeah, I don't know we were doing that.

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Speaker 4: I didn't know either until you mentioned Adam saying like

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Speaker 4: a comedy record. I was like, oh, yeah, I.

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Speaker 3: Took for you before you go one. Your cup dumped over? No, No,

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Speaker 3: it didn't dump.

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Speaker 2: You have a lid on it.

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Speaker 4: Oh no, we have.

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Speaker 2: We have a disaster, Matt.

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Speaker 3: It's only it's only water, right, Yeah, it's just water.

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Speaker 4: That was Let's sit in some hot coffee beans for

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Speaker 4: a few minutes. Yeah, brand new ru oh man, Well,

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Speaker 4: I'll autograph that what's up with this mic stand? That's

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Speaker 4: worse than the than the when you hit it.

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Speaker 3: You broke it as your cup poured over you then

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Speaker 3: hit the mic stand and broke.

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Speaker 4: The Get a comedy records over here. This is one.

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Speaker 4: This is one. I'm just gonna hold this thing, all right,

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Speaker 4: he does axl roads all right.

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Speaker 1: What I what I was going to say is your

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Speaker 1: eyes look very sleepy. We're recording this at ten in

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Speaker 1: the morning. What time do you normally wake up as

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Speaker 1: a singer songwriter?

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Speaker 4: I get up in the nine o'clock hour.

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Speaker 3: So this is a little earlier for you.

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Speaker 4: This set my day a little bit ahead. I keep

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Speaker 4: I keep late hours for typically.

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Speaker 2: I would keep light hours too.

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Speaker 4: Oh yeah, Sam, Yeah, I think it's gonna work with

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Speaker 4: with the baby coming, because I get the.

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Speaker 2: Said I did not know that.

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Speaker 4: Oh yeah, well my wife's pregnant. Great, dude, have you

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Speaker 4: said that?

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Speaker 1: No, this will come out till next week's now now

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Speaker 1: we can either cut it out.

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Speaker 4: Dude, breaking news.

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Speaker 2: So he doesn't care. He's just saying it to congratulation.

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Speaker 4: Thank you, thank you. I'm pumped about it.

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Speaker 3: Like our whole group's pregnant. That's doctor Jose's pregnant.

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Speaker 2: Well, yeah, yeah, I saw that.

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Speaker 3: Matt's pregnant. I'm pregnant.

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Speaker 2: Pregnant, your wife's pregnant.

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Speaker 3: Yeah, we have another friend it's pregnant too.

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Speaker 4: Slip on. To have a little squad rolling around.

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Speaker 2: They're all going to be the same age, which is crazy.

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Speaker 3: Thank god, I'll have other dads that I know already.

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Speaker 2: Dude, that is huge. That's huge because like me, I'm

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Speaker 2: an older dad with because I have younger kids. So

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Speaker 2: when I go to this school, like their dads are

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Speaker 2: way younger than I, I am so to have dad's

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Speaker 2: your own age.

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Speaker 3: Key, how are you feeling about that.

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Speaker 4: About the whole situation? Uh, man, I'm really excited about it.

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Speaker 4: I know. That's like there's nothing interesting I can say about. Like,

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Speaker 4: I'm very excited to be having a child. We found

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Speaker 4: out as a boy. We're gonna name it. We don't

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Speaker 4: know what the first.

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Speaker 3: Saying all this stuff.

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Speaker 4: Like, I'm just not like it's not about.

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Speaker 1: You though, because I think I would fine with it too.

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Speaker 1: Is she okay with it?

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Speaker 4: Well? I mean I guess as I should probably get

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Speaker 4: I should probably get clearance all shoul I don't think

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Speaker 4: she would mind Uh, maybe she would. I don't think

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Speaker 4: she would, but like, I don't know, man, I'm pumped

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Speaker 4: at got I got a boy child coming, and uh,

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Speaker 4: I'm really hoping that the do date is like at

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Speaker 4: the end of May, but I'm hoping it last to

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Speaker 4: June because I want to make it like the oldest

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Speaker 4: kid in his class for sports. But then it's gonna

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Speaker 4: be because a AAU cutoffs are where they are. It's

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Speaker 4: gonna be the young in AU. So it's gonna get

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Speaker 4: the benefits of playing up in AAU, but then get

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Speaker 4: to come back and hopefully be a monster at you know,

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Speaker 4: high school level. But I'm already projecting my hopes and

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Speaker 4: dreams on on said child. So anyway, yeah, buddy, thank you. Likewise,

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Speaker 4: thank you. I'll be I'll be texting you a lot

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Speaker 4: to figure out that.

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Speaker 2: Oh I have, I have advice done it a few times.

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Speaker 4: Yeah, yeah, you have, and you're good at it.

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Speaker 2: I don't know about that.

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Speaker 3: I don't.

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Speaker 2: I don't think anyone ever feels like they're good at it.

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Speaker 3: I'm pretty good at already.

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Speaker 4: Great dad, that's how people talk. That's like what your

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Speaker 4: business card was saying.

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Speaker 3: Good, Okay, how man, how much stuff do you have none?

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Speaker 4: Dude, I don't even have. Like she hasn't started buying

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Speaker 4: like stuff. I'm sure like Christmas will get like, you know,

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Speaker 4: a crib and stuff. I'm probably gonna get less provy

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Speaker 4: ones this.

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Speaker 3: Year, less golf balls, more more baby clothes.

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Speaker 4: Yeah, exactly, more like packing plays and stuff.

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Speaker 2: Yeah.

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Speaker 3: I don't even know what to say baby clothes, Like

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Speaker 3: what do you call thing you put on?

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Speaker 2: A baby ones? I want little ones? Okay, Yeah, my.

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Speaker 4: Baby's gonna be so big it's gonna need achoosie.

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Speaker 3: It's gonna come out four foot long.

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Speaker 2: I hope all your plans.

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Speaker 4: I hope it looks just as like a Marvel character

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Speaker 4: coming out anyway.

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Speaker 3: Yeah, yeah, Do you want to do albums?

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Speaker 4: Yeah, let's do albums because I don't know what we

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Speaker 4: could use this. I got all right, so my top

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Speaker 4: three albums number one, not number one like you said,

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Speaker 4: just top three. Uh Jagged Little Pill, uh that last

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Speaker 4: more set record. Uh. I remember when One Hand in

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Speaker 4: My Pocket came on the radio the first time I

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Speaker 4: was in Uh. I was in Brandonton, Florida. We're actually

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Speaker 4: headed to the to the skating rink, and I remember

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Speaker 4: I remember in my mom's coroll I remember that car

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Speaker 4: or that song coming on and like, what is this?

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Speaker 4: And then I got that whole record, and that whole

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Speaker 4: record was up and down smashes one after the other.

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Speaker 4: She was like twenty one when she wrote it. There's

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Speaker 4: an awesome documentary about.

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Speaker 2: We watched it.

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Speaker 3: It's one of those really good Bill Simmons documentaries.

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Speaker 4: Yeah, it's a music box one. Yeah. Man, he crushes

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Speaker 4: it on those.

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Speaker 3: He's doing a count of cruss one.

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Speaker 4: Yeah. I saw that. I did came up on my

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Speaker 4: algorithm that. Uh, I've seen most of those, I think.

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Speaker 1: But the ones on the festivals are good. Oh really

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Speaker 1: all the woch Dock Yeah, oh he did those.

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Speaker 2: Oh those are really good.

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Speaker 3: I sent it to Eddie or do you send it

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Speaker 3: to me?

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Speaker 2: No, you sent to me.

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Speaker 1: I sent it to Eddie and I said, hey, kind

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Speaker 1: of ces documented because we're both massive Counting Crows fans.

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Speaker 1: And I sent it to my wife and I said, hey,

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Speaker 1: I got some depressed to watch. And she's so anti

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Speaker 1: Counting Crows. She responded, I won't even watch the TikTok.

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Speaker 4: How how can you I can understand, being like, yeah,

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Speaker 4: Counting Crow is not my favorite? How can you be

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Speaker 4: anti Counting Crow.

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Speaker 3: She thinks it's just middle aged man whining.

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Speaker 4: You know, in middle age at the time.

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Speaker 2: It's funny though, because my wife, she was a huge

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Speaker 2: Counting Crows fan growing up. But the older she got,

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Speaker 2: she's like, I can't take it anymore.

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Speaker 3: To quote her, it's better.

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Speaker 2: I love the whiny.

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Speaker 4: I just came up. That's the same. Like like alternative

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Speaker 4: music like cool to me is like anti you know,

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Speaker 4: so like whatever, somebody's like, yeah, I always love that

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Speaker 4: for sure.

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Speaker 3: Jack a Little Pill album track one was all I

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Speaker 3: Really Want, Oh I really want.

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Speaker 1: I was a jam hand in my pocket. Yep, you learn,

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Speaker 1: you live, you learn, Head over feet.

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Speaker 4: All four of those were huge smash singles and.

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Speaker 1: Then Ironic and you ought to know six six number

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Speaker 1: one song at a time when that didn't happen.

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Speaker 4: No, that that record was so big and and but

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Speaker 4: I didn't even I mean I just loved it, you know,

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Speaker 4: and it did something for me. It's scratched, and it's

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Speaker 4: like it's still if you go listen to it now,

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Speaker 4: it still sounds cool. Man. You know, she has a

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Speaker 4: unique voice. She was writing from a this perspective and

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Speaker 4: she I don't know it was just a great record.

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Speaker 4: I mean there's documentaries made about it, so yeah.

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Speaker 1: And that video is a bit of what launched that

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Speaker 1: song in that she kind of hit her face for

303
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Speaker 1: the video, which made it a bit mysterious.

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Speaker 2: How does she do that?

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Speaker 4: Like her hair?

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Speaker 2: Oh yeah, face.

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Speaker 1: It was very much and it was kind of shot

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Speaker 1: in a weird tone, and it was alternative. Now they

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Speaker 1: play that stuff on hot Ac. That whole record is

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Speaker 1: hot ac, but that was alternative back in the day.

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Speaker 3: Especially.

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Speaker 1: You ought to know because you know, one of the

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Speaker 1: lines is you know what she go down on you

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Speaker 1: in the theater? And the whole was what the stations

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Speaker 1: block out part of the song and some of them

316
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Speaker 1: would it would be like would she go you in

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Speaker 1: at theater? And some of them would play the whole thing.

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Speaker 1: So yeah, Lanas is still awesome.

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Speaker 4: It also had a huge f bomb at the end

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Speaker 4: of that song. And that record did not have a

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Speaker 4: parental advisory stick really no, I don't know why that

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Speaker 4: is the case, but correct me if I'm wrong, but

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Speaker 4: that that Jagged Little Pill record did not have a

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Speaker 4: parental advisory on it. I guess there's a number of

325
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Speaker 4: you get so many.

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Speaker 2: Yeah, you got like two curse words.

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Speaker 4: Yeah, she kept it right below and below the threshold.

328
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Speaker 4: But it's like it's like the Chris Nolan Batman's you

329
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Speaker 4: know they kind of fuel rated are but then you

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Speaker 4: know they're PG thirteen.

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Speaker 1: Is that vibe she was doing and may still be

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Speaker 1: doing a residence in Vegas? And I told my wife

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Speaker 1: I was watching videos of her now doing and I

334
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Speaker 1: was like, man, I really want to go to this

335
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Speaker 1: was like good.

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Speaker 2: Luck to you.

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Speaker 4: Fun. She still sounds like yeah, I mean, judging from

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Speaker 4: like performances of Sleep records, she still sounds awesome.

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Speaker 1: Even her later stuff like Uninvited when you say sounds

340
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Speaker 1: cool because that invitea wasn't on this record, but like.

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Speaker 3: Some like this, it was so distinct.

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Speaker 4: Yeah, it was so like tense. It was so it

343
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Speaker 4: was so cool.

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Speaker 2: All right, what else you got?

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Speaker 4: The next record for me was Drive By Truckers Dirty South.

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Speaker 4: I really came into the Drive by Truckers. They were

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Speaker 4: before my time a little bit, but they were still

348
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Speaker 4: making music. Dirty South was the second record that with

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Speaker 4: Jasonisbull was in the band, and uh so like I'm

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Speaker 4: cherry picking a little bit because I was like I

351
00:14:42,120 --> 00:14:44,760
Speaker 4: didn't get that music. I didn't get The Truckers as

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Speaker 4: one album. I got it as oh, they're on their

353
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Speaker 4: fifth album, and so then I went back. But that

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Speaker 4: was the one that opened had outfit on it and

355
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Speaker 4: never gonna change. And man, I I up until that point,

356
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Speaker 4: like I had been a little intimidated about about like

357
00:15:02,880 --> 00:15:07,400
Speaker 4: singer songwritery music because I didn't like, I didn't understand

358
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Speaker 4: what Paul Simon and Bob Dylan were talking about most

359
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Speaker 4: of the time, like I kind of didn't get it,

360
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Speaker 4: to be honest with you. And then when I first

361
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Speaker 4: heard some of the stuff in like Dirty South, which

362
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Speaker 4: it's like this sort of like punk version of Leonard

363
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Speaker 4: Skinner was kind of with but the lyric is so good.

364
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Speaker 4: But they were just painting with colors that I knew,

365
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Speaker 4: and they were talking, they talked about life in a

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Speaker 4: place that I understood, and like it made me connect

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Speaker 4: with music in a way that I hadn't since then.

368
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Speaker 4: So the Drive By Truckers and then that record Dirty

369
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Speaker 4: South that when isbel was in the band at twenty one,

370
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Speaker 4: and just like Ripping was unbelievable.

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Speaker 1: I have no reference point with Drive By Truckers. I

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Speaker 1: don't either, was I never listened to them. I never

373
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Speaker 1: listened to Isbel until he was already established as Jason

374
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Speaker 1: Isbel Like I'm not even cool in that way. But

375
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Speaker 1: what I know about Isbel now is that he writes

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Speaker 1: all the stuff by himself. Do you know if he

377
00:16:04,160 --> 00:16:05,880
Speaker 1: wrote the drive by Trucker stuff by himself?

378
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Speaker 4: So he the way that that I mean, I couldn't

379
00:16:09,440 --> 00:16:12,680
Speaker 4: from what I understand. So if there's you know whatever,

380
00:16:12,720 --> 00:16:16,000
Speaker 4: cricked me if I'm wrong in the comments, chat uh,

381
00:16:16,040 --> 00:16:19,880
Speaker 4: but it's that band. Was you write it, you sing it?

382
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Speaker 1: So so there are multiple singers in the band, yeah,

383
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Speaker 1: yeahs type yes, except that.

384
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Speaker 4: You know, the singing was not their forte. Their forte

385
00:16:29,520 --> 00:16:34,480
Speaker 4: was the the vibe, the esthetic, and the lyric really

386
00:16:34,480 --> 00:16:36,080
Speaker 4: did a lot of the lifting. But I think when

387
00:16:36,160 --> 00:16:39,240
Speaker 4: Isbel was right, like Gisbel wrote Outfit, I'm pretty sure

388
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Speaker 4: that those songs were you know, he's largely writing to himself.

389
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Speaker 3: And you ever met him?

390
00:16:44,240 --> 00:16:48,920
Speaker 4: Yeah, yeah, what do you think? He So at one

391
00:16:48,960 --> 00:16:51,240
Speaker 4: point I was trying to do a record with him

392
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Speaker 4: with the band that I was in at the time,

393
00:16:52,560 --> 00:16:55,240
Speaker 4: and my band was terrible and the record didn't come out.

394
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Speaker 4: But I did spend like a week with him in

395
00:16:56,840 --> 00:16:59,680
Speaker 4: muscle shows and what do you mean with him he

396
00:16:59,720 --> 00:17:01,760
Speaker 4: was gonna produce it, Yeah, in the studio with.

397
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Speaker 2: That's amazing, Like what you just said right there is amazing.

398
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Speaker 3: He spent a week with Jason this ball and.

399
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Speaker 4: This was like this was before the sixties.

400
00:17:08,800 --> 00:17:13,000
Speaker 2: He's sounds like it's crazy, dude.

401
00:17:13,040 --> 00:17:17,240
Speaker 4: John Fogerty was in the other room making coffee. It

402
00:17:17,320 --> 00:17:21,000
Speaker 4: is great. No, we went to muscle shows to try

403
00:17:21,040 --> 00:17:22,520
Speaker 4: to make a record with my band at the time,

404
00:17:22,560 --> 00:17:25,200
Speaker 4: and like we were just didn't what didn't work out?

405
00:17:25,240 --> 00:17:28,359
Speaker 4: But but anyway, I spent a week there with him,

406
00:17:28,920 --> 00:17:32,399
Speaker 4: and I've seen him since then a few times, like

407
00:17:32,480 --> 00:17:35,080
Speaker 4: it read at shows or like it's like a couple

408
00:17:35,040 --> 00:17:37,840
Speaker 4: of times and he's remembered me every time, like because

409
00:17:37,840 --> 00:17:40,640
Speaker 4: there was years been in between that he's always got something.

410
00:17:40,640 --> 00:17:42,880
Speaker 4: He's always been cool to me. And I will say

411
00:17:42,880 --> 00:17:46,840
Speaker 4: that that you know, I've I've been around like a

412
00:17:46,840 --> 00:17:49,399
Speaker 4: lot of interesting people, but he might be. He is

413
00:17:49,440 --> 00:17:51,520
Speaker 4: one of the smartest people I've ever been in a

414
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Speaker 4: room with. I mean, it's just that's just the case.

415
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Speaker 2: I find.

416
00:17:56,960 --> 00:17:58,760
Speaker 4: They tried to glaze too hard because he's about to

417
00:17:58,800 --> 00:18:00,280
Speaker 4: his name is about to get said. Some more on

418
00:18:00,320 --> 00:18:01,200
Speaker 4: this list, but.

419
00:18:01,640 --> 00:18:03,360
Speaker 2: Oh oh here, yeah, yeah, all right.

420
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Speaker 3: I find that.

421
00:18:07,160 --> 00:18:10,280
Speaker 1: The more celebrated the artists for their artistry, the weirder

422
00:18:10,320 --> 00:18:13,040
Speaker 1: they are. Just generally speaking, I don't think every artist

423
00:18:13,080 --> 00:18:16,520
Speaker 1: that's at the highest point and celebrated by other artists

424
00:18:16,600 --> 00:18:18,800
Speaker 1: is the weirdest. But for the most part that ven

425
00:18:18,840 --> 00:18:21,960
Speaker 1: diagram of being a weird person hard to kind of connect.

426
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Speaker 3: On a human level.

427
00:18:22,400 --> 00:18:23,919
Speaker 1: And you didn't say this about Jason at all, but

428
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Speaker 1: I would not have been surprised that you would if

429
00:18:26,600 --> 00:18:30,920
Speaker 1: you would have that usually crossover, like the more creative,

430
00:18:31,320 --> 00:18:33,479
Speaker 1: the more appreciated you are as an artist, the weirder

431
00:18:33,480 --> 00:18:35,200
Speaker 1: you are and hard to connect with as real life human.

432
00:18:35,359 --> 00:18:38,040
Speaker 1: It's almost like there's an ability to write and connect

433
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Speaker 1: through your work way better than you do as a human.

434
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Speaker 4: Well, I mean, yeah, there may be something to that.

435
00:18:43,359 --> 00:18:46,040
Speaker 4: And also if you're making interesting stuff a lot about

436
00:18:46,119 --> 00:18:48,000
Speaker 4: a lot of that comes from seeing the world in

437
00:18:48,040 --> 00:18:50,399
Speaker 4: a different way, so there could be some kind of

438
00:18:50,400 --> 00:18:51,280
Speaker 4: correlation there.

439
00:18:52,359 --> 00:18:54,320
Speaker 3: I expected you to say he didn't talk much.

440
00:18:54,920 --> 00:18:59,200
Speaker 4: No, he and like this was this was like pre

441
00:18:59,640 --> 00:19:02,320
Speaker 4: got sober isable too, so it wasn't and he wasn't

442
00:19:02,359 --> 00:19:05,639
Speaker 4: like sloppy around or anything like that. But like we

443
00:19:05,680 --> 00:19:08,240
Speaker 4: would go out afterwards and he was in. He was

444
00:19:08,400 --> 00:19:13,439
Speaker 4: like living in an apartment above a bar that we

445
00:19:13,520 --> 00:19:16,479
Speaker 4: hung out at all night and shot pool. He's created

446
00:19:16,520 --> 00:19:17,240
Speaker 4: that was?

447
00:19:17,280 --> 00:19:19,560
Speaker 2: What was this thing? Drinking sober or like drunk sober?

448
00:19:20,160 --> 00:19:22,960
Speaker 4: I think I think drinking mainly. I mean I hesitate

449
00:19:23,040 --> 00:19:25,000
Speaker 4: to sit here and talk like I do know him?

450
00:19:25,119 --> 00:19:28,159
Speaker 1: Were a loaded question? Then ready, what did you see him?

451
00:19:28,359 --> 00:19:30,840
Speaker 1: Because he said it was before, you know, like before

452
00:19:31,000 --> 00:19:31,720
Speaker 1: he got sober.

453
00:19:31,720 --> 00:19:33,200
Speaker 2: I don't. I don't know much about him, so I

454
00:19:33,240 --> 00:19:34,160
Speaker 2: don't know what BC.

455
00:19:34,119 --> 00:19:36,400
Speaker 4: And a d on that is. Like the Southeastern record

456
00:19:36,560 --> 00:19:39,200
Speaker 4: was like the Got Sober record. Everything before that was

457
00:19:39,359 --> 00:19:42,919
Speaker 4: and like his his art didn't suffer at all from

458
00:19:43,880 --> 00:19:46,639
Speaker 4: getting sober or being messed up.

459
00:19:46,800 --> 00:19:47,280
Speaker 2: Mind did.

460
00:19:48,680 --> 00:19:50,520
Speaker 3: Yeah, when I got sober, things went downhill.

461
00:19:50,680 --> 00:19:51,160
Speaker 4: Yeah.

462
00:19:51,400 --> 00:19:52,679
Speaker 3: I really enjoyed the version of me.

463
00:19:52,800 --> 00:19:53,440
Speaker 2: It was just free.

464
00:19:54,400 --> 00:19:55,480
Speaker 4: It's just unencumbered.

465
00:19:55,760 --> 00:19:57,800
Speaker 2: Matt, are you you're a lyric guy? Like? Are you

466
00:19:57,800 --> 00:19:59,920
Speaker 2: when you listen to music? Do you listen to lyrics first?

467
00:20:01,640 --> 00:20:03,320
Speaker 4: To me, it kind of depends on what it is.

468
00:20:03,440 --> 00:20:06,160
Speaker 4: You know, like it like a lot of pop music,

469
00:20:06,200 --> 00:20:08,440
Speaker 4: you know, it's more melody forward, and if the lyric

470
00:20:08,480 --> 00:20:11,160
Speaker 4: does something cool, cool, but like my favorite music, which

471
00:20:11,160 --> 00:20:14,080
Speaker 4: I like to swim in those kind of Americana waters

472
00:20:14,600 --> 00:20:17,439
Speaker 4: a lot of times, or like the indie stuff, And

473
00:20:17,480 --> 00:20:20,679
Speaker 4: even with that Jagged Little Pills thing, the lyric is

474
00:20:20,800 --> 00:20:23,720
Speaker 4: very important to what's going on. And with the Truckers,

475
00:20:23,760 --> 00:20:27,720
Speaker 4: with with Isabel, with that kind of music, the lyric

476
00:20:27,840 --> 00:20:31,200
Speaker 4: is doing a lot of the lifting. And so yeah, yeah,

477
00:20:31,240 --> 00:20:33,200
Speaker 4: I think I think so I would probably be lyric

478
00:20:33,440 --> 00:20:37,080
Speaker 4: all right. Next album, Next album was I Don't Have

479
00:20:37,080 --> 00:20:40,160
Speaker 4: to Look. Next album, Storms Alive Randy Travis. I listened

480
00:20:40,160 --> 00:20:42,480
Speaker 4: to that record a thousand thousand times.

481
00:20:43,200 --> 00:20:45,560
Speaker 3: Why was it placed in front of you?

482
00:20:45,680 --> 00:20:48,320
Speaker 4: Yeah? I mean that record. I was like, that was

483
00:20:48,480 --> 00:20:51,359
Speaker 4: the first concert I ever went to. Was was Randy Travis?

484
00:20:51,440 --> 00:20:54,840
Speaker 4: I think he was, Uh, oh man, I'm going to

485
00:20:54,920 --> 00:20:58,600
Speaker 4: get this backwards. This is terrible. Randy Travis was opening

486
00:20:58,680 --> 00:21:02,320
Speaker 4: for how Alan Jackson or vice versa at the time.

487
00:21:02,359 --> 00:21:04,560
Speaker 4: It might have been Vice Versa at the time, and

488
00:21:04,680 --> 00:21:06,320
Speaker 4: I mean I was I was like, didn't even need

489
00:21:06,320 --> 00:21:08,439
Speaker 4: a ticket. I was on my mom's lap. But I

490
00:21:08,480 --> 00:21:13,080
Speaker 4: remember going to that show and uh seeing that and

491
00:21:15,000 --> 00:21:18,439
Speaker 4: that record just happened to be sort of around you know,

492
00:21:18,480 --> 00:21:19,720
Speaker 4: and I got older and I was like, oh, a

493
00:21:19,720 --> 00:21:22,199
Speaker 4: bunch of those songs are are you know? Still on that?

494
00:21:22,320 --> 00:21:23,840
Speaker 4: And you know you kind of learn them in order

495
00:21:23,880 --> 00:21:26,120
Speaker 4: a little bit and.

496
00:21:25,640 --> 00:21:28,800
Speaker 1: Jams on that record on the other hand, that's the

497
00:21:28,880 --> 00:21:31,960
Speaker 1: first song there. Yeah, and then digging up Bones, though

498
00:21:31,960 --> 00:21:33,919
Speaker 1: I have memories of exactly where I was because my

499
00:21:33,920 --> 00:21:36,800
Speaker 1: grandma was a massive randy Travis Fair Uh.

500
00:21:36,520 --> 00:21:39,720
Speaker 3: But tonight I've did and alone digging up Bones.

501
00:21:40,400 --> 00:21:43,240
Speaker 4: What's cool is when you learn words from like, uh,

502
00:21:43,520 --> 00:21:46,360
Speaker 4: these records, like I'm thinking, uh, like in that one

503
00:21:46,440 --> 00:21:48,800
Speaker 4: in that song, he's like, I found some things in there,

504
00:21:48,840 --> 00:21:51,119
Speaker 4: like that pretty negligee I brought you to. I was like,

505
00:21:51,960 --> 00:21:57,400
Speaker 4: my almost a neglige. She was like it's underwear son

506
00:21:57,560 --> 00:21:59,840
Speaker 4: or I don't know what she said, but that'd be

507
00:21:59,800 --> 00:22:00,960
Speaker 4: fun if she did. Surday.

508
00:22:01,760 --> 00:22:12,399
Speaker 5: Let's take a quick pause for a message from our sponsor, Wow,

509
00:22:13,240 --> 00:22:15,480
Speaker 5: and we're back on the Bobby Cast.

510
00:22:16,000 --> 00:22:19,080
Speaker 2: Eddie your top three, Top three, I'm gonna go with

511
00:22:19,200 --> 00:22:21,919
Speaker 2: let it be by the Beatles, And this takes me

512
00:22:21,960 --> 00:22:23,960
Speaker 2: back from being I mean, this is probably the first

513
00:22:24,600 --> 00:22:27,320
Speaker 2: I ever heard from music like at all, and it

514
00:22:27,400 --> 00:22:29,320
Speaker 2: was my mom. My mom was a big Beatles fan,

515
00:22:29,600 --> 00:22:32,080
Speaker 2: and she drove a car with an eight track player

516
00:22:32,200 --> 00:22:34,960
Speaker 2: in it to my school, Like that's how I would

517
00:22:35,040 --> 00:22:37,800
Speaker 2: drive to school, an Olds mobile with an eight track

518
00:22:37,800 --> 00:22:39,080
Speaker 2: in it, and the eight track was let it Be.

519
00:22:39,240 --> 00:22:43,439
Speaker 2: And dude, I just loved She sang every word to

520
00:22:43,520 --> 00:22:46,160
Speaker 2: every song and I love that and it was almost

521
00:22:46,200 --> 00:22:48,439
Speaker 2: like she loves it so much that I love it

522
00:22:48,480 --> 00:22:50,960
Speaker 2: and I wanted to know more about it. And then

523
00:22:51,000 --> 00:22:52,639
Speaker 2: when I found out, I'll never forget to when I

524
00:22:52,640 --> 00:22:54,840
Speaker 2: found out that John Lennon was dead by the time

525
00:22:54,880 --> 00:22:55,880
Speaker 2: I was listening.

526
00:22:55,520 --> 00:22:57,359
Speaker 3: To this, because he was dead when you were listening,

527
00:22:57,720 --> 00:22:58,320
Speaker 3: he was already dead.

528
00:22:58,359 --> 00:22:58,479
Speaker 4: Ye.

529
00:22:58,840 --> 00:23:00,760
Speaker 2: It blew my mind. I was like, this guy that

530
00:23:00,800 --> 00:23:03,480
Speaker 2: I've been singing this whole time, who's singing all these songs,

531
00:23:03,920 --> 00:23:06,439
Speaker 2: is dead and I didn't know that. That was just

532
00:23:06,600 --> 00:23:07,399
Speaker 2: mind blowing to me.

533
00:23:07,560 --> 00:23:10,440
Speaker 3: From that album when I watched and I didn't watch

534
00:23:10,480 --> 00:23:12,159
Speaker 3: all of it. I couldn't take all of it, but

535
00:23:12,359 --> 00:23:14,240
Speaker 3: the Beatles and oh you don't watch the whole documentary.

536
00:23:14,280 --> 00:23:15,040
Speaker 3: I watched a lot of it.

537
00:23:15,080 --> 00:23:15,600
Speaker 2: That's so good.

538
00:23:15,680 --> 00:23:15,920
Speaker 4: Dude.

539
00:23:15,920 --> 00:23:17,760
Speaker 1: I couldn't a lot of It's just like passive, it's

540
00:23:17,800 --> 00:23:19,960
Speaker 1: just on and you're I couldn't.

541
00:23:20,040 --> 00:23:20,800
Speaker 3: They're writing songs.

542
00:23:21,040 --> 00:23:23,200
Speaker 2: I mean, that's what documented that I watched, and maybe

543
00:23:23,240 --> 00:23:23,959
Speaker 2: it goes back to this.

544
00:23:24,040 --> 00:23:24,960
Speaker 3: It was like eight hours long.

545
00:23:25,000 --> 00:23:27,159
Speaker 2: It was so long, but I watched every minute of

546
00:23:27,200 --> 00:23:28,200
Speaker 2: that documentary and loved it.

547
00:23:28,240 --> 00:23:31,560
Speaker 1: When they were like dicking around and Paul's writing get back, Yeah, yeah,

548
00:23:31,680 --> 00:23:34,200
Speaker 1: Juju was it and they write that and you see

549
00:23:34,280 --> 00:23:35,440
Speaker 1: him pick it up and write it because it's on

550
00:23:35,480 --> 00:23:35,760
Speaker 1: that record.

551
00:23:35,840 --> 00:23:38,560
Speaker 2: It's on that record, and and h Ringo's like just

552
00:23:38,600 --> 00:23:41,320
Speaker 2: behind the drug. Ringo's the most whatever you want me

553
00:23:41,359 --> 00:23:43,280
Speaker 2: to do, mate, like I'm back here, like you know,

554
00:23:44,040 --> 00:23:46,000
Speaker 2: I'll be back here if you need me. And they're

555
00:23:46,000 --> 00:23:48,760
Speaker 2: writing that song and he goes, how about Jojo? Like

556
00:23:49,080 --> 00:23:51,680
Speaker 2: use the name Jojo? And they're like thanks, Ringo. So

557
00:23:51,760 --> 00:23:53,239
Speaker 2: it's like they're making it up as they go.

558
00:23:53,359 --> 00:23:55,000
Speaker 3: But did he get credit for writing that song, for

559
00:23:55,040 --> 00:23:55,920
Speaker 3: writing on that song?

560
00:23:56,040 --> 00:23:56,280
Speaker 1: Mmm?

561
00:23:56,400 --> 00:23:56,760
Speaker 2: I don't know.

562
00:23:56,800 --> 00:23:58,879
Speaker 1: That's a good question, because in Nashville he'd got a

563
00:23:58,920 --> 00:24:02,199
Speaker 1: third for the good word, for the third even to

564
00:24:02,240 --> 00:24:03,560
Speaker 1: go Jojo.

565
00:24:03,840 --> 00:24:05,040
Speaker 2: JoJo's a good name.

566
00:24:05,000 --> 00:24:06,760
Speaker 3: You're now and it's not partly your song.

567
00:24:07,240 --> 00:24:09,200
Speaker 4: That would be the name you what you couldn't name

568
00:24:09,240 --> 00:24:11,720
Speaker 4: it in Nashville because you have to give somebody the fourth.

569
00:24:11,480 --> 00:24:13,800
Speaker 2: For that, So you change it? How about Bobo?

570
00:24:15,640 --> 00:24:15,919
Speaker 4: All right?

571
00:24:16,440 --> 00:24:18,879
Speaker 2: Yeah, so the Beatles, let it be. I'm gonna have

572
00:24:18,920 --> 00:24:21,560
Speaker 2: to go Garth Brooks Offenses, dude, change change my life.

573
00:24:22,200 --> 00:24:25,040
Speaker 2: I mean it was, and I think I just kind

574
00:24:25,040 --> 00:24:28,359
Speaker 2: of missed the first album because I was just too young,

575
00:24:28,600 --> 00:24:30,439
Speaker 2: and I know that there were great songs on that,

576
00:24:30,480 --> 00:24:33,600
Speaker 2: but no fences with the thunder Rolls and Friends in

577
00:24:33,640 --> 00:24:36,359
Speaker 2: Low Places and all. Dude, that was.

578
00:24:36,520 --> 00:24:37,880
Speaker 3: Two of a kind of working on a full house

579
00:24:39,080 --> 00:24:39,560
Speaker 3: so good.

580
00:24:40,080 --> 00:24:42,320
Speaker 2: Two of a might have been the first album. It's

581
00:24:42,320 --> 00:24:43,880
Speaker 2: on nofens, it on offenses. Yeah.

582
00:24:43,960 --> 00:24:45,600
Speaker 1: The first album what I know from it was if

583
00:24:45,600 --> 00:24:48,600
Speaker 1: Tomorrow Never Comes? Okay, that was like this and again

584
00:24:48,600 --> 00:24:49,520
Speaker 1: I'm going for a memory.

585
00:24:49,359 --> 00:24:50,399
Speaker 2: And the dance I believe.

586
00:24:51,480 --> 00:24:51,800
Speaker 4: I don't know.

587
00:24:51,800 --> 00:24:53,119
Speaker 3: I just remember If tamal I Never Comes was the

588
00:24:53,119 --> 00:24:54,240
Speaker 3: great song I ever heard of my life.

589
00:24:54,359 --> 00:24:58,800
Speaker 2: I became. I became a huge Garth Brooks fan, like

590
00:24:58,880 --> 00:25:02,159
Speaker 2: I was in the fan club. I asked Garth Brooks

591
00:25:02,160 --> 00:25:05,040
Speaker 2: merch for Christmas. Like that's how big of a Garth

592
00:25:05,040 --> 00:25:07,080
Speaker 2: Brooks fan I was. So when we first met Garth

593
00:25:07,080 --> 00:25:09,600
Speaker 2: Brooks and I don't know, dude, maybe he has someone

594
00:25:09,600 --> 00:25:11,919
Speaker 2: that tells him, you know, like this is Bobby and

595
00:25:12,000 --> 00:25:14,520
Speaker 2: Eddie of course, and he comes in and says, Eddie,

596
00:25:14,560 --> 00:25:17,240
Speaker 2: nice to me. You have like, oh my gosh, Garth

597
00:25:17,280 --> 00:25:19,560
Speaker 2: knows who I am. He probably didn't know who I was,

598
00:25:19,600 --> 00:25:22,080
Speaker 2: but I will still remember that and I will believe

599
00:25:22,119 --> 00:25:23,080
Speaker 2: that he knows who I am.

600
00:25:23,560 --> 00:25:25,640
Speaker 1: Thunder rolls new way to Fly, to have a kind

601
00:25:25,640 --> 00:25:27,680
Speaker 1: of working on a full house. Friends in the Places,

602
00:25:27,760 --> 00:25:29,120
Speaker 1: unanswered prayers.

603
00:25:29,880 --> 00:25:34,120
Speaker 2: Wolves, wolves, past wolves.

604
00:25:34,280 --> 00:25:35,920
Speaker 3: That's bugs on Pearl jamms vitology.

605
00:25:35,960 --> 00:25:38,320
Speaker 1: I mean, it's just kind of weird. Bug, just kind

606
00:25:38,320 --> 00:25:43,320
Speaker 1: of weird. Got Pearl Jam Vitology. Yeah, that's my last one,

607
00:25:43,560 --> 00:25:44,640
Speaker 1: Pearl Jam Vitology.

608
00:25:44,680 --> 00:25:47,000
Speaker 2: And I'm being honest here that I'm a huge Pearl

609
00:25:47,080 --> 00:25:50,440
Speaker 2: Jam fan, but I didn't really catch on to Pearl

610
00:25:50,520 --> 00:25:53,200
Speaker 2: Jam when ten came out, or like the first albums

611
00:25:53,240 --> 00:25:55,840
Speaker 2: came out. I heard Better Man. Really, my brother was

612
00:25:55,840 --> 00:25:58,000
Speaker 2: listening to the stuff. He's older than me, and so

613
00:25:58,200 --> 00:26:00,720
Speaker 2: like I heard it. I heard him listen live and

614
00:26:00,800 --> 00:26:03,879
Speaker 2: even Flow and Jeremy, and I knew that existed. But

615
00:26:03,920 --> 00:26:05,879
Speaker 2: when I heard better Man for the first time, I'm like,

616
00:26:06,280 --> 00:26:09,919
Speaker 2: who is this? Like this is so good that I

617
00:26:10,160 --> 00:26:12,960
Speaker 2: went to the record store and bought Bytology and listened

618
00:26:13,000 --> 00:26:15,840
Speaker 2: to that album over and over and over, and Dude,

619
00:26:15,880 --> 00:26:19,600
Speaker 2: I like Bugs, Like Bugs is awesome, bus weird. Bugs

620
00:26:19,680 --> 00:26:21,399
Speaker 2: is so weird. It's Eddie with an accordion.

621
00:26:21,640 --> 00:26:23,160
Speaker 3: Just thought it was a joke song.

622
00:26:23,200 --> 00:26:25,600
Speaker 1: I wanted to Adam Sandler once I heard that, Yeah,

623
00:26:25,640 --> 00:26:27,439
Speaker 1: because I thought it was Buggs with a joke song.

624
00:26:27,920 --> 00:26:29,160
Speaker 1: Wasn't even real song though, was it.

625
00:26:29,400 --> 00:26:31,840
Speaker 2: Dude. I think at that time Eddie was so mad

626
00:26:31,960 --> 00:26:36,560
Speaker 2: at just record labels and the business of music that

627
00:26:36,600 --> 00:26:39,000
Speaker 2: he was like, I'm just gonna put throw away tracks

628
00:26:39,760 --> 00:26:42,879
Speaker 2: on this album just because we owe them an album,

629
00:26:43,280 --> 00:26:45,000
Speaker 2: you know. So I think Bugs was kind of a

630
00:26:45,080 --> 00:26:49,280
Speaker 2: joke or kind of like a slap to the record

631
00:26:49,320 --> 00:26:51,919
Speaker 2: label whatever. But what's crazy about Vitology is they had

632
00:26:51,960 --> 00:26:54,600
Speaker 2: never won a Grammy or never won really an award

633
00:26:54,680 --> 00:26:57,399
Speaker 2: until Bytology came out, and it was almost like the

634
00:26:57,440 --> 00:27:00,000
Speaker 2: industry being like, we have to give pro Jam an award.

635
00:27:00,080 --> 00:27:02,119
Speaker 2: We've never given an award, So they gave him an

636
00:27:02,160 --> 00:27:04,760
Speaker 2: award for a song called Last Exit, which is on Vitology.

637
00:27:05,520 --> 00:27:06,240
Speaker 3: Why what did it win?

638
00:27:08,600 --> 00:27:11,840
Speaker 2: Single Rock single, I believe or something?

639
00:27:12,560 --> 00:27:16,080
Speaker 1: Last Exit from Pearl Jam right, Yeah, and it won

640
00:27:16,119 --> 00:27:16,600
Speaker 1: a Grammy.

641
00:27:16,680 --> 00:27:18,560
Speaker 2: Yeah, either that one or Spin the Black Circle one

642
00:27:18,560 --> 00:27:18,960
Speaker 2: of the two.

643
00:27:19,600 --> 00:27:23,800
Speaker 1: Let's see Pearl Jam Grammys. They won well in nineteen

644
00:27:23,840 --> 00:27:26,760
Speaker 1: ninety six for Hard Rock Performance.

645
00:27:27,200 --> 00:27:28,200
Speaker 2: That's probably Neil Young.

646
00:27:30,200 --> 00:27:31,760
Speaker 4: There were a lot of Pearl Jam.

647
00:27:31,880 --> 00:27:34,040
Speaker 2: Dude, I'm a huge Pro Jam fan, still a huge

648
00:27:34,080 --> 00:27:35,200
Speaker 2: program in Pearl Jam.

649
00:27:35,680 --> 00:27:47,080
Speaker 4: I mean, yeah, Pearl Jam was Jeralm yeah all that. Yeah, yeah, they.

650
00:27:45,720 --> 00:27:46,600
Speaker 3: Kind of all run together.

651
00:27:47,000 --> 00:27:48,440
Speaker 2: No they don't, they don't.

652
00:27:48,560 --> 00:27:48,960
Speaker 4: They don't.

653
00:27:49,119 --> 00:27:51,320
Speaker 2: And I'll tell you what's cool about Vitology is that

654
00:27:51,400 --> 00:27:53,919
Speaker 2: I caught him at a time where, like I enjoyed

655
00:27:53,960 --> 00:27:56,600
Speaker 2: the rest of their albums after that. People that don't

656
00:27:56,640 --> 00:28:00,960
Speaker 2: like Pearl Jam much anymore, they liked old Pro Jam,

657
00:28:01,000 --> 00:28:04,040
Speaker 2: they loved even Flow Jeremy Alive, so that they didn't

658
00:28:04,080 --> 00:28:06,639
Speaker 2: really understand a lot of the older Pearl Jam when

659
00:28:06,640 --> 00:28:09,200
Speaker 2: they kind of got, you know, more experienced and wanted

660
00:28:09,200 --> 00:28:12,320
Speaker 2: to experiment more with music. So I got to catch

661
00:28:12,400 --> 00:28:14,479
Speaker 2: him at a time where, like I do like their

662
00:28:14,560 --> 00:28:16,800
Speaker 2: later stuff because of that, I wasn't in love with

663
00:28:16,840 --> 00:28:17,480
Speaker 2: the early stuff.

664
00:28:17,560 --> 00:28:19,840
Speaker 1: Yeah, I can't really find what they won for. I'm

665
00:28:19,840 --> 00:28:21,879
Speaker 1: not good at this search for stuff.

666
00:28:21,920 --> 00:28:24,960
Speaker 2: It was I remember the acceptance speech was like he

667
00:28:25,080 --> 00:28:28,080
Speaker 2: was like, I don't really know how you can put

668
00:28:28,240 --> 00:28:31,399
Speaker 2: you can judge art? Oh shut up, So I guess

669
00:28:31,440 --> 00:28:31,840
Speaker 2: thank you.

670
00:28:32,040 --> 00:28:35,000
Speaker 1: It was the best hard rock performance for what's been

671
00:28:35,080 --> 00:28:36,960
Speaker 1: the Black Circle ninety six.

672
00:28:37,080 --> 00:28:38,200
Speaker 2: There you go, shut up with that.

673
00:28:38,200 --> 00:28:39,480
Speaker 3: I don't know how you They don't go to the

674
00:28:39,560 --> 00:28:40,880
Speaker 3: award show and he did it.

675
00:28:41,160 --> 00:28:43,120
Speaker 2: They did it. Wouldn't go to award shows until then.

676
00:28:43,160 --> 00:28:46,840
Speaker 2: He's like, thank you. I guess it was awesome. It

677
00:28:46,920 --> 00:28:47,600
Speaker 2: was so cool.

678
00:28:48,160 --> 00:28:51,400
Speaker 4: Yeah, I kind of got yeah, yeah, and there one

679
00:28:51,440 --> 00:28:53,200
Speaker 4: way I get it. But then now on the other

680
00:28:53,280 --> 00:28:56,800
Speaker 4: side of like some of that stuff, it's like, you know,

681
00:28:57,400 --> 00:29:00,560
Speaker 4: especially doesn't it doesn't maybe so much apply then as

682
00:29:00,600 --> 00:29:02,719
Speaker 4: it does now because then there were so many more

683
00:29:02,760 --> 00:29:06,160
Speaker 4: gatekeepers and stuff like that. But like now, if you

684
00:29:06,160 --> 00:29:08,960
Speaker 4: don't like X kind of music, but you sort of

685
00:29:09,040 --> 00:29:11,360
Speaker 4: make X kind of music you don't like, you don't

686
00:29:11,400 --> 00:29:13,720
Speaker 4: have to say that you do make that kind of music.

687
00:29:13,800 --> 00:29:16,120
Speaker 4: Like if you don't like country music, or if you

688
00:29:16,160 --> 00:29:18,560
Speaker 4: think that certain kind of country music isn't country music,

689
00:29:18,600 --> 00:29:20,880
Speaker 4: that you can just have a whole life doing that

690
00:29:21,000 --> 00:29:25,560
Speaker 4: and it's find your fans in a way that you're

691
00:29:25,560 --> 00:29:27,000
Speaker 4: not boxed in the way you would have been there.

692
00:29:27,040 --> 00:29:29,800
Speaker 2: It was kind of their thing to to fight everything.

693
00:29:29,960 --> 00:29:32,040
Speaker 4: Yeah, for sure, they'd all like ticket mass.

694
00:29:33,520 --> 00:29:36,160
Speaker 2: You know, it was always fight, fight, fight, which was

695
00:29:36,200 --> 00:29:38,720
Speaker 2: kind of the grunge era, right, Like, no one understands us,

696
00:29:38,840 --> 00:29:39,320
Speaker 2: that's right.

697
00:29:40,040 --> 00:29:41,840
Speaker 3: Why are we awarding art they don't show up to

698
00:29:41,880 --> 00:29:42,160
Speaker 3: the show?

699
00:29:42,240 --> 00:29:44,000
Speaker 2: I mean, I don't know how you can award art.

700
00:29:44,120 --> 00:29:45,920
Speaker 3: Like Morgan Wallan doesn't show up to the CMAS.

701
00:29:45,920 --> 00:29:47,479
Speaker 4: You got to show up to the CMS.

702
00:29:47,720 --> 00:29:49,680
Speaker 3: Morganwall Either got to respect the fact that he just

703
00:29:49,720 --> 00:29:50,200
Speaker 3: doesn't go.

704
00:29:50,680 --> 00:29:50,920
Speaker 4: Yeah.

705
00:29:51,120 --> 00:29:52,880
Speaker 1: Yeah, if he went and was like, I don't know

706
00:29:52,880 --> 00:29:56,880
Speaker 1: why I'm here. You're here, Yeah, that would be weird.

707
00:29:56,600 --> 00:29:58,720
Speaker 1: So don't go to Machine And I'm saying kind of

708
00:29:58,720 --> 00:29:59,160
Speaker 1: a douchey move.

709
00:29:59,200 --> 00:29:59,880
Speaker 2: Okay, so don't go.

710
00:30:00,480 --> 00:30:02,280
Speaker 3: Don't go there if you're gonna complain about being.

711
00:30:02,120 --> 00:30:04,160
Speaker 4: There at the time. Is also it's like the context

712
00:30:04,200 --> 00:30:06,200
Speaker 4: is different, so it could have been it was. It's

713
00:30:06,280 --> 00:30:08,480
Speaker 4: not like now where you have so much access to

714
00:30:08,560 --> 00:30:11,320
Speaker 4: everyone all the time. You know, back then, you know,

715
00:30:11,400 --> 00:30:14,080
Speaker 4: you had a couple of award shows in the Grammys.

716
00:30:14,160 --> 00:30:15,600
Speaker 4: Might be the only time you would like.

717
00:30:15,560 --> 00:30:16,240
Speaker 2: That was your voice.

718
00:30:16,400 --> 00:30:18,440
Speaker 1: See, so you don't want that voice he obviously doesn't

719
00:30:18,440 --> 00:30:20,280
Speaker 1: want the voice of being on commercial television.

720
00:30:20,320 --> 00:30:22,400
Speaker 2: I think he wanted that chance to tell everyone that

721
00:30:22,440 --> 00:30:23,040
Speaker 2: this is stupid.

722
00:30:23,080 --> 00:30:24,640
Speaker 3: He wanted the chance to tell everyone that what he

723
00:30:24,680 --> 00:30:25,960
Speaker 3: was doing was stupid that he didn't.

724
00:30:25,800 --> 00:30:26,080
Speaker 2: Have to do.

725
00:30:27,320 --> 00:30:29,760
Speaker 4: Yeah, I mean, but again, it's like, if he doesn't

726
00:30:29,800 --> 00:30:32,560
Speaker 4: show up, then there's an article in Rolling Stone where

727
00:30:32,560 --> 00:30:35,960
Speaker 4: he says all that shit in print that probably doesn't

728
00:30:36,000 --> 00:30:38,400
Speaker 4: have the impact. I'm just saying, like, but he.

729
00:30:38,360 --> 00:30:39,840
Speaker 1: Didn't know he was gonna win though. Either you're going

730
00:30:39,840 --> 00:30:41,080
Speaker 1: to that thing not knowing you're gonna win.

731
00:30:41,200 --> 00:30:43,240
Speaker 4: I guess it's true. I mean, I'm just saying the

732
00:30:43,280 --> 00:30:46,880
Speaker 4: context might be, the media landscape might have made it different.

733
00:30:46,920 --> 00:30:48,320
Speaker 4: I'm just trying to like play Devil's evance.

734
00:30:48,320 --> 00:30:50,280
Speaker 1: I'm playing no advocate. I'm saying, if you're gonna go

735
00:30:50,320 --> 00:30:51,440
Speaker 1: and complain about being there, don't go.

736
00:30:51,640 --> 00:30:53,040
Speaker 4: He's fine, he doesn't need me.

737
00:30:53,280 --> 00:30:54,840
Speaker 2: And then they say, you know, like, oh.

738
00:30:54,840 --> 00:30:57,720
Speaker 1: Eddie Betters on the phone, now ed line one the like,

739
00:30:57,760 --> 00:31:00,880
Speaker 1: where's your Grammy night? He's like, I don't know, yeah, right,

740
00:31:00,880 --> 00:31:02,720
Speaker 1: he's out in a shrine in his freaking house.

741
00:31:03,360 --> 00:31:03,800
Speaker 3: Whatever.

742
00:31:04,680 --> 00:31:07,600
Speaker 1: I do like Pearl Jam, But they do start sounding

743
00:31:07,600 --> 00:31:09,840
Speaker 1: a bit similar. Eddie Vedder's voice to me is like

744
00:31:10,120 --> 00:31:15,080
Speaker 1: axels guitar playing. It all kind of sounds slash guitar, sorry,

745
00:31:15,120 --> 00:31:15,920
Speaker 1: slashes guitar playing.

746
00:31:15,920 --> 00:31:17,640
Speaker 3: Excuse me. It all kind of sounds the same.

747
00:31:18,120 --> 00:31:20,200
Speaker 2: I don't get offended, but you're kind of offending me a

748
00:31:20,200 --> 00:31:20,520
Speaker 2: little bit.

749
00:31:20,560 --> 00:31:21,240
Speaker 3: It all sounds the same.

750
00:31:21,920 --> 00:31:22,680
Speaker 2: Eddie's voice.

751
00:31:22,960 --> 00:31:25,040
Speaker 3: Yeah, he sounds the same. It all.

752
00:31:25,040 --> 00:31:25,680
Speaker 2: It's us.

753
00:31:25,680 --> 00:31:26,560
Speaker 3: It's like dance music to.

754
00:31:26,520 --> 00:31:30,600
Speaker 2: Me, but no one ever sounded like that great and

755
00:31:30,640 --> 00:31:32,760
Speaker 2: then and then everyone wanted to sound like that.

756
00:31:33,200 --> 00:31:36,000
Speaker 4: Rihanna had did the same thing of pop music. Stapleton

757
00:31:36,040 --> 00:31:38,520
Speaker 4: did the same thing for us. Man, It's like somebody

758
00:31:38,520 --> 00:31:40,680
Speaker 4: comes along that's really good in a different way, and

759
00:31:40,720 --> 00:31:41,480
Speaker 4: then everyone you.

760
00:31:41,440 --> 00:31:43,400
Speaker 2: Know, and then someone comes along and says like, it's

761
00:31:43,480 --> 00:31:44,440
Speaker 2: kind of the same.

762
00:31:44,640 --> 00:31:44,960
Speaker 3: All of it.

763
00:31:45,360 --> 00:31:46,920
Speaker 1: I like him, but all their songs kind of sound

764
00:31:46,920 --> 00:31:49,640
Speaker 1: the same. Okay, just like all dance music sounds the

765
00:31:49,680 --> 00:31:51,440
Speaker 1: same to me. That means my palette is not but sure,

766
00:31:51,720 --> 00:31:57,560
Speaker 1: that's crazy, Okay, Okay, let's do another one. Let's do

767
00:31:58,520 --> 00:32:01,280
Speaker 1: favorite debut albums ever, Matt Stell, you can start with

768
00:32:01,280 --> 00:32:01,720
Speaker 1: this one.

769
00:32:01,600 --> 00:32:06,320
Speaker 4: All right, sweet, get my list up. Debut albums is

770
00:32:06,360 --> 00:32:09,440
Speaker 4: tough because again, like if you get into music, if

771
00:32:09,480 --> 00:32:11,160
Speaker 4: you get into a band in the middle of what

772
00:32:11,160 --> 00:32:14,280
Speaker 4: they're doing, you know, it's like I started liking Kings

773
00:32:14,320 --> 00:32:16,400
Speaker 4: of Leon at the Only by the Night record, So

774
00:32:16,600 --> 00:32:18,840
Speaker 4: that's obviously another debut record. So it's a little bit

775
00:32:18,840 --> 00:32:20,800
Speaker 4: of a dive to figure out, you know.

776
00:32:21,440 --> 00:32:23,520
Speaker 1: But can't you go back and you can and think

777
00:32:23,560 --> 00:32:25,880
Speaker 1: absolutely and go oh, I found them, But I'm gonna

778
00:32:25,880 --> 00:32:27,400
Speaker 1: go back to their first record and be like, Wow,

779
00:32:27,440 --> 00:32:29,440
Speaker 1: this record's freaking awesome, and I don't think you have

780
00:32:29,480 --> 00:32:30,920
Speaker 1: to experience it right when it comes out.

781
00:32:31,120 --> 00:32:33,560
Speaker 3: Okay, well I did an all mine for the record.

782
00:32:33,560 --> 00:32:35,560
Speaker 2: I'm glad you clarified that because I have one where

783
00:32:35,600 --> 00:32:37,240
Speaker 2: I went back the Beatles.

784
00:32:37,400 --> 00:32:42,000
Speaker 4: Yeah, okay, yeah, cool. I just did it for like

785
00:32:42,040 --> 00:32:44,440
Speaker 4: the debut albums that I was there for that I

786
00:32:44,520 --> 00:32:46,720
Speaker 4: you know, that meant something to me, you know, So

787
00:32:46,840 --> 00:32:50,840
Speaker 4: top three this is like to me, you know, the

788
00:32:50,880 --> 00:32:53,640
Speaker 4: first one to me is that Hosier self titled record,

789
00:32:53,880 --> 00:32:55,800
Speaker 4: Hosier record that had taken me to church on it

790
00:32:55,840 --> 00:33:00,280
Speaker 4: and all that stuff unbelievably groundbreaking to me. Like he's

791
00:33:00,280 --> 00:33:02,440
Speaker 4: still one of my favorite artists. Everything he does to

792
00:33:02,480 --> 00:33:07,800
Speaker 4: me is cool. That record is special, special special.

793
00:33:07,880 --> 00:33:09,000
Speaker 3: All I know is take Me to Church.

794
00:33:09,080 --> 00:33:12,520
Speaker 4: I think I'm trying to think what else you would

795
00:33:12,520 --> 00:33:15,360
Speaker 4: know off of what's it called? Uh, that record's self tie,

796
00:33:15,400 --> 00:33:16,360
Speaker 4: it's just called.

797
00:33:16,360 --> 00:33:19,200
Speaker 3: Hoosier first record. Let's say if I know any other songs?

798
00:33:22,160 --> 00:33:24,120
Speaker 4: That was the like single, I mean, that was the

799
00:33:24,120 --> 00:33:24,640
Speaker 4: thing that broke.

800
00:33:24,800 --> 00:33:26,520
Speaker 1: Do they have any other they have any other big singles?

801
00:33:26,840 --> 00:33:29,480
Speaker 1: Because I know some of his later stuff. But yeah,

802
00:33:29,480 --> 00:33:31,400
Speaker 1: I don't think I'm just not smart in your music.

803
00:33:31,400 --> 00:33:33,880
Speaker 1: Your music is way above where my brain goes.

804
00:33:33,920 --> 00:33:36,000
Speaker 2: Well, I mean it was like or is he trying

805
00:33:36,000 --> 00:33:36,440
Speaker 2: to be cool?

806
00:33:36,720 --> 00:33:39,520
Speaker 3: No, I don't think the cool debut records to impress.

807
00:33:39,840 --> 00:33:44,080
Speaker 4: Yes, I really love Yeah, I.

808
00:33:44,000 --> 00:33:47,960
Speaker 3: Don't know it take me to Church. I don't know

809
00:33:48,000 --> 00:33:48,680
Speaker 3: any of the other ones.

810
00:33:48,840 --> 00:33:50,520
Speaker 4: Yeah, all that that records is cool for.

811
00:33:50,920 --> 00:33:51,600
Speaker 3: Not discounting it.

812
00:33:51,760 --> 00:33:54,240
Speaker 4: Yeah, it's just it's great. I mean, spend the time

813
00:33:54,280 --> 00:33:59,719
Speaker 4: when it's awesome. The second one was ray La Montange's Trouble.

814
00:34:00,560 --> 00:34:02,920
Speaker 4: That record came out the first time, Like you heard

815
00:34:02,960 --> 00:34:06,040
Speaker 4: him singing that on What's the British Show where they

816
00:34:06,120 --> 00:34:08,479
Speaker 4: get in the Jules Holland. I think it's the first

817
00:34:08,480 --> 00:34:10,000
Speaker 4: time I saw like I saw a clip of him

818
00:34:10,000 --> 00:34:14,040
Speaker 4: on Jules Holland doing Trouble, and that was like they

819
00:34:14,080 --> 00:34:15,000
Speaker 4: had Joe Lene.

820
00:34:14,840 --> 00:34:17,800
Speaker 2: On there talking about one of the coolest voices.

821
00:34:17,880 --> 00:34:21,560
Speaker 4: Yeah, man, really really cool. And he was like in

822
00:34:21,640 --> 00:34:25,560
Speaker 4: a time where the kind of like that sort of

823
00:34:25,800 --> 00:34:32,080
Speaker 4: analog kind of acoustic y thing was not what it

824
00:34:32,200 --> 00:34:33,800
Speaker 4: is now, you know what I mean that that was

825
00:34:33,840 --> 00:34:36,600
Speaker 4: a real kind of game change. I mean people Zach

826
00:34:36,920 --> 00:34:39,400
Speaker 4: Brown covered that, you know, Joelne's song, we put it

827
00:34:39,440 --> 00:34:41,800
Speaker 4: on a record. I mean it had ripples out everywhere.

828
00:34:41,840 --> 00:34:44,640
Speaker 1: So to me, it sounded like somebody was introducing a

829
00:34:44,680 --> 00:34:46,759
Speaker 1: song to me from twenty years ago. I thought it

830
00:34:46,800 --> 00:34:49,440
Speaker 1: was an old song that I'd missed, see yeah, And

831
00:34:49,480 --> 00:34:50,000
Speaker 1: so I heard it.

832
00:34:50,000 --> 00:34:50,879
Speaker 3: I was like, oh, this is good.

833
00:34:50,880 --> 00:34:52,920
Speaker 1: I never heard this on Cool ninety five in Arkansas,

834
00:34:53,080 --> 00:34:55,279
Speaker 1: the oldie station, and turns out it was new.

835
00:34:55,440 --> 00:34:56,440
Speaker 3: It was just really good.

836
00:34:56,920 --> 00:34:59,759
Speaker 1: So that old retro type sound, it was so good

837
00:34:59,760 --> 00:35:05,160
Speaker 1: that it cut through yeah.

838
00:35:01,520 --> 00:35:05,360
Speaker 4: Yeah and then which that just made me think of

839
00:35:05,400 --> 00:35:07,160
Speaker 4: another record that would have been awesome on here.

840
00:35:07,200 --> 00:35:11,000
Speaker 3: It was you can't keep adding a record. You can't

841
00:35:11,080 --> 00:35:12,040
Speaker 3: keep adding you know the.

842
00:35:12,080 --> 00:35:15,320
Speaker 1: Rules, man, All right, fine, you're doing honorable mentions. And

843
00:35:15,360 --> 00:35:17,200
Speaker 1: adding records in the middle of the of the bed.

844
00:35:17,320 --> 00:35:19,280
Speaker 1: I even gave you this ahead of time to have time.

845
00:35:19,880 --> 00:35:22,719
Speaker 4: I wrote it down. All right, fine, well, then never mind.

846
00:35:23,480 --> 00:35:27,600
Speaker 4: I'll keep that great insight that was. I will keep

847
00:35:27,640 --> 00:35:30,279
Speaker 4: all those jewels and stuff. The third one for me

848
00:35:30,480 --> 00:35:34,000
Speaker 4: was Turnpike Diamonds and Gasoline. And when that record dropped,

849
00:35:36,200 --> 00:35:37,960
Speaker 4: I mean, that was the world I was in at

850
00:35:38,000 --> 00:35:39,960
Speaker 4: the time. You know, it's the music I was listening to,

851
00:35:39,960 --> 00:35:42,080
Speaker 4: the music I was trying to make, and they came

852
00:35:42,120 --> 00:35:46,799
Speaker 4: along with that record, and uh, this banger from front

853
00:35:46,840 --> 00:35:49,759
Speaker 4: to back, and you know, now, now that's a band

854
00:35:49,760 --> 00:35:51,840
Speaker 4: that means a whole lot to a lot of people.

855
00:35:51,840 --> 00:35:55,080
Speaker 4: But I remember, I remember that Diamonds of Gasoline being

856
00:35:55,120 --> 00:35:57,600
Speaker 4: on heavy rotation in the van when we were driving

857
00:35:57,680 --> 00:35:58,759
Speaker 4: to wherever we were going.

858
00:35:59,239 --> 00:36:00,800
Speaker 1: They played Million doll Show with us a couple of

859
00:36:00,840 --> 00:36:02,480
Speaker 1: years ago, and they were like, what songs do you

860
00:36:02,480 --> 00:36:03,760
Speaker 1: want us to play? And I was like, play Diamonds

861
00:36:03,760 --> 00:36:06,040
Speaker 1: gas landon though you can pick your other stuff, but.

862
00:36:06,040 --> 00:36:06,600
Speaker 2: If you do that.

863
00:36:06,920 --> 00:36:09,160
Speaker 1: I didn't get into them until I got with Caitlin

864
00:36:09,440 --> 00:36:13,239
Speaker 1: because they're from Tahlequah, Oklahoma, and that's right near where

865
00:36:13,280 --> 00:36:15,040
Speaker 1: she's from. And when they came into the studio to play,

866
00:36:15,040 --> 00:36:16,200
Speaker 1: I was like, oh, you guys from Talaquad. They're like,

867
00:36:16,239 --> 00:36:17,360
Speaker 1: you're the first person to ever say it, right, I

868
00:36:17,400 --> 00:36:19,799
Speaker 1: was like, my wife's from right near there, so I

869
00:36:19,880 --> 00:36:23,239
Speaker 1: know it. And so she played it NonStop. So I

870
00:36:23,280 --> 00:36:26,440
Speaker 1: got a late introduction, but then I got it. I

871
00:36:26,520 --> 00:36:28,160
Speaker 1: was just way late to the party, like I was

872
00:36:28,160 --> 00:36:30,000
Speaker 1: showing up at two am when everybody was, you know,

873
00:36:30,400 --> 00:36:31,160
Speaker 1: was already drunk.

874
00:36:31,719 --> 00:36:33,040
Speaker 3: But yeah, and they were awesome.

875
00:36:33,080 --> 00:36:36,080
Speaker 1: They were super cool guys and guys who had definitely

876
00:36:36,680 --> 00:36:40,640
Speaker 1: had spent their time invested on the road, playing shows,

877
00:36:40,920 --> 00:36:42,920
Speaker 1: making records, and it was kind of weird to them.

878
00:36:42,960 --> 00:36:45,000
Speaker 1: They were starting to cut through at this stage of

879
00:36:45,080 --> 00:36:47,239
Speaker 1: their career. Like when I was talking to them, that

880
00:36:47,400 --> 00:36:49,640
Speaker 1: was kind of what I got from them is they're

881
00:36:49,680 --> 00:36:52,759
Speaker 1: like this kind of wild that we're kind of hitting

882
00:36:52,840 --> 00:36:54,239
Speaker 1: right now because we've been doing this for a long

883
00:36:54,280 --> 00:36:55,760
Speaker 1: time and we haven't done anything different.

884
00:36:56,680 --> 00:36:58,960
Speaker 3: But would they be considered a red dirt?

885
00:36:59,120 --> 00:37:02,680
Speaker 4: Yeah, for sure, for sure, I think so. I mean, yes,

886
00:37:02,960 --> 00:37:05,279
Speaker 4: I think, you know, whatever you want to call you know,

887
00:37:05,400 --> 00:37:07,799
Speaker 4: the Texans get pretty They're the only ones that get

888
00:37:07,840 --> 00:37:09,640
Speaker 4: prickly about what you call it because you know, don't

889
00:37:09,680 --> 00:37:12,239
Speaker 4: call it Texas country if it's not from Texas. But so,

890
00:37:12,280 --> 00:37:14,400
Speaker 4: what's red dirt Oklahoma?

891
00:37:14,560 --> 00:37:17,480
Speaker 2: Okay? To me, it's a Texas country. Is Texas country?

892
00:37:17,520 --> 00:37:18,520
Speaker 2: Red Dirt's Oklahoma?

893
00:37:18,760 --> 00:37:22,279
Speaker 1: Texas country can go into it red dirt, it did, right,

894
00:37:22,560 --> 00:37:25,120
Speaker 1: But I feel like red Dirt can be Texas Country.

895
00:37:26,080 --> 00:37:28,799
Speaker 4: I think the reason that people say red dirt is

896
00:37:28,800 --> 00:37:35,480
Speaker 4: for bands like Turnpike, Stoney, LaRue, Ragweed that were Oklahoma

897
00:37:35,680 --> 00:37:39,360
Speaker 4: based bands Texas the thing that they was.

898
00:37:39,640 --> 00:37:41,040
Speaker 2: I thought Stony was Texas.

899
00:37:41,480 --> 00:37:43,640
Speaker 4: I mean if he was in New Bronfles maybe Yeah,

900
00:37:43,640 --> 00:37:47,480
Speaker 4: for some reason. Yeah, don't let me like, look, I'll

901
00:37:47,520 --> 00:37:49,600
Speaker 4: piss somebody if trying to act. I know everything about

902
00:37:49,600 --> 00:37:53,080
Speaker 4: all that. But red Dirt kind of encompasses Texas Country

903
00:37:53,520 --> 00:37:56,400
Speaker 4: and Oklahoma in the same way that all squares are

904
00:37:56,440 --> 00:38:00,319
Speaker 4: rectangles but not all rectangles or squares. That's how that works.

905
00:38:00,440 --> 00:38:01,879
Speaker 4: One is a subset of the other.

906
00:38:03,120 --> 00:38:15,560
Speaker 6: The Bobby Cast will be right back. This is the

907
00:38:15,600 --> 00:38:16,320
Speaker 6: Bobby Cast.

908
00:38:17,360 --> 00:38:21,680
Speaker 1: I'll go my three favorite debut albums ever Casey Musgrave,

909
00:38:21,520 --> 00:38:25,240
Speaker 1: Same Trailer, Different Park, which she's one of my favorite artists.

910
00:38:25,239 --> 00:38:29,600
Speaker 1: I put like vinyl albums out front of the studio

911
00:38:30,120 --> 00:38:32,240
Speaker 1: of like music that I really like, even at music

912
00:38:32,280 --> 00:38:35,880
Speaker 1: in the studio, And that was a game changer because

913
00:38:35,920 --> 00:38:38,320
Speaker 1: she was really traditional, but it was also really progressive

914
00:38:38,400 --> 00:38:41,919
Speaker 1: at the same time, and that was odd, I think

915
00:38:41,920 --> 00:38:45,080
Speaker 1: to country music because it was very country, yet it

916
00:38:45,160 --> 00:38:49,839
Speaker 1: was very progressive, and those two just didn't mix, especially

917
00:38:50,719 --> 00:38:52,680
Speaker 1: in that era of like the twenty tens.

918
00:38:52,920 --> 00:38:55,160
Speaker 3: You know, there had been versions of that. People forget that.

919
00:38:55,880 --> 00:38:59,600
Speaker 3: Whenever the Highwaymen were together, that was a pretty progressive group.

920
00:38:59,719 --> 00:39:02,440
Speaker 1: Yeah, like you know, there was country as it gets,

921
00:39:02,520 --> 00:39:05,920
Speaker 1: but they were talking like hey, human rights.

922
00:39:06,040 --> 00:39:08,799
Speaker 4: They literally had a song about flying a spaceship.

923
00:39:09,040 --> 00:39:10,960
Speaker 2: They did press.

924
00:39:11,160 --> 00:39:13,880
Speaker 1: It was very pre and so same thing with Casey

925
00:39:13,920 --> 00:39:16,920
Speaker 1: and that record. Loved it because of how it sounded

926
00:39:16,920 --> 00:39:18,880
Speaker 1: but also what it was saying. So I was I

927
00:39:18,920 --> 00:39:21,160
Speaker 1: was totally in there. The other one is hooting in

928
00:39:21,160 --> 00:39:24,160
Speaker 1: the Blowfish Cracked a review. I played that thing. I

929
00:39:24,160 --> 00:39:26,880
Speaker 1: had a cassette and I would drive football practice and

930
00:39:26,920 --> 00:39:28,960
Speaker 1: I played it every day going to school in football practice,

931
00:39:29,520 --> 00:39:31,919
Speaker 1: and I would just flip it and it wore off

932
00:39:31,960 --> 00:39:34,319
Speaker 1: all the letters on the cassette because on the top

933
00:39:34,320 --> 00:39:36,200
Speaker 1: of the cassette it had all the tracks listed. When

934
00:39:36,239 --> 00:39:37,399
Speaker 1: it got to the end, he had to pull it out,

935
00:39:37,400 --> 00:39:39,200
Speaker 1: flip it and do it again. And I played it

936
00:39:39,200 --> 00:39:40,680
Speaker 1: so many times that there was no It looked like

937
00:39:40,719 --> 00:39:43,000
Speaker 1: a blank tape. And I loved it so much. I

938
00:39:43,040 --> 00:39:47,399
Speaker 1: remember doing a charity event with Darius and we were

939
00:39:47,800 --> 00:39:51,000
Speaker 1: both at Andy Roddick's charity event in Austin, and so

940
00:39:51,560 --> 00:39:53,120
Speaker 1: I was doing like a little bit of comedy and

941
00:39:53,160 --> 00:39:56,880
Speaker 1: hosting it and Darius himself not as hooty, but Darius

942
00:39:56,920 --> 00:39:59,280
Speaker 1: was playing it. And we were up watching a football

943
00:39:59,320 --> 00:40:03,400
Speaker 1: game before the event, and I said, man, I've I

944
00:40:03,480 --> 00:40:05,600
Speaker 1: just ate up crack review, like it's all I listened to.

945
00:40:05,640 --> 00:40:07,640
Speaker 1: I loved it so much, and he was like, yeah,

946
00:40:07,640 --> 00:40:09,560
Speaker 1: wa't your favorite song. I said, there's a song called

947
00:40:10,880 --> 00:40:13,120
Speaker 1: Running from an Angel, and he goes, man, I ain't

948
00:40:13,120 --> 00:40:15,400
Speaker 1: play that in twenty years, And I was like, I

949
00:40:15,440 --> 00:40:17,200
Speaker 1: listened to that thing so much and there's like an

950
00:40:17,200 --> 00:40:24,280
Speaker 1: opening guitar looks like yeah, yeah, fiddle.

951
00:40:24,680 --> 00:40:27,600
Speaker 4: Okay. It may be like things stacked, but I remember

952
00:40:27,640 --> 00:40:28,680
Speaker 4: the fiddle song on that too.

953
00:40:29,160 --> 00:40:31,239
Speaker 1: I did that record and he came out he played it.

954
00:40:31,480 --> 00:40:32,560
Speaker 1: He didn't tell me he was gonna play, and he

955
00:40:32,600 --> 00:40:34,080
Speaker 1: came out and played it and he's like, wait and

956
00:40:34,080 --> 00:40:36,400
Speaker 1: played this forever, worked this out for Bobby and he's like,

957
00:40:37,360 --> 00:40:39,839
Speaker 1: run it to the Devil, Devil and it was.

958
00:40:40,080 --> 00:40:42,880
Speaker 4: Awesome that record. That's another one.

959
00:40:43,000 --> 00:40:46,080
Speaker 1: And the songs that everybody knows are like hold my Hand,

960
00:40:46,560 --> 00:40:49,879
Speaker 1: only want to Be with You, let Her Cry, which

961
00:40:49,880 --> 00:40:54,600
Speaker 1: were all the big one, massive songs. But that's from

962
00:40:54,640 --> 00:40:56,879
Speaker 1: the list in the County Crows, August and everything after.

963
00:40:57,200 --> 00:40:59,520
Speaker 1: That's my favorite band of all time. It's the greatest

964
00:40:59,560 --> 00:41:00,279
Speaker 1: record of all time.

965
00:41:00,320 --> 00:41:03,960
Speaker 4: Have you heard him do that cover of the one

966
00:41:04,200 --> 00:41:07,040
Speaker 4: Taylor Swift at Taylor Swift song? I usually am not

967
00:41:07,120 --> 00:41:10,239
Speaker 4: a huge like what you know, it takes a lot

968
00:41:10,280 --> 00:41:11,600
Speaker 4: to get me to care about a cover of a

969
00:41:11,680 --> 00:41:15,640
Speaker 4: current song. That version that he does, like his voice

970
00:41:15,680 --> 00:41:18,759
Speaker 4: is so emotive, like it just makes you feel so

971
00:41:18,960 --> 00:41:20,759
Speaker 4: I don't know, I love I love it.

972
00:41:20,920 --> 00:41:24,560
Speaker 3: He also turns that into like raining in Baltimore or

973
00:41:24,560 --> 00:41:26,160
Speaker 3: Long December when he does that, because he does that

974
00:41:26,200 --> 00:41:30,000
Speaker 3: into another Yeah, it's yeah, amazing.

975
00:41:30,040 --> 00:41:32,040
Speaker 4: Amy One House was my honorable mention.

976
00:41:32,120 --> 00:41:34,120
Speaker 2: But it okay, he had to get it in. Couldn't

977
00:41:34,120 --> 00:41:36,080
Speaker 2: help after we told him not that it couldn't help.

978
00:41:35,960 --> 00:41:41,439
Speaker 1: It, Eddie, you only get two's gonna be like the Army.

979
00:41:41,440 --> 00:41:44,120
Speaker 3: If someone else screws up, everybody pays for it. Now

980
00:41:44,160 --> 00:41:46,120
Speaker 3: you only get too Matt took one.

981
00:41:46,320 --> 00:41:47,000
Speaker 2: I appreciate that.

982
00:41:47,040 --> 00:41:48,680
Speaker 4: Well, yeah, well I'll.

983
00:41:48,480 --> 00:41:50,319
Speaker 2: Just go kind of crows it August and everything after

984
00:41:50,400 --> 00:41:54,799
Speaker 2: because same, dude, I mean that one too. I got

985
00:41:54,800 --> 00:41:56,520
Speaker 2: from the beginning. I didn't have to go back and

986
00:41:56,640 --> 00:41:59,239
Speaker 2: listen to that one. It's pretty amazing. I still I

987
00:41:59,320 --> 00:42:01,440
Speaker 2: still like to go go back and like pull that

988
00:42:01,520 --> 00:42:02,960
Speaker 2: up on a playlist and just listen to the whole

989
00:42:02,960 --> 00:42:05,200
Speaker 2: album again, which is rare. Now, right to listen to

990
00:42:05,200 --> 00:42:08,040
Speaker 2: the whole album. Love that, and then I'm gonna go

991
00:42:08,200 --> 00:42:10,560
Speaker 2: Matchbox twenty yourself or someone like you.

992
00:42:10,680 --> 00:42:13,960
Speaker 1: That's such an awesome record. Dude, is this a pilot?

993
00:42:13,960 --> 00:42:17,040
Speaker 1: Guy in the front is so distinct, It's great. It's

994
00:42:17,080 --> 00:42:20,000
Speaker 1: like this fat dude with a leather like pilot helmet on.

995
00:42:20,040 --> 00:42:22,840
Speaker 2: Right, Yes, yes, that's it. Black and white. Yeah, Matchbox

996
00:42:22,840 --> 00:42:24,520
Speaker 2: twenty two is in a band that like I love,

997
00:42:25,000 --> 00:42:28,239
Speaker 2: but dude, that record I listened to so much. The

998
00:42:28,320 --> 00:42:33,560
Speaker 2: first four songs like real World, four Am Push I.

999
00:42:33,520 --> 00:42:36,720
Speaker 1: Think three am is Matchbox twenty four Am is our lady, Peter.

1000
00:42:37,800 --> 00:42:40,799
Speaker 2: You're right, three am I must be lonely dude? So yeah,

1001
00:42:40,960 --> 00:42:42,719
Speaker 2: those those would be my two since I can't do

1002
00:42:42,760 --> 00:42:43,080
Speaker 2: a third.

1003
00:42:43,840 --> 00:42:45,560
Speaker 3: Just quickly, let's say you had a third. What would

1004
00:42:45,600 --> 00:42:47,759
Speaker 3: it have been? Pearl jam Ten got it, but Matt

1005
00:42:47,800 --> 00:42:48,320
Speaker 3: took that from you.

1006
00:42:48,400 --> 00:42:50,239
Speaker 2: But Matt, yeah, thanks Matt, I.

1007
00:42:50,239 --> 00:42:55,040
Speaker 4: Fixed it for you. Give me Bobby's glasses, you had

1008
00:42:55,120 --> 00:42:57,160
Speaker 4: vision in nine hands.

1009
00:42:57,320 --> 00:43:00,800
Speaker 1: Give me the best lead singers of your life. It

1010
00:43:01,200 --> 00:43:03,279
Speaker 1: started to go first, right, yeah, and Edie, if you

1011
00:43:03,280 --> 00:43:05,319
Speaker 1: go extra, you take one from Okay, Oh I have four?

1012
00:43:07,440 --> 00:43:09,880
Speaker 2: I have four, don't worry about that. Uh, not to

1013
00:43:09,920 --> 00:43:12,880
Speaker 2: be cool. But Jeff Buckley, dude, Jeff Buckley was an amazing,

1014
00:43:13,160 --> 00:43:17,200
Speaker 2: amazing singer of my lifetime. One album, right, one album

1015
00:43:17,200 --> 00:43:20,120
Speaker 2: and then he died one song too? Really maybe two

1016
00:43:20,160 --> 00:43:24,080
Speaker 2: albums like released after he died. One song is a cover, right,

1017
00:43:24,160 --> 00:43:27,040
Speaker 2: Leonard Cohen, Yes, it was a cover. I'm like hating

1018
00:43:27,880 --> 00:43:30,440
Speaker 2: that album though it has really good songs in it,

1019
00:43:31,239 --> 00:43:33,760
Speaker 2: that's right, Grace is the album great?

1020
00:43:33,760 --> 00:43:36,880
Speaker 4: All right? I'm a little like listen, no shade did

1021
00:43:36,960 --> 00:43:39,719
Speaker 4: Jeff Buckley. But we're talking about like your fate. When

1022
00:43:39,719 --> 00:43:41,520
Speaker 4: we say best singers of all time, do we really

1023
00:43:41,560 --> 00:43:43,400
Speaker 4: mean your favorite three singers.

1024
00:43:43,760 --> 00:43:45,680
Speaker 2: I didn't do all time because like obviously I put

1025
00:43:45,680 --> 00:43:48,839
Speaker 2: Elvis on. There's like great, and you could take this

1026
00:43:48,960 --> 00:43:49,600
Speaker 2: however you wanted.

1027
00:43:49,640 --> 00:43:51,840
Speaker 1: I did best singers of my life, of my life,

1028
00:43:51,960 --> 00:43:53,160
Speaker 1: lifetime like mine.

1029
00:43:53,200 --> 00:43:55,520
Speaker 2: Like I wasn't around for led Zeppelin, right, so like

1030
00:43:55,640 --> 00:43:59,279
Speaker 2: I'm not going to do Robert plant so Jeff Buckley, uh,

1031
00:43:59,480 --> 00:44:00,600
Speaker 2: Steve even Tyler.

1032
00:44:00,960 --> 00:44:03,440
Speaker 1: Yeah, he's awesome, dude. I saw him a concert there

1033
00:44:03,520 --> 00:44:05,960
Speaker 1: or four times in my life. They were awesome. I

1034
00:44:05,960 --> 00:44:08,640
Speaker 1: saw them. They were always old, to be fair, but

1035
00:44:08,719 --> 00:44:10,799
Speaker 1: I saw them old and then really old, and they

1036
00:44:10,800 --> 00:44:11,759
Speaker 1: were even good, really old.

1037
00:44:11,800 --> 00:44:13,600
Speaker 2: Yeah, And that's and that's the thing, like to sing

1038
00:44:13,640 --> 00:44:16,600
Speaker 2: the way he does at that age, and even in

1039
00:44:16,640 --> 00:44:19,040
Speaker 2: like ten years ago, even when Armageddon came out, he

1040
00:44:19,120 --> 00:44:21,719
Speaker 2: wasn't young ten years ago. No, no, no, I'm saying

1041
00:44:21,760 --> 00:44:23,880
Speaker 2: even like when he's saying ten years ago, because I

1042
00:44:23,880 --> 00:44:27,000
Speaker 2: don't know that's almost thirty years ago what Armageddon would think.

1043
00:44:27,040 --> 00:44:28,640
Speaker 3: So I need to look at that.

1044
00:44:28,719 --> 00:44:31,760
Speaker 2: But go ahead, I'm just saying, like from from dream

1045
00:44:31,880 --> 00:44:35,080
Speaker 2: on to like Armageddon, that was a long span of time.

1046
00:44:35,239 --> 00:44:36,000
Speaker 3: Ninety eight.

1047
00:44:37,320 --> 00:44:41,960
Speaker 1: That's crazy, Mike, thirty years ago, that's crazy, and Eddie's

1048
00:44:41,960 --> 00:44:42,439
Speaker 1: Dog Years.

1049
00:44:42,440 --> 00:44:44,239
Speaker 3: It's ten ten years ago.

1050
00:44:44,360 --> 00:44:46,600
Speaker 2: I don't realize you see that movie that came out

1051
00:44:46,640 --> 00:44:47,040
Speaker 2: the other day.

1052
00:44:47,040 --> 00:44:49,080
Speaker 4: It was so good as a forest Gump.

1053
00:44:49,160 --> 00:44:51,280
Speaker 3: It's like last summer.

1054
00:44:51,320 --> 00:44:52,200
Speaker 4: She go check it out?

1055
00:44:52,800 --> 00:44:53,120
Speaker 3: All right?

1056
00:44:53,120 --> 00:44:56,560
Speaker 2: What else you got? Chris Cornell? Chris Cornell do was amazing,

1057
00:44:56,880 --> 00:45:00,080
Speaker 2: Rest in Peace awesome. I never saw him live, but

1058
00:45:00,200 --> 00:45:03,879
Speaker 2: obviously all the stuff on albums and songs really good.

1059
00:45:04,040 --> 00:45:05,440
Speaker 1: Some would say the real star of Temple of the

1060
00:45:05,440 --> 00:45:08,720
Speaker 1: Dog not true. Some would say that would be Eddie Vedder.

1061
00:45:08,719 --> 00:45:10,760
Speaker 1: Some would say, I mean really, Eddieveder was a guest

1062
00:45:10,800 --> 00:45:11,560
Speaker 1: on Temple of the Dog.

1063
00:45:11,640 --> 00:45:14,719
Speaker 2: Hey. Some would say, but my last Eddie Vedder. So

1064
00:45:14,800 --> 00:45:19,359
Speaker 2: I did four four greatest lead singers. Go ahead, Matt, but.

1065
00:45:19,680 --> 00:45:23,840
Speaker 4: You picked four of the greatest alternative singer like dude,

1066
00:45:23,880 --> 00:45:26,839
Speaker 4: singers like you have a very distinct probaps for your

1067
00:45:27,000 --> 00:45:32,759
Speaker 4: your favorite kind of music. I think I think you

1068
00:45:32,800 --> 00:45:40,400
Speaker 4: can't go talking about singers in the last genre like whatever. Yeah,

1069
00:45:40,600 --> 00:45:44,600
Speaker 4: the last several months with without talking about Chris Stapleton.

1070
00:45:45,200 --> 00:45:50,480
Speaker 4: Chris Stapleton is one of the depending on your your

1071
00:45:50,600 --> 00:45:54,320
Speaker 4: flavor of what you like, is is the best singer

1072
00:45:54,360 --> 00:45:57,640
Speaker 4: that we've ever had in country music. Now, there's other

1073
00:45:57,680 --> 00:46:01,120
Speaker 4: people that are as good that do different things, you know, obviously,

1074
00:46:01,680 --> 00:46:06,680
Speaker 4: but I mean you have a whole like everyone tried

1075
00:46:06,680 --> 00:46:08,759
Speaker 4: to sound like and does try to sound like Chris

1076
00:46:08,800 --> 00:46:11,640
Speaker 4: Stable and some people come close, but like he invented

1077
00:46:11,719 --> 00:46:14,279
Speaker 4: a style of country music with how good his voice is.

1078
00:46:14,680 --> 00:46:16,799
Speaker 4: I'll never forget when there was that first time I

1079
00:46:16,840 --> 00:46:20,560
Speaker 4: heard that Steel Driver's record and his voice cuts off

1080
00:46:20,640 --> 00:46:23,279
Speaker 4: that I can't remember if it's which one it is,

1081
00:46:23,320 --> 00:46:26,000
Speaker 4: but when he's singing blue Side of the Mountain and

1082
00:46:26,000 --> 00:46:28,080
Speaker 4: it's nothing but a guitar that his voice comes on,

1083
00:46:28,920 --> 00:46:33,480
Speaker 4: I mean it just it's it's just good on those

1084
00:46:33,480 --> 00:46:37,760
Speaker 4: bluegrass records that are dry, that are like very live sounding,

1085
00:46:37,800 --> 00:46:41,560
Speaker 4: that are not not churched up in any way. It's

1086
00:46:41,640 --> 00:46:45,879
Speaker 4: just like his vocal, I mean he has he has

1087
00:46:45,920 --> 00:46:49,200
Speaker 4: a national anthem that's as good as Whitney Houston style

1088
00:46:49,400 --> 00:46:50,080
Speaker 4: down that Hill.

1089
00:46:50,239 --> 00:46:53,080
Speaker 2: You can listen to that still streaming like so good

1090
00:46:53,160 --> 00:46:53,879
Speaker 2: it's it is.

1091
00:46:55,000 --> 00:46:58,200
Speaker 4: He is one of our special ones.

1092
00:46:59,520 --> 00:47:01,520
Speaker 3: So your list is just best singers of all.

1093
00:47:01,440 --> 00:47:04,279
Speaker 4: Time, Well, I mean that's of my I mean that, but.

1094
00:47:04,239 --> 00:47:05,600
Speaker 3: I did lead singers and bands.

1095
00:47:05,719 --> 00:47:08,120
Speaker 4: Well that's fine. I mean he was awesome as a

1096
00:47:08,160 --> 00:47:08,960
Speaker 4: bluegrass singer.

1097
00:47:09,040 --> 00:47:10,640
Speaker 1: Ye know, I'm just wondering where but he's list is

1098
00:47:10,719 --> 00:47:13,960
Speaker 1: falls because I literally said lead singers. If we were

1099
00:47:13,960 --> 00:47:16,200
Speaker 1: doing best singers, I think I would probably pick different people.

1100
00:47:16,600 --> 00:47:19,040
Speaker 4: Well, okay, he was the best singer in his bluegrass band.

1101
00:47:19,080 --> 00:47:21,000
Speaker 4: He was the best singer. Still Drivers, steel Drivers, He's

1102
00:47:21,080 --> 00:47:21,439
Speaker 4: best singer.

1103
00:47:21,520 --> 00:47:22,120
Speaker 3: I was just asking.

1104
00:47:22,800 --> 00:47:24,759
Speaker 4: I was thinking about best like singer. I wouldn't think

1105
00:47:24,760 --> 00:47:27,839
Speaker 4: about band is in terms of like, oh, I'm glad

1106
00:47:27,840 --> 00:47:31,040
Speaker 4: you stated that literal band. Yeah, like a lead singer.

1107
00:47:31,120 --> 00:47:32,719
Speaker 1: But I did say lead singer when I said the

1108
00:47:32,719 --> 00:47:34,240
Speaker 1: note like a specifically with like lead singers.

1109
00:47:34,239 --> 00:47:36,880
Speaker 4: So now I feel stupid background singers, who I'm about

1110
00:47:36,880 --> 00:47:39,440
Speaker 4: to say next. So I mean I would say this account.

1111
00:47:39,200 --> 00:47:42,000
Speaker 3: Like, No, you just took the category different, and you

1112
00:47:42,000 --> 00:47:43,399
Speaker 3: know what, we.

1113
00:47:43,320 --> 00:47:45,239
Speaker 4: Need to operationalize our definitions.

1114
00:47:45,400 --> 00:47:47,680
Speaker 2: So if you have background singers, you technically haven't.

1115
00:47:47,880 --> 00:47:49,680
Speaker 3: I said best lead singers.

1116
00:47:49,719 --> 00:47:52,920
Speaker 1: I'm just making it apparent that I went with band singers,

1117
00:47:53,040 --> 00:47:55,160
Speaker 1: because obviously I could have picked home run hitters like

1118
00:47:55,160 --> 00:47:58,799
Speaker 1: are with the Franklin Chris Stapleton. But anyway, go ahead, yeah,

1119
00:47:58,840 --> 00:48:00,000
Speaker 1: one more, let me guess barbarstraree.

1120
00:48:01,360 --> 00:48:04,440
Speaker 4: I mean, I guess she's good. Yeah, I'm gonna talk

1121
00:48:04,440 --> 00:48:05,839
Speaker 4: about it. I only get two. I'm gonna talk about

1122
00:48:05,840 --> 00:48:09,440
Speaker 4: Aretha Franklin for a little while. Aretha Franklin is like

1123
00:48:09,600 --> 00:48:14,640
Speaker 4: somehow still underrated for how great she is. And you can, like,

1124
00:48:14,680 --> 00:48:17,920
Speaker 4: if you want to watch how unbelievable she is. She

1125
00:48:18,120 --> 00:48:20,920
Speaker 4: was like seventy years old at that Kennedy Honors thing

1126
00:48:20,960 --> 00:48:23,280
Speaker 4: and you can go watch it and it will change

1127
00:48:23,320 --> 00:48:25,279
Speaker 4: your life. And she did it with a lot of

1128
00:48:25,280 --> 00:48:27,680
Speaker 4: the time, with a cigarette and her piano hand. I mean,

1129
00:48:29,120 --> 00:48:31,239
Speaker 4: she is one of the finest that we've ever had,

1130
00:48:31,280 --> 00:48:34,560
Speaker 4: singing the most like some of the most emotive like

1131
00:48:34,880 --> 00:48:38,719
Speaker 4: sort of gospel soul stuff that there is. So I

1132
00:48:38,760 --> 00:48:39,680
Speaker 4: goes would be my two.

1133
00:48:40,960 --> 00:48:42,520
Speaker 1: I mean I would have picked Otis Ratting if we

1134
00:48:42,520 --> 00:48:44,920
Speaker 1: were just picking like greatest singers, great voice.

1135
00:48:44,840 --> 00:48:45,359
Speaker 4: Otis Red.

1136
00:48:45,440 --> 00:48:50,040
Speaker 3: Yeah, guess live records are so good. But I didn't.

1137
00:48:50,040 --> 00:48:50,839
Speaker 3: I played by the roles.

1138
00:48:50,880 --> 00:48:53,040
Speaker 2: Okay, you want that as your honorable mentions.

1139
00:48:52,800 --> 00:48:55,560
Speaker 3: Now, because I'm not cheating. I'm not cheating. I played

1140
00:48:55,560 --> 00:48:56,279
Speaker 3: by the roles that I made.

1141
00:48:56,320 --> 00:48:59,440
Speaker 1: Though, to be fair, I have Chris Martin from Colplay,

1142
00:49:00,600 --> 00:49:02,719
Speaker 1: one of the best lead singers can Make You Cry

1143
00:49:02,760 --> 00:49:05,239
Speaker 1: played the stupid dance version of it runs around do

1144
00:49:05,280 --> 00:49:08,640
Speaker 1: you think he has a great voice? Yeah, can play

1145
00:49:08,640 --> 00:49:10,680
Speaker 1: the piano, can sit and just play a piano and

1146
00:49:10,719 --> 00:49:14,680
Speaker 1: can also do that, and like has been massive for

1147
00:49:14,719 --> 00:49:17,759
Speaker 1: twenty five years, like since Armagedon, dude's be putting him out.

1148
00:49:18,960 --> 00:49:20,760
Speaker 2: It's just a couple couple of years ago.

1149
00:49:20,880 --> 00:49:24,000
Speaker 1: Just nailing them, Like whenever a Yellow hit and that

1150
00:49:24,120 --> 00:49:25,759
Speaker 1: video was on MTV if I'm walking down the Beach,

1151
00:49:25,800 --> 00:49:27,560
Speaker 1: I was like, this is exactly what I want, what

1152
00:49:27,600 --> 00:49:30,319
Speaker 1: I'm seeking in my life, this kind of sadness. And

1153
00:49:30,440 --> 00:49:33,320
Speaker 1: they have been able to transition to different types of music,

1154
00:49:34,080 --> 00:49:38,360
Speaker 1: adding electronic music, going straight ahead pop, coming back to

1155
00:49:38,400 --> 00:49:40,160
Speaker 1: the piano, like you just don't see that often and

1156
00:49:40,200 --> 00:49:41,960
Speaker 1: he's able to do it, and it feels like it's

1157
00:49:42,000 --> 00:49:44,840
Speaker 1: actually him as the artist, not like a if you

1158
00:49:44,880 --> 00:49:46,759
Speaker 1: look at Adam Levine, I didn't put him on the list.

1159
00:49:46,920 --> 00:49:47,960
Speaker 3: But sometimes I feel.

1160
00:49:47,719 --> 00:49:50,160
Speaker 1: Like they chase pop because they're really good at it,

1161
00:49:50,160 --> 00:49:52,440
Speaker 1: at writing pop songs, so that dude can just do

1162
00:49:52,480 --> 00:50:00,719
Speaker 1: it whatever, like Train, Yeah, Train, Train's awesome though, Train Uh?

1163
00:50:01,320 --> 00:50:04,479
Speaker 1: Pat Monahan, Pat Monahan, that guy can sing.

1164
00:50:04,560 --> 00:50:05,080
Speaker 2: You ever hear him?

1165
00:50:05,080 --> 00:50:05,720
Speaker 3: Dow led Zeppelin.

1166
00:50:06,000 --> 00:50:08,680
Speaker 2: Oh yeah, yeah, we saw him at iHeart Festival. Amazing

1167
00:50:08,719 --> 00:50:09,319
Speaker 2: crush is it?

1168
00:50:09,400 --> 00:50:11,960
Speaker 1: I put Chris Martin because I think it's versatility in

1169
00:50:12,080 --> 00:50:15,640
Speaker 1: their original artistry and he is able to perform all

1170
00:50:15,719 --> 00:50:18,000
Speaker 1: of that and seem authentic A plus. Now go and

1171
00:50:18,040 --> 00:50:19,680
Speaker 1: hate on it. This has turned into the hater fest.

1172
00:50:19,760 --> 00:50:21,120
Speaker 1: This has turned into basically stephen A.

1173
00:50:22,640 --> 00:50:24,239
Speaker 2: Let me tell you what you know what I don't

1174
00:50:24,280 --> 00:50:25,120
Speaker 2: like about Chris Martin.

1175
00:50:27,320 --> 00:50:28,960
Speaker 4: That's wow.

1176
00:50:29,400 --> 00:50:30,840
Speaker 2: Yeah, I'm shocked to I'm shocked by that.

1177
00:50:30,920 --> 00:50:33,520
Speaker 4: Anytime, like I'm gonna sit here as someone who who

1178
00:50:33,600 --> 00:50:38,279
Speaker 4: makes music, who you like, it's gonna sound ridiculous when

1179
00:50:38,320 --> 00:50:41,560
Speaker 4: I'd say, like, have critiques of bands that have sold

1180
00:50:41,560 --> 00:50:42,719
Speaker 4: millions of records.

1181
00:50:42,400 --> 00:50:44,279
Speaker 1: So you're not critiquing the band, you're critiquing my choice

1182
00:50:44,280 --> 00:50:45,440
Speaker 1: to put him as one of the top three of

1183
00:50:45,440 --> 00:50:45,960
Speaker 1: my lifetime.

1184
00:50:46,000 --> 00:50:48,160
Speaker 3: I would as a lead singer, just an lead singer.

1185
00:50:48,239 --> 00:50:50,400
Speaker 4: When I think of cold Play, when I think of

1186
00:50:50,480 --> 00:50:52,760
Speaker 4: what when you go in the studio and you say

1187
00:50:54,760 --> 00:50:59,160
Speaker 4: you reference Coldplay in the studio, it's not to get

1188
00:50:59,560 --> 00:51:02,960
Speaker 4: the vote Coal sounds like they have it. It's to

1189
00:51:03,000 --> 00:51:06,640
Speaker 4: get that beat from clocks. So I don't think of

1190
00:51:06,719 --> 00:51:10,560
Speaker 4: them as like a band that is driven, Like I'm

1191
00:51:10,560 --> 00:51:11,360
Speaker 4: not saying that they're No.

1192
00:51:11,480 --> 00:51:14,520
Speaker 1: Is it not so distinctly vocal though? And isn't that

1193
00:51:14,560 --> 00:51:17,200
Speaker 1: what being a great lead singer is, as one being

1194
00:51:17,200 --> 00:51:22,040
Speaker 1: a great front man but also so distinct vocally. And

1195
00:51:22,120 --> 00:51:24,040
Speaker 1: I think Chris Martin is so distinct there's no you

1196
00:51:24,080 --> 00:51:26,880
Speaker 1: can't fake as him because only he can do what

1197
00:51:26,920 --> 00:51:27,279
Speaker 1: he does.

1198
00:51:27,440 --> 00:51:33,560
Speaker 2: Sometimes I think Matt Carney is him. Yeah, sometimes I

1199
00:51:33,560 --> 00:51:34,680
Speaker 2: think I don't find it.

1200
00:51:34,719 --> 00:51:38,680
Speaker 4: I don't find that vocal. I think the music I

1201
00:51:38,719 --> 00:51:41,600
Speaker 4: don't find that vocal to be what is makes that music.

1202
00:51:41,600 --> 00:51:43,400
Speaker 4: I think those songs and those melodies are great. But

1203
00:51:43,600 --> 00:51:48,200
Speaker 4: like when I'm thinking about great vocalists, I'm just interested that.

1204
00:51:48,320 --> 00:51:50,839
Speaker 4: I'm just interesting that, like you hear it that way?

1205
00:51:50,960 --> 00:51:52,640
Speaker 3: Yeah, because it is so distinct and it makes me

1206
00:51:52,680 --> 00:51:53,440
Speaker 3: feel that's fair.

1207
00:51:53,840 --> 00:51:56,400
Speaker 4: But I would like, well you sun well, Chris Cornell

1208
00:51:56,520 --> 00:51:57,200
Speaker 4: was the right answer.

1209
00:51:57,719 --> 00:52:00,000
Speaker 3: It's not the right answer, Okay, next up, dead Girl.

1210
00:52:03,000 --> 00:52:03,600
Speaker 2: He screams.

1211
00:52:03,640 --> 00:52:04,839
Speaker 3: Have you ever seen Dave Grol live?

1212
00:52:05,360 --> 00:52:07,200
Speaker 2: Can you sing? Yes? Like sing sing?

1213
00:52:07,280 --> 00:52:09,120
Speaker 1: He can sing and he can scream sing because he

1214
00:52:09,160 --> 00:52:12,200
Speaker 1: can control scream. Telling you have you ever seen him live? Yes,

1215
00:52:12,400 --> 00:52:14,520
Speaker 1: I've been to eleven food Fighter shows.

1216
00:52:15,000 --> 00:52:16,680
Speaker 2: Okay, well, I've seen him maybe once.

1217
00:52:18,000 --> 00:52:21,080
Speaker 1: One of the maybe the greatest rock singer I've ever seen.

1218
00:52:21,560 --> 00:52:23,320
Speaker 1: And it's not like I've been to five hundred different

1219
00:52:23,400 --> 00:52:26,200
Speaker 1: rock shows. I think, in my life it's the greatest

1220
00:52:26,239 --> 00:52:27,719
Speaker 1: rock singer I've ever seen. I didn't get to see

1221
00:52:27,800 --> 00:52:31,680
Speaker 1: Kirk Cole band, although they were together up there, Yes

1222
00:52:31,719 --> 00:52:33,879
Speaker 1: they were, because he was the drummer. I think Dave

1223
00:52:33,880 --> 00:52:37,160
Speaker 1: Girl is the greatest rock and roll singer of our lifetime.

1224
00:52:37,360 --> 00:52:40,279
Speaker 1: I think they're the greatest American rock and roll band

1225
00:52:41,160 --> 00:52:41,799
Speaker 1: possibly ever.

1226
00:52:45,880 --> 00:52:48,840
Speaker 3: Are you gonna go with the Eagles? I mean, are

1227
00:52:49,360 --> 00:52:50,160
Speaker 3: are they even rock and roll?

1228
00:52:50,200 --> 00:52:50,600
Speaker 4: Yeah? They are?

1229
00:52:50,600 --> 00:52:51,279
Speaker 2: They're rock and roll?

1230
00:52:51,400 --> 00:52:54,160
Speaker 3: Are they? If they existed today, they'd be a country band?

1231
00:52:55,120 --> 00:52:55,440
Speaker 2: Sure?

1232
00:52:55,760 --> 00:53:03,120
Speaker 1: Crossover food Fighters America's greatest rock band ever. Imagine Dragons,

1233
00:53:03,920 --> 00:53:08,879
Speaker 1: but name the great ones, Rolling Stones, Beatles, No, I.

1234
00:53:08,880 --> 00:53:12,080
Speaker 4: Get that, Oasis, Yeah, for sure, like the greatest America

1235
00:53:12,160 --> 00:53:14,239
Speaker 4: I mean maybe. I mean they've been making music for.

1236
00:53:14,400 --> 00:53:16,600
Speaker 1: I mean, you would put Aerosmith in there, right, yeah, Aerosmith.

1237
00:53:17,000 --> 00:53:19,320
Speaker 1: Obviously you'd put him in there, Jim, No, you wouldn't

1238
00:53:19,320 --> 00:53:20,319
Speaker 1: put Earl jam in there.

1239
00:53:20,360 --> 00:53:22,479
Speaker 4: But also they've been making music for such a long

1240
00:53:22,520 --> 00:53:25,719
Speaker 4: time and sustained great like I could see like it's

1241
00:53:25,760 --> 00:53:29,719
Speaker 4: like a a Lebron versus Jordan argument here they would

1242
00:53:29,719 --> 00:53:32,080
Speaker 4: be the Lebron and that they've done it consistently over

1243
00:53:32,160 --> 00:53:33,240
Speaker 4: for you know, so long.

1244
00:53:34,480 --> 00:53:36,360
Speaker 3: One of my records out front is the Food Fighters.

1245
00:53:36,680 --> 00:53:39,080
Speaker 4: The Food Fighters are great, Like I love the Food Fighters.

1246
00:53:39,080 --> 00:53:39,759
Speaker 4: That's why do you.

1247
00:53:39,800 --> 00:53:45,160
Speaker 1: Change your voice toning. You guys are just picking great singers.

1248
00:53:45,160 --> 00:53:50,000
Speaker 1: I'm picking like distinct and generational success. They've been able

1249
00:53:50,000 --> 00:53:53,640
Speaker 1: to come and do it multiple times differently. I mean,

1250
00:53:53,880 --> 00:53:55,760
Speaker 1: think about this, dude. He's the drummer and the biggest

1251
00:53:55,800 --> 00:53:57,920
Speaker 1: maternity band of all time obviously, and how do you

1252
00:53:57,960 --> 00:53:59,400
Speaker 1: even live up to that? Because every question you're ever

1253
00:53:59,400 --> 00:54:00,759
Speaker 1: going to get for the rest your life is Kirk,

1254
00:54:00,880 --> 00:54:02,880
Speaker 1: You're the drummer and the greatest alternative band of all

1255
00:54:02,920 --> 00:54:04,359
Speaker 1: time at least the one that set it off, that

1256
00:54:04,360 --> 00:54:06,560
Speaker 1: that turned that into Grune and he's been able to

1257
00:54:06,600 --> 00:54:07,719
Speaker 1: take that from No.

1258
00:54:07,800 --> 00:54:08,600
Speaker 2: It really is amazing.

1259
00:54:09,160 --> 00:54:10,120
Speaker 3: When you mentioned Lebron.

1260
00:54:10,320 --> 00:54:12,279
Speaker 1: You can't put Lebron on the cover Sports Illustrated and

1261
00:54:12,320 --> 00:54:14,279
Speaker 1: say he's he's the chosen one. He's never going to

1262
00:54:14,320 --> 00:54:17,440
Speaker 1: meet that except he did Dave Grohl is the lebron

1263
00:54:17,600 --> 00:54:18,960
Speaker 1: of rock music.

1264
00:54:19,160 --> 00:54:21,000
Speaker 2: Are they putting on a new album, dude, I don't know.

1265
00:54:21,040 --> 00:54:22,760
Speaker 2: They keep having I think they have a new album.

1266
00:54:23,160 --> 00:54:26,080
Speaker 1: My other one is atam Durri's kind of cross see

1267
00:54:26,120 --> 00:54:26,879
Speaker 1: to want to tell him.

1268
00:54:26,800 --> 00:54:30,920
Speaker 4: What that's it? Well, I mean when you when you

1269
00:54:30,960 --> 00:54:33,680
Speaker 4: say okay, it has to be a band, then that

1270
00:54:33,840 --> 00:54:34,880
Speaker 4: just changed the dynamic.

1271
00:54:35,000 --> 00:54:37,400
Speaker 3: I said lead singer, so I already said on the changing.

1272
00:54:38,160 --> 00:54:41,400
Speaker 4: Does not necessarily imply like a band.

1273
00:54:41,960 --> 00:54:45,319
Speaker 3: Lead singer means a band, I don't. A singer means

1274
00:54:45,320 --> 00:54:46,640
Speaker 3: a singer, a solo, A.

1275
00:54:46,640 --> 00:54:47,920
Speaker 4: Lead singer in my band?

1276
00:54:48,040 --> 00:54:51,440
Speaker 3: No, you're you're a solo artist. No, you're a solo artist.

1277
00:54:51,520 --> 00:54:53,279
Speaker 3: Well are you a solo artist? Yes or no?

1278
00:54:53,400 --> 00:54:55,600
Speaker 1: Yes, okay, you're a solo artist. What was your band

1279
00:54:55,680 --> 00:54:56,600
Speaker 1: name when you guys were together?

1280
00:54:57,160 --> 00:55:02,200
Speaker 4: The Crashers mess still on the Crasher and there. Yeah.

1281
00:55:02,840 --> 00:55:05,200
Speaker 2: But but see, like Zach Brown band, he would be

1282
00:55:05,200 --> 00:55:06,440
Speaker 2: the lead singer of Zach Brown band.

1283
00:55:06,520 --> 00:55:08,120
Speaker 3: Right, No, I know, I think you only do that though,

1284
00:55:08,120 --> 00:55:09,520
Speaker 3: to know that you can replace all the parts.

1285
00:55:09,520 --> 00:55:12,840
Speaker 1: It's always hostage. You've got your band as a hostage

1286
00:55:12,920 --> 00:55:14,799
Speaker 1: because you can always change them out and nobody knows

1287
00:55:14,840 --> 00:55:17,600
Speaker 1: because they're just known as the band just the freaking Crashers. Yeah,

1288
00:55:17,640 --> 00:55:20,040
Speaker 1: Like I love the Crashers before Matt so I was

1289
00:55:20,040 --> 00:55:21,399
Speaker 1: a big fan before he came in.

1290
00:55:22,080 --> 00:55:24,440
Speaker 4: He just ruined it all with his terrible takes.

1291
00:55:24,920 --> 00:55:27,040
Speaker 5: Let's take a quick pause for a message from our

1292
00:55:27,080 --> 00:55:38,640
Speaker 5: sponsor and we're back on the Bobby Cast.

1293
00:55:39,400 --> 00:55:41,320
Speaker 3: What are you doing now musically, because that's how you

1294
00:55:41,360 --> 00:55:42,120
Speaker 3: put out something new?

1295
00:55:42,239 --> 00:55:46,239
Speaker 4: Yeah, man, I just kind of started a different like

1296
00:55:46,360 --> 00:55:50,680
Speaker 4: project that's a little less uh, a little less anything

1297
00:55:50,760 --> 00:55:53,279
Speaker 4: Like what does that mean? Well, you know, I make

1298
00:55:53,800 --> 00:55:55,880
Speaker 4: music every day that I'm not on the road, and

1299
00:55:55,920 --> 00:55:57,680
Speaker 4: so I turn in like a lot of songs and

1300
00:55:58,000 --> 00:56:00,600
Speaker 4: I just you know, a lot of my life had

1301
00:56:00,680 --> 00:56:05,760
Speaker 4: like spent writing country music, which I love but pointed

1302
00:56:05,760 --> 00:56:07,560
Speaker 4: at a certain thing. But then I was just turning

1303
00:56:07,600 --> 00:56:10,840
Speaker 4: in songs that were not that, and you know, for

1304
00:56:10,880 --> 00:56:16,239
Speaker 4: a while and been past iterations of record deals and

1305
00:56:16,280 --> 00:56:20,480
Speaker 4: stuff like that, that's kind of been like not encouraged, like, well,

1306
00:56:20,520 --> 00:56:22,480
Speaker 4: let's get the next hit, but we're just kind of

1307
00:56:22,560 --> 00:56:24,920
Speaker 4: leaning into some stuff that I'm doing that's not necessarily

1308
00:56:25,040 --> 00:56:25,840
Speaker 4: all that country.

1309
00:56:25,960 --> 00:56:26,720
Speaker 3: How is it different?

1310
00:56:27,440 --> 00:56:29,320
Speaker 1: It's it's it's like Coldplay, and this is why I

1311
00:56:29,400 --> 00:56:31,520
Speaker 1: so upset. It was all blue.

1312
00:56:32,480 --> 00:56:32,960
Speaker 2: It's not.

1313
00:56:36,320 --> 00:56:37,080
Speaker 4: It's a cold Play.

1314
00:56:37,200 --> 00:56:40,040
Speaker 2: Are the Crashers getting back together? Is that what you're saying, Let's.

1315
00:56:39,880 --> 00:56:43,640
Speaker 4: Go with the crew united reunited? Yeah, shout out to

1316
00:56:43,680 --> 00:56:44,320
Speaker 4: some of them.

1317
00:56:44,560 --> 00:56:50,680
Speaker 1: Uh, documentary they broke out, it was I just got

1318
00:56:50,680 --> 00:56:52,960
Speaker 1: it coming out pretty soon now.

1319
00:56:53,000 --> 00:56:55,279
Speaker 4: It's called The Drift, yeah, and it's kind of that, man.

1320
00:56:55,520 --> 00:56:56,560
Speaker 3: The Drift is the song.

1321
00:56:56,800 --> 00:56:59,399
Speaker 4: The song is the project. The project is called The Drift. Yeah.

1322
00:56:59,400 --> 00:57:01,719
Speaker 4: The so called Sugarcoat that's the first single off of it.

1323
00:57:01,920 --> 00:57:03,200
Speaker 3: So the album is called The Drift.

1324
00:57:03,320 --> 00:57:04,720
Speaker 4: Yeah, well the project that I'm.

1325
00:57:04,560 --> 00:57:07,680
Speaker 3: Doing talking like an alien right now?

1326
00:57:07,719 --> 00:57:09,960
Speaker 1: Yeah, exactly are you doing Chris for you to get

1327
00:57:10,000 --> 00:57:11,000
Speaker 1: Are you doing Chris Gaines?

1328
00:57:11,480 --> 00:57:14,279
Speaker 4: No, No, I'm not going I'm not doing. It's not

1329
00:57:14,320 --> 00:57:17,520
Speaker 4: a joke like I'm I'm I'm being I'm doing some

1330
00:57:17,520 --> 00:57:19,560
Speaker 4: different stuff. I was being creative in a different way.

1331
00:57:19,760 --> 00:57:22,920
Speaker 4: And uh, you know, it's like I'm using some some

1332
00:57:25,200 --> 00:57:28,919
Speaker 4: digital sounds that are just kind of a low five,

1333
00:57:28,960 --> 00:57:30,880
Speaker 4: gritty kind of thing. It's it's I don't like talking

1334
00:57:30,880 --> 00:57:33,720
Speaker 4: about it. Like it's two minutes and fifty seconds. You

1335
00:57:33,720 --> 00:57:36,920
Speaker 4: should just go listen. To the verse and chorus, and see.

1336
00:57:37,120 --> 00:57:39,520
Speaker 1: I don't like talking about it, but we're talking about it. Yeah,

1337
00:57:39,520 --> 00:57:40,800
Speaker 1: and you're going to be asked and you're going to

1338
00:57:40,880 --> 00:57:41,520
Speaker 1: want to talk about it.

1339
00:57:41,720 --> 00:57:43,720
Speaker 4: Yeah, but like, okay, here's what happens. It's like, well,

1340
00:57:43,760 --> 00:57:45,160
Speaker 4: what does this sound like? And then I have to

1341
00:57:45,240 --> 00:57:47,680
Speaker 4: like name the best bands ever? Oh? I sound like

1342
00:57:47,760 --> 00:57:49,760
Speaker 4: Fergy and Jesus. You know. It's like, no, I made

1343
00:57:49,800 --> 00:57:51,920
Speaker 4: I made a new project that I'm really proud of.

1344
00:57:51,960 --> 00:57:52,560
Speaker 4: That's uh.

1345
00:57:52,720 --> 00:57:54,120
Speaker 3: Is that a band? Fergie and Jesus?

1346
00:57:54,920 --> 00:57:59,760
Speaker 4: Yeah, you've never heard of Fergie and Jesus.

1347
00:57:59,520 --> 00:58:00,960
Speaker 2: No separately of the two people.

1348
00:58:01,040 --> 00:58:04,720
Speaker 3: Yeah, everybody Black Eyed Peas and Jesus Christ. I didn't

1349
00:58:04,720 --> 00:58:05,400
Speaker 3: know they clapped.

1350
00:58:06,200 --> 00:58:07,440
Speaker 4: Are you all being serious right now?

1351
00:58:07,520 --> 00:58:07,720
Speaker 2: Dude?

1352
00:58:07,720 --> 00:58:09,160
Speaker 3: We're not as cool as what are you talking?

1353
00:58:09,360 --> 00:58:12,360
Speaker 4: These step brothers? You sound like a mixture of Friggie

1354
00:58:12,360 --> 00:58:12,840
Speaker 4: and Jesus.

1355
00:58:13,320 --> 00:58:16,640
Speaker 2: Okay, guy reference, Sorry, what's going on?

1356
00:58:16,800 --> 00:58:19,880
Speaker 4: Dude? Hell these guys that's not even.

1357
00:58:19,680 --> 00:58:21,280
Speaker 3: The best sing are we the Franklin?

1358
00:58:21,360 --> 00:58:24,360
Speaker 2: I'd say the last three minutes, I'm very confused by

1359
00:58:24,400 --> 00:58:24,680
Speaker 2: all of it.

1360
00:58:24,760 --> 00:58:26,439
Speaker 4: Yeah. Man, I've got a new project I'm pumped about.

1361
00:58:26,440 --> 00:58:28,760
Speaker 3: It's called The Drift and the project is not the

1362
00:58:28,800 --> 00:58:29,760
Speaker 3: album nor it's the song.

1363
00:58:30,040 --> 00:58:32,720
Speaker 4: The song that the song The Drift just did mass Stell.

1364
00:58:33,080 --> 00:58:35,960
Speaker 4: The Drift is called Sugarcoat. Yeah, it's out.

1365
00:58:37,600 --> 00:58:38,560
Speaker 2: And we can listen to it.

1366
00:58:38,880 --> 00:58:41,200
Speaker 4: Yeah. Yeah, you can listen to it.

1367
00:58:41,160 --> 00:58:43,440
Speaker 3: Like literally, are do we just feel it?

1368
00:58:43,760 --> 00:58:43,920
Speaker 4: Like it?

1369
00:58:44,000 --> 00:58:45,480
Speaker 3: Just turn it on and there's no sound that comes out.

1370
00:58:45,880 --> 00:58:48,280
Speaker 4: Well, we'll get down cold Play to sing it. Maybe

1371
00:58:48,280 --> 00:58:50,240
Speaker 4: you'll lie God.

1372
00:58:50,720 --> 00:58:54,320
Speaker 1: So the name of the song is Sugarcoat, and the

1373
00:58:54,360 --> 00:58:56,880
Speaker 1: project is well, the project is The Drift, but it's

1374
00:58:56,880 --> 00:58:57,760
Speaker 1: not the album The Drift.

1375
00:58:58,080 --> 00:58:59,000
Speaker 4: Yeah, exactly.

1376
00:58:59,240 --> 00:59:00,520
Speaker 3: Are you still going to play all the hits?

1377
00:59:00,640 --> 00:59:03,600
Speaker 4: Yeah, I'm lucky to have hits. I'm glad to play them,

1378
00:59:03,640 --> 00:59:08,400
Speaker 4: but ill, but I'm also uh excited to do different stuff.

1379
00:59:08,480 --> 00:59:10,600
Speaker 4: I got into this to like be creative, and I've

1380
00:59:10,640 --> 00:59:12,880
Speaker 4: got people around me They're like, hey, man, go be creative,

1381
00:59:12,920 --> 00:59:16,240
Speaker 4: So I am. It's yeah. So this project is, uh,

1382
00:59:16,400 --> 00:59:18,000
Speaker 4: this is the first song off of it, so.

1383
00:59:18,560 --> 00:59:20,640
Speaker 3: I feel like we're playing it all right here it.

1384
00:59:20,520 --> 00:59:24,000
Speaker 4: Is, Yeah, exactly insert here.

1385
00:59:24,120 --> 00:59:28,120
Speaker 3: What song do you play first when you do a show? Like,

1386
00:59:28,120 --> 00:59:29,200
Speaker 3: do you hit him with a hit first?

1387
00:59:29,640 --> 00:59:32,120
Speaker 4: I hit him with a hit early. So both of

1388
00:59:32,160 --> 00:59:38,160
Speaker 4: my like quote unquote hits are mid mid tempo or ballads,

1389
00:59:38,440 --> 00:59:39,760
Speaker 4: So you got it's hard to come out of the

1390
00:59:39,760 --> 00:59:41,720
Speaker 4: gate with that. So I come out of the gate

1391
00:59:41,760 --> 00:59:46,120
Speaker 4: with with a couple like up tempo you know, songs

1392
00:59:46,120 --> 00:59:50,360
Speaker 4: that we had, and then I go quickly into uh everywhere.

1393
00:59:50,440 --> 00:59:53,280
Speaker 4: But on Are you familiar with a primacy recncy effect?

1394
00:59:54,360 --> 00:59:57,960
Speaker 1: Yeah, I am, But tell him, no, what is it about?

1395
00:59:58,800 --> 01:00:01,040
Speaker 1: I read about it last n from step brother.

1396
01:00:03,480 --> 01:00:06,680
Speaker 4: Privacy Recentcy effect is you'll remember the first thing you

1397
01:00:06,720 --> 01:00:09,080
Speaker 4: heard in the last thing you heard more so than

1398
01:00:09,080 --> 01:00:12,360
Speaker 4: anything in the middle. So when you have things that

1399
01:00:12,840 --> 01:00:15,840
Speaker 4: like I have like two hits, you know quote unquote

1400
01:00:16,200 --> 01:00:18,920
Speaker 4: you play play it first, play it last, and everything

1401
01:00:18,920 --> 01:00:21,919
Speaker 4: in the middle. You know you kind of uh free

1402
01:00:21,960 --> 01:00:23,880
Speaker 4: to try to catch attention, but you put those are

1403
01:00:23,880 --> 01:00:25,840
Speaker 4: the those are the prime real estate in a set

1404
01:00:25,920 --> 01:00:26,919
Speaker 4: or in anything that you're doing.

1405
01:00:27,440 --> 01:00:29,320
Speaker 3: I feel like you have more than two hits.

1406
01:00:29,680 --> 01:00:31,400
Speaker 4: Well, I mean I had two number ones at radio.

1407
01:00:31,520 --> 01:00:33,480
Speaker 4: I had you know, I've had you know a couple

1408
01:00:33,440 --> 01:00:34,040
Speaker 4: of other things.

1409
01:00:34,120 --> 01:00:36,400
Speaker 2: Yeah, do you play do you play your Mama's House

1410
01:00:36,400 --> 01:00:36,720
Speaker 2: at all?

1411
01:00:37,920 --> 01:00:39,080
Speaker 4: Jam?

1412
01:00:39,120 --> 01:00:39,280
Speaker 2: Oh?

1413
01:00:39,400 --> 01:00:40,080
Speaker 4: Yeah, I play it.

1414
01:00:40,120 --> 01:00:42,000
Speaker 1: You had to think about that, just said, yeah, it

1415
01:00:42,080 --> 01:00:43,920
Speaker 1: is he freaking makes a Fergie and Jesus reference.

1416
01:00:43,960 --> 01:00:45,960
Speaker 3: I don't remember a song that we wrote that together.

1417
01:00:46,080 --> 01:00:47,720
Speaker 4: Yeah, will you tell you how the second verse of

1418
01:00:47,760 --> 01:00:48,040
Speaker 4: it too?

1419
01:00:48,080 --> 01:00:50,000
Speaker 2: By the way, Yeah, were you mad about that?

1420
01:00:50,080 --> 01:00:52,720
Speaker 4: Yeah? I was mad about that. Did you even consult

1421
01:00:52,800 --> 01:00:55,520
Speaker 4: your creatives about that? You just made a wholesale change?

1422
01:00:55,720 --> 01:00:57,080
Speaker 2: I was like, that was a time. It was just

1423
01:00:57,120 --> 01:00:57,560
Speaker 2: a time.

1424
01:00:57,600 --> 01:00:59,320
Speaker 4: I felt like that was just an awful That's just

1425
01:00:59,360 --> 01:01:01,600
Speaker 4: a shitty way to be a band leader, Like, you know,

1426
01:01:01,680 --> 01:01:03,040
Speaker 4: we're not you're not being collaborative.

1427
01:01:03,200 --> 01:01:05,760
Speaker 2: Oh the lead singer. He's going after the lead singer.

1428
01:01:06,000 --> 01:01:10,080
Speaker 3: That's why the Crashers never bad leadership.

1429
01:01:10,960 --> 01:01:13,200
Speaker 1: Prayed for You one hundred and thirty eight million streams

1430
01:01:13,240 --> 01:01:16,040
Speaker 1: just on one of these services everywhere, but on sixty

1431
01:01:16,040 --> 01:01:18,360
Speaker 1: four million streams. But breaking in Boots, I know that song.

1432
01:01:18,600 --> 01:01:19,040
Speaker 3: Mm hmm.

1433
01:01:19,640 --> 01:01:19,960
Speaker 4: I know.

1434
01:01:20,360 --> 01:01:22,080
Speaker 1: You have like four or five songs that I think

1435
01:01:22,800 --> 01:01:24,480
Speaker 1: Jen Pop would know, and then your fans would know

1436
01:01:24,520 --> 01:01:25,120
Speaker 1: some of the other ones.

1437
01:01:25,240 --> 01:01:28,120
Speaker 4: Yeah. I mean, so that's how like, obviously you play

1438
01:01:28,520 --> 01:01:31,200
Speaker 4: the biggest thing last so that people don't go home

1439
01:01:31,600 --> 01:01:34,240
Speaker 4: after you play Pray for You, and then the first

1440
01:01:34,240 --> 01:01:37,000
Speaker 4: thing is the kind of to kind of get the attention.

1441
01:01:37,040 --> 01:01:38,880
Speaker 4: You played the next biggest hit and then you kind

1442
01:01:38,880 --> 01:01:40,640
Speaker 4: of sport you sort of put them in if this

1443
01:01:40,720 --> 01:01:43,320
Speaker 4: makes sense, like like you do lug like you tighten

1444
01:01:43,400 --> 01:01:45,920
Speaker 4: lug nuts. You don't go in order with the hits.

1445
01:01:45,960 --> 01:01:49,280
Speaker 4: You go first, last, middle front, middle back. You know

1446
01:01:49,320 --> 01:01:51,560
Speaker 4: what I'm saying? Like that way we lost you with

1447
01:01:51,600 --> 01:01:51,959
Speaker 4: the drift.

1448
01:01:52,080 --> 01:01:54,480
Speaker 2: Yeah, what's your thing called? Where you remember the beginning

1449
01:01:54,480 --> 01:01:54,800
Speaker 2: of the end?

1450
01:01:54,920 --> 01:02:00,840
Speaker 1: Privacy recent racency, no privacy, racist, privacy, racency, can see racist?

1451
01:02:01,600 --> 01:02:01,920
Speaker 2: Got it?

1452
01:02:02,040 --> 01:02:06,640
Speaker 3: Prim got it?

1453
01:02:07,480 --> 01:02:11,320
Speaker 1: Okay, boys, Matt, thanks for coming by. I want to

1454
01:02:11,360 --> 01:02:13,920
Speaker 1: finish on this. I like to shout out to the

1455
01:02:13,960 --> 01:02:16,840
Speaker 1: band Perry. I believe we just saw one of the

1456
01:02:16,880 --> 01:02:21,400
Speaker 1: cleanest transitions in band history. Because the band Perry launches,

1457
01:02:21,920 --> 01:02:25,280
Speaker 1: they are everywhere. They got massive songs When I Die Young,

1458
01:02:25,480 --> 01:02:27,160
Speaker 1: If I Die Young, whatever, that song is crazy.

1459
01:02:27,880 --> 01:02:28,120
Speaker 2: Yeah.

1460
01:02:28,160 --> 01:02:30,320
Speaker 1: So they have multiple number one hits and they decide

1461
01:02:30,720 --> 01:02:32,480
Speaker 1: we're gonna go do some different. Then they break up

1462
01:02:32,760 --> 01:02:34,280
Speaker 1: and they decided we're not going to play for a while.

1463
01:02:34,320 --> 01:02:36,720
Speaker 1: And it's Kimberly Perry, who I really like, and her

1464
01:02:36,760 --> 01:02:39,040
Speaker 1: two brothers and they're done, and all of a sudden

1465
01:02:39,040 --> 01:02:41,200
Speaker 1: they come back and here they are the band Perry

1466
01:02:41,440 --> 01:02:42,160
Speaker 1: is back.

1467
01:02:42,280 --> 01:02:43,040
Speaker 3: It's Kimberly.

1468
01:02:43,560 --> 01:02:46,880
Speaker 1: It's one of her brothers, and it's her husband, and

1469
01:02:46,880 --> 01:02:49,840
Speaker 1: and so he's got blonde Harry singer songwriter, you know, okay,

1470
01:02:49,920 --> 01:02:51,920
Speaker 1: And I'm like, oh this is this works. It's Kimberly,

1471
01:02:52,000 --> 01:02:54,360
Speaker 1: it's brother because it's like Matt still in the Crashers.

1472
01:02:54,360 --> 01:02:56,200
Speaker 1: All you need is the lead and you got it.

1473
01:02:56,400 --> 01:03:00,840
Speaker 1: Who cares about the Crashers? Well, I mean, so.

1474
01:03:00,240 --> 01:03:02,440
Speaker 3: She's there, one member and a husband.

1475
01:03:02,440 --> 01:03:03,880
Speaker 1: And the husband looked just like one of the other

1476
01:03:03,880 --> 01:03:06,240
Speaker 1: brothers anyway, because he died his hair blonde or maybe

1477
01:03:06,240 --> 01:03:06,800
Speaker 1: it was blonde.

1478
01:03:06,840 --> 01:03:07,560
Speaker 2: Was he always blonde?

1479
01:03:08,800 --> 01:03:10,040
Speaker 4: I think he was blond when I met him.

1480
01:03:10,040 --> 01:03:10,920
Speaker 2: Here love it.

1481
01:03:11,360 --> 01:03:14,160
Speaker 1: Then the other brother leaves, so now it's the band

1482
01:03:14,160 --> 01:03:15,480
Speaker 1: Perry is just Kimberly and her husband.

1483
01:03:15,600 --> 01:03:16,000
Speaker 2: Just a couple.

1484
01:03:16,440 --> 01:03:17,040
Speaker 3: Genius.

1485
01:03:17,320 --> 01:03:18,920
Speaker 1: And if this was a plan the whole time to

1486
01:03:19,000 --> 01:03:23,160
Speaker 1: make that the band piri a plus strategy. You got

1487
01:03:23,200 --> 01:03:25,680
Speaker 1: the brothers to jump in for a second. I'm gonna ahead,

1488
01:03:25,800 --> 01:03:29,680
Speaker 1: check out. And it went close enough to the band Perry.

1489
01:03:29,800 --> 01:03:31,640
Speaker 1: They came back, and now you just kick the brother out.

1490
01:03:31,640 --> 01:03:32,240
Speaker 1: That's what the husband.

1491
01:03:32,280 --> 01:03:32,680
Speaker 2: She's back.

1492
01:03:32,840 --> 01:03:37,000
Speaker 4: It's a plus, hey, man, so along those lines speaking

1493
01:03:37,000 --> 01:03:41,080
Speaker 4: of a plus. A year or two ago, I was

1494
01:03:41,120 --> 01:03:45,120
Speaker 4: playing a music festival and Leonard Skinner was headlining it.

1495
01:03:45,920 --> 01:03:51,160
Speaker 4: And as we were getting close to the show about

1496
01:03:51,200 --> 01:03:53,560
Speaker 4: I mean maybe like a month or so before I

1497
01:03:53,600 --> 01:03:58,120
Speaker 4: see like the kirn or my social media says so

1498
01:03:58,160 --> 01:04:02,240
Speaker 4: and so, last remaining survived, last remaining member of Leonard

1499
01:04:02,280 --> 01:04:06,720
Speaker 4: Skinner passes away and you know we're having to open

1500
01:04:06,760 --> 01:04:10,680
Speaker 4: a show for them. But it's like the lead singer

1501
01:04:10,760 --> 01:04:14,200
Speaker 4: has been his brother for twenty something years now, right,

1502
01:04:14,640 --> 01:04:18,520
Speaker 4: so they have gone the full like one step past

1503
01:04:18,600 --> 01:04:22,040
Speaker 4: the Bend Perry where they replaced like literally every single

1504
01:04:22,120 --> 01:04:25,400
Speaker 4: member has been replaced, like they didn't know that. Yeah,

1505
01:04:25,440 --> 01:04:29,120
Speaker 4: there's not an original one, not one original member, not one.

1506
01:04:29,240 --> 01:04:31,840
Speaker 2: There's one guy that looks really old and they kind

1507
01:04:31,840 --> 01:04:34,040
Speaker 2: of make it seem like he's the last one.

1508
01:04:34,400 --> 01:04:36,360
Speaker 4: The last one. This was a year or two ago,

1509
01:04:36,440 --> 01:04:39,080
Speaker 4: the last one that passed away had passed. Because I

1510
01:04:39,080 --> 01:04:41,080
Speaker 4: was like, we're opening up for like Leonard Skinner LLC.

1511
01:04:42,080 --> 01:04:45,160
Speaker 4: Like ye now you know, and what I can't remember?

1512
01:04:45,200 --> 01:04:48,080
Speaker 4: I get all the brothers confused, Johnny, Donnie, Ronnie, which

1513
01:04:48,120 --> 01:04:52,240
Speaker 4: one it is right now? But he's he's been singing

1514
01:04:52,280 --> 01:04:55,080
Speaker 4: for twenty something years and he sounds like that and

1515
01:04:55,120 --> 01:04:57,120
Speaker 4: they're rocking out and doing their thing. But that, yeah,

1516
01:04:57,200 --> 01:04:59,040
Speaker 4: like there's there's literally none of them.

1517
01:04:59,480 --> 01:05:01,080
Speaker 2: Are you from with the ship of thesis?

1518
01:05:02,680 --> 01:05:02,720
Speaker 6: No?

1519
01:05:03,200 --> 01:05:06,240
Speaker 4: Nothing? Nice dude? Yeah?

1520
01:05:06,320 --> 01:05:07,040
Speaker 3: Yeah.

1521
01:05:07,080 --> 01:05:09,360
Speaker 1: So the whole theory is is it the same boat

1522
01:05:09,680 --> 01:05:11,080
Speaker 1: if all the parts have been replaced?

1523
01:05:11,280 --> 01:05:11,520
Speaker 4: Right?

1524
01:05:11,800 --> 01:05:14,000
Speaker 3: Because over time.

1525
01:05:13,800 --> 01:05:16,200
Speaker 1: They constantly have to move things off and on a ship,

1526
01:05:16,280 --> 01:05:18,160
Speaker 1: parts change it out. So is it the same boat

1527
01:05:18,160 --> 01:05:19,880
Speaker 1: when it started that if they've had to repair it

1528
01:05:19,920 --> 01:05:23,000
Speaker 1: and everything on the ship is new, but it was

1529
01:05:23,000 --> 01:05:25,120
Speaker 1: all connected to other parts at some point, is that

1530
01:05:25,240 --> 01:05:26,200
Speaker 1: still the same ship?

1531
01:05:26,560 --> 01:05:30,720
Speaker 4: This is the argument, the continuation argument for consciousness. If

1532
01:05:30,760 --> 01:05:36,600
Speaker 4: you replaced individually every neuron in your brain, one after one.

1533
01:05:36,800 --> 01:05:38,400
Speaker 3: After another, though not all at once, that would be

1534
01:05:38,400 --> 01:05:38,760
Speaker 3: a whole.

1535
01:05:38,640 --> 01:05:42,760
Speaker 4: Different That's the continuity part of because really all of

1536
01:05:42,800 --> 01:05:45,560
Speaker 4: our cells are brand new after from like six to

1537
01:05:45,600 --> 01:05:48,320
Speaker 4: eighteen months. We're not the same. So it's not that

1538
01:05:48,360 --> 01:05:50,800
Speaker 4: we have the same cell it's that we have continuously

1539
01:05:51,240 --> 01:05:53,920
Speaker 4: replaced them at a certain rate, and some rate is

1540
01:05:54,040 --> 01:05:56,440
Speaker 4: okay enough below a threshold to do that.

1541
01:05:56,560 --> 01:05:58,280
Speaker 3: Our body is Leonard skinned, is what you're saying.

1542
01:05:58,320 --> 01:06:01,800
Speaker 4: Exactly? Exactly and this bird you cannot change.

1543
01:06:05,040 --> 01:06:05,480
Speaker 2: Perfect.

1544
01:06:05,520 --> 01:06:09,080
Speaker 1: All right, that's it, Thank you all for being here.

1545
01:06:09,560 --> 01:06:13,280
Speaker 1: Check out Matt Stell's new project called the Drift. But

1546
01:06:13,320 --> 01:06:16,520
Speaker 1: if I just searched the drift Matt Stell, what comes up?

1547
01:06:17,120 --> 01:06:18,720
Speaker 4: The sugarcoat will come up?

1548
01:06:18,800 --> 01:06:21,080
Speaker 2: Or do we look up just Matt Stell and there

1549
01:06:21,120 --> 01:06:21,560
Speaker 2: it will be?

1550
01:06:21,680 --> 01:06:24,320
Speaker 4: There, it will be. You can't you can't run into

1551
01:06:24,360 --> 01:06:27,320
Speaker 4: me digitally right now and not come into contact with

1552
01:06:27,360 --> 01:06:27,760
Speaker 4: the drift.

1553
01:06:28,640 --> 01:06:31,720
Speaker 1: So why'd you call it the drift? Because you're drifting

1554
01:06:31,720 --> 01:06:32,919
Speaker 1: from what people know you as.

1555
01:06:33,200 --> 01:06:33,880
Speaker 4: Yeah, a little bit.

1556
01:06:34,280 --> 01:06:36,240
Speaker 2: Yeah, well, I feel like that would be perfect.

1557
01:06:36,560 --> 01:06:38,080
Speaker 3: How about the drifters.

1558
01:06:39,160 --> 01:06:43,560
Speaker 2: Boo speaking they played the other day at a football game,

1559
01:06:43,600 --> 01:06:45,920
Speaker 2: like halftime. It can't be the same, guys. It was

1560
01:06:45,960 --> 01:06:47,320
Speaker 2: like two two original.

1561
01:06:48,080 --> 01:06:50,080
Speaker 4: Speaking of check me out on the halftime show the

1562
01:06:50,080 --> 01:06:52,520
Speaker 4: Liberty Bowl this year on your ESPN dial.

1563
01:06:52,680 --> 01:06:55,479
Speaker 1: Oh cool, Arkansas didn't make it. That's usually our ball games.

1564
01:06:55,520 --> 01:06:56,760
Speaker 1: They brought the Arcans into play it.

1565
01:06:56,920 --> 01:06:58,520
Speaker 4: This is the closest thing to getting a razor back

1566
01:06:58,560 --> 01:07:00,960
Speaker 4: at the Liberty Bowl. Keeping the streak.

1567
01:07:00,960 --> 01:07:04,680
Speaker 1: All right, Go check out Matt Stell and the Drift

1568
01:07:05,600 --> 01:07:06,400
Speaker 1: and Sugarcoats.

1569
01:07:06,480 --> 01:07:07,080
Speaker 3: The song.

1570
01:07:09,320 --> 01:07:11,000
Speaker 2: This is it. That's it, this is the project.

1571
01:07:11,080 --> 01:07:14,400
Speaker 3: Yeah yeah, all right, let's listen now here we are

1572
01:07:14,400 --> 01:07:21,439
Speaker 3: B ninety five. Dang, he said, get it.

1573
01:07:21,560 --> 01:07:22,960
Speaker 1: The weirdest thing is when you have to listen to

1574
01:07:23,040 --> 01:07:24,800
Speaker 1: music in front of people, oh dude, because you have

1575
01:07:24,800 --> 01:07:26,200
Speaker 1: to like nod your head and neck like you're feeling it,

1576
01:07:26,200 --> 01:07:27,920
Speaker 1: even though if you don't normally listen to music like that,

1577
01:07:28,800 --> 01:07:30,560
Speaker 1: because when I really like something, I don't nod my

1578
01:07:30,600 --> 01:07:31,280
Speaker 1: head and feel it.

1579
01:07:31,600 --> 01:07:32,760
Speaker 2: We did that with Steven Tyler.

1580
01:07:33,440 --> 01:07:37,760
Speaker 1: I don't remember. I blocked it out trauma. He was like, yeah,

1581
01:07:38,480 --> 01:07:41,800
Speaker 1: churching it up. Yeah, yeah, okay, Matt, good to see buddy.

1582
01:07:41,800 --> 01:07:43,720
Speaker 1: Thanks for coming in, Eddie.

1583
01:07:44,080 --> 01:07:45,120
Speaker 2: I'll see you tomorrow.

1584
01:07:45,160 --> 01:07:46,200
Speaker 3: Good job everybody.

1585
01:07:46,320 --> 01:07:47,640
Speaker 4: All right, we'll see where your shoes.

1586
01:07:47,880 --> 01:07:52,000
Speaker 1: They're in the front. Like literally, just got this carpet

1587
01:07:52,040 --> 01:07:52,320
Speaker 1: moved in.

1588
01:07:53,600 --> 01:07:56,120
Speaker 4: Have you considered dumping a hot, steaming pot of coffee

1589
01:07:56,160 --> 01:08:01,160
Speaker 4: on the carpet. I'm gonna autograph this day.

1590
01:08:01,440 --> 01:08:02,240
Speaker 3: All right, Matt's doll.

1591
01:08:02,280 --> 01:08:06,160
Speaker 5: Everybody, thanks for listening to a Bobby Cast production.