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Speaker 1: And this drinks Chests motherfucking podcast makes He's a legends

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Speaker 1: every queens rapper. He's agreed as your boy in.

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Speaker 2: O R He's a Miami hip hop Mayonnaier put up

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Speaker 2: as DJ E f N.

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Speaker 3: Together they drink it up with some.

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Speaker 1: Of the biggest players, you know what I mean.

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Speaker 3: And the most professional unprofessional podcast and your number one

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Speaker 3: source for drunk fast drink chans most.

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Speaker 1: Every day is New Year's e.

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Speaker 3: Listen, it's time for drink Champs. Drink up, mother mother.

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Speaker 3: I wrapped the gang gag?

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Speaker 1: What a good beat? How many swinter ship? This is

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Speaker 1: your boy in O R E? What up is DJ

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Speaker 1: E f N? And this drink Champs japy. I will

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Speaker 1: makes up all right now, right now. When we started

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Speaker 1: this show, I wanted this brother on this show. I've

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Speaker 1: got to see him from one of his first shows

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Speaker 1: in New York to hear. I don't know if you

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Speaker 1: remember the story. We'll get to that later. Hold on,

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Speaker 1: let me get to that later. But I want to

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Speaker 1: show but this brother here. If you put George Clinton,

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Speaker 1: Willie Nelson, Snoop Dogg and put a little bit of

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Speaker 1: the beast voice in there, we'll all feel good. Music

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Speaker 1: This is what this brother would be. He has relentless

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Speaker 1: and I can see him and I've never honestly say,

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Speaker 1: I don't think i've ever seen him mad. I think

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Speaker 1: I actually see he actually enjoys life. He's mad. He's

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Speaker 1: been on a crazy mixtape. Run to all of his accolades,

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Speaker 1: to all of his things and things and things and things,

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Speaker 1: and he.

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Speaker 2: Got all types of clothing lines, Khalifa cushions and all

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Speaker 2: this liquors and liquors.

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Speaker 1: He's an entrepreneur.

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Speaker 3: He's the first Stoner to.

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Speaker 1: Come here on time.

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Speaker 3: Excuse me, he came early.

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Speaker 1: I was still get my hair cuts, like, oh, this

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Speaker 1: is the first time. And when I gave him a fire,

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Speaker 1: he said, because I'm a businessman. Nor In case you

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Speaker 1: don't know who were talking about, we talking about the one,

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Speaker 1: the only motherfucking.

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Speaker 3: What's cracking.

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Speaker 1: Yes, yes, yes, my brother. Thank you for being here.

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Speaker 4: Thank you for having me.

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Speaker 1: One of one of the first shows I believe that

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Speaker 1: you had in New York. I don't know if it

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Speaker 1: was the first show, but I think it was like

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Speaker 1: one of your top five.

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Speaker 3: It was the first show.

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Speaker 1: It was the first show.

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Speaker 3: Do you remember what happened?

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Speaker 4: I do remember you remember what I do?

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Speaker 5: You remember what you called?

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Speaker 3: You called me wiz kayaka. So I'm a kid. I'm like,

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Speaker 3: I'm like still in high school and ship. I was

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Speaker 3: like seventeen years old and this was all hip hop.

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Speaker 4: It was breeding ground.

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Speaker 3: So this was like early blog air day Roseberg, Yeah exactly.

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Speaker 3: So there was only like a couple cast doing blogs

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Speaker 3: and they were covering a couple of dudes and it

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Speaker 3: was me, uh, the cool kids. I think, uh, what

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Speaker 3: was what was knowledge in his dudes group's name? They're

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Speaker 3: from Chicago as well. I forget kids already. Yeah, but

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Speaker 3: it was us and Norri was the was the host.

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Speaker 3: So he was like, you know, everybody loves Nori's legendary.

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Speaker 3: Like you know what I'm saying, we all look up

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Speaker 3: to name it was. It was.

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Speaker 2: It was.

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Speaker 3: The best person to my name. And I feel like

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Speaker 3: you're making up your own words anyway.

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Speaker 4: Yeah, kayak, it means something.

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Speaker 1: That you know what I thought? That's how you pronounced

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Speaker 1: the thing and what is it called?

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Speaker 3: Yeah?

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Speaker 1: The I was close.

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Speaker 3: The birds was not even built back then, but this

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Speaker 3: nigga did it silent. Let me ask you, man.

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Speaker 1: As soon as I you know, I pulled you off

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Speaker 1: One of the craziest things on the internet about you

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Speaker 1: is your feet. Yea, yeah, yeah, on your feet.

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Speaker 3: Yeah yeah, yeah, yeah, yeah yeah yeah, You're.

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Speaker 1: Gonna get a foot deal. I swear to god, he

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Speaker 1: said what a foot deal? Like you ever seen Seinfeld

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Speaker 1: with he became a hand model. Like for some.

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Speaker 3: Reason, I have been getting tons of offers from like

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Speaker 3: people to do foot products and and uh.

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Speaker 4: Sketch Snooper shout out to Snoop.

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Speaker 3: He doing sketches, but like more like moisturizing creams and

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Speaker 3: things that will lock the moisture in because I really

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Speaker 3: don't have bad feet, they just dry.

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Speaker 4: Yeah, I've been working.

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Speaker 3: On it like like a lot. Yeah, like a lot

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Speaker 3: of people, they don't take that type of criticism and

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Speaker 3: do anything about it. Like me, I've been lotioning my

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Speaker 3: feet every day. I went and got a yeah, you

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Speaker 3: know what I'm saying. So I'm trying to get it right.

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Speaker 1: But I feel like I feel like you're one of

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Speaker 1: the people that you always feel good energy like and

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Speaker 1: to me, you know, in this game of hip hop,

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Speaker 1: you know, so many people they get bitter, you know,

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Speaker 1: after a while, whether they're successful or not or and

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Speaker 1: I just feel like you always as good energy. Yeah,

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Speaker 1: how do you develop that type of aura?

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Speaker 4: You kind of just got to take everything and roll

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Speaker 4: with it.

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Speaker 3: And I just reached certain points in my life where

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Speaker 3: like looking cool isn't the object, you know.

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Speaker 4: I just love to make music.

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Speaker 3: I love to take care of my family, I love

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Speaker 3: to entertain my fans, and as long as I'm doing that,

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Speaker 3: I'm pretty happy. The other stuff it doesn't really bother

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Speaker 3: me because that's not my That's not what I wake

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Speaker 3: up and do this for.

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Speaker 4: Yeah, yep.

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Speaker 3: And then like the bitterness, I think that comes with

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Speaker 3: like bad relationships or things when you take it personal.

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Speaker 3: And there's a lot that goes on in this industry

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Speaker 3: that could make you bitter, but you have a choice

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Speaker 3: whether you want to react.

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Speaker 1: To it or not.

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Speaker 4: So I just don't let that type of stuff FaZe me.

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Speaker 1: Man.

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Speaker 3: I just base my relationships off of different things, and

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Speaker 3: that's how I'm able to move.

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Speaker 1: Yeah, collaboration with a porn star.

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Speaker 3: Yeah, yeah, me and Khalifa, man like one of the

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Speaker 3: biggest she's an ex porn star actually, Yeah, so she

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Speaker 3: came into the game. That's kind of like how people

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Speaker 3: notice her. But she's been able to pivot and do

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Speaker 3: a lot of other things. I think she still has

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Speaker 3: the only fans though, Like, but I don't know if

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Speaker 3: it's straight hard court shit. Nah, she's doing we're doing

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Speaker 3: Khalifa Cush together. Yeah, so me having the Khalifa Cush brand,

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Speaker 3: shout out to Berner.

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Speaker 4: I built this, this whole brand with him. It took

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Speaker 4: us ten years.

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Speaker 3: And now we've been all over the United States, we're

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Speaker 3: going overseas and we're we're we're branching out and we're

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Speaker 3: doing celebrity endorsement deals as well. She's the first one.

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Speaker 1: And that's under Khalifakush and Kalifa Cush is under Cookies.

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Speaker 4: No, Khalifa Cush is his own.

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Speaker 1: Yeah.

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Speaker 3: Yeah, but we come from the same cloth though, like

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Speaker 3: the same cuts that Berner gets his trees from. That's

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Speaker 3: the same you know, tender and care that we're putting

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Speaker 3: into the Khalifa push product. So anything that comes out

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Speaker 3: under Khalifa Cush, whether it's me, Mia Khalifa or any

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Speaker 3: other artists that we endorsed at the time, it's going

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Speaker 3: to be a really really uh you know, up to

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Speaker 3: brand product.

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Speaker 1: So it's around a little bit. I remember I think

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Speaker 1: the first time I heard Todds out of Science was

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Speaker 1: was with you?

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Speaker 3: Yeah, it's signs still with Taylor Gang. Yeah, Ti is

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Speaker 3: always gonna be Taylor Gang. We started out managing him.

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Speaker 3: A lot of people don't know that Taylor Gang is

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Speaker 3: a label and a management company. So a lot of

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Speaker 3: those first moves that you were seeing in his career

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Speaker 3: were from you know, me and Will managing his career

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Speaker 3: and putting him on tour and you know, just getting

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Speaker 3: him out there, like basically using the same stuff that

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Speaker 3: we were able to to to accumulate. But he was

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Speaker 3: already there as well. He already knew a lot of

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Speaker 3: radio people, already knew a lot of writers and producers.

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Speaker 3: It just took a little extra push and just having

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Speaker 3: the platform that I had, we were able to use

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Speaker 3: that through Taylor Gang.

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Speaker 4: And you know, tis a legend.

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Speaker 3: He was always meant to be who he is, and

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Speaker 3: we were just able to, you know, push it a

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Speaker 3: little bit faster.

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Speaker 1: Right let me so let me ask you, right because

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Speaker 1: you know, coming from Pennsylvania, right, yeah, and then everywhere

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Speaker 1: the nomes city is Philly, it's Philly. Yeah, how was

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Speaker 1: it harder for you for being from Pittsburgh? And how

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Speaker 1: was it did you have to navigate because like I know,

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Speaker 1: like uh, like like you know, people from you know,

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Speaker 1: sometimes they have to go to New York. Yeah, was

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Speaker 1: there something like like that you had to skip over

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Speaker 1: Philadelphia and go to New.

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Speaker 2: York or anybody any legends you looked up to that

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Speaker 2: work that came up.

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Speaker 3: Yeah. I mean it's a long story about Pittsburgh because

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Speaker 3: we were really influential in the early nineties West Coast

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Speaker 3: Sound with like Sam Snead and like uh Mailman and

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Speaker 3: those are people who work really close with Hug and

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Speaker 3: Dre and Snoop and like really pioneered that sound, but

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Speaker 3: they just weren't in front of everybody. So we always

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Speaker 3: had like that yeah it is, that's the good stuff.

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Speaker 3: So we always had like a direction that we wanted

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Speaker 3: to go in. We just never had anybody to like

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Speaker 3: wave that flag for us. And just being from pa

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Speaker 3: in general, I think it's really difficult for a lot

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Speaker 3: of artists, even from Philly, you know, to get noticed

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Speaker 3: or to get looked at and be like these guys

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Speaker 3: are original or have their own sound.

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Speaker 4: And I think anywhere you have to really leave and.

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Speaker 3: Become bigger somewhere else for your city to kind of

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Speaker 3: look at you as somebody. I feel like, even if

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Speaker 3: you're in New York, like, nobody's gonna call you your rap name,

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Speaker 3: They're gonna call you who they know you from the block,

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Speaker 3: you know what I'm saying. So yeah, exactly, So at

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Speaker 3: the end of the day, you have to make yourself

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Speaker 3: somebody and then come back home.

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Speaker 4: And it was the same thing with Pittsburgh.

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Speaker 3: It was it was a lot of grinding and being

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Speaker 3: a teenager, being somebody who is just trying to find

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Speaker 3: myself as a young adult and you know, make music

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Speaker 3: that was appropriate to who I was and that translated

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Speaker 3: to other people that were doing different things. It took

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Speaker 3: a minute, you know what I'm saying, but it was

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Speaker 3: worth it. And I love Pittsburgh.

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Speaker 2: There's a lot of dope barties out there.

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Speaker 3: Man, It's a crazy scenes from the beginning all the

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Speaker 3: way till now. Like we have a lot of talent

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Speaker 3: out there when it comes to uh, producers, musicians, artists, cameramen, designers.

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Speaker 3: It's such an artistic city. Brons, Nah, I don't it's

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Speaker 3: so cold. And so what was it from the moment?

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Speaker 1: Like because to me, you're a rockstar, right like, like

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Speaker 1: I mean you transitioned just being a hip hop artist,

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Speaker 1: just being a stoner like you're you're if not, I

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Speaker 1: think you already you're a superstar, right, but it started

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Speaker 1: for being a rock star. At what point did you

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Speaker 1: see yourself transitioning in hip hop? Like you know what

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Speaker 1: I say, being I don't want to say you're bigger

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Speaker 1: than hip hop, but you know, like feeling like my

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Speaker 1: audience isn't just hi, you know what I mean?

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Speaker 3: I feel like I have my own like subculture of

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Speaker 3: hip hop. It's like alternative rap whereas rap, but it's

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Speaker 3: not like hardcore shit, you know what I'm saying, a

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Speaker 3: lot of people like to say crossover or mainstream.

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Speaker 4: But that was always my goal to make big songs.

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Speaker 3: You know. I never wanted to just be underground or

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Speaker 3: just be a nigga who is just known around the way,

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Speaker 3: Like I wanted to appeal to world wide crowds. And

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Speaker 3: that's how I write my music, that's how I structure it,

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Speaker 3: and just you know, my knowledge about music, it goes

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Speaker 3: beyond just hip hop, and that's why it translates the

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Speaker 3: way that it does. But I think for me, it's

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Speaker 3: more just the attitude than anything. Because you have to

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Speaker 3: have the knowledge, and you have to understand music and

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Speaker 3: how to appeal to people and who you want to

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Speaker 3: appeal to. But also you have to have a certain

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Speaker 3: way about yourself that you present it.

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Speaker 4: And pretty much I be sometimes I'm.

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Speaker 3: The only one who cares about my opinion, you know

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Speaker 3: what I'm saying, But like, I don't give a fucking.

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Speaker 1: You in the studio and you're the only one who

249
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Speaker 1: likes this vibe and you still go with.

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Speaker 3: Just in general about how I want to dress, about

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Speaker 3: how I want to talk about, yeah, just being different,

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Speaker 3: just how I live my life. Like I'm the only

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Speaker 3: one who agrees with me a lot of the times.

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Speaker 3: But that's I feel like that's the rock star energy

255
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Speaker 3: is just not giving a fuck and doing what you

256
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Speaker 3: want to do and presenting that to people and making

257
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Speaker 3: people love you for who you are. And I do

258
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Speaker 3: it in a safe way. I'm not dangerous, I'm not

259
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Speaker 3: hurting anybody. I'm not trying to hurt myself, So you know,

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Speaker 3: I always just conducted myself with this confidence and this

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Speaker 3: care for myself.

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Speaker 1: Yeah, it was the first deal you had with Warner.

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Speaker 4: Yeah, the first till I was with Warner, I was.

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Speaker 2: The rep and I was he actually was a young

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Speaker 2: guy saying the street team and we worked. It felt

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Speaker 2: in the beginning, if I remember corrected, I might you know,

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Speaker 2: might not, but it felt like in the beginning, Warner

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Speaker 2: didn't know how to how.

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Speaker 3: To work your record of market. At that time, the

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Speaker 3: music business was really like just they didn't know what

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Speaker 3: to do. I think like Little Scrappy was the biggest

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Speaker 3: artist at Warner at that time, and that's because Trelville

273
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Speaker 3: was popping off and they had Jay Rock, you know

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Speaker 3: what I mean, and Kendrick was under j Rock. So

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Speaker 3: they didn't know what was going on with who or

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Speaker 3: who was going to be where in ten years. You

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Speaker 3: did what I'm saying, and it was up to us

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Speaker 3: as the artist to like pave that way for them.

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Speaker 3: And yeah, you're right, they didn't know what to do

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Speaker 3: with me. But I had a song that like appealed

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Speaker 3: to the radio. It was called say Yeah and it

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Speaker 3: was over Alice DJ Semple, and they never heard nothing

283
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Speaker 3: like that at that time. They were like, who is

284
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Speaker 3: this kid you know, mixing like you know, wrap with techno,

285
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Speaker 3: Like they never heard that. So they put of course,

286
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Speaker 3: they put me in the studio and try to make

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Speaker 3: get me to make thirty songs like that, but I'm

288
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Speaker 3: talking about smoking weed and riding around with my homeboys

289
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Speaker 3: and hanging with girls, and they're like, what the fuck

290
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Speaker 3: is this?

291
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Speaker 4: Like you know what I mean, where's the techno at?

292
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Speaker 4: So it didn't work out.

293
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Speaker 2: Because it felt like because going back to that blog era, Yeah,

294
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Speaker 2: it felt like the traditional marketing style that was being

295
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Speaker 2: done from the majors wasn't working. And it felt like

296
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Speaker 2: you and that whole generation yeah, found your own lane.

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Speaker 1: Yeah, and you made it work.

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Speaker 3: Yeah. It was just more going on than what the

299
00:13:38,400 --> 00:13:40,960
Speaker 3: labels were like showing people. You know, they were just

300
00:13:41,000 --> 00:13:45,319
Speaker 3: trying to polish it and kind of get the best

301
00:13:45,320 --> 00:13:47,120
Speaker 3: of that, but they weren't trying to get everything that

302
00:13:47,320 --> 00:13:49,559
Speaker 3: was put into that to get to that point.

303
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Speaker 4: And that's what I was showing everybody.

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Speaker 1: Man, I think artists even need labels at this point.

305
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Speaker 3: Hell no, if you're artist. Hell yeah, if you're an artist,

306
00:13:59,840 --> 00:14:01,360
Speaker 3: you are your own label, like you.

307
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Speaker 1: Because you know, you know what's crazy about Like, obviously

308
00:14:05,520 --> 00:14:09,360
Speaker 1: I'll come before you, but your generation still people will

309
00:14:09,360 --> 00:14:13,520
Speaker 1: get discovered. Right this generation is already building their fan base.

310
00:14:14,000 --> 00:14:17,200
Speaker 1: They already have a fan base. They have five thousand spins,

311
00:14:17,520 --> 00:14:19,880
Speaker 1: it might be five thousand different people. They are already

312
00:14:19,880 --> 00:14:22,760
Speaker 1: build on their fan base, So I always wonder. But

313
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Speaker 1: then you'll see an artist, you know, get some popularity,

314
00:14:26,640 --> 00:14:28,720
Speaker 1: and then they'll still go and they'll sign. Why do

315
00:14:28,800 --> 00:14:30,960
Speaker 1: you think it is that there are good labels out there?

316
00:14:31,000 --> 00:14:34,040
Speaker 1: There are that take care of the artists, that nurture

317
00:14:34,080 --> 00:14:37,360
Speaker 1: their artists, that you know, promote them and you know,

318
00:14:37,680 --> 00:14:40,520
Speaker 1: make them a priority. But that's just a certain game

319
00:14:40,640 --> 00:14:42,480
Speaker 1: that you have to play, and if you don't want

320
00:14:42,520 --> 00:14:43,880
Speaker 1: to play that game, you don't have to.

321
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Speaker 4: And I think a.

322
00:14:45,640 --> 00:14:48,120
Speaker 3: Lot of the artists sign because they don't know what

323
00:14:48,120 --> 00:14:50,520
Speaker 3: they're signing up for. I think you should be fully

324
00:14:50,560 --> 00:14:53,320
Speaker 3: aware of what you're getting yourself into and then sign

325
00:14:53,360 --> 00:14:57,080
Speaker 3: the paperwork. Like, don't sign it thinking that you're gonna

326
00:14:57,080 --> 00:15:00,160
Speaker 3: get a Rolls Royce and you're gonna fly private and

327
00:15:00,400 --> 00:15:02,040
Speaker 3: you know what I'm saying, Like, that's not what you

328
00:15:02,120 --> 00:15:02,800
Speaker 3: get into it for.

329
00:15:02,840 --> 00:15:05,800
Speaker 4: It's a career. It's like signing to a basketball team.

330
00:15:05,840 --> 00:15:07,680
Speaker 3: So you have to put in work and you have

331
00:15:07,760 --> 00:15:10,320
Speaker 3: to do other things along with that to make it

332
00:15:10,480 --> 00:15:13,200
Speaker 3: freaking lucrative, you know what I mean. So it's like

333
00:15:13,280 --> 00:15:15,000
Speaker 3: it's all a part of what game you want to play.

334
00:15:15,040 --> 00:15:16,880
Speaker 3: But to succeed, No, you don't need.

335
00:15:16,760 --> 00:15:21,600
Speaker 1: That right No, Like like right now being EFN, it's

336
00:15:22,680 --> 00:15:26,360
Speaker 1: opening a distribution for podcast and our contracts are like

337
00:15:26,400 --> 00:15:29,360
Speaker 1: two pages. It's not no complicated ship. It's like, if

338
00:15:29,400 --> 00:15:30,920
Speaker 1: you want to be here, you be with us. You

339
00:15:30,920 --> 00:15:33,480
Speaker 1: don't want to be I feel like record labels, if

340
00:15:33,520 --> 00:15:36,200
Speaker 1: you signed to a label, it should be that. It

341
00:15:36,200 --> 00:15:38,480
Speaker 1: shouldn't be that complicated.

342
00:15:38,000 --> 00:15:40,560
Speaker 3: Now it should be especially with all the niggas who's

343
00:15:40,600 --> 00:15:43,960
Speaker 3: going to jail these days and the niggas on drugs,

344
00:15:43,960 --> 00:15:46,000
Speaker 3: So you got to have life insurance.

345
00:15:45,560 --> 00:15:46,400
Speaker 1: For a nigga.

346
00:15:46,520 --> 00:15:48,920
Speaker 3: You're making an investment, so like you know what I'm saying,

347
00:15:48,920 --> 00:15:50,920
Speaker 3: you got a lot. It's like it's like a car,

348
00:15:51,080 --> 00:15:52,920
Speaker 3: Like you know what I'm saying, The car is a

349
00:15:52,960 --> 00:15:54,280
Speaker 3: lifetime contract.

350
00:15:54,440 --> 00:16:00,280
Speaker 1: But there's people who have life and like like I'm

351
00:16:00,280 --> 00:16:03,240
Speaker 1: sorry to sound like the old day we signed, there

352
00:16:03,320 --> 00:16:07,840
Speaker 1: was no digital in my contract. It never existed because

353
00:16:07,880 --> 00:16:10,800
Speaker 1: of in the universe. They said, the universe, Yeah what

354
00:16:10,880 --> 00:16:11,160
Speaker 1: is the core?

355
00:16:11,200 --> 00:16:17,920
Speaker 3: Pppectn't know? Yeah, yeah, no, I mean at the end

356
00:16:17,960 --> 00:16:19,240
Speaker 3: of the day, like you just got to know what

357
00:16:19,280 --> 00:16:21,920
Speaker 3: you sign them up for like you can own certain

358
00:16:21,920 --> 00:16:24,040
Speaker 3: ship and then you can break bread on certain ship

359
00:16:24,120 --> 00:16:26,080
Speaker 3: for a certain amount of time as well. You just

360
00:16:26,080 --> 00:16:28,400
Speaker 3: work it out into your favor and then just like

361
00:16:28,440 --> 00:16:31,760
Speaker 3: you said, these days it's more depending on the artists.

362
00:16:31,800 --> 00:16:33,840
Speaker 3: So the more you walk in there with, if you

363
00:16:33,880 --> 00:16:35,680
Speaker 3: have a fan base and things like that, the more

364
00:16:35,760 --> 00:16:38,600
Speaker 3: leverage you had to say just what I want to

365
00:16:38,640 --> 00:16:41,440
Speaker 3: do for how long? So that's my advice for anybody

366
00:16:41,560 --> 00:16:43,520
Speaker 3: is to just build up your leverage. So when you

367
00:16:43,560 --> 00:16:47,320
Speaker 3: do actually, you know, start taking those meetings or considering it,

368
00:16:47,400 --> 00:16:50,040
Speaker 3: you know you're you're in a good place and so

369
00:16:50,120 --> 00:16:53,400
Speaker 3: you can level up. Take a yeah, no, no doubt,

370
00:16:53,440 --> 00:16:54,040
Speaker 3: thank you brother.

371
00:16:55,320 --> 00:16:56,440
Speaker 1: Do you know you a legend?

372
00:16:56,600 --> 00:16:56,800
Speaker 4: Yes?

373
00:16:56,880 --> 00:16:57,080
Speaker 3: I do.

374
00:16:57,200 --> 00:17:03,680
Speaker 1: Okay, I love that.

375
00:16:59,360 --> 00:17:05,879
Speaker 2: That's you know, that's that's your button.

376
00:17:05,920 --> 00:17:13,439
Speaker 3: There. I feel like I could do Bay. There's Rosie,

377
00:17:14,880 --> 00:17:15,800
Speaker 3: there's like flowers.

378
00:17:17,200 --> 00:17:23,920
Speaker 2: Mm hm, oh my god.

379
00:17:23,040 --> 00:17:23,280
Speaker 1: This is.

380
00:17:24,800 --> 00:17:28,600
Speaker 3: Good week. Sure you hate it hated to a temperature

381
00:17:28,680 --> 00:17:31,119
Speaker 3: that turns it from not not into smoke, but in

382
00:17:31,160 --> 00:17:31,639
Speaker 3: a vapor.

383
00:17:32,600 --> 00:17:35,040
Speaker 4: So it's not smoke, it's not harsh, it's not bothering you.

384
00:17:35,080 --> 00:17:35,919
Speaker 3: It's just vapor.

385
00:17:36,520 --> 00:17:40,680
Speaker 1: That's right. Type of commercials out doesn't want to killing it.

386
00:17:42,160 --> 00:17:45,680
Speaker 4: This thing is dope. Look at your technology rare. The

387
00:17:45,800 --> 00:17:46,480
Speaker 4: ain't no coal?

388
00:17:48,359 --> 00:17:57,359
Speaker 1: Yeah, because just what does that do?

389
00:17:58,359 --> 00:18:01,560
Speaker 3: Rady tidy lefty lucy mine ain't going. I gotta lotion

390
00:18:01,680 --> 00:18:05,439
Speaker 3: on my hands. Here we go, here we go. Okay,

391
00:18:05,520 --> 00:18:07,280
Speaker 3: so it's gotta be on them. Yeah.

392
00:18:07,400 --> 00:18:08,560
Speaker 4: I see the different modes.

393
00:18:10,080 --> 00:18:10,399
Speaker 3: Damn.

394
00:18:10,560 --> 00:18:12,800
Speaker 1: So it's different, different mode.

395
00:18:12,920 --> 00:18:14,480
Speaker 3: Yeah, hold on more.

396
00:18:15,160 --> 00:18:17,520
Speaker 4: This one is this one off because of up.

397
00:18:19,400 --> 00:18:20,800
Speaker 3: Here's the triple one.

398
00:18:21,359 --> 00:18:22,040
Speaker 4: One is the one?

399
00:18:23,080 --> 00:18:23,720
Speaker 6: Come on, come through?

400
00:18:23,880 --> 00:18:24,680
Speaker 3: Yes, all.

401
00:18:26,760 --> 00:18:28,480
Speaker 1: Like he's from the company right here.

402
00:18:28,200 --> 00:18:31,240
Speaker 3: I got it, I found it. Three is the that's

403
00:18:31,280 --> 00:18:34,240
Speaker 3: the one. All right. I almost turn that the drive. No,

404
00:18:36,200 --> 00:18:38,480
Speaker 3: you want to finish?

405
00:18:38,960 --> 00:18:41,840
Speaker 1: Three is the hardest three more smoke?

406
00:18:42,359 --> 00:18:47,040
Speaker 3: All right, man, you got the cartridges. You can show

407
00:18:47,119 --> 00:18:47,640
Speaker 3: me over.

408
00:18:48,200 --> 00:18:49,159
Speaker 1: Showing the cartridges.

409
00:18:50,400 --> 00:18:51,040
Speaker 4: That's official.

410
00:18:51,160 --> 00:18:53,280
Speaker 1: But whiz. We want you to know to take this

411
00:18:53,320 --> 00:18:58,320
Speaker 1: with me, okay. We want you to know about giving

412
00:18:58,320 --> 00:18:59,760
Speaker 1: people they fly while they live.

413
00:19:00,200 --> 00:19:01,679
Speaker 3: You want to literally give you your flowers?

414
00:19:02,040 --> 00:19:12,280
Speaker 1: Thank you said, it's like a Grammy. It's beautiful. Yes, makes.

415
00:19:14,359 --> 00:19:18,200
Speaker 4: Where this is going? Exactly where I'm now.

416
00:19:18,200 --> 00:19:21,000
Speaker 1: Another thing about how hearing your music I've been I

417
00:19:21,040 --> 00:19:25,080
Speaker 1: was running through it. We mentioned it watches a lot man.

418
00:19:25,240 --> 00:19:27,120
Speaker 1: Yeah your watch guy.

419
00:19:27,240 --> 00:19:30,920
Speaker 3: Yeah I was it was Yes, I slowed down since

420
00:19:30,960 --> 00:19:37,240
Speaker 3: I had a kid. Yeah, yeah, yeah.

421
00:19:36,320 --> 00:19:36,600
Speaker 1: I had it.

422
00:19:36,640 --> 00:19:38,359
Speaker 3: I had him bought the watch in a minute. Actually,

423
00:19:38,359 --> 00:19:40,560
Speaker 3: Bernard brought me this watch. This was a gift man.

424
00:19:40,560 --> 00:19:42,119
Speaker 3: He just popped up at my house one day. He

425
00:19:42,240 --> 00:19:44,639
Speaker 3: was like, you know, thanks for being a good friend.

426
00:19:45,119 --> 00:19:47,840
Speaker 3: You've been a real good friend. It's like you you

427
00:19:47,840 --> 00:19:50,399
Speaker 3: you you walked into my life at a real important time.

428
00:19:50,480 --> 00:19:51,960
Speaker 3: He was like, I just want to show you how

429
00:19:52,040 --> 00:19:54,440
Speaker 3: much I appreciate you gave me a bust down.

430
00:19:54,440 --> 00:19:58,160
Speaker 1: God damn make a shot. Shout out that man.

431
00:19:58,280 --> 00:19:59,040
Speaker 3: Shout out that b.

432
00:19:59,280 --> 00:20:01,560
Speaker 1: I got an upgrade my friends. Man, Yes, step it

433
00:20:01,680 --> 00:20:03,320
Speaker 1: boy on the cover of the Forbes Man.

434
00:20:03,440 --> 00:20:06,840
Speaker 3: Yeah, it's a good friend. Shout out.

435
00:20:07,040 --> 00:20:09,119
Speaker 2: He got that with the four twenty bucks and the

436
00:20:09,119 --> 00:20:11,400
Speaker 2: first thing that pops up is drink Champs.

437
00:20:11,400 --> 00:20:15,760
Speaker 3: Oh yeah, you've he be showing going to the lake house.

438
00:20:15,800 --> 00:20:16,879
Speaker 3: B I'll see you in a second.

439
00:20:16,880 --> 00:20:17,160
Speaker 4: Brother.

440
00:20:18,240 --> 00:20:20,440
Speaker 1: You ever thought I noticed a kind of a cliche.

441
00:20:20,560 --> 00:20:24,280
Speaker 1: But you know, back then, people would be locked up

442
00:20:24,640 --> 00:20:28,080
Speaker 1: for touching. Yeah, any type of bud, like totally. I

443
00:20:28,160 --> 00:20:31,960
Speaker 1: remember one time in my hood I threw the joint away.

444
00:20:32,280 --> 00:20:35,119
Speaker 1: The ship blew away, and the police still arrested me.

445
00:20:35,760 --> 00:20:38,320
Speaker 1: I saw you smoking. I was like, there was no evidence.

446
00:20:38,359 --> 00:20:40,920
Speaker 1: I mean, like it, this is fucked up. And now

447
00:20:41,080 --> 00:20:44,240
Speaker 1: in New York City you can smoke right in front

448
00:20:44,240 --> 00:20:46,200
Speaker 1: of the police. Ever thought this day would happen?

449
00:20:46,240 --> 00:20:50,359
Speaker 3: No, I did it. I mean, actually I did, but

450
00:20:50,440 --> 00:20:52,280
Speaker 3: I didn't think it was reality, like I thought.

451
00:20:52,280 --> 00:20:54,040
Speaker 4: I was just thinking some crazy ship like you.

452
00:20:54,080 --> 00:20:56,000
Speaker 1: Doing Amsterdam would just be Amsterdam and that's it.

453
00:20:56,160 --> 00:20:57,919
Speaker 3: I mean even over there, you had to go and

454
00:20:57,960 --> 00:21:00,600
Speaker 3: the smoke shots, like you couldn't just smoke on the street,

455
00:21:00,680 --> 00:21:04,280
Speaker 3: like that ship is recreational, like you can just smoke.

456
00:21:04,359 --> 00:21:07,399
Speaker 3: But and they're removing it from pissed tests. They're not

457
00:21:07,480 --> 00:21:10,880
Speaker 3: drug testing people from marijuana. They they left it out

458
00:21:10,880 --> 00:21:14,160
Speaker 3: of the NBA. They do it for like for all approbation,

459
00:21:14,240 --> 00:21:16,200
Speaker 3: and people like what the hell? You know what I mean,

460
00:21:16,240 --> 00:21:18,239
Speaker 3: people like smoke a little weed in it going back

461
00:21:18,280 --> 00:21:20,480
Speaker 3: to jail man, that's amazing.

462
00:21:20,520 --> 00:21:22,040
Speaker 1: There's a lot of motherfuckers I know, need to smokes

463
00:21:22,040 --> 00:21:22,320
Speaker 1: the weed.

464
00:21:22,440 --> 00:21:24,480
Speaker 3: Yeah yeah, just smoke a little, just smoke a little.

465
00:21:24,480 --> 00:21:25,440
Speaker 3: But you deserve to be.

466
00:21:25,400 --> 00:21:28,359
Speaker 1: On the streets, you.

467
00:21:26,520 --> 00:21:30,600
Speaker 4: Need you need to be in jail. I'm very happy

468
00:21:30,600 --> 00:21:32,960
Speaker 4: about that, and uh yeah, I think a lot of people.

469
00:21:32,800 --> 00:21:33,800
Speaker 3: Are gonna benefit from it.

470
00:21:34,280 --> 00:21:39,840
Speaker 1: Right now, you said that you're overseas with the Khalifa cut. Yes,

471
00:21:40,000 --> 00:21:42,720
Speaker 1: so we're in Amsterdam now or you've been in Amsterdam.

472
00:21:42,960 --> 00:21:46,280
Speaker 4: We're in Amsterdam, We're going to Thailand. We're Germany.

473
00:21:46,680 --> 00:21:48,880
Speaker 3: Okay, yeah, those are a few places the UK.

474
00:21:49,080 --> 00:21:50,120
Speaker 1: You know what part of Germany?

475
00:21:50,480 --> 00:21:51,600
Speaker 4: No, just the whole country.

476
00:21:51,640 --> 00:21:55,720
Speaker 1: Dog, just Germany, Germany.

477
00:21:55,760 --> 00:21:59,720
Speaker 3: German weed. Bro. It's like saying we do mushrooms over there,

478
00:21:59,760 --> 00:22:03,760
Speaker 3: too much of it. You got the psychedelic mushrooms over here?

479
00:22:04,440 --> 00:22:06,800
Speaker 3: You got some chocolates, all right, let's get it well

480
00:22:07,000 --> 00:22:12,480
Speaker 3: off camera, because you know, I feel those are crazy.

481
00:22:12,560 --> 00:22:16,680
Speaker 3: Where the fun did you get them from? That's that, Eric, Bro,

482
00:22:16,960 --> 00:22:18,360
Speaker 3: there's a home and that. I had some of them

483
00:22:18,520 --> 00:22:21,800
Speaker 3: at Coachella one time. I was just laying down on

484
00:22:21,840 --> 00:22:22,320
Speaker 3: the ground.

485
00:22:22,320 --> 00:22:23,679
Speaker 1: Bro, I'm gonna do champage.

486
00:22:23,720 --> 00:22:25,159
Speaker 2: Yeah Realax, Borys, I don't want you to lay down

487
00:22:25,160 --> 00:22:25,840
Speaker 2: on the ground right now.

488
00:22:27,000 --> 00:22:28,919
Speaker 3: We all just that's what you lay down and do

489
00:22:29,000 --> 00:22:31,800
Speaker 3: the podcast, bro, just like Marvin get.

490
00:22:35,520 --> 00:22:37,439
Speaker 1: Do you take a big piece like that? Oh no?

491
00:22:38,119 --> 00:22:39,400
Speaker 1: Talking about yeah.

492
00:22:39,240 --> 00:22:42,800
Speaker 3: Yeah, no, THEMN ship. So have you fucked up right there? Yes,

493
00:22:42,880 --> 00:22:47,200
Speaker 3: there's a whole eighth in there. That's that's a that's

494
00:22:47,200 --> 00:22:47,600
Speaker 3: an eighth.

495
00:22:47,760 --> 00:22:52,840
Speaker 6: Whoa, it's not people seven?

496
00:22:53,560 --> 00:22:57,480
Speaker 4: Yes, okay, okay, okay.

497
00:22:57,960 --> 00:23:00,800
Speaker 3: The one I had had yeah, the one I had

498
00:23:01,000 --> 00:23:03,520
Speaker 3: was was the whole eighth and just that little ass chocolate.

499
00:23:03,800 --> 00:23:05,000
Speaker 4: Uh yeah.

500
00:23:05,000 --> 00:23:07,959
Speaker 3: I felt like I was on a roller coaster. All right,

501
00:23:08,040 --> 00:23:11,560
Speaker 3: he's your real friend or your brother, like whatever it is.

502
00:23:12,320 --> 00:23:13,119
Speaker 3: He likes you.

503
00:23:14,600 --> 00:23:16,800
Speaker 1: But I felt I felt prepare. Pressure with Mike Tyson

504
00:23:17,040 --> 00:23:22,040
Speaker 1: was to ship.

505
00:23:22,119 --> 00:23:28,760
Speaker 3: He gave you arooms chocolate, but I love Mike Tysons.

506
00:23:27,280 --> 00:23:32,440
Speaker 2: Raw like that, give it the chocolate ones. But it

507
00:23:32,520 --> 00:23:34,240
Speaker 2: was a life podcast in front of an audience.

508
00:23:34,240 --> 00:23:36,399
Speaker 1: But by the way, he wasn't aggressive at all, but

509
00:23:36,680 --> 00:23:38,840
Speaker 1: in my mind he was like yeah, And I was like,

510
00:23:38,840 --> 00:23:39,280
Speaker 1: all right.

511
00:23:39,200 --> 00:23:41,560
Speaker 3: I feel aggress this ship.

512
00:23:43,280 --> 00:23:47,280
Speaker 1: Mikes, Like, you never know, was this your first time

513
00:23:47,320 --> 00:23:49,880
Speaker 1: meeting Mike Tyson? You just did a show I met

514
00:23:49,920 --> 00:23:53,760
Speaker 1: him before, so and you you met you met STONA

515
00:23:53,840 --> 00:23:57,000
Speaker 1: Tyson because it's a different version where he didn't get stone.

516
00:23:56,800 --> 00:23:58,120
Speaker 4: Him and I did.

517
00:23:57,880 --> 00:23:58,119
Speaker 1: I did.

518
00:23:58,200 --> 00:23:59,680
Speaker 4: I met him when he wasn't getting thrown. He was

519
00:23:59,680 --> 00:24:00,399
Speaker 4: always nice to me.

520
00:24:00,960 --> 00:24:02,080
Speaker 3: He's a cool dude.

521
00:24:02,080 --> 00:24:04,040
Speaker 1: It's a cool dude. But this is he just this

522
00:24:04,160 --> 00:24:04,720
Speaker 1: version of Mi.

523
00:24:04,920 --> 00:24:06,560
Speaker 3: He just seemed like one of them dudes like, don't

524
00:24:06,560 --> 00:24:09,639
Speaker 3: funk with the type dudes, you know, don't play with

525
00:24:10,200 --> 00:24:10,719
Speaker 3: you know what I mean?

526
00:24:10,760 --> 00:24:12,960
Speaker 4: All that playing around and ship like some niggas don't

527
00:24:12,960 --> 00:24:13,480
Speaker 4: like that ship.

528
00:24:13,600 --> 00:24:15,600
Speaker 1: I remember, it's funny as hell. You fan gave him

529
00:24:15,600 --> 00:24:18,280
Speaker 1: a smoke Chaps joint. He took the Smoke Champs joint

530
00:24:18,280 --> 00:24:20,720
Speaker 1: out just getting back to you held it.

531
00:24:20,760 --> 00:24:30,280
Speaker 4: I was like, he loves weeds. He's all about that weed.

532
00:24:30,800 --> 00:24:35,800
Speaker 1: And you did you also just play George playing Where

533
00:24:35,800 --> 00:24:37,200
Speaker 1: did you play it back? Uh.

534
00:24:37,240 --> 00:24:39,360
Speaker 3: It's this movie called Spinning Gold that just came out.

535
00:24:39,359 --> 00:24:42,600
Speaker 3: It's in theaters. It's about the story of Cosablanca Records,

536
00:24:43,359 --> 00:24:46,359
Speaker 3: Neil and all the homies who started up this record

537
00:24:46,400 --> 00:24:50,439
Speaker 3: label that hosted a bunch of legendary acts kiss the

538
00:24:50,480 --> 00:24:58,000
Speaker 3: Isley Brothers, Uh Funkadelic Parliament, Uh Freaking Donna, Summer Village,

539
00:24:58,000 --> 00:25:00,800
Speaker 3: people like they just had the disco air on lock

540
00:25:01,359 --> 00:25:03,959
Speaker 3: and yeah, it just kind of describes their whole story

541
00:25:03,960 --> 00:25:06,720
Speaker 3: and their rise and you know, uh in the music

542
00:25:06,760 --> 00:25:09,159
Speaker 3: industry and what effect they had and the stories that

543
00:25:09,240 --> 00:25:11,680
Speaker 3: go along with that. And I played George Clinton. That's

544
00:25:12,359 --> 00:25:16,320
Speaker 3: it's coolest. Hell his grandkids was on the on the set, yeah,

545
00:25:16,400 --> 00:25:18,359
Speaker 3: with us. They were actually in the band. So it

546
00:25:18,440 --> 00:25:20,119
Speaker 3: was really cool man. It was it was like you

547
00:25:20,400 --> 00:25:23,720
Speaker 3: guys meet Georgia. Yeah, yeah, Hell Yeah, we smoked helloween.

548
00:25:23,720 --> 00:25:26,400
Speaker 3: He was here right before I met him in person.

549
00:25:26,480 --> 00:25:27,680
Speaker 3: He was like, yeah, I was just down there, blah

550
00:25:27,680 --> 00:25:30,400
Speaker 3: bah blah, smokes hello.

551
00:25:30,440 --> 00:25:35,000
Speaker 1: We I thought it was a joke because there's like,

552
00:25:35,320 --> 00:25:37,439
Speaker 1: you know, we don't want to make the older guys

553
00:25:37,680 --> 00:25:40,360
Speaker 1: drink and ship, so we're like, okay, alright, cool. Oh

554
00:25:40,440 --> 00:25:41,080
Speaker 1: he kept going.

555
00:25:41,160 --> 00:25:42,040
Speaker 3: Yeah.

556
00:25:42,400 --> 00:25:44,440
Speaker 4: I performed with him too at the premiere. That ship

557
00:25:44,520 --> 00:25:45,800
Speaker 4: was cool as hell. Yeah, it was.

558
00:25:45,880 --> 00:25:47,880
Speaker 3: It was dope to rock with his band. Like I'm

559
00:25:47,960 --> 00:25:51,359
Speaker 3: like a real music nerd, so just to see him

560
00:25:51,400 --> 00:25:54,400
Speaker 3: conducting his band and here excuse me and hearing everybody

561
00:25:54,520 --> 00:25:56,120
Speaker 3: like doing what they was doing, it was really tight.

562
00:25:56,160 --> 00:25:57,280
Speaker 4: It was really inspirational.

563
00:25:57,600 --> 00:26:00,359
Speaker 1: What's what's what's the artist that you did and have

564
00:26:00,440 --> 00:26:02,080
Speaker 1: to work with that you would love to work with?

565
00:26:04,160 --> 00:26:06,800
Speaker 3: Yeah? Yeah, I haven't worked with Hell yet. Any smokes

566
00:26:06,800 --> 00:26:08,520
Speaker 3: weed now too, So that's pretty cool. I want to

567
00:26:08,560 --> 00:26:11,440
Speaker 3: work with hull Man. That'll be fun. I want to

568
00:26:11,800 --> 00:26:19,679
Speaker 3: speak no noise for that, and they get ahold stone man, you.

569
00:26:19,680 --> 00:26:20,639
Speaker 1: Are ready for quick time?

570
00:26:21,400 --> 00:26:21,640
Speaker 3: Ready?

571
00:26:21,880 --> 00:26:25,440
Speaker 1: Yeah, you want to explain the russ. Yeah, we give

572
00:26:25,480 --> 00:26:27,359
Speaker 1: you two names places and things.

573
00:26:27,359 --> 00:26:30,680
Speaker 2: You pick one or if you pick neither or both

574
00:26:30,720 --> 00:26:32,960
Speaker 2: were drinking or smoking, you could take a shot.

575
00:26:33,000 --> 00:26:35,040
Speaker 3: I guess the Ukah. Yeah. Yeah.

576
00:26:35,080 --> 00:26:37,439
Speaker 1: By the way, before we start that, did you invent

577
00:26:37,480 --> 00:26:38,080
Speaker 1: cush ups?

578
00:26:38,720 --> 00:26:38,800
Speaker 3: No?

579
00:26:38,920 --> 00:26:41,280
Speaker 4: I didn't, Okay, so I did it?

580
00:26:41,320 --> 00:26:43,919
Speaker 1: So like like the game of ping beer pong, what

581
00:26:44,080 --> 00:26:45,919
Speaker 1: is the legendary story or cush ups?

582
00:26:46,240 --> 00:26:49,160
Speaker 3: Cush ups is you take ten puffs and you hold

583
00:26:49,160 --> 00:26:53,159
Speaker 3: it in until you can't until you you know, Yeah,

584
00:26:53,320 --> 00:26:54,960
Speaker 3: can you do cush up? If you if you can,

585
00:26:55,119 --> 00:26:57,560
Speaker 3: if you can achieve ten, if you can achieve ten,

586
00:26:57,640 --> 00:27:00,640
Speaker 3: and that's like the you know, the respect active number

587
00:27:00,720 --> 00:27:03,520
Speaker 3: of cush ups. So if you don't make it attendant

588
00:27:03,520 --> 00:27:05,000
Speaker 3: and then you tap out and you still need to

589
00:27:05,000 --> 00:27:06,560
Speaker 3: work on your lungs. You need to get your cush

590
00:27:06,640 --> 00:27:07,000
Speaker 3: ups together.

591
00:27:07,040 --> 00:27:07,560
Speaker 2: You need to get it.

592
00:27:07,720 --> 00:27:10,680
Speaker 3: You need to get it together. Yeah. Hey, bro, I've

593
00:27:10,680 --> 00:27:13,040
Speaker 3: seen some of the best folds, so it's all good man,

594
00:27:13,080 --> 00:27:16,920
Speaker 3: don't even worry about it. Tony and Tripp takes practice

595
00:27:18,119 --> 00:27:19,520
Speaker 3: a dab dab.

596
00:27:19,760 --> 00:27:20,200
Speaker 1: I smoke.

597
00:27:20,280 --> 00:27:24,240
Speaker 3: You know, it's whatever, bro bongs, papers, bowls. I just

598
00:27:24,280 --> 00:27:25,600
Speaker 3: don't hit blunts. That's the only But.

599
00:27:26,200 --> 00:27:29,200
Speaker 1: Here's the famous, the famous famous footage. You're kicking the

600
00:27:29,280 --> 00:27:33,520
Speaker 1: dude out out of the studio. I was like, damn,

601
00:27:33,560 --> 00:27:36,960
Speaker 1: what's this racist?

602
00:27:37,480 --> 00:27:40,439
Speaker 4: You got to stand on something. It was terrible.

603
00:27:40,440 --> 00:27:42,359
Speaker 3: We were in a studio like it was like a

604
00:27:42,920 --> 00:27:51,040
Speaker 3: this area. He's like blowing a grape swisher. Bro.

605
00:27:52,480 --> 00:27:54,280
Speaker 4: Yeah, I actually offered him a joint.

606
00:27:54,320 --> 00:28:00,200
Speaker 3: He didn't want it, so I was get out.

607
00:27:59,359 --> 00:28:01,639
Speaker 1: Allowed you to day. It was it was almost like

608
00:28:01,680 --> 00:28:04,560
Speaker 1: God's said, because I woke up this morning I had

609
00:28:04,680 --> 00:28:08,119
Speaker 1: no swishes and all I had was was was papers

610
00:28:08,160 --> 00:28:11,200
Speaker 1: and I was like, look at where is this God

611
00:28:11,560 --> 00:28:15,240
Speaker 1: working on me? And then it was crazy. Before I

612
00:28:15,280 --> 00:28:18,080
Speaker 1: asked for the blunts, I just started rolling joints. The

613
00:28:18,119 --> 00:28:21,800
Speaker 1: problem is with me, I suck at rolling joints. I can't.

614
00:28:22,320 --> 00:28:26,159
Speaker 1: I sucked even more at that ship. Show you a picture,

615
00:28:26,200 --> 00:28:27,919
Speaker 1: a picture what I did this morning. I had a

616
00:28:27,920 --> 00:28:31,520
Speaker 1: whole ship pregnant like it was. It was like, yeah,

617
00:28:31,560 --> 00:28:33,199
Speaker 1: I couldn't do it. I can't do I guess I

618
00:28:33,320 --> 00:28:34,879
Speaker 1: got a great grinder. But how did you learn how

619
00:28:34,880 --> 00:28:40,280
Speaker 1: to roll a blunt being in the hood? Yeah, drinking

620
00:28:40,280 --> 00:28:43,600
Speaker 1: milk and cookies. Well yeah, now, but he rolled my

621
00:28:43,680 --> 00:28:46,680
Speaker 1: blunts though, yeah, yeah, he wrote my blood. Yeah. Okay, okay,

622
00:28:46,680 --> 00:28:50,400
Speaker 1: So we're gonna be ready for a quick time and

623
00:28:50,520 --> 00:28:53,400
Speaker 1: I'm gonna do actually going to do.

624
00:28:54,280 --> 00:28:56,280
Speaker 2: Sonny's not here, right, Oh, so is that you want

625
00:28:56,280 --> 00:28:57,800
Speaker 2: to drink from to do Japanese?

626
00:28:59,880 --> 00:29:03,720
Speaker 3: The ringer is ready, got living.

627
00:29:04,480 --> 00:29:14,600
Speaker 2: Colassney Sonny. He'll smoke, but you'll drink a shot.

628
00:29:12,400 --> 00:29:16,080
Speaker 1: Smoke a little wiz joint. Now, wait before we start this,

629
00:29:16,720 --> 00:29:18,480
Speaker 1: didn't you guys oh ships.

630
00:29:20,720 --> 00:29:23,280
Speaker 2: All that about the TC Mamahuna they have one?

631
00:29:23,360 --> 00:29:24,920
Speaker 3: Oh damn damn.

632
00:29:25,360 --> 00:29:27,440
Speaker 1: Didn't you guys have a collab with raw all?

633
00:29:28,040 --> 00:29:32,760
Speaker 3: Yeah? Fuck wrong, Okay, yeah, man Ra's been the premiere

634
00:29:32,840 --> 00:29:38,000
Speaker 3: joint and just are joining choice probably since we started

635
00:29:38,040 --> 00:29:40,760
Speaker 3: smoking them, like me and Spitter, we crossed over the

636
00:29:40,840 --> 00:29:43,800
Speaker 3: joints around the yeah currency around the same time, him

637
00:29:43,800 --> 00:29:47,040
Speaker 3: before me. But you know I made it in time

638
00:29:47,120 --> 00:29:50,480
Speaker 3: to you know, create the law with him and h

639
00:29:50,880 --> 00:29:53,320
Speaker 3: We went through a couple of different types of joints.

640
00:29:53,320 --> 00:29:57,200
Speaker 3: There was zig zags, there was easy wires. There was Randy's.

641
00:29:57,240 --> 00:29:58,920
Speaker 3: They had like these little wire in them and you

642
00:29:58,960 --> 00:30:03,400
Speaker 3: could like smoke it like that. Uh yeah, Juicy Jays,

643
00:30:03,880 --> 00:30:06,560
Speaker 3: and then elements. We liked elements, and then we found

644
00:30:06,600 --> 00:30:09,080
Speaker 3: out that element in raw was of the same company,

645
00:30:09,120 --> 00:30:11,640
Speaker 3: but we just liked raw a little bit better. And

646
00:30:11,680 --> 00:30:15,640
Speaker 3: then that's what we started running with. The unbleached you know, uh,

647
00:30:15,920 --> 00:30:18,240
Speaker 3: the raw paper dips unbleached.

648
00:30:18,280 --> 00:30:18,880
Speaker 1: What does that mean?

649
00:30:19,360 --> 00:30:21,680
Speaker 3: It's paper, but it's not bleached a lot of chemicals,

650
00:30:21,840 --> 00:30:24,080
Speaker 3: there's no chemicals. A lot of papers are like bleached

651
00:30:24,120 --> 00:30:27,720
Speaker 3: and have different chemicals and stuff like that that you're

652
00:30:27,760 --> 00:30:28,360
Speaker 3: smoking on.

653
00:30:33,920 --> 00:30:39,880
Speaker 1: Your joints model, but come out. We caught the beady smokers.

654
00:30:39,920 --> 00:30:44,480
Speaker 1: Hold up, yeah, the beady vegan vegan.

655
00:30:46,360 --> 00:30:47,280
Speaker 4: No I'm not a vegan.

656
00:30:47,440 --> 00:30:48,440
Speaker 3: No, no, no, I'm not.

657
00:30:49,040 --> 00:30:50,720
Speaker 1: Yeah.

658
00:30:51,360 --> 00:30:53,880
Speaker 3: So yeah, you know, raw papers, but we got Khalifa

659
00:30:53,920 --> 00:30:54,640
Speaker 3: papers coming out.

660
00:30:54,680 --> 00:30:55,480
Speaker 1: That's what we're talking about.

661
00:30:56,520 --> 00:31:00,480
Speaker 3: Yeah yeah, yeah, yeah. So everything I enjoy are just

662
00:31:00,520 --> 00:31:02,560
Speaker 3: spinning into my own lifestyle.

663
00:31:03,280 --> 00:31:06,000
Speaker 1: You know. So you want to talk about your look

664
00:31:06,000 --> 00:31:07,080
Speaker 1: at company, because.

665
00:31:07,080 --> 00:31:09,520
Speaker 4: Yeah, McQueen. McQueen is as a gin.

666
00:31:09,560 --> 00:31:12,320
Speaker 3: You know, anybody who followed me early in my career,

667
00:31:12,320 --> 00:31:14,880
Speaker 3: I used to drink a ship ton of gin and

668
00:31:15,120 --> 00:31:18,440
Speaker 3: we drank bombay, but that really wasn't that good. So

669
00:31:18,480 --> 00:31:21,640
Speaker 3: we designed something that was based off of a better taste.

670
00:31:22,080 --> 00:31:25,280
Speaker 3: Still the same great gin feel, but it's really smooth.

671
00:31:25,400 --> 00:31:26,920
Speaker 3: Like a lot of people who drink gin on like

672
00:31:26,920 --> 00:31:29,600
Speaker 3: the flavor of it, but this one's smooth. It mixes well.

673
00:31:30,080 --> 00:31:32,400
Speaker 3: And we have an infused one that just came out too.

674
00:31:32,440 --> 00:31:34,600
Speaker 3: It's called Ultra Violet. This is.

675
00:31:36,320 --> 00:31:36,880
Speaker 4: It's purple.

676
00:31:37,000 --> 00:31:39,360
Speaker 3: Yeah, so this is the full name of it is

677
00:31:39,440 --> 00:31:42,520
Speaker 3: McQueen Violet Fog and the purple one is Ultra Violet.

678
00:31:42,720 --> 00:31:47,520
Speaker 3: But we're in the same family as do say bel Air,

679
00:31:48,240 --> 00:31:49,680
Speaker 3: bomboo Von.

680
00:31:50,200 --> 00:31:51,920
Speaker 4: Those are a couple of our other companies.

681
00:31:52,040 --> 00:31:55,040
Speaker 3: We just keep making other little brands and blowing them

682
00:31:55,080 --> 00:31:58,600
Speaker 3: things up, you know. Yeah, hell yeah, it's a good

683
00:31:58,680 --> 00:32:04,120
Speaker 3: gin we're taking over. You're not taking shots though, No, absolutely, nah,

684
00:32:04,200 --> 00:32:06,200
Speaker 3: I'll let you all have that, you know what I'm saying?

685
00:32:06,600 --> 00:32:08,160
Speaker 1: All right, Look, is it true before we go into

686
00:32:08,240 --> 00:32:11,920
Speaker 1: that currency put you on the rocking Jordan's.

687
00:32:12,920 --> 00:32:13,160
Speaker 4: Yeah.

688
00:32:13,200 --> 00:32:15,360
Speaker 3: I have never even owned a pair of Jordan's before

689
00:32:15,400 --> 00:32:18,240
Speaker 3: I met currency. I never had one pair of J's

690
00:32:18,280 --> 00:32:20,680
Speaker 3: before I wanted some, but I just never met before

691
00:32:21,000 --> 00:32:23,720
Speaker 3: Chucks that I was gonna say, yeah, yeah, I mean

692
00:32:23,760 --> 00:32:27,920
Speaker 3: in Pittsburgh, like it's Air Forces Tims niggas wore J's.

693
00:32:28,000 --> 00:32:30,880
Speaker 3: But like I had to choose, like if I was

694
00:32:30,920 --> 00:32:33,280
Speaker 3: gonna spend that much money on sneakers or other things.

695
00:32:33,320 --> 00:32:35,520
Speaker 3: So it's like, you know, just growing up, that was

696
00:32:35,640 --> 00:32:38,120
Speaker 3: just I never even thought about that, like spending one

697
00:32:38,200 --> 00:32:40,760
Speaker 3: hundred and thirty or fifty bucks on a pair of shoes.

698
00:32:41,280 --> 00:32:43,320
Speaker 3: I would go to Army Navy and get some Dicky's

699
00:32:43,360 --> 00:32:47,240
Speaker 3: and get some white Tea's and shark car hard like motherfucker,

700
00:32:47,600 --> 00:32:50,520
Speaker 3: that's my whole style. So like yeah, so I mean

701
00:32:50,560 --> 00:32:52,600
Speaker 3: but Tim's cost a lot, but you get like one.

702
00:32:52,440 --> 00:32:54,400
Speaker 4: Pair of them a year, like you know what I mean,

703
00:32:54,600 --> 00:32:55,760
Speaker 4: like for real, for real.

704
00:32:55,840 --> 00:32:59,840
Speaker 1: Not in New York. Yeah, in New York week, like

705
00:33:00,080 --> 00:33:00,800
Speaker 1: six pair year.

706
00:33:00,880 --> 00:33:01,600
Speaker 3: Why was a kid?

707
00:33:01,920 --> 00:33:05,240
Speaker 4: Yeah he was okay.

708
00:33:05,040 --> 00:33:09,120
Speaker 1: Yeah, I mean all right, two pairs yeah yeah, Like

709
00:33:09,720 --> 00:33:13,320
Speaker 1: it's religion in New York, I feel, you like, and

710
00:33:13,320 --> 00:33:15,000
Speaker 1: it's crazy because you got to get the right ones.

711
00:33:15,000 --> 00:33:17,160
Speaker 3: Don't get the ones, No, you got to get the leathers,

712
00:33:18,520 --> 00:33:20,560
Speaker 3: the double like the souls got to be right on

713
00:33:20,680 --> 00:33:23,480
Speaker 3: there and everything, like we call them butters in Pictsburgh.

714
00:33:23,560 --> 00:33:24,840
Speaker 1: It's a science to this ship.

715
00:33:25,320 --> 00:33:28,440
Speaker 4: Yeah, we mainly were like forces and ship like that.

716
00:33:28,520 --> 00:33:32,520
Speaker 3: But yeah, currency put me onto to sneakers and cars

717
00:33:32,800 --> 00:33:35,480
Speaker 3: and just like streetwear fashion in general. Like you know

718
00:33:35,520 --> 00:33:37,800
Speaker 3: what I'm saying. Just I always had good taste, like

719
00:33:37,840 --> 00:33:39,840
Speaker 3: you know what I mean, but just like knowing what

720
00:33:39,880 --> 00:33:42,640
Speaker 3: to get, like he put me in the right direction.

721
00:33:45,160 --> 00:33:45,440
Speaker 3: Did you.

722
00:33:47,680 --> 00:33:50,560
Speaker 1: Read all right? Cool? I want to make sure I

723
00:33:50,600 --> 00:33:52,600
Speaker 1: want to killer kill me.

724
00:33:53,440 --> 00:33:56,200
Speaker 3: You take your shots, right, I'm gonna take something you

725
00:33:56,280 --> 00:33:56,640
Speaker 3: enjoyed me.

726
00:33:58,560 --> 00:34:01,040
Speaker 1: But if we going, that's good, it's good. It's a great,

727
00:34:01,600 --> 00:34:04,720
Speaker 1: great great guess that's right. Damn that he got a

728
00:34:04,760 --> 00:34:08,480
Speaker 1: point of smoke. Anyway, one us go ready, first one

729
00:34:08,560 --> 00:34:14,759
Speaker 1: tupocket d m x X. Oh you got it. You

730
00:34:14,800 --> 00:34:15,840
Speaker 1: got a reason why.

731
00:34:16,400 --> 00:34:17,200
Speaker 4: I have a reason why I.

732
00:34:17,239 --> 00:34:22,800
Speaker 3: Have told you. Don't have to explain. Oh, both great actors,

733
00:34:22,840 --> 00:34:27,000
Speaker 3: both great, like a lot of passion, both poets. But

734
00:34:27,080 --> 00:34:30,280
Speaker 3: I think for me, I went and bought X's first single,

735
00:34:30,360 --> 00:34:33,720
Speaker 3: like I gotta get at me dog with stop being greedy.

736
00:34:33,760 --> 00:34:36,080
Speaker 3: On the other side, I bought the tape so like

737
00:34:36,239 --> 00:34:40,560
Speaker 3: it just means more video exact tape.

738
00:34:40,719 --> 00:34:44,840
Speaker 1: Yeah, yeah, gotta makes a noise for you, sir. Yeah,

739
00:34:45,040 --> 00:34:48,840
Speaker 1: it means a little bit more. Say he bought DMX tape.

740
00:34:48,920 --> 00:34:52,440
Speaker 1: Yeah that's hard, Okay, go the next one.

741
00:34:52,760 --> 00:34:56,640
Speaker 2: Snoop or currency. Damn, you could say both.

742
00:34:56,960 --> 00:34:57,640
Speaker 1: You can say that.

743
00:34:58,719 --> 00:35:01,120
Speaker 3: You say both are neither drinking both you got.

744
00:35:01,360 --> 00:35:02,120
Speaker 1: You got to take five.

745
00:35:02,560 --> 00:35:08,399
Speaker 2: You gotta take five shots, sonny three?

746
00:35:09,480 --> 00:35:10,200
Speaker 1: What do you gotta do?

747
00:35:10,239 --> 00:35:18,640
Speaker 3: Cush off? It's different, Oh spakes of North Wales? Got damn?

748
00:35:21,960 --> 00:35:22,920
Speaker 3: That is working?

749
00:35:24,440 --> 00:35:29,279
Speaker 4: Ship all right, Okay, don't don't do that again. Okay,

750
00:35:29,320 --> 00:35:30,560
Speaker 4: I got it on to ship.

751
00:35:30,640 --> 00:35:36,200
Speaker 3: Hold on, I gotta go back to one. God damn. Wow,

752
00:35:36,920 --> 00:35:39,960
Speaker 3: all right, cool, get three loose, that's it, all right,

753
00:35:40,040 --> 00:35:47,160
Speaker 3: let's go y be real or burner fuck shots?

754
00:35:47,280 --> 00:35:56,040
Speaker 4: Yeah both yeah, one, two, three, four?

755
00:35:59,480 --> 00:36:03,880
Speaker 1: Oh, let's make some noise for heavy all.

756
00:36:04,280 --> 00:36:06,120
Speaker 4: I'm in the game now, got.

757
00:36:05,960 --> 00:36:09,799
Speaker 1: That ugas lit? Baby on, baby, I'm.

758
00:36:09,680 --> 00:36:11,240
Speaker 4: About to write a song in this bitch.

759
00:36:14,239 --> 00:36:14,759
Speaker 3: You got it?

760
00:36:15,160 --> 00:36:18,839
Speaker 1: Oh no, damn, I got you. I got you kiss

761
00:36:19,040 --> 00:36:26,239
Speaker 1: or styles fuck.

762
00:36:26,280 --> 00:36:31,600
Speaker 4: I ain't gonna disrespect both. So look one.

763
00:36:32,400 --> 00:36:39,239
Speaker 3: You should go for six, make it even to three, or.

764
00:36:40,680 --> 00:36:42,400
Speaker 2: I should get me high and I ain't even smoking it.

765
00:36:45,520 --> 00:36:49,640
Speaker 3: Oh ye me six oh you're just gonna keep going,

766
00:36:49,840 --> 00:36:54,080
Speaker 3: damn seven.

767
00:36:58,040 --> 00:36:58,719
Speaker 2: It's a long game.

768
00:36:58,719 --> 00:37:05,400
Speaker 3: It's a long game. Yeah, no, I'm saying the standard.

769
00:37:05,560 --> 00:37:16,080
Speaker 1: Yes, yes, yes said all right, yes, yes. Oh, by

770
00:37:16,080 --> 00:37:18,680
Speaker 1: the way, set the twitter get big, let's big up

771
00:37:18,719 --> 00:37:21,160
Speaker 1: to kah. Yeah, this is the four twenty edition. Yeah.

772
00:37:21,200 --> 00:37:23,279
Speaker 1: The bars said yes, yes. The boss being said, I

773
00:37:23,280 --> 00:37:27,000
Speaker 1: ain't gonna lie to y'all. Well, yeah, well, don't call

774
00:37:27,000 --> 00:37:29,080
Speaker 1: it the gun. We called it the machine. Call it

775
00:37:29,120 --> 00:37:31,200
Speaker 1: the machine. Get the machine out like the like the

776
00:37:31,320 --> 00:37:33,959
Speaker 1: like the area guns on premise. Yeah, no guns, no, no, no,

777
00:37:33,840 --> 00:37:39,600
Speaker 1: no anybody, Yeah, the machine. All right, all right, wait

778
00:37:39,719 --> 00:37:43,280
Speaker 1: till the next one. Okay, okay, joints.

779
00:37:43,800 --> 00:37:45,600
Speaker 4: What you're playing in there? You're playing KK in there.

780
00:37:54,080 --> 00:37:56,040
Speaker 1: See if he peeped his face when he said you

781
00:37:56,080 --> 00:38:00,120
Speaker 1: got there, he looked up like you got so you

782
00:38:00,120 --> 00:38:03,960
Speaker 1: ain't see his face off so excited, like look.

783
00:38:03,800 --> 00:38:11,920
Speaker 3: Ahead, Red Man and metho man, all right, this is

784
00:38:12,000 --> 00:38:16,080
Speaker 3: no disrespect like breaking groups of meth for me.

785
00:38:16,800 --> 00:38:17,720
Speaker 4: Because of his voice.

786
00:38:18,920 --> 00:38:22,080
Speaker 3: Red got bars, meth got bars. Both funny as hell,

787
00:38:22,239 --> 00:38:25,760
Speaker 3: both got great time in the mess voice is crazy.

788
00:38:25,800 --> 00:38:31,640
Speaker 3: Oh there's stage presence too, crazy like best ever, but

789
00:38:31,880 --> 00:38:34,880
Speaker 3: mess voices a little bit iller, I ain't gonna lie, Okay.

790
00:38:35,239 --> 00:38:39,600
Speaker 1: All his answers is pure hip hop.

791
00:38:39,760 --> 00:38:45,200
Speaker 3: Yeah, I know music, I know, I know, I know.

792
00:38:45,920 --> 00:38:49,239
Speaker 1: No, I'm just saying I'm more and even more what

793
00:38:49,440 --> 00:38:51,359
Speaker 1: I expect that I'm even more, Like, how was that

794
00:38:52,360 --> 00:38:52,960
Speaker 1: blow in my mind?

795
00:38:53,000 --> 00:38:54,640
Speaker 4: Thank you many, appreciate love.

796
00:38:54,680 --> 00:38:55,680
Speaker 3: I love, I love you.

797
00:38:55,760 --> 00:38:56,680
Speaker 4: Gotta do the knowledge.

798
00:38:57,120 --> 00:39:00,399
Speaker 1: Yeah, I love all right the.

799
00:39:00,400 --> 00:39:04,839
Speaker 3: Drama, Drama. I love Drama. Bro I love Calid too.

800
00:39:04,920 --> 00:39:08,360
Speaker 3: Cala is a great person. I did twenty eight grams,

801
00:39:08,480 --> 00:39:11,480
Speaker 3: broke the Internet, all that drama. He's he's just like

802
00:39:11,520 --> 00:39:14,239
Speaker 3: a pioneer just for the mixtapes and he got like

803
00:39:14,440 --> 00:39:17,480
Speaker 3: I feel like he got. I think Calla is like

804
00:39:17,520 --> 00:39:21,680
Speaker 3: an official ass DJ. But Drama got more mixtapes. Oh

805
00:39:21,760 --> 00:39:22,400
Speaker 3: you know what I mean.

806
00:39:23,360 --> 00:39:25,560
Speaker 2: Yeah yeah, what he's doing right now with those Juice

807
00:39:25,600 --> 00:39:26,480
Speaker 2: Skits album.

808
00:39:26,560 --> 00:39:28,840
Speaker 1: Yeah yeah, I love yeah.

809
00:39:28,920 --> 00:39:31,960
Speaker 3: I think I think to me personally, Drama gets that one.

810
00:39:31,880 --> 00:39:35,800
Speaker 1: Yeah, I say, DJ wise, but I feel like overall producer,

811
00:39:36,000 --> 00:39:37,319
Speaker 1: I feel like Colin might have.

812
00:39:37,400 --> 00:39:41,920
Speaker 3: That's just I think as a producer, Kalid is better

813
00:39:41,960 --> 00:39:44,920
Speaker 3: than a lot of fools. He's got a great and

814
00:39:44,960 --> 00:39:46,680
Speaker 3: he knows how to put that ship together and he

815
00:39:46,760 --> 00:39:49,000
Speaker 3: doesn't mind going after a record.

816
00:39:49,000 --> 00:39:53,000
Speaker 4: Bro, that nigga get on a everywhere. Yeah, he'll go.

817
00:39:53,200 --> 00:39:55,920
Speaker 3: And that's what That's what it takes, because some niggas

818
00:39:55,920 --> 00:39:57,600
Speaker 3: will give up or they'll be like, oh, I'm away

819
00:39:57,760 --> 00:40:00,200
Speaker 3: like you know, three four days. He's like, nah, let

820
00:40:00,239 --> 00:40:02,359
Speaker 3: me get that verse and I respect the hell.

821
00:40:02,520 --> 00:40:05,040
Speaker 2: And he's always been like Miami Cats and he's been

822
00:40:05,080 --> 00:40:05,919
Speaker 2: like that the beginning.

823
00:40:05,960 --> 00:40:08,960
Speaker 3: That's dope. That's what it takes, bro, for sure. All right,

824
00:40:09,600 --> 00:40:13,799
Speaker 3: cheat your chunks. I gotta do both. That's a good one.

825
00:40:14,000 --> 00:40:18,480
Speaker 3: Have you met them? Yeah, yep, cheered you drink it up, sonny.

826
00:40:20,280 --> 00:40:23,479
Speaker 1: Yeah, yeah, take a shot. You should have been taking

827
00:40:23,480 --> 00:40:28,120
Speaker 1: the rum. Okay, then take the uka.

828
00:40:30,480 --> 00:40:35,080
Speaker 3: How many is that with? I'm doing five now.

829
00:40:35,640 --> 00:40:38,760
Speaker 1: Yeah, it's okay, it's okay, it's it's acceptable. Payment.

830
00:40:38,800 --> 00:40:41,120
Speaker 4: Yes, sir, we already know what you're gonna say.

831
00:40:41,640 --> 00:40:42,360
Speaker 3: Yes, maybe not.

832
00:40:42,480 --> 00:40:43,680
Speaker 4: Let's see, let's get it.

833
00:40:44,000 --> 00:40:48,600
Speaker 1: Cookies are gumbo's.

834
00:40:47,080 --> 00:40:50,840
Speaker 4: Weed or like weed weed? Okay? I never had gumbo before?

835
00:40:51,760 --> 00:40:52,680
Speaker 4: Who makes gumbo?

836
00:40:52,920 --> 00:40:53,360
Speaker 3: Gumbo?

837
00:40:53,440 --> 00:40:54,320
Speaker 1: My friend gumbo?

838
00:40:54,400 --> 00:40:58,640
Speaker 3: Man? Yeah, who's gumbo? So homie, so homie.

839
00:40:59,160 --> 00:41:01,200
Speaker 1: I'm I'm a burner too. Yeah.

840
00:41:01,200 --> 00:41:02,920
Speaker 3: I was about to say I'm a weed snob, so

841
00:41:03,400 --> 00:41:06,040
Speaker 3: I'm real boogie was he was on.

842
00:41:06,160 --> 00:41:09,879
Speaker 1: Ramadanna had to bring something. He was Ramadan. I don't

843
00:41:09,880 --> 00:41:10,120
Speaker 1: want to.

844
00:41:10,160 --> 00:41:11,680
Speaker 4: Mumbo's on the list of things to try.

845
00:41:11,719 --> 00:41:12,239
Speaker 1: Okay, that's right.

846
00:41:12,280 --> 00:41:22,200
Speaker 7: That makes you like, okay, tie dollar, juicy damn it,

847
00:41:22,480 --> 00:41:23,440
Speaker 7: all right, juicy.

848
00:41:23,239 --> 00:41:25,600
Speaker 3: J I'm not drinking because y'all wouldn't had me a

849
00:41:26,000 --> 00:41:31,200
Speaker 3: leg out of its back.

850
00:41:32,000 --> 00:41:33,080
Speaker 1: Yeah, all right.

851
00:41:34,000 --> 00:41:47,920
Speaker 3: Dave Chappelle or Chris Rock, Yeah, Dave Chappelle, he way funnier. Okay,

852
00:41:48,840 --> 00:41:56,279
Speaker 3: what does that mean? I mean, that's coming. You made it.

853
00:41:58,480 --> 00:41:58,799
Speaker 1: All right?

854
00:42:00,640 --> 00:42:09,600
Speaker 2: Hookah or hookah ukah.

855
00:42:06,960 --> 00:42:08,840
Speaker 1: By the way, but I don't know if you realize

856
00:42:08,920 --> 00:42:11,760
Speaker 1: he's a sexy like you know the hookah. Just you gotta.

857
00:42:13,280 --> 00:42:13,600
Speaker 3: Wars.

858
00:42:14,640 --> 00:42:15,600
Speaker 1: You can bury yourself.

859
00:42:15,640 --> 00:42:16,120
Speaker 4: This is cool.

860
00:42:16,160 --> 00:42:18,080
Speaker 3: It just needs like a little white around it, you

861
00:42:18,080 --> 00:42:20,840
Speaker 3: know what I mean? And like that's the next neon,

862
00:42:21,120 --> 00:42:23,480
Speaker 3: like a little light up little led death. You know

863
00:42:23,520 --> 00:42:24,120
Speaker 3: what I'm saying?

864
00:42:24,320 --> 00:42:25,880
Speaker 4: Sure, crazy over that?

865
00:42:26,000 --> 00:42:26,960
Speaker 1: Go ahead? Ayeah?

866
00:42:27,040 --> 00:42:32,319
Speaker 3: Yep A biggie or punk biggie or punk Yeah, damn well,

867
00:42:32,360 --> 00:42:32,960
Speaker 3: I'm gonna.

868
00:42:32,760 --> 00:42:35,200
Speaker 4: Have to go big. Yeah yeah, but I funk with

869
00:42:35,239 --> 00:42:36,399
Speaker 4: pun though pun is hard.

870
00:42:37,160 --> 00:42:39,719
Speaker 2: Any reason why you this is something big.

871
00:42:39,840 --> 00:42:42,440
Speaker 3: He was just smoother, like you know what I mean,

872
00:42:42,560 --> 00:42:46,680
Speaker 3: Like he talked about clothes and ship like that, about ship,

873
00:42:46,760 --> 00:42:50,160
Speaker 3: like if I go shopping now, I'll just be seeing

874
00:42:50,200 --> 00:42:52,480
Speaker 3: some ship that Biggie said in the nineties, you know

875
00:42:52,520 --> 00:42:55,560
Speaker 3: what I mean. Yeah, like Punk had bars, but he

876
00:42:55,560 --> 00:42:57,360
Speaker 3: ain't have bars like that though, Like you know what

877
00:42:57,440 --> 00:42:59,440
Speaker 3: I mean. He was more talking about like breaking niggas

878
00:42:59,520 --> 00:43:03,360
Speaker 3: back some like several places and ship like that. That

879
00:43:03,520 --> 00:43:07,600
Speaker 3: was cool too.

880
00:43:08,320 --> 00:43:09,960
Speaker 1: Radio or podcast.

881
00:43:13,000 --> 00:43:15,239
Speaker 3: Oh you're talking about like as far as radio, like

882
00:43:15,280 --> 00:43:17,680
Speaker 3: listening to jams or like podcasts is just like.

883
00:43:17,640 --> 00:43:20,400
Speaker 2: However you want, Like what platform to you is the better.

884
00:43:20,280 --> 00:43:27,160
Speaker 1: Quarteria you want, I'm gonna go podcasts, okay?

885
00:43:28,239 --> 00:43:34,360
Speaker 2: Asap Rocky or Big Sean, damn them was both my partners.

886
00:43:34,440 --> 00:43:38,920
Speaker 3: There was both my brothers. I love Big Sean, but

887
00:43:39,000 --> 00:43:41,719
Speaker 3: I feel like I'm gonna have to go Rocky. I'm

888
00:43:41,719 --> 00:43:43,799
Speaker 3: gonna go Rocky because I don't look up to a

889
00:43:43,800 --> 00:43:46,080
Speaker 3: lot of niggas when it comes to dressing. And Rocky

890
00:43:46,120 --> 00:43:49,719
Speaker 3: can dress his ass off and Sean can dress too.

891
00:43:50,239 --> 00:43:51,920
Speaker 3: But it's just like a different type, like you know

892
00:43:51,960 --> 00:43:54,279
Speaker 3: what I'm saying, Like they don't really go against each other.

893
00:43:54,840 --> 00:43:55,600
Speaker 4: And Rocky.

894
00:43:55,680 --> 00:43:58,600
Speaker 3: I'll be looking at his face and Rocky can really dress.

895
00:43:58,719 --> 00:44:01,160
Speaker 3: So I'm gonna say Rocky, But Sean's Shawn is the

896
00:44:01,200 --> 00:44:03,640
Speaker 3: better rapper in my opinion, Like Shawn's a better rapper

897
00:44:03,719 --> 00:44:05,279
Speaker 3: than me. Shawn's a better rapper than a lot of

898
00:44:05,320 --> 00:44:08,000
Speaker 3: niggas that I know. So like when we're talking lyrics,

899
00:44:08,040 --> 00:44:12,760
Speaker 3: I'm gonna say Sean. But as far as like the nigga, Rocky,

900
00:44:12,840 --> 00:44:13,879
Speaker 3: Rocky is the niggas.

901
00:44:13,719 --> 00:44:16,800
Speaker 1: Was like a shot to me something he said, because.

902
00:44:20,040 --> 00:44:22,319
Speaker 3: We need to have a good conversation about that, like

903
00:44:22,360 --> 00:44:24,279
Speaker 3: people need to know, like why you know what I'm saying,

904
00:44:27,360 --> 00:44:30,280
Speaker 3: drink Chance alumni, both of them niggas.

905
00:44:32,920 --> 00:44:34,479
Speaker 2: All right, let's see if it's the same with these

906
00:44:35,800 --> 00:44:39,560
Speaker 2: Rick Ross and French Montana.

907
00:44:38,880 --> 00:44:40,120
Speaker 4: Both big homies of mine.

908
00:44:40,600 --> 00:44:44,359
Speaker 3: But I'm gonna go Rose though, uh, just because Rose

909
00:44:44,480 --> 00:44:47,399
Speaker 3: invited me to his crib in Atlanta and had a

910
00:44:47,520 --> 00:44:50,640
Speaker 3: mountain of freaking weed that me and currency could roll

911
00:44:50,680 --> 00:44:51,040
Speaker 3: out of.

912
00:44:51,560 --> 00:44:53,320
Speaker 4: He drove us around and bought us sneakers.

913
00:44:53,320 --> 00:44:55,040
Speaker 3: It was like coolest hell, bro, It's like the Rick

914
00:44:55,160 --> 00:44:58,960
Speaker 3: Ross dreamy. He just took us through the stories like

915
00:44:59,239 --> 00:45:02,359
Speaker 3: get whatever you want, little niggas. We was like hell yeah.

916
00:45:02,600 --> 00:45:08,879
Speaker 3: Early we were like, yes, it's like a hip hop

917
00:45:09,360 --> 00:45:14,239
Speaker 3: like this was last week and Rose actually got me

918
00:45:14,239 --> 00:45:16,799
Speaker 3: my deal with Bread.

919
00:45:17,360 --> 00:45:17,560
Speaker 2: Yeah.

920
00:45:18,160 --> 00:45:20,640
Speaker 3: On the show, Yeah, Brett was asking him about like

921
00:45:20,760 --> 00:45:22,799
Speaker 3: some people who would be good for branding and help

922
00:45:22,840 --> 00:45:25,000
Speaker 3: build the company, and he was like whiz. He was like,

923
00:45:25,280 --> 00:45:27,399
Speaker 3: I know that little nigga's about his business. He does

924
00:45:27,440 --> 00:45:29,880
Speaker 3: his thing. He's actually out here in the field and

925
00:45:29,960 --> 00:45:32,239
Speaker 3: he's going to promote. Like he spoke really highly of

926
00:45:32,320 --> 00:45:34,759
Speaker 3: me and still still does so. And you know, French

927
00:45:34,840 --> 00:45:36,520
Speaker 3: is my man. We went on tour together, we made

928
00:45:36,560 --> 00:45:38,280
Speaker 3: money together, We got hits together.

929
00:45:38,880 --> 00:45:45,839
Speaker 2: Rose okay, okay, Rose Sour or Cush Cush a safe

930
00:45:45,840 --> 00:45:46,279
Speaker 2: on that one.

931
00:45:46,320 --> 00:45:47,000
Speaker 3: Y'all want to safe?

932
00:45:47,040 --> 00:45:50,280
Speaker 1: Y'allo home, Like the way you just looked over Sour

933
00:45:50,360 --> 00:45:52,399
Speaker 1: like that, Oh yeah you did, Like.

934
00:45:55,400 --> 00:45:59,279
Speaker 3: Yeah, yeah, wait a minute, why did you cyrus cool.

935
00:46:01,360 --> 00:46:03,920
Speaker 1: Down on the smoke, sir?

936
00:46:04,400 --> 00:46:08,160
Speaker 3: But when you mixed Sara with Cush and got head bad, Yes,

937
00:46:08,640 --> 00:46:10,960
Speaker 3: just made soire like even like better.

938
00:46:11,320 --> 00:46:17,440
Speaker 1: President, but that was mixed with headband and Cush President.

939
00:46:17,880 --> 00:46:21,560
Speaker 3: You know that one? Yeah that sounds like two thirds

940
00:46:21,680 --> 00:46:25,040
Speaker 3: two yeah, probably like yeah, whatever the fractions are.

941
00:46:25,120 --> 00:46:28,520
Speaker 1: But what's our and cush though, wasn't it?

942
00:46:28,600 --> 00:46:30,960
Speaker 3: Yes, it was half and half. That ship was fine,

943
00:46:31,120 --> 00:46:35,080
Speaker 3: That was fine, had been straight sired? Hell no, you gotta.

944
00:46:34,920 --> 00:46:38,080
Speaker 1: Realize we come from where they invented the word loud.

945
00:46:38,520 --> 00:46:39,959
Speaker 1: So where they invented the word loud.

946
00:46:40,840 --> 00:46:42,400
Speaker 3: Loud was invented.

947
00:46:43,719 --> 00:46:54,320
Speaker 1: Your Chicago. But what year.

948
00:46:56,520 --> 00:46:57,320
Speaker 3: It was? Chicago?

949
00:46:57,440 --> 00:46:59,520
Speaker 1: Bro, I should have go think it.

950
00:46:59,560 --> 00:47:00,960
Speaker 4: Well, I'm a weed historian.

951
00:47:01,120 --> 00:47:03,759
Speaker 1: Yeah, I don't think it was. I'm a word of

952
00:47:03,840 --> 00:47:13,040
Speaker 1: story all right for more than all. Yeah, yeah, yes,

953
00:47:15,160 --> 00:47:16,640
Speaker 1: we don't know East coast terminology.

954
00:47:16,719 --> 00:47:20,200
Speaker 3: He knows that he knows everything. I'm giving that one

955
00:47:20,239 --> 00:47:23,880
Speaker 3: up to forty win. Argue about it, back to the side.

956
00:47:24,040 --> 00:47:34,759
Speaker 8: Okay, so what about it? So that's how we're saying. Yeah,

957
00:47:34,840 --> 00:47:36,440
Speaker 8: so he said, what about it to me?

958
00:47:36,719 --> 00:47:40,319
Speaker 1: Because sour to me, soth comes from Canada. So it's

959
00:47:40,320 --> 00:47:42,680
Speaker 1: no way went to Chicago before it came to New York.

960
00:47:43,040 --> 00:47:45,720
Speaker 1: Because you come from Canada, write to New York boom.

961
00:47:46,200 --> 00:47:48,279
Speaker 3: Not the actual side of the word. I was so

962
00:47:48,360 --> 00:47:50,759
Speaker 3: about the word loud. Oh, I'm talking about the actual plan.

963
00:47:50,880 --> 00:47:52,520
Speaker 3: The actual plant comes from Canada.

964
00:47:52,680 --> 00:47:57,200
Speaker 1: Canada. I believe Canada, Montreal, Vancouver area, Toronto that you

965
00:47:57,239 --> 00:47:59,360
Speaker 1: know comes from to New York. That's why New Yorker is,

966
00:47:59,480 --> 00:48:02,640
Speaker 1: I believe had it in abundance, so it was easier

967
00:48:02,800 --> 00:48:05,200
Speaker 1: and it was loud because you couldn't like that was

968
00:48:05,239 --> 00:48:07,680
Speaker 1: the first weed you had to put in jar. Remember

969
00:48:07,800 --> 00:48:10,520
Speaker 1: like remember we didn't come in Jaws before. It's just

970
00:48:10,520 --> 00:48:11,000
Speaker 1: so loud.

971
00:48:11,040 --> 00:48:13,120
Speaker 4: The first in the draw with some haze.

972
00:48:15,840 --> 00:48:24,920
Speaker 1: That's the haze man, right, you know about weed. And

973
00:48:24,960 --> 00:48:27,759
Speaker 1: then out here with some people our here when it

974
00:48:27,880 --> 00:48:28,240
Speaker 1: was crippy.

975
00:48:28,239 --> 00:48:30,480
Speaker 3: It wasn't it was Cripps one.

976
00:48:30,640 --> 00:48:33,600
Speaker 1: It was Haz's cousin crippy. It was.

977
00:48:34,920 --> 00:48:36,759
Speaker 4: Yeah, it was. It was like fluffy like that.

978
00:48:36,840 --> 00:48:42,360
Speaker 1: He stink like it to the state once haze again.

979
00:48:42,719 --> 00:48:43,480
Speaker 1: I'm like, let it go.

980
00:48:43,760 --> 00:48:46,640
Speaker 4: That pit that pts that real PI slip.

981
00:48:47,320 --> 00:48:56,960
Speaker 3: Yeah, oh my god, gave me some real.

982
00:48:58,960 --> 00:49:00,720
Speaker 4: Oh my good in this bro.

983
00:49:02,719 --> 00:49:04,279
Speaker 1: Breat just hold out something.

984
00:49:05,920 --> 00:49:15,919
Speaker 3: What up? I'm smoking this broca. They don't even got

985
00:49:15,920 --> 00:49:19,120
Speaker 3: no label on it. That's how you know. Listen, this

986
00:49:19,320 --> 00:49:27,879
Speaker 3: is real. This is Drug Dealer Week right here week. Yeah,

987
00:49:29,320 --> 00:49:33,040
Speaker 3: I'm putting this. Nobody holding this one. I got this one.

988
00:49:33,320 --> 00:49:42,520
Speaker 3: I'm hold on to this one. Yeah, Ice Cuban scarface, Damn,

989
00:49:42,840 --> 00:49:45,120
Speaker 3: I love scarface as a lyricist. But I'm gonna go

990
00:49:45,200 --> 00:49:48,160
Speaker 3: cute because the what you did with movies, like you know, Friday,

991
00:49:48,400 --> 00:49:50,840
Speaker 3: just like you know, pivoting in and just you know,

992
00:49:50,920 --> 00:49:54,239
Speaker 3: being a legend. But uh yeah, yeah, Cube, I ain't

993
00:49:54,239 --> 00:49:57,960
Speaker 3: gonna draw that one out too far. Half Baked Friday,

994
00:49:58,160 --> 00:50:00,960
Speaker 3: damn half Baked for show. Yeah, I'm gonna go have

995
00:50:01,080 --> 00:50:02,680
Speaker 3: Baked Friday is a classic.

996
00:50:02,719 --> 00:50:04,440
Speaker 4: You know what I'm saying. Everybody knows Friday.

997
00:50:04,719 --> 00:50:06,920
Speaker 3: But I think the story I have baked is just

998
00:50:06,960 --> 00:50:10,279
Speaker 3: funny as hell. And Dave Chappelle, like it is one

999
00:50:10,280 --> 00:50:14,120
Speaker 3: of my favorite comedians. So it's like Cuban b Yeah,

1000
00:50:15,000 --> 00:50:16,839
Speaker 3: I'm Cuban, So I use that all the time.

1001
00:50:17,560 --> 00:50:20,520
Speaker 1: That whole ship and from Jamaica, what part of Jamaica

1002
00:50:20,840 --> 00:50:21,520
Speaker 1: by the beach?

1003
00:50:28,560 --> 00:50:32,759
Speaker 3: Little Wayne or Drake Weezy. Yeah yeah, Drake is hard.

1004
00:50:32,800 --> 00:50:37,359
Speaker 3: You know, he got fucking more hits than anybody. But

1005
00:50:37,400 --> 00:50:40,960
Speaker 3: I think Wayne just sparked the whole culture for everybody,

1006
00:50:41,120 --> 00:50:44,239
Speaker 3: like and then like when he started as a hot

1007
00:50:44,239 --> 00:50:47,480
Speaker 3: boy Wayne, and then when he came back out like lyricism,

1008
00:50:49,080 --> 00:50:53,680
Speaker 3: He's put on Drake. Yeah yeah, Wayne's Wayne's up there

1009
00:50:53,719 --> 00:50:57,400
Speaker 3: for show. Let's see Nipsey are easy.

1010
00:50:58,040 --> 00:51:00,719
Speaker 4: Nip, Yeah, some piece of both.

1011
00:51:00,760 --> 00:51:02,440
Speaker 3: But I'm gonna say nip because that was my friend,

1012
00:51:02,480 --> 00:51:05,920
Speaker 3: you know what I mean, that was my homeboy. Yeah,

1013
00:51:06,840 --> 00:51:11,200
Speaker 3: eminem Bus the rhymes Bust the rhymes for show lyricism

1014
00:51:11,480 --> 00:51:14,279
Speaker 3: is up there. But well, Buster wouldn't want to hear that.

1015
00:51:14,320 --> 00:51:15,160
Speaker 3: He'll be like, I'll.

1016
00:51:15,000 --> 00:51:21,200
Speaker 1: Kill that nigga, but with anybody exactly, Yeah, he don't

1017
00:51:21,200 --> 00:51:22,120
Speaker 1: want to hear none of that. Ship.

1018
00:51:22,200 --> 00:51:25,040
Speaker 3: But Buster inspired me a lot, man, Like you might

1019
00:51:25,080 --> 00:51:28,920
Speaker 3: not see it in my style a little bit exactly,

1020
00:51:28,960 --> 00:51:31,799
Speaker 3: like just being animated, being like more goofy and more

1021
00:51:31,840 --> 00:51:35,480
Speaker 3: silly and just like not catering to one or two crowds,

1022
00:51:35,520 --> 00:51:36,360
Speaker 3: just being myself.

1023
00:51:36,840 --> 00:51:39,160
Speaker 4: But he still gets the respect that he deserves.

1024
00:51:39,200 --> 00:51:41,840
Speaker 3: Nobody looks at him like a like somebody who you

1025
00:51:41,840 --> 00:51:43,359
Speaker 3: could just run up on, you know what I mean,

1026
00:51:43,440 --> 00:51:47,000
Speaker 3: just because he smiles. He doesn't say off stage right,

1027
00:51:47,040 --> 00:51:50,640
Speaker 3: and he's great on stage. I always love fast rappers

1028
00:51:50,680 --> 00:51:52,640
Speaker 3: like that's always been one of my favorite things, like

1029
00:51:52,680 --> 00:51:57,560
Speaker 3: growing up as a kid. His videos always been amazing. Yeah,

1030
00:51:57,600 --> 00:51:59,919
Speaker 3: Bust Rhymes is one of my favorite dudes man for Show.

1031
00:52:00,880 --> 00:52:05,439
Speaker 3: He's a great dude man like, yeah, legend, he gives

1032
00:52:05,480 --> 00:52:06,120
Speaker 3: good hugs.

1033
00:52:06,560 --> 00:52:11,360
Speaker 1: Yeah.

1034
00:52:11,520 --> 00:52:14,759
Speaker 2: When he talks about squeeze your hand worth of encouragement,

1035
00:52:15,400 --> 00:52:16,120
Speaker 2: just amazing.

1036
00:52:17,560 --> 00:52:18,360
Speaker 4: Love that guy.

1037
00:52:18,520 --> 00:52:24,239
Speaker 3: Yeah you're Pharrell Kanye or Pharrell Pharrell for sure? Uh yeah,

1038
00:52:24,440 --> 00:52:27,520
Speaker 3: is you know classic out there? But p I think

1039
00:52:27,560 --> 00:52:30,239
Speaker 3: he speaks more to like my crowd, which is like

1040
00:52:30,239 --> 00:52:35,720
Speaker 3: the skateboard alternative hip hop, but like you know, still

1041
00:52:36,000 --> 00:52:40,759
Speaker 3: you know, fucking into rock bands type ship. Yeah, he

1042
00:52:41,000 --> 00:52:43,279
Speaker 3: is like the leader of that. So I'm gonna go

1043
00:52:43,320 --> 00:52:48,160
Speaker 3: Pee Bob Marley, Jimmy hen Bob Marley or Jimmy Hendrix.

1044
00:52:48,239 --> 00:52:50,000
Speaker 4: I'm gonna go both on that one. Okay, I need

1045
00:52:50,040 --> 00:52:50,600
Speaker 4: to take a shot.

1046
00:52:50,920 --> 00:52:54,319
Speaker 1: Yeah yeah, yeah, like you said that Jamaican, I'm gonna

1047
00:52:54,320 --> 00:52:57,480
Speaker 1: go both on that one.

1048
00:52:57,200 --> 00:53:01,759
Speaker 3: I feel like the game you want to go back

1049
00:53:01,800 --> 00:53:02,240
Speaker 3: on the.

1050
00:53:03,800 --> 00:53:09,400
Speaker 1: Mm hm. I after yeat George Clinton and Willie Nelson.

1051
00:53:10,960 --> 00:53:13,959
Speaker 4: George Clinton, Yes, yeah, George Clinn.

1052
00:53:13,960 --> 00:53:16,759
Speaker 3: Have you ever met Willy Nelson? I have not met

1053
00:53:16,800 --> 00:53:18,759
Speaker 3: Willy Nelson. I was gonna say I have, but he

1054
00:53:18,840 --> 00:53:21,799
Speaker 3: rolled me a joint and I didn't get to smoke it.

1055
00:53:21,800 --> 00:53:22,680
Speaker 4: But I'm gonn chop it.

1056
00:53:22,640 --> 00:53:23,480
Speaker 3: Up with Willy. Willie.

1057
00:53:24,040 --> 00:53:24,719
Speaker 1: He rolled you a joint.

1058
00:53:24,719 --> 00:53:26,760
Speaker 3: You didn't get to smoke. It's a long story.

1059
00:53:27,360 --> 00:53:28,760
Speaker 1: We got, we got.

1060
00:53:29,600 --> 00:53:33,000
Speaker 3: I was at my album premiere, my album release party

1061
00:53:33,120 --> 00:53:35,719
Speaker 3: in New York. It was my first album, Black and

1062
00:53:35,800 --> 00:53:39,600
Speaker 3: Yellow had just went number one. I was performing in

1063
00:53:39,600 --> 00:53:42,719
Speaker 3: New York. I sold out the venue. Snoop Dogg was

1064
00:53:42,760 --> 00:53:45,719
Speaker 3: doing a late night television set across the street with

1065
00:53:45,840 --> 00:53:50,120
Speaker 3: Willy Nelson. He left across the street with Willy Nelson

1066
00:53:50,120 --> 00:53:52,520
Speaker 3: to come over across the street with me. He said.

1067
00:53:52,560 --> 00:53:54,880
Speaker 3: Willy said that he wanted to be here, but he

1068
00:53:54,880 --> 00:53:56,560
Speaker 3: couldn't because he owed.

1069
00:53:57,239 --> 00:53:59,880
Speaker 4: But he rolled you this joint and he wanted you

1070
00:54:00,080 --> 00:54:01,440
Speaker 4: smoke it. I went on.

1071
00:54:01,440 --> 00:54:03,880
Speaker 3: Stage, I got off stage, I said, where's my Willie

1072
00:54:03,880 --> 00:54:06,520
Speaker 3: Nelson joint and one of my home He smoked it? O,

1073
00:54:08,120 --> 00:54:10,600
Speaker 3: that would have been Boris. Boris would have done that

1074
00:54:10,640 --> 00:54:10,880
Speaker 3: to you.

1075
00:54:11,880 --> 00:54:14,000
Speaker 2: Not if you know it's from Willy Nelson, you supposed

1076
00:54:14,000 --> 00:54:15,160
Speaker 2: to do that, damn.

1077
00:54:16,120 --> 00:54:17,320
Speaker 1: But he probably didn't.

1078
00:54:17,080 --> 00:54:19,040
Speaker 3: Know it's one of my he's one of my close friendsyeah,

1079
00:54:19,040 --> 00:54:20,759
Speaker 3: but yeah, we're still really good.

1080
00:54:20,880 --> 00:54:22,120
Speaker 1: But he didn't know it's from Really.

1081
00:54:22,360 --> 00:54:24,560
Speaker 4: His name rhymes with heavy goods.

1082
00:54:26,440 --> 00:54:29,680
Speaker 3: Day.

1083
00:54:32,480 --> 00:54:34,160
Speaker 1: Do you know it from Really Nelson? He just thought

1084
00:54:34,200 --> 00:54:35,360
Speaker 1: us a regular joint. You asked him the.

1085
00:54:35,360 --> 00:54:40,160
Speaker 3: Whole who knows, man, he said it was good. I mean,

1086
00:54:40,239 --> 00:54:41,839
Speaker 3: I don't think he was trying to do all that.

1087
00:54:42,640 --> 00:54:46,440
Speaker 3: At least it was fire because it's like, yeah, you

1088
00:54:46,480 --> 00:54:49,760
Speaker 3: don't do that. Hey, I know, y'all got some more questions.

1089
00:54:49,800 --> 00:54:56,759
Speaker 3: I gotta figure y'all got a cup I could pee in.

1090
00:55:00,840 --> 00:55:01,719
Speaker 1: Plus bathroom for you?

1091
00:55:06,120 --> 00:55:09,320
Speaker 3: All right, Today's Sports twenty and is today. Ukah is

1092
00:55:09,360 --> 00:55:11,480
Speaker 3: available right now at get.

1093
00:55:11,440 --> 00:55:14,920
Speaker 1: Uka dot com, g E t O O kag dot com.

1094
00:55:15,000 --> 00:55:18,560
Speaker 3: Let's go get that. You don't want to be no saying,

1095
00:55:19,239 --> 00:55:25,719
Speaker 3: let's go get all right? All right, this is if

1096
00:55:25,719 --> 00:55:27,319
Speaker 3: I can't answer this one, right, I.

1097
00:55:27,280 --> 00:55:28,080
Speaker 4: Get cannon gun.

1098
00:55:28,160 --> 00:55:31,440
Speaker 2: Yeah, it is just because I mean, just right now,

1099
00:55:31,440 --> 00:55:33,160
Speaker 2: we just wait for that. But it's gonna happen whatever.

1100
00:55:33,360 --> 00:55:39,560
Speaker 2: Eventually it's happening. How high are Pineapple Express? How high?

1101
00:55:39,640 --> 00:55:40,880
Speaker 2: I had an answer for that one.

1102
00:55:41,160 --> 00:55:42,360
Speaker 1: You ever hung out with South Broken?

1103
00:55:42,760 --> 00:55:45,600
Speaker 3: I have? We got a picture me him and Snoop smoked. Yeah,

1104
00:55:45,640 --> 00:55:48,120
Speaker 3: we did the cross joint. He want to cross.

1105
00:55:50,000 --> 00:55:52,840
Speaker 1: So Crusz join is for real. It's not just in real.

1106
00:55:53,960 --> 00:55:55,560
Speaker 3: And he actually smokes weed too. There's a lot of

1107
00:55:55,600 --> 00:55:57,680
Speaker 3: niggas who do weed movies. You don't smoke. Now you

1108
00:55:57,680 --> 00:56:00,439
Speaker 3: can tell. Yeah, he smokes weed. So we're good.

1109
00:56:01,280 --> 00:56:05,600
Speaker 2: N w a or wu tang wu tang. And this

1110
00:56:05,640 --> 00:56:07,240
Speaker 2: is the last one, say the last one.

1111
00:56:07,120 --> 00:56:10,120
Speaker 1: Okay, the last one. Everyone thinks that this is a

1112
00:56:10,160 --> 00:56:12,040
Speaker 1: trick game, but this is the only time where we

1113
00:56:12,120 --> 00:56:17,080
Speaker 1: feel like it isn't a trick. Love or respect, loyalty

1114
00:56:17,160 --> 00:56:18,000
Speaker 1: or respectxcuse me?

1115
00:56:18,360 --> 00:56:28,680
Speaker 3: Loyalty or respect hmm. I would take loyalty, yeah, because

1116
00:56:28,680 --> 00:56:33,520
Speaker 3: you can respect somebody and not be loyal to them. Yeah,

1117
00:56:33,560 --> 00:56:38,080
Speaker 3: And I'll take loyalty. Like, if you don't necessarily respect me,

1118
00:56:39,200 --> 00:56:41,600
Speaker 3: I don't really give a fuck. But if you're loyal

1119
00:56:41,680 --> 00:56:43,880
Speaker 3: to me, if I could like depend on you for

1120
00:56:43,960 --> 00:56:46,960
Speaker 3: something that means a lot, I wouldn't have that in

1121
00:56:47,040 --> 00:56:48,279
Speaker 3: reverse order, right.

1122
00:56:49,200 --> 00:56:52,520
Speaker 1: I feel like that's the only time folk is necessary.

1123
00:56:52,560 --> 00:56:54,480
Speaker 1: I feel like loyalty and respect those hand in hand.

1124
00:56:54,840 --> 00:56:55,520
Speaker 3: So like that's me.

1125
00:56:55,640 --> 00:56:57,160
Speaker 4: But everybody don't respect everything.

1126
00:56:57,239 --> 00:56:59,120
Speaker 3: Yeah, you're right, And like a lot of niggas lose.

1127
00:56:59,280 --> 00:57:02,000
Speaker 3: They might start off respected you and they fucking lose

1128
00:57:02,040 --> 00:57:04,640
Speaker 3: respect for you, or you might end up losing respect

1129
00:57:04,640 --> 00:57:06,560
Speaker 3: for somebody else based off of something they did.

1130
00:57:07,000 --> 00:57:09,640
Speaker 4: But you ain't never going to cross that man, I

1131
00:57:09,680 --> 00:57:10,279
Speaker 4: respect that.

1132
00:57:10,400 --> 00:57:11,040
Speaker 3: So what you're.

1133
00:57:10,880 --> 00:57:18,560
Speaker 1: Saying is both go ahead with what did we do this?

1134
00:57:18,640 --> 00:57:20,400
Speaker 1: The DJ Collin he did not like that.

1135
00:57:20,520 --> 00:57:21,320
Speaker 3: He did not like it.

1136
00:57:21,560 --> 00:57:23,840
Speaker 1: You know, he was like, I see this show all

1137
00:57:23,880 --> 00:57:26,480
Speaker 1: the time for me to don't never do this.

1138
00:57:27,360 --> 00:57:36,200
Speaker 6: That's this is the happen, bro, But pick it out,

1139
00:57:37,160 --> 00:57:44,160
Speaker 6: Florida bird, Damn, let's just chang's happen.

1140
00:57:44,280 --> 00:57:47,200
Speaker 3: Let's do that again, said, nothing happened.

1141
00:57:46,800 --> 00:57:51,040
Speaker 1: By pure drink Chance fashion. How come I look like

1142
00:57:51,040 --> 00:57:52,000
Speaker 1: I got drinking there.

1143
00:57:55,200 --> 00:58:01,800
Speaker 3: Looking forward to that, don't get it?

1144
00:58:04,640 --> 00:58:06,120
Speaker 1: Yeah, pure drink chance fat.

1145
00:58:08,520 --> 00:58:11,600
Speaker 2: And Yo, he's been holding that gun for your episode.

1146
00:58:11,000 --> 00:58:13,600
Speaker 1: You're holding that for your episode.

1147
00:58:13,640 --> 00:58:15,760
Speaker 3: You should have tested the sturdiness of the handle.

1148
00:58:16,560 --> 00:58:17,360
Speaker 4: You should have swung.

1149
00:58:22,960 --> 00:58:25,520
Speaker 3: We got, we got weed for it, right as momus.

1150
00:58:25,520 --> 00:58:27,800
Speaker 3: We got, we we got, we were good.

1151
00:58:28,040 --> 00:58:30,720
Speaker 1: Yeah, we thought we had it playing right.

1152
00:58:30,920 --> 00:58:35,400
Speaker 3: Come on, guys, up my weed gods came through again. Bro,

1153
00:58:38,120 --> 00:58:41,000
Speaker 3: that was the Khalifa cushier there. Thank you that you

1154
00:58:41,080 --> 00:58:42,560
Speaker 3: just didn't want me to get smoked out?

1155
00:58:42,640 --> 00:58:50,040
Speaker 1: Okay, yeah, yeah yo, yeah, fixure together. By the way,

1156
00:58:50,080 --> 00:58:53,880
Speaker 1: it's classic. We got it all on film. It's still classic.

1157
00:58:54,920 --> 00:59:01,320
Speaker 5: Yeah, yeah, all right, I'm gonna tell all my friends

1158
00:59:01,680 --> 00:59:06,120
Speaker 5: not to get on your line, like be nice to go,

1159
00:59:06,960 --> 00:59:09,040
Speaker 5: I'll go back to that.

1160
00:59:09,040 --> 00:59:13,160
Speaker 3: That's morning we called now for real please, So.

1161
00:59:15,080 --> 00:59:18,600
Speaker 1: You got the two records like if I if they

1162
00:59:18,680 --> 00:59:24,120
Speaker 1: was to tell me this is a last some of

1163
00:59:24,160 --> 00:59:25,800
Speaker 1: the last records I want to hear in my life,

1164
00:59:25,840 --> 00:59:33,280
Speaker 1: there would be two of them. From what I'm about

1165
00:59:33,280 --> 00:59:34,280
Speaker 1: to play you right now?

1166
00:59:34,400 --> 00:59:34,840
Speaker 3: Okay.

1167
00:59:34,880 --> 00:59:36,920
Speaker 1: And we thought we had our ships together, little Popito,

1168
00:59:37,000 --> 00:59:38,120
Speaker 1: do not have it together?

1169
00:59:38,240 --> 00:59:40,880
Speaker 3: Oh that was like a timing.

1170
00:59:44,720 --> 00:59:45,200
Speaker 1: Turn it off.

1171
00:59:45,760 --> 00:59:51,840
Speaker 3: Okay, okay, yeah, yeah, here we go seven. We don't

1172
00:59:51,880 --> 01:00:00,320
Speaker 3: care who's hey, So here we go, hey man a

1173
01:00:00,480 --> 01:00:05,000
Speaker 3: more time.

1174
01:00:06,080 --> 01:00:08,360
Speaker 1: Let me tell you why I love this because it

1175
01:00:08,440 --> 01:00:11,080
Speaker 1: was like it was like it like I'm dripping in paint.

1176
01:00:11,160 --> 01:00:13,320
Speaker 1: I don't want to say you brung the youth out

1177
01:00:13,320 --> 01:00:17,280
Speaker 1: of Snoop, but you could tell you you were rhyming

1178
01:00:17,680 --> 01:00:19,840
Speaker 1: and Snoop did not want to be out rhyme by youth.

1179
01:00:20,920 --> 01:00:21,880
Speaker 4: That's what it felt like.

1180
01:00:22,000 --> 01:00:25,080
Speaker 3: In a great way and the most greatest exactly what

1181
01:00:25,120 --> 01:00:25,560
Speaker 3: was happening.

1182
01:00:26,120 --> 01:00:29,840
Speaker 4: Yeah, yeah, that's exactly what was happening.

1183
01:00:29,880 --> 01:00:30,080
Speaker 1: Man.

1184
01:00:30,400 --> 01:00:33,240
Speaker 4: When we made that song, I had moved out to

1185
01:00:33,440 --> 01:00:33,600
Speaker 4: l A.

1186
01:00:33,920 --> 01:00:36,680
Speaker 3: That was that was like my first like time staying

1187
01:00:36,680 --> 01:00:39,960
Speaker 3: there for an amount of time, and uh, I was

1188
01:00:40,000 --> 01:00:43,960
Speaker 3: living at the W and I just told myself in Hollywood,

1189
01:00:44,480 --> 01:00:47,400
Speaker 3: I just told myself. I was like, I never wanted

1190
01:00:47,400 --> 01:00:50,040
Speaker 3: to move out to La till I had my money, right, Like,

1191
01:00:50,120 --> 01:00:51,960
Speaker 3: I know how much money it cost it to live

1192
01:00:52,000 --> 01:00:53,880
Speaker 3: out there. So I wasn't like trying to be cracked.

1193
01:00:54,240 --> 01:00:55,640
Speaker 3: So I was like, I'm gonna make sure my bread

1194
01:00:55,680 --> 01:00:57,320
Speaker 3: is right and then I'm gonna move out here. So

1195
01:00:57,520 --> 01:00:59,600
Speaker 3: I got my money up, I was like, all right,

1196
01:00:59,600 --> 01:01:02,080
Speaker 3: I'm moving. So I lived in a hotel for like

1197
01:01:02,120 --> 01:01:03,680
Speaker 3: a week, and I was like, if I don't find

1198
01:01:03,680 --> 01:01:05,440
Speaker 3: a crib in a week, I'm just gonna be fucking

1199
01:01:05,440 --> 01:01:07,000
Speaker 3: homeless because I'm not going back home.

1200
01:01:07,920 --> 01:01:09,880
Speaker 4: And in that week, I met up with Snoop.

1201
01:01:09,920 --> 01:01:12,240
Speaker 3: We shot a couple videos, We did a video for

1202
01:01:12,360 --> 01:01:15,840
Speaker 3: that Good. We just talked about a bunch of shit

1203
01:01:16,560 --> 01:01:19,360
Speaker 3: and we just came up with like a whole game plan.

1204
01:01:19,400 --> 01:01:21,440
Speaker 3: And he was like, Yeah, you're gonna move right up

1205
01:01:21,440 --> 01:01:23,600
Speaker 3: the street from me. This is my little apartment in

1206
01:01:23,600 --> 01:01:25,440
Speaker 3: my little wool right right here. You're gonna stay up

1207
01:01:25,480 --> 01:01:27,520
Speaker 3: the street from me. We're gonna shoot a movie. We're

1208
01:01:27,520 --> 01:01:29,000
Speaker 3: gonna do this, We're gonna go on tour, We're gonna

1209
01:01:29,000 --> 01:01:30,280
Speaker 3: lock it up. I'm like, all right, cool, I'm your

1210
01:01:30,320 --> 01:01:33,720
Speaker 3: little homie. I'm posted right up the street. So that's

1211
01:01:33,760 --> 01:01:36,320
Speaker 3: when this song was created in that little amount of time.

1212
01:01:36,360 --> 01:01:40,000
Speaker 3: And he had an apartment right off of Sunset, and

1213
01:01:40,040 --> 01:01:42,120
Speaker 3: I would go down to the apartment and just pick

1214
01:01:42,160 --> 01:01:44,080
Speaker 3: out beats and shit like that. I'll pick like five

1215
01:01:44,160 --> 01:01:47,080
Speaker 3: or six beats. And he literally had the booth in

1216
01:01:47,120 --> 01:01:52,800
Speaker 3: the closet. So I'm walking in the apartment, going in

1217
01:01:52,880 --> 01:01:56,560
Speaker 3: the room, the engineers there, I'm walking through the bathroom.

1218
01:01:56,640 --> 01:01:59,040
Speaker 3: There's like kitty litter. There's like two cats in there.

1219
01:01:59,360 --> 01:02:02,920
Speaker 3: I think it was like prints in or it was

1220
01:02:02,920 --> 01:02:04,560
Speaker 3: two names. I forget what the name. It was like

1221
01:02:04,720 --> 01:02:08,360
Speaker 3: Icontina or some shit. He had two cats. And then

1222
01:02:08,360 --> 01:02:10,400
Speaker 3: you walk through the bathroom and then you're in his

1223
01:02:10,560 --> 01:02:13,680
Speaker 3: closet and it Snooped AG's closet. So it's like all

1224
01:02:13,720 --> 01:02:16,560
Speaker 3: types of like custom Snoop jerseys and stealer shit and

1225
01:02:16,640 --> 01:02:19,640
Speaker 3: Laker shit, just like legendary shit. I think fucking one

1226
01:02:19,680 --> 01:02:23,040
Speaker 3: of Don Juan suits was in there, and I'm like

1227
01:02:23,160 --> 01:02:26,800
Speaker 3: just laying versus in this closet and he would be

1228
01:02:26,840 --> 01:02:30,120
Speaker 3: in another room like just chilling smoke and playing a game,

1229
01:02:30,200 --> 01:02:32,040
Speaker 3: doing his thing. But he would come in and hear

1230
01:02:32,080 --> 01:02:34,360
Speaker 3: my verses, and I would leave and he would do

1231
01:02:34,480 --> 01:02:35,960
Speaker 3: his verses and I would come back and I would

1232
01:02:36,000 --> 01:02:37,800
Speaker 3: hear his shit. So it was like we was going

1233
01:02:37,840 --> 01:02:40,160
Speaker 3: back and forth. I would hear his verse. I'd be like, oh, okay,

1234
01:02:40,200 --> 01:02:43,000
Speaker 3: all right, go back and forth, you know what I mean?

1235
01:02:43,120 --> 01:02:44,080
Speaker 4: Yeah, like real shit.

1236
01:02:44,480 --> 01:02:47,400
Speaker 3: And this particular record we came together because I had

1237
01:02:47,480 --> 01:02:50,120
Speaker 3: just signed to Atlantic and he was like, man, these

1238
01:02:50,160 --> 01:02:54,000
Speaker 3: motherfuckers keep sending me this weak ass song. He was like,

1239
01:02:54,040 --> 01:02:56,680
Speaker 3: it ain't for me, and he was like, but I

1240
01:02:56,720 --> 01:02:59,640
Speaker 3: think together it'll work, like for both of us.

1241
01:02:59,680 --> 01:03:01,520
Speaker 1: He was, so that hook was on there already.

1242
01:03:01,640 --> 01:03:05,760
Speaker 3: Yeah yeah, yeah, that's Bruno Mars singing the hook. Oh ship, Yeah,

1243
01:03:05,800 --> 01:03:07,880
Speaker 3: that's Bruno Mars. But he had caught a little case

1244
01:03:07,920 --> 01:03:10,720
Speaker 3: around that time, so they didn't want him being involved

1245
01:03:10,720 --> 01:03:13,520
Speaker 3: with it. Remember to get high record because you know

1246
01:03:13,680 --> 01:03:16,760
Speaker 3: it's a little case or whatever. But Snoop didn't like

1247
01:03:16,840 --> 01:03:19,760
Speaker 3: the song for him individually. I didn't like the song

1248
01:03:19,800 --> 01:03:22,800
Speaker 3: for me, and it just sounded like too like you

1249
01:03:22,800 --> 01:03:25,840
Speaker 3: know what I mean, It sounded like too. It was

1250
01:03:25,880 --> 01:03:29,120
Speaker 3: like it is, it didn't sound right for both of us,

1251
01:03:29,200 --> 01:03:32,560
Speaker 3: like individually, you could be featured on it, but when

1252
01:03:32,600 --> 01:03:35,160
Speaker 3: we came together, it just made perfect sense. Like we

1253
01:03:35,240 --> 01:03:37,920
Speaker 3: recorded that ship in fifteen minutes and just put that

1254
01:03:37,960 --> 01:03:40,040
Speaker 3: ship straight out and it went crazy. Man, that's like

1255
01:03:40,080 --> 01:03:42,360
Speaker 3: one of the biggest songs. They sing that ship all

1256
01:03:42,400 --> 01:03:44,960
Speaker 3: over the world. They singing in Korea, record, they singing

1257
01:03:45,000 --> 01:03:46,880
Speaker 3: in Africa, they singing in India.

1258
01:03:47,000 --> 01:03:50,080
Speaker 1: Party is down. Yeah, go to that. You can sing that.

1259
01:03:50,080 --> 01:03:52,240
Speaker 4: At the airport and then people would just start singing

1260
01:03:52,280 --> 01:03:52,640
Speaker 4: it with you.

1261
01:03:52,720 --> 01:03:57,600
Speaker 1: Yeah real, you know, we can't look over what you

1262
01:03:57,680 --> 01:03:58,160
Speaker 1: just said.

1263
01:03:58,320 --> 01:04:00,920
Speaker 2: That type of mentorship that Snooper willing to give you,

1264
01:04:01,160 --> 01:04:04,360
Speaker 2: so dope, we need more of that in the culture.

1265
01:04:04,720 --> 01:04:05,240
Speaker 1: Yeah.

1266
01:04:05,320 --> 01:04:06,800
Speaker 4: Snoop's really the big homie man.

1267
01:04:06,840 --> 01:04:09,560
Speaker 3: He's he's really the greatest of all time because I

1268
01:04:09,600 --> 01:04:12,439
Speaker 3: feel like a lot of people that their legacy is

1269
01:04:12,880 --> 01:04:16,440
Speaker 3: living past them. He's the living legend. He's the one

1270
01:04:16,440 --> 01:04:19,479
Speaker 3: who's still here doing it, doing it, and nobody else

1271
01:04:19,560 --> 01:04:22,480
Speaker 3: in the rap game has a second coming of them,

1272
01:04:22,960 --> 01:04:25,000
Speaker 3: like another one of them, like you know what I mean.

1273
01:04:25,040 --> 01:04:27,320
Speaker 3: And he was able to bring me into the game

1274
01:04:27,360 --> 01:04:29,360
Speaker 3: and people be like Yo Whiz is the Snoop Dog

1275
01:04:29,400 --> 01:04:30,120
Speaker 3: of our generation.

1276
01:04:30,480 --> 01:04:31,560
Speaker 4: Nobody else has that.

1277
01:04:31,960 --> 01:04:34,880
Speaker 1: I believe Kim has that. With Nas, it's similar. No

1278
01:04:35,080 --> 01:04:39,520
Speaker 1: Nas is Nas, Yeah, but somewhat. NAS was the second

1279
01:04:39,520 --> 01:04:39,920
Speaker 1: coming off.

1280
01:04:40,160 --> 01:04:43,520
Speaker 3: But did rock him share the stage with Nas? Have

1281
01:04:43,600 --> 01:04:45,840
Speaker 3: they been on tour together? Do they have a movie together?

1282
01:04:46,360 --> 01:04:46,919
Speaker 3: Snoop dogg?

1283
01:04:46,960 --> 01:04:58,959
Speaker 1: All right, all right, I'm gonna take a shot of that.

1284
01:05:00,200 --> 01:05:03,080
Speaker 3: M hmm, you got it ready? Last one?

1285
01:05:03,600 --> 01:05:05,520
Speaker 1: Damn this you're doing. I'm good at it.

1286
01:05:05,760 --> 01:05:08,280
Speaker 3: She went to the shop. That's what.

1287
01:05:08,440 --> 01:05:10,800
Speaker 2: That's why we got to stick to Uka because what

1288
01:05:11,400 --> 01:05:15,960
Speaker 2: it was the anticipation of it. But it was about

1289
01:05:16,000 --> 01:05:17,160
Speaker 2: to go down, and.

1290
01:05:17,200 --> 01:05:18,320
Speaker 4: But it was going.

1291
01:05:18,880 --> 01:05:21,040
Speaker 3: It's crazy for it was coming.

1292
01:05:20,800 --> 01:05:22,880
Speaker 1: Right now because it was so funny how we had

1293
01:05:23,040 --> 01:05:25,760
Speaker 1: got college all right, but that it was so funny.

1294
01:05:25,800 --> 01:05:27,280
Speaker 1: Have you got college? We're trying to get you. We

1295
01:05:27,320 --> 01:05:27,720
Speaker 1: gotta put it.

1296
01:05:27,840 --> 01:05:31,080
Speaker 3: We looking for you to be I want to see Gallant.

1297
01:05:31,440 --> 01:05:32,760
Speaker 3: Oh they made.

1298
01:05:32,720 --> 01:05:35,920
Speaker 1: Meme out of that. Jefferson only get off of it.

1299
01:05:36,080 --> 01:05:37,440
Speaker 1: He said, I see the show all the time. He

1300
01:05:37,520 --> 01:05:43,080
Speaker 1: was like, yeah, yeah, you don't smoke all right. So

1301
01:05:44,520 --> 01:05:46,040
Speaker 1: one of my top I don't know when I say

1302
01:05:46,040 --> 01:05:49,880
Speaker 1: top twenty or top fifty or whatever songs that I

1303
01:05:49,920 --> 01:05:52,360
Speaker 1: would like to hear. I got two of them in

1304
01:05:52,440 --> 01:05:54,920
Speaker 1: my list. Oh I think I know what this one is.

1305
01:05:55,720 --> 01:06:05,000
Speaker 3: Hit the second one, Oh, it wasn't what I to

1306
01:06:05,080 --> 01:06:18,120
Speaker 3: the anthem though twice much mother over there.

1307
01:06:18,960 --> 01:06:22,000
Speaker 1: Man, you got you got plenty of anthems. I'm just

1308
01:06:22,400 --> 01:06:25,080
Speaker 1: you know, picking those two for now. But what I'm

1309
01:06:25,120 --> 01:06:28,000
Speaker 1: saying is, I know you said it earlier. You always

1310
01:06:28,040 --> 01:06:30,880
Speaker 1: want to make global music, but it's a difference from

1311
01:06:30,920 --> 01:06:32,880
Speaker 1: global music and anthem music.

1312
01:06:33,080 --> 01:06:33,280
Speaker 3: Yeah.

1313
01:06:33,520 --> 01:06:36,520
Speaker 1: Right, So there's global music where it's just pretty much

1314
01:06:36,840 --> 01:06:40,320
Speaker 1: like I would say the record about Paul Walker, that's

1315
01:06:40,400 --> 01:06:42,720
Speaker 1: like a to me, a global But then you're making

1316
01:06:42,880 --> 01:06:47,800
Speaker 1: these anthems. If you make a global anthem, I would

1317
01:06:47,800 --> 01:06:54,640
Speaker 1: say global global anthems GLO. But I know you said

1318
01:06:54,640 --> 01:06:58,800
Speaker 1: it earlier, but I just want to reiterate that when

1319
01:06:58,840 --> 01:07:00,840
Speaker 1: you make these anthems, are you going in and saying

1320
01:07:00,880 --> 01:07:02,240
Speaker 1: I'm making the anthem tonight?

1321
01:07:02,480 --> 01:07:15,000
Speaker 3: That's crazy? Because no, for sure, no, man, I didn't.

1322
01:07:15,040 --> 01:07:17,520
Speaker 3: I didn't really know that I was making anthems. For

1323
01:07:17,560 --> 01:07:19,760
Speaker 3: a minute, I thought that I was just kind of

1324
01:07:19,760 --> 01:07:20,919
Speaker 3: getting lucky with that ship.

1325
01:07:21,480 --> 01:07:22,720
Speaker 4: And then I.

1326
01:07:22,680 --> 01:07:25,520
Speaker 3: Just started realizing, like Okay, these are those types of

1327
01:07:25,560 --> 01:07:28,560
Speaker 3: records that people fuk with. When I did Black and Yellow,

1328
01:07:29,240 --> 01:07:31,520
Speaker 3: that was just me representing my city. I love Pittsburgh

1329
01:07:31,640 --> 01:07:35,280
Speaker 3: so much. Everybody in Pittsburgh loves the city so much.

1330
01:07:35,320 --> 01:07:37,040
Speaker 3: So it was just, you know, my way of letting

1331
01:07:37,080 --> 01:07:40,320
Speaker 3: everybody know where I'm from. And still is just happened

1332
01:07:40,320 --> 01:07:42,760
Speaker 3: to go to the freaking super Bowl that year.

1333
01:07:43,040 --> 01:07:44,440
Speaker 1: The same year, Yeah, it was the.

1334
01:07:44,400 --> 01:07:46,200
Speaker 3: Same year that Black and Yellow was on the radio.

1335
01:07:46,600 --> 01:07:47,160
Speaker 4: They wouldn't go.

1336
01:07:47,160 --> 01:07:53,640
Speaker 3: Super That's what I'm saying. Oh yeah, you know, so

1337
01:07:53,840 --> 01:07:56,320
Speaker 3: that happened with with Black and Yellow and then with

1338
01:07:56,440 --> 01:08:00,280
Speaker 3: Weedham Boys. I have really good taste in music, and

1339
01:08:00,360 --> 01:08:02,360
Speaker 3: I just know a hit when I when I when

1340
01:08:02,360 --> 01:08:06,280
Speaker 3: I hear one. And at this particular time in my career,

1341
01:08:06,320 --> 01:08:08,800
Speaker 3: I was working on my third album, and that could

1342
01:08:08,840 --> 01:08:11,680
Speaker 3: be like a tough spot for artists because you're trying

1343
01:08:11,720 --> 01:08:14,880
Speaker 3: to find your thing and you're trying to still do

1344
01:08:14,960 --> 01:08:17,040
Speaker 3: what's new, and you're just you're just trying to figure

1345
01:08:17,040 --> 01:08:18,400
Speaker 3: out a bunch of things. It's a lot with the

1346
01:08:18,479 --> 01:08:21,439
Speaker 3: label because they might be expecting they have other people

1347
01:08:21,479 --> 01:08:24,479
Speaker 3: coming in, so it's a lot of competition, and for me,

1348
01:08:24,560 --> 01:08:27,000
Speaker 3: it's just always about like making the best music and

1349
01:08:27,040 --> 01:08:30,400
Speaker 3: being in that pocket right then and there. And I

1350
01:08:30,479 --> 01:08:32,200
Speaker 3: knew I needed a hit, you know what I'm saying,

1351
01:08:32,240 --> 01:08:34,760
Speaker 3: And I was just willing to work with with anybody

1352
01:08:34,840 --> 01:08:37,759
Speaker 3: that was, you know, making good music at that time.

1353
01:08:38,360 --> 01:08:42,360
Speaker 3: When I did Black and Yellow, Stargate, they were making

1354
01:08:42,600 --> 01:08:44,439
Speaker 3: hit records at the time, so it was like, let's

1355
01:08:44,439 --> 01:08:49,360
Speaker 3: work with Stargate. And when I did Weedham Boys, Detail

1356
01:08:49,520 --> 01:08:51,280
Speaker 3: was on his way up. He already had like a

1357
01:08:51,280 --> 01:08:52,840
Speaker 3: bunch of hits and a lot of people that he

1358
01:08:52,960 --> 01:08:56,360
Speaker 3: was working with, but he was still you know seasoning

1359
01:08:56,560 --> 01:08:59,640
Speaker 3: and you know, shifting and pivoting and doing a lot

1360
01:08:59,640 --> 01:09:01,280
Speaker 3: of different things. He was all over the place. So

1361
01:09:01,320 --> 01:09:03,600
Speaker 3: he was open again in the studio with me. And

1362
01:09:03,640 --> 01:09:05,600
Speaker 3: as soon as I heard you know, the rough for

1363
01:09:05,680 --> 01:09:07,240
Speaker 3: Weedom Boys, I was like, that's a hit.

1364
01:09:07,320 --> 01:09:09,360
Speaker 4: I'm like, this is a banger. And it was just

1365
01:09:09,360 --> 01:09:10,440
Speaker 4: one of them songs.

1366
01:09:10,120 --> 01:09:12,280
Speaker 3: That I was really ready to, you know, go to

1367
01:09:12,360 --> 01:09:16,760
Speaker 3: war about and just be you know, stand up, like, yo,

1368
01:09:16,840 --> 01:09:20,040
Speaker 3: this is the record right here. Yeah, yeah, yeah, yeah.

1369
01:09:20,080 --> 01:09:22,720
Speaker 4: Make sure the label like understands the messages.

1370
01:09:22,360 --> 01:09:24,960
Speaker 1: And like it's still dark sounding record when you.

1371
01:09:25,040 --> 01:09:26,880
Speaker 3: Hear but it's a it's a it's something that gets

1372
01:09:26,920 --> 01:09:29,600
Speaker 3: you rowdy. When we were in the studio making it,

1373
01:09:29,640 --> 01:09:30,880
Speaker 3: like we were standing up on.

1374
01:09:31,479 --> 01:09:33,719
Speaker 2: It, like yeah yeah.

1375
01:09:34,720 --> 01:09:36,800
Speaker 3: When we when we went on the promo run for

1376
01:09:36,840 --> 01:09:39,040
Speaker 3: the club, we would just snatch the mic and just

1377
01:09:39,080 --> 01:09:41,679
Speaker 3: be like hold up, hold up. So it just made

1378
01:09:41,760 --> 01:09:43,400
Speaker 3: us feel a certain type of way, and we knew

1379
01:09:43,439 --> 01:09:45,960
Speaker 3: that the world would feel that way as well. And

1380
01:09:46,600 --> 01:09:48,800
Speaker 3: I came up with the idea for the video, and

1381
01:09:48,920 --> 01:09:50,280
Speaker 3: you know, that came off really well.

1382
01:09:50,320 --> 01:09:52,479
Speaker 4: So it was just a really really good moment for

1383
01:09:52,600 --> 01:09:53,080
Speaker 4: my career.

1384
01:09:53,200 --> 01:09:54,360
Speaker 1: Goddamn man.

1385
01:09:54,400 --> 01:09:58,880
Speaker 3: Hell oh yeah. And then Dallas Cowboys picked it up

1386
01:09:58,880 --> 01:10:01,400
Speaker 3: and made it like official and shit like that too.

1387
01:10:01,479 --> 01:10:06,120
Speaker 3: Because the Cowboys that they apparently they them boys, so yeah,

1388
01:10:06,160 --> 01:10:09,120
Speaker 3: they like got shipped in their yards that says weeding boys.

1389
01:10:09,120 --> 01:10:12,080
Speaker 3: They got Dallas Cowboys shirts and all that. When they

1390
01:10:12,120 --> 01:10:15,479
Speaker 3: score touchdowns, they fucking screaming weeding boys. So it's like

1391
01:10:15,520 --> 01:10:17,559
Speaker 3: I got a Pittsburgh anthem and I got a Dallas

1392
01:10:17,600 --> 01:10:20,240
Speaker 3: anthem as well. Jerry Jones to cutting them checks, I mean,

1393
01:10:20,320 --> 01:10:23,400
Speaker 3: not necessarily a check, but it's good promotion though. And

1394
01:10:23,400 --> 01:10:27,080
Speaker 3: they let me go to the stadium and like some

1395
01:10:27,200 --> 01:10:28,200
Speaker 3: nachos and shit.

1396
01:10:29,400 --> 01:10:29,920
Speaker 4: It was cool.

1397
01:10:30,080 --> 01:10:32,519
Speaker 3: Now they're really really cool about it. Then you know,

1398
01:10:32,640 --> 01:10:35,640
Speaker 3: it's it's good promotion. You guys fixed that over that.

1399
01:10:37,640 --> 01:10:41,000
Speaker 1: We have literally a mechanic, a mechanic working bro. I

1400
01:10:41,080 --> 01:10:46,720
Speaker 1: also heard heard you say somewhere that if you if

1401
01:10:46,720 --> 01:10:49,160
Speaker 1: you had a chance to do rolling papers over or

1402
01:10:50,240 --> 01:10:51,519
Speaker 1: you would have did something else.

1403
01:10:52,120 --> 01:10:53,880
Speaker 3: Nah. That was like early in my career. I was

1404
01:10:53,880 --> 01:10:56,240
Speaker 3: like letting the criticism get to me.

1405
01:10:56,720 --> 01:10:56,920
Speaker 2: Yeah.

1406
01:10:57,040 --> 01:11:02,679
Speaker 3: Yeah, I had felt that people were expecting one thing

1407
01:11:02,800 --> 01:11:05,320
Speaker 3: from my mixtape shit, and then they got something from

1408
01:11:05,320 --> 01:11:08,120
Speaker 3: my uh, from my from my album that they didn't

1409
01:11:09,160 --> 01:11:13,240
Speaker 3: that they weren't ready for, and just me caring about

1410
01:11:13,280 --> 01:11:15,640
Speaker 3: people's reactions, that's what made me say that.

1411
01:11:15,680 --> 01:11:18,040
Speaker 4: But looking back, I don't give a fuck. That shit

1412
01:11:18,160 --> 01:11:18,880
Speaker 4: is legendary.

1413
01:11:19,040 --> 01:11:21,960
Speaker 3: Like I got plaques in my crib from more than

1414
01:11:22,000 --> 01:11:25,599
Speaker 3: half of that album, which means people physically were buying

1415
01:11:25,640 --> 01:11:28,360
Speaker 3: that shit. And it was a really good, you know

1416
01:11:28,479 --> 01:11:30,720
Speaker 3: exercise for me to get to where I'm at in

1417
01:11:30,760 --> 01:11:33,760
Speaker 3: my career now. And if I wouldn't have done that,

1418
01:11:33,800 --> 01:11:35,760
Speaker 3: it wouldn't have made the you know, paved the way

1419
01:11:35,800 --> 01:11:38,400
Speaker 3: for hits like you know, Weed and Boys, Young Wild

1420
01:11:38,400 --> 01:11:41,080
Speaker 3: and Free See You Again and you know, all the

1421
01:11:41,120 --> 01:11:43,479
Speaker 3: other platinum hits that you know, people love me for.

1422
01:11:43,640 --> 01:11:44,960
Speaker 4: So I'm glad I did it.

1423
01:11:45,000 --> 01:11:48,120
Speaker 3: I'm glad I wrote the letter, and but I don't.

1424
01:11:47,920 --> 01:11:49,719
Speaker 4: Feel like that today though at all.

1425
01:11:50,040 --> 01:11:52,680
Speaker 2: You also one of the first artists working with the

1426
01:11:52,720 --> 01:11:55,320
Speaker 2: guys that's Rolling Loud. They remember, I remember out here

1427
01:11:55,439 --> 01:11:58,120
Speaker 2: the for a lot of deal the Revolution Revolution Live,

1428
01:11:58,320 --> 01:12:00,000
Speaker 2: and they were doing their early Rolling louds.

1429
01:12:00,000 --> 01:12:01,280
Speaker 1: We were just doing straight concerts.

1430
01:12:01,360 --> 01:12:03,000
Speaker 3: Uh huh, And you were one of the first artists

1431
01:12:03,000 --> 01:12:03,559
Speaker 3: working with them.

1432
01:12:03,640 --> 01:12:03,840
Speaker 1: Yeah.

1433
01:12:03,920 --> 01:12:06,839
Speaker 2: Yeah, did that translated you that relationship still in tact.

1434
01:12:06,760 --> 01:12:07,519
Speaker 4: Yeah, definitely.

1435
01:12:08,240 --> 01:12:11,920
Speaker 3: We pioneered a lot of things, man, just by being available.

1436
01:12:13,000 --> 01:12:13,599
Speaker 1: I think.

1437
01:12:15,080 --> 01:12:17,400
Speaker 3: Me being like one of the first rap acts doing

1438
01:12:17,479 --> 01:12:21,559
Speaker 3: festivals and just bigger you know, headlining stages and things

1439
01:12:21,600 --> 01:12:23,800
Speaker 3: like that, it opened up a lot of opportunities for

1440
01:12:24,520 --> 01:12:27,920
Speaker 3: people to bring that, you know, same attention to other

1441
01:12:28,040 --> 01:12:30,920
Speaker 3: artists as well, or take their artists on tour or

1442
01:12:31,000 --> 01:12:32,360
Speaker 3: sell merch and do.

1443
01:12:32,400 --> 01:12:32,880
Speaker 4: Things like that.

1444
01:12:32,960 --> 01:12:35,360
Speaker 3: So it's really good to see like the whole show

1445
01:12:35,439 --> 01:12:38,240
Speaker 3: scene and the festival scene like budding and you know,

1446
01:12:38,280 --> 01:12:41,439
Speaker 3: everybody you know eating off of that and it's still

1447
01:12:41,439 --> 01:12:44,720
Speaker 3: the original homies from before and this cast, like you know,

1448
01:12:44,880 --> 01:12:47,040
Speaker 3: things that we did at south By Southwest that are

1449
01:12:47,040 --> 01:12:49,200
Speaker 3: still going or you know, reached their peak and we

1450
01:12:49,200 --> 01:12:50,280
Speaker 3: were able to see that through.

1451
01:12:50,360 --> 01:12:51,439
Speaker 4: So it's really dope.

1452
01:12:51,439 --> 01:12:51,639
Speaker 3: Man.

1453
01:12:51,880 --> 01:12:55,280
Speaker 2: Do you prefer doing festivals or a show that's just you?

1454
01:12:55,560 --> 01:12:57,840
Speaker 3: I like all of it. I love doing the festivals.

1455
01:12:57,920 --> 01:12:59,760
Speaker 3: I like doing the festivals because you get different types

1456
01:12:59,760 --> 01:13:02,120
Speaker 3: of me. Like that's the only time I'll be able

1457
01:13:02,160 --> 01:13:04,559
Speaker 3: to perform with like Elton John or some ship like that,

1458
01:13:04,640 --> 01:13:05,240
Speaker 3: you know what I mean.

1459
01:13:05,360 --> 01:13:07,160
Speaker 4: So it's really cool to do the festivals.

1460
01:13:07,439 --> 01:13:10,439
Speaker 3: And then when I'm on my tour, I'm able to

1461
01:13:10,600 --> 01:13:13,720
Speaker 3: you know, go in with the production and just be

1462
01:13:13,840 --> 01:13:17,640
Speaker 3: more creative and things like that, with with my own vision.

1463
01:13:17,360 --> 01:13:19,880
Speaker 4: And stuff like that. So I get I get a

1464
01:13:19,880 --> 01:13:20,559
Speaker 4: lot out of both.

1465
01:13:21,560 --> 01:13:24,840
Speaker 1: He any place that you can't go to because of

1466
01:13:24,880 --> 01:13:26,480
Speaker 1: your smoking habits.

1467
01:13:26,520 --> 01:13:29,280
Speaker 3: Du Bay don't allow smoking, But it's not that I

1468
01:13:29,320 --> 01:13:30,000
Speaker 3: can't go there.

1469
01:13:30,040 --> 01:13:31,880
Speaker 4: I just can't smoke while I'm there.

1470
01:13:32,000 --> 01:13:35,120
Speaker 1: Yeah, because I'm hearing that they decriminalize it, but I

1471
01:13:35,120 --> 01:13:36,040
Speaker 1: don't know what that means.

1472
01:13:36,479 --> 01:13:38,519
Speaker 4: But it's religious why they don't do it over there.

1473
01:13:38,680 --> 01:13:39,120
Speaker 1: Yeah, but.

1474
01:13:41,280 --> 01:13:44,880
Speaker 3: Like more lenient, but it's like still you know, like

1475
01:13:45,080 --> 01:13:48,559
Speaker 3: having weed is one thing, but then like trafficking, being

1476
01:13:48,640 --> 01:13:51,519
Speaker 3: with traffick hers, it's like it's a lot, you know.

1477
01:13:51,479 --> 01:13:57,360
Speaker 1: What I mean, Like I know, I remember Smack Dad

1478
01:13:57,360 --> 01:14:00,320
Speaker 1: in the middle of you know, people getting the did

1479
01:14:00,400 --> 01:14:02,880
Speaker 1: for weed. It was like Snoop had like the illness pass.

1480
01:14:02,960 --> 01:14:05,000
Speaker 1: Like he would come to this one hotel in New

1481
01:14:05,080 --> 01:14:07,960
Speaker 1: York and for seven floors they would just let him

1482
01:14:07,960 --> 01:14:09,360
Speaker 1: smoke whatever the fuck he wanted.

1483
01:14:09,840 --> 01:14:12,519
Speaker 3: And it's like different, man, what you do in your

1484
01:14:12,600 --> 01:14:15,160
Speaker 3: boss is different.

1485
01:14:19,439 --> 01:14:26,519
Speaker 2: Mhm, we should have the gun popping.

1486
01:14:26,640 --> 01:14:28,760
Speaker 1: Yeah, man, come on, man, you let us down.

1487
01:14:28,960 --> 01:14:29,479
Speaker 3: Shoot men.

1488
01:14:30,040 --> 01:14:33,880
Speaker 2: Let's be honest. It's not more. You guys are way

1489
01:14:33,920 --> 01:14:38,920
Speaker 2: too optimistic. Let's smoke this spooka.

1490
01:14:39,000 --> 01:14:46,320
Speaker 1: Then are we smoking that? Goddamn need know they It's

1491
01:14:46,439 --> 01:14:52,559
Speaker 1: crazy because me listening to repacked it your music, I

1492
01:14:52,600 --> 01:14:55,120
Speaker 1: was I said to myself, Man, I always wanted a

1493
01:14:55,160 --> 01:14:58,519
Speaker 1: record what wiz in phar real And we actually do

1494
01:14:58,640 --> 01:15:01,240
Speaker 1: have a remix with me, you and Pharrell, But it's

1495
01:15:01,280 --> 01:15:03,840
Speaker 1: not the real thing. Before it's not the real thing,

1496
01:15:03,880 --> 01:15:05,519
Speaker 1: I mean because I just felt like it was. It

1497
01:15:05,600 --> 01:15:09,160
Speaker 1: was just a remix. But like me listening to riz music,

1498
01:15:09,880 --> 01:15:12,240
Speaker 1: I need that fit, I need I need that hook.

1499
01:15:12,280 --> 01:15:13,160
Speaker 1: I need the hell.

1500
01:15:12,960 --> 01:15:13,840
Speaker 4: Are you going to do with that?

1501
01:15:14,000 --> 01:15:18,720
Speaker 1: Verse? Then we got you want?

1502
01:15:19,120 --> 01:15:19,519
Speaker 3: I need?

1503
01:15:19,840 --> 01:15:23,040
Speaker 1: I want to go with me and you, Pharrell, get him.

1504
01:15:23,040 --> 01:15:24,519
Speaker 1: We need to go in the studio and make it

1505
01:15:24,640 --> 01:15:25,599
Speaker 1: feel good record.

1506
01:15:25,640 --> 01:15:28,280
Speaker 4: You gotta spark it though, I'm smarked.

1507
01:15:28,320 --> 01:15:31,839
Speaker 1: Yeah, I am smarked.

1508
01:15:31,920 --> 01:15:34,400
Speaker 3: Yeah, yeah, you gotta spark it like I want to.

1509
01:15:35,120 --> 01:15:38,160
Speaker 1: Yeah, that was like I want to do well, well,

1510
01:15:38,160 --> 01:15:41,439
Speaker 1: maybe it's not my last album, or maybe it's a

1511
01:15:41,600 --> 01:15:44,200
Speaker 1: drink Champs full album, and I want to do guests

1512
01:15:44,240 --> 01:15:44,800
Speaker 1: that we had.

1513
01:15:45,000 --> 01:15:46,120
Speaker 4: It's easy, you know what I mean?

1514
01:15:46,240 --> 01:15:48,280
Speaker 1: Yeah, like we had we had a studio up there.

1515
01:15:48,439 --> 01:15:50,320
Speaker 3: Oh well we was, So we're going to be in

1516
01:15:50,320 --> 01:15:55,360
Speaker 3: the studio together, are you sending this? I like being

1517
01:15:55,360 --> 01:15:57,080
Speaker 3: in the studio with Pharrell and I like being in

1518
01:15:57,120 --> 01:15:58,240
Speaker 3: the studio with you. Yes.

1519
01:15:58,320 --> 01:16:02,559
Speaker 1: Yes, And there's nothing like being in.

1520
01:16:02,640 --> 01:16:04,640
Speaker 2: With Forrell because I was able to be in the

1521
01:16:04,680 --> 01:16:05,880
Speaker 2: studio with them a couple of times and.

1522
01:16:06,400 --> 01:16:09,360
Speaker 1: Working against it's funny too.

1523
01:16:09,439 --> 01:16:10,800
Speaker 4: Yeah, he had me cracking up.

1524
01:16:11,080 --> 01:16:13,240
Speaker 3: I'll tell you what you need to do, Yeah, for sure?

1525
01:16:13,640 --> 01:16:14,360
Speaker 2: What you need to work on?

1526
01:16:14,439 --> 01:16:15,200
Speaker 4: Yeah, no, for sure.

1527
01:16:15,200 --> 01:16:18,400
Speaker 1: How many times you've been in the studio for maybe.

1528
01:16:18,120 --> 01:16:19,840
Speaker 3: I think we locked in for like three days when

1529
01:16:19,880 --> 01:16:21,640
Speaker 3: I was working on my second album.

1530
01:16:21,560 --> 01:16:24,479
Speaker 4: And then maybe like another time after that. Okay, it

1531
01:16:24,560 --> 01:16:26,320
Speaker 4: was really good though. He made a beat right there

1532
01:16:26,360 --> 01:16:26,920
Speaker 4: on the spot.

1533
01:16:27,280 --> 01:16:32,320
Speaker 3: Yeah uh he did a verse on there. Oh wow,

1534
01:16:32,439 --> 01:16:34,920
Speaker 3: because I like saying my part and then I wrapped

1535
01:16:34,920 --> 01:16:37,080
Speaker 3: my verse and I was like, yo, p let me

1536
01:16:37,080 --> 01:16:37,679
Speaker 3: get a verse.

1537
01:16:37,560 --> 01:16:39,040
Speaker 4: On here real quick. And he went in there and

1538
01:16:39,040 --> 01:16:39,720
Speaker 4: wrapped me a verse.

1539
01:16:39,800 --> 01:16:42,479
Speaker 1: I was like hell, just like most people did write

1540
01:16:42,479 --> 01:16:43,240
Speaker 1: his verses, he.

1541
01:16:45,920 --> 01:16:49,760
Speaker 4: Did his verse. He showed up for the video as well, like, yeah,

1542
01:16:49,880 --> 01:16:50,519
Speaker 4: what the fuck?

1543
01:16:51,439 --> 01:16:53,240
Speaker 2: So what producer would you want to work with now

1544
01:16:53,280 --> 01:16:54,160
Speaker 2: that you haven't Dre?

1545
01:16:55,520 --> 01:16:56,479
Speaker 4: Dre is on the list.

1546
01:16:56,840 --> 01:17:00,240
Speaker 3: I'm definitely gonna work with Dre, but I want to

1547
01:17:00,280 --> 01:17:04,559
Speaker 3: work some more with Timberland. Yeah yeah, yeah, I want

1548
01:17:04,560 --> 01:17:06,040
Speaker 3: to fuck with Tim a little bit more.

1549
01:17:07,880 --> 01:17:09,559
Speaker 4: Swiss beats, Swiss beats.

1550
01:17:09,920 --> 01:17:11,559
Speaker 2: Yeah, I can see that. I can see that.

1551
01:17:11,560 --> 01:17:12,960
Speaker 3: Easy me and Swiss.

1552
01:17:13,120 --> 01:17:15,559
Speaker 1: I can see that, ye Swiss. I can see that.

1553
01:17:16,600 --> 01:17:19,160
Speaker 3: Would you do it versus not right now?

1554
01:17:19,880 --> 01:17:22,960
Speaker 1: Right now? You got more years, or.

1555
01:17:24,880 --> 01:17:27,960
Speaker 2: You feel that's for someone that's more your elder, or

1556
01:17:28,000 --> 01:17:31,040
Speaker 2: you you feel like it's catalog wise, you want to

1557
01:17:31,080 --> 01:17:31,479
Speaker 2: do more.

1558
01:17:32,200 --> 01:17:34,400
Speaker 3: I think I feel like catalog wise, I would want

1559
01:17:34,400 --> 01:17:37,400
Speaker 3: to do more, like just as a consumer when I

1560
01:17:37,439 --> 01:17:41,360
Speaker 3: watch versus I get happy when I hear like older

1561
01:17:41,439 --> 01:17:43,479
Speaker 3: songs that I didn't even know that they had anything

1562
01:17:43,520 --> 01:17:46,120
Speaker 3: to do with, or just like hits that you know

1563
01:17:46,200 --> 01:17:48,719
Speaker 3: they might have been behind the scenes on the side.

1564
01:17:49,120 --> 01:17:51,400
Speaker 4: Yeah, so it'd be cool to like bring that out.

1565
01:17:51,400 --> 01:17:53,360
Speaker 3: I feel like a lot of my ship is still relevant,

1566
01:17:54,080 --> 01:17:56,559
Speaker 3: so it's like not a not a real surprise, like

1567
01:17:56,640 --> 01:17:58,280
Speaker 3: you know what I mean, Like it'll be cool to

1568
01:17:58,320 --> 01:18:00,320
Speaker 3: be like, oh, yeah, this nigga does have a lot

1569
01:18:00,320 --> 01:18:03,320
Speaker 3: of bangers, but I want to be involved with a

1570
01:18:03,320 --> 01:18:06,760
Speaker 3: lot more different things that aren't just whis Khalifa. And

1571
01:18:06,800 --> 01:18:09,160
Speaker 3: then if I was to do it versus be like, yeah,

1572
01:18:09,400 --> 01:18:11,000
Speaker 3: and I wrote this play something in.

1573
01:18:10,960 --> 01:18:13,080
Speaker 4: Spanish like you know what I'm saying, Like, you know

1574
01:18:13,120 --> 01:18:14,200
Speaker 4: that's more reflex to me.

1575
01:18:15,600 --> 01:18:17,920
Speaker 1: Have you done anything like throwing in the artists?

1576
01:18:18,280 --> 01:18:25,680
Speaker 3: I do a ton of stuff, man, Yeah, yeah, you

1577
01:18:25,760 --> 01:18:30,160
Speaker 3: called them a body, Like what do you say?

1578
01:18:30,840 --> 01:18:40,640
Speaker 1: I don't know, and say the English just saying so just.

1579
01:18:42,439 --> 01:18:47,720
Speaker 7: Get to tell yours, LL tell them in Spanish and

1580
01:18:47,760 --> 01:18:49,280
Speaker 7: I understood them just fine.

1581
01:18:50,600 --> 01:18:51,559
Speaker 4: Exactly what he said?

1582
01:18:51,840 --> 01:18:57,920
Speaker 1: What did he say? Damn relax, I smoke exactly. So

1583
01:18:58,200 --> 01:19:03,280
Speaker 1: we spoke about the foot earlier. You think you be

1584
01:19:03,360 --> 01:19:06,719
Speaker 1: kicking the ship out the box, them them them heavy bags.

1585
01:19:06,760 --> 01:19:07,639
Speaker 1: You be kicking the ship out.

1586
01:19:07,720 --> 01:19:09,519
Speaker 4: You said, that's why my feet are dry.

1587
01:19:09,360 --> 01:19:14,240
Speaker 1: Asking no dry, use the word. I said, you think

1588
01:19:14,240 --> 01:19:16,439
Speaker 1: that's the reason why the fetus virble was because you

1589
01:19:16,520 --> 01:19:18,040
Speaker 1: be kicking the ship out.

1590
01:19:18,120 --> 01:19:19,960
Speaker 3: Because I'll be looking at you want to be playing.

1591
01:19:21,880 --> 01:19:23,240
Speaker 1: What are you training in? Yeah?

1592
01:19:23,280 --> 01:19:26,960
Speaker 3: I do multi I do mutai jiu jitsu, taekwondo, and

1593
01:19:27,160 --> 01:19:29,639
Speaker 3: oh it's mixed martial arts.

1594
01:19:29,640 --> 01:19:30,200
Speaker 1: Its m m A.

1595
01:19:30,320 --> 01:19:33,080
Speaker 4: So it's everything. A nigga might throw you on the ground.

1596
01:19:33,080 --> 01:19:36,200
Speaker 3: The nigga might elbow you, a nigga might grab your

1597
01:19:36,240 --> 01:19:38,760
Speaker 3: ankle all that ship. Basically, you don't up with your

1598
01:19:38,800 --> 01:19:42,880
Speaker 3: big I mean you know, I just train. It's a sport.

1599
01:19:42,960 --> 01:19:47,280
Speaker 3: I'm in shape. You use your feet. Yes, you say

1600
01:19:47,360 --> 01:19:53,519
Speaker 3: you chalk up your foot to kick. I like to jump.

1601
01:19:55,000 --> 01:19:57,519
Speaker 3: I mean you know, no, I think it's just from

1602
01:19:57,560 --> 01:19:58,839
Speaker 3: like lack of moisture.

1603
01:19:58,920 --> 01:20:03,880
Speaker 1: That's all, okay. Yeah, would you be kicking the shit

1604
01:20:03,960 --> 01:20:04,800
Speaker 1: out the bad Yeah?

1605
01:20:04,800 --> 01:20:08,240
Speaker 3: I trained five days a week at a gym called Unbreakable.

1606
01:20:08,400 --> 01:20:11,360
Speaker 3: I've been I've been training for about six years consistently.

1607
01:20:11,479 --> 01:20:16,200
Speaker 3: Now I do weight training and uh and you know

1608
01:20:17,240 --> 01:20:20,559
Speaker 3: the martial arts end of it as well.

1609
01:20:20,800 --> 01:20:23,400
Speaker 1: So yeah, only UFC niggas go there only the.

1610
01:20:23,600 --> 01:20:26,760
Speaker 3: Well UFC is A is a brand, so m M

1611
01:20:26,800 --> 01:20:29,960
Speaker 3: A is Martial arts is the is the art.

1612
01:20:30,880 --> 01:20:31,800
Speaker 1: All those practices.

1613
01:20:32,280 --> 01:20:36,120
Speaker 3: Karate is a part of any martial art. Mix them

1614
01:20:36,200 --> 01:20:38,400
Speaker 3: up exactly exactly.

1615
01:20:38,720 --> 01:20:43,200
Speaker 1: Barus is the time. Don't lose no more because you

1616
01:20:43,240 --> 01:20:44,800
Speaker 1: don't hold that motherfucker.

1617
01:20:46,439 --> 01:20:49,240
Speaker 3: That ship to your head. He said, I'm not. It's

1618
01:20:49,280 --> 01:20:51,759
Speaker 3: gonna kick you. He said, I'm gonna.

1619
01:20:51,600 --> 01:21:03,559
Speaker 9: Kick him standing because.

1620
01:21:03,320 --> 01:21:05,479
Speaker 1: He's about the man that.

1621
01:21:09,320 --> 01:21:09,679
Speaker 10: I got.

1622
01:21:10,560 --> 01:21:26,880
Speaker 2: I'm getting smoking, definitely smoking broh.

1623
01:21:23,680 --> 01:21:40,160
Speaker 3: Ship man happy given kick you? Hell yeah, that was awesome.

1624
01:21:41,439 --> 01:21:43,040
Speaker 1: Why am I the only one comming here?

1625
01:21:43,120 --> 01:21:45,519
Speaker 3: Right? I don't even smoke. You're high. I can see

1626
01:21:45,520 --> 01:21:48,200
Speaker 3: it in your eyes. You just got high like he's

1627
01:21:48,240 --> 01:21:53,800
Speaker 3: read got high like, yes, he's fucking high.

1628
01:21:53,920 --> 01:21:57,120
Speaker 2: Bout one of these Mike Tyson bites.

1629
01:21:57,360 --> 01:21:59,439
Speaker 1: Oh yes, that's big up to my.

1630
01:21:59,479 --> 01:22:09,679
Speaker 3: Flare Broat eat the ear Man.

1631
01:22:11,240 --> 01:22:14,439
Speaker 1: Ship So cut your orange juice, right yeah? Or a

1632
01:22:14,439 --> 01:22:17,000
Speaker 1: piz a unique sound? How did you? How did you

1633
01:22:17,040 --> 01:22:19,840
Speaker 1: capture that sound man.

1634
01:22:19,880 --> 01:22:22,519
Speaker 3: It was like really just living on the road and

1635
01:22:23,160 --> 01:22:28,040
Speaker 3: being a young man and just rapping about my my

1636
01:22:28,720 --> 01:22:30,759
Speaker 3: excursions as a young player.

1637
01:22:31,360 --> 01:22:33,720
Speaker 4: And it was real fun, man, it was. It was

1638
01:22:33,760 --> 01:22:34,360
Speaker 4: a good time.

1639
01:22:34,400 --> 01:22:37,120
Speaker 3: I met Currency during that time, and we kind of

1640
01:22:37,160 --> 01:22:39,240
Speaker 3: came up with well not kind of, but we really

1641
01:22:39,479 --> 01:22:42,719
Speaker 3: strategically came up with our own style and our own sound,

1642
01:22:43,320 --> 01:22:45,679
Speaker 3: and we actually called it karate. And we were watching

1643
01:22:45,720 --> 01:22:47,360
Speaker 3: a lot of we were watching a lot of anime

1644
01:22:47,560 --> 01:22:51,000
Speaker 3: and samuraise and just you know what I'm saying, just

1645
01:22:51,439 --> 01:22:53,400
Speaker 3: crazy ass ship and we just called out there you go.

1646
01:22:53,720 --> 01:22:55,880
Speaker 3: We just called our flow karate, like just how we

1647
01:22:55,880 --> 01:22:59,000
Speaker 3: would kick it, how we would do ship. And the

1648
01:22:59,000 --> 01:23:04,240
Speaker 3: Cushion Orange Juice came from my homie Jake and Toronto.

1649
01:23:04,320 --> 01:23:06,000
Speaker 3: So I went up to Toronto for a couple of

1650
01:23:06,080 --> 01:23:09,280
Speaker 3: days and I was recording the last couple pieces of

1651
01:23:10,240 --> 01:23:12,719
Speaker 3: how Fly, which is the mixtape that I did with Currency,

1652
01:23:13,200 --> 01:23:15,960
Speaker 3: but I was also working on Cushion Orange Juice. And

1653
01:23:16,640 --> 01:23:18,880
Speaker 3: everything that I would say was like wake and bacon,

1654
01:23:19,000 --> 01:23:20,760
Speaker 3: Like we would wake, we would baking, we would do this,

1655
01:23:21,280 --> 01:23:23,719
Speaker 3: and then just randomly he was like, man, your laptop

1656
01:23:23,720 --> 01:23:28,080
Speaker 3: smells like cushion orange juice, and I was like yeah, yeah, yeah, And.

1657
01:23:28,040 --> 01:23:29,880
Speaker 4: I was like, damn, bro, you don't understand. That's my

1658
01:23:29,960 --> 01:23:31,000
Speaker 4: whole life right there.

1659
01:23:31,040 --> 01:23:33,519
Speaker 3: Like it just felt to me like a different way

1660
01:23:33,560 --> 01:23:36,200
Speaker 3: to say wake and bake, like cushion orange juice. And

1661
01:23:36,240 --> 01:23:38,439
Speaker 3: I was able to wrap the music around that and

1662
01:23:39,160 --> 01:23:42,600
Speaker 3: you know, just texture everything to really just describe what

1663
01:23:42,680 --> 01:23:45,160
Speaker 3: we were going through at that time. And shout out

1664
01:23:45,200 --> 01:23:48,040
Speaker 3: to Cardos, shout out to Sledgern, shout out to germ E. Dan,

1665
01:23:48,560 --> 01:23:53,639
Speaker 3: everybody who produced on that album, Nesby Phipps, a big

1666
01:23:53,680 --> 01:23:56,960
Speaker 3: crit you know, everybody. Yeah, everybody who had beats or

1667
01:23:57,080 --> 01:24:00,400
Speaker 3: verses on that album, man, Like, uh.

1668
01:24:00,360 --> 01:24:02,000
Speaker 4: It was. It was legendary for us.

1669
01:24:02,320 --> 01:24:04,559
Speaker 1: And not only that, it was like, like, you know,

1670
01:24:05,800 --> 01:24:09,000
Speaker 1: most hip hop albums have skits. That's the one thing

1671
01:24:09,040 --> 01:24:12,360
Speaker 1: I noticed about it is skits? Idea? Was it?

1672
01:24:12,600 --> 01:24:13,240
Speaker 4: That was my idea?

1673
01:24:13,280 --> 01:24:13,880
Speaker 1: Okay? Yeah.

1674
01:24:13,920 --> 01:24:15,840
Speaker 3: I came up from that era where you know that

1675
01:24:16,200 --> 01:24:19,240
Speaker 3: every classic album has skits on it, like the Chronic

1676
01:24:19,520 --> 01:24:23,479
Speaker 3: or you know, something Women I or fucking you know,

1677
01:24:23,680 --> 01:24:26,559
Speaker 3: every dope album has skits on it. So I just

1678
01:24:26,600 --> 01:24:29,160
Speaker 3: wanted to do it in my own little way, and

1679
01:24:29,200 --> 01:24:30,400
Speaker 3: of course I came.

1680
01:24:30,280 --> 01:24:32,240
Speaker 4: Up listening to Snoop, so they had you know.

1681
01:24:32,600 --> 01:24:36,400
Speaker 3: Uh, doggy style radio and uh.

1682
01:24:35,960 --> 01:24:36,880
Speaker 4: And all of that shit.

1683
01:24:37,000 --> 01:24:39,160
Speaker 3: So I just made up my own little radio station

1684
01:24:39,400 --> 01:24:42,040
Speaker 3: w ED it, made my own little you know, host

1685
01:24:42,080 --> 01:24:44,439
Speaker 3: of it, and we just went with it. I did

1686
01:24:44,479 --> 01:24:47,360
Speaker 3: a bunch of mixtapes before Cushion Orgies. I had like

1687
01:24:47,439 --> 01:24:51,080
Speaker 3: seven mixtapes. Yeah, I had like seven projects before that

1688
01:24:51,120 --> 01:24:53,520
Speaker 3: where I had also you know, done the same concept.

1689
01:24:53,920 --> 01:24:56,280
Speaker 3: But like everybody knows, it takes a minute for it

1690
01:24:56,320 --> 01:24:58,880
Speaker 3: to catch on, and especially at that time, I had

1691
01:24:58,920 --> 01:25:01,040
Speaker 3: the Internet to help me out, Like you know, Twitter

1692
01:25:01,160 --> 01:25:03,760
Speaker 3: was brand new, so I was just fucking abusing that

1693
01:25:04,320 --> 01:25:08,280
Speaker 3: and YouTube. I was just you know, uploading everything and

1694
01:25:08,320 --> 01:25:11,320
Speaker 3: making it a movie or making it a post or

1695
01:25:11,360 --> 01:25:14,320
Speaker 3: a vlog, and people were just following my whole.

1696
01:25:14,080 --> 01:25:14,799
Speaker 4: Thing on Twitter.

1697
01:25:14,880 --> 01:25:17,520
Speaker 3: So when that album came out, it was really interactive

1698
01:25:17,560 --> 01:25:19,200
Speaker 3: for the fans as well. And it was one of

1699
01:25:19,200 --> 01:25:22,240
Speaker 3: the first things to really use the Internet like that too,

1700
01:25:22,560 --> 01:25:23,719
Speaker 3: So it was it was big.

1701
01:25:23,840 --> 01:25:26,160
Speaker 1: You feel like he was one of the first viral artists,

1702
01:25:28,000 --> 01:25:30,360
Speaker 1: like Internet viral, Internet right, right.

1703
01:25:30,040 --> 01:25:31,080
Speaker 3: Which is what I mean.

1704
01:25:32,200 --> 01:25:33,920
Speaker 4: I would say Soldier Boy is the first viral.

1705
01:25:34,120 --> 01:25:34,800
Speaker 3: Yeah, I would say.

1706
01:25:34,680 --> 01:25:36,920
Speaker 1: Soldiable so boy. Yeah, yeah, I would say.

1707
01:25:38,160 --> 01:25:40,960
Speaker 3: Yeah, but that's it's true though, Like he really was

1708
01:25:41,000 --> 01:25:43,080
Speaker 3: like the first viral. I think he literally got his

1709
01:25:43,120 --> 01:25:46,040
Speaker 3: record deal. No, absolutely, because he was hustling. He was

1710
01:25:46,080 --> 01:25:49,040
Speaker 3: like in his house and people heard his music from

1711
01:25:49,120 --> 01:25:51,960
Speaker 3: him promoting it and before it was like out of

1712
01:25:52,000 --> 01:25:54,320
Speaker 3: the trunk and the Internet became the new trunk.

1713
01:25:54,840 --> 01:25:57,519
Speaker 4: Yeah. So I would say Soldier Boy first.

1714
01:25:57,520 --> 01:26:00,160
Speaker 2: Which went hand in hand with the Rington at the

1715
01:26:00,200 --> 01:26:01,160
Speaker 2: beginning of that ring Yeah.

1716
01:26:01,400 --> 01:26:04,920
Speaker 3: Yeah, the ringtng Era was was one thing too, because yeah,

1717
01:26:04,960 --> 01:26:07,400
Speaker 3: for sure that was a big thing over at Warner

1718
01:26:07,520 --> 01:26:13,120
Speaker 3: was like does it got a ring tones that? Yeah? Yeah, yeah,

1719
01:26:13,200 --> 01:26:14,000
Speaker 3: hell yeah.

1720
01:26:14,720 --> 01:26:16,439
Speaker 1: Oh man, I didn't I didn't know. I didn't know.

1721
01:26:16,640 --> 01:26:17,800
Speaker 3: Yeah, yeah, for sure.

1722
01:26:18,920 --> 01:26:21,960
Speaker 1: He was saying something we interrupted you no, yeah, go

1723
01:26:22,439 --> 01:26:23,719
Speaker 1: for it bro yah.

1724
01:26:26,520 --> 01:26:27,040
Speaker 3: Gun guys.

1725
01:26:27,600 --> 01:26:34,160
Speaker 1: Yeah, I got mad questions this it does? This is

1726
01:26:34,240 --> 01:26:35,400
Speaker 1: do roll up?

1727
01:26:35,439 --> 01:26:39,040
Speaker 3: That song? Yeah?

1728
01:26:39,360 --> 01:26:40,160
Speaker 1: Where was you act?

1729
01:26:40,840 --> 01:26:41,840
Speaker 3: Was? Did you roll up?

1730
01:26:41,960 --> 01:26:42,760
Speaker 4: Did I roll up?

1731
01:26:44,040 --> 01:26:47,760
Speaker 1: That's your part of the question. How you just came

1732
01:26:47,800 --> 01:26:48,280
Speaker 1: up with that?

1733
01:26:49,640 --> 01:26:52,360
Speaker 4: So that was that was an interesting part of my

1734
01:26:52,400 --> 01:26:53,160
Speaker 4: career because I.

1735
01:26:53,120 --> 01:26:57,400
Speaker 3: Have written Black and Yellow maybe like eight months before,

1736
01:26:58,360 --> 01:27:00,559
Speaker 3: but nobody really believed in Black Yellow.

1737
01:27:00,960 --> 01:27:04,240
Speaker 1: So so black and Yello was out eight months and

1738
01:27:04,320 --> 01:27:05,200
Speaker 1: it wasn't reacting.

1739
01:27:05,560 --> 01:27:09,040
Speaker 3: No, they didn't believe in it before I put it out. Yeah, yeah,

1740
01:27:09,880 --> 01:27:12,519
Speaker 3: before we dropped it. It was about four months before

1741
01:27:12,560 --> 01:27:14,960
Speaker 3: it dropped. So that was the period where nobody like

1742
01:27:15,000 --> 01:27:16,880
Speaker 3: believed in it, And that was the period of them,

1743
01:27:16,960 --> 01:27:20,640
Speaker 3: like the label asking me to record another single. I'm like, no,

1744
01:27:20,720 --> 01:27:22,280
Speaker 3: I got a single black and heels black and yellows

1745
01:27:22,280 --> 01:27:24,120
Speaker 3: black yow. So we put Black and Yellow out in

1746
01:27:24,160 --> 01:27:27,400
Speaker 3: the fall. Yeah, it was atlantic. I don't want to

1747
01:27:27,520 --> 01:27:30,679
Speaker 3: throw anybody on the bus make I remember working these records.

1748
01:27:31,080 --> 01:27:33,960
Speaker 3: Yeah exactly. I don't want to make a scene. I

1749
01:27:34,000 --> 01:27:35,720
Speaker 3: don't want to make it seem like anybody's bad at

1750
01:27:35,720 --> 01:27:37,600
Speaker 3: their job. But like you know what I'm saying, Like

1751
01:27:37,640 --> 01:27:40,720
Speaker 3: they know the story. They'll tell the story too. The

1752
01:27:40,800 --> 01:27:43,320
Speaker 3: label didn't believe in Black and Yellow. We put Black

1753
01:27:43,320 --> 01:27:45,960
Speaker 3: and Yellow out and win number one, so they're like, fuck,

1754
01:27:46,040 --> 01:27:48,920
Speaker 3: we need another song immediately, like right now, Like get

1755
01:27:48,960 --> 01:27:50,960
Speaker 3: on the plane, get back in the studio with the

1756
01:27:51,000 --> 01:27:53,559
Speaker 3: same producers and do what you did the first time.

1757
01:27:53,640 --> 01:27:56,200
Speaker 3: I was like, all right, cool, fuck it. So they

1758
01:27:56,200 --> 01:27:58,320
Speaker 3: played me a couple of beats. I didn't really you know,

1759
01:27:58,400 --> 01:27:59,840
Speaker 3: fuck with any of them. I was like, this was

1760
01:28:00,080 --> 01:28:03,400
Speaker 3: I was cool, and I'm gonna do it about this instead.

1761
01:28:03,520 --> 01:28:06,839
Speaker 3: You know, I did a fucking you know, a sports anthem.

1762
01:28:06,840 --> 01:28:08,519
Speaker 3: I was like, let me soften it up a little bit,

1763
01:28:08,920 --> 01:28:11,120
Speaker 3: but I'm on my weed shit, so let me like

1764
01:28:11,439 --> 01:28:15,280
Speaker 3: troll the world and like have it sound like friendly

1765
01:28:15,320 --> 01:28:18,160
Speaker 3: but be talking about fucking weed at the same time.

1766
01:28:18,560 --> 01:28:19,799
Speaker 4: And I wrote roll Up.

1767
01:28:19,680 --> 01:28:22,200
Speaker 3: And you know, they went with it and we we

1768
01:28:22,240 --> 01:28:24,400
Speaker 3: shot the video. Cassie was in the video Shout out

1769
01:28:24,400 --> 01:28:28,519
Speaker 3: the Cassie, and that was another you know, platinum, platinum

1770
01:28:28,560 --> 01:28:30,080
Speaker 3: record for me right out the gate because.

1771
01:28:29,840 --> 01:28:31,559
Speaker 1: That was like right on the verge of weed like

1772
01:28:31,800 --> 01:28:35,320
Speaker 1: kind of like being UnTaboo at the time.

1773
01:28:35,400 --> 01:28:37,400
Speaker 4: Yeah no, no, it was still a thing, like it's

1774
01:28:37,400 --> 01:28:39,080
Speaker 4: still a taboid. Yeah yeah, it was still.

1775
01:28:38,920 --> 01:28:41,240
Speaker 3: A thing, especially like me coming from like the blog

1776
01:28:41,360 --> 01:28:44,400
Speaker 3: or mixtape era, like people weren't used to me making

1777
01:28:44,400 --> 01:28:47,240
Speaker 3: those types of songs. But I always knew like, yeah,

1778
01:28:47,240 --> 01:28:49,799
Speaker 3: I'm gonna make bigger records that are gonna appeal to everybody,

1779
01:28:49,840 --> 01:28:51,360
Speaker 3: but I'm gonna just do it in my own way.

1780
01:28:51,880 --> 01:28:53,800
Speaker 3: So that was my way of you know, making a

1781
01:28:53,840 --> 01:28:57,160
Speaker 3: crossover record but still making it weed friendly, like you know,

1782
01:28:57,360 --> 01:28:58,000
Speaker 3: it's genius.

1783
01:28:58,080 --> 01:29:02,760
Speaker 2: Yeah, just make some noise for that, and just to

1784
01:29:02,960 --> 01:29:05,719
Speaker 2: go back on not throwing the labels under the bus,

1785
01:29:06,120 --> 01:29:08,200
Speaker 2: just to be fair of these marketing departments. This was

1786
01:29:08,200 --> 01:29:12,040
Speaker 2: the era where the Internet was so new in terms

1787
01:29:12,080 --> 01:29:15,040
Speaker 2: of how people were promoting music that the labels were

1788
01:29:15,040 --> 01:29:18,040
Speaker 2: strolling the old guard of just radio promotion and the

1789
01:29:18,120 --> 01:29:22,679
Speaker 2: old way. That that's why they had like they didn't

1790
01:29:22,720 --> 01:29:24,600
Speaker 2: catch up quick enough. You're saying, they were all like

1791
01:29:24,680 --> 01:29:25,439
Speaker 2: kind of behind on that.

1792
01:29:25,600 --> 01:29:29,040
Speaker 3: Yeah, they didn't understand that we were in control of

1793
01:29:29,080 --> 01:29:33,400
Speaker 3: our fan base, right. They thought that they knew better

1794
01:29:33,520 --> 01:29:36,280
Speaker 3: than we did. I'm like, look, I could say fuck

1795
01:29:36,400 --> 01:29:40,680
Speaker 3: this shit blah blah blah, and they're gonna buy it,

1796
01:29:40,760 --> 01:29:42,800
Speaker 3: like they love me. They don't care what the fuck

1797
01:29:42,880 --> 01:29:45,360
Speaker 3: I'm saying. Like, labels hadn't seen that before. They were

1798
01:29:45,439 --> 01:29:49,120
Speaker 3: used to building the artists and the machine is still

1799
01:29:49,160 --> 01:29:51,519
Speaker 3: the machine. Back then, there was no digital sales. It

1800
01:29:51,600 --> 01:29:55,360
Speaker 3: was all like physical. So if I'm selling a million records,

1801
01:29:55,360 --> 01:29:58,040
Speaker 3: these are a million motherfuckers who's going to buy this shit?

1802
01:29:58,120 --> 01:30:00,720
Speaker 3: So it was a different time back then, so it

1803
01:30:00,840 --> 01:30:01,880
Speaker 3: was a lot more on the line.

1804
01:30:01,880 --> 01:30:02,799
Speaker 4: Back then, they.

1805
01:30:02,640 --> 01:30:03,720
Speaker 3: Controlled the publicity.

1806
01:30:03,800 --> 01:30:06,599
Speaker 2: You could go straight to the blogger, straight to the Internet,

1807
01:30:07,000 --> 01:30:08,479
Speaker 2: and I think they were still catching up.

1808
01:30:08,520 --> 01:30:10,439
Speaker 3: It was just a discontent they had it.

1809
01:30:11,600 --> 01:30:12,960
Speaker 4: They didn't they had it come together.

1810
01:30:13,200 --> 01:30:16,639
Speaker 1: But once your artists started to take control like that,

1811
01:30:17,040 --> 01:30:20,080
Speaker 1: your generation is is probably that generation that started to

1812
01:30:20,080 --> 01:30:20,599
Speaker 1: take control.

1813
01:30:20,720 --> 01:30:21,280
Speaker 3: Absolutely.

1814
01:30:21,320 --> 01:30:24,160
Speaker 1: That generation is where they introduced the three sixty deal.

1815
01:30:24,640 --> 01:30:26,000
Speaker 4: Sixety started before that.

1816
01:30:26,200 --> 01:30:28,559
Speaker 3: Yeah, but I mean what I mean is they they.

1817
01:30:28,439 --> 01:30:31,240
Speaker 2: Re because three sixty was was trying to grab your

1818
01:30:31,360 --> 01:30:32,679
Speaker 2: your show money everything.

1819
01:30:32,760 --> 01:30:33,599
Speaker 1: It was everybody. I'm saying.

1820
01:30:33,840 --> 01:30:35,479
Speaker 2: It wasn't having to do with Internet. It was just

1821
01:30:35,479 --> 01:30:39,360
Speaker 2: grabbing your show money. They already started, like you said, Yeah.

1822
01:30:38,880 --> 01:30:41,040
Speaker 1: I think I believe it has already started. But believed

1823
01:30:41,080 --> 01:30:45,280
Speaker 1: after these artists, like you know, start to be self contained. Yeah,

1824
01:30:45,320 --> 01:30:48,160
Speaker 1: self contained. I believe that's where it reintroduced itself.

1825
01:30:48,240 --> 01:30:52,200
Speaker 3: Yeah. I feel like the three safety started to just

1826
01:30:52,320 --> 01:30:57,680
Speaker 3: become more of what makes sense because they wanted everything together.

1827
01:30:57,560 --> 01:30:59,360
Speaker 1: And they were losing money. They were losing a lot,

1828
01:30:59,439 --> 01:31:01,200
Speaker 1: you know, because CDs weren't.

1829
01:31:01,240 --> 01:31:04,840
Speaker 3: Seeing the the the control that an artist would have.

1830
01:31:05,000 --> 01:31:07,400
Speaker 3: And it's a way to leverage it more to be

1831
01:31:07,520 --> 01:31:09,880
Speaker 3: like yo, just work with us, because you'll end up

1832
01:31:09,880 --> 01:31:13,080
Speaker 3: making more money. You'll give us this percentage, but you're

1833
01:31:13,120 --> 01:31:15,640
Speaker 3: gonna make a ship ton more than you would just

1834
01:31:15,680 --> 01:31:19,200
Speaker 3: by yourself. And that's just them, you know, up in

1835
01:31:19,240 --> 01:31:20,920
Speaker 3: their game, like we're forgetting the.

1836
01:31:20,960 --> 01:31:25,120
Speaker 2: Napster era, like the era free downloads and bootlegging on

1837
01:31:25,160 --> 01:31:26,280
Speaker 2: the on the digital level.

1838
01:31:26,439 --> 01:31:29,200
Speaker 1: Yeah, like I prefer I mean when I came in

1839
01:31:29,320 --> 01:31:31,080
Speaker 1: to tell my shit, I preferred that.

1840
01:31:31,960 --> 01:31:36,679
Speaker 3: Different stuff started becoming valuable for an artist, Like merch

1841
01:31:36,840 --> 01:31:39,320
Speaker 3: wasn't that valuable for an artist before I came in

1842
01:31:39,400 --> 01:31:42,040
Speaker 3: the game. But you know, you start seeing Taylor Gang,

1843
01:31:42,120 --> 01:31:44,080
Speaker 3: this Tailor gang. Now they're like, fuck, we need a

1844
01:31:44,080 --> 01:31:46,000
Speaker 3: piece of that, like you know what I mean. So

1845
01:31:46,080 --> 01:31:48,559
Speaker 3: that starts to get wrapped into three sixty deals and

1846
01:31:48,600 --> 01:31:52,880
Speaker 3: then you start talking about like monetizing niggas, social media

1847
01:31:52,960 --> 01:31:55,200
Speaker 3: and all that other ship and it just gets real

1848
01:31:55,280 --> 01:31:57,479
Speaker 3: crazy that that didn't even exist when I was there.

1849
01:31:58,080 --> 01:32:02,360
Speaker 3: But yeah, there's a lot of different reasons why they

1850
01:32:02,439 --> 01:32:05,960
Speaker 3: do it in different ways that they upgrade it due

1851
01:32:06,000 --> 01:32:07,640
Speaker 3: to you know what I mean, where we're at in

1852
01:32:07,720 --> 01:32:12,400
Speaker 3: the game. Like, for sure, one, would.

1853
01:32:12,120 --> 01:32:13,960
Speaker 1: You ever sign an artist to a three sixty deal?

1854
01:32:14,439 --> 01:32:16,960
Speaker 3: No, I wouldn't, Okay, No, hell No, I'm just not

1855
01:32:17,040 --> 01:32:18,320
Speaker 3: that big of a machine.

1856
01:32:18,360 --> 01:32:19,280
Speaker 4: Like I can't.

1857
01:32:19,640 --> 01:32:23,880
Speaker 3: I can't follow through of what a three sixty deal

1858
01:32:23,960 --> 01:32:26,400
Speaker 3: intel help get the shows?

1859
01:32:26,560 --> 01:32:28,240
Speaker 4: Yeah yeah, I mean why can help you get.

1860
01:32:28,160 --> 01:32:30,400
Speaker 3: Shows and shit like that, Like that's cool, but it's like,

1861
01:32:30,800 --> 01:32:32,360
Speaker 3: you know, I can't go to radio and be like

1862
01:32:32,479 --> 01:32:35,160
Speaker 3: yo play play this song like all of those other

1863
01:32:35,240 --> 01:32:37,519
Speaker 3: artists play this song because that's what they do, like

1864
01:32:37,640 --> 01:32:39,800
Speaker 3: other I mean like labels. You know what I'm saying, Like,

1865
01:32:40,080 --> 01:32:42,639
Speaker 3: if you're a priority artist, you're gonna get that type

1866
01:32:42,640 --> 01:32:43,080
Speaker 3: of treatment.

1867
01:32:43,200 --> 01:32:45,240
Speaker 2: That's the problem with the three sixty deal. And only

1868
01:32:45,280 --> 01:32:48,440
Speaker 2: a certain small percentage become those priority artists.

1869
01:32:48,160 --> 01:32:49,679
Speaker 1: Show and everybody else is stuck.

1870
01:32:49,479 --> 01:32:52,160
Speaker 3: Their show a priority for a certain amount of time.

1871
01:32:53,240 --> 01:32:54,040
Speaker 3: It don't last forever.

1872
01:32:56,320 --> 01:32:57,439
Speaker 4: They got other priorities.

1873
01:32:58,200 --> 01:33:06,559
Speaker 1: There's no shit hold, but it ain't no fun.

1874
01:33:08,200 --> 01:33:13,160
Speaker 3: The song yeah, girl Talk Ye Smoke Dizzy Yep, okay

1875
01:33:13,160 --> 01:33:17,200
Speaker 3: cool Smoke Disess Yeah yah yeah, that's there is on it.

1876
01:33:18,000 --> 01:33:18,880
Speaker 3: I just didn't get the name.

1877
01:33:19,040 --> 01:33:23,360
Speaker 1: Okay, yeah, yep, tell us about that.

1878
01:33:23,720 --> 01:33:26,639
Speaker 3: I was fucking loaded. Girl Talk called me to the studio.

1879
01:33:26,680 --> 01:33:29,000
Speaker 3: It's like we're making the album. Bro, it's got three

1880
01:33:29,040 --> 01:33:30,799
Speaker 3: of your best friends or two of your best friends

1881
01:33:30,800 --> 01:33:35,120
Speaker 3: on there, just getting the studio, just start making jams, yo,

1882
01:33:35,240 --> 01:33:37,320
Speaker 3: like like old times, Me and Dizzey we came up,

1883
01:33:37,880 --> 01:33:41,439
Speaker 3: you know, mixtape days blog are yeah, smoked Smoked. There's

1884
01:33:41,439 --> 01:33:44,479
Speaker 3: a crit took him on our first tours together.

1885
01:33:45,000 --> 01:33:47,840
Speaker 4: You know, we really really just came up out the

1886
01:33:47,880 --> 01:33:48,439
Speaker 4: mud together.

1887
01:33:48,520 --> 01:33:50,160
Speaker 3: So when it comes to getting in the studio with

1888
01:33:50,200 --> 01:33:53,520
Speaker 3: them dudes, it's automatic, like we're just coming up with ideas.

1889
01:33:53,960 --> 01:33:58,080
Speaker 3: Sometimes smoke or started. Sometimes critles do the hook. Sometimes

1890
01:33:58,160 --> 01:33:59,920
Speaker 3: I'll come in with the hook. Sometimes I'll have a

1891
01:34:00,080 --> 01:34:04,160
Speaker 3: verse like it's just nobody stepping on nobody's toes Hella laughs.

1892
01:34:04,479 --> 01:34:08,519
Speaker 3: And girl Talkers from Pittsburgh. He's a big DJ just

1893
01:34:08,600 --> 01:34:10,639
Speaker 3: in the scene. He's been in the scene for a minute,

1894
01:34:11,080 --> 01:34:14,280
Speaker 3: and he's a producer as well. So that was just

1895
01:34:14,439 --> 01:34:18,280
Speaker 3: our opportunity to just mix everything up and you know,

1896
01:34:18,360 --> 01:34:20,400
Speaker 3: have something great for the fans.

1897
01:34:20,400 --> 01:34:24,559
Speaker 1: Hell yeah, me and you got like something similar. But

1898
01:34:25,120 --> 01:34:30,000
Speaker 1: I feel like Yankee yours is as bigger. Whenever someone

1899
01:34:30,160 --> 01:34:34,719
Speaker 1: passes away here for my crew, I made a record

1900
01:34:34,720 --> 01:34:40,400
Speaker 1: call sometimes which is about my father. Well see you again.

1901
01:34:40,960 --> 01:34:47,320
Speaker 1: It's like the bigger version of that. Yeah, right, Thanks

1902
01:34:47,360 --> 01:34:50,200
Speaker 1: it's up there with you know, What's What's What's What's

1903
01:34:50,200 --> 01:34:53,360
Speaker 1: the puff Daddy Ship? Uh, I'm missing you with Bone

1904
01:34:53,439 --> 01:34:55,760
Speaker 1: Dogs Crosswords.

1905
01:34:56,960 --> 01:34:58,519
Speaker 4: That's one of my favorite songs ever.

1906
01:34:59,160 --> 01:35:00,000
Speaker 3: That's a big record.

1907
01:35:01,920 --> 01:35:03,320
Speaker 1: You know, I want to be as careful as I

1908
01:35:03,360 --> 01:35:07,519
Speaker 1: can because we all know it's about Paul Walker, correct, right,

1909
01:35:08,160 --> 01:35:14,280
Speaker 1: so we know that you know how he passed away

1910
01:35:14,360 --> 01:35:18,120
Speaker 1: or whatever. But what made you want to like create

1911
01:35:18,160 --> 01:35:19,400
Speaker 1: that type of type of record.

1912
01:35:20,000 --> 01:35:21,280
Speaker 4: I was brought into that.

1913
01:35:23,120 --> 01:35:24,720
Speaker 3: For Fast and Furious sound Yeah, for the Fast and

1914
01:35:24,720 --> 01:35:27,639
Speaker 3: Furious soundtrack. Kevin weaver right shot to Kevin Weaver Man

1915
01:35:28,000 --> 01:35:31,720
Speaker 3: did me a huge solid. They were coming up with

1916
01:35:31,720 --> 01:35:35,360
Speaker 3: the soundtrack. I'd done one of the Fast and Furious

1917
01:35:35,360 --> 01:35:38,320
Speaker 3: soundtracks before Paul Walk up. No I didn't. I didn't

1918
01:35:38,320 --> 01:35:42,559
Speaker 3: meet Paul Walker. God, no excuse me. I had done

1919
01:35:42,560 --> 01:35:45,400
Speaker 3: one of the Fast and Furious soundtracks the movie before

1920
01:35:45,439 --> 01:35:45,760
Speaker 3: this one.

1921
01:35:46,200 --> 01:35:48,559
Speaker 4: I think it was on This one was on nine.

1922
01:35:48,600 --> 01:35:49,719
Speaker 4: See You Again was on nine.

1923
01:35:49,960 --> 01:35:51,559
Speaker 3: So I think I did a song on Fast eight

1924
01:35:52,120 --> 01:35:55,400
Speaker 3: and it performed really well, so they had to See

1925
01:35:55,400 --> 01:36:02,200
Speaker 3: You Again song. The situation had happened, right, it had happened.

1926
01:36:02,920 --> 01:36:05,519
Speaker 3: They filmed the movie and he was in a lot

1927
01:36:05,520 --> 01:36:08,320
Speaker 3: of the movie. But then the situation happened mid filming

1928
01:36:08,320 --> 01:36:10,559
Speaker 3: the movie, so like the last scene of the movie.

1929
01:36:10,920 --> 01:36:11,640
Speaker 4: They had planned it.

1930
01:36:11,640 --> 01:36:14,000
Speaker 3: They were like, this is the song that's going to

1931
01:36:14,040 --> 01:36:16,400
Speaker 3: play in the last scene of this movie.

1932
01:36:18,080 --> 01:36:24,439
Speaker 4: Here you go, Buddy. I was like, damn. The beat

1933
01:36:24,520 --> 01:36:26,040
Speaker 4: they had the hook was already there.

1934
01:36:26,120 --> 01:36:28,920
Speaker 3: Charlie was singing the hook, and the idea behind the

1935
01:36:28,960 --> 01:36:30,920
Speaker 3: song was to have a lot of different artists on it,

1936
01:36:31,439 --> 01:36:33,960
Speaker 3: so there was a little there was a little Wayne verse.

1937
01:36:34,640 --> 01:36:37,479
Speaker 3: I think they had Chris Brown cut the hook as well.

1938
01:36:37,680 --> 01:36:39,679
Speaker 3: They had a lot of different artists on the song,

1939
01:36:40,439 --> 01:36:43,599
Speaker 3: and it just went through like a trimming and a

1940
01:36:43,640 --> 01:36:46,439
Speaker 3: shaving phase and it just ended up being my verse

1941
01:36:46,479 --> 01:36:48,720
Speaker 3: on there with Charlie's hook, and they were like, we

1942
01:36:48,920 --> 01:36:52,000
Speaker 3: like this, it pasts a perfect picture, like you really

1943
01:36:52,000 --> 01:36:56,160
Speaker 3: tapped in. Could you write another verse for it? Like totally,

1944
01:36:56,280 --> 01:36:58,280
Speaker 3: So we all got in the studio. I sat there

1945
01:36:58,320 --> 01:37:01,000
Speaker 3: and wrote my verse and we the song out and

1946
01:37:01,080 --> 01:37:03,800
Speaker 3: the first week it performed well, the video comes out

1947
01:37:03,880 --> 01:37:05,600
Speaker 3: and then it just goes to number one and it

1948
01:37:05,640 --> 01:37:08,599
Speaker 3: stayed at number one for I think thirteen or fourteen weeks,

1949
01:37:09,360 --> 01:37:13,280
Speaker 3: and yeah, that was like my biggest record and hell yeah,

1950
01:37:13,320 --> 01:37:14,960
Speaker 3: it was just a huge, huge fucking moment.

1951
01:37:15,040 --> 01:37:17,519
Speaker 1: Yea, because that's crazy that you have like some of

1952
01:37:17,600 --> 01:37:23,200
Speaker 1: the most beautifulest record Yeah, and you got one record

1953
01:37:23,280 --> 01:37:25,519
Speaker 1: that's like, yeah, it makes everyone cry.

1954
01:37:25,600 --> 01:37:27,640
Speaker 3: Yeah, yeah, for sure. I mean it's a blessing. Like

1955
01:37:27,880 --> 01:37:29,719
Speaker 3: a lot of people don't know. I lost my brother

1956
01:37:29,800 --> 01:37:33,880
Speaker 3: as well, and at that time, I knew he was

1957
01:37:33,920 --> 01:37:35,720
Speaker 3: going to pass because he passed from cancer and he

1958
01:37:35,800 --> 01:37:39,160
Speaker 3: decided not to get treatment, and so yeah, I was

1959
01:37:39,160 --> 01:37:41,160
Speaker 3: dealing with that as well. So I was able to,

1960
01:37:41,360 --> 01:37:43,800
Speaker 3: you know, write real feelings. It wasn't just like I

1961
01:37:43,880 --> 01:37:46,240
Speaker 3: was just talking about you know what I'm saying. So

1962
01:37:46,280 --> 01:37:48,320
Speaker 3: there's real feelings in that song. And that's why people

1963
01:37:48,360 --> 01:37:51,559
Speaker 3: are able to connect with it, because you know that's

1964
01:37:51,600 --> 01:37:55,320
Speaker 3: gonna last forever. Like you know, sadly, death is a

1965
01:37:55,320 --> 01:37:58,920
Speaker 3: part of life. It's fucking guaranteed. And you know, people

1966
01:37:59,000 --> 01:38:01,439
Speaker 3: die every day, Garant, you know what I'm saying. People

1967
01:38:01,479 --> 01:38:04,040
Speaker 3: lose something or there's just hard ship to hold onto.

1968
01:38:04,040 --> 01:38:06,240
Speaker 3: In the song, it can help you get through it,

1969
01:38:06,240 --> 01:38:07,360
Speaker 3: it can help you deal with it.

1970
01:38:07,360 --> 01:38:09,360
Speaker 4: It can help you, you know what I'm saying, remember

1971
01:38:09,400 --> 01:38:09,800
Speaker 4: that ship.

1972
01:38:10,280 --> 01:38:12,280
Speaker 3: So it's a it's a blessing more than anything to

1973
01:38:12,320 --> 01:38:14,040
Speaker 3: be able to be a part of those moments in

1974
01:38:14,080 --> 01:38:15,599
Speaker 3: people's lives. Yeah.

1975
01:38:15,680 --> 01:38:18,400
Speaker 1: Yeah, how about Mac Miller? You know, I know you

1976
01:38:18,439 --> 01:38:21,639
Speaker 1: guys have yeah yeah, rest of peace? Yeah, rest peace

1977
01:38:21,680 --> 01:38:25,799
Speaker 1: for a walker. But you want to speak about anything like, well,

1978
01:38:25,840 --> 01:38:27,680
Speaker 1: Mac Miller, you guys relationship.

1979
01:38:27,760 --> 01:38:32,639
Speaker 3: Yeah, Mac was a really good friend of mine. Super talented, Yeah, man,

1980
01:38:32,680 --> 01:38:38,960
Speaker 3: hella talented, represented pittsburghh Yeah, represented the Burgh tremendously and

1981
01:38:39,600 --> 01:38:41,719
Speaker 3: just carved his own way. Like you know what I'm saying,

1982
01:38:41,760 --> 01:38:45,240
Speaker 3: he can't. He came up at a time where everything

1983
01:38:45,360 --> 01:38:48,439
Speaker 3: was still finding directions, so it was like you could

1984
01:38:48,479 --> 01:38:49,320
Speaker 3: be this, so you could be that.

1985
01:38:49,400 --> 01:38:50,559
Speaker 4: But he made his own way.

1986
01:38:51,160 --> 01:38:54,080
Speaker 3: And uh, the way that his fans respect him and

1987
01:38:54,160 --> 01:38:58,720
Speaker 3: love him and people cherish his music is Uh, it's beautiful, man,

1988
01:38:58,720 --> 01:39:02,679
Speaker 3: the way that they keep him and keep him going.

1989
01:39:02,720 --> 01:39:05,759
Speaker 3: And it's it's super sad that what happened to him

1990
01:39:06,240 --> 01:39:10,439
Speaker 3: and what it represented, because I was talking to one

1991
01:39:10,439 --> 01:39:12,520
Speaker 3: of my homies the other day and he was just saying.

1992
01:39:12,240 --> 01:39:12,880
Speaker 1: How.

1993
01:39:14,280 --> 01:39:16,920
Speaker 3: For a whole era of people Max spoke to you

1994
01:39:16,960 --> 01:39:20,120
Speaker 3: know what I'm saying, So like losing him, it's kind

1995
01:39:20,160 --> 01:39:23,360
Speaker 3: of like a lesson to them. But it's also like

1996
01:39:23,439 --> 01:39:25,040
Speaker 3: really sad that that's the way that they had to

1997
01:39:25,120 --> 01:39:25,439
Speaker 3: learn that.

1998
01:39:26,840 --> 01:39:28,439
Speaker 1: Where did you Matt Miller Meat.

1999
01:39:28,920 --> 01:39:31,240
Speaker 3: He's younger than me. He went to my high school,

2000
01:39:31,600 --> 01:39:34,719
Speaker 3: but I didn't actually meet him. Yeah, I didn't actually

2001
01:39:34,720 --> 01:39:37,000
Speaker 3: meet him in high school. I met him at the studio,

2002
01:39:37,280 --> 01:39:39,759
Speaker 3: just like pulling up. I would be there with my homies,

2003
01:39:39,840 --> 01:39:41,880
Speaker 3: or I would go away for tour and I would

2004
01:39:41,880 --> 01:39:43,400
Speaker 3: come back and they would be in the front room

2005
01:39:43,439 --> 01:39:47,280
Speaker 3: making their little joints or shooting videos or just running

2006
01:39:47,280 --> 01:39:48,880
Speaker 3: around the city like you know what I'm saying. They

2007
01:39:48,960 --> 01:39:51,040
Speaker 3: kind of made a name for themselves, and that's how

2008
01:39:51,080 --> 01:39:52,120
Speaker 3: I got on to them.

2009
01:39:52,439 --> 01:39:54,719
Speaker 2: Was there ever any kind of competition being from the city.

2010
01:39:55,000 --> 01:39:56,040
Speaker 2: Nah No, No.

2011
01:39:56,200 --> 01:39:59,760
Speaker 3: I think it's always about embracing, like especially the people

2012
01:39:59,760 --> 01:40:02,639
Speaker 3: who coming up after you, like you have to embrace

2013
01:40:02,720 --> 01:40:05,400
Speaker 3: them and kind of just show them the right thing

2014
01:40:05,439 --> 01:40:08,120
Speaker 3: to do or how to do it or what what

2015
01:40:08,120 --> 01:40:10,519
Speaker 3: what a good example of that looks like, and then

2016
01:40:10,560 --> 01:40:12,719
Speaker 3: they're able to take it on their own and define

2017
01:40:12,760 --> 01:40:15,439
Speaker 3: it for what they wanted to be. But to compete

2018
01:40:15,439 --> 01:40:17,920
Speaker 3: with them, like, that's not the way of like hell no,

2019
01:40:18,800 --> 01:40:20,920
Speaker 3: never that, hell no.

2020
01:40:20,920 --> 01:40:25,320
Speaker 1: Now, recently me and you spoke awful line because we

2021
01:40:25,320 --> 01:40:28,640
Speaker 1: were both bringing our kids. It's goddamn WrestleMania.

2022
01:40:29,280 --> 01:40:29,760
Speaker 3: That was dope.

2023
01:40:30,880 --> 01:40:35,080
Speaker 1: I did not go. Yeah, I went, the kids, got

2024
01:40:35,160 --> 01:40:38,640
Speaker 1: them there, everything went yeah yeah, yeah, yeah, yeah, but

2025
01:40:39,640 --> 01:40:42,920
Speaker 1: yeah yeah yeah. But did I seen you there? I

2026
01:40:43,000 --> 01:40:47,360
Speaker 1: seen you there? Are you a wrestling fan? Yeah? Put

2027
01:40:47,439 --> 01:40:49,519
Speaker 1: us on? What is Snoop was in it?

2028
01:40:49,640 --> 01:40:49,800
Speaker 4: Right?

2029
01:40:50,080 --> 01:40:53,639
Speaker 1: Snoop was actually a lot yeah, Snooping crazy? Yeah yeah,

2030
01:40:53,680 --> 01:40:54,479
Speaker 1: Snoop was in there?

2031
01:40:54,560 --> 01:40:58,559
Speaker 3: Yeah yeah, yeah, ship. I used to watch well, I

2032
01:40:58,600 --> 01:41:00,200
Speaker 3: watched wrestling before it was w W.

2033
01:41:00,400 --> 01:41:03,200
Speaker 2: I watched yeah, when I was a kid, I was

2034
01:41:03,240 --> 01:41:04,280
Speaker 2: into Yes, So I was like.

2035
01:41:04,439 --> 01:41:13,720
Speaker 11: The whole cold uh, roddy Roddy Piper, that's my that's

2036
01:41:13,800 --> 01:41:16,439
Speaker 11: my undertaker, Sean Michael, that's.

2037
01:41:18,120 --> 01:41:21,160
Speaker 3: Heart heart uh uh.

2038
01:41:21,439 --> 01:41:23,200
Speaker 4: Nation of Domination.

2039
01:41:24,360 --> 01:41:24,640
Speaker 3: Him in the.

2040
01:41:24,680 --> 01:41:36,200
Speaker 1: Eighties and love sting sting r fla fla WLD.

2041
01:41:36,560 --> 01:41:39,599
Speaker 3: But he came back. He can't.

2042
01:41:39,600 --> 01:41:42,000
Speaker 1: He's a super leg play out here smoking blunt somebody's

2043
01:41:42,200 --> 01:41:42,840
Speaker 1: super legs.

2044
01:41:42,920 --> 01:41:43,760
Speaker 4: There was hell in it.

2045
01:41:44,320 --> 01:41:49,000
Speaker 3: He was before w W. He was. He was the

2046
01:41:49,000 --> 01:41:50,559
Speaker 3: Square Regeneration.

2047
01:41:50,520 --> 01:41:52,320
Speaker 1: Drinking private rejects like.

2048
01:41:53,880 --> 01:41:53,920
Speaker 3: That.

2049
01:41:54,040 --> 01:41:56,920
Speaker 1: That's that's some rapper ship right there. He was like,

2050
01:41:57,000 --> 01:42:02,519
Speaker 1: no wearing limo haven't bright but jet flying. I was like,

2051
01:42:02,640 --> 01:42:03,240
Speaker 1: why up?

2052
01:42:03,439 --> 01:42:06,800
Speaker 2: That's bars, you know, I see Ric Flair at a

2053
01:42:06,800 --> 01:42:10,560
Speaker 2: at insane posse, at the gathering, at the gathering of

2054
01:42:10,560 --> 01:42:11,160
Speaker 2: the Juggalos.

2055
01:42:11,439 --> 01:42:14,759
Speaker 3: No, I haven't, this is wile saying.

2056
01:42:14,600 --> 01:42:15,719
Speaker 1: And he went on stage.

2057
01:42:15,800 --> 01:42:16,160
Speaker 3: I don't know.

2058
01:42:16,200 --> 01:42:18,439
Speaker 4: I think he was hold he said, yeah.

2059
01:42:18,520 --> 01:42:21,760
Speaker 2: But then you know out there the Juggalos they throw

2060
01:42:21,880 --> 01:42:24,080
Speaker 2: up I don't know what that that that that bottle

2061
01:42:24,160 --> 01:42:26,679
Speaker 2: of It's like soda, these big ass soda bottles.

2062
01:42:27,000 --> 01:42:29,400
Speaker 1: What is called out where they from?

2063
01:42:29,439 --> 01:42:32,080
Speaker 2: They from Detroit, from Detroit, So they throw these big

2064
01:42:32,160 --> 01:42:36,280
Speaker 2: ass bottles at you. But that's out of love. But

2065
01:42:36,840 --> 01:42:45,320
Speaker 2: ever came back, He's like, what the fuck was pitching

2066
01:42:45,360 --> 01:42:46,040
Speaker 2: the motherfuckero?

2067
01:42:46,840 --> 01:42:47,240
Speaker 3: Where's my.

2068
01:42:49,280 --> 01:42:51,280
Speaker 1: Where's Let me ask you, do you think the wrestlers

2069
01:42:51,360 --> 01:42:51,960
Speaker 1: on cocaine?

2070
01:42:52,479 --> 01:42:55,360
Speaker 3: Do I think the wrestlers were on cocaine? I don't think.

2071
01:42:55,439 --> 01:43:02,679
Speaker 3: I've pretty much heard I know something I was smoking.

2072
01:43:03,439 --> 01:43:09,600
Speaker 3: I heard some dark cawana, A part of you have

2073
01:43:09,680 --> 01:43:14,559
Speaker 3: to do cocaine. That's they didn't know like the long

2074
01:43:14,640 --> 01:43:15,479
Speaker 3: term effects of it.

2075
01:43:15,520 --> 01:43:17,679
Speaker 4: Back, you know, they were still like in the middle

2076
01:43:17,680 --> 01:43:18,520
Speaker 4: of the experiment.

2077
01:43:19,160 --> 01:43:25,200
Speaker 1: Yeah, yeah, that's some fun. I'm gonna drink. I'm taking

2078
01:43:25,200 --> 01:43:30,559
Speaker 1: the past, you take away, No, you're good, I got

2079
01:43:30,600 --> 01:43:31,400
Speaker 1: I got a couple of more.

2080
01:43:34,920 --> 01:43:38,880
Speaker 3: Mm hmm, oh, go for it.

2081
01:43:38,920 --> 01:43:43,000
Speaker 1: With the sample, the trail. What's the sample. What's the

2082
01:43:43,040 --> 01:43:47,439
Speaker 1: name of the sample. It's it's it's come on, come on,

2083
01:43:47,520 --> 01:43:51,479
Speaker 1: pull it up. Son, Yes, the Empire, the Son, No, No,

2084
01:43:51,640 --> 01:43:55,240
Speaker 1: I got it as it's the Thrill, walking off the Dream,

2085
01:43:55,400 --> 01:43:57,759
Speaker 1: walking on the Dream, walking on the Dream. Empire.

2086
01:43:57,800 --> 01:43:58,679
Speaker 3: The Son is the group.

2087
01:43:59,320 --> 01:44:01,920
Speaker 1: Oh see you see you telling me?

2088
01:44:02,120 --> 01:44:03,680
Speaker 4: He showing me from Australia.

2089
01:44:03,720 --> 01:44:08,839
Speaker 1: They hard, So you sampled this this record. Yeah. Now,

2090
01:44:10,600 --> 01:44:15,479
Speaker 1: for those that don't know, this is interpretation is different, right.

2091
01:44:15,520 --> 01:44:18,679
Speaker 1: Interpretation is where you can do someone's record over.

2092
01:44:18,960 --> 01:44:21,360
Speaker 4: Yeah, I don't know, and that paid him.

2093
01:44:21,439 --> 01:44:21,559
Speaker 11: No.

2094
01:44:21,680 --> 01:44:27,040
Speaker 3: Interpolation is where you like replay it. It's like certain

2095
01:44:27,080 --> 01:44:30,759
Speaker 3: notes that are different. But this was like a whole flip.

2096
01:44:30,920 --> 01:44:35,720
Speaker 3: So what happened with this was with the Thrill in particular.

2097
01:44:36,360 --> 01:44:39,479
Speaker 3: This was just like the mixtape era. And I went

2098
01:44:39,520 --> 01:44:43,040
Speaker 3: to a party and there was I was in Indie, Indiana,

2099
01:44:43,120 --> 01:44:45,840
Speaker 3: i think, and I had chilled with the with the

2100
01:44:45,880 --> 01:44:48,760
Speaker 3: guy who brought me out there. He was I was

2101
01:44:48,800 --> 01:44:51,200
Speaker 3: at a college campus and I hung out with him

2102
01:44:51,200 --> 01:44:53,439
Speaker 3: the whole day. He was so cool. He took me shopping,

2103
01:44:54,400 --> 01:44:56,599
Speaker 3: we did the show. He was so professional, and as

2104
01:44:56,640 --> 01:44:58,920
Speaker 3: soon as the show was over, he started doing tons

2105
01:44:58,960 --> 01:45:02,439
Speaker 3: of coke and everybody in the room was doing cocaine.

2106
01:45:02,479 --> 01:45:07,160
Speaker 3: I was like, what the fuck happened? Y'all were fucking professionalist.

2107
01:45:07,280 --> 01:45:11,840
Speaker 3: Hell earlier, I'm just smoking weed. Everybody in the room

2108
01:45:12,040 --> 01:45:15,920
Speaker 3: is doing cocaine. And the Empire of the Sun's song

2109
01:45:16,040 --> 01:45:18,639
Speaker 3: came on, and this dude was coked out of his mind.

2110
01:45:18,720 --> 01:45:21,760
Speaker 3: Not the promoter, but he was too. But look, he

2111
01:45:21,840 --> 01:45:24,920
Speaker 3: had a regular collared shirt on, like yours, damn, And

2112
01:45:25,040 --> 01:45:27,559
Speaker 3: when he started doing the coke, he flipped his collar up,

2113
01:45:28,560 --> 01:45:31,240
Speaker 3: so he yeah, that's what he turned into when he

2114
01:45:31,280 --> 01:45:32,679
Speaker 3: did yeah, exactly.

2115
01:45:33,560 --> 01:45:34,439
Speaker 4: So he looked at me.

2116
01:45:34,520 --> 01:45:36,960
Speaker 3: He was like, bro, he was like, if you rap

2117
01:45:37,040 --> 01:45:39,960
Speaker 3: over this song, you'll be the fucking man. And he

2118
01:45:40,080 --> 01:45:42,920
Speaker 3: was right, dog, he was fucking right.

2119
01:45:43,360 --> 01:45:44,600
Speaker 4: I went home and wrapped.

2120
01:45:44,360 --> 01:45:46,920
Speaker 3: Over that shit. I just took the beat and looked

2121
01:45:46,920 --> 01:45:48,920
Speaker 3: it like right at the beginning, I just looted the

2122
01:45:48,920 --> 01:45:51,000
Speaker 3: part that I wanted because they didn't have the instrumental

2123
01:45:51,240 --> 01:45:52,479
Speaker 3: and I just put that shit out like that.

2124
01:45:52,600 --> 01:45:54,639
Speaker 4: Was back in the day before you would get like Sue,

2125
01:45:54,960 --> 01:45:55,439
Speaker 4: you know what I mean.

2126
01:45:55,439 --> 01:45:58,600
Speaker 3: They wasn't really looking at this internet kid, you know,

2127
01:45:58,640 --> 01:46:02,080
Speaker 3: blah blah blah. But fast forward, I started doing Hell's

2128
01:46:02,120 --> 01:46:04,719
Speaker 3: shows off of that shit, and they were like, damn,

2129
01:46:04,760 --> 01:46:06,760
Speaker 3: you're making money off of our record. So they like

2130
01:46:06,760 --> 01:46:08,519
Speaker 3: made up this whole little rule where it was like,

2131
01:46:08,560 --> 01:46:11,519
Speaker 3: if you sample certain records, you can't perform them unless

2132
01:46:11,560 --> 01:46:14,040
Speaker 3: you get clearance from the artists. Blah blah blah. It's

2133
01:46:14,040 --> 01:46:16,559
Speaker 3: that other thing because you're technically making money without clearing

2134
01:46:16,560 --> 01:46:19,559
Speaker 3: the record. I was making millions of fucking dollars traveling

2135
01:46:19,560 --> 01:46:22,160
Speaker 3: the world performing this song, and they're sitting at home

2136
01:46:22,280 --> 01:46:25,320
Speaker 3: like that's our song, Like it's damn, it's damn. They're

2137
01:46:25,439 --> 01:46:27,960
Speaker 3: bigger than our record, Like what the fuck. We haven't

2138
01:46:27,960 --> 01:46:31,599
Speaker 3: even performed our song at that level. So eventually they

2139
01:46:31,680 --> 01:46:33,599
Speaker 3: just had to break bread. They was like, look, we'll

2140
01:46:33,720 --> 01:46:37,479
Speaker 3: just fucking make your version. Whatever your name and your

2141
01:46:37,520 --> 01:46:39,960
Speaker 3: song is, that'll be your version, and then we'll have

2142
01:46:40,040 --> 01:46:42,960
Speaker 3: our version. It's basically the same song, but I got

2143
01:46:42,960 --> 01:46:45,720
Speaker 3: my version and they got their version. Yeah.

2144
01:46:45,800 --> 01:46:48,439
Speaker 4: Yeah, I'm keep the collar flipped up.

2145
01:46:49,320 --> 01:46:57,719
Speaker 1: Yeah that is crazy. So yeah, because he was saying,

2146
01:46:57,840 --> 01:47:01,080
Speaker 1: like how he sampled this record, Like I don't know

2147
01:47:01,080 --> 01:47:04,160
Speaker 1: if you remember, but La La and New York, New York,

2148
01:47:04,560 --> 01:47:06,439
Speaker 1: Like we had to give one hundred percent rights to

2149
01:47:06,439 --> 01:47:09,280
Speaker 1: the sugar Hill Uh, Like we couldn't. Like as soon

2150
01:47:09,280 --> 01:47:11,080
Speaker 1: as they suit us, we just say, yes, we did

2151
01:47:11,200 --> 01:47:16,439
Speaker 1: sample you like what caught. Yes, you sample it with them,

2152
01:47:16,479 --> 01:47:19,040
Speaker 1: they worked with you. You know you could do that.

2153
01:47:19,439 --> 01:47:21,880
Speaker 3: Well, you can negotiate those situations.

2154
01:47:22,200 --> 01:47:24,160
Speaker 2: What happens is most of the time the artists don't

2155
01:47:24,200 --> 01:47:26,960
Speaker 2: ever even ask, and then after the fact that the

2156
01:47:26,960 --> 01:47:28,040
Speaker 2: publishers are coming.

2157
01:47:28,120 --> 01:47:29,479
Speaker 3: And grabbing their stuff.

2158
01:47:30,000 --> 01:47:33,280
Speaker 2: Right, So if you were to like anticipate that situation,

2159
01:47:33,400 --> 01:47:36,280
Speaker 2: you could go and negotiate with the estate or with

2160
01:47:36,360 --> 01:47:39,920
Speaker 2: the artists and whatever, and they might be usually they're

2161
01:47:39,920 --> 01:47:41,680
Speaker 2: going to be probably cool about it.

2162
01:47:41,040 --> 01:47:43,559
Speaker 3: And it works in everybody's favorite when they are cool

2163
01:47:43,600 --> 01:47:45,800
Speaker 3: about it, because they start saying how much money they

2164
01:47:45,840 --> 01:47:47,840
Speaker 3: could make. They'd be like, oh, right, never mind, let

2165
01:47:47,840 --> 01:47:48,400
Speaker 3: me just chill.

2166
01:47:52,000 --> 01:47:53,680
Speaker 2: Nobody wants to go to court and do all that

2167
01:47:53,680 --> 01:47:54,720
Speaker 2: crazy shit after the fact.

2168
01:47:54,840 --> 01:47:56,960
Speaker 3: And then and then especially with digital sales, they back

2169
01:47:57,040 --> 01:47:59,960
Speaker 3: day everything. So that song was streaming for like ten years,

2170
01:48:00,479 --> 01:48:03,400
Speaker 3: so all of the streams from ten years get brought

2171
01:48:03,479 --> 01:48:05,320
Speaker 3: up now, so they're about to get a fat ass

2172
01:48:05,400 --> 01:48:07,320
Speaker 3: check from all of the ship that it already did,

2173
01:48:08,160 --> 01:48:10,519
Speaker 3: just for just for signing the paperwork, Yeah for sure.

2174
01:48:10,560 --> 01:48:12,080
Speaker 4: Okay, yeah, hell yeah, just.

2175
01:48:12,000 --> 01:48:13,840
Speaker 3: For signing the paperwork, just for being like, all right,

2176
01:48:13,880 --> 01:48:15,280
Speaker 3: we're cool with it.

2177
01:48:15,920 --> 01:48:19,840
Speaker 1: Yeah, yep, this is he's the week's proper cheese. So

2178
01:48:20,080 --> 01:48:22,600
Speaker 1: oh fuck up. Yeah, because I was just gonna go

2179
01:48:22,640 --> 01:48:23,000
Speaker 1: on there.

2180
01:48:23,880 --> 01:48:25,760
Speaker 2: We talked about producers you would work with, but what

2181
01:48:25,880 --> 01:48:29,479
Speaker 2: about straight mcs you want to collaborate with or.

2182
01:48:29,400 --> 01:48:30,400
Speaker 3: Would you do ever do it?

2183
01:48:30,479 --> 01:48:32,960
Speaker 2: Actually, never mind the collab would you ever do a

2184
01:48:33,040 --> 01:48:34,080
Speaker 2: joint album with someone?

2185
01:48:34,080 --> 01:48:37,920
Speaker 4: And who would it be a joint currency?

2186
01:48:37,960 --> 01:48:40,120
Speaker 3: I'm down to do a joint album with anybody, man,

2187
01:48:40,200 --> 01:48:43,000
Speaker 3: Like I feel like bless you. I feel like anybody

2188
01:48:43,000 --> 01:48:44,680
Speaker 3: who I get in the room with and vibe with

2189
01:48:44,800 --> 01:48:46,840
Speaker 3: for like four days. We end up making like a

2190
01:48:46,840 --> 01:48:49,519
Speaker 3: little mini album. Anyway, Uh Me.

2191
01:48:49,479 --> 01:48:52,479
Speaker 4: And Cutty been working back and forth on some stuff.

2192
01:48:52,520 --> 01:48:56,799
Speaker 3: I could see us, like, you know, continueing our flow

2193
01:48:57,360 --> 01:49:01,080
Speaker 3: because it's very very natural and the the the ship

2194
01:49:01,120 --> 01:49:05,280
Speaker 3: that we got is fucking heat, so yeah we don't Yeah,

2195
01:49:05,560 --> 01:49:09,240
Speaker 3: why stop that and be crazy yeah, yeah, I'll be fun.

2196
01:49:09,560 --> 01:49:11,400
Speaker 1: I mean I think that's one of the illest things

2197
01:49:11,960 --> 01:49:14,360
Speaker 1: about you is your melodic Yeah, thank you. You know

2198
01:49:14,439 --> 01:49:16,720
Speaker 1: when you like you could rap rap yeah yeah yeah,

2199
01:49:16,800 --> 01:49:19,280
Speaker 1: but then you can also get into this melodics.

2200
01:49:19,360 --> 01:49:19,559
Speaker 3: Yeah.

2201
01:49:19,840 --> 01:49:22,280
Speaker 1: Show, and I think that's what cutting is too.

2202
01:49:23,360 --> 01:49:26,639
Speaker 2: Would you guys give that the beginnings of that melodic

2203
01:49:26,800 --> 01:49:28,720
Speaker 2: in in rappers.

2204
01:49:28,600 --> 01:49:34,200
Speaker 3: To He's from He's from He's from Ohio, I'm from Pittsburgh. Definitely,

2205
01:49:34,280 --> 01:49:35,280
Speaker 3: Bone does harmony.

2206
01:49:37,680 --> 01:49:39,080
Speaker 1: I heard that much to them.

2207
01:49:39,120 --> 01:49:41,519
Speaker 4: Yeah, No, that's that's my influence for sure.

2208
01:49:42,040 --> 01:49:46,439
Speaker 1: Yeah, it was. It was a time, right. I was

2209
01:49:46,479 --> 01:49:48,920
Speaker 1: just like in rap purgatory you know what that means. Yeah,

2210
01:49:49,240 --> 01:49:52,120
Speaker 1: Like I'm just chilling. And I went to l Aye.

2211
01:49:53,160 --> 01:49:54,800
Speaker 1: When I went to Alchemist's.

2212
01:49:54,240 --> 01:49:56,320
Speaker 2: House, shout out Alchemists such a legend.

2213
01:49:58,120 --> 01:50:01,040
Speaker 1: Was like, man, come outside, you know I was. I

2214
01:50:01,080 --> 01:50:03,880
Speaker 1: was like, if people don't know what purgatory is, a

2215
01:50:03,880 --> 01:50:06,760
Speaker 1: state where you're not really between heaven and Hell, but

2216
01:50:06,840 --> 01:50:09,639
Speaker 1: you're not really like it's just existing. Yeah, just existing.

2217
01:50:09,680 --> 01:50:10,479
Speaker 3: It's not a place.

2218
01:50:10,720 --> 01:50:13,120
Speaker 1: Malachim said to me and Kick Cutty at the show.

2219
01:50:14,520 --> 01:50:17,559
Speaker 1: Alchemist said to me, come out this has when Kirk

2220
01:50:17,600 --> 01:50:20,760
Speaker 1: Cutty is you know. So I said, I'm not going

2221
01:50:20,760 --> 01:50:23,360
Speaker 1: to the shows. Those those type of people don't like me.

2222
01:50:23,760 --> 01:50:27,519
Speaker 1: You said that, Yeah, that's what That's what I thought.

2223
01:50:27,560 --> 01:50:38,599
Speaker 3: Kayak doesn't like this is by the way I brought

2224
01:50:38,600 --> 01:50:38,840
Speaker 3: it up.

2225
01:50:39,439 --> 01:50:42,599
Speaker 1: Shot at I want to get it back at me. Anyway,

2226
01:50:42,680 --> 01:50:46,360
Speaker 1: you gotta do all your drops. So anyway, so I

2227
01:50:46,360 --> 01:50:49,320
Speaker 1: told Alchemists, I was like, no, he's like, yo, like

2228
01:50:49,520 --> 01:50:51,479
Speaker 1: you had something to do with putting on for real,

2229
01:50:51,640 --> 01:50:55,320
Speaker 1: for real is like the godfather of this like hipster scene.

2230
01:50:55,320 --> 01:50:57,240
Speaker 1: I didn't really know what. I don't want to call

2231
01:50:57,280 --> 01:50:57,839
Speaker 1: the hipsters.

2232
01:50:58,080 --> 01:51:00,880
Speaker 4: I said, well, it's fine, it's not it's not it's

2233
01:51:00,880 --> 01:51:01,360
Speaker 4: not racist.

2234
01:51:03,880 --> 01:51:08,320
Speaker 1: So going to this Kirk Cuddy concert not a concert,

2235
01:51:08,400 --> 01:51:11,559
Speaker 1: it was a show in La somewhere, and I walked

2236
01:51:11,560 --> 01:51:13,680
Speaker 1: in and I'm trying to be incog negro. I got

2237
01:51:13,680 --> 01:51:16,920
Speaker 1: a ski hat on in La a ski hat ski hat, Yeah,

2238
01:51:16,960 --> 01:51:19,080
Speaker 1: like a giant ski hat. Like they like they didn't

2239
01:51:19,080 --> 01:51:20,800
Speaker 1: know all from New York, you know what I'm saying.

2240
01:51:20,880 --> 01:51:23,400
Speaker 1: I said, there and Kirk Cuddy see me on stage.

2241
01:51:23,400 --> 01:51:25,960
Speaker 1: It was like Laurie come up here. And it was

2242
01:51:26,000 --> 01:51:30,599
Speaker 1: crazy because I didn't realize Alchemists had already told told him,

2243
01:51:30,640 --> 01:51:33,680
Speaker 1: he's bringing me there, but had my records and when

2244
01:51:33,680 --> 01:51:35,920
Speaker 1: I performed for these kids, and I was just like

2245
01:51:36,400 --> 01:51:41,280
Speaker 1: I had didn't know that my records resonated with them

2246
01:51:41,720 --> 01:51:44,240
Speaker 1: because and it was like, you haven't got a TikTok

2247
01:51:44,320 --> 01:51:47,439
Speaker 1: song now, yeah yeah, yeah, yeah, yeah, it's pretty good still.

2248
01:51:50,840 --> 01:51:54,439
Speaker 2: But that wasn't the same time we did the merg Show,

2249
01:51:54,800 --> 01:51:55,080
Speaker 2: was it?

2250
01:51:55,439 --> 01:51:55,840
Speaker 1: That was.

2251
01:51:57,439 --> 01:51:57,479
Speaker 3: No?

2252
01:51:57,920 --> 01:51:59,960
Speaker 1: Actually the mer Show. That's the reason why I came

2253
01:52:00,040 --> 01:52:03,120
Speaker 1: back to Alchemists, because Alchemists that's two weeks before. So

2254
01:52:03,160 --> 01:52:04,000
Speaker 1: it was like something like.

2255
01:52:03,960 --> 01:52:06,599
Speaker 2: That, Look, this shows you how dope Alchemist is, how

2256
01:52:06,680 --> 01:52:09,880
Speaker 2: humbly is He's such a legend, and he's he still

2257
01:52:09,920 --> 01:52:11,479
Speaker 2: loves you so much. He's gonna come spin for you

2258
01:52:11,600 --> 01:52:12,720
Speaker 2: just off just I did.

2259
01:52:13,160 --> 01:52:13,559
Speaker 1: I wasn't.

2260
01:52:13,600 --> 01:52:14,080
Speaker 3: I wasn't.

2261
01:52:15,439 --> 01:52:17,760
Speaker 1: What is that ship called confident? You know, like I

2262
01:52:17,800 --> 01:52:20,400
Speaker 1: said in Purgatory, Coming Time, where I don't give a

2263
01:52:20,680 --> 01:52:22,519
Speaker 1: how much music you may. I don't care how much

2264
01:52:22,560 --> 01:52:24,280
Speaker 1: platinum you went, how much the records.

2265
01:52:24,040 --> 01:52:24,720
Speaker 3: You went for made.

2266
01:52:24,720 --> 01:52:26,599
Speaker 1: They're just going to get tired of you. That's just

2267
01:52:26,800 --> 01:52:29,000
Speaker 1: that's just how this music business is. And then you

2268
01:52:29,040 --> 01:52:31,600
Speaker 1: have to find something to transition to something else. But

2269
01:52:31,720 --> 01:52:35,759
Speaker 1: in that in that moment, I just wasn't confident and

2270
01:52:35,760 --> 01:52:38,000
Speaker 1: and Alchemist was the one. And because the cut. I

2271
01:52:38,000 --> 01:52:40,479
Speaker 1: bring it up because sweet man, yes, it's god damn.

2272
01:52:43,240 --> 01:52:43,679
Speaker 4: To cutting.

2273
01:52:44,240 --> 01:52:45,519
Speaker 1: So what you like you.

2274
01:52:45,479 --> 01:52:46,599
Speaker 3: Forgetting your swagger back?

2275
01:52:48,000 --> 01:52:51,400
Speaker 1: What do you like more making the record or performing

2276
01:52:51,439 --> 01:52:51,920
Speaker 1: the record?

2277
01:52:52,120 --> 01:52:54,639
Speaker 4: I don't like either one least.

2278
01:52:59,479 --> 01:52:59,840
Speaker 1: Your career.

2279
01:53:01,680 --> 01:53:03,920
Speaker 3: Nah. I love creating it because it's so fun to

2280
01:53:04,080 --> 01:53:06,559
Speaker 3: just have this idea that doesn't exist and to make

2281
01:53:06,600 --> 01:53:09,439
Speaker 3: it real right. And I love performing it because you're

2282
01:53:09,439 --> 01:53:12,040
Speaker 3: doing the same thing. You're making people believe in some

2283
01:53:12,080 --> 01:53:15,280
Speaker 3: shit that you create that only youth, you know.

2284
01:53:15,280 --> 01:53:15,800
Speaker 1: What I'm saying.

2285
01:53:16,200 --> 01:53:20,000
Speaker 3: And then it starts to like it starts to like

2286
01:53:20,040 --> 01:53:23,400
Speaker 3: develop into this like experiment where it's like I'm playing

2287
01:53:23,400 --> 01:53:25,640
Speaker 3: with people where it's like I'm in the studio, like

2288
01:53:26,080 --> 01:53:28,360
Speaker 3: I know they're going to go crazy for this, and

2289
01:53:28,400 --> 01:53:30,640
Speaker 3: then they actually do. I'm like, what the fuck? Like

2290
01:53:31,160 --> 01:53:33,160
Speaker 3: it works like you know what I mean, I just

2291
01:53:33,240 --> 01:53:39,080
Speaker 3: make this shit. It's like magic. You know, it's fun,

2292
01:53:39,120 --> 01:53:41,680
Speaker 3: as Helle, it's so fun. I get a kick out

2293
01:53:41,680 --> 01:53:43,600
Speaker 3: of that shit. And you know, I feel like the

2294
01:53:43,640 --> 01:53:45,439
Speaker 3: people they get a sense of that too. They're like,

2295
01:53:45,439 --> 01:53:47,519
Speaker 3: this dude is having a good time with us, Like

2296
01:53:47,880 --> 01:53:51,479
Speaker 3: you know what I mean. So I enjoy both. I

2297
01:53:51,560 --> 01:53:55,439
Speaker 3: enjoyed experience of both. I love performing brand new records.

2298
01:53:55,479 --> 01:53:58,639
Speaker 3: I love performing hits, songs that are out for freaking ten,

2299
01:53:58,920 --> 01:54:01,280
Speaker 3: twelve thirteen. I love doing all that shit.

2300
01:54:01,400 --> 01:54:03,880
Speaker 1: Yo, I'm gonna take a shot. But then I got

2301
01:54:03,880 --> 01:54:05,679
Speaker 1: to ask you about that brand new record shop Yeah,

2302
01:54:05,720 --> 01:54:11,400
Speaker 1: hell yeah, get that. Brand new records are the toughest

2303
01:54:11,400 --> 01:54:13,880
Speaker 1: thing to perform. So where you saying you like to

2304
01:54:13,880 --> 01:54:15,960
Speaker 1: perform this sat in like intimate situations?

2305
01:54:16,040 --> 01:54:18,080
Speaker 2: Nah, if you're like the rest of a brand new

2306
01:54:18,120 --> 01:54:20,759
Speaker 2: record at a festival, nigga, get the fuck three verses.

2307
01:54:20,840 --> 01:54:23,680
Speaker 3: Let's go, y'all gonna listen to this whole song. That's

2308
01:54:23,720 --> 01:54:25,799
Speaker 3: what music is, man, It's making people believe.

2309
01:54:26,120 --> 01:54:28,160
Speaker 2: Are you looking for something specific when you do that

2310
01:54:28,200 --> 01:54:29,639
Speaker 2: new record to that audience?

2311
01:54:29,680 --> 01:54:29,880
Speaker 3: Are you?

2312
01:54:30,240 --> 01:54:30,639
Speaker 1: I know?

2313
01:54:30,960 --> 01:54:35,120
Speaker 3: If I if I make this song in a room

2314
01:54:35,160 --> 01:54:37,240
Speaker 3: and it's just me, and if I can make it

2315
01:54:37,280 --> 01:54:40,960
Speaker 3: go crazy, I know a million people or however many

2316
01:54:40,960 --> 01:54:43,480
Speaker 3: people I'm imagining a million, it's probably fifty thousand and

2317
01:54:43,520 --> 01:54:44,320
Speaker 3: sixty or whatever.

2318
01:54:44,720 --> 01:54:46,320
Speaker 4: I know I can make y'all go crazy.

2319
01:54:46,360 --> 01:54:48,960
Speaker 3: If I could make a room full of nobody go crazy,

2320
01:54:49,520 --> 01:54:51,040
Speaker 3: Like you know what I'm saying. I can feel that.

2321
01:54:51,080 --> 01:54:54,360
Speaker 2: You say the udio that's your homies though then my

2322
01:54:54,440 --> 01:54:55,280
Speaker 2: homies ain't there.

2323
01:54:55,320 --> 01:54:58,400
Speaker 3: It's just me. Oh yeah, yeah, I'm not talking to

2324
01:54:58,480 --> 01:55:00,960
Speaker 3: no nigga, Like you know what I'm saying. I'm mapping

2325
01:55:00,960 --> 01:55:03,720
Speaker 3: this shit out in my head, like what feels good

2326
01:55:03,760 --> 01:55:06,680
Speaker 3: and what doesn't? What would embarrass me If I was

2327
01:55:06,720 --> 01:55:08,760
Speaker 3: in front of one hundred thousand people, that shit is

2328
01:55:08,800 --> 01:55:11,760
Speaker 3: still embarrassing. If I'm sitting there by myself. You did

2329
01:55:11,840 --> 01:55:13,200
Speaker 3: what I'm saying. I don't got to go out there

2330
01:55:13,840 --> 01:55:15,080
Speaker 3: gauge of it while I.

2331
01:55:15,160 --> 01:55:15,520
Speaker 4: Know I do.

2332
01:55:15,600 --> 01:55:18,960
Speaker 3: I got a great taste, I got great timing. I'm

2333
01:55:19,000 --> 01:55:21,200
Speaker 3: confident in all of that shit. Like I said, I'm

2334
01:55:21,240 --> 01:55:24,080
Speaker 3: just experimenting on people. But I know I'm coming up

2335
01:55:24,120 --> 01:55:26,320
Speaker 3: with the fucking game plan right then and there. So

2336
01:55:26,400 --> 01:55:28,320
Speaker 3: if I say it in a song, or if I

2337
01:55:28,360 --> 01:55:30,600
Speaker 3: map it out for the song to lead up into this,

2338
01:55:30,920 --> 01:55:32,760
Speaker 3: you're gonna do a certain thing when it comes on.

2339
01:55:32,880 --> 01:55:34,960
Speaker 4: I'm just walking you into it.

2340
01:55:35,000 --> 01:55:37,920
Speaker 3: So when I do it on stage, I'm just doing

2341
01:55:37,960 --> 01:55:40,240
Speaker 3: what I already knew was gonna happen. I'm just trying

2342
01:55:40,280 --> 01:55:43,400
Speaker 3: it out on y'all and it works, and it's like, okay,

2343
01:55:43,480 --> 01:55:44,480
Speaker 3: all right, cool, you know.

2344
01:55:44,520 --> 01:55:45,080
Speaker 1: What I'm saying.

2345
01:55:45,600 --> 01:55:47,800
Speaker 3: Yeah, hell yeah. But that's what music is. That's why

2346
01:55:47,840 --> 01:55:51,480
Speaker 3: I enjoy different genres of music. A lot of people

2347
01:55:51,480 --> 01:55:54,360
Speaker 3: get so caught up on like listening to their favorite

2348
01:55:54,440 --> 01:55:57,320
Speaker 3: rap song or their most nostalgic song. They don't put

2349
01:55:57,320 --> 01:55:59,320
Speaker 3: on shit that they never heard before, and they don't

2350
01:55:59,400 --> 01:56:03,560
Speaker 3: understand how to, you know, go through the music and

2351
01:56:03,640 --> 01:56:06,880
Speaker 3: learn the sequencing and why you actually like a song,

2352
01:56:07,000 --> 01:56:09,320
Speaker 3: or why you know the lyrics to a song. And

2353
01:56:09,320 --> 01:56:11,680
Speaker 3: that's why country music and pop music is so you

2354
01:56:11,720 --> 01:56:13,360
Speaker 3: know what I mean, easy to catch on to because

2355
01:56:13,360 --> 01:56:15,680
Speaker 3: they write the lyrics to where you can learn the

2356
01:56:15,720 --> 01:56:18,160
Speaker 3: hook and the pre hook as you're listening to it,

2357
01:56:18,360 --> 01:56:20,320
Speaker 3: so before the song is even over, you know the

2358
01:56:20,360 --> 01:56:22,960
Speaker 3: whole motherfucking song. You might want to hear that bitch again.

2359
01:56:23,520 --> 01:56:25,680
Speaker 3: Or by the time you hear it again, you know

2360
01:56:25,720 --> 01:56:27,080
Speaker 3: how to sing it, you know what I'm saying. And

2361
01:56:27,120 --> 01:56:29,640
Speaker 3: that's what a great performance is to me. If I

2362
01:56:29,640 --> 01:56:32,320
Speaker 3: could show up and I don't even know the band

2363
01:56:32,440 --> 01:56:35,240
Speaker 3: or know the lyrics to the song, and I end

2364
01:56:35,360 --> 01:56:37,640
Speaker 3: up liking it, end up singing it, that's a great song.

2365
01:56:38,000 --> 01:56:39,720
Speaker 4: You did what I'm saying, and that's what I bring

2366
01:56:39,800 --> 01:56:40,600
Speaker 4: with my music.

2367
01:56:40,800 --> 01:56:42,600
Speaker 3: That's what I bring with my performance, and that's why

2368
01:56:42,640 --> 01:56:45,080
Speaker 3: I'm so confident to perform a song that nobody ever

2369
01:56:45,120 --> 01:56:48,760
Speaker 3: heard for the first time front of fifty thousand goddamn

2370
01:56:48,760 --> 01:56:49,280
Speaker 3: make some noose.

2371
01:56:49,520 --> 01:56:54,720
Speaker 2: Yeah, what country did you performed that? Were you most

2372
01:56:54,720 --> 01:56:55,520
Speaker 2: surprised at?

2373
01:56:55,560 --> 01:56:55,720
Speaker 1: At?

2374
01:56:55,800 --> 01:56:57,120
Speaker 3: China? China? Yeah?

2375
01:56:57,120 --> 01:56:57,840
Speaker 2: What part of China?

2376
01:56:58,240 --> 01:57:07,120
Speaker 3: Nigga China China? That part They ain't speaking no English

2377
01:57:07,240 --> 01:57:09,480
Speaker 3: over there, and they're singing that ship dog.

2378
01:57:10,080 --> 01:57:12,919
Speaker 1: That must have been a piece I can't sing in Chinese.

2379
01:57:14,720 --> 01:57:18,920
Speaker 3: I don't know. Maybe I'm like, damn, like, maybe I

2380
01:57:18,960 --> 01:57:21,200
Speaker 3: should learn one of you all songs the way y'all

2381
01:57:21,240 --> 01:57:22,360
Speaker 3: singing my ship.

2382
01:57:22,320 --> 01:57:24,240
Speaker 2: Which would be the ill thing for a lot of

2383
01:57:24,280 --> 01:57:26,720
Speaker 2: artists to do. Yeah, because it made me think, we

2384
01:57:26,760 --> 01:57:27,680
Speaker 2: don't ever do.

2385
01:57:27,560 --> 01:57:31,200
Speaker 3: That for them. Bro, we're so American the country English. Yeah,

2386
01:57:31,280 --> 01:57:32,840
Speaker 3: but we don't speak none of the language. You know,

2387
01:57:32,920 --> 01:57:37,120
Speaker 3: we don't even try, don't. We're mad?

2388
01:57:37,280 --> 01:57:41,200
Speaker 1: Like we don't listen? Yeah?

2389
01:57:41,360 --> 01:57:42,920
Speaker 4: Hell no, no sleep?

2390
01:57:43,560 --> 01:57:44,120
Speaker 3: What's up?

2391
01:57:46,120 --> 01:57:47,600
Speaker 1: Did you get no sleep? Making that record?

2392
01:57:53,120 --> 01:57:54,240
Speaker 4: That was a crazy time too.

2393
01:57:54,280 --> 01:57:56,640
Speaker 3: Pretty much the whole time I did Rolling Papers, I

2394
01:57:56,680 --> 01:58:01,360
Speaker 3: was just partying my ass off, and yeah, so I

2395
01:58:01,360 --> 01:58:02,960
Speaker 3: got in the studio with Bennie Blanco.

2396
01:58:03,320 --> 01:58:04,200
Speaker 4: He's cool as hell.

2397
01:58:04,600 --> 01:58:07,120
Speaker 3: Uh at the time, he wasn't. I don't even think

2398
01:58:07,120 --> 01:58:10,760
Speaker 3: he was wearing shoes. I wanted to say not not sneakers,

2399
01:58:10,800 --> 01:58:13,160
Speaker 3: but like, I don't think he was wearing shoes at all,

2400
01:58:13,400 --> 01:58:14,000
Speaker 3: socks either.

2401
01:58:14,400 --> 01:58:17,480
Speaker 4: Just toes out, I fucked with it heavy.

2402
01:58:17,600 --> 01:58:20,520
Speaker 1: It was cool he taught you.

2403
01:58:20,600 --> 01:58:23,600
Speaker 3: No, I would have learned from him. I had moisturized

2404
01:58:24,560 --> 01:58:30,000
Speaker 3: before I put him out. Yeah, I like that.

2405
01:58:31,000 --> 01:58:31,960
Speaker 4: So, yeah, no, he was.

2406
01:58:32,200 --> 01:58:34,600
Speaker 3: He's super cool. We vibed like as soon as we

2407
01:58:34,880 --> 01:58:37,600
Speaker 3: soon as we met each other. And that was another

2408
01:58:37,640 --> 01:58:41,160
Speaker 3: song that was more crossover because the beat kind of

2409
01:58:41,280 --> 01:58:43,480
Speaker 3: sounded like alternative, like rock and roll to me.

2410
01:58:43,960 --> 01:58:45,000
Speaker 4: But I like that type of ship.

2411
01:58:45,040 --> 01:58:47,440
Speaker 3: That's what I came up on, Like, so I wanted

2412
01:58:47,440 --> 01:58:49,800
Speaker 3: to write like a you know, my own kind of

2413
01:58:49,880 --> 01:58:54,400
Speaker 3: college red cup anthem, and uh that's yeah, yeah, that's

2414
01:58:54,440 --> 01:58:56,600
Speaker 3: what No Sleep was And it did really well. The

2415
01:58:56,920 --> 01:59:00,800
Speaker 3: video did well. The song ended up going platinum. It

2416
01:59:00,920 --> 01:59:03,640
Speaker 3: was another song off of Rolling Papers that you know,

2417
01:59:03,720 --> 01:59:06,200
Speaker 3: if I perform it now, people just it's like helling

2418
01:59:06,280 --> 01:59:09,280
Speaker 3: nostalgic for them like they remember the moment that ship dropped,

2419
01:59:09,560 --> 01:59:11,680
Speaker 3: which is really cool to have them type of records.

2420
01:59:11,680 --> 01:59:14,240
Speaker 1: Man, Oh yeah, you have a fuck with the beach Boys.

2421
01:59:15,080 --> 01:59:16,800
Speaker 4: That was funny when you said that. To get it,

2422
01:59:17,320 --> 01:59:17,760
Speaker 4: I got a.

2423
01:59:17,720 --> 01:59:21,480
Speaker 1: Beach boy sampled something and involved them and I.

2424
01:59:21,480 --> 01:59:22,960
Speaker 3: Don't know about said, but I would put them in

2425
01:59:22,960 --> 01:59:25,520
Speaker 3: the studio, just straight up work with them, niggas, you.

2426
01:59:25,520 --> 01:59:29,680
Speaker 1: Know, like something completely big. Are they all alive.

2427
01:59:29,720 --> 01:59:31,360
Speaker 3: I don't know. I'm fucking I assume that live.

2428
01:59:31,440 --> 01:59:32,600
Speaker 4: They they seem pretty hell.

2429
01:59:32,680 --> 01:59:33,800
Speaker 3: One of the dudes passed away.

2430
01:59:34,800 --> 01:59:35,840
Speaker 4: They seem pretty healthy.

2431
01:59:35,840 --> 01:59:36,000
Speaker 3: Bro.

2432
01:59:36,200 --> 01:59:37,920
Speaker 2: You ever saw that movie, the movie about the one

2433
01:59:37,960 --> 01:59:40,920
Speaker 2: dude from the Beach Boys that no, it's just wild,

2434
01:59:40,920 --> 01:59:42,480
Speaker 2: It's just I'm not talking about it.

2435
01:59:42,600 --> 01:59:43,360
Speaker 3: I don't up.

2436
01:59:43,600 --> 01:59:46,080
Speaker 1: Was that the one like his dad was like, it's

2437
01:59:46,120 --> 01:59:46,760
Speaker 1: all fucked up?

2438
01:59:46,920 --> 01:59:50,720
Speaker 3: Is that the same funked up I'm.

2439
01:59:50,560 --> 01:59:53,720
Speaker 1: A beach boy guy. You don't know the Beach Boys? Sorry,

2440
01:59:53,800 --> 01:59:54,839
Speaker 1: I just know this music.

2441
01:59:55,040 --> 01:59:58,000
Speaker 2: The dude the main like the dude who like music,

2442
01:59:58,080 --> 02:00:00,560
Speaker 2: he was what I can't I I don't remember, So

2443
02:00:00,560 --> 02:00:01,360
Speaker 2: I don't funk it up.

2444
02:00:01,360 --> 02:00:04,040
Speaker 3: I think we're fucking thinking about the same fucked up.

2445
02:00:03,880 --> 02:00:10,120
Speaker 1: Ass ship up it's not crazy. It's up a beach boys.

2446
02:00:10,400 --> 02:00:13,920
Speaker 3: Yeah, bro, I get some dark ship. Yeah, it's ship

2447
02:00:15,200 --> 02:00:17,800
Speaker 3: when I go. They had to make that happy ass music.

2448
02:00:17,920 --> 02:00:18,360
Speaker 2: Bro, you.

2449
02:00:20,200 --> 02:00:22,840
Speaker 3: Have never seen the movie this all You got to

2450
02:00:22,880 --> 02:00:26,800
Speaker 3: see that movie. Oh my God knows what it is.

2451
02:00:27,000 --> 02:00:33,920
Speaker 1: Yeah that not long God, not Love and Mercy.

2452
02:00:34,160 --> 02:00:37,240
Speaker 2: That movie crazy. You gotta watch that ship. It's called

2453
02:00:37,400 --> 02:00:41,400
Speaker 2: love and it's dark. It's about the beach boy about Yeah,

2454
02:00:42,280 --> 02:00:43,720
Speaker 2: he's one of the main dudes that wrote a lot

2455
02:00:43,720 --> 02:00:44,240
Speaker 2: of the music.

2456
02:00:44,480 --> 02:00:45,959
Speaker 4: So I'm actually not a beach.

2457
02:00:45,760 --> 02:00:52,280
Speaker 3: Boy with the inspiration.

2458
02:00:52,680 --> 02:00:58,240
Speaker 2: Yeah, you lived somewhere else, like internationally, like your parents,

2459
02:00:58,440 --> 02:00:59,400
Speaker 2: the military parents.

2460
02:00:59,400 --> 02:01:00,000
Speaker 4: Definitely in the middle.

2461
02:01:00,560 --> 02:01:02,920
Speaker 3: I was born in North Dakota.

2462
02:01:03,040 --> 02:01:04,000
Speaker 4: Yeah, I lived in Japan.

2463
02:01:04,440 --> 02:01:06,040
Speaker 1: Really exists north of South Dakota.

2464
02:01:06,120 --> 02:01:08,640
Speaker 3: Yes, of course, this nigga said exists.

2465
02:01:09,240 --> 02:01:10,200
Speaker 1: They just made that up.

2466
02:01:10,240 --> 02:01:11,960
Speaker 3: I've been in North Dakota.

2467
02:01:12,760 --> 02:01:17,040
Speaker 4: Like, I'm just with, Yes, it exists, sir.

2468
02:01:17,200 --> 02:01:17,960
Speaker 1: You don't remember that.

2469
02:01:18,240 --> 02:01:20,760
Speaker 3: They shouldn't have to. They should just make it one Dakota.

2470
02:01:20,840 --> 02:01:23,240
Speaker 3: They got Mexico and New Mexico.

2471
02:01:24,240 --> 02:01:27,880
Speaker 2: Well, you know that's country and and yeah, no, that's

2472
02:01:27,920 --> 02:01:30,160
Speaker 2: a country south and that's that's a state.

2473
02:01:30,320 --> 02:01:34,160
Speaker 3: Yeah.

2474
02:01:34,520 --> 02:01:36,680
Speaker 1: The Yeah, I was.

2475
02:01:36,560 --> 02:01:37,440
Speaker 4: Born in North Dakota.

2476
02:01:37,520 --> 02:01:40,280
Speaker 3: I lived in Japan, I lived in Oklahoma, I lived

2477
02:01:40,320 --> 02:01:40,880
Speaker 3: in Germany.

2478
02:01:40,960 --> 02:01:44,520
Speaker 4: I think I lived in fucking South Carolina.

2479
02:01:45,160 --> 02:01:47,400
Speaker 2: Like years you remember, like memorable years, and you remember

2480
02:01:47,440 --> 02:01:48,080
Speaker 2: these places.

2481
02:01:48,160 --> 02:01:50,400
Speaker 3: Yeah, yeah, yeah, I would live like maybe a year

2482
02:01:50,600 --> 02:01:51,520
Speaker 3: or two at a time.

2483
02:01:51,680 --> 02:01:53,640
Speaker 2: But what branch of military was your that were in

2484
02:01:53,680 --> 02:01:56,160
Speaker 2: the air force? Oh so you're definitely moving around.

2485
02:01:56,200 --> 02:01:57,520
Speaker 4: Yeah, so that was all the way up too. I

2486
02:01:57,560 --> 02:01:58,440
Speaker 4: was like thirteen years.

2487
02:01:58,560 --> 02:01:58,840
Speaker 1: Wow.

2488
02:01:59,040 --> 02:02:01,440
Speaker 2: Oh yeah, so you got something from all these places.

2489
02:02:01,920 --> 02:02:03,920
Speaker 2: Do you think that informs your music today at all?

2490
02:02:05,920 --> 02:02:08,000
Speaker 3: Not really the music, No, I wouldn't even say that.

2491
02:02:08,040 --> 02:02:11,600
Speaker 3: My dad really like influenced my music just by listening

2492
02:02:11,640 --> 02:02:13,520
Speaker 3: to a bunch of records in the house when I

2493
02:02:13,600 --> 02:02:16,640
Speaker 3: was young. I have like a really good musical palette.

2494
02:02:16,640 --> 02:02:19,160
Speaker 3: Like he was listening to disco, he was listening to

2495
02:02:19,160 --> 02:02:22,080
Speaker 3: Bob Marley. He would listen to hip hop. He would

2496
02:02:22,080 --> 02:02:26,720
Speaker 3: listen to Patty LaBelle, he listened to Shot you know

2497
02:02:26,760 --> 02:02:28,640
Speaker 3: what I'm saying. He listened to Trup, he would listen

2498
02:02:28,720 --> 02:02:31,320
Speaker 3: to fucking and my mom. My dad listened to everything,

2499
02:02:31,320 --> 02:02:34,000
Speaker 3: and my mom she listened to more like hardcore rap shit.

2500
02:02:34,080 --> 02:02:36,000
Speaker 3: So that's why I started listening to like Doggy style

2501
02:02:36,600 --> 02:02:39,960
Speaker 3: hardcore rapp. Yeah. Yeah, she was more like DJ Quick

2502
02:02:40,120 --> 02:02:40,840
Speaker 3: Doggie style.

2503
02:02:42,000 --> 02:02:42,400
Speaker 1: Yeah.

2504
02:02:42,400 --> 02:02:45,600
Speaker 3: She listened to outcasts real heavy too. To Mama West,

2505
02:02:45,960 --> 02:02:47,560
Speaker 3: my mom's the one who smoked weed, so she was

2506
02:02:47,600 --> 02:02:49,800
Speaker 3: like air Kabai du and like all of that ship.

2507
02:02:50,360 --> 02:02:53,520
Speaker 3: So like, yeah, that's where I got my musical background from.

2508
02:02:53,760 --> 02:02:55,920
Speaker 3: I think moving around just helped me deal with people,

2509
02:02:56,000 --> 02:02:57,640
Speaker 3: you know what I'm saying. Like I was always the

2510
02:02:57,680 --> 02:03:00,360
Speaker 3: new kid at school, so I always had to kind

2511
02:03:00,360 --> 02:03:02,720
Speaker 3: of like assert myself or just be myself, you know

2512
02:03:02,720 --> 02:03:04,520
Speaker 3: what I mean. And it just helped me, like deal

2513
02:03:04,600 --> 02:03:06,000
Speaker 3: with different crowds of people. I could.

2514
02:03:06,240 --> 02:03:07,480
Speaker 4: I could get down with anybody.

2515
02:03:07,520 --> 02:03:10,840
Speaker 3: It don't matter what race, what your background is, what

2516
02:03:10,880 --> 02:03:14,200
Speaker 3: your age is. Like, yeah, I funck with everybody. I've

2517
02:03:14,200 --> 02:03:16,840
Speaker 3: been around everybody. I know everybody's family, so it's like

2518
02:03:17,160 --> 02:03:18,080
Speaker 3: I'm cool with everybody.

2519
02:03:18,760 --> 02:03:19,600
Speaker 1: That's some global ship.

2520
02:03:19,760 --> 02:03:24,839
Speaker 3: Yeah, yeah, literally real ship. Your father didn't smoke just moms.

2521
02:03:24,960 --> 02:03:26,160
Speaker 4: Nah, my dad don't smoke weed.

2522
02:03:26,200 --> 02:03:28,040
Speaker 3: He'll hit a little bit of weed here and there,

2523
02:03:28,080 --> 02:03:30,840
Speaker 3: but coming up for sure, my mom is the weed

2524
02:03:30,920 --> 02:03:34,800
Speaker 3: head listening to the Yeah shove.

2525
02:03:35,840 --> 02:03:38,960
Speaker 1: Im to take another shot. I want to take another shot, man.

2526
02:03:38,960 --> 02:03:41,160
Speaker 1: Whereas like I said, man, I show what's about giving

2527
02:03:41,200 --> 02:03:45,200
Speaker 1: people their flowers? You definitely deserve your flowers. You're a legend.

2528
02:03:45,440 --> 02:03:46,480
Speaker 3: Thanks dude, you're.

2529
02:03:46,320 --> 02:03:50,919
Speaker 1: Out here doing this ship. Continue to be an inspiration

2530
02:03:51,000 --> 02:03:55,120
Speaker 1: to me, Like I love watching you. I love continue

2531
02:03:55,160 --> 02:03:59,880
Speaker 1: to see you have success and continue to be happy.

2532
02:04:00,600 --> 02:04:03,040
Speaker 1: That's a that's an actual, uh something we should all

2533
02:04:03,120 --> 02:04:05,960
Speaker 1: salute now for really, because this game is a roller coaster.

2534
02:04:06,360 --> 02:04:08,000
Speaker 1: Like you know, being a rapper, we can't have a

2535
02:04:08,040 --> 02:04:10,160
Speaker 1: bad day. If you want to have a bad day

2536
02:04:10,160 --> 02:04:12,400
Speaker 1: and you come outside, it's always somebody that want to

2537
02:04:12,400 --> 02:04:15,080
Speaker 1: take a picture. So it's somebody that want to you know,

2538
02:04:15,360 --> 02:04:17,680
Speaker 1: have a hug or whatever. So you know, I know

2539
02:04:17,720 --> 02:04:19,960
Speaker 1: how hard it is to be famous and to maintain

2540
02:04:20,040 --> 02:04:24,000
Speaker 1: this and to maintain you know, being level headed. So

2541
02:04:24,080 --> 02:04:25,880
Speaker 1: I just want to commend you, salute you, thank you,

2542
02:04:25,960 --> 02:04:28,320
Speaker 1: and tell you we love you and respect you over here.

2543
02:04:28,880 --> 02:04:35,000
Speaker 1: So I love curious. I'm drinking all this goddamn Japanese whiskey.

2544
02:04:35,880 --> 02:04:41,880
Speaker 1: Japanese excuse me, I was drinking the Japanese de Leon.

2545
02:04:42,880 --> 02:04:47,080
Speaker 1: But de leone. You know, you know black people own sequila, yeah,

2546
02:04:47,240 --> 02:04:51,880
Speaker 1: and you own goddamnin.

2547
02:04:50,760 --> 02:04:52,160
Speaker 3: So why you ain't drinking your own ship?

2548
02:04:52,240 --> 02:04:52,760
Speaker 1: You gotta ask.

2549
02:04:52,840 --> 02:04:53,879
Speaker 4: I don't drink alcohol.

2550
02:04:54,560 --> 02:04:58,800
Speaker 1: He being this part out this part. We want you

2551
02:04:58,840 --> 02:04:59,440
Speaker 1: to sell your ship.

2552
02:04:59,560 --> 02:05:01,040
Speaker 3: I don't care. Yeah, I don't have to drinking.

2553
02:05:03,120 --> 02:05:05,560
Speaker 1: There's a gin drinker out there waiting to drink. Yeah,

2554
02:05:06,320 --> 02:05:10,560
Speaker 1: you ain't gonna take a sip right now. He was like,

2555
02:05:11,880 --> 02:05:14,240
Speaker 1: come on, man, come on, we can't have people on.

2556
02:05:19,000 --> 02:05:22,800
Speaker 2: Yeah, you're mixing the funk out of your Drinksfuse what

2557
02:05:22,960 --> 02:05:23,760
Speaker 2: is not infused?

2558
02:05:23,840 --> 02:05:27,880
Speaker 1: There's no ship right here? Okay, there we got.

2559
02:05:28,560 --> 02:05:30,240
Speaker 2: We can't act for all kinds of ship right now.

2560
02:05:31,160 --> 02:05:32,080
Speaker 2: You aren't shaking me.

2561
02:05:32,240 --> 02:05:35,600
Speaker 1: You are shaking some mixing his ship. Where's once you

2562
02:05:35,640 --> 02:05:36,120
Speaker 1: taking his ship?

2563
02:05:37,080 --> 02:05:39,800
Speaker 3: The palatee. My hands a cold, so they're not working

2564
02:05:39,840 --> 02:05:44,840
Speaker 3: right now. My head is like kill deal right now. Yeah,

2565
02:05:46,880 --> 02:05:48,920
Speaker 3: let you know what's don't drop it like boards.

2566
02:05:49,600 --> 02:05:50,280
Speaker 1: Yeah yeah.

2567
02:05:52,280 --> 02:05:55,280
Speaker 3: Yeah, my hand just don't work.

2568
02:05:55,880 --> 02:05:58,960
Speaker 1: Here we go. Then I'm gonna make a drink and

2569
02:05:59,000 --> 02:06:01,920
Speaker 1: I'm gonna keep drinking. I feel like boris. You have

2570
02:06:01,320 --> 02:06:02,560
Speaker 1: a have a shot to.

2571
02:06:02,600 --> 02:06:09,560
Speaker 2: You have to because of dropping the joint.

2572
02:06:11,240 --> 02:06:13,360
Speaker 3: When I hit, that's gonna tell I was at the

2573
02:06:13,360 --> 02:06:18,960
Speaker 3: party right back. Three use the bad influence.

2574
02:06:19,000 --> 02:06:19,240
Speaker 1: That's what.

2575
02:06:22,000 --> 02:06:27,760
Speaker 3: Exactly, so and relaxed Snoop called me peer pressure.

2576
02:06:28,360 --> 02:06:29,200
Speaker 4: That's your nickname.

2577
02:06:30,880 --> 02:06:33,840
Speaker 3: That's perfect, that's perfect.

2578
02:06:34,720 --> 02:06:36,040
Speaker 4: So that's a great way.

2579
02:06:36,200 --> 02:06:38,640
Speaker 1: Looking poor poor brother looking at here. That's big.

2580
02:06:43,720 --> 02:06:44,080
Speaker 3: Cheers.

2581
02:06:45,000 --> 02:06:50,400
Speaker 1: Yeah, yeah, that shot is crazy.

2582
02:06:50,680 --> 02:06:54,680
Speaker 3: This show is crazy too. Killed me Like, I like

2583
02:06:54,680 --> 02:06:56,680
Speaker 3: what you just did, Like, let's get it.

2584
02:06:56,760 --> 02:07:00,960
Speaker 2: Let's get an honest, good critique.

2585
02:07:01,200 --> 02:07:03,000
Speaker 3: Thank you, because I'm waiting for the face and the

2586
02:07:03,000 --> 02:07:05,640
Speaker 3: face never didn't even make a face. He didn't make

2587
02:07:05,640 --> 02:07:12,120
Speaker 3: a face. I used to drink bombab every day.

2588
02:07:13,280 --> 02:07:15,640
Speaker 1: I like Wednesday you were like this, but were toasting.

2589
02:07:15,920 --> 02:07:17,480
Speaker 2: That's a new ship. If you don't want to drink,

2590
02:07:17,560 --> 02:07:19,800
Speaker 2: you like this with your blunt and national. I don't drink,

2591
02:07:19,800 --> 02:07:20,720
Speaker 2: but I smoked.

2592
02:07:22,640 --> 02:07:23,040
Speaker 3: So sundy.

2593
02:07:23,080 --> 02:07:26,080
Speaker 2: You didn't finish, so so give us the Chris feeling.

2594
02:07:26,240 --> 02:07:34,960
Speaker 3: What's the flavor flavor palette? Yes, yeh, bomb bomb The

2595
02:07:35,120 --> 02:07:38,720
Speaker 3: drink champs have spoken, but is this is this happy

2596
02:07:38,800 --> 02:07:41,200
Speaker 3: end drink? Thank you?

2597
02:07:41,200 --> 02:07:44,520
Speaker 1: You deterred you declined to go on a tour with Drake.

2598
02:07:45,200 --> 02:07:46,400
Speaker 4: That was a long time ago too.

2599
02:07:47,320 --> 02:07:48,320
Speaker 1: Do you regret it was that?

2600
02:07:48,640 --> 02:07:49,840
Speaker 4: No, I don't regret it.

2601
02:07:53,040 --> 02:08:00,800
Speaker 3: My thing, I'm such like a I don't know. I

2602
02:08:00,840 --> 02:08:05,040
Speaker 3: think the word that people use is stubborn. But when

2603
02:08:05,080 --> 02:08:07,800
Speaker 3: I have a vision and I see things going a

2604
02:08:07,840 --> 02:08:10,440
Speaker 3: certain way, I see it all the way through. And

2605
02:08:10,600 --> 02:08:14,640
Speaker 3: at that point in my career, I was right there.

2606
02:08:15,000 --> 02:08:15,760
Speaker 4: And then all of.

2607
02:08:15,720 --> 02:08:18,800
Speaker 3: These certain things just started coming out of the woodwork

2608
02:08:19,080 --> 02:08:21,960
Speaker 3: that could have deterred me from what I was naturally

2609
02:08:22,040 --> 02:08:27,360
Speaker 3: and evenly doing, and I just had to respectfully decline.

2610
02:08:27,480 --> 02:08:30,800
Speaker 4: And that's the thing that a lot of people don't see.

2611
02:08:30,640 --> 02:08:34,680
Speaker 3: Happen, is somebody stand up for themselves and respectfully decline.

2612
02:08:34,880 --> 02:08:37,160
Speaker 4: I respectfully said no to that.

2613
02:08:37,280 --> 02:08:40,080
Speaker 3: I respectfully said no when Rick Ross tried to sign

2614
02:08:40,120 --> 02:08:43,200
Speaker 3: me to Mayback Music as well. There were a lot

2615
02:08:43,200 --> 02:08:46,560
Speaker 3: of other situations where I was like, I'm doing my thing.

2616
02:08:46,760 --> 02:08:48,560
Speaker 4: I'm Taylor Gang, I'm Whiskalifa.

2617
02:08:49,160 --> 02:08:51,120
Speaker 3: I don't want to fucking step on your toes because

2618
02:08:51,160 --> 02:08:53,600
Speaker 3: you're going to be pissed at me when you see

2619
02:08:53,720 --> 02:08:56,600
Speaker 3: how hard I'm going about myself. So I might as

2620
02:08:56,600 --> 02:08:59,040
Speaker 3: well just stick it out and give you this real

2621
02:08:59,120 --> 02:08:59,720
Speaker 3: ass answer.

2622
02:09:00,160 --> 02:09:02,280
Speaker 1: That's all I did, and realize it.

2623
02:09:02,640 --> 02:09:05,000
Speaker 3: I mean, yeah, we'll be cool afterwards, you know what

2624
02:09:05,040 --> 02:09:07,520
Speaker 3: I'm saying hopefully, Like yeah, for sure, But like I'm

2625
02:09:07,560 --> 02:09:10,120
Speaker 3: gonna be one hundred though, and that's all that was.

2626
02:09:11,040 --> 02:09:11,240
Speaker 4: Yeah.

2627
02:09:11,320 --> 02:09:14,840
Speaker 2: Yeah, because if you don't see your vision through and

2628
02:09:14,880 --> 02:09:18,200
Speaker 2: you you give up your abandon your yeah, you're you're

2629
02:09:18,200 --> 02:09:19,120
Speaker 2: never gonna forgive yourself.

2630
02:09:19,120 --> 02:09:21,360
Speaker 3: You're never going to forgive yourself. You gotta like you

2631
02:09:21,400 --> 02:09:23,320
Speaker 3: gotta stand on it. Like you know what I'm saying.

2632
02:09:23,560 --> 02:09:26,680
Speaker 3: It's a hard decision to make because you get all.

2633
02:09:26,520 --> 02:09:27,640
Speaker 4: Of these things that are there.

2634
02:09:27,640 --> 02:09:29,520
Speaker 3: They're so shiny and they look so cool, but you

2635
02:09:29,560 --> 02:09:32,840
Speaker 3: gotta like stay stay focused. Yeah, yeah, that's crazy.

2636
02:09:32,880 --> 02:09:33,080
Speaker 1: Yeah.

2637
02:09:33,280 --> 02:09:36,480
Speaker 3: September eighth, Yeah, September eight, Mber sixth, Oh yeah, so

2638
02:09:36,520 --> 02:09:37,120
Speaker 3: we act the same.

2639
02:09:37,200 --> 02:09:42,760
Speaker 2: Come on, I don't know what I was getting myself

2640
02:09:42,760 --> 02:09:43,560
Speaker 2: into boxes.

2641
02:09:43,960 --> 02:09:47,040
Speaker 1: September six leave Beyonce four the fourth.

2642
02:09:47,360 --> 02:09:48,600
Speaker 4: Michael Jackson is in there.

2643
02:09:48,960 --> 02:09:53,040
Speaker 2: Michael Jackson verb Yeah, yeah, he's like exactly, Oh my goodness.

2644
02:09:53,080 --> 02:09:54,280
Speaker 1: You know, there's nothing like him.

2645
02:09:54,480 --> 02:09:59,280
Speaker 3: Michael Kobe's there? Who else? Get it? Ho?

2646
02:10:00,080 --> 02:10:00,400
Speaker 4: Kobe?

2647
02:10:00,840 --> 02:10:03,400
Speaker 3: Kobe k Yeah.

2648
02:10:04,600 --> 02:10:06,160
Speaker 1: I should have knew Kobe was a virgo. I did

2649
02:10:06,160 --> 02:10:08,440
Speaker 1: a record with Kobe and I went to the studio

2650
02:10:08,600 --> 02:10:10,360
Speaker 1: and I wrote the rhyme for him, and he was like,

2651
02:10:10,400 --> 02:10:13,000
Speaker 1: you ain't writing around rhyme? Yeah, and I was like, Wow,

2652
02:10:13,120 --> 02:10:16,680
Speaker 1: he really went into the bus. Yeah, Burgo boys boys

2653
02:10:16,720 --> 02:10:21,200
Speaker 1: got damn it. I'm not asking that.

2654
02:10:21,240 --> 02:10:24,800
Speaker 3: Question, not answering or asking him about asking that question.

2655
02:10:25,440 --> 02:10:26,480
Speaker 3: I sent you that question.

2656
02:10:29,280 --> 02:10:30,280
Speaker 4: I want to know what it is.

2657
02:10:31,680 --> 02:10:43,600
Speaker 1: Hey, why don't you ask so yuh someone you know

2658
02:10:44,440 --> 02:10:50,760
Speaker 1: really good about I love this first break person and I.

2659
02:10:50,960 --> 02:10:54,320
Speaker 3: Just that's why.

2660
02:10:57,560 --> 02:11:03,880
Speaker 1: It's so ah my sister, I look at her.

2661
02:11:05,320 --> 02:11:06,280
Speaker 4: It's not a bad question.

2662
02:11:06,600 --> 02:11:10,160
Speaker 1: No, I've read it wrong. Okay did you read that?

2663
02:11:10,200 --> 02:11:10,760
Speaker 3: But I don't know.

2664
02:11:11,320 --> 02:11:15,680
Speaker 1: It just didn't sound good when I read it. Always,

2665
02:11:19,400 --> 02:11:20,600
Speaker 1: Oh yeah, I love that.

2666
02:11:20,680 --> 02:11:22,360
Speaker 3: I love that, you know.

2667
02:11:22,800 --> 02:11:26,720
Speaker 1: I brag about y'all sometimes, Yeah, I brag about y'all sometimes,

2668
02:11:26,800 --> 02:11:30,280
Speaker 1: Like hell yeah, Like I brag about y'all. Sometimes when

2669
02:11:30,280 --> 02:11:32,720
Speaker 1: I when I see people like you know, going through

2670
02:11:32,760 --> 02:11:34,600
Speaker 1: certain things and I'm like, look look how they took

2671
02:11:34,640 --> 02:11:37,080
Speaker 1: the Amica route, you know what I mean? Like, yeah,

2672
02:11:37,200 --> 02:11:40,080
Speaker 1: and look how they both say so I brag about y'all.

2673
02:11:40,080 --> 02:11:45,000
Speaker 3: So sometimes yeah, we're like the ideal couple, even though

2674
02:11:45,000 --> 02:11:45,640
Speaker 3: we're not together.

2675
02:11:45,680 --> 02:11:46,520
Speaker 1: Yeh yeh know what you mean.

2676
02:11:46,840 --> 02:11:49,400
Speaker 3: It's like we we we share the most beautiful thing

2677
02:11:49,440 --> 02:11:53,320
Speaker 3: in life. We have a kid, we got great memories. Uh,

2678
02:11:53,960 --> 02:11:57,080
Speaker 3: we were married, so everything we did was out of life,

2679
02:11:58,040 --> 02:12:00,440
Speaker 3: pure love. You know what I'm saying. We land on

2680
02:12:00,520 --> 02:12:03,280
Speaker 3: being with each other forever, you know what I'm saying.

2681
02:12:03,920 --> 02:12:06,720
Speaker 3: But you know that shit gets difficult, and I think

2682
02:12:06,760 --> 02:12:11,680
Speaker 3: with marriage, like legal marriage, it kind of sucks because

2683
02:12:12,360 --> 02:12:14,640
Speaker 3: that has to be the end of something when that's over.

2684
02:12:15,120 --> 02:12:17,440
Speaker 3: But I think we're proven that it's not the end

2685
02:12:17,480 --> 02:12:20,240
Speaker 3: of everything, like even when that legal shit is over,

2686
02:12:20,360 --> 02:12:22,520
Speaker 3: you know what I mean. Like I got her back,

2687
02:12:22,680 --> 02:12:25,560
Speaker 3: she knows it, She got my back, I know it.

2688
02:12:25,680 --> 02:12:27,720
Speaker 3: And we do a great job, you know, being there

2689
02:12:27,720 --> 02:12:31,600
Speaker 3: for our kids. We do so many things for Sebastian

2690
02:12:31,680 --> 02:12:34,400
Speaker 3: and not even just for him, but we just were

2691
02:12:34,480 --> 02:12:37,680
Speaker 3: such a good unit for him that I didn't see

2692
02:12:37,800 --> 02:12:40,000
Speaker 3: growing up, you know what I'm saying, Like my parents,

2693
02:12:40,040 --> 02:12:43,240
Speaker 3: they weren't able to function as well as you know

2694
02:12:43,280 --> 02:12:45,080
Speaker 3: what I'm saying, her parents either, I think just that

2695
02:12:45,240 --> 02:12:49,600
Speaker 3: generation of dysfunction. Yeah, they didn't.

2696
02:12:49,920 --> 02:12:50,360
Speaker 4: They don't.

2697
02:12:51,120 --> 02:12:54,360
Speaker 3: There was no come together, There was no holidays, there

2698
02:12:54,440 --> 02:13:01,920
Speaker 3: was no birthdays together, There was no it was that

2699
02:13:02,000 --> 02:13:05,360
Speaker 3: bitch is by my son? Why that nigga over there?

2700
02:13:05,480 --> 02:13:07,880
Speaker 3: It was just real dysfunctional, you know what I'm saying,

2701
02:13:07,920 --> 02:13:09,440
Speaker 3: like that's what we grew up seeing.

2702
02:13:09,720 --> 02:13:11,760
Speaker 1: I love seeing bast birthday all y'all.

2703
02:13:12,160 --> 02:13:15,360
Speaker 3: We do things together. He gets to enjoy both of

2704
02:13:15,400 --> 02:13:18,080
Speaker 3: us together. He doesn't see us separately.

2705
02:13:17,680 --> 02:13:18,280
Speaker 4: You know what I mean.

2706
02:13:19,040 --> 02:13:25,800
Speaker 3: That's yeah, hell yeah, that's really important. My parents were

2707
02:13:25,840 --> 02:13:27,680
Speaker 3: divorced since I was two, and I had both of

2708
02:13:27,720 --> 02:13:30,320
Speaker 3: them in my life, very important, both of them in

2709
02:13:30,320 --> 02:13:30,640
Speaker 3: my life.

2710
02:13:30,680 --> 02:13:31,920
Speaker 4: Love my mother, love my dad.

2711
02:13:32,240 --> 02:13:35,120
Speaker 3: But they are dysfunctional as fuck, can't be in the

2712
02:13:35,120 --> 02:13:37,400
Speaker 3: same room together, and that's not good for a kid,

2713
02:13:37,560 --> 02:13:39,360
Speaker 3: like you know what I mean. And it's not their

2714
02:13:39,400 --> 02:13:42,160
Speaker 3: fault because they probably didn't grow up seeing the best

2715
02:13:42,480 --> 02:13:45,360
Speaker 3: functioning anything. But we gotta break that and we gotta

2716
02:13:45,440 --> 02:13:48,560
Speaker 3: be better for our fucking kids. So there's a lot,

2717
02:13:49,120 --> 02:13:50,560
Speaker 3: you know what I mean, there's a lot that we

2718
02:13:50,640 --> 02:13:53,280
Speaker 3: do just to be, like not just to be. But

2719
02:13:53,280 --> 02:13:56,160
Speaker 3: it's it's natural where it's like, yo, this man needs

2720
02:13:56,160 --> 02:13:59,400
Speaker 3: to see, uh, you know, his father treat his mother good.

2721
02:13:59,520 --> 02:14:02,440
Speaker 3: He is to hear his mother say great thing about

2722
02:14:02,520 --> 02:14:04,760
Speaker 3: things about his father, Like that's important, you know, like

2723
02:14:04,800 --> 02:14:05,360
Speaker 3: for real.

2724
02:14:05,600 --> 02:14:09,720
Speaker 1: That's a beautiful thing. Yeah, both, And that's a beautiful thing.

2725
02:14:10,360 --> 02:14:13,000
Speaker 1: What you think it's dope and like, like I said,

2726
02:14:13,040 --> 02:14:15,000
Speaker 1: like on the sideline, because you know, I know how

2727
02:14:15,040 --> 02:14:17,480
Speaker 1: I know you and I see how y'all get along.

2728
02:14:17,600 --> 02:14:19,720
Speaker 1: I always tell like my homies when I see somebody

2729
02:14:19,760 --> 02:14:23,080
Speaker 1: doing something like look in a public side, Yeah, how

2730
02:14:23,080 --> 02:14:24,760
Speaker 1: could you not get along? You know what I'm saying.

2731
02:14:24,760 --> 02:14:26,640
Speaker 3: I mean you, it takes a lot, though, Like you

2732
02:14:26,720 --> 02:14:29,000
Speaker 3: got to really not be a fucking asshole, you know

2733
02:14:29,040 --> 02:14:30,600
Speaker 3: what I'm saying. Like a lot of people are like

2734
02:14:30,640 --> 02:14:33,680
Speaker 3: putting up a front for cameras and they'll, you know,

2735
02:14:33,760 --> 02:14:36,280
Speaker 3: they'll be fucking Superman when the camera comes on and

2736
02:14:36,320 --> 02:14:37,000
Speaker 3: be a piece of shit.

2737
02:14:37,080 --> 02:14:39,600
Speaker 4: Behind closed doors, we ride for each other.

2738
02:14:39,640 --> 02:14:42,360
Speaker 3: Behind closed doors, there's nobody who can come in between us,

2739
02:14:42,440 --> 02:14:45,880
Speaker 3: not even our parents, nobody. We started our world together

2740
02:14:45,960 --> 02:14:48,080
Speaker 3: and that's what we live in, and that's how we

2741
02:14:48,240 --> 02:14:49,320
Speaker 3: rock and that's how we stay on this.

2742
02:14:49,600 --> 02:14:51,920
Speaker 1: You guys speak on that though. When breaking up.

2743
02:14:52,160 --> 02:14:55,280
Speaker 3: Now we got to that point, you know, the relationship.

2744
02:14:55,320 --> 02:14:57,520
Speaker 3: It put a strain on us, and I think it

2745
02:14:57,640 --> 02:14:59,720
Speaker 3: just brought out the best in us. It kind of

2746
02:15:00,440 --> 02:15:03,040
Speaker 3: forced us to look at ourselves and what we bring

2747
02:15:03,120 --> 02:15:06,920
Speaker 3: to the table and moving forward. I feel like we

2748
02:15:07,000 --> 02:15:11,080
Speaker 3: both really want love and companionships. So the people that

2749
02:15:11,120 --> 02:15:14,080
Speaker 3: we're gonna be with they have to deserve us. So

2750
02:15:14,720 --> 02:15:17,840
Speaker 3: we're making ourselves better for the people who are around us,

2751
02:15:18,480 --> 02:15:20,560
Speaker 3: and in turn, we're gonna treat each other the best

2752
02:15:20,600 --> 02:15:23,240
Speaker 3: ever because we're just doing all of this work and

2753
02:15:23,560 --> 02:15:25,560
Speaker 3: other people might not get us on the outside, but

2754
02:15:25,600 --> 02:15:28,560
Speaker 3: we've been through enough together. And that's the thing too.

2755
02:15:28,640 --> 02:15:31,880
Speaker 3: It's like time helps and heals everything. So you can

2756
02:15:31,920 --> 02:15:34,000
Speaker 3: go through a situation one year and then you know

2757
02:15:34,080 --> 02:15:36,680
Speaker 3: six or seven years later that shit don't even matter.

2758
02:15:37,040 --> 02:15:38,840
Speaker 3: But you have to be the bigger person and you

2759
02:15:38,920 --> 02:15:41,080
Speaker 3: have to grow and you have to you know, really

2760
02:15:41,120 --> 02:15:44,640
Speaker 3: communicate and want to be on the same page as somebody,

2761
02:15:45,000 --> 02:15:47,600
Speaker 3: and a lot of people they have, you know, certain

2762
02:15:47,600 --> 02:15:49,360
Speaker 3: shit that they need to go through. I'm lucky to

2763
02:15:49,400 --> 02:15:52,560
Speaker 3: have a person who's as thoughtful as she is. She's

2764
02:15:52,640 --> 02:15:55,960
Speaker 3: lucky to be with me as caring and as compassionate

2765
02:15:56,000 --> 02:15:57,200
Speaker 3: as I am, you know what I mean.

2766
02:15:57,280 --> 02:15:59,440
Speaker 4: So we're really fortunate to have each other.

2767
02:16:00,120 --> 02:16:02,640
Speaker 2: I'd imagine your son made you guys better people.

2768
02:16:02,840 --> 02:16:05,520
Speaker 3: Yeah, one man, Hell yeah. I feel like she was

2769
02:16:05,560 --> 02:16:08,160
Speaker 3: already dope as fuck. Honestly, I had to grow up.

2770
02:16:11,880 --> 02:16:13,680
Speaker 3: She was, she was always coole at hell, I need

2771
02:16:13,680 --> 02:16:15,160
Speaker 3: I needed to grow my ass up.

2772
02:16:15,760 --> 02:16:19,880
Speaker 1: As honest man, not for real hell honesty man, whiz man.

2773
02:16:22,120 --> 02:16:24,280
Speaker 1: Like I said, I show it was about giving flowers. Man,

2774
02:16:25,160 --> 02:16:27,120
Speaker 1: I'm so proud to give you your flower. Oh yeah,

2775
02:16:27,120 --> 02:16:29,360
Speaker 1: thank you man, really thank you for You're really a

2776
02:16:29,400 --> 02:16:34,320
Speaker 1: full fleshed legend out here. Still the test of time,

2777
02:16:34,360 --> 02:16:36,959
Speaker 1: you out here being the happiest. I love that, man,

2778
02:16:37,400 --> 02:16:39,800
Speaker 1: I love I love watching you and just you know,

2779
02:16:39,840 --> 02:16:42,520
Speaker 1: probably for the last question, there's no beef with you.

2780
02:16:42,640 --> 02:16:45,359
Speaker 1: Gilli and Wallow. Y'all, y'all good, Okay.

2781
02:16:45,240 --> 02:16:47,320
Speaker 3: No, I wish nothing but the best from the for

2782
02:16:47,440 --> 02:16:49,840
Speaker 3: those dudes, For Gilly and Wallow. I'm not going to

2783
02:16:49,879 --> 02:16:53,640
Speaker 3: say those dudes because that it seems like you, he said,

2784
02:16:54,040 --> 02:16:54,959
Speaker 3: not Gilli and Wallow.

2785
02:16:55,080 --> 02:16:55,200
Speaker 1: Like.

2786
02:16:55,560 --> 02:16:58,520
Speaker 3: Even with that situation, I never really really spoke on

2787
02:16:58,600 --> 02:17:03,400
Speaker 3: it in detail because I wasn't at that space. But

2788
02:17:03,959 --> 02:17:06,200
Speaker 3: it just didn't go the way that I wanted it

2789
02:17:06,240 --> 02:17:13,960
Speaker 3: to go, even with it being a misunderstanding with the message,

2790
02:17:15,240 --> 02:17:17,720
Speaker 3: because with him making a joke, that wasn't the thing

2791
02:17:17,760 --> 02:17:21,080
Speaker 3: that really caught me off guard. It was more about

2792
02:17:21,120 --> 02:17:25,000
Speaker 3: him using his platform to downplay me, and I didn't

2793
02:17:25,040 --> 02:17:27,360
Speaker 3: like that. If we're in a room together and you

2794
02:17:27,400 --> 02:17:30,040
Speaker 3: make a joke about my shorts, I'm fine with that

2795
02:17:30,400 --> 02:17:33,160
Speaker 3: because I can defend myself. But if you go on

2796
02:17:33,200 --> 02:17:36,160
Speaker 3: your platform and you say I'm unfollowing Whiz because of

2797
02:17:36,240 --> 02:17:39,280
Speaker 3: this reason, you're a low key telling your followers to

2798
02:17:39,320 --> 02:17:41,760
Speaker 3: do the same thing, and that's not what we're out

2799
02:17:41,760 --> 02:17:44,039
Speaker 3: here doing. Like, you know what I'm saying, go tell

2800
02:17:44,120 --> 02:17:47,120
Speaker 3: him to buy my shit or say something dope that

2801
02:17:47,120 --> 02:17:48,840
Speaker 3: I'm doing. You know what I'm saying, Promote me or

2802
02:17:48,879 --> 02:17:50,560
Speaker 3: help me out, because that's what I'm gonna do for you.

2803
02:17:51,080 --> 02:17:53,160
Speaker 3: I understand it because we all from the hood and

2804
02:17:53,200 --> 02:17:54,879
Speaker 3: that's what niggas do and blah blah blah.

2805
02:17:54,920 --> 02:17:56,280
Speaker 4: But you're supposed to be better than that.

2806
02:17:56,920 --> 02:18:01,000
Speaker 3: So I responded in my own way of you know,

2807
02:18:01,800 --> 02:18:06,320
Speaker 3: defending myself, and it went to a certain extent where

2808
02:18:06,400 --> 02:18:08,920
Speaker 3: I'm pretty sure a lot of my fans like reported

2809
02:18:09,000 --> 02:18:11,680
Speaker 3: him and got his shit taken down. I didn't do

2810
02:18:11,720 --> 02:18:14,920
Speaker 3: it personally. I would never do that to anybody because

2811
02:18:14,920 --> 02:18:17,440
Speaker 3: that's not my style. It's easy to go on the

2812
02:18:17,440 --> 02:18:21,720
Speaker 3: internet and paint that picture and that's more or less

2813
02:18:21,800 --> 02:18:24,240
Speaker 3: what he did, and that's what I didn't appreciate as well,

2814
02:18:24,840 --> 02:18:26,920
Speaker 3: and I tried to call him, and I reached out

2815
02:18:27,000 --> 02:18:32,000
Speaker 3: to him personally, and the conversation didn't go how I

2816
02:18:32,000 --> 02:18:34,760
Speaker 3: wanted it to go. He called me all types of names,

2817
02:18:35,000 --> 02:18:38,160
Speaker 3: like out of my name, which I didn't expect. He

2818
02:18:38,200 --> 02:18:40,959
Speaker 3: said a bunch of stuff like real fighting words, which

2819
02:18:41,040 --> 02:18:44,200
Speaker 3: I didn't expect because that's not how he acts when

2820
02:18:44,200 --> 02:18:46,680
Speaker 3: he's on the internet. So when I'm trying to have

2821
02:18:46,720 --> 02:18:48,720
Speaker 3: a man and man conversation with you, why are you

2822
02:18:48,920 --> 02:18:49,880
Speaker 3: acting like this with me?

2823
02:18:50,000 --> 02:18:50,240
Speaker 1: Now.

2824
02:18:50,560 --> 02:18:52,600
Speaker 3: I'm not coming at you trying to be tough. I'm

2825
02:18:52,640 --> 02:18:54,560
Speaker 3: trying to let you know that I did it get

2826
02:18:54,560 --> 02:18:57,800
Speaker 3: your page deactivated, and that we need to settle this

2827
02:18:57,840 --> 02:19:00,320
Speaker 3: in a better way than you doing it the way

2828
02:19:00,320 --> 02:19:00,920
Speaker 3: that you're doing.

2829
02:19:02,000 --> 02:19:03,480
Speaker 4: I got on the phone with Wallow.

2830
02:19:03,680 --> 02:19:06,440
Speaker 3: I was able to talk to him in a sensible manner,

2831
02:19:06,480 --> 02:19:08,160
Speaker 3: because that's the only way that I want to have

2832
02:19:08,200 --> 02:19:08,920
Speaker 3: a conversation.

2833
02:19:09,360 --> 02:19:11,480
Speaker 4: I don't want to have a conversation.

2834
02:19:13,000 --> 02:19:16,520
Speaker 3: With the names that was going around like what was

2835
02:19:16,520 --> 02:19:17,119
Speaker 3: being said.

2836
02:19:18,000 --> 02:19:20,080
Speaker 4: Me and Wallow's conversation was cool.

2837
02:19:20,320 --> 02:19:23,280
Speaker 3: But then Gilly went on the internet and was saying

2838
02:19:23,320 --> 02:19:27,280
Speaker 3: stuff that was completely one eighty of what happened, and

2839
02:19:27,320 --> 02:19:30,200
Speaker 3: I don't respect that me and them never had got

2840
02:19:30,200 --> 02:19:32,640
Speaker 3: a chance to have a conversation after that. I'm willing

2841
02:19:32,680 --> 02:19:35,000
Speaker 3: to just squash it and let it go. But that's

2842
02:19:35,040 --> 02:19:37,240
Speaker 3: the real situation, that's what happened. It was a bunch

2843
02:19:37,280 --> 02:19:39,520
Speaker 3: of lies. It was a bunch of me trying to

2844
02:19:39,520 --> 02:19:43,320
Speaker 3: be cool getting called out of my name. And I'm

2845
02:19:43,360 --> 02:19:45,720
Speaker 3: still at the position where it's like, all right, I

2846
02:19:45,720 --> 02:19:47,800
Speaker 3: could just let it go or you know what I mean,

2847
02:19:47,800 --> 02:19:49,280
Speaker 3: because I don't want to, you know what I mean,

2848
02:19:50,080 --> 02:19:52,480
Speaker 3: shit on nobody's platform or nothing like that. They're doing

2849
02:19:52,520 --> 02:19:55,160
Speaker 3: their thing. I don't have any hard feelings towards them.

2850
02:19:55,200 --> 02:19:58,120
Speaker 3: I don't have any hard feelings towards anybody who I

2851
02:19:58,160 --> 02:20:00,520
Speaker 3: love and comes in contacts with them. It's cool. You

2852
02:20:00,520 --> 02:20:03,040
Speaker 3: don't got to pick sizes with me, like I want

2853
02:20:03,080 --> 02:20:05,840
Speaker 3: everybody to get along. I just want the same respect.

2854
02:20:05,840 --> 02:20:08,440
Speaker 3: And I really wasn't dealt that hand. But it's cool.

2855
02:20:08,480 --> 02:20:10,080
Speaker 3: I'm wanting to let it go, like I ain't tripping

2856
02:20:10,120 --> 02:20:10,720
Speaker 3: off that ship.

2857
02:20:12,120 --> 02:20:16,000
Speaker 1: I think I think that's warranted. Yeah, I think, yeah, yeah,

2858
02:20:16,000 --> 02:20:22,360
Speaker 1: I think that's and I think they'll see this and

2859
02:20:22,400 --> 02:20:22,960
Speaker 1: reach out.

2860
02:20:23,600 --> 02:20:25,360
Speaker 2: They're good dude, Yeah, yeah, yeah, yeah.

2861
02:20:26,040 --> 02:20:28,440
Speaker 4: Man, I'm always down to just shake hands.

2862
02:20:28,560 --> 02:20:31,800
Speaker 3: Let it go, beautiful thing, we got way more important

2863
02:20:31,800 --> 02:20:35,200
Speaker 3: stuff to be worried about, you know what, hostfully like

2864
02:20:35,320 --> 02:20:37,680
Speaker 3: just moving forward, like you'll be able to deal with

2865
02:20:37,720 --> 02:20:40,840
Speaker 3: situations better than that, Like because I'm a cool dude.

2866
02:20:40,879 --> 02:20:42,959
Speaker 3: Like you don't got to get like that or the

2867
02:20:43,000 --> 02:20:45,720
Speaker 3: same image that you portray really be about that in

2868
02:20:45,760 --> 02:20:47,760
Speaker 3: real life, you know what I'm saying, Like you're trying

2869
02:20:47,760 --> 02:20:49,800
Speaker 3: to influence people to take a better route, but you're

2870
02:20:49,800 --> 02:20:54,280
Speaker 3: not necessarily taking that route, and you know it is

2871
02:20:54,320 --> 02:20:54,840
Speaker 3: what it is.

2872
02:20:56,080 --> 02:20:57,080
Speaker 4: Yeah, yeah, we could.

2873
02:20:56,879 --> 02:20:57,720
Speaker 3: All be better.

2874
02:20:59,160 --> 02:21:06,000
Speaker 1: And we're going all right, right should inspire everybody? Is

2875
02:21:06,040 --> 02:21:06,800
Speaker 1: the funk out right now?

2876
02:21:06,879 --> 02:21:08,920
Speaker 3: There it out.

2877
02:21:08,959 --> 02:21:11,720
Speaker 1: I'm uger, do out my hands and my toes right now.

2878
02:21:12,680 --> 02:21:18,520
Speaker 1: Ungle umbopa, I'm doing it. You take the bath from breaking.

2879
02:21:19,320 --> 02:21:22,120
Speaker 2: We got like five mon I'm a bathroom breaker, mouer

2880
02:21:22,160 --> 02:21:23,240
Speaker 2: and like that, gun up.

2881
02:21:26,120 --> 02:21:29,800
Speaker 3: What happened is done?

2882
02:21:30,000 --> 02:21:31,400
Speaker 4: What cereal milk is good weed?

2883
02:21:33,640 --> 02:21:37,039
Speaker 3: What you're not gonna lee it with? I'm gonna when

2884
02:21:37,080 --> 02:21:40,000
Speaker 3: I smoke this haze, I'm smoking on I g I

2885
02:21:40,080 --> 02:21:42,760
Speaker 3: might smoke the whole thing. Just put it on my story.

2886
02:21:43,720 --> 02:21:47,760
Speaker 3: So the White Live on Instagram and I'm gonna listen

2887
02:21:47,760 --> 02:21:53,720
Speaker 3: to Purple Haze. I'm gonna put Cameron's album at I'm

2888
02:21:53,720 --> 02:21:55,840
Speaker 3: gonna put Purple Haze on. I'm gonna roll up a

2889
02:21:55,879 --> 02:21:59,600
Speaker 3: fat ass join us and haze. I'm been like with

2890
02:21:59,640 --> 02:22:01,880
Speaker 3: the good When was our spa staying tune with ma?

2891
02:22:02,200 --> 02:22:04,920
Speaker 3: She's like, damn this a really since come by y'all.

2892
02:22:37,040 --> 02:22:37,360
Speaker 3: M h.

2893
02:22:40,840 --> 02:23:06,800
Speaker 10: M hm, m h m hm m h.

2894
02:23:07,480 --> 02:23:10,320
Speaker 3: Yeah.

2895
02:23:10,600 --> 02:23:12,560
Speaker 1: Is this your first time spoking to Ukah?

2896
02:23:13,040 --> 02:23:17,240
Speaker 3: Yes? Like I said, I'm used to the volcano, like

2897
02:23:17,360 --> 02:23:21,360
Speaker 3: where you gotta fucking heat it up with the bag. Yeah,

2898
02:23:21,400 --> 02:23:23,640
Speaker 3: it's the same vibe, but it's like the hookah version

2899
02:23:23,720 --> 02:23:25,720
Speaker 3: and it's got clean.

2900
02:23:25,120 --> 02:23:28,600
Speaker 2: You're gonna see this a whole whole different technology right here, Like.

2901
02:23:28,720 --> 02:23:31,120
Speaker 3: It looks like a like an air freshener, like like

2902
02:23:31,200 --> 02:23:35,240
Speaker 3: it's or fire like.

2903
02:23:36,640 --> 02:23:44,640
Speaker 1: Yeah, yeah, yeah, yeah I had the volcano too, Yeah

2904
02:23:45,400 --> 02:23:46,720
Speaker 1: I had the original woman.

2905
02:23:46,560 --> 02:23:48,560
Speaker 3: The bag just blow up like that. That's all like

2906
02:23:48,600 --> 02:23:52,320
Speaker 3: the gpin and ship like that. That's where the vapes

2907
02:23:52,360 --> 02:23:54,200
Speaker 3: come from. But those aren't like real vapes because they

2908
02:23:54,320 --> 02:23:56,520
Speaker 3: use coils and ship and be like heating it up.

2909
02:23:56,520 --> 02:23:58,359
Speaker 4: Hella, like this is way better.

2910
02:23:58,160 --> 02:24:00,879
Speaker 1: For you, Like you know what I mean, how you

2911
02:24:00,959 --> 02:24:03,200
Speaker 1: killed that you broke that day love, How you break

2912
02:24:03,240 --> 02:24:04,119
Speaker 1: it down like a science.

2913
02:24:04,200 --> 02:24:06,520
Speaker 3: It's true, it's a science because you're putting smoke in

2914
02:24:06,520 --> 02:24:08,760
Speaker 3: your body. So you gotta be careful like how you

2915
02:24:08,800 --> 02:24:12,080
Speaker 3: do it. Like niggas be taking dabs and they be

2916
02:24:12,120 --> 02:24:13,800
Speaker 3: heating them ships up too much. Like you know what

2917
02:24:13,840 --> 02:24:15,800
Speaker 3: I'm saying. You gotta do low temp. You know what

2918
02:24:15,840 --> 02:24:18,240
Speaker 3: I'm saying. Let it bubb get the high taste. You

2919
02:24:18,320 --> 02:24:20,640
Speaker 3: know what I'm saying. So you ain't fucking yourself up.

2920
02:24:21,040 --> 02:24:23,200
Speaker 1: You don't remember what when Dad first came out, they

2921
02:24:23,200 --> 02:24:26,560
Speaker 1: had the blow torch. Torch you still use That's not right.

2922
02:24:26,560 --> 02:24:29,480
Speaker 1: You still using to still control the time?

2923
02:24:29,840 --> 02:24:32,640
Speaker 3: Why well, I mean that's the only way that pause

2924
02:24:32,680 --> 02:24:37,360
Speaker 3: get it out enough. I mean, I'm in from a

2925
02:24:37,400 --> 02:24:40,360
Speaker 3: different generation. You play pause a little bit different than.

2926
02:24:41,959 --> 02:24:42,720
Speaker 4: It's fun though.

2927
02:24:43,879 --> 02:24:44,000
Speaker 1: Now.

2928
02:24:44,120 --> 02:24:44,400
Speaker 3: One of.

2929
02:24:47,800 --> 02:24:50,600
Speaker 1: One of the things that I go through your discography

2930
02:24:50,680 --> 02:24:53,360
Speaker 1: and I go through, well give it from him. Look,

2931
02:24:53,920 --> 02:24:55,920
Speaker 1: he is the one dude that shouldn't have the joint.

2932
02:24:56,000 --> 02:24:56,720
Speaker 1: Let him smoke.

2933
02:24:56,959 --> 02:25:02,119
Speaker 3: He gotta you gotta pull.

2934
02:25:03,000 --> 02:25:06,320
Speaker 1: You're gonna wake up differ and he's gonna blame, gonna

2935
02:25:06,360 --> 02:25:10,480
Speaker 1: be like.

2936
02:25:09,920 --> 02:25:13,080
Speaker 3: No, they don't piss us for we no more k

2937
02:25:13,240 --> 02:25:20,800
Speaker 3: k k okay, get there, what's up.

2938
02:25:26,080 --> 02:25:26,320
Speaker 1: Thinking?

2939
02:25:26,920 --> 02:25:27,080
Speaker 3: Now?

2940
02:25:28,720 --> 02:25:32,000
Speaker 1: Yeah that one of the one of the things that

2941
02:25:32,280 --> 02:25:35,600
Speaker 1: comes up about you is your love for Max b Yeah,

2942
02:25:36,480 --> 02:25:37,760
Speaker 1: bigger L, bigger L.

2943
02:25:37,840 --> 02:25:38,920
Speaker 4: Shout out the bigger L.

2944
02:25:39,040 --> 02:25:39,280
Speaker 1: Man.

2945
02:25:40,200 --> 02:25:43,960
Speaker 3: This is oh ship that is smoky.

2946
02:25:44,920 --> 02:25:53,640
Speaker 9: Oh yeah, baby, God damn.

2947
02:25:54,120 --> 02:25:55,879
Speaker 3: I feel like I'm inside.

2948
02:25:55,480 --> 02:25:56,440
Speaker 4: A joint right now.

2949
02:25:57,200 --> 02:26:01,760
Speaker 3: I can't even see you, bro. I am a joy.

2950
02:26:02,840 --> 02:26:10,200
Speaker 3: It's like Batman just came. That's got to be like

2951
02:26:10,360 --> 02:26:11,200
Speaker 3: history right now.

2952
02:26:11,680 --> 02:26:12,440
Speaker 1: Yeah, that's hard.

2953
02:26:12,760 --> 02:26:14,480
Speaker 3: I didn't even do this to Snoop because Snoop don't

2954
02:26:14,480 --> 02:26:16,640
Speaker 3: play that show.

2955
02:26:15,280 --> 02:26:19,240
Speaker 4: No Snoop don't play.

2956
02:26:19,640 --> 02:26:21,760
Speaker 1: But we did it to college he ran Snoop did

2957
02:26:21,800 --> 02:26:25,440
Speaker 1: not he will will be down here, I think we

2958
02:26:25,520 --> 02:26:28,280
Speaker 1: do have it would be okay, be real, be down

2959
02:26:28,760 --> 02:26:29,840
Speaker 1: He's with all the smoking and.

2960
02:26:32,680 --> 02:26:33,840
Speaker 4: Smoking this new.

2961
02:26:33,720 --> 02:26:39,320
Speaker 1: Generation, not Snoop, not not anybody. Is there any young dude?

2962
02:26:40,840 --> 02:26:44,120
Speaker 3: Go ahead, keep questions, go ahead, go ahead, ask the

2963
02:26:44,200 --> 02:26:47,240
Speaker 3: question of governor, ask the question any young dude out

2964
02:26:47,280 --> 02:26:52,560
Speaker 3: here coming up that that can that can smoke with you?

2965
02:26:52,640 --> 02:26:58,400
Speaker 3: They can do, okay, absolutely not only the only person

2966
02:26:58,879 --> 02:27:01,000
Speaker 3: the only person I think I can hang with me

2967
02:27:01,040 --> 02:27:03,000
Speaker 3: and I probably haven't even smoked with this fool yet,

2968
02:27:03,000 --> 02:27:07,040
Speaker 3: but I already smoked. Hello, dope, it's chief keef. Yeah,

2969
02:27:07,320 --> 02:27:10,039
Speaker 3: I put so. I put Sosa up there because I

2970
02:27:10,080 --> 02:27:12,440
Speaker 3: heard it. And when you in these streets, you hear

2971
02:27:12,520 --> 02:27:16,000
Speaker 3: some shit everybody else. No, don't even let them. Don't

2972
02:27:16,040 --> 02:27:18,240
Speaker 3: let them try to fool you. And they know they

2973
02:27:18,240 --> 02:27:20,320
Speaker 3: wouldn't even try. They wouldn't even I don't even think

2974
02:27:20,360 --> 02:27:22,280
Speaker 3: they would say anything like oh yeah I can hang

2975
02:27:22,360 --> 02:27:25,600
Speaker 3: with no hell no, absolutely not. I don't even think

2976
02:27:25,640 --> 02:27:28,680
Speaker 3: they're trying to, like honestly, like they're doing other drugs,

2977
02:27:29,040 --> 02:27:30,880
Speaker 3: they're not trying to, like smoke weed. We need more

2978
02:27:30,920 --> 02:27:33,880
Speaker 3: people to like smoke a ton of pot and just

2979
02:27:34,240 --> 02:27:36,840
Speaker 3: buy ounces of weed and just listen to music and

2980
02:27:36,879 --> 02:27:39,640
Speaker 3: be cool right around with their friends and get girls.

2981
02:27:40,360 --> 02:27:44,080
Speaker 3: I like little Tyler. Yeah, yeah, yeah, if y'all heard

2982
02:27:44,080 --> 02:27:47,720
Speaker 3: a little Tyler, like a little Tyler. Tyler created hard though, Yeah,

2983
02:27:47,720 --> 02:27:49,279
Speaker 3: a little Tyler hard though. Yeah.

2984
02:27:49,560 --> 02:27:52,760
Speaker 1: They said you spend over thirty thousand on weed a month.

2985
02:27:53,040 --> 02:27:56,760
Speaker 3: No that was one particular year, okay, yeah yeah yeah,

2986
02:27:57,040 --> 02:28:00,039
Speaker 3: down went back up. No, it's probably more, but I

2987
02:28:00,040 --> 02:28:04,640
Speaker 3: grow it, Yeah, I grow it. So it's like you

2988
02:28:04,680 --> 02:28:08,480
Speaker 3: know what I'm saying. Like it evens out Humble County.

2989
02:28:09,520 --> 02:28:12,600
Speaker 3: There's just multiple places. Now, It's all over the place, bro,

2990
02:28:12,680 --> 02:28:16,400
Speaker 3: It's like wherever I like laying, Bro, It's all over

2991
02:28:16,480 --> 02:28:19,040
Speaker 3: the fucking place, exactly, it is.

2992
02:28:19,400 --> 02:28:21,400
Speaker 4: It's right outside. It's just growing.

2993
02:28:21,840 --> 02:28:22,320
Speaker 1: Goddamn.

2994
02:28:22,520 --> 02:28:23,560
Speaker 3: Do you like this is?

2995
02:28:23,600 --> 02:28:27,200
Speaker 1: Back back then people just coming to Florida and complain

2996
02:28:27,280 --> 02:28:27,880
Speaker 1: about Florida.

2997
02:28:27,959 --> 02:28:31,000
Speaker 3: We Hey, relaxed, Buddy, I said, Florida. I ain't say Miami.

2998
02:28:31,520 --> 02:28:34,680
Speaker 3: I ain't say Miami. It is.

2999
02:28:36,240 --> 02:28:40,360
Speaker 1: Yeah, we established that earlier while he was at weeding.

3000
02:28:40,440 --> 02:28:43,520
Speaker 4: Weeding Florida everywhere has decent weed. It just depends on

3001
02:28:43,520 --> 02:28:43,879
Speaker 4: who you know.

3002
02:28:47,080 --> 02:28:47,520
Speaker 2: You're looking.

3003
02:28:47,560 --> 02:28:49,400
Speaker 1: You knew me at the time. Cali is the.

3004
02:28:49,320 --> 02:28:50,920
Speaker 4: Best weed in the world, sir.

3005
02:28:54,160 --> 02:28:58,760
Speaker 3: Yeah, sir, Northern caliy exactly in the Bay Area, Yeah,

3006
02:28:58,800 --> 02:28:59,480
Speaker 3: the Bay Area.

3007
02:28:59,600 --> 02:29:00,880
Speaker 4: That's the green door.

3008
02:29:03,640 --> 02:29:04,880
Speaker 1: Have you been in the green door?

3009
02:29:04,920 --> 02:29:06,200
Speaker 4: The green door in incident?

3010
02:29:06,360 --> 02:29:11,400
Speaker 1: No, And I thought they were bab green doors in Amsterdam.

3011
02:29:11,840 --> 02:29:14,240
Speaker 2: Jesus Christmas, brother, I'm talking about the other green to

3012
02:29:14,320 --> 02:29:14,560
Speaker 2: tell you.

3013
02:29:15,160 --> 02:29:20,200
Speaker 1: The man in San Diego, No, San Francisco.

3014
02:29:20,959 --> 02:29:21,320
Speaker 3: Let it go.

3015
02:29:21,879 --> 02:29:22,720
Speaker 1: I'm just gonna let it.

3016
02:29:23,240 --> 02:29:25,240
Speaker 3: The day's got the best weed the Bay's got like

3017
02:29:25,280 --> 02:29:28,320
Speaker 3: the purest, stickiest, most.

3018
02:29:28,440 --> 02:29:30,240
Speaker 2: Paid attention because it's clos the source.

3019
02:29:30,879 --> 02:29:33,119
Speaker 3: I mean the people who grow it, the hippies out

3020
02:29:33,120 --> 02:29:36,480
Speaker 3: there are just fucking they're just traditional, just weed.

3021
02:29:36,480 --> 02:29:38,760
Speaker 4: They don't even care about the money, bro, They just care.

3022
02:29:38,640 --> 02:29:42,760
Speaker 3: About the super They're like down to the soil, like

3023
02:29:43,040 --> 02:29:46,760
Speaker 3: every little micro fiber, like they play music for the plants,

3024
02:29:46,959 --> 02:29:51,680
Speaker 3: music there and there. Yeah, Colorado weed is cool. It's

3025
02:29:51,720 --> 02:29:55,560
Speaker 3: kind of dry. It's a little dusty, you know, it's

3026
02:29:55,600 --> 02:29:57,959
Speaker 3: not as it's not as sticky as West Coast weed.

3027
02:29:58,520 --> 02:30:00,760
Speaker 4: West Coast weed is. That's sticky ichy.

3028
02:30:00,800 --> 02:30:02,840
Speaker 1: Bro. Isn't Colorado considered the rest coast?

3029
02:30:03,360 --> 02:30:05,600
Speaker 4: No, it's not. I mean you could consider it that

3030
02:30:05,680 --> 02:30:06,240
Speaker 4: if you want.

3031
02:30:06,200 --> 02:30:10,000
Speaker 2: To look at the words you're using west hot football.

3032
02:30:10,040 --> 02:30:12,200
Speaker 3: There's no coast on Colorado. I think maybe like with

3033
02:30:12,440 --> 02:30:14,240
Speaker 3: like radio, it's like considered west.

3034
02:30:15,480 --> 02:30:19,960
Speaker 2: That's the Midwest, isn't it.

3035
02:30:19,959 --> 02:30:22,000
Speaker 3: It's west, it's not west past Yeah.

3036
02:30:21,959 --> 02:30:24,600
Speaker 4: I don't think they're on Pacific time over there.

3037
02:30:24,760 --> 02:30:27,800
Speaker 3: I think they're Yeah, there're time Mon time, then they

3038
02:30:27,840 --> 02:30:30,640
Speaker 3: would not be VALENTI yeah, the Mountain time.

3039
02:30:30,800 --> 02:30:34,080
Speaker 4: Yeah, that one essentral, Yeah, that's central, yeah.

3040
02:30:34,000 --> 02:30:38,400
Speaker 1: Which they got yet smoke, but you smoked and drink

3041
02:30:38,440 --> 02:30:39,680
Speaker 1: what you drag and then come with all.

3042
02:30:39,600 --> 02:30:42,720
Speaker 3: His knowledge right now. It makes you smarter man, kk

3043
02:30:42,879 --> 02:30:47,039
Speaker 3: and McQueen makes you fucking smarter. Smarter he said, some

3044
02:30:47,080 --> 02:30:48,640
Speaker 3: geography facts over there.

3045
02:30:48,600 --> 02:30:52,360
Speaker 1: He got some he said, geography say fact, he said, KKK.

3046
02:30:54,520 --> 02:30:58,800
Speaker 2: That's some good. That's history. Now the picture of your ship?

3047
02:31:02,360 --> 02:31:07,280
Speaker 2: Who painted that on your shirt? Whose artist? Who's the artist?

3048
02:31:11,240 --> 02:31:12,720
Speaker 1: I mean, do you know what?

3049
02:31:18,040 --> 02:31:19,160
Speaker 3: Oh, let me say something.

3050
02:31:19,320 --> 02:31:21,640
Speaker 1: Let me say something that you said, t I, hold on,

3051
02:31:21,640 --> 02:31:25,880
Speaker 1: hold on, hold on, Sonny, hold on, let me say something.

3052
02:31:25,959 --> 02:31:30,200
Speaker 1: Let me say something, Ti I Ti I and little Boosie.

3053
02:31:30,840 --> 02:31:33,119
Speaker 1: I know that y'all. You know, y'all could have went

3054
02:31:33,200 --> 02:31:36,280
Speaker 1: to war. You could have did a whole bunch of

3055
02:31:36,280 --> 02:31:39,840
Speaker 1: tremendous crazy ship. But the fact that y'all showed that

3056
02:31:39,840 --> 02:31:44,360
Speaker 1: two black men could get together and could talk it out.

3057
02:31:44,680 --> 02:31:47,520
Speaker 1: I really commend that. I really respect that. I really

3058
02:31:47,560 --> 02:31:51,640
Speaker 1: salute that, because we need to keep pushing that that

3059
02:31:51,920 --> 02:31:55,080
Speaker 1: it's not always drama everything. A disagreement doesn't lead to

3060
02:31:55,200 --> 02:31:58,600
Speaker 1: y'all fighting and shooting. I love the fact that y'all

3061
02:31:58,600 --> 02:32:01,040
Speaker 1: got together. So T I and boos wherever y'all at

3062
02:32:01,360 --> 02:32:02,680
Speaker 1: you know what I mean, I want a salute and

3063
02:32:02,680 --> 02:32:08,120
Speaker 1: say I won't. Yeah, I'm so tired of violence.

3064
02:32:08,920 --> 02:32:10,039
Speaker 4: I don't like gun violence.

3065
02:32:10,080 --> 02:32:15,080
Speaker 3: I don't mind fighting, though, yeah, but like it's healthy

3066
02:32:15,120 --> 02:32:17,320
Speaker 3: to like if you fight, like in a controlled environment,

3067
02:32:17,400 --> 02:32:20,280
Speaker 3: because niggas gonna get into it, you're gonna have a disagreement.

3068
02:32:20,760 --> 02:32:23,400
Speaker 3: But if you're gonna shoot somebody over it, that's kind

3069
02:32:23,400 --> 02:32:26,840
Speaker 3: of whack. But if we can throw the hands evenly,

3070
02:32:26,879 --> 02:32:29,360
Speaker 3: you'll really see if somebody really got a problem or not.

3071
02:32:29,959 --> 02:32:32,119
Speaker 3: And that would solve a lot. You know, if niggas

3072
02:32:32,240 --> 02:32:34,120
Speaker 3: is just square up, that would solve a lot. But

3073
02:32:34,160 --> 02:32:36,520
Speaker 3: a lot of niggas are scared. I used to a

3074
02:32:36,560 --> 02:32:39,520
Speaker 3: lot of niggas don't want to fight. Or if you

3075
02:32:39,680 --> 02:32:42,039
Speaker 3: could train to fight then do it would give you

3076
02:32:42,080 --> 02:32:44,960
Speaker 3: more confidence to if somebody be like, yo, let's get it,

3077
02:32:44,959 --> 02:32:46,879
Speaker 3: they'd be like, all right, cool, I don't have to

3078
02:32:46,920 --> 02:32:49,160
Speaker 3: have a gun to, you know what I mean, handle this.

3079
02:32:49,320 --> 02:32:52,360
Speaker 3: But there's a lot of programming that goes with that too.

3080
02:32:52,400 --> 02:32:54,560
Speaker 3: But I don't mind fighting, you know what I'm saying.

3081
02:32:54,600 --> 02:32:56,959
Speaker 3: I think it's healthy. I think you should learn how

3082
02:32:57,000 --> 02:33:00,360
Speaker 3: to control violence. Do it in a do it in

3083
02:33:00,400 --> 02:33:03,200
Speaker 3: the control environment and get it out the way and

3084
02:33:03,240 --> 02:33:06,320
Speaker 3: continue on with your life. Yeah yeah, yeah.

3085
02:33:06,400 --> 02:33:08,640
Speaker 2: The thing about trained fighting, it also teaches you how

3086
02:33:08,640 --> 02:33:09,640
Speaker 2: to lose with grace.

3087
02:33:09,879 --> 02:33:12,640
Speaker 3: Yeah, for sure, because somebody's gonna win and somebody's gonna lose,

3088
02:33:12,840 --> 02:33:15,720
Speaker 3: you know what I mean. But like the majority of

3089
02:33:16,240 --> 02:33:20,640
Speaker 3: times when we spar it's not like I hate this dude,

3090
02:33:20,640 --> 02:33:22,640
Speaker 3: I'm trying to take his head off. Somebody gets a

3091
02:33:22,640 --> 02:33:25,120
Speaker 3: good shot in you're like, good shot. And if you

3092
02:33:25,160 --> 02:33:27,480
Speaker 3: go to war with somebody and if it gets nasty,

3093
02:33:27,560 --> 02:33:29,080
Speaker 3: but at the end of it, you both come out

3094
02:33:29,120 --> 02:33:30,720
Speaker 3: you're both like, yeah, that was a good when you

3095
02:33:30,760 --> 02:33:33,200
Speaker 3: respect them a little bit more than anything. And I

3096
02:33:33,720 --> 02:33:38,080
Speaker 3: think people can learn from that because it's discipline. Yeah, absolutely, Yeah,

3097
02:33:38,440 --> 02:33:41,520
Speaker 3: it's good for you. It's definitely good. Oh yeah, But.

3098
02:33:41,800 --> 02:33:43,520
Speaker 1: You're not trying to spar on a rap or nothing

3099
02:33:43,560 --> 02:33:43,920
Speaker 1: like that.

3100
02:33:44,879 --> 02:33:47,959
Speaker 3: I mean, if it came down to it, I mean,

3101
02:33:48,160 --> 02:33:51,240
Speaker 3: it's it's for sport. It's not like a competition. So

3102
02:33:51,240 --> 02:33:53,039
Speaker 3: it's like it's fun. It would be fun to see

3103
02:33:53,040 --> 02:33:55,400
Speaker 3: what somebody else knows, or to learn from them or

3104
02:33:55,440 --> 02:33:59,320
Speaker 3: to show them what I've learned throughout my time. So like, yeah,

3105
02:34:00,120 --> 02:34:05,680
Speaker 3: fun I got a couple of partners in the league. Man,

3106
02:34:06,680 --> 02:34:09,440
Speaker 3: the high Rollers. That's the that's the Brazilian jiu jitsu

3107
02:34:09,720 --> 02:34:13,360
Speaker 3: where you can smoke weed and roll at the same

3108
02:34:13,400 --> 02:34:16,200
Speaker 3: time and you compete for a pound of weed or

3109
02:34:16,320 --> 02:34:18,880
Speaker 3: multiple pounds a week. League. Did we just jump league?

3110
02:34:18,920 --> 02:34:19,120
Speaker 1: Yeah?

3111
02:34:19,200 --> 02:34:23,360
Speaker 3: Yeah, from smoking yeah, saying it's the same thing. Yeah,

3112
02:34:23,400 --> 02:34:26,000
Speaker 3: you fight and smoke at the same time. There's a

3113
02:34:26,000 --> 02:34:28,680
Speaker 3: whole it's a whole league. It's called league. You smoke

3114
02:34:28,720 --> 02:34:32,040
Speaker 3: and you fight. Yeah, it's called high Rolls. Well, they

3115
02:34:32,080 --> 02:34:35,000
Speaker 3: do fights everywhere. My partners have teams. There's a Khalifa

3116
02:34:35,040 --> 02:34:38,600
Speaker 3: Cush team. There's a headquarters in Vegas. They get it

3117
02:34:38,640 --> 02:34:40,560
Speaker 3: on there and the fights are regular and it's and

3118
02:34:40,600 --> 02:34:41,680
Speaker 3: it's on regular TV.

3119
02:34:41,800 --> 02:34:43,959
Speaker 4: So it's films. It's growing, like you know what I.

3120
02:34:43,879 --> 02:34:46,080
Speaker 1: Mean, literally, it's growing.

3121
02:34:46,200 --> 02:34:48,800
Speaker 3: Yeah. You smoke weed and you and you and you fight. Yo, son,

3122
02:34:48,879 --> 02:34:52,400
Speaker 3: you joined that league? Yeah yeah, And then I'm I'm

3123
02:34:52,440 --> 02:34:54,840
Speaker 3: one of the creative directors and the co owners of

3124
02:34:54,879 --> 02:34:57,360
Speaker 3: the p f L. It's like in direct competition with

3125
02:34:57,480 --> 02:35:01,120
Speaker 3: Bellatur and UFC. We're on ESPN, esp Into and this

3126
02:35:01,600 --> 02:35:05,640
Speaker 3: Fighting League. It's a point point based system where the

3127
02:35:05,640 --> 02:35:08,320
Speaker 3: fighters at the end of the season, they have opportunity

3128
02:35:08,360 --> 02:35:11,120
Speaker 3: to fight for a million dollars, which not a lot

3129
02:35:11,160 --> 02:35:11,920
Speaker 3: of fighters get.

3130
02:35:11,800 --> 02:35:14,200
Speaker 4: To to do with their whole career exactly.

3131
02:35:14,600 --> 02:35:17,160
Speaker 3: So this takes like, you know, the top fighters, and

3132
02:35:17,160 --> 02:35:19,840
Speaker 3: they're able to earn points throughout the season depending on

3133
02:35:19,840 --> 02:35:23,519
Speaker 3: who they win against and how they win, and that's how.

3134
02:35:23,520 --> 02:35:25,119
Speaker 4: The championships are determined.

3135
02:35:25,160 --> 02:35:27,039
Speaker 3: So it's really based on the fights, and it gives

3136
02:35:27,040 --> 02:35:30,840
Speaker 3: them opportunity to own ship. They own their their own

3137
02:35:30,879 --> 02:35:33,879
Speaker 3: licensing and all of that stuff. So they get they

3138
02:35:33,879 --> 02:35:36,480
Speaker 3: get hell of money just off of who they are

3139
02:35:36,680 --> 02:35:40,040
Speaker 3: and fighters who their contracts end at other companies.

3140
02:35:40,320 --> 02:35:42,240
Speaker 4: They come right over to the PFL and just make

3141
02:35:42,320 --> 02:35:42,959
Speaker 4: hell of money.

3142
02:35:43,800 --> 02:35:44,240
Speaker 3: Yeah yep.

3143
02:35:44,360 --> 02:35:46,960
Speaker 4: Jake Paul just signed on with us. He's going to

3144
02:35:47,040 --> 02:35:47,480
Speaker 4: do a fight.

3145
02:35:47,720 --> 02:35:48,280
Speaker 3: Yeah yep.

3146
02:35:49,120 --> 02:35:50,560
Speaker 1: He's going to do martial arts.

3147
02:35:50,600 --> 02:35:52,120
Speaker 3: He's gonna do his first m m A fight with

3148
02:35:52,200 --> 02:35:54,920
Speaker 3: the f Yeah yep. He's going to do his first

3149
02:35:55,000 --> 02:35:56,199
Speaker 3: m m A fight with PFL.

3150
02:35:57,320 --> 02:36:03,200
Speaker 1: Kicking and all that kicking, came up and smoking elbow.

3151
02:36:03,320 --> 02:36:05,280
Speaker 2: They gotta take him to the ground. He got I'm

3152
02:36:05,320 --> 02:36:06,039
Speaker 2: sure you don't.

3153
02:36:05,800 --> 02:36:16,600
Speaker 3: Know that everything, yeah yeah, yeah, yeah, yeah. You go

3154
02:36:16,720 --> 02:36:19,360
Speaker 3: to the corner and you can take a bong ring.

3155
02:36:19,560 --> 02:36:22,520
Speaker 3: This is crazy.

3156
02:36:23,800 --> 02:36:26,119
Speaker 2: You should just have both of there with a gun

3157
02:36:26,160 --> 02:36:28,760
Speaker 2: and everybody the machine.

3158
02:36:28,840 --> 02:36:31,520
Speaker 3: That's what I mean, that's how we win to fight.

3159
02:36:31,680 --> 02:36:34,440
Speaker 3: That you smoke the whole ring out and I come

3160
02:36:34,480 --> 02:36:38,520
Speaker 3: in there. You appear exactly.

3161
02:36:43,480 --> 02:36:47,000
Speaker 1: So one thing, one thing you said is when I

3162
02:36:47,040 --> 02:36:50,320
Speaker 1: when I Actually you came early. But she's like you said,

3163
02:36:50,320 --> 02:36:53,400
Speaker 1: I'm a businessman, and I love that obviously. But let's

3164
02:36:53,400 --> 02:36:56,800
Speaker 1: talk about these businesses that you have, not just the liquor,

3165
02:36:56,840 --> 02:36:58,560
Speaker 1: but the fighting ship is dope fighting.

3166
02:36:58,400 --> 02:37:01,800
Speaker 3: Ship, there's E f L. There's Liquid Death, this is

3167
02:37:01,800 --> 02:37:03,800
Speaker 3: a this is you're part of liquid and part of

3168
02:37:03,840 --> 02:37:05,640
Speaker 3: Liquid Death water.

3169
02:37:05,720 --> 02:37:07,160
Speaker 4: You know, we've been growing this brand.

3170
02:37:08,040 --> 02:37:12,680
Speaker 2: That was genius. Yeah yeah, genius. How far along were

3171
02:37:12,720 --> 02:37:13,680
Speaker 2: they before you got involved?

3172
02:37:13,680 --> 02:37:15,800
Speaker 3: They were brand new Yeah yeah, yep. They were just

3173
02:37:15,840 --> 02:37:18,119
Speaker 3: looking for people to get down and they were really generous.

3174
02:37:18,160 --> 02:37:21,360
Speaker 3: It's like, yo, I'm not gonna talk about the details

3175
02:37:21,400 --> 02:37:23,360
Speaker 3: of the deal, but it was really really nice.

3176
02:37:23,480 --> 02:37:24,360
Speaker 2: That was genius.

3177
02:37:24,640 --> 02:37:28,959
Speaker 3: Yeah, yeah, hell yeah. There's Liquid Death, there's McQueen. But

3178
02:37:29,240 --> 02:37:32,440
Speaker 3: I have the whole company is uh you know, it's

3179
02:37:32,480 --> 02:37:37,959
Speaker 3: all under everything. So bel Air do say uh bomboo

3180
02:37:39,360 --> 02:37:43,240
Speaker 3: but do you get yes, Yeah, yeah, yeah, hell yeah.

3181
02:37:43,360 --> 02:37:45,879
Speaker 3: I gave up a little bit, you know, because this

3182
02:37:46,040 --> 02:37:50,440
Speaker 3: was mine, Like Brett went fully in with me on McQueen,

3183
02:37:51,040 --> 02:37:53,800
Speaker 3: so this was just me. So I gave a piece

3184
02:37:53,800 --> 02:37:55,240
Speaker 3: of this up for a piece of the rest of

3185
02:37:55,280 --> 02:37:56,160
Speaker 3: the company as well.

3186
02:37:56,440 --> 02:37:58,120
Speaker 4: So it only makes sense, you know what I mean,

3187
02:37:58,360 --> 02:38:00,039
Speaker 4: because we're all family anyway.

3188
02:38:00,040 --> 02:38:03,360
Speaker 3: And when one does one does well, every every one

3189
02:38:03,400 --> 02:38:06,320
Speaker 3: of them does well. I don't know if you've ever

3190
02:38:06,360 --> 02:38:11,440
Speaker 3: seen the company shop GLD, the jewelry company. I'm on

3191
02:38:11,560 --> 02:38:15,920
Speaker 3: a piece of that because the creators of that came

3192
02:38:15,920 --> 02:38:18,440
Speaker 3: out of my camp. So when they first started the business,

3193
02:38:18,440 --> 02:38:21,000
Speaker 3: they gave me a little piece of that. I have

3194
02:38:21,240 --> 02:38:25,120
Speaker 3: Hot Box by Wiz. Uh well no, it's Packed Bowls

3195
02:38:25,200 --> 02:38:28,959
Speaker 3: by Wiz. Now actually they changed it. It's a during

3196
02:38:28,959 --> 02:38:32,240
Speaker 3: the pandemic, when all the restaurants closed closed down, I

3197
02:38:32,320 --> 02:38:36,480
Speaker 3: opened up a delivery only restaurant. And we're in like

3198
02:38:36,840 --> 02:38:39,279
Speaker 3: hell of cities all over the place. So it's basically

3199
02:38:39,320 --> 02:38:41,800
Speaker 3: like a delivery only menu that you can get. It's

3200
02:38:41,800 --> 02:38:45,600
Speaker 3: not like a full restaurant, but it's it serves food.

3201
02:38:46,080 --> 02:38:49,480
Speaker 3: It's Packed bowls by Wiz. Fuck what else do we got?

3202
02:38:50,040 --> 02:38:53,440
Speaker 3: What else do we got will Yeah, the g l

3203
02:38:53,520 --> 02:38:56,480
Speaker 3: D ship, we got tons of merged What else do

3204
02:38:56,520 --> 02:38:59,120
Speaker 3: we got other businesses?

3205
02:39:01,640 --> 02:39:05,640
Speaker 4: H yeah, we got the mushroom company, mister caps.

3206
02:39:07,040 --> 02:39:08,720
Speaker 1: I thought Sonny was telling you what business you have?

3207
02:39:08,840 --> 02:39:11,280
Speaker 2: Much Sonny, You're too high right now, bro telling him

3208
02:39:11,320 --> 02:39:12,360
Speaker 2: what businesses he got?

3209
02:39:12,560 --> 02:39:13,240
Speaker 1: Yeah, g l D.

3210
02:39:15,879 --> 02:39:24,600
Speaker 3: Okay, I'll get you right yo. Take ahead of that

3211
02:39:24,640 --> 02:39:25,240
Speaker 3: Oka man.

3212
02:39:26,320 --> 02:39:27,520
Speaker 4: Oh yeah, the Wei Farms.

3213
02:39:27,520 --> 02:39:27,680
Speaker 2: Oh.

3214
02:39:28,080 --> 02:39:31,720
Speaker 3: We got a gaming team to the Pittsburgh the Pittsburgh Knights. Yeah,

3215
02:39:31,720 --> 02:39:33,240
Speaker 3: we got a gaming team as well.

3216
02:39:33,360 --> 02:39:35,800
Speaker 1: Like like video game that sh makes.

3217
02:39:36,280 --> 02:39:38,640
Speaker 2: Yeah, don't sleep on that ship.

3218
02:39:39,000 --> 02:39:40,200
Speaker 1: Yeah, Pittsburgh Knights.

3219
02:39:41,400 --> 02:39:43,400
Speaker 3: Yeah yeah, those are like the ones that are like

3220
02:39:43,480 --> 02:39:46,760
Speaker 3: right in front of us. It's a lot of ship's

3221
02:39:46,800 --> 02:39:47,480
Speaker 3: a lot of stuff.

3222
02:39:49,080 --> 02:39:51,240
Speaker 1: Hell yeah, I'm gonna take one more shot.

3223
02:39:52,120 --> 02:39:56,560
Speaker 3: I'm gonna take two more shots. This Taylor game. We

3224
02:39:56,760 --> 02:40:00,200
Speaker 3: keep it Taylor game. We keep it Taylor shot.

3225
02:40:00,280 --> 02:40:05,720
Speaker 1: Where we want to give your flowers to really deserve them.

3226
02:40:05,760 --> 02:40:08,840
Speaker 1: Like I said, you're really a legend out here. You

3227
02:40:08,959 --> 02:40:12,400
Speaker 1: really stood the test of time. And I love listening

3228
02:40:12,440 --> 02:40:15,680
Speaker 1: to your music because I can understand.

3229
02:40:16,680 --> 02:40:17,160
Speaker 3: The person.

3230
02:40:18,120 --> 02:40:20,320
Speaker 1: Not only the person, but I can understand that youth

3231
02:40:20,720 --> 02:40:23,280
Speaker 1: standing in the test of time, meaning this was the

3232
02:40:23,360 --> 02:40:25,720
Speaker 1: music for here. I can make music that sound like that,

3233
02:40:25,760 --> 02:40:29,480
Speaker 1: but it's my lane, and you continue to do that

3234
02:40:30,240 --> 02:40:35,200
Speaker 1: and should be noticed. I appreciate it should be Come on,

3235
02:40:41,480 --> 02:40:43,320
Speaker 1: all right, now, take all the shots I took.

3236
02:40:44,200 --> 02:40:47,920
Speaker 3: I mean I took. I took it in one glass

3237
02:40:47,959 --> 02:40:51,840
Speaker 3: so hammered, I'll be calling up all but it used

3238
02:40:51,840 --> 02:40:53,000
Speaker 3: to be drinking heavy.

3239
02:40:53,480 --> 02:40:55,160
Speaker 1: Yes, So what happened with.

3240
02:40:56,680 --> 02:40:56,720
Speaker 3: You?

3241
02:40:57,000 --> 02:40:58,720
Speaker 1: Goodbye?

3242
02:40:58,400 --> 02:41:02,119
Speaker 3: Yeah? Totally totally, Yeah, for sure.

3243
02:41:02,400 --> 02:41:06,320
Speaker 1: What made you stop? Your kicks wasn't coming out good?

3244
02:41:06,440 --> 02:41:12,360
Speaker 3: No, the kicks weren't. The kicks were perfectly fine, makes

3245
02:41:12,360 --> 02:41:15,720
Speaker 3: you I mean, yeah, that's part of it. It wasn't

3246
02:41:15,720 --> 02:41:18,680
Speaker 3: really too bad mistakes, I think. I just I don't

3247
02:41:18,680 --> 02:41:21,840
Speaker 3: feel like I can afford too many more drunk nights.

3248
02:41:22,400 --> 02:41:23,160
Speaker 1: I respect that.

3249
02:41:23,480 --> 02:41:26,760
Speaker 3: Yeah, it just it just it just it just ran

3250
02:41:26,840 --> 02:41:29,039
Speaker 3: its course like it hit it hit a wall. Like

3251
02:41:29,760 --> 02:41:31,840
Speaker 3: I feel like everything else in my life that I'm

3252
02:41:31,879 --> 02:41:34,160
Speaker 3: doing is like lifelong.

3253
02:41:34,360 --> 02:41:36,640
Speaker 4: You know what I'm saying, what's the training that you do?

3254
02:41:36,720 --> 02:41:38,039
Speaker 1: I'm sure that that's.

3255
02:41:37,680 --> 02:41:39,400
Speaker 4: I'm gonna be doing that for the rest of my life.

3256
02:41:39,440 --> 02:41:41,600
Speaker 4: I'm gonna be making music for the rest of my life, like.

3257
02:41:43,440 --> 02:41:46,200
Speaker 3: Brands for the rest of I'm telling you, like drinking

3258
02:41:46,360 --> 02:41:48,480
Speaker 3: like it was just it hit a ceiling, like it

3259
02:41:48,640 --> 02:41:51,240
Speaker 3: just it wasn't getting any better, like it was just like.

3260
02:41:51,560 --> 02:41:54,800
Speaker 2: That's the crazy. It gets better for us and it's terrible.

3261
02:41:55,800 --> 02:42:00,680
Speaker 2: Have fun, bro, That's that's why. That's why I love.

3262
02:42:00,800 --> 02:42:03,560
Speaker 3: I love people to just get fucked up, like because

3263
02:42:03,560 --> 02:42:04,200
Speaker 3: I understand.

3264
02:42:04,280 --> 02:42:06,440
Speaker 4: It's fun as hell, bro, Like that's all it is.

3265
02:42:06,480 --> 02:42:08,560
Speaker 3: It is fun. Like, it's hell of fun until it's not,

3266
02:42:09,760 --> 02:42:17,840
Speaker 3: you know, skirt, but it's cool. I like, I love

3267
02:42:17,879 --> 02:42:22,080
Speaker 3: people to enjoy some drinks. I love people to fucking

3268
02:42:22,800 --> 02:42:25,240
Speaker 3: rage and party. I'm not one of those people who

3269
02:42:25,240 --> 02:42:28,720
Speaker 3: you can't get drunk around me. I just ain't feeling

3270
02:42:28,879 --> 02:42:32,039
Speaker 3: like in those I love smoking weed. I love mushrooms.

3271
02:42:33,640 --> 02:42:35,480
Speaker 2: You don't want one of the chocolates from a homie.

3272
02:42:36,000 --> 02:42:38,400
Speaker 3: I do the mushroom pills, bro, I do capsules. I

3273
02:42:38,440 --> 02:42:41,800
Speaker 3: gotta do something right now, give me those capsules.

3274
02:42:42,080 --> 02:42:43,279
Speaker 1: Now, I got capsules.

3275
02:42:43,600 --> 02:42:47,039
Speaker 3: Drugs on your fucking shove, But I still give you

3276
02:42:47,040 --> 02:42:48,560
Speaker 3: from my homies. Here.

3277
02:42:48,600 --> 02:42:50,160
Speaker 1: Look I do.

3278
02:42:50,760 --> 02:42:53,000
Speaker 3: I do shrooms, and Tripp from the chocolates he took

3279
02:42:53,280 --> 02:42:56,080
Speaker 3: Mike Rode doubts those are micro dosing though. Yeah, you're

3280
02:42:56,080 --> 02:42:56,760
Speaker 3: not gonna.

3281
02:42:56,760 --> 02:42:58,680
Speaker 4: Super four hundred milligrams. That's a lot.

3282
02:42:59,600 --> 02:43:00,760
Speaker 3: That's why I stopped taking us.

3283
02:43:00,760 --> 02:43:04,560
Speaker 4: Oh but the Lions, man, is that is this? That's

3284
02:43:04,600 --> 02:43:04,960
Speaker 4: the one?

3285
02:43:05,120 --> 02:43:05,360
Speaker 3: Yeah?

3286
02:43:05,480 --> 02:43:07,720
Speaker 4: Okay, yeah, no, these are strong, bro.

3287
02:43:08,280 --> 02:43:08,680
Speaker 3: Those.

3288
02:43:11,360 --> 02:43:12,720
Speaker 1: I don't know what's about to happen right now.

3289
02:43:12,760 --> 02:43:14,120
Speaker 4: I'm about to do some mushrooms.

3290
02:43:14,320 --> 02:43:21,320
Speaker 3: Okay, all right, this one.

3291
02:43:22,240 --> 02:43:24,360
Speaker 1: Take a mushroom, buddy, Look at Suddy.

3292
02:43:24,560 --> 02:43:27,600
Speaker 3: Yes, you already took one. Take one, Sunny, let's go.

3293
02:43:30,240 --> 02:43:31,320
Speaker 1: You don't need another one.

3294
02:43:31,480 --> 02:43:35,320
Speaker 2: Oh, because Jamie wants one.

3295
02:43:35,680 --> 02:43:47,080
Speaker 3: Let's go, Jamie. He's chilling.

3296
02:43:48,800 --> 02:43:49,520
Speaker 1: Are you taking two?

3297
02:43:49,760 --> 02:43:51,200
Speaker 3: Yes? It doesn't have that much.

3298
02:43:51,400 --> 02:43:53,880
Speaker 1: You see him take two. I've never seen a nigga

3299
02:43:53,920 --> 02:43:54,240
Speaker 1: take too.

3300
02:43:56,040 --> 02:43:57,040
Speaker 3: Yeah, you're fine, you'll be fine.

3301
02:43:57,040 --> 02:43:58,320
Speaker 1: You'll be playing record again.

3302
02:43:59,280 --> 02:44:01,080
Speaker 4: Hell yeah, I gotta go piss one more.

3303
02:44:01,000 --> 02:44:04,880
Speaker 1: Time, yea piss three more times. I'm gonna pis too

3304
02:44:04,959 --> 02:44:10,200
Speaker 1: good about the raps? Right two minutes? Yeah?

3305
02:44:10,240 --> 02:44:17,280
Speaker 3: Yeah, good looking and follow Sonny Bronny's with the.

3306
02:44:18,959 --> 02:44:20,000
Speaker 4: Sunnies with the vibes.

3307
02:44:20,040 --> 02:44:23,440
Speaker 3: Is a good character, A great guy, man, I said,

3308
02:44:23,440 --> 02:44:25,040
Speaker 3: A good dude, man, I love that.

3309
02:44:25,400 --> 02:44:26,400
Speaker 4: Gotta be down.

3310
02:44:27,720 --> 02:44:32,640
Speaker 1: This it is my ship work. One does my ship

3311
02:44:32,720 --> 02:44:34,320
Speaker 1: flying the new ok.

3312
02:44:35,959 --> 02:44:38,280
Speaker 3: I like this. Remember you're taking that one home? Okay,

3313
02:44:38,320 --> 02:44:40,000
Speaker 3: this is mine. I like this one.

3314
02:44:40,760 --> 02:44:41,000
Speaker 1: Damn.

3315
02:44:41,000 --> 02:44:43,200
Speaker 3: We want to give him a brand new one. We

3316
02:44:43,240 --> 02:44:48,320
Speaker 3: have them in the box. Yeah, okay, okay, that's good.

3317
02:44:49,280 --> 02:44:54,600
Speaker 1: Cool. Yeah, it's amazing.

3318
02:44:58,800 --> 02:45:02,560
Speaker 3: I got haze, I got uka, I got oh.

3319
02:45:02,680 --> 02:45:06,360
Speaker 4: Yeah, I'm gonna be so high.

3320
02:45:07,160 --> 02:45:11,720
Speaker 1: You want to ask a question. Wise, like back in

3321
02:45:11,760 --> 02:45:16,120
Speaker 1: the days when you create or artists would like chase

3322
02:45:18,360 --> 02:45:20,959
Speaker 1: if you have an album you created and.

3323
02:45:23,680 --> 02:45:26,520
Speaker 3: Saying chasing mm hmmm.

3324
02:45:27,680 --> 02:45:27,760
Speaker 11: No.

3325
02:45:27,879 --> 02:45:33,640
Speaker 4: I never felt like that. I felt like what I'm.

3326
02:45:31,959 --> 02:45:36,000
Speaker 3: More, I have like more of an issue of as

3327
02:45:36,000 --> 02:45:38,480
Speaker 3: soon as people start liking some ship, I go on

3328
02:45:38,560 --> 02:45:41,160
Speaker 3: to the next thing and that might be like a

3329
02:45:41,200 --> 02:45:43,960
Speaker 3: gift in the curse. Like I've heard people yeah, yeah, yeah,

3330
02:45:44,000 --> 02:45:46,200
Speaker 3: I heard people tell me like, bro, like you got

3331
02:45:46,200 --> 02:45:48,840
Speaker 3: to stop doing that. But I just I don't like

3332
02:45:48,920 --> 02:45:51,480
Speaker 3: when people like ship too much, you know what I mean.

3333
02:45:51,560 --> 02:45:54,480
Speaker 3: It's like, oh, y'all like that, let me do something different.

3334
02:45:54,920 --> 02:45:57,560
Speaker 3: I mean yeah, so I never get stuck in my

3335
02:45:57,600 --> 02:46:00,160
Speaker 3: ways and I always do ship that's totally different. And

3336
02:46:00,240 --> 02:46:04,920
Speaker 3: like so from Cushion Orange Juice, I did cabin Fever

3337
02:46:05,000 --> 02:46:07,880
Speaker 3: because I wanted to do something totally different that didn't

3338
02:46:07,920 --> 02:46:10,680
Speaker 3: sound you know, so laid back and chill, and people

3339
02:46:10,680 --> 02:46:13,640
Speaker 3: gravitated towards that they loved it. And then I did

3340
02:46:13,720 --> 02:46:16,800
Speaker 3: Rolling Papers, which was like more mainstream, and you know,

3341
02:46:16,879 --> 02:46:19,959
Speaker 3: I got shit talked on that, but the fucking records

3342
02:46:20,000 --> 02:46:23,400
Speaker 3: went platinum. And then I did On and IFC with

3343
02:46:23,560 --> 02:46:26,959
Speaker 3: the fucking I forget what color the pants were. I

3344
02:46:26,959 --> 02:46:28,600
Speaker 3: think they were like cheat Oh it was the cheatah

3345
02:46:28,640 --> 02:46:32,000
Speaker 3: jacket with the American flag pants. Yeah, And people was

3346
02:46:32,040 --> 02:46:33,760
Speaker 3: like that's not hip hop, like you know what I mean,

3347
02:46:33,800 --> 02:46:35,879
Speaker 3: blah blah blah like, but for me, I was like

3348
02:46:36,000 --> 02:46:39,080
Speaker 3: really al Green and you know, Marvin Gaspin, I wanted

3349
02:46:39,080 --> 02:46:40,840
Speaker 3: to make something that just looked like an old school

3350
02:46:40,840 --> 02:46:46,560
Speaker 3: album cover. So it doesn't always align with what people think.

3351
02:46:46,600 --> 02:46:49,080
Speaker 3: It's me or like on brand for yeah, like with

3352
02:46:49,200 --> 02:46:51,920
Speaker 3: their taste for whiskyly for is. But it's always me

3353
02:46:52,120 --> 02:46:54,880
Speaker 3: just like narrating my own story kind of you know

3354
02:46:54,920 --> 02:46:57,840
Speaker 3: what I'm saying, Hell, yeah.

3355
02:46:57,360 --> 02:46:59,240
Speaker 2: Your evolution, you're involving on your own.

3356
02:46:59,280 --> 02:47:01,760
Speaker 3: I can't help it, you know, I don't get comfortable

3357
02:47:01,840 --> 02:47:04,320
Speaker 3: like just sitting in one place, like you know what

3358
02:47:04,360 --> 02:47:07,240
Speaker 3: I'm saying, like I'm always changing or always coming up

3359
02:47:07,280 --> 02:47:09,800
Speaker 3: with new ideas or just different ways to do things

3360
02:47:09,920 --> 02:47:13,480
Speaker 3: or inspiration or you know what I mean, just ways

3361
02:47:13,520 --> 02:47:17,440
Speaker 3: to reincorporate things and just tell a story without even

3362
02:47:17,600 --> 02:47:19,400
Speaker 3: like saying shit, and.

3363
02:47:19,360 --> 02:47:20,640
Speaker 4: If you get it, you get it.

3364
02:47:20,840 --> 02:47:22,560
Speaker 3: Because a lot of my fans and a lot of

3365
02:47:22,600 --> 02:47:24,600
Speaker 3: people that like fuck with my music or fuck with me,

3366
02:47:24,640 --> 02:47:27,600
Speaker 3: they gravitate towards the same things, so they'd be like, oh,

3367
02:47:27,640 --> 02:47:29,760
Speaker 3: this is that or that's why he did it, But

3368
02:47:29,920 --> 02:47:31,640
Speaker 3: just on a larger scale, a lot of people don't

3369
02:47:31,640 --> 02:47:33,640
Speaker 3: get that shit, so it just comes off as fucking

3370
02:47:33,640 --> 02:47:38,320
Speaker 3: weird sometimes. So like I just move forward and just

3371
02:47:38,360 --> 02:47:40,760
Speaker 3: hope that you know, one day people will understand it

3372
02:47:40,840 --> 02:47:43,240
Speaker 3: or grasp it. But it never holds me back or

3373
02:47:43,240 --> 02:47:46,040
Speaker 3: gets me stuck to where I want to redo something

3374
02:47:46,040 --> 02:47:50,400
Speaker 3: that I that I've done before. Like nah, never that you.

3375
02:47:50,320 --> 02:47:55,080
Speaker 1: Ever did something that was against the norm that you regret.

3376
02:47:54,760 --> 02:47:59,280
Speaker 3: It or an experiment that went wrong. No, I never

3377
02:47:59,360 --> 02:48:00,800
Speaker 3: had any experiens go wrong.

3378
02:48:01,160 --> 02:48:01,600
Speaker 1: Oh wow.

3379
02:48:01,720 --> 02:48:06,600
Speaker 4: I try to calculate everything to where I'm pretty much gonna.

3380
02:48:06,360 --> 02:48:10,160
Speaker 3: Win, and a win for me, like it might not

3381
02:48:10,280 --> 02:48:12,920
Speaker 3: be a win for everybody else, but I feel like.

3382
02:48:13,000 --> 02:48:14,840
Speaker 2: You already had calculated what would be a.

3383
02:48:14,760 --> 02:48:17,400
Speaker 3: Win exactly, and I'm satisfied with it and it's a

3384
02:48:17,520 --> 02:48:21,640
Speaker 3: success based off of just getting to release it or

3385
02:48:21,720 --> 02:48:23,959
Speaker 3: you know, I might not have got everything that I

3386
02:48:24,000 --> 02:48:26,000
Speaker 3: wanted to get done, but I'm happy with what I

3387
02:48:26,080 --> 02:48:29,000
Speaker 3: got done, you know what I mean. Like I definitely

3388
02:48:29,040 --> 02:48:30,720
Speaker 3: just chalk it up and keep it moving, like I'm

3389
02:48:30,720 --> 02:48:33,840
Speaker 3: always moving forward. And I think that's just a blessing

3390
02:48:33,879 --> 02:48:36,520
Speaker 3: that I have as a creative to not really be

3391
02:48:36,600 --> 02:48:39,920
Speaker 3: focused on like money or popularity or any of that.

3392
02:48:40,040 --> 02:48:41,879
Speaker 3: It's just I just love to create and I love

3393
02:48:41,959 --> 02:48:44,600
Speaker 3: to be a part of the conversation, like you know,

3394
02:48:44,800 --> 02:48:45,640
Speaker 3: just add me in there.

3395
02:48:45,840 --> 02:48:48,560
Speaker 2: So it's like you always looking at the glass half full, Yeah,

3396
02:48:48,600 --> 02:48:49,160
Speaker 2: half empty.

3397
02:48:49,240 --> 02:48:50,840
Speaker 3: I mean it's like what could I do even if

3398
02:48:50,879 --> 02:48:53,880
Speaker 3: some shit don't necessarily work or doesn't do it exactly

3399
02:48:53,920 --> 02:48:57,360
Speaker 3: what I wanted to do, It's like, all right, that's

3400
02:48:57,400 --> 02:48:59,959
Speaker 3: a lesson. It's not a failure. It's like what can

3401
02:49:00,080 --> 02:49:01,560
Speaker 3: I do to do better? You know what I mean.

3402
02:49:01,560 --> 02:49:04,160
Speaker 3: I'm not looking at eighty people around me like you

3403
02:49:04,200 --> 02:49:06,240
Speaker 3: should have done this, and you should. It's like, well,

3404
02:49:06,360 --> 02:49:08,959
Speaker 3: what could I have done to make that ship a

3405
02:49:09,040 --> 02:49:11,840
Speaker 3: guarantee you know what I'm saying, and then just move

3406
02:49:11,879 --> 02:49:12,360
Speaker 3: it from there.

3407
02:49:14,440 --> 02:49:18,200
Speaker 2: You smoke a blunt, I don't think it's been a

3408
02:49:18,200 --> 02:49:18,800
Speaker 2: long time.

3409
02:49:19,160 --> 02:49:21,879
Speaker 3: No, I'm not back home. I'm not doing that.

3410
02:49:21,879 --> 02:49:23,200
Speaker 1: That's gross.

3411
02:49:23,240 --> 02:49:23,920
Speaker 3: That's not home.

3412
02:49:24,160 --> 02:49:25,280
Speaker 1: Who ain't taking him there?

3413
02:49:25,320 --> 02:49:25,480
Speaker 3: Bro?

3414
02:49:26,040 --> 02:49:29,879
Speaker 1: Come back home from well we all started with blunt.

3415
02:49:30,080 --> 02:49:39,040
Speaker 3: Yeah, that was we wanted to get getting tricks all that.

3416
02:49:39,040 --> 02:49:39,760
Speaker 3: That's terrible.

3417
02:49:40,360 --> 02:49:40,960
Speaker 4: I like weed.

3418
02:49:41,000 --> 02:49:46,240
Speaker 3: I enjoy weed. There's weed in its just wrapped in

3419
02:49:46,280 --> 02:49:47,560
Speaker 3: there somewhere. That's the thing.

3420
02:49:47,720 --> 02:49:48,960
Speaker 2: It's a high grade cigarette.

3421
02:49:48,959 --> 02:49:50,480
Speaker 3: That's the thing about growing up in the hood, Like

3422
02:49:50,480 --> 02:49:52,879
Speaker 3: they try to like make it seem weird to like

3423
02:49:52,959 --> 02:49:55,200
Speaker 3: hit bongs or joints and things like that. If you don't,

3424
02:49:56,240 --> 02:49:59,640
Speaker 3: oh man, you we do. It's like, dog, I actually

3425
02:49:59,840 --> 02:50:03,160
Speaker 3: like care about weed, Like you know what I'm saying. Like,

3426
02:50:03,440 --> 02:50:05,680
Speaker 3: when you start to learn about weed, you don't want

3427
02:50:05,720 --> 02:50:08,120
Speaker 3: to smoke a blunt, bro, because that ship ruins the

3428
02:50:08,200 --> 02:50:09,440
Speaker 3: fucking actual pot.

3429
02:50:09,520 --> 02:50:11,960
Speaker 4: Bro to each his own, it ruins.

3430
02:50:12,000 --> 02:50:17,440
Speaker 3: It's you're not even fully in experiencing it.

3431
02:50:17,720 --> 02:50:19,160
Speaker 1: I don't smoke cigarettes no more so.

3432
02:50:19,160 --> 02:50:27,880
Speaker 3: This is that's a cigarette tobacco. See, I'm a downer,

3433
02:50:28,320 --> 02:50:30,160
Speaker 3: Like you know what I'm saying, like, with the hell

3434
02:50:30,320 --> 02:50:34,120
Speaker 3: facts and all that, I'm through with them. And it

3435
02:50:34,200 --> 02:50:34,760
Speaker 3: was going to be mad.

3436
02:50:34,760 --> 02:50:37,200
Speaker 1: When I saw that footage online, I said, is.

3437
02:50:39,000 --> 02:50:41,160
Speaker 3: He's a tobacco He's a purist when it comes to

3438
02:50:41,400 --> 02:50:43,640
Speaker 3: it's just not good for you, man, it ruins the weed.

3439
02:50:43,760 --> 02:50:46,000
Speaker 3: I'm not even saying anything that's not right. I'm just

3440
02:50:46,040 --> 02:50:46,520
Speaker 3: saying it.

3441
02:50:48,040 --> 02:50:50,760
Speaker 1: I actually agree with you. Yeah, it's all, but it

3442
02:50:50,840 --> 02:50:53,600
Speaker 1: tastes good as a motherfucker right now. You're addicted to

3443
02:50:53,640 --> 02:50:54,960
Speaker 1: it exactly.

3444
02:50:55,040 --> 02:50:55,880
Speaker 3: Yeah, you're hooked.

3445
02:50:57,160 --> 02:50:58,760
Speaker 1: He definitely won't want to smoke a trick.

3446
02:50:58,800 --> 02:51:01,080
Speaker 3: Then that's a.

3447
02:51:01,040 --> 02:51:01,800
Speaker 1: Totally different thing.

3448
02:51:03,680 --> 02:51:05,480
Speaker 3: I'm not smoking a blunt with Trick Daddy, but I

3449
02:51:05,600 --> 02:51:06,640
Speaker 3: chilled Trick Daddy all.

3450
02:51:06,600 --> 02:51:16,640
Speaker 2: Day smoking smoking Tricky is the best I ain't smoking

3451
02:51:16,680 --> 02:51:17,920
Speaker 2: with making a special blunt with.

3452
02:51:19,800 --> 02:51:20,920
Speaker 1: Don't smart about.

3453
02:51:20,680 --> 02:51:21,600
Speaker 4: That, blind, don't smoke.

3454
02:51:21,720 --> 02:51:23,680
Speaker 3: I'm not saying that he's doing that, but I heard

3455
02:51:23,720 --> 02:51:26,360
Speaker 3: I know the Miami, but this is a lot.

3456
02:51:27,080 --> 02:51:28,840
Speaker 1: I don't know if you call it the Miami blunt,

3457
02:51:28,879 --> 02:51:30,920
Speaker 1: but you could definitely call it the trick and dir

3458
02:51:31,560 --> 02:51:33,800
Speaker 1: no in Miami that that was the thing, that was

3459
02:51:33,840 --> 02:51:34,920
Speaker 1: a thing, was the thing.

3460
02:51:35,560 --> 02:51:38,760
Speaker 2: I like Miami ill grew that. I don't know, man,

3461
02:51:39,200 --> 02:51:40,680
Speaker 2: I know a lot of people.

3462
02:51:42,680 --> 02:51:52,640
Speaker 1: I'm sorry, I'll be outside. I'm sorry, I don't be outside.

3463
02:51:53,560 --> 02:51:59,199
Speaker 1: So let me ask you. Jim Jones, a close, close

3464
02:51:59,240 --> 02:52:05,480
Speaker 1: friend of mine, said recently that rappers being a rapper

3465
02:52:05,560 --> 02:52:10,240
Speaker 1: is a dangerous job, and I agree with him in

3466
02:52:10,280 --> 02:52:15,960
Speaker 1: his totality. But there different versions of rappers, right, Yeah,

3467
02:52:16,560 --> 02:52:18,680
Speaker 1: I imagine J Cole could walk anywhere.

3468
02:52:20,400 --> 02:52:22,320
Speaker 4: Why you say that, like Coleon with.

3469
02:52:23,360 --> 02:52:26,520
Speaker 1: No, I'm not saying like col I can imagine.

3470
02:52:26,520 --> 02:52:27,160
Speaker 3: I'm just joking.

3471
02:52:27,240 --> 02:52:29,880
Speaker 1: I'm just I canna imagine J Cole could go do

3472
02:52:30,000 --> 02:52:33,840
Speaker 1: his laundry, laundry and like nobody might not try to

3473
02:52:33,840 --> 02:52:34,560
Speaker 1: get J Cole.

3474
02:52:34,640 --> 02:52:37,640
Speaker 3: In my opinion, actually that probably wouldn't be true.

3475
02:52:37,800 --> 02:52:39,600
Speaker 2: It probably be that's true.

3476
02:52:40,600 --> 02:52:42,320
Speaker 1: Listen, they probably won't even think it's Jay Cole.

3477
02:52:42,560 --> 02:52:44,200
Speaker 2: Well that part, Yeah, I see him child in the

3478
02:52:44,200 --> 02:52:45,320
Speaker 2: New City getting a frank.

3479
02:52:45,800 --> 02:52:47,680
Speaker 1: No one bothered him, right in that sense.

3480
02:52:47,800 --> 02:52:50,879
Speaker 2: Yeah, but in fame, there's always dangers in all in

3481
02:52:50,920 --> 02:52:51,680
Speaker 2: any kind of fame.

3482
02:52:53,160 --> 02:52:55,720
Speaker 1: Preaching to the choiet, right, I agree with you. Do

3483
02:52:55,760 --> 02:52:58,560
Speaker 1: you think being a rapper is a dangerous job, especially

3484
02:52:58,680 --> 02:53:03,000
Speaker 1: living in LA Right? Because they saying that l a

3485
02:53:03,320 --> 02:53:06,320
Speaker 1: is one of the most dangerous places in the world

3486
02:53:06,320 --> 02:53:08,760
Speaker 1: for a rapper. So I guess that's a two part question.

3487
02:53:09,879 --> 02:53:11,960
Speaker 3: Well I got a third part to that, J Cole

3488
02:53:12,040 --> 02:53:13,800
Speaker 3: being able to go to the laundry maat is a

3489
02:53:13,800 --> 02:53:16,680
Speaker 3: fucking blessing. It ain't as it ain't as bad as

3490
02:53:16,680 --> 02:53:20,000
Speaker 3: you think. It's a blessing for him to be able

3491
02:53:20,000 --> 02:53:22,480
Speaker 3: to walk through the park and go enjoy getting a

3492
02:53:22,560 --> 02:53:27,560
Speaker 3: freaking glizzy and not get bothered. Shout out, Shout out

3493
02:53:27,600 --> 02:53:33,320
Speaker 3: to J Cole. More more rappers need to do that.

3494
02:53:33,400 --> 02:53:36,520
Speaker 1: He's got to be funny, I get you back.

3495
02:53:39,280 --> 02:53:43,720
Speaker 3: So, like my whole thing about rappers being dangerous, it

3496
02:53:43,800 --> 02:53:47,440
Speaker 3: is it is very dangerous. Your target, you know what

3497
02:53:47,480 --> 02:53:49,760
Speaker 3: I'm saying, Like you're you're a target for somebody to

3498
02:53:49,760 --> 02:53:52,959
Speaker 3: get a name. A lot of people look at our

3499
02:53:53,000 --> 02:53:56,000
Speaker 3: profession and they're like, this nigga got it made. So

3500
02:53:56,040 --> 02:53:58,560
Speaker 3: they're like, you know, if you come through with a

3501
02:53:58,680 --> 02:54:01,360
Speaker 3: card or like he paid one hundred thousand or one

3502
02:54:01,400 --> 02:54:03,400
Speaker 3: hundred and fifty for that car, you might not have

3503
02:54:03,440 --> 02:54:05,000
Speaker 3: paid one hundred and fifty for that car. That might

3504
02:54:05,080 --> 02:54:06,720
Speaker 3: have been you know what I mean, for really, you

3505
02:54:06,760 --> 02:54:08,000
Speaker 3: might have got a deal on that shit. You might

3506
02:54:08,000 --> 02:54:10,720
Speaker 3: be paying rent on that shit every month, you know

3507
02:54:10,760 --> 02:54:13,320
Speaker 3: what I mean, or whatever your chain is, Like, your

3508
02:54:13,400 --> 02:54:15,680
Speaker 3: chain might be big as hell, but people just don't

3509
02:54:15,680 --> 02:54:17,959
Speaker 3: know qualities, the diamonds. They just see that shit shine

3510
02:54:17,959 --> 02:54:19,960
Speaker 3: and they don't know how much it really costs. So

3511
02:54:20,040 --> 02:54:22,200
Speaker 3: you just become a target for things that you have on.

3512
02:54:22,600 --> 02:54:24,440
Speaker 3: Somebody could get a name off of what they do

3513
02:54:24,560 --> 02:54:27,520
Speaker 3: to you. So I rob this person, they get a

3514
02:54:27,600 --> 02:54:29,879
Speaker 3: name off of that. So that's that's automatic, like when

3515
02:54:29,920 --> 02:54:32,960
Speaker 3: you become a rapper, but or not a rapper, but

3516
02:54:33,040 --> 02:54:36,120
Speaker 3: just a personality, like just somebody who's out there. So

3517
02:54:36,200 --> 02:54:39,160
Speaker 3: you just have more of a responsibility to calculate your moves,

3518
02:54:39,920 --> 02:54:43,160
Speaker 3: calculate who you're around, calculates the situations that you put

3519
02:54:43,200 --> 02:54:46,280
Speaker 3: yourself in, and the more you can avoid, the better

3520
02:54:46,360 --> 02:54:46,879
Speaker 3: off you are.

3521
02:54:48,120 --> 02:54:49,800
Speaker 4: Shit happens, you know what I'm saying. So you have

3522
02:54:49,879 --> 02:54:51,080
Speaker 4: to be prepared and.

3523
02:54:51,040 --> 02:54:53,520
Speaker 3: You have to be ready, and you got to be

3524
02:54:53,560 --> 02:54:56,080
Speaker 3: in the mind state to you know, protect yourself and

3525
02:54:56,080 --> 02:54:59,160
Speaker 3: to protect your brand more than anything and not be

3526
02:54:59,280 --> 02:55:03,720
Speaker 3: like you know, uh, risking it too much. Yeah, But

3527
02:55:03,760 --> 02:55:05,760
Speaker 3: at the end of the day, like you know, shit

3528
02:55:05,879 --> 02:55:08,760
Speaker 3: happens sometimes, Like you can you can never really people

3529
02:55:08,800 --> 02:55:11,359
Speaker 3: are human. Yeah, you can't plan, you can't plan everything.

3530
02:55:11,400 --> 02:55:13,880
Speaker 3: And like you said, j Cole, he might not be

3531
02:55:13,920 --> 02:55:17,320
Speaker 3: a threatening artist, but he might have some crazy super

3532
02:55:17,360 --> 02:55:21,200
Speaker 3: fair you know what I'm saying. But Joe, you being

3533
02:55:21,240 --> 02:55:23,400
Speaker 3: a fan as a reason to get to you too,

3534
02:55:23,480 --> 02:55:25,120
Speaker 3: to be like, hey, what's up? I love your music

3535
02:55:25,160 --> 02:55:28,320
Speaker 3: and then flip it on some some crazy ship and

3536
02:55:28,400 --> 02:55:30,440
Speaker 3: then you're just being nice to you know what I mean,

3537
02:55:30,480 --> 02:55:31,160
Speaker 3: a regular dude.

3538
02:55:31,200 --> 02:55:34,160
Speaker 4: That's a regular transaction. So it's very scary, you know

3539
02:55:34,200 --> 02:55:34,600
Speaker 4: what I mean.

3540
02:55:34,680 --> 02:55:37,800
Speaker 2: And then with stand with the song standing talking about that,

3541
02:55:37,920 --> 02:55:40,000
Speaker 2: like anybody could have a stand right.

3542
02:55:39,879 --> 02:55:42,600
Speaker 1: Like even even with you, like to be honest with you,

3543
02:55:42,879 --> 02:55:44,720
Speaker 1: Like I said, I follow you, so I see you

3544
02:55:44,720 --> 02:55:46,760
Speaker 1: in the gym every day and then I see you

3545
02:55:46,879 --> 02:55:49,560
Speaker 1: leave the gym in a coup. But then I realized,

3546
02:55:49,600 --> 02:55:52,680
Speaker 1: oh someone's filming him, so he's not alone.

3547
02:55:52,800 --> 02:55:55,120
Speaker 4: No, I'm by myself real Yeah for sure?

3548
02:55:55,280 --> 02:55:58,400
Speaker 1: Okay, yeah you think do you think avoiding some of

3549
02:55:58,400 --> 02:56:00,840
Speaker 1: the shit is like not how and jewelry on and

3550
02:56:00,920 --> 02:56:01,680
Speaker 1: something like that, because.

3551
02:56:01,720 --> 02:56:04,480
Speaker 3: It's not having jury on, but it's who you know, honestly,

3552
02:56:04,879 --> 02:56:07,600
Speaker 3: like you environment, it's who you know, like you have

3553
02:56:07,680 --> 02:56:10,000
Speaker 3: to be tapped in with the right types of people

3554
02:56:10,040 --> 02:56:13,760
Speaker 3: out there, and you have to be there for certain reasons.

3555
02:56:13,879 --> 02:56:16,920
Speaker 3: And for me, like people know who I know and

3556
02:56:16,959 --> 02:56:20,000
Speaker 3: they know why I'm tapped in the way that I am.

3557
02:56:20,720 --> 02:56:23,680
Speaker 3: And yeah, I mean there's there's there's a lot of

3558
02:56:23,680 --> 02:56:26,360
Speaker 3: different ways to go about it. But just being in

3559
02:56:26,560 --> 02:56:30,480
Speaker 3: LA and not being from LA got of respect. You

3560
02:56:30,560 --> 02:56:33,640
Speaker 3: gotta respect it. But people, people know what's real and

3561
02:56:33,680 --> 02:56:35,920
Speaker 3: what's fake. So if you're just paying your way, like

3562
02:56:36,000 --> 02:56:37,520
Speaker 3: you know what I'm saying, as soon as that's up,

3563
02:56:37,520 --> 02:56:40,160
Speaker 3: your time is up. Like if you have real respect

3564
02:56:40,160 --> 02:56:43,080
Speaker 3: from real people for real reasons, you got to put

3565
02:56:43,120 --> 02:56:45,720
Speaker 3: in that work and do those things. And you know

3566
02:56:45,760 --> 02:56:47,480
Speaker 3: what I mean, Like that's where I stand and that's

3567
02:56:47,480 --> 02:56:49,320
Speaker 3: why I'm able to move the way that I move,

3568
02:56:50,000 --> 02:56:51,440
Speaker 3: and you got to take the time to do that.

3569
02:56:51,520 --> 02:56:53,080
Speaker 3: And a lot of people skip those steps, you know

3570
02:56:53,080 --> 02:56:55,720
Speaker 3: what I'm saying. They just look at the important parts

3571
02:56:55,800 --> 02:56:58,200
Speaker 3: or the people who are there for them when they

3572
02:56:58,240 --> 02:57:00,720
Speaker 3: need them, and they don't really return earn that or

3573
02:57:00,800 --> 02:57:03,760
Speaker 3: just be normal when it's time to be normal. So

3574
02:57:04,120 --> 02:57:07,400
Speaker 3: it gets really Hollywood because it is Hollywood, but it's

3575
02:57:07,440 --> 02:57:08,439
Speaker 3: like that everywhere.

3576
02:57:08,080 --> 02:57:08,920
Speaker 4: It's like that in Atlanta.

3577
02:57:08,959 --> 02:57:10,760
Speaker 3: It's like that out here out here, it's like that

3578
02:57:10,840 --> 02:57:12,959
Speaker 3: in New Orleans, like that in New York, it's like

3579
02:57:12,959 --> 02:57:13,640
Speaker 3: that in Chicago.

3580
02:57:13,720 --> 02:57:14,760
Speaker 4: You get pressed.

3581
02:57:14,480 --> 02:57:18,400
Speaker 3: Any and everywhere, everywhere, anywhere, man, exactly. So you just

3582
02:57:18,400 --> 02:57:20,320
Speaker 3: gotta you just gotta stay tapped in with real ones,

3583
02:57:20,320 --> 02:57:22,320
Speaker 3: and you got to put in that work, the real

3584
02:57:22,400 --> 02:57:24,400
Speaker 3: type of work with the real ones, and they you'll

3585
02:57:24,440 --> 02:57:25,240
Speaker 3: be good. Honestly.

3586
02:57:25,280 --> 02:57:27,119
Speaker 4: That's that's and really that's what I learned.

3587
02:57:27,120 --> 02:57:30,040
Speaker 2: Pay attention to your environment and respect the environment you're in.

3588
02:57:30,400 --> 02:57:33,600
Speaker 2: Oftentimes people come from out of town thinking because they

3589
02:57:33,640 --> 02:57:36,600
Speaker 2: from another place, they can come disrespecting another place.

3590
02:57:36,720 --> 02:57:37,680
Speaker 3: Yeah, and you.

3591
02:57:37,680 --> 02:57:39,920
Speaker 2: Just got to respect every there's a hood. Everywhere there's

3592
02:57:39,959 --> 02:57:40,400
Speaker 2: there's hood.

3593
02:57:40,440 --> 02:57:44,199
Speaker 3: I mean, even if you respect, super respectful and you're soft,

3594
02:57:44,280 --> 02:57:46,000
Speaker 3: like niggas is going to try to pressure you.

3595
02:57:45,959 --> 02:57:47,800
Speaker 2: Know what I'm saying, that's understanding your surroundings.

3596
02:57:47,800 --> 02:57:48,280
Speaker 1: At that point.

3597
02:57:48,280 --> 02:57:50,600
Speaker 2: If you're soft, you understand where you're going as a

3598
02:57:50,640 --> 02:57:51,320
Speaker 2: soft person.

3599
02:57:51,520 --> 02:57:54,440
Speaker 3: Yeah, there's nothing wrong with being soft, right, You just

3600
02:57:54,480 --> 02:57:57,000
Speaker 3: got to be like yo, all right, well this nigga soft,

3601
02:57:57,040 --> 02:58:00,720
Speaker 3: play yourself exactly, Like, don't try to act hard because

3602
02:58:00,840 --> 02:58:04,360
Speaker 3: like just be sawt. You know what I'm saying, don't

3603
02:58:04,440 --> 02:58:08,520
Speaker 3: just be Yeah, no, you're going to get pressed, but like,

3604
02:58:08,720 --> 02:58:10,240
Speaker 3: don't try to be horrid.

3605
02:58:09,959 --> 02:58:12,600
Speaker 1: When don't put yourself in the situation exactly Like.

3606
02:58:12,800 --> 02:58:15,120
Speaker 3: Nah, I just do music, bro, Like you know what

3607
02:58:15,160 --> 02:58:15,560
Speaker 3: I'm saying.

3608
02:58:15,560 --> 02:58:16,200
Speaker 4: That's all I do.

3609
02:58:17,040 --> 02:58:19,200
Speaker 3: That's all the funk I do. I do music, Bro.

3610
02:58:20,480 --> 02:58:22,760
Speaker 3: There's nothing wrong with that, None wrong with it. There's

3611
02:58:22,800 --> 02:58:23,600
Speaker 3: nothing wrong with that.

3612
02:58:24,200 --> 02:58:28,560
Speaker 1: Nope. Man, it's been a pleasure, man, Thank you, it

3613
02:58:28,680 --> 02:58:34,120
Speaker 1: really has been, man, Because, like I said, I was

3614
02:58:34,160 --> 02:58:36,480
Speaker 1: happy to be a part of one of your first

3615
02:58:36,480 --> 02:58:37,840
Speaker 1: shows in New York. I didn't know that was your

3616
02:58:37,840 --> 02:58:40,080
Speaker 1: first show in New York. I thought it was one

3617
02:58:40,080 --> 02:58:42,160
Speaker 1: of them. But I was happy to be a part

3618
02:58:42,200 --> 02:58:44,040
Speaker 1: of that. I was happy to see your growth. It's

3619
02:58:44,040 --> 02:58:46,760
Speaker 1: certain people that I see that I'm just like, man,

3620
02:58:46,840 --> 02:58:49,040
Speaker 1: I'm just I'm just so happy man, Like you know

3621
02:58:49,080 --> 02:58:50,640
Speaker 1: what I mean, And that's real.

3622
02:58:50,760 --> 02:58:50,960
Speaker 3: Fit.

3623
02:58:51,040 --> 02:58:53,800
Speaker 1: It's like, it takes nothing away from me to be

3624
02:58:53,920 --> 02:58:56,720
Speaker 1: happy for you. Yep. It takes nothing away from me

3625
02:58:56,800 --> 02:58:58,840
Speaker 1: to give you your flowers. It takes nothing away from

3626
02:58:58,879 --> 02:59:00,959
Speaker 1: me to show you how great you are and how

3627
02:59:01,000 --> 02:59:04,759
Speaker 1: great you mean to this generation, our generation, generation.

3628
02:59:04,480 --> 02:59:06,600
Speaker 3: Students away from me.

3629
02:59:06,800 --> 02:59:08,520
Speaker 1: In fact, I think it makes me more of a

3630
02:59:08,560 --> 02:59:11,640
Speaker 1: man for sure, to sit there and tell you how

3631
02:59:11,680 --> 02:59:14,879
Speaker 1: great you are, because you are sincerely great.

3632
02:59:14,800 --> 02:59:16,359
Speaker 3: And we love people.

3633
02:59:18,080 --> 02:59:21,120
Speaker 1: Love you. But before we get up out of it,

3634
02:59:21,959 --> 02:59:23,760
Speaker 1: what's what's next? What's next? For words?

3635
02:59:24,080 --> 02:59:26,280
Speaker 4: Got an album coming out, Whistlemania.

3636
02:59:27,760 --> 02:59:31,080
Speaker 3: Yeah, yeah, it's gonna be Will you be wrestling soon?

3637
02:59:32,240 --> 02:59:34,920
Speaker 3: No I'm not.

3638
02:59:36,120 --> 02:59:36,680
Speaker 4: I will if they.

3639
02:59:37,879 --> 02:59:40,040
Speaker 3: I'm athletic enough and I could do flips and ship

3640
02:59:40,160 --> 02:59:41,920
Speaker 3: like that too.

3641
02:59:42,560 --> 02:59:44,400
Speaker 1: I feel like you got the meanest kick in hip

3642
02:59:44,400 --> 02:59:47,039
Speaker 1: hop for real. I've been saying that this whole interview.

3643
02:59:47,320 --> 02:59:49,080
Speaker 1: I wasn't playing you. I don't know if you noticed.

3644
02:59:49,120 --> 02:59:51,760
Speaker 1: I didn't laugh every time I moved. I mean, you know,

3645
02:59:51,959 --> 02:59:55,360
Speaker 1: I see you kicking my rib herd. I said, oh ship, they're.

3646
02:59:55,200 --> 02:59:55,959
Speaker 3: Getting better too.

3647
02:59:56,040 --> 02:59:56,680
Speaker 4: I appreciate it.

3648
02:59:56,840 --> 03:00:03,720
Speaker 3: That's because that ship and yeah for real they Yeah,

3649
03:00:03,760 --> 03:00:08,160
Speaker 3: So Wizzlemania is dropping. It's a new album, full full length,

3650
03:00:08,680 --> 03:00:12,600
Speaker 3: all bangers. I'm really excited. I got really good features

3651
03:00:12,600 --> 03:00:17,959
Speaker 3: on there. Everything is pretty much locked in independent. Independent.

3652
03:00:18,160 --> 03:00:21,160
Speaker 1: Yeah, you's gonna ask you that question, indid major, Yeah,

3653
03:00:21,320 --> 03:00:21,960
Speaker 1: what do you prefer?

3654
03:00:22,400 --> 03:00:26,680
Speaker 3: I prefer being independent, but doing deals like exclusively, you

3655
03:00:26,720 --> 03:00:28,680
Speaker 3: know what I'm saying. So if you're gonna do it, yeah,

3656
03:00:28,959 --> 03:00:31,760
Speaker 3: like you license your project, to license your project, because

3657
03:00:31,760 --> 03:00:34,280
Speaker 3: a lot of people don't know, like music isn't really

3658
03:00:34,320 --> 03:00:36,920
Speaker 3: owned by the labels. Like there's a lot of private

3659
03:00:36,959 --> 03:00:40,880
Speaker 3: companies and a lot of investors who will invest way

3660
03:00:41,000 --> 03:00:44,720
Speaker 3: more in a project than a record label. I'm talking

3661
03:00:44,800 --> 03:00:48,800
Speaker 3: about way more like And if you can lock yourself

3662
03:00:48,800 --> 03:00:51,560
Speaker 3: into one of those deals, you're gonna get some cheese

3663
03:00:51,640 --> 03:00:52,400
Speaker 3: and you're gonna.

3664
03:00:52,200 --> 03:00:53,680
Speaker 2: Use school us a little bit on that because I've

3665
03:00:53,680 --> 03:00:54,720
Speaker 2: never heard much of that.

3666
03:00:55,360 --> 03:00:57,359
Speaker 3: I don't want to go too deep into it.

3667
03:00:57,080 --> 03:00:58,800
Speaker 1: Just the surface of it generic.

3668
03:00:58,879 --> 03:01:02,200
Speaker 4: I just said it the way more.

3669
03:01:03,440 --> 03:01:06,360
Speaker 3: No, no, no no, because that album never got released like

3670
03:01:06,760 --> 03:01:07,680
Speaker 3: this what's up full?

3671
03:01:09,040 --> 03:01:09,959
Speaker 1: So bro u.

3672
03:01:11,760 --> 03:01:14,960
Speaker 3: Uh no, because that album was like one person owned it.

3673
03:01:15,000 --> 03:01:18,320
Speaker 3: This one is like they're buying staff like radio, they're

3674
03:01:18,360 --> 03:01:22,000
Speaker 3: pushing it, they're promoting it, and you get like millions

3675
03:01:22,000 --> 03:01:22,920
Speaker 3: of dollars up front.

3676
03:01:23,959 --> 03:01:26,240
Speaker 2: But is that is that exclusive to someone like you

3677
03:01:26,280 --> 03:01:27,440
Speaker 2: who already has a track?

3678
03:01:27,600 --> 03:01:29,359
Speaker 4: No, no, no.

3679
03:01:29,200 --> 03:01:34,279
Speaker 3: It's worth If it's worth money, it's going to sell.

3680
03:01:34,720 --> 03:01:37,080
Speaker 3: You can lock in a deal and you can find

3681
03:01:37,080 --> 03:01:40,760
Speaker 3: a company that is not a major record label that

3682
03:01:40,920 --> 03:01:42,080
Speaker 3: will invest money.

3683
03:01:42,240 --> 03:01:45,640
Speaker 4: Then that's all they do is invest and you'll get right.

3684
03:01:46,000 --> 03:01:48,959
Speaker 3: We need to hell yeah. And it's crazy because it's

3685
03:01:49,160 --> 03:01:52,160
Speaker 3: they just invest like they're not and they don't know

3686
03:01:52,160 --> 03:01:55,000
Speaker 3: shit about music, so you run everything.

3687
03:01:54,680 --> 03:01:58,040
Speaker 1: Like hedge funds. See, I'm trying to dig for the

3688
03:01:59,280 --> 03:02:01,600
Speaker 1: I believe Bust did that. He was the first person

3689
03:02:01,640 --> 03:02:02,440
Speaker 1: that had an album on you.

3690
03:02:02,720 --> 03:02:05,440
Speaker 2: You know, all these people who get it, you're sayings around,

3691
03:02:05,480 --> 03:02:08,440
Speaker 2: You're saying, whis kalifa? I'm asking for the average artists

3692
03:02:08,480 --> 03:02:12,880
Speaker 2: that's trying to not age artists route get funding. Is

3693
03:02:12,879 --> 03:02:15,280
Speaker 2: that something that they can access or is it only

3694
03:02:15,520 --> 03:02:17,720
Speaker 2: a bus rhymes and anybody.

3695
03:02:17,040 --> 03:02:20,480
Speaker 3: Can access it? Because these these private companies are investing

3696
03:02:20,680 --> 03:02:23,280
Speaker 3: in what's making money. So if it's valuable, if you

3697
03:02:23,360 --> 03:02:25,160
Speaker 3: can go on tour, if you can sell merch if

3698
03:02:25,160 --> 03:02:28,040
Speaker 3: you can sell records, if you have streaming, if you're monetized,

3699
03:02:28,560 --> 03:02:32,000
Speaker 3: if you have a video that's doing certain millions of

3700
03:02:32,080 --> 03:02:34,440
Speaker 3: views and it's guaranteed to make a certain amount of money,

3701
03:02:34,440 --> 03:02:36,240
Speaker 3: They're going to invest a certain amount of money to

3702
03:02:36,320 --> 03:02:39,320
Speaker 3: grow the project. Whatever this project is, it could be

3703
03:02:39,360 --> 03:02:40,720
Speaker 3: for an amount of time where it could be for

3704
03:02:40,760 --> 03:02:43,520
Speaker 3: this single project. Me or bus Rhymes will probably just

3705
03:02:43,560 --> 03:02:45,800
Speaker 3: do like a one off because we've already been through

3706
03:02:45,800 --> 03:02:48,480
Speaker 3: so many major label deals or things like that. But

3707
03:02:48,560 --> 03:02:51,280
Speaker 3: somebody else can be in their basement. Somebody could be like, yo,

3708
03:02:51,360 --> 03:02:54,680
Speaker 3: I see the potential in your growing here's two hundred

3709
03:02:54,680 --> 03:02:56,039
Speaker 3: and twenty million dollars.

3710
03:02:56,680 --> 03:03:00,720
Speaker 2: Two hundred and twenty million dollars side in the basement.

3711
03:03:00,959 --> 03:03:03,800
Speaker 3: Yeah, man, we need see You don't want to talk

3712
03:03:03,800 --> 03:03:05,240
Speaker 3: about it, but I need to talk about.

3713
03:03:07,240 --> 03:03:08,920
Speaker 1: You are trying to bro.

3714
03:03:10,080 --> 03:03:12,480
Speaker 3: No, I'm ready to go for a cuban cuban goodbye.

3715
03:03:16,160 --> 03:03:18,440
Speaker 2: And there's no you can't point anybody in the direction

3716
03:03:18,520 --> 03:03:20,520
Speaker 2: right now because right now.

3717
03:03:21,080 --> 03:03:21,920
Speaker 1: I'll holler at you.

3718
03:03:22,080 --> 03:03:24,640
Speaker 3: Uh yeah, I'll see y'all next direction.

3719
03:03:26,320 --> 03:03:28,080
Speaker 1: When I'm floating.

3720
03:03:27,680 --> 03:03:30,800
Speaker 3: In this motherfucker Everything on me is fucking gold ship.

3721
03:03:31,920 --> 03:03:40,720
Speaker 4: Remember that private investment? Yeah, yeah, I gotta wait.

3722
03:03:40,879 --> 03:03:42,640
Speaker 1: Okay, we'll wait for continue.

3723
03:03:42,760 --> 03:03:44,760
Speaker 3: Yeah, we give it a little game, okay, Okay.

3724
03:03:44,800 --> 03:03:47,240
Speaker 1: So we got the businesses, we got the investments, is,

3725
03:03:47,560 --> 03:03:51,600
Speaker 1: we got the career, we got the actor. What is

3726
03:03:51,600 --> 03:03:53,000
Speaker 1: it left for you to do?

3727
03:03:54,280 --> 03:03:56,440
Speaker 4: I'm having a great time raising my kid, bro.

3728
03:03:56,560 --> 03:03:57,440
Speaker 1: That's fucking awesome.

3729
03:03:57,480 --> 03:04:01,280
Speaker 3: Yeah, that's great. Amazing.

3730
03:04:01,480 --> 03:04:03,720
Speaker 4: That's the best part of it all. That's what brings

3731
03:04:03,720 --> 03:04:04,240
Speaker 4: it all together.

3732
03:04:04,280 --> 03:04:06,640
Speaker 3: That's what really is, you know, my favorite thing.

3733
03:04:07,440 --> 03:04:09,640
Speaker 4: He's ten now, so I'm just looking forward to the

3734
03:04:09,680 --> 03:04:11,280
Speaker 4: next you know, and.

3735
03:04:11,280 --> 03:04:12,000
Speaker 3: It went by like that.

3736
03:04:12,360 --> 03:04:13,400
Speaker 4: Man, it went by so fast.

3737
03:04:13,480 --> 03:04:15,280
Speaker 3: And to think that in another ten years he's going

3738
03:04:15,360 --> 03:04:17,240
Speaker 3: to be twenty years old. So it's like, I gotta

3739
03:04:17,640 --> 03:04:18,840
Speaker 3: I'm in there. Like you know what I'm saying. I

3740
03:04:18,879 --> 03:04:22,040
Speaker 3: already been in there. But it's like, yeah, it's like

3741
03:04:22,120 --> 03:04:25,320
Speaker 3: really really important, like you know, like twelve and fourteen,

3742
03:04:25,720 --> 03:04:28,440
Speaker 3: all of that just you know, yeah, yeah, that's my

3743
03:04:28,520 --> 03:04:29,040
Speaker 3: little man.

3744
03:04:29,160 --> 03:04:31,720
Speaker 4: So that's my that's my job, that's my that's my.

3745
03:04:31,760 --> 03:04:36,240
Speaker 3: Main focus is you know, family, just structure, just keeping

3746
03:04:36,280 --> 03:04:40,000
Speaker 3: him right. His little personality is so so wild, so

3747
03:04:40,040 --> 03:04:43,680
Speaker 3: it's like, you know, he needs, he needs that that

3748
03:04:43,800 --> 03:04:47,800
Speaker 3: gathering that I got for him. But yeah, it's funny, man.

3749
03:04:47,800 --> 03:04:50,039
Speaker 3: I love being a dad. I love showing up for him.

3750
03:04:50,040 --> 03:04:55,680
Speaker 3: I want to have more kids. Yeah yeah, I think

3751
03:04:55,720 --> 03:04:56,640
Speaker 3: I think right now.

3752
03:04:56,760 --> 03:04:57,200
Speaker 4: Yeah, I think.

3753
03:04:57,240 --> 03:04:59,720
Speaker 3: Like the career stuff, yeah yeah, the career stuff is

3754
03:05:00,240 --> 03:05:03,120
Speaker 3: not like Nick Cannon. It's like no, no, no, not like that.

3755
03:05:03,200 --> 03:05:07,440
Speaker 3: I mean, if you know, if that's the that's whatever

3756
03:05:07,480 --> 03:05:09,760
Speaker 3: the vibe is. But it's like the career thing is.

3757
03:05:10,160 --> 03:05:12,760
Speaker 3: You know, I've been doing that for a long ass time.

3758
03:05:13,240 --> 03:05:18,240
Speaker 3: It's like structure and family and making memories and fucking

3759
03:05:18,800 --> 03:05:21,320
Speaker 3: getting the lake house and going out on the boat

3760
03:05:21,360 --> 03:05:23,640
Speaker 3: and riding jet skis, Like that's the type of ship

3761
03:05:23,680 --> 03:05:25,720
Speaker 3: that I look forward to, Like, you know what I'm saying.

3762
03:05:25,800 --> 03:05:28,480
Speaker 4: So I'm setting all that stuff up.

3763
03:05:29,360 --> 03:05:32,320
Speaker 1: What God damn it? Man, hell you man, Thank you

3764
03:05:32,400 --> 03:05:35,439
Speaker 1: so much man for we wanted to give you your flowers.

3765
03:05:35,480 --> 03:05:38,320
Speaker 1: You know, you're a real one. This is for legends,

3766
03:05:38,320 --> 03:05:43,200
Speaker 1: this platform, this is for people who been here and

3767
03:05:43,240 --> 03:05:45,680
Speaker 1: we think it's going to continue to be here, and

3768
03:05:45,840 --> 03:05:48,280
Speaker 1: you are definitely one of them. Since we started this show,

3769
03:05:48,320 --> 03:05:50,920
Speaker 1: I've been reaching out to you because you have reaching

3770
03:05:50,959 --> 03:05:56,320
Speaker 1: out to you because, uh, I probably never said this, see,

3771
03:05:56,320 --> 03:05:58,360
Speaker 1: but you're one of my favorites. You know what I'm saying.

3772
03:05:58,720 --> 03:06:01,680
Speaker 1: Because if I'm having a bad time, I could go

3773
03:06:01,720 --> 03:06:05,600
Speaker 1: to a whiz playlist and something's gonna come on. It's

3774
03:06:05,640 --> 03:06:08,880
Speaker 1: gonna make me either or it's gonna make me happy.

3775
03:06:09,520 --> 03:06:11,080
Speaker 1: And that's what's up. You know what I'm saying. That's

3776
03:06:11,080 --> 03:06:14,880
Speaker 1: why I fucked with in the beginning, because that's really

3777
03:06:14,920 --> 03:06:18,480
Speaker 1: what street people or people from the streets is.

3778
03:06:18,520 --> 03:06:20,199
Speaker 3: We're really happy people on the low.

3779
03:06:20,480 --> 03:06:23,600
Speaker 1: We just was mad because of our condition, our situation,

3780
03:06:24,160 --> 03:06:26,520
Speaker 1: and I've had to give you a flowers. I was

3781
03:06:26,560 --> 03:06:28,680
Speaker 1: wanting to give you a flowers and thank you man.

3782
03:06:33,080 --> 03:06:34,879
Speaker 1: So you're gonna take two pictures and you do some

3783
03:06:34,959 --> 03:06:35,920
Speaker 1: drops and then that's it.

3784
03:06:36,440 --> 03:06:40,279
Speaker 2: Drink Champs is a Drink Champs LLC production in association

3785
03:06:40,400 --> 03:06:44,760
Speaker 2: with Interval Presents. Hosts and executive producers n O r

3786
03:06:44,840 --> 03:06:49,279
Speaker 2: E and dj e f N from Interval Presents executive

3787
03:06:49,280 --> 03:06:51,880
Speaker 2: producers Alan Coy and Jake Kleinberg.

3788
03:06:52,560 --> 03:06:53,400
Speaker 3: Listen to Drink.

3789
03:06:53,280 --> 03:06:58,440
Speaker 2: Champs on Apple Podcast, Amazon Music, Spotify, Stitcher, or wherever

3790
03:06:58,520 --> 03:07:02,040
Speaker 2: you get your podcasts. Thanks for joining us for another

3791
03:07:02,080 --> 03:07:04,960
Speaker 2: episode of Drink Champs, hosted by Yours Truly, dj e

3792
03:07:05,120 --> 03:07:07,360
Speaker 2: f N and n O r E. Please make sure

3793
03:07:07,360 --> 03:07:09,640
Speaker 2: to follow us on all our socials That's at drink

3794
03:07:09,720 --> 03:07:14,120
Speaker 2: Champs across all platforms, at the Real Noriagon ig at

3795
03:07:14,120 --> 03:07:18,360
Speaker 2: Noriega on Twitter, mine is at Who's Crazy on ig at,

3796
03:07:18,480 --> 03:07:21,320
Speaker 2: dj e f N on Twitter, and most importantly, stay

3797
03:07:21,360 --> 03:07:24,360
Speaker 2: up to date with the latest releases, news and merch

3798
03:07:24,520 --> 03:07:31,760
Speaker 2: by going to drink Champs dot com,