WEBVTT - 112: Can Sell Culture

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<v Speaker 1>It's two thirty eight am in a parallel universe and

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<v Speaker 1>you're listening Tonight Call. Welcome to Night Call, a call

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<v Speaker 1>in show for our dystopian reality. I am your host,

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<v Speaker 1>Molly Lambert, and with me as always are Tess Lying

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<v Speaker 1>and Emily Yoshida. Hey, guys, what's up? So we last

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<v Speaker 1>week we talked about the kind of science computer programming

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<v Speaker 1>reality behind White t u K and what it actually was.

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<v Speaker 1>And one of the things we discussed was that there

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<v Speaker 1>is something called the problem, which is, as you can

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<v Speaker 1>tell from the title, going to happen in And we

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<v Speaker 1>got a bunch of both helpful and very like straining

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<v Speaker 1>the capacity of my brain right now, emails and calls

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<v Speaker 1>from sners about what problem is. So, um, yeah, Test,

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<v Speaker 1>you want to like talk a little bit about I

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<v Speaker 1>don't know what what you've learned, I can go through

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<v Speaker 1>like my basic understanding of it. I'm so scared to

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<v Speaker 1>get into this, but I have to first. I want

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<v Speaker 1>to shout out a couple of people who wrote in um,

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<v Speaker 1>We're gonna pull from what they said. We we got, um,

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<v Speaker 1>former software engineers, very very smart people who I don't

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<v Speaker 1>know what capacity they work in software, but yeah, it

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<v Speaker 1>was amazing too to have this explained, and and it

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<v Speaker 1>was truly humbling. UM. I have to say that one

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<v Speaker 1>thing that might that was a through line that might

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<v Speaker 1>make sense before we get into the meat of these emails,

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<v Speaker 1>is that you may have noticed if you have a

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<v Speaker 1>Mac that recently you had to upgrade update your computer

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<v Speaker 1>to the computer iOS to Catalina. And if you did

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<v Speaker 1>that and you had some older software on your computer

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<v Speaker 1>like word, um, I believe, Excel, Scrivener, those might all

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<v Speaker 1>of a sudden have excess through them. And so one

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<v Speaker 1>of the things that I kind of drew from this,

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<v Speaker 1>having updated to Catalina just a couple of days ago,

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<v Speaker 1>is that that is because Catalina can't work with thirty

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<v Speaker 1>two bits software, it has to work with sixty four

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<v Speaker 1>bit software. Yeah, so some of these kind of antiquated

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<v Speaker 1>UM programs that we're using will eventually no longer work

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<v Speaker 1>unless you upgrade to the sixty four bits. So even

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<v Speaker 1>if you can't, yeah, if you can't understand some of

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<v Speaker 1>what's going on here and know that in real life,

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<v Speaker 1>it actually does affect you. And and everybody who wrote

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<v Speaker 1>in did touch on the thirty two bit difference. UM. So,

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<v Speaker 1>first off. We have Diane the former software engineer, and

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<v Speaker 1>she said, uh. In regards to explaining the eight bug,

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<v Speaker 1>the underlying issue is in the way that most computing

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<v Speaker 1>systems represent time stamps as the number of seconds that

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<v Speaker 1>have passed since January one represented as time stamp zero,

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<v Speaker 1>So that was kind of an arbitrary date that was

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<v Speaker 1>decided as your one. Computers. Your for its UNIX, right, yes,

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<v Speaker 1>it's UNIX. So in some systems, she goes on, this

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<v Speaker 1>time stamp is stored is stored as a sign, meaning

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<v Speaker 1>it can be positive or negative thirty two bit integer,

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<v Speaker 1>so there are some bits that are that are used

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<v Speaker 1>to store what the number is and a bit to

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<v Speaker 1>store the sign. The highest number that can be represented

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<v Speaker 1>by this type of integer is, Oh god, do I

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<v Speaker 1>have to read this long number? I'm just gonna say no.

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<v Speaker 1>Two billion, one hight three thousand, six hundred and forty seven.

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<v Speaker 1>Thank you. How do you measure a year in the life?

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<v Speaker 1>In the life? How about how about as time stamp January?

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<v Speaker 1>If if a program increments the time stamp beyond that,

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<v Speaker 1>she says, it will cause integer overflow, which means that

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<v Speaker 1>having run out of usable digit bits, it will instead

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<v Speaker 1>flip the bit used to store the sign, causing it

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<v Speaker 1>to be interpreted as a huge negative number representing December one, which,

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<v Speaker 1>without needing more much more explanation, would cause a cluster fuck.

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<v Speaker 1>And now I would like to also tip my hat

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<v Speaker 1>to Jeff who wrote in to point out um. He

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<v Speaker 1>wrote a long explainer that was also super comprehensive that

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<v Speaker 1>unfortunately we don't have the brains to be able to

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<v Speaker 1>explain but before the time, but he did make He

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<v Speaker 1>did point out something that's very night call, which is

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<v Speaker 1>that from the computer's perspective, I'm quoting here rather than

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<v Speaker 1>rolling from December January one, d the y two k problem.

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<v Speaker 1>If the problem isn't fixed, some computers will go directly

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<v Speaker 1>from three fourteen oh seven on Tuesday nineteenth of January

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<v Speaker 1>fifty two on Friday, December one, little spooky dash of

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<v Speaker 1>a computer computer creepiness. Uh So that was that, I mean,

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<v Speaker 1>we actually we. We even had one who pointed out

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<v Speaker 1>a link to the legend a Zelda. One of my

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<v Speaker 1>favorite factoris that I found out about the problem was

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<v Speaker 1>that we kind of got a preview. Another way to

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<v Speaker 1>kind of understand it a little bit is we got

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<v Speaker 1>a preview of the problem from Gagenam Style of all things. Um,

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<v Speaker 1>I this was referenced and I think a Guardian article

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<v Speaker 1>and then I found like a Metro UK article which

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<v Speaker 1>is like dodgy but also like it's been sided by

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<v Speaker 1>a lot of people. But that Um, when Gagnam Style

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<v Speaker 1>passed that number two billion, one hundred and something thousand

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<v Speaker 1>or a million, uh it uh, there was a glitch

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<v Speaker 1>and the views went down to zero. And I remember

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<v Speaker 1>this too because everybody was like, oh my god, it's

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<v Speaker 1>like breaking records. And then suddenly it showed zero and

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<v Speaker 1>it was because YouTube had only had thirty two bit

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<v Speaker 1>thirty two bits to count views, and then they did

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<v Speaker 1>a quick update to sixty four bits and then and

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<v Speaker 1>now they can count up to I don't even This

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<v Speaker 1>is when I actually don't know how. I'm pretty sure

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<v Speaker 1>that's a quintillion, like nine quintillion, two, three quadrillion. Uh yeah,

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<v Speaker 1>I don't know. It's a lot. So yeah, it just

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<v Speaker 1>seems like it's this The idea of counting time as

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<v Speaker 1>in this linear way is kind of what's going to

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<v Speaker 1>trip up a lot of um computer systems. So interesting,

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<v Speaker 1>we got it. But yeah, like like the like you

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<v Speaker 1>mentioned with the Catalina thing, it just seems like like

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<v Speaker 1>everybody's It seems similar to the Y d K thing,

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<v Speaker 1>where it's just like this isn't a big deal, and

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<v Speaker 1>like most people, there's an easy fix for all of

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<v Speaker 1>this stuff, like what what Apple did. It's just like

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<v Speaker 1>everybody has to do it. That's the main thing. And

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<v Speaker 1>the other the other thing that's weird is that Apple

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<v Speaker 1>does have to do this and the other programs do

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<v Speaker 1>you have to update? And and we were warned because

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<v Speaker 1>I complained to my dad about what happened when I

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<v Speaker 1>upgraded to Catalina. I was like, and now I have to,

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<v Speaker 1>you know, do a subscription model for Microsoft Office and

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<v Speaker 1>all this stuff. And he was like, but you were

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<v Speaker 1>they sent They told you millions of times that this

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<v Speaker 1>was going to be a problem and no, and everyone

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<v Speaker 1>who's complaining was kind of just ignoring being told by

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<v Speaker 1>these technological companies like hey, you're gonna have to change

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<v Speaker 1>at some point or everything can't work. But it still

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<v Speaker 1>makes me mad. I mean, we're talking about getting into

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<v Speaker 1>custom computer stuff. Uh, just off the air a little

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<v Speaker 1>while ago, um and telling one of our other producers

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<v Speaker 1>about basically the halt and catch fire, the flashpoint of

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<v Speaker 1>computing deciding that you couldn't just decide what gets to

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<v Speaker 1>stay on the computer. The computer brand decides for you

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<v Speaker 1>with the update and things like that. I'm definitely like, no,

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<v Speaker 1>I want a computer that lets me have an old

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<v Speaker 1>Yankee word if that's what I want. You know, like,

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<v Speaker 1>people have emotional attachments to programs and just even interfaces,

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<v Speaker 1>and I think that the way, especially with Apple prod next,

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<v Speaker 1>that they've made it so it's like you really can't

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<v Speaker 1>use anything from a product when it stops wanting to

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<v Speaker 1>work is like not what customers want at all. Well,

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<v Speaker 1>I think the issue here is not that it's Apple

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<v Speaker 1>saying you can't use these things you feel nostalgic about.

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<v Speaker 1>It's just that they literally weren't built for the president,

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<v Speaker 1>Like you can't use it anymore. If you ever bought word,

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<v Speaker 1>it should just give you word. It shouldn't be like

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<v Speaker 1>you have to buy a whole new office package because

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<v Speaker 1>you updated the software. Yeah, I mean, I think I

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<v Speaker 1>don't even mind having to buy it again. It's the

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<v Speaker 1>fact that it's now that they're kind of pushing a

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<v Speaker 1>subscription model, which I think they'll continue to push. But

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<v Speaker 1>I mean, I also wonder if our reactions to the

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<v Speaker 1>problem by just being very blase until we can't use

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<v Speaker 1>the programs that we want to use, has to do

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<v Speaker 1>with the fact that we saw what happened with Y

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<v Speaker 1>two K, and also that you know, there was no

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<v Speaker 1>way that we could prepare for what would happen with

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<v Speaker 1>Y two K. It's all in the hands of people

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<v Speaker 1>who can write us emails like we received. You were

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<v Speaker 1>so smart. Also, it just made me think our listners

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<v Speaker 1>are so cool and smart. So listeners are so cool

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<v Speaker 1>and smart. UM one y two K. Thing I wanted

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<v Speaker 1>to mention because it's the end of why two came month,

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<v Speaker 1>and I can't believe I didn't mention it all month

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<v Speaker 1>is that my elementary school was called Lawrence two thousand

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<v Speaker 1>because it was the School of the Future in UM

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<v Speaker 1>and it was very sort of like fifties space age,

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<v Speaker 1>and they changed the name in the year two thousand.

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<v Speaker 1>Now it's called the Lawrence School and it's like a

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<v Speaker 1>fancy school. But when it was Lawrence two thousand, we

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<v Speaker 1>did like a time capsule, I believe for the year

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<v Speaker 1>two thousand in I think that was uncovered in two thousand.

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<v Speaker 1>What was in it probably just like some drawings from

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<v Speaker 1>some kids such as I. But I remember thinking that

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<v Speaker 1>the obsession with the year two thousand was like a

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<v Speaker 1>very mid century type of thing, you know, like when

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<v Speaker 1>I think of the fifth use space age, that's what

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<v Speaker 1>I think of, is like, that's the year two thousand,

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<v Speaker 1>that's the future. Is the year two thousand? Now that

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<v Speaker 1>we're in the real horrible future. Well, we'll be talking

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<v Speaker 1>a little more about White two K at the end

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<v Speaker 1>of the show to wrap up White two May. Before that,

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<v Speaker 1>we're going to take a quick break. We'll be back soon. Um,

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<v Speaker 1>Welcome back to Nightcallum. Hey, guys, I got COVID tested. Wow,

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<v Speaker 1>how was it? It was so easy? I mean again,

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<v Speaker 1>I just keep thinking about that William Gibson quote over

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<v Speaker 1>and over and over again, because it's just like the

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<v Speaker 1>future is here, it's just not evenly distributed. It's just

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<v Speaker 1>like I know that there are so many places in

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<v Speaker 1>the country where it's not this easy. So I don't

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<v Speaker 1>want to like sound like I'm gloating about it, but seriously, like,

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<v Speaker 1>and I tried a few weeks ago to get a

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<v Speaker 1>test and it was all backed up in the line

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<v Speaker 1>was it didn't seem possible. But I made a reservation

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<v Speaker 1>for the next day. I drove over to the Dodger Stadium.

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<v Speaker 1>Person in a haz matt suit gave me as a

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<v Speaker 1>black bag basically hawked up alogie and swabbed it out

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<v Speaker 1>of my mouth and put it in a test tube

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<v Speaker 1>and then gave it to another person that has met suit,

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<v Speaker 1>like through a one inch crack in my window. And

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<v Speaker 1>I don't know. I guess I'll find out if I

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<v Speaker 1>have COVID in five days. But I was truly impressed.

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<v Speaker 1>To be clear, this was the active infection test, not

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<v Speaker 1>the antibody test. The antibody test, yeah, this is the

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<v Speaker 1>active infection. Yeah. I signed up to get tested last week,

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<v Speaker 1>and then right before I went in it was for

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<v Speaker 1>my whole family. Um, I saw that those tests that

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<v Speaker 1>are not the nasal tests but that are the cough

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<v Speaker 1>swabs are only seventy accurate. And then I was like, oh, okay,

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<v Speaker 1>well should I not do it? But we're being You're

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<v Speaker 1>not like taking a test away from someone else. We're

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<v Speaker 1>all being urged in Los Angeles County, or at least

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<v Speaker 1>in the city of Los Angeles. I know it differs

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<v Speaker 1>to get tested to see how many people are asymptomatic carriers.

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<v Speaker 1>And I actually know someone UM who has no one

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<v Speaker 1>and her family has had any symptoms. They all got

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<v Speaker 1>tested and with the cough test, and her husband tested

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<v Speaker 1>positive but has no symptoms. So it's great to get

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<v Speaker 1>tested if you and just like you know, submit your

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<v Speaker 1>data to the pool, just so we can help understand

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<v Speaker 1>and help people understand what this thing is like. Although

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<v Speaker 1>I read something yesterday that was about how they're sucking

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<v Speaker 1>up all the data nationally because they're combining the active

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<v Speaker 1>infection tests and the antibody tests, and it's making it

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<v Speaker 1>seem like less people have it than actually do so

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<v Speaker 1>that they can push to reopen. Essentially, it's like a

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<v Speaker 1>big funk up. It's almost impossible or I don't know,

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<v Speaker 1>I haven't looked too deeply, but UM, some friends I

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<v Speaker 1>have who are trying to figure out if it's safe

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<v Speaker 1>to reopen their preschool at some point, I have been

0:12:47.480 --> 0:12:49.679
<v Speaker 1>trying to find out if they can get antibody tested,

0:12:49.960 --> 0:12:53.600
<v Speaker 1>and apparently it's very difficult to you know, find it's

0:12:53.679 --> 0:12:56.000
<v Speaker 1>it's so much easier to see if you are actively

0:12:56.000 --> 0:12:58.280
<v Speaker 1>infected with the virus than to be able to be

0:12:58.280 --> 0:13:01.880
<v Speaker 1>antibody tested. UM, which seems odd. It seems like that

0:13:01.880 --> 0:13:05.520
<v Speaker 1>should have been a coordinated effort. Yeah, it's it's really

0:13:05.600 --> 0:13:09.440
<v Speaker 1>like I wish that anybody tests were like more where

0:13:09.440 --> 0:13:11.280
<v Speaker 1>they needed to be right now, because that just feels

0:13:11.360 --> 0:13:15.360
<v Speaker 1>like it would be so helpful. But just until recently, though,

0:13:15.520 --> 0:13:18.240
<v Speaker 1>we didn't. We weren't sure if people could be reinfected.

0:13:18.280 --> 0:13:20.040
<v Speaker 1>I mean, we still aren't sure, but I think the

0:13:20.080 --> 0:13:23.520
<v Speaker 1>most recent um, you know, article that I read said

0:13:23.559 --> 0:13:25.960
<v Speaker 1>that it seems like maybe you can't get reinfected. But

0:13:26.040 --> 0:13:28.760
<v Speaker 1>before that, you know, I thought that that was not

0:13:28.800 --> 0:13:32.400
<v Speaker 1>the case. It's as I've seen both. I think that's

0:13:32.440 --> 0:13:35.520
<v Speaker 1>the thing too, is it's like the story is still unfolding,

0:13:36.440 --> 0:13:42.800
<v Speaker 1>so the data is slightly ahead of the information. It's like,

0:13:42.920 --> 0:13:44.760
<v Speaker 1>we know some stuff is going on, but like, what

0:13:44.840 --> 0:13:48.679
<v Speaker 1>does this tell us is it safe? Maybe we won't

0:13:48.679 --> 0:13:51.160
<v Speaker 1>find out until people try to reopen things and it

0:13:51.200 --> 0:13:58.640
<v Speaker 1>goes badly. Yeah. I love making that noise on a podcast. Sorry,

0:13:58.679 --> 0:14:04.400
<v Speaker 1>but that's the noise of twenty twenty. Yeah. Officially, speaking

0:14:04.800 --> 0:14:09.720
<v Speaker 1>of quarantining and and COVID, there's an article in New

0:14:09.800 --> 0:14:16.320
<v Speaker 1>York Times UM about a certain certain phenomenon happening among

0:14:16.360 --> 0:14:19.880
<v Speaker 1>TikTok houses in Los Angeles where all the TikTok kids

0:14:19.920 --> 0:14:24.040
<v Speaker 1>are quarantining together and doing TikTok quarantine content. I guess

0:14:24.320 --> 0:14:28.360
<v Speaker 1>can you tell I'm not on TikTok um? But I

0:14:28.440 --> 0:14:31.000
<v Speaker 1>just this is of interest to me because I now

0:14:31.120 --> 0:14:34.600
<v Speaker 1>live in a neighborhood where, um, basically the street that

0:14:34.640 --> 0:14:36.920
<v Speaker 1>I live on is like the emptying out street for

0:14:36.960 --> 0:14:38.920
<v Speaker 1>where a lot of these houses are, so I get

0:14:38.960 --> 0:14:42.320
<v Speaker 1>all of their like lambo's like speeding by at all

0:14:42.320 --> 0:14:45.320
<v Speaker 1>hours of the day and um, and if you walk

0:14:45.400 --> 0:14:48.840
<v Speaker 1>up towards like Hollywood, some of those houses are up there. Um,

0:14:48.840 --> 0:14:51.360
<v Speaker 1>these hype houses or whatever I mean, they all have

0:14:51.440 --> 0:14:56.120
<v Speaker 1>different names cloud houses, um and uh. I I just

0:14:56.320 --> 0:14:59.320
<v Speaker 1>it's been it's been an object of fascination for me

0:14:59.360 --> 0:15:01.680
<v Speaker 1>since moving and since being in lockdown, because at first

0:15:01.760 --> 0:15:03.800
<v Speaker 1>I was like, oh, I know what this is. When

0:15:03.800 --> 0:15:05.280
<v Speaker 1>I was passing by it, I was like, this is

0:15:05.360 --> 0:15:08.720
<v Speaker 1>very obviously a place where like influencers are staying, you know,

0:15:08.760 --> 0:15:11.240
<v Speaker 1>and semi temporary ways to like grow their careers in

0:15:11.360 --> 0:15:13.320
<v Speaker 1>l A. I've read about this. But then they all

0:15:13.320 --> 0:15:15.360
<v Speaker 1>seemed empty and I was like, oh, they all went

0:15:15.440 --> 0:15:19.600
<v Speaker 1>home to like North Carolina or wherever. They're from like

0:15:20.040 --> 0:15:24.080
<v Speaker 1>for COVID, but now they're filling back up again. Uh

0:15:24.120 --> 0:15:26.760
<v Speaker 1>and now it's like the thing to to to be

0:15:26.880 --> 0:15:31.000
<v Speaker 1>quarantining with like twenty other TikTok ers and everybody drives

0:15:31.040 --> 0:15:35.040
<v Speaker 1>like Bentley's or whatever. Um so your this is your

0:15:35.040 --> 0:15:38.560
<v Speaker 1>pitch for the night call cloudhouse. So what you're saying, No,

0:15:39.000 --> 0:15:42.720
<v Speaker 1>can you imagine how like unsanitary one of those places are?

0:15:42.760 --> 0:15:46.080
<v Speaker 1>They all just look like frats. Well that's what happens

0:15:46.080 --> 0:15:49.400
<v Speaker 1>when super young people have a lot of money. Yeah,

0:15:49.600 --> 0:15:52.960
<v Speaker 1>you know, yeah they are like frat houses. Having interviewed

0:15:52.960 --> 0:15:55.600
<v Speaker 1>some like rappers, I feel like it's like, but it's

0:15:55.600 --> 0:15:58.360
<v Speaker 1>just seems fun because they're nineteen. They don't care if

0:15:58.360 --> 0:16:01.200
<v Speaker 1>they're like, yes, they're never going to die. They drive

0:16:01.200 --> 0:16:03.400
<v Speaker 1>around and they like huff nitrous and like get into

0:16:03.440 --> 0:16:06.360
<v Speaker 1>car accidents. So that's also happening. And that's the funny

0:16:06.360 --> 0:16:11.080
<v Speaker 1>thing is that like I'm on next door now, I'm

0:16:11.120 --> 0:16:13.880
<v Speaker 1>I'm showing my age. That's always the thing I find

0:16:13.960 --> 0:16:16.720
<v Speaker 1>very funny is like for how much people are like

0:16:17.280 --> 0:16:21.400
<v Speaker 1>freaked out about non white people walking around the neighborhood

0:16:21.520 --> 0:16:24.880
<v Speaker 1>or homeless people under underpasses. You've got these people up

0:16:24.880 --> 0:16:28.560
<v Speaker 1>here that are way more annoying right now. And um,

0:16:28.600 --> 0:16:31.920
<v Speaker 1>they complain about them too. They call them the horror houses.

0:16:32.200 --> 0:16:36.520
<v Speaker 1>On the horror houses. Guys, your next door is so

0:16:36.600 --> 0:16:40.520
<v Speaker 1>much better than my next door is almost entirely lost

0:16:40.640 --> 0:16:42.920
<v Speaker 1>or found pets, which is why I'm still on it.

0:16:44.520 --> 0:16:46.120
<v Speaker 1>I mean, Emily, you don't want to be like the

0:16:46.160 --> 0:16:51.000
<v Speaker 1>dean in the college movie who's like, oh, I'm just lurking.

0:16:51.120 --> 0:16:54.800
<v Speaker 1>I have those damned kids. I'm gonna I will say that,

0:16:54.880 --> 0:16:59.120
<v Speaker 1>will prank on them, that'll go viral. Oh, I don't

0:16:59.120 --> 0:17:01.200
<v Speaker 1>know if you can hear it. Another one just screamed

0:17:01.320 --> 0:17:05.120
<v Speaker 1>by outside. I mean, uh, this is a big divide

0:17:05.160 --> 0:17:07.520
<v Speaker 1>in nightcall culture that I may be the only one

0:17:07.560 --> 0:17:10.040
<v Speaker 1>on this side of. But I'm really into all the

0:17:10.080 --> 0:17:14.679
<v Speaker 1>COVID street racing. Yeah, no, I'm not at all. I'm sorry.

0:17:14.800 --> 0:17:16.800
<v Speaker 1>I've been in too many car accidents, Molly. I don't

0:17:16.840 --> 0:17:21.040
<v Speaker 1>think it's cool, not necessarily the people speeding down canyons,

0:17:21.040 --> 0:17:22.520
<v Speaker 1>but I feel like those people do that all the

0:17:22.560 --> 0:17:27.120
<v Speaker 1>time anyway, more than like people taking over deserted streets

0:17:27.119 --> 0:17:29.879
<v Speaker 1>and stuff to do fast and the furious stuff. I

0:17:30.000 --> 0:17:33.960
<v Speaker 1>personally don't understand it when people are talking about like, oh,

0:17:34.000 --> 0:17:36.800
<v Speaker 1>I can go so fast they almost feel as boulevard

0:17:36.880 --> 0:17:39.800
<v Speaker 1>or whatever because nobody's on it. I'm like it, don't

0:17:39.800 --> 0:17:42.080
<v Speaker 1>you want to be in your car as long as possible?

0:17:42.160 --> 0:17:45.000
<v Speaker 1>Like I have slowed way down when I'm driving. I'm

0:17:45.040 --> 0:17:46.960
<v Speaker 1>just like, let's take it, like I'm gonna take a

0:17:47.000 --> 0:17:48.920
<v Speaker 1>lot of the longest route I can to get back

0:17:48.960 --> 0:17:51.879
<v Speaker 1>home because being home is so boring. And it always

0:17:51.880 --> 0:17:55.440
<v Speaker 1>happens during holidays. It's like when the city clears out,

0:17:55.480 --> 0:17:58.440
<v Speaker 1>it just turns into a little bit of grand theft

0:17:58.480 --> 0:18:04.000
<v Speaker 1>auto And I find that beautiful. But I understand I

0:18:04.040 --> 0:18:08.040
<v Speaker 1>do enjoy it as an idea. I cannot enjoy it

0:18:08.280 --> 0:18:11.240
<v Speaker 1>as a human being. I know someone who was hit

0:18:11.320 --> 0:18:15.080
<v Speaker 1>on Los Filas Boulevard by a speeding car and she

0:18:15.080 --> 0:18:17.800
<v Speaker 1>she is still like recouper. It's it's that it's a

0:18:17.920 --> 0:18:21.159
<v Speaker 1>very very dangerous uh stream about the middle of the night.

0:18:21.200 --> 0:18:24.280
<v Speaker 1>Street racing middle of the night on Los Filas Boulevard

0:18:24.359 --> 0:18:26.359
<v Speaker 1>is where accidents off. And how you are you're talking

0:18:26.400 --> 0:18:30.080
<v Speaker 1>about like deep in the desert in the remote you know,

0:18:30.160 --> 0:18:33.520
<v Speaker 1>outer ridge of Los Angeles. But it's like people are

0:18:33.560 --> 0:18:35.880
<v Speaker 1>shutting down streets and stuff. I've read about it happening

0:18:35.920 --> 0:18:40.040
<v Speaker 1>all over the country. Um, there's also some dickhead people

0:18:40.040 --> 0:18:42.840
<v Speaker 1>that are doing it, but in a way that's really funny. Um.

0:18:43.000 --> 0:18:45.360
<v Speaker 1>Robert Evans from Mind the Bastards is talking about it.

0:18:45.720 --> 0:18:47.840
<v Speaker 1>There are these super rich people who set up like

0:18:47.880 --> 0:18:51.080
<v Speaker 1>a gumball rally where they're driving across the entire United

0:18:51.119 --> 0:18:55.840
<v Speaker 1>States in some absurdly short amount of time, and they

0:18:55.880 --> 0:18:58.800
<v Speaker 1>have all these flag points and things. It's like very

0:18:58.880 --> 0:19:01.200
<v Speaker 1>complicated in a huge t waste of money. It seems

0:19:01.240 --> 0:19:04.040
<v Speaker 1>like the movie rat Race wheat. But aren't they also

0:19:04.119 --> 0:19:08.080
<v Speaker 1>going around from town to town like potentially spreading coronavirus

0:19:08.080 --> 0:19:11.080
<v Speaker 1>as they because they're never getting out of their car ever,

0:19:12.600 --> 0:19:15.480
<v Speaker 1>you know, if they're soiling themselves like what they do

0:19:15.560 --> 0:19:19.280
<v Speaker 1>you very in the sky. They probably have diapers and like,

0:19:20.160 --> 0:19:24.720
<v Speaker 1>you know, trucker stuff. I'm kind of boggled that you're like,

0:19:24.760 --> 0:19:28.000
<v Speaker 1>I'm into that because I'm like, what are the only

0:19:28.040 --> 0:19:33.240
<v Speaker 1>like interesting new things happening. I mean, I's obviously dangerous.

0:19:33.240 --> 0:19:35.640
<v Speaker 1>Don't try it at home. There are lots of interesting

0:19:35.760 --> 0:19:40.800
<v Speaker 1>things that I would say are not good good. It's

0:19:40.840 --> 0:19:46.240
<v Speaker 1>like a ven diagree, guys, don't you like Bruce Springsteen. Yeah,

0:19:46.359 --> 0:19:49.480
<v Speaker 1>I And I think the whole point is those are

0:19:49.520 --> 0:19:54.400
<v Speaker 1>deserted highways, you know what I mean, Like I think

0:19:55.240 --> 0:19:57.680
<v Speaker 1>I think that's it's not supposed to be, Like I'm

0:19:57.720 --> 0:20:01.720
<v Speaker 1>gonna go to Santa Monica and just speed. You know

0:20:03.040 --> 0:20:08.440
<v Speaker 1>that's my I just call me Grandma killer seed. Um.

0:20:09.160 --> 0:20:11.760
<v Speaker 1>I when one other thing I just wanted to bring

0:20:11.840 --> 0:20:14.040
<v Speaker 1>up about the TikTok house thing because this feeds into

0:20:14.119 --> 0:20:17.679
<v Speaker 1>your interest with Kylie Jenner Molly and her house, is

0:20:17.720 --> 0:20:20.320
<v Speaker 1>that one of the houses in my neighborhood. And I

0:20:20.359 --> 0:20:24.120
<v Speaker 1>found this out from next door um because people were complaining.

0:20:24.119 --> 0:20:26.080
<v Speaker 1>They're like, some people thought it was a hotel. They

0:20:26.119 --> 0:20:28.199
<v Speaker 1>didn't know that this it was this TikTok house. And

0:20:28.200 --> 0:20:30.040
<v Speaker 1>then then some people cleared it up for them, but

0:20:30.040 --> 0:20:33.200
<v Speaker 1>they're like, there's one of these houses is empty right now,

0:20:33.240 --> 0:20:36.280
<v Speaker 1>like nobody's it's it's ready to be like moved into.

0:20:37.000 --> 0:20:40.239
<v Speaker 1>But obviously the real estate market has slowed down, so

0:20:40.280 --> 0:20:44.040
<v Speaker 1>whoever owns it has been throwing parties for for influencers

0:20:44.160 --> 0:20:47.800
<v Speaker 1>at this big like horror house in the hills, um

0:20:48.040 --> 0:20:51.800
<v Speaker 1>to to advertise it on social media, which is just

0:20:51.880 --> 0:20:54.920
<v Speaker 1>like and I guess people are going like enough people

0:20:54.920 --> 0:20:57.600
<v Speaker 1>are going that it's like blocking traffic and stuff. So

0:20:57.800 --> 0:21:01.160
<v Speaker 1>it sounds like a great found footage horror movie. So

0:21:02.560 --> 0:21:04.760
<v Speaker 1>you could film it from really far away. You could

0:21:04.800 --> 0:21:09.520
<v Speaker 1>just get out there, long lens, long lens it from

0:21:09.560 --> 0:21:13.280
<v Speaker 1>across the street, love with one of them through the window.

0:21:13.680 --> 0:21:17.160
<v Speaker 1>It just I I would be stalking these people. Yeah,

0:21:17.480 --> 0:21:20.080
<v Speaker 1>I was just I was pretty shocked. I mean, nothing

0:21:20.119 --> 0:21:22.520
<v Speaker 1>can truly shock me when it comes to like influencers

0:21:22.520 --> 0:21:25.520
<v Speaker 1>in the real estate market. But I wouldn't crash this

0:21:25.560 --> 0:21:28.600
<v Speaker 1>party right now, obviously because there's a pandemic. But I

0:21:28.600 --> 0:21:30.920
<v Speaker 1>would absolutely like crash one of these parties and have

0:21:31.040 --> 0:21:35.560
<v Speaker 1>them be like, who's this weird woman there. You'd be

0:21:35.640 --> 0:21:37.920
<v Speaker 1>like FSA back in the day, like at the Big

0:21:38.040 --> 0:21:42.400
<v Speaker 1>She would just like crash parties. Apparently crash parties. Well,

0:21:42.400 --> 0:21:44.040
<v Speaker 1>it's just like if a party is down the street

0:21:44.080 --> 0:21:47.080
<v Speaker 1>from you, you can crash it. Those are the rules.

0:21:47.160 --> 0:21:51.280
<v Speaker 1>That's the rule. So one other quick piece of news

0:21:51.359 --> 0:21:56.159
<v Speaker 1>about Quarantine Times is that there's possibly a parallel universe.

0:21:56.200 --> 0:21:59.600
<v Speaker 1>I guess this is good news. Um, good news for

0:22:00.760 --> 0:22:06.760
<v Speaker 1>is very It's very twenty that when these so nanoparticles

0:22:06.800 --> 0:22:11.959
<v Speaker 1>were discovered by the Anita experiment. Uh again, this this

0:22:12.040 --> 0:22:14.760
<v Speaker 1>whole this whole episode of our podcast is us trying

0:22:14.800 --> 0:22:17.680
<v Speaker 1>to talk about things that are like quantum physics or

0:22:17.840 --> 0:22:22.040
<v Speaker 1>like how computers work. However, um, for a while there,

0:22:22.240 --> 0:22:25.320
<v Speaker 1>everyone on Twitter was kind of fantasizing because of evidence

0:22:25.359 --> 0:22:29.399
<v Speaker 1>that there might be a parallel dimension that they everyone

0:22:29.440 --> 0:22:33.200
<v Speaker 1>started kind of theorizing and running with the idea that

0:22:33.560 --> 0:22:36.800
<v Speaker 1>time runs backwards and up is down and left is

0:22:36.880 --> 0:22:40.240
<v Speaker 1>right in the parallel dimension. And it's I just took

0:22:40.280 --> 0:22:43.840
<v Speaker 1>it as everyone so badly wants to rewind that we're like,

0:22:44.000 --> 0:22:46.320
<v Speaker 1>we're willing to think that there's a place where like

0:22:46.400 --> 0:22:49.560
<v Speaker 1>we could just go back. Well, it's so in tune

0:22:49.600 --> 0:22:52.760
<v Speaker 1>with with y to May. I was just excited about

0:22:53.000 --> 0:22:56.200
<v Speaker 1>the free advertising they were doing for our y two

0:22:56.280 --> 0:23:00.359
<v Speaker 1>K theory, Right, I know, Wait, which y two K theory?

0:23:00.800 --> 0:23:06.280
<v Speaker 1>The split timelines, Ben Lambert, Yeah, that the parallel universe

0:23:06.320 --> 0:23:09.199
<v Speaker 1>began in y two K, and that's where everything has

0:23:09.200 --> 0:23:12.800
<v Speaker 1>been running smoothly more or less compared to here, where

0:23:12.800 --> 0:23:16.160
<v Speaker 1>everything has gotten so stupid that you can't even really

0:23:16.200 --> 0:23:19.040
<v Speaker 1>predict how much more stupid it will get each week.

0:23:19.280 --> 0:23:22.680
<v Speaker 1>Because it's like the quantum physics, it's like my mind

0:23:22.760 --> 0:23:28.560
<v Speaker 1>just can't get there yet. You know, I don't know. Um,

0:23:28.720 --> 0:23:31.600
<v Speaker 1>I know, I read something from c ne net um.

0:23:31.800 --> 0:23:34.600
<v Speaker 1>So the first the first I read of the parallel

0:23:34.680 --> 0:23:38.360
<v Speaker 1>universe was in thrill lists and uh, but then sat yesterday,

0:23:38.400 --> 0:23:41.399
<v Speaker 1>I believe, so, you know, Thursday of last week, if

0:23:41.400 --> 0:23:43.639
<v Speaker 1>you're listening to this on Monday, had kind of a

0:23:43.680 --> 0:23:46.639
<v Speaker 1>partial debunking of it. Um. I'm quoting from the article.

0:23:47.000 --> 0:23:49.560
<v Speaker 1>There's a really interesting science story here, but it's not

0:23:49.600 --> 0:23:52.360
<v Speaker 1>the one you're being sold. The Anita experiment is mind

0:23:52.359 --> 0:23:55.000
<v Speaker 1>boggling in its own right. It looks for ghostly particles

0:23:55.040 --> 0:23:57.960
<v Speaker 1>that pass through most matter. It is definitely detected something

0:23:58.080 --> 0:24:01.119
<v Speaker 1>unusual and unexpected. There are plenty of competing theories that

0:24:01.160 --> 0:24:03.720
<v Speaker 1>aren't explored in the quick news hits, like the idea

0:24:03.760 --> 0:24:06.239
<v Speaker 1>that Antarctic ice may itself be giving rise to these

0:24:06.280 --> 0:24:09.520
<v Speaker 1>anomalous events. Um. And then later the author of that

0:24:09.720 --> 0:24:12.920
<v Speaker 1>article says that you know, if you remember the Sagan standard,

0:24:12.960 --> 0:24:17.199
<v Speaker 1>which is extraordinary claims require extraordinary evidence. Uh, we do

0:24:17.280 --> 0:24:19.760
<v Speaker 1>not have the extraordinary evidence to prove that this is

0:24:19.800 --> 0:24:23.680
<v Speaker 1>evidence of a parallel dimension. Unfortunately, this is basically a

0:24:23.760 --> 0:24:27.120
<v Speaker 1>theory that has existed for a long time. At this point,

0:24:27.359 --> 0:24:30.280
<v Speaker 1>the findings were two years old at least. Right Like

0:24:30.320 --> 0:24:33.320
<v Speaker 1>other fun theories, it's fun to think about, but there

0:24:33.400 --> 0:24:36.240
<v Speaker 1>isn't so much of a smoking gun to prove there's

0:24:36.240 --> 0:24:39.400
<v Speaker 1>a parallel universe. Also, it's just like it's not news,

0:24:39.400 --> 0:24:42.280
<v Speaker 1>Like it's something that somebody dug up to be, like,

0:24:42.400 --> 0:24:45.200
<v Speaker 1>let's make let's let's package this is a news story

0:24:45.200 --> 0:24:47.200
<v Speaker 1>to get hits because this is the story everybody wants

0:24:47.320 --> 0:24:50.760
<v Speaker 1>right now. And I saw the guy who UM popularized

0:24:50.840 --> 0:24:54.600
<v Speaker 1>chaos theory just passed away recently, the guy who Jeff

0:24:54.600 --> 0:24:58.320
<v Speaker 1>Goldblum's character in Drassic Park is based on. People love

0:24:58.440 --> 0:25:02.200
<v Speaker 1>we love a theory we love of UM the thing

0:25:02.280 --> 0:25:06.600
<v Speaker 1>that explains everything in a universal way. That would be great.

0:25:06.720 --> 0:25:09.840
<v Speaker 1>I would love that if they're parallel universes. Well, speaking

0:25:09.880 --> 0:25:14.399
<v Speaker 1>of theories during hard times, Uh, there's this box piece

0:25:14.480 --> 0:25:18.680
<v Speaker 1>that UM you guys linked to about kind of why

0:25:18.920 --> 0:25:22.639
<v Speaker 1>the general anxiety of coronavirus times is leading to a

0:25:22.680 --> 0:25:28.240
<v Speaker 1>lot more conspiratorial thinking, perhaps more than than usual. Even um,

0:25:29.400 --> 0:25:34.000
<v Speaker 1>I feel like I've seen that. But I also feel like,

0:25:34.080 --> 0:25:36.200
<v Speaker 1>and I was talking about this with Molly last night,

0:25:36.240 --> 0:25:38.720
<v Speaker 1>like I feel like it's also just making it's bringing

0:25:38.720 --> 0:25:42.360
<v Speaker 1>out the inner cop and everybody like there's the conspiracy

0:25:42.400 --> 0:25:45.000
<v Speaker 1>theory have like so it's like, are you a detective

0:25:45.080 --> 0:25:49.840
<v Speaker 1>or are you a cop? Yeah? Police, right right right?

0:25:49.880 --> 0:25:54.320
<v Speaker 1>Because people are too online because there's nothing else to do. Um,

0:25:54.560 --> 0:25:57.760
<v Speaker 1>and that is the thing, Like the Reddit detective thing

0:25:57.840 --> 0:26:02.280
<v Speaker 1>got so big and out. There's totally like Reddit cops

0:26:02.320 --> 0:26:07.600
<v Speaker 1>and like little Twitter cops everywhere. And I was just like,

0:26:08.119 --> 0:26:10.040
<v Speaker 1>especially the past few days, I was just like, what

0:26:10.200 --> 0:26:12.880
<v Speaker 1>is up with like the day of the Locust energy

0:26:13.040 --> 0:26:17.359
<v Speaker 1>on Twitter? It's been out of control recently for people

0:26:17.359 --> 0:26:19.720
<v Speaker 1>who don't know what we're talking about, either because they're

0:26:19.760 --> 0:26:22.160
<v Speaker 1>not on Twitter or because time is moving at such

0:26:22.200 --> 0:26:24.639
<v Speaker 1>warp speed that they have missed this. I think you

0:26:24.640 --> 0:26:27.359
<v Speaker 1>guys are talking about both the Alison Roman controversy and

0:26:27.400 --> 0:26:30.960
<v Speaker 1>the Lawna del Rey thing. Yeah, a bunch of other things,

0:26:31.200 --> 0:26:34.680
<v Speaker 1>a bunch of stuff, a lot of like as particularly,

0:26:34.920 --> 0:26:36.679
<v Speaker 1>and I think that Molly was ready to point this

0:26:36.720 --> 0:26:40.160
<v Speaker 1>out on Twitter, particularly stuff that people who are now

0:26:40.200 --> 0:26:42.520
<v Speaker 1>out of a job because they used to be journalists

0:26:42.560 --> 0:26:45.199
<v Speaker 1>are aware of, like media gossip and that kind of

0:26:45.280 --> 0:26:49.520
<v Speaker 1>which the Allison Roman story is obviously a prime example

0:26:49.520 --> 0:26:53.120
<v Speaker 1>of that. Then went from media gossip to like actual

0:26:53.280 --> 0:26:56.160
<v Speaker 1>mainstream tabloids. I was like, whoa, I mean, I guess

0:26:56.160 --> 0:26:58.679
<v Speaker 1>the connection to Chrissy Teagan. But it's also just like

0:26:58.720 --> 0:27:02.320
<v Speaker 1>people are so starved for like stories that aren't about coronavirus.

0:27:02.520 --> 0:27:08.040
<v Speaker 1>These stories get really saturated everywhere on Twitter. Uh, and

0:27:08.080 --> 0:27:13.200
<v Speaker 1>then I guess do become like newspaper news now, but

0:27:13.240 --> 0:27:16.119
<v Speaker 1>there's still I think Emily was saying, it's like people,

0:27:16.200 --> 0:27:18.760
<v Speaker 1>it's the same reason people would go to conspiracies. It's

0:27:18.800 --> 0:27:21.919
<v Speaker 1>like people feel so much of a loss of control

0:27:22.160 --> 0:27:26.720
<v Speaker 1>that they're like, what can I control? And what can

0:27:26.760 --> 0:27:31.159
<v Speaker 1>I like say is the unequivocal truth right now, to

0:27:31.480 --> 0:27:33.479
<v Speaker 1>which I think has been something that's been going a

0:27:33.480 --> 0:27:37.320
<v Speaker 1>lot on a lot more. Yeah, and like even pre

0:27:37.520 --> 0:27:41.880
<v Speaker 1>pre COVID, just like like being able to say, like,

0:27:42.280 --> 0:27:45.679
<v Speaker 1>for example, this person is canceled. It's always like so

0:27:45.760 --> 0:27:47.960
<v Speaker 1>you can like bring down the gavel really hard on

0:27:47.960 --> 0:27:49.800
<v Speaker 1>one thing, because there's so many things you can't bring

0:27:49.800 --> 0:27:52.000
<v Speaker 1>the gavel down. I came up with something really dumb

0:27:52.280 --> 0:27:54.720
<v Speaker 1>on Kate Rap show, Hot and Rich the other day,

0:27:54.840 --> 0:27:56.879
<v Speaker 1>which is I was like, there isn't really canceled culture,

0:27:56.920 --> 0:28:00.560
<v Speaker 1>but it's just like can sell culture. Like if you

0:28:00.600 --> 0:28:04.960
<v Speaker 1>can sell stuff, you're never canceled, you know. Like, but

0:28:05.040 --> 0:28:07.199
<v Speaker 1>isn't that the whole point of being canceled is that

0:28:07.240 --> 0:28:10.040
<v Speaker 1>you cannot sell. But it doesn't matter if you come

0:28:10.040 --> 0:28:12.840
<v Speaker 1>out with the product people want, it gets undone. Remember

0:28:12.840 --> 0:28:16.240
<v Speaker 1>when R Kelly got canceled the first time for very

0:28:16.240 --> 0:28:18.680
<v Speaker 1>good reason. I mean, he should obviously actually be canceled,

0:28:19.000 --> 0:28:21.320
<v Speaker 1>But when he got canceled, then he came out with

0:28:21.320 --> 0:28:22.960
<v Speaker 1>the remix to Ignition, and there was just like a

0:28:23.280 --> 0:28:26.639
<v Speaker 1>just people just forgot or just a lot of people

0:28:26.760 --> 0:28:30.800
<v Speaker 1>didn't know. They really did not believe that R Kelly

0:28:31.040 --> 0:28:33.760
<v Speaker 1>did it, like initially in the sketch about it on

0:28:33.840 --> 0:28:37.240
<v Speaker 1>Chappelle's show. I feel like every everybody wants just like

0:28:37.640 --> 0:28:39.560
<v Speaker 1>this is a good song, let's not talk about it

0:28:39.600 --> 0:28:43.280
<v Speaker 1>for another ten years. Um. Yeah. I just feel like

0:28:43.320 --> 0:28:46.240
<v Speaker 1>for some people to getting canceled like just helps their brand,

0:28:46.320 --> 0:28:48.720
<v Speaker 1>because some there like the bad boy of whatever the

0:28:48.760 --> 0:28:53.320
<v Speaker 1>fuck you know. Um. I was looking at the podcast

0:28:53.400 --> 0:28:56.480
<v Speaker 1>top charts last night because I'm insane, and I it

0:28:56.560 --> 0:29:01.440
<v Speaker 1>was like entirely Joe Rogan and Ben Shapiro and and

0:29:01.480 --> 0:29:03.560
<v Speaker 1>then like a little bit of like news, and I

0:29:03.600 --> 0:29:06.320
<v Speaker 1>was like this is horrifying, like this, this is what

0:29:06.360 --> 0:29:10.720
<v Speaker 1>people want. It's just like things that I think are

0:29:10.800 --> 0:29:13.760
<v Speaker 1>just very bad. But I feel like it works totally

0:29:13.800 --> 0:29:19.880
<v Speaker 1>differently for um, say, like female artists versus like male

0:29:20.400 --> 0:29:24.320
<v Speaker 1>commentators or whatever. Joe Rogan would describe himself as being

0:29:24.360 --> 0:29:29.720
<v Speaker 1>pundit um like I don't know, try guy, try guy,

0:29:29.760 --> 0:29:33.640
<v Speaker 1>Like uh, like the dojak had has been canceled for

0:29:33.640 --> 0:29:36.719
<v Speaker 1>the second time now as of this recording, which is

0:29:36.760 --> 0:29:39.360
<v Speaker 1>just like and it's like a more minor version of

0:29:39.360 --> 0:29:41.920
<v Speaker 1>that where it's just like right, well, it's also like

0:29:42.080 --> 0:29:45.120
<v Speaker 1>I think when people here's what I mean. I think, like,

0:29:45.440 --> 0:29:47.880
<v Speaker 1>here's my hot take on the Laana thing is like

0:29:48.040 --> 0:29:50.800
<v Speaker 1>I think that it's it does go to like a

0:29:50.960 --> 0:29:56.400
<v Speaker 1>universal thing about structural inequalities and like you could connect

0:29:56.400 --> 0:29:59.440
<v Speaker 1>it to this larger thing about like, let me just

0:29:59.480 --> 0:30:03.320
<v Speaker 1>say this about Lana del Rey. And everybody probably knows

0:30:03.360 --> 0:30:05.600
<v Speaker 1>that I've never really been that into Laana del Ray,

0:30:05.960 --> 0:30:09.040
<v Speaker 1>but she it was clearly to me, it just seemed

0:30:09.080 --> 0:30:11.560
<v Speaker 1>like a troll, like she was she has some things

0:30:11.600 --> 0:30:14.880
<v Speaker 1>to sell. She knew that she she saw what happened

0:30:14.880 --> 0:30:18.840
<v Speaker 1>with Alice and Roman. She very you know, she wanted publicity.

0:30:18.920 --> 0:30:21.520
<v Speaker 1>She knew that the people who like her will see,

0:30:21.640 --> 0:30:24.080
<v Speaker 1>you know, I don't think she's I think she's smart,

0:30:24.120 --> 0:30:25.880
<v Speaker 1>but I don't think she's smart in that way. I

0:30:25.880 --> 0:30:27.800
<v Speaker 1>think she's actually kind of dumb in that. And I

0:30:27.840 --> 0:30:31.120
<v Speaker 1>see that. I actually see those conspiracy theories pop up

0:30:31.160 --> 0:30:33.640
<v Speaker 1>a lot where people are like, this is a publicity

0:30:33.720 --> 0:30:37.480
<v Speaker 1>strategy where they're trying to get canceled for like publicity

0:30:37.600 --> 0:30:41.200
<v Speaker 1>or whatever, um, And I don't think anyone's ever actually

0:30:41.240 --> 0:30:44.680
<v Speaker 1>done that. I think that's like a big foot of things.

0:30:45.080 --> 0:30:47.000
<v Speaker 1>I don't know, guys, I just feel like it was

0:30:47.120 --> 0:30:49.840
<v Speaker 1>so it was so I mean when she said like

0:30:49.960 --> 0:30:53.240
<v Speaker 1>I'm just a glamorous person, and like when you know,

0:30:53.720 --> 0:30:56.000
<v Speaker 1>even her follow up where she was like I'm just

0:30:56.040 --> 0:30:59.239
<v Speaker 1>saying like women who were very beautiful and delicate, I

0:30:59.280 --> 0:31:03.120
<v Speaker 1>was like, you're just you cannot possibly be earnest about

0:31:03.120 --> 0:31:05.440
<v Speaker 1>what you're saying, like you had they had to be

0:31:05.480 --> 0:31:09.280
<v Speaker 1>in a really like misfired or even what. Maybe that

0:31:09.360 --> 0:31:10.960
<v Speaker 1>was the goal. I'm not sure. I thought it was

0:31:11.040 --> 0:31:14.719
<v Speaker 1>like super offensive and dumb, But as someone who's not

0:31:14.840 --> 0:31:17.400
<v Speaker 1>a huge fan of Laana Delry, I was just like, oh,

0:31:17.440 --> 0:31:19.760
<v Speaker 1>it just seems as though she's trying to grab attention

0:31:19.800 --> 0:31:22.760
<v Speaker 1>anyway she can. The thing is, I will go on

0:31:22.800 --> 0:31:25.480
<v Speaker 1>the record as saying I love everything she said. If

0:31:25.480 --> 0:31:27.880
<v Speaker 1>she took out other people's name, she didn't need to,

0:31:28.200 --> 0:31:30.880
<v Speaker 1>like I I am, I am there for a late

0:31:31.040 --> 0:31:34.320
<v Speaker 1>night Laanna drop of just I've been thinking about this.

0:31:34.320 --> 0:31:36.920
<v Speaker 1>This is why people have misunderstand me. I mean, like,

0:31:36.960 --> 0:31:38.880
<v Speaker 1>that's what you want out of an artist. I feel

0:31:38.880 --> 0:31:41.800
<v Speaker 1>like as somebody who's just like you, guys don't understand,

0:31:42.040 --> 0:31:44.080
<v Speaker 1>Like I don't think you need to bring up other

0:31:44.160 --> 0:31:46.960
<v Speaker 1>artists in that conversation. I think she drew attention to

0:31:47.080 --> 0:31:49.880
<v Speaker 1>something not necessarily on purpose. I think she was just

0:31:50.000 --> 0:31:53.360
<v Speaker 1>comparing herself to those artists and being because popular to

0:31:53.400 --> 0:31:57.680
<v Speaker 1>be three dimensional and like you know, portraylor sexuality on

0:31:57.720 --> 0:31:59.880
<v Speaker 1>their own terms and like I'm one of these women.

0:32:00.200 --> 0:32:02.520
<v Speaker 1>But you don't think that the way that she contrasted

0:32:02.800 --> 0:32:06.400
<v Speaker 1>like mostly women of color and kind of like acting

0:32:06.440 --> 0:32:10.440
<v Speaker 1>as if they were not somehow like you know, in

0:32:10.520 --> 0:32:13.480
<v Speaker 1>control of the message that they were sending, whereas she

0:32:13.480 --> 0:32:16.680
<v Speaker 1>she was, Oh, she's like beautiful and feminine and delicate

0:32:16.720 --> 0:32:19.240
<v Speaker 1>when she does it. Here's where I think, like, I

0:32:19.280 --> 0:32:22.760
<v Speaker 1>think she always just steps into like uh, psychologic the

0:32:22.760 --> 0:32:26.840
<v Speaker 1>American psyche hornet nests that exists everywhere. So like, I

0:32:26.840 --> 0:32:30.479
<v Speaker 1>don't think that's what she meant. I'm giving her a

0:32:30.480 --> 0:32:33.400
<v Speaker 1>benefit of a doubt here obviously, um, but I do

0:32:33.520 --> 0:32:37.720
<v Speaker 1>think that she inadvertently drew attention to something that's extremely true,

0:32:37.800 --> 0:32:41.400
<v Speaker 1>which is that like, because of racism, like white women

0:32:41.440 --> 0:32:44.480
<v Speaker 1>are always viewed as like more fragile and delicate and

0:32:44.560 --> 0:32:49.320
<v Speaker 1>breakable and like and have more nuanced to that experience,

0:32:49.120 --> 0:32:54.360
<v Speaker 1>and like that is because people overstate the sort of

0:32:54.400 --> 0:32:57.280
<v Speaker 1>like the you know, the strength and maturity of black

0:32:57.280 --> 0:33:00.480
<v Speaker 1>women from a very young age and the sexuality. That's

0:33:00.520 --> 0:33:03.560
<v Speaker 1>just a structural racism issue to me. That again, I

0:33:03.560 --> 0:33:05.320
<v Speaker 1>don't think that's what she was saying, but I do

0:33:05.440 --> 0:33:09.240
<v Speaker 1>think I was like thinking about it a lot afterwards. No, Yeah,

0:33:09.280 --> 0:33:12.360
<v Speaker 1>I mean I think if most women, who like non

0:33:12.400 --> 0:33:15.560
<v Speaker 1>white women were singing about being in abusive relationships and

0:33:15.640 --> 0:33:17.960
<v Speaker 1>being helpless, it would be yes, it would be treated

0:33:18.040 --> 0:33:20.200
<v Speaker 1>very differently by christ Well. I was like trying to

0:33:20.240 --> 0:33:22.560
<v Speaker 1>think of, like what's the closest, who's the you know,

0:33:22.640 --> 0:33:25.280
<v Speaker 1>who's an artist who's like a black woman who's like

0:33:25.280 --> 0:33:27.640
<v Speaker 1>like Lona del Rey and like fka Twigs is the

0:33:27.640 --> 0:33:30.959
<v Speaker 1>person I came up with where I was like, you know,

0:33:31.200 --> 0:33:34.800
<v Speaker 1>and I love her obviously, but you know, I kept

0:33:34.840 --> 0:33:38.480
<v Speaker 1>thinking about how like Beyonce, like people they're like age

0:33:38.520 --> 0:33:42.480
<v Speaker 1>truthers about Beyonce because nobody believed she could be like

0:33:42.600 --> 0:33:45.600
<v Speaker 1>so mature. Like even when Beyonce was seventeen, she did

0:33:45.640 --> 0:33:48.760
<v Speaker 1>not get treated like a lowlita. She got treated like

0:33:49.280 --> 0:33:51.480
<v Speaker 1>an adult sort of. So that was the thing too,

0:33:51.520 --> 0:33:55.280
<v Speaker 1>is I was just like the you know, like I

0:33:55.320 --> 0:33:57.800
<v Speaker 1>don't I couldn't think of like an artist who is

0:33:57.840 --> 0:34:00.120
<v Speaker 1>like a like a black musician who got you to

0:34:00.240 --> 0:34:01.840
<v Speaker 1>like a lolita. The only one I could really think

0:34:01.880 --> 0:34:04.440
<v Speaker 1>of was like Aaliyah. And even then the whole thing

0:34:04.480 --> 0:34:06.920
<v Speaker 1>was like that. It was like she's mature beyond her

0:34:07.360 --> 0:34:11.239
<v Speaker 1>her age. So I think again, it's like she was

0:34:11.760 --> 0:34:17.560
<v Speaker 1>she brought attention to something about racism and femininity that

0:34:17.719 --> 0:34:21.200
<v Speaker 1>I don't think was her intention to bring up that conversation.

0:34:21.239 --> 0:34:23.800
<v Speaker 1>But I'm also like we should have that, and nobody's

0:34:23.840 --> 0:34:28.680
<v Speaker 1>having that conversation also now, like everybody's having the dumbest conversation.

0:34:29.040 --> 0:34:30.799
<v Speaker 1>I was, well, that was the thing too. I was like,

0:34:30.840 --> 0:34:32.959
<v Speaker 1>that's the way in which I'm like when we get

0:34:32.960 --> 0:34:37.040
<v Speaker 1>into these conversations about like with Alison Roman too, about

0:34:37.120 --> 0:34:40.480
<v Speaker 1>just like cultural appropriation and food and like the global

0:34:40.520 --> 0:34:43.080
<v Speaker 1>pantry and like who gets to be the face of things,

0:34:43.880 --> 0:34:46.160
<v Speaker 1>you know, And then last night, like the Ariana Grande

0:34:46.400 --> 0:34:49.680
<v Speaker 1>and uh Lady Gaga song came out and I was like,

0:34:50.120 --> 0:34:53.319
<v Speaker 1>I'm too tired to deal with thinking about like how

0:34:53.400 --> 0:34:56.480
<v Speaker 1>this is like them, you know, like Madonna, like a

0:34:56.480 --> 0:34:59.600
<v Speaker 1>white Italian woman appropriating house music, and then they're like

0:34:59.680 --> 0:35:04.000
<v Speaker 1>just appropriating from Madonna, you know, like they're just doing

0:35:04.120 --> 0:35:07.000
<v Speaker 1>like if the music was appropriated like so long ago.

0:35:09.080 --> 0:35:10.440
<v Speaker 1>It just broke my brain and I was just like

0:35:10.480 --> 0:35:11.759
<v Speaker 1>I just want to listen to the song and not

0:35:11.840 --> 0:35:13.839
<v Speaker 1>think about this right now. And I think that's how

0:35:13.880 --> 0:35:18.160
<v Speaker 1>most people feel. There's a limitation to an appropriation conversation,

0:35:18.160 --> 0:35:19.880
<v Speaker 1>which is not to say that you can't have an

0:35:19.880 --> 0:35:22.239
<v Speaker 1>appropriation conversation. You just have to know that that's not

0:35:22.400 --> 0:35:25.000
<v Speaker 1>that you can't explain everything with I think there's also

0:35:25.280 --> 0:35:28.759
<v Speaker 1>things that fall in between that are fusion genuinely, you know,

0:35:29.880 --> 0:35:31.720
<v Speaker 1>like especially there's a lot of that in Los Angeles

0:35:31.760 --> 0:35:37.279
<v Speaker 1>because there's so much um. I think the intention does

0:35:37.360 --> 0:35:41.640
<v Speaker 1>matter and who's doing it does matter very much. Um,

0:35:41.680 --> 0:35:43.800
<v Speaker 1>but I'm also like I don't know, like maybe like

0:35:44.040 --> 0:35:47.439
<v Speaker 1>law No will talk to some people about this. Yeah,

0:35:47.520 --> 0:35:49.520
<v Speaker 1>but there's some stuff. This goes back to what I'm

0:35:49.520 --> 0:35:51.680
<v Speaker 1>saying about everybody being a cop is that when you

0:35:52.200 --> 0:35:55.640
<v Speaker 1>when you bring a concept like cultural appropriation into the

0:35:55.680 --> 0:36:00.120
<v Speaker 1>mainstream and now like young people who are consumers of

0:36:00.160 --> 0:36:03.080
<v Speaker 1>pop music know about what that is in a very

0:36:03.160 --> 0:36:05.400
<v Speaker 1>kind of one oh one way and can use it

0:36:05.440 --> 0:36:08.840
<v Speaker 1>and and be conversant in it, then it very quickly

0:36:08.880 --> 0:36:11.200
<v Speaker 1>can just become out well as this appropriation or not

0:36:11.600 --> 0:36:14.000
<v Speaker 1>as opposed to like this is a dynamic that can

0:36:14.040 --> 0:36:16.799
<v Speaker 1>be going on in this work. Intention matters, All of

0:36:16.840 --> 0:36:21.120
<v Speaker 1>that matters, Like this isn't politics, this isn't law I

0:36:21.160 --> 0:36:23.080
<v Speaker 1>think this is in two is It's like just like

0:36:23.120 --> 0:36:26.120
<v Speaker 1>I don't want my politicians to be celebrities, Like I

0:36:26.160 --> 0:36:31.240
<v Speaker 1>don't need my celebrities to be politicals, you know, And honestly,

0:36:31.320 --> 0:36:34.560
<v Speaker 1>like I interviewed Laana like a year ago, and I

0:36:34.600 --> 0:36:37.319
<v Speaker 1>was totally nervous about it for so many reasons because

0:36:37.320 --> 0:36:39.400
<v Speaker 1>I was like, you know, what if we don't get along,

0:36:39.400 --> 0:36:41.920
<v Speaker 1>Like what if this makes me feel differently about her?

0:36:42.000 --> 0:36:45.160
<v Speaker 1>Or like, you know, she doesn't like me never meet

0:36:45.200 --> 0:36:48.120
<v Speaker 1>your idols, but really, well it was great actually, and

0:36:48.160 --> 0:36:50.040
<v Speaker 1>I told her to listen to Night Call at the end,

0:36:50.160 --> 0:36:54.719
<v Speaker 1>and she was everything. She gave me a tip on

0:36:54.719 --> 0:36:57.399
<v Speaker 1>a ghost tour that I'll reveal someday. I mean, look,

0:36:57.719 --> 0:37:01.279
<v Speaker 1>I I I really carefully didn't say. I mean, I'm

0:37:01.320 --> 0:37:03.319
<v Speaker 1>not on Twitter that much these days anyway, But I

0:37:03.320 --> 0:37:06.520
<v Speaker 1>think it's it's important to also understand that you can

0:37:06.600 --> 0:37:10.040
<v Speaker 1>have thoughts about what people are saying or doing and

0:37:10.120 --> 0:37:13.680
<v Speaker 1>not necessarily air them. Right now, we're so isolated that

0:37:13.719 --> 0:37:16.600
<v Speaker 1>it feels like the only way we have a conversation

0:37:17.000 --> 0:37:19.640
<v Speaker 1>is to do it on in public. But I think

0:37:19.719 --> 0:37:21.600
<v Speaker 1>I do think that you guys are being very generous

0:37:21.600 --> 0:37:23.520
<v Speaker 1>to Alana, which I don't think is wrong to do.

0:37:24.040 --> 0:37:27.359
<v Speaker 1>I do think though that you know, I do think

0:37:27.400 --> 0:37:30.600
<v Speaker 1>it's it's not really giving her enough credit as like

0:37:31.160 --> 0:37:34.080
<v Speaker 1>a person who is good at marketing herself to say

0:37:34.080 --> 0:37:37.000
<v Speaker 1>that she wouldn't have done this to get publicity, even

0:37:37.040 --> 0:37:39.879
<v Speaker 1>if it, like, I think it was tremendously misguided if

0:37:39.920 --> 0:37:42.120
<v Speaker 1>that was the case, but it's a possibility. It's not

0:37:42.239 --> 0:37:44.759
<v Speaker 1>it's not like crazy three D Chess, like she she's

0:37:44.800 --> 0:37:47.400
<v Speaker 1>done a good job of marketing herself. There's something to

0:37:47.440 --> 0:37:49.680
<v Speaker 1>me where it's like I prefer for somebody to like

0:37:49.760 --> 0:37:52.480
<v Speaker 1>funk up on their own terms occasionally then to like

0:37:52.719 --> 0:37:58.280
<v Speaker 1>just be perfect everything perfect can always be, always be

0:37:58.360 --> 0:38:01.560
<v Speaker 1>in character and like selling it. Like that's the thing too.

0:38:01.600 --> 0:38:03.000
<v Speaker 1>But like when I did meet Lana, I was like, Oh,

0:38:03.000 --> 0:38:05.480
<v Speaker 1>it's not a persona like that is. This is just

0:38:05.560 --> 0:38:08.960
<v Speaker 1>who she is, Like she is a glamorous person. You

0:38:08.960 --> 0:38:11.560
<v Speaker 1>guys like, yeah, I don't know, though it can get

0:38:11.640 --> 0:38:14.520
<v Speaker 1>for as I mean, I'm a white person who's saying this,

0:38:14.560 --> 0:38:17.040
<v Speaker 1>but I do think that it's still important to say that.

0:38:17.080 --> 0:38:20.040
<v Speaker 1>Like we give people like Lana's Delray and Alison Roman

0:38:20.120 --> 0:38:22.319
<v Speaker 1>like the benefit of the doubt almost all the time,

0:38:22.480 --> 0:38:26.000
<v Speaker 1>Like they benefit from so much good will that sometimes

0:38:26.000 --> 0:38:28.799
<v Speaker 1>when they make a mistake and people jump to defend them,

0:38:28.880 --> 0:38:31.600
<v Speaker 1>you know, I I feel a little bit like uncomfortable

0:38:31.640 --> 0:38:34.240
<v Speaker 1>with that because it just feels like that's what happens

0:38:34.280 --> 0:38:36.759
<v Speaker 1>all the time to me, Like it shouldn't be. You know.

0:38:37.000 --> 0:38:39.879
<v Speaker 1>I also think you can like unfold slowly, And that's

0:38:39.880 --> 0:38:42.160
<v Speaker 1>the thing too, is I think making the verdict, having

0:38:42.160 --> 0:38:44.719
<v Speaker 1>the verdict on any of these controversies like the day

0:38:44.760 --> 0:38:47.600
<v Speaker 1>it happens, which is what happens, and that's the day

0:38:47.600 --> 0:38:50.719
<v Speaker 1>of the locust aspect is like just people swarming online

0:38:50.880 --> 0:38:56.239
<v Speaker 1>to be like schadenfreude of something, you know. Um, but

0:38:57.080 --> 0:39:02.520
<v Speaker 1>it sometimes takes like weeks and then sometimes things that

0:39:02.560 --> 0:39:05.359
<v Speaker 1>are good happen out of these things. I would like

0:39:05.400 --> 0:39:09.600
<v Speaker 1>to think, Um yeah, maybe maybe people get canceled for

0:39:09.640 --> 0:39:13.399
<v Speaker 1>a reason. Also, I think that there's never I mean,

0:39:13.480 --> 0:39:16.480
<v Speaker 1>it's the apology that kind of like manufactured apology, just

0:39:16.520 --> 0:39:17.920
<v Speaker 1>like you guys said, you know, you don't need your

0:39:17.920 --> 0:39:21.239
<v Speaker 1>celebrities dB politicians, like it doesn't need to be that

0:39:21.360 --> 0:39:23.640
<v Speaker 1>like and and it's never right when people do that.

0:39:23.719 --> 0:39:25.640
<v Speaker 1>It always feels like it came out of a box

0:39:25.719 --> 0:39:28.600
<v Speaker 1>or something like that. But I mean, I yeah, I

0:39:28.600 --> 0:39:31.360
<v Speaker 1>don't know. I think like white people and white women

0:39:31.480 --> 0:39:35.480
<v Speaker 1>especially can always be like learning about their own ignorance

0:39:35.520 --> 0:39:38.279
<v Speaker 1>and the limitations of what they think is their generous

0:39:38.920 --> 0:39:43.800
<v Speaker 1>you know, inclusivity. And that's something I've been thinking about

0:39:43.840 --> 0:39:47.440
<v Speaker 1>a lot this year anyway, So I think it's something

0:39:48.000 --> 0:39:51.400
<v Speaker 1>that needs to be talked about in the culture. Um.

0:39:51.520 --> 0:39:54.480
<v Speaker 1>I think Lana's mistake is to think it was to

0:39:54.520 --> 0:39:57.239
<v Speaker 1>put it in like a post racial context where it's like,

0:39:57.480 --> 0:39:59.919
<v Speaker 1>I am just like all of these black women who

0:40:00.000 --> 0:40:03.520
<v Speaker 1>are great artists, very naive of her, very naive of her.

0:40:03.800 --> 0:40:06.360
<v Speaker 1>But that seems very on brand. That's something more on

0:40:06.440 --> 0:40:09.279
<v Speaker 1>brand to me than like that she was trolling. I

0:40:09.320 --> 0:40:11.239
<v Speaker 1>think she just was like, we're all the same, and

0:40:11.239 --> 0:40:13.640
<v Speaker 1>we're all talking about our sexuality and how we're delicate

0:40:13.719 --> 0:40:16.560
<v Speaker 1>sometimes and strong sometimes. And this is also like a

0:40:16.600 --> 0:40:18.960
<v Speaker 1>privilege of being where she is and being a little

0:40:18.960 --> 0:40:21.000
<v Speaker 1>bit distanced from and not being on Twitter all the

0:40:21.040 --> 0:40:23.400
<v Speaker 1>time all the time. She's like not a very online person,

0:40:23.440 --> 0:40:26.000
<v Speaker 1>and I don't think that she like is really tuned

0:40:26.000 --> 0:40:28.080
<v Speaker 1>into this at all, and it is this it's a

0:40:28.080 --> 0:40:30.960
<v Speaker 1>big blind spot for her. Yeah, And I think that

0:40:31.000 --> 0:40:34.400
<v Speaker 1>when you know that is a thing that like women questioning,

0:40:34.600 --> 0:40:40.960
<v Speaker 1>like interrogating the dynamics of especially heterosexuality in music is

0:40:41.239 --> 0:40:45.319
<v Speaker 1>gonna sound fucked up a lot of the time. Um,

0:40:45.360 --> 0:40:48.120
<v Speaker 1>And that doesn't mean it's it's you know, glorifying it

0:40:48.239 --> 0:40:50.680
<v Speaker 1>in some way. The other thing I thought about at

0:40:50.719 --> 0:40:52.440
<v Speaker 1>the end of the night was that I remember that

0:40:52.520 --> 0:40:57.320
<v Speaker 1>Joni Mitchell did black face the cover of an album,

0:40:57.560 --> 0:41:01.880
<v Speaker 1>and like war black face parties a bunch. Apparently in

0:41:01.920 --> 0:41:05.080
<v Speaker 1>a certain time period. Now, Joni mitchell Is has also

0:41:05.160 --> 0:41:07.640
<v Speaker 1>become I mean the things that she says even recently,

0:41:07.719 --> 0:41:10.880
<v Speaker 1>although that is probably due to you know, not recently,

0:41:10.880 --> 0:41:13.120
<v Speaker 1>like since she became very ill, but in the in

0:41:13.160 --> 0:41:17.560
<v Speaker 1>the past decade or whatever, she she says some wild shit. Yeah,

0:41:17.640 --> 0:41:20.520
<v Speaker 1>I was just like man kids today. I don't even

0:41:20.560 --> 0:41:23.680
<v Speaker 1>know about what people didn't get canceled for in the seventies,

0:41:25.120 --> 0:41:29.279
<v Speaker 1>Like everybody was being racist right and left, and they're

0:41:29.280 --> 0:41:33.520
<v Speaker 1>all played on classic rock stations. So hopefully we're just

0:41:33.760 --> 0:41:36.799
<v Speaker 1>we're on a positive trajectory right now. We can only

0:41:36.840 --> 0:41:42.239
<v Speaker 1>go up right right things. We can only make running up,

0:41:42.440 --> 0:41:46.480
<v Speaker 1>running up that, running up, will I will I will um.

0:41:46.560 --> 0:41:49.120
<v Speaker 1>We're gonna take a quick break and when we come back,

0:41:49.480 --> 0:41:53.080
<v Speaker 1>we're gonna wrap up a wild and wonderful y t MA.

0:42:06.480 --> 0:42:09.680
<v Speaker 1>Welcome back to Night Carl. We have a voicemail from Amy.

0:42:09.760 --> 0:42:12.760
<v Speaker 1>We wanted to play high night Call. This is Amy

0:42:12.880 --> 0:42:16.680
<v Speaker 1>from Stoke on Trent in jolly old England. Not so

0:42:16.800 --> 0:42:22.880
<v Speaker 1>jolly at the moment, So there's time long time following

0:42:23.000 --> 0:42:27.560
<v Speaker 1>the episode talking about why two K Aesthetic. Molly was

0:42:27.680 --> 0:42:32.640
<v Speaker 1>kind enough to remind me of the artist Molly Soda,

0:42:32.960 --> 0:42:35.879
<v Speaker 1>who you guys have mentioned a couple of times, And

0:42:36.040 --> 0:42:40.000
<v Speaker 1>as I was scrolling through a Molly sodas Instagram feed,

0:42:40.400 --> 0:42:45.600
<v Speaker 1>I saw that she's actually scandard uploaded all her old fanzines,

0:42:45.840 --> 0:42:49.879
<v Speaker 1>and that prompted me to It really kind of took

0:42:49.920 --> 0:42:53.600
<v Speaker 1>you back to thinking about how fanzines we're such a

0:42:53.640 --> 0:42:56.640
<v Speaker 1>huge part of. So we'll still she's still such a

0:42:56.680 --> 0:42:59.880
<v Speaker 1>huge part of the late nines and early two thousands,

0:43:00.080 --> 0:43:04.600
<v Speaker 1>that kind of Y two K culture. So I was

0:43:05.880 --> 0:43:11.920
<v Speaker 1>about fourteen, sort of fourteen fifteen in like thousand, and

0:43:12.160 --> 0:43:15.480
<v Speaker 1>fanzine is like a huge huge part of my kind

0:43:15.520 --> 0:43:19.160
<v Speaker 1>of um social life, if you want to a better word.

0:43:19.680 --> 0:43:22.520
<v Speaker 1>And it's really interesting thinking about how the Internet was,

0:43:23.760 --> 0:43:25.759
<v Speaker 1>you know, was becoming more of a thing, and I

0:43:25.800 --> 0:43:29.000
<v Speaker 1>was spending a lot of time on particularly music forums,

0:43:29.040 --> 0:43:31.800
<v Speaker 1>and kind of like d I y U culture was

0:43:31.880 --> 0:43:33.440
<v Speaker 1>kind of moving onto you to step, but there was

0:43:33.480 --> 0:43:38.359
<v Speaker 1>still this real love and attachment to fanzines. Um. And Yeah,

0:43:38.360 --> 0:43:41.120
<v Speaker 1>it's kind of really interesting thinking about to these like

0:43:41.600 --> 0:43:44.640
<v Speaker 1>I was like healthy and days of just rushing home

0:43:44.680 --> 0:43:47.279
<v Speaker 1>from school and been desperate to see if something had

0:43:47.360 --> 0:43:52.640
<v Speaker 1>arrived like on the on my porch to see see that.

0:43:52.760 --> 0:43:56.279
<v Speaker 1>You know, some messages from the great beyond outside of

0:43:56.760 --> 0:44:00.960
<v Speaker 1>Stoke on trent Um and fantines like sutally huge part

0:44:01.040 --> 0:44:05.160
<v Speaker 1>of my life that they actually helped me decide where

0:44:05.160 --> 0:44:08.200
<v Speaker 1>I wanted to go to university more college, as you

0:44:08.239 --> 0:44:10.840
<v Speaker 1>know you guys would say, Um yeah, there's actually my

0:44:10.880 --> 0:44:16.160
<v Speaker 1>favorite fanzine was a short lived series called Paranoia and

0:44:16.200 --> 0:44:17.840
<v Speaker 1>it was produced in Manchester and it was kind of

0:44:17.880 --> 0:44:20.360
<v Speaker 1>all about the Manchester indie scene and d I y

0:44:20.520 --> 0:44:24.200
<v Speaker 1>scene and riot girl and a feminist culture and that

0:44:24.320 --> 0:44:28.480
<v Speaker 1>was what made me decide to go to Manchester to um,

0:44:28.719 --> 0:44:33.080
<v Speaker 1>to study and to basically live my goddamn life. Um yeah,

0:44:33.239 --> 0:44:36.200
<v Speaker 1>so maybe fanzines is something you might want to just

0:44:36.320 --> 0:44:38.040
<v Speaker 1>like touch on a little bit. I don't know whether

0:44:38.040 --> 0:44:41.160
<v Speaker 1>you guys are any particularly of experience or if you

0:44:41.200 --> 0:44:45.799
<v Speaker 1>were all digital kids. Um so yeah. So um that's

0:44:45.840 --> 0:44:48.640
<v Speaker 1>my night call. So thank you very much, love the part, bye,

0:44:49.480 --> 0:44:52.879
<v Speaker 1>Thank you so much for the car amy. Um, this

0:44:52.960 --> 0:44:56.360
<v Speaker 1>is great. I feel like I was a little too

0:44:56.520 --> 0:45:00.359
<v Speaker 1>young to truly be an interzine culture around this time,

0:45:00.400 --> 0:45:03.919
<v Speaker 1>though I there was a zine shop I remember going

0:45:03.960 --> 0:45:07.840
<v Speaker 1>to not infrequently in my hometown but um, it was

0:45:07.880 --> 0:45:10.200
<v Speaker 1>not like I would say, the Internet was more of

0:45:10.239 --> 0:45:12.680
<v Speaker 1>that sort of you know, sending out your signal, finding

0:45:12.719 --> 0:45:15.920
<v Speaker 1>your people type thing for me around then. I guess

0:45:15.920 --> 0:45:19.799
<v Speaker 1>that means I was a digital kid. What about you guys?

0:45:19.800 --> 0:45:21.759
<v Speaker 1>Did you guys sunk around with me? I thought of

0:45:21.840 --> 0:45:24.399
<v Speaker 1>ziness like a jen Xe thing for sure, So it

0:45:24.480 --> 0:45:28.279
<v Speaker 1>was like I had heard of them, but nobody I

0:45:28.360 --> 0:45:30.560
<v Speaker 1>knew made scenes. My friend Caitlin and I would like

0:45:31.120 --> 0:45:33.520
<v Speaker 1>try to make a zine sometimes when we hung out,

0:45:33.560 --> 0:45:37.200
<v Speaker 1>but we didn't actually print anything. There's definitely some Zene

0:45:37.200 --> 0:45:40.320
<v Speaker 1>culture and Providence because it's like always kind of the

0:45:40.400 --> 0:45:44.000
<v Speaker 1>nineties and Providence. Yeah. I think that was like the

0:45:44.080 --> 0:45:47.520
<v Speaker 1>situation in Iowa City too, especially at being like everybody's

0:45:47.560 --> 0:45:49.080
<v Speaker 1>like a want to be writer and wanted to be

0:45:49.120 --> 0:45:52.520
<v Speaker 1>a little hemanway, so everybody was like publishing their short stories.

0:45:52.560 --> 0:45:56.680
<v Speaker 1>And they've definitely come back really hard because in response

0:45:56.760 --> 0:45:59.680
<v Speaker 1>to people being sick of digital stuff. Yeah, and and

0:45:59.719 --> 0:46:03.640
<v Speaker 1>also so people's outlets, like the outlets just shrinking rapidly

0:46:03.719 --> 0:46:06.960
<v Speaker 1>from where you can put that stuff. I mean, that's

0:46:06.960 --> 0:46:08.640
<v Speaker 1>like all they have at the Art book Fair now,

0:46:08.760 --> 0:46:12.480
<v Speaker 1>which is very I've really been enjoying seeing how znes

0:46:12.520 --> 0:46:15.239
<v Speaker 1>have kind of come onto Instagram and and the web

0:46:15.280 --> 0:46:17.680
<v Speaker 1>as well, because I know, like Edith Zimmerman Um was

0:46:17.719 --> 0:46:20.239
<v Speaker 1>doing spiral Bound on medium that we're all, you know,

0:46:20.560 --> 0:46:23.359
<v Speaker 1>like hand drawn comics, and then she also has um

0:46:23.440 --> 0:46:26.920
<v Speaker 1>she she publishes her own kind of comics on Instagram,

0:46:27.200 --> 0:46:28.759
<v Speaker 1>and I was like, oh, this is this makes me

0:46:28.800 --> 0:46:31.360
<v Speaker 1>so nostalgic. Even though I wasn't a fanzine p I

0:46:31.360 --> 0:46:34.000
<v Speaker 1>was also like a digital kid. But now that they

0:46:34.160 --> 0:46:36.279
<v Speaker 1>are kind of coming back, they teach them in my

0:46:36.320 --> 0:46:40.000
<v Speaker 1>son's art class, and our friend Kate Raft has given

0:46:40.080 --> 0:46:42.240
<v Speaker 1>us znes and I was like, I need to start

0:46:42.320 --> 0:46:45.160
<v Speaker 1>making znes and like it's nice to see them coming back.

0:46:45.200 --> 0:46:48.480
<v Speaker 1>I feel like we're actually a little bit older than Amy,

0:46:48.520 --> 0:46:51.200
<v Speaker 1>maybe based on I think she was fourteen she said

0:46:51.239 --> 0:46:54.960
<v Speaker 1>maybe in y two k Um, which we were a

0:46:55.000 --> 0:46:56.560
<v Speaker 1>little bit like we were like roughly the same, a

0:46:56.600 --> 0:47:01.000
<v Speaker 1>little bit older. Uh, but yeah, I think in l

0:47:01.040 --> 0:47:04.080
<v Speaker 1>A like it just it was for sure that when

0:47:04.080 --> 0:47:06.440
<v Speaker 1>we went to Providence, I remember going to the record

0:47:06.480 --> 0:47:11.479
<v Speaker 1>store into the bookstore and being like zines zins well

0:47:11.520 --> 0:47:15.200
<v Speaker 1>also like she was talking specifically about fanzines, and I

0:47:15.239 --> 0:47:19.200
<v Speaker 1>think that's very different. Like I think, I think of well,

0:47:19.400 --> 0:47:21.440
<v Speaker 1>maybe I'm wrong on this. I just remember all the

0:47:21.520 --> 0:47:23.759
<v Speaker 1>znes that I was exposed to around them mostly being

0:47:23.800 --> 0:47:26.840
<v Speaker 1>like funny stuff and like writing like people's short stories.

0:47:26.880 --> 0:47:30.120
<v Speaker 1>They definitely yeah, they sold some fanzines at Tower Records.

0:47:30.160 --> 0:47:32.600
<v Speaker 1>You just like uncovered something in my brain. It was

0:47:32.680 --> 0:47:36.000
<v Speaker 1>like there were some sort of like you know, just

0:47:36.280 --> 0:47:39.120
<v Speaker 1>and some of them were like retro fanzines yet where

0:47:39.120 --> 0:47:40.840
<v Speaker 1>they were like small press, but they were like I

0:47:40.840 --> 0:47:44.400
<v Speaker 1>remember there was like a power Pop one um and

0:47:44.480 --> 0:47:49.000
<v Speaker 1>possibly a Monkeys one see all my I I feel

0:47:49.040 --> 0:47:52.480
<v Speaker 1>like the equivalent that like the overlaps with that era

0:47:52.600 --> 0:47:56.279
<v Speaker 1>and basically ends up not exactly replacing it because it

0:47:56.280 --> 0:47:58.640
<v Speaker 1>didn't stick around long enough, but just sort of like

0:47:58.920 --> 0:48:01.680
<v Speaker 1>carrying the torch for word is like the Geo Cities

0:48:01.719 --> 0:48:05.399
<v Speaker 1>page like that that sort of ended up kind of

0:48:05.680 --> 0:48:09.440
<v Speaker 1>evolving that format because I had geoc these pages and

0:48:09.480 --> 0:48:13.200
<v Speaker 1>like fan sites for different like animal shows and stuff

0:48:13.239 --> 0:48:15.560
<v Speaker 1>like that, you know, and just like gathering all your

0:48:15.640 --> 0:48:18.160
<v Speaker 1>j pigs and putting them in a in a row

0:48:18.280 --> 0:48:20.439
<v Speaker 1>and having a MIDI song play when you log onto

0:48:20.440 --> 0:48:24.240
<v Speaker 1>the site, like that's that's my that was my intro

0:48:24.360 --> 0:48:28.160
<v Speaker 1>to web, the web basically, but it's fun though. I

0:48:28.200 --> 0:48:30.560
<v Speaker 1>love that people have been sharing the things that they've

0:48:30.600 --> 0:48:33.960
<v Speaker 1>been that they associate with Y two k um because

0:48:34.000 --> 0:48:36.759
<v Speaker 1>Amy is in England and was talking about how she

0:48:37.440 --> 0:48:40.680
<v Speaker 1>wanted to go to you know, Manchester because of the fans.

0:48:40.920 --> 0:48:43.640
<v Speaker 1>I love like hearing stuff like that because it's so specific.

0:48:43.800 --> 0:48:46.120
<v Speaker 1>But you know, we tend to think of why two

0:48:46.160 --> 0:48:49.040
<v Speaker 1>ks we associated with, like what we were dealing with

0:48:49.080 --> 0:48:52.160
<v Speaker 1>at the time, and everybody has such like sweet stories

0:48:52.200 --> 0:48:55.240
<v Speaker 1>of I mean right now, the past is just sweet

0:48:55.239 --> 0:48:58.480
<v Speaker 1>in general. Y two k past. Yeah, I love to

0:48:58.520 --> 0:49:01.919
<v Speaker 1>live in the past. Super health suit all the time,

0:49:02.840 --> 0:49:05.680
<v Speaker 1>just just that feeling of long and so indicative of

0:49:05.920 --> 0:49:09.080
<v Speaker 1>great mental health. And on that note, let's take a

0:49:09.239 --> 0:49:14.399
<v Speaker 1>call from listener John greatly. This is John, I think

0:49:14.520 --> 0:49:17.960
<v Speaker 1>humiliated the most listeners, and I do recall the year

0:49:18.040 --> 0:49:22.080
<v Speaker 1>two thousand. It's very significant as you folks are talking about.

0:49:22.120 --> 0:49:26.719
<v Speaker 1>The big issue initially was computers and they're supposed failure

0:49:26.760 --> 0:49:30.799
<v Speaker 1>as we moved from two thousand. I would call him

0:49:30.800 --> 0:49:33.360
<v Speaker 1>not being too worried about that though, because I thought

0:49:33.760 --> 0:49:37.319
<v Speaker 1>if the banks lost my checking and savings accounts, they

0:49:37.320 --> 0:49:40.200
<v Speaker 1>can also lose my mortgage and maybe I'd come out ahead.

0:49:41.000 --> 0:49:45.719
<v Speaker 1>But the concerned about computers was everywhere, and some people

0:49:45.840 --> 0:49:48.239
<v Speaker 1>even claiming, I don't know if you are aware of this,

0:49:48.440 --> 0:49:53.720
<v Speaker 1>that WWW for Worldwide Web was actually six six six.

0:49:54.320 --> 0:49:57.479
<v Speaker 1>Since the sixth letter of the Hebrew alphabet the vove

0:49:58.080 --> 0:50:01.239
<v Speaker 1>the rough equivalent of the English bubble, you meant that

0:50:01.800 --> 0:50:06.400
<v Speaker 1>WWW was the mark of the Antichrist, that the web

0:50:06.880 --> 0:50:13.320
<v Speaker 1>was actually Satanic. So the general concern over these matters

0:50:13.719 --> 0:50:18.160
<v Speaker 1>did extend to more apocalyptic worries. My mother in law

0:50:18.320 --> 0:50:21.359
<v Speaker 1>was going to fill all of her sinks and bathtubs

0:50:21.400 --> 0:50:25.440
<v Speaker 1>with water to prepare in case for some reason there

0:50:25.520 --> 0:50:29.680
<v Speaker 1>was no more water. Um. But the whole town of

0:50:29.719 --> 0:50:33.400
<v Speaker 1>the millennium really was leading up to it, especially in

0:50:33.440 --> 0:50:36.680
<v Speaker 1>the late nineties, really was a big deal and actually

0:50:36.800 --> 0:50:41.400
<v Speaker 1>a taught apocalyptic literature. So there's all these movies that

0:50:41.440 --> 0:50:44.640
<v Speaker 1>were coming out back then, like End of Days, Lost Souls,

0:50:44.640 --> 0:50:50.239
<v Speaker 1>Blessed the Child, Fallen, Last Night, Stigma, Mega Code, and

0:50:50.280 --> 0:50:55.439
<v Speaker 1>of course Buffy was on television and all of these, Um,

0:50:55.600 --> 0:50:59.520
<v Speaker 1>we're really driving into people's consciousness. A students kept bringing

0:50:59.600 --> 0:51:03.520
<v Speaker 1>up all of these movies teaching apocalyptic literature at that time. Was.

0:51:04.000 --> 0:51:07.560
<v Speaker 1>It was actually pretty cool. Um. I just wanted to

0:51:07.680 --> 0:51:13.279
<v Speaker 1>mention something too about the millennium. It's not exactly based on,

0:51:14.640 --> 0:51:16.680
<v Speaker 1>you know, the time Jesus was born, which is actually

0:51:16.719 --> 0:51:20.960
<v Speaker 1>more like four to six BC actually or BC um,

0:51:21.040 --> 0:51:24.879
<v Speaker 1>but it stems from these passages in Revelation twenty three

0:51:24.920 --> 0:51:27.600
<v Speaker 1>to seven where it talks about the millennium and take

0:51:27.680 --> 0:51:31.240
<v Speaker 1>me being loose in things, and that's where we get millennarianism,

0:51:31.360 --> 0:51:35.439
<v Speaker 1>and and from the Greek chilia for a thousand Achilleyism

0:51:35.560 --> 0:51:39.480
<v Speaker 1>or Achilliyism. People have been calculating these times from almost

0:51:39.520 --> 0:51:43.719
<v Speaker 1>the beginning of Christianity. Those those numbers, that thousand numbers

0:51:43.840 --> 0:51:47.759
<v Speaker 1>just driven people a little mad. Anyways, thanks for hy

0:51:47.840 --> 0:51:53.120
<v Speaker 1>to take and help to keep on listening. But excellent call.

0:51:53.560 --> 0:51:56.960
<v Speaker 1>Hit every single hit, all the basis everything I like

0:51:57.080 --> 0:52:00.279
<v Speaker 1>in a good call. We got Arnold sportsneger of a

0:52:00.960 --> 0:52:09.080
<v Speaker 1>some Hebrew alphabet, uh, the erroneous conspiracies uh, and uh,

0:52:09.400 --> 0:52:13.880
<v Speaker 1>the true meaning of of of the millennium and millennialism.

0:52:13.920 --> 0:52:16.879
<v Speaker 1>So yeah, great car, thank you so much. I want

0:52:16.880 --> 0:52:23.839
<v Speaker 1>to teach apocalyptic literature class. Yeah yeah, I thought I

0:52:23.880 --> 0:52:27.160
<v Speaker 1>did not know about this w ww me neither. I've

0:52:27.200 --> 0:52:30.360
<v Speaker 1>never heard that, but I love it. I believe it completely.

0:52:30.400 --> 0:52:34.000
<v Speaker 1>I did find a site that, uh, it's like it

0:52:34.000 --> 0:52:37.680
<v Speaker 1>looks like a very oh yeah, it's copyright N Dial

0:52:37.760 --> 0:52:42.040
<v Speaker 1>the Truth Ministries, UM. And it's like the U r

0:52:42.200 --> 0:52:45.600
<v Speaker 1>L is like a V sleven dot org slash six

0:52:45.640 --> 0:52:49.760
<v Speaker 1>six six slash WWW six six six UM so cool

0:52:49.760 --> 0:52:53.680
<v Speaker 1>cool uh And it's it says uh and it's just

0:52:53.719 --> 0:52:56.680
<v Speaker 1>like clearing up whether www s six six six. I

0:52:56.680 --> 0:52:59.480
<v Speaker 1>mean they thought everything was six six six back then.

0:52:59.520 --> 0:53:01.880
<v Speaker 1>That was like the tail end of Satanic panic, but

0:53:01.920 --> 0:53:05.600
<v Speaker 1>it was still around. Yeah, but like techno satanic panic

0:53:05.800 --> 0:53:11.600
<v Speaker 1>the best, yeah, vav vav. But even this uh site

0:53:12.560 --> 0:53:16.760
<v Speaker 1>which oh my god, this has this form at the bottom.

0:53:16.800 --> 0:53:21.400
<v Speaker 1>This is I'm like discovering a wonderful time capsule in

0:53:21.760 --> 0:53:24.200
<v Speaker 1>real time and has a form at the bottom that says,

0:53:24.600 --> 0:53:27.359
<v Speaker 1>tell some friends about this page and then you put

0:53:27.360 --> 0:53:29.440
<v Speaker 1>in your email and then your friend's email, and then

0:53:29.440 --> 0:53:31.879
<v Speaker 1>you push the button to send it to them, UM,

0:53:32.080 --> 0:53:35.880
<v Speaker 1>send it to us, okay, on sleeve. But Dial the

0:53:35.920 --> 0:53:40.400
<v Speaker 1>Truth Ministries. It does actually seem to be U tamping

0:53:40.440 --> 0:53:42.680
<v Speaker 1>down concerns over this. You know. At the end, it's

0:53:42.680 --> 0:53:45.520
<v Speaker 1>just says, should I be concerned with www six six

0:53:45.600 --> 0:53:49.480
<v Speaker 1>six answered no, I love whatever churches are, Like, what

0:53:49.520 --> 0:53:51.920
<v Speaker 1>are the kids in two now? Like it is satanic?

0:53:52.040 --> 0:53:54.680
<v Speaker 1>We must warn them. Um, I'm sure there's something like

0:53:54.719 --> 0:53:57.640
<v Speaker 1>this about TikTok. I was gonna say, TikTok is is

0:53:57.640 --> 0:53:59.920
<v Speaker 1>exactly the thing people are concerned to say, because it's

0:54:00.000 --> 0:54:05.080
<v Speaker 1>because you know, it's six letters, TikTok. Yeah, that's it,

0:54:05.200 --> 0:54:07.760
<v Speaker 1>that's it. They live in hell houses up the street

0:54:07.800 --> 0:54:11.400
<v Speaker 1>from Emily. Molly. You had a little Y two k

0:54:11.680 --> 0:54:13.960
<v Speaker 1>nugget from our past that you want to Yeah, I

0:54:14.000 --> 0:54:16.480
<v Speaker 1>just wanted to force tests to remember that we were

0:54:16.520 --> 0:54:19.719
<v Speaker 1>in a high school show where we sang a cover

0:54:19.840 --> 0:54:25.080
<v Speaker 1>of nineteen for the lyrics were changed to Uh was

0:54:25.160 --> 0:54:27.080
<v Speaker 1>dreaming when I wrote this, so forgive me if it

0:54:27.080 --> 0:54:29.399
<v Speaker 1>goes astray. But when I woke up this morning could

0:54:29.400 --> 0:54:33.880
<v Speaker 1>have sworn it was Y two k. Oh. That was

0:54:33.960 --> 0:54:37.120
<v Speaker 1>the same musical review show where I had a panic

0:54:37.120 --> 0:54:39.640
<v Speaker 1>attack and I had like a little mini solo in

0:54:39.840 --> 0:54:43.279
<v Speaker 1>one of our numbers, and on one night I just

0:54:43.560 --> 0:54:46.200
<v Speaker 1>didn't do it. I just couldn't do it. I just

0:54:46.280 --> 0:54:50.160
<v Speaker 1>hung out backstage and pretended that it hadn't happened at all.

0:54:51.120 --> 0:54:54.000
<v Speaker 1>Good times. Thanks for reminding me, Molly. Sorry, I was

0:54:54.040 --> 0:54:59.480
<v Speaker 1>just like, hey, traumatic memory to just end the show perfect, um.

0:54:59.560 --> 0:55:01.839
<v Speaker 1>So we wanted to wrap up Why Too May by

0:55:01.880 --> 0:55:06.240
<v Speaker 1>talking about about prepping and kind of you know, obviously

0:55:06.600 --> 0:55:09.520
<v Speaker 1>Why two K didn't start the phenomenon of prepping, but

0:55:09.560 --> 0:55:12.359
<v Speaker 1>I think it probably brought it into the popular consciousness

0:55:12.400 --> 0:55:14.440
<v Speaker 1>and in a way that it hadn't been before and

0:55:14.520 --> 0:55:18.040
<v Speaker 1>kind of made it something people your average person was

0:55:18.080 --> 0:55:21.360
<v Speaker 1>aware of, is a thing that you could do and test.

0:55:21.400 --> 0:55:24.080
<v Speaker 1>Dug up a really great White two K preparedness video

0:55:24.200 --> 0:55:29.040
<v Speaker 1>that appears to just be from uh that's yeah again

0:55:29.120 --> 0:55:32.520
<v Speaker 1>a great time capsule um, and also like just sort

0:55:32.560 --> 0:55:36.160
<v Speaker 1>of feels like now just best practices. It doesn't feel

0:55:36.760 --> 0:55:40.320
<v Speaker 1>that crazy any of the stuff in the video of

0:55:40.400 --> 0:55:41.960
<v Speaker 1>even the fact that we now know that Why two

0:55:42.000 --> 0:55:44.680
<v Speaker 1>K didn't result in any power outages, but I thought

0:55:44.680 --> 0:55:48.400
<v Speaker 1>it was it was really uh interesting to watch it

0:55:48.440 --> 0:55:50.960
<v Speaker 1>did say that, um in the In the description, it

0:55:51.000 --> 0:55:54.440
<v Speaker 1>also says this that it had tips about emergency water

0:55:54.480 --> 0:55:57.960
<v Speaker 1>sources such as snow sure water heaters uh huh, toilet

0:55:57.960 --> 0:56:01.680
<v Speaker 1>tanks and water beds. Of course, at the turn of

0:56:01.680 --> 0:56:04.240
<v Speaker 1>this entry were still a thing, and now it seemed

0:56:04.280 --> 0:56:06.840
<v Speaker 1>to no longer be I mean some of this stuff,

0:56:06.880 --> 0:56:10.840
<v Speaker 1>I feel like it's also just on deck in l

0:56:10.880 --> 0:56:14.319
<v Speaker 1>A all the time because the earthquakes and fires. Um,

0:56:14.400 --> 0:56:17.640
<v Speaker 1>we definitely got a ton of earthquake preparedness drills and

0:56:17.680 --> 0:56:20.440
<v Speaker 1>stuff like that. That was all of the emergency stuff

0:56:20.480 --> 0:56:23.320
<v Speaker 1>we got, was like about earthquakes, and then there was

0:56:23.360 --> 0:56:28.239
<v Speaker 1>the ninety four quake was a big, a big emergency. Um,

0:56:28.360 --> 0:56:30.960
<v Speaker 1>but I didn't I don't feel like people gott into

0:56:31.000 --> 0:56:33.000
<v Speaker 1>being preppers after that. I feel like the same thing

0:56:33.040 --> 0:56:35.680
<v Speaker 1>always happens, which is that people don't go to buy

0:56:35.680 --> 0:56:39.480
<v Speaker 1>water until there's already like the water shortage. And I

0:56:39.520 --> 0:56:42.160
<v Speaker 1>noticed that with this too, or it was like, you know,

0:56:42.400 --> 0:56:46.280
<v Speaker 1>that's why we had the grocery shortage issues because people

0:56:46.280 --> 0:56:48.960
<v Speaker 1>were just like, oh, I don't have anything in my

0:56:49.040 --> 0:56:51.960
<v Speaker 1>house if I can't leave it, Well there's I mean,

0:56:52.000 --> 0:56:54.520
<v Speaker 1>I think an interesting difference with this video, even though

0:56:54.560 --> 0:57:00.080
<v Speaker 1>it is from versus like us today in l A,

0:57:00.239 --> 0:57:03.000
<v Speaker 1>is that it was posted by the Detroit Historical Society.

0:57:03.000 --> 0:57:05.640
<v Speaker 1>So this is like a local p s A in

0:57:05.880 --> 0:57:08.439
<v Speaker 1>from the city of Detroit, and so it is very

0:57:08.480 --> 0:57:12.399
<v Speaker 1>it's talking very specifically about like environmental conditions that one

0:57:12.440 --> 0:57:16.240
<v Speaker 1>would experience. A few were in Detroit in January of

0:57:16.600 --> 0:57:19.320
<v Speaker 1>two thousand, which you know would be winter, so they

0:57:19.320 --> 0:57:21.919
<v Speaker 1>are talking about snow, they're talking about like making sure

0:57:22.000 --> 0:57:25.800
<v Speaker 1>you stay warm. I mean, I remember a freak blizzard

0:57:26.240 --> 0:57:30.040
<v Speaker 1>UM hit Tacoma and Seattle when I was a kid,

0:57:30.120 --> 0:57:34.320
<v Speaker 1>and UM knocked out our power for in my memory

0:57:34.320 --> 0:57:36.120
<v Speaker 1>it was a week. It was probably just a few days,

0:57:36.120 --> 0:57:38.000
<v Speaker 1>but it was a long time, and we didn't have heat,

0:57:38.040 --> 0:57:41.760
<v Speaker 1>and we didn't have electricity or anything, and uh and

0:57:41.880 --> 0:57:44.520
<v Speaker 1>really had to like figure out how to live day

0:57:44.560 --> 0:57:47.640
<v Speaker 1>to day and to stay warm. And it was that

0:57:47.720 --> 0:57:50.120
<v Speaker 1>was sort of my only real encounter with that kind

0:57:50.160 --> 0:57:55.439
<v Speaker 1>of environmental reality of of losing the grid. But um, yeah,

0:57:55.640 --> 0:57:59.400
<v Speaker 1>like the what you stood to have to go through

0:58:00.200 --> 0:58:03.720
<v Speaker 1>in why two k and in Detroit versus California was

0:58:03.840 --> 0:58:06.920
<v Speaker 1>obviously very different. Yeah. I think, Um, when I was

0:58:06.960 --> 0:58:10.280
<v Speaker 1>looking through y two k detritus to try to figure

0:58:10.280 --> 0:58:13.360
<v Speaker 1>out some weird things about, you know, how people were

0:58:13.400 --> 0:58:15.480
<v Speaker 1>like preppers and what they did. One of the things

0:58:15.520 --> 0:58:19.160
<v Speaker 1>that kept popping up was this article. And I guess

0:58:19.160 --> 0:58:21.600
<v Speaker 1>it had like a I didn't listen to the audio

0:58:21.720 --> 0:58:25.240
<v Speaker 1>from it from CBC Radio this is that section. Man

0:58:25.280 --> 0:58:29.040
<v Speaker 1>emergency emerges from a bunker. Fourteen years after Y two,

0:58:29.120 --> 0:58:32.200
<v Speaker 1>k scare with a picture of this grizzled dude. Uh

0:58:32.200 --> 0:58:35.120
<v Speaker 1>and it says that the caption under his photo. After

0:58:35.200 --> 0:58:38.040
<v Speaker 1>being away from society for fourteen years, Norman Feller is

0:58:38.080 --> 0:58:41.800
<v Speaker 1>most impressed with KFC's double down Sandway. I saw reposted

0:58:41.800 --> 0:58:45.840
<v Speaker 1>a bunch of places completely bought it for about that

0:58:46.080 --> 0:58:50.720
<v Speaker 1>was like, no, they're having a choke in me. But

0:58:50.800 --> 0:58:54.560
<v Speaker 1>a lot of people just totally just totally spread this

0:58:54.720 --> 0:58:58.520
<v Speaker 1>as news. Um. I think it was just last Bunny

0:58:58.720 --> 0:59:04.280
<v Speaker 1>Past come out again. That's like the atomics but it's

0:59:04.280 --> 0:59:08.440
<v Speaker 1>all like that. Yeah, that was Yeah, blast from the

0:59:08.480 --> 0:59:11.880
<v Speaker 1>Past came out because everybody was still expecting like the

0:59:11.880 --> 0:59:14.760
<v Speaker 1>flying cars future in the year two thousand and then

0:59:14.800 --> 0:59:18.160
<v Speaker 1>it became clear that that wasn't going to be here yet. Um,

0:59:18.240 --> 0:59:21.640
<v Speaker 1>but maybe like a big computer glitch is something that

0:59:21.680 --> 0:59:25.040
<v Speaker 1>will transform society. Did you guys have a fallout shelter

0:59:25.120 --> 0:59:29.120
<v Speaker 1>in your school? Knew, No, we did. It was it

0:59:29.320 --> 0:59:32.320
<v Speaker 1>felt like a little vestige of another era. It was

0:59:32.360 --> 0:59:35.240
<v Speaker 1>a pretty old building. Yeah. I've definitely noticed like in

0:59:35.280 --> 0:59:38.040
<v Speaker 1>buildings in New York and Queens. I remember the last

0:59:38.040 --> 0:59:39.680
<v Speaker 1>time I was there, I noticed a lot of like

0:59:39.960 --> 0:59:42.960
<v Speaker 1>just things announcing that the building had a fallout shelter.

0:59:43.880 --> 0:59:47.520
<v Speaker 1>And having gone to the Atomic Museum, there was definitely

0:59:47.600 --> 0:59:51.560
<v Speaker 1>a time obviously when that was like something everybody thought

0:59:51.600 --> 0:59:54.800
<v Speaker 1>every home should have. It was like, you know, the

0:59:55.720 --> 0:59:59.360
<v Speaker 1>standards for building in California. Now just to lis stand quakes,

0:59:59.400 --> 1:00:02.080
<v Speaker 1>you know, just I mean that that give or whatever.

1:00:02.200 --> 1:00:04.400
<v Speaker 1>I don't know if those things would actually protect you

1:00:04.440 --> 1:00:09.200
<v Speaker 1>from an atomic bombs. Oh yeah, luckily we know now.

1:00:10.640 --> 1:00:12.600
<v Speaker 1>I don't remember if I already talked about this on

1:00:12.640 --> 1:00:16.040
<v Speaker 1>the podcast, but I watched Mattenee the other day. Again. Perfect,

1:00:16.400 --> 1:00:19.920
<v Speaker 1>it's the perfect movie to rewatch now. Mattenee, in many says,

1:00:20.000 --> 1:00:23.919
<v Speaker 1>is a perfect movie. Oh my god, so good. It's

1:00:23.920 --> 1:00:28.560
<v Speaker 1>about atomic age, hysteria and horror movies in the fifties

1:00:28.640 --> 1:00:31.640
<v Speaker 1>and B movies. Um, and there's a fallout shelter where

1:00:31.680 --> 1:00:33.800
<v Speaker 1>some some teens get trapped and have a nice little

1:00:33.840 --> 1:00:38.080
<v Speaker 1>makeout session. But yeah, it's it's really it's weird how

1:00:38.160 --> 1:00:42.000
<v Speaker 1>cyclical the these kind of regardless of whether there's a

1:00:42.040 --> 1:00:44.840
<v Speaker 1>pandemic or a disaster that actually plays out. It is

1:00:44.880 --> 1:00:48.880
<v Speaker 1>really kind of something you don't think about often how cyclical, Uh,

1:00:49.200 --> 1:00:52.560
<v Speaker 1>these kind of things are, these these strong human reaction,

1:00:52.640 --> 1:00:56.240
<v Speaker 1>these cycles of fear, kind of kind of noticing how

1:00:56.680 --> 1:01:00.479
<v Speaker 1>similarly people react every time UM, but it doesn't seem

1:01:00.560 --> 1:01:03.800
<v Speaker 1>to matter whether the thing actually happens or not in

1:01:03.880 --> 1:01:06.240
<v Speaker 1>terms of like what we learned from it. I guess

1:01:06.600 --> 1:01:10.320
<v Speaker 1>it's so cyclical that it almost just feels like a mainstay,

1:01:10.400 --> 1:01:13.080
<v Speaker 1>Like it's not something we ever really fully get away from.

1:01:13.120 --> 1:01:16.200
<v Speaker 1>Because I was just thinking about, like ten years ago,

1:01:16.560 --> 1:01:20.680
<v Speaker 1>I was really into like observing the the like apocalypse

1:01:20.720 --> 1:01:24.360
<v Speaker 1>pop phenomenon, where like every single song had something in

1:01:24.440 --> 1:01:26.880
<v Speaker 1>it about like this is the end of the world,

1:01:27.040 --> 1:01:30.320
<v Speaker 1>if this is the last night we have like etcetera, etcetera, etcetera.

1:01:30.440 --> 1:01:34.040
<v Speaker 1>Like it was just this recurring theme of all the

1:01:34.080 --> 1:01:37.760
<v Speaker 1>pop hits UM. And then I actually saw recently like

1:01:37.800 --> 1:01:40.680
<v Speaker 1>this somewhat unrelated, but New York Times posted like a

1:01:40.680 --> 1:01:45.920
<v Speaker 1>playlist of UM climate change pop that includes a smash

1:01:46.000 --> 1:01:51.120
<v Speaker 1>Mouse all star, but like it's a it's a my

1:01:51.200 --> 1:01:58.640
<v Speaker 1>World's on fire? How about yours? That's change? Well, the

1:01:58.680 --> 1:02:02.000
<v Speaker 1>ice we skate is getting thin. We also had a

1:02:02.080 --> 1:02:04.520
<v Speaker 1>smash Mouth. We had a smash mounth song on our

1:02:04.800 --> 1:02:08.560
<v Speaker 1>y k X, so we challenged The New York Times

1:02:08.600 --> 1:02:12.880
<v Speaker 1>to a publicity feud. But there's also like they put

1:02:12.920 --> 1:02:16.080
<v Speaker 1>in this pit Bull song called global Warming because people

1:02:16.120 --> 1:02:18.920
<v Speaker 1>put out album called Global Warming in twelve and it's

1:02:18.960 --> 1:02:22.320
<v Speaker 1>like actually, like they interviewed him in this piece and

1:02:22.400 --> 1:02:24.480
<v Speaker 1>it made me almost cry just because I love pit

1:02:24.560 --> 1:02:27.720
<v Speaker 1>Bull so much. It's just Mr Worldwide, but he was

1:02:27.800 --> 1:02:29.920
<v Speaker 1>just talking about like he you know, he's from Miami,

1:02:30.000 --> 1:02:31.840
<v Speaker 1>like he and he's very concerned about this stuff, and

1:02:31.840 --> 1:02:33.560
<v Speaker 1>he's just like I wanted to like bring it into

1:02:33.560 --> 1:02:35.240
<v Speaker 1>the public discourse. So I thought if it was like

1:02:35.240 --> 1:02:37.920
<v Speaker 1>a dance song people would dance too and put words

1:02:37.920 --> 1:02:41.200
<v Speaker 1>like climate change in global warring into the dance songs,

1:02:41.280 --> 1:02:45.600
<v Speaker 1>then maybe people would be ready to talk about it more. Um.

1:02:45.720 --> 1:02:49.800
<v Speaker 1>But yeah, I just think it's it's it's constantly interesting

1:02:49.840 --> 1:02:53.240
<v Speaker 1>to see how this stuff plays out. And like even

1:02:53.280 --> 1:02:55.840
<v Speaker 1>like we put we put Till the World Ends on

1:02:56.600 --> 1:02:59.640
<v Speaker 1>the playlist, the Britney Spears song and the video of

1:02:59.720 --> 1:03:02.320
<v Speaker 1>that I love is just like about living in sewers,

1:03:02.320 --> 1:03:05.240
<v Speaker 1>like for the end times. It's just it's been a

1:03:05.680 --> 1:03:08.560
<v Speaker 1>it's been a it's a it's a mainstay love living

1:03:08.560 --> 1:03:11.280
<v Speaker 1>in the sewer. This is this podcast will turn into

1:03:11.320 --> 1:03:16.280
<v Speaker 1>a teenage Ninja Turtles, the original TikTok house the sewer

1:03:16.320 --> 1:03:22.280
<v Speaker 1>where the Ninja Turtles live. Um, but I kind of

1:03:22.280 --> 1:03:24.760
<v Speaker 1>wanted to just talk you wrap up this month by

1:03:24.800 --> 1:03:29.240
<v Speaker 1>just talking about prepping specifically, because it is it has

1:03:29.400 --> 1:03:34.640
<v Speaker 1>weirdly become the the facet of y to K mania

1:03:34.760 --> 1:03:37.240
<v Speaker 1>that we like maybe are living in. With the reference,

1:03:38.280 --> 1:03:41.320
<v Speaker 1>I think we talked about this little bit last week.

1:03:41.400 --> 1:03:43.840
<v Speaker 1>But yeah, the people who were the most hardcore preppers

1:03:43.840 --> 1:03:45.640
<v Speaker 1>are the same people that want the country to like

1:03:45.720 --> 1:03:50.840
<v Speaker 1>reopen immediately because they don't actually experience that much inconvenience

1:03:50.960 --> 1:03:54.600
<v Speaker 1>or oppression in their lives, so they interpret this as

1:03:54.640 --> 1:03:59.720
<v Speaker 1>against their freedoms. In some ways, I think everyone has

1:03:59.800 --> 1:04:02.240
<v Speaker 1>no did that there's like only a certain amount of

1:04:02.240 --> 1:04:04.760
<v Speaker 1>time you can spend in your own mind and in

1:04:04.800 --> 1:04:08.000
<v Speaker 1>your own house, um, before going crazy. So I think

1:04:08.040 --> 1:04:12.080
<v Speaker 1>a lot of people's cozy catastrophe fantasy about what the

1:04:12.200 --> 1:04:14.720
<v Speaker 1>end times will be like have been like put to

1:04:14.760 --> 1:04:18.080
<v Speaker 1>the test here of like, well, if you still can

1:04:18.200 --> 1:04:23.560
<v Speaker 1>go outside, are you going to like? Probably, Um, I

1:04:23.600 --> 1:04:26.520
<v Speaker 1>doubt anyone will be coming out of their COVID bunker

1:04:26.600 --> 1:04:31.400
<v Speaker 1>to get a double down. Fourteen years later, they want

1:04:31.400 --> 1:04:34.200
<v Speaker 1>those double downs right the funk Now that's the whole thing.

1:04:34.320 --> 1:04:38.960
<v Speaker 1>They're like, they're like, reopen the KFC by me as

1:04:39.000 --> 1:04:43.720
<v Speaker 1>a dining in restaurant because it's not it's not the same.

1:04:44.280 --> 1:04:46.960
<v Speaker 1>And there's been people like there's been psychotic people like

1:04:47.080 --> 1:04:51.479
<v Speaker 1>spitting it, drive through workers and stuffy. Um. It hadn't

1:04:51.480 --> 1:04:53.680
<v Speaker 1>occurred to me that spitting would become like one of

1:04:53.720 --> 1:04:56.600
<v Speaker 1>the most violent acts you could do in a pandemic.

1:04:57.960 --> 1:05:04.840
<v Speaker 1>Just coughing in people's faces. Yeah, that is just hit

1:05:04.960 --> 1:05:09.600
<v Speaker 1>us now. I don't know. The melancholia will come when

1:05:09.680 --> 1:05:16.680
<v Speaker 1>we least expect it. Um. Well, I enjoyed revisiting in

1:05:16.680 --> 1:05:19.640
<v Speaker 1>the year two thousand this past month with you guys. Uh.

1:05:19.840 --> 1:05:23.120
<v Speaker 1>It was both in both edifying for what we're going

1:05:23.160 --> 1:05:26.600
<v Speaker 1>through now. I'm kind of weirdly escapist too, so I

1:05:26.640 --> 1:05:29.439
<v Speaker 1>hope everybody who listened enjoyed as well. Yeah, and thank

1:05:29.480 --> 1:05:32.960
<v Speaker 1>you to everybody who wrote in and called in, because

1:05:32.960 --> 1:05:35.720
<v Speaker 1>we I think we've actually gotten more calls and emails

1:05:35.760 --> 1:05:39.320
<v Speaker 1>for this topic than any other and it was really

1:05:39.320 --> 1:05:41.160
<v Speaker 1>great to hear from you guys. We would love to

1:05:41.160 --> 1:05:44.800
<v Speaker 1>start incorporating this many calls and emails in future theme

1:05:44.840 --> 1:05:48.920
<v Speaker 1>months and next month. We've already announced it, right, I

1:05:48.960 --> 1:05:55.800
<v Speaker 1>mean official channels. But get ready for Rambling Gambling June.

1:05:57.040 --> 1:06:00.880
<v Speaker 1>We're going to lose all our money in June from

1:06:00.920 --> 1:06:05.560
<v Speaker 1>gambling and other reasons. Um, but we're gonna be having

1:06:05.560 --> 1:06:11.840
<v Speaker 1>a whole month of Vegas gambling poker if you will

1:06:11.840 --> 1:06:16.200
<v Speaker 1>watch Molly's game for sure. Um. Also, if you haven't

1:06:16.200 --> 1:06:18.880
<v Speaker 1>subscribed to our Patreon, we're gonna be putting out our

1:06:19.160 --> 1:06:23.240
<v Speaker 1>Rambling Gambling mix in our newsletter and bonus episodes as

1:06:23.280 --> 1:06:26.880
<v Speaker 1>we always do. Uh, so please subscribe Patreon dot com

1:06:26.920 --> 1:06:30.480
<v Speaker 1>forward slash Nightcall. I think you will really enjoy this system.

1:06:31.000 --> 1:06:33.680
<v Speaker 1>You can also follow us on social media on Twitter

1:06:33.800 --> 1:06:37.160
<v Speaker 1>at Nightcall odd and Instagram and Facebook at Night Called

1:06:37.240 --> 1:06:40.600
<v Speaker 1>podcast And if you have it already, please leave us

1:06:40.600 --> 1:06:43.720
<v Speaker 1>a review at a rating on Itune that helps people

1:06:43.760 --> 1:06:48.680
<v Speaker 1>fund the show and gets Nightcall into more people's gears.

1:06:49.480 --> 1:06:52.680
<v Speaker 1>Thanks for joining us for ye too, may uh we

1:06:52.720 --> 1:06:57.000
<v Speaker 1>really enjoyed it. I'll see y'all next week. See you

1:06:57.360 --> 1:07:28.440
<v Speaker 1>in the next millennium.