WEBVTT - Episode 360 w/ Wiz Khalifa

0:00:11.240 --> 0:00:15.320
<v Speaker 1>And this drinks Chests motherfucking podcast makes He's a legends

0:00:15.320 --> 0:00:17.720
<v Speaker 1>every queens rapper. He's agreed as your boy in.

0:00:17.760 --> 0:00:20.919
<v Speaker 2>O R He's a Miami hip hop Mayonnaier put up

0:00:20.920 --> 0:00:22.079
<v Speaker 2>as DJ E f N.

0:00:22.239 --> 0:00:23.960
<v Speaker 3>Together they drink it up with some.

0:00:23.960 --> 0:00:25.640
<v Speaker 1>Of the biggest players, you know what I mean.

0:00:25.760 --> 0:00:30.040
<v Speaker 3>And the most professional unprofessional podcast and your number one

0:00:30.120 --> 0:00:33.200
<v Speaker 3>source for drunk fast drink chans most.

0:00:32.600 --> 0:00:33.760
<v Speaker 1>Every day is New Year's e.

0:00:34.000 --> 0:00:38.000
<v Speaker 3>Listen, it's time for drink Champs. Drink up, mother mother.

0:00:44.159 --> 0:00:45.600
<v Speaker 3>I wrapped the gang gag?

0:00:45.920 --> 0:00:47.640
<v Speaker 1>What a good beat? How many swinter ship? This is

0:00:47.640 --> 0:00:49.560
<v Speaker 1>your boy in O R E? What up is DJ

0:00:49.720 --> 0:00:51.599
<v Speaker 1>E f N? And this drink Champs japy. I will

0:00:51.680 --> 0:00:57.800
<v Speaker 1>makes up all right now, right now. When we started

0:00:57.840 --> 0:01:00.400
<v Speaker 1>this show, I wanted this brother on this show. I've

0:01:00.440 --> 0:01:03.520
<v Speaker 1>got to see him from one of his first shows

0:01:03.520 --> 0:01:06.040
<v Speaker 1>in New York to hear. I don't know if you

0:01:06.080 --> 0:01:07.960
<v Speaker 1>remember the story. We'll get to that later. Hold on,

0:01:08.000 --> 0:01:10.920
<v Speaker 1>let me get to that later. But I want to

0:01:10.959 --> 0:01:14.080
<v Speaker 1>show but this brother here. If you put George Clinton,

0:01:14.880 --> 0:01:18.880
<v Speaker 1>Willie Nelson, Snoop Dogg and put a little bit of

0:01:18.920 --> 0:01:22.520
<v Speaker 1>the beast voice in there, we'll all feel good. Music

0:01:23.200 --> 0:01:26.800
<v Speaker 1>This is what this brother would be. He has relentless

0:01:26.840 --> 0:01:30.360
<v Speaker 1>and I can see him and I've never honestly say,

0:01:30.360 --> 0:01:32.080
<v Speaker 1>I don't think i've ever seen him mad. I think

0:01:32.120 --> 0:01:36.759
<v Speaker 1>I actually see he actually enjoys life. He's mad. He's

0:01:36.760 --> 0:01:41.800
<v Speaker 1>been on a crazy mixtape. Run to all of his accolades,

0:01:42.120 --> 0:01:45.039
<v Speaker 1>to all of his things and things and things and things,

0:01:45.280 --> 0:01:45.520
<v Speaker 1>and he.

0:01:45.560 --> 0:01:50.520
<v Speaker 2>Got all types of clothing lines, Khalifa cushions and all

0:01:50.600 --> 0:01:52.240
<v Speaker 2>this liquors and liquors.

0:01:52.680 --> 0:01:53.600
<v Speaker 1>He's an entrepreneur.

0:01:53.640 --> 0:01:54.720
<v Speaker 3>He's the first Stoner to.

0:01:54.680 --> 0:01:56.040
<v Speaker 1>Come here on time.

0:01:56.840 --> 0:01:59.280
<v Speaker 3>Excuse me, he came early.

0:01:59.560 --> 0:02:01.200
<v Speaker 1>I was still get my hair cuts, like, oh, this

0:02:01.240 --> 0:02:03.320
<v Speaker 1>is the first time. And when I gave him a fire,

0:02:03.360 --> 0:02:05.440
<v Speaker 1>he said, because I'm a businessman. Nor In case you

0:02:05.440 --> 0:02:07.000
<v Speaker 1>don't know who were talking about, we talking about the one,

0:02:07.120 --> 0:02:08.560
<v Speaker 1>the only motherfucking.

0:02:12.880 --> 0:02:13.440
<v Speaker 3>What's cracking.

0:02:13.639 --> 0:02:15.600
<v Speaker 1>Yes, yes, yes, my brother. Thank you for being here.

0:02:15.639 --> 0:02:16.480
<v Speaker 4>Thank you for having me.

0:02:17.000 --> 0:02:19.000
<v Speaker 1>One of one of the first shows I believe that

0:02:19.040 --> 0:02:20.280
<v Speaker 1>you had in New York. I don't know if it

0:02:20.360 --> 0:02:22.280
<v Speaker 1>was the first show, but I think it was like

0:02:22.320 --> 0:02:23.360
<v Speaker 1>one of your top five.

0:02:23.480 --> 0:02:24.320
<v Speaker 3>It was the first show.

0:02:24.360 --> 0:02:25.240
<v Speaker 1>It was the first show.

0:02:25.480 --> 0:02:26.519
<v Speaker 3>Do you remember what happened?

0:02:26.560 --> 0:02:29.640
<v Speaker 4>I do remember you remember what I do?

0:02:29.680 --> 0:02:34.840
<v Speaker 5>You remember what you called?

0:02:30.880 --> 0:02:40.440
<v Speaker 3>You called me wiz kayaka. So I'm a kid. I'm like,

0:02:40.600 --> 0:02:42.640
<v Speaker 3>I'm like still in high school and ship. I was

0:02:42.720 --> 0:02:46.320
<v Speaker 3>like seventeen years old and this was all hip hop.

0:02:46.320 --> 0:02:47.280
<v Speaker 4>It was breeding ground.

0:02:47.600 --> 0:02:51.240
<v Speaker 3>So this was like early blog air day Roseberg, Yeah exactly.

0:02:51.280 --> 0:02:53.359
<v Speaker 3>So there was only like a couple cast doing blogs

0:02:53.360 --> 0:02:55.600
<v Speaker 3>and they were covering a couple of dudes and it

0:02:55.720 --> 0:02:59.080
<v Speaker 3>was me, uh, the cool kids. I think, uh, what

0:02:59.120 --> 0:03:02.520
<v Speaker 3>was what was knowledge in his dudes group's name? They're

0:03:02.520 --> 0:03:06.640
<v Speaker 3>from Chicago as well. I forget kids already. Yeah, but

0:03:07.080 --> 0:03:09.680
<v Speaker 3>it was us and Norri was the was the host.

0:03:10.040 --> 0:03:13.079
<v Speaker 3>So he was like, you know, everybody loves Nori's legendary.

0:03:13.240 --> 0:03:14.640
<v Speaker 3>Like you know what I'm saying, we all look up

0:03:14.680 --> 0:03:17.919
<v Speaker 3>to name it was. It was.

0:03:19.639 --> 0:03:19.880
<v Speaker 2>It was.

0:03:22.080 --> 0:03:24.000
<v Speaker 3>The best person to my name. And I feel like

0:03:24.040 --> 0:03:28.000
<v Speaker 3>you're making up your own words anyway.

0:03:27.960 --> 0:03:30.559
<v Speaker 4>Yeah, kayak, it means something.

0:03:30.280 --> 0:03:32.760
<v Speaker 1>That you know what I thought? That's how you pronounced

0:03:33.120 --> 0:03:35.920
<v Speaker 1>the thing and what is it called?

0:03:37.000 --> 0:03:37.200
<v Speaker 3>Yeah?

0:03:37.240 --> 0:03:38.240
<v Speaker 1>The I was close.

0:03:39.720 --> 0:03:46.160
<v Speaker 3>The birds was not even built back then, but this

0:03:46.240 --> 0:03:53.120
<v Speaker 3>nigga did it silent. Let me ask you, man.

0:03:53.200 --> 0:03:56.160
<v Speaker 1>As soon as I you know, I pulled you off

0:03:56.360 --> 0:03:58.640
<v Speaker 1>One of the craziest things on the internet about you

0:03:59.040 --> 0:04:01.800
<v Speaker 1>is your feet. Yea, yeah, yeah, on your feet.

0:04:01.880 --> 0:04:05.120
<v Speaker 3>Yeah yeah, yeah, yeah, yeah yeah yeah, You're.

0:04:05.000 --> 0:04:06.800
<v Speaker 1>Gonna get a foot deal. I swear to god, he

0:04:06.840 --> 0:04:10.240
<v Speaker 1>said what a foot deal? Like you ever seen Seinfeld

0:04:10.280 --> 0:04:13.440
<v Speaker 1>with he became a hand model. Like for some.

0:04:13.360 --> 0:04:16.680
<v Speaker 3>Reason, I have been getting tons of offers from like

0:04:16.760 --> 0:04:19.200
<v Speaker 3>people to do foot products and and uh.

0:04:19.480 --> 0:04:21.880
<v Speaker 4>Sketch Snooper shout out to Snoop.

0:04:21.920 --> 0:04:25.240
<v Speaker 3>He doing sketches, but like more like moisturizing creams and

0:04:25.600 --> 0:04:27.880
<v Speaker 3>things that will lock the moisture in because I really

0:04:27.880 --> 0:04:29.520
<v Speaker 3>don't have bad feet, they just dry.

0:04:30.440 --> 0:04:33.000
<v Speaker 4>Yeah, I've been working.

0:04:32.680 --> 0:04:35.040
<v Speaker 3>On it like like a lot. Yeah, like a lot

0:04:35.040 --> 0:04:37.040
<v Speaker 3>of people, they don't take that type of criticism and

0:04:37.600 --> 0:04:39.680
<v Speaker 3>do anything about it. Like me, I've been lotioning my

0:04:39.720 --> 0:04:44.360
<v Speaker 3>feet every day. I went and got a yeah, you

0:04:44.440 --> 0:04:46.040
<v Speaker 3>know what I'm saying. So I'm trying to get it right.

0:04:46.160 --> 0:04:54.080
<v Speaker 1>But I feel like I feel like you're one of

0:04:54.120 --> 0:04:57.240
<v Speaker 1>the people that you always feel good energy like and

0:04:57.400 --> 0:04:59.880
<v Speaker 1>to me, you know, in this game of hip hop,

0:05:00.160 --> 0:05:02.520
<v Speaker 1>you know, so many people they get bitter, you know,

0:05:02.600 --> 0:05:05.400
<v Speaker 1>after a while, whether they're successful or not or and

0:05:05.800 --> 0:05:08.400
<v Speaker 1>I just feel like you always as good energy. Yeah,

0:05:08.440 --> 0:05:11.200
<v Speaker 1>how do you develop that type of aura?

0:05:11.800 --> 0:05:14.080
<v Speaker 4>You kind of just got to take everything and roll

0:05:14.120 --> 0:05:14.440
<v Speaker 4>with it.

0:05:14.640 --> 0:05:16.920
<v Speaker 3>And I just reached certain points in my life where

0:05:17.040 --> 0:05:20.320
<v Speaker 3>like looking cool isn't the object, you know.

0:05:20.520 --> 0:05:21.880
<v Speaker 4>I just love to make music.

0:05:21.920 --> 0:05:24.240
<v Speaker 3>I love to take care of my family, I love

0:05:24.279 --> 0:05:26.359
<v Speaker 3>to entertain my fans, and as long as I'm doing that,

0:05:26.440 --> 0:05:29.880
<v Speaker 3>I'm pretty happy. The other stuff it doesn't really bother

0:05:29.960 --> 0:05:32.320
<v Speaker 3>me because that's not my That's not what I wake

0:05:32.400 --> 0:05:33.080
<v Speaker 3>up and do this for.

0:05:33.760 --> 0:05:34.279
<v Speaker 4>Yeah, yep.

0:05:34.360 --> 0:05:36.840
<v Speaker 3>And then like the bitterness, I think that comes with

0:05:36.920 --> 0:05:39.719
<v Speaker 3>like bad relationships or things when you take it personal.

0:05:40.200 --> 0:05:42.320
<v Speaker 3>And there's a lot that goes on in this industry

0:05:42.360 --> 0:05:44.880
<v Speaker 3>that could make you bitter, but you have a choice

0:05:44.920 --> 0:05:46.280
<v Speaker 3>whether you want to react.

0:05:45.920 --> 0:05:46.440
<v Speaker 1>To it or not.

0:05:46.680 --> 0:05:48.599
<v Speaker 4>So I just don't let that type of stuff FaZe me.

0:05:48.600 --> 0:05:48.760
<v Speaker 1>Man.

0:05:48.760 --> 0:05:51.680
<v Speaker 3>I just base my relationships off of different things, and

0:05:51.720 --> 0:05:52.800
<v Speaker 3>that's how I'm able to move.

0:05:53.760 --> 0:05:55.919
<v Speaker 1>Yeah, collaboration with a porn star.

0:05:56.040 --> 0:05:58.080
<v Speaker 3>Yeah, yeah, me and Khalifa, man like one of the

0:05:58.080 --> 0:06:01.000
<v Speaker 3>biggest she's an ex porn star actually, Yeah, so she

0:06:01.080 --> 0:06:03.240
<v Speaker 3>came into the game. That's kind of like how people

0:06:03.360 --> 0:06:06.240
<v Speaker 3>notice her. But she's been able to pivot and do

0:06:06.279 --> 0:06:07.920
<v Speaker 3>a lot of other things. I think she still has

0:06:07.920 --> 0:06:10.240
<v Speaker 3>the only fans though, Like, but I don't know if

0:06:10.279 --> 0:06:13.280
<v Speaker 3>it's straight hard court shit. Nah, she's doing we're doing

0:06:13.360 --> 0:06:16.960
<v Speaker 3>Khalifa Cush together. Yeah, so me having the Khalifa Cush brand,

0:06:16.960 --> 0:06:17.760
<v Speaker 3>shout out to Berner.

0:06:17.800 --> 0:06:20.200
<v Speaker 4>I built this, this whole brand with him. It took

0:06:20.279 --> 0:06:21.360
<v Speaker 4>us ten years.

0:06:21.080 --> 0:06:23.720
<v Speaker 3>And now we've been all over the United States, we're

0:06:23.760 --> 0:06:28.320
<v Speaker 3>going overseas and we're we're we're branching out and we're

0:06:28.360 --> 0:06:32.080
<v Speaker 3>doing celebrity endorsement deals as well. She's the first one.

0:06:31.880 --> 0:06:34.760
<v Speaker 1>And that's under Khalifakush and Kalifa Cush is under Cookies.

0:06:34.880 --> 0:06:36.240
<v Speaker 4>No, Khalifa Cush is his own.

0:06:37.120 --> 0:06:37.360
<v Speaker 1>Yeah.

0:06:37.440 --> 0:06:39.560
<v Speaker 3>Yeah, but we come from the same cloth though, like

0:06:39.680 --> 0:06:42.560
<v Speaker 3>the same cuts that Berner gets his trees from. That's

0:06:42.600 --> 0:06:45.080
<v Speaker 3>the same you know, tender and care that we're putting

0:06:45.080 --> 0:06:47.640
<v Speaker 3>into the Khalifa push product. So anything that comes out

0:06:47.720 --> 0:06:51.039
<v Speaker 3>under Khalifa Cush, whether it's me, Mia Khalifa or any

0:06:51.080 --> 0:06:54.240
<v Speaker 3>other artists that we endorsed at the time, it's going

0:06:54.320 --> 0:06:56.560
<v Speaker 3>to be a really really uh you know, up to

0:06:56.640 --> 0:06:57.400
<v Speaker 3>brand product.

0:06:57.680 --> 0:07:02.720
<v Speaker 1>So it's around a little bit. I remember I think

0:07:02.760 --> 0:07:05.160
<v Speaker 1>the first time I heard Todds out of Science was

0:07:05.160 --> 0:07:05.560
<v Speaker 1>was with you?

0:07:05.680 --> 0:07:08.599
<v Speaker 3>Yeah, it's signs still with Taylor Gang. Yeah, Ti is

0:07:08.640 --> 0:07:11.720
<v Speaker 3>always gonna be Taylor Gang. We started out managing him.

0:07:12.080 --> 0:07:13.960
<v Speaker 3>A lot of people don't know that Taylor Gang is

0:07:14.000 --> 0:07:17.120
<v Speaker 3>a label and a management company. So a lot of

0:07:17.120 --> 0:07:19.280
<v Speaker 3>those first moves that you were seeing in his career

0:07:19.360 --> 0:07:21.880
<v Speaker 3>were from you know, me and Will managing his career

0:07:21.920 --> 0:07:24.480
<v Speaker 3>and putting him on tour and you know, just getting

0:07:24.560 --> 0:07:27.440
<v Speaker 3>him out there, like basically using the same stuff that

0:07:27.560 --> 0:07:31.360
<v Speaker 3>we were able to to to accumulate. But he was

0:07:31.400 --> 0:07:33.240
<v Speaker 3>already there as well. He already knew a lot of

0:07:33.320 --> 0:07:35.960
<v Speaker 3>radio people, already knew a lot of writers and producers.

0:07:36.000 --> 0:07:39.000
<v Speaker 3>It just took a little extra push and just having

0:07:39.000 --> 0:07:41.080
<v Speaker 3>the platform that I had, we were able to use

0:07:41.120 --> 0:07:42.080
<v Speaker 3>that through Taylor Gang.

0:07:42.440 --> 0:07:44.000
<v Speaker 4>And you know, tis a legend.

0:07:44.040 --> 0:07:46.240
<v Speaker 3>He was always meant to be who he is, and

0:07:46.480 --> 0:07:47.880
<v Speaker 3>we were just able to, you know, push it a

0:07:47.880 --> 0:07:49.120
<v Speaker 3>little bit faster.

0:07:49.440 --> 0:07:51.720
<v Speaker 1>Right let me so let me ask you, right because

0:07:52.200 --> 0:07:55.200
<v Speaker 1>you know, coming from Pennsylvania, right, yeah, and then everywhere

0:07:55.760 --> 0:08:01.400
<v Speaker 1>the nomes city is Philly, it's Philly. Yeah, how was

0:08:01.440 --> 0:08:03.720
<v Speaker 1>it harder for you for being from Pittsburgh? And how

0:08:03.840 --> 0:08:06.320
<v Speaker 1>was it did you have to navigate because like I know,

0:08:06.400 --> 0:08:10.920
<v Speaker 1>like uh, like like you know, people from you know,

0:08:11.920 --> 0:08:14.680
<v Speaker 1>sometimes they have to go to New York. Yeah, was

0:08:14.720 --> 0:08:16.720
<v Speaker 1>there something like like that you had to skip over

0:08:16.760 --> 0:08:17.880
<v Speaker 1>Philadelphia and go to New.

0:08:17.840 --> 0:08:20.240
<v Speaker 2>York or anybody any legends you looked up to that

0:08:20.280 --> 0:08:21.160
<v Speaker 2>work that came up.

0:08:21.440 --> 0:08:23.880
<v Speaker 3>Yeah. I mean it's a long story about Pittsburgh because

0:08:23.960 --> 0:08:27.480
<v Speaker 3>we were really influential in the early nineties West Coast

0:08:27.520 --> 0:08:31.320
<v Speaker 3>Sound with like Sam Snead and like uh Mailman and

0:08:31.840 --> 0:08:34.280
<v Speaker 3>those are people who work really close with Hug and

0:08:34.360 --> 0:08:37.000
<v Speaker 3>Dre and Snoop and like really pioneered that sound, but

0:08:37.040 --> 0:08:39.640
<v Speaker 3>they just weren't in front of everybody. So we always

0:08:39.679 --> 0:08:41.520
<v Speaker 3>had like that yeah it is, that's the good stuff.

0:08:41.840 --> 0:08:44.280
<v Speaker 3>So we always had like a direction that we wanted

0:08:44.280 --> 0:08:46.040
<v Speaker 3>to go in. We just never had anybody to like

0:08:46.120 --> 0:08:49.840
<v Speaker 3>wave that flag for us. And just being from pa

0:08:49.960 --> 0:08:52.160
<v Speaker 3>in general, I think it's really difficult for a lot

0:08:52.160 --> 0:08:55.720
<v Speaker 3>of artists, even from Philly, you know, to get noticed

0:08:55.800 --> 0:08:58.000
<v Speaker 3>or to get looked at and be like these guys

0:08:58.000 --> 0:08:59.720
<v Speaker 3>are original or have their own sound.

0:09:00.080 --> 0:09:02.680
<v Speaker 4>And I think anywhere you have to really leave and.

0:09:02.640 --> 0:09:05.000
<v Speaker 3>Become bigger somewhere else for your city to kind of

0:09:05.040 --> 0:09:07.760
<v Speaker 3>look at you as somebody. I feel like, even if

0:09:07.800 --> 0:09:10.559
<v Speaker 3>you're in New York, like, nobody's gonna call you your rap name,

0:09:10.559 --> 0:09:12.679
<v Speaker 3>They're gonna call you who they know you from the block,

0:09:12.760 --> 0:09:15.240
<v Speaker 3>you know what I'm saying. So yeah, exactly, So at

0:09:15.280 --> 0:09:16.959
<v Speaker 3>the end of the day, you have to make yourself

0:09:17.000 --> 0:09:18.440
<v Speaker 3>somebody and then come back home.

0:09:18.800 --> 0:09:20.439
<v Speaker 4>And it was the same thing with Pittsburgh.

0:09:20.440 --> 0:09:23.480
<v Speaker 3>It was it was a lot of grinding and being

0:09:23.520 --> 0:09:25.720
<v Speaker 3>a teenager, being somebody who is just trying to find

0:09:25.720 --> 0:09:29.559
<v Speaker 3>myself as a young adult and you know, make music

0:09:29.600 --> 0:09:32.679
<v Speaker 3>that was appropriate to who I was and that translated

0:09:32.720 --> 0:09:35.319
<v Speaker 3>to other people that were doing different things. It took

0:09:35.360 --> 0:09:38.080
<v Speaker 3>a minute, you know what I'm saying, but it was

0:09:38.080 --> 0:09:40.600
<v Speaker 3>worth it. And I love Pittsburgh.

0:09:40.880 --> 0:09:42.280
<v Speaker 2>There's a lot of dope barties out there.

0:09:42.320 --> 0:09:45.280
<v Speaker 3>Man, It's a crazy scenes from the beginning all the

0:09:45.280 --> 0:09:47.200
<v Speaker 3>way till now. Like we have a lot of talent

0:09:47.200 --> 0:09:54.800
<v Speaker 3>out there when it comes to uh, producers, musicians, artists, cameramen, designers.

0:09:54.840 --> 0:09:59.320
<v Speaker 3>It's such an artistic city. Brons, Nah, I don't it's

0:09:59.360 --> 0:10:08.040
<v Speaker 3>so cold. And so what was it from the moment?

0:10:08.200 --> 0:10:11.280
<v Speaker 1>Like because to me, you're a rockstar, right like, like

0:10:12.000 --> 0:10:14.920
<v Speaker 1>I mean you transitioned just being a hip hop artist,

0:10:15.200 --> 0:10:18.880
<v Speaker 1>just being a stoner like you're you're if not, I

0:10:18.880 --> 0:10:22.600
<v Speaker 1>think you already you're a superstar, right, but it started

0:10:22.640 --> 0:10:25.640
<v Speaker 1>for being a rock star. At what point did you

0:10:25.679 --> 0:10:29.480
<v Speaker 1>see yourself transitioning in hip hop? Like you know what

0:10:29.480 --> 0:10:31.319
<v Speaker 1>I say, being I don't want to say you're bigger

0:10:31.320 --> 0:10:33.600
<v Speaker 1>than hip hop, but you know, like feeling like my

0:10:33.679 --> 0:10:35.880
<v Speaker 1>audience isn't just hi, you know what I mean?

0:10:36.040 --> 0:10:38.760
<v Speaker 3>I feel like I have my own like subculture of

0:10:38.920 --> 0:10:42.640
<v Speaker 3>hip hop. It's like alternative rap whereas rap, but it's

0:10:42.720 --> 0:10:45.040
<v Speaker 3>not like hardcore shit, you know what I'm saying, a

0:10:45.040 --> 0:10:47.439
<v Speaker 3>lot of people like to say crossover or mainstream.

0:10:47.960 --> 0:10:50.440
<v Speaker 4>But that was always my goal to make big songs.

0:10:50.480 --> 0:10:52.560
<v Speaker 3>You know. I never wanted to just be underground or

0:10:52.640 --> 0:10:54.640
<v Speaker 3>just be a nigga who is just known around the way,

0:10:55.120 --> 0:10:58.600
<v Speaker 3>Like I wanted to appeal to world wide crowds. And

0:10:58.640 --> 0:11:00.960
<v Speaker 3>that's how I write my music, that's how I structure it,

0:11:01.480 --> 0:11:04.160
<v Speaker 3>and just you know, my knowledge about music, it goes

0:11:04.200 --> 0:11:07.280
<v Speaker 3>beyond just hip hop, and that's why it translates the

0:11:07.320 --> 0:11:09.559
<v Speaker 3>way that it does. But I think for me, it's

0:11:09.600 --> 0:11:12.880
<v Speaker 3>more just the attitude than anything. Because you have to

0:11:12.920 --> 0:11:16.520
<v Speaker 3>have the knowledge, and you have to understand music and

0:11:16.559 --> 0:11:18.320
<v Speaker 3>how to appeal to people and who you want to

0:11:18.320 --> 0:11:21.480
<v Speaker 3>appeal to. But also you have to have a certain

0:11:21.600 --> 0:11:23.920
<v Speaker 3>way about yourself that you present it.

0:11:24.120 --> 0:11:26.760
<v Speaker 4>And pretty much I be sometimes I'm.

0:11:26.640 --> 0:11:28.800
<v Speaker 3>The only one who cares about my opinion, you know

0:11:28.840 --> 0:11:31.320
<v Speaker 3>what I'm saying, But like, I don't give a fucking.

0:11:31.360 --> 0:11:33.040
<v Speaker 1>You in the studio and you're the only one who

0:11:33.120 --> 0:11:34.720
<v Speaker 1>likes this vibe and you still go with.

0:11:34.920 --> 0:11:37.240
<v Speaker 3>Just in general about how I want to dress, about

0:11:37.280 --> 0:11:39.680
<v Speaker 3>how I want to talk about, yeah, just being different,

0:11:39.720 --> 0:11:42.000
<v Speaker 3>just how I live my life. Like I'm the only

0:11:42.000 --> 0:11:44.280
<v Speaker 3>one who agrees with me a lot of the times.

0:11:44.320 --> 0:11:46.760
<v Speaker 3>But that's I feel like that's the rock star energy

0:11:46.880 --> 0:11:48.480
<v Speaker 3>is just not giving a fuck and doing what you

0:11:48.559 --> 0:11:51.240
<v Speaker 3>want to do and presenting that to people and making

0:11:51.240 --> 0:11:53.360
<v Speaker 3>people love you for who you are. And I do

0:11:53.400 --> 0:11:55.640
<v Speaker 3>it in a safe way. I'm not dangerous, I'm not

0:11:55.720 --> 0:11:58.640
<v Speaker 3>hurting anybody. I'm not trying to hurt myself, So you know,

0:11:58.760 --> 0:12:03.040
<v Speaker 3>I always just conducted myself with this confidence and this

0:12:03.400 --> 0:12:04.440
<v Speaker 3>care for myself.

0:12:04.840 --> 0:12:06.680
<v Speaker 1>Yeah, it was the first deal you had with Warner.

0:12:06.760 --> 0:12:08.800
<v Speaker 4>Yeah, the first till I was with Warner, I was.

0:12:08.760 --> 0:12:10.920
<v Speaker 2>The rep and I was he actually was a young

0:12:10.960 --> 0:12:14.720
<v Speaker 2>guy saying the street team and we worked. It felt

0:12:14.720 --> 0:12:17.160
<v Speaker 2>in the beginning, if I remember corrected, I might you know,

0:12:17.440 --> 0:12:20.160
<v Speaker 2>might not, but it felt like in the beginning, Warner

0:12:20.200 --> 0:12:21.400
<v Speaker 2>didn't know how to how.

0:12:21.280 --> 0:12:23.560
<v Speaker 3>To work your record of market. At that time, the

0:12:23.640 --> 0:12:27.400
<v Speaker 3>music business was really like just they didn't know what

0:12:27.440 --> 0:12:29.679
<v Speaker 3>to do. I think like Little Scrappy was the biggest

0:12:29.760 --> 0:12:32.760
<v Speaker 3>artist at Warner at that time, and that's because Trelville

0:12:32.800 --> 0:12:35.439
<v Speaker 3>was popping off and they had Jay Rock, you know

0:12:35.480 --> 0:12:37.880
<v Speaker 3>what I mean, and Kendrick was under j Rock. So

0:12:37.920 --> 0:12:40.040
<v Speaker 3>they didn't know what was going on with who or

0:12:40.040 --> 0:12:42.640
<v Speaker 3>who was going to be where in ten years. You

0:12:42.679 --> 0:12:44.640
<v Speaker 3>did what I'm saying, and it was up to us

0:12:44.720 --> 0:12:47.520
<v Speaker 3>as the artist to like pave that way for them.

0:12:47.559 --> 0:12:49.560
<v Speaker 3>And yeah, you're right, they didn't know what to do

0:12:49.600 --> 0:12:51.800
<v Speaker 3>with me. But I had a song that like appealed

0:12:51.880 --> 0:12:55.080
<v Speaker 3>to the radio. It was called say Yeah and it

0:12:55.120 --> 0:12:58.120
<v Speaker 3>was over Alice DJ Semple, and they never heard nothing

0:12:58.160 --> 0:12:59.480
<v Speaker 3>like that at that time. They were like, who is

0:12:59.520 --> 0:13:03.880
<v Speaker 3>this kid you know, mixing like you know, wrap with techno,

0:13:04.040 --> 0:13:06.200
<v Speaker 3>Like they never heard that. So they put of course,

0:13:06.200 --> 0:13:07.640
<v Speaker 3>they put me in the studio and try to make

0:13:07.920 --> 0:13:10.319
<v Speaker 3>get me to make thirty songs like that, but I'm

0:13:10.360 --> 0:13:13.360
<v Speaker 3>talking about smoking weed and riding around with my homeboys

0:13:13.360 --> 0:13:15.160
<v Speaker 3>and hanging with girls, and they're like, what the fuck

0:13:15.240 --> 0:13:15.480
<v Speaker 3>is this?

0:13:15.640 --> 0:13:17.480
<v Speaker 4>Like you know what I mean, where's the techno at?

0:13:18.640 --> 0:13:20.640
<v Speaker 4>So it didn't work out.

0:13:20.600 --> 0:13:23.440
<v Speaker 2>Because it felt like because going back to that blog era, Yeah,

0:13:23.720 --> 0:13:27.280
<v Speaker 2>it felt like the traditional marketing style that was being

0:13:27.320 --> 0:13:30.040
<v Speaker 2>done from the majors wasn't working. And it felt like

0:13:30.240 --> 0:13:34.079
<v Speaker 2>you and that whole generation yeah, found your own lane.

0:13:35.120 --> 0:13:36.120
<v Speaker 1>Yeah, and you made it work.

0:13:36.200 --> 0:13:38.320
<v Speaker 3>Yeah. It was just more going on than what the

0:13:38.400 --> 0:13:40.960
<v Speaker 3>labels were like showing people. You know, they were just

0:13:41.000 --> 0:13:45.319
<v Speaker 3>trying to polish it and kind of get the best

0:13:45.320 --> 0:13:47.120
<v Speaker 3>of that, but they weren't trying to get everything that

0:13:47.320 --> 0:13:49.559
<v Speaker 3>was put into that to get to that point.

0:13:49.559 --> 0:13:51.040
<v Speaker 4>And that's what I was showing everybody.

0:13:51.600 --> 0:13:54.040
<v Speaker 1>Man, I think artists even need labels at this point.

0:13:54.600 --> 0:13:59.800
<v Speaker 3>Hell no, if you're artist. Hell yeah, if you're an artist,

0:13:59.840 --> 0:14:01.360
<v Speaker 3>you are your own label, like you.

0:14:01.679 --> 0:14:05.520
<v Speaker 1>Because you know, you know what's crazy about Like, obviously

0:14:05.520 --> 0:14:09.360
<v Speaker 1>I'll come before you, but your generation still people will

0:14:09.360 --> 0:14:13.520
<v Speaker 1>get discovered. Right this generation is already building their fan base.

0:14:14.000 --> 0:14:17.200
<v Speaker 1>They already have a fan base. They have five thousand spins,

0:14:17.520 --> 0:14:19.880
<v Speaker 1>it might be five thousand different people. They are already

0:14:19.880 --> 0:14:22.760
<v Speaker 1>build on their fan base, So I always wonder. But

0:14:22.800 --> 0:14:26.359
<v Speaker 1>then you'll see an artist, you know, get some popularity,

0:14:26.640 --> 0:14:28.720
<v Speaker 1>and then they'll still go and they'll sign. Why do

0:14:28.800 --> 0:14:30.960
<v Speaker 1>you think it is that there are good labels out there?

0:14:31.000 --> 0:14:34.040
<v Speaker 1>There are that take care of the artists, that nurture

0:14:34.080 --> 0:14:37.360
<v Speaker 1>their artists, that you know, promote them and you know,

0:14:37.680 --> 0:14:40.520
<v Speaker 1>make them a priority. But that's just a certain game

0:14:40.640 --> 0:14:42.480
<v Speaker 1>that you have to play, and if you don't want

0:14:42.520 --> 0:14:43.880
<v Speaker 1>to play that game, you don't have to.

0:14:44.600 --> 0:14:45.680
<v Speaker 4>And I think a.

0:14:45.640 --> 0:14:48.120
<v Speaker 3>Lot of the artists sign because they don't know what

0:14:48.120 --> 0:14:50.520
<v Speaker 3>they're signing up for. I think you should be fully

0:14:50.560 --> 0:14:53.320
<v Speaker 3>aware of what you're getting yourself into and then sign

0:14:53.360 --> 0:14:57.080
<v Speaker 3>the paperwork. Like, don't sign it thinking that you're gonna

0:14:57.080 --> 0:15:00.160
<v Speaker 3>get a Rolls Royce and you're gonna fly private and

0:15:00.400 --> 0:15:02.040
<v Speaker 3>you know what I'm saying, Like, that's not what you

0:15:02.120 --> 0:15:02.800
<v Speaker 3>get into it for.

0:15:02.840 --> 0:15:05.800
<v Speaker 4>It's a career. It's like signing to a basketball team.

0:15:05.840 --> 0:15:07.680
<v Speaker 3>So you have to put in work and you have

0:15:07.760 --> 0:15:10.320
<v Speaker 3>to do other things along with that to make it

0:15:10.480 --> 0:15:13.200
<v Speaker 3>freaking lucrative, you know what I mean. So it's like

0:15:13.280 --> 0:15:15.000
<v Speaker 3>it's all a part of what game you want to play.

0:15:15.040 --> 0:15:16.880
<v Speaker 3>But to succeed, No, you don't need.

0:15:16.760 --> 0:15:21.600
<v Speaker 1>That right No, Like like right now being EFN, it's

0:15:22.680 --> 0:15:26.360
<v Speaker 1>opening a distribution for podcast and our contracts are like

0:15:26.400 --> 0:15:29.360
<v Speaker 1>two pages. It's not no complicated ship. It's like, if

0:15:29.400 --> 0:15:30.920
<v Speaker 1>you want to be here, you be with us. You

0:15:30.920 --> 0:15:33.480
<v Speaker 1>don't want to be I feel like record labels, if

0:15:33.520 --> 0:15:36.200
<v Speaker 1>you signed to a label, it should be that. It

0:15:36.200 --> 0:15:38.480
<v Speaker 1>shouldn't be that complicated.

0:15:38.000 --> 0:15:40.560
<v Speaker 3>Now it should be especially with all the niggas who's

0:15:40.600 --> 0:15:43.960
<v Speaker 3>going to jail these days and the niggas on drugs,

0:15:43.960 --> 0:15:46.000
<v Speaker 3>So you got to have life insurance.

0:15:45.560 --> 0:15:46.400
<v Speaker 1>For a nigga.

0:15:46.520 --> 0:15:48.920
<v Speaker 3>You're making an investment, so like you know what I'm saying,

0:15:48.920 --> 0:15:50.920
<v Speaker 3>you got a lot. It's like it's like a car,

0:15:51.080 --> 0:15:52.920
<v Speaker 3>Like you know what I'm saying, The car is a

0:15:52.960 --> 0:15:54.280
<v Speaker 3>lifetime contract.

0:15:54.440 --> 0:16:00.280
<v Speaker 1>But there's people who have life and like like I'm

0:16:00.280 --> 0:16:03.240
<v Speaker 1>sorry to sound like the old day we signed, there

0:16:03.320 --> 0:16:07.840
<v Speaker 1>was no digital in my contract. It never existed because

0:16:07.880 --> 0:16:10.800
<v Speaker 1>of in the universe. They said, the universe, Yeah what

0:16:10.880 --> 0:16:11.160
<v Speaker 1>is the core?

0:16:11.200 --> 0:16:17.920
<v Speaker 3>Pppectn't know? Yeah, yeah, no, I mean at the end

0:16:17.960 --> 0:16:19.240
<v Speaker 3>of the day, like you just got to know what

0:16:19.280 --> 0:16:21.920
<v Speaker 3>you sign them up for like you can own certain

0:16:21.920 --> 0:16:24.040
<v Speaker 3>ship and then you can break bread on certain ship

0:16:24.120 --> 0:16:26.080
<v Speaker 3>for a certain amount of time as well. You just

0:16:26.080 --> 0:16:28.400
<v Speaker 3>work it out into your favor and then just like

0:16:28.440 --> 0:16:31.760
<v Speaker 3>you said, these days it's more depending on the artists.

0:16:31.800 --> 0:16:33.840
<v Speaker 3>So the more you walk in there with, if you

0:16:33.880 --> 0:16:35.680
<v Speaker 3>have a fan base and things like that, the more

0:16:35.760 --> 0:16:38.600
<v Speaker 3>leverage you had to say just what I want to

0:16:38.640 --> 0:16:41.440
<v Speaker 3>do for how long? So that's my advice for anybody

0:16:41.560 --> 0:16:43.520
<v Speaker 3>is to just build up your leverage. So when you

0:16:43.560 --> 0:16:47.320
<v Speaker 3>do actually, you know, start taking those meetings or considering it,

0:16:47.400 --> 0:16:50.040
<v Speaker 3>you know you're you're in a good place and so

0:16:50.120 --> 0:16:53.400
<v Speaker 3>you can level up. Take a yeah, no, no doubt,

0:16:53.440 --> 0:16:54.040
<v Speaker 3>thank you brother.

0:16:55.320 --> 0:16:56.440
<v Speaker 1>Do you know you a legend?

0:16:56.600 --> 0:16:56.800
<v Speaker 4>Yes?

0:16:56.880 --> 0:16:57.080
<v Speaker 3>I do.

0:16:57.200 --> 0:17:03.680
<v Speaker 1>Okay, I love that.

0:16:59.360 --> 0:17:05.879
<v Speaker 2>That's you know, that's that's your button.

0:17:05.920 --> 0:17:13.439
<v Speaker 3>There. I feel like I could do Bay. There's Rosie,

0:17:14.880 --> 0:17:15.800
<v Speaker 3>there's like flowers.

0:17:17.200 --> 0:17:23.920
<v Speaker 2>Mm hm, oh my god.

0:17:23.040 --> 0:17:23.280
<v Speaker 1>This is.

0:17:24.800 --> 0:17:28.600
<v Speaker 3>Good week. Sure you hate it hated to a temperature

0:17:28.680 --> 0:17:31.119
<v Speaker 3>that turns it from not not into smoke, but in

0:17:31.160 --> 0:17:31.639
<v Speaker 3>a vapor.

0:17:32.600 --> 0:17:35.040
<v Speaker 4>So it's not smoke, it's not harsh, it's not bothering you.

0:17:35.080 --> 0:17:35.919
<v Speaker 3>It's just vapor.

0:17:36.520 --> 0:17:40.680
<v Speaker 1>That's right. Type of commercials out doesn't want to killing it.

0:17:42.160 --> 0:17:45.680
<v Speaker 4>This thing is dope. Look at your technology rare. The

0:17:45.800 --> 0:17:46.480
<v Speaker 4>ain't no coal?

0:17:48.359 --> 0:17:57.359
<v Speaker 1>Yeah, because just what does that do?

0:17:58.359 --> 0:18:01.560
<v Speaker 3>Rady tidy lefty lucy mine ain't going. I gotta lotion

0:18:01.680 --> 0:18:05.439
<v Speaker 3>on my hands. Here we go, here we go. Okay,

0:18:05.520 --> 0:18:07.280
<v Speaker 3>so it's gotta be on them. Yeah.

0:18:07.400 --> 0:18:08.560
<v Speaker 4>I see the different modes.

0:18:10.080 --> 0:18:10.399
<v Speaker 3>Damn.

0:18:10.560 --> 0:18:12.800
<v Speaker 1>So it's different, different mode.

0:18:12.920 --> 0:18:14.480
<v Speaker 3>Yeah, hold on more.

0:18:15.160 --> 0:18:17.520
<v Speaker 4>This one is this one off because of up.

0:18:19.400 --> 0:18:20.800
<v Speaker 3>Here's the triple one.

0:18:21.359 --> 0:18:22.040
<v Speaker 4>One is the one?

0:18:23.080 --> 0:18:23.720
<v Speaker 6>Come on, come through?

0:18:23.880 --> 0:18:24.680
<v Speaker 3>Yes, all.

0:18:26.760 --> 0:18:28.480
<v Speaker 1>Like he's from the company right here.

0:18:28.200 --> 0:18:31.240
<v Speaker 3>I got it, I found it. Three is the that's

0:18:31.280 --> 0:18:34.240
<v Speaker 3>the one. All right. I almost turn that the drive. No,

0:18:36.200 --> 0:18:38.480
<v Speaker 3>you want to finish?

0:18:38.960 --> 0:18:41.840
<v Speaker 1>Three is the hardest three more smoke?

0:18:42.359 --> 0:18:47.040
<v Speaker 3>All right, man, you got the cartridges. You can show

0:18:47.119 --> 0:18:47.640
<v Speaker 3>me over.

0:18:48.200 --> 0:18:49.159
<v Speaker 1>Showing the cartridges.

0:18:50.400 --> 0:18:51.040
<v Speaker 4>That's official.

0:18:51.160 --> 0:18:53.280
<v Speaker 1>But whiz. We want you to know to take this

0:18:53.320 --> 0:18:58.320
<v Speaker 1>with me, okay. We want you to know about giving

0:18:58.320 --> 0:18:59.760
<v Speaker 1>people they fly while they live.

0:19:00.200 --> 0:19:01.679
<v Speaker 3>You want to literally give you your flowers?

0:19:02.040 --> 0:19:12.280
<v Speaker 1>Thank you said, it's like a Grammy. It's beautiful. Yes, makes.

0:19:14.359 --> 0:19:18.200
<v Speaker 4>Where this is going? Exactly where I'm now.

0:19:18.200 --> 0:19:21.000
<v Speaker 1>Another thing about how hearing your music I've been I

0:19:21.040 --> 0:19:25.080
<v Speaker 1>was running through it. We mentioned it watches a lot man.

0:19:25.240 --> 0:19:27.120
<v Speaker 1>Yeah your watch guy.

0:19:27.240 --> 0:19:30.920
<v Speaker 3>Yeah I was it was Yes, I slowed down since

0:19:30.960 --> 0:19:37.240
<v Speaker 3>I had a kid. Yeah, yeah, yeah.

0:19:36.320 --> 0:19:36.600
<v Speaker 1>I had it.

0:19:36.640 --> 0:19:38.359
<v Speaker 3>I had him bought the watch in a minute. Actually,

0:19:38.359 --> 0:19:40.560
<v Speaker 3>Bernard brought me this watch. This was a gift man.

0:19:40.560 --> 0:19:42.119
<v Speaker 3>He just popped up at my house one day. He

0:19:42.240 --> 0:19:44.639
<v Speaker 3>was like, you know, thanks for being a good friend.

0:19:45.119 --> 0:19:47.840
<v Speaker 3>You've been a real good friend. It's like you you

0:19:47.840 --> 0:19:50.399
<v Speaker 3>you you walked into my life at a real important time.

0:19:50.480 --> 0:19:51.960
<v Speaker 3>He was like, I just want to show you how

0:19:52.040 --> 0:19:54.440
<v Speaker 3>much I appreciate you gave me a bust down.

0:19:54.440 --> 0:19:58.160
<v Speaker 1>God damn make a shot. Shout out that man.

0:19:58.280 --> 0:19:59.040
<v Speaker 3>Shout out that b.

0:19:59.280 --> 0:20:01.560
<v Speaker 1>I got an upgrade my friends. Man, Yes, step it

0:20:01.680 --> 0:20:03.320
<v Speaker 1>boy on the cover of the Forbes Man.

0:20:03.440 --> 0:20:06.840
<v Speaker 3>Yeah, it's a good friend. Shout out.

0:20:07.040 --> 0:20:09.119
<v Speaker 2>He got that with the four twenty bucks and the

0:20:09.119 --> 0:20:11.400
<v Speaker 2>first thing that pops up is drink Champs.

0:20:11.400 --> 0:20:15.760
<v Speaker 3>Oh yeah, you've he be showing going to the lake house.

0:20:15.800 --> 0:20:16.879
<v Speaker 3>B I'll see you in a second.

0:20:16.880 --> 0:20:17.160
<v Speaker 4>Brother.

0:20:18.240 --> 0:20:20.440
<v Speaker 1>You ever thought I noticed a kind of a cliche.

0:20:20.560 --> 0:20:24.280
<v Speaker 1>But you know, back then, people would be locked up

0:20:24.640 --> 0:20:28.080
<v Speaker 1>for touching. Yeah, any type of bud, like totally. I

0:20:28.160 --> 0:20:31.960
<v Speaker 1>remember one time in my hood I threw the joint away.

0:20:32.280 --> 0:20:35.119
<v Speaker 1>The ship blew away, and the police still arrested me.

0:20:35.760 --> 0:20:38.320
<v Speaker 1>I saw you smoking. I was like, there was no evidence.

0:20:38.359 --> 0:20:40.920
<v Speaker 1>I mean, like it, this is fucked up. And now

0:20:41.080 --> 0:20:44.240
<v Speaker 1>in New York City you can smoke right in front

0:20:44.240 --> 0:20:46.200
<v Speaker 1>of the police. Ever thought this day would happen?

0:20:46.240 --> 0:20:50.359
<v Speaker 3>No, I did it. I mean, actually I did, but

0:20:50.440 --> 0:20:52.280
<v Speaker 3>I didn't think it was reality, like I thought.

0:20:52.280 --> 0:20:54.040
<v Speaker 4>I was just thinking some crazy ship like you.

0:20:54.080 --> 0:20:56.000
<v Speaker 1>Doing Amsterdam would just be Amsterdam and that's it.

0:20:56.160 --> 0:20:57.919
<v Speaker 3>I mean even over there, you had to go and

0:20:57.960 --> 0:21:00.600
<v Speaker 3>the smoke shots, like you couldn't just smoke on the street,

0:21:00.680 --> 0:21:04.280
<v Speaker 3>like that ship is recreational, like you can just smoke.

0:21:04.359 --> 0:21:07.399
<v Speaker 3>But and they're removing it from pissed tests. They're not

0:21:07.480 --> 0:21:10.880
<v Speaker 3>drug testing people from marijuana. They they left it out

0:21:10.880 --> 0:21:14.160
<v Speaker 3>of the NBA. They do it for like for all approbation,

0:21:14.240 --> 0:21:16.200
<v Speaker 3>and people like what the hell? You know what I mean,

0:21:16.240 --> 0:21:18.239
<v Speaker 3>people like smoke a little weed in it going back

0:21:18.280 --> 0:21:20.480
<v Speaker 3>to jail man, that's amazing.

0:21:20.520 --> 0:21:22.040
<v Speaker 1>There's a lot of motherfuckers I know, need to smokes

0:21:22.040 --> 0:21:22.320
<v Speaker 1>the weed.

0:21:22.440 --> 0:21:24.480
<v Speaker 3>Yeah yeah, just smoke a little, just smoke a little.

0:21:24.480 --> 0:21:25.440
<v Speaker 3>But you deserve to be.

0:21:25.400 --> 0:21:28.359
<v Speaker 1>On the streets, you.

0:21:26.520 --> 0:21:30.600
<v Speaker 4>Need you need to be in jail. I'm very happy

0:21:30.600 --> 0:21:32.960
<v Speaker 4>about that, and uh yeah, I think a lot of people.

0:21:32.800 --> 0:21:33.800
<v Speaker 3>Are gonna benefit from it.

0:21:34.280 --> 0:21:39.840
<v Speaker 1>Right now, you said that you're overseas with the Khalifa cut. Yes,

0:21:40.000 --> 0:21:42.720
<v Speaker 1>so we're in Amsterdam now or you've been in Amsterdam.

0:21:42.960 --> 0:21:46.280
<v Speaker 4>We're in Amsterdam, We're going to Thailand. We're Germany.

0:21:46.680 --> 0:21:48.880
<v Speaker 3>Okay, yeah, those are a few places the UK.

0:21:49.080 --> 0:21:50.120
<v Speaker 1>You know what part of Germany?

0:21:50.480 --> 0:21:51.600
<v Speaker 4>No, just the whole country.

0:21:51.640 --> 0:21:55.720
<v Speaker 1>Dog, just Germany, Germany.

0:21:55.760 --> 0:21:59.720
<v Speaker 3>German weed. Bro. It's like saying we do mushrooms over there,

0:21:59.760 --> 0:22:03.760
<v Speaker 3>too much of it. You got the psychedelic mushrooms over here?

0:22:04.440 --> 0:22:06.800
<v Speaker 3>You got some chocolates, all right, let's get it well

0:22:07.000 --> 0:22:12.480
<v Speaker 3>off camera, because you know, I feel those are crazy.

0:22:12.560 --> 0:22:16.680
<v Speaker 3>Where the fun did you get them from? That's that, Eric, Bro,

0:22:16.960 --> 0:22:18.360
<v Speaker 3>there's a home and that. I had some of them

0:22:18.520 --> 0:22:21.800
<v Speaker 3>at Coachella one time. I was just laying down on

0:22:21.840 --> 0:22:22.320
<v Speaker 3>the ground.

0:22:22.320 --> 0:22:23.679
<v Speaker 1>Bro, I'm gonna do champage.

0:22:23.720 --> 0:22:25.159
<v Speaker 2>Yeah Realax, Borys, I don't want you to lay down

0:22:25.160 --> 0:22:25.840
<v Speaker 2>on the ground right now.

0:22:27.000 --> 0:22:28.919
<v Speaker 3>We all just that's what you lay down and do

0:22:29.000 --> 0:22:31.800
<v Speaker 3>the podcast, bro, just like Marvin get.

0:22:35.520 --> 0:22:37.439
<v Speaker 1>Do you take a big piece like that? Oh no?

0:22:38.119 --> 0:22:39.400
<v Speaker 1>Talking about yeah.

0:22:39.240 --> 0:22:42.800
<v Speaker 3>Yeah, no, THEMN ship. So have you fucked up right there? Yes,

0:22:42.880 --> 0:22:47.200
<v Speaker 3>there's a whole eighth in there. That's that's a that's

0:22:47.200 --> 0:22:47.600
<v Speaker 3>an eighth.

0:22:47.760 --> 0:22:52.840
<v Speaker 6>Whoa, it's not people seven?

0:22:53.560 --> 0:22:57.480
<v Speaker 4>Yes, okay, okay, okay.

0:22:57.960 --> 0:23:00.800
<v Speaker 3>The one I had had yeah, the one I had

0:23:01.000 --> 0:23:03.520
<v Speaker 3>was was the whole eighth and just that little ass chocolate.

0:23:03.800 --> 0:23:05.000
<v Speaker 4>Uh yeah.

0:23:05.000 --> 0:23:07.959
<v Speaker 3>I felt like I was on a roller coaster. All right,

0:23:08.040 --> 0:23:11.560
<v Speaker 3>he's your real friend or your brother, like whatever it is.

0:23:12.320 --> 0:23:13.119
<v Speaker 3>He likes you.

0:23:14.600 --> 0:23:16.800
<v Speaker 1>But I felt I felt prepare. Pressure with Mike Tyson

0:23:17.040 --> 0:23:22.040
<v Speaker 1>was to ship.

0:23:22.119 --> 0:23:28.760
<v Speaker 3>He gave you arooms chocolate, but I love Mike Tysons.

0:23:27.280 --> 0:23:32.440
<v Speaker 2>Raw like that, give it the chocolate ones. But it

0:23:32.520 --> 0:23:34.240
<v Speaker 2>was a life podcast in front of an audience.

0:23:34.240 --> 0:23:36.399
<v Speaker 1>But by the way, he wasn't aggressive at all, but

0:23:36.680 --> 0:23:38.840
<v Speaker 1>in my mind he was like yeah, And I was like,

0:23:38.840 --> 0:23:39.280
<v Speaker 1>all right.

0:23:39.200 --> 0:23:41.560
<v Speaker 3>I feel aggress this ship.

0:23:43.280 --> 0:23:47.280
<v Speaker 1>Mikes, Like, you never know, was this your first time

0:23:47.320 --> 0:23:49.880
<v Speaker 1>meeting Mike Tyson? You just did a show I met

0:23:49.920 --> 0:23:53.760
<v Speaker 1>him before, so and you you met you met STONA

0:23:53.840 --> 0:23:57.000
<v Speaker 1>Tyson because it's a different version where he didn't get stone.

0:23:56.800 --> 0:23:58.120
<v Speaker 4>Him and I did.

0:23:57.880 --> 0:23:58.119
<v Speaker 1>I did.

0:23:58.200 --> 0:23:59.680
<v Speaker 4>I met him when he wasn't getting thrown. He was

0:23:59.680 --> 0:24:00.399
<v Speaker 4>always nice to me.

0:24:00.960 --> 0:24:02.080
<v Speaker 3>He's a cool dude.

0:24:02.080 --> 0:24:04.040
<v Speaker 1>It's a cool dude. But this is he just this

0:24:04.160 --> 0:24:04.720
<v Speaker 1>version of Mi.

0:24:04.920 --> 0:24:06.560
<v Speaker 3>He just seemed like one of them dudes like, don't

0:24:06.560 --> 0:24:09.639
<v Speaker 3>funk with the type dudes, you know, don't play with

0:24:10.200 --> 0:24:10.719
<v Speaker 3>you know what I mean?

0:24:10.760 --> 0:24:12.960
<v Speaker 4>All that playing around and ship like some niggas don't

0:24:12.960 --> 0:24:13.480
<v Speaker 4>like that ship.

0:24:13.600 --> 0:24:15.600
<v Speaker 1>I remember, it's funny as hell. You fan gave him

0:24:15.600 --> 0:24:18.280
<v Speaker 1>a smoke Chaps joint. He took the Smoke Champs joint

0:24:18.280 --> 0:24:20.720
<v Speaker 1>out just getting back to you held it.

0:24:20.760 --> 0:24:30.280
<v Speaker 4>I was like, he loves weeds. He's all about that weed.

0:24:30.800 --> 0:24:35.800
<v Speaker 1>And you did you also just play George playing Where

0:24:35.800 --> 0:24:37.200
<v Speaker 1>did you play it back? Uh.

0:24:37.240 --> 0:24:39.360
<v Speaker 3>It's this movie called Spinning Gold that just came out.

0:24:39.359 --> 0:24:42.600
<v Speaker 3>It's in theaters. It's about the story of Cosablanca Records,

0:24:43.359 --> 0:24:46.359
<v Speaker 3>Neil and all the homies who started up this record

0:24:46.400 --> 0:24:50.439
<v Speaker 3>label that hosted a bunch of legendary acts kiss the

0:24:50.480 --> 0:24:58.000
<v Speaker 3>Isley Brothers, Uh Funkadelic Parliament, Uh Freaking Donna, Summer Village,

0:24:58.000 --> 0:25:00.800
<v Speaker 3>people like they just had the disco air on lock

0:25:01.359 --> 0:25:03.959
<v Speaker 3>and yeah, it just kind of describes their whole story

0:25:03.960 --> 0:25:06.720
<v Speaker 3>and their rise and you know, uh in the music

0:25:06.760 --> 0:25:09.159
<v Speaker 3>industry and what effect they had and the stories that

0:25:09.240 --> 0:25:11.680
<v Speaker 3>go along with that. And I played George Clinton. That's

0:25:12.359 --> 0:25:16.320
<v Speaker 3>it's coolest. Hell his grandkids was on the on the set, yeah,

0:25:16.400 --> 0:25:18.359
<v Speaker 3>with us. They were actually in the band. So it

0:25:18.440 --> 0:25:20.119
<v Speaker 3>was really cool man. It was it was like you

0:25:20.400 --> 0:25:23.720
<v Speaker 3>guys meet Georgia. Yeah, yeah, Hell Yeah, we smoked helloween.

0:25:23.720 --> 0:25:26.400
<v Speaker 3>He was here right before I met him in person.

0:25:26.480 --> 0:25:27.680
<v Speaker 3>He was like, yeah, I was just down there, blah

0:25:27.680 --> 0:25:30.400
<v Speaker 3>bah blah, smokes hello.

0:25:30.440 --> 0:25:35.000
<v Speaker 1>We I thought it was a joke because there's like,

0:25:35.320 --> 0:25:37.439
<v Speaker 1>you know, we don't want to make the older guys

0:25:37.680 --> 0:25:40.360
<v Speaker 1>drink and ship, so we're like, okay, alright, cool. Oh

0:25:40.440 --> 0:25:41.080
<v Speaker 1>he kept going.

0:25:41.160 --> 0:25:42.040
<v Speaker 3>Yeah.

0:25:42.400 --> 0:25:44.440
<v Speaker 4>I performed with him too at the premiere. That ship

0:25:44.520 --> 0:25:45.800
<v Speaker 4>was cool as hell. Yeah, it was.

0:25:45.880 --> 0:25:47.880
<v Speaker 3>It was dope to rock with his band. Like I'm

0:25:47.960 --> 0:25:51.359
<v Speaker 3>like a real music nerd, so just to see him

0:25:51.400 --> 0:25:54.400
<v Speaker 3>conducting his band and here excuse me and hearing everybody

0:25:54.520 --> 0:25:56.120
<v Speaker 3>like doing what they was doing, it was really tight.

0:25:56.160 --> 0:25:57.280
<v Speaker 4>It was really inspirational.

0:25:57.600 --> 0:26:00.359
<v Speaker 1>What's what's what's the artist that you did and have

0:26:00.440 --> 0:26:02.080
<v Speaker 1>to work with that you would love to work with?

0:26:04.160 --> 0:26:06.800
<v Speaker 3>Yeah? Yeah, I haven't worked with Hell yet. Any smokes

0:26:06.800 --> 0:26:08.520
<v Speaker 3>weed now too, So that's pretty cool. I want to

0:26:08.560 --> 0:26:11.440
<v Speaker 3>work with hull Man. That'll be fun. I want to

0:26:11.800 --> 0:26:19.679
<v Speaker 3>speak no noise for that, and they get ahold stone man, you.

0:26:19.680 --> 0:26:20.639
<v Speaker 1>Are ready for quick time?

0:26:21.400 --> 0:26:21.640
<v Speaker 3>Ready?

0:26:21.880 --> 0:26:25.440
<v Speaker 1>Yeah, you want to explain the russ. Yeah, we give

0:26:25.480 --> 0:26:27.359
<v Speaker 1>you two names places and things.

0:26:27.359 --> 0:26:30.680
<v Speaker 2>You pick one or if you pick neither or both

0:26:30.720 --> 0:26:32.960
<v Speaker 2>were drinking or smoking, you could take a shot.

0:26:33.000 --> 0:26:35.040
<v Speaker 3>I guess the Ukah. Yeah. Yeah.

0:26:35.080 --> 0:26:37.439
<v Speaker 1>By the way, before we start that, did you invent

0:26:37.480 --> 0:26:38.080
<v Speaker 1>cush ups?

0:26:38.720 --> 0:26:38.800
<v Speaker 3>No?

0:26:38.920 --> 0:26:41.280
<v Speaker 4>I didn't, Okay, so I did it?

0:26:41.320 --> 0:26:43.919
<v Speaker 1>So like like the game of ping beer pong, what

0:26:44.080 --> 0:26:45.919
<v Speaker 1>is the legendary story or cush ups?

0:26:46.240 --> 0:26:49.160
<v Speaker 3>Cush ups is you take ten puffs and you hold

0:26:49.160 --> 0:26:53.159
<v Speaker 3>it in until you can't until you you know, Yeah,

0:26:53.320 --> 0:26:54.960
<v Speaker 3>can you do cush up? If you if you can,

0:26:55.119 --> 0:26:57.560
<v Speaker 3>if you can achieve ten, if you can achieve ten,

0:26:57.640 --> 0:27:00.640
<v Speaker 3>and that's like the you know, the respect active number

0:27:00.720 --> 0:27:03.520
<v Speaker 3>of cush ups. So if you don't make it attendant

0:27:03.520 --> 0:27:05.000
<v Speaker 3>and then you tap out and you still need to

0:27:05.000 --> 0:27:06.560
<v Speaker 3>work on your lungs. You need to get your cush

0:27:06.640 --> 0:27:07.000
<v Speaker 3>ups together.

0:27:07.040 --> 0:27:07.560
<v Speaker 2>You need to get it.

0:27:07.720 --> 0:27:10.680
<v Speaker 3>You need to get it together. Yeah. Hey, bro, I've

0:27:10.680 --> 0:27:13.040
<v Speaker 3>seen some of the best folds, so it's all good man,

0:27:13.080 --> 0:27:16.920
<v Speaker 3>don't even worry about it. Tony and Tripp takes practice

0:27:18.119 --> 0:27:19.520
<v Speaker 3>a dab dab.

0:27:19.760 --> 0:27:20.200
<v Speaker 1>I smoke.

0:27:20.280 --> 0:27:24.240
<v Speaker 3>You know, it's whatever, bro bongs, papers, bowls. I just

0:27:24.280 --> 0:27:25.600
<v Speaker 3>don't hit blunts. That's the only But.

0:27:26.200 --> 0:27:29.200
<v Speaker 1>Here's the famous, the famous famous footage. You're kicking the

0:27:29.280 --> 0:27:33.520
<v Speaker 1>dude out out of the studio. I was like, damn,

0:27:33.560 --> 0:27:36.960
<v Speaker 1>what's this racist?

0:27:37.480 --> 0:27:40.439
<v Speaker 4>You got to stand on something. It was terrible.

0:27:40.440 --> 0:27:42.359
<v Speaker 3>We were in a studio like it was like a

0:27:42.920 --> 0:27:51.040
<v Speaker 3>this area. He's like blowing a grape swisher. Bro.

0:27:52.480 --> 0:27:54.280
<v Speaker 4>Yeah, I actually offered him a joint.

0:27:54.320 --> 0:28:00.200
<v Speaker 3>He didn't want it, so I was get out.

0:27:59.359 --> 0:28:01.639
<v Speaker 1>Allowed you to day. It was it was almost like

0:28:01.680 --> 0:28:04.560
<v Speaker 1>God's said, because I woke up this morning I had

0:28:04.680 --> 0:28:08.119
<v Speaker 1>no swishes and all I had was was was papers

0:28:08.160 --> 0:28:11.200
<v Speaker 1>and I was like, look at where is this God

0:28:11.560 --> 0:28:15.240
<v Speaker 1>working on me? And then it was crazy. Before I

0:28:15.280 --> 0:28:18.080
<v Speaker 1>asked for the blunts, I just started rolling joints. The

0:28:18.119 --> 0:28:21.800
<v Speaker 1>problem is with me, I suck at rolling joints. I can't.

0:28:22.320 --> 0:28:26.159
<v Speaker 1>I sucked even more at that ship. Show you a picture,

0:28:26.200 --> 0:28:27.919
<v Speaker 1>a picture what I did this morning. I had a

0:28:27.920 --> 0:28:31.520
<v Speaker 1>whole ship pregnant like it was. It was like, yeah,

0:28:31.560 --> 0:28:33.199
<v Speaker 1>I couldn't do it. I can't do I guess I

0:28:33.320 --> 0:28:34.879
<v Speaker 1>got a great grinder. But how did you learn how

0:28:34.880 --> 0:28:40.280
<v Speaker 1>to roll a blunt being in the hood? Yeah, drinking

0:28:40.280 --> 0:28:43.600
<v Speaker 1>milk and cookies. Well yeah, now, but he rolled my

0:28:43.680 --> 0:28:46.680
<v Speaker 1>blunts though, yeah, yeah, he wrote my blood. Yeah. Okay, okay,

0:28:46.680 --> 0:28:50.400
<v Speaker 1>So we're gonna be ready for a quick time and

0:28:50.520 --> 0:28:53.400
<v Speaker 1>I'm gonna do actually going to do.

0:28:54.280 --> 0:28:56.280
<v Speaker 2>Sonny's not here, right, Oh, so is that you want

0:28:56.280 --> 0:28:57.800
<v Speaker 2>to drink from to do Japanese?

0:28:59.880 --> 0:29:03.720
<v Speaker 3>The ringer is ready, got living.

0:29:04.480 --> 0:29:14.600
<v Speaker 2>Colassney Sonny. He'll smoke, but you'll drink a shot.

0:29:12.400 --> 0:29:16.080
<v Speaker 1>Smoke a little wiz joint. Now, wait before we start this,

0:29:16.720 --> 0:29:18.480
<v Speaker 1>didn't you guys oh ships.

0:29:20.720 --> 0:29:23.280
<v Speaker 2>All that about the TC Mamahuna they have one?

0:29:23.360 --> 0:29:24.920
<v Speaker 3>Oh damn damn.

0:29:25.360 --> 0:29:27.440
<v Speaker 1>Didn't you guys have a collab with raw all?

0:29:28.040 --> 0:29:32.760
<v Speaker 3>Yeah? Fuck wrong, Okay, yeah, man Ra's been the premiere

0:29:32.840 --> 0:29:38.000
<v Speaker 3>joint and just are joining choice probably since we started

0:29:38.040 --> 0:29:40.760
<v Speaker 3>smoking them, like me and Spitter, we crossed over the

0:29:40.840 --> 0:29:43.800
<v Speaker 3>joints around the yeah currency around the same time, him

0:29:43.800 --> 0:29:47.040
<v Speaker 3>before me. But you know I made it in time

0:29:47.120 --> 0:29:50.480
<v Speaker 3>to you know, create the law with him and h

0:29:50.880 --> 0:29:53.320
<v Speaker 3>We went through a couple of different types of joints.

0:29:53.320 --> 0:29:57.200
<v Speaker 3>There was zig zags, there was easy wires. There was Randy's.

0:29:57.240 --> 0:29:58.920
<v Speaker 3>They had like these little wire in them and you

0:29:58.960 --> 0:30:03.400
<v Speaker 3>could like smoke it like that. Uh yeah, Juicy Jays,

0:30:03.880 --> 0:30:06.560
<v Speaker 3>and then elements. We liked elements, and then we found

0:30:06.600 --> 0:30:09.080
<v Speaker 3>out that element in raw was of the same company,

0:30:09.120 --> 0:30:11.640
<v Speaker 3>but we just liked raw a little bit better. And

0:30:11.680 --> 0:30:15.640
<v Speaker 3>then that's what we started running with. The unbleached you know, uh,

0:30:15.920 --> 0:30:18.240
<v Speaker 3>the raw paper dips unbleached.

0:30:18.280 --> 0:30:18.880
<v Speaker 1>What does that mean?

0:30:19.360 --> 0:30:21.680
<v Speaker 3>It's paper, but it's not bleached a lot of chemicals,

0:30:21.840 --> 0:30:24.080
<v Speaker 3>there's no chemicals. A lot of papers are like bleached

0:30:24.120 --> 0:30:27.720
<v Speaker 3>and have different chemicals and stuff like that that you're

0:30:27.760 --> 0:30:28.360
<v Speaker 3>smoking on.

0:30:33.920 --> 0:30:39.880
<v Speaker 1>Your joints model, but come out. We caught the beady smokers.

0:30:39.920 --> 0:30:44.480
<v Speaker 1>Hold up, yeah, the beady vegan vegan.

0:30:46.360 --> 0:30:47.280
<v Speaker 4>No I'm not a vegan.

0:30:47.440 --> 0:30:48.440
<v Speaker 3>No, no, no, I'm not.

0:30:49.040 --> 0:30:50.720
<v Speaker 1>Yeah.

0:30:51.360 --> 0:30:53.880
<v Speaker 3>So yeah, you know, raw papers, but we got Khalifa

0:30:53.920 --> 0:30:54.640
<v Speaker 3>papers coming out.

0:30:54.680 --> 0:30:55.480
<v Speaker 1>That's what we're talking about.

0:30:56.520 --> 0:31:00.480
<v Speaker 3>Yeah yeah, yeah, yeah. So everything I enjoy are just

0:31:00.520 --> 0:31:02.560
<v Speaker 3>spinning into my own lifestyle.

0:31:03.280 --> 0:31:06.000
<v Speaker 1>You know. So you want to talk about your look

0:31:06.000 --> 0:31:07.080
<v Speaker 1>at company, because.

0:31:07.080 --> 0:31:09.520
<v Speaker 4>Yeah, McQueen. McQueen is as a gin.

0:31:09.560 --> 0:31:12.320
<v Speaker 3>You know, anybody who followed me early in my career,

0:31:12.320 --> 0:31:14.880
<v Speaker 3>I used to drink a ship ton of gin and

0:31:15.120 --> 0:31:18.440
<v Speaker 3>we drank bombay, but that really wasn't that good. So

0:31:18.480 --> 0:31:21.640
<v Speaker 3>we designed something that was based off of a better taste.

0:31:22.080 --> 0:31:25.280
<v Speaker 3>Still the same great gin feel, but it's really smooth.

0:31:25.400 --> 0:31:26.920
<v Speaker 3>Like a lot of people who drink gin on like

0:31:26.920 --> 0:31:29.600
<v Speaker 3>the flavor of it, but this one's smooth. It mixes well.

0:31:30.080 --> 0:31:32.400
<v Speaker 3>And we have an infused one that just came out too.

0:31:32.440 --> 0:31:34.600
<v Speaker 3>It's called Ultra Violet. This is.

0:31:36.320 --> 0:31:36.880
<v Speaker 4>It's purple.

0:31:37.000 --> 0:31:39.360
<v Speaker 3>Yeah, so this is the full name of it is

0:31:39.440 --> 0:31:42.520
<v Speaker 3>McQueen Violet Fog and the purple one is Ultra Violet.

0:31:42.720 --> 0:31:47.520
<v Speaker 3>But we're in the same family as do say bel Air,

0:31:48.240 --> 0:31:49.680
<v Speaker 3>bomboo Von.

0:31:50.200 --> 0:31:51.920
<v Speaker 4>Those are a couple of our other companies.

0:31:52.040 --> 0:31:55.040
<v Speaker 3>We just keep making other little brands and blowing them

0:31:55.080 --> 0:31:58.600
<v Speaker 3>things up, you know. Yeah, hell yeah, it's a good

0:31:58.680 --> 0:32:04.120
<v Speaker 3>gin we're taking over. You're not taking shots though, No, absolutely, nah,

0:32:04.200 --> 0:32:06.200
<v Speaker 3>I'll let you all have that, you know what I'm saying?

0:32:06.600 --> 0:32:08.160
<v Speaker 1>All right, Look, is it true before we go into

0:32:08.240 --> 0:32:11.920
<v Speaker 1>that currency put you on the rocking Jordan's.

0:32:12.920 --> 0:32:13.160
<v Speaker 4>Yeah.

0:32:13.200 --> 0:32:15.360
<v Speaker 3>I have never even owned a pair of Jordan's before

0:32:15.400 --> 0:32:18.240
<v Speaker 3>I met currency. I never had one pair of J's

0:32:18.280 --> 0:32:20.680
<v Speaker 3>before I wanted some, but I just never met before

0:32:21.000 --> 0:32:23.720
<v Speaker 3>Chucks that I was gonna say, yeah, yeah, I mean

0:32:23.760 --> 0:32:27.920
<v Speaker 3>in Pittsburgh, like it's Air Forces Tims niggas wore J's.

0:32:28.000 --> 0:32:30.880
<v Speaker 3>But like I had to choose, like if I was

0:32:30.920 --> 0:32:33.280
<v Speaker 3>gonna spend that much money on sneakers or other things.

0:32:33.320 --> 0:32:35.520
<v Speaker 3>So it's like, you know, just growing up, that was

0:32:35.640 --> 0:32:38.120
<v Speaker 3>just I never even thought about that, like spending one

0:32:38.200 --> 0:32:40.760
<v Speaker 3>hundred and thirty or fifty bucks on a pair of shoes.

0:32:41.280 --> 0:32:43.320
<v Speaker 3>I would go to Army Navy and get some Dicky's

0:32:43.360 --> 0:32:47.240
<v Speaker 3>and get some white Tea's and shark car hard like motherfucker,

0:32:47.600 --> 0:32:50.520
<v Speaker 3>that's my whole style. So like yeah, so I mean

0:32:50.560 --> 0:32:52.600
<v Speaker 3>but Tim's cost a lot, but you get like one.

0:32:52.440 --> 0:32:54.400
<v Speaker 4>Pair of them a year, like you know what I mean,

0:32:54.600 --> 0:32:55.760
<v Speaker 4>like for real, for real.

0:32:55.840 --> 0:32:59.840
<v Speaker 1>Not in New York. Yeah, in New York week, like

0:33:00.080 --> 0:33:00.800
<v Speaker 1>six pair year.

0:33:00.880 --> 0:33:01.600
<v Speaker 3>Why was a kid?

0:33:01.920 --> 0:33:05.240
<v Speaker 4>Yeah he was okay.

0:33:05.040 --> 0:33:09.120
<v Speaker 1>Yeah, I mean all right, two pairs yeah yeah, Like

0:33:09.720 --> 0:33:13.320
<v Speaker 1>it's religion in New York, I feel, you like, and

0:33:13.320 --> 0:33:15.000
<v Speaker 1>it's crazy because you got to get the right ones.

0:33:15.000 --> 0:33:17.160
<v Speaker 3>Don't get the ones, No, you got to get the leathers,

0:33:18.520 --> 0:33:20.560
<v Speaker 3>the double like the souls got to be right on

0:33:20.680 --> 0:33:23.480
<v Speaker 3>there and everything, like we call them butters in Pictsburgh.

0:33:23.560 --> 0:33:24.840
<v Speaker 1>It's a science to this ship.

0:33:25.320 --> 0:33:28.440
<v Speaker 4>Yeah, we mainly were like forces and ship like that.

0:33:28.520 --> 0:33:32.520
<v Speaker 3>But yeah, currency put me onto to sneakers and cars

0:33:32.800 --> 0:33:35.480
<v Speaker 3>and just like streetwear fashion in general. Like you know

0:33:35.520 --> 0:33:37.800
<v Speaker 3>what I'm saying. Just I always had good taste, like

0:33:37.840 --> 0:33:39.840
<v Speaker 3>you know what I mean, but just like knowing what

0:33:39.880 --> 0:33:42.640
<v Speaker 3>to get, like he put me in the right direction.

0:33:45.160 --> 0:33:45.440
<v Speaker 3>Did you.

0:33:47.680 --> 0:33:50.560
<v Speaker 1>Read all right? Cool? I want to make sure I

0:33:50.600 --> 0:33:52.600
<v Speaker 1>want to killer kill me.

0:33:53.440 --> 0:33:56.200
<v Speaker 3>You take your shots, right, I'm gonna take something you

0:33:56.280 --> 0:33:56.640
<v Speaker 3>enjoyed me.

0:33:58.560 --> 0:34:01.040
<v Speaker 1>But if we going, that's good, it's good. It's a great,

0:34:01.600 --> 0:34:04.720
<v Speaker 1>great great guess that's right. Damn that he got a

0:34:04.760 --> 0:34:08.480
<v Speaker 1>point of smoke. Anyway, one us go ready, first one

0:34:08.560 --> 0:34:14.759
<v Speaker 1>tupocket d m x X. Oh you got it. You

0:34:14.800 --> 0:34:15.840
<v Speaker 1>got a reason why.

0:34:16.400 --> 0:34:17.200
<v Speaker 4>I have a reason why I.

0:34:17.239 --> 0:34:22.800
<v Speaker 3>Have told you. Don't have to explain. Oh, both great actors,

0:34:22.840 --> 0:34:27.000
<v Speaker 3>both great, like a lot of passion, both poets. But

0:34:27.080 --> 0:34:30.280
<v Speaker 3>I think for me, I went and bought X's first single,

0:34:30.360 --> 0:34:33.720
<v Speaker 3>like I gotta get at me dog with stop being greedy.

0:34:33.760 --> 0:34:36.080
<v Speaker 3>On the other side, I bought the tape so like

0:34:36.239 --> 0:34:40.560
<v Speaker 3>it just means more video exact tape.

0:34:40.719 --> 0:34:44.840
<v Speaker 1>Yeah, yeah, gotta makes a noise for you, sir. Yeah,

0:34:45.040 --> 0:34:48.840
<v Speaker 1>it means a little bit more. Say he bought DMX tape.

0:34:48.920 --> 0:34:52.440
<v Speaker 1>Yeah that's hard, Okay, go the next one.

0:34:52.760 --> 0:34:56.640
<v Speaker 2>Snoop or currency. Damn, you could say both.

0:34:56.960 --> 0:34:57.640
<v Speaker 1>You can say that.

0:34:58.719 --> 0:35:01.120
<v Speaker 3>You say both are neither drinking both you got.

0:35:01.360 --> 0:35:02.120
<v Speaker 1>You got to take five.

0:35:02.560 --> 0:35:08.399
<v Speaker 2>You gotta take five shots, sonny three?

0:35:09.480 --> 0:35:10.200
<v Speaker 1>What do you gotta do?

0:35:10.239 --> 0:35:18.640
<v Speaker 3>Cush off? It's different, Oh spakes of North Wales? Got damn?

0:35:21.960 --> 0:35:22.920
<v Speaker 3>That is working?

0:35:24.440 --> 0:35:29.279
<v Speaker 4>Ship all right, Okay, don't don't do that again. Okay,

0:35:29.320 --> 0:35:30.560
<v Speaker 4>I got it on to ship.

0:35:30.640 --> 0:35:36.200
<v Speaker 3>Hold on, I gotta go back to one. God damn. Wow,

0:35:36.920 --> 0:35:39.960
<v Speaker 3>all right, cool, get three loose, that's it, all right,

0:35:40.040 --> 0:35:47.160
<v Speaker 3>let's go y be real or burner fuck shots?

0:35:47.280 --> 0:35:56.040
<v Speaker 4>Yeah both yeah, one, two, three, four?

0:35:59.480 --> 0:36:03.880
<v Speaker 1>Oh, let's make some noise for heavy all.

0:36:04.280 --> 0:36:06.120
<v Speaker 4>I'm in the game now, got.

0:36:05.960 --> 0:36:09.799
<v Speaker 1>That ugas lit? Baby on, baby, I'm.

0:36:09.680 --> 0:36:11.240
<v Speaker 4>About to write a song in this bitch.

0:36:14.239 --> 0:36:14.759
<v Speaker 3>You got it?

0:36:15.160 --> 0:36:18.839
<v Speaker 1>Oh no, damn, I got you. I got you kiss

0:36:19.040 --> 0:36:26.239
<v Speaker 1>or styles fuck.

0:36:26.280 --> 0:36:31.600
<v Speaker 4>I ain't gonna disrespect both. So look one.

0:36:32.400 --> 0:36:39.239
<v Speaker 3>You should go for six, make it even to three, or.

0:36:40.680 --> 0:36:42.400
<v Speaker 2>I should get me high and I ain't even smoking it.

0:36:45.520 --> 0:36:49.640
<v Speaker 3>Oh ye me six oh you're just gonna keep going,

0:36:49.840 --> 0:36:54.080
<v Speaker 3>damn seven.

0:36:58.040 --> 0:36:58.719
<v Speaker 2>It's a long game.

0:36:58.719 --> 0:37:05.400
<v Speaker 3>It's a long game. Yeah, no, I'm saying the standard.

0:37:05.560 --> 0:37:16.080
<v Speaker 1>Yes, yes, yes said all right, yes, yes. Oh, by

0:37:16.080 --> 0:37:18.680
<v Speaker 1>the way, set the twitter get big, let's big up

0:37:18.719 --> 0:37:21.160
<v Speaker 1>to kah. Yeah, this is the four twenty edition. Yeah.

0:37:21.200 --> 0:37:23.279
<v Speaker 1>The bars said yes, yes. The boss being said, I

0:37:23.280 --> 0:37:27.000
<v Speaker 1>ain't gonna lie to y'all. Well, yeah, well, don't call

0:37:27.000 --> 0:37:29.080
<v Speaker 1>it the gun. We called it the machine. Call it

0:37:29.120 --> 0:37:31.200
<v Speaker 1>the machine. Get the machine out like the like the

0:37:31.320 --> 0:37:33.959
<v Speaker 1>like the area guns on premise. Yeah, no guns, no, no, no,

0:37:33.840 --> 0:37:39.600
<v Speaker 1>no anybody, Yeah, the machine. All right, all right, wait

0:37:39.719 --> 0:37:43.280
<v Speaker 1>till the next one. Okay, okay, joints.

0:37:43.800 --> 0:37:45.600
<v Speaker 4>What you're playing in there? You're playing KK in there.

0:37:54.080 --> 0:37:56.040
<v Speaker 1>See if he peeped his face when he said you

0:37:56.080 --> 0:38:00.120
<v Speaker 1>got there, he looked up like you got so you

0:38:00.120 --> 0:38:03.960
<v Speaker 1>ain't see his face off so excited, like look.

0:38:03.800 --> 0:38:11.920
<v Speaker 3>Ahead, Red Man and metho man, all right, this is

0:38:12.000 --> 0:38:16.080
<v Speaker 3>no disrespect like breaking groups of meth for me.

0:38:16.800 --> 0:38:17.720
<v Speaker 4>Because of his voice.

0:38:18.920 --> 0:38:22.080
<v Speaker 3>Red got bars, meth got bars. Both funny as hell,

0:38:22.239 --> 0:38:25.760
<v Speaker 3>both got great time in the mess voice is crazy.

0:38:25.800 --> 0:38:31.640
<v Speaker 3>Oh there's stage presence too, crazy like best ever, but

0:38:31.880 --> 0:38:34.880
<v Speaker 3>mess voices a little bit iller, I ain't gonna lie, Okay.

0:38:35.239 --> 0:38:39.600
<v Speaker 1>All his answers is pure hip hop.

0:38:39.760 --> 0:38:45.200
<v Speaker 3>Yeah, I know music, I know, I know, I know.

0:38:45.920 --> 0:38:49.239
<v Speaker 1>No, I'm just saying I'm more and even more what

0:38:49.440 --> 0:38:51.359
<v Speaker 1>I expect that I'm even more, Like, how was that

0:38:52.360 --> 0:38:52.960
<v Speaker 1>blow in my mind?

0:38:53.000 --> 0:38:54.640
<v Speaker 4>Thank you many, appreciate love.

0:38:54.680 --> 0:38:55.680
<v Speaker 3>I love, I love you.

0:38:55.760 --> 0:38:56.680
<v Speaker 4>Gotta do the knowledge.

0:38:57.120 --> 0:39:00.399
<v Speaker 1>Yeah, I love all right the.

0:39:00.400 --> 0:39:04.839
<v Speaker 3>Drama, Drama. I love Drama. Bro I love Calid too.

0:39:04.920 --> 0:39:08.360
<v Speaker 3>Cala is a great person. I did twenty eight grams,

0:39:08.480 --> 0:39:11.480
<v Speaker 3>broke the Internet, all that drama. He's he's just like

0:39:11.520 --> 0:39:14.239
<v Speaker 3>a pioneer just for the mixtapes and he got like

0:39:14.440 --> 0:39:17.480
<v Speaker 3>I feel like he got. I think Calla is like

0:39:17.520 --> 0:39:21.680
<v Speaker 3>an official ass DJ. But Drama got more mixtapes. Oh

0:39:21.760 --> 0:39:22.400
<v Speaker 3>you know what I mean.

0:39:23.360 --> 0:39:25.560
<v Speaker 2>Yeah yeah, what he's doing right now with those Juice

0:39:25.600 --> 0:39:26.480
<v Speaker 2>Skits album.

0:39:26.560 --> 0:39:28.840
<v Speaker 1>Yeah yeah, I love yeah.

0:39:28.920 --> 0:39:31.960
<v Speaker 3>I think I think to me personally, Drama gets that one.

0:39:31.880 --> 0:39:35.800
<v Speaker 1>Yeah, I say, DJ wise, but I feel like overall producer,

0:39:36.000 --> 0:39:37.319
<v Speaker 1>I feel like Colin might have.

0:39:37.400 --> 0:39:41.920
<v Speaker 3>That's just I think as a producer, Kalid is better

0:39:41.960 --> 0:39:44.920
<v Speaker 3>than a lot of fools. He's got a great and

0:39:44.960 --> 0:39:46.680
<v Speaker 3>he knows how to put that ship together and he

0:39:46.760 --> 0:39:49.000
<v Speaker 3>doesn't mind going after a record.

0:39:49.000 --> 0:39:53.000
<v Speaker 4>Bro, that nigga get on a everywhere. Yeah, he'll go.

0:39:53.200 --> 0:39:55.920
<v Speaker 3>And that's what That's what it takes, because some niggas

0:39:55.920 --> 0:39:57.600
<v Speaker 3>will give up or they'll be like, oh, I'm away

0:39:57.760 --> 0:40:00.200
<v Speaker 3>like you know, three four days. He's like, nah, let

0:40:00.239 --> 0:40:02.359
<v Speaker 3>me get that verse and I respect the hell.

0:40:02.520 --> 0:40:05.040
<v Speaker 2>And he's always been like Miami Cats and he's been

0:40:05.080 --> 0:40:05.919
<v Speaker 2>like that the beginning.

0:40:05.960 --> 0:40:08.960
<v Speaker 3>That's dope. That's what it takes, bro, for sure. All right,

0:40:09.600 --> 0:40:13.799
<v Speaker 3>cheat your chunks. I gotta do both. That's a good one.

0:40:14.000 --> 0:40:18.480
<v Speaker 3>Have you met them? Yeah, yep, cheered you drink it up, sonny.

0:40:20.280 --> 0:40:23.479
<v Speaker 1>Yeah, yeah, take a shot. You should have been taking

0:40:23.480 --> 0:40:28.120
<v Speaker 1>the rum. Okay, then take the uka.

0:40:30.480 --> 0:40:35.080
<v Speaker 3>How many is that with? I'm doing five now.

0:40:35.640 --> 0:40:38.760
<v Speaker 1>Yeah, it's okay, it's okay, it's it's acceptable. Payment.

0:40:38.800 --> 0:40:41.120
<v Speaker 4>Yes, sir, we already know what you're gonna say.

0:40:41.640 --> 0:40:42.360
<v Speaker 3>Yes, maybe not.

0:40:42.480 --> 0:40:43.680
<v Speaker 4>Let's see, let's get it.

0:40:44.000 --> 0:40:48.600
<v Speaker 1>Cookies are gumbo's.

0:40:47.080 --> 0:40:50.840
<v Speaker 4>Weed or like weed weed? Okay? I never had gumbo before?

0:40:51.760 --> 0:40:52.680
<v Speaker 4>Who makes gumbo?

0:40:52.920 --> 0:40:53.360
<v Speaker 3>Gumbo?

0:40:53.440 --> 0:40:54.320
<v Speaker 1>My friend gumbo?

0:40:54.400 --> 0:40:58.640
<v Speaker 3>Man? Yeah, who's gumbo? So homie, so homie.

0:40:59.160 --> 0:41:01.200
<v Speaker 1>I'm I'm a burner too. Yeah.

0:41:01.200 --> 0:41:02.920
<v Speaker 3>I was about to say I'm a weed snob, so

0:41:03.400 --> 0:41:06.040
<v Speaker 3>I'm real boogie was he was on.

0:41:06.160 --> 0:41:09.879
<v Speaker 1>Ramadanna had to bring something. He was Ramadan. I don't

0:41:09.880 --> 0:41:10.120
<v Speaker 1>want to.

0:41:10.160 --> 0:41:11.680
<v Speaker 4>Mumbo's on the list of things to try.

0:41:11.719 --> 0:41:12.239
<v Speaker 1>Okay, that's right.

0:41:12.280 --> 0:41:22.200
<v Speaker 7>That makes you like, okay, tie dollar, juicy damn it,

0:41:22.480 --> 0:41:23.440
<v Speaker 7>all right, juicy.

0:41:23.239 --> 0:41:25.600
<v Speaker 3>J I'm not drinking because y'all wouldn't had me a

0:41:26.000 --> 0:41:31.200
<v Speaker 3>leg out of its back.

0:41:32.000 --> 0:41:33.080
<v Speaker 1>Yeah, all right.

0:41:34.000 --> 0:41:47.920
<v Speaker 3>Dave Chappelle or Chris Rock, Yeah, Dave Chappelle, he way funnier. Okay,

0:41:48.840 --> 0:41:56.279
<v Speaker 3>what does that mean? I mean, that's coming. You made it.

0:41:58.480 --> 0:41:58.799
<v Speaker 1>All right?

0:42:00.640 --> 0:42:09.600
<v Speaker 2>Hookah or hookah ukah.

0:42:06.960 --> 0:42:08.840
<v Speaker 1>By the way, but I don't know if you realize

0:42:08.920 --> 0:42:11.760
<v Speaker 1>he's a sexy like you know the hookah. Just you gotta.

0:42:13.280 --> 0:42:13.600
<v Speaker 3>Wars.

0:42:14.640 --> 0:42:15.600
<v Speaker 1>You can bury yourself.

0:42:15.640 --> 0:42:16.120
<v Speaker 4>This is cool.

0:42:16.160 --> 0:42:18.080
<v Speaker 3>It just needs like a little white around it, you

0:42:18.080 --> 0:42:20.840
<v Speaker 3>know what I mean? And like that's the next neon,

0:42:21.120 --> 0:42:23.480
<v Speaker 3>like a little light up little led death. You know

0:42:23.520 --> 0:42:24.120
<v Speaker 3>what I'm saying?

0:42:24.320 --> 0:42:25.880
<v Speaker 4>Sure, crazy over that?

0:42:26.000 --> 0:42:26.960
<v Speaker 1>Go ahead? Ayeah?

0:42:27.040 --> 0:42:32.319
<v Speaker 3>Yep A biggie or punk biggie or punk Yeah, damn well,

0:42:32.360 --> 0:42:32.960
<v Speaker 3>I'm gonna.

0:42:32.760 --> 0:42:35.200
<v Speaker 4>Have to go big. Yeah yeah, but I funk with

0:42:35.239 --> 0:42:36.399
<v Speaker 4>pun though pun is hard.

0:42:37.160 --> 0:42:39.719
<v Speaker 2>Any reason why you this is something big.

0:42:39.840 --> 0:42:42.440
<v Speaker 3>He was just smoother, like you know what I mean,

0:42:42.560 --> 0:42:46.680
<v Speaker 3>Like he talked about clothes and ship like that, about ship,

0:42:46.760 --> 0:42:50.160
<v Speaker 3>like if I go shopping now, I'll just be seeing

0:42:50.200 --> 0:42:52.480
<v Speaker 3>some ship that Biggie said in the nineties, you know

0:42:52.520 --> 0:42:55.560
<v Speaker 3>what I mean. Yeah, like Punk had bars, but he

0:42:55.560 --> 0:42:57.360
<v Speaker 3>ain't have bars like that though, Like you know what

0:42:57.440 --> 0:42:59.440
<v Speaker 3>I mean. He was more talking about like breaking niggas

0:42:59.520 --> 0:43:03.360
<v Speaker 3>back some like several places and ship like that. That

0:43:03.520 --> 0:43:07.600
<v Speaker 3>was cool too.

0:43:08.320 --> 0:43:09.960
<v Speaker 1>Radio or podcast.

0:43:13.000 --> 0:43:15.239
<v Speaker 3>Oh you're talking about like as far as radio, like

0:43:15.280 --> 0:43:17.680
<v Speaker 3>listening to jams or like podcasts is just like.

0:43:17.640 --> 0:43:20.400
<v Speaker 2>However you want, Like what platform to you is the better.

0:43:20.280 --> 0:43:27.160
<v Speaker 1>Quarteria you want, I'm gonna go podcasts, okay?

0:43:28.239 --> 0:43:34.360
<v Speaker 2>Asap Rocky or Big Sean, damn them was both my partners.

0:43:34.440 --> 0:43:38.920
<v Speaker 3>There was both my brothers. I love Big Sean, but

0:43:39.000 --> 0:43:41.719
<v Speaker 3>I feel like I'm gonna have to go Rocky. I'm

0:43:41.719 --> 0:43:43.799
<v Speaker 3>gonna go Rocky because I don't look up to a

0:43:43.800 --> 0:43:46.080
<v Speaker 3>lot of niggas when it comes to dressing. And Rocky

0:43:46.120 --> 0:43:49.719
<v Speaker 3>can dress his ass off and Sean can dress too.

0:43:50.239 --> 0:43:51.920
<v Speaker 3>But it's just like a different type, like you know

0:43:51.960 --> 0:43:54.279
<v Speaker 3>what I'm saying, Like they don't really go against each other.

0:43:54.840 --> 0:43:55.600
<v Speaker 4>And Rocky.

0:43:55.680 --> 0:43:58.600
<v Speaker 3>I'll be looking at his face and Rocky can really dress.

0:43:58.719 --> 0:44:01.160
<v Speaker 3>So I'm gonna say Rocky, But Sean's Shawn is the

0:44:01.200 --> 0:44:03.640
<v Speaker 3>better rapper in my opinion, Like Shawn's a better rapper

0:44:03.719 --> 0:44:05.279
<v Speaker 3>than me. Shawn's a better rapper than a lot of

0:44:05.320 --> 0:44:08.000
<v Speaker 3>niggas that I know. So like when we're talking lyrics,

0:44:08.040 --> 0:44:12.760
<v Speaker 3>I'm gonna say Sean. But as far as like the nigga, Rocky,

0:44:12.840 --> 0:44:13.879
<v Speaker 3>Rocky is the niggas.

0:44:13.719 --> 0:44:16.800
<v Speaker 1>Was like a shot to me something he said, because.

0:44:20.040 --> 0:44:22.319
<v Speaker 3>We need to have a good conversation about that, like

0:44:22.360 --> 0:44:24.279
<v Speaker 3>people need to know, like why you know what I'm saying,

0:44:27.360 --> 0:44:30.280
<v Speaker 3>drink Chance alumni, both of them niggas.

0:44:32.920 --> 0:44:34.479
<v Speaker 2>All right, let's see if it's the same with these

0:44:35.800 --> 0:44:39.560
<v Speaker 2>Rick Ross and French Montana.

0:44:38.880 --> 0:44:40.120
<v Speaker 4>Both big homies of mine.

0:44:40.600 --> 0:44:44.359
<v Speaker 3>But I'm gonna go Rose though, uh, just because Rose

0:44:44.480 --> 0:44:47.399
<v Speaker 3>invited me to his crib in Atlanta and had a

0:44:47.520 --> 0:44:50.640
<v Speaker 3>mountain of freaking weed that me and currency could roll

0:44:50.680 --> 0:44:51.040
<v Speaker 3>out of.

0:44:51.560 --> 0:44:53.320
<v Speaker 4>He drove us around and bought us sneakers.

0:44:53.320 --> 0:44:55.040
<v Speaker 3>It was like coolest hell, bro, It's like the Rick

0:44:55.160 --> 0:44:58.960
<v Speaker 3>Ross dreamy. He just took us through the stories like

0:44:59.239 --> 0:45:02.359
<v Speaker 3>get whatever you want, little niggas. We was like hell yeah.

0:45:02.600 --> 0:45:08.879
<v Speaker 3>Early we were like, yes, it's like a hip hop

0:45:09.360 --> 0:45:14.239
<v Speaker 3>like this was last week and Rose actually got me

0:45:14.239 --> 0:45:16.799
<v Speaker 3>my deal with Bread.

0:45:17.360 --> 0:45:17.560
<v Speaker 2>Yeah.

0:45:18.160 --> 0:45:20.640
<v Speaker 3>On the show, Yeah, Brett was asking him about like

0:45:20.760 --> 0:45:22.799
<v Speaker 3>some people who would be good for branding and help

0:45:22.840 --> 0:45:25.000
<v Speaker 3>build the company, and he was like whiz. He was like,

0:45:25.280 --> 0:45:27.399
<v Speaker 3>I know that little nigga's about his business. He does

0:45:27.440 --> 0:45:29.880
<v Speaker 3>his thing. He's actually out here in the field and

0:45:29.960 --> 0:45:32.239
<v Speaker 3>he's going to promote. Like he spoke really highly of

0:45:32.320 --> 0:45:34.759
<v Speaker 3>me and still still does so. And you know, French

0:45:34.840 --> 0:45:36.520
<v Speaker 3>is my man. We went on tour together, we made

0:45:36.560 --> 0:45:38.280
<v Speaker 3>money together, We got hits together.

0:45:38.880 --> 0:45:45.839
<v Speaker 2>Rose okay, okay, Rose Sour or Cush Cush a safe

0:45:45.840 --> 0:45:46.279
<v Speaker 2>on that one.

0:45:46.320 --> 0:45:47.000
<v Speaker 3>Y'all want to safe?

0:45:47.040 --> 0:45:50.280
<v Speaker 1>Y'allo home, Like the way you just looked over Sour

0:45:50.360 --> 0:45:52.399
<v Speaker 1>like that, Oh yeah you did, Like.

0:45:55.400 --> 0:45:59.279
<v Speaker 3>Yeah, yeah, wait a minute, why did you cyrus cool.

0:46:01.360 --> 0:46:03.920
<v Speaker 1>Down on the smoke, sir?

0:46:04.400 --> 0:46:08.160
<v Speaker 3>But when you mixed Sara with Cush and got head bad, Yes,

0:46:08.640 --> 0:46:10.960
<v Speaker 3>just made soire like even like better.

0:46:11.320 --> 0:46:17.440
<v Speaker 1>President, but that was mixed with headband and Cush President.

0:46:17.880 --> 0:46:21.560
<v Speaker 3>You know that one? Yeah that sounds like two thirds

0:46:21.680 --> 0:46:25.040
<v Speaker 3>two yeah, probably like yeah, whatever the fractions are.

0:46:25.120 --> 0:46:28.520
<v Speaker 1>But what's our and cush though, wasn't it?

0:46:28.600 --> 0:46:30.960
<v Speaker 3>Yes, it was half and half. That ship was fine,

0:46:31.120 --> 0:46:35.080
<v Speaker 3>That was fine, had been straight sired? Hell no, you gotta.

0:46:34.920 --> 0:46:38.080
<v Speaker 1>Realize we come from where they invented the word loud.

0:46:38.520 --> 0:46:39.959
<v Speaker 1>So where they invented the word loud.

0:46:40.840 --> 0:46:42.400
<v Speaker 3>Loud was invented.

0:46:43.719 --> 0:46:54.320
<v Speaker 1>Your Chicago. But what year.

0:46:56.520 --> 0:46:57.320
<v Speaker 3>It was? Chicago?

0:46:57.440 --> 0:46:59.520
<v Speaker 1>Bro, I should have go think it.

0:46:59.560 --> 0:47:00.960
<v Speaker 4>Well, I'm a weed historian.

0:47:01.120 --> 0:47:03.759
<v Speaker 1>Yeah, I don't think it was. I'm a word of

0:47:03.840 --> 0:47:13.040
<v Speaker 1>story all right for more than all. Yeah, yeah, yes,

0:47:15.160 --> 0:47:16.640
<v Speaker 1>we don't know East coast terminology.

0:47:16.719 --> 0:47:20.200
<v Speaker 3>He knows that he knows everything. I'm giving that one

0:47:20.239 --> 0:47:23.880
<v Speaker 3>up to forty win. Argue about it, back to the side.

0:47:24.040 --> 0:47:34.759
<v Speaker 8>Okay, so what about it? So that's how we're saying. Yeah,

0:47:34.840 --> 0:47:36.440
<v Speaker 8>so he said, what about it to me?

0:47:36.719 --> 0:47:40.319
<v Speaker 1>Because sour to me, soth comes from Canada. So it's

0:47:40.320 --> 0:47:42.680
<v Speaker 1>no way went to Chicago before it came to New York.

0:47:43.040 --> 0:47:45.720
<v Speaker 1>Because you come from Canada, write to New York boom.

0:47:46.200 --> 0:47:48.279
<v Speaker 3>Not the actual side of the word. I was so

0:47:48.360 --> 0:47:50.759
<v Speaker 3>about the word loud. Oh, I'm talking about the actual plan.

0:47:50.880 --> 0:47:52.520
<v Speaker 3>The actual plant comes from Canada.

0:47:52.680 --> 0:47:57.200
<v Speaker 1>Canada. I believe Canada, Montreal, Vancouver area, Toronto that you

0:47:57.239 --> 0:47:59.360
<v Speaker 1>know comes from to New York. That's why New Yorker is,

0:47:59.480 --> 0:48:02.640
<v Speaker 1>I believe had it in abundance, so it was easier

0:48:02.800 --> 0:48:05.200
<v Speaker 1>and it was loud because you couldn't like that was

0:48:05.239 --> 0:48:07.680
<v Speaker 1>the first weed you had to put in jar. Remember

0:48:07.800 --> 0:48:10.520
<v Speaker 1>like remember we didn't come in Jaws before. It's just

0:48:10.520 --> 0:48:11.000
<v Speaker 1>so loud.

0:48:11.040 --> 0:48:13.120
<v Speaker 4>The first in the draw with some haze.

0:48:15.840 --> 0:48:24.920
<v Speaker 1>That's the haze man, right, you know about weed. And

0:48:24.960 --> 0:48:27.759
<v Speaker 1>then out here with some people our here when it

0:48:27.880 --> 0:48:28.240
<v Speaker 1>was crippy.

0:48:28.239 --> 0:48:30.480
<v Speaker 3>It wasn't it was Cripps one.

0:48:30.640 --> 0:48:33.600
<v Speaker 1>It was Haz's cousin crippy. It was.

0:48:34.920 --> 0:48:36.759
<v Speaker 4>Yeah, it was. It was like fluffy like that.

0:48:36.840 --> 0:48:42.360
<v Speaker 1>He stink like it to the state once haze again.

0:48:42.719 --> 0:48:43.480
<v Speaker 1>I'm like, let it go.

0:48:43.760 --> 0:48:46.640
<v Speaker 4>That pit that pts that real PI slip.

0:48:47.320 --> 0:48:56.960
<v Speaker 3>Yeah, oh my god, gave me some real.

0:48:58.960 --> 0:49:00.720
<v Speaker 4>Oh my good in this bro.

0:49:02.719 --> 0:49:04.279
<v Speaker 1>Breat just hold out something.

0:49:05.920 --> 0:49:15.919
<v Speaker 3>What up? I'm smoking this broca. They don't even got

0:49:15.920 --> 0:49:19.120
<v Speaker 3>no label on it. That's how you know. Listen, this

0:49:19.320 --> 0:49:27.879
<v Speaker 3>is real. This is Drug Dealer Week right here week. Yeah,

0:49:29.320 --> 0:49:33.040
<v Speaker 3>I'm putting this. Nobody holding this one. I got this one.

0:49:33.320 --> 0:49:42.520
<v Speaker 3>I'm hold on to this one. Yeah, Ice Cuban scarface, Damn,

0:49:42.840 --> 0:49:45.120
<v Speaker 3>I love scarface as a lyricist. But I'm gonna go

0:49:45.200 --> 0:49:48.160
<v Speaker 3>cute because the what you did with movies, like you know, Friday,

0:49:48.400 --> 0:49:50.840
<v Speaker 3>just like you know, pivoting in and just you know,

0:49:50.920 --> 0:49:54.239
<v Speaker 3>being a legend. But uh yeah, yeah, Cube, I ain't

0:49:54.239 --> 0:49:57.960
<v Speaker 3>gonna draw that one out too far. Half Baked Friday,

0:49:58.160 --> 0:50:00.960
<v Speaker 3>damn half Baked for show. Yeah, I'm gonna go have

0:50:01.080 --> 0:50:02.680
<v Speaker 3>Baked Friday is a classic.

0:50:02.719 --> 0:50:04.440
<v Speaker 4>You know what I'm saying. Everybody knows Friday.

0:50:04.719 --> 0:50:06.920
<v Speaker 3>But I think the story I have baked is just

0:50:06.960 --> 0:50:10.279
<v Speaker 3>funny as hell. And Dave Chappelle, like it is one

0:50:10.280 --> 0:50:14.120
<v Speaker 3>of my favorite comedians. So it's like Cuban b Yeah,

0:50:15.000 --> 0:50:16.839
<v Speaker 3>I'm Cuban, So I use that all the time.

0:50:17.560 --> 0:50:20.520
<v Speaker 1>That whole ship and from Jamaica, what part of Jamaica

0:50:20.840 --> 0:50:21.520
<v Speaker 1>by the beach?

0:50:28.560 --> 0:50:32.759
<v Speaker 3>Little Wayne or Drake Weezy. Yeah yeah, Drake is hard.

0:50:32.800 --> 0:50:37.359
<v Speaker 3>You know, he got fucking more hits than anybody. But

0:50:37.400 --> 0:50:40.960
<v Speaker 3>I think Wayne just sparked the whole culture for everybody,

0:50:41.120 --> 0:50:44.239
<v Speaker 3>like and then like when he started as a hot

0:50:44.239 --> 0:50:47.480
<v Speaker 3>boy Wayne, and then when he came back out like lyricism,

0:50:49.080 --> 0:50:53.680
<v Speaker 3>He's put on Drake. Yeah yeah, Wayne's Wayne's up there

0:50:53.719 --> 0:50:57.400
<v Speaker 3>for show. Let's see Nipsey are easy.

0:50:58.040 --> 0:51:00.719
<v Speaker 4>Nip, Yeah, some piece of both.

0:51:00.760 --> 0:51:02.440
<v Speaker 3>But I'm gonna say nip because that was my friend,

0:51:02.480 --> 0:51:05.920
<v Speaker 3>you know what I mean, that was my homeboy. Yeah,

0:51:06.840 --> 0:51:11.200
<v Speaker 3>eminem Bus the rhymes Bust the rhymes for show lyricism

0:51:11.480 --> 0:51:14.279
<v Speaker 3>is up there. But well, Buster wouldn't want to hear that.

0:51:14.320 --> 0:51:15.160
<v Speaker 3>He'll be like, I'll.

0:51:15.000 --> 0:51:21.200
<v Speaker 1>Kill that nigga, but with anybody exactly, Yeah, he don't

0:51:21.200 --> 0:51:22.120
<v Speaker 1>want to hear none of that. Ship.

0:51:22.200 --> 0:51:25.040
<v Speaker 3>But Buster inspired me a lot, man, Like you might

0:51:25.080 --> 0:51:28.920
<v Speaker 3>not see it in my style a little bit exactly,

0:51:28.960 --> 0:51:31.799
<v Speaker 3>like just being animated, being like more goofy and more

0:51:31.840 --> 0:51:35.480
<v Speaker 3>silly and just like not catering to one or two crowds,

0:51:35.520 --> 0:51:36.360
<v Speaker 3>just being myself.

0:51:36.840 --> 0:51:39.160
<v Speaker 4>But he still gets the respect that he deserves.

0:51:39.200 --> 0:51:41.840
<v Speaker 3>Nobody looks at him like a like somebody who you

0:51:41.840 --> 0:51:43.359
<v Speaker 3>could just run up on, you know what I mean,

0:51:43.440 --> 0:51:47.000
<v Speaker 3>just because he smiles. He doesn't say off stage right,

0:51:47.040 --> 0:51:50.640
<v Speaker 3>and he's great on stage. I always love fast rappers

0:51:50.680 --> 0:51:52.640
<v Speaker 3>like that's always been one of my favorite things, like

0:51:52.680 --> 0:51:57.560
<v Speaker 3>growing up as a kid. His videos always been amazing. Yeah,

0:51:57.600 --> 0:51:59.919
<v Speaker 3>Bust Rhymes is one of my favorite dudes man for Show.

0:52:00.880 --> 0:52:05.439
<v Speaker 3>He's a great dude man like, yeah, legend, he gives

0:52:05.480 --> 0:52:06.120
<v Speaker 3>good hugs.

0:52:06.560 --> 0:52:11.360
<v Speaker 1>Yeah.

0:52:11.520 --> 0:52:14.759
<v Speaker 2>When he talks about squeeze your hand worth of encouragement,

0:52:15.400 --> 0:52:16.120
<v Speaker 2>just amazing.

0:52:17.560 --> 0:52:18.360
<v Speaker 4>Love that guy.

0:52:18.520 --> 0:52:24.239
<v Speaker 3>Yeah you're Pharrell Kanye or Pharrell Pharrell for sure? Uh yeah,

0:52:24.440 --> 0:52:27.520
<v Speaker 3>is you know classic out there? But p I think

0:52:27.560 --> 0:52:30.239
<v Speaker 3>he speaks more to like my crowd, which is like

0:52:30.239 --> 0:52:35.720
<v Speaker 3>the skateboard alternative hip hop, but like you know, still

0:52:36.000 --> 0:52:40.759
<v Speaker 3>you know, fucking into rock bands type ship. Yeah, he

0:52:41.000 --> 0:52:43.279
<v Speaker 3>is like the leader of that. So I'm gonna go

0:52:43.320 --> 0:52:48.160
<v Speaker 3>Pee Bob Marley, Jimmy hen Bob Marley or Jimmy Hendrix.

0:52:48.239 --> 0:52:50.000
<v Speaker 4>I'm gonna go both on that one. Okay, I need

0:52:50.040 --> 0:52:50.600
<v Speaker 4>to take a shot.

0:52:50.920 --> 0:52:54.319
<v Speaker 1>Yeah yeah, yeah, like you said that Jamaican, I'm gonna

0:52:54.320 --> 0:52:57.480
<v Speaker 1>go both on that one.

0:52:57.200 --> 0:53:01.759
<v Speaker 3>I feel like the game you want to go back

0:53:01.800 --> 0:53:02.240
<v Speaker 3>on the.

0:53:03.800 --> 0:53:09.400
<v Speaker 1>Mm hm. I after yeat George Clinton and Willie Nelson.

0:53:10.960 --> 0:53:13.959
<v Speaker 4>George Clinton, Yes, yeah, George Clinn.

0:53:13.960 --> 0:53:16.759
<v Speaker 3>Have you ever met Willy Nelson? I have not met

0:53:16.800 --> 0:53:18.759
<v Speaker 3>Willy Nelson. I was gonna say I have, but he

0:53:18.840 --> 0:53:21.799
<v Speaker 3>rolled me a joint and I didn't get to smoke it.

0:53:21.800 --> 0:53:22.680
<v Speaker 4>But I'm gonn chop it.

0:53:22.640 --> 0:53:23.480
<v Speaker 3>Up with Willy. Willie.

0:53:24.040 --> 0:53:24.719
<v Speaker 1>He rolled you a joint.

0:53:24.719 --> 0:53:26.760
<v Speaker 3>You didn't get to smoke. It's a long story.

0:53:27.360 --> 0:53:28.760
<v Speaker 1>We got, we got.

0:53:29.600 --> 0:53:33.000
<v Speaker 3>I was at my album premiere, my album release party

0:53:33.120 --> 0:53:35.719
<v Speaker 3>in New York. It was my first album, Black and

0:53:35.800 --> 0:53:39.600
<v Speaker 3>Yellow had just went number one. I was performing in

0:53:39.600 --> 0:53:42.719
<v Speaker 3>New York. I sold out the venue. Snoop Dogg was

0:53:42.760 --> 0:53:45.719
<v Speaker 3>doing a late night television set across the street with

0:53:45.840 --> 0:53:50.120
<v Speaker 3>Willy Nelson. He left across the street with Willy Nelson

0:53:50.120 --> 0:53:52.520
<v Speaker 3>to come over across the street with me. He said.

0:53:52.560 --> 0:53:54.880
<v Speaker 3>Willy said that he wanted to be here, but he

0:53:54.880 --> 0:53:56.560
<v Speaker 3>couldn't because he owed.

0:53:57.239 --> 0:53:59.880
<v Speaker 4>But he rolled you this joint and he wanted you

0:54:00.080 --> 0:54:01.440
<v Speaker 4>smoke it. I went on.

0:54:01.440 --> 0:54:03.880
<v Speaker 3>Stage, I got off stage, I said, where's my Willie

0:54:03.880 --> 0:54:06.520
<v Speaker 3>Nelson joint and one of my home He smoked it? O,

0:54:08.120 --> 0:54:10.600
<v Speaker 3>that would have been Boris. Boris would have done that

0:54:10.640 --> 0:54:10.880
<v Speaker 3>to you.

0:54:11.880 --> 0:54:14.000
<v Speaker 2>Not if you know it's from Willy Nelson, you supposed

0:54:14.000 --> 0:54:15.160
<v Speaker 2>to do that, damn.

0:54:16.120 --> 0:54:17.320
<v Speaker 1>But he probably didn't.

0:54:17.080 --> 0:54:19.040
<v Speaker 3>Know it's one of my he's one of my close friendsyeah,

0:54:19.040 --> 0:54:20.759
<v Speaker 3>but yeah, we're still really good.

0:54:20.880 --> 0:54:22.120
<v Speaker 1>But he didn't know it's from Really.

0:54:22.360 --> 0:54:24.560
<v Speaker 4>His name rhymes with heavy goods.

0:54:26.440 --> 0:54:29.680
<v Speaker 3>Day.

0:54:32.480 --> 0:54:34.160
<v Speaker 1>Do you know it from Really Nelson? He just thought

0:54:34.200 --> 0:54:35.360
<v Speaker 1>us a regular joint. You asked him the.

0:54:35.360 --> 0:54:40.160
<v Speaker 3>Whole who knows, man, he said it was good. I mean,

0:54:40.239 --> 0:54:41.839
<v Speaker 3>I don't think he was trying to do all that.

0:54:42.640 --> 0:54:46.440
<v Speaker 3>At least it was fire because it's like, yeah, you

0:54:46.480 --> 0:54:49.760
<v Speaker 3>don't do that. Hey, I know, y'all got some more questions.

0:54:49.800 --> 0:54:56.759
<v Speaker 3>I gotta figure y'all got a cup I could pee in.

0:55:00.840 --> 0:55:01.719
<v Speaker 1>Plus bathroom for you?

0:55:06.120 --> 0:55:09.320
<v Speaker 3>All right, Today's Sports twenty and is today. Ukah is

0:55:09.360 --> 0:55:11.480
<v Speaker 3>available right now at get.

0:55:11.440 --> 0:55:14.920
<v Speaker 1>Uka dot com, g E t O O kag dot com.

0:55:15.000 --> 0:55:18.560
<v Speaker 3>Let's go get that. You don't want to be no saying,

0:55:19.239 --> 0:55:25.719
<v Speaker 3>let's go get all right? All right, this is if

0:55:25.719 --> 0:55:27.319
<v Speaker 3>I can't answer this one, right, I.

0:55:27.280 --> 0:55:28.080
<v Speaker 4>Get cannon gun.

0:55:28.160 --> 0:55:31.440
<v Speaker 2>Yeah, it is just because I mean, just right now,

0:55:31.440 --> 0:55:33.160
<v Speaker 2>we just wait for that. But it's gonna happen whatever.

0:55:33.360 --> 0:55:39.560
<v Speaker 2>Eventually it's happening. How high are Pineapple Express? How high?

0:55:39.640 --> 0:55:40.880
<v Speaker 2>I had an answer for that one.

0:55:41.160 --> 0:55:42.360
<v Speaker 1>You ever hung out with South Broken?

0:55:42.760 --> 0:55:45.600
<v Speaker 3>I have? We got a picture me him and Snoop smoked. Yeah,

0:55:45.640 --> 0:55:48.120
<v Speaker 3>we did the cross joint. He want to cross.

0:55:50.000 --> 0:55:52.840
<v Speaker 1>So Crusz join is for real. It's not just in real.

0:55:53.960 --> 0:55:55.560
<v Speaker 3>And he actually smokes weed too. There's a lot of

0:55:55.600 --> 0:55:57.680
<v Speaker 3>niggas who do weed movies. You don't smoke. Now you

0:55:57.680 --> 0:56:00.439
<v Speaker 3>can tell. Yeah, he smokes weed. So we're good.

0:56:01.280 --> 0:56:05.600
<v Speaker 2>N w a or wu tang wu tang. And this

0:56:05.640 --> 0:56:07.240
<v Speaker 2>is the last one, say the last one.

0:56:07.120 --> 0:56:10.120
<v Speaker 1>Okay, the last one. Everyone thinks that this is a

0:56:10.160 --> 0:56:12.040
<v Speaker 1>trick game, but this is the only time where we

0:56:12.120 --> 0:56:17.080
<v Speaker 1>feel like it isn't a trick. Love or respect, loyalty

0:56:17.160 --> 0:56:18.000
<v Speaker 1>or respectxcuse me?

0:56:18.360 --> 0:56:28.680
<v Speaker 3>Loyalty or respect hmm. I would take loyalty, yeah, because

0:56:28.680 --> 0:56:33.520
<v Speaker 3>you can respect somebody and not be loyal to them. Yeah,

0:56:33.560 --> 0:56:38.080
<v Speaker 3>And I'll take loyalty. Like, if you don't necessarily respect me,

0:56:39.200 --> 0:56:41.600
<v Speaker 3>I don't really give a fuck. But if you're loyal

0:56:41.680 --> 0:56:43.880
<v Speaker 3>to me, if I could like depend on you for

0:56:43.960 --> 0:56:46.960
<v Speaker 3>something that means a lot, I wouldn't have that in

0:56:47.040 --> 0:56:48.279
<v Speaker 3>reverse order, right.

0:56:49.200 --> 0:56:52.520
<v Speaker 1>I feel like that's the only time folk is necessary.

0:56:52.560 --> 0:56:54.480
<v Speaker 1>I feel like loyalty and respect those hand in hand.

0:56:54.840 --> 0:56:55.520
<v Speaker 3>So like that's me.

0:56:55.640 --> 0:56:57.160
<v Speaker 4>But everybody don't respect everything.

0:56:57.239 --> 0:56:59.120
<v Speaker 3>Yeah, you're right, And like a lot of niggas lose.

0:56:59.280 --> 0:57:02.000
<v Speaker 3>They might start off respected you and they fucking lose

0:57:02.040 --> 0:57:04.640
<v Speaker 3>respect for you, or you might end up losing respect

0:57:04.640 --> 0:57:06.560
<v Speaker 3>for somebody else based off of something they did.

0:57:07.000 --> 0:57:09.640
<v Speaker 4>But you ain't never going to cross that man, I

0:57:09.680 --> 0:57:10.279
<v Speaker 4>respect that.

0:57:10.400 --> 0:57:11.040
<v Speaker 3>So what you're.

0:57:10.880 --> 0:57:18.560
<v Speaker 1>Saying is both go ahead with what did we do this?

0:57:18.640 --> 0:57:20.400
<v Speaker 1>The DJ Collin he did not like that.

0:57:20.520 --> 0:57:21.320
<v Speaker 3>He did not like it.

0:57:21.560 --> 0:57:23.840
<v Speaker 1>You know, he was like, I see this show all

0:57:23.880 --> 0:57:26.480
<v Speaker 1>the time for me to don't never do this.

0:57:27.360 --> 0:57:36.200
<v Speaker 6>That's this is the happen, bro, But pick it out,

0:57:37.160 --> 0:57:44.160
<v Speaker 6>Florida bird, Damn, let's just chang's happen.

0:57:44.280 --> 0:57:47.200
<v Speaker 3>Let's do that again, said, nothing happened.

0:57:46.800 --> 0:57:51.040
<v Speaker 1>By pure drink Chance fashion. How come I look like

0:57:51.040 --> 0:57:52.000
<v Speaker 1>I got drinking there.

0:57:55.200 --> 0:58:01.800
<v Speaker 3>Looking forward to that, don't get it?

0:58:04.640 --> 0:58:06.120
<v Speaker 1>Yeah, pure drink chance fat.

0:58:08.520 --> 0:58:11.600
<v Speaker 2>And Yo, he's been holding that gun for your episode.

0:58:11.000 --> 0:58:13.600
<v Speaker 1>You're holding that for your episode.

0:58:13.640 --> 0:58:15.760
<v Speaker 3>You should have tested the sturdiness of the handle.

0:58:16.560 --> 0:58:17.360
<v Speaker 4>You should have swung.

0:58:22.960 --> 0:58:25.520
<v Speaker 3>We got, we got weed for it, right as momus.

0:58:25.520 --> 0:58:27.800
<v Speaker 3>We got, we we got, we were good.

0:58:28.040 --> 0:58:30.720
<v Speaker 1>Yeah, we thought we had it playing right.

0:58:30.920 --> 0:58:35.400
<v Speaker 3>Come on, guys, up my weed gods came through again. Bro,

0:58:38.120 --> 0:58:41.000
<v Speaker 3>that was the Khalifa cushier there. Thank you that you

0:58:41.080 --> 0:58:42.560
<v Speaker 3>just didn't want me to get smoked out?

0:58:42.640 --> 0:58:50.040
<v Speaker 1>Okay, yeah, yeah yo, yeah, fixure together. By the way,

0:58:50.080 --> 0:58:53.880
<v Speaker 1>it's classic. We got it all on film. It's still classic.

0:58:54.920 --> 0:59:01.320
<v Speaker 5>Yeah, yeah, all right, I'm gonna tell all my friends

0:59:01.680 --> 0:59:06.120
<v Speaker 5>not to get on your line, like be nice to go,

0:59:06.960 --> 0:59:09.040
<v Speaker 5>I'll go back to that.

0:59:09.040 --> 0:59:13.160
<v Speaker 3>That's morning we called now for real please, So.

0:59:15.080 --> 0:59:18.600
<v Speaker 1>You got the two records like if I if they

0:59:18.680 --> 0:59:24.120
<v Speaker 1>was to tell me this is a last some of

0:59:24.160 --> 0:59:25.800
<v Speaker 1>the last records I want to hear in my life,

0:59:25.840 --> 0:59:33.280
<v Speaker 1>there would be two of them. From what I'm about

0:59:33.280 --> 0:59:34.280
<v Speaker 1>to play you right now?

0:59:34.400 --> 0:59:34.840
<v Speaker 3>Okay.

0:59:34.880 --> 0:59:36.920
<v Speaker 1>And we thought we had our ships together, little Popito,

0:59:37.000 --> 0:59:38.120
<v Speaker 1>do not have it together?

0:59:38.240 --> 0:59:40.880
<v Speaker 3>Oh that was like a timing.

0:59:44.720 --> 0:59:45.200
<v Speaker 1>Turn it off.

0:59:45.760 --> 0:59:51.840
<v Speaker 3>Okay, okay, yeah, yeah, here we go seven. We don't

0:59:51.880 --> 1:00:00.320
<v Speaker 3>care who's hey, So here we go, hey man a

1:00:00.480 --> 1:00:05.000
<v Speaker 3>more time.

1:00:06.080 --> 1:00:08.360
<v Speaker 1>Let me tell you why I love this because it

1:00:08.440 --> 1:00:11.080
<v Speaker 1>was like it was like it like I'm dripping in paint.

1:00:11.160 --> 1:00:13.320
<v Speaker 1>I don't want to say you brung the youth out

1:00:13.320 --> 1:00:17.280
<v Speaker 1>of Snoop, but you could tell you you were rhyming

1:00:17.680 --> 1:00:19.840
<v Speaker 1>and Snoop did not want to be out rhyme by youth.

1:00:20.920 --> 1:00:21.880
<v Speaker 4>That's what it felt like.

1:00:22.000 --> 1:00:25.080
<v Speaker 3>In a great way and the most greatest exactly what

1:00:25.120 --> 1:00:25.560
<v Speaker 3>was happening.

1:00:26.120 --> 1:00:29.840
<v Speaker 4>Yeah, yeah, that's exactly what was happening.

1:00:29.880 --> 1:00:30.080
<v Speaker 1>Man.

1:00:30.400 --> 1:00:33.240
<v Speaker 4>When we made that song, I had moved out to

1:00:33.440 --> 1:00:33.600
<v Speaker 4>l A.

1:00:33.920 --> 1:00:36.680
<v Speaker 3>That was that was like my first like time staying

1:00:36.680 --> 1:00:39.960
<v Speaker 3>there for an amount of time, and uh, I was

1:00:40.000 --> 1:00:43.960
<v Speaker 3>living at the W and I just told myself in Hollywood,

1:00:44.480 --> 1:00:47.400
<v Speaker 3>I just told myself. I was like, I never wanted

1:00:47.400 --> 1:00:50.040
<v Speaker 3>to move out to La till I had my money, right, Like,

1:00:50.120 --> 1:00:51.960
<v Speaker 3>I know how much money it cost it to live

1:00:52.000 --> 1:00:53.880
<v Speaker 3>out there. So I wasn't like trying to be cracked.

1:00:54.240 --> 1:00:55.640
<v Speaker 3>So I was like, I'm gonna make sure my bread

1:00:55.680 --> 1:00:57.320
<v Speaker 3>is right and then I'm gonna move out here. So

1:00:57.520 --> 1:00:59.600
<v Speaker 3>I got my money up, I was like, all right,

1:00:59.600 --> 1:01:02.080
<v Speaker 3>I'm moving. So I lived in a hotel for like

1:01:02.120 --> 1:01:03.680
<v Speaker 3>a week, and I was like, if I don't find

1:01:03.680 --> 1:01:05.440
<v Speaker 3>a crib in a week, I'm just gonna be fucking

1:01:05.440 --> 1:01:07.000
<v Speaker 3>homeless because I'm not going back home.

1:01:07.920 --> 1:01:09.880
<v Speaker 4>And in that week, I met up with Snoop.

1:01:09.920 --> 1:01:12.240
<v Speaker 3>We shot a couple videos, We did a video for

1:01:12.360 --> 1:01:15.840
<v Speaker 3>that Good. We just talked about a bunch of shit

1:01:16.560 --> 1:01:19.360
<v Speaker 3>and we just came up with like a whole game plan.

1:01:19.400 --> 1:01:21.440
<v Speaker 3>And he was like, Yeah, you're gonna move right up

1:01:21.440 --> 1:01:23.600
<v Speaker 3>the street from me. This is my little apartment in

1:01:23.600 --> 1:01:25.440
<v Speaker 3>my little wool right right here. You're gonna stay up

1:01:25.480 --> 1:01:27.520
<v Speaker 3>the street from me. We're gonna shoot a movie. We're

1:01:27.520 --> 1:01:29.000
<v Speaker 3>gonna do this, We're gonna go on tour, We're gonna

1:01:29.000 --> 1:01:30.280
<v Speaker 3>lock it up. I'm like, all right, cool, I'm your

1:01:30.320 --> 1:01:33.720
<v Speaker 3>little homie. I'm posted right up the street. So that's

1:01:33.760 --> 1:01:36.320
<v Speaker 3>when this song was created in that little amount of time.

1:01:36.360 --> 1:01:40.000
<v Speaker 3>And he had an apartment right off of Sunset, and

1:01:40.040 --> 1:01:42.120
<v Speaker 3>I would go down to the apartment and just pick

1:01:42.160 --> 1:01:44.080
<v Speaker 3>out beats and shit like that. I'll pick like five

1:01:44.160 --> 1:01:47.080
<v Speaker 3>or six beats. And he literally had the booth in

1:01:47.120 --> 1:01:52.800
<v Speaker 3>the closet. So I'm walking in the apartment, going in

1:01:52.880 --> 1:01:56.560
<v Speaker 3>the room, the engineers there, I'm walking through the bathroom.

1:01:56.640 --> 1:01:59.040
<v Speaker 3>There's like kitty litter. There's like two cats in there.

1:01:59.360 --> 1:02:02.920
<v Speaker 3>I think it was like prints in or it was

1:02:02.920 --> 1:02:04.560
<v Speaker 3>two names. I forget what the name. It was like

1:02:04.720 --> 1:02:08.360
<v Speaker 3>Icontina or some shit. He had two cats. And then

1:02:08.360 --> 1:02:10.400
<v Speaker 3>you walk through the bathroom and then you're in his

1:02:10.560 --> 1:02:13.680
<v Speaker 3>closet and it Snooped AG's closet. So it's like all

1:02:13.720 --> 1:02:16.560
<v Speaker 3>types of like custom Snoop jerseys and stealer shit and

1:02:16.640 --> 1:02:19.640
<v Speaker 3>Laker shit, just like legendary shit. I think fucking one

1:02:19.680 --> 1:02:23.040
<v Speaker 3>of Don Juan suits was in there, and I'm like

1:02:23.160 --> 1:02:26.800
<v Speaker 3>just laying versus in this closet and he would be

1:02:26.840 --> 1:02:30.120
<v Speaker 3>in another room like just chilling smoke and playing a game,

1:02:30.200 --> 1:02:32.040
<v Speaker 3>doing his thing. But he would come in and hear

1:02:32.080 --> 1:02:34.360
<v Speaker 3>my verses, and I would leave and he would do

1:02:34.480 --> 1:02:35.960
<v Speaker 3>his verses and I would come back and I would

1:02:36.000 --> 1:02:37.800
<v Speaker 3>hear his shit. So it was like we was going

1:02:37.840 --> 1:02:40.160
<v Speaker 3>back and forth. I would hear his verse. I'd be like, oh, okay,

1:02:40.200 --> 1:02:43.000
<v Speaker 3>all right, go back and forth, you know what I mean?

1:02:43.120 --> 1:02:44.080
<v Speaker 4>Yeah, like real shit.

1:02:44.480 --> 1:02:47.400
<v Speaker 3>And this particular record we came together because I had

1:02:47.480 --> 1:02:50.120
<v Speaker 3>just signed to Atlantic and he was like, man, these

1:02:50.160 --> 1:02:54.000
<v Speaker 3>motherfuckers keep sending me this weak ass song. He was like,

1:02:54.040 --> 1:02:56.680
<v Speaker 3>it ain't for me, and he was like, but I

1:02:56.720 --> 1:02:59.640
<v Speaker 3>think together it'll work, like for both of us.

1:02:59.680 --> 1:03:01.520
<v Speaker 1>He was, so that hook was on there already.

1:03:01.640 --> 1:03:05.760
<v Speaker 3>Yeah yeah, yeah, that's Bruno Mars singing the hook. Oh ship, Yeah,

1:03:05.800 --> 1:03:07.880
<v Speaker 3>that's Bruno Mars. But he had caught a little case

1:03:07.920 --> 1:03:10.720
<v Speaker 3>around that time, so they didn't want him being involved

1:03:10.720 --> 1:03:13.520
<v Speaker 3>with it. Remember to get high record because you know

1:03:13.680 --> 1:03:16.760
<v Speaker 3>it's a little case or whatever. But Snoop didn't like

1:03:16.840 --> 1:03:19.760
<v Speaker 3>the song for him individually. I didn't like the song

1:03:19.800 --> 1:03:22.800
<v Speaker 3>for me, and it just sounded like too like you

1:03:22.800 --> 1:03:25.840
<v Speaker 3>know what I mean, It sounded like too. It was

1:03:25.880 --> 1:03:29.120
<v Speaker 3>like it is, it didn't sound right for both of us,

1:03:29.200 --> 1:03:32.560
<v Speaker 3>like individually, you could be featured on it, but when

1:03:32.600 --> 1:03:35.160
<v Speaker 3>we came together, it just made perfect sense. Like we

1:03:35.240 --> 1:03:37.920
<v Speaker 3>recorded that ship in fifteen minutes and just put that

1:03:37.960 --> 1:03:40.040
<v Speaker 3>ship straight out and it went crazy. Man, that's like

1:03:40.080 --> 1:03:42.360
<v Speaker 3>one of the biggest songs. They sing that ship all

1:03:42.400 --> 1:03:44.960
<v Speaker 3>over the world. They singing in Korea, record, they singing

1:03:45.000 --> 1:03:46.880
<v Speaker 3>in Africa, they singing in India.

1:03:47.000 --> 1:03:50.080
<v Speaker 1>Party is down. Yeah, go to that. You can sing that.

1:03:50.080 --> 1:03:52.240
<v Speaker 4>At the airport and then people would just start singing

1:03:52.280 --> 1:03:52.640
<v Speaker 4>it with you.

1:03:52.720 --> 1:03:57.600
<v Speaker 1>Yeah real, you know, we can't look over what you

1:03:57.680 --> 1:03:58.160
<v Speaker 1>just said.

1:03:58.320 --> 1:04:00.920
<v Speaker 2>That type of mentorship that Snooper willing to give you,

1:04:01.160 --> 1:04:04.360
<v Speaker 2>so dope, we need more of that in the culture.

1:04:04.720 --> 1:04:05.240
<v Speaker 1>Yeah.

1:04:05.320 --> 1:04:06.800
<v Speaker 4>Snoop's really the big homie man.

1:04:06.840 --> 1:04:09.560
<v Speaker 3>He's he's really the greatest of all time because I

1:04:09.600 --> 1:04:12.439
<v Speaker 3>feel like a lot of people that their legacy is

1:04:12.880 --> 1:04:16.440
<v Speaker 3>living past them. He's the living legend. He's the one

1:04:16.440 --> 1:04:19.479
<v Speaker 3>who's still here doing it, doing it, and nobody else

1:04:19.560 --> 1:04:22.480
<v Speaker 3>in the rap game has a second coming of them,

1:04:22.960 --> 1:04:25.000
<v Speaker 3>like another one of them, like you know what I mean.

1:04:25.040 --> 1:04:27.320
<v Speaker 3>And he was able to bring me into the game

1:04:27.360 --> 1:04:29.360
<v Speaker 3>and people be like Yo Whiz is the Snoop Dog

1:04:29.400 --> 1:04:30.120
<v Speaker 3>of our generation.

1:04:30.480 --> 1:04:31.560
<v Speaker 4>Nobody else has that.

1:04:31.960 --> 1:04:34.880
<v Speaker 1>I believe Kim has that. With Nas, it's similar. No

1:04:35.080 --> 1:04:39.520
<v Speaker 1>Nas is Nas, Yeah, but somewhat. NAS was the second

1:04:39.520 --> 1:04:39.920
<v Speaker 1>coming off.

1:04:40.160 --> 1:04:43.520
<v Speaker 3>But did rock him share the stage with Nas? Have

1:04:43.600 --> 1:04:45.840
<v Speaker 3>they been on tour together? Do they have a movie together?

1:04:46.360 --> 1:04:46.919
<v Speaker 3>Snoop dogg?

1:04:46.960 --> 1:04:58.959
<v Speaker 1>All right, all right, I'm gonna take a shot of that.

1:05:00.200 --> 1:05:03.080
<v Speaker 3>M hmm, you got it ready? Last one?

1:05:03.600 --> 1:05:05.520
<v Speaker 1>Damn this you're doing. I'm good at it.

1:05:05.760 --> 1:05:08.280
<v Speaker 3>She went to the shop. That's what.

1:05:08.440 --> 1:05:10.800
<v Speaker 2>That's why we got to stick to Uka because what

1:05:11.400 --> 1:05:15.960
<v Speaker 2>it was the anticipation of it. But it was about

1:05:16.000 --> 1:05:17.160
<v Speaker 2>to go down, and.

1:05:17.200 --> 1:05:18.320
<v Speaker 4>But it was going.

1:05:18.880 --> 1:05:21.040
<v Speaker 3>It's crazy for it was coming.

1:05:20.800 --> 1:05:22.880
<v Speaker 1>Right now because it was so funny how we had

1:05:23.040 --> 1:05:25.760
<v Speaker 1>got college all right, but that it was so funny.

1:05:25.800 --> 1:05:27.280
<v Speaker 1>Have you got college? We're trying to get you. We

1:05:27.320 --> 1:05:27.720
<v Speaker 1>gotta put it.

1:05:27.840 --> 1:05:31.080
<v Speaker 3>We looking for you to be I want to see Gallant.

1:05:31.440 --> 1:05:32.760
<v Speaker 3>Oh they made.

1:05:32.720 --> 1:05:35.920
<v Speaker 1>Meme out of that. Jefferson only get off of it.

1:05:36.080 --> 1:05:37.440
<v Speaker 1>He said, I see the show all the time. He

1:05:37.520 --> 1:05:43.080
<v Speaker 1>was like, yeah, yeah, you don't smoke all right. So

1:05:44.520 --> 1:05:46.040
<v Speaker 1>one of my top I don't know when I say

1:05:46.040 --> 1:05:49.880
<v Speaker 1>top twenty or top fifty or whatever songs that I

1:05:49.920 --> 1:05:52.360
<v Speaker 1>would like to hear. I got two of them in

1:05:52.440 --> 1:05:54.920
<v Speaker 1>my list. Oh I think I know what this one is.

1:05:55.720 --> 1:06:05.000
<v Speaker 3>Hit the second one, Oh, it wasn't what I to

1:06:05.080 --> 1:06:18.120
<v Speaker 3>the anthem though twice much mother over there.

1:06:18.960 --> 1:06:22.000
<v Speaker 1>Man, you got you got plenty of anthems. I'm just

1:06:22.400 --> 1:06:25.080
<v Speaker 1>you know, picking those two for now. But what I'm

1:06:25.120 --> 1:06:28.000
<v Speaker 1>saying is, I know you said it earlier. You always

1:06:28.040 --> 1:06:30.880
<v Speaker 1>want to make global music, but it's a difference from

1:06:30.920 --> 1:06:32.880
<v Speaker 1>global music and anthem music.

1:06:33.080 --> 1:06:33.280
<v Speaker 3>Yeah.

1:06:33.520 --> 1:06:36.520
<v Speaker 1>Right, So there's global music where it's just pretty much

1:06:36.840 --> 1:06:40.320
<v Speaker 1>like I would say the record about Paul Walker, that's

1:06:40.400 --> 1:06:42.720
<v Speaker 1>like a to me, a global But then you're making

1:06:42.880 --> 1:06:47.800
<v Speaker 1>these anthems. If you make a global anthem, I would

1:06:47.800 --> 1:06:54.640
<v Speaker 1>say global global anthems GLO. But I know you said

1:06:54.640 --> 1:06:58.800
<v Speaker 1>it earlier, but I just want to reiterate that when

1:06:58.840 --> 1:07:00.840
<v Speaker 1>you make these anthems, are you going in and saying

1:07:00.880 --> 1:07:02.240
<v Speaker 1>I'm making the anthem tonight?

1:07:02.480 --> 1:07:15.000
<v Speaker 3>That's crazy? Because no, for sure, no, man, I didn't.

1:07:15.040 --> 1:07:17.520
<v Speaker 3>I didn't really know that I was making anthems. For

1:07:17.560 --> 1:07:19.760
<v Speaker 3>a minute, I thought that I was just kind of

1:07:19.760 --> 1:07:20.919
<v Speaker 3>getting lucky with that ship.

1:07:21.480 --> 1:07:22.720
<v Speaker 4>And then I.

1:07:22.680 --> 1:07:25.520
<v Speaker 3>Just started realizing, like Okay, these are those types of

1:07:25.560 --> 1:07:28.560
<v Speaker 3>records that people fuk with. When I did Black and Yellow,

1:07:29.240 --> 1:07:31.520
<v Speaker 3>that was just me representing my city. I love Pittsburgh

1:07:31.640 --> 1:07:35.280
<v Speaker 3>so much. Everybody in Pittsburgh loves the city so much.

1:07:35.320 --> 1:07:37.040
<v Speaker 3>So it was just, you know, my way of letting

1:07:37.080 --> 1:07:40.320
<v Speaker 3>everybody know where I'm from. And still is just happened

1:07:40.320 --> 1:07:42.760
<v Speaker 3>to go to the freaking super Bowl that year.

1:07:43.040 --> 1:07:44.440
<v Speaker 1>The same year, Yeah, it was the.

1:07:44.400 --> 1:07:46.200
<v Speaker 3>Same year that Black and Yellow was on the radio.

1:07:46.600 --> 1:07:47.160
<v Speaker 4>They wouldn't go.

1:07:47.160 --> 1:07:53.640
<v Speaker 3>Super That's what I'm saying. Oh yeah, you know, so

1:07:53.840 --> 1:07:56.320
<v Speaker 3>that happened with with Black and Yellow and then with

1:07:56.440 --> 1:08:00.280
<v Speaker 3>Weedham Boys. I have really good taste in music, and

1:08:00.360 --> 1:08:02.360
<v Speaker 3>I just know a hit when I when I when

1:08:02.360 --> 1:08:06.280
<v Speaker 3>I hear one. And at this particular time in my career,

1:08:06.320 --> 1:08:08.800
<v Speaker 3>I was working on my third album, and that could

1:08:08.840 --> 1:08:11.680
<v Speaker 3>be like a tough spot for artists because you're trying

1:08:11.720 --> 1:08:14.880
<v Speaker 3>to find your thing and you're trying to still do

1:08:14.960 --> 1:08:17.040
<v Speaker 3>what's new, and you're just you're just trying to figure

1:08:17.040 --> 1:08:18.400
<v Speaker 3>out a bunch of things. It's a lot with the

1:08:18.479 --> 1:08:21.439
<v Speaker 3>label because they might be expecting they have other people

1:08:21.479 --> 1:08:24.479
<v Speaker 3>coming in, so it's a lot of competition, and for me,

1:08:24.560 --> 1:08:27.000
<v Speaker 3>it's just always about like making the best music and

1:08:27.040 --> 1:08:30.400
<v Speaker 3>being in that pocket right then and there. And I

1:08:30.479 --> 1:08:32.200
<v Speaker 3>knew I needed a hit, you know what I'm saying,

1:08:32.240 --> 1:08:34.760
<v Speaker 3>And I was just willing to work with with anybody

1:08:34.840 --> 1:08:37.759
<v Speaker 3>that was, you know, making good music at that time.

1:08:38.360 --> 1:08:42.360
<v Speaker 3>When I did Black and Yellow, Stargate, they were making

1:08:42.600 --> 1:08:44.439
<v Speaker 3>hit records at the time, so it was like, let's

1:08:44.439 --> 1:08:49.360
<v Speaker 3>work with Stargate. And when I did Weedham Boys, Detail

1:08:49.520 --> 1:08:51.280
<v Speaker 3>was on his way up. He already had like a

1:08:51.280 --> 1:08:52.840
<v Speaker 3>bunch of hits and a lot of people that he

1:08:52.960 --> 1:08:56.360
<v Speaker 3>was working with, but he was still you know seasoning

1:08:56.560 --> 1:08:59.640
<v Speaker 3>and you know, shifting and pivoting and doing a lot

1:08:59.640 --> 1:09:01.280
<v Speaker 3>of different things. He was all over the place. So

1:09:01.320 --> 1:09:03.600
<v Speaker 3>he was open again in the studio with me. And

1:09:03.640 --> 1:09:05.600
<v Speaker 3>as soon as I heard you know, the rough for

1:09:05.680 --> 1:09:07.240
<v Speaker 3>Weedom Boys, I was like, that's a hit.

1:09:07.320 --> 1:09:09.360
<v Speaker 4>I'm like, this is a banger. And it was just

1:09:09.360 --> 1:09:10.440
<v Speaker 4>one of them songs.

1:09:10.120 --> 1:09:12.280
<v Speaker 3>That I was really ready to, you know, go to

1:09:12.360 --> 1:09:16.760
<v Speaker 3>war about and just be you know, stand up, like, yo,

1:09:16.840 --> 1:09:20.040
<v Speaker 3>this is the record right here. Yeah, yeah, yeah, yeah.

1:09:20.080 --> 1:09:22.720
<v Speaker 4>Make sure the label like understands the messages.

1:09:22.360 --> 1:09:24.960
<v Speaker 1>And like it's still dark sounding record when you.

1:09:25.040 --> 1:09:26.880
<v Speaker 3>Hear but it's a it's a it's something that gets

1:09:26.920 --> 1:09:29.600
<v Speaker 3>you rowdy. When we were in the studio making it,

1:09:29.640 --> 1:09:30.880
<v Speaker 3>like we were standing up on.

1:09:31.479 --> 1:09:33.719
<v Speaker 2>It, like yeah yeah.

1:09:34.720 --> 1:09:36.800
<v Speaker 3>When we when we went on the promo run for

1:09:36.840 --> 1:09:39.040
<v Speaker 3>the club, we would just snatch the mic and just

1:09:39.080 --> 1:09:41.679
<v Speaker 3>be like hold up, hold up. So it just made

1:09:41.760 --> 1:09:43.400
<v Speaker 3>us feel a certain type of way, and we knew

1:09:43.439 --> 1:09:45.960
<v Speaker 3>that the world would feel that way as well. And

1:09:46.600 --> 1:09:48.800
<v Speaker 3>I came up with the idea for the video, and

1:09:48.920 --> 1:09:50.280
<v Speaker 3>you know, that came off really well.

1:09:50.320 --> 1:09:52.479
<v Speaker 4>So it was just a really really good moment for

1:09:52.600 --> 1:09:53.080
<v Speaker 4>my career.

1:09:53.200 --> 1:09:54.360
<v Speaker 1>Goddamn man.

1:09:54.400 --> 1:09:58.880
<v Speaker 3>Hell oh yeah. And then Dallas Cowboys picked it up

1:09:58.880 --> 1:10:01.400
<v Speaker 3>and made it like official and shit like that too.

1:10:01.479 --> 1:10:06.120
<v Speaker 3>Because the Cowboys that they apparently they them boys, so yeah,

1:10:06.160 --> 1:10:09.120
<v Speaker 3>they like got shipped in their yards that says weeding boys.

1:10:09.120 --> 1:10:12.080
<v Speaker 3>They got Dallas Cowboys shirts and all that. When they

1:10:12.120 --> 1:10:15.479
<v Speaker 3>score touchdowns, they fucking screaming weeding boys. So it's like

1:10:15.520 --> 1:10:17.559
<v Speaker 3>I got a Pittsburgh anthem and I got a Dallas

1:10:17.600 --> 1:10:20.240
<v Speaker 3>anthem as well. Jerry Jones to cutting them checks, I mean,

1:10:20.320 --> 1:10:23.400
<v Speaker 3>not necessarily a check, but it's good promotion though. And

1:10:23.400 --> 1:10:27.080
<v Speaker 3>they let me go to the stadium and like some

1:10:27.200 --> 1:10:28.200
<v Speaker 3>nachos and shit.

1:10:29.400 --> 1:10:29.920
<v Speaker 4>It was cool.

1:10:30.080 --> 1:10:32.519
<v Speaker 3>Now they're really really cool about it. Then you know,

1:10:32.640 --> 1:10:35.640
<v Speaker 3>it's it's good promotion. You guys fixed that over that.

1:10:37.640 --> 1:10:41.000
<v Speaker 1>We have literally a mechanic, a mechanic working bro. I

1:10:41.080 --> 1:10:46.720
<v Speaker 1>also heard heard you say somewhere that if you if

1:10:46.720 --> 1:10:49.160
<v Speaker 1>you had a chance to do rolling papers over or

1:10:50.240 --> 1:10:51.519
<v Speaker 1>you would have did something else.

1:10:52.120 --> 1:10:53.880
<v Speaker 3>Nah. That was like early in my career. I was

1:10:53.880 --> 1:10:56.240
<v Speaker 3>like letting the criticism get to me.

1:10:56.720 --> 1:10:56.920
<v Speaker 2>Yeah.

1:10:57.040 --> 1:11:02.679
<v Speaker 3>Yeah, I had felt that people were expecting one thing

1:11:02.800 --> 1:11:05.320
<v Speaker 3>from my mixtape shit, and then they got something from

1:11:05.320 --> 1:11:08.120
<v Speaker 3>my uh, from my from my album that they didn't

1:11:09.160 --> 1:11:13.240
<v Speaker 3>that they weren't ready for, and just me caring about

1:11:13.280 --> 1:11:15.640
<v Speaker 3>people's reactions, that's what made me say that.

1:11:15.680 --> 1:11:18.040
<v Speaker 4>But looking back, I don't give a fuck. That shit

1:11:18.160 --> 1:11:18.880
<v Speaker 4>is legendary.

1:11:19.040 --> 1:11:21.960
<v Speaker 3>Like I got plaques in my crib from more than

1:11:22.000 --> 1:11:25.599
<v Speaker 3>half of that album, which means people physically were buying

1:11:25.640 --> 1:11:28.360
<v Speaker 3>that shit. And it was a really good, you know

1:11:28.479 --> 1:11:30.720
<v Speaker 3>exercise for me to get to where I'm at in

1:11:30.760 --> 1:11:33.760
<v Speaker 3>my career now. And if I wouldn't have done that,

1:11:33.800 --> 1:11:35.760
<v Speaker 3>it wouldn't have made the you know, paved the way

1:11:35.800 --> 1:11:38.400
<v Speaker 3>for hits like you know, Weed and Boys, Young Wild

1:11:38.400 --> 1:11:41.080
<v Speaker 3>and Free See You Again and you know, all the

1:11:41.120 --> 1:11:43.479
<v Speaker 3>other platinum hits that you know, people love me for.

1:11:43.640 --> 1:11:44.960
<v Speaker 4>So I'm glad I did it.

1:11:45.000 --> 1:11:48.120
<v Speaker 3>I'm glad I wrote the letter, and but I don't.

1:11:47.920 --> 1:11:49.719
<v Speaker 4>Feel like that today though at all.

1:11:50.040 --> 1:11:52.680
<v Speaker 2>You also one of the first artists working with the

1:11:52.720 --> 1:11:55.320
<v Speaker 2>guys that's Rolling Loud. They remember, I remember out here

1:11:55.439 --> 1:11:58.120
<v Speaker 2>the for a lot of deal the Revolution Revolution Live,

1:11:58.320 --> 1:12:00.000
<v Speaker 2>and they were doing their early Rolling louds.

1:12:00.000 --> 1:12:01.280
<v Speaker 1>We were just doing straight concerts.

1:12:01.360 --> 1:12:03.000
<v Speaker 3>Uh huh, And you were one of the first artists

1:12:03.000 --> 1:12:03.559
<v Speaker 3>working with them.

1:12:03.640 --> 1:12:03.840
<v Speaker 1>Yeah.

1:12:03.920 --> 1:12:06.839
<v Speaker 2>Yeah, did that translated you that relationship still in tact.

1:12:06.760 --> 1:12:07.519
<v Speaker 4>Yeah, definitely.

1:12:08.240 --> 1:12:11.920
<v Speaker 3>We pioneered a lot of things, man, just by being available.

1:12:13.000 --> 1:12:13.599
<v Speaker 1>I think.

1:12:15.080 --> 1:12:17.400
<v Speaker 3>Me being like one of the first rap acts doing

1:12:17.479 --> 1:12:21.559
<v Speaker 3>festivals and just bigger you know, headlining stages and things

1:12:21.600 --> 1:12:23.800
<v Speaker 3>like that, it opened up a lot of opportunities for

1:12:24.520 --> 1:12:27.920
<v Speaker 3>people to bring that, you know, same attention to other

1:12:28.040 --> 1:12:30.920
<v Speaker 3>artists as well, or take their artists on tour or

1:12:31.000 --> 1:12:32.360
<v Speaker 3>sell merch and do.

1:12:32.400 --> 1:12:32.880
<v Speaker 4>Things like that.

1:12:32.960 --> 1:12:35.360
<v Speaker 3>So it's really good to see like the whole show

1:12:35.439 --> 1:12:38.240
<v Speaker 3>scene and the festival scene like budding and you know,

1:12:38.280 --> 1:12:41.439
<v Speaker 3>everybody you know eating off of that and it's still

1:12:41.439 --> 1:12:44.720
<v Speaker 3>the original homies from before and this cast, like you know,

1:12:44.880 --> 1:12:47.040
<v Speaker 3>things that we did at south By Southwest that are

1:12:47.040 --> 1:12:49.200
<v Speaker 3>still going or you know, reached their peak and we

1:12:49.200 --> 1:12:50.280
<v Speaker 3>were able to see that through.

1:12:50.360 --> 1:12:51.439
<v Speaker 4>So it's really dope.

1:12:51.439 --> 1:12:51.639
<v Speaker 3>Man.

1:12:51.880 --> 1:12:55.280
<v Speaker 2>Do you prefer doing festivals or a show that's just you?

1:12:55.560 --> 1:12:57.840
<v Speaker 3>I like all of it. I love doing the festivals.

1:12:57.920 --> 1:12:59.760
<v Speaker 3>I like doing the festivals because you get different types

1:12:59.760 --> 1:13:02.120
<v Speaker 3>of me. Like that's the only time I'll be able

1:13:02.160 --> 1:13:04.559
<v Speaker 3>to perform with like Elton John or some ship like that,

1:13:04.640 --> 1:13:05.240
<v Speaker 3>you know what I mean.

1:13:05.360 --> 1:13:07.160
<v Speaker 4>So it's really cool to do the festivals.

1:13:07.439 --> 1:13:10.439
<v Speaker 3>And then when I'm on my tour, I'm able to

1:13:10.600 --> 1:13:13.720
<v Speaker 3>you know, go in with the production and just be

1:13:13.840 --> 1:13:17.640
<v Speaker 3>more creative and things like that, with with my own vision.

1:13:17.360 --> 1:13:19.880
<v Speaker 4>And stuff like that. So I get I get a

1:13:19.880 --> 1:13:20.559
<v Speaker 4>lot out of both.

1:13:21.560 --> 1:13:24.840
<v Speaker 1>He any place that you can't go to because of

1:13:24.880 --> 1:13:26.480
<v Speaker 1>your smoking habits.

1:13:26.520 --> 1:13:29.280
<v Speaker 3>Du Bay don't allow smoking, But it's not that I

1:13:29.320 --> 1:13:30.000
<v Speaker 3>can't go there.

1:13:30.040 --> 1:13:31.880
<v Speaker 4>I just can't smoke while I'm there.

1:13:32.000 --> 1:13:35.120
<v Speaker 1>Yeah, because I'm hearing that they decriminalize it, but I

1:13:35.120 --> 1:13:36.040
<v Speaker 1>don't know what that means.

1:13:36.479 --> 1:13:38.519
<v Speaker 4>But it's religious why they don't do it over there.

1:13:38.680 --> 1:13:39.120
<v Speaker 1>Yeah, but.

1:13:41.280 --> 1:13:44.880
<v Speaker 3>Like more lenient, but it's like still you know, like

1:13:45.080 --> 1:13:48.559
<v Speaker 3>having weed is one thing, but then like trafficking, being

1:13:48.640 --> 1:13:51.519
<v Speaker 3>with traffick hers, it's like it's a lot, you know.

1:13:51.479 --> 1:13:57.360
<v Speaker 1>What I mean, Like I know, I remember Smack Dad

1:13:57.360 --> 1:14:00.320
<v Speaker 1>in the middle of you know, people getting the did

1:14:00.400 --> 1:14:02.880
<v Speaker 1>for weed. It was like Snoop had like the illness pass.

1:14:02.960 --> 1:14:05.000
<v Speaker 1>Like he would come to this one hotel in New

1:14:05.080 --> 1:14:07.960
<v Speaker 1>York and for seven floors they would just let him

1:14:07.960 --> 1:14:09.360
<v Speaker 1>smoke whatever the fuck he wanted.

1:14:09.840 --> 1:14:12.519
<v Speaker 3>And it's like different, man, what you do in your

1:14:12.600 --> 1:14:15.160
<v Speaker 3>boss is different.

1:14:19.439 --> 1:14:26.519
<v Speaker 2>Mhm, we should have the gun popping.

1:14:26.640 --> 1:14:28.760
<v Speaker 1>Yeah, man, come on, man, you let us down.

1:14:28.960 --> 1:14:29.479
<v Speaker 3>Shoot men.

1:14:30.040 --> 1:14:33.880
<v Speaker 2>Let's be honest. It's not more. You guys are way

1:14:33.920 --> 1:14:38.920
<v Speaker 2>too optimistic. Let's smoke this spooka.

1:14:39.000 --> 1:14:46.320
<v Speaker 1>Then are we smoking that? Goddamn need know they It's

1:14:46.439 --> 1:14:52.559
<v Speaker 1>crazy because me listening to repacked it your music, I

1:14:52.600 --> 1:14:55.120
<v Speaker 1>was I said to myself, Man, I always wanted a

1:14:55.160 --> 1:14:58.519
<v Speaker 1>record what wiz in phar real And we actually do

1:14:58.640 --> 1:15:01.240
<v Speaker 1>have a remix with me, you and Pharrell, But it's

1:15:01.280 --> 1:15:03.840
<v Speaker 1>not the real thing. Before it's not the real thing,

1:15:03.880 --> 1:15:05.519
<v Speaker 1>I mean because I just felt like it was. It

1:15:05.600 --> 1:15:09.160
<v Speaker 1>was just a remix. But like me listening to riz music,

1:15:09.880 --> 1:15:12.240
<v Speaker 1>I need that fit, I need I need that hook.

1:15:12.280 --> 1:15:13.160
<v Speaker 1>I need the hell.

1:15:12.960 --> 1:15:13.840
<v Speaker 4>Are you going to do with that?

1:15:14.000 --> 1:15:18.720
<v Speaker 1>Verse? Then we got you want?

1:15:19.120 --> 1:15:19.519
<v Speaker 3>I need?

1:15:19.840 --> 1:15:23.040
<v Speaker 1>I want to go with me and you, Pharrell, get him.

1:15:23.040 --> 1:15:24.519
<v Speaker 1>We need to go in the studio and make it

1:15:24.640 --> 1:15:25.599
<v Speaker 1>feel good record.

1:15:25.640 --> 1:15:28.280
<v Speaker 4>You gotta spark it though, I'm smarked.

1:15:28.320 --> 1:15:31.839
<v Speaker 1>Yeah, I am smarked.

1:15:31.920 --> 1:15:34.400
<v Speaker 3>Yeah, yeah, you gotta spark it like I want to.

1:15:35.120 --> 1:15:38.160
<v Speaker 1>Yeah, that was like I want to do well, well,

1:15:38.160 --> 1:15:41.439
<v Speaker 1>maybe it's not my last album, or maybe it's a

1:15:41.600 --> 1:15:44.200
<v Speaker 1>drink Champs full album, and I want to do guests

1:15:44.240 --> 1:15:44.800
<v Speaker 1>that we had.

1:15:45.000 --> 1:15:46.120
<v Speaker 4>It's easy, you know what I mean?

1:15:46.240 --> 1:15:48.280
<v Speaker 1>Yeah, like we had we had a studio up there.

1:15:48.439 --> 1:15:50.320
<v Speaker 3>Oh well we was, So we're going to be in

1:15:50.320 --> 1:15:55.360
<v Speaker 3>the studio together, are you sending this? I like being

1:15:55.360 --> 1:15:57.080
<v Speaker 3>in the studio with Pharrell and I like being in

1:15:57.120 --> 1:15:58.240
<v Speaker 3>the studio with you. Yes.

1:15:58.320 --> 1:16:02.559
<v Speaker 1>Yes, And there's nothing like being in.

1:16:02.640 --> 1:16:04.640
<v Speaker 2>With Forrell because I was able to be in the

1:16:04.680 --> 1:16:05.880
<v Speaker 2>studio with them a couple of times and.

1:16:06.400 --> 1:16:09.360
<v Speaker 1>Working against it's funny too.

1:16:09.439 --> 1:16:10.800
<v Speaker 4>Yeah, he had me cracking up.

1:16:11.080 --> 1:16:13.240
<v Speaker 3>I'll tell you what you need to do, Yeah, for sure?

1:16:13.640 --> 1:16:14.360
<v Speaker 2>What you need to work on?

1:16:14.439 --> 1:16:15.200
<v Speaker 4>Yeah, no, for sure.

1:16:15.200 --> 1:16:18.400
<v Speaker 1>How many times you've been in the studio for maybe.

1:16:18.120 --> 1:16:19.840
<v Speaker 3>I think we locked in for like three days when

1:16:19.880 --> 1:16:21.640
<v Speaker 3>I was working on my second album.

1:16:21.560 --> 1:16:24.479
<v Speaker 4>And then maybe like another time after that. Okay, it

1:16:24.560 --> 1:16:26.320
<v Speaker 4>was really good though. He made a beat right there

1:16:26.360 --> 1:16:26.920
<v Speaker 4>on the spot.

1:16:27.280 --> 1:16:32.320
<v Speaker 3>Yeah uh he did a verse on there. Oh wow,

1:16:32.439 --> 1:16:34.920
<v Speaker 3>because I like saying my part and then I wrapped

1:16:34.920 --> 1:16:37.080
<v Speaker 3>my verse and I was like, yo, p let me

1:16:37.080 --> 1:16:37.679
<v Speaker 3>get a verse.

1:16:37.560 --> 1:16:39.040
<v Speaker 4>On here real quick. And he went in there and

1:16:39.040 --> 1:16:39.720
<v Speaker 4>wrapped me a verse.

1:16:39.800 --> 1:16:42.479
<v Speaker 1>I was like hell, just like most people did write

1:16:42.479 --> 1:16:43.240
<v Speaker 1>his verses, he.

1:16:45.920 --> 1:16:49.760
<v Speaker 4>Did his verse. He showed up for the video as well, like, yeah,

1:16:49.880 --> 1:16:50.519
<v Speaker 4>what the fuck?

1:16:51.439 --> 1:16:53.240
<v Speaker 2>So what producer would you want to work with now

1:16:53.280 --> 1:16:54.160
<v Speaker 2>that you haven't Dre?

1:16:55.520 --> 1:16:56.479
<v Speaker 4>Dre is on the list.

1:16:56.840 --> 1:17:00.240
<v Speaker 3>I'm definitely gonna work with Dre, but I want to

1:17:00.280 --> 1:17:04.559
<v Speaker 3>work some more with Timberland. Yeah yeah, yeah, I want

1:17:04.560 --> 1:17:06.040
<v Speaker 3>to fuck with Tim a little bit more.

1:17:07.880 --> 1:17:09.559
<v Speaker 4>Swiss beats, Swiss beats.

1:17:09.920 --> 1:17:11.559
<v Speaker 2>Yeah, I can see that. I can see that.

1:17:11.560 --> 1:17:12.960
<v Speaker 3>Easy me and Swiss.

1:17:13.120 --> 1:17:15.559
<v Speaker 1>I can see that, ye Swiss. I can see that.

1:17:16.600 --> 1:17:19.160
<v Speaker 3>Would you do it versus not right now?

1:17:19.880 --> 1:17:22.960
<v Speaker 1>Right now? You got more years, or.

1:17:24.880 --> 1:17:27.960
<v Speaker 2>You feel that's for someone that's more your elder, or

1:17:28.000 --> 1:17:31.040
<v Speaker 2>you you feel like it's catalog wise, you want to

1:17:31.080 --> 1:17:31.479
<v Speaker 2>do more.

1:17:32.200 --> 1:17:34.400
<v Speaker 3>I think I feel like catalog wise, I would want

1:17:34.400 --> 1:17:37.400
<v Speaker 3>to do more, like just as a consumer when I

1:17:37.439 --> 1:17:41.360
<v Speaker 3>watch versus I get happy when I hear like older

1:17:41.439 --> 1:17:43.479
<v Speaker 3>songs that I didn't even know that they had anything

1:17:43.520 --> 1:17:46.120
<v Speaker 3>to do with, or just like hits that you know

1:17:46.200 --> 1:17:48.719
<v Speaker 3>they might have been behind the scenes on the side.

1:17:49.120 --> 1:17:51.400
<v Speaker 4>Yeah, so it'd be cool to like bring that out.

1:17:51.400 --> 1:17:53.360
<v Speaker 3>I feel like a lot of my ship is still relevant,

1:17:54.080 --> 1:17:56.559
<v Speaker 3>so it's like not a not a real surprise, like

1:17:56.640 --> 1:17:58.280
<v Speaker 3>you know what I mean, Like it'll be cool to

1:17:58.320 --> 1:18:00.320
<v Speaker 3>be like, oh, yeah, this nigga does have a lot

1:18:00.320 --> 1:18:03.320
<v Speaker 3>of bangers, but I want to be involved with a

1:18:03.320 --> 1:18:06.760
<v Speaker 3>lot more different things that aren't just whis Khalifa. And

1:18:06.800 --> 1:18:09.160
<v Speaker 3>then if I was to do it versus be like, yeah,

1:18:09.400 --> 1:18:11.000
<v Speaker 3>and I wrote this play something in.

1:18:10.960 --> 1:18:13.080
<v Speaker 4>Spanish like you know what I'm saying, Like, you know

1:18:13.120 --> 1:18:14.200
<v Speaker 4>that's more reflex to me.

1:18:15.600 --> 1:18:17.920
<v Speaker 1>Have you done anything like throwing in the artists?

1:18:18.280 --> 1:18:25.680
<v Speaker 3>I do a ton of stuff, man, Yeah, yeah, you

1:18:25.760 --> 1:18:30.160
<v Speaker 3>called them a body, Like what do you say?

1:18:30.840 --> 1:18:40.640
<v Speaker 1>I don't know, and say the English just saying so just.

1:18:42.439 --> 1:18:47.720
<v Speaker 7>Get to tell yours, LL tell them in Spanish and

1:18:47.760 --> 1:18:49.280
<v Speaker 7>I understood them just fine.

1:18:50.600 --> 1:18:51.559
<v Speaker 4>Exactly what he said?

1:18:51.840 --> 1:18:57.920
<v Speaker 1>What did he say? Damn relax, I smoke exactly. So

1:18:58.200 --> 1:19:03.280
<v Speaker 1>we spoke about the foot earlier. You think you be

1:19:03.360 --> 1:19:06.719
<v Speaker 1>kicking the ship out the box, them them them heavy bags.

1:19:06.760 --> 1:19:07.639
<v Speaker 1>You be kicking the ship out.

1:19:07.720 --> 1:19:09.519
<v Speaker 4>You said, that's why my feet are dry.

1:19:09.360 --> 1:19:14.240
<v Speaker 1>Asking no dry, use the word. I said, you think

1:19:14.240 --> 1:19:16.439
<v Speaker 1>that's the reason why the fetus virble was because you

1:19:16.520 --> 1:19:18.040
<v Speaker 1>be kicking the ship out.

1:19:18.120 --> 1:19:19.960
<v Speaker 3>Because I'll be looking at you want to be playing.

1:19:21.880 --> 1:19:23.240
<v Speaker 1>What are you training in? Yeah?

1:19:23.280 --> 1:19:26.960
<v Speaker 3>I do multi I do mutai jiu jitsu, taekwondo, and

1:19:27.160 --> 1:19:29.639
<v Speaker 3>oh it's mixed martial arts.

1:19:29.640 --> 1:19:30.200
<v Speaker 1>Its m m A.

1:19:30.320 --> 1:19:33.080
<v Speaker 4>So it's everything. A nigga might throw you on the ground.

1:19:33.080 --> 1:19:36.200
<v Speaker 3>The nigga might elbow you, a nigga might grab your

1:19:36.240 --> 1:19:38.760
<v Speaker 3>ankle all that ship. Basically, you don't up with your

1:19:38.800 --> 1:19:42.880
<v Speaker 3>big I mean you know, I just train. It's a sport.

1:19:42.960 --> 1:19:47.280
<v Speaker 3>I'm in shape. You use your feet. Yes, you say

1:19:47.360 --> 1:19:53.519
<v Speaker 3>you chalk up your foot to kick. I like to jump.

1:19:55.000 --> 1:19:57.519
<v Speaker 3>I mean you know, no, I think it's just from

1:19:57.560 --> 1:19:58.839
<v Speaker 3>like lack of moisture.

1:19:58.920 --> 1:20:03.880
<v Speaker 1>That's all, okay. Yeah, would you be kicking the shit

1:20:03.960 --> 1:20:04.800
<v Speaker 1>out the bad Yeah?

1:20:04.800 --> 1:20:08.240
<v Speaker 3>I trained five days a week at a gym called Unbreakable.

1:20:08.400 --> 1:20:11.360
<v Speaker 3>I've been I've been training for about six years consistently.

1:20:11.479 --> 1:20:16.200
<v Speaker 3>Now I do weight training and uh and you know

1:20:17.240 --> 1:20:20.559
<v Speaker 3>the martial arts end of it as well.

1:20:20.800 --> 1:20:23.400
<v Speaker 1>So yeah, only UFC niggas go there only the.

1:20:23.600 --> 1:20:26.760
<v Speaker 3>Well UFC is A is a brand, so m M

1:20:26.800 --> 1:20:29.960
<v Speaker 3>A is Martial arts is the is the art.

1:20:30.880 --> 1:20:31.800
<v Speaker 1>All those practices.

1:20:32.280 --> 1:20:36.120
<v Speaker 3>Karate is a part of any martial art. Mix them

1:20:36.200 --> 1:20:38.400
<v Speaker 3>up exactly exactly.

1:20:38.720 --> 1:20:43.200
<v Speaker 1>Barus is the time. Don't lose no more because you

1:20:43.240 --> 1:20:44.800
<v Speaker 1>don't hold that motherfucker.

1:20:46.439 --> 1:20:49.240
<v Speaker 3>That ship to your head. He said, I'm not. It's

1:20:49.280 --> 1:20:51.759
<v Speaker 3>gonna kick you. He said, I'm gonna.

1:20:51.600 --> 1:21:03.559
<v Speaker 9>Kick him standing because.

1:21:03.320 --> 1:21:05.479
<v Speaker 1>He's about the man that.

1:21:09.320 --> 1:21:09.679
<v Speaker 10>I got.

1:21:10.560 --> 1:21:26.880
<v Speaker 2>I'm getting smoking, definitely smoking broh.

1:21:23.680 --> 1:21:40.160
<v Speaker 3>Ship man happy given kick you? Hell yeah, that was awesome.

1:21:41.439 --> 1:21:43.040
<v Speaker 1>Why am I the only one comming here?

1:21:43.120 --> 1:21:45.519
<v Speaker 3>Right? I don't even smoke. You're high. I can see

1:21:45.520 --> 1:21:48.200
<v Speaker 3>it in your eyes. You just got high like he's

1:21:48.240 --> 1:21:53.800
<v Speaker 3>read got high like, yes, he's fucking high.

1:21:53.920 --> 1:21:57.120
<v Speaker 2>Bout one of these Mike Tyson bites.

1:21:57.360 --> 1:21:59.439
<v Speaker 1>Oh yes, that's big up to my.

1:21:59.479 --> 1:22:09.679
<v Speaker 3>Flare Broat eat the ear Man.

1:22:11.240 --> 1:22:14.439
<v Speaker 1>Ship So cut your orange juice, right yeah? Or a

1:22:14.439 --> 1:22:17.000
<v Speaker 1>piz a unique sound? How did you? How did you

1:22:17.040 --> 1:22:19.840
<v Speaker 1>capture that sound man.

1:22:19.880 --> 1:22:22.519
<v Speaker 3>It was like really just living on the road and

1:22:23.160 --> 1:22:28.040
<v Speaker 3>being a young man and just rapping about my my

1:22:28.720 --> 1:22:30.759
<v Speaker 3>excursions as a young player.

1:22:31.360 --> 1:22:33.720
<v Speaker 4>And it was real fun, man, it was. It was

1:22:33.760 --> 1:22:34.360
<v Speaker 4>a good time.

1:22:34.400 --> 1:22:37.120
<v Speaker 3>I met Currency during that time, and we kind of

1:22:37.160 --> 1:22:39.240
<v Speaker 3>came up with well not kind of, but we really

1:22:39.479 --> 1:22:42.719
<v Speaker 3>strategically came up with our own style and our own sound,

1:22:43.320 --> 1:22:45.679
<v Speaker 3>and we actually called it karate. And we were watching

1:22:45.720 --> 1:22:47.360
<v Speaker 3>a lot of we were watching a lot of anime

1:22:47.560 --> 1:22:51.000
<v Speaker 3>and samuraise and just you know what I'm saying, just

1:22:51.439 --> 1:22:53.400
<v Speaker 3>crazy ass ship and we just called out there you go.

1:22:53.720 --> 1:22:55.880
<v Speaker 3>We just called our flow karate, like just how we

1:22:55.880 --> 1:22:59.000
<v Speaker 3>would kick it, how we would do ship. And the

1:22:59.000 --> 1:23:04.240
<v Speaker 3>Cushion Orange Juice came from my homie Jake and Toronto.

1:23:04.320 --> 1:23:06.000
<v Speaker 3>So I went up to Toronto for a couple of

1:23:06.080 --> 1:23:09.280
<v Speaker 3>days and I was recording the last couple pieces of

1:23:10.240 --> 1:23:12.719
<v Speaker 3>how Fly, which is the mixtape that I did with Currency,

1:23:13.200 --> 1:23:15.960
<v Speaker 3>but I was also working on Cushion Orange Juice. And

1:23:16.640 --> 1:23:18.880
<v Speaker 3>everything that I would say was like wake and bacon,

1:23:19.000 --> 1:23:20.760
<v Speaker 3>Like we would wake, we would baking, we would do this,

1:23:21.280 --> 1:23:23.719
<v Speaker 3>and then just randomly he was like, man, your laptop

1:23:23.720 --> 1:23:28.080
<v Speaker 3>smells like cushion orange juice, and I was like yeah, yeah, yeah, And.

1:23:28.040 --> 1:23:29.880
<v Speaker 4>I was like, damn, bro, you don't understand. That's my

1:23:29.960 --> 1:23:31.000
<v Speaker 4>whole life right there.

1:23:31.040 --> 1:23:33.519
<v Speaker 3>Like it just felt to me like a different way

1:23:33.560 --> 1:23:36.200
<v Speaker 3>to say wake and bake, like cushion orange juice. And

1:23:36.240 --> 1:23:38.439
<v Speaker 3>I was able to wrap the music around that and

1:23:39.160 --> 1:23:42.600
<v Speaker 3>you know, just texture everything to really just describe what

1:23:42.680 --> 1:23:45.160
<v Speaker 3>we were going through at that time. And shout out

1:23:45.200 --> 1:23:48.040
<v Speaker 3>to Cardos, shout out to Sledgern, shout out to germ E. Dan,

1:23:48.560 --> 1:23:53.639
<v Speaker 3>everybody who produced on that album, Nesby Phipps, a big

1:23:53.680 --> 1:23:56.960
<v Speaker 3>crit you know, everybody. Yeah, everybody who had beats or

1:23:57.080 --> 1:24:00.400
<v Speaker 3>verses on that album, man, Like, uh.

1:24:00.360 --> 1:24:02.000
<v Speaker 4>It was. It was legendary for us.

1:24:02.320 --> 1:24:04.559
<v Speaker 1>And not only that, it was like, like, you know,

1:24:05.800 --> 1:24:09.000
<v Speaker 1>most hip hop albums have skits. That's the one thing

1:24:09.040 --> 1:24:12.360
<v Speaker 1>I noticed about it is skits? Idea? Was it?

1:24:12.600 --> 1:24:13.240
<v Speaker 4>That was my idea?

1:24:13.280 --> 1:24:13.880
<v Speaker 1>Okay? Yeah.

1:24:13.920 --> 1:24:15.840
<v Speaker 3>I came up from that era where you know that

1:24:16.200 --> 1:24:19.240
<v Speaker 3>every classic album has skits on it, like the Chronic

1:24:19.520 --> 1:24:23.479
<v Speaker 3>or you know, something Women I or fucking you know,

1:24:23.680 --> 1:24:26.559
<v Speaker 3>every dope album has skits on it. So I just

1:24:26.600 --> 1:24:29.160
<v Speaker 3>wanted to do it in my own little way, and

1:24:29.200 --> 1:24:30.400
<v Speaker 3>of course I came.

1:24:30.280 --> 1:24:32.240
<v Speaker 4>Up listening to Snoop, so they had you know.

1:24:32.600 --> 1:24:36.400
<v Speaker 3>Uh, doggy style radio and uh.

1:24:35.960 --> 1:24:36.880
<v Speaker 4>And all of that shit.

1:24:37.000 --> 1:24:39.160
<v Speaker 3>So I just made up my own little radio station

1:24:39.400 --> 1:24:42.040
<v Speaker 3>w ED it, made my own little you know, host

1:24:42.080 --> 1:24:44.439
<v Speaker 3>of it, and we just went with it. I did

1:24:44.479 --> 1:24:47.360
<v Speaker 3>a bunch of mixtapes before Cushion Orgies. I had like

1:24:47.439 --> 1:24:51.080
<v Speaker 3>seven mixtapes. Yeah, I had like seven projects before that

1:24:51.120 --> 1:24:53.520
<v Speaker 3>where I had also you know, done the same concept.

1:24:53.920 --> 1:24:56.280
<v Speaker 3>But like everybody knows, it takes a minute for it

1:24:56.320 --> 1:24:58.880
<v Speaker 3>to catch on, and especially at that time, I had

1:24:58.920 --> 1:25:01.040
<v Speaker 3>the Internet to help me out, Like you know, Twitter

1:25:01.160 --> 1:25:03.760
<v Speaker 3>was brand new, so I was just fucking abusing that

1:25:04.320 --> 1:25:08.280
<v Speaker 3>and YouTube. I was just you know, uploading everything and

1:25:08.320 --> 1:25:11.320
<v Speaker 3>making it a movie or making it a post or

1:25:11.360 --> 1:25:14.320
<v Speaker 3>a vlog, and people were just following my whole.

1:25:14.080 --> 1:25:14.799
<v Speaker 4>Thing on Twitter.

1:25:14.880 --> 1:25:17.520
<v Speaker 3>So when that album came out, it was really interactive

1:25:17.560 --> 1:25:19.200
<v Speaker 3>for the fans as well. And it was one of

1:25:19.200 --> 1:25:22.240
<v Speaker 3>the first things to really use the Internet like that too,

1:25:22.560 --> 1:25:23.719
<v Speaker 3>So it was it was big.

1:25:23.840 --> 1:25:26.160
<v Speaker 1>You feel like he was one of the first viral artists,

1:25:28.000 --> 1:25:30.360
<v Speaker 1>like Internet viral, Internet right, right.

1:25:30.040 --> 1:25:31.080
<v Speaker 3>Which is what I mean.

1:25:32.200 --> 1:25:33.920
<v Speaker 4>I would say Soldier Boy is the first viral.

1:25:34.120 --> 1:25:34.800
<v Speaker 3>Yeah, I would say.

1:25:34.680 --> 1:25:36.920
<v Speaker 1>Soldiable so boy. Yeah, yeah, I would say.

1:25:38.160 --> 1:25:40.960
<v Speaker 3>Yeah, but that's it's true though, Like he really was

1:25:41.000 --> 1:25:43.080
<v Speaker 3>like the first viral. I think he literally got his

1:25:43.120 --> 1:25:46.040
<v Speaker 3>record deal. No, absolutely, because he was hustling. He was

1:25:46.080 --> 1:25:49.040
<v Speaker 3>like in his house and people heard his music from

1:25:49.120 --> 1:25:51.960
<v Speaker 3>him promoting it and before it was like out of

1:25:52.000 --> 1:25:54.320
<v Speaker 3>the trunk and the Internet became the new trunk.

1:25:54.840 --> 1:25:57.519
<v Speaker 4>Yeah. So I would say Soldier Boy first.

1:25:57.520 --> 1:26:00.160
<v Speaker 2>Which went hand in hand with the Rington at the

1:26:00.200 --> 1:26:01.160
<v Speaker 2>beginning of that ring Yeah.

1:26:01.400 --> 1:26:04.920
<v Speaker 3>Yeah, the ringtng Era was was one thing too, because yeah,

1:26:04.960 --> 1:26:07.400
<v Speaker 3>for sure that was a big thing over at Warner

1:26:07.520 --> 1:26:13.120
<v Speaker 3>was like does it got a ring tones that? Yeah? Yeah, yeah,

1:26:13.200 --> 1:26:14.000
<v Speaker 3>hell yeah.

1:26:14.720 --> 1:26:16.439
<v Speaker 1>Oh man, I didn't I didn't know. I didn't know.

1:26:16.640 --> 1:26:17.800
<v Speaker 3>Yeah, yeah, for sure.

1:26:18.920 --> 1:26:21.960
<v Speaker 1>He was saying something we interrupted you no, yeah, go

1:26:22.439 --> 1:26:23.719
<v Speaker 1>for it bro yah.

1:26:26.520 --> 1:26:27.040
<v Speaker 3>Gun guys.

1:26:27.600 --> 1:26:34.160
<v Speaker 1>Yeah, I got mad questions this it does? This is

1:26:34.240 --> 1:26:35.400
<v Speaker 1>do roll up?

1:26:35.439 --> 1:26:39.040
<v Speaker 3>That song? Yeah?

1:26:39.360 --> 1:26:40.160
<v Speaker 1>Where was you act?

1:26:40.840 --> 1:26:41.840
<v Speaker 3>Was? Did you roll up?

1:26:41.960 --> 1:26:42.760
<v Speaker 4>Did I roll up?

1:26:44.040 --> 1:26:47.760
<v Speaker 1>That's your part of the question. How you just came

1:26:47.800 --> 1:26:48.280
<v Speaker 1>up with that?

1:26:49.640 --> 1:26:52.360
<v Speaker 4>So that was that was an interesting part of my

1:26:52.400 --> 1:26:53.160
<v Speaker 4>career because I.

1:26:53.120 --> 1:26:57.400
<v Speaker 3>Have written Black and Yellow maybe like eight months before,

1:26:58.360 --> 1:27:00.559
<v Speaker 3>but nobody really believed in Black Yellow.

1:27:00.960 --> 1:27:04.240
<v Speaker 1>So so black and Yello was out eight months and

1:27:04.320 --> 1:27:05.200
<v Speaker 1>it wasn't reacting.

1:27:05.560 --> 1:27:09.040
<v Speaker 3>No, they didn't believe in it before I put it out. Yeah, yeah,

1:27:09.880 --> 1:27:12.519
<v Speaker 3>before we dropped it. It was about four months before

1:27:12.560 --> 1:27:14.960
<v Speaker 3>it dropped. So that was the period where nobody like

1:27:15.000 --> 1:27:16.880
<v Speaker 3>believed in it, And that was the period of them,

1:27:16.960 --> 1:27:20.640
<v Speaker 3>like the label asking me to record another single. I'm like, no,

1:27:20.720 --> 1:27:22.280
<v Speaker 3>I got a single black and heels black and yellows

1:27:22.280 --> 1:27:24.120
<v Speaker 3>black yow. So we put Black and Yellow out in

1:27:24.160 --> 1:27:27.400
<v Speaker 3>the fall. Yeah, it was atlantic. I don't want to

1:27:27.520 --> 1:27:30.679
<v Speaker 3>throw anybody on the bus make I remember working these records.

1:27:31.080 --> 1:27:33.960
<v Speaker 3>Yeah exactly. I don't want to make a scene. I

1:27:34.000 --> 1:27:35.720
<v Speaker 3>don't want to make it seem like anybody's bad at

1:27:35.720 --> 1:27:37.600
<v Speaker 3>their job. But like you know what I'm saying, Like

1:27:37.640 --> 1:27:40.720
<v Speaker 3>they know the story. They'll tell the story too. The

1:27:40.800 --> 1:27:43.320
<v Speaker 3>label didn't believe in Black and Yellow. We put Black

1:27:43.320 --> 1:27:45.960
<v Speaker 3>and Yellow out and win number one, so they're like, fuck,

1:27:46.040 --> 1:27:48.920
<v Speaker 3>we need another song immediately, like right now, Like get

1:27:48.960 --> 1:27:50.960
<v Speaker 3>on the plane, get back in the studio with the

1:27:51.000 --> 1:27:53.559
<v Speaker 3>same producers and do what you did the first time.

1:27:53.640 --> 1:27:56.200
<v Speaker 3>I was like, all right, cool, fuck it. So they

1:27:56.200 --> 1:27:58.320
<v Speaker 3>played me a couple of beats. I didn't really you know,

1:27:58.400 --> 1:27:59.840
<v Speaker 3>fuck with any of them. I was like, this was

1:28:00.080 --> 1:28:03.400
<v Speaker 3>I was cool, and I'm gonna do it about this instead.

1:28:03.520 --> 1:28:06.839
<v Speaker 3>You know, I did a fucking you know, a sports anthem.

1:28:06.840 --> 1:28:08.519
<v Speaker 3>I was like, let me soften it up a little bit,

1:28:08.920 --> 1:28:11.120
<v Speaker 3>but I'm on my weed shit, so let me like

1:28:11.439 --> 1:28:15.280
<v Speaker 3>troll the world and like have it sound like friendly

1:28:15.320 --> 1:28:18.160
<v Speaker 3>but be talking about fucking weed at the same time.

1:28:18.560 --> 1:28:19.799
<v Speaker 4>And I wrote roll Up.

1:28:19.680 --> 1:28:22.200
<v Speaker 3>And you know, they went with it and we we

1:28:22.240 --> 1:28:24.400
<v Speaker 3>shot the video. Cassie was in the video Shout out

1:28:24.400 --> 1:28:28.519
<v Speaker 3>the Cassie, and that was another you know, platinum, platinum

1:28:28.560 --> 1:28:30.080
<v Speaker 3>record for me right out the gate because.

1:28:29.840 --> 1:28:31.559
<v Speaker 1>That was like right on the verge of weed like

1:28:31.800 --> 1:28:35.320
<v Speaker 1>kind of like being UnTaboo at the time.

1:28:35.400 --> 1:28:37.400
<v Speaker 4>Yeah no, no, it was still a thing, like it's

1:28:37.400 --> 1:28:39.080
<v Speaker 4>still a taboid. Yeah yeah, it was still.

1:28:38.920 --> 1:28:41.240
<v Speaker 3>A thing, especially like me coming from like the blog

1:28:41.360 --> 1:28:44.400
<v Speaker 3>or mixtape era, like people weren't used to me making

1:28:44.400 --> 1:28:47.240
<v Speaker 3>those types of songs. But I always knew like, yeah,

1:28:47.240 --> 1:28:49.799
<v Speaker 3>I'm gonna make bigger records that are gonna appeal to everybody,

1:28:49.840 --> 1:28:51.360
<v Speaker 3>but I'm gonna just do it in my own way.

1:28:51.880 --> 1:28:53.800
<v Speaker 3>So that was my way of you know, making a

1:28:53.840 --> 1:28:57.160
<v Speaker 3>crossover record but still making it weed friendly, like you know,

1:28:57.360 --> 1:28:58.000
<v Speaker 3>it's genius.

1:28:58.080 --> 1:29:02.760
<v Speaker 2>Yeah, just make some noise for that, and just to

1:29:02.960 --> 1:29:05.719
<v Speaker 2>go back on not throwing the labels under the bus,

1:29:06.120 --> 1:29:08.200
<v Speaker 2>just to be fair of these marketing departments. This was

1:29:08.200 --> 1:29:12.040
<v Speaker 2>the era where the Internet was so new in terms

1:29:12.080 --> 1:29:15.040
<v Speaker 2>of how people were promoting music that the labels were

1:29:15.040 --> 1:29:18.040
<v Speaker 2>strolling the old guard of just radio promotion and the

1:29:18.120 --> 1:29:22.679
<v Speaker 2>old way. That that's why they had like they didn't

1:29:22.720 --> 1:29:24.600
<v Speaker 2>catch up quick enough. You're saying, they were all like

1:29:24.680 --> 1:29:25.439
<v Speaker 2>kind of behind on that.

1:29:25.600 --> 1:29:29.040
<v Speaker 3>Yeah, they didn't understand that we were in control of

1:29:29.080 --> 1:29:33.400
<v Speaker 3>our fan base, right. They thought that they knew better

1:29:33.520 --> 1:29:36.280
<v Speaker 3>than we did. I'm like, look, I could say fuck

1:29:36.400 --> 1:29:40.680
<v Speaker 3>this shit blah blah blah, and they're gonna buy it,

1:29:40.760 --> 1:29:42.800
<v Speaker 3>like they love me. They don't care what the fuck

1:29:42.880 --> 1:29:45.360
<v Speaker 3>I'm saying. Like, labels hadn't seen that before. They were

1:29:45.439 --> 1:29:49.120
<v Speaker 3>used to building the artists and the machine is still

1:29:49.160 --> 1:29:51.519
<v Speaker 3>the machine. Back then, there was no digital sales. It

1:29:51.600 --> 1:29:55.360
<v Speaker 3>was all like physical. So if I'm selling a million records,

1:29:55.360 --> 1:29:58.040
<v Speaker 3>these are a million motherfuckers who's going to buy this shit?

1:29:58.120 --> 1:30:00.720
<v Speaker 3>So it was a different time back then, so it

1:30:00.840 --> 1:30:01.880
<v Speaker 3>was a lot more on the line.

1:30:01.880 --> 1:30:02.799
<v Speaker 4>Back then, they.

1:30:02.640 --> 1:30:03.720
<v Speaker 3>Controlled the publicity.

1:30:03.800 --> 1:30:06.599
<v Speaker 2>You could go straight to the blogger, straight to the Internet,

1:30:07.000 --> 1:30:08.479
<v Speaker 2>and I think they were still catching up.

1:30:08.520 --> 1:30:10.439
<v Speaker 3>It was just a discontent they had it.

1:30:11.600 --> 1:30:12.960
<v Speaker 4>They didn't they had it come together.

1:30:13.200 --> 1:30:16.639
<v Speaker 1>But once your artists started to take control like that,

1:30:17.040 --> 1:30:20.080
<v Speaker 1>your generation is is probably that generation that started to

1:30:20.080 --> 1:30:20.599
<v Speaker 1>take control.

1:30:20.720 --> 1:30:21.280
<v Speaker 3>Absolutely.

1:30:21.320 --> 1:30:24.160
<v Speaker 1>That generation is where they introduced the three sixty deal.

1:30:24.640 --> 1:30:26.000
<v Speaker 4>Sixety started before that.

1:30:26.200 --> 1:30:28.559
<v Speaker 3>Yeah, but I mean what I mean is they they.

1:30:28.439 --> 1:30:31.240
<v Speaker 2>Re because three sixty was was trying to grab your

1:30:31.360 --> 1:30:32.679
<v Speaker 2>your show money everything.

1:30:32.760 --> 1:30:33.599
<v Speaker 1>It was everybody. I'm saying.

1:30:33.840 --> 1:30:35.479
<v Speaker 2>It wasn't having to do with Internet. It was just

1:30:35.479 --> 1:30:39.360
<v Speaker 2>grabbing your show money. They already started, like you said, Yeah.

1:30:38.880 --> 1:30:41.040
<v Speaker 1>I think I believe it has already started. But believed

1:30:41.080 --> 1:30:45.280
<v Speaker 1>after these artists, like you know, start to be self contained. Yeah,

1:30:45.320 --> 1:30:48.160
<v Speaker 1>self contained. I believe that's where it reintroduced itself.

1:30:48.240 --> 1:30:52.200
<v Speaker 3>Yeah. I feel like the three safety started to just

1:30:52.320 --> 1:30:57.680
<v Speaker 3>become more of what makes sense because they wanted everything together.

1:30:57.560 --> 1:30:59.360
<v Speaker 1>And they were losing money. They were losing a lot,

1:30:59.439 --> 1:31:01.200
<v Speaker 1>you know, because CDs weren't.

1:31:01.240 --> 1:31:04.840
<v Speaker 3>Seeing the the the control that an artist would have.

1:31:05.000 --> 1:31:07.400
<v Speaker 3>And it's a way to leverage it more to be

1:31:07.520 --> 1:31:09.880
<v Speaker 3>like yo, just work with us, because you'll end up

1:31:09.880 --> 1:31:13.080
<v Speaker 3>making more money. You'll give us this percentage, but you're

1:31:13.120 --> 1:31:15.640
<v Speaker 3>gonna make a ship ton more than you would just

1:31:15.680 --> 1:31:19.200
<v Speaker 3>by yourself. And that's just them, you know, up in

1:31:19.240 --> 1:31:20.920
<v Speaker 3>their game, like we're forgetting the.

1:31:20.960 --> 1:31:25.120
<v Speaker 2>Napster era, like the era free downloads and bootlegging on

1:31:25.160 --> 1:31:26.280
<v Speaker 2>the on the digital level.

1:31:26.439 --> 1:31:29.200
<v Speaker 1>Yeah, like I prefer I mean when I came in

1:31:29.320 --> 1:31:31.080
<v Speaker 1>to tell my shit, I preferred that.

1:31:31.960 --> 1:31:36.679
<v Speaker 3>Different stuff started becoming valuable for an artist, Like merch

1:31:36.840 --> 1:31:39.320
<v Speaker 3>wasn't that valuable for an artist before I came in

1:31:39.400 --> 1:31:42.040
<v Speaker 3>the game. But you know, you start seeing Taylor Gang,

1:31:42.120 --> 1:31:44.080
<v Speaker 3>this Tailor gang. Now they're like, fuck, we need a

1:31:44.080 --> 1:31:46.000
<v Speaker 3>piece of that, like you know what I mean. So

1:31:46.080 --> 1:31:48.559
<v Speaker 3>that starts to get wrapped into three sixty deals and

1:31:48.600 --> 1:31:52.880
<v Speaker 3>then you start talking about like monetizing niggas, social media

1:31:52.960 --> 1:31:55.200
<v Speaker 3>and all that other ship and it just gets real

1:31:55.280 --> 1:31:57.479
<v Speaker 3>crazy that that didn't even exist when I was there.

1:31:58.080 --> 1:32:02.360
<v Speaker 3>But yeah, there's a lot of different reasons why they

1:32:02.439 --> 1:32:05.960
<v Speaker 3>do it in different ways that they upgrade it due

1:32:06.000 --> 1:32:07.640
<v Speaker 3>to you know what I mean, where we're at in

1:32:07.720 --> 1:32:12.400
<v Speaker 3>the game. Like, for sure, one, would.

1:32:12.120 --> 1:32:13.960
<v Speaker 1>You ever sign an artist to a three sixty deal?

1:32:14.439 --> 1:32:16.960
<v Speaker 3>No, I wouldn't, Okay, No, hell No, I'm just not

1:32:17.040 --> 1:32:18.320
<v Speaker 3>that big of a machine.

1:32:18.360 --> 1:32:19.280
<v Speaker 4>Like I can't.

1:32:19.640 --> 1:32:23.880
<v Speaker 3>I can't follow through of what a three sixty deal

1:32:23.960 --> 1:32:26.400
<v Speaker 3>intel help get the shows?

1:32:26.560 --> 1:32:28.240
<v Speaker 4>Yeah yeah, I mean why can help you get.

1:32:28.160 --> 1:32:30.400
<v Speaker 3>Shows and shit like that, Like that's cool, but it's like,

1:32:30.800 --> 1:32:32.360
<v Speaker 3>you know, I can't go to radio and be like

1:32:32.479 --> 1:32:35.160
<v Speaker 3>yo play play this song like all of those other

1:32:35.240 --> 1:32:37.519
<v Speaker 3>artists play this song because that's what they do, like

1:32:37.640 --> 1:32:39.800
<v Speaker 3>other I mean like labels. You know what I'm saying, Like,

1:32:40.080 --> 1:32:42.639
<v Speaker 3>if you're a priority artist, you're gonna get that type

1:32:42.640 --> 1:32:43.080
<v Speaker 3>of treatment.

1:32:43.200 --> 1:32:45.240
<v Speaker 2>That's the problem with the three sixty deal. And only

1:32:45.280 --> 1:32:48.440
<v Speaker 2>a certain small percentage become those priority artists.

1:32:48.160 --> 1:32:49.679
<v Speaker 1>Show and everybody else is stuck.

1:32:49.479 --> 1:32:52.160
<v Speaker 3>Their show a priority for a certain amount of time.

1:32:53.240 --> 1:32:54.040
<v Speaker 3>It don't last forever.

1:32:56.320 --> 1:32:57.439
<v Speaker 4>They got other priorities.

1:32:58.200 --> 1:33:06.559
<v Speaker 1>There's no shit hold, but it ain't no fun.

1:33:08.200 --> 1:33:13.160
<v Speaker 3>The song yeah, girl Talk Ye Smoke Dizzy Yep, okay

1:33:13.160 --> 1:33:17.200
<v Speaker 3>cool Smoke Disess Yeah yah yeah, that's there is on it.

1:33:18.000 --> 1:33:18.880
<v Speaker 3>I just didn't get the name.

1:33:19.040 --> 1:33:23.360
<v Speaker 1>Okay, yeah, yep, tell us about that.

1:33:23.720 --> 1:33:26.639
<v Speaker 3>I was fucking loaded. Girl Talk called me to the studio.

1:33:26.680 --> 1:33:29.000
<v Speaker 3>It's like we're making the album. Bro, it's got three

1:33:29.040 --> 1:33:30.799
<v Speaker 3>of your best friends or two of your best friends

1:33:30.800 --> 1:33:35.120
<v Speaker 3>on there, just getting the studio, just start making jams, yo,

1:33:35.240 --> 1:33:37.320
<v Speaker 3>like like old times, Me and Dizzey we came up,

1:33:37.880 --> 1:33:41.439
<v Speaker 3>you know, mixtape days blog are yeah, smoked Smoked. There's

1:33:41.439 --> 1:33:44.479
<v Speaker 3>a crit took him on our first tours together.

1:33:45.000 --> 1:33:47.840
<v Speaker 4>You know, we really really just came up out the

1:33:47.880 --> 1:33:48.439
<v Speaker 4>mud together.

1:33:48.520 --> 1:33:50.160
<v Speaker 3>So when it comes to getting in the studio with

1:33:50.200 --> 1:33:53.520
<v Speaker 3>them dudes, it's automatic, like we're just coming up with ideas.

1:33:53.960 --> 1:33:58.080
<v Speaker 3>Sometimes smoke or started. Sometimes critles do the hook. Sometimes

1:33:58.160 --> 1:33:59.920
<v Speaker 3>I'll come in with the hook. Sometimes I'll have a

1:34:00.080 --> 1:34:04.160
<v Speaker 3>verse like it's just nobody stepping on nobody's toes Hella laughs.

1:34:04.479 --> 1:34:08.519
<v Speaker 3>And girl Talkers from Pittsburgh. He's a big DJ just

1:34:08.600 --> 1:34:10.639
<v Speaker 3>in the scene. He's been in the scene for a minute,

1:34:11.080 --> 1:34:14.280
<v Speaker 3>and he's a producer as well. So that was just

1:34:14.439 --> 1:34:18.280
<v Speaker 3>our opportunity to just mix everything up and you know,

1:34:18.360 --> 1:34:20.400
<v Speaker 3>have something great for the fans.

1:34:20.400 --> 1:34:24.559
<v Speaker 1>Hell yeah, me and you got like something similar. But

1:34:25.120 --> 1:34:30.000
<v Speaker 1>I feel like Yankee yours is as bigger. Whenever someone

1:34:30.160 --> 1:34:34.719
<v Speaker 1>passes away here for my crew, I made a record

1:34:34.720 --> 1:34:40.400
<v Speaker 1>call sometimes which is about my father. Well see you again.

1:34:40.960 --> 1:34:47.320
<v Speaker 1>It's like the bigger version of that. Yeah, right, Thanks

1:34:47.360 --> 1:34:50.200
<v Speaker 1>it's up there with you know, What's What's What's What's

1:34:50.200 --> 1:34:53.360
<v Speaker 1>the puff Daddy Ship? Uh, I'm missing you with Bone

1:34:53.439 --> 1:34:55.760
<v Speaker 1>Dogs Crosswords.

1:34:56.960 --> 1:34:58.519
<v Speaker 4>That's one of my favorite songs ever.

1:34:59.160 --> 1:35:00.000
<v Speaker 3>That's a big record.

1:35:01.920 --> 1:35:03.320
<v Speaker 1>You know, I want to be as careful as I

1:35:03.360 --> 1:35:07.519
<v Speaker 1>can because we all know it's about Paul Walker, correct, right,

1:35:08.160 --> 1:35:14.280
<v Speaker 1>so we know that you know how he passed away

1:35:14.360 --> 1:35:18.120
<v Speaker 1>or whatever. But what made you want to like create

1:35:18.160 --> 1:35:19.400
<v Speaker 1>that type of type of record.

1:35:20.000 --> 1:35:21.280
<v Speaker 4>I was brought into that.

1:35:23.120 --> 1:35:24.720
<v Speaker 3>For Fast and Furious sound Yeah, for the Fast and

1:35:24.720 --> 1:35:27.639
<v Speaker 3>Furious soundtrack. Kevin weaver right shot to Kevin Weaver Man

1:35:28.000 --> 1:35:31.720
<v Speaker 3>did me a huge solid. They were coming up with

1:35:31.720 --> 1:35:35.360
<v Speaker 3>the soundtrack. I'd done one of the Fast and Furious

1:35:35.360 --> 1:35:38.320
<v Speaker 3>soundtracks before Paul Walk up. No I didn't. I didn't

1:35:38.320 --> 1:35:42.559
<v Speaker 3>meet Paul Walker. God, no excuse me. I had done

1:35:42.560 --> 1:35:45.400
<v Speaker 3>one of the Fast and Furious soundtracks the movie before

1:35:45.439 --> 1:35:45.760
<v Speaker 3>this one.

1:35:46.200 --> 1:35:48.559
<v Speaker 4>I think it was on This one was on nine.

1:35:48.600 --> 1:35:49.719
<v Speaker 4>See You Again was on nine.

1:35:49.960 --> 1:35:51.559
<v Speaker 3>So I think I did a song on Fast eight

1:35:52.120 --> 1:35:55.400
<v Speaker 3>and it performed really well, so they had to See

1:35:55.400 --> 1:36:02.200
<v Speaker 3>You Again song. The situation had happened, right, it had happened.

1:36:02.920 --> 1:36:05.519
<v Speaker 3>They filmed the movie and he was in a lot

1:36:05.520 --> 1:36:08.320
<v Speaker 3>of the movie. But then the situation happened mid filming

1:36:08.320 --> 1:36:10.559
<v Speaker 3>the movie, so like the last scene of the movie.

1:36:10.920 --> 1:36:11.640
<v Speaker 4>They had planned it.

1:36:11.640 --> 1:36:14.000
<v Speaker 3>They were like, this is the song that's going to

1:36:14.040 --> 1:36:16.400
<v Speaker 3>play in the last scene of this movie.

1:36:18.080 --> 1:36:24.439
<v Speaker 4>Here you go, Buddy. I was like, damn. The beat

1:36:24.520 --> 1:36:26.040
<v Speaker 4>they had the hook was already there.

1:36:26.120 --> 1:36:28.920
<v Speaker 3>Charlie was singing the hook, and the idea behind the

1:36:28.960 --> 1:36:30.920
<v Speaker 3>song was to have a lot of different artists on it,

1:36:31.439 --> 1:36:33.960
<v Speaker 3>so there was a little there was a little Wayne verse.

1:36:34.640 --> 1:36:37.479
<v Speaker 3>I think they had Chris Brown cut the hook as well.

1:36:37.680 --> 1:36:39.679
<v Speaker 3>They had a lot of different artists on the song,

1:36:40.439 --> 1:36:43.599
<v Speaker 3>and it just went through like a trimming and a

1:36:43.640 --> 1:36:46.439
<v Speaker 3>shaving phase and it just ended up being my verse

1:36:46.479 --> 1:36:48.720
<v Speaker 3>on there with Charlie's hook, and they were like, we

1:36:48.920 --> 1:36:52.000
<v Speaker 3>like this, it pasts a perfect picture, like you really

1:36:52.000 --> 1:36:56.160
<v Speaker 3>tapped in. Could you write another verse for it? Like totally,

1:36:56.280 --> 1:36:58.280
<v Speaker 3>So we all got in the studio. I sat there

1:36:58.320 --> 1:37:01.000
<v Speaker 3>and wrote my verse and we the song out and

1:37:01.080 --> 1:37:03.800
<v Speaker 3>the first week it performed well, the video comes out

1:37:03.880 --> 1:37:05.600
<v Speaker 3>and then it just goes to number one and it

1:37:05.640 --> 1:37:08.599
<v Speaker 3>stayed at number one for I think thirteen or fourteen weeks,

1:37:09.360 --> 1:37:13.280
<v Speaker 3>and yeah, that was like my biggest record and hell yeah,

1:37:13.320 --> 1:37:14.960
<v Speaker 3>it was just a huge, huge fucking moment.

1:37:15.040 --> 1:37:17.519
<v Speaker 1>Yea, because that's crazy that you have like some of

1:37:17.600 --> 1:37:23.200
<v Speaker 1>the most beautifulest record Yeah, and you got one record

1:37:23.280 --> 1:37:25.519
<v Speaker 1>that's like, yeah, it makes everyone cry.

1:37:25.600 --> 1:37:27.640
<v Speaker 3>Yeah, yeah, for sure. I mean it's a blessing. Like

1:37:27.880 --> 1:37:29.719
<v Speaker 3>a lot of people don't know. I lost my brother

1:37:29.800 --> 1:37:33.880
<v Speaker 3>as well, and at that time, I knew he was

1:37:33.920 --> 1:37:35.720
<v Speaker 3>going to pass because he passed from cancer and he

1:37:35.800 --> 1:37:39.160
<v Speaker 3>decided not to get treatment, and so yeah, I was

1:37:39.160 --> 1:37:41.160
<v Speaker 3>dealing with that as well. So I was able to,

1:37:41.360 --> 1:37:43.800
<v Speaker 3>you know, write real feelings. It wasn't just like I

1:37:43.880 --> 1:37:46.240
<v Speaker 3>was just talking about you know what I'm saying. So

1:37:46.280 --> 1:37:48.320
<v Speaker 3>there's real feelings in that song. And that's why people

1:37:48.360 --> 1:37:51.559
<v Speaker 3>are able to connect with it, because you know that's

1:37:51.600 --> 1:37:55.320
<v Speaker 3>gonna last forever. Like you know, sadly, death is a

1:37:55.320 --> 1:37:58.920
<v Speaker 3>part of life. It's fucking guaranteed. And you know, people

1:37:59.000 --> 1:38:01.439
<v Speaker 3>die every day, Garant, you know what I'm saying. People

1:38:01.479 --> 1:38:04.040
<v Speaker 3>lose something or there's just hard ship to hold onto.

1:38:04.040 --> 1:38:06.240
<v Speaker 3>In the song, it can help you get through it,

1:38:06.240 --> 1:38:07.360
<v Speaker 3>it can help you deal with it.

1:38:07.360 --> 1:38:09.360
<v Speaker 4>It can help you, you know what I'm saying, remember

1:38:09.400 --> 1:38:09.800
<v Speaker 4>that ship.

1:38:10.280 --> 1:38:12.280
<v Speaker 3>So it's a it's a blessing more than anything to

1:38:12.320 --> 1:38:14.040
<v Speaker 3>be able to be a part of those moments in

1:38:14.080 --> 1:38:15.599
<v Speaker 3>people's lives. Yeah.

1:38:15.680 --> 1:38:18.400
<v Speaker 1>Yeah, how about Mac Miller? You know, I know you

1:38:18.439 --> 1:38:21.639
<v Speaker 1>guys have yeah yeah, rest of peace? Yeah, rest peace

1:38:21.680 --> 1:38:25.799
<v Speaker 1>for a walker. But you want to speak about anything like, well,

1:38:25.840 --> 1:38:27.680
<v Speaker 1>Mac Miller, you guys relationship.

1:38:27.760 --> 1:38:32.639
<v Speaker 3>Yeah, Mac was a really good friend of mine. Super talented, Yeah, man,

1:38:32.680 --> 1:38:38.960
<v Speaker 3>hella talented, represented pittsburghh Yeah, represented the Burgh tremendously and

1:38:39.600 --> 1:38:41.719
<v Speaker 3>just carved his own way. Like you know what I'm saying,

1:38:41.760 --> 1:38:45.240
<v Speaker 3>he can't. He came up at a time where everything

1:38:45.360 --> 1:38:48.439
<v Speaker 3>was still finding directions, so it was like you could

1:38:48.479 --> 1:38:49.320
<v Speaker 3>be this, so you could be that.

1:38:49.400 --> 1:38:50.559
<v Speaker 4>But he made his own way.

1:38:51.160 --> 1:38:54.080
<v Speaker 3>And uh, the way that his fans respect him and

1:38:54.160 --> 1:38:58.720
<v Speaker 3>love him and people cherish his music is Uh, it's beautiful, man,

1:38:58.720 --> 1:39:02.679
<v Speaker 3>the way that they keep him and keep him going.

1:39:02.720 --> 1:39:05.759
<v Speaker 3>And it's it's super sad that what happened to him

1:39:06.240 --> 1:39:10.439
<v Speaker 3>and what it represented, because I was talking to one

1:39:10.439 --> 1:39:12.520
<v Speaker 3>of my homies the other day and he was just saying.

1:39:12.240 --> 1:39:12.880
<v Speaker 1>How.

1:39:14.280 --> 1:39:16.920
<v Speaker 3>For a whole era of people Max spoke to you

1:39:16.960 --> 1:39:20.120
<v Speaker 3>know what I'm saying, So like losing him, it's kind

1:39:20.160 --> 1:39:23.360
<v Speaker 3>of like a lesson to them. But it's also like

1:39:23.439 --> 1:39:25.040
<v Speaker 3>really sad that that's the way that they had to

1:39:25.120 --> 1:39:25.439
<v Speaker 3>learn that.

1:39:26.840 --> 1:39:28.439
<v Speaker 1>Where did you Matt Miller Meat.

1:39:28.920 --> 1:39:31.240
<v Speaker 3>He's younger than me. He went to my high school,

1:39:31.600 --> 1:39:34.719
<v Speaker 3>but I didn't actually meet him. Yeah, I didn't actually

1:39:34.720 --> 1:39:37.000
<v Speaker 3>meet him in high school. I met him at the studio,

1:39:37.280 --> 1:39:39.759
<v Speaker 3>just like pulling up. I would be there with my homies,

1:39:39.840 --> 1:39:41.880
<v Speaker 3>or I would go away for tour and I would

1:39:41.880 --> 1:39:43.400
<v Speaker 3>come back and they would be in the front room

1:39:43.439 --> 1:39:47.280
<v Speaker 3>making their little joints or shooting videos or just running

1:39:47.280 --> 1:39:48.880
<v Speaker 3>around the city like you know what I'm saying. They

1:39:48.960 --> 1:39:51.040
<v Speaker 3>kind of made a name for themselves, and that's how

1:39:51.080 --> 1:39:52.120
<v Speaker 3>I got on to them.

1:39:52.439 --> 1:39:54.719
<v Speaker 2>Was there ever any kind of competition being from the city.

1:39:55.000 --> 1:39:56.040
<v Speaker 2>Nah No, No.

1:39:56.200 --> 1:39:59.760
<v Speaker 3>I think it's always about embracing, like especially the people

1:39:59.760 --> 1:40:02.639
<v Speaker 3>who coming up after you, like you have to embrace

1:40:02.720 --> 1:40:05.400
<v Speaker 3>them and kind of just show them the right thing

1:40:05.439 --> 1:40:08.120
<v Speaker 3>to do or how to do it or what what

1:40:08.120 --> 1:40:10.519
<v Speaker 3>what a good example of that looks like, and then

1:40:10.560 --> 1:40:12.719
<v Speaker 3>they're able to take it on their own and define

1:40:12.760 --> 1:40:15.439
<v Speaker 3>it for what they wanted to be. But to compete

1:40:15.439 --> 1:40:17.920
<v Speaker 3>with them, like, that's not the way of like hell no,

1:40:18.800 --> 1:40:20.920
<v Speaker 3>never that, hell no.

1:40:20.920 --> 1:40:25.320
<v Speaker 1>Now, recently me and you spoke awful line because we

1:40:25.320 --> 1:40:28.640
<v Speaker 1>were both bringing our kids. It's goddamn WrestleMania.

1:40:29.280 --> 1:40:29.760
<v Speaker 3>That was dope.

1:40:30.880 --> 1:40:35.080
<v Speaker 1>I did not go. Yeah, I went, the kids, got

1:40:35.160 --> 1:40:38.640
<v Speaker 1>them there, everything went yeah yeah, yeah, yeah, yeah, but

1:40:39.640 --> 1:40:42.920
<v Speaker 1>yeah yeah yeah. But did I seen you there? I

1:40:43.000 --> 1:40:47.360
<v Speaker 1>seen you there? Are you a wrestling fan? Yeah? Put

1:40:47.439 --> 1:40:49.519
<v Speaker 1>us on? What is Snoop was in it?

1:40:49.640 --> 1:40:49.800
<v Speaker 4>Right?

1:40:50.080 --> 1:40:53.639
<v Speaker 1>Snoop was actually a lot yeah, Snooping crazy? Yeah yeah,

1:40:53.680 --> 1:40:54.479
<v Speaker 1>Snoop was in there?

1:40:54.560 --> 1:40:58.559
<v Speaker 3>Yeah yeah, yeah, ship. I used to watch well, I

1:40:58.600 --> 1:41:00.200
<v Speaker 3>watched wrestling before it was w W.

1:41:00.400 --> 1:41:03.200
<v Speaker 2>I watched yeah, when I was a kid, I was

1:41:03.240 --> 1:41:04.280
<v Speaker 2>into Yes, So I was like.

1:41:04.439 --> 1:41:13.720
<v Speaker 11>The whole cold uh, roddy Roddy Piper, that's my that's

1:41:13.800 --> 1:41:16.439
<v Speaker 11>my undertaker, Sean Michael, that's.

1:41:18.120 --> 1:41:21.160
<v Speaker 3>Heart heart uh uh.

1:41:21.439 --> 1:41:23.200
<v Speaker 4>Nation of Domination.

1:41:24.360 --> 1:41:24.640
<v Speaker 3>Him in the.

1:41:24.680 --> 1:41:36.200
<v Speaker 1>Eighties and love sting sting r fla fla WLD.

1:41:36.560 --> 1:41:39.599
<v Speaker 3>But he came back. He can't.

1:41:39.600 --> 1:41:42.000
<v Speaker 1>He's a super leg play out here smoking blunt somebody's

1:41:42.200 --> 1:41:42.840
<v Speaker 1>super legs.

1:41:42.920 --> 1:41:43.760
<v Speaker 4>There was hell in it.

1:41:44.320 --> 1:41:49.000
<v Speaker 3>He was before w W. He was. He was the

1:41:49.000 --> 1:41:50.559
<v Speaker 3>Square Regeneration.

1:41:50.520 --> 1:41:52.320
<v Speaker 1>Drinking private rejects like.

1:41:53.880 --> 1:41:53.920
<v Speaker 3>That.

1:41:54.040 --> 1:41:56.920
<v Speaker 1>That's that's some rapper ship right there. He was like,

1:41:57.000 --> 1:42:02.519
<v Speaker 1>no wearing limo haven't bright but jet flying. I was like,

1:42:02.640 --> 1:42:03.240
<v Speaker 1>why up?

1:42:03.439 --> 1:42:06.800
<v Speaker 2>That's bars, you know, I see Ric Flair at a

1:42:06.800 --> 1:42:10.560
<v Speaker 2>at insane posse, at the gathering, at the gathering of

1:42:10.560 --> 1:42:11.160
<v Speaker 2>the Juggalos.

1:42:11.439 --> 1:42:14.759
<v Speaker 3>No, I haven't, this is wile saying.

1:42:14.600 --> 1:42:15.719
<v Speaker 1>And he went on stage.

1:42:15.800 --> 1:42:16.160
<v Speaker 3>I don't know.

1:42:16.200 --> 1:42:18.439
<v Speaker 4>I think he was hold he said, yeah.

1:42:18.520 --> 1:42:21.760
<v Speaker 2>But then you know out there the Juggalos they throw

1:42:21.880 --> 1:42:24.080
<v Speaker 2>up I don't know what that that that that bottle

1:42:24.160 --> 1:42:26.679
<v Speaker 2>of It's like soda, these big ass soda bottles.

1:42:27.000 --> 1:42:29.400
<v Speaker 1>What is called out where they from?

1:42:29.439 --> 1:42:32.080
<v Speaker 2>They from Detroit, from Detroit, So they throw these big

1:42:32.160 --> 1:42:36.280
<v Speaker 2>ass bottles at you. But that's out of love. But

1:42:36.840 --> 1:42:45.320
<v Speaker 2>ever came back, He's like, what the fuck was pitching

1:42:45.360 --> 1:42:46.040
<v Speaker 2>the motherfuckero?

1:42:46.840 --> 1:42:47.240
<v Speaker 3>Where's my.

1:42:49.280 --> 1:42:51.280
<v Speaker 1>Where's Let me ask you, do you think the wrestlers

1:42:51.360 --> 1:42:51.960
<v Speaker 1>on cocaine?

1:42:52.479 --> 1:42:55.360
<v Speaker 3>Do I think the wrestlers were on cocaine? I don't think.

1:42:55.439 --> 1:43:02.679
<v Speaker 3>I've pretty much heard I know something I was smoking.

1:43:03.439 --> 1:43:09.600
<v Speaker 3>I heard some dark cawana, A part of you have

1:43:09.680 --> 1:43:14.559
<v Speaker 3>to do cocaine. That's they didn't know like the long

1:43:14.640 --> 1:43:15.479
<v Speaker 3>term effects of it.

1:43:15.520 --> 1:43:17.679
<v Speaker 4>Back, you know, they were still like in the middle

1:43:17.680 --> 1:43:18.520
<v Speaker 4>of the experiment.

1:43:19.160 --> 1:43:25.200
<v Speaker 1>Yeah, yeah, that's some fun. I'm gonna drink. I'm taking

1:43:25.200 --> 1:43:30.559
<v Speaker 1>the past, you take away, No, you're good, I got

1:43:30.600 --> 1:43:31.400
<v Speaker 1>I got a couple of more.

1:43:34.920 --> 1:43:38.880
<v Speaker 3>Mm hmm, oh, go for it.

1:43:38.920 --> 1:43:43.000
<v Speaker 1>With the sample, the trail. What's the sample. What's the

1:43:43.040 --> 1:43:47.439
<v Speaker 1>name of the sample. It's it's it's come on, come on,

1:43:47.520 --> 1:43:51.479
<v Speaker 1>pull it up. Son, Yes, the Empire, the Son, No, No,

1:43:51.640 --> 1:43:55.240
<v Speaker 1>I got it as it's the Thrill, walking off the Dream,

1:43:55.400 --> 1:43:57.759
<v Speaker 1>walking on the Dream, walking on the Dream. Empire.

1:43:57.800 --> 1:43:58.679
<v Speaker 3>The Son is the group.

1:43:59.320 --> 1:44:01.920
<v Speaker 1>Oh see you see you telling me?

1:44:02.120 --> 1:44:03.680
<v Speaker 4>He showing me from Australia.

1:44:03.720 --> 1:44:08.839
<v Speaker 1>They hard, So you sampled this this record. Yeah. Now,

1:44:10.600 --> 1:44:15.479
<v Speaker 1>for those that don't know, this is interpretation is different, right.

1:44:15.520 --> 1:44:18.679
<v Speaker 1>Interpretation is where you can do someone's record over.

1:44:18.960 --> 1:44:21.360
<v Speaker 4>Yeah, I don't know, and that paid him.

1:44:21.439 --> 1:44:21.559
<v Speaker 11>No.

1:44:21.680 --> 1:44:27.040
<v Speaker 3>Interpolation is where you like replay it. It's like certain

1:44:27.080 --> 1:44:30.759
<v Speaker 3>notes that are different. But this was like a whole flip.

1:44:30.920 --> 1:44:35.720
<v Speaker 3>So what happened with this was with the Thrill in particular.

1:44:36.360 --> 1:44:39.479
<v Speaker 3>This was just like the mixtape era. And I went

1:44:39.520 --> 1:44:43.040
<v Speaker 3>to a party and there was I was in Indie, Indiana,

1:44:43.120 --> 1:44:45.840
<v Speaker 3>i think, and I had chilled with the with the

1:44:45.880 --> 1:44:48.760
<v Speaker 3>guy who brought me out there. He was I was

1:44:48.800 --> 1:44:51.200
<v Speaker 3>at a college campus and I hung out with him

1:44:51.200 --> 1:44:53.439
<v Speaker 3>the whole day. He was so cool. He took me shopping,

1:44:54.400 --> 1:44:56.599
<v Speaker 3>we did the show. He was so professional, and as

1:44:56.640 --> 1:44:58.920
<v Speaker 3>soon as the show was over, he started doing tons

1:44:58.960 --> 1:45:02.439
<v Speaker 3>of coke and everybody in the room was doing cocaine.

1:45:02.479 --> 1:45:07.160
<v Speaker 3>I was like, what the fuck happened? Y'all were fucking professionalist.

1:45:07.280 --> 1:45:11.840
<v Speaker 3>Hell earlier, I'm just smoking weed. Everybody in the room

1:45:12.040 --> 1:45:15.920
<v Speaker 3>is doing cocaine. And the Empire of the Sun's song

1:45:16.040 --> 1:45:18.639
<v Speaker 3>came on, and this dude was coked out of his mind.

1:45:18.720 --> 1:45:21.760
<v Speaker 3>Not the promoter, but he was too. But look, he

1:45:21.840 --> 1:45:24.920
<v Speaker 3>had a regular collared shirt on, like yours, damn, And

1:45:25.040 --> 1:45:27.559
<v Speaker 3>when he started doing the coke, he flipped his collar up,

1:45:28.560 --> 1:45:31.240
<v Speaker 3>so he yeah, that's what he turned into when he

1:45:31.280 --> 1:45:32.679
<v Speaker 3>did yeah, exactly.

1:45:33.560 --> 1:45:34.439
<v Speaker 4>So he looked at me.

1:45:34.520 --> 1:45:36.960
<v Speaker 3>He was like, bro, he was like, if you rap

1:45:37.040 --> 1:45:39.960
<v Speaker 3>over this song, you'll be the fucking man. And he

1:45:40.080 --> 1:45:42.920
<v Speaker 3>was right, dog, he was fucking right.

1:45:43.360 --> 1:45:44.600
<v Speaker 4>I went home and wrapped.

1:45:44.360 --> 1:45:46.920
<v Speaker 3>Over that shit. I just took the beat and looked

1:45:46.920 --> 1:45:48.920
<v Speaker 3>it like right at the beginning, I just looted the

1:45:48.920 --> 1:45:51.000
<v Speaker 3>part that I wanted because they didn't have the instrumental

1:45:51.240 --> 1:45:52.479
<v Speaker 3>and I just put that shit out like that.

1:45:52.600 --> 1:45:54.639
<v Speaker 4>Was back in the day before you would get like Sue,

1:45:54.960 --> 1:45:55.439
<v Speaker 4>you know what I mean.

1:45:55.439 --> 1:45:58.600
<v Speaker 3>They wasn't really looking at this internet kid, you know,

1:45:58.640 --> 1:46:02.080
<v Speaker 3>blah blah blah. But fast forward, I started doing Hell's

1:46:02.120 --> 1:46:04.719
<v Speaker 3>shows off of that shit, and they were like, damn,

1:46:04.760 --> 1:46:06.760
<v Speaker 3>you're making money off of our record. So they like

1:46:06.760 --> 1:46:08.519
<v Speaker 3>made up this whole little rule where it was like,

1:46:08.560 --> 1:46:11.519
<v Speaker 3>if you sample certain records, you can't perform them unless

1:46:11.560 --> 1:46:14.040
<v Speaker 3>you get clearance from the artists. Blah blah blah. It's

1:46:14.040 --> 1:46:16.559
<v Speaker 3>that other thing because you're technically making money without clearing

1:46:16.560 --> 1:46:19.559
<v Speaker 3>the record. I was making millions of fucking dollars traveling

1:46:19.560 --> 1:46:22.160
<v Speaker 3>the world performing this song, and they're sitting at home

1:46:22.280 --> 1:46:25.320
<v Speaker 3>like that's our song, Like it's damn, it's damn. They're

1:46:25.439 --> 1:46:27.960
<v Speaker 3>bigger than our record, Like what the fuck. We haven't

1:46:27.960 --> 1:46:31.599
<v Speaker 3>even performed our song at that level. So eventually they

1:46:31.680 --> 1:46:33.599
<v Speaker 3>just had to break bread. They was like, look, we'll

1:46:33.720 --> 1:46:37.479
<v Speaker 3>just fucking make your version. Whatever your name and your

1:46:37.520 --> 1:46:39.960
<v Speaker 3>song is, that'll be your version, and then we'll have

1:46:40.040 --> 1:46:42.960
<v Speaker 3>our version. It's basically the same song, but I got

1:46:42.960 --> 1:46:45.720
<v Speaker 3>my version and they got their version. Yeah.

1:46:45.800 --> 1:46:48.439
<v Speaker 4>Yeah, I'm keep the collar flipped up.

1:46:49.320 --> 1:46:57.719
<v Speaker 1>Yeah that is crazy. So yeah, because he was saying,

1:46:57.840 --> 1:47:01.080
<v Speaker 1>like how he sampled this record, Like I don't know

1:47:01.080 --> 1:47:04.160
<v Speaker 1>if you remember, but La La and New York, New York,

1:47:04.560 --> 1:47:06.439
<v Speaker 1>Like we had to give one hundred percent rights to

1:47:06.439 --> 1:47:09.280
<v Speaker 1>the sugar Hill Uh, Like we couldn't. Like as soon

1:47:09.280 --> 1:47:11.080
<v Speaker 1>as they suit us, we just say, yes, we did

1:47:11.200 --> 1:47:16.439
<v Speaker 1>sample you like what caught. Yes, you sample it with them,

1:47:16.479 --> 1:47:19.040
<v Speaker 1>they worked with you. You know you could do that.

1:47:19.439 --> 1:47:21.880
<v Speaker 3>Well, you can negotiate those situations.

1:47:22.200 --> 1:47:24.160
<v Speaker 2>What happens is most of the time the artists don't

1:47:24.200 --> 1:47:26.960
<v Speaker 2>ever even ask, and then after the fact that the

1:47:26.960 --> 1:47:28.040
<v Speaker 2>publishers are coming.

1:47:28.120 --> 1:47:29.479
<v Speaker 3>And grabbing their stuff.

1:47:30.000 --> 1:47:33.280
<v Speaker 2>Right, So if you were to like anticipate that situation,

1:47:33.400 --> 1:47:36.280
<v Speaker 2>you could go and negotiate with the estate or with

1:47:36.360 --> 1:47:39.920
<v Speaker 2>the artists and whatever, and they might be usually they're

1:47:39.920 --> 1:47:41.680
<v Speaker 2>going to be probably cool about it.

1:47:41.040 --> 1:47:43.559
<v Speaker 3>And it works in everybody's favorite when they are cool

1:47:43.600 --> 1:47:45.800
<v Speaker 3>about it, because they start saying how much money they

1:47:45.840 --> 1:47:47.840
<v Speaker 3>could make. They'd be like, oh, right, never mind, let

1:47:47.840 --> 1:47:48.400
<v Speaker 3>me just chill.

1:47:52.000 --> 1:47:53.680
<v Speaker 2>Nobody wants to go to court and do all that

1:47:53.680 --> 1:47:54.720
<v Speaker 2>crazy shit after the fact.

1:47:54.840 --> 1:47:56.960
<v Speaker 3>And then and then especially with digital sales, they back

1:47:57.040 --> 1:47:59.960
<v Speaker 3>day everything. So that song was streaming for like ten years,

1:48:00.479 --> 1:48:03.400
<v Speaker 3>so all of the streams from ten years get brought

1:48:03.479 --> 1:48:05.320
<v Speaker 3>up now, so they're about to get a fat ass

1:48:05.400 --> 1:48:07.320
<v Speaker 3>check from all of the ship that it already did,

1:48:08.160 --> 1:48:10.519
<v Speaker 3>just for just for signing the paperwork, Yeah for sure.

1:48:10.560 --> 1:48:12.080
<v Speaker 4>Okay, yeah, hell yeah, just.

1:48:12.000 --> 1:48:13.840
<v Speaker 3>For signing the paperwork, just for being like, all right,

1:48:13.880 --> 1:48:15.280
<v Speaker 3>we're cool with it.

1:48:15.920 --> 1:48:19.840
<v Speaker 1>Yeah, yep, this is he's the week's proper cheese. So

1:48:20.080 --> 1:48:22.600
<v Speaker 1>oh fuck up. Yeah, because I was just gonna go

1:48:22.640 --> 1:48:23.000
<v Speaker 1>on there.

1:48:23.880 --> 1:48:25.760
<v Speaker 2>We talked about producers you would work with, but what

1:48:25.880 --> 1:48:29.479
<v Speaker 2>about straight mcs you want to collaborate with or.

1:48:29.400 --> 1:48:30.400
<v Speaker 3>Would you do ever do it?

1:48:30.479 --> 1:48:32.960
<v Speaker 2>Actually, never mind the collab would you ever do a

1:48:33.040 --> 1:48:34.080
<v Speaker 2>joint album with someone?

1:48:34.080 --> 1:48:37.920
<v Speaker 4>And who would it be a joint currency?

1:48:37.960 --> 1:48:40.120
<v Speaker 3>I'm down to do a joint album with anybody, man,

1:48:40.200 --> 1:48:43.000
<v Speaker 3>Like I feel like bless you. I feel like anybody

1:48:43.000 --> 1:48:44.680
<v Speaker 3>who I get in the room with and vibe with

1:48:44.800 --> 1:48:46.840
<v Speaker 3>for like four days. We end up making like a

1:48:46.840 --> 1:48:49.519
<v Speaker 3>little mini album. Anyway, Uh Me.

1:48:49.479 --> 1:48:52.479
<v Speaker 4>And Cutty been working back and forth on some stuff.

1:48:52.520 --> 1:48:56.799
<v Speaker 3>I could see us, like, you know, continueing our flow

1:48:57.360 --> 1:49:01.080
<v Speaker 3>because it's very very natural and the the the ship

1:49:01.120 --> 1:49:05.280
<v Speaker 3>that we got is fucking heat, so yeah we don't Yeah,

1:49:05.560 --> 1:49:09.240
<v Speaker 3>why stop that and be crazy yeah, yeah, I'll be fun.

1:49:09.560 --> 1:49:11.400
<v Speaker 1>I mean I think that's one of the illest things

1:49:11.960 --> 1:49:14.360
<v Speaker 1>about you is your melodic Yeah, thank you. You know

1:49:14.439 --> 1:49:16.720
<v Speaker 1>when you like you could rap rap yeah yeah yeah,

1:49:16.800 --> 1:49:19.280
<v Speaker 1>but then you can also get into this melodics.

1:49:19.360 --> 1:49:19.559
<v Speaker 3>Yeah.

1:49:19.840 --> 1:49:22.280
<v Speaker 1>Show, and I think that's what cutting is too.

1:49:23.360 --> 1:49:26.639
<v Speaker 2>Would you guys give that the beginnings of that melodic

1:49:26.800 --> 1:49:28.720
<v Speaker 2>in in rappers.

1:49:28.600 --> 1:49:34.200
<v Speaker 3>To He's from He's from He's from Ohio, I'm from Pittsburgh. Definitely,

1:49:34.280 --> 1:49:35.280
<v Speaker 3>Bone does harmony.

1:49:37.680 --> 1:49:39.080
<v Speaker 1>I heard that much to them.

1:49:39.120 --> 1:49:41.519
<v Speaker 4>Yeah, No, that's that's my influence for sure.

1:49:42.040 --> 1:49:46.439
<v Speaker 1>Yeah, it was. It was a time, right. I was

1:49:46.479 --> 1:49:48.920
<v Speaker 1>just like in rap purgatory you know what that means. Yeah,

1:49:49.240 --> 1:49:52.120
<v Speaker 1>Like I'm just chilling. And I went to l Aye.

1:49:53.160 --> 1:49:54.800
<v Speaker 1>When I went to Alchemist's.

1:49:54.240 --> 1:49:56.320
<v Speaker 2>House, shout out Alchemists such a legend.

1:49:58.120 --> 1:50:01.040
<v Speaker 1>Was like, man, come outside, you know I was. I

1:50:01.080 --> 1:50:03.880
<v Speaker 1>was like, if people don't know what purgatory is, a

1:50:03.880 --> 1:50:06.760
<v Speaker 1>state where you're not really between heaven and Hell, but

1:50:06.840 --> 1:50:09.639
<v Speaker 1>you're not really like it's just existing. Yeah, just existing.

1:50:09.680 --> 1:50:10.479
<v Speaker 3>It's not a place.

1:50:10.720 --> 1:50:13.120
<v Speaker 1>Malachim said to me and Kick Cutty at the show.

1:50:14.520 --> 1:50:17.559
<v Speaker 1>Alchemist said to me, come out this has when Kirk

1:50:17.600 --> 1:50:20.760
<v Speaker 1>Cutty is you know. So I said, I'm not going

1:50:20.760 --> 1:50:23.360
<v Speaker 1>to the shows. Those those type of people don't like me.

1:50:23.760 --> 1:50:27.519
<v Speaker 1>You said that, Yeah, that's what That's what I thought.

1:50:27.560 --> 1:50:38.599
<v Speaker 3>Kayak doesn't like this is by the way I brought

1:50:38.600 --> 1:50:38.840
<v Speaker 3>it up.

1:50:39.439 --> 1:50:42.599
<v Speaker 1>Shot at I want to get it back at me. Anyway,

1:50:42.680 --> 1:50:46.360
<v Speaker 1>you gotta do all your drops. So anyway, so I

1:50:46.360 --> 1:50:49.320
<v Speaker 1>told Alchemists, I was like, no, he's like, yo, like

1:50:49.520 --> 1:50:51.479
<v Speaker 1>you had something to do with putting on for real,

1:50:51.640 --> 1:50:55.320
<v Speaker 1>for real is like the godfather of this like hipster scene.

1:50:55.320 --> 1:50:57.240
<v Speaker 1>I didn't really know what. I don't want to call

1:50:57.280 --> 1:50:57.839
<v Speaker 1>the hipsters.

1:50:58.080 --> 1:51:00.880
<v Speaker 4>I said, well, it's fine, it's not it's not it's

1:51:00.880 --> 1:51:01.360
<v Speaker 4>not racist.

1:51:03.880 --> 1:51:08.320
<v Speaker 1>So going to this Kirk Cuddy concert not a concert,

1:51:08.400 --> 1:51:11.559
<v Speaker 1>it was a show in La somewhere, and I walked

1:51:11.560 --> 1:51:13.680
<v Speaker 1>in and I'm trying to be incog negro. I got

1:51:13.680 --> 1:51:16.920
<v Speaker 1>a ski hat on in La a ski hat ski hat, Yeah,

1:51:16.960 --> 1:51:19.080
<v Speaker 1>like a giant ski hat. Like they like they didn't

1:51:19.080 --> 1:51:20.800
<v Speaker 1>know all from New York, you know what I'm saying.

1:51:20.880 --> 1:51:23.400
<v Speaker 1>I said, there and Kirk Cuddy see me on stage.

1:51:23.400 --> 1:51:25.960
<v Speaker 1>It was like Laurie come up here. And it was

1:51:26.000 --> 1:51:30.599
<v Speaker 1>crazy because I didn't realize Alchemists had already told told him,

1:51:30.640 --> 1:51:33.680
<v Speaker 1>he's bringing me there, but had my records and when

1:51:33.680 --> 1:51:35.920
<v Speaker 1>I performed for these kids, and I was just like

1:51:36.400 --> 1:51:41.280
<v Speaker 1>I had didn't know that my records resonated with them

1:51:41.720 --> 1:51:44.240
<v Speaker 1>because and it was like, you haven't got a TikTok

1:51:44.320 --> 1:51:47.439
<v Speaker 1>song now, yeah yeah, yeah, yeah, yeah, it's pretty good still.

1:51:50.840 --> 1:51:54.439
<v Speaker 2>But that wasn't the same time we did the merg Show,

1:51:54.800 --> 1:51:55.080
<v Speaker 2>was it?

1:51:55.439 --> 1:51:55.840
<v Speaker 1>That was.

1:51:57.439 --> 1:51:57.479
<v Speaker 3>No?

1:51:57.920 --> 1:51:59.960
<v Speaker 1>Actually the mer Show. That's the reason why I came

1:52:00.040 --> 1:52:03.120
<v Speaker 1>back to Alchemists, because Alchemists that's two weeks before. So

1:52:03.160 --> 1:52:04.000
<v Speaker 1>it was like something like.

1:52:03.960 --> 1:52:06.599
<v Speaker 2>That, Look, this shows you how dope Alchemist is, how

1:52:06.680 --> 1:52:09.880
<v Speaker 2>humbly is He's such a legend, and he's he still

1:52:09.920 --> 1:52:11.479
<v Speaker 2>loves you so much. He's gonna come spin for you

1:52:11.600 --> 1:52:12.720
<v Speaker 2>just off just I did.

1:52:13.160 --> 1:52:13.559
<v Speaker 1>I wasn't.

1:52:13.600 --> 1:52:14.080
<v Speaker 3>I wasn't.

1:52:15.439 --> 1:52:17.760
<v Speaker 1>What is that ship called confident? You know, like I

1:52:17.800 --> 1:52:20.400
<v Speaker 1>said in Purgatory, Coming Time, where I don't give a

1:52:20.680 --> 1:52:22.519
<v Speaker 1>how much music you may. I don't care how much

1:52:22.560 --> 1:52:24.280
<v Speaker 1>platinum you went, how much the records.

1:52:24.040 --> 1:52:24.720
<v Speaker 3>You went for made.

1:52:24.720 --> 1:52:26.599
<v Speaker 1>They're just going to get tired of you. That's just

1:52:26.800 --> 1:52:29.000
<v Speaker 1>that's just how this music business is. And then you

1:52:29.040 --> 1:52:31.600
<v Speaker 1>have to find something to transition to something else. But

1:52:31.720 --> 1:52:35.759
<v Speaker 1>in that in that moment, I just wasn't confident and

1:52:35.760 --> 1:52:38.000
<v Speaker 1>and Alchemist was the one. And because the cut. I

1:52:38.000 --> 1:52:40.479
<v Speaker 1>bring it up because sweet man, yes, it's god damn.

1:52:43.240 --> 1:52:43.679
<v Speaker 4>To cutting.

1:52:44.240 --> 1:52:45.519
<v Speaker 1>So what you like you.

1:52:45.479 --> 1:52:46.599
<v Speaker 3>Forgetting your swagger back?

1:52:48.000 --> 1:52:51.400
<v Speaker 1>What do you like more making the record or performing

1:52:51.439 --> 1:52:51.920
<v Speaker 1>the record?

1:52:52.120 --> 1:52:54.639
<v Speaker 4>I don't like either one least.

1:52:59.479 --> 1:52:59.840
<v Speaker 1>Your career.

1:53:01.680 --> 1:53:03.920
<v Speaker 3>Nah. I love creating it because it's so fun to

1:53:04.080 --> 1:53:06.559
<v Speaker 3>just have this idea that doesn't exist and to make

1:53:06.600 --> 1:53:09.439
<v Speaker 3>it real right. And I love performing it because you're

1:53:09.439 --> 1:53:12.040
<v Speaker 3>doing the same thing. You're making people believe in some

1:53:12.080 --> 1:53:15.280
<v Speaker 3>shit that you create that only youth, you know.

1:53:15.280 --> 1:53:15.800
<v Speaker 1>What I'm saying.

1:53:16.200 --> 1:53:20.000
<v Speaker 3>And then it starts to like it starts to like

1:53:20.040 --> 1:53:23.400
<v Speaker 3>develop into this like experiment where it's like I'm playing

1:53:23.400 --> 1:53:25.640
<v Speaker 3>with people where it's like I'm in the studio, like

1:53:26.080 --> 1:53:28.360
<v Speaker 3>I know they're going to go crazy for this, and

1:53:28.400 --> 1:53:30.640
<v Speaker 3>then they actually do. I'm like, what the fuck? Like

1:53:31.160 --> 1:53:33.160
<v Speaker 3>it works like you know what I mean, I just

1:53:33.240 --> 1:53:39.080
<v Speaker 3>make this shit. It's like magic. You know, it's fun,

1:53:39.120 --> 1:53:41.680
<v Speaker 3>as Helle, it's so fun. I get a kick out

1:53:41.680 --> 1:53:43.600
<v Speaker 3>of that shit. And you know, I feel like the

1:53:43.640 --> 1:53:45.439
<v Speaker 3>people they get a sense of that too. They're like,

1:53:45.439 --> 1:53:47.519
<v Speaker 3>this dude is having a good time with us, Like

1:53:47.880 --> 1:53:51.479
<v Speaker 3>you know what I mean. So I enjoy both. I

1:53:51.560 --> 1:53:55.439
<v Speaker 3>enjoyed experience of both. I love performing brand new records.

1:53:55.479 --> 1:53:58.639
<v Speaker 3>I love performing hits, songs that are out for freaking ten,

1:53:58.920 --> 1:54:01.280
<v Speaker 3>twelve thirteen. I love doing all that shit.

1:54:01.400 --> 1:54:03.880
<v Speaker 1>Yo, I'm gonna take a shot. But then I got

1:54:03.880 --> 1:54:05.679
<v Speaker 1>to ask you about that brand new record shop Yeah,

1:54:05.720 --> 1:54:11.400
<v Speaker 1>hell yeah, get that. Brand new records are the toughest

1:54:11.400 --> 1:54:13.880
<v Speaker 1>thing to perform. So where you saying you like to

1:54:13.880 --> 1:54:15.960
<v Speaker 1>perform this sat in like intimate situations?

1:54:16.040 --> 1:54:18.080
<v Speaker 2>Nah, if you're like the rest of a brand new

1:54:18.120 --> 1:54:20.759
<v Speaker 2>record at a festival, nigga, get the fuck three verses.

1:54:20.840 --> 1:54:23.680
<v Speaker 3>Let's go, y'all gonna listen to this whole song. That's

1:54:23.720 --> 1:54:25.799
<v Speaker 3>what music is, man, It's making people believe.

1:54:26.120 --> 1:54:28.160
<v Speaker 2>Are you looking for something specific when you do that

1:54:28.200 --> 1:54:29.639
<v Speaker 2>new record to that audience?

1:54:29.680 --> 1:54:29.880
<v Speaker 3>Are you?

1:54:30.240 --> 1:54:30.639
<v Speaker 1>I know?

1:54:30.960 --> 1:54:35.120
<v Speaker 3>If I if I make this song in a room

1:54:35.160 --> 1:54:37.240
<v Speaker 3>and it's just me, and if I can make it

1:54:37.280 --> 1:54:40.960
<v Speaker 3>go crazy, I know a million people or however many

1:54:40.960 --> 1:54:43.480
<v Speaker 3>people I'm imagining a million, it's probably fifty thousand and

1:54:43.520 --> 1:54:44.320
<v Speaker 3>sixty or whatever.

1:54:44.720 --> 1:54:46.320
<v Speaker 4>I know I can make y'all go crazy.

1:54:46.360 --> 1:54:48.960
<v Speaker 3>If I could make a room full of nobody go crazy,

1:54:49.520 --> 1:54:51.040
<v Speaker 3>Like you know what I'm saying. I can feel that.

1:54:51.080 --> 1:54:54.360
<v Speaker 2>You say the udio that's your homies though then my

1:54:54.440 --> 1:54:55.280
<v Speaker 2>homies ain't there.

1:54:55.320 --> 1:54:58.400
<v Speaker 3>It's just me. Oh yeah, yeah, I'm not talking to

1:54:58.480 --> 1:55:00.960
<v Speaker 3>no nigga, Like you know what I'm saying. I'm mapping

1:55:00.960 --> 1:55:03.720
<v Speaker 3>this shit out in my head, like what feels good

1:55:03.760 --> 1:55:06.680
<v Speaker 3>and what doesn't? What would embarrass me If I was

1:55:06.720 --> 1:55:08.760
<v Speaker 3>in front of one hundred thousand people, that shit is

1:55:08.800 --> 1:55:11.760
<v Speaker 3>still embarrassing. If I'm sitting there by myself. You did

1:55:11.840 --> 1:55:13.200
<v Speaker 3>what I'm saying. I don't got to go out there

1:55:13.840 --> 1:55:15.080
<v Speaker 3>gauge of it while I.

1:55:15.160 --> 1:55:15.520
<v Speaker 4>Know I do.

1:55:15.600 --> 1:55:18.960
<v Speaker 3>I got a great taste, I got great timing. I'm

1:55:19.000 --> 1:55:21.200
<v Speaker 3>confident in all of that shit. Like I said, I'm

1:55:21.240 --> 1:55:24.080
<v Speaker 3>just experimenting on people. But I know I'm coming up

1:55:24.120 --> 1:55:26.320
<v Speaker 3>with the fucking game plan right then and there. So

1:55:26.400 --> 1:55:28.320
<v Speaker 3>if I say it in a song, or if I

1:55:28.360 --> 1:55:30.600
<v Speaker 3>map it out for the song to lead up into this,

1:55:30.920 --> 1:55:32.760
<v Speaker 3>you're gonna do a certain thing when it comes on.

1:55:32.880 --> 1:55:34.960
<v Speaker 4>I'm just walking you into it.

1:55:35.000 --> 1:55:37.920
<v Speaker 3>So when I do it on stage, I'm just doing

1:55:37.960 --> 1:55:40.240
<v Speaker 3>what I already knew was gonna happen. I'm just trying

1:55:40.280 --> 1:55:43.400
<v Speaker 3>it out on y'all and it works, and it's like, okay,

1:55:43.480 --> 1:55:44.480
<v Speaker 3>all right, cool, you know.

1:55:44.520 --> 1:55:45.080
<v Speaker 1>What I'm saying.

1:55:45.600 --> 1:55:47.800
<v Speaker 3>Yeah, hell yeah. But that's what music is. That's why

1:55:47.840 --> 1:55:51.480
<v Speaker 3>I enjoy different genres of music. A lot of people

1:55:51.480 --> 1:55:54.360
<v Speaker 3>get so caught up on like listening to their favorite

1:55:54.440 --> 1:55:57.320
<v Speaker 3>rap song or their most nostalgic song. They don't put

1:55:57.320 --> 1:55:59.320
<v Speaker 3>on shit that they never heard before, and they don't

1:55:59.400 --> 1:56:03.560
<v Speaker 3>understand how to, you know, go through the music and

1:56:03.640 --> 1:56:06.880
<v Speaker 3>learn the sequencing and why you actually like a song,

1:56:07.000 --> 1:56:09.320
<v Speaker 3>or why you know the lyrics to a song. And

1:56:09.320 --> 1:56:11.680
<v Speaker 3>that's why country music and pop music is so you

1:56:11.720 --> 1:56:13.360
<v Speaker 3>know what I mean, easy to catch on to because

1:56:13.360 --> 1:56:15.680
<v Speaker 3>they write the lyrics to where you can learn the

1:56:15.720 --> 1:56:18.160
<v Speaker 3>hook and the pre hook as you're listening to it,

1:56:18.360 --> 1:56:20.320
<v Speaker 3>so before the song is even over, you know the

1:56:20.360 --> 1:56:22.960
<v Speaker 3>whole motherfucking song. You might want to hear that bitch again.

1:56:23.520 --> 1:56:25.680
<v Speaker 3>Or by the time you hear it again, you know

1:56:25.720 --> 1:56:27.080
<v Speaker 3>how to sing it, you know what I'm saying. And

1:56:27.120 --> 1:56:29.640
<v Speaker 3>that's what a great performance is to me. If I

1:56:29.640 --> 1:56:32.320
<v Speaker 3>could show up and I don't even know the band

1:56:32.440 --> 1:56:35.240
<v Speaker 3>or know the lyrics to the song, and I end

1:56:35.360 --> 1:56:37.640
<v Speaker 3>up liking it, end up singing it, that's a great song.

1:56:38.000 --> 1:56:39.720
<v Speaker 4>You did what I'm saying, and that's what I bring

1:56:39.800 --> 1:56:40.600
<v Speaker 4>with my music.

1:56:40.800 --> 1:56:42.600
<v Speaker 3>That's what I bring with my performance, and that's why

1:56:42.640 --> 1:56:45.080
<v Speaker 3>I'm so confident to perform a song that nobody ever

1:56:45.120 --> 1:56:48.760
<v Speaker 3>heard for the first time front of fifty thousand goddamn

1:56:48.760 --> 1:56:49.280
<v Speaker 3>make some noose.

1:56:49.520 --> 1:56:54.720
<v Speaker 2>Yeah, what country did you performed that? Were you most

1:56:54.720 --> 1:56:55.520
<v Speaker 2>surprised at?

1:56:55.560 --> 1:56:55.720
<v Speaker 1>At?

1:56:55.800 --> 1:56:57.120
<v Speaker 3>China? China? Yeah?

1:56:57.120 --> 1:56:57.840
<v Speaker 2>What part of China?

1:56:58.240 --> 1:57:07.120
<v Speaker 3>Nigga China China? That part They ain't speaking no English

1:57:07.240 --> 1:57:09.480
<v Speaker 3>over there, and they're singing that ship dog.

1:57:10.080 --> 1:57:12.919
<v Speaker 1>That must have been a piece I can't sing in Chinese.

1:57:14.720 --> 1:57:18.920
<v Speaker 3>I don't know. Maybe I'm like, damn, like, maybe I

1:57:18.960 --> 1:57:21.200
<v Speaker 3>should learn one of you all songs the way y'all

1:57:21.240 --> 1:57:22.360
<v Speaker 3>singing my ship.

1:57:22.320 --> 1:57:24.240
<v Speaker 2>Which would be the ill thing for a lot of

1:57:24.280 --> 1:57:26.720
<v Speaker 2>artists to do. Yeah, because it made me think, we

1:57:26.760 --> 1:57:27.680
<v Speaker 2>don't ever do.

1:57:27.560 --> 1:57:31.200
<v Speaker 3>That for them. Bro, we're so American the country English. Yeah,

1:57:31.280 --> 1:57:32.840
<v Speaker 3>but we don't speak none of the language. You know,

1:57:32.920 --> 1:57:37.120
<v Speaker 3>we don't even try, don't. We're mad?

1:57:37.280 --> 1:57:41.200
<v Speaker 1>Like we don't listen? Yeah?

1:57:41.360 --> 1:57:42.920
<v Speaker 4>Hell no, no sleep?

1:57:43.560 --> 1:57:44.120
<v Speaker 3>What's up?

1:57:46.120 --> 1:57:47.600
<v Speaker 1>Did you get no sleep? Making that record?

1:57:53.120 --> 1:57:54.240
<v Speaker 4>That was a crazy time too.

1:57:54.280 --> 1:57:56.640
<v Speaker 3>Pretty much the whole time I did Rolling Papers, I

1:57:56.680 --> 1:58:01.360
<v Speaker 3>was just partying my ass off, and yeah, so I

1:58:01.360 --> 1:58:02.960
<v Speaker 3>got in the studio with Bennie Blanco.

1:58:03.320 --> 1:58:04.200
<v Speaker 4>He's cool as hell.

1:58:04.600 --> 1:58:07.120
<v Speaker 3>Uh at the time, he wasn't. I don't even think

1:58:07.120 --> 1:58:10.760
<v Speaker 3>he was wearing shoes. I wanted to say not not sneakers,

1:58:10.800 --> 1:58:13.160
<v Speaker 3>but like, I don't think he was wearing shoes at all,

1:58:13.400 --> 1:58:14.000
<v Speaker 3>socks either.

1:58:14.400 --> 1:58:17.480
<v Speaker 4>Just toes out, I fucked with it heavy.

1:58:17.600 --> 1:58:20.520
<v Speaker 1>It was cool he taught you.

1:58:20.600 --> 1:58:23.600
<v Speaker 3>No, I would have learned from him. I had moisturized

1:58:24.560 --> 1:58:30.000
<v Speaker 3>before I put him out. Yeah, I like that.

1:58:31.000 --> 1:58:31.960
<v Speaker 4>So, yeah, no, he was.

1:58:32.200 --> 1:58:34.600
<v Speaker 3>He's super cool. We vibed like as soon as we

1:58:34.880 --> 1:58:37.600
<v Speaker 3>soon as we met each other. And that was another

1:58:37.640 --> 1:58:41.160
<v Speaker 3>song that was more crossover because the beat kind of

1:58:41.280 --> 1:58:43.480
<v Speaker 3>sounded like alternative, like rock and roll to me.

1:58:43.960 --> 1:58:45.000
<v Speaker 4>But I like that type of ship.

1:58:45.040 --> 1:58:47.440
<v Speaker 3>That's what I came up on, Like, so I wanted

1:58:47.440 --> 1:58:49.800
<v Speaker 3>to write like a you know, my own kind of

1:58:49.880 --> 1:58:54.400
<v Speaker 3>college red cup anthem, and uh that's yeah, yeah, that's

1:58:54.440 --> 1:58:56.600
<v Speaker 3>what No Sleep was And it did really well. The

1:58:56.920 --> 1:59:00.800
<v Speaker 3>video did well. The song ended up going platinum. It

1:59:00.920 --> 1:59:03.640
<v Speaker 3>was another song off of Rolling Papers that you know,

1:59:03.720 --> 1:59:06.200
<v Speaker 3>if I perform it now, people just it's like helling

1:59:06.280 --> 1:59:09.280
<v Speaker 3>nostalgic for them like they remember the moment that ship dropped,

1:59:09.560 --> 1:59:11.680
<v Speaker 3>which is really cool to have them type of records.

1:59:11.680 --> 1:59:14.240
<v Speaker 1>Man, Oh yeah, you have a fuck with the beach Boys.

1:59:15.080 --> 1:59:16.800
<v Speaker 4>That was funny when you said that. To get it,

1:59:17.320 --> 1:59:17.760
<v Speaker 4>I got a.

1:59:17.720 --> 1:59:21.480
<v Speaker 1>Beach boy sampled something and involved them and I.

1:59:21.480 --> 1:59:22.960
<v Speaker 3>Don't know about said, but I would put them in

1:59:22.960 --> 1:59:25.520
<v Speaker 3>the studio, just straight up work with them, niggas, you.

1:59:25.520 --> 1:59:29.680
<v Speaker 1>Know, like something completely big. Are they all alive.

1:59:29.720 --> 1:59:31.360
<v Speaker 3>I don't know. I'm fucking I assume that live.

1:59:31.440 --> 1:59:32.600
<v Speaker 4>They they seem pretty hell.

1:59:32.680 --> 1:59:33.800
<v Speaker 3>One of the dudes passed away.

1:59:34.800 --> 1:59:35.840
<v Speaker 4>They seem pretty healthy.

1:59:35.840 --> 1:59:36.000
<v Speaker 3>Bro.

1:59:36.200 --> 1:59:37.920
<v Speaker 2>You ever saw that movie, the movie about the one

1:59:37.960 --> 1:59:40.920
<v Speaker 2>dude from the Beach Boys that no, it's just wild,

1:59:40.920 --> 1:59:42.480
<v Speaker 2>It's just I'm not talking about it.

1:59:42.600 --> 1:59:43.360
<v Speaker 3>I don't up.

1:59:43.600 --> 1:59:46.080
<v Speaker 1>Was that the one like his dad was like, it's

1:59:46.120 --> 1:59:46.760
<v Speaker 1>all fucked up?

1:59:46.920 --> 1:59:50.720
<v Speaker 3>Is that the same funked up I'm.

1:59:50.560 --> 1:59:53.720
<v Speaker 1>A beach boy guy. You don't know the Beach Boys? Sorry,

1:59:53.800 --> 1:59:54.839
<v Speaker 1>I just know this music.

1:59:55.040 --> 1:59:58.000
<v Speaker 2>The dude the main like the dude who like music,

1:59:58.080 --> 2:00:00.560
<v Speaker 2>he was what I can't I I don't remember, So

2:00:00.560 --> 2:00:01.360
<v Speaker 2>I don't funk it up.

2:00:01.360 --> 2:00:04.040
<v Speaker 3>I think we're fucking thinking about the same fucked up.

2:00:03.880 --> 2:00:10.120
<v Speaker 1>Ass ship up it's not crazy. It's up a beach boys.

2:00:10.400 --> 2:00:13.920
<v Speaker 3>Yeah, bro, I get some dark ship. Yeah, it's ship

2:00:15.200 --> 2:00:17.800
<v Speaker 3>when I go. They had to make that happy ass music.

2:00:17.920 --> 2:00:18.360
<v Speaker 2>Bro, you.

2:00:20.200 --> 2:00:22.840
<v Speaker 3>Have never seen the movie this all You got to

2:00:22.880 --> 2:00:26.800
<v Speaker 3>see that movie. Oh my God knows what it is.

2:00:27.000 --> 2:00:33.920
<v Speaker 1>Yeah that not long God, not Love and Mercy.

2:00:34.160 --> 2:00:37.240
<v Speaker 2>That movie crazy. You gotta watch that ship. It's called

2:00:37.400 --> 2:00:41.400
<v Speaker 2>love and it's dark. It's about the beach boy about Yeah,

2:00:42.280 --> 2:00:43.720
<v Speaker 2>he's one of the main dudes that wrote a lot

2:00:43.720 --> 2:00:44.240
<v Speaker 2>of the music.

2:00:44.480 --> 2:00:45.959
<v Speaker 4>So I'm actually not a beach.

2:00:45.760 --> 2:00:52.280
<v Speaker 3>Boy with the inspiration.

2:00:52.680 --> 2:00:58.240
<v Speaker 2>Yeah, you lived somewhere else, like internationally, like your parents,

2:00:58.440 --> 2:00:59.400
<v Speaker 2>the military parents.

2:00:59.400 --> 2:01:00.000
<v Speaker 4>Definitely in the middle.

2:01:00.560 --> 2:01:02.920
<v Speaker 3>I was born in North Dakota.

2:01:03.040 --> 2:01:04.000
<v Speaker 4>Yeah, I lived in Japan.

2:01:04.440 --> 2:01:06.040
<v Speaker 1>Really exists north of South Dakota.

2:01:06.120 --> 2:01:08.640
<v Speaker 3>Yes, of course, this nigga said exists.

2:01:09.240 --> 2:01:10.200
<v Speaker 1>They just made that up.

2:01:10.240 --> 2:01:11.960
<v Speaker 3>I've been in North Dakota.

2:01:12.760 --> 2:01:17.040
<v Speaker 4>Like, I'm just with, Yes, it exists, sir.

2:01:17.200 --> 2:01:17.960
<v Speaker 1>You don't remember that.

2:01:18.240 --> 2:01:20.760
<v Speaker 3>They shouldn't have to. They should just make it one Dakota.

2:01:20.840 --> 2:01:23.240
<v Speaker 3>They got Mexico and New Mexico.

2:01:24.240 --> 2:01:27.880
<v Speaker 2>Well, you know that's country and and yeah, no, that's

2:01:27.920 --> 2:01:30.160
<v Speaker 2>a country south and that's that's a state.

2:01:30.320 --> 2:01:34.160
<v Speaker 3>Yeah.

2:01:34.520 --> 2:01:36.680
<v Speaker 1>The Yeah, I was.

2:01:36.560 --> 2:01:37.440
<v Speaker 4>Born in North Dakota.

2:01:37.520 --> 2:01:40.280
<v Speaker 3>I lived in Japan, I lived in Oklahoma, I lived

2:01:40.320 --> 2:01:40.880
<v Speaker 3>in Germany.

2:01:40.960 --> 2:01:44.520
<v Speaker 4>I think I lived in fucking South Carolina.

2:01:45.160 --> 2:01:47.400
<v Speaker 2>Like years you remember, like memorable years, and you remember

2:01:47.440 --> 2:01:48.080
<v Speaker 2>these places.

2:01:48.160 --> 2:01:50.400
<v Speaker 3>Yeah, yeah, yeah, I would live like maybe a year

2:01:50.600 --> 2:01:51.520
<v Speaker 3>or two at a time.

2:01:51.680 --> 2:01:53.640
<v Speaker 2>But what branch of military was your that were in

2:01:53.680 --> 2:01:56.160
<v Speaker 2>the air force? Oh so you're definitely moving around.

2:01:56.200 --> 2:01:57.520
<v Speaker 4>Yeah, so that was all the way up too. I

2:01:57.560 --> 2:01:58.440
<v Speaker 4>was like thirteen years.

2:01:58.560 --> 2:01:58.840
<v Speaker 1>Wow.

2:01:59.040 --> 2:02:01.440
<v Speaker 2>Oh yeah, so you got something from all these places.

2:02:01.920 --> 2:02:03.920
<v Speaker 2>Do you think that informs your music today at all?

2:02:05.920 --> 2:02:08.000
<v Speaker 3>Not really the music, No, I wouldn't even say that.

2:02:08.040 --> 2:02:11.600
<v Speaker 3>My dad really like influenced my music just by listening

2:02:11.640 --> 2:02:13.520
<v Speaker 3>to a bunch of records in the house when I

2:02:13.600 --> 2:02:16.640
<v Speaker 3>was young. I have like a really good musical palette.

2:02:16.640 --> 2:02:19.160
<v Speaker 3>Like he was listening to disco, he was listening to

2:02:19.160 --> 2:02:22.080
<v Speaker 3>Bob Marley. He would listen to hip hop. He would

2:02:22.080 --> 2:02:26.720
<v Speaker 3>listen to Patty LaBelle, he listened to Shot you know

2:02:26.760 --> 2:02:28.640
<v Speaker 3>what I'm saying. He listened to Trup, he would listen

2:02:28.720 --> 2:02:31.320
<v Speaker 3>to fucking and my mom. My dad listened to everything,

2:02:31.320 --> 2:02:34.000
<v Speaker 3>and my mom she listened to more like hardcore rap shit.

2:02:34.080 --> 2:02:36.000
<v Speaker 3>So that's why I started listening to like Doggy style

2:02:36.600 --> 2:02:39.960
<v Speaker 3>hardcore rapp. Yeah. Yeah, she was more like DJ Quick

2:02:40.120 --> 2:02:40.840
<v Speaker 3>Doggie style.

2:02:42.000 --> 2:02:42.400
<v Speaker 1>Yeah.

2:02:42.400 --> 2:02:45.600
<v Speaker 3>She listened to outcasts real heavy too. To Mama West,

2:02:45.960 --> 2:02:47.560
<v Speaker 3>my mom's the one who smoked weed, so she was

2:02:47.600 --> 2:02:49.800
<v Speaker 3>like air Kabai du and like all of that ship.

2:02:50.360 --> 2:02:53.520
<v Speaker 3>So like, yeah, that's where I got my musical background from.

2:02:53.760 --> 2:02:55.920
<v Speaker 3>I think moving around just helped me deal with people,

2:02:56.000 --> 2:02:57.640
<v Speaker 3>you know what I'm saying. Like I was always the

2:02:57.680 --> 2:03:00.360
<v Speaker 3>new kid at school, so I always had to kind

2:03:00.360 --> 2:03:02.720
<v Speaker 3>of like assert myself or just be myself, you know

2:03:02.720 --> 2:03:04.520
<v Speaker 3>what I mean. And it just helped me, like deal

2:03:04.600 --> 2:03:06.000
<v Speaker 3>with different crowds of people. I could.

2:03:06.240 --> 2:03:07.480
<v Speaker 4>I could get down with anybody.

2:03:07.520 --> 2:03:10.840
<v Speaker 3>It don't matter what race, what your background is, what

2:03:10.880 --> 2:03:14.200
<v Speaker 3>your age is. Like, yeah, I funck with everybody. I've

2:03:14.200 --> 2:03:16.840
<v Speaker 3>been around everybody. I know everybody's family, so it's like

2:03:17.160 --> 2:03:18.080
<v Speaker 3>I'm cool with everybody.

2:03:18.760 --> 2:03:19.600
<v Speaker 1>That's some global ship.

2:03:19.760 --> 2:03:24.839
<v Speaker 3>Yeah, yeah, literally real ship. Your father didn't smoke just moms.

2:03:24.960 --> 2:03:26.160
<v Speaker 4>Nah, my dad don't smoke weed.

2:03:26.200 --> 2:03:28.040
<v Speaker 3>He'll hit a little bit of weed here and there,

2:03:28.080 --> 2:03:30.840
<v Speaker 3>but coming up for sure, my mom is the weed

2:03:30.920 --> 2:03:34.800
<v Speaker 3>head listening to the Yeah shove.

2:03:35.840 --> 2:03:38.960
<v Speaker 1>Im to take another shot. I want to take another shot, man.

2:03:38.960 --> 2:03:41.160
<v Speaker 1>Whereas like I said, man, I show what's about giving

2:03:41.200 --> 2:03:45.200
<v Speaker 1>people their flowers? You definitely deserve your flowers. You're a legend.

2:03:45.440 --> 2:03:46.480
<v Speaker 3>Thanks dude, you're.

2:03:46.320 --> 2:03:50.919
<v Speaker 1>Out here doing this ship. Continue to be an inspiration

2:03:51.000 --> 2:03:55.120
<v Speaker 1>to me, Like I love watching you. I love continue

2:03:55.160 --> 2:03:59.880
<v Speaker 1>to see you have success and continue to be happy.

2:04:00.600 --> 2:04:03.040
<v Speaker 1>That's a that's an actual, uh something we should all

2:04:03.120 --> 2:04:05.960
<v Speaker 1>salute now for really, because this game is a roller coaster.

2:04:06.360 --> 2:04:08.000
<v Speaker 1>Like you know, being a rapper, we can't have a

2:04:08.040 --> 2:04:10.160
<v Speaker 1>bad day. If you want to have a bad day

2:04:10.160 --> 2:04:12.400
<v Speaker 1>and you come outside, it's always somebody that want to

2:04:12.400 --> 2:04:15.080
<v Speaker 1>take a picture. So it's somebody that want to you know,

2:04:15.360 --> 2:04:17.680
<v Speaker 1>have a hug or whatever. So you know, I know

2:04:17.720 --> 2:04:19.960
<v Speaker 1>how hard it is to be famous and to maintain

2:04:20.040 --> 2:04:24.000
<v Speaker 1>this and to maintain you know, being level headed. So

2:04:24.080 --> 2:04:25.880
<v Speaker 1>I just want to commend you, salute you, thank you,

2:04:25.960 --> 2:04:28.320
<v Speaker 1>and tell you we love you and respect you over here.

2:04:28.880 --> 2:04:35.000
<v Speaker 1>So I love curious. I'm drinking all this goddamn Japanese whiskey.

2:04:35.880 --> 2:04:41.880
<v Speaker 1>Japanese excuse me, I was drinking the Japanese de Leon.

2:04:42.880 --> 2:04:47.080
<v Speaker 1>But de leone. You know, you know black people own sequila, yeah,

2:04:47.240 --> 2:04:51.880
<v Speaker 1>and you own goddamnin.

2:04:50.760 --> 2:04:52.160
<v Speaker 3>So why you ain't drinking your own ship?

2:04:52.240 --> 2:04:52.760
<v Speaker 1>You gotta ask.

2:04:52.840 --> 2:04:53.879
<v Speaker 4>I don't drink alcohol.

2:04:54.560 --> 2:04:58.800
<v Speaker 1>He being this part out this part. We want you

2:04:58.840 --> 2:04:59.440
<v Speaker 1>to sell your ship.

2:04:59.560 --> 2:05:01.040
<v Speaker 3>I don't care. Yeah, I don't have to drinking.

2:05:03.120 --> 2:05:05.560
<v Speaker 1>There's a gin drinker out there waiting to drink. Yeah,

2:05:06.320 --> 2:05:10.560
<v Speaker 1>you ain't gonna take a sip right now. He was like,

2:05:11.880 --> 2:05:14.240
<v Speaker 1>come on, man, come on, we can't have people on.

2:05:19.000 --> 2:05:22.800
<v Speaker 2>Yeah, you're mixing the funk out of your Drinksfuse what

2:05:22.960 --> 2:05:23.760
<v Speaker 2>is not infused?

2:05:23.840 --> 2:05:27.880
<v Speaker 1>There's no ship right here? Okay, there we got.

2:05:28.560 --> 2:05:30.240
<v Speaker 2>We can't act for all kinds of ship right now.

2:05:31.160 --> 2:05:32.080
<v Speaker 2>You aren't shaking me.

2:05:32.240 --> 2:05:35.600
<v Speaker 1>You are shaking some mixing his ship. Where's once you

2:05:35.640 --> 2:05:36.120
<v Speaker 1>taking his ship?

2:05:37.080 --> 2:05:39.800
<v Speaker 3>The palatee. My hands a cold, so they're not working

2:05:39.840 --> 2:05:44.840
<v Speaker 3>right now. My head is like kill deal right now. Yeah,

2:05:46.880 --> 2:05:48.920
<v Speaker 3>let you know what's don't drop it like boards.

2:05:49.600 --> 2:05:50.280
<v Speaker 1>Yeah yeah.

2:05:52.280 --> 2:05:55.280
<v Speaker 3>Yeah, my hand just don't work.

2:05:55.880 --> 2:05:58.960
<v Speaker 1>Here we go. Then I'm gonna make a drink and

2:05:59.000 --> 2:06:01.920
<v Speaker 1>I'm gonna keep drinking. I feel like boris. You have

2:06:01.320 --> 2:06:02.560
<v Speaker 1>a have a shot to.

2:06:02.600 --> 2:06:09.560
<v Speaker 2>You have to because of dropping the joint.

2:06:11.240 --> 2:06:13.360
<v Speaker 3>When I hit, that's gonna tell I was at the

2:06:13.360 --> 2:06:18.960
<v Speaker 3>party right back. Three use the bad influence.

2:06:19.000 --> 2:06:19.240
<v Speaker 1>That's what.

2:06:22.000 --> 2:06:27.760
<v Speaker 3>Exactly, so and relaxed Snoop called me peer pressure.

2:06:28.360 --> 2:06:29.200
<v Speaker 4>That's your nickname.

2:06:30.880 --> 2:06:33.840
<v Speaker 3>That's perfect, that's perfect.

2:06:34.720 --> 2:06:36.040
<v Speaker 4>So that's a great way.

2:06:36.200 --> 2:06:38.640
<v Speaker 1>Looking poor poor brother looking at here. That's big.

2:06:43.720 --> 2:06:44.080
<v Speaker 3>Cheers.

2:06:45.000 --> 2:06:50.400
<v Speaker 1>Yeah, yeah, that shot is crazy.

2:06:50.680 --> 2:06:54.680
<v Speaker 3>This show is crazy too. Killed me Like, I like

2:06:54.680 --> 2:06:56.680
<v Speaker 3>what you just did, Like, let's get it.

2:06:56.760 --> 2:07:00.960
<v Speaker 2>Let's get an honest, good critique.

2:07:01.200 --> 2:07:03.000
<v Speaker 3>Thank you, because I'm waiting for the face and the

2:07:03.000 --> 2:07:05.640
<v Speaker 3>face never didn't even make a face. He didn't make

2:07:05.640 --> 2:07:12.120
<v Speaker 3>a face. I used to drink bombab every day.

2:07:13.280 --> 2:07:15.640
<v Speaker 1>I like Wednesday you were like this, but were toasting.

2:07:15.920 --> 2:07:17.480
<v Speaker 2>That's a new ship. If you don't want to drink,

2:07:17.560 --> 2:07:19.800
<v Speaker 2>you like this with your blunt and national. I don't drink,

2:07:19.800 --> 2:07:20.720
<v Speaker 2>but I smoked.

2:07:22.640 --> 2:07:23.040
<v Speaker 3>So sundy.

2:07:23.080 --> 2:07:26.080
<v Speaker 2>You didn't finish, so so give us the Chris feeling.

2:07:26.240 --> 2:07:34.960
<v Speaker 3>What's the flavor flavor palette? Yes, yeh, bomb bomb The

2:07:35.120 --> 2:07:38.720
<v Speaker 3>drink champs have spoken, but is this is this happy

2:07:38.800 --> 2:07:41.200
<v Speaker 3>end drink? Thank you?

2:07:41.200 --> 2:07:44.520
<v Speaker 1>You deterred you declined to go on a tour with Drake.

2:07:45.200 --> 2:07:46.400
<v Speaker 4>That was a long time ago too.

2:07:47.320 --> 2:07:48.320
<v Speaker 1>Do you regret it was that?

2:07:48.640 --> 2:07:49.840
<v Speaker 4>No, I don't regret it.

2:07:53.040 --> 2:08:00.800
<v Speaker 3>My thing, I'm such like a I don't know. I

2:08:00.840 --> 2:08:05.040
<v Speaker 3>think the word that people use is stubborn. But when

2:08:05.080 --> 2:08:07.800
<v Speaker 3>I have a vision and I see things going a

2:08:07.840 --> 2:08:10.440
<v Speaker 3>certain way, I see it all the way through. And

2:08:10.600 --> 2:08:14.640
<v Speaker 3>at that point in my career, I was right there.

2:08:15.000 --> 2:08:15.760
<v Speaker 4>And then all of.

2:08:15.720 --> 2:08:18.800
<v Speaker 3>These certain things just started coming out of the woodwork

2:08:19.080 --> 2:08:21.960
<v Speaker 3>that could have deterred me from what I was naturally

2:08:22.040 --> 2:08:27.360
<v Speaker 3>and evenly doing, and I just had to respectfully decline.

2:08:27.480 --> 2:08:30.800
<v Speaker 4>And that's the thing that a lot of people don't see.

2:08:30.640 --> 2:08:34.680
<v Speaker 3>Happen, is somebody stand up for themselves and respectfully decline.

2:08:34.880 --> 2:08:37.160
<v Speaker 4>I respectfully said no to that.

2:08:37.280 --> 2:08:40.080
<v Speaker 3>I respectfully said no when Rick Ross tried to sign

2:08:40.120 --> 2:08:43.200
<v Speaker 3>me to Mayback Music as well. There were a lot

2:08:43.200 --> 2:08:46.560
<v Speaker 3>of other situations where I was like, I'm doing my thing.

2:08:46.760 --> 2:08:48.560
<v Speaker 4>I'm Taylor Gang, I'm Whiskalifa.

2:08:49.160 --> 2:08:51.120
<v Speaker 3>I don't want to fucking step on your toes because

2:08:51.160 --> 2:08:53.600
<v Speaker 3>you're going to be pissed at me when you see

2:08:53.720 --> 2:08:56.600
<v Speaker 3>how hard I'm going about myself. So I might as

2:08:56.600 --> 2:08:59.040
<v Speaker 3>well just stick it out and give you this real

2:08:59.120 --> 2:08:59.720
<v Speaker 3>ass answer.

2:09:00.160 --> 2:09:02.280
<v Speaker 1>That's all I did, and realize it.

2:09:02.640 --> 2:09:05.000
<v Speaker 3>I mean, yeah, we'll be cool afterwards, you know what

2:09:05.040 --> 2:09:07.520
<v Speaker 3>I'm saying hopefully, Like yeah, for sure, But like I'm

2:09:07.560 --> 2:09:10.120
<v Speaker 3>gonna be one hundred though, and that's all that was.

2:09:11.040 --> 2:09:11.240
<v Speaker 4>Yeah.

2:09:11.320 --> 2:09:14.840
<v Speaker 2>Yeah, because if you don't see your vision through and

2:09:14.880 --> 2:09:18.200
<v Speaker 2>you you give up your abandon your yeah, you're you're

2:09:18.200 --> 2:09:19.120
<v Speaker 2>never gonna forgive yourself.

2:09:19.120 --> 2:09:21.360
<v Speaker 3>You're never going to forgive yourself. You gotta like you

2:09:21.400 --> 2:09:23.320
<v Speaker 3>gotta stand on it. Like you know what I'm saying.

2:09:23.560 --> 2:09:26.680
<v Speaker 3>It's a hard decision to make because you get all.

2:09:26.520 --> 2:09:27.640
<v Speaker 4>Of these things that are there.

2:09:27.640 --> 2:09:29.520
<v Speaker 3>They're so shiny and they look so cool, but you

2:09:29.560 --> 2:09:32.840
<v Speaker 3>gotta like stay stay focused. Yeah, yeah, that's crazy.

2:09:32.880 --> 2:09:33.080
<v Speaker 1>Yeah.

2:09:33.280 --> 2:09:36.480
<v Speaker 3>September eighth, Yeah, September eight, Mber sixth, Oh yeah, so

2:09:36.520 --> 2:09:37.120
<v Speaker 3>we act the same.

2:09:37.200 --> 2:09:42.760
<v Speaker 2>Come on, I don't know what I was getting myself

2:09:42.760 --> 2:09:43.560
<v Speaker 2>into boxes.

2:09:43.960 --> 2:09:47.040
<v Speaker 1>September six leave Beyonce four the fourth.

2:09:47.360 --> 2:09:48.600
<v Speaker 4>Michael Jackson is in there.

2:09:48.960 --> 2:09:53.040
<v Speaker 2>Michael Jackson verb Yeah, yeah, he's like exactly, Oh my goodness.

2:09:53.080 --> 2:09:54.280
<v Speaker 1>You know, there's nothing like him.

2:09:54.480 --> 2:09:59.280
<v Speaker 3>Michael Kobe's there? Who else? Get it? Ho?

2:10:00.080 --> 2:10:00.400
<v Speaker 4>Kobe?

2:10:00.840 --> 2:10:03.400
<v Speaker 3>Kobe k Yeah.

2:10:04.600 --> 2:10:06.160
<v Speaker 1>I should have knew Kobe was a virgo. I did

2:10:06.160 --> 2:10:08.440
<v Speaker 1>a record with Kobe and I went to the studio

2:10:08.600 --> 2:10:10.360
<v Speaker 1>and I wrote the rhyme for him, and he was like,

2:10:10.400 --> 2:10:13.000
<v Speaker 1>you ain't writing around rhyme? Yeah, and I was like, Wow,

2:10:13.120 --> 2:10:16.680
<v Speaker 1>he really went into the bus. Yeah, Burgo boys boys

2:10:16.720 --> 2:10:21.200
<v Speaker 1>got damn it. I'm not asking that.

2:10:21.240 --> 2:10:24.800
<v Speaker 3>Question, not answering or asking him about asking that question.

2:10:25.440 --> 2:10:26.480
<v Speaker 3>I sent you that question.

2:10:29.280 --> 2:10:30.280
<v Speaker 4>I want to know what it is.

2:10:31.680 --> 2:10:43.600
<v Speaker 1>Hey, why don't you ask so yuh someone you know

2:10:44.440 --> 2:10:50.760
<v Speaker 1>really good about I love this first break person and I.

2:10:50.960 --> 2:10:54.320
<v Speaker 3>Just that's why.

2:10:57.560 --> 2:11:03.880
<v Speaker 1>It's so ah my sister, I look at her.

2:11:05.320 --> 2:11:06.280
<v Speaker 4>It's not a bad question.

2:11:06.600 --> 2:11:10.160
<v Speaker 1>No, I've read it wrong. Okay did you read that?

2:11:10.200 --> 2:11:10.760
<v Speaker 3>But I don't know.

2:11:11.320 --> 2:11:15.680
<v Speaker 1>It just didn't sound good when I read it. Always,

2:11:19.400 --> 2:11:20.600
<v Speaker 1>Oh yeah, I love that.

2:11:20.680 --> 2:11:22.360
<v Speaker 3>I love that, you know.

2:11:22.800 --> 2:11:26.720
<v Speaker 1>I brag about y'all sometimes, Yeah, I brag about y'all sometimes,

2:11:26.800 --> 2:11:30.280
<v Speaker 1>Like hell yeah, Like I brag about y'all. Sometimes when

2:11:30.280 --> 2:11:32.720
<v Speaker 1>I when I see people like you know, going through

2:11:32.760 --> 2:11:34.600
<v Speaker 1>certain things and I'm like, look look how they took

2:11:34.640 --> 2:11:37.080
<v Speaker 1>the Amica route, you know what I mean? Like, yeah,

2:11:37.200 --> 2:11:40.080
<v Speaker 1>and look how they both say so I brag about y'all.

2:11:40.080 --> 2:11:45.000
<v Speaker 3>So sometimes yeah, we're like the ideal couple, even though

2:11:45.000 --> 2:11:45.640
<v Speaker 3>we're not together.

2:11:45.680 --> 2:11:46.520
<v Speaker 1>Yeh yeh know what you mean.

2:11:46.840 --> 2:11:49.400
<v Speaker 3>It's like we we we share the most beautiful thing

2:11:49.440 --> 2:11:53.320
<v Speaker 3>in life. We have a kid, we got great memories. Uh,

2:11:53.960 --> 2:11:57.080
<v Speaker 3>we were married, so everything we did was out of life,

2:11:58.040 --> 2:12:00.440
<v Speaker 3>pure love. You know what I'm saying. We land on

2:12:00.520 --> 2:12:03.280
<v Speaker 3>being with each other forever, you know what I'm saying.

2:12:03.920 --> 2:12:06.720
<v Speaker 3>But you know that shit gets difficult, and I think

2:12:06.760 --> 2:12:11.680
<v Speaker 3>with marriage, like legal marriage, it kind of sucks because

2:12:12.360 --> 2:12:14.640
<v Speaker 3>that has to be the end of something when that's over.

2:12:15.120 --> 2:12:17.440
<v Speaker 3>But I think we're proven that it's not the end

2:12:17.480 --> 2:12:20.240
<v Speaker 3>of everything, like even when that legal shit is over,

2:12:20.360 --> 2:12:22.520
<v Speaker 3>you know what I mean. Like I got her back,

2:12:22.680 --> 2:12:25.560
<v Speaker 3>she knows it, She got my back, I know it.

2:12:25.680 --> 2:12:27.720
<v Speaker 3>And we do a great job, you know, being there

2:12:27.720 --> 2:12:31.600
<v Speaker 3>for our kids. We do so many things for Sebastian

2:12:31.680 --> 2:12:34.400
<v Speaker 3>and not even just for him, but we just were

2:12:34.480 --> 2:12:37.680
<v Speaker 3>such a good unit for him that I didn't see

2:12:37.800 --> 2:12:40.000
<v Speaker 3>growing up, you know what I'm saying, Like my parents,

2:12:40.040 --> 2:12:43.240
<v Speaker 3>they weren't able to function as well as you know

2:12:43.280 --> 2:12:45.080
<v Speaker 3>what I'm saying, her parents either, I think just that

2:12:45.240 --> 2:12:49.600
<v Speaker 3>generation of dysfunction. Yeah, they didn't.

2:12:49.920 --> 2:12:50.360
<v Speaker 4>They don't.

2:12:51.120 --> 2:12:54.360
<v Speaker 3>There was no come together, There was no holidays, there

2:12:54.440 --> 2:13:01.920
<v Speaker 3>was no birthdays together, There was no it was that

2:13:02.000 --> 2:13:05.360
<v Speaker 3>bitch is by my son? Why that nigga over there?

2:13:05.480 --> 2:13:07.880
<v Speaker 3>It was just real dysfunctional, you know what I'm saying,

2:13:07.920 --> 2:13:09.440
<v Speaker 3>like that's what we grew up seeing.

2:13:09.720 --> 2:13:11.760
<v Speaker 1>I love seeing bast birthday all y'all.

2:13:12.160 --> 2:13:15.360
<v Speaker 3>We do things together. He gets to enjoy both of

2:13:15.400 --> 2:13:18.080
<v Speaker 3>us together. He doesn't see us separately.

2:13:17.680 --> 2:13:18.280
<v Speaker 4>You know what I mean.

2:13:19.040 --> 2:13:25.800
<v Speaker 3>That's yeah, hell yeah, that's really important. My parents were

2:13:25.840 --> 2:13:27.680
<v Speaker 3>divorced since I was two, and I had both of

2:13:27.720 --> 2:13:30.320
<v Speaker 3>them in my life, very important, both of them in

2:13:30.320 --> 2:13:30.640
<v Speaker 3>my life.

2:13:30.680 --> 2:13:31.920
<v Speaker 4>Love my mother, love my dad.

2:13:32.240 --> 2:13:35.120
<v Speaker 3>But they are dysfunctional as fuck, can't be in the

2:13:35.120 --> 2:13:37.400
<v Speaker 3>same room together, and that's not good for a kid,

2:13:37.560 --> 2:13:39.360
<v Speaker 3>like you know what I mean. And it's not their

2:13:39.400 --> 2:13:42.160
<v Speaker 3>fault because they probably didn't grow up seeing the best

2:13:42.480 --> 2:13:45.360
<v Speaker 3>functioning anything. But we gotta break that and we gotta

2:13:45.440 --> 2:13:48.560
<v Speaker 3>be better for our fucking kids. So there's a lot,

2:13:49.120 --> 2:13:50.560
<v Speaker 3>you know what I mean, there's a lot that we

2:13:50.640 --> 2:13:53.280
<v Speaker 3>do just to be, like not just to be. But

2:13:53.280 --> 2:13:56.160
<v Speaker 3>it's it's natural where it's like, yo, this man needs

2:13:56.160 --> 2:13:59.400
<v Speaker 3>to see, uh, you know, his father treat his mother good.

2:13:59.520 --> 2:14:02.440
<v Speaker 3>He is to hear his mother say great thing about

2:14:02.520 --> 2:14:04.760
<v Speaker 3>things about his father, Like that's important, you know, like

2:14:04.800 --> 2:14:05.360
<v Speaker 3>for real.

2:14:05.600 --> 2:14:09.720
<v Speaker 1>That's a beautiful thing. Yeah, both, And that's a beautiful thing.

2:14:10.360 --> 2:14:13.000
<v Speaker 1>What you think it's dope and like, like I said,

2:14:13.040 --> 2:14:15.000
<v Speaker 1>like on the sideline, because you know, I know how

2:14:15.040 --> 2:14:17.480
<v Speaker 1>I know you and I see how y'all get along.

2:14:17.600 --> 2:14:19.720
<v Speaker 1>I always tell like my homies when I see somebody

2:14:19.760 --> 2:14:23.080
<v Speaker 1>doing something like look in a public side, Yeah, how

2:14:23.080 --> 2:14:24.760
<v Speaker 1>could you not get along? You know what I'm saying.

2:14:24.760 --> 2:14:26.640
<v Speaker 3>I mean you, it takes a lot, though, Like you

2:14:26.720 --> 2:14:29.000
<v Speaker 3>got to really not be a fucking asshole, you know

2:14:29.040 --> 2:14:30.600
<v Speaker 3>what I'm saying. Like a lot of people are like

2:14:30.640 --> 2:14:33.680
<v Speaker 3>putting up a front for cameras and they'll, you know,

2:14:33.760 --> 2:14:36.280
<v Speaker 3>they'll be fucking Superman when the camera comes on and

2:14:36.320 --> 2:14:37.000
<v Speaker 3>be a piece of shit.

2:14:37.080 --> 2:14:39.600
<v Speaker 4>Behind closed doors, we ride for each other.

2:14:39.640 --> 2:14:42.360
<v Speaker 3>Behind closed doors, there's nobody who can come in between us,

2:14:42.440 --> 2:14:45.880
<v Speaker 3>not even our parents, nobody. We started our world together

2:14:45.960 --> 2:14:48.080
<v Speaker 3>and that's what we live in, and that's how we

2:14:48.240 --> 2:14:49.320
<v Speaker 3>rock and that's how we stay on this.

2:14:49.600 --> 2:14:51.920
<v Speaker 1>You guys speak on that though. When breaking up.

2:14:52.160 --> 2:14:55.280
<v Speaker 3>Now we got to that point, you know, the relationship.

2:14:55.320 --> 2:14:57.520
<v Speaker 3>It put a strain on us, and I think it

2:14:57.640 --> 2:14:59.720
<v Speaker 3>just brought out the best in us. It kind of

2:15:00.440 --> 2:15:03.040
<v Speaker 3>forced us to look at ourselves and what we bring

2:15:03.120 --> 2:15:06.920
<v Speaker 3>to the table and moving forward. I feel like we

2:15:07.000 --> 2:15:11.080
<v Speaker 3>both really want love and companionships. So the people that

2:15:11.120 --> 2:15:14.080
<v Speaker 3>we're gonna be with they have to deserve us. So

2:15:14.720 --> 2:15:17.840
<v Speaker 3>we're making ourselves better for the people who are around us,

2:15:18.480 --> 2:15:20.560
<v Speaker 3>and in turn, we're gonna treat each other the best

2:15:20.600 --> 2:15:23.240
<v Speaker 3>ever because we're just doing all of this work and

2:15:23.560 --> 2:15:25.560
<v Speaker 3>other people might not get us on the outside, but

2:15:25.600 --> 2:15:28.560
<v Speaker 3>we've been through enough together. And that's the thing too.

2:15:28.640 --> 2:15:31.880
<v Speaker 3>It's like time helps and heals everything. So you can

2:15:31.920 --> 2:15:34.000
<v Speaker 3>go through a situation one year and then you know

2:15:34.080 --> 2:15:36.680
<v Speaker 3>six or seven years later that shit don't even matter.

2:15:37.040 --> 2:15:38.840
<v Speaker 3>But you have to be the bigger person and you

2:15:38.920 --> 2:15:41.080
<v Speaker 3>have to grow and you have to you know, really

2:15:41.120 --> 2:15:44.640
<v Speaker 3>communicate and want to be on the same page as somebody,

2:15:45.000 --> 2:15:47.600
<v Speaker 3>and a lot of people they have, you know, certain

2:15:47.600 --> 2:15:49.360
<v Speaker 3>shit that they need to go through. I'm lucky to

2:15:49.400 --> 2:15:52.560
<v Speaker 3>have a person who's as thoughtful as she is. She's

2:15:52.640 --> 2:15:55.960
<v Speaker 3>lucky to be with me as caring and as compassionate

2:15:56.000 --> 2:15:57.200
<v Speaker 3>as I am, you know what I mean.

2:15:57.280 --> 2:15:59.440
<v Speaker 4>So we're really fortunate to have each other.

2:16:00.120 --> 2:16:02.640
<v Speaker 2>I'd imagine your son made you guys better people.

2:16:02.840 --> 2:16:05.520
<v Speaker 3>Yeah, one man, Hell yeah. I feel like she was

2:16:05.560 --> 2:16:08.160
<v Speaker 3>already dope as fuck. Honestly, I had to grow up.

2:16:11.880 --> 2:16:13.680
<v Speaker 3>She was, she was always coole at hell, I need

2:16:13.680 --> 2:16:15.160
<v Speaker 3>I needed to grow my ass up.

2:16:15.760 --> 2:16:19.880
<v Speaker 1>As honest man, not for real hell honesty man, whiz man.

2:16:22.120 --> 2:16:24.280
<v Speaker 1>Like I said, I show it was about giving flowers. Man,

2:16:25.160 --> 2:16:27.120
<v Speaker 1>I'm so proud to give you your flower. Oh yeah,

2:16:27.120 --> 2:16:29.360
<v Speaker 1>thank you man, really thank you for You're really a

2:16:29.400 --> 2:16:34.320
<v Speaker 1>full fleshed legend out here. Still the test of time,

2:16:34.360 --> 2:16:36.959
<v Speaker 1>you out here being the happiest. I love that, man,

2:16:37.400 --> 2:16:39.800
<v Speaker 1>I love I love watching you and just you know,

2:16:39.840 --> 2:16:42.520
<v Speaker 1>probably for the last question, there's no beef with you.

2:16:42.640 --> 2:16:45.359
<v Speaker 1>Gilli and Wallow. Y'all, y'all good, Okay.

2:16:45.240 --> 2:16:47.320
<v Speaker 3>No, I wish nothing but the best from the for

2:16:47.440 --> 2:16:49.840
<v Speaker 3>those dudes, For Gilly and Wallow. I'm not going to

2:16:49.879 --> 2:16:53.640
<v Speaker 3>say those dudes because that it seems like you, he said,

2:16:54.040 --> 2:16:54.959
<v Speaker 3>not Gilli and Wallow.

2:16:55.080 --> 2:16:55.200
<v Speaker 1>Like.

2:16:55.560 --> 2:16:58.520
<v Speaker 3>Even with that situation, I never really really spoke on

2:16:58.600 --> 2:17:03.400
<v Speaker 3>it in detail because I wasn't at that space. But

2:17:03.959 --> 2:17:06.200
<v Speaker 3>it just didn't go the way that I wanted it

2:17:06.240 --> 2:17:13.960
<v Speaker 3>to go, even with it being a misunderstanding with the message,

2:17:15.240 --> 2:17:17.720
<v Speaker 3>because with him making a joke, that wasn't the thing

2:17:17.760 --> 2:17:21.080
<v Speaker 3>that really caught me off guard. It was more about

2:17:21.120 --> 2:17:25.000
<v Speaker 3>him using his platform to downplay me, and I didn't

2:17:25.040 --> 2:17:27.360
<v Speaker 3>like that. If we're in a room together and you

2:17:27.400 --> 2:17:30.040
<v Speaker 3>make a joke about my shorts, I'm fine with that

2:17:30.400 --> 2:17:33.160
<v Speaker 3>because I can defend myself. But if you go on

2:17:33.200 --> 2:17:36.160
<v Speaker 3>your platform and you say I'm unfollowing Whiz because of

2:17:36.240 --> 2:17:39.280
<v Speaker 3>this reason, you're a low key telling your followers to

2:17:39.320 --> 2:17:41.760
<v Speaker 3>do the same thing, and that's not what we're out

2:17:41.760 --> 2:17:44.039
<v Speaker 3>here doing. Like, you know what I'm saying, go tell

2:17:44.120 --> 2:17:47.120
<v Speaker 3>him to buy my shit or say something dope that

2:17:47.120 --> 2:17:48.840
<v Speaker 3>I'm doing. You know what I'm saying, Promote me or

2:17:48.879 --> 2:17:50.560
<v Speaker 3>help me out, because that's what I'm gonna do for you.

2:17:51.080 --> 2:17:53.160
<v Speaker 3>I understand it because we all from the hood and

2:17:53.200 --> 2:17:54.879
<v Speaker 3>that's what niggas do and blah blah blah.

2:17:54.920 --> 2:17:56.280
<v Speaker 4>But you're supposed to be better than that.

2:17:56.920 --> 2:18:01.000
<v Speaker 3>So I responded in my own way of you know,

2:18:01.800 --> 2:18:06.320
<v Speaker 3>defending myself, and it went to a certain extent where

2:18:06.400 --> 2:18:08.920
<v Speaker 3>I'm pretty sure a lot of my fans like reported

2:18:09.000 --> 2:18:11.680
<v Speaker 3>him and got his shit taken down. I didn't do

2:18:11.720 --> 2:18:14.920
<v Speaker 3>it personally. I would never do that to anybody because

2:18:14.920 --> 2:18:17.440
<v Speaker 3>that's not my style. It's easy to go on the

2:18:17.440 --> 2:18:21.720
<v Speaker 3>internet and paint that picture and that's more or less

2:18:21.800 --> 2:18:24.240
<v Speaker 3>what he did, and that's what I didn't appreciate as well,

2:18:24.840 --> 2:18:26.920
<v Speaker 3>and I tried to call him, and I reached out

2:18:27.000 --> 2:18:32.000
<v Speaker 3>to him personally, and the conversation didn't go how I

2:18:32.000 --> 2:18:34.760
<v Speaker 3>wanted it to go. He called me all types of names,

2:18:35.000 --> 2:18:38.160
<v Speaker 3>like out of my name, which I didn't expect. He

2:18:38.200 --> 2:18:40.959
<v Speaker 3>said a bunch of stuff like real fighting words, which

2:18:41.040 --> 2:18:44.200
<v Speaker 3>I didn't expect because that's not how he acts when

2:18:44.200 --> 2:18:46.680
<v Speaker 3>he's on the internet. So when I'm trying to have

2:18:46.720 --> 2:18:48.720
<v Speaker 3>a man and man conversation with you, why are you

2:18:48.920 --> 2:18:49.880
<v Speaker 3>acting like this with me?

2:18:50.000 --> 2:18:50.240
<v Speaker 1>Now.

2:18:50.560 --> 2:18:52.600
<v Speaker 3>I'm not coming at you trying to be tough. I'm

2:18:52.640 --> 2:18:54.560
<v Speaker 3>trying to let you know that I did it get

2:18:54.560 --> 2:18:57.800
<v Speaker 3>your page deactivated, and that we need to settle this

2:18:57.840 --> 2:19:00.320
<v Speaker 3>in a better way than you doing it the way

2:19:00.320 --> 2:19:00.920
<v Speaker 3>that you're doing.

2:19:02.000 --> 2:19:03.480
<v Speaker 4>I got on the phone with Wallow.

2:19:03.680 --> 2:19:06.440
<v Speaker 3>I was able to talk to him in a sensible manner,

2:19:06.480 --> 2:19:08.160
<v Speaker 3>because that's the only way that I want to have

2:19:08.200 --> 2:19:08.920
<v Speaker 3>a conversation.

2:19:09.360 --> 2:19:11.480
<v Speaker 4>I don't want to have a conversation.

2:19:13.000 --> 2:19:16.520
<v Speaker 3>With the names that was going around like what was

2:19:16.520 --> 2:19:17.119
<v Speaker 3>being said.

2:19:18.000 --> 2:19:20.080
<v Speaker 4>Me and Wallow's conversation was cool.

2:19:20.320 --> 2:19:23.280
<v Speaker 3>But then Gilly went on the internet and was saying

2:19:23.320 --> 2:19:27.280
<v Speaker 3>stuff that was completely one eighty of what happened, and

2:19:27.320 --> 2:19:30.200
<v Speaker 3>I don't respect that me and them never had got

2:19:30.200 --> 2:19:32.640
<v Speaker 3>a chance to have a conversation after that. I'm willing

2:19:32.680 --> 2:19:35.000
<v Speaker 3>to just squash it and let it go. But that's

2:19:35.040 --> 2:19:37.240
<v Speaker 3>the real situation, that's what happened. It was a bunch

2:19:37.280 --> 2:19:39.520
<v Speaker 3>of lies. It was a bunch of me trying to

2:19:39.520 --> 2:19:43.320
<v Speaker 3>be cool getting called out of my name. And I'm

2:19:43.360 --> 2:19:45.720
<v Speaker 3>still at the position where it's like, all right, I

2:19:45.720 --> 2:19:47.800
<v Speaker 3>could just let it go or you know what I mean,

2:19:47.800 --> 2:19:49.280
<v Speaker 3>because I don't want to, you know what I mean,

2:19:50.080 --> 2:19:52.480
<v Speaker 3>shit on nobody's platform or nothing like that. They're doing

2:19:52.520 --> 2:19:55.160
<v Speaker 3>their thing. I don't have any hard feelings towards them.

2:19:55.200 --> 2:19:58.120
<v Speaker 3>I don't have any hard feelings towards anybody who I

2:19:58.160 --> 2:20:00.520
<v Speaker 3>love and comes in contacts with them. It's cool. You

2:20:00.520 --> 2:20:03.040
<v Speaker 3>don't got to pick sizes with me, like I want

2:20:03.080 --> 2:20:05.840
<v Speaker 3>everybody to get along. I just want the same respect.

2:20:05.840 --> 2:20:08.440
<v Speaker 3>And I really wasn't dealt that hand. But it's cool.

2:20:08.480 --> 2:20:10.080
<v Speaker 3>I'm wanting to let it go, like I ain't tripping

2:20:10.120 --> 2:20:10.720
<v Speaker 3>off that ship.

2:20:12.120 --> 2:20:16.000
<v Speaker 1>I think I think that's warranted. Yeah, I think, yeah, yeah,

2:20:16.000 --> 2:20:22.360
<v Speaker 1>I think that's and I think they'll see this and

2:20:22.400 --> 2:20:22.960
<v Speaker 1>reach out.

2:20:23.600 --> 2:20:25.360
<v Speaker 2>They're good dude, Yeah, yeah, yeah, yeah.

2:20:26.040 --> 2:20:28.440
<v Speaker 4>Man, I'm always down to just shake hands.

2:20:28.560 --> 2:20:31.800
<v Speaker 3>Let it go, beautiful thing, we got way more important

2:20:31.800 --> 2:20:35.200
<v Speaker 3>stuff to be worried about, you know what, hostfully like

2:20:35.320 --> 2:20:37.680
<v Speaker 3>just moving forward, like you'll be able to deal with

2:20:37.720 --> 2:20:40.840
<v Speaker 3>situations better than that, Like because I'm a cool dude.

2:20:40.879 --> 2:20:42.959
<v Speaker 3>Like you don't got to get like that or the

2:20:43.000 --> 2:20:45.720
<v Speaker 3>same image that you portray really be about that in

2:20:45.760 --> 2:20:47.760
<v Speaker 3>real life, you know what I'm saying, Like you're trying

2:20:47.760 --> 2:20:49.800
<v Speaker 3>to influence people to take a better route, but you're

2:20:49.800 --> 2:20:54.280
<v Speaker 3>not necessarily taking that route, and you know it is

2:20:54.320 --> 2:20:54.840
<v Speaker 3>what it is.

2:20:56.080 --> 2:20:57.080
<v Speaker 4>Yeah, yeah, we could.

2:20:56.879 --> 2:20:57.720
<v Speaker 3>All be better.

2:20:59.160 --> 2:21:06.000
<v Speaker 1>And we're going all right, right should inspire everybody? Is

2:21:06.040 --> 2:21:06.800
<v Speaker 1>the funk out right now?

2:21:06.879 --> 2:21:08.920
<v Speaker 3>There it out.

2:21:08.959 --> 2:21:11.720
<v Speaker 1>I'm uger, do out my hands and my toes right now.

2:21:12.680 --> 2:21:18.520
<v Speaker 1>Ungle umbopa, I'm doing it. You take the bath from breaking.

2:21:19.320 --> 2:21:22.120
<v Speaker 2>We got like five mon I'm a bathroom breaker, mouer

2:21:22.160 --> 2:21:23.240
<v Speaker 2>and like that, gun up.

2:21:26.120 --> 2:21:29.800
<v Speaker 3>What happened is done?

2:21:30.000 --> 2:21:31.400
<v Speaker 4>What cereal milk is good weed?

2:21:33.640 --> 2:21:37.039
<v Speaker 3>What you're not gonna lee it with? I'm gonna when

2:21:37.080 --> 2:21:40.000
<v Speaker 3>I smoke this haze, I'm smoking on I g I

2:21:40.080 --> 2:21:42.760
<v Speaker 3>might smoke the whole thing. Just put it on my story.

2:21:43.720 --> 2:21:47.760
<v Speaker 3>So the White Live on Instagram and I'm gonna listen

2:21:47.760 --> 2:21:53.720
<v Speaker 3>to Purple Haze. I'm gonna put Cameron's album at I'm

2:21:53.720 --> 2:21:55.840
<v Speaker 3>gonna put Purple Haze on. I'm gonna roll up a

2:21:55.879 --> 2:21:59.600
<v Speaker 3>fat ass join us and haze. I'm been like with

2:21:59.640 --> 2:22:01.880
<v Speaker 3>the good When was our spa staying tune with ma?

2:22:02.200 --> 2:22:04.920
<v Speaker 3>She's like, damn this a really since come by y'all.

2:22:37.040 --> 2:22:37.360
<v Speaker 3>M h.

2:22:40.840 --> 2:23:06.800
<v Speaker 10>M hm, m h m hm m h.

2:23:07.480 --> 2:23:10.320
<v Speaker 3>Yeah.

2:23:10.600 --> 2:23:12.560
<v Speaker 1>Is this your first time spoking to Ukah?

2:23:13.040 --> 2:23:17.240
<v Speaker 3>Yes? Like I said, I'm used to the volcano, like

2:23:17.360 --> 2:23:21.360
<v Speaker 3>where you gotta fucking heat it up with the bag. Yeah,

2:23:21.400 --> 2:23:23.640
<v Speaker 3>it's the same vibe, but it's like the hookah version

2:23:23.720 --> 2:23:25.720
<v Speaker 3>and it's got clean.

2:23:25.120 --> 2:23:28.600
<v Speaker 2>You're gonna see this a whole whole different technology right here, Like.

2:23:28.720 --> 2:23:31.120
<v Speaker 3>It looks like a like an air freshener, like like

2:23:31.200 --> 2:23:35.240
<v Speaker 3>it's or fire like.

2:23:36.640 --> 2:23:44.640
<v Speaker 1>Yeah, yeah, yeah, yeah I had the volcano too, Yeah

2:23:45.400 --> 2:23:46.720
<v Speaker 1>I had the original woman.

2:23:46.560 --> 2:23:48.560
<v Speaker 3>The bag just blow up like that. That's all like

2:23:48.600 --> 2:23:52.320
<v Speaker 3>the gpin and ship like that. That's where the vapes

2:23:52.360 --> 2:23:54.200
<v Speaker 3>come from. But those aren't like real vapes because they

2:23:54.320 --> 2:23:56.520
<v Speaker 3>use coils and ship and be like heating it up.

2:23:56.520 --> 2:23:58.359
<v Speaker 4>Hella, like this is way better.

2:23:58.160 --> 2:24:00.879
<v Speaker 1>For you, Like you know what I mean, how you

2:24:00.959 --> 2:24:03.200
<v Speaker 1>killed that you broke that day love, How you break

2:24:03.240 --> 2:24:04.119
<v Speaker 1>it down like a science.

2:24:04.200 --> 2:24:06.520
<v Speaker 3>It's true, it's a science because you're putting smoke in

2:24:06.520 --> 2:24:08.760
<v Speaker 3>your body. So you gotta be careful like how you

2:24:08.800 --> 2:24:12.080
<v Speaker 3>do it. Like niggas be taking dabs and they be

2:24:12.120 --> 2:24:13.800
<v Speaker 3>heating them ships up too much. Like you know what

2:24:13.840 --> 2:24:15.800
<v Speaker 3>I'm saying. You gotta do low temp. You know what

2:24:15.840 --> 2:24:18.240
<v Speaker 3>I'm saying. Let it bubb get the high taste. You

2:24:18.320 --> 2:24:20.640
<v Speaker 3>know what I'm saying. So you ain't fucking yourself up.

2:24:21.040 --> 2:24:23.200
<v Speaker 1>You don't remember what when Dad first came out, they

2:24:23.200 --> 2:24:26.560
<v Speaker 1>had the blow torch. Torch you still use That's not right.

2:24:26.560 --> 2:24:29.480
<v Speaker 1>You still using to still control the time?

2:24:29.840 --> 2:24:32.640
<v Speaker 3>Why well, I mean that's the only way that pause

2:24:32.680 --> 2:24:37.360
<v Speaker 3>get it out enough. I mean, I'm in from a

2:24:37.400 --> 2:24:40.360
<v Speaker 3>different generation. You play pause a little bit different than.

2:24:41.959 --> 2:24:42.720
<v Speaker 4>It's fun though.

2:24:43.879 --> 2:24:44.000
<v Speaker 1>Now.

2:24:44.120 --> 2:24:44.400
<v Speaker 3>One of.

2:24:47.800 --> 2:24:50.600
<v Speaker 1>One of the things that I go through your discography

2:24:50.680 --> 2:24:53.360
<v Speaker 1>and I go through, well give it from him. Look,

2:24:53.920 --> 2:24:55.920
<v Speaker 1>he is the one dude that shouldn't have the joint.

2:24:56.000 --> 2:24:56.720
<v Speaker 1>Let him smoke.

2:24:56.959 --> 2:25:02.119
<v Speaker 3>He gotta you gotta pull.

2:25:03.000 --> 2:25:06.320
<v Speaker 1>You're gonna wake up differ and he's gonna blame, gonna

2:25:06.360 --> 2:25:10.480
<v Speaker 1>be like.

2:25:09.920 --> 2:25:13.080
<v Speaker 3>No, they don't piss us for we no more k

2:25:13.240 --> 2:25:20.800
<v Speaker 3>k k okay, get there, what's up.

2:25:26.080 --> 2:25:26.320
<v Speaker 1>Thinking?

2:25:26.920 --> 2:25:27.080
<v Speaker 3>Now?

2:25:28.720 --> 2:25:32.000
<v Speaker 1>Yeah that one of the one of the things that

2:25:32.280 --> 2:25:35.600
<v Speaker 1>comes up about you is your love for Max b Yeah,

2:25:36.480 --> 2:25:37.760
<v Speaker 1>bigger L, bigger L.

2:25:37.840 --> 2:25:38.920
<v Speaker 4>Shout out the bigger L.

2:25:39.040 --> 2:25:39.280
<v Speaker 1>Man.

2:25:40.200 --> 2:25:43.960
<v Speaker 3>This is oh ship that is smoky.

2:25:44.920 --> 2:25:53.640
<v Speaker 9>Oh yeah, baby, God damn.

2:25:54.120 --> 2:25:55.879
<v Speaker 3>I feel like I'm inside.

2:25:55.480 --> 2:25:56.440
<v Speaker 4>A joint right now.

2:25:57.200 --> 2:26:01.760
<v Speaker 3>I can't even see you, bro. I am a joy.

2:26:02.840 --> 2:26:10.200
<v Speaker 3>It's like Batman just came. That's got to be like

2:26:10.360 --> 2:26:11.200
<v Speaker 3>history right now.

2:26:11.680 --> 2:26:12.440
<v Speaker 1>Yeah, that's hard.

2:26:12.760 --> 2:26:14.480
<v Speaker 3>I didn't even do this to Snoop because Snoop don't

2:26:14.480 --> 2:26:16.640
<v Speaker 3>play that show.

2:26:15.280 --> 2:26:19.240
<v Speaker 4>No Snoop don't play.

2:26:19.640 --> 2:26:21.760
<v Speaker 1>But we did it to college he ran Snoop did

2:26:21.800 --> 2:26:25.440
<v Speaker 1>not he will will be down here, I think we

2:26:25.520 --> 2:26:28.280
<v Speaker 1>do have it would be okay, be real, be down

2:26:28.760 --> 2:26:29.840
<v Speaker 1>He's with all the smoking and.

2:26:32.680 --> 2:26:33.840
<v Speaker 4>Smoking this new.

2:26:33.720 --> 2:26:39.320
<v Speaker 1>Generation, not Snoop, not not anybody. Is there any young dude?

2:26:40.840 --> 2:26:44.120
<v Speaker 3>Go ahead, keep questions, go ahead, go ahead, ask the

2:26:44.200 --> 2:26:47.240
<v Speaker 3>question of governor, ask the question any young dude out

2:26:47.280 --> 2:26:52.560
<v Speaker 3>here coming up that that can that can smoke with you?

2:26:52.640 --> 2:26:58.400
<v Speaker 3>They can do, okay, absolutely not only the only person

2:26:58.879 --> 2:27:01.000
<v Speaker 3>the only person I think I can hang with me

2:27:01.040 --> 2:27:03.000
<v Speaker 3>and I probably haven't even smoked with this fool yet,

2:27:03.000 --> 2:27:07.040
<v Speaker 3>but I already smoked. Hello, dope, it's chief keef. Yeah,

2:27:07.320 --> 2:27:10.039
<v Speaker 3>I put so. I put Sosa up there because I

2:27:10.080 --> 2:27:12.440
<v Speaker 3>heard it. And when you in these streets, you hear

2:27:12.520 --> 2:27:16.000
<v Speaker 3>some shit everybody else. No, don't even let them. Don't

2:27:16.040 --> 2:27:18.240
<v Speaker 3>let them try to fool you. And they know they

2:27:18.240 --> 2:27:20.320
<v Speaker 3>wouldn't even try. They wouldn't even I don't even think

2:27:20.360 --> 2:27:22.280
<v Speaker 3>they would say anything like oh yeah I can hang

2:27:22.360 --> 2:27:25.600
<v Speaker 3>with no hell no, absolutely not. I don't even think

2:27:25.640 --> 2:27:28.680
<v Speaker 3>they're trying to, like honestly, like they're doing other drugs,

2:27:29.040 --> 2:27:30.880
<v Speaker 3>they're not trying to, like smoke weed. We need more

2:27:30.920 --> 2:27:33.880
<v Speaker 3>people to like smoke a ton of pot and just

2:27:34.240 --> 2:27:36.840
<v Speaker 3>buy ounces of weed and just listen to music and

2:27:36.879 --> 2:27:39.640
<v Speaker 3>be cool right around with their friends and get girls.

2:27:40.360 --> 2:27:44.080
<v Speaker 3>I like little Tyler. Yeah, yeah, yeah, if y'all heard

2:27:44.080 --> 2:27:47.720
<v Speaker 3>a little Tyler, like a little Tyler. Tyler created hard though, Yeah,

2:27:47.720 --> 2:27:49.279
<v Speaker 3>a little Tyler hard though. Yeah.

2:27:49.560 --> 2:27:52.760
<v Speaker 1>They said you spend over thirty thousand on weed a month.

2:27:53.040 --> 2:27:56.760
<v Speaker 3>No that was one particular year, okay, yeah yeah yeah,

2:27:57.040 --> 2:28:00.039
<v Speaker 3>down went back up. No, it's probably more, but I

2:28:00.040 --> 2:28:04.640
<v Speaker 3>grow it, Yeah, I grow it. So it's like you

2:28:04.680 --> 2:28:08.480
<v Speaker 3>know what I'm saying. Like it evens out Humble County.

2:28:09.520 --> 2:28:12.600
<v Speaker 3>There's just multiple places. Now, It's all over the place, bro,

2:28:12.680 --> 2:28:16.400
<v Speaker 3>It's like wherever I like laying, Bro, It's all over

2:28:16.480 --> 2:28:19.040
<v Speaker 3>the fucking place, exactly, it is.

2:28:19.400 --> 2:28:21.400
<v Speaker 4>It's right outside. It's just growing.

2:28:21.840 --> 2:28:22.320
<v Speaker 1>Goddamn.

2:28:22.520 --> 2:28:23.560
<v Speaker 3>Do you like this is?

2:28:23.600 --> 2:28:27.200
<v Speaker 1>Back back then people just coming to Florida and complain

2:28:27.280 --> 2:28:27.880
<v Speaker 1>about Florida.

2:28:27.959 --> 2:28:31.000
<v Speaker 3>We Hey, relaxed, Buddy, I said, Florida. I ain't say Miami.

2:28:31.520 --> 2:28:34.680
<v Speaker 3>I ain't say Miami. It is.

2:28:36.240 --> 2:28:40.360
<v Speaker 1>Yeah, we established that earlier while he was at weeding.

2:28:40.440 --> 2:28:43.520
<v Speaker 4>Weeding Florida everywhere has decent weed. It just depends on

2:28:43.520 --> 2:28:43.879
<v Speaker 4>who you know.

2:28:47.080 --> 2:28:47.520
<v Speaker 2>You're looking.

2:28:47.560 --> 2:28:49.400
<v Speaker 1>You knew me at the time. Cali is the.

2:28:49.320 --> 2:28:50.920
<v Speaker 4>Best weed in the world, sir.

2:28:54.160 --> 2:28:58.760
<v Speaker 3>Yeah, sir, Northern caliy exactly in the Bay Area, Yeah,

2:28:58.800 --> 2:28:59.480
<v Speaker 3>the Bay Area.

2:28:59.600 --> 2:29:00.880
<v Speaker 4>That's the green door.

2:29:03.640 --> 2:29:04.880
<v Speaker 1>Have you been in the green door?

2:29:04.920 --> 2:29:06.200
<v Speaker 4>The green door in incident?

2:29:06.360 --> 2:29:11.400
<v Speaker 1>No, And I thought they were bab green doors in Amsterdam.

2:29:11.840 --> 2:29:14.240
<v Speaker 2>Jesus Christmas, brother, I'm talking about the other green to

2:29:14.320 --> 2:29:14.560
<v Speaker 2>tell you.

2:29:15.160 --> 2:29:20.200
<v Speaker 1>The man in San Diego, No, San Francisco.

2:29:20.959 --> 2:29:21.320
<v Speaker 3>Let it go.

2:29:21.879 --> 2:29:22.720
<v Speaker 1>I'm just gonna let it.

2:29:23.240 --> 2:29:25.240
<v Speaker 3>The day's got the best weed the Bay's got like

2:29:25.280 --> 2:29:28.320
<v Speaker 3>the purest, stickiest, most.

2:29:28.440 --> 2:29:30.240
<v Speaker 2>Paid attention because it's clos the source.

2:29:30.879 --> 2:29:33.119
<v Speaker 3>I mean the people who grow it, the hippies out

2:29:33.120 --> 2:29:36.480
<v Speaker 3>there are just fucking they're just traditional, just weed.

2:29:36.480 --> 2:29:38.760
<v Speaker 4>They don't even care about the money, bro, They just care.

2:29:38.640 --> 2:29:42.760
<v Speaker 3>About the super They're like down to the soil, like

2:29:43.040 --> 2:29:46.760
<v Speaker 3>every little micro fiber, like they play music for the plants,

2:29:46.959 --> 2:29:51.680
<v Speaker 3>music there and there. Yeah, Colorado weed is cool. It's

2:29:51.720 --> 2:29:55.560
<v Speaker 3>kind of dry. It's a little dusty, you know, it's

2:29:55.600 --> 2:29:57.959
<v Speaker 3>not as it's not as sticky as West Coast weed.

2:29:58.520 --> 2:30:00.760
<v Speaker 4>West Coast weed is. That's sticky ichy.

2:30:00.800 --> 2:30:02.840
<v Speaker 1>Bro. Isn't Colorado considered the rest coast?

2:30:03.360 --> 2:30:05.600
<v Speaker 4>No, it's not. I mean you could consider it that

2:30:05.680 --> 2:30:06.240
<v Speaker 4>if you want.

2:30:06.200 --> 2:30:10.000
<v Speaker 2>To look at the words you're using west hot football.

2:30:10.040 --> 2:30:12.200
<v Speaker 3>There's no coast on Colorado. I think maybe like with

2:30:12.440 --> 2:30:14.240
<v Speaker 3>like radio, it's like considered west.

2:30:15.480 --> 2:30:19.960
<v Speaker 2>That's the Midwest, isn't it.

2:30:19.959 --> 2:30:22.000
<v Speaker 3>It's west, it's not west past Yeah.

2:30:21.959 --> 2:30:24.600
<v Speaker 4>I don't think they're on Pacific time over there.

2:30:24.760 --> 2:30:27.800
<v Speaker 3>I think they're Yeah, there're time Mon time, then they

2:30:27.840 --> 2:30:30.640
<v Speaker 3>would not be VALENTI yeah, the Mountain time.

2:30:30.800 --> 2:30:34.080
<v Speaker 4>Yeah, that one essentral, Yeah, that's central, yeah.

2:30:34.000 --> 2:30:38.400
<v Speaker 1>Which they got yet smoke, but you smoked and drink

2:30:38.440 --> 2:30:39.680
<v Speaker 1>what you drag and then come with all.

2:30:39.600 --> 2:30:42.720
<v Speaker 3>His knowledge right now. It makes you smarter man, kk

2:30:42.879 --> 2:30:47.039
<v Speaker 3>and McQueen makes you fucking smarter. Smarter he said, some

2:30:47.080 --> 2:30:48.640
<v Speaker 3>geography facts over there.

2:30:48.600 --> 2:30:52.360
<v Speaker 1>He got some he said, geography say fact, he said, KKK.

2:30:54.520 --> 2:30:58.800
<v Speaker 2>That's some good. That's history. Now the picture of your ship?

2:31:02.360 --> 2:31:07.280
<v Speaker 2>Who painted that on your shirt? Whose artist? Who's the artist?

2:31:11.240 --> 2:31:12.720
<v Speaker 1>I mean, do you know what?

2:31:18.040 --> 2:31:19.160
<v Speaker 3>Oh, let me say something.

2:31:19.320 --> 2:31:21.640
<v Speaker 1>Let me say something that you said, t I, hold on,

2:31:21.640 --> 2:31:25.880
<v Speaker 1>hold on, hold on, Sonny, hold on, let me say something.

2:31:25.959 --> 2:31:30.200
<v Speaker 1>Let me say something, Ti I Ti I and little Boosie.

2:31:30.840 --> 2:31:33.119
<v Speaker 1>I know that y'all. You know, y'all could have went

2:31:33.200 --> 2:31:36.280
<v Speaker 1>to war. You could have did a whole bunch of

2:31:36.280 --> 2:31:39.840
<v Speaker 1>tremendous crazy ship. But the fact that y'all showed that

2:31:39.840 --> 2:31:44.360
<v Speaker 1>two black men could get together and could talk it out.

2:31:44.680 --> 2:31:47.520
<v Speaker 1>I really commend that. I really respect that. I really

2:31:47.560 --> 2:31:51.640
<v Speaker 1>salute that, because we need to keep pushing that that

2:31:51.920 --> 2:31:55.080
<v Speaker 1>it's not always drama everything. A disagreement doesn't lead to

2:31:55.200 --> 2:31:58.600
<v Speaker 1>y'all fighting and shooting. I love the fact that y'all

2:31:58.600 --> 2:32:01.040
<v Speaker 1>got together. So T I and boos wherever y'all at

2:32:01.360 --> 2:32:02.680
<v Speaker 1>you know what I mean, I want a salute and

2:32:02.680 --> 2:32:08.120
<v Speaker 1>say I won't. Yeah, I'm so tired of violence.

2:32:08.920 --> 2:32:10.039
<v Speaker 4>I don't like gun violence.

2:32:10.080 --> 2:32:15.080
<v Speaker 3>I don't mind fighting, though, yeah, but like it's healthy

2:32:15.120 --> 2:32:17.320
<v Speaker 3>to like if you fight, like in a controlled environment,

2:32:17.400 --> 2:32:20.280
<v Speaker 3>because niggas gonna get into it, you're gonna have a disagreement.

2:32:20.760 --> 2:32:23.400
<v Speaker 3>But if you're gonna shoot somebody over it, that's kind

2:32:23.400 --> 2:32:26.840
<v Speaker 3>of whack. But if we can throw the hands evenly,

2:32:26.879 --> 2:32:29.360
<v Speaker 3>you'll really see if somebody really got a problem or not.

2:32:29.959 --> 2:32:32.119
<v Speaker 3>And that would solve a lot. You know, if niggas

2:32:32.240 --> 2:32:34.120
<v Speaker 3>is just square up, that would solve a lot. But

2:32:34.160 --> 2:32:36.520
<v Speaker 3>a lot of niggas are scared. I used to a

2:32:36.560 --> 2:32:39.520
<v Speaker 3>lot of niggas don't want to fight. Or if you

2:32:39.680 --> 2:32:42.039
<v Speaker 3>could train to fight then do it would give you

2:32:42.080 --> 2:32:44.960
<v Speaker 3>more confidence to if somebody be like, yo, let's get it,

2:32:44.959 --> 2:32:46.879
<v Speaker 3>they'd be like, all right, cool, I don't have to

2:32:46.920 --> 2:32:49.160
<v Speaker 3>have a gun to, you know what I mean, handle this.

2:32:49.320 --> 2:32:52.360
<v Speaker 3>But there's a lot of programming that goes with that too.

2:32:52.400 --> 2:32:54.560
<v Speaker 3>But I don't mind fighting, you know what I'm saying.

2:32:54.600 --> 2:32:56.959
<v Speaker 3>I think it's healthy. I think you should learn how

2:32:57.000 --> 2:33:00.360
<v Speaker 3>to control violence. Do it in a do it in

2:33:00.400 --> 2:33:03.200
<v Speaker 3>the control environment and get it out the way and

2:33:03.240 --> 2:33:06.320
<v Speaker 3>continue on with your life. Yeah yeah, yeah.

2:33:06.400 --> 2:33:08.640
<v Speaker 2>The thing about trained fighting, it also teaches you how

2:33:08.640 --> 2:33:09.640
<v Speaker 2>to lose with grace.

2:33:09.879 --> 2:33:12.640
<v Speaker 3>Yeah, for sure, because somebody's gonna win and somebody's gonna lose,

2:33:12.840 --> 2:33:15.720
<v Speaker 3>you know what I mean. But like the majority of

2:33:16.240 --> 2:33:20.640
<v Speaker 3>times when we spar it's not like I hate this dude,

2:33:20.640 --> 2:33:22.640
<v Speaker 3>I'm trying to take his head off. Somebody gets a

2:33:22.640 --> 2:33:25.120
<v Speaker 3>good shot in you're like, good shot. And if you

2:33:25.160 --> 2:33:27.480
<v Speaker 3>go to war with somebody and if it gets nasty,

2:33:27.560 --> 2:33:29.080
<v Speaker 3>but at the end of it, you both come out

2:33:29.120 --> 2:33:30.720
<v Speaker 3>you're both like, yeah, that was a good when you

2:33:30.760 --> 2:33:33.200
<v Speaker 3>respect them a little bit more than anything. And I

2:33:33.720 --> 2:33:38.080
<v Speaker 3>think people can learn from that because it's discipline. Yeah, absolutely, Yeah,

2:33:38.440 --> 2:33:41.520
<v Speaker 3>it's good for you. It's definitely good. Oh yeah, But.

2:33:41.800 --> 2:33:43.520
<v Speaker 1>You're not trying to spar on a rap or nothing

2:33:43.560 --> 2:33:43.920
<v Speaker 1>like that.

2:33:44.879 --> 2:33:47.959
<v Speaker 3>I mean, if it came down to it, I mean,

2:33:48.160 --> 2:33:51.240
<v Speaker 3>it's it's for sport. It's not like a competition. So

2:33:51.240 --> 2:33:53.039
<v Speaker 3>it's like it's fun. It would be fun to see

2:33:53.040 --> 2:33:55.400
<v Speaker 3>what somebody else knows, or to learn from them or

2:33:55.440 --> 2:33:59.320
<v Speaker 3>to show them what I've learned throughout my time. So like, yeah,

2:34:00.120 --> 2:34:05.680
<v Speaker 3>fun I got a couple of partners in the league. Man,

2:34:06.680 --> 2:34:09.440
<v Speaker 3>the high Rollers. That's the that's the Brazilian jiu jitsu

2:34:09.720 --> 2:34:13.360
<v Speaker 3>where you can smoke weed and roll at the same

2:34:13.400 --> 2:34:16.200
<v Speaker 3>time and you compete for a pound of weed or

2:34:16.320 --> 2:34:18.880
<v Speaker 3>multiple pounds a week. League. Did we just jump league?

2:34:18.920 --> 2:34:19.120
<v Speaker 1>Yeah?

2:34:19.200 --> 2:34:23.360
<v Speaker 3>Yeah, from smoking yeah, saying it's the same thing. Yeah,

2:34:23.400 --> 2:34:26.000
<v Speaker 3>you fight and smoke at the same time. There's a

2:34:26.000 --> 2:34:28.680
<v Speaker 3>whole it's a whole league. It's called league. You smoke

2:34:28.720 --> 2:34:32.040
<v Speaker 3>and you fight. Yeah, it's called high Rolls. Well, they

2:34:32.080 --> 2:34:35.000
<v Speaker 3>do fights everywhere. My partners have teams. There's a Khalifa

2:34:35.040 --> 2:34:38.600
<v Speaker 3>Cush team. There's a headquarters in Vegas. They get it

2:34:38.640 --> 2:34:40.560
<v Speaker 3>on there and the fights are regular and it's and

2:34:40.600 --> 2:34:41.680
<v Speaker 3>it's on regular TV.

2:34:41.800 --> 2:34:43.959
<v Speaker 4>So it's films. It's growing, like you know what I.

2:34:43.879 --> 2:34:46.080
<v Speaker 1>Mean, literally, it's growing.

2:34:46.200 --> 2:34:48.800
<v Speaker 3>Yeah. You smoke weed and you and you and you fight. Yo, son,

2:34:48.879 --> 2:34:52.400
<v Speaker 3>you joined that league? Yeah yeah, And then I'm I'm

2:34:52.440 --> 2:34:54.840
<v Speaker 3>one of the creative directors and the co owners of

2:34:54.879 --> 2:34:57.360
<v Speaker 3>the p f L. It's like in direct competition with

2:34:57.480 --> 2:35:01.120
<v Speaker 3>Bellatur and UFC. We're on ESPN, esp Into and this

2:35:01.600 --> 2:35:05.640
<v Speaker 3>Fighting League. It's a point point based system where the

2:35:05.640 --> 2:35:08.320
<v Speaker 3>fighters at the end of the season, they have opportunity

2:35:08.360 --> 2:35:11.120
<v Speaker 3>to fight for a million dollars, which not a lot

2:35:11.160 --> 2:35:11.920
<v Speaker 3>of fighters get.

2:35:11.800 --> 2:35:14.200
<v Speaker 4>To to do with their whole career exactly.

2:35:14.600 --> 2:35:17.160
<v Speaker 3>So this takes like, you know, the top fighters, and

2:35:17.160 --> 2:35:19.840
<v Speaker 3>they're able to earn points throughout the season depending on

2:35:19.840 --> 2:35:23.519
<v Speaker 3>who they win against and how they win, and that's how.

2:35:23.520 --> 2:35:25.119
<v Speaker 4>The championships are determined.

2:35:25.160 --> 2:35:27.039
<v Speaker 3>So it's really based on the fights, and it gives

2:35:27.040 --> 2:35:30.840
<v Speaker 3>them opportunity to own ship. They own their their own

2:35:30.879 --> 2:35:33.879
<v Speaker 3>licensing and all of that stuff. So they get they

2:35:33.879 --> 2:35:36.480
<v Speaker 3>get hell of money just off of who they are

2:35:36.680 --> 2:35:40.040
<v Speaker 3>and fighters who their contracts end at other companies.

2:35:40.320 --> 2:35:42.240
<v Speaker 4>They come right over to the PFL and just make

2:35:42.320 --> 2:35:42.959
<v Speaker 4>hell of money.

2:35:43.800 --> 2:35:44.240
<v Speaker 3>Yeah yep.

2:35:44.360 --> 2:35:46.960
<v Speaker 4>Jake Paul just signed on with us. He's going to

2:35:47.040 --> 2:35:47.480
<v Speaker 4>do a fight.

2:35:47.720 --> 2:35:48.280
<v Speaker 3>Yeah yep.

2:35:49.120 --> 2:35:50.560
<v Speaker 1>He's going to do martial arts.

2:35:50.600 --> 2:35:52.120
<v Speaker 3>He's gonna do his first m m A fight with

2:35:52.200 --> 2:35:54.920
<v Speaker 3>the f Yeah yep. He's going to do his first

2:35:55.000 --> 2:35:56.199
<v Speaker 3>m m A fight with PFL.

2:35:57.320 --> 2:36:03.200
<v Speaker 1>Kicking and all that kicking, came up and smoking elbow.

2:36:03.320 --> 2:36:05.280
<v Speaker 2>They gotta take him to the ground. He got I'm

2:36:05.320 --> 2:36:06.039
<v Speaker 2>sure you don't.

2:36:05.800 --> 2:36:16.600
<v Speaker 3>Know that everything, yeah yeah, yeah, yeah, yeah. You go

2:36:16.720 --> 2:36:19.360
<v Speaker 3>to the corner and you can take a bong ring.

2:36:19.560 --> 2:36:22.520
<v Speaker 3>This is crazy.

2:36:23.800 --> 2:36:26.119
<v Speaker 2>You should just have both of there with a gun

2:36:26.160 --> 2:36:28.760
<v Speaker 2>and everybody the machine.

2:36:28.840 --> 2:36:31.520
<v Speaker 3>That's what I mean, that's how we win to fight.

2:36:31.680 --> 2:36:34.440
<v Speaker 3>That you smoke the whole ring out and I come

2:36:34.480 --> 2:36:38.520
<v Speaker 3>in there. You appear exactly.

2:36:43.480 --> 2:36:47.000
<v Speaker 1>So one thing, one thing you said is when I

2:36:47.040 --> 2:36:50.320
<v Speaker 1>when I Actually you came early. But she's like you said,

2:36:50.320 --> 2:36:53.400
<v Speaker 1>I'm a businessman, and I love that obviously. But let's

2:36:53.400 --> 2:36:56.800
<v Speaker 1>talk about these businesses that you have, not just the liquor,

2:36:56.840 --> 2:36:58.560
<v Speaker 1>but the fighting ship is dope fighting.

2:36:58.400 --> 2:37:01.800
<v Speaker 3>Ship, there's E f L. There's Liquid Death, this is

2:37:01.800 --> 2:37:03.800
<v Speaker 3>a this is you're part of liquid and part of

2:37:03.840 --> 2:37:05.640
<v Speaker 3>Liquid Death water.

2:37:05.720 --> 2:37:07.160
<v Speaker 4>You know, we've been growing this brand.

2:37:08.040 --> 2:37:12.680
<v Speaker 2>That was genius. Yeah yeah, genius. How far along were

2:37:12.720 --> 2:37:13.680
<v Speaker 2>they before you got involved?

2:37:13.680 --> 2:37:15.800
<v Speaker 3>They were brand new Yeah yeah, yep. They were just

2:37:15.840 --> 2:37:18.119
<v Speaker 3>looking for people to get down and they were really generous.

2:37:18.160 --> 2:37:21.360
<v Speaker 3>It's like, yo, I'm not gonna talk about the details

2:37:21.400 --> 2:37:23.360
<v Speaker 3>of the deal, but it was really really nice.

2:37:23.480 --> 2:37:24.360
<v Speaker 2>That was genius.

2:37:24.640 --> 2:37:28.959
<v Speaker 3>Yeah, yeah, hell yeah. There's Liquid Death, there's McQueen. But

2:37:29.240 --> 2:37:32.440
<v Speaker 3>I have the whole company is uh you know, it's

2:37:32.480 --> 2:37:37.959
<v Speaker 3>all under everything. So bel Air do say uh bomboo

2:37:39.360 --> 2:37:43.240
<v Speaker 3>but do you get yes, Yeah, yeah, yeah, hell yeah.

2:37:43.360 --> 2:37:45.879
<v Speaker 3>I gave up a little bit, you know, because this

2:37:46.040 --> 2:37:50.440
<v Speaker 3>was mine, Like Brett went fully in with me on McQueen,

2:37:51.040 --> 2:37:53.800
<v Speaker 3>so this was just me. So I gave a piece

2:37:53.800 --> 2:37:55.240
<v Speaker 3>of this up for a piece of the rest of

2:37:55.280 --> 2:37:56.160
<v Speaker 3>the company as well.

2:37:56.440 --> 2:37:58.120
<v Speaker 4>So it only makes sense, you know what I mean,

2:37:58.360 --> 2:38:00.039
<v Speaker 4>because we're all family anyway.

2:38:00.040 --> 2:38:03.360
<v Speaker 3>And when one does one does well, every every one

2:38:03.400 --> 2:38:06.320
<v Speaker 3>of them does well. I don't know if you've ever

2:38:06.360 --> 2:38:11.440
<v Speaker 3>seen the company shop GLD, the jewelry company. I'm on

2:38:11.560 --> 2:38:15.920
<v Speaker 3>a piece of that because the creators of that came

2:38:15.920 --> 2:38:18.440
<v Speaker 3>out of my camp. So when they first started the business,

2:38:18.440 --> 2:38:21.000
<v Speaker 3>they gave me a little piece of that. I have

2:38:21.240 --> 2:38:25.120
<v Speaker 3>Hot Box by Wiz. Uh well no, it's Packed Bowls

2:38:25.200 --> 2:38:28.959
<v Speaker 3>by Wiz. Now actually they changed it. It's a during

2:38:28.959 --> 2:38:32.240
<v Speaker 3>the pandemic, when all the restaurants closed closed down, I

2:38:32.320 --> 2:38:36.480
<v Speaker 3>opened up a delivery only restaurant. And we're in like

2:38:36.840 --> 2:38:39.279
<v Speaker 3>hell of cities all over the place. So it's basically

2:38:39.320 --> 2:38:41.800
<v Speaker 3>like a delivery only menu that you can get. It's

2:38:41.800 --> 2:38:45.600
<v Speaker 3>not like a full restaurant, but it's it serves food.

2:38:46.080 --> 2:38:49.480
<v Speaker 3>It's Packed bowls by Wiz. Fuck what else do we got?

2:38:50.040 --> 2:38:53.440
<v Speaker 3>What else do we got will Yeah, the g l

2:38:53.520 --> 2:38:56.480
<v Speaker 3>D ship, we got tons of merged What else do

2:38:56.520 --> 2:38:59.120
<v Speaker 3>we got other businesses?

2:39:01.640 --> 2:39:05.640
<v Speaker 4>H yeah, we got the mushroom company, mister caps.

2:39:07.040 --> 2:39:08.720
<v Speaker 1>I thought Sonny was telling you what business you have?

2:39:08.840 --> 2:39:11.280
<v Speaker 2>Much Sonny, You're too high right now, bro telling him

2:39:11.320 --> 2:39:12.360
<v Speaker 2>what businesses he got?

2:39:12.560 --> 2:39:13.240
<v Speaker 1>Yeah, g l D.

2:39:15.879 --> 2:39:24.600
<v Speaker 3>Okay, I'll get you right yo. Take ahead of that

2:39:24.640 --> 2:39:25.240
<v Speaker 3>Oka man.

2:39:26.320 --> 2:39:27.520
<v Speaker 4>Oh yeah, the Wei Farms.

2:39:27.520 --> 2:39:27.680
<v Speaker 2>Oh.

2:39:28.080 --> 2:39:31.720
<v Speaker 3>We got a gaming team to the Pittsburgh the Pittsburgh Knights. Yeah,

2:39:31.720 --> 2:39:33.240
<v Speaker 3>we got a gaming team as well.

2:39:33.360 --> 2:39:35.800
<v Speaker 1>Like like video game that sh makes.

2:39:36.280 --> 2:39:38.640
<v Speaker 2>Yeah, don't sleep on that ship.

2:39:39.000 --> 2:39:40.200
<v Speaker 1>Yeah, Pittsburgh Knights.

2:39:41.400 --> 2:39:43.400
<v Speaker 3>Yeah yeah, those are like the ones that are like

2:39:43.480 --> 2:39:46.760
<v Speaker 3>right in front of us. It's a lot of ship's

2:39:46.800 --> 2:39:47.480
<v Speaker 3>a lot of stuff.

2:39:49.080 --> 2:39:51.240
<v Speaker 1>Hell yeah, I'm gonna take one more shot.

2:39:52.120 --> 2:39:56.560
<v Speaker 3>I'm gonna take two more shots. This Taylor game. We

2:39:56.760 --> 2:40:00.200
<v Speaker 3>keep it Taylor game. We keep it Taylor shot.

2:40:00.280 --> 2:40:05.720
<v Speaker 1>Where we want to give your flowers to really deserve them.

2:40:05.760 --> 2:40:08.840
<v Speaker 1>Like I said, you're really a legend out here. You

2:40:08.959 --> 2:40:12.400
<v Speaker 1>really stood the test of time. And I love listening

2:40:12.440 --> 2:40:15.680
<v Speaker 1>to your music because I can understand.

2:40:16.680 --> 2:40:17.160
<v Speaker 3>The person.

2:40:18.120 --> 2:40:20.320
<v Speaker 1>Not only the person, but I can understand that youth

2:40:20.720 --> 2:40:23.280
<v Speaker 1>standing in the test of time, meaning this was the

2:40:23.360 --> 2:40:25.720
<v Speaker 1>music for here. I can make music that sound like that,

2:40:25.760 --> 2:40:29.480
<v Speaker 1>but it's my lane, and you continue to do that

2:40:30.240 --> 2:40:35.200
<v Speaker 1>and should be noticed. I appreciate it should be Come on,

2:40:41.480 --> 2:40:43.320
<v Speaker 1>all right, now, take all the shots I took.

2:40:44.200 --> 2:40:47.920
<v Speaker 3>I mean I took. I took it in one glass

2:40:47.959 --> 2:40:51.840
<v Speaker 3>so hammered, I'll be calling up all but it used

2:40:51.840 --> 2:40:53.000
<v Speaker 3>to be drinking heavy.

2:40:53.480 --> 2:40:55.160
<v Speaker 1>Yes, So what happened with.

2:40:56.680 --> 2:40:56.720
<v Speaker 3>You?

2:40:57.000 --> 2:40:58.720
<v Speaker 1>Goodbye?

2:40:58.400 --> 2:41:02.119
<v Speaker 3>Yeah? Totally totally, Yeah, for sure.

2:41:02.400 --> 2:41:06.320
<v Speaker 1>What made you stop? Your kicks wasn't coming out good?

2:41:06.440 --> 2:41:12.360
<v Speaker 3>No, the kicks weren't. The kicks were perfectly fine, makes

2:41:12.360 --> 2:41:15.720
<v Speaker 3>you I mean, yeah, that's part of it. It wasn't

2:41:15.720 --> 2:41:18.680
<v Speaker 3>really too bad mistakes, I think. I just I don't

2:41:18.680 --> 2:41:21.840
<v Speaker 3>feel like I can afford too many more drunk nights.

2:41:22.400 --> 2:41:23.160
<v Speaker 1>I respect that.

2:41:23.480 --> 2:41:26.760
<v Speaker 3>Yeah, it just it just it just it just ran

2:41:26.840 --> 2:41:29.039
<v Speaker 3>its course like it hit it hit a wall. Like

2:41:29.760 --> 2:41:31.840
<v Speaker 3>I feel like everything else in my life that I'm

2:41:31.879 --> 2:41:34.160
<v Speaker 3>doing is like lifelong.

2:41:34.360 --> 2:41:36.640
<v Speaker 4>You know what I'm saying, what's the training that you do?

2:41:36.720 --> 2:41:38.039
<v Speaker 1>I'm sure that that's.

2:41:37.680 --> 2:41:39.400
<v Speaker 4>I'm gonna be doing that for the rest of my life.

2:41:39.440 --> 2:41:41.600
<v Speaker 4>I'm gonna be making music for the rest of my life, like.

2:41:43.440 --> 2:41:46.200
<v Speaker 3>Brands for the rest of I'm telling you, like drinking

2:41:46.360 --> 2:41:48.480
<v Speaker 3>like it was just it hit a ceiling, like it

2:41:48.640 --> 2:41:51.240
<v Speaker 3>just it wasn't getting any better, like it was just like.

2:41:51.560 --> 2:41:54.800
<v Speaker 2>That's the crazy. It gets better for us and it's terrible.

2:41:55.800 --> 2:42:00.680
<v Speaker 2>Have fun, bro, That's that's why. That's why I love.

2:42:00.800 --> 2:42:03.560
<v Speaker 3>I love people to just get fucked up, like because

2:42:03.560 --> 2:42:04.200
<v Speaker 3>I understand.

2:42:04.280 --> 2:42:06.440
<v Speaker 4>It's fun as hell, bro, Like that's all it is.

2:42:06.480 --> 2:42:08.560
<v Speaker 3>It is fun. Like, it's hell of fun until it's not,

2:42:09.760 --> 2:42:17.840
<v Speaker 3>you know, skirt, but it's cool. I like, I love

2:42:17.879 --> 2:42:22.080
<v Speaker 3>people to enjoy some drinks. I love people to fucking

2:42:22.800 --> 2:42:25.240
<v Speaker 3>rage and party. I'm not one of those people who

2:42:25.240 --> 2:42:28.720
<v Speaker 3>you can't get drunk around me. I just ain't feeling

2:42:28.879 --> 2:42:32.039
<v Speaker 3>like in those I love smoking weed. I love mushrooms.

2:42:33.640 --> 2:42:35.480
<v Speaker 2>You don't want one of the chocolates from a homie.

2:42:36.000 --> 2:42:38.400
<v Speaker 3>I do the mushroom pills, bro, I do capsules. I

2:42:38.440 --> 2:42:41.800
<v Speaker 3>gotta do something right now, give me those capsules.

2:42:42.080 --> 2:42:43.279
<v Speaker 1>Now, I got capsules.

2:42:43.600 --> 2:42:47.039
<v Speaker 3>Drugs on your fucking shove, But I still give you

2:42:47.040 --> 2:42:48.560
<v Speaker 3>from my homies. Here.

2:42:48.600 --> 2:42:50.160
<v Speaker 1>Look I do.

2:42:50.760 --> 2:42:53.000
<v Speaker 3>I do shrooms, and Tripp from the chocolates he took

2:42:53.280 --> 2:42:56.080
<v Speaker 3>Mike Rode doubts those are micro dosing though. Yeah, you're

2:42:56.080 --> 2:42:56.760
<v Speaker 3>not gonna.

2:42:56.760 --> 2:42:58.680
<v Speaker 4>Super four hundred milligrams. That's a lot.

2:42:59.600 --> 2:43:00.760
<v Speaker 3>That's why I stopped taking us.

2:43:00.760 --> 2:43:04.560
<v Speaker 4>Oh but the Lions, man, is that is this? That's

2:43:04.600 --> 2:43:04.960
<v Speaker 4>the one?

2:43:05.120 --> 2:43:05.360
<v Speaker 3>Yeah?

2:43:05.480 --> 2:43:07.720
<v Speaker 4>Okay, yeah, no, these are strong, bro.

2:43:08.280 --> 2:43:08.680
<v Speaker 3>Those.

2:43:11.360 --> 2:43:12.720
<v Speaker 1>I don't know what's about to happen right now.

2:43:12.760 --> 2:43:14.120
<v Speaker 4>I'm about to do some mushrooms.

2:43:14.320 --> 2:43:21.320
<v Speaker 3>Okay, all right, this one.

2:43:22.240 --> 2:43:24.360
<v Speaker 1>Take a mushroom, buddy, Look at Suddy.

2:43:24.560 --> 2:43:27.600
<v Speaker 3>Yes, you already took one. Take one, Sunny, let's go.

2:43:30.240 --> 2:43:31.320
<v Speaker 1>You don't need another one.

2:43:31.480 --> 2:43:35.320
<v Speaker 2>Oh, because Jamie wants one.

2:43:35.680 --> 2:43:47.080
<v Speaker 3>Let's go, Jamie. He's chilling.

2:43:48.800 --> 2:43:49.520
<v Speaker 1>Are you taking two?

2:43:49.760 --> 2:43:51.200
<v Speaker 3>Yes? It doesn't have that much.

2:43:51.400 --> 2:43:53.880
<v Speaker 1>You see him take two. I've never seen a nigga

2:43:53.920 --> 2:43:54.240
<v Speaker 1>take too.

2:43:56.040 --> 2:43:57.040
<v Speaker 3>Yeah, you're fine, you'll be fine.

2:43:57.040 --> 2:43:58.320
<v Speaker 1>You'll be playing record again.

2:43:59.280 --> 2:44:01.080
<v Speaker 4>Hell yeah, I gotta go piss one more.

2:44:01.000 --> 2:44:04.880
<v Speaker 1>Time, yea piss three more times. I'm gonna pis too

2:44:04.959 --> 2:44:10.200
<v Speaker 1>good about the raps? Right two minutes? Yeah?

2:44:10.240 --> 2:44:17.280
<v Speaker 3>Yeah, good looking and follow Sonny Bronny's with the.

2:44:18.959 --> 2:44:20.000
<v Speaker 4>Sunnies with the vibes.

2:44:20.040 --> 2:44:23.440
<v Speaker 3>Is a good character, A great guy, man, I said,

2:44:23.440 --> 2:44:25.040
<v Speaker 3>A good dude, man, I love that.

2:44:25.400 --> 2:44:26.400
<v Speaker 4>Gotta be down.

2:44:27.720 --> 2:44:32.640
<v Speaker 1>This it is my ship work. One does my ship

2:44:32.720 --> 2:44:34.320
<v Speaker 1>flying the new ok.

2:44:35.959 --> 2:44:38.280
<v Speaker 3>I like this. Remember you're taking that one home? Okay,

2:44:38.320 --> 2:44:40.000
<v Speaker 3>this is mine. I like this one.

2:44:40.760 --> 2:44:41.000
<v Speaker 1>Damn.

2:44:41.000 --> 2:44:43.200
<v Speaker 3>We want to give him a brand new one. We

2:44:43.240 --> 2:44:48.320
<v Speaker 3>have them in the box. Yeah, okay, okay, that's good.

2:44:49.280 --> 2:44:54.600
<v Speaker 1>Cool. Yeah, it's amazing.

2:44:58.800 --> 2:45:02.560
<v Speaker 3>I got haze, I got uka, I got oh.

2:45:02.680 --> 2:45:06.360
<v Speaker 4>Yeah, I'm gonna be so high.

2:45:07.160 --> 2:45:11.720
<v Speaker 1>You want to ask a question. Wise, like back in

2:45:11.760 --> 2:45:16.120
<v Speaker 1>the days when you create or artists would like chase

2:45:18.360 --> 2:45:20.959
<v Speaker 1>if you have an album you created and.

2:45:23.680 --> 2:45:26.520
<v Speaker 3>Saying chasing mm hmmm.

2:45:27.680 --> 2:45:27.760
<v Speaker 11>No.

2:45:27.879 --> 2:45:33.640
<v Speaker 4>I never felt like that. I felt like what I'm.

2:45:31.959 --> 2:45:36.000
<v Speaker 3>More, I have like more of an issue of as

2:45:36.000 --> 2:45:38.480
<v Speaker 3>soon as people start liking some ship, I go on

2:45:38.560 --> 2:45:41.160
<v Speaker 3>to the next thing and that might be like a

2:45:41.200 --> 2:45:43.960
<v Speaker 3>gift in the curse. Like I've heard people yeah, yeah, yeah,

2:45:44.000 --> 2:45:46.200
<v Speaker 3>I heard people tell me like, bro, like you got

2:45:46.200 --> 2:45:48.840
<v Speaker 3>to stop doing that. But I just I don't like

2:45:48.920 --> 2:45:51.480
<v Speaker 3>when people like ship too much, you know what I mean.

2:45:51.560 --> 2:45:54.480
<v Speaker 3>It's like, oh, y'all like that, let me do something different.

2:45:54.920 --> 2:45:57.560
<v Speaker 3>I mean yeah, so I never get stuck in my

2:45:57.600 --> 2:46:00.160
<v Speaker 3>ways and I always do ship that's totally different. And

2:46:00.240 --> 2:46:04.920
<v Speaker 3>like so from Cushion Orange Juice, I did cabin Fever

2:46:05.000 --> 2:46:07.880
<v Speaker 3>because I wanted to do something totally different that didn't

2:46:07.920 --> 2:46:10.680
<v Speaker 3>sound you know, so laid back and chill, and people

2:46:10.680 --> 2:46:13.640
<v Speaker 3>gravitated towards that they loved it. And then I did

2:46:13.720 --> 2:46:16.800
<v Speaker 3>Rolling Papers, which was like more mainstream, and you know,

2:46:16.879 --> 2:46:19.959
<v Speaker 3>I got shit talked on that, but the fucking records

2:46:20.000 --> 2:46:23.400
<v Speaker 3>went platinum. And then I did On and IFC with

2:46:23.560 --> 2:46:26.959
<v Speaker 3>the fucking I forget what color the pants were. I

2:46:26.959 --> 2:46:28.600
<v Speaker 3>think they were like cheat Oh it was the cheatah

2:46:28.640 --> 2:46:32.000
<v Speaker 3>jacket with the American flag pants. Yeah, And people was

2:46:32.040 --> 2:46:33.760
<v Speaker 3>like that's not hip hop, like you know what I mean,

2:46:33.800 --> 2:46:35.879
<v Speaker 3>blah blah blah like, but for me, I was like

2:46:36.000 --> 2:46:39.080
<v Speaker 3>really al Green and you know, Marvin Gaspin, I wanted

2:46:39.080 --> 2:46:40.840
<v Speaker 3>to make something that just looked like an old school

2:46:40.840 --> 2:46:46.560
<v Speaker 3>album cover. So it doesn't always align with what people think.

2:46:46.600 --> 2:46:49.080
<v Speaker 3>It's me or like on brand for yeah, like with

2:46:49.200 --> 2:46:51.920
<v Speaker 3>their taste for whiskyly for is. But it's always me

2:46:52.120 --> 2:46:54.880
<v Speaker 3>just like narrating my own story kind of you know

2:46:54.920 --> 2:46:57.840
<v Speaker 3>what I'm saying, Hell, yeah.

2:46:57.360 --> 2:46:59.240
<v Speaker 2>Your evolution, you're involving on your own.

2:46:59.280 --> 2:47:01.760
<v Speaker 3>I can't help it, you know, I don't get comfortable

2:47:01.840 --> 2:47:04.320
<v Speaker 3>like just sitting in one place, like you know what

2:47:04.360 --> 2:47:07.240
<v Speaker 3>I'm saying, like I'm always changing or always coming up

2:47:07.280 --> 2:47:09.800
<v Speaker 3>with new ideas or just different ways to do things

2:47:09.920 --> 2:47:13.480
<v Speaker 3>or inspiration or you know what I mean, just ways

2:47:13.520 --> 2:47:17.440
<v Speaker 3>to reincorporate things and just tell a story without even

2:47:17.600 --> 2:47:19.400
<v Speaker 3>like saying shit, and.

2:47:19.360 --> 2:47:20.640
<v Speaker 4>If you get it, you get it.

2:47:20.840 --> 2:47:22.560
<v Speaker 3>Because a lot of my fans and a lot of

2:47:22.600 --> 2:47:24.600
<v Speaker 3>people that like fuck with my music or fuck with me,

2:47:24.640 --> 2:47:27.600
<v Speaker 3>they gravitate towards the same things, so they'd be like, oh,

2:47:27.640 --> 2:47:29.760
<v Speaker 3>this is that or that's why he did it, But

2:47:29.920 --> 2:47:31.640
<v Speaker 3>just on a larger scale, a lot of people don't

2:47:31.640 --> 2:47:33.640
<v Speaker 3>get that shit, so it just comes off as fucking

2:47:33.640 --> 2:47:38.320
<v Speaker 3>weird sometimes. So like I just move forward and just

2:47:38.360 --> 2:47:40.760
<v Speaker 3>hope that you know, one day people will understand it

2:47:40.840 --> 2:47:43.240
<v Speaker 3>or grasp it. But it never holds me back or

2:47:43.240 --> 2:47:46.040
<v Speaker 3>gets me stuck to where I want to redo something

2:47:46.040 --> 2:47:50.400
<v Speaker 3>that I that I've done before. Like nah, never that you.

2:47:50.320 --> 2:47:55.080
<v Speaker 1>Ever did something that was against the norm that you regret.

2:47:54.760 --> 2:47:59.280
<v Speaker 3>It or an experiment that went wrong. No, I never

2:47:59.360 --> 2:48:00.800
<v Speaker 3>had any experiens go wrong.

2:48:01.160 --> 2:48:01.600
<v Speaker 1>Oh wow.

2:48:01.720 --> 2:48:06.600
<v Speaker 4>I try to calculate everything to where I'm pretty much gonna.

2:48:06.360 --> 2:48:10.160
<v Speaker 3>Win, and a win for me, like it might not

2:48:10.280 --> 2:48:12.920
<v Speaker 3>be a win for everybody else, but I feel like.

2:48:13.000 --> 2:48:14.840
<v Speaker 2>You already had calculated what would be a.

2:48:14.760 --> 2:48:17.400
<v Speaker 3>Win exactly, and I'm satisfied with it and it's a

2:48:17.520 --> 2:48:21.640
<v Speaker 3>success based off of just getting to release it or

2:48:21.720 --> 2:48:23.959
<v Speaker 3>you know, I might not have got everything that I

2:48:24.000 --> 2:48:26.000
<v Speaker 3>wanted to get done, but I'm happy with what I

2:48:26.080 --> 2:48:29.000
<v Speaker 3>got done, you know what I mean. Like I definitely

2:48:29.040 --> 2:48:30.720
<v Speaker 3>just chalk it up and keep it moving, like I'm

2:48:30.720 --> 2:48:33.840
<v Speaker 3>always moving forward. And I think that's just a blessing

2:48:33.879 --> 2:48:36.520
<v Speaker 3>that I have as a creative to not really be

2:48:36.600 --> 2:48:39.920
<v Speaker 3>focused on like money or popularity or any of that.

2:48:40.040 --> 2:48:41.879
<v Speaker 3>It's just I just love to create and I love

2:48:41.959 --> 2:48:44.600
<v Speaker 3>to be a part of the conversation, like you know,

2:48:44.800 --> 2:48:45.640
<v Speaker 3>just add me in there.

2:48:45.840 --> 2:48:48.560
<v Speaker 2>So it's like you always looking at the glass half full, Yeah,

2:48:48.600 --> 2:48:49.160
<v Speaker 2>half empty.

2:48:49.240 --> 2:48:50.840
<v Speaker 3>I mean it's like what could I do even if

2:48:50.879 --> 2:48:53.880
<v Speaker 3>some shit don't necessarily work or doesn't do it exactly

2:48:53.920 --> 2:48:57.360
<v Speaker 3>what I wanted to do, It's like, all right, that's

2:48:57.400 --> 2:48:59.959
<v Speaker 3>a lesson. It's not a failure. It's like what can

2:49:00.080 --> 2:49:01.560
<v Speaker 3>I do to do better? You know what I mean.

2:49:01.560 --> 2:49:04.160
<v Speaker 3>I'm not looking at eighty people around me like you

2:49:04.200 --> 2:49:06.240
<v Speaker 3>should have done this, and you should. It's like, well,

2:49:06.360 --> 2:49:08.959
<v Speaker 3>what could I have done to make that ship a

2:49:09.040 --> 2:49:11.840
<v Speaker 3>guarantee you know what I'm saying, and then just move

2:49:11.879 --> 2:49:12.360
<v Speaker 3>it from there.

2:49:14.440 --> 2:49:18.200
<v Speaker 2>You smoke a blunt, I don't think it's been a

2:49:18.200 --> 2:49:18.800
<v Speaker 2>long time.

2:49:19.160 --> 2:49:21.879
<v Speaker 3>No, I'm not back home. I'm not doing that.

2:49:21.879 --> 2:49:23.200
<v Speaker 1>That's gross.

2:49:23.240 --> 2:49:23.920
<v Speaker 3>That's not home.

2:49:24.160 --> 2:49:25.280
<v Speaker 1>Who ain't taking him there?

2:49:25.320 --> 2:49:25.480
<v Speaker 3>Bro?

2:49:26.040 --> 2:49:29.879
<v Speaker 1>Come back home from well we all started with blunt.

2:49:30.080 --> 2:49:39.040
<v Speaker 3>Yeah, that was we wanted to get getting tricks all that.

2:49:39.040 --> 2:49:39.760
<v Speaker 3>That's terrible.

2:49:40.360 --> 2:49:40.960
<v Speaker 4>I like weed.

2:49:41.000 --> 2:49:46.240
<v Speaker 3>I enjoy weed. There's weed in its just wrapped in

2:49:46.280 --> 2:49:47.560
<v Speaker 3>there somewhere. That's the thing.

2:49:47.720 --> 2:49:48.960
<v Speaker 2>It's a high grade cigarette.

2:49:48.959 --> 2:49:50.480
<v Speaker 3>That's the thing about growing up in the hood, Like

2:49:50.480 --> 2:49:52.879
<v Speaker 3>they try to like make it seem weird to like

2:49:52.959 --> 2:49:55.200
<v Speaker 3>hit bongs or joints and things like that. If you don't,

2:49:56.240 --> 2:49:59.640
<v Speaker 3>oh man, you we do. It's like, dog, I actually

2:49:59.840 --> 2:50:03.160
<v Speaker 3>like care about weed, Like you know what I'm saying. Like,

2:50:03.440 --> 2:50:05.680
<v Speaker 3>when you start to learn about weed, you don't want

2:50:05.720 --> 2:50:08.120
<v Speaker 3>to smoke a blunt, bro, because that ship ruins the

2:50:08.200 --> 2:50:09.440
<v Speaker 3>fucking actual pot.

2:50:09.520 --> 2:50:11.960
<v Speaker 4>Bro to each his own, it ruins.

2:50:12.000 --> 2:50:17.440
<v Speaker 3>It's you're not even fully in experiencing it.

2:50:17.720 --> 2:50:19.160
<v Speaker 1>I don't smoke cigarettes no more so.

2:50:19.160 --> 2:50:27.880
<v Speaker 3>This is that's a cigarette tobacco. See, I'm a downer,

2:50:28.320 --> 2:50:30.160
<v Speaker 3>Like you know what I'm saying, like, with the hell

2:50:30.320 --> 2:50:34.120
<v Speaker 3>facts and all that, I'm through with them. And it

2:50:34.200 --> 2:50:34.760
<v Speaker 3>was going to be mad.

2:50:34.760 --> 2:50:37.200
<v Speaker 1>When I saw that footage online, I said, is.

2:50:39.000 --> 2:50:41.160
<v Speaker 3>He's a tobacco He's a purist when it comes to

2:50:41.400 --> 2:50:43.640
<v Speaker 3>it's just not good for you, man, it ruins the weed.

2:50:43.760 --> 2:50:46.000
<v Speaker 3>I'm not even saying anything that's not right. I'm just

2:50:46.040 --> 2:50:46.520
<v Speaker 3>saying it.

2:50:48.040 --> 2:50:50.760
<v Speaker 1>I actually agree with you. Yeah, it's all, but it

2:50:50.840 --> 2:50:53.600
<v Speaker 1>tastes good as a motherfucker right now. You're addicted to

2:50:53.640 --> 2:50:54.960
<v Speaker 1>it exactly.

2:50:55.040 --> 2:50:55.880
<v Speaker 3>Yeah, you're hooked.

2:50:57.160 --> 2:50:58.760
<v Speaker 1>He definitely won't want to smoke a trick.

2:50:58.800 --> 2:51:01.080
<v Speaker 3>Then that's a.

2:51:01.040 --> 2:51:01.800
<v Speaker 1>Totally different thing.

2:51:03.680 --> 2:51:05.480
<v Speaker 3>I'm not smoking a blunt with Trick Daddy, but I

2:51:05.600 --> 2:51:06.640
<v Speaker 3>chilled Trick Daddy all.

2:51:06.600 --> 2:51:16.640
<v Speaker 2>Day smoking smoking Tricky is the best I ain't smoking

2:51:16.680 --> 2:51:17.920
<v Speaker 2>with making a special blunt with.

2:51:19.800 --> 2:51:20.920
<v Speaker 1>Don't smart about.

2:51:20.680 --> 2:51:21.600
<v Speaker 4>That, blind, don't smoke.

2:51:21.720 --> 2:51:23.680
<v Speaker 3>I'm not saying that he's doing that, but I heard

2:51:23.720 --> 2:51:26.360
<v Speaker 3>I know the Miami, but this is a lot.

2:51:27.080 --> 2:51:28.840
<v Speaker 1>I don't know if you call it the Miami blunt,

2:51:28.879 --> 2:51:30.920
<v Speaker 1>but you could definitely call it the trick and dir

2:51:31.560 --> 2:51:33.800
<v Speaker 1>no in Miami that that was the thing, that was

2:51:33.840 --> 2:51:34.920
<v Speaker 1>a thing, was the thing.

2:51:35.560 --> 2:51:38.760
<v Speaker 2>I like Miami ill grew that. I don't know, man,

2:51:39.200 --> 2:51:40.680
<v Speaker 2>I know a lot of people.

2:51:42.680 --> 2:51:52.640
<v Speaker 1>I'm sorry, I'll be outside. I'm sorry, I don't be outside.

2:51:53.560 --> 2:51:59.199
<v Speaker 1>So let me ask you. Jim Jones, a close, close

2:51:59.240 --> 2:52:05.480
<v Speaker 1>friend of mine, said recently that rappers being a rapper

2:52:05.560 --> 2:52:10.240
<v Speaker 1>is a dangerous job, and I agree with him in

2:52:10.280 --> 2:52:15.960
<v Speaker 1>his totality. But there different versions of rappers, right, Yeah,

2:52:16.560 --> 2:52:18.680
<v Speaker 1>I imagine J Cole could walk anywhere.

2:52:20.400 --> 2:52:22.320
<v Speaker 4>Why you say that, like Coleon with.

2:52:23.360 --> 2:52:26.520
<v Speaker 1>No, I'm not saying like col I can imagine.

2:52:26.520 --> 2:52:27.160
<v Speaker 3>I'm just joking.

2:52:27.240 --> 2:52:29.880
<v Speaker 1>I'm just I canna imagine J Cole could go do

2:52:30.000 --> 2:52:33.840
<v Speaker 1>his laundry, laundry and like nobody might not try to

2:52:33.840 --> 2:52:34.560
<v Speaker 1>get J Cole.

2:52:34.640 --> 2:52:37.640
<v Speaker 3>In my opinion, actually that probably wouldn't be true.

2:52:37.800 --> 2:52:39.600
<v Speaker 2>It probably be that's true.

2:52:40.600 --> 2:52:42.320
<v Speaker 1>Listen, they probably won't even think it's Jay Cole.

2:52:42.560 --> 2:52:44.200
<v Speaker 2>Well that part, Yeah, I see him child in the

2:52:44.200 --> 2:52:45.320
<v Speaker 2>New City getting a frank.

2:52:45.800 --> 2:52:47.680
<v Speaker 1>No one bothered him, right in that sense.

2:52:47.800 --> 2:52:50.879
<v Speaker 2>Yeah, but in fame, there's always dangers in all in

2:52:50.920 --> 2:52:51.680
<v Speaker 2>any kind of fame.

2:52:53.160 --> 2:52:55.720
<v Speaker 1>Preaching to the choiet, right, I agree with you. Do

2:52:55.760 --> 2:52:58.560
<v Speaker 1>you think being a rapper is a dangerous job, especially

2:52:58.680 --> 2:53:03.000
<v Speaker 1>living in LA Right? Because they saying that l a

2:53:03.320 --> 2:53:06.320
<v Speaker 1>is one of the most dangerous places in the world

2:53:06.320 --> 2:53:08.760
<v Speaker 1>for a rapper. So I guess that's a two part question.

2:53:09.879 --> 2:53:11.960
<v Speaker 3>Well I got a third part to that, J Cole

2:53:12.040 --> 2:53:13.800
<v Speaker 3>being able to go to the laundry maat is a

2:53:13.800 --> 2:53:16.680
<v Speaker 3>fucking blessing. It ain't as it ain't as bad as

2:53:16.680 --> 2:53:20.000
<v Speaker 3>you think. It's a blessing for him to be able

2:53:20.000 --> 2:53:22.480
<v Speaker 3>to walk through the park and go enjoy getting a

2:53:22.560 --> 2:53:27.560
<v Speaker 3>freaking glizzy and not get bothered. Shout out, Shout out

2:53:27.600 --> 2:53:33.320
<v Speaker 3>to J Cole. More more rappers need to do that.

2:53:33.400 --> 2:53:36.520
<v Speaker 1>He's got to be funny, I get you back.

2:53:39.280 --> 2:53:43.720
<v Speaker 3>So, like my whole thing about rappers being dangerous, it

2:53:43.800 --> 2:53:47.440
<v Speaker 3>is it is very dangerous. Your target, you know what

2:53:47.480 --> 2:53:49.760
<v Speaker 3>I'm saying, Like you're you're a target for somebody to

2:53:49.760 --> 2:53:52.959
<v Speaker 3>get a name. A lot of people look at our

2:53:53.000 --> 2:53:56.000
<v Speaker 3>profession and they're like, this nigga got it made. So

2:53:56.040 --> 2:53:58.560
<v Speaker 3>they're like, you know, if you come through with a

2:53:58.680 --> 2:54:01.360
<v Speaker 3>card or like he paid one hundred thousand or one

2:54:01.400 --> 2:54:03.400
<v Speaker 3>hundred and fifty for that car, you might not have

2:54:03.440 --> 2:54:05.000
<v Speaker 3>paid one hundred and fifty for that car. That might

2:54:05.080 --> 2:54:06.720
<v Speaker 3>have been you know what I mean, for really, you

2:54:06.760 --> 2:54:08.000
<v Speaker 3>might have got a deal on that shit. You might

2:54:08.000 --> 2:54:10.720
<v Speaker 3>be paying rent on that shit every month, you know

2:54:10.760 --> 2:54:13.320
<v Speaker 3>what I mean, or whatever your chain is, Like, your

2:54:13.400 --> 2:54:15.680
<v Speaker 3>chain might be big as hell, but people just don't

2:54:15.680 --> 2:54:17.959
<v Speaker 3>know qualities, the diamonds. They just see that shit shine

2:54:17.959 --> 2:54:19.960
<v Speaker 3>and they don't know how much it really costs. So

2:54:20.040 --> 2:54:22.200
<v Speaker 3>you just become a target for things that you have on.

2:54:22.600 --> 2:54:24.440
<v Speaker 3>Somebody could get a name off of what they do

2:54:24.560 --> 2:54:27.520
<v Speaker 3>to you. So I rob this person, they get a

2:54:27.600 --> 2:54:29.879
<v Speaker 3>name off of that. So that's that's automatic, like when

2:54:29.920 --> 2:54:32.960
<v Speaker 3>you become a rapper, but or not a rapper, but

2:54:33.040 --> 2:54:36.120
<v Speaker 3>just a personality, like just somebody who's out there. So

2:54:36.200 --> 2:54:39.160
<v Speaker 3>you just have more of a responsibility to calculate your moves,

2:54:39.920 --> 2:54:43.160
<v Speaker 3>calculate who you're around, calculates the situations that you put

2:54:43.200 --> 2:54:46.280
<v Speaker 3>yourself in, and the more you can avoid, the better

2:54:46.360 --> 2:54:46.879
<v Speaker 3>off you are.

2:54:48.120 --> 2:54:49.800
<v Speaker 4>Shit happens, you know what I'm saying. So you have

2:54:49.879 --> 2:54:51.080
<v Speaker 4>to be prepared and.

2:54:51.040 --> 2:54:53.520
<v Speaker 3>You have to be ready, and you got to be

2:54:53.560 --> 2:54:56.080
<v Speaker 3>in the mind state to you know, protect yourself and

2:54:56.080 --> 2:54:59.160
<v Speaker 3>to protect your brand more than anything and not be

2:54:59.280 --> 2:55:03.720
<v Speaker 3>like you know, uh, risking it too much. Yeah, But

2:55:03.760 --> 2:55:05.760
<v Speaker 3>at the end of the day, like you know, shit

2:55:05.879 --> 2:55:08.760
<v Speaker 3>happens sometimes, Like you can you can never really people

2:55:08.800 --> 2:55:11.359
<v Speaker 3>are human. Yeah, you can't plan, you can't plan everything.

2:55:11.400 --> 2:55:13.880
<v Speaker 3>And like you said, j Cole, he might not be

2:55:13.920 --> 2:55:17.320
<v Speaker 3>a threatening artist, but he might have some crazy super

2:55:17.360 --> 2:55:21.200
<v Speaker 3>fair you know what I'm saying. But Joe, you being

2:55:21.240 --> 2:55:23.400
<v Speaker 3>a fan as a reason to get to you too,

2:55:23.480 --> 2:55:25.120
<v Speaker 3>to be like, hey, what's up? I love your music

2:55:25.160 --> 2:55:28.320
<v Speaker 3>and then flip it on some some crazy ship and

2:55:28.400 --> 2:55:30.440
<v Speaker 3>then you're just being nice to you know what I mean,

2:55:30.480 --> 2:55:31.160
<v Speaker 3>a regular dude.

2:55:31.200 --> 2:55:34.160
<v Speaker 4>That's a regular transaction. So it's very scary, you know

2:55:34.200 --> 2:55:34.600
<v Speaker 4>what I mean.

2:55:34.680 --> 2:55:37.800
<v Speaker 2>And then with stand with the song standing talking about that,

2:55:37.920 --> 2:55:40.000
<v Speaker 2>like anybody could have a stand right.

2:55:39.879 --> 2:55:42.600
<v Speaker 1>Like even even with you, like to be honest with you,

2:55:42.879 --> 2:55:44.720
<v Speaker 1>Like I said, I follow you, so I see you

2:55:44.720 --> 2:55:46.760
<v Speaker 1>in the gym every day and then I see you

2:55:46.879 --> 2:55:49.560
<v Speaker 1>leave the gym in a coup. But then I realized,

2:55:49.600 --> 2:55:52.680
<v Speaker 1>oh someone's filming him, so he's not alone.

2:55:52.800 --> 2:55:55.120
<v Speaker 4>No, I'm by myself real Yeah for sure?

2:55:55.280 --> 2:55:58.400
<v Speaker 1>Okay, yeah you think do you think avoiding some of

2:55:58.400 --> 2:56:00.840
<v Speaker 1>the shit is like not how and jewelry on and

2:56:00.920 --> 2:56:01.680
<v Speaker 1>something like that, because.

2:56:01.720 --> 2:56:04.480
<v Speaker 3>It's not having jury on, but it's who you know, honestly,

2:56:04.879 --> 2:56:07.600
<v Speaker 3>like you environment, it's who you know, like you have

2:56:07.680 --> 2:56:10.000
<v Speaker 3>to be tapped in with the right types of people

2:56:10.040 --> 2:56:13.760
<v Speaker 3>out there, and you have to be there for certain reasons.

2:56:13.879 --> 2:56:16.920
<v Speaker 3>And for me, like people know who I know and

2:56:16.959 --> 2:56:20.000
<v Speaker 3>they know why I'm tapped in the way that I am.

2:56:20.720 --> 2:56:23.680
<v Speaker 3>And yeah, I mean there's there's there's a lot of

2:56:23.680 --> 2:56:26.360
<v Speaker 3>different ways to go about it. But just being in

2:56:26.560 --> 2:56:30.480
<v Speaker 3>LA and not being from LA got of respect. You

2:56:30.560 --> 2:56:33.640
<v Speaker 3>gotta respect it. But people, people know what's real and

2:56:33.680 --> 2:56:35.920
<v Speaker 3>what's fake. So if you're just paying your way, like

2:56:36.000 --> 2:56:37.520
<v Speaker 3>you know what I'm saying, as soon as that's up,

2:56:37.520 --> 2:56:40.160
<v Speaker 3>your time is up. Like if you have real respect

2:56:40.160 --> 2:56:43.080
<v Speaker 3>from real people for real reasons, you got to put

2:56:43.120 --> 2:56:45.720
<v Speaker 3>in that work and do those things. And you know

2:56:45.760 --> 2:56:47.480
<v Speaker 3>what I mean, Like that's where I stand and that's

2:56:47.480 --> 2:56:49.320
<v Speaker 3>why I'm able to move the way that I move,

2:56:50.000 --> 2:56:51.440
<v Speaker 3>and you got to take the time to do that.

2:56:51.520 --> 2:56:53.080
<v Speaker 3>And a lot of people skip those steps, you know

2:56:53.080 --> 2:56:55.720
<v Speaker 3>what I'm saying. They just look at the important parts

2:56:55.800 --> 2:56:58.200
<v Speaker 3>or the people who are there for them when they

2:56:58.240 --> 2:57:00.720
<v Speaker 3>need them, and they don't really return earn that or

2:57:00.800 --> 2:57:03.760
<v Speaker 3>just be normal when it's time to be normal. So

2:57:04.120 --> 2:57:07.400
<v Speaker 3>it gets really Hollywood because it is Hollywood, but it's

2:57:07.440 --> 2:57:08.439
<v Speaker 3>like that everywhere.

2:57:08.080 --> 2:57:08.920
<v Speaker 4>It's like that in Atlanta.

2:57:08.959 --> 2:57:10.760
<v Speaker 3>It's like that out here out here, it's like that

2:57:10.840 --> 2:57:12.959
<v Speaker 3>in New Orleans, like that in New York, it's like

2:57:12.959 --> 2:57:13.640
<v Speaker 3>that in Chicago.

2:57:13.720 --> 2:57:14.760
<v Speaker 4>You get pressed.

2:57:14.480 --> 2:57:18.400
<v Speaker 3>Any and everywhere, everywhere, anywhere, man, exactly. So you just

2:57:18.400 --> 2:57:20.320
<v Speaker 3>gotta you just gotta stay tapped in with real ones,

2:57:20.320 --> 2:57:22.320
<v Speaker 3>and you got to put in that work, the real

2:57:22.400 --> 2:57:24.400
<v Speaker 3>type of work with the real ones, and they you'll

2:57:24.440 --> 2:57:25.240
<v Speaker 3>be good. Honestly.

2:57:25.280 --> 2:57:27.119
<v Speaker 4>That's that's and really that's what I learned.

2:57:27.120 --> 2:57:30.040
<v Speaker 2>Pay attention to your environment and respect the environment you're in.

2:57:30.400 --> 2:57:33.600
<v Speaker 2>Oftentimes people come from out of town thinking because they

2:57:33.640 --> 2:57:36.600
<v Speaker 2>from another place, they can come disrespecting another place.

2:57:36.720 --> 2:57:37.680
<v Speaker 3>Yeah, and you.

2:57:37.680 --> 2:57:39.920
<v Speaker 2>Just got to respect every there's a hood. Everywhere there's

2:57:39.959 --> 2:57:40.400
<v Speaker 2>there's hood.

2:57:40.440 --> 2:57:44.199
<v Speaker 3>I mean, even if you respect, super respectful and you're soft,

2:57:44.280 --> 2:57:46.000
<v Speaker 3>like niggas is going to try to pressure you.

2:57:45.959 --> 2:57:47.800
<v Speaker 2>Know what I'm saying, that's understanding your surroundings.

2:57:47.800 --> 2:57:48.280
<v Speaker 1>At that point.

2:57:48.280 --> 2:57:50.600
<v Speaker 2>If you're soft, you understand where you're going as a

2:57:50.640 --> 2:57:51.320
<v Speaker 2>soft person.

2:57:51.520 --> 2:57:54.440
<v Speaker 3>Yeah, there's nothing wrong with being soft, right, You just

2:57:54.480 --> 2:57:57.000
<v Speaker 3>got to be like yo, all right, well this nigga soft,

2:57:57.040 --> 2:58:00.720
<v Speaker 3>play yourself exactly, Like, don't try to act hard because

2:58:00.840 --> 2:58:04.360
<v Speaker 3>like just be sawt. You know what I'm saying, don't

2:58:04.440 --> 2:58:08.520
<v Speaker 3>just be Yeah, no, you're going to get pressed, but like,

2:58:08.720 --> 2:58:10.240
<v Speaker 3>don't try to be horrid.

2:58:09.959 --> 2:58:12.600
<v Speaker 1>When don't put yourself in the situation exactly Like.

2:58:12.800 --> 2:58:15.120
<v Speaker 3>Nah, I just do music, bro, Like you know what

2:58:15.160 --> 2:58:15.560
<v Speaker 3>I'm saying.

2:58:15.560 --> 2:58:16.200
<v Speaker 4>That's all I do.

2:58:17.040 --> 2:58:19.200
<v Speaker 3>That's all the funk I do. I do music, Bro.

2:58:20.480 --> 2:58:22.760
<v Speaker 3>There's nothing wrong with that, None wrong with it. There's

2:58:22.800 --> 2:58:23.600
<v Speaker 3>nothing wrong with that.

2:58:24.200 --> 2:58:28.560
<v Speaker 1>Nope. Man, it's been a pleasure, man, Thank you, it

2:58:28.680 --> 2:58:34.120
<v Speaker 1>really has been, man, Because, like I said, I was

2:58:34.160 --> 2:58:36.480
<v Speaker 1>happy to be a part of one of your first

2:58:36.480 --> 2:58:37.840
<v Speaker 1>shows in New York. I didn't know that was your

2:58:37.840 --> 2:58:40.080
<v Speaker 1>first show in New York. I thought it was one

2:58:40.080 --> 2:58:42.160
<v Speaker 1>of them. But I was happy to be a part

2:58:42.200 --> 2:58:44.040
<v Speaker 1>of that. I was happy to see your growth. It's

2:58:44.040 --> 2:58:46.760
<v Speaker 1>certain people that I see that I'm just like, man,

2:58:46.840 --> 2:58:49.040
<v Speaker 1>I'm just I'm just so happy man, Like you know

2:58:49.080 --> 2:58:50.640
<v Speaker 1>what I mean, And that's real.

2:58:50.760 --> 2:58:50.960
<v Speaker 3>Fit.

2:58:51.040 --> 2:58:53.800
<v Speaker 1>It's like, it takes nothing away from me to be

2:58:53.920 --> 2:58:56.720
<v Speaker 1>happy for you. Yep. It takes nothing away from me

2:58:56.800 --> 2:58:58.840
<v Speaker 1>to give you your flowers. It takes nothing away from

2:58:58.879 --> 2:59:00.959
<v Speaker 1>me to show you how great you are and how

2:59:01.000 --> 2:59:04.759
<v Speaker 1>great you mean to this generation, our generation, generation.

2:59:04.480 --> 2:59:06.600
<v Speaker 3>Students away from me.

2:59:06.800 --> 2:59:08.520
<v Speaker 1>In fact, I think it makes me more of a

2:59:08.560 --> 2:59:11.640
<v Speaker 1>man for sure, to sit there and tell you how

2:59:11.680 --> 2:59:14.879
<v Speaker 1>great you are, because you are sincerely great.

2:59:14.800 --> 2:59:16.359
<v Speaker 3>And we love people.

2:59:18.080 --> 2:59:21.120
<v Speaker 1>Love you. But before we get up out of it,

2:59:21.959 --> 2:59:23.760
<v Speaker 1>what's what's next? What's next? For words?

2:59:24.080 --> 2:59:26.280
<v Speaker 4>Got an album coming out, Whistlemania.

2:59:27.760 --> 2:59:31.080
<v Speaker 3>Yeah, yeah, it's gonna be Will you be wrestling soon?

2:59:32.240 --> 2:59:34.920
<v Speaker 3>No I'm not.

2:59:36.120 --> 2:59:36.680
<v Speaker 4>I will if they.

2:59:37.879 --> 2:59:40.040
<v Speaker 3>I'm athletic enough and I could do flips and ship

2:59:40.160 --> 2:59:41.920
<v Speaker 3>like that too.

2:59:42.560 --> 2:59:44.400
<v Speaker 1>I feel like you got the meanest kick in hip

2:59:44.400 --> 2:59:47.039
<v Speaker 1>hop for real. I've been saying that this whole interview.

2:59:47.320 --> 2:59:49.080
<v Speaker 1>I wasn't playing you. I don't know if you noticed.

2:59:49.120 --> 2:59:51.760
<v Speaker 1>I didn't laugh every time I moved. I mean, you know,

2:59:51.959 --> 2:59:55.360
<v Speaker 1>I see you kicking my rib herd. I said, oh ship, they're.

2:59:55.200 --> 2:59:55.959
<v Speaker 3>Getting better too.

2:59:56.040 --> 2:59:56.680
<v Speaker 4>I appreciate it.

2:59:56.840 --> 3:00:03.720
<v Speaker 3>That's because that ship and yeah for real they Yeah,

3:00:03.760 --> 3:00:08.160
<v Speaker 3>So Wizzlemania is dropping. It's a new album, full full length,

3:00:08.680 --> 3:00:12.600
<v Speaker 3>all bangers. I'm really excited. I got really good features

3:00:12.600 --> 3:00:17.959
<v Speaker 3>on there. Everything is pretty much locked in independent. Independent.

3:00:18.160 --> 3:00:21.160
<v Speaker 1>Yeah, you's gonna ask you that question, indid major, Yeah,

3:00:21.320 --> 3:00:21.960
<v Speaker 1>what do you prefer?

3:00:22.400 --> 3:00:26.680
<v Speaker 3>I prefer being independent, but doing deals like exclusively, you

3:00:26.720 --> 3:00:28.680
<v Speaker 3>know what I'm saying. So if you're gonna do it, yeah,

3:00:28.959 --> 3:00:31.760
<v Speaker 3>like you license your project, to license your project, because

3:00:31.760 --> 3:00:34.280
<v Speaker 3>a lot of people don't know, like music isn't really

3:00:34.320 --> 3:00:36.920
<v Speaker 3>owned by the labels. Like there's a lot of private

3:00:36.959 --> 3:00:40.880
<v Speaker 3>companies and a lot of investors who will invest way

3:00:41.000 --> 3:00:44.720
<v Speaker 3>more in a project than a record label. I'm talking

3:00:44.800 --> 3:00:48.800
<v Speaker 3>about way more like And if you can lock yourself

3:00:48.800 --> 3:00:51.560
<v Speaker 3>into one of those deals, you're gonna get some cheese

3:00:51.640 --> 3:00:52.400
<v Speaker 3>and you're gonna.

3:00:52.200 --> 3:00:53.680
<v Speaker 2>Use school us a little bit on that because I've

3:00:53.680 --> 3:00:54.720
<v Speaker 2>never heard much of that.

3:00:55.360 --> 3:00:57.359
<v Speaker 3>I don't want to go too deep into it.

3:00:57.080 --> 3:00:58.800
<v Speaker 1>Just the surface of it generic.

3:00:58.879 --> 3:01:02.200
<v Speaker 4>I just said it the way more.

3:01:03.440 --> 3:01:06.360
<v Speaker 3>No, no, no no, because that album never got released like

3:01:06.760 --> 3:01:07.680
<v Speaker 3>this what's up full?

3:01:09.040 --> 3:01:09.959
<v Speaker 1>So bro u.

3:01:11.760 --> 3:01:14.960
<v Speaker 3>Uh no, because that album was like one person owned it.

3:01:15.000 --> 3:01:18.320
<v Speaker 3>This one is like they're buying staff like radio, they're

3:01:18.360 --> 3:01:22.000
<v Speaker 3>pushing it, they're promoting it, and you get like millions

3:01:22.000 --> 3:01:22.920
<v Speaker 3>of dollars up front.

3:01:23.959 --> 3:01:26.240
<v Speaker 2>But is that is that exclusive to someone like you

3:01:26.280 --> 3:01:27.440
<v Speaker 2>who already has a track?

3:01:27.600 --> 3:01:29.359
<v Speaker 4>No, no, no.

3:01:29.200 --> 3:01:34.279
<v Speaker 3>It's worth If it's worth money, it's going to sell.

3:01:34.720 --> 3:01:37.080
<v Speaker 3>You can lock in a deal and you can find

3:01:37.080 --> 3:01:40.760
<v Speaker 3>a company that is not a major record label that

3:01:40.920 --> 3:01:42.080
<v Speaker 3>will invest money.

3:01:42.240 --> 3:01:45.640
<v Speaker 4>Then that's all they do is invest and you'll get right.

3:01:46.000 --> 3:01:48.959
<v Speaker 3>We need to hell yeah. And it's crazy because it's

3:01:49.160 --> 3:01:52.160
<v Speaker 3>they just invest like they're not and they don't know

3:01:52.160 --> 3:01:55.000
<v Speaker 3>shit about music, so you run everything.

3:01:54.680 --> 3:01:58.040
<v Speaker 1>Like hedge funds. See, I'm trying to dig for the

3:01:59.280 --> 3:02:01.600
<v Speaker 1>I believe Bust did that. He was the first person

3:02:01.640 --> 3:02:02.440
<v Speaker 1>that had an album on you.

3:02:02.720 --> 3:02:05.440
<v Speaker 2>You know, all these people who get it, you're sayings around,

3:02:05.480 --> 3:02:08.440
<v Speaker 2>You're saying, whis kalifa? I'm asking for the average artists

3:02:08.480 --> 3:02:12.880
<v Speaker 2>that's trying to not age artists route get funding. Is

3:02:12.879 --> 3:02:15.280
<v Speaker 2>that something that they can access or is it only

3:02:15.520 --> 3:02:17.720
<v Speaker 2>a bus rhymes and anybody.

3:02:17.040 --> 3:02:20.480
<v Speaker 3>Can access it? Because these these private companies are investing

3:02:20.680 --> 3:02:23.280
<v Speaker 3>in what's making money. So if it's valuable, if you

3:02:23.360 --> 3:02:25.160
<v Speaker 3>can go on tour, if you can sell merch if

3:02:25.160 --> 3:02:28.040
<v Speaker 3>you can sell records, if you have streaming, if you're monetized,

3:02:28.560 --> 3:02:32.000
<v Speaker 3>if you have a video that's doing certain millions of

3:02:32.080 --> 3:02:34.440
<v Speaker 3>views and it's guaranteed to make a certain amount of money,

3:02:34.440 --> 3:02:36.240
<v Speaker 3>They're going to invest a certain amount of money to

3:02:36.320 --> 3:02:39.320
<v Speaker 3>grow the project. Whatever this project is, it could be

3:02:39.360 --> 3:02:40.720
<v Speaker 3>for an amount of time where it could be for

3:02:40.760 --> 3:02:43.520
<v Speaker 3>this single project. Me or bus Rhymes will probably just

3:02:43.560 --> 3:02:45.800
<v Speaker 3>do like a one off because we've already been through

3:02:45.800 --> 3:02:48.480
<v Speaker 3>so many major label deals or things like that. But

3:02:48.560 --> 3:02:51.280
<v Speaker 3>somebody else can be in their basement. Somebody could be like, yo,

3:02:51.360 --> 3:02:54.680
<v Speaker 3>I see the potential in your growing here's two hundred

3:02:54.680 --> 3:02:56.039
<v Speaker 3>and twenty million dollars.

3:02:56.680 --> 3:03:00.720
<v Speaker 2>Two hundred and twenty million dollars side in the basement.

3:03:00.959 --> 3:03:03.800
<v Speaker 3>Yeah, man, we need see You don't want to talk

3:03:03.800 --> 3:03:05.240
<v Speaker 3>about it, but I need to talk about.

3:03:07.240 --> 3:03:08.920
<v Speaker 1>You are trying to bro.

3:03:10.080 --> 3:03:12.480
<v Speaker 3>No, I'm ready to go for a cuban cuban goodbye.

3:03:16.160 --> 3:03:18.440
<v Speaker 2>And there's no you can't point anybody in the direction

3:03:18.520 --> 3:03:20.520
<v Speaker 2>right now because right now.

3:03:21.080 --> 3:03:21.920
<v Speaker 1>I'll holler at you.

3:03:22.080 --> 3:03:24.640
<v Speaker 3>Uh yeah, I'll see y'all next direction.

3:03:26.320 --> 3:03:28.080
<v Speaker 1>When I'm floating.

3:03:27.680 --> 3:03:30.800
<v Speaker 3>In this motherfucker Everything on me is fucking gold ship.

3:03:31.920 --> 3:03:40.720
<v Speaker 4>Remember that private investment? Yeah, yeah, I gotta wait.

3:03:40.879 --> 3:03:42.640
<v Speaker 1>Okay, we'll wait for continue.

3:03:42.760 --> 3:03:44.760
<v Speaker 3>Yeah, we give it a little game, okay, Okay.

3:03:44.800 --> 3:03:47.240
<v Speaker 1>So we got the businesses, we got the investments, is,

3:03:47.560 --> 3:03:51.600
<v Speaker 1>we got the career, we got the actor. What is

3:03:51.600 --> 3:03:53.000
<v Speaker 1>it left for you to do?

3:03:54.280 --> 3:03:56.440
<v Speaker 4>I'm having a great time raising my kid, bro.

3:03:56.560 --> 3:03:57.440
<v Speaker 1>That's fucking awesome.

3:03:57.480 --> 3:04:01.280
<v Speaker 3>Yeah, that's great. Amazing.

3:04:01.480 --> 3:04:03.720
<v Speaker 4>That's the best part of it all. That's what brings

3:04:03.720 --> 3:04:04.240
<v Speaker 4>it all together.

3:04:04.280 --> 3:04:06.640
<v Speaker 3>That's what really is, you know, my favorite thing.

3:04:07.440 --> 3:04:09.640
<v Speaker 4>He's ten now, so I'm just looking forward to the

3:04:09.680 --> 3:04:11.280
<v Speaker 4>next you know, and.

3:04:11.280 --> 3:04:12.000
<v Speaker 3>It went by like that.

3:04:12.360 --> 3:04:13.400
<v Speaker 4>Man, it went by so fast.

3:04:13.480 --> 3:04:15.280
<v Speaker 3>And to think that in another ten years he's going

3:04:15.360 --> 3:04:17.240
<v Speaker 3>to be twenty years old. So it's like, I gotta

3:04:17.640 --> 3:04:18.840
<v Speaker 3>I'm in there. Like you know what I'm saying. I

3:04:18.879 --> 3:04:22.040
<v Speaker 3>already been in there. But it's like, yeah, it's like

3:04:22.120 --> 3:04:25.320
<v Speaker 3>really really important, like you know, like twelve and fourteen,

3:04:25.720 --> 3:04:28.440
<v Speaker 3>all of that just you know, yeah, yeah, that's my

3:04:28.520 --> 3:04:29.040
<v Speaker 3>little man.

3:04:29.160 --> 3:04:31.720
<v Speaker 4>So that's my that's my job, that's my that's my.

3:04:31.760 --> 3:04:36.240
<v Speaker 3>Main focus is you know, family, just structure, just keeping

3:04:36.280 --> 3:04:40.000
<v Speaker 3>him right. His little personality is so so wild, so

3:04:40.040 --> 3:04:43.680
<v Speaker 3>it's like, you know, he needs, he needs that that

3:04:43.800 --> 3:04:47.800
<v Speaker 3>gathering that I got for him. But yeah, it's funny, man.

3:04:47.800 --> 3:04:50.039
<v Speaker 3>I love being a dad. I love showing up for him.

3:04:50.040 --> 3:04:55.680
<v Speaker 3>I want to have more kids. Yeah yeah, I think

3:04:55.720 --> 3:04:56.640
<v Speaker 3>I think right now.

3:04:56.760 --> 3:04:57.200
<v Speaker 4>Yeah, I think.

3:04:57.240 --> 3:04:59.720
<v Speaker 3>Like the career stuff, yeah yeah, the career stuff is

3:05:00.240 --> 3:05:03.120
<v Speaker 3>not like Nick Cannon. It's like no, no, no, not like that.

3:05:03.200 --> 3:05:07.440
<v Speaker 3>I mean, if you know, if that's the that's whatever

3:05:07.480 --> 3:05:09.760
<v Speaker 3>the vibe is. But it's like the career thing is.

3:05:10.160 --> 3:05:12.760
<v Speaker 3>You know, I've been doing that for a long ass time.

3:05:13.240 --> 3:05:18.240
<v Speaker 3>It's like structure and family and making memories and fucking

3:05:18.800 --> 3:05:21.320
<v Speaker 3>getting the lake house and going out on the boat

3:05:21.360 --> 3:05:23.640
<v Speaker 3>and riding jet skis, Like that's the type of ship

3:05:23.680 --> 3:05:25.720
<v Speaker 3>that I look forward to, Like, you know what I'm saying.

3:05:25.800 --> 3:05:28.480
<v Speaker 4>So I'm setting all that stuff up.

3:05:29.360 --> 3:05:32.320
<v Speaker 1>What God damn it? Man, hell you man, Thank you

3:05:32.400 --> 3:05:35.439
<v Speaker 1>so much man for we wanted to give you your flowers.

3:05:35.480 --> 3:05:38.320
<v Speaker 1>You know, you're a real one. This is for legends,

3:05:38.320 --> 3:05:43.200
<v Speaker 1>this platform, this is for people who been here and

3:05:43.240 --> 3:05:45.680
<v Speaker 1>we think it's going to continue to be here, and

3:05:45.840 --> 3:05:48.280
<v Speaker 1>you are definitely one of them. Since we started this show,

3:05:48.320 --> 3:05:50.920
<v Speaker 1>I've been reaching out to you because you have reaching

3:05:50.959 --> 3:05:56.320
<v Speaker 1>out to you because, uh, I probably never said this, see,

3:05:56.320 --> 3:05:58.360
<v Speaker 1>but you're one of my favorites. You know what I'm saying.

3:05:58.720 --> 3:06:01.680
<v Speaker 1>Because if I'm having a bad time, I could go

3:06:01.720 --> 3:06:05.600
<v Speaker 1>to a whiz playlist and something's gonna come on. It's

3:06:05.640 --> 3:06:08.880
<v Speaker 1>gonna make me either or it's gonna make me happy.

3:06:09.520 --> 3:06:11.080
<v Speaker 1>And that's what's up. You know what I'm saying. That's

3:06:11.080 --> 3:06:14.880
<v Speaker 1>why I fucked with in the beginning, because that's really

3:06:14.920 --> 3:06:18.480
<v Speaker 1>what street people or people from the streets is.

3:06:18.520 --> 3:06:20.199
<v Speaker 3>We're really happy people on the low.

3:06:20.480 --> 3:06:23.600
<v Speaker 1>We just was mad because of our condition, our situation,

3:06:24.160 --> 3:06:26.520
<v Speaker 1>and I've had to give you a flowers. I was

3:06:26.560 --> 3:06:28.680
<v Speaker 1>wanting to give you a flowers and thank you man.

3:06:33.080 --> 3:06:34.879
<v Speaker 1>So you're gonna take two pictures and you do some

3:06:34.959 --> 3:06:35.920
<v Speaker 1>drops and then that's it.

3:06:36.440 --> 3:06:40.279
<v Speaker 2>Drink Champs is a Drink Champs LLC production in association

3:06:40.400 --> 3:06:44.760
<v Speaker 2>with Interval Presents. Hosts and executive producers n O r

3:06:44.840 --> 3:06:49.279
<v Speaker 2>E and dj e f N from Interval Presents executive

3:06:49.280 --> 3:06:51.880
<v Speaker 2>producers Alan Coy and Jake Kleinberg.

3:06:52.560 --> 3:06:53.400
<v Speaker 3>Listen to Drink.

3:06:53.280 --> 3:06:58.440
<v Speaker 2>Champs on Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever

3:06:58.520 --> 3:07:02.040
<v Speaker 2>you get your podcasts. Thanks for joining us for another

3:07:02.080 --> 3:07:04.960
<v Speaker 2>episode of Drink Champs, hosted by Yours Truly, dj e

3:07:05.120 --> 3:07:07.360
<v Speaker 2>f N and n O r E. Please make sure

3:07:07.360 --> 3:07:09.640
<v Speaker 2>to follow us on all our socials That's at drink

3:07:09.720 --> 3:07:14.120
<v Speaker 2>Champs across all platforms, at the Real Noriagon ig at

3:07:14.120 --> 3:07:18.360
<v Speaker 2>Noriega on Twitter, mine is at Who's Crazy on ig at,

3:07:18.480 --> 3:07:21.320
<v Speaker 2>dj e f N on Twitter, and most importantly, stay

3:07:21.360 --> 3:07:24.360
<v Speaker 2>up to date with the latest releases, news and merch

3:07:24.520 --> 3:07:31.760
<v Speaker 2>by going to drink Champs dot com,