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Speaker 1: First of all, you don't know me. Were all about

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Speaker 1: that high school drama, Girl Drama, Girl, all about them

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Speaker 1: high school queens. We'll take you for a ride in

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Speaker 1: our comic Girl Cheering for the drama Queens up girl Fashion.

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Speaker 1: But you'll tough, girl. You could sit with us. Girl Drama,

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Speaker 1: Queens Drama, Queen's Drama, Queen's Drama, Drawn, Queen's Drama, Queen's

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Speaker 1: Season two. Welcome back everyone. We're so happy you're joining

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Speaker 1: us for season two Episode one. How cute is this episode?

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Speaker 1: That was delicious, which is why I meet in a

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Speaker 1: muffin right now. That episode and I was like, oh,

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Speaker 1: you see stuff, and like just heartwarming stuff and the comedy.

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Speaker 1: We had a lot of good things in this season premiere.

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Speaker 1: This was called The Desperate Kingdom of Love. Air date

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Speaker 1: September twenty one, two thousand and four. Um, I have

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Speaker 1: my sex radio voice on because I'm a little I

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Speaker 1: think we're all a little hungover from guys, we did it.

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Speaker 1: I appreciate that we're referencing this joy because I think

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Speaker 1: it shows the power of our show that we were

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Speaker 1: all very hungover. And then throughout the course of watching

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Speaker 1: the episode, I feel like I perked up. I feel

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Speaker 1: much better. Yeah, for sure, Um, Hillary, will you read

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Speaker 1: the synopsis? Okay baby. After Lucas and Keith learned that

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Speaker 1: Dan had a heart attack, they decide it is best

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Speaker 1: for them to return to Tree Hill. When deb learns

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Speaker 1: about Haley and Nathan's marriage, she flips the out. Meanwhile,

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Speaker 1: angry that Lucas left Tree Hill without saying goodbye, Peyton

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Speaker 1: and Brooke try to mend their friendship. This was an

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Speaker 1: epic episode for Brooking, Peyton, I loved it well for

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Speaker 1: you too. But I remember filming this episode. Do you

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Speaker 1: guys remember this one? Yes? Yeah, it was such It

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Speaker 1: was such like I don't know, sweet victory, that we

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Speaker 1: got to come back because it was just not a

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Speaker 1: given thing. And so I think I think the fact

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Speaker 1: that we got to come back and then just like

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Speaker 1: jump into crazy Town it was fun. I was like, oh,

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Speaker 1: we get to do a whole other year this, you

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Speaker 1: know what's crazy? Though? I remember I mean so well,

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Speaker 1: like we're like we were there yesterday Hill. I remember

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Speaker 1: us doing our our boat day beach and all of

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Speaker 1: that boat day, um, and I think because it made

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Speaker 1: such an impact on all of us. Obviously, I remember

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Speaker 1: the Haley and Nathan wedding. I couldn't wait to get

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Speaker 1: to that scene. Joy. I was like, I just can't

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Speaker 1: I can't wait to see your hair. I can't wait

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Speaker 1: to see your hair with the flower in it. I

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Speaker 1: still remember it from when it aired. She looks like

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Speaker 1: a painting, just like a sweet cherub. But the craziest

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Speaker 1: part is I remember so well those things. And when

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Speaker 1: the episode opened with Deb's nightmare about Dan's funeral, I

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Speaker 1: was like, what is this we didn't do I mean,

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Speaker 1: I see myself, but I was not in this scene.

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Speaker 1: When did we do this? I have no recollection. I

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Speaker 1: loved that mislead. It was a released I thought it

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Speaker 1: was a really smart way to start the episode because

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Speaker 1: then everybody's like, oh my god, damn well, I just remember,

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Speaker 1: you know, my boyfriend and my brother are both in production,

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Speaker 1: and so I remembered it because I remember how pissed

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Speaker 1: everyone was that we had to do this huge scene.

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Speaker 1: Was so many extras and with like this whole set

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Speaker 1: and like probably like flowers and all that. It's like

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Speaker 1: a crazy For thirty seconds, it was, Yeah, there's a

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Speaker 1: big deal, close ups of everybody. I think it was

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Speaker 1: absolutely worth it because it's set a tone for the

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Speaker 1: whole rest of the season. It also kind of set

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Speaker 1: a tone for our series where Mr Rex became a

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Speaker 1: very big part of our show, and you know, the

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Speaker 1: crazy town in jumping the shark and like doing crazy

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Speaker 1: stuff definitely became a part of our show in the

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Speaker 1: later seasons. So this was a good like what's what's happened?

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Speaker 1: Let's start with Brooke and Peyton though, because I was

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Speaker 1: so I was so enamored of the two of you,

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Speaker 1: the way that we really got to see your friendship

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Speaker 1: like it was when you were little kids, and the

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Speaker 1: fact that you really have grown up together and to

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Speaker 1: get all the boy stuff out of the way and

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Speaker 1: all the drama out of the way and just be

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Speaker 1: friends again. And yeah, you had a little tiff over

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Speaker 1: the letter and whatever, but there was a a I

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Speaker 1: loved that you guys on a teen soap opera didn't

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Speaker 1: wear bathing suits on the boat, which I want to hear.

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Speaker 1: I want to hear about how that happen. You did,

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Speaker 1: and then well they did ended up doing this skinny

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Speaker 1: dipping thing, which is that was kind of cute thought

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Speaker 1: and those gorgeous shots of the two of you, this

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Speaker 1: sort of this epic friendship. I loved these iconic shots

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Speaker 1: of down the docks, seeing you guys walk towards us,

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Speaker 1: walk toward camera, hugging each other, and just being the

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Speaker 1: pals that you guys were the friends that everybody wanted

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Speaker 1: to have a friend like that in high school, and

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Speaker 1: we really got to see that shine in this episode. Well,

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Speaker 1: I thanks Joy. I mean, I remember filming this. I

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Speaker 1: remember Sophia and I this is you know, we always

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Speaker 1: were kind of on the same page, but I feel

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Speaker 1: like this was a time where we got to unite

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Speaker 1: because in the original script we were definitely invading suits

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Speaker 1: and also it was just gratuitous and dumb and and

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Speaker 1: I think that we still got the point across. But

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Speaker 1: I remember as being like, we'll lift up our tank tups,

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Speaker 1: but that's all you get, so if you can shoot

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Speaker 1: it from behind, Yeah, yeah, it was. It was a

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Speaker 1: fun day out on the boat. And I wonder if

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Speaker 1: that was one of the appeals of the certain interrupt

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Speaker 1: I just I wonder if that was one of the

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Speaker 1: peals of our show with the main characters, that there's

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Speaker 1: the innocence was maintained in a time when a lot

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Speaker 1: of the other shows were doing a lot of salt,

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Speaker 1: a lot more selecious stuff with younger kids. And I

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Speaker 1: think as a teenager, if I had been a teenager

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Speaker 1: watching that, there would have been a safety that I

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Speaker 1: felt in knowing that I could watch two of my

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Speaker 1: favorite friends be together and not feel like there was

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Speaker 1: I don't know, an example being an ironic element. Yeah,

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Speaker 1: you didn't have to witness people you looked up to

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Speaker 1: or wanted to be like being exploited and then think

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Speaker 1: that it was okay if someone exploited you. Yeah, and

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Speaker 1: not that there's anything wrong obviously, Like people wear bathing

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Speaker 1: suits on TV and on boats, and I mean there's

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Speaker 1: nothing wrong with it. It was just this in this

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Speaker 1: particular scenario, I feel like, because we wanted to just

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Speaker 1: feel safe within the friendship, it would have felt really

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Speaker 1: out of place for for you guys to have been

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Speaker 1: objectified during that particular moment. Well, and our bodies. Our

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Speaker 1: bodies were compared all the time. We talked about this

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Speaker 1: while we were watching the episode. I don't have boobs, guys,

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Speaker 1: Sophie's got great boobs, and they're you know, like thinking, man, Yeah,

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Speaker 1: we're all like mix and match. Each one of us

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Speaker 1: has like good parts, um, but when you're twenty one

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Speaker 1: and you're laying next to someone else on camera in

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Speaker 1: a bathing suit, there's there's no way that you don't

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Speaker 1: compare her yourself to them. And I know that I

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Speaker 1: didn't want to compare myself to you too. You know,

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Speaker 1: there were parts of me that I was very insecure about,

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Speaker 1: and so I like that we just kind of eliminated

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Speaker 1: that from the female dynamic and instead I had to

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Speaker 1: put on nudy suits to go swimming. We made that

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Speaker 1: so on sexy, literally did I. We were in like,

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Speaker 1: you know, bandos and high waisted like nude granny panties

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Speaker 1: in the water, Like nothing is less cute because I

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Speaker 1: can't swim. And we established that in the scene where

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Speaker 1: I went in the pool with Nathan and they knew

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Speaker 1: I couldn't swim, so they're like, let's put her in

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Speaker 1: the water again, and so we were in like knee

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Speaker 1: high water. You guys, it was not anything like we

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Speaker 1: weren't even really swimming. We had to crouch down. You

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Speaker 1: couldn't see the like dumb nude sports brawl thing. Oh yeah,

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Speaker 1: I love that, and yeah it was. It was not

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Speaker 1: a sexy day. Sorry, I hate to I loved and

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Speaker 1: I think you nailed it. Joy. There was just such

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Speaker 1: a sweetness to it, and it was fun for us

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Speaker 1: to play and I think, you know, perhaps part of

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Speaker 1: it feeling so organic and innocent, even in even in

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Speaker 1: the the reference to us, you know, choosing to just

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Speaker 1: go out on a boat in our skirts and our

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Speaker 1: tank tops, there was something really um wholesome. It was

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Speaker 1: like getting back to a core of something. And after

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Speaker 1: we had gone through our first season of being compared

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Speaker 1: and having grown men talked to us about the way

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Speaker 1: we looked and and say things to each of us,

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Speaker 1: each of the three of us about why we were

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Speaker 1: You know that you're you're the one that nobody likes

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Speaker 1: kind of nonsense. What I loved about it was that

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Speaker 1: that we got to you and I as performers but

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Speaker 1: also represent on screen like two girls just being girls

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Speaker 1: and enjoy You said it. You see the friendship they

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Speaker 1: had when they were little, and it it felt like

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Speaker 1: such a homecoming for the characters to who they used

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Speaker 1: to be. But I kind of felt that way even

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Speaker 1: for you and me Hill, like I hadn't seen you

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Speaker 1: all summer. We were all very like, what does it

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Speaker 1: mean about being on our show, and and that's pointed

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Speaker 1: had blown up and we were the four people that

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Speaker 1: knew what it was like to live in that bubble.

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Speaker 1: And so yeah, I was excited to get back to

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Speaker 1: you and just kind of be like, what are we doing?

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Speaker 1: You know we do I don't know? Yeah, And it

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Speaker 1: it felt like such a nice even returned to the

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Speaker 1: beginning of our friendship before our show was ever on

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Speaker 1: screen for other people. And I loved even when Brooke

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Speaker 1: and Peyton had the blow up about the letter, it

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Speaker 1: wasn't a cat fight. It was two people airing their

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Speaker 1: fears and vulnerabilities and being honest that they were afraid

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Speaker 1: of what it would do to them, what someone else

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Speaker 1: would do to their friendship. Again point they resolved it

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Speaker 1: in such a great way. I was so glad that

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Speaker 1: that it was an expression. And then it was over

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Speaker 1: and they were like, I kind of love that they

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Speaker 1: burned the letter. Girl, this is not bad because it's pretext.

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Speaker 1: It's really like an email was like sort of a thing,

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Speaker 1: but like you didn't really email people. A boy had

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Speaker 1: to write a physical letter on a piece of paper,

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Speaker 1: and once it was gone, it's gone forever. Like kids

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Speaker 1: take a note you just need to write it down

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Speaker 1: on paper and then um, yeah, it's a whole different game.

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Speaker 1: There's like mysticism to it when you write it down

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Speaker 1: on paper. I miss passing notes so much. Do you

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Speaker 1: have boxes of notes from growing up? A shoe boxes? I? Actually, yeah,

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Speaker 1: I have one that used to be a stationary box,

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Speaker 1: I think, um, and it was full full of letters

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Speaker 1: that I particularly wrote back and forth with one person,

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Speaker 1: and like I have him from I would like wallpaper

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Speaker 1: from hotel room that the wallpaper was peeling, so I

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Speaker 1: just feel a little more enjoy No, it was like seven,

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Speaker 1: sixteen seventeen. I'm traveling for work or whatever. I mean,

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Speaker 1: I don't know. She's in the Rundown motel with the peeling,

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Speaker 1: I'm telling you. And for some reason, my sixteen year

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Speaker 1: old brain was like, it's okay, if I tear this more,

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Speaker 1: gonna be good. But you know, like not, you just

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Speaker 1: find whatever you could find, napkins, your test here, whatever,

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Speaker 1: and receipts, and you just pass a note. That's so fun.

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Speaker 1: What do we think the letter said? Good idea? I mean,

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Speaker 1: what could that letter have said? He has to have

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Speaker 1: been apologizing very girthy. That was why did they why

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Speaker 1: did whoever did did why did whoever was managing our

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Speaker 1: props put so many pieces of paper and that envelope.

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Speaker 1: Maybe it was a direction thing. Maybe they wanted it

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Speaker 1: to look like it was. There was a lot to say,

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Speaker 1: because Lucas is certainly prolific, if nothing else, A wordy man. Yeah,

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Speaker 1: I mean he's gonna he's gonna wax poetic for sure. Yeah,

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Speaker 1: our resident author is going to have something to say. Yeah,

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Speaker 1: I bet he apologized, and I bet he was like

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Speaker 1: trying to be because it had to have been something

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Speaker 1: that could be said to both of you. Well, because

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Speaker 1: up until this point we'd given him for trying to

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Speaker 1: game the both of us by like going to Brooke

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Speaker 1: and apologizing, then going to pay and apologizing. So it

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Speaker 1: actually is kind of a great move to be like, oh,

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Speaker 1: I'm acknowledging that I have been a wedge in between

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Speaker 1: you two. Let me address you as a unit, so

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Speaker 1: there's no hearsay. Let me just like acknowledge that you

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Speaker 1: two are a unit, um and and so yeah, I

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Speaker 1: appreciate that this boy is figuring out. Oh I tread

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Speaker 1: on something that was very precious and I shouldn't respect it. Also,

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Speaker 1: Chad's haircut is spect so handsome. I love the shaved head. Yeah,

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Speaker 1: major our production always felt like they had to reference

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Speaker 1: are like hair changes, Like kids don't do that all

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Speaker 1: the time. We have to script in like a snarky

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Speaker 1: line about it. And I'm like, yeah, Craig calls him

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Speaker 1: felicity because he cut his hair off, but he looks

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Speaker 1: so good. It's like it was such a good move.

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Speaker 1: I wonder why he didn't keep that. I don't know.

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Speaker 1: I was a fan. Yeah, I thought it was great

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Speaker 1: and it gave it gives him such a differentiation from James.

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Speaker 1: But maybe that's part of it too, because we did

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Speaker 1: talk about how in season one they basically have the

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Speaker 1: same haircut. Yeah, like they they needed them to look

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Speaker 1: more similar. So maybe that's part of the reason too

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Speaker 1: that it was it wasn't until season two that he

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Speaker 1: could look different. Big fan, huge fan. And I think

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Speaker 1: that the you know, the work he was doing talking

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Speaker 1: about I need to go back from my brother, like

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Speaker 1: my brother's on the go home list. I loved that.

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Speaker 1: I loved that too. I thought that was clever writing

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Speaker 1: it on a box on a moving box. That's a

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Speaker 1: fun little uh uh staging What did he say, Dan's

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Speaker 1: an ass, You're an ass? Your mom obliterated my heart.

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Speaker 1: I like that they could just be frank with each

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Speaker 1: other about it. Sweet Keith. Hey, Keith, by the way,

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Speaker 1: showing up with that line of like finally laying down

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Speaker 1: and laying out exactly what we have been saying this

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Speaker 1: whole time, that here's this guy who's every life that

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Speaker 1: he's in, he just like it just falls apart. You know,

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Speaker 1: he's poison for everybody, and now the one time he's

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Speaker 1: in pain and he's hurting, now everybody's supposed to drop

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Speaker 1: everything to turn their life around and go help him. No.

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Speaker 1: I loved that. I'm so happy to hear somebody finally

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Speaker 1: say that. Yeah, but nobody followed through. I know the

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Speaker 1: lame answer, Well, he's your brother, go away. Sorry. UM,

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Speaker 1: you can't pick your family, what's your point? Yeah, exactly,

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Speaker 1: but you can pick who you're in a toxic really

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Speaker 1: aationship with UM. Let's talk about the toxic and deb

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Speaker 1: finding down on the floor, dial it yourself. Yeah. But

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Speaker 1: then okay, So I loved the dial it yourself because

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Speaker 1: I was like, okay, like she's earned this moment. But

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Speaker 1: then it's followed up by the you're the assest ass

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Speaker 1: on the planet. Why did they write lines like that

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Speaker 1: for us? Well, it would be one thing if we

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Speaker 1: said it because we were children, um, but to have

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Speaker 1: like a grown as woman who we've established as like

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Speaker 1: a businesswoman and savvy and like incredibly intuitive and like

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Speaker 1: together all of a sudden starts talking like a kid.

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Speaker 1: It was really trite in the middle of that scenario.

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Speaker 1: Or he's having a heart attack. I think they were

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Speaker 1: probably trying to make it like I'm so cool, You're

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Speaker 1: having a heart attack and I can just sit here

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Speaker 1: and be flippant, but it was it just didn't sit right.

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Speaker 1: It all so feels like those those terms were always

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Speaker 1: the placeholders for the swear words we weren't allowed to say.

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Speaker 1: You know, if it was real life, deb would have

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Speaker 1: been like you are such a selfish motherfucker. She wasn't

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Speaker 1: allowed to say that. So then you this woman, this

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Speaker 1: like chic smart woman going you are the assiest ass

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Speaker 1: and no, no, middle of a well you know what,

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Speaker 1: she pulled it off. I mean she she committed to

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Speaker 1: That's the thing I love about Barb. She commits to

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Speaker 1: every piece of it. And you can tell even when

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Speaker 1: I noticed that in the chapel when she was saying

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Speaker 1: I thought I was going to lose you. Um, those

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Speaker 1: are the words on the page most people would say, Gunna,

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Speaker 1: I thought I was going to lose you. I thought

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Speaker 1: I was going to lose you. And even just committing

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Speaker 1: to the phrasing that was on the page is a

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Speaker 1: testament to her ability um to take whatever is given

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Speaker 1: to her and turn it into something that sounds natural

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Speaker 1: and that's really good. So I loved the way that

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00:16:57,840 --> 00:17:01,360
Speaker 1: she handled that in the end um and then Dan

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00:17:01,560 --> 00:17:04,800
Speaker 1: going to the hospital and everybody thinking that he's going

307
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Speaker 1: to die, and then him waking up to Keith dead.

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Speaker 1: You guys, we fell out. We fell out. It was

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Speaker 1: such a and we knew we all he's gonna wake up.

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Speaker 1: Now he's gonna wake This is gonna be the first

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Speaker 1: thing he sees. And then it happened and we were like, Wow, Joy,

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Speaker 1: wasn't you? You're like, I love TV so much. I

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Speaker 1: love TV, man, it's so good because you know what's

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Speaker 1: you know what they have to do to make you cringe,

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Speaker 1: and then they do it and it's so satisfying. I

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Speaker 1: want to talk about the Nathan and Hilly of it all.

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Speaker 1: Because we left season one with a major cliffhanger of

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Speaker 1: just like, wait, these kids got married, and it was

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Speaker 1: like very like kids getting married. But your performance in

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Speaker 1: this sells it in such a strong earnest what you're

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Speaker 1: so earnest you and I believe Haley, and I trust Haley,

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Speaker 1: and I find myself being like good kids get married. Yes, fine,

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Speaker 1: you know, like you made it so easy to believe

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Speaker 1: something that is, you know, way out of bounds, way

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Speaker 1: way out of bounds, but it but it is. It's

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Speaker 1: so beautiful in your earnestness. And one of the things

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Speaker 1: I will say that I love and I thought this

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00:18:33,680 --> 00:18:39,040
Speaker 1: was great writing is that Nathan is so sure and

329
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Speaker 1: and the the all of the this is a little crazy.

330
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Speaker 1: Is this crazy comes from Haley. And so often we

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Speaker 1: see young women being the ones who are swept up

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Speaker 1: by the romance and the fairy tale and and and

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Speaker 1: it did something so dynamic to allow the two of

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Speaker 1: you to each represent the shure nous of the love

335
00:19:01,160 --> 00:19:05,040
Speaker 1: but also the very natural fear and anxiety, and to

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00:19:05,200 --> 00:19:09,120
Speaker 1: play off of each other and to find it and

337
00:19:09,119 --> 00:19:13,240
Speaker 1: and to see Haley find it when she tells her parents,

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Speaker 1: you know, I'm not impulsive, I don't make rash decisions.

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Speaker 1: This is what I want. And then to see your

340
00:19:21,440 --> 00:19:25,520
Speaker 1: parents have the conversation, even about their young love story.

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Speaker 1: It did. It grounded this thing that should be totally

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Speaker 1: insane and made it feel so real that that even

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Speaker 1: me who's like, oh I would can't imagine if I

344
00:19:38,600 --> 00:19:41,919
Speaker 1: had been that insane in high school. Thank God I wasn't.

345
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Speaker 1: Should I believe it for them? What do I remember?

346
00:19:46,760 --> 00:19:48,679
Speaker 1: What do you remember from shooting this episode? Because this

347
00:19:48,800 --> 00:19:51,840
Speaker 1: is a huge for you. It wasn't actually remember a

348
00:19:51,840 --> 00:19:55,679
Speaker 1: lot about this episode, Um I have. I had a

349
00:19:55,680 --> 00:20:00,399
Speaker 1: lot of sort of visceral muscle memories of the walking

350
00:20:00,440 --> 00:20:02,840
Speaker 1: into Haley's house, which we really see her kitchen and

351
00:20:02,840 --> 00:20:05,840
Speaker 1: everything for the first time. Also, what a strange mislead

352
00:20:06,080 --> 00:20:09,520
Speaker 1: the walking into Haley's house and seeing um African American

353
00:20:09,520 --> 00:20:12,840
Speaker 1: woman sitting at the table, and then but it was

354
00:20:12,880 --> 00:20:16,160
Speaker 1: like as though that's Haley's mom, and then it's not,

355
00:20:16,400 --> 00:20:18,320
Speaker 1: it's just a family friend, but like it's just such

356
00:20:18,359 --> 00:20:22,560
Speaker 1: a random Why Yah, tree Hill has a diversity problem.

357
00:20:22,600 --> 00:20:25,159
Speaker 1: I don't know if we've noticed tree Hill is like

358
00:20:25,200 --> 00:20:27,640
Speaker 1: the whitest town on the planets. Certainly the whitest town

359
00:20:27,640 --> 00:20:30,120
Speaker 1: in the South, and they were like, oh, we need

360
00:20:30,160 --> 00:20:35,040
Speaker 1: to fix this in strange ways. Um it was just

361
00:20:35,080 --> 00:20:36,679
Speaker 1: so you know, behind the scenes, I think that was

362
00:20:36,680 --> 00:20:39,119
Speaker 1: a constant conversation that we were always having, just like

363
00:20:40,640 --> 00:20:42,399
Speaker 1: and so you we're gonna over the course of the

364
00:20:42,400 --> 00:20:45,080
Speaker 1: show see that introduced in like very strange ways. But

365
00:20:45,119 --> 00:20:48,439
Speaker 1: this was certainly up there with the oddness. So weird

366
00:20:48,520 --> 00:20:50,920
Speaker 1: but anyway, Um, so we got through that and then

367
00:20:51,080 --> 00:20:54,080
Speaker 1: I remember, I do remember shooting that scene with Bess

368
00:20:54,119 --> 00:20:55,879
Speaker 1: and Hue because I was super excited. I was a

369
00:20:55,880 --> 00:20:58,119
Speaker 1: big fan of best from my so called life and

370
00:20:58,200 --> 00:21:00,879
Speaker 1: obviously Huey Lewis is such a legend, um, and I

371
00:21:00,960 --> 00:21:03,879
Speaker 1: was very excited to work with both of them, and

372
00:21:03,920 --> 00:21:07,440
Speaker 1: they were such pros and they made it so comfortable

373
00:21:07,840 --> 00:21:10,879
Speaker 1: and um, just we had a lot of fun and

374
00:21:10,920 --> 00:21:15,919
Speaker 1: I felt really seen as an actor in the moment

375
00:21:16,119 --> 00:21:18,840
Speaker 1: when I would know because it was so important that

376
00:21:18,920 --> 00:21:24,400
Speaker 1: Haley her that her earnestness and her ability to make

377
00:21:24,440 --> 00:21:27,680
Speaker 1: these decisions for herself at a very young age came

378
00:21:27,720 --> 00:21:32,120
Speaker 1: through and was received by her parents, and the fact

379
00:21:32,160 --> 00:21:37,040
Speaker 1: that these guys were such pros and and so able

380
00:21:37,119 --> 00:21:39,600
Speaker 1: to kind of catch what was needed with him the

381
00:21:39,680 --> 00:21:43,080
Speaker 1: scene within within the character in order to to um

382
00:21:43,119 --> 00:21:45,480
Speaker 1: make the storyline cohesive. I hope I'm making sense, and

383
00:21:45,520 --> 00:21:47,919
Speaker 1: I was kind of long winded, but yeah, I just

384
00:21:47,960 --> 00:21:51,359
Speaker 1: feel like they knew exactly what to do, so I

385
00:21:51,400 --> 00:21:54,359
Speaker 1: wasn't struggling to really prove, like I can do this.

386
00:21:54,440 --> 00:21:58,920
Speaker 1: I'm I'm, I'm please trust me. You know, they were hippies,

387
00:21:59,200 --> 00:22:01,160
Speaker 1: you know, they knew how to just play this sort

388
00:22:01,200 --> 00:22:04,720
Speaker 1: of hippie thing, so that was great. Um. And what

389
00:22:04,760 --> 00:22:08,399
Speaker 1: else do I remember? The wedding? Oh my god, you

390
00:22:08,520 --> 00:22:13,439
Speaker 1: look so pretty, pretty pretty, and dressing the hair, and

391
00:22:13,480 --> 00:22:16,840
Speaker 1: we got are always in forever, We got are always

392
00:22:16,840 --> 00:22:19,880
Speaker 1: and forever. It finally happened. But I also remember sitting

393
00:22:19,880 --> 00:22:21,879
Speaker 1: in front of those c ds and crying in that

394
00:22:21,960 --> 00:22:24,240
Speaker 1: white that line, I'm not a wife, I'm not even

395
00:22:24,280 --> 00:22:32,560
Speaker 1: a s funny. Such a good line, such a good line. Um.

396
00:22:32,600 --> 00:22:35,679
Speaker 1: I remembered being there, and that was my first My

397
00:22:35,720 --> 00:22:40,119
Speaker 1: first time crying on the show. Wasn't really really, I

398
00:22:40,160 --> 00:22:42,720
Speaker 1: don't know, oh no, no, no, sitting in the cafe was.

399
00:22:42,760 --> 00:22:44,919
Speaker 1: But I hadn't done any other crying since then, and

400
00:22:45,600 --> 00:22:47,359
Speaker 1: I was new to crying. I used to have a

401
00:22:47,400 --> 00:22:50,119
Speaker 1: really hard time crying on things. So I was glad

402
00:22:50,160 --> 00:22:52,760
Speaker 1: that it's join you cry the best, like you could

403
00:22:52,800 --> 00:22:56,359
Speaker 1: cry time I do now, but I I used for years.

404
00:22:56,359 --> 00:22:57,720
Speaker 1: I mean, if you ever go watch any of my

405
00:22:57,720 --> 00:23:00,639
Speaker 1: work on Guiding Light, I was the worst. I was like,

406
00:23:01,160 --> 00:23:05,080
Speaker 1: I'm just crunched up my face but nothing would come out. Terrible.

407
00:23:05,640 --> 00:23:07,280
Speaker 1: I was really bad because I had no I wasn't

408
00:23:07,280 --> 00:23:10,720
Speaker 1: in touch with my emotions at all. I needed therapy

409
00:23:10,800 --> 00:23:17,720
Speaker 1: to cut to our commercial. Um. Yeah, so that was

410
00:23:17,800 --> 00:23:20,920
Speaker 1: fun crying over the c ds and I loved that

411
00:23:20,960 --> 00:23:23,520
Speaker 1: scene too. That is really how high schoolers think, isn't it?

412
00:23:24,040 --> 00:23:26,960
Speaker 1: You know or you know we we just one little

413
00:23:26,960 --> 00:23:31,520
Speaker 1: thing will send us spinning. Yeah. Well. Also, the difference

414
00:23:31,520 --> 00:23:33,600
Speaker 1: in the way you look at relationships as a teenager

415
00:23:33,840 --> 00:23:37,800
Speaker 1: and as an adult is very different. It's like I

416
00:23:37,800 --> 00:23:41,320
Speaker 1: remember being a teenager and thinking that love or attraction

417
00:23:41,480 --> 00:23:43,919
Speaker 1: was having mutual interests, like do we like the same band,

418
00:23:44,560 --> 00:23:47,280
Speaker 1: what's my favorite color? Do you like my friends because

419
00:23:47,320 --> 00:23:49,840
Speaker 1: I like my friends? What's your favorite movie? So if

420
00:23:49,880 --> 00:23:53,320
Speaker 1: you had trivia in common, it felt like like some

421
00:23:53,440 --> 00:23:56,639
Speaker 1: cosmic thing where it's like, oh, fantastic, I found my

422
00:23:56,840 --> 00:24:00,800
Speaker 1: mirror and I can see myself for flected in this person,

423
00:24:00,840 --> 00:24:03,880
Speaker 1: and we like all the same stuff. Well this Jack

424
00:24:03,920 --> 00:24:06,200
Speaker 1: asked behind me. When I'm at him, Jeff just walked

425
00:24:06,200 --> 00:24:07,880
Speaker 1: through the room. He was like, I don't care about

426
00:24:07,880 --> 00:24:09,760
Speaker 1: your favorite color, I don't care about your favorite band.

427
00:24:09,840 --> 00:24:11,080
Speaker 1: Where do you want to do when you grow up?

428
00:24:11,200 --> 00:24:14,480
Speaker 1: You know? He was like, And so the relationship was

429
00:24:14,480 --> 00:24:17,840
Speaker 1: based on where are you going as opposed to what

430
00:24:17,920 --> 00:24:21,360
Speaker 1: do you like? And I think that's a much healthier

431
00:24:22,280 --> 00:24:25,120
Speaker 1: And Nathan wants to go where Haley is going, you know,

432
00:24:25,720 --> 00:24:31,160
Speaker 1: when he says you're my family now. He was so sure.

433
00:24:31,160 --> 00:24:36,199
Speaker 1: He was so sure, and James played it so beautifully.

434
00:24:36,280 --> 00:24:39,119
Speaker 1: He I mean, the way he looks at you in

435
00:24:39,160 --> 00:24:43,600
Speaker 1: those scenes, it's so earnest. And again, I'm just so

436
00:24:43,640 --> 00:24:46,560
Speaker 1: impressed with him, you know, as as the baby brother

437
00:24:46,640 --> 00:24:51,040
Speaker 1: of our bunch, like James being eighteen at I guess,

438
00:24:51,200 --> 00:24:53,320
Speaker 1: I guess he would have just turned nineteen because this

439
00:24:53,359 --> 00:24:58,720
Speaker 1: was the beginning of season two out because we always

440
00:24:58,720 --> 00:25:01,199
Speaker 1: started in the beginning of Joe and James's birthdays, not

441
00:25:01,280 --> 00:25:03,800
Speaker 1: till the end, so he's still eighteen when you guys

442
00:25:03,800 --> 00:25:09,439
Speaker 1: shot this. And the fact that he brought that kind

443
00:25:09,720 --> 00:25:17,480
Speaker 1: of a genuine earnestness. Two this boy, you know, he

444
00:25:17,040 --> 00:25:21,959
Speaker 1: he he showed up with vulnerability and a kind of

445
00:25:21,960 --> 00:25:26,199
Speaker 1: steadfast energy that you usually don't see in young boys.

446
00:25:26,320 --> 00:25:29,960
Speaker 1: You you see that in healthy older men who have

447
00:25:30,080 --> 00:25:34,159
Speaker 1: also been to ding ding ring the bell therapy. We

448
00:25:34,280 --> 00:25:38,119
Speaker 1: love therapy on this show, and it's it's beautiful. Do

449
00:25:38,200 --> 00:25:42,240
Speaker 1: you think that came from him having such bad relationships

450
00:25:42,280 --> 00:25:47,239
Speaker 1: modeled for him? That there was something like usually when

451
00:25:47,280 --> 00:25:49,480
Speaker 1: people grow up having bad relationships modeled for them, I

452
00:25:49,480 --> 00:25:53,120
Speaker 1: would say, usually they tend to model the same thing

453
00:25:53,119 --> 00:25:55,560
Speaker 1: that they saw, and it's just a repeated cycle unless

454
00:25:55,560 --> 00:25:59,680
Speaker 1: somebody intentionally changes that. But it seems like he's been

455
00:25:59,720 --> 00:26:02,199
Speaker 1: doing a lot of internal work. Nathan seems to have

456
00:26:02,240 --> 00:26:06,720
Speaker 1: become much more introspective over the last season. Um, and

457
00:26:07,560 --> 00:26:10,040
Speaker 1: I don't know. It's it seems like maybe he's ready

458
00:26:10,080 --> 00:26:12,680
Speaker 1: for this in a way that he's so sure because

459
00:26:12,760 --> 00:26:15,800
Speaker 1: he knows, he's seen so much of what he doesn't want,

460
00:26:16,440 --> 00:26:22,119
Speaker 1: and who knows what I don't know. I'm the best

461
00:26:22,160 --> 00:26:28,280
Speaker 1: example because this is an entire series about kids breaking

462
00:26:28,320 --> 00:26:33,280
Speaker 1: generational curses. You know, Yeah, every single character in our

463
00:26:33,320 --> 00:26:35,680
Speaker 1: show is like I don't want that, you know, I'm

464
00:26:35,680 --> 00:26:37,600
Speaker 1: not going to be you know, Hayley's parents are like

465
00:26:37,680 --> 00:26:39,439
Speaker 1: kind of transient. So what does she do? She like

466
00:26:39,560 --> 00:26:41,880
Speaker 1: doubles down and it's like, I'm Queen of Tree Hill,

467
00:26:42,160 --> 00:26:44,000
Speaker 1: you know, like I'm going to have these strong us.

468
00:26:44,560 --> 00:26:47,639
Speaker 1: Brooke has absent parents and decides to become, you know,

469
00:26:47,720 --> 00:26:51,320
Speaker 1: a super intense parent and commit to the town and

470
00:26:51,400 --> 00:26:54,280
Speaker 1: stay put and focus on community as opposed to like

471
00:26:54,359 --> 00:26:56,600
Speaker 1: fame and fortune in the city every single care And

472
00:26:56,680 --> 00:27:00,080
Speaker 1: obviously the boys breaking the Dan curse. It's yeah to

473
00:27:00,119 --> 00:27:02,360
Speaker 1: what the basis of the show is. So to see

474
00:27:02,359 --> 00:27:08,080
Speaker 1: our male characters doing it is exciting. Mm hmm. Yeah. Thanks.

475
00:27:08,160 --> 00:27:11,000
Speaker 1: This person George just walked in. She's like generational curse.

476
00:27:11,119 --> 00:27:18,000
Speaker 1: Did someone say my name over here? You're so quick, Hilary.

477
00:27:18,040 --> 00:27:24,480
Speaker 1: I I what I appreciate most about the Haley Nathan

478
00:27:24,560 --> 00:27:29,520
Speaker 1: storyline is that your parents were introduced and we got

479
00:27:29,960 --> 00:27:33,520
Speaker 1: full Haley context that we didn't receive at any point

480
00:27:33,520 --> 00:27:36,239
Speaker 1: in season one. We'd heard like widows about what your

481
00:27:36,280 --> 00:27:41,600
Speaker 1: family was, and without any exposition, like no one says that,

482
00:27:41,640 --> 00:27:44,359
Speaker 1: No one says like Haley, your twenty seven sisters, you

483
00:27:44,359 --> 00:27:49,480
Speaker 1: know your mom yelling Haley's pregnant out the window. We

484
00:27:49,520 --> 00:27:52,320
Speaker 1: know that you've got older sisters and they've been down

485
00:27:52,440 --> 00:27:57,040
Speaker 1: this road before. You know, like they just flesh out

486
00:27:57,240 --> 00:28:01,720
Speaker 1: the family in a seamless way with and I hate expositions.

487
00:28:01,800 --> 00:28:06,040
Speaker 1: So the way that was so master it was really smart.

488
00:28:06,560 --> 00:28:08,000
Speaker 1: So we have a I mean, I don't want to

489
00:28:08,000 --> 00:28:09,960
Speaker 1: go to listener questions too quick unless we can sort

490
00:28:09,960 --> 00:28:12,080
Speaker 1: of incorporate it in if it doesn't bother you guys,

491
00:28:12,080 --> 00:28:15,520
Speaker 1: because we have a listener question that's particularly it's about

492
00:28:15,520 --> 00:28:18,159
Speaker 1: this topic, which is do you think Haley and Nathan's

493
00:28:18,200 --> 00:28:22,040
Speaker 1: young marriage had a positive or negative effect on younger viewers?

494
00:28:22,080 --> 00:28:26,920
Speaker 1: And that question was from Dominique. Hi. Dominique, Um, that's

495
00:28:26,960 --> 00:28:29,399
Speaker 1: a it's a really good question. I actually did wonder

496
00:28:29,680 --> 00:28:31,800
Speaker 1: about that when we were filming it. I was like,

497
00:28:31,960 --> 00:28:34,040
Speaker 1: is this our teenager is now going to want to

498
00:28:34,040 --> 00:28:39,760
Speaker 1: go out and get married because they do you guys. Obviously,

499
00:28:39,800 --> 00:28:42,320
Speaker 1: I'm still very connected to everyone I went to high

500
00:28:42,320 --> 00:28:46,960
Speaker 1: school with to my hometown and so you know, I've

501
00:28:46,960 --> 00:28:49,640
Speaker 1: really turned my nose up at like being with the

502
00:28:49,680 --> 00:28:52,080
Speaker 1: person I was with in high school because I was like,

503
00:28:52,120 --> 00:28:53,760
Speaker 1: I'm getting out of here, I'm going to New York

504
00:28:54,240 --> 00:28:57,760
Speaker 1: but what I can say over twenty years later is

505
00:28:57,800 --> 00:29:02,320
Speaker 1: that the relationships of my friends who are still with

506
00:29:02,360 --> 00:29:04,360
Speaker 1: the people they were with in high school are some

507
00:29:04,440 --> 00:29:09,200
Speaker 1: of the healthiest marriages I have examples of, really, because

508
00:29:09,200 --> 00:29:12,240
Speaker 1: we've known each other our whole lives. Their weddings were

509
00:29:12,280 --> 00:29:18,400
Speaker 1: like class reunions, um. And there's a shorthand there where

510
00:29:18,440 --> 00:29:21,080
Speaker 1: now that we're starting to go through really traumatic life

511
00:29:21,120 --> 00:29:25,400
Speaker 1: things like you know, child loss and our parents getting

512
00:29:25,400 --> 00:29:28,600
Speaker 1: sick and dying and really like big issues to be

513
00:29:28,680 --> 00:29:31,520
Speaker 1: with a person who's known you your whole life. It's

514
00:29:31,520 --> 00:29:36,040
Speaker 1: not for everyone. It certainly for me, but it is

515
00:29:36,080 --> 00:29:39,280
Speaker 1: for some people, and it can really be beautiful. And

516
00:29:39,760 --> 00:29:42,240
Speaker 1: being able to recognize that now all these years later,

517
00:29:43,000 --> 00:29:45,120
Speaker 1: it's fun to watch Nathan and Haley because I have

518
00:29:45,200 --> 00:29:47,560
Speaker 1: examples of Nathan and Haley's in my real life, and

519
00:29:47,600 --> 00:29:51,520
Speaker 1: I'm rooting for them still. I love that. I love

520
00:29:51,560 --> 00:29:53,800
Speaker 1: that too, and I think that's a really great point.

521
00:29:53,880 --> 00:29:58,640
Speaker 1: You know, it's it's not for everyone, but I guess

522
00:29:58,680 --> 00:30:04,960
Speaker 1: that's kind of representative of the larger reality in general, right,

523
00:30:05,160 --> 00:30:07,240
Speaker 1: Like Jeff was like thirty seven when we were in

524
00:30:07,280 --> 00:30:12,520
Speaker 1: high school guys, but you know, it was for these

525
00:30:12,560 --> 00:30:17,520
Speaker 1: two characters. Um certainly wasn't, you know, for Broker, for Peyton,

526
00:30:18,040 --> 00:30:21,920
Speaker 1: we as as characters, we were in really unhealthy relationships

527
00:30:22,040 --> 00:30:26,479
Speaker 1: in in the representation of our humans in high school.

528
00:30:26,880 --> 00:30:29,760
Speaker 1: And so I guess that's really it. You know, I

529
00:30:29,800 --> 00:30:34,960
Speaker 1: can't fathom being married to, you know, a person I

530
00:30:35,040 --> 00:30:37,800
Speaker 1: dated in high school, but I can't say, you know,

531
00:30:37,920 --> 00:30:41,160
Speaker 1: my sweet baby cousin Shelby, who is the light of

532
00:30:41,160 --> 00:30:44,920
Speaker 1: my life, who you both know, she was like all

533
00:30:45,080 --> 00:30:47,800
Speaker 1: in on our show and when she fell in love

534
00:30:47,880 --> 00:30:50,080
Speaker 1: with her high school sweetheart, Nick was like, we're going

535
00:30:50,120 --> 00:30:53,239
Speaker 1: to be Nathan and Haley and and me being you know,

536
00:30:53,280 --> 00:30:55,360
Speaker 1: her older family member who gives her advice, was like,

537
00:30:55,400 --> 00:30:59,080
Speaker 1: oh my god, we've modeled, we've done Oh my gosh.

538
00:30:59,160 --> 00:31:03,320
Speaker 1: And they're married and they're the greatest young married couple

539
00:31:03,440 --> 00:31:05,840
Speaker 1: on earth and they're, you know, now in their late

540
00:31:05,880 --> 00:31:10,200
Speaker 1: twenties and they're perfect. And I'm like, you guys did it,

541
00:31:10,280 --> 00:31:13,320
Speaker 1: and I love it for them, And so I think

542
00:31:13,360 --> 00:31:15,520
Speaker 1: you're right. It's like it's a case by case basis,

543
00:31:16,360 --> 00:31:19,320
Speaker 1: and if it's not supposed to work, it surely will not.

544
00:31:20,160 --> 00:31:22,920
Speaker 1: But when it does, it's beautiful. Anything in life we

545
00:31:22,960 --> 00:31:25,960
Speaker 1: make the choices that we make based on who we

546
00:31:26,040 --> 00:31:29,800
Speaker 1: are and what we're capable of knowing at the time.

547
00:31:31,120 --> 00:31:34,240
Speaker 1: So if somebody feels like they're really ready to get

548
00:31:34,280 --> 00:31:38,680
Speaker 1: married in high school and they're well, not in high school,

549
00:31:38,720 --> 00:31:40,840
Speaker 1: but like I guess they're almost out of high school. God,

550
00:31:41,440 --> 00:31:43,960
Speaker 1: I don't know. You're right, it's not for everyone, but

551
00:31:44,000 --> 00:31:52,560
Speaker 1: if some somebody has I know. Wait, okay, so what

552
00:31:52,600 --> 00:31:54,280
Speaker 1: else happened in this episode? What do we need to

553
00:31:54,280 --> 00:31:58,240
Speaker 1: talk about? Um? We need to talk about Dev flipping

554
00:31:58,280 --> 00:32:04,760
Speaker 1: out on Oh, dev needing to place her deep guilt

555
00:32:04,800 --> 00:32:09,160
Speaker 1: anywhere but on herself and taking it out on Nathan

556
00:32:09,200 --> 00:32:12,000
Speaker 1: and Haley. When she said you shut your selfish little mouth.

557
00:32:12,200 --> 00:32:16,200
Speaker 1: I was like, oh, my god, between as on the

558
00:32:16,240 --> 00:32:18,280
Speaker 1: planet and you shut yourself as a little bit Like

559
00:32:18,480 --> 00:32:20,640
Speaker 1: Dev is a totally different person in season tips. She

560
00:32:20,800 --> 00:32:24,000
Speaker 1: is all over the place in this episode Wolf. But

561
00:32:24,040 --> 00:32:27,640
Speaker 1: then it got it. It broke my heart as soon

562
00:32:27,720 --> 00:32:30,600
Speaker 1: as she breaks Haley and Nathan and then walks out

563
00:32:30,640 --> 00:32:34,400
Speaker 1: and just loses it because you realize, you know, she

564
00:32:34,440 --> 00:32:37,960
Speaker 1: doesn't mean it. She's just lashing out in pain, which

565
00:32:38,040 --> 00:32:42,520
Speaker 1: is no less damaging, especially to children. My god, but oh,

566
00:32:42,560 --> 00:32:44,960
Speaker 1: what was it like to shoot that scene with Barbara

567
00:32:45,200 --> 00:32:48,080
Speaker 1: when you put your hand on your ring, I was like,

568
00:32:48,080 --> 00:32:49,760
Speaker 1: oh my god, Oh my godah, I godah, I got it.

569
00:32:49,760 --> 00:32:52,120
Speaker 1: Gave me so much anxiety. It was so good. I

570
00:32:52,200 --> 00:32:55,280
Speaker 1: forgot that was coming. I totally forgot that was coming.

571
00:32:55,280 --> 00:32:56,920
Speaker 1: And as soon as she started feeling my ring, I

572
00:32:56,920 --> 00:33:01,520
Speaker 1: was like, Oh my god, Oh she's gonna She's gonna

573
00:33:01,600 --> 00:33:06,160
Speaker 1: remus right now. Um, she's just such a pro. I

574
00:33:06,200 --> 00:33:08,440
Speaker 1: don't That's one of the only scenes I don't remember

575
00:33:08,680 --> 00:33:11,840
Speaker 1: being in. Uh. I don't have the muscle memory of

576
00:33:11,880 --> 00:33:14,760
Speaker 1: that in this episode that it was one of the

577
00:33:14,800 --> 00:33:17,000
Speaker 1: only scenes in the episode that I didn't remember. So

578
00:33:17,040 --> 00:33:21,600
Speaker 1: you were as shocked as we were, totally shocked. Totally shocked. Also,

579
00:33:21,640 --> 00:33:23,600
Speaker 1: by the way, just a side note, because I heard

580
00:33:23,640 --> 00:33:25,600
Speaker 1: the rest of the last episode that you guys did

581
00:33:25,640 --> 00:33:28,640
Speaker 1: after I left, and you were saying, um that Hillary,

582
00:33:28,640 --> 00:33:30,959
Speaker 1: you were saying, did anybody by that that Brooke was

583
00:33:31,160 --> 00:33:35,400
Speaker 1: teamed up with Peyton to Nikki into leaving town. I

584
00:33:35,440 --> 00:33:39,480
Speaker 1: bought that a percent. I really did, because you know, again,

585
00:33:39,480 --> 00:33:41,920
Speaker 1: I hadn't really seen the show, so I thought, Okay,

586
00:33:42,040 --> 00:33:46,320
Speaker 1: this this goes. I could see this storyline with Brook

587
00:33:46,400 --> 00:33:48,480
Speaker 1: carrying out longer that she still has a lot of

588
00:33:48,520 --> 00:33:51,760
Speaker 1: anger to work out, and now she's being evil with

589
00:33:51,880 --> 00:33:55,360
Speaker 1: Nicky Moore, and I bought it. So when when Nicki

590
00:33:55,480 --> 00:33:57,719
Speaker 1: left and you know, Peyton comes in, I knew by

591
00:33:57,760 --> 00:34:02,560
Speaker 1: the time Peyton showed up, I was like, wait back in.

592
00:34:03,120 --> 00:34:07,000
Speaker 1: But there were some good misleads. There was some good misleads.

593
00:34:07,000 --> 00:34:09,400
Speaker 1: And this thing with the ring was a good um

594
00:34:09,640 --> 00:34:12,120
Speaker 1: surprise moment too for me. I did not see that

595
00:34:12,160 --> 00:34:17,040
Speaker 1: coming well. And then when Karen finds deb in the

596
00:34:17,040 --> 00:34:19,920
Speaker 1: hallway and then they continue their conversation at the cafe,

597
00:34:21,239 --> 00:34:24,160
Speaker 1: you know, I'd forgotten about the Keith in front of

598
00:34:24,160 --> 00:34:26,799
Speaker 1: the fireplace of it all. And so when there when

599
00:34:26,920 --> 00:34:30,200
Speaker 1: Karen's like, Keith really needs to come back. He's so

600
00:34:30,280 --> 00:34:33,480
Speaker 1: good in a crisis and just has to take it.

601
00:34:33,760 --> 00:34:37,359
Speaker 1: She's literally having the worst day of her life. He's

602
00:34:37,400 --> 00:34:50,279
Speaker 1: good in as so good in a crisis. One of

603
00:34:50,320 --> 00:34:53,160
Speaker 1: the things I really loved speaking of Karen in the

604
00:34:53,200 --> 00:34:58,160
Speaker 1: cafe was her scene with you Joy. I don't know

605
00:34:58,160 --> 00:35:00,680
Speaker 1: if you remember that one, but when Aaron sits down

606
00:35:00,719 --> 00:35:04,919
Speaker 1: with Haley and oh yeah, it's just so beautiful when

607
00:35:04,920 --> 00:35:08,759
Speaker 1: she's saying, you know, I was I was in love

608
00:35:08,800 --> 00:35:12,200
Speaker 1: in high school once and it faded, and my wish

609
00:35:12,239 --> 00:35:15,560
Speaker 1: is that it doesn't fade for you. It was this gorgeous,

610
00:35:15,600 --> 00:35:20,280
Speaker 1: like tender moment of advice and it was really honest

611
00:35:20,480 --> 00:35:26,720
Speaker 1: but tempered with so much generosity. You know, I loved

612
00:35:26,719 --> 00:35:29,279
Speaker 1: that scene. Do you remember? I don't remember a lot

613
00:35:29,280 --> 00:35:31,040
Speaker 1: of it, but what I do remember is that it

614
00:35:31,080 --> 00:35:33,279
Speaker 1: was I think it was the first scene I had

615
00:35:33,280 --> 00:35:37,680
Speaker 1: with Moira where it was vulnerable and emotional. I don't

616
00:35:37,760 --> 00:35:39,880
Speaker 1: know that she and I had had. She had a

617
00:35:39,920 --> 00:35:41,759
Speaker 1: lot of those with Lucas and a lot of I've

618
00:35:41,800 --> 00:35:45,560
Speaker 1: been around for a lot of banter and stuff, but

619
00:35:45,680 --> 00:35:48,200
Speaker 1: not a one on one I'm going to give you

620
00:35:48,280 --> 00:35:51,960
Speaker 1: my motherly advice right now kind of a scene. Um.

621
00:35:52,280 --> 00:35:54,760
Speaker 1: I actually would have loved have seen something between Bess

622
00:35:54,760 --> 00:35:57,560
Speaker 1: and Moira. I wish we had gotten to see some

623
00:35:57,680 --> 00:36:02,040
Speaker 1: Karen and and Lydia um, because I have to assume

624
00:36:02,080 --> 00:36:07,240
Speaker 1: they were friends, right, Like if you grow up with Lucas, yeah, totally.

625
00:36:07,400 --> 00:36:09,279
Speaker 1: You know what it is. You're the last of all

626
00:36:09,280 --> 00:36:12,120
Speaker 1: the kids, and as someone with children, you don't make

627
00:36:12,120 --> 00:36:14,360
Speaker 1: friends with the little one's parents. You've already done it

628
00:36:14,400 --> 00:36:19,880
Speaker 1: with the older kids. I'm friended out guys done totally.

629
00:36:19,960 --> 00:36:22,040
Speaker 1: That makes so much sense, yea. And isn't Haley the

630
00:36:22,080 --> 00:36:25,319
Speaker 1: youngest of like five or six or something, so that

631
00:36:25,320 --> 00:36:28,000
Speaker 1: that would mean that Lydia is older than dev and Karen.

632
00:36:29,160 --> 00:36:31,319
Speaker 1: They didn't go to high school together anything, so they

633
00:36:31,320 --> 00:36:34,799
Speaker 1: may not really. But I loved sitting with Moira and

634
00:36:34,880 --> 00:36:38,320
Speaker 1: just having I joy. Loved being able to have a

635
00:36:38,360 --> 00:36:42,400
Speaker 1: vulnerable moment with Moira, even though it was through acting. Um.

636
00:36:42,440 --> 00:36:45,040
Speaker 1: It felt comforting to me because I think I had

637
00:36:45,320 --> 00:36:47,719
Speaker 1: had craved it as an actress, and I craved it

638
00:36:47,840 --> 00:36:51,799
Speaker 1: as um as a person who really admired her. That

639
00:36:52,080 --> 00:36:53,719
Speaker 1: I was kind of like taking what I could get.

640
00:36:53,760 --> 00:36:56,040
Speaker 1: I was so happy to have an excuse to just

641
00:36:56,640 --> 00:37:00,520
Speaker 1: be all dough eyed and hold Moira's hand and share

642
00:37:01,120 --> 00:37:04,440
Speaker 1: vulnerability with her was really cool. I loved that We'll

643
00:37:04,480 --> 00:37:08,440
Speaker 1: see I interpreted that a little like the scene a

644
00:37:08,480 --> 00:37:12,439
Speaker 1: little darker because when Karen says I was in love

645
00:37:12,440 --> 00:37:15,759
Speaker 1: with high school too, what she's not saying is and

646
00:37:15,800 --> 00:37:19,480
Speaker 1: it was with Dan, and we know what a bad

647
00:37:19,520 --> 00:37:23,239
Speaker 1: guy he is now and Nathan is very much his song,

648
00:37:24,480 --> 00:37:27,160
Speaker 1: and so it filled to me a little like I'm

649
00:37:27,200 --> 00:37:31,480
Speaker 1: supporting you, but I'm also warning you, like, yeah, that

650
00:37:31,600 --> 00:37:34,120
Speaker 1: was there. That was it for sure for me at

651
00:37:34,120 --> 00:37:36,840
Speaker 1: the time. Like as Haley, I don't think Haley was

652
00:37:36,880 --> 00:37:39,480
Speaker 1: really I don't know if she was catching all that.

653
00:37:39,719 --> 00:37:41,719
Speaker 1: I feel like she was. Well, when we're kids, we

654
00:37:41,760 --> 00:37:44,800
Speaker 1: hear what we want to hear. Yeah, as an adult,

655
00:37:44,840 --> 00:37:47,960
Speaker 1: definitely here it was definitely a warning of like a

656
00:37:48,040 --> 00:37:50,320
Speaker 1: be careful, but also I'm here for you if everything

657
00:37:50,400 --> 00:37:55,120
Speaker 1: blows up. When it all blows up, will be here.

658
00:37:55,360 --> 00:38:00,359
Speaker 1: I'll make coffee ut. Yeah, you know, I like messy.

659
00:38:00,440 --> 00:38:03,320
Speaker 1: The grown ups are on our show. I've said this before.

660
00:38:03,320 --> 00:38:05,319
Speaker 1: I feel like if I got this script as an

661
00:38:05,320 --> 00:38:08,239
Speaker 1: adult for one of like deb or Karen's roles, I'd

662
00:38:08,280 --> 00:38:12,480
Speaker 1: be like, oh my god, awesome, like great because the

663
00:38:12,520 --> 00:38:15,120
Speaker 1: stories are so fleshed out and fun. And I don't

664
00:38:15,160 --> 00:38:19,280
Speaker 1: know how many shows are doing that, you know, younger generation,

665
00:38:19,320 --> 00:38:22,480
Speaker 1: older generation thing. Even Dawson's was like pretty much just

666
00:38:22,520 --> 00:38:24,799
Speaker 1: about the kids. You only saw that grown ups every

667
00:38:24,800 --> 00:38:27,600
Speaker 1: once in a while. So I don't know, are there

668
00:38:27,640 --> 00:38:29,400
Speaker 1: shows that we need to be watching that the viewers

669
00:38:29,400 --> 00:38:34,040
Speaker 1: can tell us about that have both grown ups and kids. Yeah,

670
00:38:34,080 --> 00:38:36,440
Speaker 1: I would love to know what are the favorite teen

671
00:38:36,600 --> 00:38:39,360
Speaker 1: shows right now that are in this genre because I'm not.

672
00:38:39,400 --> 00:38:41,120
Speaker 1: I don't have my finger on the pulse. Well I

673
00:38:41,160 --> 00:38:44,480
Speaker 1: don't have a teenager, you know. I'm like, yeah, we're

674
00:38:44,520 --> 00:38:47,600
Speaker 1: watching a lot of Craig of the Creek. Yeah, right

675
00:38:47,640 --> 00:38:50,919
Speaker 1: in and tell us I loved Um. Did you guys

676
00:38:50,960 --> 00:38:55,440
Speaker 1: see Generation on HBO? Girl if It's Hot on Nick Jr?

677
00:38:55,680 --> 00:38:59,680
Speaker 1: Or like what I It was one of my pandemic shows.

678
00:38:59,680 --> 00:39:01,200
Speaker 1: I love it so much. And I just found out

679
00:39:01,200 --> 00:39:03,399
Speaker 1: they're not coming back for a second season, which really

680
00:39:03,440 --> 00:39:07,000
Speaker 1: bummed me out. It's a really beautiful look at a

681
00:39:07,000 --> 00:39:10,440
Speaker 1: bunch of kids in high school. Um, but yeah, not

682
00:39:10,560 --> 00:39:14,040
Speaker 1: a not a lot of their parents either. I wonder

683
00:39:14,120 --> 00:39:18,120
Speaker 1: who's doing the kind of balanced kids at school parents.

684
00:39:18,200 --> 00:39:20,319
Speaker 1: You know, it feels like Stranger Things. It's like the

685
00:39:20,360 --> 00:39:25,480
Speaker 1: only show, the only thing we didn't have a tree hill.

686
00:39:25,520 --> 00:39:30,239
Speaker 1: It was like Aliens and the other side. Oh my gosh.

687
00:39:31,400 --> 00:39:35,040
Speaker 1: Season ten. Um. This is another listener question. Courtney says,

688
00:39:35,080 --> 00:39:37,840
Speaker 1: do you feel one character had a harder life than others?

689
00:39:38,280 --> 00:39:43,040
Speaker 1: And were you ever like, wow, your character was really

690
00:39:43,080 --> 00:39:50,759
Speaker 1: dealt a bad hands. Uh yeah, I'd like to confirm this. Yes,

691
00:39:51,160 --> 00:39:54,080
Speaker 1: to this day, I still like have kids coming up

692
00:39:54,120 --> 00:39:56,399
Speaker 1: to me like, how many dead moms do you have?

693
00:39:56,800 --> 00:40:00,759
Speaker 1: Like you got shot and assaulted wise in your own

694
00:40:00,800 --> 00:40:03,359
Speaker 1: home that you had to live in all by yourself afterwards,

695
00:40:03,360 --> 00:40:08,760
Speaker 1: it like, you know, Peyton's crazy train was relentless. Um.

696
00:40:08,800 --> 00:40:12,520
Speaker 1: I think it's made me a much more apathetic person

697
00:40:12,560 --> 00:40:14,680
Speaker 1: in real life because I'm like, well, at least it's

698
00:40:14,680 --> 00:40:18,040
Speaker 1: not Peyton Sawyer's drama. Like it's the worst that could

699
00:40:18,040 --> 00:40:21,520
Speaker 1: happen to me. Um, Yeah she was. She was a

700
00:40:21,600 --> 00:40:25,399
Speaker 1: rough one. Yeah, I It's funny. I get a lot

701
00:40:25,400 --> 00:40:28,160
Speaker 1: of that too, where people are like, man, Brooke Davis

702
00:40:28,200 --> 00:40:30,400
Speaker 1: just had it really rough. How many times did you

703
00:40:30,400 --> 00:40:33,719
Speaker 1: get punched in the face all the time? Yeah? I

704
00:40:33,760 --> 00:40:38,520
Speaker 1: got attacked and stalked and beaten and and like left

705
00:40:38,600 --> 00:40:44,719
Speaker 1: and dumped and betrayed. It was just like terrible. Um,

706
00:40:44,760 --> 00:40:48,120
Speaker 1: but you know then then better. But yeah, Oh the drowning,

707
00:40:48,320 --> 00:40:50,880
Speaker 1: Yeah I drowned after you left Hill. Yeah, I was

708
00:40:50,880 --> 00:40:53,239
Speaker 1: in like a gnarly I can't wait to get to

709
00:40:53,280 --> 00:40:55,200
Speaker 1: the stuff that I wasn't there for because I'm going

710
00:40:55,239 --> 00:41:00,840
Speaker 1: to be such a fan girl and be like, yeah

711
00:41:00,880 --> 00:41:06,960
Speaker 1: it was it was wild. Do you really drown? Yeah?

712
00:41:07,080 --> 00:41:11,040
Speaker 1: And Peyton didn't come home? What a pitch. No, I

713
00:41:11,120 --> 00:41:16,439
Speaker 1: know you missed my wedding. God, I know, travesty, But

714
00:41:16,880 --> 00:41:19,759
Speaker 1: what are you gonna do? What happened to Nathan? Didn't

715
00:41:19,800 --> 00:41:22,600
Speaker 1: I heard Nathan was kidnapped or something, so James wouldn't happen.

716
00:41:22,600 --> 00:41:31,600
Speaker 1: He was kidnapped by their Russian mafia Tree Hill Hill Dan, somehow,

717
00:41:31,800 --> 00:41:34,080
Speaker 1: I don't know, And then I had to go undercover

718
00:41:34,440 --> 00:41:40,400
Speaker 1: and try and right now, your own husband, Yeah, I try.

719
00:41:40,440 --> 00:41:44,360
Speaker 1: I try, like dressed up like a hot street walker.

720
00:41:44,600 --> 00:41:49,479
Speaker 1: You were a prostatute, Yeah, yeah, yeah, it was great.

721
00:41:49,719 --> 00:41:53,840
Speaker 1: What happened? Oh my god, you guys. I'm going to

722
00:41:53,960 --> 00:41:57,479
Speaker 1: drink so much bourbon and watch season's seven through nine

723
00:41:57,560 --> 00:42:00,440
Speaker 1: and have the best time. We'll get there. When we

724
00:42:00,520 --> 00:42:03,640
Speaker 1: get into full jumping the Shark, we are definitely going

725
00:42:03,719 --> 00:42:06,680
Speaker 1: to have to just start making cocktails. We need a

726
00:42:06,719 --> 00:42:09,560
Speaker 1: shark sound effect that Easton can put in when we're

727
00:42:09,600 --> 00:42:15,880
Speaker 1: like done speaking of speaking of sharks and notions and things.

728
00:42:16,120 --> 00:42:21,399
Speaker 1: Perhaps my favorite part of this episode is when Keith

729
00:42:21,440 --> 00:42:24,200
Speaker 1: and Lucas are like reasons to stay in Charleston and

730
00:42:24,239 --> 00:42:26,759
Speaker 1: they're like, we don't have a view like this in

731
00:42:26,880 --> 00:42:31,320
Speaker 1: Tree Hill, where we then established that Brook and Payton

732
00:42:31,320 --> 00:42:34,160
Speaker 1: are definitely at the beach and Tree Hill and Helly

733
00:42:34,239 --> 00:42:37,000
Speaker 1: gets married in front of the most beautiful body of

734
00:42:38,880 --> 00:42:43,239
Speaker 1: and Brooks dad has a boat. There's been a beach

735
00:42:43,320 --> 00:42:46,600
Speaker 1: house and dance like the whole show. I don't know

736
00:42:46,640 --> 00:42:48,920
Speaker 1: why they didn't just go take I mean, they had

737
00:42:48,960 --> 00:42:50,600
Speaker 1: the money. I don't know why they didn't just take

738
00:42:50,719 --> 00:42:54,319
Speaker 1: Craig and Chad to Charleston and walk on Rainbow Row

739
00:42:54,440 --> 00:42:57,320
Speaker 1: or something like. There's just so there's so many interesting

740
00:42:57,360 --> 00:42:59,200
Speaker 1: things to see in Charleston. I don't know why they

741
00:42:59,200 --> 00:43:03,120
Speaker 1: do because they got their stuff for the viewers at home,

742
00:43:03,640 --> 00:43:07,760
Speaker 1: the stuff with Chad and Craig. When Keith and Lucas

743
00:43:07,800 --> 00:43:10,680
Speaker 1: go to Charleston, they just shot on Wrightsville Beach. That

744
00:43:10,760 --> 00:43:16,000
Speaker 1: was Helmington's still. It was just a different Carolina beach.

745
00:43:16,040 --> 00:43:18,160
Speaker 1: Maybe I don't know, but it was just so rightful,

746
00:43:19,160 --> 00:43:20,799
Speaker 1: you know, it was right Ville they were when they

747
00:43:20,840 --> 00:43:23,960
Speaker 1: were looking out Keith's apartment window, it was looking at

748
00:43:24,000 --> 00:43:26,719
Speaker 1: doc Side, the restaurant at the beach that we used

749
00:43:26,719 --> 00:43:30,719
Speaker 1: to go to. This is so funny that there, I mean,

750
00:43:30,840 --> 00:43:33,040
Speaker 1: Charleston is like it's a four hour drive. It's like

751
00:43:33,080 --> 00:43:36,840
Speaker 1: a totally different but it's a totally different world. That

752
00:43:36,840 --> 00:43:40,560
Speaker 1: would have been so easy, just not so funny. No

753
00:43:40,680 --> 00:43:44,359
Speaker 1: views like this and tree Hill even though this Tree Hill,

754
00:43:45,040 --> 00:43:49,600
Speaker 1: except every single one of them. Um, what did you guys?

755
00:43:49,719 --> 00:43:52,760
Speaker 1: Just speaking of cocktails, what did you guys have over Thanksgiving?

756
00:43:52,760 --> 00:43:55,080
Speaker 1: What did you guys drink on Thanksgiving? Well? I was

757
00:43:55,120 --> 00:43:57,320
Speaker 1: telling you guys, the reason I'm hurting so bad is

758
00:43:57,360 --> 00:44:02,480
Speaker 1: because Rose Berne introduced me to something called penicillin, good

759
00:44:02,320 --> 00:44:06,120
Speaker 1: old penicillin. But it's like a whiskey sit Yeah, what

760
00:44:06,280 --> 00:44:08,640
Speaker 1: is this? It's a it's like a bourbon and ginger

761
00:44:08,640 --> 00:44:11,680
Speaker 1: and what else is There's honey? I think there's honey

762
00:44:11,680 --> 00:44:17,799
Speaker 1: in it? Um took it up. Love a penicillin? We did. Um.

763
00:44:18,760 --> 00:44:22,520
Speaker 1: We we did a sort of like a pot lucky situation,

764
00:44:23,040 --> 00:44:25,239
Speaker 1: and because Grant and I had to travel, we did

765
00:44:25,280 --> 00:44:30,719
Speaker 1: all the wine. Shocking. Yeah, I mean we literally have

766
00:44:30,800 --> 00:44:34,000
Speaker 1: a wine suitcase. Now. It looks like a like a camera. Yeah,

767
00:44:34,000 --> 00:44:36,920
Speaker 1: you know, like camera equipment travels in those Pelican cases.

768
00:44:37,200 --> 00:44:39,400
Speaker 1: It's like one of those, but just for wine. No,

769
00:44:39,560 --> 00:44:41,960
Speaker 1: it's not. This is a real thing, you guys. It's

770
00:44:42,000 --> 00:44:44,799
Speaker 1: a real thing. It's so incredible. His parents got it

771
00:44:44,840 --> 00:44:46,680
Speaker 1: for us and we were like we were like, oh,

772
00:44:46,800 --> 00:44:49,160
Speaker 1: sweet Dave and Paula, this is ridiculous. We will never

773
00:44:49,280 --> 00:44:51,160
Speaker 1: use this. We use it all the time. It's the

774
00:44:51,239 --> 00:44:54,759
Speaker 1: best gift. Yes, so you travel with it empty and

775
00:44:54,800 --> 00:44:57,120
Speaker 1: then you buy wine wherever you go and bring the wine.

776
00:44:57,800 --> 00:45:00,239
Speaker 1: Or in this case, because we were coming we were

777
00:45:00,280 --> 00:45:05,000
Speaker 1: traveling in for Thanksgiving, we brought wine. So all of

778
00:45:05,040 --> 00:45:08,120
Speaker 1: the stuff that we've been sourcing at home and like

779
00:45:08,160 --> 00:45:11,280
Speaker 1: from all the natural vineyards in California, we brought all

780
00:45:11,320 --> 00:45:15,880
Speaker 1: of this amazing wine to Oklahoma with us. And yeah,

781
00:45:15,920 --> 00:45:19,200
Speaker 1: we did like an eight bottle tasting for everyone, and

782
00:45:19,239 --> 00:45:22,440
Speaker 1: then some of us decided to finish the bottles that

783
00:45:22,520 --> 00:45:31,120
Speaker 1: weren't empty, and so us a few of us. I also,

784
00:45:31,400 --> 00:45:34,279
Speaker 1: like Hillary, have a terrible headache today, but honestly, it

785
00:45:34,360 --> 00:45:36,920
Speaker 1: was so worth it. Did you guys ever read Speaking

786
00:45:36,920 --> 00:45:41,800
Speaker 1: of hangovers, did you ever read the stein book? Steinbeck Book.

787
00:45:42,480 --> 00:45:44,160
Speaker 1: That's a hard thing to say three times fast when

788
00:45:44,200 --> 00:45:49,520
Speaker 1: you're hungover. Steinbeck Book travels with Charlie. He's so good. Steinbeck,

789
00:45:49,600 --> 00:45:52,239
Speaker 1: in like in his later years, decided he needed to

790
00:45:52,280 --> 00:45:54,480
Speaker 1: hit the road again and packed up a camper van

791
00:45:54,560 --> 00:45:56,399
Speaker 1: with his dog and was like, honey, I'll be back

792
00:45:56,440 --> 00:45:58,359
Speaker 1: and just like went and drove around America and wrote

793
00:45:58,400 --> 00:46:01,120
Speaker 1: this beautiful book about traveling with his dog, and he

794
00:46:01,160 --> 00:46:05,440
Speaker 1: talks about how um you have to, you know, wear

795
00:46:05,520 --> 00:46:08,920
Speaker 1: your your hangovers with pride because they're a consequence for

796
00:46:09,000 --> 00:46:12,120
Speaker 1: a well lived life and a good time. And I

797
00:46:12,160 --> 00:46:14,440
Speaker 1: just love it. So on days like today, I'm like,

798
00:46:14,480 --> 00:46:16,800
Speaker 1: you know what we earned? This last night was great.

799
00:46:17,080 --> 00:46:20,799
Speaker 1: I'm I'm getting an idea here where we need to

800
00:46:20,800 --> 00:46:23,760
Speaker 1: do a drama Queen's hangover tour of the United States

801
00:46:24,040 --> 00:46:27,759
Speaker 1: with your wine suitcase, Like how many cities and we

802
00:46:27,760 --> 00:46:31,200
Speaker 1: can take your maggie. Yeah. Great, We'll bring a dog

803
00:46:31,600 --> 00:46:34,319
Speaker 1: and bring a wine suitcase and we'll just go on

804
00:46:34,400 --> 00:46:37,480
Speaker 1: a tour and send us you're in kids, and we'll shoot.

805
00:46:37,640 --> 00:46:40,719
Speaker 1: It's like the mall tours we did but adult. Yeah,

806
00:46:40,840 --> 00:46:44,839
Speaker 1: inspired by Steinbeck and and red Wine. It'll be great,

807
00:46:45,880 --> 00:46:48,239
Speaker 1: the drama Queen's Hangover Tour. What were you drinking? Joy?

808
00:46:48,320 --> 00:46:52,480
Speaker 1: Would you make? Um? I had? I also had some whiskey.

809
00:46:52,560 --> 00:46:56,320
Speaker 1: I had a nice old fashioned um but with honey

810
00:46:56,440 --> 00:46:58,840
Speaker 1: syrup instead of simple syrup, which I really liked. And

811
00:46:58,880 --> 00:47:01,880
Speaker 1: I don't like old fashions are too sweet, But I

812
00:47:01,920 --> 00:47:03,960
Speaker 1: do love a good you know, look, it's got to

813
00:47:04,000 --> 00:47:07,040
Speaker 1: have the look sardo cherry. It's got to have a

814
00:47:07,040 --> 00:47:11,120
Speaker 1: little little orange twist. Um. I thought that went nicely

815
00:47:11,160 --> 00:47:14,320
Speaker 1: with I make cranberry sauce every Thanksgiving. I have my

816
00:47:14,320 --> 00:47:18,040
Speaker 1: my same recipe that I've been making for years, and um,

817
00:47:18,280 --> 00:47:21,160
Speaker 1: it also has some vanilla and orange in it. So

818
00:47:22,120 --> 00:47:25,080
Speaker 1: mixed that up with my with my whiskey. It was

819
00:47:25,120 --> 00:47:29,400
Speaker 1: a very nice Japanese whiskey, nice and smooth, and my

820
00:47:29,480 --> 00:47:32,560
Speaker 1: friend had you know the ice cubes that are around

821
00:47:32,680 --> 00:47:36,759
Speaker 1: that are proper. Oh yeah, good stuff, Joey. I like

822
00:47:36,840 --> 00:47:39,360
Speaker 1: your voice when you talk about liquor because it gets

823
00:47:39,440 --> 00:47:41,719
Speaker 1: really like tender and soft, and I feel like you

824
00:47:41,760 --> 00:47:44,680
Speaker 1: need all you need, like a whole podcast of you

825
00:47:44,760 --> 00:47:47,879
Speaker 1: just being like and now you pour the whiskey over

826
00:47:47,920 --> 00:47:50,959
Speaker 1: the ice. Yeah, it's like a Saturday at Live, skin

827
00:47:52,000 --> 00:47:56,239
Speaker 1: like sweaty balls. But the kids don't know what I'm

828
00:47:56,280 --> 00:48:00,360
Speaker 1: talking about. Hold on, before we end the show, I

829
00:48:00,440 --> 00:48:02,239
Speaker 1: just want to say my favorite part of the last

830
00:48:02,239 --> 00:48:05,279
Speaker 1: week was that Saturday Night Live last week did a

831
00:48:05,440 --> 00:48:09,359
Speaker 1: skit about a karaoke bar in Wilmington, North Carolina. They

832
00:48:09,840 --> 00:48:13,719
Speaker 1: didn't they thickly call out Wilmington's North Carolina and I

833
00:48:13,719 --> 00:48:17,640
Speaker 1: feel assaulted. Oh my god, please go and look up

834
00:48:17,640 --> 00:48:20,200
Speaker 1: this night from SNL. They're like, come and at you

835
00:48:20,239 --> 00:48:22,480
Speaker 1: from the karaoke bar here and Wilmen to North Carolina,

836
00:48:22,960 --> 00:48:25,759
Speaker 1: and I feel like someone's making fun of me, um,

837
00:48:26,760 --> 00:48:31,239
Speaker 1: of all of us. Yeah, I saw. I saw a

838
00:48:31,280 --> 00:48:33,319
Speaker 1: couple of friends from Wilmington's post about it. I'm like,

839
00:48:33,360 --> 00:48:35,799
Speaker 1: hold on a second, and sure enough, I want to

840
00:48:35,800 --> 00:48:38,560
Speaker 1: be at that party. There there to be at that

841
00:48:38,600 --> 00:48:44,520
Speaker 1: party so that behind the scenes. Oh boy, should we

842
00:48:44,560 --> 00:48:49,200
Speaker 1: spend a wheel. I'm so happy that we got to

843
00:48:49,280 --> 00:48:51,919
Speaker 1: start off the new season. I just was really fun

844
00:48:51,960 --> 00:48:55,319
Speaker 1: to see season to start up, and um, there's so

845
00:48:55,320 --> 00:49:01,200
Speaker 1: many adventures to be had. Who is most likely to

846
00:49:01,520 --> 00:49:04,640
Speaker 1: cry watching a movie on a plane? I mean, who

847
00:49:04,760 --> 00:49:10,799
Speaker 1: isn't like, yeah, yeah, we're all suckers, all right, Okay,

848
00:49:10,880 --> 00:49:14,520
Speaker 1: let's pick. Let's pick somebody that's not us from the show.

849
00:49:14,560 --> 00:49:21,640
Speaker 1: Who's our cry baby? Yeah? Yeah, yeah, maybe honestly, Yeah,

850
00:49:21,719 --> 00:49:24,560
Speaker 1: he feels big feelings and doesn't like for people to know.

851
00:49:25,520 --> 00:49:29,680
Speaker 1: I've seen Antoine get tender. Yeah that's right. I think

852
00:49:29,680 --> 00:49:34,120
Speaker 1: you nailed it. Yeah, I love that. I mean when yeah,

853
00:49:34,200 --> 00:49:36,799
Speaker 1: when he starts talking about like Phil Collins and like

854
00:49:36,920 --> 00:49:41,160
Speaker 1: songs that like move him and you know, like, yeah,

855
00:49:41,200 --> 00:49:44,600
Speaker 1: Antin would definitely be the one to watch, you know something,

856
00:49:44,760 --> 00:49:53,160
Speaker 1: something truly touching the notebook? Yeah, okay, but what character

857
00:49:53,360 --> 00:49:56,600
Speaker 1: on the show, Well, you know who gets really emotional

858
00:49:56,640 --> 00:50:01,200
Speaker 1: in this episode? Why not Skills? Oh? Who Whitey? Yeah?

859
00:50:01,560 --> 00:50:03,920
Speaker 1: I was thinking Whitey because he does get He's in

860
00:50:03,920 --> 00:50:06,719
Speaker 1: that hospital bed, like thinking about life and getting emotional.

861
00:50:07,320 --> 00:50:10,520
Speaker 1: I don't think Whitey would watch a movie on a plane. Yeah,

862
00:50:10,560 --> 00:50:12,880
Speaker 1: but what if he watched like Turner classic movies on

863
00:50:12,920 --> 00:50:18,520
Speaker 1: a plane. It was just crying watching James Cagney every

864
00:50:18,520 --> 00:50:21,080
Speaker 1: time he can't turn the TV off. He doesn't know

865
00:50:21,120 --> 00:50:28,200
Speaker 1: how to like change thanks involuntarily is weaving? Uh? Yeah,

866
00:50:28,800 --> 00:50:30,600
Speaker 1: I hope you won't cry on airplanes. It's good to

867
00:50:30,640 --> 00:50:34,120
Speaker 1: feel things and then it is and then do therapy.

868
00:50:34,520 --> 00:50:37,600
Speaker 1: So that's our show, guys. I hope that you guys

869
00:50:37,640 --> 00:50:40,279
Speaker 1: had a great weekend and that you've got advil and

870
00:50:40,320 --> 00:50:43,799
Speaker 1: whatever else you need to get over your hangovers. Next

871
00:50:43,840 --> 00:50:47,800
Speaker 1: week is the episode two. It's truth doesn't make a noise.

872
00:50:48,160 --> 00:50:50,879
Speaker 1: I don't really know what that means. I can't wait

873
00:50:50,920 --> 00:50:56,279
Speaker 1: to find out. I have a great week ladies, Hey,

874
00:50:56,360 --> 00:50:58,720
Speaker 1: thanks for listening. Don't forget to leave us a review.

875
00:50:58,960 --> 00:51:02,080
Speaker 1: You can also follow us on Instagram at Drama Queens

876
00:51:02,120 --> 00:51:05,600
Speaker 1: O t H. Or email us at Drama Queens at

877
00:51:05,600 --> 00:51:10,120
Speaker 1: I heart radio dot com. See you next time. We

878
00:51:10,120 --> 00:51:13,279
Speaker 1: are all about that high school drama. Girl Drama Girl,

879
00:51:13,360 --> 00:51:16,480
Speaker 1: all about them high school queens. We'll take you for

880
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881
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883
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Speaker 1: Drama Queens, Drama, Queen's Drama, Drama, Queen's Drama Queens