WEBVTT - #347 - Gabe P (On The Radar)

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<v Speaker 1>Yes, sir baby, it's mister on the Radar Radio.

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<v Speaker 2>Mister step and step out, don't get stept on gay

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<v Speaker 2>p Checking in with my brother Bootleg keV makes you

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<v Speaker 2>tapping with my boy.

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<v Speaker 1>He's showing love, he's holding it down. You already know

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<v Speaker 1>what it is.

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<v Speaker 3>It's not the plan Gooleg keV Podcast special guests in

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<v Speaker 3>here on the Radar zonn Game.

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<v Speaker 1>Yes, my god, pleasure to be here.

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<v Speaker 3>Man.

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<v Speaker 1>First of all, nice, yeah, nice to finally get up

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<v Speaker 1>with you. Man. I was telling you we met real

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<v Speaker 1>quick at the BT Media House this weekend.

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<v Speaker 2>But I'm gonna give your flowers because the No Jumper

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<v Speaker 2>interview that you had did with Adam like a long

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<v Speaker 2>time ago, well it.

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<v Speaker 1>Was like a year ago, year and a half, like

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<v Speaker 1>a year and a half ago.

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<v Speaker 2>I really like watched and dissected that interview so much

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<v Speaker 2>because a lot of the stuff that you were going

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<v Speaker 2>through with this podcast is like I felt like I

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<v Speaker 2>was also going through at the Toms with On the Radar,

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<v Speaker 2>you know, being affiliated with a radio station, but your

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<v Speaker 2>podcast not entirely being affiliated with the station, and you know,

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<v Speaker 2>just having that like synergy and and a lot of

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<v Speaker 2>the things you said and that like kind of really

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<v Speaker 2>help me and kind of like my thought process of like, Okay,

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<v Speaker 2>this is how I should move with on the radar

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<v Speaker 2>going forward to So I want to thank you for that.

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<v Speaker 3>All good man. So for people who don't know, so

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<v Speaker 3>your roots are in radio, Yes, my rooturn radio.

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<v Speaker 2>I started off at a Saint John's in Queens with

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<v Speaker 2>along with Nyla who's also on Power. Angie Martinez came

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<v Speaker 2>to the radio station for her book tour. Me and

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<v Speaker 2>her both interviewed her and then the rest is like

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<v Speaker 2>pretty much history, and he picked it.

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<v Speaker 3>I took a liking to you guys, yeah, yeah.

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<v Speaker 2>And you took a liking to us. She literally just

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<v Speaker 2>picked us up out of the radio station and and

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<v Speaker 2>then brought us to Power Ont five. And then I

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<v Speaker 2>was an intern at Power Wintal five for the rest

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<v Speaker 2>of my college career until like pretty much right before

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<v Speaker 2>I graduated, and then I took a full time position

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<v Speaker 2>as like the I ran all their social media. So

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<v Speaker 2>I took a full time position before I graduated to

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<v Speaker 2>stay in the building. She was a social guy. I

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<v Speaker 2>was association. Yeah, I was a social guy at the

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<v Speaker 2>station before anything. So I rand the social media up

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<v Speaker 2>until last August when I when I left, because you know,

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<v Speaker 2>she was doing everything was going on, was doing.

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<v Speaker 3>And then you were doing weren't you doing like a

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<v Speaker 3>something with Charlamagne at Marvel? Yeah podcast. Yeah, we had

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<v Speaker 3>a few episodes. You guys didn't do too many episodes.

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<v Speaker 1>We did like seventeen. We like we did like yeah,

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<v Speaker 1>we did like seventeen.

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<v Speaker 2>It was called Comic Kings, and it was just cause

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<v Speaker 2>that like had spawned out of when I was an intern.

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<v Speaker 2>Charlamage and I would just talk about like the different

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<v Speaker 2>comic book movies that we were watching. So like I

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<v Speaker 2>think I remember like one conversation me and him had

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<v Speaker 2>it was like Logan had came out, and uh, we

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<v Speaker 2>were just having a debate about the movie. And then

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<v Speaker 2>somebody at the say she's like, y'all should do a

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<v Speaker 2>podcast together. So, like, you know, on my time off

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<v Speaker 2>and his time off, you know, after Breakfast Club, we

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<v Speaker 2>would just shoot it. And then the pandemic came and

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<v Speaker 2>then he got a show and then everything just kind

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<v Speaker 2>of got super busy. But honestly, like that was such

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<v Speaker 2>a great opportunity. And when we still see each other,

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<v Speaker 2>like we talk about like the nerd ship, like we

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<v Speaker 2>love that.

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<v Speaker 3>What did you think of Flash? I didn't get to

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<v Speaker 3>see it yet.

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<v Speaker 1>Because I I've been on we you know, we've been

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<v Speaker 1>on the on the Radar tour.

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<v Speaker 3>It's like super mid Yeah, I keep hearing. I'm like,

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<v Speaker 3>how Michael Keatons did it? What's what? How they fucked

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<v Speaker 3>that up?

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<v Speaker 2>Like like how do you bring back like everybody, well

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<v Speaker 2>most people favorite Batman, right, and then you include Supergirl

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<v Speaker 2>and then somehow you still mess it up like this.

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<v Speaker 3>This guy who plays Flash did so many so much

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<v Speaker 3>wow ship, and they kept him in the movie. So

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<v Speaker 3>I'm like they had to have kept him in there

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<v Speaker 3>because it has to be Fire. I was thinking they

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<v Speaker 3>will scrap it after this guy was like breaking into

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<v Speaker 3>people's houses and falling asleep on the couch and doing

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<v Speaker 3>all kinds of weird ship the actor or like like

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<v Speaker 3>fighting people and whole guy fucking wild guy for sure.

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<v Speaker 2>You ever seen the video of him in Hawaii where

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<v Speaker 2>it's like you know what want to talk about?

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<v Speaker 3>Was like his face is a great I think he's uh.

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<v Speaker 3>They slashed them.

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<v Speaker 2>They yeah, they they sorry gotta beat my apologically correct.

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<v Speaker 3>I'd be correct.

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<v Speaker 2>But when they had when their uh, their mugshot was

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<v Speaker 2>on the TV. Yes, and then it pans over and

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<v Speaker 2>he's just like sipping a drink in like a nice

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<v Speaker 2>in like a nice suit, talking to three older women.

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<v Speaker 1>It's just like wild Boy Man wold Boy.

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<v Speaker 2>But yeah, I didn't get to see it. I'm gonna

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<v Speaker 2>watch it, uh when I go back to New York.

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<v Speaker 2>But I did see Spider Verse, and Spider Verse was phenomenal, amazing.

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<v Speaker 3>Do you think do you think the Spider Verse two

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<v Speaker 3>movies are better because there's a lot of people saying

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<v Speaker 3>that they're the best Spider Man's period. Yeah, I think so.

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<v Speaker 3>You think so, I think so.

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<v Speaker 2>I just think it's just I don't know, because I

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<v Speaker 2>remember when the animated movies first came out, I was

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<v Speaker 2>like I don't want this, Like like when they announced it,

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<v Speaker 2>I was like, I don't want Miles. I like, I

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<v Speaker 2>want to see Miles, you know an actor. Yeah, because

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<v Speaker 2>he's Puerto Rican. I'm Puerto Rican, you know what I'm saying.

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<v Speaker 2>So I'm like, Okay, this is dope because you know

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<v Speaker 2>we're gonna get like we're getting a first of all

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<v Speaker 2>Afro Latino representation on the big screen. He's from Brooklyn,

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<v Speaker 2>My family's from Brooklyn, Like it just kind of felt like, Okay,

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<v Speaker 2>this is dope. But then like when it actually came out,

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<v Speaker 2>like into the Spider Verse, became like one of my

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<v Speaker 2>favorite superhero movies of all time. And I think the

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<v Speaker 2>two of them alone are really the best Spider Man

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<v Speaker 2>movies ever created. And it's weird because it's animated, so

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<v Speaker 2>you wouldn't no Meal think that, But I like, I like.

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<v Speaker 1>The new one way better than I like like the

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<v Speaker 1>Tom Holland once. For sure.

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<v Speaker 3>I think I agree with you man the time. You

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<v Speaker 3>know what the one is that last time Holland won,

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<v Speaker 3>when it's just got that one moment where all the

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<v Speaker 3>Spider Man come together and you're just like, ah, it's

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<v Speaker 3>like this is crazy.

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<v Speaker 1>But have you rewatched it, like after the fact.

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<v Speaker 3>It's not as great when you rewatch it, for sure.

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<v Speaker 3>You're right, Like it's like it's just like one of

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<v Speaker 3>those in theater moments that you remember, almost like an endgame,

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<v Speaker 3>you know what I'm saying, Like it's it's but yeah,

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<v Speaker 3>the Spider for shit is lit. So look, let's get

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<v Speaker 3>to you obviously built this platform. Yeah, was on the

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<v Speaker 3>radar something that you had always kind of like because

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<v Speaker 3>I think early on I was seeing you were doing

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<v Speaker 3>stuff during the pandemic on like zoom YEP and what

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<v Speaker 3>everybody was doing, right, we all had to do that.

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<v Speaker 3>So when did you initially would you launch on the

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<v Speaker 3>Radar during the pandemic or was it prior to the pandemic? Like,

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<v Speaker 3>give me the kind of the history.

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<v Speaker 2>Well, like on the Radar started in twenty eighteen, so

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<v Speaker 2>like I originally had the idea because for me, like,

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<v Speaker 2>you know, I'm twenty six, so I was twenty eighteen.

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<v Speaker 2>I was like I was like twenty one, twenty twoish,

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<v Speaker 2>and my biggest thing for me back then was like

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<v Speaker 2>I you know, I was a young kid, and I

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<v Speaker 2>was listening to like, you know, the little Uzi Versy

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<v Speaker 2>Yatis and the whatnot, and I would see them go

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<v Speaker 2>on different platforms, and I just felt like they weren't

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<v Speaker 2>really under stood by you know. You think about like

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<v Speaker 2>the infamous Joe Budden moment with him and YACHTI, and

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<v Speaker 2>it's like.

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<v Speaker 3>Even like the ebro one where they were like trying

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<v Speaker 3>to get him a rap over some premo shit.

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<v Speaker 2>Right, And I don't necessarily blame them for those moments,

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<v Speaker 2>you know what I'm saying, because you know, they just

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<v Speaker 2>didn't understand their generation, right, you know what I'm saying,

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<v Speaker 2>they're younger kids, right, So I felt like at that time,

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<v Speaker 2>I was like, damn, like I don't really see them

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<v Speaker 2>being represented properly in a media space. And I didn't

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<v Speaker 2>really see anybody and my age really being able to

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<v Speaker 2>be in this media space and also kind of be

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<v Speaker 2>that kind of that like that person that's able to

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<v Speaker 2>grab them and help them, you know, be presented properly

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<v Speaker 2>the way that like, you know, you think of like

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<v Speaker 2>an Angree Martinez in the nineties with with with everybody

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<v Speaker 2>from New York, or you think of or bless you,

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<v Speaker 2>or you think of whom I Who am I thinking

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<v Speaker 2>of Columbia Radio Station. I don't know why I'm blanking

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<v Speaker 2>right now stretching Bobido right like or how stretching Barbido

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<v Speaker 2>was there to help bring.

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<v Speaker 3>Up Biggie Wu Tang.

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<v Speaker 1>They had like some of.

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<v Speaker 2>Their first you think about those, and like, I wanted

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<v Speaker 2>to do something like that for this generation. So I

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<v Speaker 2>came up with the idea back in like the summer

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<v Speaker 2>of twenty eighteen, right after I graduated college.

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<v Speaker 1>You know, I kind of.

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<v Speaker 3>Presumed were you already at power?

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<v Speaker 1>Yeah, yeah, I was.

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<v Speaker 2>Already full time on the digital side of things. I

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<v Speaker 2>was part of the Andrew Martinez Show. I helped that

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<v Speaker 2>with Breakfast Club. So I did a little bit of everything,

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<v Speaker 2>and when it came to like creating this space, I

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<v Speaker 2>was like, you know, I wanted it to be like

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<v Speaker 2>on the radio station, but they were like, you know

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<v Speaker 2>what's build it on your own, you know what I'm saying,

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<v Speaker 2>Like kind of started getting going. They had a room

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<v Speaker 2>there that I could use. It was the same room

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<v Speaker 2>that Charlotte used to film Brilliant Idiots in. So I

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<v Speaker 2>was just filming like one interview a day or like

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<v Speaker 2>one interview a week, something like that, and it was

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<v Speaker 2>just I was finding anybody and anybody and everybody I

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<v Speaker 2>can interview, just trying to start building my connection. So

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<v Speaker 2>I was doing that for a while and then I

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<v Speaker 2>started making more younger friends in the industry, and that's

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<v Speaker 2>how I ended up getting up some bigger artists, started

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<v Speaker 2>getting a little more recognition in New York, and then

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<v Speaker 2>the pandemic came, and like right before the pandemic, I

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<v Speaker 2>did this interview with Bankroll Freddie and like that was

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<v Speaker 2>kind of like my biggest interview at the time. It

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<v Speaker 2>had like I think I had like twenty thousand views

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<v Speaker 2>like in like a week or whatever, which was like

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<v Speaker 2>a lot for me at the time, right, And I

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<v Speaker 2>was like, Okay, cool, I have all this traction.

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<v Speaker 1>But now like everything is shutting down dead right.

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<v Speaker 2>So I was like in a space where it was

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<v Speaker 2>weird because I also had another show at the time

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<v Speaker 2>I did with Power called Enter Player Too, which was

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<v Speaker 2>like a video game show, so I would play like

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<v Speaker 2>Mortal Kombat two K with like some artists, like I

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<v Speaker 2>had Chef Gs, Sleepy Hollow on this show too, which

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<v Speaker 2>was like one of their most talkative interviews, which was

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<v Speaker 2>really dope at the time. So Pandemic came, I'm like

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<v Speaker 2>and I was like, damn, what do I do now?

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<v Speaker 2>Like I really don't know what to do. The Zoom

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<v Speaker 2>interviews came around, and then like I kind of got

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<v Speaker 2>out of this like you know, depressive state that I

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<v Speaker 2>was in, not knowing where to go with my show,

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<v Speaker 2>just having to do the social media stuff every single day,

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<v Speaker 2>which was like it was fine, but it's like it's

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<v Speaker 2>not what I love to do. And I just started

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<v Speaker 2>doing like two to three Zoom interviews like every day,

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<v Speaker 2>Like I was just like, you know what, anybody again,

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<v Speaker 2>anybody and everybody who I can connect with in any

0:08:53.520 --> 0:08:54.360
<v Speaker 2>place in the world.

0:08:54.400 --> 0:08:56.160
<v Speaker 1>I'm ana do I'm gonna figure it out.

0:08:56.400 --> 0:08:59.240
<v Speaker 2>So I was doing interviews with with people like some

0:08:59.280 --> 0:09:03.000
<v Speaker 2>afrobeat artists, like I did Stoneboy very early on in

0:09:03.040 --> 0:09:05.000
<v Speaker 2>my career, and then I was doing like people from

0:09:05.000 --> 0:09:07.199
<v Speaker 2>like the Carolina's Florida, like literally anybody that I could

0:09:07.200 --> 0:09:09.320
<v Speaker 2>do a zoom interview with. And then it kind of

0:09:09.320 --> 0:09:10.920
<v Speaker 2>came to a point where it was like we had

0:09:11.000 --> 0:09:13.120
<v Speaker 2>I figured out this rhythm with the content. I'm like, okay,

0:09:13.160 --> 0:09:15.680
<v Speaker 2>I think I know what I'm doing now. And we started,

0:09:15.840 --> 0:09:17.920
<v Speaker 2>you know, getting out of the pandemic, and I was like,

0:09:18.000 --> 0:09:19.360
<v Speaker 2>you know, I want to do live interview So I

0:09:19.440 --> 0:09:22.560
<v Speaker 2>started doing those again, and I came up with I

0:09:22.559 --> 0:09:24.920
<v Speaker 2>had always had this idea for freestyles on the show,

0:09:25.200 --> 0:09:26.920
<v Speaker 2>and I had done them kind of ghetto before, Like

0:09:26.960 --> 0:09:30.839
<v Speaker 2>I would have my laptop literally sitting right here, plug

0:09:30.880 --> 0:09:34.200
<v Speaker 2>the headphones into the laptop, and then I would put

0:09:34.240 --> 0:09:36.960
<v Speaker 2>the volume all the way up, let them wrap, and

0:09:37.000 --> 0:09:39.400
<v Speaker 2>then in post production, I would try to hear where

0:09:39.440 --> 0:09:42.160
<v Speaker 2>the beat started and I would try to match it up.

0:09:42.320 --> 0:09:44.199
<v Speaker 3>That's fucking crazy, super.

0:09:43.920 --> 0:09:46.960
<v Speaker 2>Ghetto, super ghetto, right, but it worked, It worked, It worked.

0:09:47.000 --> 0:09:48.360
<v Speaker 2>I only had like one or two that I couldn't

0:09:48.360 --> 0:09:50.880
<v Speaker 2>put out because of that. So we had that done

0:09:51.320 --> 0:09:53.240
<v Speaker 2>and then I found this spot.

0:09:53.400 --> 0:09:55.240
<v Speaker 3>Well well, because you guys had freestyles where they weren't

0:09:55.240 --> 0:09:57.400
<v Speaker 3>wearing headphones sometimes, right, Am I tripping?

0:09:57.880 --> 0:09:57.960
<v Speaker 1>No?

0:09:58.000 --> 0:10:00.640
<v Speaker 3>We always have Okay, maybe I'm tripping. I've saw somebody

0:10:00.720 --> 0:10:03.480
<v Speaker 3>freestyling there was no headphones on, and I was like, Amaja, no,

0:10:03.679 --> 0:10:05.760
<v Speaker 3>somebody somebody ship there was. I was like, what is

0:10:05.800 --> 0:10:07.520
<v Speaker 3>going on here? They don't have headphones on? Ware the

0:10:07.640 --> 0:10:08.160
<v Speaker 3>hearing the beat?

0:10:08.520 --> 0:10:11.760
<v Speaker 2>Actually, okay, there was one. There was one we do.

0:10:11.840 --> 0:10:13.800
<v Speaker 2>We had like some ciphers, like we did a Christmas cipher.

0:10:13.840 --> 0:10:15.880
<v Speaker 2>We called it the Christmas and Harlem.

0:10:15.600 --> 0:10:17.160
<v Speaker 3>Site for I remember seeing that you guys had like

0:10:17.160 --> 0:10:19.000
<v Speaker 3>a fucking seventy eight people wrap.

0:10:19.120 --> 0:10:21.520
<v Speaker 2>Yeah, we had like sixteen people rapping. That was That

0:10:21.600 --> 0:10:23.800
<v Speaker 2>was a really dope moment too. But that we had

0:10:23.840 --> 0:10:26.520
<v Speaker 2>like a speaker outside and they could hear it. Same

0:10:26.520 --> 0:10:28.200
<v Speaker 2>with the Ladies Night that we just did in Atlanta.

0:10:28.520 --> 0:10:30.920
<v Speaker 2>That one had a we had a h an external

0:10:30.920 --> 0:10:33.079
<v Speaker 2>speaker that they could hear the beat played off of and.

0:10:33.520 --> 0:10:35.120
<v Speaker 3>Would just hand yeah.

0:10:35.120 --> 0:10:37.679
<v Speaker 2>My producer Rob is like a magician with that. I

0:10:37.679 --> 0:10:39.840
<v Speaker 2>don't even know how he does it, but he finesses it.

0:10:39.840 --> 0:10:43.520
<v Speaker 2>But we started doing the freestyles like kind of shortly after,

0:10:43.640 --> 0:10:45.240
<v Speaker 2>like I kind of caught the wave of the drill scene,

0:10:45.280 --> 0:10:47.280
<v Speaker 2>like I had caught you know, k Flogg be Love

0:10:47.280 --> 0:10:50.520
<v Speaker 2>and Dougie b I did their first interview together. I

0:10:50.559 --> 0:10:52.920
<v Speaker 2>did Dusty Locaine Busy Banks around that time, and then

0:10:52.920 --> 0:10:54.319
<v Speaker 2>I was like, all right, I got this motion doing

0:10:54.360 --> 0:10:55.000
<v Speaker 2>these interviews.

0:10:55.240 --> 0:10:56.720
<v Speaker 3>What else Bobby fitsher? Guys?

0:10:57.080 --> 0:11:00.440
<v Speaker 2>Yeah, Bobby, Bobby fitted. Shout out Bobby Man, shout out Bro.

0:11:01.760 --> 0:11:03.720
<v Speaker 2>But yeah, So then like I found this spot called

0:11:03.840 --> 0:11:06.640
<v Speaker 2>HMD Studios out in Brooklyn, which is, you know, sadly

0:11:07.040 --> 0:11:10.400
<v Speaker 2>closing its doors really soon, but that's kind of where

0:11:10.400 --> 0:11:12.199
<v Speaker 2>we started doing the freestyles. And I just like, I

0:11:12.480 --> 0:11:14.880
<v Speaker 2>have my producer, Rob, who I mentioned at the time,

0:11:15.040 --> 0:11:16.840
<v Speaker 2>and I'm like, Bro, we're doing all these interviews with

0:11:16.960 --> 0:11:18.320
<v Speaker 2>like these dope up and coming artists.

0:11:18.320 --> 0:11:20.040
<v Speaker 1>I'm like, can we do freestyles here?

0:11:20.400 --> 0:11:23.000
<v Speaker 2>And he called over the owners to the studio and

0:11:23.160 --> 0:11:24.160
<v Speaker 2>who are also friends of mine.

0:11:24.200 --> 0:11:25.920
<v Speaker 1>He's like, is this possible? And they're like, yeah, this

0:11:25.960 --> 0:11:26.560
<v Speaker 1>is possible.

0:11:26.920 --> 0:11:30.200
<v Speaker 2>So we started off just kind of like doing again

0:11:30.360 --> 0:11:33.160
<v Speaker 2>once again, Like anybody who wanted to come rap, just

0:11:33.160 --> 0:11:35.160
<v Speaker 2>bring him to come rap. And one of the first

0:11:35.200 --> 0:11:37.439
<v Speaker 2>people who I had come wrap on on the freestyles

0:11:37.520 --> 0:11:39.520
<v Speaker 2>and that studio was Lola Brook because ME and Lola

0:11:39.559 --> 0:11:42.360
<v Speaker 2>had done interviews before, so we had this relationship. And

0:11:42.360 --> 0:11:44.200
<v Speaker 2>then kind of from there we just kind of caught

0:11:44.200 --> 0:11:45.880
<v Speaker 2>this wave. We caught the drill wave in New York

0:11:45.920 --> 0:11:46.760
<v Speaker 2>and then I.

0:11:47.240 --> 0:11:48.320
<v Speaker 3>Fyle Ice Spice.

0:11:48.360 --> 0:11:49.800
<v Speaker 1>Yeah, Ice Spice. This ship was.

0:11:51.640 --> 0:11:53.640
<v Speaker 2>Again, Hey man, look if I have the only Ice

0:11:53.720 --> 0:11:56.560
<v Speaker 2>Spice free, if I have the only Ice Spice freestyle ever,

0:11:56.920 --> 0:11:57.600
<v Speaker 2>I'll be happy.

0:11:57.760 --> 0:11:58.400
<v Speaker 1>I'll be happy.

0:11:58.440 --> 0:12:00.240
<v Speaker 2>But like you know, we caught a lot of really dope,

0:12:00.280 --> 0:12:02.640
<v Speaker 2>incredible artists early on, and I feel like, you know,

0:12:02.720 --> 0:12:05.120
<v Speaker 2>that's kind of where I wanted to be at in

0:12:05.200 --> 0:12:08.360
<v Speaker 2>twenty eighteen. It took a bit of time, but like

0:12:08.400 --> 0:12:09.920
<v Speaker 2>you know, I feel like a lot of young people

0:12:09.920 --> 0:12:12.199
<v Speaker 2>in this industry don't always realize how long things takeing

0:12:12.200 --> 0:12:13.120
<v Speaker 2>to you guys.

0:12:13.600 --> 0:12:15.839
<v Speaker 3>So when we started doing freestyles for the podcast, we

0:12:15.960 --> 0:12:18.360
<v Speaker 3>kind of started the same way, I think because we

0:12:18.360 --> 0:12:20.640
<v Speaker 3>were thinking of the monetization route. So I would have

0:12:20.679 --> 0:12:23.040
<v Speaker 3>my producer, Tony Chak just give me a beat that

0:12:23.120 --> 0:12:25.360
<v Speaker 3>was original that wouldn't get flagged. So a lot of

0:12:25.440 --> 0:12:28.920
<v Speaker 3>your guys, beats are from producers that it's not like

0:12:29.840 --> 0:12:32.080
<v Speaker 3>they're freestyling over like Poundtown, you know what I'm saying,

0:12:32.080 --> 0:12:34.839
<v Speaker 3>Like there's original instrument instrumentals right some cases.

0:12:34.920 --> 0:12:36.640
<v Speaker 2>Yeah, I mean, you know, I kind of like to

0:12:36.679 --> 0:12:38.560
<v Speaker 2>give the artists the free range to do what they

0:12:38.720 --> 0:12:39.360
<v Speaker 2>what they want.

0:12:39.920 --> 0:12:41.720
<v Speaker 1>We do have a lot of we have in house producers.

0:12:41.720 --> 0:12:41.880
<v Speaker 3>Now.

0:12:42.200 --> 0:12:43.880
<v Speaker 1>My boy Fritz cooks up a lot of the beats.

0:12:44.640 --> 0:12:46.640
<v Speaker 2>Him man gave us the beat for the ladies nice

0:12:46.679 --> 0:12:48.040
<v Speaker 2>I first, so that was really dope.

0:12:48.160 --> 0:12:49.440
<v Speaker 1>But I try to give them the free range.

0:12:49.440 --> 0:12:49.600
<v Speaker 3>You know.

0:12:49.960 --> 0:12:52.439
<v Speaker 2>I got a great partnership or create on the monetization

0:12:52.520 --> 0:12:54.600
<v Speaker 2>side of things, so they helped me kind of soar

0:12:54.720 --> 0:12:56.480
<v Speaker 2>through all those things with the beats and kind of

0:12:56.480 --> 0:12:57.760
<v Speaker 2>like getting copyrights on.

0:12:59.640 --> 0:13:02.319
<v Speaker 3>You guys, all the freestyles on like Spotify and all

0:13:02.320 --> 0:13:02.680
<v Speaker 3>that shit.

0:13:02.840 --> 0:13:04.640
<v Speaker 1>Not all of them, but we have a lot, Like

0:13:04.720 --> 0:13:05.280
<v Speaker 1>we put out.

0:13:06.080 --> 0:13:09.240
<v Speaker 2>Like what one hundred and fifteen already this year, one

0:13:09.280 --> 0:13:11.360
<v Speaker 2>hundred and fifteen already this year, So we have like

0:13:11.800 --> 0:13:14.440
<v Speaker 2>entire we have a pretty big catalog that we just

0:13:14.520 --> 0:13:17.520
<v Speaker 2>dropped this year. Alone, but we try to encourage artists now,

0:13:17.600 --> 0:13:19.600
<v Speaker 2>especially the up and coming ones. It's like, look, if

0:13:19.600 --> 0:13:21.000
<v Speaker 2>you're coming on the show, you might as well do

0:13:21.040 --> 0:13:23.000
<v Speaker 2>an original beat so we can put you in our

0:13:23.000 --> 0:13:26.160
<v Speaker 2>ecosystem on streaming, and then you get on the radar fans,

0:13:26.200 --> 0:13:27.720
<v Speaker 2>We get your fans, and then we kind of are

0:13:27.760 --> 0:13:29.640
<v Speaker 2>able to marry that together.

0:13:30.679 --> 0:13:34.400
<v Speaker 3>So for you, like, uh, you say, how were you

0:13:34.480 --> 0:13:36.400
<v Speaker 3>with Angie? Like every day like money through Friday?

0:13:36.559 --> 0:13:39.840
<v Speaker 1>Yeah, every day for many years?

0:13:40.080 --> 0:13:42.680
<v Speaker 3>What was the Because Angie's obviously I've met her a

0:13:42.679 --> 0:13:45.560
<v Speaker 3>few times and she always is so fucking like you

0:13:45.600 --> 0:13:47.599
<v Speaker 3>know I was when before I met her, I was

0:13:47.640 --> 0:13:49.320
<v Speaker 3>just assumed she had this or around it. But she's

0:13:49.320 --> 0:13:52.360
<v Speaker 3>so nice, like, yeah, she's like super super, super super sweetheart.

0:13:52.679 --> 0:13:55.840
<v Speaker 3>What was for you being around the voice in New York?

0:13:56.240 --> 0:13:59.000
<v Speaker 3>Would you learn? Man? Would you take away the one thing?

0:13:59.040 --> 0:14:01.400
<v Speaker 3>I'm sure you learned a million things, but you know,

0:14:01.600 --> 0:14:04.480
<v Speaker 3>I'm sure is there one or two things that you

0:14:04.559 --> 0:14:06.240
<v Speaker 3>kind of apply to what you're doing right now?

0:14:06.320 --> 0:14:08.000
<v Speaker 2>I feel like the one thing that I always tell

0:14:08.040 --> 0:14:10.480
<v Speaker 2>people I took away from being around Angie was like

0:14:11.240 --> 0:14:13.760
<v Speaker 2>how important relationships are in this industry?

0:14:13.880 --> 0:14:14.040
<v Speaker 3>Right?

0:14:14.360 --> 0:14:17.120
<v Speaker 2>And I learned this with Angie when I was working

0:14:17.160 --> 0:14:19.800
<v Speaker 2>her digital side, like, you know, like if I'm trying

0:14:19.840 --> 0:14:22.040
<v Speaker 2>to think of it, like let's say, like I worked

0:14:22.080 --> 0:14:24.440
<v Speaker 2>a six ' nine interview for an example, right, Like

0:14:24.480 --> 0:14:26.520
<v Speaker 2>I would think about, like I thought from a young

0:14:26.520 --> 0:14:28.680
<v Speaker 2>person's perspective, I'm like, what headline can we put this

0:14:28.760 --> 0:14:30.880
<v Speaker 2>on YouTube that will get the most clicks? And then

0:14:30.920 --> 0:14:33.160
<v Speaker 2>Angie would always reiterate to me, it's not about always

0:14:33.840 --> 0:14:35.840
<v Speaker 2>what's going to get you the most clicks, but like

0:14:36.600 --> 0:14:38.600
<v Speaker 2>or like what can what's going to be messier?

0:14:38.640 --> 0:14:38.920
<v Speaker 1>What was this?

0:14:39.000 --> 0:14:40.840
<v Speaker 2>But she's like, you got to remember that, like building

0:14:40.880 --> 0:14:42.480
<v Speaker 2>relationships over time is important.

0:14:42.680 --> 0:14:44.240
<v Speaker 1>She's like, you know, you don't want to just go

0:14:44.320 --> 0:14:44.640
<v Speaker 1>right for.

0:14:44.680 --> 0:14:48.040
<v Speaker 2>The clickbait stuff and then you burn a bridge with somebody, right,

0:14:48.200 --> 0:14:51.000
<v Speaker 2>And as I got older, I started realizing how important

0:14:51.000 --> 0:14:52.640
<v Speaker 2>that is because a lot of the you know media

0:14:53.000 --> 0:14:55.240
<v Speaker 2>now oftentimes we you know, people want to go right

0:14:55.280 --> 0:14:58.760
<v Speaker 2>for clickbaity headlines this and that, but then it doesn't

0:14:58.800 --> 0:15:02.440
<v Speaker 2>you don't you know, those same you know, YouTube pages

0:15:02.520 --> 0:15:04.200
<v Speaker 2>or whatever, like they don't think about like the long

0:15:04.280 --> 0:15:07.400
<v Speaker 2>term implications of that. You know, you kind of burn

0:15:07.440 --> 0:15:09.800
<v Speaker 2>bridges or you don't you burn relationships and I just

0:15:09.840 --> 0:15:11.520
<v Speaker 2>you know, I remember I was at a party I

0:15:11.560 --> 0:15:13.840
<v Speaker 2>think for it was like Angie and Angeliauee's like day off,

0:15:13.920 --> 0:15:14.920
<v Speaker 2>I think that's what they called it.

0:15:15.200 --> 0:15:16.480
<v Speaker 1>And it was like in the winter time.

0:15:16.520 --> 0:15:18.600
<v Speaker 2>It was around their birthdays, and I remember just seeing

0:15:18.640 --> 0:15:20.960
<v Speaker 2>like everybody in the room with them, Like I saw

0:15:21.080 --> 0:15:22.920
<v Speaker 2>like Joe and a bunch of other like people who've

0:15:22.960 --> 0:15:24.800
<v Speaker 2>just been around them for X amount of years, And

0:15:24.800 --> 0:15:27.000
<v Speaker 2>I'm like, you know, you think about the relationships that

0:15:27.000 --> 0:15:28.960
<v Speaker 2>they built over these periods of time and how they

0:15:29.000 --> 0:15:33.360
<v Speaker 2>wouldn't be around now if they had, you know, had

0:15:33.400 --> 0:15:35.840
<v Speaker 2>like that clickbait mentality, like oh, I got to ask

0:15:35.840 --> 0:15:37.680
<v Speaker 2>them some crazy shit just to get you know, one

0:15:37.760 --> 0:15:39.960
<v Speaker 2>hundred kviews, because sometimes those one hundred kviews ain't worth

0:15:40.000 --> 0:15:42.520
<v Speaker 2>the relationship being broken, you know. I'd rather I tell

0:15:42.600 --> 0:15:44.080
<v Speaker 2>ars all the time, like I'd rather mess with out

0:15:44.120 --> 0:15:46.040
<v Speaker 2>for like five to ten years and us do this

0:15:46.040 --> 0:15:48.360
<v Speaker 2>a million times and me just get one hundred k

0:15:48.480 --> 0:15:49.720
<v Speaker 2>views off of you one time, and then now we

0:15:49.760 --> 0:15:51.240
<v Speaker 2>beef and we don't like each other no more.

0:15:51.760 --> 0:15:53.200
<v Speaker 3>Yeah, I've had that. I just went on back on

0:15:53.280 --> 0:15:55.920
<v Speaker 3>fig Man and fucking whoever t Rose guy is fucking

0:15:56.600 --> 0:15:59.520
<v Speaker 3>mislabeled some clip and I had to hit him like, bro,

0:15:59.760 --> 0:16:04.120
<v Speaker 3>this this wasn't said like He's like, bro, my bad,

0:16:04.200 --> 0:16:06.440
<v Speaker 3>let me fix it. But I just yeah, I think

0:16:06.520 --> 0:16:08.840
<v Speaker 3>I think, you know, there's definitely for you. I feel

0:16:08.840 --> 0:16:12.760
<v Speaker 3>like you don't do messy ship, which is important, you know. Yeah,

0:16:12.920 --> 0:16:14.520
<v Speaker 3>and we try not to do messy shit over here.

0:16:14.560 --> 0:16:16.560
<v Speaker 3>I mean we just interviewed Krishawan Rock and Blue Face

0:16:16.640 --> 0:16:17.640
<v Speaker 3>or not Krishan Rock.

0:16:17.800 --> 0:16:21.880
<v Speaker 2>Blue Face and his pearms. Yeah, I was talking that

0:16:21.960 --> 0:16:22.600
<v Speaker 2>before I came here.

0:16:22.600 --> 0:16:23.520
<v Speaker 3>That was messy for sure.

0:16:23.640 --> 0:16:24.240
<v Speaker 1>That was definitely.

0:16:24.480 --> 0:16:26.680
<v Speaker 2>But that's not you trying to be messy, like you're

0:16:26.720 --> 0:16:28.800
<v Speaker 2>just doing the interview. Like it's like you're not the

0:16:28.840 --> 0:16:31.040
<v Speaker 2>messy one there in this case. You're just asking questions

0:16:31.080 --> 0:16:32.840
<v Speaker 2>that people want to know for sure, and it's not

0:16:32.920 --> 0:16:34.560
<v Speaker 2>like it's not like you're not perfectly like I mean,

0:16:34.560 --> 0:16:36.480
<v Speaker 2>at the end of the day, like it's interesting conversation,

0:16:36.560 --> 0:16:38.720
<v Speaker 2>like right, we're the first interview to do both of

0:16:38.760 --> 0:16:41.360
<v Speaker 2>them together, and like people are interested in them.

0:16:41.400 --> 0:16:41.600
<v Speaker 3>You know.

0:16:42.400 --> 0:16:44.400
<v Speaker 2>No matter how many times I mute, I mute Blue

0:16:44.440 --> 0:16:48.040
<v Speaker 2>Face's name from my timeline, somehow I always popped heavy Chris,

0:16:48.200 --> 0:16:49.160
<v Speaker 2>I always pop back.

0:16:49.040 --> 0:16:52.560
<v Speaker 3>Up it will always pop up. Man, So what do

0:16:52.600 --> 0:16:55.840
<v Speaker 3>you kind of remember, like what video for you kind

0:16:55.840 --> 0:16:58.600
<v Speaker 3>of made you realize like, oh there's something here that

0:16:58.680 --> 0:17:01.400
<v Speaker 3>like I can leave. I was about say ninety seven

0:17:01.480 --> 0:17:06.960
<v Speaker 3>damn sorry, sorry, sorry to leave Power one oh five

0:17:07.040 --> 0:17:10.400
<v Speaker 3>and kind of just go full time with your own shit.

0:17:10.560 --> 0:17:12.160
<v Speaker 2>Well I'm still at Power. I still do my radio

0:17:12.200 --> 0:17:14.200
<v Speaker 2>shows at Power, but like leaving my I'm.

0:17:14.080 --> 0:17:16.040
<v Speaker 3>Talking about your full time Yeah, the full time doing

0:17:16.040 --> 0:17:18.960
<v Speaker 3>the social media director thing. Yeah, the show's on the

0:17:18.960 --> 0:17:19.480
<v Speaker 3>air right.

0:17:19.480 --> 0:17:21.000
<v Speaker 1>Yeah, shows on Friday nights as well too.

0:17:21.080 --> 0:17:21.399
<v Speaker 3>Yeah.

0:17:21.560 --> 0:17:23.880
<v Speaker 2>I you know, I think it was really kind of

0:17:23.960 --> 0:17:25.680
<v Speaker 2>when the motion started going on, when we caught the

0:17:26.080 --> 0:17:28.639
<v Speaker 2>second wave of drill music but like kflocking them and

0:17:28.680 --> 0:17:30.600
<v Speaker 2>the Bronx, Like that's when I was like, okay, there's

0:17:30.640 --> 0:17:33.640
<v Speaker 2>something here that we can really tap into. And then

0:17:33.720 --> 0:17:35.520
<v Speaker 2>it was just kind of like over time, like the

0:17:35.600 --> 0:17:37.919
<v Speaker 2>reason why I had to leave that position. It was

0:17:38.000 --> 0:17:41.040
<v Speaker 2>just like, you know, I caught myself at times being

0:17:41.080 --> 0:17:43.400
<v Speaker 2>like I like, I don't care about this as much

0:17:43.400 --> 0:17:44.800
<v Speaker 2>as I care about on the radar, you know what

0:17:44.800 --> 0:17:47.160
<v Speaker 2>I'm saying. Like I I wasn't in like the most

0:17:47.200 --> 0:17:49.080
<v Speaker 2>like financially stable place where I was like okay, like

0:17:49.160 --> 0:17:51.679
<v Speaker 2>I could do on the radar full time, but like

0:17:51.720 --> 0:17:53.680
<v Speaker 2>it was getting to the point where my brain couldn't

0:17:53.720 --> 0:17:56.720
<v Speaker 2>handle doing this other job and doing on the radar.

0:17:56.840 --> 0:17:58.320
<v Speaker 1>And it kind of like felt like to the point

0:17:58.320 --> 0:17:59.600
<v Speaker 1>where it's like, not that.

0:17:59.720 --> 0:18:01.679
<v Speaker 2>I'm wasting It didn't feel like I was wasting my

0:18:01.720 --> 0:18:04.280
<v Speaker 2>time doing that position, but it felt like that energy

0:18:04.280 --> 0:18:06.359
<v Speaker 2>that I'm doing at that the energy I was given

0:18:06.400 --> 0:18:08.520
<v Speaker 2>that job. If I put it into on the radar,

0:18:08.920 --> 0:18:11.680
<v Speaker 2>I could go, you know, And and you know, everybody

0:18:11.760 --> 0:18:15.080
<v Speaker 2>at Power is very supportive of that decision, like they're like, look, man,

0:18:15.080 --> 0:18:17.639
<v Speaker 2>like you have something special. You know, I think you should.

0:18:17.760 --> 0:18:20.080
<v Speaker 2>You should, you know, take the chance on it. And

0:18:20.119 --> 0:18:21.800
<v Speaker 2>then it was just like, you know, we went with it,

0:18:21.840 --> 0:18:23.800
<v Speaker 2>and you know, we caught that drill wave early. We

0:18:23.840 --> 0:18:25.560
<v Speaker 2>caught like you know, like you said, the ice spices,

0:18:25.600 --> 0:18:27.960
<v Speaker 2>the d things, you had the four to one guy,

0:18:28.520 --> 0:18:30.800
<v Speaker 2>you had jenn and you had Jennen coll up here.

0:18:30.960 --> 0:18:33.160
<v Speaker 3>Yeah, that freestyle for y'all, it was crazy.

0:18:33.400 --> 0:18:36.080
<v Speaker 1>Sixteen M yeah, sixteen M.

0:18:36.400 --> 0:18:39.720
<v Speaker 3>It's crazy. Yeah. But you know, isn't that on DP.

0:18:40.480 --> 0:18:42.720
<v Speaker 2>That one isn't They kind of they turned two of

0:18:42.760 --> 0:18:45.680
<v Speaker 2>those records. I think into songs, but not every piece

0:18:45.720 --> 0:18:48.840
<v Speaker 2>of that was ever released on streaming. But that's also

0:18:48.840 --> 0:18:51.080
<v Speaker 2>something we learned early on too, that you know that

0:18:51.119 --> 0:18:53.000
<v Speaker 2>we all kind of we don't regret it now, but

0:18:53.040 --> 0:18:56.399
<v Speaker 2>like now when you look back at it in twenty

0:18:56.440 --> 0:18:58.680
<v Speaker 2>twenty three, like it's like damn, Like if we kind

0:18:58.680 --> 0:19:00.520
<v Speaker 2>of had our shit to get the way that we

0:19:00.520 --> 0:19:03.000
<v Speaker 2>have now with streaming services, that could have just gone.

0:19:03.080 --> 0:19:04.920
<v Speaker 2>Same with Ice Spice, Like we probably could have gotten

0:19:04.920 --> 0:19:08.119
<v Speaker 2>Ice Spic's freestyle on streaming if this was, you know,

0:19:08.280 --> 0:19:10.240
<v Speaker 2>a year and a half ago before she blew up.

0:19:10.440 --> 0:19:12.040
<v Speaker 1>But I think that's all part of the learning process.

0:19:12.080 --> 0:19:13.520
<v Speaker 2>You know. I wish I could have had these on streaming.

0:19:13.520 --> 0:19:15.679
<v Speaker 2>I wish I could have had these records under my name, But.

0:19:15.800 --> 0:19:17.560
<v Speaker 3>You never know, man, Like you know, like you said,

0:19:17.600 --> 0:19:20.000
<v Speaker 3>like you gotta you gotta learn as you go, brother,

0:19:20.080 --> 0:19:22.320
<v Speaker 3>Like this shit is there's no there's no roadmap to

0:19:22.320 --> 0:19:24.800
<v Speaker 3>this shit. So guy stopped. The interviewer said about our

0:19:24.800 --> 0:19:27.960
<v Speaker 3>good folks at odd Socks, Baby, yeah, shot out to

0:19:28.000 --> 0:19:30.200
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0:22:03.920 --> 0:22:06.840
<v Speaker 3>The drill Ship is so like it feels like from

0:22:06.880 --> 0:22:08.760
<v Speaker 3>like a guy who lives in LA because I got

0:22:08.760 --> 0:22:12.159
<v Speaker 3>out there, we hung out with we hung out with Dusty,

0:22:12.240 --> 0:22:19.320
<v Speaker 3>we hung out with who else a bunch of those guys. Yeah,

0:22:19.400 --> 0:22:23.320
<v Speaker 3>but obviously the rep is is a very violent, divisive

0:22:23.640 --> 0:22:27.320
<v Speaker 3>genre of music. Right do you have you ever got

0:22:27.320 --> 0:22:30.080
<v Speaker 3>wrapped up in any of the fucking just because I'm

0:22:30.119 --> 0:22:32.600
<v Speaker 3>sure you gotta kind of play friends with everybody, right

0:22:32.600 --> 0:22:35.080
<v Speaker 3>of course, because and do you think it's a lot

0:22:35.119 --> 0:22:36.240
<v Speaker 3>a lot of it's overstated?

0:22:37.320 --> 0:22:38.560
<v Speaker 1>Well I got a few opinions on that.

0:22:38.600 --> 0:22:40.119
<v Speaker 2>Well, Like the one thing I got caught up in

0:22:40.359 --> 0:22:42.920
<v Speaker 2>was like when you know, there was like a point

0:22:42.920 --> 0:22:44.359
<v Speaker 2>where I was like, all right, like y'all doing too

0:22:44.440 --> 0:22:46.520
<v Speaker 2>much like this one on my show, Like I'm not

0:22:46.560 --> 0:22:48.600
<v Speaker 2>trying to do all this right, So I had like

0:22:48.640 --> 0:22:49.600
<v Speaker 2>made a statement where.

0:22:50.280 --> 0:22:52.280
<v Speaker 1>That I caught a lot of flak for from people

0:22:52.400 --> 0:22:53.800
<v Speaker 1>this is like a year ago. But I was like, look,

0:22:53.840 --> 0:22:55.480
<v Speaker 1>I think I remember that you said, like no more

0:22:55.600 --> 0:22:57.400
<v Speaker 1>think of anybody, no more name dropping.

0:22:57.600 --> 0:22:59.000
<v Speaker 2>And if you do name drop, it's going to get

0:22:59.119 --> 0:23:01.119
<v Speaker 2>xed out, right because I'm not trying to deal with

0:23:01.200 --> 0:23:02.840
<v Speaker 2>an add to that, right, I don't. I'm not trying

0:23:02.840 --> 0:23:04.520
<v Speaker 2>to add to that. I'm not trying to politic with that.

0:23:04.920 --> 0:23:06.600
<v Speaker 2>And but I still want to support you out because

0:23:06.680 --> 0:23:07.480
<v Speaker 2>I believe.

0:23:07.160 --> 0:23:07.760
<v Speaker 3>In a lot of them.

0:23:07.920 --> 0:23:09.320
<v Speaker 1>You feel me, And I caught a lot of flag

0:23:09.359 --> 0:23:09.520
<v Speaker 1>for that.

0:23:09.560 --> 0:23:12.000
<v Speaker 2>But over time, like you know, like anything, you just

0:23:12.080 --> 0:23:14.280
<v Speaker 2>ride out the wave and it's cool. You know what

0:23:14.320 --> 0:23:17.040
<v Speaker 2>I'm saying, Like nobody really is like is like upset

0:23:17.200 --> 0:23:18.920
<v Speaker 2>by that anymore. They're like, oh, why can't I do

0:23:18.960 --> 0:23:20.800
<v Speaker 2>the I'm like, I'm not going to let you use

0:23:20.840 --> 0:23:23.480
<v Speaker 2>my platform as a way to like go at you, right,

0:23:23.560 --> 0:23:25.320
<v Speaker 2>there's other platforms that you could go do that on.

0:23:25.400 --> 0:23:26.560
<v Speaker 1>Go do that on that platform.

0:23:26.600 --> 0:23:28.159
<v Speaker 2>This is like, you know, if you want to create

0:23:28.200 --> 0:23:32.400
<v Speaker 2>like the corner like the perfect cornerstone hip hop platform,

0:23:32.480 --> 0:23:34.280
<v Speaker 2>Like I don't want it to be known for that.

0:23:35.359 --> 0:23:37.199
<v Speaker 2>So like that part, but I feel like, you know,

0:23:37.280 --> 0:23:39.320
<v Speaker 2>when it comes to like the music itself is like

0:23:39.640 --> 0:23:41.399
<v Speaker 2>these kids like this is what they really live in,

0:23:41.760 --> 0:23:44.720
<v Speaker 2>and I feel like me, Like I think Rob Markman

0:23:44.760 --> 0:23:47.240
<v Speaker 2>had also said on like Rotation Round Taylor show that

0:23:47.320 --> 0:23:49.199
<v Speaker 2>I do on Amazon, he was like, look, man, he's like,

0:23:49.200 --> 0:23:50.959
<v Speaker 2>if you really listen into a lot of like you know,

0:23:51.040 --> 0:23:54.280
<v Speaker 2>gangster rap lyrics from like nineties, early two thousands, like

0:23:54.320 --> 0:23:57.200
<v Speaker 2>if you listen to like the locks, like they they

0:23:57.240 --> 0:23:58.840
<v Speaker 2>say in some of the same shit that these kids

0:23:58.880 --> 0:24:00.920
<v Speaker 2>are saying, they just saying, it differ like definitely now

0:24:00.920 --> 0:24:05.879
<v Speaker 2>it's more like I feel like it's more detailed, for sure,

0:24:05.880 --> 0:24:09.560
<v Speaker 2>but also it's not that far from what we've already

0:24:09.600 --> 0:24:12.320
<v Speaker 2>gotten in the past. You feel me and again like

0:24:12.359 --> 0:24:15.600
<v Speaker 2>these kids like this is their real life situations and

0:24:15.640 --> 0:24:16.400
<v Speaker 2>that's and you know.

0:24:16.520 --> 0:24:18.800
<v Speaker 3>It just feels more like you said, not only the

0:24:18.840 --> 0:24:20.959
<v Speaker 3>detailed aspect of it, but we also like back then

0:24:21.000 --> 0:24:23.920
<v Speaker 3>we didn't have social media, so like motherfuckers were going

0:24:23.960 --> 0:24:26.919
<v Speaker 3>live on people's blocks, and like it just feels like

0:24:27.000 --> 0:24:28.919
<v Speaker 3>now it's like, man, these guys are really doing some

0:24:28.920 --> 0:24:30.840
<v Speaker 3>shit on the internet, then going and rapping about it

0:24:30.840 --> 0:24:33.120
<v Speaker 3>and then getting arrested for it and then getting sense like.

0:24:33.280 --> 0:24:35.879
<v Speaker 2>No, it's definitely dumb, Like like it's definitely dumb how

0:24:35.880 --> 0:24:37.960
<v Speaker 2>they put everything on the Internet. But I'll be thinking about,

0:24:38.080 --> 0:24:40.800
<v Speaker 2>like if the internet was around back then, like.

0:24:40.840 --> 0:24:42.439
<v Speaker 3>It it'd be a wild place because then you had

0:24:42.520 --> 0:24:44.239
<v Speaker 3>hip hop police back then, and I'm sure there's hip

0:24:44.240 --> 0:24:45.879
<v Speaker 3>hop police now, but back then it was like there

0:24:45.920 --> 0:24:47.320
<v Speaker 3>was like old task force, Like.

0:24:47.440 --> 0:24:49.000
<v Speaker 2>Right, I was like, I was even just watching this

0:24:49.080 --> 0:24:50.280
<v Speaker 2>video on the way here was like fifty cent.

0:24:50.320 --> 0:24:51.040
<v Speaker 1>I forgot out what.

0:24:50.960 --> 0:24:53.280
<v Speaker 2>BET Awards it was, but it was like, you know,

0:24:53.760 --> 0:24:55.720
<v Speaker 2>they're like fifty was a wild boy, like he didn't

0:24:55.720 --> 0:24:58.439
<v Speaker 2>wrap the whole first verse of his song, walked around

0:24:58.480 --> 0:25:00.760
<v Speaker 2>the arena waiting to see if if any of his

0:25:00.960 --> 0:25:03.840
<v Speaker 2>like Ops or whoever would do something, and like you know,

0:25:03.880 --> 0:25:05.920
<v Speaker 2>and they were like and what was the caps was like, oh,

0:25:05.960 --> 0:25:08.800
<v Speaker 2>the BT Wars need to start bringing rappers back to

0:25:08.840 --> 0:25:10.720
<v Speaker 2>the BT Awards who be with each other, you know

0:25:10.720 --> 0:25:11.200
<v Speaker 2>what I'm saying.

0:25:11.720 --> 0:25:15.520
<v Speaker 1>And I was like, first of all, terrible idea, terrible idea.

0:25:15.640 --> 0:25:17.119
<v Speaker 2>But at the same time, it's like, but I think

0:25:17.119 --> 0:25:19.840
<v Speaker 2>about I'm like, Okay, that was fifty back then now

0:25:19.880 --> 0:25:21.000
<v Speaker 2>and that's without the Internet.

0:25:21.200 --> 0:25:23.400
<v Speaker 1>So imagine if like it's.

0:25:23.200 --> 0:25:25.240
<v Speaker 3>Been all over Academics and Shade Room and.

0:25:25.600 --> 0:25:27.280
<v Speaker 1>Right, So it's like it's not that much.

0:25:27.359 --> 0:25:29.440
<v Speaker 2>You know when people criticize or you know, the last

0:25:29.440 --> 0:25:32.400
<v Speaker 2>generation criticizes this generation for what they do. I think

0:25:32.400 --> 0:25:33.680
<v Speaker 2>it's just like you got to look in the mirror

0:25:33.720 --> 0:25:36.200
<v Speaker 2>and be like, look, if social media was around when

0:25:36.400 --> 0:25:38.679
<v Speaker 2>you guys were outside doing what ch'all was doing, is like,

0:25:39.080 --> 0:25:40.960
<v Speaker 2>it wouldn't really be that different.

0:25:41.200 --> 0:25:42.640
<v Speaker 1>We're all human at the end of the day.

0:25:42.720 --> 0:25:44.640
<v Speaker 2>Like, I wouldn't be surprised if back then you would

0:25:44.640 --> 0:25:47.960
<v Speaker 2>see like somebody on ag love talk, Oh.

0:25:47.480 --> 0:25:50.119
<v Speaker 3>Like oh no no, if the Internet was not around.

0:25:50.119 --> 0:25:52.400
<v Speaker 3>So it's like it's different, bro. It's like, shit, when

0:25:52.440 --> 0:25:54.040
<v Speaker 3>fifty first came out, I'm not even sure my Space

0:25:54.119 --> 0:25:57.840
<v Speaker 3>was popping like that. Definitely not definitely not, but it's like, yeah,

0:25:58.320 --> 0:26:01.240
<v Speaker 3>it's different, different world everything, like everything is online. And

0:26:01.280 --> 0:26:03.840
<v Speaker 3>then also the pressure of like having it not look

0:26:03.880 --> 0:26:06.280
<v Speaker 3>like a bitch because you're on the Internet comes into

0:26:06.280 --> 0:26:08.719
<v Speaker 3>people reacting. Maybe if they wouldn't have reacted had they

0:26:08.760 --> 0:26:10.640
<v Speaker 3>not realized that the whole world will see how they.

0:26:10.600 --> 0:26:12.760
<v Speaker 1>Would react, you know what I'm saying, right, But I'd

0:26:12.760 --> 0:26:13.359
<v Speaker 1>be telling them too.

0:26:13.400 --> 0:26:15.120
<v Speaker 2>I'd be like, look like sometimes, like what the music

0:26:15.160 --> 0:26:16.840
<v Speaker 2>that ch'n'll make is like you have to remember that

0:26:17.240 --> 0:26:18.880
<v Speaker 2>the music that you make, like it's.

0:26:18.680 --> 0:26:19.399
<v Speaker 1>Not just people.

0:26:19.680 --> 0:26:22.400
<v Speaker 2>And if we're talking strictly from a New York drill perspective,

0:26:22.440 --> 0:26:24.639
<v Speaker 2>it's like it's not even just like the music. People

0:26:24.640 --> 0:26:26.679
<v Speaker 2>in New York aren't just seeing this, like people all

0:26:26.720 --> 0:26:29.920
<v Speaker 2>around the country seeing this, and like that affects your

0:26:29.960 --> 0:26:32.080
<v Speaker 2>money at the end of the day too, because someone

0:26:32.119 --> 0:26:34.040
<v Speaker 2>from you know, you're talking from like a West Coast perspective,

0:26:34.080 --> 0:26:36.119
<v Speaker 2>if you hear them talking crazy dissing X Y and

0:26:36.200 --> 0:26:38.439
<v Speaker 2>Z is like and you're a promoter or you're a

0:26:38.480 --> 0:26:41.080
<v Speaker 2>showbook or whatever your love nation, It's like, I don't

0:26:41.119 --> 0:26:42.000
<v Speaker 2>know if I want to book.

0:26:41.840 --> 0:26:43.640
<v Speaker 3>These well, even like the Rolling Loud shit like guys

0:26:43.680 --> 0:26:45.120
<v Speaker 3>was getting like they were getting banned from.

0:26:45.119 --> 0:26:49.080
<v Speaker 2>Right ronk Tu two G's I think Dougie b two

0:26:49.320 --> 0:26:51.920
<v Speaker 2>and like it's like I'm like some of this stuff

0:26:51.960 --> 0:26:53.840
<v Speaker 2>and Ronzuno didn't. I don't know why they did that

0:26:53.920 --> 0:26:57.000
<v Speaker 2>to Ronsruno, But like all this stuff can affect your

0:26:57.080 --> 0:26:58.600
<v Speaker 2>money at the end of day and your longevity.

0:26:58.680 --> 0:27:00.200
<v Speaker 1>So like let's say you have like the big this

0:27:00.359 --> 0:27:04.960
<v Speaker 1>record in the world. Great, but like if how but like.

0:27:05.040 --> 0:27:07.480
<v Speaker 3>Are you worth a liability for me to book you?

0:27:07.640 --> 0:27:10.520
<v Speaker 2>Yeah, what at what costs? Like, like it got you

0:27:10.680 --> 0:27:13.639
<v Speaker 2>lit amazing congratulates. I think that that's great for you,

0:27:13.800 --> 0:27:15.679
<v Speaker 2>but like at what cost does at what cost? Does

0:27:15.760 --> 0:27:18.560
<v Speaker 2>it then affect the rest of your money now, because

0:27:18.560 --> 0:27:20.159
<v Speaker 2>now people for the rest of time will be like,

0:27:20.400 --> 0:27:22.560
<v Speaker 2>I don't know because they liability because you know, I

0:27:22.560 --> 0:27:24.640
<v Speaker 2>don't want him coming to LA And then the people

0:27:24.720 --> 0:27:26.679
<v Speaker 2>that they're talking about move to LA too, and then

0:27:26.760 --> 0:27:28.479
<v Speaker 2>now they the people they talking about trying to get

0:27:28.480 --> 0:27:29.040
<v Speaker 2>somebody to come from.

0:27:29.080 --> 0:27:32.359
<v Speaker 3>I mean, like, if you think about the nationally biggest people,

0:27:33.600 --> 0:27:35.960
<v Speaker 3>obviously Pop Smoke, Rest in Peace, Rest and Peace, Pop

0:27:36.440 --> 0:27:39.280
<v Speaker 3>pivoted into and I don't even he didn't even get

0:27:39.320 --> 0:27:44.240
<v Speaker 3>to see the success of his pivots sonically five or four,

0:27:44.320 --> 0:27:46.119
<v Speaker 3>and you know, doing the record with Alicia and like

0:27:46.320 --> 0:27:49.960
<v Speaker 3>not necessarily leaning on that ship. And then even like

0:27:50.720 --> 0:27:52.879
<v Speaker 3>I mean, Ice Spice is wrapping over drill ship, you

0:27:52.880 --> 0:27:55.080
<v Speaker 3>know what I'm saying, Like, yeah, she's a pop star.

0:27:55.320 --> 0:27:58.600
<v Speaker 3>It's kind of crazy, It's like really crazy. Yeah, Ice

0:27:58.600 --> 0:28:00.760
<v Speaker 3>Spice is the closest thing that I've ever seen that

0:28:00.840 --> 0:28:03.000
<v Speaker 3>if someone said that industry plans were real, which they're not.

0:28:03.080 --> 0:28:03.720
<v Speaker 3>I don't believe that that.

0:28:03.800 --> 0:28:04.440
<v Speaker 1>I don't beieve that either.

0:28:04.520 --> 0:28:06.639
<v Speaker 3>Yeah, that's not a real thing. But if there was

0:28:06.760 --> 0:28:10.359
<v Speaker 3>like some like internet rap conspiracy that ice Spice was

0:28:10.840 --> 0:28:13.040
<v Speaker 3>an industry plan, I'd be like, I understand why you

0:28:13.080 --> 0:28:16.600
<v Speaker 3>think that, right, because it is just like it's crazy.

0:28:16.840 --> 0:28:18.440
<v Speaker 3>Has she done an interview beside you?

0:28:18.920 --> 0:28:19.120
<v Speaker 1>Yeah?

0:28:19.400 --> 0:28:21.600
<v Speaker 3>Oh oh yeah, she's like breakfast clever or anything.

0:28:21.680 --> 0:28:25.000
<v Speaker 1>She hasn't done. She did ebro on Apple Will on

0:28:25.080 --> 0:28:25.600
<v Speaker 1>Apple one.

0:28:25.720 --> 0:28:28.680
<v Speaker 3>She hasn't been like like like the traditional Hot ninety seven.

0:28:29.000 --> 0:28:31.680
<v Speaker 2>She did Hot, she didn't she didn't want to have,

0:28:31.800 --> 0:28:33.879
<v Speaker 2>but it wasn't like super And that she doesn't do

0:28:33.920 --> 0:28:34.520
<v Speaker 2>a lot of interviews.

0:28:34.560 --> 0:28:35.199
<v Speaker 1>I noticed that too.

0:28:35.280 --> 0:28:37.399
<v Speaker 3>It's prance smart not to overexpose yourself.

0:28:37.560 --> 0:28:39.560
<v Speaker 2>Yeah, I think, like you know, you know what you

0:28:39.600 --> 0:28:42.840
<v Speaker 2>were saying about, like the with Pop, Like, first of all,

0:28:42.920 --> 0:28:45.320
<v Speaker 2>like the fact that Pop is still probably the.

0:28:45.360 --> 0:28:48.480
<v Speaker 1>Most streamed artist in New York in terms of younger artists.

0:28:48.320 --> 0:28:52.680
<v Speaker 3>And bro in La this motherfucker non stop every single

0:28:52.840 --> 0:28:56.040
<v Speaker 3>power rotation for like two years straight. I'm talking about

0:28:56.040 --> 0:28:57.960
<v Speaker 3>like what you know about love is still like a

0:28:58.080 --> 0:29:01.960
<v Speaker 3>subpower in La. Yeah, crazy like and it's it's such

0:29:02.000 --> 0:29:04.200
<v Speaker 3>because he didn't get to see, yeah, you know, the

0:29:04.240 --> 0:29:06.080
<v Speaker 3>fruits of his labor one hundred percent. You know, Like

0:29:06.600 --> 0:29:09.840
<v Speaker 3>I feel like the part too of what was the

0:29:09.920 --> 0:29:12.880
<v Speaker 3>EP that he put out was the before he died.

0:29:13.080 --> 0:29:17.680
<v Speaker 1>It was the oh that was the last piece of work,

0:29:17.680 --> 0:29:19.920
<v Speaker 1>I think, yeah, before literally like two weeks.

0:29:20.360 --> 0:29:23.440
<v Speaker 3>Yeah, and then this fucking album drops and it's like

0:29:23.680 --> 0:29:26.280
<v Speaker 3>just hit record after hit record in this like and.

0:29:26.320 --> 0:29:28.520
<v Speaker 2>It's crazy because this is like the album that dropped.

0:29:29.240 --> 0:29:32.000
<v Speaker 2>Probably that was I don't know, I was they did

0:29:32.080 --> 0:29:33.560
<v Speaker 2>some call where they played us a project. I don't

0:29:33.560 --> 0:29:35.040
<v Speaker 2>know if they said it was sixty percent done before

0:29:35.080 --> 0:29:36.760
<v Speaker 2>he passed away or something like that, but like you

0:29:36.920 --> 0:29:39.080
<v Speaker 2>imagine it's like, Okay, what if you actually what if

0:29:39.120 --> 0:29:40.880
<v Speaker 2>it's still around him? He was here to finish these

0:29:40.960 --> 0:29:43.840
<v Speaker 2>records and had the features on it that he wanted,

0:29:43.880 --> 0:29:45.560
<v Speaker 2>you know, not saying that they put all those features

0:29:45.560 --> 0:29:46.240
<v Speaker 2>on there, because.

0:29:46.160 --> 0:29:48.480
<v Speaker 3>I think fifty did a great job of like executive

0:29:48.520 --> 0:29:52.400
<v Speaker 3>producing and same because like, yeah, this because the last

0:29:52.440 --> 0:29:55.120
<v Speaker 3>album was cool, but it was definitely you're like, oh,

0:29:55.200 --> 0:29:58.840
<v Speaker 3>this this was like super unfinished stuff that they just

0:29:58.920 --> 0:30:01.640
<v Speaker 3>pulled together and they so many random features and ship and.

0:30:01.760 --> 0:30:03.480
<v Speaker 2>Yeah, one of my one of my man's produced one

0:30:03.480 --> 0:30:06.320
<v Speaker 2>of the songs on on on that on that project,

0:30:06.440 --> 0:30:08.720
<v Speaker 2>and then they switched they like switched.

0:30:08.400 --> 0:30:10.240
<v Speaker 3>The beat on him. See like that kind of shit.

0:30:10.240 --> 0:30:13.520
<v Speaker 2>It's like you know, or like they had two songs

0:30:13.560 --> 0:30:15.320
<v Speaker 2>on there, the one with Busy Banks and the one

0:30:15.360 --> 0:30:18.640
<v Speaker 2>with Ross Wish. Those were songs that were finished before

0:30:18.640 --> 0:30:22.200
<v Speaker 2>he passed away. Fish No, No, they let him on,

0:30:22.640 --> 0:30:24.440
<v Speaker 2>but you could tell, like when you listen to the project,

0:30:24.480 --> 0:30:28.200
<v Speaker 2>you can kind of tell what records were there before

0:30:28.280 --> 0:30:30.640
<v Speaker 2>he passed away versus what was kind of like kind

0:30:30.680 --> 0:30:34.720
<v Speaker 2>of Frankenstein together after the fact, and like that sucks

0:30:34.760 --> 0:30:36.480
<v Speaker 2>to me, Like and I heard stories of like his

0:30:36.720 --> 0:30:39.920
<v Speaker 2>friends verses getting taken over from him and stuff like that,

0:30:40.160 --> 0:30:42.360
<v Speaker 2>Like and I don't like shit like that kind of

0:30:42.440 --> 0:30:44.080
<v Speaker 2>like look like he was trying to put his Like

0:30:44.120 --> 0:30:45.520
<v Speaker 2>Pop was always about putting his people.

0:30:45.600 --> 0:30:47.760
<v Speaker 1>Like if you watch all these interviews when especially the

0:30:47.800 --> 0:30:48.800
<v Speaker 1>Angie interview.

0:30:48.720 --> 0:30:50.880
<v Speaker 2>He talked about Chef, he talked about Sleepy, I think

0:30:50.920 --> 0:30:52.719
<v Speaker 2>he talked about Busy and there he talked about Ross

0:30:52.840 --> 0:30:55.080
<v Speaker 2>Wish trying to think well, but like he was always

0:30:55.080 --> 0:30:56.920
<v Speaker 2>about putting like people who he fuck went on, So

0:30:57.080 --> 0:30:59.000
<v Speaker 2>like I think that that's just unfortunate that we got

0:30:59.000 --> 0:31:00.440
<v Speaker 2>to a point where it's like, Okay, now we're just

0:31:00.480 --> 0:31:02.560
<v Speaker 2>gonna we're gonna throw this pop verse here. We're gona

0:31:02.560 --> 0:31:04.200
<v Speaker 2>tho this pop verse here, you know what I'm saying. Like,

0:31:04.520 --> 0:31:06.240
<v Speaker 2>I know there's one on ne Ego's album. I don't

0:31:06.280 --> 0:31:09.120
<v Speaker 2>know where that came from. Like, I think about things

0:31:09.160 --> 0:31:10.320
<v Speaker 2>like that, and that shit kind of sucks.

0:31:10.720 --> 0:31:13.640
<v Speaker 1>Tiger's got Hella versus, Oh pop versus.

0:31:14.200 --> 0:31:15.400
<v Speaker 3>I think he's got one or two out.

0:31:15.440 --> 0:31:17.520
<v Speaker 1>I'm like Tiger, he got the Sunshine one, the one

0:31:17.560 --> 0:31:17.880
<v Speaker 1>with him, and.

0:31:18.280 --> 0:31:19.880
<v Speaker 3>I feel like there's another one though on my trip

0:31:19.920 --> 0:31:22.360
<v Speaker 3>and now I'm thinking Tiger and him had a record together.

0:31:22.200 --> 0:31:24.960
<v Speaker 1>On West West Coast. Yeah, I liked West Coast.

0:31:25.120 --> 0:31:25.720
<v Speaker 3>That was cool.

0:31:26.080 --> 0:31:28.320
<v Speaker 2>But yeah, like you think about like I don't know,

0:31:28.400 --> 0:31:30.440
<v Speaker 2>I don't know if Sunshine was done before Pop passed

0:31:30.440 --> 0:31:31.880
<v Speaker 2>away or not. I'm not gonna I don't know the

0:31:31.920 --> 0:31:33.640
<v Speaker 2>story behind that record, but like if it was Franken's

0:31:33.640 --> 0:31:34.400
<v Speaker 2>signed together, it's.

0:31:34.280 --> 0:31:35.800
<v Speaker 3>Like, damn, Like they did a good job.

0:31:35.960 --> 0:31:37.720
<v Speaker 1>They did a good job of Franken signing that one together,

0:31:37.760 --> 0:31:38.440
<v Speaker 1>but it was kind of sad.

0:31:38.600 --> 0:31:42.920
<v Speaker 3>Yeah, I was gonna ask you, like so this complex

0:31:43.000 --> 0:31:45.960
<v Speaker 3>list comes out right, Okay, uh this is this is

0:31:46.000 --> 0:31:49.480
<v Speaker 3>the headline. No, I'm just curious because like I feel

0:31:49.520 --> 0:31:53.640
<v Speaker 3>like you're very like to like you. I mean, I'm

0:31:53.640 --> 0:31:55.280
<v Speaker 3>be honest with you. I feel like you're the premier

0:31:55.360 --> 0:31:58.640
<v Speaker 3>freestyle platform now. I feel like you guys, what you

0:31:58.680 --> 0:32:00.800
<v Speaker 3>guys are doing is more important. Know what the Leakers do?

0:32:02.440 --> 0:32:04.880
<v Speaker 3>Flex is flex, you know, so flex is gonna get

0:32:04.960 --> 0:32:07.240
<v Speaker 3>like yeah, he legend regardless the Conway shit that just

0:32:07.280 --> 0:32:09.760
<v Speaker 3>happened was crazy. Like I mean, I still watch the

0:32:09.800 --> 0:32:11.360
<v Speaker 3>Black Thought one like once a week if.

0:32:11.400 --> 0:32:14.160
<v Speaker 1>Me are obviously Meek Mill and the Tory Lane's ones,

0:32:14.200 --> 0:32:14.800
<v Speaker 1>I always watch.

0:32:15.640 --> 0:32:17.280
<v Speaker 3>But I was gonna say for you, like, you know,

0:32:17.400 --> 0:32:19.840
<v Speaker 3>we do we do freestyles here. We drop like two

0:32:19.880 --> 0:32:21.560
<v Speaker 3>probably one or two a week. It just depends on

0:32:21.600 --> 0:32:23.760
<v Speaker 3>what happens here. But like you guys have really dug

0:32:23.800 --> 0:32:26.760
<v Speaker 3>your heels into the freestyle lane and it's it's been

0:32:26.800 --> 0:32:29.480
<v Speaker 3>dope to see because I feel like like you said,

0:32:29.600 --> 0:32:34.440
<v Speaker 3>like being in New York there is like you can't

0:32:34.600 --> 0:32:37.240
<v Speaker 3>you can't just be anybody and go see flex. You

0:32:37.320 --> 0:32:39.120
<v Speaker 3>know what I'm saying, Like, you gotta have a certain

0:32:39.160 --> 0:32:41.200
<v Speaker 3>it's gotta makes sense for him you know what I mean,

0:32:41.520 --> 0:32:44.360
<v Speaker 3>for you, you're giving people platforms that you just believe

0:32:44.400 --> 0:32:47.240
<v Speaker 3>in or that you're like, hey, I think this person's dope.

0:32:47.240 --> 0:32:49.160
<v Speaker 3>I think more people should have eyes on these on

0:32:49.320 --> 0:32:53.040
<v Speaker 3>this person. So do you when you see like a

0:32:53.120 --> 0:32:54.600
<v Speaker 3>list like that come out, do you feel like you

0:32:54.680 --> 0:32:56.920
<v Speaker 3>deserve more acknowledgment when it comes to certain shit like that?

0:32:57.040 --> 0:32:59.200
<v Speaker 3>Or you, I mean, you're still like a relatively new platform,

0:32:59.280 --> 0:33:00.960
<v Speaker 3>but like what your thoughts on that kind of shit?

0:33:01.000 --> 0:33:04.720
<v Speaker 2>I mean obviously, like you know, I'm like, first of all,

0:33:04.720 --> 0:33:06.320
<v Speaker 2>thank you for the for the for the common words,

0:33:06.400 --> 0:33:07.880
<v Speaker 2>and like also kind of just going off what you

0:33:07.880 --> 0:33:09.520
<v Speaker 2>said about giving people a chance, Like the one thing

0:33:09.520 --> 0:33:11.040
<v Speaker 2>I want to say about on the Radar is I like,

0:33:11.160 --> 0:33:12.840
<v Speaker 2>the reason why on the Radar is what it is

0:33:12.920 --> 0:33:14.880
<v Speaker 2>is because my goal for it is to be able

0:33:15.040 --> 0:33:17.200
<v Speaker 2>for you to have a meek mill or a little

0:33:17.240 --> 0:33:19.600
<v Speaker 2>baby on there. But then also, Lil homie from down

0:33:19.640 --> 0:33:21.400
<v Speaker 2>the block, you feel me because I feel like there's

0:33:21.440 --> 0:33:24.000
<v Speaker 2>no place where you marry all those things into one place.

0:33:24.240 --> 0:33:26.840
<v Speaker 2>That's just about the culture, about hip hop, about music

0:33:26.880 --> 0:33:29.400
<v Speaker 2>in general, right, But when I see things like that,

0:33:29.520 --> 0:33:31.760
<v Speaker 2>like of course, like I'm like, man, like you know

0:33:32.120 --> 0:33:34.280
<v Speaker 2>I was bummed out about it, but like I've been

0:33:34.520 --> 0:33:36.640
<v Speaker 2>the underdog for so long in my life and in

0:33:36.760 --> 0:33:39.440
<v Speaker 2>my career that like it doesn't phaze me because I know,

0:33:39.920 --> 0:33:42.000
<v Speaker 2>you know, the numbers are like like I don't like

0:33:42.040 --> 0:33:43.240
<v Speaker 2>to be the person like look at the numbers, but

0:33:43.240 --> 0:33:45.000
<v Speaker 2>the numbers are there. You feel me like we're doing

0:33:45.120 --> 0:33:48.160
<v Speaker 2>things that hasn't really been seen in a long time,

0:33:48.240 --> 0:33:51.360
<v Speaker 2>and hasn't you know, there is no platform since like

0:33:51.440 --> 0:33:53.480
<v Speaker 2>I feel like like a rap city that or like

0:33:53.520 --> 0:33:55.680
<v Speaker 2>one or six in part that's or TRL that's really

0:33:55.760 --> 0:33:58.160
<v Speaker 2>kind of brought like the up and coming and like

0:33:58.320 --> 0:34:00.720
<v Speaker 2>the Who's Hot at the same time, right, the fact

0:34:00.760 --> 0:34:04.040
<v Speaker 2>that I can go on my show and like Bro

0:34:04.160 --> 0:34:06.360
<v Speaker 2>from down the Block was there and as he's walking

0:34:06.440 --> 0:34:09.520
<v Speaker 2>out and Elie Choppa is walking in, like that's fire.

0:34:09.520 --> 0:34:11.239
<v Speaker 1>Right, you know what I'm saying, Like nobody's doing something

0:34:11.280 --> 0:34:11.719
<v Speaker 1>like that, or.

0:34:11.760 --> 0:34:15.239
<v Speaker 2>Like Sexy reds walking walking in as like this up

0:34:15.280 --> 0:34:18.319
<v Speaker 2>and coming R and B singer from Jerseys is leaving

0:34:18.440 --> 0:34:20.880
<v Speaker 2>like that's dope. So of course, like I see that

0:34:20.920 --> 0:34:22.520
<v Speaker 2>and I'm like, damn, like this is crazy, Like I

0:34:22.600 --> 0:34:24.560
<v Speaker 2>feel like we deserve the recognition. It was funny because

0:34:24.560 --> 0:34:27.960
<v Speaker 2>when that list came out that same night, I was

0:34:28.000 --> 0:34:30.920
<v Speaker 2>at like this the Veto event at like Legos and

0:34:31.480 --> 0:34:33.880
<v Speaker 2>uh and like then they put the complex posted like

0:34:33.960 --> 0:34:37.080
<v Speaker 2>the up next like list thing.

0:34:37.160 --> 0:34:39.160
<v Speaker 1>They're like, oh, hip Hop's next, like whatever.

0:34:39.239 --> 0:34:40.880
<v Speaker 2>I forgot what they called it, but it was just

0:34:40.920 --> 0:34:42.440
<v Speaker 2>like it was just like a social post and it

0:34:42.520 --> 0:34:44.320
<v Speaker 2>was like me, haking from OGM.

0:34:45.400 --> 0:34:46.439
<v Speaker 1>Don't call me white girl.

0:34:47.239 --> 0:34:48.719
<v Speaker 2>I'm trying to Well, there a few other people on

0:34:48.760 --> 0:34:50.239
<v Speaker 2>that list, but I'm like, all right, so I'm a

0:34:50.320 --> 0:34:52.400
<v Speaker 2>social post, you know what I'm saying. But I appreciate

0:34:52.480 --> 0:34:54.600
<v Speaker 2>all the recognition regardless because I know that like it's

0:34:54.640 --> 0:34:56.520
<v Speaker 2>gonna be there right one way or another.

0:34:56.560 --> 0:34:58.160
<v Speaker 3>But also like I just be getting tired of the

0:34:58.239 --> 0:35:00.200
<v Speaker 3>list too. We also, this shit doesn't really matter. It

0:35:00.239 --> 0:35:02.160
<v Speaker 3>doesn't like help. It's like like you said, check the

0:35:02.280 --> 0:35:04.359
<v Speaker 3>check the scoreboard, you know what I'm saying. Like, yeah,

0:35:04.840 --> 0:35:07.000
<v Speaker 3>like I had people hitting me like and I genuinely

0:35:07.120 --> 0:35:07.640
<v Speaker 3>just didn't care.

0:35:07.880 --> 0:35:08.960
<v Speaker 1>Yeah, how did you feel about that?

0:35:09.040 --> 0:35:10.800
<v Speaker 3>I didn't give a fuck, bro, Like I really didn't

0:35:10.800 --> 0:35:12.680
<v Speaker 3>expect to be on the list. Like we over here

0:35:12.760 --> 0:35:16.480
<v Speaker 3>in LA we are very independent operation. I don't care

0:35:16.480 --> 0:35:18.800
<v Speaker 3>about none of that shit, bro, like they try to

0:35:19.160 --> 0:35:22.080
<v Speaker 3>uh get me to like be angry on some who

0:35:22.120 --> 0:35:26.040
<v Speaker 3>show was on when they asked me about it, t

0:35:26.200 --> 0:35:29.880
<v Speaker 3>rel shit, I just did. I just like I have

0:35:30.040 --> 0:35:32.200
<v Speaker 3>no emotion, man, Like my whole thing towards it is

0:35:32.280 --> 0:35:33.320
<v Speaker 3>like you know, at the end of the day, like

0:35:33.320 --> 0:35:35.439
<v Speaker 3>I'm doing me. If people want to recognize it, it's cool.

0:35:35.480 --> 0:35:38.640
<v Speaker 3>If not, we're gonna be all right. Like yeah, that's

0:35:38.640 --> 0:35:39.680
<v Speaker 3>how I feel Shit's moving.

0:35:40.600 --> 0:35:42.920
<v Speaker 2>Were good because I feel like it's just like you know,

0:35:43.200 --> 0:35:47.160
<v Speaker 2>people love making these lists, right, and also it's.

0:35:47.040 --> 0:35:49.279
<v Speaker 3>A it's also that's why I'm surprised you in because

0:35:49.280 --> 0:35:51.239
<v Speaker 3>I mean list of Complex at East Coast by his place, right,

0:35:51.280 --> 0:35:53.719
<v Speaker 3>So I was really thinking, like, how's the fuck is

0:35:53.719 --> 0:35:56.759
<v Speaker 3>going on over everything? Like you've had more moments than

0:35:56.960 --> 0:35:58.960
<v Speaker 3>a lot of these motherfuckers, you know what I'm saying, Like,

0:35:59.040 --> 0:36:00.640
<v Speaker 3>and you're doing it with the high integrity, you know

0:36:00.680 --> 0:36:03.000
<v Speaker 3>what I mean? Yeah, and Complex stirring up bullshit, you know.

0:36:03.200 --> 0:36:05.239
<v Speaker 2>Yeah, Complex showed us, has shown us mad love, Like

0:36:05.280 --> 0:36:07.359
<v Speaker 2>we just had two freestyles on like the top twenty

0:36:07.400 --> 0:36:10.080
<v Speaker 2>five verses of the year so far, and they've done

0:36:10.200 --> 0:36:12.120
<v Speaker 2>like other stuff with me before. So but I didn't

0:36:12.120 --> 0:36:13.719
<v Speaker 2>feel no way because of that, Like I wasn't I

0:36:13.760 --> 0:36:15.560
<v Speaker 2>didn't hit my man's that complex, Like, yo, bro, why

0:36:15.600 --> 0:36:17.040
<v Speaker 2>you ain't put me on I would never do that

0:36:17.080 --> 0:36:18.840
<v Speaker 2>because I don't. I don't think that's a you know,

0:36:18.880 --> 0:36:21.160
<v Speaker 2>that's an integrity thing. Like I would never handle business

0:36:21.239 --> 0:36:23.120
<v Speaker 2>like that or come out my neck at someone like

0:36:23.160 --> 0:36:24.960
<v Speaker 2>that because that's just not how I am. But you know,

0:36:25.080 --> 0:36:26.040
<v Speaker 2>at the end of day, it's like, you know, you

0:36:26.120 --> 0:36:27.919
<v Speaker 2>still are disappointed. You're like, damn, I wish I could

0:36:27.960 --> 0:36:30.160
<v Speaker 2>have been recognized by this. But it's like it's cool

0:36:30.200 --> 0:36:33.000
<v Speaker 2>because I just kind of turned all that fuel into motivation.

0:36:33.160 --> 0:36:35.719
<v Speaker 2>Like whenever they told me, oh, like you know you

0:36:35.760 --> 0:36:37.759
<v Speaker 2>won't be able to have this artist a right, cool,

0:36:37.880 --> 0:36:39.640
<v Speaker 2>I'll see you in a year, right, and like you know,

0:36:39.800 --> 0:36:41.880
<v Speaker 2>then we then they end up coming back around anyway

0:36:41.880 --> 0:36:43.600
<v Speaker 2>because now they're like okay, cool, or like, you know,

0:36:43.680 --> 0:36:45.120
<v Speaker 2>we'll have an artist who comes on the show and

0:36:45.160 --> 0:36:46.920
<v Speaker 2>we'll do an interview. They're like, I don't know if

0:36:46.960 --> 0:36:49.440
<v Speaker 2>I want a freestyle, and I'm like, I I'll see you,

0:36:49.480 --> 0:36:51.040
<v Speaker 2>and i'll see you in six months and then six

0:36:51.120 --> 0:36:52.360
<v Speaker 2>months later, yo.

0:36:52.560 --> 0:36:54.239
<v Speaker 3>Hey, let's stop the interview real quick to tell you

0:36:54.280 --> 0:36:56.239
<v Speaker 3>about our good folks at King Palm. That's right, man,

0:36:56.280 --> 0:36:58.520
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0:36:58.600 --> 0:37:03.680
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0:37:03.760 --> 0:37:06.840
<v Speaker 3>there's no tobacco involved, and they're so smooth when you

0:37:06.920 --> 0:37:08.759
<v Speaker 3>smoke in them. I love King Poms, the only thing

0:37:08.800 --> 0:37:10.319
<v Speaker 3>I'm smoking at it now. If you go to your

0:37:10.360 --> 0:37:13.680
<v Speaker 3>local liquor store, you go to your local smoke shop,

0:37:13.719 --> 0:37:16.200
<v Speaker 3>you can get King Palms. Of course, seven eleven's got

0:37:16.200 --> 0:37:18.400
<v Speaker 3>the King Poms. And they have so many crazy flavors.

0:37:18.480 --> 0:37:22.719
<v Speaker 3>Like shout out to Sugar Sean who's from Phoenix, Arizona,

0:37:23.160 --> 0:37:25.759
<v Speaker 3>my hometown. He's got his own flavor. They just sent

0:37:25.880 --> 0:37:28.480
<v Speaker 3>us these. Now, what's dope about King Palm is that

0:37:28.560 --> 0:37:34.120
<v Speaker 3>they have the turping infused flavors. So at the end

0:37:34.480 --> 0:37:37.680
<v Speaker 3>of the tip of these pre rolls, right, you get

0:37:37.719 --> 0:37:41.959
<v Speaker 3>the leaf, you squeeze the tip, that's what she said,

0:37:42.800 --> 0:37:45.239
<v Speaker 3>and then you just get a burst of flavor. This

0:37:45.400 --> 0:37:48.360
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0:37:48.400 --> 0:37:55.000
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0:37:55.040 --> 0:37:57.319
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0:37:57.360 --> 0:37:59.040
<v Speaker 3>I say, man, we love King Palm. Over here. So

0:37:59.120 --> 0:38:01.919
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0:38:01.960 --> 0:38:04.200
<v Speaker 3>out to the honey mango, Shout out to the sugar

0:38:04.280 --> 0:38:06.520
<v Speaker 3>punch right here. You know what I'm saying. Look, if

0:38:06.600 --> 0:38:09.040
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0:38:09.080 --> 0:38:12.160
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0:38:16.680 --> 0:38:18.719
<v Speaker 3>Try either one of those. I forget which one it is.

0:38:19.200 --> 0:38:20.839
<v Speaker 3>It's bootleg or it's bootleg keV.

0:38:21.400 --> 0:38:21.680
<v Speaker 1>You know what.

0:38:21.880 --> 0:38:24.560
<v Speaker 3>The correct promo code will be down below. Use the

0:38:24.640 --> 0:38:28.760
<v Speaker 3>one that's down here. Kingpom dot com. Get fifty percent

0:38:28.840 --> 0:38:32.440
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0:38:32.480 --> 0:38:35.560
<v Speaker 3>a shout out to our good folks at blue Chew Baby,

0:38:35.880 --> 0:38:37.680
<v Speaker 3>shout out to blue Choo. Now, this what's going on

0:38:37.760 --> 0:38:39.640
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0:38:39.680 --> 0:38:43.200
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0:38:43.280 --> 0:38:46.879
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0:38:46.880 --> 0:38:48.560
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0:38:48.600 --> 0:38:52.000
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0:38:52.200 --> 0:38:55.280
<v Speaker 3>is blue cheo? Fellas? If you're dealing with the rectile dysfunction, Fellas,

0:38:55.320 --> 0:38:56.799
<v Speaker 3>if your dick is not getting as hard as you'd

0:38:56.920 --> 0:39:00.800
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0:39:00.960 --> 0:39:02.759
<v Speaker 3>all you gotta do is go to blue Cheo dot

0:39:02.800 --> 0:39:06.520
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0:39:07.040 --> 0:39:09.160
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0:39:09.760 --> 0:39:12.880
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0:39:13.080 --> 0:39:15.759
<v Speaker 3>not have to go into a doctor's office to get

0:39:15.800 --> 0:39:18.000
<v Speaker 3>blue Cheo. You go to blue choo dot com, you

0:39:18.080 --> 0:39:20.640
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<v Speaker 3>delivered to your door discretely, of course, discreetly, no doctor's appointments,

0:39:28.160 --> 0:39:30.040
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0:39:30.120 --> 0:39:32.359
<v Speaker 3>lobby and waiting for some you know lady to call

0:39:32.440 --> 0:39:33.760
<v Speaker 3>you in so you can tell her how your cock's

0:39:33.840 --> 0:39:37.680
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<v Speaker 3>for free, just fight dollars shipping blue choo dot com

0:39:44.760 --> 0:39:47.759
<v Speaker 3>promo code Bootleg. Let's get back to the interview. Is

0:39:47.840 --> 0:39:50.240
<v Speaker 3>it hard to I was gonna say this because you'll

0:39:50.239 --> 0:39:53.040
<v Speaker 3>get freestyles from artists who traditionally don't do freestyles, right, Yeah,

0:39:53.280 --> 0:39:56.360
<v Speaker 3>So do they go there knowing they're gonna freestyle because

0:39:56.400 --> 0:39:59.239
<v Speaker 3>a lot of times we'll run into that where like

0:39:59.360 --> 0:40:01.359
<v Speaker 3>somebody will come to LA and they'll have like their

0:40:01.480 --> 0:40:05.440
<v Speaker 3>LA leakers shit ready. Yeah, and obviously the well I'm

0:40:05.560 --> 0:40:08.719
<v Speaker 3>vala leakers ain't a thing anymore, y'all, breaking news. They're

0:40:08.800 --> 0:40:13.719
<v Speaker 3>just incredible thing ready. And uh, you know, like we're

0:40:14.040 --> 0:40:18.719
<v Speaker 3>we're not like our brand isn't freestyle driven. We do freestyles, yeah,

0:40:18.920 --> 0:40:21.040
<v Speaker 3>but it's not like you know, we do both, you

0:40:21.080 --> 0:40:22.960
<v Speaker 3>know what I mean. I would say we're more known

0:40:23.000 --> 0:40:26.319
<v Speaker 3>for interviews, you know, of course, So like I got

0:40:26.440 --> 0:40:28.560
<v Speaker 3>to hit artists sometimes and be like, hey, I know

0:40:28.640 --> 0:40:30.880
<v Speaker 3>you come to LA, make sure you got the other

0:40:30.960 --> 0:40:33.280
<v Speaker 3>clip ready, you know what I mean, Like save me something,

0:40:33.440 --> 0:40:35.080
<v Speaker 3>you know what I mean. But but y'all, I feel

0:40:35.120 --> 0:40:37.800
<v Speaker 3>like now if people come to New York like they're

0:40:37.880 --> 0:40:41.360
<v Speaker 3>coming there to do your shit, yeah, I think you know,

0:40:41.480 --> 0:40:43.560
<v Speaker 3>even like because flex is a lot harder to get onto,

0:40:43.560 --> 0:40:45.600
<v Speaker 3>you know what I mean? Like, so like do you

0:40:45.760 --> 0:40:47.840
<v Speaker 3>do you guys have those conversations like hey, look just

0:40:47.960 --> 0:40:49.880
<v Speaker 3>just do something, man, if you like it, we'll use it.

0:40:49.960 --> 0:40:52.280
<v Speaker 1>If not we'll scrap it, Like hell yeah, we definitely

0:40:52.280 --> 0:40:52.960
<v Speaker 1>have those commos.

0:40:53.040 --> 0:40:54.920
<v Speaker 2>Like I also give artists like the opportunity like, look,

0:40:54.920 --> 0:40:56.319
<v Speaker 2>if you don't want to do a freestyle, like, let's

0:40:56.320 --> 0:40:57.440
<v Speaker 2>get a performance video out of you.

0:40:57.840 --> 0:40:59.360
<v Speaker 3>Ud. I know y'all do that, like you did the

0:40:59.360 --> 0:41:00.880
<v Speaker 3>Sexy Read performance.

0:41:00.560 --> 0:41:03.600
<v Speaker 2>Exactly yeah, which which one of the funniest things we

0:41:03.640 --> 0:41:06.200
<v Speaker 2>ever shot too. But like Annalie Choppa did a performance

0:41:06.280 --> 0:41:09.880
<v Speaker 2>with his dude Gino. It's two times four times. I'm

0:41:09.880 --> 0:41:12.440
<v Speaker 2>sorry if I say that wrong, Bro, I'm sorry. But

0:41:12.600 --> 0:41:14.360
<v Speaker 2>like he did a performance off the deluxe off of

0:41:14.600 --> 0:41:16.799
<v Speaker 2>Condomwood too, which is totally cool because it still went

0:41:16.880 --> 0:41:18.520
<v Speaker 2>crazy regardless because at the end the day, not a

0:41:18.560 --> 0:41:19.920
<v Speaker 2>lot of people knew that song. So a lot of

0:41:19.920 --> 0:41:21.239
<v Speaker 2>people in the comments like, oh, this is a fire

0:41:21.280 --> 0:41:23.360
<v Speaker 2>freestyles far even though it's people don't know how to

0:41:23.400 --> 0:41:25.280
<v Speaker 2>read too. By the way, it's like it says performance

0:41:25.320 --> 0:41:27.160
<v Speaker 2>at the bottom, but regardless, but I just try to

0:41:27.200 --> 0:41:28.560
<v Speaker 2>get something out of that. I'm like, look, if you

0:41:28.600 --> 0:41:30.200
<v Speaker 2>don't like it, maybe come do a lip sync of

0:41:30.320 --> 0:41:31.680
<v Speaker 2>like a song that you have on the project, like

0:41:31.800 --> 0:41:34.200
<v Speaker 2>like something, let's just do something, you know what I'm saying.

0:41:34.200 --> 0:41:36.920
<v Speaker 2>Because I like maximizing content, Like you're there, you're there

0:41:36.960 --> 0:41:39.000
<v Speaker 2>for an hour, it's like a twenty thirty minute interview

0:41:39.040 --> 0:41:41.480
<v Speaker 2>sometimes depending how talkative you are. And then you know,

0:41:41.760 --> 0:41:43.400
<v Speaker 2>then if you do a lip sync, it takes like

0:41:43.440 --> 0:41:46.120
<v Speaker 2>ten minutes not even to get that done. But you know,

0:41:46.360 --> 0:41:48.680
<v Speaker 2>most people already know. Like if but if I had

0:41:48.719 --> 0:41:51.240
<v Speaker 2>a dollar, bro, for like how many freestyles we haven't

0:41:51.280 --> 0:41:54.160
<v Speaker 2>released too or like you know, haven't come out, like

0:41:54.280 --> 0:41:55.680
<v Speaker 2>you know, i'd be rich by now.

0:41:55.760 --> 0:41:57.840
<v Speaker 3>What is? Don't tell me who did it? But what

0:41:58.080 --> 0:42:02.280
<v Speaker 3>was the because we've had some very long freestyle sessions

0:42:02.280 --> 0:42:04.959
<v Speaker 3>where motherfuckers will take like thirty takes. Oh yeah, okay, okay,

0:42:05.000 --> 0:42:07.279
<v Speaker 3>where it's like crazy, like I think there was like

0:42:07.400 --> 0:42:08.880
<v Speaker 3>one time we had someone who was in here for

0:42:09.000 --> 0:42:10.719
<v Speaker 3>like an hour and I literally was like, look, man,

0:42:11.239 --> 0:42:14.240
<v Speaker 3>I got shit to do, so this is your final

0:42:14.360 --> 0:42:18.600
<v Speaker 3>go and they got it. What was the longest you

0:42:18.680 --> 0:42:20.399
<v Speaker 3>had to wait for someone to nail their ship?

0:42:20.880 --> 0:42:21.680
<v Speaker 1>Why are you laughing?

0:42:21.800 --> 0:42:21.880
<v Speaker 2>Bro?

0:42:22.440 --> 0:42:25.080
<v Speaker 1>I hear you in the back. No, I'm not gonna

0:42:25.080 --> 0:42:26.400
<v Speaker 1>say no name. I'm not gonna don't say the name.

0:42:27.120 --> 0:42:27.480
<v Speaker 3>Don't say that.

0:42:27.640 --> 0:42:29.200
<v Speaker 2>Yeah you know me, I'm not gonna do that, but

0:42:29.560 --> 0:42:31.640
<v Speaker 2>it was actually pretty It was actually within the last

0:42:31.640 --> 0:42:34.680
<v Speaker 2>six months. There was one that we stopped laughing. Yo,

0:42:35.120 --> 0:42:37.960
<v Speaker 2>we were there a month ago, maybe I know I

0:42:38.040 --> 0:42:39.359
<v Speaker 2>was more than a month ago. We were there at

0:42:39.480 --> 0:42:40.000
<v Speaker 2>nine pm.

0:42:41.080 --> 0:42:48.759
<v Speaker 3>When'd you leave? I left it like twelve Jesus she went,

0:42:48.880 --> 0:42:52.240
<v Speaker 3>she went, the gonna laugh still what but like I'm

0:42:52.239 --> 0:42:54.279
<v Speaker 3>gonna say that that's the case. You gotta be like, Yo,

0:42:54.320 --> 0:42:56.600
<v Speaker 3>if we get this right, it's gonna do well for us. Yeah.

0:42:56.800 --> 0:42:58.719
<v Speaker 1>No, there's you know that happens a lot though.

0:42:58.719 --> 0:43:01.279
<v Speaker 2>It's like me and me and like look at each

0:43:01.280 --> 0:43:03.000
<v Speaker 2>other and like I like, you know, we both had

0:43:03.040 --> 0:43:04.360
<v Speaker 2>that like look on our FACEO, like we want to

0:43:04.400 --> 0:43:06.279
<v Speaker 2>go home, but like we both like are like very

0:43:06.360 --> 0:43:08.799
<v Speaker 2>well aware that's like, look, if we get this done,

0:43:09.239 --> 0:43:10.080
<v Speaker 2>this shit is gonna go.

0:43:10.600 --> 0:43:12.160
<v Speaker 1>And if they tell us they don't want it out,

0:43:12.280 --> 0:43:14.120
<v Speaker 1>they're never coming back. You know what I'm saying.

0:43:14.560 --> 0:43:16.239
<v Speaker 3>We sit spent three hours with your ass.

0:43:16.320 --> 0:43:17.480
<v Speaker 1>Like, Nah, we've had that.

0:43:17.600 --> 0:43:19.160
<v Speaker 2>That's happened a lot too us, Like where artists have

0:43:19.280 --> 0:43:22.160
<v Speaker 2>like come on and then they'll just be like they'll

0:43:22.200 --> 0:43:24.480
<v Speaker 2>do their shit right and like let's say we drop

0:43:24.600 --> 0:43:26.000
<v Speaker 2>it like a month or two later whatever it is right,

0:43:26.239 --> 0:43:28.360
<v Speaker 2>and then they'll be like, oh, I don't want I

0:43:28.360 --> 0:43:30.359
<v Speaker 2>don't like this anymore. And then they're like, I want

0:43:30.400 --> 0:43:34.920
<v Speaker 2>to come redo it. I'm like no, like like yeah,

0:43:34.960 --> 0:43:36.560
<v Speaker 2>because it's like I'm like, if you got it, you

0:43:36.640 --> 0:43:37.120
<v Speaker 2>don't have to wait.

0:43:37.120 --> 0:43:39.239
<v Speaker 3>Like somebody asked to redo an interview after it was

0:43:39.239 --> 0:43:42.000
<v Speaker 3>like a two hour long interview, and yeah, I don't

0:43:42.040 --> 0:43:43.480
<v Speaker 3>like the way it came off in that. Let me

0:43:43.520 --> 0:43:43.920
<v Speaker 3>redo that.

0:43:44.719 --> 0:43:46.600
<v Speaker 1>A two hour long interview is crazy, by the way,

0:43:46.680 --> 0:43:47.719
<v Speaker 1>for them to ask to redo it.

0:43:48.719 --> 0:43:52.320
<v Speaker 3>It's someone that we're very close friends with. Its bold.

0:43:56.120 --> 0:43:57.560
<v Speaker 2>I can't wait for you to tell me after. But

0:43:57.680 --> 0:43:59.319
<v Speaker 2>you let them, you would you let people come back

0:43:59.360 --> 0:44:00.960
<v Speaker 2>after that, you'd be like, nah, don't.

0:44:00.760 --> 0:44:01.319
<v Speaker 1>Come back no more.

0:44:01.400 --> 0:44:02.759
<v Speaker 3>Freddy Gives is one of my best friends.

0:44:02.760 --> 0:44:03.520
<v Speaker 1>Oh it's Freddy Gis.

0:44:03.560 --> 0:44:05.480
<v Speaker 3>We did an interview and he was like, hey, man,

0:44:05.520 --> 0:44:07.239
<v Speaker 3>can we just redo the whole hitter? And I was like, bro,

0:44:08.280 --> 0:44:10.040
<v Speaker 3>did you drop it? I was like I had to

0:44:10.120 --> 0:44:12.200
<v Speaker 3>cut out so much and I get it. He was

0:44:12.239 --> 0:44:14.000
<v Speaker 3>in a weird place, like and he just didn't want

0:44:14.040 --> 0:44:16.919
<v Speaker 3>certain shit in there by the time. No, it wasn't

0:44:16.920 --> 0:44:17.719
<v Speaker 3>the one when we was drunk.

0:44:18.160 --> 0:44:20.640
<v Speaker 1>Okay, Okay, now do you cut up your interviews a

0:44:20.640 --> 0:44:21.000
<v Speaker 1>lot like that?

0:44:21.760 --> 0:44:24.520
<v Speaker 3>I give a like artist opportunity, like you know, like

0:44:24.600 --> 0:44:26.759
<v Speaker 3>you said, like, I don't want to like make people

0:44:26.840 --> 0:44:29.279
<v Speaker 3>uncomfortable coming over here. So if like there's an artist

0:44:29.360 --> 0:44:31.319
<v Speaker 3>that like comes on the show and they're like, hey,

0:44:31.360 --> 0:44:34.560
<v Speaker 3>I said this and you take that out, I don't care,

0:44:34.760 --> 0:44:36.279
<v Speaker 3>Like I'm not going to be like nah fuck that,

0:44:36.480 --> 0:44:38.279
<v Speaker 3>you know, like the only time that ever happened was

0:44:39.000 --> 0:44:40.480
<v Speaker 3>we had dropped a little Pump interview.

0:44:40.920 --> 0:44:45.200
<v Speaker 1>H and y'all, Chuckley tells me everything I need to

0:44:45.280 --> 0:44:46.040
<v Speaker 1>know about this interview.

0:44:46.600 --> 0:44:49.479
<v Speaker 3>Yeah, and look, well he tried to like his little

0:44:49.520 --> 0:44:52.880
<v Speaker 3>weeny ass white boy manager. I was like, bro, you

0:44:52.920 --> 0:44:54.759
<v Speaker 3>know where the fuck we at, bro come through if

0:44:54.800 --> 0:44:56.360
<v Speaker 3>you want to talk that crazy shit. Like, So what

0:44:56.440 --> 0:44:59.719
<v Speaker 3>happened was the interview goes up. They didn't like to

0:44:59.800 --> 0:45:01.280
<v Speaker 3>tie because I put.

0:45:01.200 --> 0:45:02.719
<v Speaker 1>Oh, they never liked the time. They never liked the

0:45:03.080 --> 0:45:03.600
<v Speaker 1>time I put.

0:45:03.680 --> 0:45:06.520
<v Speaker 3>I put like little Pump on New Music.

0:45:07.200 --> 0:45:07.640
<v Speaker 2>H J.

0:45:07.840 --> 0:45:10.040
<v Speaker 3>Cole predicting his fall off or no, no, I didn't

0:45:10.040 --> 0:45:13.759
<v Speaker 3>say his fall off his career. If if J Cole

0:45:13.840 --> 0:45:16.040
<v Speaker 3>predicted his career something like, it wasn't even like crazy

0:45:16.160 --> 0:45:18.040
<v Speaker 3>like flavoring right, But they didn't like the fact Jay

0:45:18.080 --> 0:45:20.360
<v Speaker 3>Cole was mentioned in the in the title, so I

0:45:20.440 --> 0:45:23.040
<v Speaker 3>even so they hit me. And then they had like

0:45:23.440 --> 0:45:26.000
<v Speaker 3>his other manager hit me, who like works I forget

0:45:26.040 --> 0:45:27.520
<v Speaker 3>what label she works at, but she works with Doug,

0:45:27.600 --> 0:45:28.799
<v Speaker 3>she works with a lot of people. She's like well

0:45:28.800 --> 0:45:30.400
<v Speaker 3>respected in the industry. So I took it out of

0:45:30.440 --> 0:45:33.520
<v Speaker 3>the title, right, And then then they had hit me

0:45:33.600 --> 0:45:35.319
<v Speaker 3>and they were like because we put the clip up,

0:45:35.360 --> 0:45:38.359
<v Speaker 3>because we put clips up right, like yo. His guy

0:45:38.480 --> 0:45:40.359
<v Speaker 3>hit me like, yo, you gotta take that shit down.

0:45:40.840 --> 0:45:43.719
<v Speaker 3>And I was like, or what, it's already up? Like

0:45:43.840 --> 0:45:45.360
<v Speaker 3>what you mean? I gotta take it down. Tell me

0:45:45.400 --> 0:45:47.080
<v Speaker 3>what's gonna happen if I don't take it down, bro?

0:45:47.440 --> 0:45:48.920
<v Speaker 3>Like what do you? What the fuck are you gonna do?

0:45:49.000 --> 0:45:49.080
<v Speaker 2>Bro?

0:45:49.160 --> 0:45:51.200
<v Speaker 3>You see you come back to the studio. We're here

0:45:51.239 --> 0:45:55.479
<v Speaker 3>all day, you know what I mean? And uh, little

0:45:55.520 --> 0:45:57.560
<v Speaker 3>Pump posted my phone number on his story and said

0:45:57.640 --> 0:46:02.480
<v Speaker 3>call me. My phone was blowing the fuck up for like,

0:46:02.680 --> 0:46:08.040
<v Speaker 3>oh oh my god, oh my yeah, it was hilarious.

0:46:08.440 --> 0:46:09.040
<v Speaker 3>Oh my god.

0:46:09.080 --> 0:46:10.200
<v Speaker 1>So you're changing number obviously?

0:46:10.760 --> 0:46:13.920
<v Speaker 3>Yeah. I mean I I just was like two phones, right,

0:46:14.040 --> 0:46:17.279
<v Speaker 3>So I just turned that one off. I was driving

0:46:17.280 --> 0:46:18.719
<v Speaker 3>to Mexico at the time, so I just turned it

0:46:18.800 --> 0:46:21.400
<v Speaker 3>off and I had I had all kinds of fucking

0:46:21.480 --> 0:46:24.319
<v Speaker 3>like weird ass like pasty white bitches from Germany sending

0:46:24.360 --> 0:46:26.680
<v Speaker 3>me nudes and ship on WhatsApp. Like it was fucking weird.

0:46:26.920 --> 0:46:29.360
<v Speaker 3>What the hell? It was super weird. But but you

0:46:29.400 --> 0:46:31.680
<v Speaker 3>have the interview obviously, Fuck yeah, it's on there, right

0:46:31.680 --> 0:46:32.360
<v Speaker 3>and go run it up.

0:46:32.400 --> 0:46:35.160
<v Speaker 1>Yeah, keep keep watching that, I guess right, yeah, And

0:46:35.239 --> 0:46:35.640
<v Speaker 1>it was like a.

0:46:35.680 --> 0:46:37.759
<v Speaker 3>Fair interviewed a little pump. I was like giving him

0:46:37.800 --> 0:46:38.960
<v Speaker 3>props and ship. I see.

0:46:39.040 --> 0:46:40.560
<v Speaker 1>I've watched some of the clips too, Like it didn't

0:46:40.560 --> 0:46:42.080
<v Speaker 1>even seem like it was like it is what it is.

0:46:42.200 --> 0:46:42.839
<v Speaker 3>It was funny though.

0:46:42.880 --> 0:46:44.040
<v Speaker 1>It wasn't like a messy interview.

0:46:44.239 --> 0:46:44.640
<v Speaker 3>It wasn't.

0:46:44.760 --> 0:46:47.319
<v Speaker 1>It was very just a genuine conversation about where he's at.

0:46:47.320 --> 0:46:49.640
<v Speaker 3>And like the whole But you know what, people are delusional.

0:46:50.040 --> 0:46:51.400
<v Speaker 1>People are extremely delusional.

0:46:51.560 --> 0:46:53.400
<v Speaker 3>So it's like, you know, if he'd have shown some

0:46:53.520 --> 0:46:56.719
<v Speaker 3>sort of like humility and like like you know, self

0:46:56.760 --> 0:46:58.520
<v Speaker 3>awareness in that interview, I feel like people would have

0:46:58.520 --> 0:47:00.439
<v Speaker 3>been like, oh, a little pump, you know, mature a little.

0:47:00.440 --> 0:47:03.920
<v Speaker 3>But he was like I'm rich when I was like,

0:47:04.000 --> 0:47:07.080
<v Speaker 3>did J Cole, you know, looking back at y'all's interview,

0:47:07.080 --> 0:47:09.040
<v Speaker 3>when y'all's interaction, do you think he predicted anything that

0:47:09.160 --> 0:47:11.440
<v Speaker 3>ended up happening with your career. He's just like, I

0:47:11.640 --> 0:47:13.600
<v Speaker 3>just know I'm rich. And I was like, all right, bro,

0:47:13.920 --> 0:47:15.160
<v Speaker 3>well well J Cole.

0:47:15.280 --> 0:47:16.560
<v Speaker 1>J Cole is also very rich.

0:47:16.640 --> 0:47:18.920
<v Speaker 3>Shout out to Ja Cole, the co owner of the Hornets.

0:47:18.960 --> 0:47:21.560
<v Speaker 3>God damn it, literally co owner of the Hornets.

0:47:21.600 --> 0:47:23.040
<v Speaker 1>Now that shit is crazy to me. I love that

0:47:23.120 --> 0:47:23.360
<v Speaker 1>from you.

0:47:23.440 --> 0:47:25.840
<v Speaker 3>Guys have such a high output in terms of just

0:47:25.920 --> 0:47:28.080
<v Speaker 3>like you guys do a lot, right, Yeah? How many?

0:47:28.200 --> 0:47:30.399
<v Speaker 3>How many things a week do you feel you would?

0:47:30.440 --> 0:47:31.040
<v Speaker 3>You say you film?

0:47:31.719 --> 0:47:33.920
<v Speaker 2>I mean it could arrange for anywhere, like from fifteen

0:47:33.960 --> 0:47:36.120
<v Speaker 2>to twenty. I feel like, you know what I'm saying, Uh,

0:47:36.560 --> 0:47:38.399
<v Speaker 2>depending on the week that we're having. Like when we're

0:47:38.440 --> 0:47:39.880
<v Speaker 2>on tour, we film a lot because we're doing only

0:47:39.960 --> 0:47:40.560
<v Speaker 2>freestyles out.

0:47:40.560 --> 0:47:42.680
<v Speaker 3>Right, so everybody pull up, yeah, pull up, shoot.

0:47:42.400 --> 0:47:44.200
<v Speaker 1>Bing bang boom, Like today I'll give you. I'll tell

0:47:44.200 --> 0:47:44.799
<v Speaker 1>you what we're doing today.

0:47:44.840 --> 0:47:45.120
<v Speaker 3>We're doing.

0:47:46.000 --> 0:47:48.680
<v Speaker 2>Give me the list, John, We're doing, We're doing what

0:47:48.880 --> 0:47:51.000
<v Speaker 2>he's John calls at the California Love site but that's

0:47:51.040 --> 0:47:51.560
<v Speaker 2>what we're calling it.

0:47:51.680 --> 0:47:53.480
<v Speaker 1>Right. So we got a bunch of artists pulling up

0:47:53.480 --> 0:47:55.080
<v Speaker 1>to you today. Here, give me the list.

0:47:55.120 --> 0:47:56.120
<v Speaker 3>This is all Cali artists.

0:47:56.360 --> 0:47:59.320
<v Speaker 1>Yeah, so we have Reason, we have kembe X, we

0:47:59.400 --> 0:47:59.960
<v Speaker 1>got Simba.

0:48:00.320 --> 0:48:02.960
<v Speaker 2>Oh yeah, we got Jason Cash, we got pac Man,

0:48:03.000 --> 0:48:08.320
<v Speaker 2>the Gunman, Incognita, Kayla James, and as the last Stone

0:48:08.360 --> 0:48:11.319
<v Speaker 2>confirmed today. Just now, Oh, Jaystone's gonna be in the site.

0:48:12.080 --> 0:48:13.920
<v Speaker 2>Make sure he's on time again.

0:48:15.120 --> 0:48:18.480
<v Speaker 3>Make sure you're you know, googling the politics there.

0:48:18.920 --> 0:48:20.960
<v Speaker 1>Oh, the politics is messing on that one. No, no, no, no, no,

0:48:21.239 --> 0:48:22.080
<v Speaker 1>they don't know about each other.

0:48:22.120 --> 0:48:24.640
<v Speaker 3>I'm not saying Stone. Oh, like, if you ever come

0:48:24.680 --> 0:48:26.520
<v Speaker 3>to Cali and you're gonna have like thirty rappers in

0:48:26.560 --> 0:48:28.240
<v Speaker 3>the building at the same time, just make sure everybody

0:48:28.320 --> 0:48:31.440
<v Speaker 3>knows about each other before that happens. Oh yeah, I'm

0:48:31.480 --> 0:48:34.120
<v Speaker 3>not saying anybody on that list you just said. I'm

0:48:34.160 --> 0:48:36.640
<v Speaker 3>not applying that to them because they're all very mature,

0:48:36.760 --> 0:48:40.320
<v Speaker 3>great dudes, you know, Yeah, but yeah, not just you know,

0:48:40.480 --> 0:48:41.200
<v Speaker 3>La can get tricky.

0:48:41.239 --> 0:48:42.640
<v Speaker 2>Oh I know, yeah, I feel that was the one

0:48:42.680 --> 0:48:44.640
<v Speaker 2>thing is like I'm like, I can't wear a Yankee

0:48:44.680 --> 0:48:45.120
<v Speaker 2>hat out here.

0:48:45.440 --> 0:48:48.040
<v Speaker 3>Yeah, you can I'm just I mean, you can wear

0:48:48.080 --> 0:48:52.280
<v Speaker 3>a Yankee hat, you just can't go to certain places

0:48:52.920 --> 0:48:54.440
<v Speaker 3>wherever you're at, you're probably fine.

0:48:56.200 --> 0:48:58.959
<v Speaker 1>Don't tell me that, bro, I didn't pack no Yankee

0:48:59.000 --> 0:49:00.920
<v Speaker 1>finish the play awards.

0:49:01.120 --> 0:49:04.160
<v Speaker 3>Like you're find like in Hollywood, you're finding the valley

0:49:05.000 --> 0:49:08.319
<v Speaker 3>you just can't go to, like South Central, you really can't.

0:49:08.440 --> 0:49:11.800
<v Speaker 3>Just there's like a bubble, the like I'm in town bubble.

0:49:12.000 --> 0:49:14.520
<v Speaker 3>You know, I'm in town bubble and you'll be fine.

0:49:14.520 --> 0:49:16.880
<v Speaker 1>Well, he got pressed by a valet once, right, he

0:49:16.960 --> 0:49:19.680
<v Speaker 1>got pressed by a valet once. What color was that.

0:49:21.520 --> 0:49:28.400
<v Speaker 3>Red yet? Yeah, like the navy blue one by the stadium.

0:49:28.400 --> 0:49:32.600
<v Speaker 3>Which stadium? Oh yeah, I mean that makes sense. Okay,

0:49:33.000 --> 0:49:33.640
<v Speaker 3>that's downtown.

0:49:33.760 --> 0:49:35.160
<v Speaker 1>So that that's how there you goes. That's how we

0:49:35.200 --> 0:49:35.600
<v Speaker 1>messed up.

0:49:35.920 --> 0:49:40.759
<v Speaker 3>Yeah, like I would say, Hollywood to the valley, you know, Melrose,

0:49:40.760 --> 0:49:44.560
<v Speaker 3>Beverly Hills, Hollywood, you'll be good West Hollywood. But yeah, yeah,

0:49:44.560 --> 0:49:46.080
<v Speaker 3>once you started getting to that downtown.

0:49:47.480 --> 0:49:49.399
<v Speaker 2>Yeah, but yeah, like I feel like that's only that's

0:49:49.440 --> 0:49:51.440
<v Speaker 2>that's the only downside that I've that I thought out here.

0:49:51.440 --> 0:49:54.360
<v Speaker 3>But that's the sip of Also, if you were to

0:49:55.040 --> 0:49:56.919
<v Speaker 3>the rock Nation is a great choice because you can't

0:49:56.960 --> 0:49:59.960
<v Speaker 3>wear any hat out here. I think there's two hats

0:50:00.080 --> 0:50:04.759
<v Speaker 3>that are safe, but every other hat is something. But

0:50:04.960 --> 0:50:07.439
<v Speaker 3>I'm a hat guy, right, so I don't give a fuck.

0:50:07.560 --> 0:50:10.239
<v Speaker 3>I just be you know, hey, man, where are you from?

0:50:10.360 --> 0:50:10.440
<v Speaker 1>Now?

0:50:10.520 --> 0:50:15.160
<v Speaker 3>From here? Buddy? What's up? I've never you know? You know,

0:50:15.239 --> 0:50:17.360
<v Speaker 3>I did get I got pressed recently, but it was

0:50:17.520 --> 0:50:20.840
<v Speaker 3>it wasn't even like, uh yeah, I got pressed recently,

0:50:21.239 --> 0:50:24.080
<v Speaker 3>very weird set of circumstances. But it wasn't because of

0:50:24.080 --> 0:50:26.000
<v Speaker 3>the hat I was wearing. It was because I I

0:50:26.120 --> 0:50:27.440
<v Speaker 3>was trying to find a place to piss and I

0:50:27.480 --> 0:50:28.680
<v Speaker 3>walked down the wrong cult to sack.

0:50:32.440 --> 0:50:34.680
<v Speaker 1>Now that that no bathroom nearby? Where you have no

0:50:34.760 --> 0:50:36.840
<v Speaker 1>bathroom nere is mean, it's like where do I go?

0:50:37.160 --> 0:50:39.880
<v Speaker 3>Yeah? So what like cause again, like I said, you

0:50:39.920 --> 0:50:43.480
<v Speaker 3>guys have so much output? How big is the team? Like,

0:50:43.640 --> 0:50:45.160
<v Speaker 3>like how many people you got on the squad that

0:50:45.320 --> 0:50:46.560
<v Speaker 3>is like helping push everything out?

0:50:46.640 --> 0:50:48.640
<v Speaker 1>So we got Rob he's like the main shooter editor.

0:50:48.840 --> 0:50:49.479
<v Speaker 1>We got John.

0:50:49.560 --> 0:50:52.800
<v Speaker 2>He runs the record label, also does like talent relations, Toby,

0:50:53.120 --> 0:50:54.200
<v Speaker 2>talent relation and sales.

0:50:54.239 --> 0:50:59.240
<v Speaker 3>She's a She's a monster, she's the sales Yeah, Brandy

0:50:59.760 --> 0:51:02.200
<v Speaker 3>like hook you up at the Puma deal or yeah, yeah, she's.

0:51:02.040 --> 0:51:03.360
<v Speaker 2>Been bringing a lot of that. We got some we

0:51:03.440 --> 0:51:04.840
<v Speaker 2>got a lot of dope stuff on the way with that.

0:51:05.360 --> 0:51:09.040
<v Speaker 2>We got Calvin who does pictures. We got JV who

0:51:09.320 --> 0:51:10.920
<v Speaker 2>is kind of like our he does a little bit

0:51:10.960 --> 0:51:12.520
<v Speaker 2>of everything like interning wise.

0:51:12.840 --> 0:51:14.719
<v Speaker 1>And then we just brought my young guy right here.

0:51:14.840 --> 0:51:15.040
<v Speaker 3>JC.

0:51:15.160 --> 0:51:18.839
<v Speaker 1>We met him at New Orleans last week. He's from Orleans,

0:51:20.120 --> 0:51:21.440
<v Speaker 1>An so.

0:51:23.760 --> 0:51:25.440
<v Speaker 3>You know, you know, and you meet him at the

0:51:25.480 --> 0:51:26.280
<v Speaker 3>Rop forty unite.

0:51:26.120 --> 0:51:28.640
<v Speaker 2>Things, Yeah, yeah, pretty much. And and he's and he's dope,

0:51:28.719 --> 0:51:31.000
<v Speaker 2>he's good, he works hard. So we're like fucking like,

0:51:31.160 --> 0:51:32.800
<v Speaker 2>we're going from Nola to LA. Let's bring him to

0:51:32.880 --> 0:51:34.040
<v Speaker 2>La with us, and you know, let's see what he

0:51:34.080 --> 0:51:35.399
<v Speaker 2>could do. So we have like about like a five

0:51:35.440 --> 0:51:35.960
<v Speaker 2>person team.

0:51:36.080 --> 0:51:39.359
<v Speaker 3>How many you did Atlanta, you did New Orleans, you're

0:51:39.400 --> 0:51:41.279
<v Speaker 3>in LA. How many cities are you doing on the

0:51:41.360 --> 0:51:42.200
<v Speaker 3>tour thing we've done?

0:51:42.239 --> 0:51:43.359
<v Speaker 1>Like we're doing like ten.

0:51:43.440 --> 0:51:45.480
<v Speaker 2>But it's definitely gonna keep just going up because like

0:51:45.560 --> 0:51:47.160
<v Speaker 2>I feel like what I wanted for on the radar

0:51:47.320 --> 0:51:49.640
<v Speaker 2>right because we came up under the New York stuff

0:51:49.640 --> 0:51:51.759
<v Speaker 2>and obviously I feel like for me at least I

0:51:51.760 --> 0:51:54.080
<v Speaker 2>feel like I've done like almost pretty much everything I've

0:51:54.120 --> 0:51:55.920
<v Speaker 2>wanted to do in New York. Right, I'm always going

0:51:56.000 --> 0:51:57.560
<v Speaker 2>to be back in New York, always gonna do upcoming

0:51:57.560 --> 0:51:59.600
<v Speaker 2>New York, New York artists, Cause's where I'm from, that's home.

0:52:00.239 --> 0:52:01.960
<v Speaker 2>Like my vision for this show is like, I want

0:52:02.000 --> 0:52:03.640
<v Speaker 2>to be the biggest music platform in the world.

0:52:03.920 --> 0:52:04.360
<v Speaker 3>You feel me.

0:52:04.600 --> 0:52:08.040
<v Speaker 2>So we're doing We're We're also doing Houston, Detroit, We're

0:52:08.080 --> 0:52:11.640
<v Speaker 2>doing the Bay, We're doing Chicago, We're doing DC, We're

0:52:11.640 --> 0:52:13.320
<v Speaker 2>doing Miami, We're.

0:52:13.200 --> 0:52:15.960
<v Speaker 1>Doing Charlotte, North Carolina. What else am I missing? I

0:52:16.000 --> 0:52:17.239
<v Speaker 1>think that's really That's pretty much it.

0:52:18.040 --> 0:52:19.920
<v Speaker 2>And then and then I think we're gonna work with

0:52:19.920 --> 0:52:22.960
<v Speaker 2>Sleazy World go to bring to go to Kansas, Yeah,

0:52:22.960 --> 0:52:24.439
<v Speaker 2>because he wants to bring us out to Kansas, which

0:52:24.440 --> 0:52:27.040
<v Speaker 2>is dope. Might go to Ohio at some point, and

0:52:27.120 --> 0:52:29.160
<v Speaker 2>then next year we want to go We're gonna go

0:52:29.200 --> 0:52:30.960
<v Speaker 2>to Montreal. We want to go to Toronto, we want

0:52:31.000 --> 0:52:34.120
<v Speaker 2>to go to Yep, we want to go do Ghana, Nigeria.

0:52:35.239 --> 0:52:39.400
<v Speaker 1>We want to do the UK. We want to do London, Spain, France, Italy, Germany.

0:52:39.560 --> 0:52:41.080
<v Speaker 3>So I want to do in the DJ set thing

0:52:41.160 --> 0:52:41.520
<v Speaker 3>now right.

0:52:41.680 --> 0:52:44.680
<v Speaker 2>Yeah, I love house music too, like, so we kind

0:52:44.680 --> 0:52:46.200
<v Speaker 2>of are also using that as like a way to

0:52:46.280 --> 0:52:50.080
<v Speaker 2>pivot and kind of enter in other lanes of music too,

0:52:50.160 --> 0:52:51.719
<v Speaker 2>because we have hip hop, we have R and B,

0:52:51.800 --> 0:52:54.120
<v Speaker 2>we got some Spanish music that we've been really pushing

0:52:54.160 --> 0:52:57.080
<v Speaker 2>out lately. And but I want to also, like I said,

0:52:57.080 --> 0:52:59.080
<v Speaker 2>I wanted to be the biggest music platform in the world.

0:52:59.320 --> 0:53:01.520
<v Speaker 2>So I'm deaf trying to like do DJs as to

0:53:01.600 --> 0:53:04.399
<v Speaker 2>kind of like get that European audience too, because they're

0:53:04.400 --> 0:53:04.920
<v Speaker 2>really into that.

0:53:05.280 --> 0:53:06.719
<v Speaker 3>You got to go to London, man, I know, that's what.

0:53:06.880 --> 0:53:08.279
<v Speaker 1>Yeah, that's that's the goal. That's the goal.

0:53:08.400 --> 0:53:08.520
<v Speaker 3>You know.

0:53:08.600 --> 0:53:11.920
<v Speaker 2>We've had like AJ, Tracy Digady, Unknown T gigs, like

0:53:12.320 --> 0:53:14.759
<v Speaker 2>it's the London Trip is like the London Trip is

0:53:14.760 --> 0:53:16.120
<v Speaker 2>just gonna be like me going back to New York.

0:53:16.120 --> 0:53:17.839
<v Speaker 2>I feel like it's just like we're just gonna run

0:53:17.840 --> 0:53:19.560
<v Speaker 2>sh it up out there. And I love the UK culture,

0:53:19.600 --> 0:53:21.719
<v Speaker 2>like the fact that Central C was able to be

0:53:21.880 --> 0:53:24.680
<v Speaker 2>the first hard first UK artist to do the double

0:53:24.800 --> 0:53:26.200
<v Speaker 2>XL cover as far as I'm.

0:53:26.080 --> 0:53:30.520
<v Speaker 3>Aware, Yeah, I think I mean one Savage that's a

0:53:30.560 --> 0:53:30.879
<v Speaker 3>good one.

0:53:31.600 --> 0:53:32.279
<v Speaker 1>That's a good one.

0:53:32.840 --> 0:53:35.560
<v Speaker 2>But but yeah, like I love the UK right now,

0:53:35.560 --> 0:53:38.719
<v Speaker 2>and I think the UK like UK artists are like

0:53:38.920 --> 0:53:41.480
<v Speaker 2>really like they're they're bodying a lot of like.

0:53:41.520 --> 0:53:43.719
<v Speaker 3>The American art agree. I love that central Ce Dave

0:53:44.239 --> 0:53:44.919
<v Speaker 3>oh I got one.

0:53:44.800 --> 0:53:46.279
<v Speaker 1>Of the best projects of the year so far.

0:53:46.600 --> 0:53:49.040
<v Speaker 2>We had this conversation I think on uh, I think

0:53:49.080 --> 0:53:50.880
<v Speaker 2>on round table, people are like, oh, why do we

0:53:51.000 --> 0:53:53.719
<v Speaker 2>feel like male hip hop artists are like doing it

0:53:53.800 --> 0:53:56.040
<v Speaker 2>right now? And I'm like, I'm just like, I feel

0:53:56.080 --> 0:53:59.640
<v Speaker 2>like the music just isn't translating as much to audiences

0:53:59.760 --> 0:54:01.400
<v Speaker 2>as well as it did before because a lot of

0:54:01.440 --> 0:54:02.960
<v Speaker 2>it maybe is like the gangster rap part of it.

0:54:03.080 --> 0:54:06.239
<v Speaker 2>I don't know, but I feel like UK artists take

0:54:06.280 --> 0:54:09.040
<v Speaker 2>their craft very seriously, like I think they take their

0:54:09.080 --> 0:54:11.960
<v Speaker 2>craft maybe more seriously sometimes an American artists, at least

0:54:12.040 --> 0:54:12.560
<v Speaker 2>upcoming ones.

0:54:12.600 --> 0:54:15.640
<v Speaker 3>I feel like also people don't give the like the

0:54:15.800 --> 0:54:18.360
<v Speaker 3>UK drill scene is kind of what kept that shit alive,

0:54:18.480 --> 0:54:20.359
<v Speaker 3>you know what I'm saying. Yeah, I made the New

0:54:20.440 --> 0:54:22.600
<v Speaker 3>York shit kind of I feel like because it was

0:54:22.640 --> 0:54:25.040
<v Speaker 3>like Chicago and then UK and then we got this Brooklyn,

0:54:25.400 --> 0:54:29.080
<v Speaker 3>New York. Yeah, version of the of the sub genre

0:54:29.120 --> 0:54:31.440
<v Speaker 3>if you will. All right, Well, look man, you got

0:54:31.719 --> 0:54:34.759
<v Speaker 3>anything else coming up? Man, We got the tour you

0:54:34.760 --> 0:54:35.640
<v Speaker 3>guys signed an artist.

0:54:35.920 --> 0:54:36.520
<v Speaker 1>We're working on it.

0:54:36.600 --> 0:54:38.200
<v Speaker 2>We're working on We got the On the Radar records

0:54:38.840 --> 0:54:40.520
<v Speaker 2>right now. Right now, we're doing like projects. So I

0:54:40.560 --> 0:54:42.120
<v Speaker 2>got a bunch of projects that we got coming out

0:54:42.200 --> 0:54:44.800
<v Speaker 2>under on the Radar. We got a lot of singles.

0:54:44.840 --> 0:54:47.520
<v Speaker 2>We got a uh huh, Yeah, we got our first

0:54:47.560 --> 0:54:51.520
<v Speaker 2>afrobeat single that maybe out by the time Y'll see this.

0:54:51.600 --> 0:54:55.359
<v Speaker 2>With this girl Foddy, she's from the air, incredible, incredible talent.

0:54:55.440 --> 0:54:56.840
<v Speaker 2>We've worked with her for a little bit while we

0:54:56.880 --> 0:54:58.680
<v Speaker 2>went viral with her over in Africa like a year

0:54:58.719 --> 0:55:01.320
<v Speaker 2>ago with one of her performances on my show. So

0:55:01.440 --> 0:55:02.960
<v Speaker 2>we got that, got a lot of singles on the

0:55:03.000 --> 0:55:04.440
<v Speaker 2>way I'm trying to but also we have coming up.

0:55:05.120 --> 0:55:08.000
<v Speaker 2>We were coming Yeah, I sent a bunch of EPs,

0:55:08.040 --> 0:55:10.520
<v Speaker 2>were going to different cities and yeah, man, I'm just

0:55:10.680 --> 0:55:12.239
<v Speaker 2>I'm really just trying to bring on the Radar and

0:55:12.280 --> 0:55:14.720
<v Speaker 2>make on the Radar the biggest and best music platform

0:55:14.760 --> 0:55:16.279
<v Speaker 2>that's this world has ever seen. I've seen, like you know,

0:55:16.440 --> 0:55:18.160
<v Speaker 2>how Americans, how we look at one O six in

0:55:18.200 --> 0:55:21.440
<v Speaker 2>Park and Rahap City and how we think about that

0:55:21.480 --> 0:55:23.600
<v Speaker 2>and how we idolize those platforms, like I wanted to

0:55:23.640 --> 0:55:23.960
<v Speaker 2>be thought.

0:55:24.000 --> 0:55:25.480
<v Speaker 1>I want on the radar, be thought about that. But

0:55:25.640 --> 0:55:26.520
<v Speaker 1>like around the world.

0:55:26.960 --> 0:55:28.800
<v Speaker 3>Also because the TV shit don't matter no more. So

0:55:28.880 --> 0:55:31.839
<v Speaker 3>it's like, yeah, it's no one cares. Yeah TV.

0:55:32.160 --> 0:55:34.600
<v Speaker 1>Yeah, so I want YouTube's TV. Bro, YouTube is TV.

0:55:34.680 --> 0:55:36.080
<v Speaker 2>So if you're not on YouTube, you know what I'm saying.

0:55:36.080 --> 0:55:37.280
<v Speaker 2>But I wanted, I want it to be the biggest

0:55:37.320 --> 0:55:38.799
<v Speaker 2>music platform in the world. So that's like, that's an

0:55:38.840 --> 0:55:39.360
<v Speaker 2>angle for me.

0:55:39.480 --> 0:55:41.759
<v Speaker 3>Well ship being. Congrats brother, you're on your way, man,

0:55:41.800 --> 0:55:42.920
<v Speaker 3>appreciate your pulling up. Man.

0:55:43.040 --> 0:55:44.120
<v Speaker 1>Yes, sir, you're what it is.

0:55:44.800 --> 0:55:46.520
<v Speaker 3>Hey, this interview is brought to you by our good

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<v Speaker 3>folks at hard Dean. All Right, shout out to the

0:55:48.840 --> 0:55:51.359
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0:55:59.560 --> 0:56:02.320
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0:56:11.360 --> 0:56:13.759
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<v Speaker 3>got another interview coming soon