WEBVTT - 243. Adam Carolla on Will Smith/Chris Rock Oscars Slap, Uncomfortable Comedy, Athletes vs. Actors

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<v Speaker 1>The volume. The Colin Coward Podcast presented by FanDuel Sports Book.

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<v Speaker 1>know we and I sent you. The Colin Coward Podcast

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<v Speaker 1>presented by the Fan Duel Sports Book. Hi everybody, and

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<v Speaker 1>welcome in to the Wednesday Morning Podcast. Now. Usually I

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<v Speaker 1>have eight to ten to twelve minute preamble on a

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<v Speaker 1>variety of sports topics. But since we have Adam Corolla

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<v Speaker 1>on today and he's going to take a good thirty

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<v Speaker 1>forty five minutes, I don't want to waste anybody's time.

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<v Speaker 1>He's the host of the podcast The Adam Corolla Show.

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<v Speaker 1>He was one of the first big podcasts in this industry,

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<v Speaker 1>you know, and from The Man Show. He has a

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<v Speaker 1>book out. His latest book is Everything Reminds Me of

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<v Speaker 1>something advice answers, but no apologies. And with that we

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<v Speaker 1>bring in the world renowned Adam Carolla. So, Adam, I'm

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<v Speaker 1>gonna give you my take, my ninety second take on

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<v Speaker 1>Will Smith, and then you slice it, dice it, do

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<v Speaker 1>whatever you want with it. As a stand up comedian,

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<v Speaker 1>as somebody who's on stage, you tell me where I'm

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<v Speaker 1>wrong on this. So I'm agnostic. So I don't speak

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<v Speaker 1>about religion. But there's a certain reality for the mobster

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<v Speaker 1>who goes to repent his sins on Sunday then shoots

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<v Speaker 1>the guy in front of a steakhouse on Thursday nights,

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<v Speaker 1>not fooling God right like he's fooling himself. The Hollywood

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<v Speaker 1>athlete or the athlete, or the Hollywood act or the

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<v Speaker 1>leading man, they've all got side dishes right multiple when

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<v Speaker 1>they come out. And I'm not speaking specifically to Will,

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<v Speaker 1>but you know, leading man and athletes, there are no

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<v Speaker 1>industries where men cheat more than those two. They use

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<v Speaker 1>their power in the leverage to gain access to beautiful women.

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<v Speaker 1>I saw a lot of takes from athletes current former,

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<v Speaker 1>a lot of leading men types, big tough guys saying, hey,

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<v Speaker 1>you got to protect your woman and I'm like, no, no,

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<v Speaker 1>Like the mobster who shoots the guy in front of

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<v Speaker 1>a steakhouse, You're not fooling anybody but yourself. If you

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<v Speaker 1>cared about the woman in your life, you wouldn't be

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<v Speaker 1>fucking around all the time. This is about your ego,

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<v Speaker 1>which you couldn't subjugate because your wife cheated on you.

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<v Speaker 1>It's very public, and in this moment you look small.

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<v Speaker 1>This was not about your wife. This was about your ego.

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<v Speaker 1>Take a well. Also, there's a context. You know, you're

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<v Speaker 1>going to be in show business. You're gonna sit in

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<v Speaker 1>the front seat of the Oscars. I've written for two Oscars.

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<v Speaker 1>I've been there. You know. The process is you show

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<v Speaker 1>up days before and they have the pictures of all

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<v Speaker 1>the celebrities and where they're sitting. By the way, always

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<v Speaker 1>in black and white. I always thought to myself, this

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<v Speaker 1>is the Oscars. You can't afford a color ink cartridge.

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<v Speaker 1>But they can't. It's black and white, and by the way,

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<v Speaker 1>some of the older guys and some of the other guys,

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<v Speaker 1>you have to look at it for a while before

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<v Speaker 1>you can realize just who that is. But anyway, so

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<v Speaker 1>there's a context. Your front seat of the Oscars and

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<v Speaker 1>here comes Chris Rock and it is his job to

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<v Speaker 1>roast notable people that are sitting up front. So this

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<v Speaker 1>essentially it's like marrying a porn star, going to the

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<v Speaker 1>set of the porn movie and then freaking out because

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<v Speaker 1>someone's your wife. You you knew the job was dangerous

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<v Speaker 1>when you took it. There's a context. Chris Rock didn't

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<v Speaker 1>show up to your home and start making fun of

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<v Speaker 1>your wife. You sat in the very front seat of

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<v Speaker 1>the Oscars. He's a comic, He's gonna roast. That's your context.

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<v Speaker 1>It shouldn't elicit that kind of response. Adam, I go

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<v Speaker 1>to you her most of Beach Comedy Store. I've gone,

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<v Speaker 1>you know, down on Sunset West Sunset. So I've had

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<v Speaker 1>friends that are comedy writers. I've talked to Leno. You know,

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<v Speaker 1>when I was a kid, I wanted to be Johnny Carson.

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<v Speaker 1>Like a lot of kids, I didn't want to be

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<v Speaker 1>a sportscast or. I I didn't even know what it meant.

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<v Speaker 1>Just wasn't talented enough. So I went into sports lower

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<v Speaker 1>bar for that probably. So one of the things I've

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<v Speaker 1>noticed about the great comedians, They've got a set, but

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<v Speaker 1>they played with the crowd, they interact with the crowd.

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<v Speaker 1>I don't think somebody said it's not as scripted. It

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<v Speaker 1>wasn't scripted. It was you look at her. You have

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<v Speaker 1>a line. By the way, g I Jane was sort

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<v Speaker 1>of an empowered woman, right, she was like a powerful,

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<v Speaker 1>successful woman. So in that instance, I think Jesus, if

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<v Speaker 1>you tell comedians they can't add lib in the biggest

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<v Speaker 1>stage in the industry, the Oscars, what are we doing here? Yeah,

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<v Speaker 1>I disagree, just because I've been behind the curtain there

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<v Speaker 1>a couple of times. It probably wasn't ad libbed. It

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<v Speaker 1>could have been quickly thought of backstage or at some

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<v Speaker 1>previous point, but it probably wasn't ad libbed. And that

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<v Speaker 1>you get writing assignments. It's like here's here's gonna be

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<v Speaker 1>sitting here and this person's gonna be there, and they'll

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<v Speaker 1>go give me a few jokes for this person, and

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<v Speaker 1>give me a few jokes for that person. So probably

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<v Speaker 1>wasn't off the cuff. Regardless whether it's off the cuff

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<v Speaker 1>or not, you're on stage, you're telling the joke. There's

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<v Speaker 1>no barrier between you and the audience, and sort of

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<v Speaker 1>taking the law into your own hands is not a

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<v Speaker 1>good precedent. Speaking of the law, I literally just got

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<v Speaker 1>done doing a podcast with Attorney Mark Garrigos. And as

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<v Speaker 1>far as the law goes, if Chris Rock doesn't want

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<v Speaker 1>to press charges and there was no damage done to him,

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<v Speaker 1>then the law is going to leave it alone, unless

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<v Speaker 1>you have some prosecutor who's looking for a bunch of

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<v Speaker 1>publicity who would like to take this on. Is really

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<v Speaker 1>a grand stand type type trial? What would you do

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<v Speaker 1>if I was the prosecutor. No, if you were Chris Rock,

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<v Speaker 1>we are a bigger, stronger you. You're a former boxer.

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<v Speaker 1>I think you're something right. Yeah, well, first off, I'd

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<v Speaker 1>be so surprised that I don't know what I would do. Like,

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<v Speaker 1>it's hard to fathom. Chris's brain must have been whirling

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<v Speaker 1>like a dervish, not only from the slap, but just

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<v Speaker 1>from the bizarre context of the whole thing. Right, I

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<v Speaker 1>probably would have done what he did. I probably would

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<v Speaker 1>have just sort of carried on. Now, what I was

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<v Speaker 1>hoping for is that they would escort will Smith out

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<v Speaker 1>of the building and then later on, when he won

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<v Speaker 1>the Academy Award, Chris Rock would accept it on his behalf.

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<v Speaker 1>That's interesting. It was the greatest TV ever. Well, I

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<v Speaker 1>don't have a problem with Will Smith confronting Chris after right,

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<v Speaker 1>Like right, I just think, keep your hands to yourself.

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<v Speaker 1>It's a public space, you know, let your ego go.

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<v Speaker 1>Um how much of this Like I was kind of

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<v Speaker 1>not kind of I was totally turned off that the

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<v Speaker 1>Hollywood set like not only defended Will Smith, gave him

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<v Speaker 1>a standing ovation. Yeah, we'll turn off. Yeah, we've been

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<v Speaker 1>setting the table for this. Remember a couple of years

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<v Speaker 1>ago when the defensive end for the Browns took his

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<v Speaker 1>helmet off and started swing Miles Garrett started swinging it

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<v Speaker 1>around at the Pittsburgh QB. And remember the kind of

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<v Speaker 1>consensus was, well, he dropped an end bomb or said

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<v Speaker 1>something racially insensitive, and then people kind of went, oh,

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<v Speaker 1>is that what happened? And I was the one saying,

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<v Speaker 1>you're still not allowed to put someone in a coma

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<v Speaker 1>with your helmet because they said something. So we've kind

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<v Speaker 1>of set the table here. It's been it's been around

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<v Speaker 1>for a few years where somebody said, you know, the

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<v Speaker 1>guy behind the counter tried to choke the person at

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<v Speaker 1>the taco bell and they go, what happened, Oh, he

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<v Speaker 1>said something racial and then everyone's ractionalist. Oh okay, well,

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<v Speaker 1>now I guess it's okay. No, it is not okay.

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<v Speaker 1>I don't care what they say. I don't get if

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<v Speaker 1>it's a joke about your wife. I don't care if

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<v Speaker 1>it's Miles Garrett hearing something he doesn't want to hear

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<v Speaker 1>in a scrum. You don't get to weaponize your helmet.

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<v Speaker 1>You don't get to weaponize your hand. This is our

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<v Speaker 1>sort of societal problem. It's like that person put his

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<v Speaker 1>hands on the other person, and then we all go, oh,

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<v Speaker 1>what did that person say. I don't care what that

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<v Speaker 1>person said. You can't put your hands on people. Do

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<v Speaker 1>you still do a lot of stand up right? Yes,

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<v Speaker 1>you drive a lot of revenue and podcasting that we

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<v Speaker 1>all know. I figured you drive a lot of revenue

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<v Speaker 1>in your stand up, which you're very active. Do you

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<v Speaker 1>worry now this incentivizes some idiot for Miller lights in

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<v Speaker 1>the heck? Are you? I have little to no regard

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<v Speaker 1>for my own personal safety. I've just always kind of

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<v Speaker 1>been wired that way. It's never a thing for me.

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<v Speaker 1>I've been in fights, I used to teach boxing. I

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<v Speaker 1>just don't have a fear for my own personal safety.

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<v Speaker 1>But you know, Jeff Ross does, and so he's gonna

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<v Speaker 1>have to think about it when he goes up on stage.

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<v Speaker 1>I am wired from where I come from and work

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<v Speaker 1>in construction and ride a motorcycle getting in fights, you know,

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<v Speaker 1>teaching boxing and stuff like that. I just don't have

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<v Speaker 1>that sure. Oh you know what could happen, And it

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<v Speaker 1>doesn't mean it won't. It certainly is kind of greased

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<v Speaker 1>the skids for that behavior, and I won't. It won't

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<v Speaker 1>be in the back of my head when I perform.

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<v Speaker 1>What's your guests? On the repercussions for Will Smith, he

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<v Speaker 1>apologized that was fairly obvious. I mean that you can

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<v Speaker 1>see that that right hand Jerry Cory hook coming from

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<v Speaker 1>an hour away. But what do you think the repercussions are? Um,

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<v Speaker 1>I don't think anything. I think they gave him a

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<v Speaker 1>standing ovation. Forty minutes later, the OSCARS has made some

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<v Speaker 1>discussion about, you know, taking his oscar back or sanctions

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<v Speaker 1>or you know, giving him the Kanye West treatment for

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<v Speaker 1>the next Oscars or something. I suspect nothing. We don't

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<v Speaker 1>seem to universally condemned that behavior. We feel a little

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<v Speaker 1>more the nation is kind of split, sadly on it.

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<v Speaker 1>It seems pretty pretty cut and dry to me. But

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<v Speaker 1>it's also like I remember talking to people during the

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<v Speaker 1>summer and all the riots and all the BLM marches

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<v Speaker 1>and a lot of when stuff got when stuff got nasty,

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<v Speaker 1>And you know, someone would say to me, did you

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<v Speaker 1>see those those cops in New York? They rammed right

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<v Speaker 1>into those protesters, And I'd go, no, let me see

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<v Speaker 1>that tape. And the tape was a bunch of idiots

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<v Speaker 1>on the hood of a cop car, jumping up and

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<v Speaker 1>down and try to kick out the windshield. And then

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<v Speaker 1>the cop car lurches forward and the guys fall off

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<v Speaker 1>the hood, and I'm like, that's not a cop car

0:11:34.960 --> 0:11:38.960
<v Speaker 1>ramming protesters. That's a bunch of jackasses jumping on the

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<v Speaker 1>hood of a cop car and trying to kick out

0:11:41.920 --> 0:11:48.760
<v Speaker 1>the windshield. So we've gotten this weird relationship with violence

0:11:48.800 --> 0:11:52.640
<v Speaker 1>and actions. You know, it's a mostly peaceful protest. As

0:11:52.679 --> 0:11:57.480
<v Speaker 1>the CVS pharmacy burns behind you, you know, something happened

0:11:58.080 --> 0:12:02.800
<v Speaker 1>where we And then we also went the other direction too,

0:12:02.840 --> 0:12:05.360
<v Speaker 1>like did you see Al Franken assaulted that woman on

0:12:05.400 --> 0:12:07.760
<v Speaker 1>the C one thirty cargo play And it's like he

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<v Speaker 1>took a goofy picture with his hands outside of her

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<v Speaker 1>flat jacket. That's not assault. He didn't assault anyway. So

0:12:13.760 --> 0:12:17.480
<v Speaker 1>we've taken this thing called assault and we've twisted it,

0:12:17.800 --> 0:12:21.480
<v Speaker 1>morphed it, and sort of politicized it and used it

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<v Speaker 1>so that if we didn't like Al Franken, then what

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<v Speaker 1>he did was assault, but if we didn't like the cops,

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<v Speaker 1>and what they did wasn't assault when people were trying

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0:14:08.640 --> 0:14:13.800
<v Speaker 1>you know David Spade reacted today when somebody pushed back

0:14:13.800 --> 0:14:17.760
<v Speaker 1>and said, hey, what about Jada Pinkett. She has this um,

0:14:18.000 --> 0:14:22.320
<v Speaker 1>you know disease which is fairly common, actually inability to

0:14:22.360 --> 0:14:24.560
<v Speaker 1>grow hair, And David Spade said, yeah, I don't have

0:14:24.600 --> 0:14:28.560
<v Speaker 1>a medical chart for everybody in the audience. I'm sorry.

0:14:28.760 --> 0:14:33.200
<v Speaker 1>That goes back to my point, what's what's funny? What?

0:14:33.400 --> 0:14:35.760
<v Speaker 1>Ricky Gervaise can be really sharp, but then there's stuff

0:14:35.800 --> 0:14:39.000
<v Speaker 1>that can be mean. As a comedian, do you know

0:14:39.200 --> 0:14:41.920
<v Speaker 1>instantly when a joke has written that's over the line

0:14:42.080 --> 0:14:45.000
<v Speaker 1>or is it something? Do you go into shows Adam,

0:14:45.160 --> 0:14:47.640
<v Speaker 1>especially if you don't write all the material and think, man,

0:14:48.040 --> 0:14:49.480
<v Speaker 1>I don't know how this, I don't know how this

0:14:49.520 --> 0:14:54.720
<v Speaker 1>is gonna play. I write all my own material, and

0:14:54.920 --> 0:15:00.080
<v Speaker 1>if it's funny to me and then it's funny, I

0:15:00.120 --> 0:15:02.920
<v Speaker 1>will say it and I will do it. I will

0:15:02.960 --> 0:15:07.320
<v Speaker 1>perform it. Now. The question in my mind now is

0:15:07.640 --> 0:15:12.479
<v Speaker 1>I know it's funny, but we'll see how the audience reacts,

0:15:12.960 --> 0:15:17.040
<v Speaker 1>because they don't always feel comfortable laughing now. So there's

0:15:17.080 --> 0:15:21.880
<v Speaker 1>a kind of a third element to this, which is

0:15:22.400 --> 0:15:25.360
<v Speaker 1>I think it's funny, I will deliver it in a

0:15:25.400 --> 0:15:30.640
<v Speaker 1>funny way, But we don't know if that audience is

0:15:30.640 --> 0:15:33.880
<v Speaker 1>going to have a comfort level with it because they

0:15:33.960 --> 0:15:37.760
<v Speaker 1>heard certain words that were in it that sort of

0:15:38.640 --> 0:15:43.440
<v Speaker 1>made them recoil a little bit. Like I'll never forget.

0:15:44.160 --> 0:15:46.720
<v Speaker 1>I was. I'm a car guy, and I was down

0:15:46.760 --> 0:15:51.640
<v Speaker 1>at the Pebble Beach Car Weekend Race weekend do vintage

0:15:51.720 --> 0:15:56.520
<v Speaker 1>racing there and sitting at this event, and it was

0:15:56.560 --> 0:15:59.560
<v Speaker 1>one of those big events where there's a whole bunch

0:15:59.560 --> 0:16:02.240
<v Speaker 1>of different people and it's outdoors and you end up

0:16:02.400 --> 0:16:06.240
<v Speaker 1>sharing a table with other couples, and you know, you're

0:16:06.240 --> 0:16:08.600
<v Speaker 1>sitting there with your food and your drinks and you're talking.

0:16:08.680 --> 0:16:11.600
<v Speaker 1>You're meeting these other couples, and everyone's a car guy.

0:16:12.000 --> 0:16:15.000
<v Speaker 1>So the guy goes off on some car he has,

0:16:15.080 --> 0:16:17.920
<v Speaker 1>like I have a thirty two Dusenberg, and then the

0:16:17.960 --> 0:16:20.240
<v Speaker 1>other guy's going, I have a Chord and the other

0:16:20.280 --> 0:16:24.360
<v Speaker 1>guy's going, I have a Lamborghini Mura, you know. And

0:16:25.040 --> 0:16:28.600
<v Speaker 1>we're talking about restoring the cars and getting more champagne

0:16:28.680 --> 0:16:31.680
<v Speaker 1>and things of that nature and caviar. And at some

0:16:31.800 --> 0:16:35.320
<v Speaker 1>point I stopped and I said, you know what, this

0:16:35.480 --> 0:16:40.520
<v Speaker 1>conversation we're having here is exactly what black people think

0:16:40.600 --> 0:16:44.360
<v Speaker 1>white people do all day. And one of the women

0:16:44.360 --> 0:16:47.600
<v Speaker 1>at the table went like, okay, all right, no no, no, no,

0:16:47.600 --> 0:16:50.120
<v Speaker 1>no no, and I said, no, I'm just making it. Okay,

0:16:50.240 --> 0:16:51.840
<v Speaker 1>we heard you, we heard you, we heard you. And

0:16:51.880 --> 0:16:55.640
<v Speaker 1>I was like, I'm making fun of us basically, right,

0:16:55.680 --> 0:16:59.000
<v Speaker 1>but I'm not making fun of black people, and I'm

0:16:59.000 --> 0:17:00.880
<v Speaker 1>making a joke. It's just like, yeah, we heard you,

0:17:01.160 --> 0:17:04.760
<v Speaker 1>we heard Please stop. I was like, people are so

0:17:04.920 --> 0:17:08.240
<v Speaker 1>hair triggered now that if they just hear a topic,

0:17:09.160 --> 0:17:11.879
<v Speaker 1>they're already like, oh, can I clapp can? I laughed,

0:17:11.880 --> 0:17:14.080
<v Speaker 1>I have to tell them the stub. She nervously wanted

0:17:14.080 --> 0:17:18.400
<v Speaker 1>me to stop, which I didn't. But but I think

0:17:18.640 --> 0:17:21.320
<v Speaker 1>that's where the comedian and the sportscaster, that's where it

0:17:21.480 --> 0:17:26.240
<v Speaker 1>kind of it connects, right, Like we're both performers and

0:17:26.359 --> 0:17:29.600
<v Speaker 1>we're both giving kind of a social commentary and sometimes

0:17:30.400 --> 0:17:35.520
<v Speaker 1>intent isn't considered, like you were being self deprecating, and yes,

0:17:35.720 --> 0:17:40.000
<v Speaker 1>it made people uncomfortable. I thought about this Adam athletes

0:17:41.000 --> 0:17:42.800
<v Speaker 1>in my twenty five years of doing this, or thick

0:17:42.800 --> 0:17:46.479
<v Speaker 1>skinned Why because you can have great connections, but they

0:17:46.480 --> 0:17:49.040
<v Speaker 1>have limitations. If you can't hit the ball, catch the ball,

0:17:49.119 --> 0:17:52.520
<v Speaker 1>throw the ball. Make the tackle, you lose your spot

0:17:52.520 --> 0:17:56.440
<v Speaker 1>in the team. Also, athletes deal with very punitive media

0:17:56.520 --> 0:18:01.640
<v Speaker 1>and fans holding them accountable. Hollywood is different connections. It's

0:18:01.760 --> 0:18:06.199
<v Speaker 1>very subjective. Unlike sports, it's very subjective. Connections can have

0:18:06.240 --> 0:18:10.760
<v Speaker 1>an odd leverage for people. That's why you see, like

0:18:11.080 --> 0:18:15.359
<v Speaker 1>families that act, the media is fawning. I mean you

0:18:15.440 --> 0:18:17.960
<v Speaker 1>almost you never see anybody on the red carpet ever

0:18:18.040 --> 0:18:21.239
<v Speaker 1>have a critical word. You're beautiful, your outfits beautiful. Tell

0:18:21.280 --> 0:18:24.600
<v Speaker 1>me more about how beautiful you are. And so whereas

0:18:24.640 --> 0:18:27.200
<v Speaker 1>athletes have thick skin, they get heckled, they get ripped,

0:18:27.520 --> 0:18:30.719
<v Speaker 1>Hollywood doesn't. And I think a lot of that is

0:18:30.800 --> 0:18:34.440
<v Speaker 1>it's an entitled business with a fawning press. Often people

0:18:34.480 --> 0:18:37.680
<v Speaker 1>didn't earn their way in. It was family connections, and

0:18:37.720 --> 0:18:41.080
<v Speaker 1>that's why I think a lot of people cheered Will Smith.

0:18:41.359 --> 0:18:44.720
<v Speaker 1>How dare somebody make fun of us? Now? I'm just

0:18:45.080 --> 0:18:47.919
<v Speaker 1>a layman, right like, I don't even know actors, but

0:18:48.080 --> 0:18:51.640
<v Speaker 1>part of me thinks this is what Hollywood is. Out

0:18:51.680 --> 0:18:54.760
<v Speaker 1>of touch with reality. Many careers are not earned. That

0:18:54.920 --> 0:18:57.600
<v Speaker 1>is not to say Ed Norton and Don Cheetle aren't brilliant,

0:18:57.960 --> 0:19:01.720
<v Speaker 1>but as somebody who covers. Athletes are overwhelmingly thick skinned,

0:19:02.359 --> 0:19:05.560
<v Speaker 1>grateful of shit, incredibly humble, they really are. I mean,

0:19:05.560 --> 0:19:09.679
<v Speaker 1>it's incredible how grateful athletes are. I don't feel like

0:19:09.720 --> 0:19:14.399
<v Speaker 1>Hollywood is. And maybe it's the tunnel where they arrived

0:19:14.520 --> 0:19:20.840
<v Speaker 1>at their career. It's not built for grateful, humble people. Well,

0:19:21.160 --> 0:19:25.520
<v Speaker 1>it's obviously built for narcissists. So you you know, make

0:19:25.560 --> 0:19:28.000
<v Speaker 1>the proclamation that you should be up on the silver

0:19:28.119 --> 0:19:31.159
<v Speaker 1>screen and you should be holding the microphone and the

0:19:31.359 --> 0:19:34.280
<v Speaker 1>great order order in front of all the audience. So

0:19:34.359 --> 0:19:37.160
<v Speaker 1>you know, it's sort of you know, it's a self

0:19:37.160 --> 0:19:40.040
<v Speaker 1>selecting group. You know, you have to think you're pretty

0:19:40.080 --> 0:19:42.200
<v Speaker 1>good looking and pretty smart and have something to say,

0:19:42.240 --> 0:19:44.200
<v Speaker 1>and other people should hear what you have to say,

0:19:44.240 --> 0:19:48.960
<v Speaker 1>and so it attracts the narcissists. And then the other

0:19:49.000 --> 0:19:52.760
<v Speaker 1>thing about the athlete is you were saying that, you know,

0:19:52.880 --> 0:19:58.640
<v Speaker 1>athletes have pretty short careers career wise. I mean, I

0:19:58.760 --> 0:20:02.359
<v Speaker 1>started in show business, I didn't get my first I

0:20:02.359 --> 0:20:05.520
<v Speaker 1>didn't make my first nickel until I was thirty one.

0:20:05.720 --> 0:20:10.480
<v Speaker 1>Most athletes are retiring around thirty one, so it's a

0:20:10.520 --> 0:20:15.359
<v Speaker 1>totally different world. And when it comes to actors, you

0:20:15.400 --> 0:20:17.880
<v Speaker 1>know how many stories have you heard, Oh, this guy

0:20:18.000 --> 0:20:20.560
<v Speaker 1>was originally the guy they wanted to play James Bond,

0:20:20.680 --> 0:20:22.840
<v Speaker 1>and then they got this guy to play James Bond,

0:20:22.840 --> 0:20:25.520
<v Speaker 1>and they wanted to make this guy and this role.

0:20:25.600 --> 0:20:27.919
<v Speaker 1>Can you imagine if that guy played this role, this

0:20:28.000 --> 0:20:33.880
<v Speaker 1>role play, you are not necessary as an actor. There

0:20:33.920 --> 0:20:39.800
<v Speaker 1>are a handful of guys that are undeniable, and you

0:20:39.840 --> 0:20:45.440
<v Speaker 1>know that Daniel day Lewis is an undeniable talent. There's

0:20:45.440 --> 0:20:49.200
<v Speaker 1>about seven of those guys, and then there's two thousand

0:20:49.200 --> 0:20:54.280
<v Speaker 1>other guys who need to win a popularity contest. They

0:20:54.320 --> 0:20:56.719
<v Speaker 1>will they will get rid of you if you're not

0:20:56.760 --> 0:21:00.240
<v Speaker 1>on the same page as them politically or whichever way.

0:21:00.280 --> 0:21:03.480
<v Speaker 1>The night geis in. The wind is blowing. So imagine

0:21:03.520 --> 0:21:06.919
<v Speaker 1>if you said to the athlete, you know it's not

0:21:06.960 --> 0:21:09.399
<v Speaker 1>all going to be over when you're thirty four. You

0:21:09.440 --> 0:21:13.720
<v Speaker 1>can go another thirty years in this athletic endeavor you're doing,

0:21:14.000 --> 0:21:16.919
<v Speaker 1>but you better make friends and you better hope people

0:21:17.000 --> 0:21:20.040
<v Speaker 1>like you. And they said, well, what if my fastballs

0:21:20.119 --> 0:21:23.919
<v Speaker 1>not as fast or my forty times not as It's like, no, no,

0:21:24.520 --> 0:21:28.200
<v Speaker 1>it's a popularity contest at this point, and you wonder

0:21:28.240 --> 0:21:31.600
<v Speaker 1>why they all magically take the same side of every

0:21:31.680 --> 0:21:35.680
<v Speaker 1>issue every single time. It's not because they all individually

0:21:35.760 --> 0:21:38.920
<v Speaker 1>just believe it. Some of these some of these things

0:21:38.920 --> 0:21:41.800
<v Speaker 1>that are going on in the in the world, they're

0:21:41.840 --> 0:21:45.320
<v Speaker 1>they're they're they're nuanced there there you maybe you're for

0:21:45.600 --> 0:21:47.920
<v Speaker 1>the war in Ukraine, but maybe you're against the US

0:21:48.000 --> 0:21:50.439
<v Speaker 1>involvement in the War of Ukraine. And it is a

0:21:50.520 --> 0:21:54.720
<v Speaker 1>thousand other examples how they magically all in lockstep on

0:21:54.880 --> 0:21:59.280
<v Speaker 1>every issue every time because all you have to do

0:21:59.720 --> 0:22:05.199
<v Speaker 1>in that group when it comes to an election that

0:22:05.359 --> 0:22:09.040
<v Speaker 1>is literally a presidential election which is literally split the

0:22:09.160 --> 0:22:12.679
<v Speaker 1>nation and half. You know, he got fifty one percent,

0:22:12.800 --> 0:22:14.800
<v Speaker 1>he got forty nine percent, he got fifty and a

0:22:14.840 --> 0:22:17.119
<v Speaker 1>half percent, he got forty nine and a half percent

0:22:17.119 --> 0:22:22.560
<v Speaker 1>of why the nation completely split. There's not one human

0:22:22.600 --> 0:22:25.960
<v Speaker 1>being in Hollywood who goes, I'm voted for Trump, because

0:22:25.960 --> 0:22:28.600
<v Speaker 1>if you say that, right, then you'll end up with

0:22:28.640 --> 0:22:34.520
<v Speaker 1>Scott Baio somewhere right right right. You know, it's a

0:22:34.680 --> 0:22:38.679
<v Speaker 1>it's an ongoing it's your senior year of high school

0:22:38.800 --> 0:22:42.200
<v Speaker 1>and it never ends, and you're running for prom King

0:22:43.240 --> 0:22:49.360
<v Speaker 1>Adam when you I mean everybody now everything is politics,

0:22:49.400 --> 0:22:51.600
<v Speaker 1>I mean weather is politics. I was talking to a friend.

0:22:51.600 --> 0:22:53.919
<v Speaker 1>I like to ski. There's no ski season and I

0:22:53.960 --> 0:22:56.280
<v Speaker 1>told a friend it's like the ski season now ends

0:22:56.320 --> 0:22:59.440
<v Speaker 1>like March eighth. I'm like, is it global warming? Oh boy?

0:22:59.800 --> 0:23:01.680
<v Speaker 1>I get pushedback and I'm like, I don't know. It

0:23:01.800 --> 0:23:03.600
<v Speaker 1>just you used to be able to ski till April.

0:23:04.080 --> 0:23:05.840
<v Speaker 1>Like the last two years, it feels like it's died.

0:23:07.040 --> 0:23:11.120
<v Speaker 1>You are more aggressive politically, and I kind of stay

0:23:11.119 --> 0:23:13.640
<v Speaker 1>away from it mostly because everybody else is doing it,

0:23:13.880 --> 0:23:16.520
<v Speaker 1>and I feel like, you know, ESPN went more heavily

0:23:16.640 --> 0:23:20.360
<v Speaker 1>into it, and I thought it was a business decision.

0:23:20.960 --> 0:23:23.240
<v Speaker 1>To the audience that was turned off by that, I'd

0:23:23.240 --> 0:23:27.440
<v Speaker 1>mostly stay on sports and it worked. It helped as

0:23:27.480 --> 0:23:30.480
<v Speaker 1>you pivoted more into politics. Are you glad you did?

0:23:30.520 --> 0:23:33.720
<v Speaker 1>Are you happy you did? Have there been repercussions? Has

0:23:33.720 --> 0:23:35.840
<v Speaker 1>it hurt revenue as it helped revenue? Where do you

0:23:35.880 --> 0:23:40.280
<v Speaker 1>stand today on that decision? Because I, you know, I

0:23:40.320 --> 0:23:46.119
<v Speaker 1>think of your career and I think Man show, huge podcasting,

0:23:46.200 --> 0:23:48.080
<v Speaker 1>and then we a lot of people just got stucked

0:23:48.080 --> 0:23:51.560
<v Speaker 1>into as performers politics because the whole weather became political.

0:23:51.920 --> 0:23:55.320
<v Speaker 1>Sports is political. How do you view it now? If

0:23:55.320 --> 0:23:57.120
<v Speaker 1>you go back five years are you glad you kind

0:23:57.119 --> 0:24:01.280
<v Speaker 1>of aggressively be moving into that space. I'm in the

0:24:01.280 --> 0:24:04.720
<v Speaker 1>business of saying whatever it is I'm thinking, so I

0:24:04.760 --> 0:24:08.320
<v Speaker 1>can't really control it, per se, whatever I happen to

0:24:08.359 --> 0:24:11.480
<v Speaker 1>be thinking of at the time. More so than other things.

0:24:13.000 --> 0:24:16.119
<v Speaker 1>It doesn't help. I've got a lot of documentaries and

0:24:16.160 --> 0:24:19.720
<v Speaker 1>none of them get into Sundance. That's for political reasons

0:24:19.800 --> 0:24:22.720
<v Speaker 1>for sure, And it doesn't help in Hollywood at all.

0:24:22.800 --> 0:24:26.639
<v Speaker 1>It's a non help. But I still say what I

0:24:26.680 --> 0:24:29.400
<v Speaker 1>want to say, and you know, make enough to keep

0:24:29.400 --> 0:24:33.480
<v Speaker 1>the lights on. And you know, people have this misnomer

0:24:33.560 --> 0:24:36.920
<v Speaker 1>where they go, oh, you're you now become some sort

0:24:36.960 --> 0:24:39.320
<v Speaker 1>of right wing talk mouthpiece and you go over to

0:24:39.400 --> 0:24:42.800
<v Speaker 1>Fox to get paid, and it's like Fox doesn't pay you. No,

0:24:43.160 --> 0:24:46.280
<v Speaker 1>you're going Tucker Carlson or Sean Hannity. You don't get paid,

0:24:46.720 --> 0:24:49.359
<v Speaker 1>and you actually lose money because we're in a very

0:24:49.560 --> 0:24:53.320
<v Speaker 1>liberal town and they will blackmail you if you don't

0:24:53.359 --> 0:24:56.040
<v Speaker 1>fall on lockstep with them and all their kookie ideas.

0:24:56.040 --> 0:24:58.640
<v Speaker 1>So no, it's not a good business decision. I tell

0:24:58.680 --> 0:25:01.960
<v Speaker 1>my liberal friends all the time, I say, you get

0:25:02.000 --> 0:25:04.879
<v Speaker 1>you were wrong on the masks, right, you were wrong

0:25:04.880 --> 0:25:07.439
<v Speaker 1>on them. You just you have to own that. If

0:25:07.480 --> 0:25:09.199
<v Speaker 1>you're going to pretend you're the smartest people in the

0:25:09.240 --> 0:25:11.480
<v Speaker 1>room on it, you were wrong. On the masks, you're

0:25:11.520 --> 0:25:14.040
<v Speaker 1>also wrong. There was a moment at the beginning of

0:25:14.040 --> 0:25:17.439
<v Speaker 1>COVID Adam and I'll let you go Jacksonville. A lot

0:25:17.480 --> 0:25:20.000
<v Speaker 1>of people went on the beach in Jacksonville, and people

0:25:20.040 --> 0:25:23.879
<v Speaker 1>went crazy. The media went crazy, And for two weeks

0:25:23.920 --> 0:25:26.720
<v Speaker 1>at him, I kept going to a website to check

0:25:26.760 --> 0:25:31.000
<v Speaker 1>on Jacksonville's COVID numbers. They never popped, of course, And

0:25:31.040 --> 0:25:33.159
<v Speaker 1>I thought, and I remember thinking, you're not going to

0:25:33.240 --> 0:25:36.159
<v Speaker 1>get sick at the beach. That's what I yelled it

0:25:36.760 --> 0:25:41.199
<v Speaker 1>from the mountaintop from from day one. You're not going

0:25:41.280 --> 0:25:44.800
<v Speaker 1>to get sick outside. Now you'll get better outside, all right.

0:25:44.800 --> 0:25:47.000
<v Speaker 1>Adam Crole is busy. He's got a lot of things

0:25:47.080 --> 0:25:49.960
<v Speaker 1>going on. He's trying to get those docks approved into

0:25:49.960 --> 0:25:52.919
<v Speaker 1>the Sundance Film Festival in Park City. You're busy. We

0:25:53.040 --> 0:25:57.000
<v Speaker 1>got we called you last second. Very appreciative of Thank you, sure,

0:25:57.119 --> 0:26:17.920
<v Speaker 1>Colin No. Probably the volume. Make sure to check out

0:26:17.920 --> 0:26:21.560
<v Speaker 1>the Draymond Green Show. I brought Draymond Green into the

0:26:21.600 --> 0:26:24.440
<v Speaker 1>volume because one of the more entertaining voices in sports,

0:26:24.600 --> 0:26:28.800
<v Speaker 1>unique perspective understands Behind the Rope also chops up with

0:26:28.880 --> 0:26:32.680
<v Speaker 1>guests like Gary Peyton, Zach Levine, Tracy McGrady. Make sure

0:26:32.880 --> 0:26:37.119
<v Speaker 1>download The Draymond Green Show wherever you get your podcasts,

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<v Speaker 1>only on the Volume podcast Network