1 00:00:02,320 --> 00:00:06,400 Speaker 1: What the hell. I listen to you every morning. I 2 00:00:06,480 --> 00:00:09,360 Speaker 1: think you are a great. Oh my guy, love you guys. 3 00:00:09,600 --> 00:00:11,959 Speaker 1: I'm such a huge I love you guys. I've been 4 00:00:12,000 --> 00:00:18,960 Speaker 1: looking you guys for years. Hello, lay with the Man 5 00:00:19,040 --> 00:00:21,079 Speaker 1: of the hour. You first gotta Shay. We love it. 6 00:00:21,239 --> 00:00:25,080 Speaker 1: Here in the Big Apple to the Fall, hug him. 7 00:00:25,160 --> 00:00:27,600 Speaker 1: He was a very sweating guy. Brig he's gay. He's 8 00:00:27,600 --> 00:00:31,680 Speaker 1: just a sloppy drunk. I give to you the man 9 00:00:31,760 --> 00:00:34,320 Speaker 1: with the player, the boy with the toy, the bigs 10 00:00:34,400 --> 00:00:45,839 Speaker 1: with big rock and roll up, sir, right in the 11 00:00:46,000 --> 00:00:47,560 Speaker 1: morning show. You know. I was walking out of my 12 00:00:47,560 --> 00:00:49,959 Speaker 1: building this morning. I looked at my doorman, friend of mine, Chris. 13 00:00:50,080 --> 00:00:53,800 Speaker 1: I said, Yo, Chris, it's gonna be Friday. Ryan. He says, 14 00:00:54,000 --> 00:00:58,280 Speaker 1: I'm sorry, Elvis, It's only Wednesday. I screamed on a 15 00:00:58,360 --> 00:01:01,680 Speaker 1: very dirty word. What word was that? Just a dirty word? 16 00:01:01,720 --> 00:01:04,000 Speaker 1: Just a dirty word. Trust me on it, trust me 17 00:01:04,080 --> 00:01:07,320 Speaker 1: it was dirty. We need a Friday. I would love 18 00:01:07,400 --> 00:01:10,160 Speaker 1: to have one. Good morning, Gandhi, Good morning, Hi Danielle, 19 00:01:10,200 --> 00:01:14,200 Speaker 1: Good morning, Hi Froggy, good morning of Hello, there's straight name, 20 00:01:14,880 --> 00:01:17,880 Speaker 1: there's producer Sam morning. We welcome to the day. Okay, 21 00:01:17,920 --> 00:01:19,840 Speaker 1: what song should we start our We wish it was 22 00:01:19,880 --> 00:01:25,960 Speaker 1: Friday Wednesday. I don't know. I'm not liking any of 23 00:01:26,000 --> 00:01:29,160 Speaker 1: those songs. Scary has like three songs in front of me. 24 00:01:29,200 --> 00:01:35,600 Speaker 1: I'm not liking any of them. Come on, Scary, no, no, 25 00:01:36,720 --> 00:01:39,520 Speaker 1: any request, Come on, Danielle. I'd like to hear some 26 00:01:39,680 --> 00:01:44,039 Speaker 1: Jennifer Lopez. You know I always like yeah, Okay, okay, 27 00:01:44,160 --> 00:01:45,640 Speaker 1: coome on, Gandhy What do you want to hear Kanye 28 00:01:45,720 --> 00:01:49,280 Speaker 1: West gold Digger? Okay, I'll tell you what it's like 29 00:01:49,360 --> 00:01:51,600 Speaker 1: the dinner decision at my house. We'll go wherever you are. 30 00:01:51,680 --> 00:01:54,400 Speaker 1: But what am I here? I don't like there? Okay, okay, 31 00:01:54,480 --> 00:01:57,760 Speaker 1: hold on a second, um, how about some Metallica? Oh 32 00:01:58,760 --> 00:02:04,160 Speaker 1: what unexpected? Oh yeah, I don't know. You know what. 33 00:02:04,320 --> 00:02:07,160 Speaker 1: Jennifer Lopez? I love her though. She really wakes me 34 00:02:07,280 --> 00:02:11,239 Speaker 1: up and she's so beautiful. And Kanye gold Digger? What 35 00:02:11,360 --> 00:02:15,799 Speaker 1: a classic? Right? For some reason, we need something guitari, 36 00:02:17,639 --> 00:02:23,359 Speaker 1: some drums, something I can dance on this tripper poles 37 00:02:24,520 --> 00:02:28,639 Speaker 1: because daddy needs some cash. Did you all bring some 38 00:02:29,160 --> 00:02:33,799 Speaker 1: funny money? Yes? You got some singles on your straight Now, Scary, 39 00:02:33,800 --> 00:02:35,880 Speaker 1: you're ready to put some money in your hunting? Yes, 40 00:02:36,600 --> 00:02:38,880 Speaker 1: Are you guys ready for a Friday on a weddy? 41 00:02:39,840 --> 00:02:42,680 Speaker 1: Are we tired of the week already? Yeah? We need 42 00:02:42,760 --> 00:02:45,960 Speaker 1: the relief of the weekend. Does daddy need a cocktail? 43 00:02:47,560 --> 00:02:49,280 Speaker 1: Who is ready to stay up all night with me? 44 00:02:50,600 --> 00:02:52,440 Speaker 1: Even though it's early in the morning. Let's take ourselves 45 00:02:52,480 --> 00:02:54,760 Speaker 1: to late at night. We're at a smoky club right now. 46 00:02:55,360 --> 00:02:59,079 Speaker 1: The lights are flashing, the fog machine is on, the 47 00:02:59,240 --> 00:03:01,679 Speaker 1: bartenders are slinging drinks one hundred miles an hour. And 48 00:03:01,760 --> 00:03:05,000 Speaker 1: you know what I'm saying. We are now in a nightclub. 49 00:03:05,760 --> 00:03:11,200 Speaker 1: Strippers are dancing. You guys ready for a party? See 50 00:03:11,240 --> 00:03:15,200 Speaker 1: your thousand one? Don't bo get my son to win. 51 00:03:15,320 --> 00:03:21,680 Speaker 1: Glue everyone, you win all within if you f from 52 00:03:21,800 --> 00:03:34,920 Speaker 1: sin till the sandby go sleep when your pillows said 53 00:03:41,320 --> 00:04:05,320 Speaker 1: san rousting never never land. Something wrong, something light may 54 00:04:05,440 --> 00:04:12,480 Speaker 1: not night, and the wind, the water to the live 55 00:04:12,960 --> 00:04:15,760 Speaker 1: them back in the file and the thing that will 56 00:04:15,840 --> 00:04:41,800 Speaker 1: fare being fill by rustin never never you know. Play 57 00:04:41,880 --> 00:04:47,479 Speaker 1: this for our coaster boy, Josh. Today's his birthday. Birthday 58 00:04:47,520 --> 00:04:53,080 Speaker 1: Boy loves him some metallic birthday coaster boy, Josh, thank you, 59 00:04:53,520 --> 00:04:58,520 Speaker 1: he's your metallica all right? Yeah? Are you in with me? Yeah. So, 60 00:04:58,640 --> 00:05:00,440 Speaker 1: how are you gonna celebrate your birthday? Coast boy, Josh, 61 00:05:00,480 --> 00:05:06,360 Speaker 1: I'm going to Peter Lugers me some red meat on 62 00:05:06,400 --> 00:05:11,240 Speaker 1: your birthday. Yeah, take your vegetarian burgus, your sad with you. 63 00:05:11,560 --> 00:05:15,680 Speaker 1: Oh yes, I'll leave the Yeah. I hope you have 64 00:05:15,720 --> 00:05:18,320 Speaker 1: a happy birthday. We love you, love you too. All right, 65 00:05:18,400 --> 00:05:30,600 Speaker 1: back to a tower car now, don't save the soul 66 00:05:33,360 --> 00:05:43,680 Speaker 1: my guy before I still by bed. Don't say your 67 00:05:43,760 --> 00:05:49,720 Speaker 1: work and never mind that told you. It's just the 68 00:05:49,880 --> 00:05:55,720 Speaker 1: beast under your bed and your cod in y'all hand. 69 00:06:10,320 --> 00:06:14,320 Speaker 1: You didn't even know you needed metallic we did. I 70 00:06:14,480 --> 00:06:25,040 Speaker 1: like it. Well, there you go off to neverland. Happy birthday, John. 71 00:06:25,120 --> 00:06:27,160 Speaker 1: We've got a busy day. Our friend Alice Shrager is 72 00:06:27,200 --> 00:06:29,760 Speaker 1: coming in to talk about our big party tomorrow night, 73 00:06:29,880 --> 00:06:31,839 Speaker 1: the Wine and Food Festival here in New York City, 74 00:06:32,440 --> 00:06:35,039 Speaker 1: raising money to get rid of hunger. I'm gonna drink 75 00:06:35,080 --> 00:06:38,160 Speaker 1: and we're gonna eat. I'm gonna sign some take I'm 76 00:06:38,160 --> 00:06:40,120 Speaker 1: gonna sign some books. Yeah. Yeah. If you have an 77 00:06:40,200 --> 00:06:42,839 Speaker 1: uber night, you don't, it's a good night. Nil Horn 78 00:06:43,080 --> 00:06:45,400 Speaker 1: is on his way yet. He's performing for us. I 79 00:06:45,480 --> 00:06:47,160 Speaker 1: love his new song by the way, Yeah it is 80 00:06:47,240 --> 00:06:51,800 Speaker 1: really good. More iHeart radio stations than ever before added 81 00:06:51,880 --> 00:06:54,080 Speaker 1: Nile Horn. Yesterday, he was the number one added song 82 00:06:54,160 --> 00:06:56,680 Speaker 1: at I Heeart. That's awesome. So we're gonna celebrate with 83 00:06:56,800 --> 00:06:59,200 Speaker 1: him today. Let's go around the room. We'll start with you, Danielle. 84 00:06:59,200 --> 00:07:01,920 Speaker 1: What's on your mind today? So yesterday I was in 85 00:07:02,000 --> 00:07:04,680 Speaker 1: the dressing a dressing room trying on something, and I 86 00:07:04,839 --> 00:07:08,560 Speaker 1: hear the lady in the next room, oh oh oh, 87 00:07:09,840 --> 00:07:12,840 Speaker 1: And I'm like, so Pete Nod, I'm like, is somebody 88 00:07:12,960 --> 00:07:15,360 Speaker 1: in there with her? And it was just she was 89 00:07:15,560 --> 00:07:19,040 Speaker 1: trying to get into these jeans, and she was so 90 00:07:19,480 --> 00:07:23,320 Speaker 1: determined to get into these jeans that that was the 91 00:07:23,440 --> 00:07:26,560 Speaker 1: naughty us of face. That's a little too determined. I 92 00:07:26,720 --> 00:07:29,200 Speaker 1: wanted to go you might want to try the next side, 93 00:07:29,720 --> 00:07:32,400 Speaker 1: but I didn't say it. I just walked out and 94 00:07:32,600 --> 00:07:35,600 Speaker 1: let her have her time in addressing room. It is interesting, 95 00:07:35,760 --> 00:07:37,720 Speaker 1: you know, she had an opportunity to buy some jeans 96 00:07:37,800 --> 00:07:39,840 Speaker 1: more comfortable. She really you should have done that. I 97 00:07:39,880 --> 00:07:42,200 Speaker 1: don't Crogy, what's up with you today? You know, when 98 00:07:42,200 --> 00:07:44,920 Speaker 1: you get scared by your own Halloween decorations, what happens. 99 00:07:45,200 --> 00:07:48,320 Speaker 1: So we put decorations in our front yard and there's 100 00:07:48,360 --> 00:07:51,520 Speaker 1: this one that screams bloody murder when somebody walks by. 101 00:07:51,600 --> 00:07:54,040 Speaker 1: So this morning, I'm half asleep, I'm huking out the 102 00:07:54,120 --> 00:07:56,120 Speaker 1: door to go get in the car, and this thing 103 00:07:56,200 --> 00:07:59,280 Speaker 1: goes off and it's scared to crap. Sound like he 104 00:07:59,400 --> 00:08:06,080 Speaker 1: goes I dropped my stuff. I jumped back. I can't 105 00:08:06,120 --> 00:08:09,640 Speaker 1: wait to get a look at the camera. Yeah, and 106 00:08:09,760 --> 00:08:11,720 Speaker 1: guess what. You know what's funny. It'll do it again tomorrow. 107 00:08:12,520 --> 00:08:14,800 Speaker 1: You get scared about your own stuff. Hey, what's up 108 00:08:14,800 --> 00:08:16,480 Speaker 1: with you today? You know how you have a friend 109 00:08:16,560 --> 00:08:19,280 Speaker 1: that you go to for specific things. Scary is my 110 00:08:19,400 --> 00:08:22,120 Speaker 1: food friend. So yesterday there was a particular sandwich that 111 00:08:22,200 --> 00:08:24,280 Speaker 1: my boyfriend wanted. So I hit Scary up and asked 112 00:08:24,320 --> 00:08:25,720 Speaker 1: him if I could get it in my area. He 113 00:08:25,840 --> 00:08:28,880 Speaker 1: said no, but then proceeded to write me like thirteen 114 00:08:29,080 --> 00:08:31,880 Speaker 1: paragraphs on where I could get a sandwich and similar 115 00:08:31,960 --> 00:08:34,079 Speaker 1: sandwiches too. What kind of sandwich? Where you looking for? 116 00:08:34,200 --> 00:08:37,040 Speaker 1: An Italian beef? Yeah? Oh yeah, yeah, we found one 117 00:08:37,160 --> 00:08:39,040 Speaker 1: right here in Tribecca. Yeah. Well know, there's a thousand 118 00:08:39,080 --> 00:08:41,480 Speaker 1: places here we don't We couldn't find any except this one. 119 00:08:41,640 --> 00:08:43,120 Speaker 1: Here's a little tip for you if you need food, 120 00:08:43,160 --> 00:08:45,120 Speaker 1: you come to me, daddy. Yeah, I should have Scary 121 00:08:45,160 --> 00:08:48,080 Speaker 1: actually learned from me. Yes, Alvis, don't you have an 122 00:08:48,120 --> 00:08:50,520 Speaker 1: Italian beef? Yeah? I know where the Italian beef next time, 123 00:08:51,440 --> 00:08:53,199 Speaker 1: But I gotta post what Scary wrote back because I 124 00:08:53,240 --> 00:08:55,440 Speaker 1: was dying laughing. I'm like, dude, next time you need 125 00:08:55,480 --> 00:08:57,840 Speaker 1: Italian beef, you let me know. Okay, all right here, 126 00:08:57,880 --> 00:09:00,760 Speaker 1: our first caller of the day is a lot Hi Alana, 127 00:09:00,800 --> 00:09:03,599 Speaker 1: how you doing? Hi? All this? Good morning? Are you 128 00:09:03,720 --> 00:09:06,280 Speaker 1: good morning? Welcome to the show. So I know you 129 00:09:06,360 --> 00:09:10,000 Speaker 1: don't drink caffeine until after your workout. Are you on 130 00:09:10,080 --> 00:09:11,760 Speaker 1: your way to the gym? Are you looking forward to 131 00:09:11,800 --> 00:09:15,880 Speaker 1: the workout or the caffeine? Him? The workout actually and 132 00:09:15,960 --> 00:09:17,520 Speaker 1: then the caffeine. But that's what I have you on 133 00:09:17,600 --> 00:09:19,280 Speaker 1: THET when I called you, Guys, I don't get it 134 00:09:19,280 --> 00:09:22,720 Speaker 1: by caffeine until after the gym. So I think Metallica 135 00:09:22,800 --> 00:09:26,120 Speaker 1: may work. But all metallic you did it too. You 136 00:09:26,240 --> 00:09:28,280 Speaker 1: do it too, and not guitr, that's for sure. Yeah, 137 00:09:28,320 --> 00:09:31,360 Speaker 1: for some reason we needed Metallica. I'm glad Scary found 138 00:09:31,400 --> 00:09:33,719 Speaker 1: us Metallica. Yeah, yeah, that was a good one. That 139 00:09:33,840 --> 00:09:35,840 Speaker 1: was a good one to let me find the Italian beef. 140 00:09:35,880 --> 00:09:40,160 Speaker 1: We'll let's scary find them. Let's scary find the metallicae. 141 00:09:40,280 --> 00:09:43,559 Speaker 1: Come on, yeah, you just worked at It's time for 142 00:09:43,600 --> 00:09:46,840 Speaker 1: Italian beef. You got it, You got it. You are 143 00:09:46,880 --> 00:09:48,360 Speaker 1: the first caller of the day. We've got to send 144 00:09:48,400 --> 00:09:50,280 Speaker 1: you always d're in morning show shirt. We're sending it 145 00:09:50,400 --> 00:09:53,480 Speaker 1: right now. Okay, thank you so much. Thank you. Have 146 00:09:53,559 --> 00:09:55,719 Speaker 1: a beautiful day. Hold on one second, all right, producer Sam, 147 00:09:55,800 --> 00:09:58,160 Speaker 1: Let's get into those horoscopes. Awesome, Gondy want to help 148 00:09:58,200 --> 00:09:59,560 Speaker 1: me out? Oh? I would love to. Why does Gondi 149 00:09:59,559 --> 00:10:01,760 Speaker 1: always get to do it? You? Jella's Elvis love it 150 00:10:01,760 --> 00:10:05,200 Speaker 1: a little bit, don't be But if you celebrate your 151 00:10:05,240 --> 00:10:08,920 Speaker 1: birthday today, you celebrate with Bella Hadid, Scotty McCreary and 152 00:10:09,080 --> 00:10:12,959 Speaker 1: Sharon Osborne and Ghasta Boy Josh and Ghast Boys Josh Day, 153 00:10:13,080 --> 00:10:16,360 Speaker 1: Josh Capricorn, keep your priorities and check. Don't put energy 154 00:10:16,400 --> 00:10:18,520 Speaker 1: into anything that you don't feel is worth your time. 155 00:10:18,800 --> 00:10:21,440 Speaker 1: Your day is a nine Aquarius. Don't let one offhand 156 00:10:21,480 --> 00:10:23,960 Speaker 1: comment get you down. There are brighter days ahead, your 157 00:10:24,040 --> 00:10:26,840 Speaker 1: days of seven Pisces. There may be some tension between 158 00:10:26,880 --> 00:10:29,200 Speaker 1: some of your friends on the horizon, but don't get 159 00:10:29,240 --> 00:10:31,840 Speaker 1: sucked into petty drama that is not yours. Your days 160 00:10:31,840 --> 00:10:34,480 Speaker 1: and eight harries. Find some time to recharge your battery. 161 00:10:34,640 --> 00:10:37,079 Speaker 1: Take a bath, read a book, maybe listen to an audible. 162 00:10:37,200 --> 00:10:41,240 Speaker 1: Your days and ten Taurus, No, you're worth and makes it. Yes, 163 00:10:41,360 --> 00:10:43,040 Speaker 1: you could do that while you listen to an audible 164 00:10:45,720 --> 00:10:48,120 Speaker 1: good go ahead, go ahead, Taurus, No, you're worth it. 165 00:10:48,200 --> 00:10:50,280 Speaker 1: Makes sure you're prepared to receive the love and affection 166 00:10:50,320 --> 00:10:52,079 Speaker 1: that's offered to you. You can dish it out, but 167 00:10:52,240 --> 00:10:53,800 Speaker 1: know that you deserve it as well. Your day is 168 00:10:53,800 --> 00:10:56,280 Speaker 1: a nine Gemini. There may be some blockage in your mind, 169 00:10:56,360 --> 00:10:59,040 Speaker 1: not letting your ideas flow freely. Take the time to 170 00:10:59,120 --> 00:11:02,280 Speaker 1: find new inspiration and stimulation. Your day's an eight cancer. 171 00:11:02,400 --> 00:11:05,160 Speaker 1: Actions speak louder than words. Do not second guess making 172 00:11:05,200 --> 00:11:07,719 Speaker 1: that move forward in your relationship. Your day is a 173 00:11:07,800 --> 00:11:10,640 Speaker 1: nine Leo. Something you've been striving toward is finally coming 174 00:11:10,679 --> 00:11:14,240 Speaker 1: full circle. Let love and romance guide you to new places. 175 00:11:14,360 --> 00:11:16,719 Speaker 1: Your days of ten Virgo. It doesn't hurt to take 176 00:11:16,720 --> 00:11:18,920 Speaker 1: an extra minute to make sure that you look your best. 177 00:11:19,160 --> 00:11:22,160 Speaker 1: You could possibly be meeting someone important. Your day isn't eight. 178 00:11:22,200 --> 00:11:26,000 Speaker 1: I take offense that garb libra. Carefully plant out your 179 00:11:26,040 --> 00:11:28,600 Speaker 1: day so you aren't thrown off track. Don't let temptation 180 00:11:28,679 --> 00:11:31,120 Speaker 1: take over your days of seven Scorpio, don't dwell on 181 00:11:31,160 --> 00:11:33,440 Speaker 1: the pass look for opportunities that will make it eat, 182 00:11:33,559 --> 00:11:36,040 Speaker 1: make you eager to find more adventure. Your days and 183 00:11:36,120 --> 00:11:39,800 Speaker 1: nine and Sagittarius, Romance and passion are at all time highs. 184 00:11:40,120 --> 00:11:43,160 Speaker 1: Only concern yourself with things that are positive and uplifting. 185 00:11:43,360 --> 00:11:46,160 Speaker 1: Your days a ten and those are your Wednesday morning horoscopes. 186 00:11:46,200 --> 00:11:48,760 Speaker 1: All right, all right, let's get into the three things 187 00:11:48,800 --> 00:11:50,480 Speaker 1: you need to know from Gandhi. What all the Gandhi? 188 00:11:50,559 --> 00:11:52,360 Speaker 1: The White House now saying it will not cooperate in 189 00:11:52,400 --> 00:11:55,319 Speaker 1: the Trump impeachment investigation. In a letter to Nancy Pelosi, 190 00:11:55,400 --> 00:11:58,480 Speaker 1: the White House called the inquiry constitutionally invalid. Than want 191 00:11:58,480 --> 00:12:00,839 Speaker 1: on to claim that the House is denied President Trump, 192 00:12:00,920 --> 00:12:04,200 Speaker 1: do process. We're racing for some odd weather across the nation, 193 00:12:04,240 --> 00:12:06,839 Speaker 1: including cold snaps. We're feeling it a little bit here today. 194 00:12:07,120 --> 00:12:09,680 Speaker 1: Some people were upset. No more shorts. They said, yeah, 195 00:12:09,720 --> 00:12:11,960 Speaker 1: but California is about to be dealing with high winds 196 00:12:12,000 --> 00:12:13,920 Speaker 1: and because of that, they're shutting off power to eight 197 00:12:14,080 --> 00:12:18,400 Speaker 1: hundred thousand customers. We'll avoid wildfire risks, yes, because they're 198 00:12:18,400 --> 00:12:21,040 Speaker 1: saying that that's a big part of what happened last year. Yeah. 199 00:12:21,360 --> 00:12:24,040 Speaker 1: And finally Philly is doing something really cool right now. 200 00:12:24,160 --> 00:12:26,640 Speaker 1: Their hockey arena is going to give angry fans room 201 00:12:26,679 --> 00:12:28,520 Speaker 1: to break things. Yeah, we like that. What do you 202 00:12:28,559 --> 00:12:31,440 Speaker 1: mean breaking break things? So it's called the Disassembly Room 203 00:12:31,480 --> 00:12:33,319 Speaker 1: and you can actually go down there and blow off 204 00:12:33,400 --> 00:12:36,319 Speaker 1: steam by taking sledgehammers, bats, anything you want and just 205 00:12:36,480 --> 00:12:40,800 Speaker 1: destroying stuff when the flyers aren't doing well. The disassembly Room. Oh, 206 00:12:40,840 --> 00:12:43,360 Speaker 1: that's what we're renaming this room. Yeah, and it opens 207 00:12:43,360 --> 00:12:45,439 Speaker 1: tonight because the Flyers are taken on the devils, So 208 00:12:45,640 --> 00:12:47,920 Speaker 1: we'll see who goes and destroy some sulf It's gonna 209 00:12:47,920 --> 00:12:49,440 Speaker 1: be a great game. There's gonna be blood on the ice. 210 00:12:50,000 --> 00:12:53,240 Speaker 1: You guys ready for you Wednesday? Hey guys, this is 211 00:12:53,320 --> 00:13:00,920 Speaker 1: Seleni Gomess what's up. It's Fletcher Duran, Elvis Duran, Elvis 212 00:13:01,080 --> 00:13:04,720 Speaker 1: Duran in the Morning Show. There's only one hot sauce 213 00:13:04,800 --> 00:13:07,880 Speaker 1: that was able to convert me from my usual arsenal Cholula. 214 00:13:08,080 --> 00:13:10,360 Speaker 1: Their newest flavor, Sweet have a narrow pack such a 215 00:13:10,480 --> 00:13:12,719 Speaker 1: punch that it actually made me smile. I loved it. 216 00:13:13,000 --> 00:13:15,079 Speaker 1: With six flavors to choose from don't be afraid to 217 00:13:15,200 --> 00:13:22,719 Speaker 1: upgrade to cholula, I mean serious. I was minding my 218 00:13:22,760 --> 00:13:24,920 Speaker 1: own business and this lady comes out of nowhere on 219 00:13:24,920 --> 00:13:30,280 Speaker 1: the sidewalk starts screaming, yeah, stop wearing fur. You're cling autimals, 220 00:13:30,920 --> 00:13:33,880 Speaker 1: you got blood on your head, Stop wearing fur. I'm like, 221 00:13:34,080 --> 00:13:38,080 Speaker 1: what thought is going on? That wounding me? My bucket? 222 00:13:38,120 --> 00:13:40,280 Speaker 1: Listed to throw paint at someone wearing fur? Well, but 223 00:13:40,600 --> 00:13:42,160 Speaker 1: first of all, I don't wear fur. I know you 224 00:13:42,240 --> 00:13:44,320 Speaker 1: don't it. I know it wasn't directed at me. Wears 225 00:13:44,360 --> 00:13:47,360 Speaker 1: full fur. So I looked behind me and it was 226 00:13:47,640 --> 00:13:50,920 Speaker 1: little Kim. Oh, she's walking down the sidewalk and a 227 00:13:51,000 --> 00:13:55,000 Speaker 1: lady starts screaming, don't wear fur. Not cool. We had 228 00:13:55,000 --> 00:13:57,079 Speaker 1: a very famous guest in here one day and she 229 00:13:57,320 --> 00:14:00,280 Speaker 1: walked in and head to toe for for thing in 230 00:14:00,280 --> 00:14:02,000 Speaker 1: the morning, and I couldn't even focus on the interview 231 00:14:02,120 --> 00:14:05,280 Speaker 1: for like ten minutes. Who was Jay Low? Are we 232 00:14:05,360 --> 00:14:17,000 Speaker 1: sure it wasn't fair? Like person's shirt was not so 233 00:14:17,200 --> 00:14:20,240 Speaker 1: so low? Kim, she's so she's she's like going at 234 00:14:20,280 --> 00:14:22,520 Speaker 1: little Kim and trying to like throw stuff at her, 235 00:14:22,600 --> 00:14:25,160 Speaker 1: like a shirt or something, and a little Kim who's little, 236 00:14:25,320 --> 00:14:28,880 Speaker 1: yeah and named Kim, starts jumping at this lady, going 237 00:14:28,920 --> 00:14:30,360 Speaker 1: at her. I'm like, oh my god, there's gonna be 238 00:14:30,360 --> 00:14:33,680 Speaker 1: a fight between the fur protester and a little Kim. 239 00:14:33,760 --> 00:14:35,760 Speaker 1: Oh my gosh, awesome. They had to pull a little 240 00:14:35,840 --> 00:14:40,280 Speaker 1: Kim off of her. It's insane walking around the streets 241 00:14:40,280 --> 00:14:41,520 Speaker 1: and you see stuff like that. I mean know, I 242 00:14:41,600 --> 00:14:44,440 Speaker 1: was just having a nice, calm day, you know, just relaxed, 243 00:14:44,480 --> 00:14:47,120 Speaker 1: and all of a sudden protesters. Oh man, I like that. 244 00:14:47,200 --> 00:14:49,320 Speaker 1: You pulled your phone out though for a World Star video. 245 00:14:49,400 --> 00:14:53,560 Speaker 1: Oh yeah, no, I love World Start. Have you ever 246 00:14:53,640 --> 00:14:57,120 Speaker 1: been in the middle of like a like a police confrontation, 247 00:14:57,680 --> 00:14:59,640 Speaker 1: Like I was driving down the road in New York 248 00:14:59,680 --> 00:15:02,720 Speaker 1: City and all of a sudden police stop in front 249 00:15:02,800 --> 00:15:06,080 Speaker 1: and like put their car sideways so that nobody could 250 00:15:06,120 --> 00:15:10,640 Speaker 1: go anywhere, and guns a blazing. They were shooting people. No, 251 00:15:10,880 --> 00:15:16,720 Speaker 1: but that's what guns ablazing means, you take them out. Okay, okay, 252 00:15:16,800 --> 00:15:19,040 Speaker 1: not quite So they took the guns out, and they're 253 00:15:19,080 --> 00:15:21,520 Speaker 1: like going across the street, and there was somebody in 254 00:15:21,600 --> 00:15:23,520 Speaker 1: the car behind me that they wanted to get at 255 00:15:23,800 --> 00:15:26,880 Speaker 1: and I'm like, oh my gosh, did you get down? 256 00:15:27,000 --> 00:15:28,280 Speaker 1: And I didn't know. I didn't know what to do. 257 00:15:28,360 --> 00:15:30,880 Speaker 1: I just gotta sat in my car, like do do. Okay, right, 258 00:15:30,960 --> 00:15:33,240 Speaker 1: here's what you do next time you see guns come out. Yeah, 259 00:15:33,480 --> 00:15:36,000 Speaker 1: I would get down, hit the down because you know, 260 00:15:36,080 --> 00:15:39,560 Speaker 1: bullets just fly. Yeah, thankfully they did not. Bullets forget 261 00:15:39,680 --> 00:15:42,520 Speaker 1: Sometimes bullets forget the address and they're supposed to be delivered. Yeah, 262 00:15:42,760 --> 00:15:44,880 Speaker 1: and then they show up at your house. Not cool, No, 263 00:15:45,040 --> 00:15:47,320 Speaker 1: don't know, I'm just scary. But here My point is this. 264 00:15:47,480 --> 00:15:50,080 Speaker 1: You could be just, you know, going at like you're 265 00:15:50,120 --> 00:15:51,920 Speaker 1: having an eight of a day. It's a great day, 266 00:15:52,160 --> 00:15:54,600 Speaker 1: a nine maybe, and then all of a sudden, it 267 00:15:54,720 --> 00:15:59,040 Speaker 1: can just turn and things change. Your drenline starts flowing, 268 00:15:59,320 --> 00:16:02,160 Speaker 1: the police are not guns. Little Kim is jumping all 269 00:16:02,200 --> 00:16:06,160 Speaker 1: over this protester. I mean, it was crazy. Never a 270 00:16:06,280 --> 00:16:09,240 Speaker 1: dull moment, you know what. I'm looking forward to a 271 00:16:09,360 --> 00:16:13,920 Speaker 1: dull moment after that happened. You just you you crave 272 00:16:14,000 --> 00:16:17,840 Speaker 1: a dull moment. I wish I was there. Why what 273 00:16:17,880 --> 00:16:19,520 Speaker 1: would you have done? I would have just started yelling 274 00:16:19,640 --> 00:16:27,520 Speaker 1: yeah no, fur yeah, helpful, Little Kim. You should listen up. Yeah, 275 00:16:27,680 --> 00:16:29,760 Speaker 1: get that fur off bad. Let's get into you you 276 00:16:29,880 --> 00:16:32,680 Speaker 1: feel goods with producer Sam all Right. Producer Sam all Right, 277 00:16:32,800 --> 00:16:35,840 Speaker 1: Don Jikowski sent me what is my favorite music video 278 00:16:35,920 --> 00:16:38,000 Speaker 1: of the year, and you guys have got to watch it. 279 00:16:38,280 --> 00:16:41,480 Speaker 1: So Santina Muja is in the entertainment business and she's 280 00:16:41,520 --> 00:16:44,080 Speaker 1: in a wheelchair. So she's aware of the fact that 281 00:16:44,160 --> 00:16:46,360 Speaker 1: a lot of us feel bad for her and people 282 00:16:46,440 --> 00:16:48,560 Speaker 1: like her when we see him out and about. So 283 00:16:48,760 --> 00:16:51,280 Speaker 1: she decided to tell us in her own way not 284 00:16:51,440 --> 00:16:53,520 Speaker 1: to feel badly for her. She loves her life. She 285 00:16:53,640 --> 00:16:55,720 Speaker 1: wrote a song in the music video. It's called ass 286 00:16:55,840 --> 00:16:57,680 Speaker 1: Level and it's about being in the club and having 287 00:16:57,720 --> 00:16:59,400 Speaker 1: the best seat in the house because it's right then 288 00:16:59,520 --> 00:17:02,840 Speaker 1: you face and she's watching the dancers shake. I love her, 289 00:17:03,040 --> 00:17:04,640 Speaker 1: she says, don't feel bad. I got my own cup 290 00:17:04,680 --> 00:17:06,639 Speaker 1: holder for my drink. I got ninety nine problems and 291 00:17:06,720 --> 00:17:10,800 Speaker 1: parking eight one. She is hilarious. I tweeted the video out. 292 00:17:10,800 --> 00:17:12,359 Speaker 1: We got to put it up at Elvis, durand dot 293 00:17:12,400 --> 00:17:14,880 Speaker 1: com and Santina, you are such a boss for putting 294 00:17:14,880 --> 00:17:16,960 Speaker 1: it in that perspective for us. And if you have 295 00:17:17,040 --> 00:17:19,400 Speaker 1: a story that deserves to be featured. Email me Sam 296 00:17:19,440 --> 00:17:21,920 Speaker 1: at Elvis Durand dot com, subject line feel good. Next 297 00:17:21,920 --> 00:17:23,560 Speaker 1: time I go to a restaurant or club and they 298 00:17:23,560 --> 00:17:25,080 Speaker 1: ask me where I'd like to sit, I'm gonna say, 299 00:17:25,080 --> 00:17:26,840 Speaker 1: you know what, as long as it's ask level, I'm good. 300 00:17:27,080 --> 00:17:31,359 Speaker 1: Be nice, no high tops as level. Please thank you. 301 00:17:31,880 --> 00:17:34,960 Speaker 1: This is Wendy Williams. What's up, y'all? Once? What's going on? 302 00:17:35,160 --> 00:17:38,000 Speaker 1: This is Drake and you're listening to Elvis Duran, Elvis 303 00:17:38,080 --> 00:17:44,000 Speaker 1: Durand and the morning Showalula your Yesterday was a National 304 00:17:44,080 --> 00:17:46,680 Speaker 1: parogie day and I did. I did pop from Shalula 305 00:17:46,760 --> 00:17:52,080 Speaker 1: on there nice. We had Peru Palugi's pug. We had 306 00:17:52,119 --> 00:17:55,400 Speaker 1: parogie's from Breakfast here, the stuff I brought home from Parma, Ohio. Yeah, 307 00:17:55,440 --> 00:17:58,080 Speaker 1: that was good, and then I ordered more delivered to 308 00:17:58,119 --> 00:18:00,119 Speaker 1: the house yesterday. They weren't as good. They weren't as 309 00:18:00,119 --> 00:18:02,280 Speaker 1: good as no one from from Cleveland. Those were the 310 00:18:02,400 --> 00:18:04,840 Speaker 1: best anyway. So what did I do? I don't think 311 00:18:04,880 --> 00:18:06,719 Speaker 1: they do it in Poland, but I waved up from Cholula. 312 00:18:07,200 --> 00:18:09,440 Speaker 1: I don't think they do this in the Ukraine. There, 313 00:18:09,480 --> 00:18:12,320 Speaker 1: listen out in the Ukraine. Then talk about your favorite 314 00:18:12,640 --> 00:18:16,360 Speaker 1: Chilula hot sauce. Go. I like the green chili. It's 315 00:18:16,400 --> 00:18:19,280 Speaker 1: good chili, do it. Look, you know the difference between 316 00:18:19,359 --> 00:18:21,879 Speaker 1: cholula and other hot sauces. And other hot sauces, try 317 00:18:21,920 --> 00:18:24,920 Speaker 1: to go for that looks burn your mouths off, turning 318 00:18:25,000 --> 00:18:29,399 Speaker 1: your mouth into an incinerator. No, Cholula is flavor first, 319 00:18:29,560 --> 00:18:32,359 Speaker 1: and then comes the heat. O. The chili garlic is 320 00:18:32,400 --> 00:18:34,920 Speaker 1: really good for flavor too nice. I like it doesn't 321 00:18:34,960 --> 00:18:38,280 Speaker 1: have that heavy vinegary. I love cholula. All the flavors 322 00:18:38,320 --> 00:18:42,320 Speaker 1: are great, chipola, chili, garlic, chili, lime, green pepper, and 323 00:18:42,440 --> 00:18:44,959 Speaker 1: I love the sweet haban narrow. It's still my favorite. 324 00:18:45,040 --> 00:18:46,760 Speaker 1: That is your favorite. That one's the one that's dwindling 325 00:18:46,800 --> 00:18:49,119 Speaker 1: the fastest around here. Yeah, because I drink it by 326 00:18:49,160 --> 00:18:51,800 Speaker 1: the gallon. So cholula, try it for yourself, then tell 327 00:18:51,840 --> 00:18:53,920 Speaker 1: your friends about it. It's the one with the wooden cap. 328 00:18:56,200 --> 00:19:01,480 Speaker 1: Elvis Dan in the Morning Show. Well, well, well look 329 00:19:01,520 --> 00:19:04,200 Speaker 1: what we have here, Wendy Williams. You know we're gonna 330 00:19:04,440 --> 00:19:06,919 Speaker 1: get the story with Danielle the second. Yeah, in a second, 331 00:19:07,480 --> 00:19:09,600 Speaker 1: was doing her show and then you know, low and behold. 332 00:19:09,640 --> 00:19:13,800 Speaker 1: So when phone starts ringing and I look, you know 333 00:19:13,960 --> 00:19:16,480 Speaker 1: that whoever has a ringing phone, either at the Wendy 334 00:19:16,520 --> 00:19:19,359 Speaker 1: Williams show or at a Broadway show. Whatever. You know, 335 00:19:19,600 --> 00:19:22,280 Speaker 1: you don't want it to happen, but you were. You 336 00:19:22,359 --> 00:19:24,400 Speaker 1: were a little slow and forgot to turn off your phone. 337 00:19:24,480 --> 00:19:27,120 Speaker 1: It happens, but it's the most embarrassing thing in the world. 338 00:19:27,200 --> 00:19:29,919 Speaker 1: Oh yeah, it happens in church. Sometimes the priest will say, oh, 339 00:19:30,160 --> 00:19:32,720 Speaker 1: God is calling the middle of it. That's nice. Yeah, 340 00:19:32,960 --> 00:19:37,040 Speaker 1: that's not what Wendy said. Nod say, well, you'll hear 341 00:19:37,040 --> 00:19:38,840 Speaker 1: it in a second. Danielle has the sound. I think 342 00:19:38,880 --> 00:19:41,920 Speaker 1: the Wendy realized and kind of caught herself. What do 343 00:19:41,960 --> 00:19:44,560 Speaker 1: you mean before it got worse? She got mad, Yeah, 344 00:19:44,600 --> 00:19:46,159 Speaker 1: she got mad, but I think she realized she was 345 00:19:46,200 --> 00:19:47,560 Speaker 1: getting mad and she was like, oh, I'm better pull 346 00:19:47,640 --> 00:19:49,320 Speaker 1: back a little bit. You know what. Here's the thing 347 00:19:49,960 --> 00:19:51,879 Speaker 1: that they do. Remind you when you sit down at 348 00:19:51,920 --> 00:19:53,600 Speaker 1: the Wendy Williams show, you got to turn off your 349 00:19:53,600 --> 00:19:56,240 Speaker 1: phone please, because this is a major I mean, it's 350 00:19:56,320 --> 00:19:58,840 Speaker 1: it's not just any show. It's the Wendy Williams experience. 351 00:19:58,880 --> 00:20:01,040 Speaker 1: I mean the show is just the show. I just 352 00:20:01,119 --> 00:20:03,280 Speaker 1: called it the experience. That's what she needs to call 353 00:20:03,320 --> 00:20:05,760 Speaker 1: her show. Remember anyway, So you know, when you go 354 00:20:05,840 --> 00:20:08,119 Speaker 1: out to any of these events, turn your fraggan phone off. 355 00:20:08,240 --> 00:20:10,520 Speaker 1: Just turn it off. You don't even need it on vibrate. 356 00:20:11,160 --> 00:20:12,600 Speaker 1: I turn mine off because if I go see a 357 00:20:12,640 --> 00:20:15,000 Speaker 1: show whatever and I feel my leg vibrating, I start thinking, 358 00:20:15,200 --> 00:20:17,200 Speaker 1: who is that right? I wouldn't what they want? Yeah, 359 00:20:17,200 --> 00:20:19,439 Speaker 1: there's no need, no turn it off. What is issues 360 00:20:19,480 --> 00:20:23,960 Speaker 1: as handing me? Well, Wendy Williams related, You're like, oh yeah, yeah, yeah, yeah, okay. 361 00:20:24,000 --> 00:20:28,399 Speaker 1: So after she yelled at that audience member and she 362 00:20:28,480 --> 00:20:31,800 Speaker 1: should have, she announced that she is receiving her star 363 00:20:31,920 --> 00:20:34,520 Speaker 1: on the Hollywood Walk of Fame, and then she announced 364 00:20:34,560 --> 00:20:37,040 Speaker 1: that she has me doing one of the speeches for her. 365 00:20:37,160 --> 00:20:39,680 Speaker 1: So that's nice. Did she ask you before she announced 366 00:20:39,720 --> 00:20:40,760 Speaker 1: it her? Did she announced it and put you on 367 00:20:40,800 --> 00:20:42,680 Speaker 1: the spot. No? No, she asked me several weeks ago, 368 00:20:42,800 --> 00:20:45,320 Speaker 1: and it's been driving me nuts. Why because you don't 369 00:20:45,320 --> 00:20:47,359 Speaker 1: know what to say? Well, no, that's that's next. No, 370 00:20:47,480 --> 00:20:49,760 Speaker 1: I've been wanting to say something about it, but she's, 371 00:20:49,760 --> 00:20:52,280 Speaker 1: like she said in her Wendy way, now Elvis, don't 372 00:20:52,320 --> 00:20:54,560 Speaker 1: tell anyone. And then she did that thing a friend 373 00:20:54,640 --> 00:20:57,080 Speaker 1: does if it's if it gets out, I know who 374 00:20:57,200 --> 00:21:01,480 Speaker 1: told you? Done that? Well? But if a lot of 375 00:21:01,520 --> 00:21:04,000 Speaker 1: people knew, if it's if someone had had broken the 376 00:21:04,040 --> 00:21:06,879 Speaker 1: silence about Wendy Williams star. She can't pin it on me. 377 00:21:06,960 --> 00:21:09,040 Speaker 1: It could be one of thou thousands of people, right, 378 00:21:09,160 --> 00:21:11,000 Speaker 1: But it's a really good threat. Is good. It makes 379 00:21:11,000 --> 00:21:12,159 Speaker 1: you think twice, Hey, you know what. I want to 380 00:21:12,200 --> 00:21:16,280 Speaker 1: tell you something something, and it's inconfidence. Now if I know, 381 00:21:16,720 --> 00:21:18,440 Speaker 1: if it gets out there, I know it was you 382 00:21:18,600 --> 00:21:20,560 Speaker 1: the told because you're the only only one. I'm telling 383 00:21:21,080 --> 00:21:22,640 Speaker 1: people here on our show do that all the time. 384 00:21:23,080 --> 00:21:25,480 Speaker 1: And then I find out they've told everyone. Yes, there's 385 00:21:25,520 --> 00:21:28,840 Speaker 1: no secret. Crazy by the way, makes you turn your 386 00:21:28,880 --> 00:21:32,080 Speaker 1: phone off before you do the speech. So slice my 387 00:21:32,160 --> 00:21:36,000 Speaker 1: head off anyway. So the star induction ceremony Wendy Williams 388 00:21:36,040 --> 00:21:39,080 Speaker 1: on the Hollywood Walk of Fame is next Thursday, I believe. 389 00:21:39,119 --> 00:21:40,520 Speaker 1: So I'm gonna fly out. I'll do the show out 390 00:21:40,560 --> 00:21:43,040 Speaker 1: in LA But I'm so happy for her and I 391 00:21:43,119 --> 00:21:45,320 Speaker 1: get to visit my star too. Yeah, I'm sorry. How 392 00:21:45,359 --> 00:21:46,800 Speaker 1: to throw that in? You take a little brush and 393 00:21:46,880 --> 00:21:48,879 Speaker 1: like sweep it off four o nine and clean it 394 00:21:48,960 --> 00:21:52,040 Speaker 1: up to get the gum Off. Yeah, hey your speech, 395 00:21:52,080 --> 00:21:53,760 Speaker 1: are you going to mention that you gotta star first? 396 00:21:54,359 --> 00:21:56,520 Speaker 1: You know what, I think that would be rude. I 397 00:21:56,560 --> 00:21:59,960 Speaker 1: think it'd be wonderful. Reckon welcome her to the neighborhood. Yeah, 398 00:22:00,119 --> 00:22:01,280 Speaker 1: you know. The fun thing is when you get a 399 00:22:01,320 --> 00:22:03,040 Speaker 1: star on the Hollywood Walk of Fame, you figure out 400 00:22:03,040 --> 00:22:05,600 Speaker 1: who your neighbors are. And Wendy was like, I don't 401 00:22:05,600 --> 00:22:07,560 Speaker 1: want to be in there, some old dead people that 402 00:22:07,640 --> 00:22:10,440 Speaker 1: no one's ever heard of. How do they decide, Well, 403 00:22:10,440 --> 00:22:13,639 Speaker 1: they look for a spot, but she she requested a 404 00:22:13,680 --> 00:22:16,480 Speaker 1: good neighborhood. Okay, mine's in an okay neighborhood, but I'm 405 00:22:16,520 --> 00:22:19,560 Speaker 1: right there next to Luther Vandross and Brian Cranston. Bryan Cranston, 406 00:22:19,680 --> 00:22:22,720 Speaker 1: that's amazing. That's great. So pretty good about that. You know, 407 00:22:22,800 --> 00:22:25,200 Speaker 1: you can see your star again because for a little 408 00:22:25,240 --> 00:22:27,800 Speaker 1: while there they were doing construction and the street was 409 00:22:27,840 --> 00:22:29,879 Speaker 1: blocked off, so they were construction workers in a in 410 00:22:29,920 --> 00:22:33,080 Speaker 1: a no zone, no go zone. Your star is covered. Yeah, 411 00:22:33,160 --> 00:22:35,440 Speaker 1: my star was covered, but now it's breathing. It's like 412 00:22:35,560 --> 00:22:37,159 Speaker 1: it's like, you know, opening up your skirt so you 413 00:22:37,200 --> 00:22:40,760 Speaker 1: can breathe down there, you know. Bryan Cranston's Breaking Bad right, Yeah, 414 00:22:40,920 --> 00:22:42,919 Speaker 1: so you know what, your star is going to get 415 00:22:42,960 --> 00:22:46,240 Speaker 1: a lot of I think activity soon because they're opening 416 00:22:46,320 --> 00:22:49,200 Speaker 1: up a pop up experience in La a week from today. 417 00:22:49,680 --> 00:22:53,400 Speaker 1: So maybe it's a breaking bad one. So maybe don't 418 00:22:53,440 --> 00:22:57,320 Speaker 1: go visit Brian Cranston's star as well, the pop up 419 00:22:57,320 --> 00:23:00,280 Speaker 1: experience on top of my star, I hope I should 420 00:23:00,280 --> 00:23:02,600 Speaker 1: go decorate your star. When they put my star there 421 00:23:02,680 --> 00:23:04,639 Speaker 1: next to Luther Vandross, do you think he looked down 422 00:23:04,680 --> 00:23:08,600 Speaker 1: from heaven going, oh god, there goes the neighborhood Elvis Duran. 423 00:23:08,720 --> 00:23:11,400 Speaker 1: What the hell he might anyway, So let's get into 424 00:23:11,400 --> 00:23:13,440 Speaker 1: the Danielle report. By the way, I love your hair color, 425 00:23:13,600 --> 00:23:17,840 Speaker 1: thank you very much. Well, it's just funny because if 426 00:23:17,880 --> 00:23:20,760 Speaker 1: I showed you the picture of what I wanted and 427 00:23:20,880 --> 00:23:23,160 Speaker 1: then I showed you what I got, it's two different things. 428 00:23:23,320 --> 00:23:25,200 Speaker 1: But I'd be getting so many compliments on it that 429 00:23:25,280 --> 00:23:27,360 Speaker 1: I think we're just gonna keep it. And she goes, 430 00:23:27,400 --> 00:23:30,720 Speaker 1: I wrote down the formula, I go, perfect, So thank you. Okay, 431 00:23:30,800 --> 00:23:32,399 Speaker 1: so this is not the color you want? Oh no, 432 00:23:32,720 --> 00:23:37,000 Speaker 1: the color I wanted was a very red like autumn color. Yeah, 433 00:23:37,040 --> 00:23:39,359 Speaker 1: I love it. Thank you all. Right, anyway, what's going on? Danielle? 434 00:23:39,359 --> 00:23:41,200 Speaker 1: All right, so let's start with Wendy Williams. We have 435 00:23:41,320 --> 00:23:43,359 Speaker 1: the sound. She did get a little snippy when an 436 00:23:43,359 --> 00:23:45,760 Speaker 1: audience member's phone went off during the show, but I 437 00:23:45,840 --> 00:23:48,120 Speaker 1: think she kind of pulled back in the end. I'm 438 00:23:48,160 --> 00:23:50,800 Speaker 1: sure Jen gets it. And you know what, she probably didn't. 439 00:23:51,720 --> 00:23:57,159 Speaker 1: Somebody's phone one, get out, get out. I turned that 440 00:23:57,280 --> 00:24:05,960 Speaker 1: phone off now, So ma'am, whoever you are, just play kindly. 441 00:24:06,080 --> 00:24:07,760 Speaker 1: The tickets are free, but when you come here you 442 00:24:07,840 --> 00:24:11,160 Speaker 1: must turn your phones off. I was being over dramatic, 443 00:24:11,240 --> 00:24:16,440 Speaker 1: but kindly, please turn your phone off. Thankful. See, here's 444 00:24:16,480 --> 00:24:18,040 Speaker 1: a thing. When you're up there doing your show, You're 445 00:24:18,080 --> 00:24:20,040 Speaker 1: in a rhythm. You got a pace, you have a 446 00:24:20,080 --> 00:24:24,920 Speaker 1: cadence going, and if anything interrupts it, you're screwed. You're 447 00:24:24,960 --> 00:24:27,200 Speaker 1: you're just you know, you're off the rails. And I 448 00:24:27,320 --> 00:24:30,800 Speaker 1: get why she's upset. So Kanye wasn't upset yesterday because 449 00:24:31,080 --> 00:24:33,680 Speaker 1: it looked like his album might have leaked on Spotify 450 00:24:33,880 --> 00:24:37,680 Speaker 1: title fifteen tracks supposed to be his? Can you turn 451 00:24:37,720 --> 00:24:40,840 Speaker 1: off your phone? Oh? Sorry, sorry, sorry, my phone's ringing. Sorry, 452 00:24:41,440 --> 00:24:45,760 Speaker 1: I apologize, sorry, get out, ma'am. Sure, whatever you are. 453 00:24:46,560 --> 00:24:51,920 Speaker 1: The album was actually titled Kanye Drop your Albums. Some 454 00:24:52,080 --> 00:24:54,360 Speaker 1: people are thinking it was a leak. It's not up anymore, 455 00:24:54,440 --> 00:24:56,320 Speaker 1: but I think enough people heard it and there are 456 00:24:56,359 --> 00:25:00,800 Speaker 1: a lot of collaborations, so yeah, was it his? I 457 00:25:00,880 --> 00:25:04,480 Speaker 1: don't know. Nipsey Hustle. The life story will be immortalized 458 00:25:04,480 --> 00:25:07,480 Speaker 1: in a biography. It's going to be called The Marathon 459 00:25:07,560 --> 00:25:09,920 Speaker 1: Don't Stop the Life and Times of Nipsey Hustle. And 460 00:25:10,080 --> 00:25:13,000 Speaker 1: it's actually a book from Rob Kenner, who is the 461 00:25:13,080 --> 00:25:16,200 Speaker 1: former Vibe magazine editor. So that's gonna be pretty cool. 462 00:25:16,200 --> 00:25:19,200 Speaker 1: And that's on the way. Let's see. Oh, Colgan is 463 00:25:19,200 --> 00:25:21,320 Speaker 1: sixty six years old, and he says, I want one 464 00:25:21,400 --> 00:25:24,480 Speaker 1: more match in the WWE ring. Go for it. You 465 00:25:24,640 --> 00:25:26,639 Speaker 1: think it's gonna happen. I don't know. We'll see. And 466 00:25:26,720 --> 00:25:28,840 Speaker 1: I know we talked about this yesterday, but last night 467 00:25:29,119 --> 00:25:33,399 Speaker 1: everybody was talking about lamar Odom adjusting himself live on 468 00:25:33,520 --> 00:25:35,520 Speaker 1: Dancing with the Star Skiff. So I went back and 469 00:25:35,600 --> 00:25:38,840 Speaker 1: I watched it like a million times, and it said 470 00:25:38,920 --> 00:25:41,520 Speaker 1: because it was so funny to me that they were 471 00:25:41,600 --> 00:25:44,600 Speaker 1: interviewing someone else and he is over at moving his 472 00:25:44,800 --> 00:25:48,399 Speaker 1: junker out sometimes got it No, it was like it 473 00:25:48,560 --> 00:25:50,920 Speaker 1: was gross. He moved it way too much. It was 474 00:25:51,000 --> 00:25:54,600 Speaker 1: like a playful hey hey hey, he was like getting down. 475 00:25:54,720 --> 00:25:56,520 Speaker 1: It was Yeah, there was just too much a get 476 00:25:56,600 --> 00:25:59,520 Speaker 1: up and get down. Drake's dad said that Drake only 477 00:25:59,600 --> 00:26:01,919 Speaker 1: writes about him being a bad dad to sell records, 478 00:26:01,960 --> 00:26:05,080 Speaker 1: and Drake said, no, every bar I ever spent was truth. 479 00:26:05,200 --> 00:26:10,280 Speaker 1: Sorry to accept. Yeah, And Simon Cowell turned sixty, so 480 00:26:10,440 --> 00:26:14,160 Speaker 1: a super fan met up with him outside with his bodyguard. 481 00:26:14,560 --> 00:26:18,000 Speaker 1: He was so nice to this woman. She wouldn't leave 482 00:26:18,040 --> 00:26:20,320 Speaker 1: him alone. She was gushing over him, she was hugging 483 00:26:20,400 --> 00:26:22,840 Speaker 1: him whatever, and he was like, you're lovely. Like they 484 00:26:22,920 --> 00:26:26,000 Speaker 1: had this whole cute conversation. He was so sweet. People 485 00:26:26,080 --> 00:26:28,760 Speaker 1: think that Simon Cowell is as an a hole because 486 00:26:28,840 --> 00:26:31,359 Speaker 1: you know, he's very brutally honest when he talks to 487 00:26:31,440 --> 00:26:35,600 Speaker 1: the artists they were performing. Yeah, he's not an a hole. 488 00:26:35,680 --> 00:26:38,360 Speaker 1: He's just being honest. Really was There's a thin line 489 00:26:38,400 --> 00:26:42,880 Speaker 1: between honesty and a hole. Se Takashi six nine will 490 00:26:42,880 --> 00:26:45,600 Speaker 1: be sentenced on December eighteenth. We'll see how much his 491 00:26:45,680 --> 00:26:50,320 Speaker 1: cooperation or snitchery paid off. And tonight a lot of 492 00:26:50,359 --> 00:26:53,119 Speaker 1: good stuff. American Horror Story Survivor. The series premare of 493 00:26:53,160 --> 00:26:56,119 Speaker 1: Rhythm and Flow on Netflix. The Mass singer and I 494 00:26:56,280 --> 00:26:58,680 Speaker 1: know tonight will be a tough one for us Riverdale 495 00:26:58,680 --> 00:27:01,119 Speaker 1: fans because we are saying about to Luke Perry's character tonight. 496 00:27:01,240 --> 00:27:03,639 Speaker 1: So that is the fourth season premiere of Riverdale on 497 00:27:03,720 --> 00:27:05,760 Speaker 1: the c W. Here's someone's going on, I really do. 498 00:27:06,160 --> 00:27:08,760 Speaker 1: Next hour we're gonna talk about little Peep his mom. 499 00:27:09,200 --> 00:27:12,600 Speaker 1: Yeah she is suing ah. So yesterday Jr. Was here. 500 00:27:12,680 --> 00:27:15,240 Speaker 1: Love them. They're just the nicest guys. Their music is 501 00:27:15,240 --> 00:27:17,160 Speaker 1: so positive and fun. And they did their song called 502 00:27:17,200 --> 00:27:19,719 Speaker 1: Dear Winter, which was great. That's their single, but they 503 00:27:19,720 --> 00:27:22,000 Speaker 1: also did a cover. They did a cover of All 504 00:27:22,080 --> 00:27:24,000 Speaker 1: Star and I think this is the best cover of 505 00:27:24,080 --> 00:27:26,640 Speaker 1: the song, maybe better than the original, if I may say. 506 00:27:27,400 --> 00:27:28,840 Speaker 1: And we have a lot of people asking for it. 507 00:27:28,920 --> 00:27:33,280 Speaker 1: So A Jr An All Star? Somebody so mean the 508 00:27:33,520 --> 00:27:37,920 Speaker 1: world whisker do me? I hate the shop is doing 509 00:27:38,040 --> 00:27:43,440 Speaker 1: in the shape she was looking an it's somewhere the 510 00:27:43,720 --> 00:27:52,600 Speaker 1: thing ship on the food Well, he is coming and 511 00:27:52,720 --> 00:27:56,760 Speaker 1: they don't stop coming to night the ground running see 512 00:27:56,840 --> 00:27:59,760 Speaker 1: and make sense doesn't live what fun you bring? It's 513 00:27:59,800 --> 00:28:02,399 Speaker 1: my bunch your head gets don't so much to do, 514 00:28:02,640 --> 00:28:06,240 Speaker 1: so much to see some which uk we taking the vexteats. 515 00:28:06,640 --> 00:28:10,000 Speaker 1: You never know. If you don't go, you're never shine. 516 00:28:10,040 --> 00:28:13,720 Speaker 1: If you don't love, ain't out you're in. I'll start 517 00:28:13,920 --> 00:28:19,280 Speaker 1: to get your game mind. Ain't out your rockstar, get 518 00:28:19,359 --> 00:28:24,720 Speaker 1: the show, get big, it ain't clean. Is his Schools 519 00:28:25,640 --> 00:28:33,040 Speaker 1: only shooting stars bake up. It's a good base. But 520 00:28:33,200 --> 00:28:35,879 Speaker 1: he's gonna get golda hip. One of the now weeds 521 00:28:36,080 --> 00:28:38,760 Speaker 1: you get other than the media. Ya nampats didn't even 522 00:28:39,040 --> 00:28:41,800 Speaker 1: chug it from the hold and sat that beat you. Yes, 523 00:28:41,920 --> 00:28:44,480 Speaker 1: we s get He's getting many things. The water is 524 00:28:44,480 --> 00:28:46,920 Speaker 1: getting on to see you might as well swam. But well, 525 00:28:47,000 --> 00:28:49,760 Speaker 1: time for I have about yours. That's the way I 526 00:28:50,040 --> 00:28:53,640 Speaker 1: get and I never get more. Yeah, now you're in 527 00:28:53,720 --> 00:28:58,280 Speaker 1: all star to get your game mind. You ain't the 528 00:28:58,440 --> 00:29:06,680 Speaker 1: other rock star in the short, Getting disease Schools only 529 00:29:06,880 --> 00:29:11,800 Speaker 1: shooting Stars is breaking the I think I trumpets a 530 00:29:11,880 --> 00:29:35,239 Speaker 1: little bit like ain't out. I'll start to get your 531 00:29:35,320 --> 00:29:39,240 Speaker 1: game mind and go and out we have a rock 532 00:29:39,320 --> 00:29:45,520 Speaker 1: star and get the shoine and get baby disease. Schools 533 00:29:46,560 --> 00:29:55,000 Speaker 1: only shooting stars break up. Only shooting stars break up. 534 00:29:55,560 --> 00:30:00,640 Speaker 1: B hr. That was awesome from yesterday. Love that so good? Yeah, 535 00:30:00,640 --> 00:30:02,840 Speaker 1: support them, please do it. Hey, a busy day. We 536 00:30:02,880 --> 00:30:04,520 Speaker 1: have a new phone tap. No, actually a Way Back 537 00:30:04,560 --> 00:30:07,000 Speaker 1: Wednesday phone tap coming up in thirty minutes. But you know, 538 00:30:07,120 --> 00:30:09,240 Speaker 1: usually we do like free trip phone taps, free cash 539 00:30:09,280 --> 00:30:11,200 Speaker 1: phone tap. Today it's just a phone tap with nothing. 540 00:30:11,720 --> 00:30:14,440 Speaker 1: I mean, it's a naked phone tap. We're not bribing 541 00:30:14,480 --> 00:30:16,080 Speaker 1: you to listen to it. So who does the Way 542 00:30:16,080 --> 00:30:19,239 Speaker 1: Back Wednesday phone tap? Jimmy Jingles is back? You mean, 543 00:30:19,320 --> 00:30:22,360 Speaker 1: oh that's brody? Okay, good, very nice. Notice when it's 544 00:30:22,600 --> 00:30:24,960 Speaker 1: no money or anything involved, Scary doesn't play his phone 545 00:30:25,120 --> 00:30:27,600 Speaker 1: Scary puts the money with his phone tap. Hey, So 546 00:30:27,880 --> 00:30:30,760 Speaker 1: thank you all the support for this book I put out. 547 00:30:30,800 --> 00:30:32,760 Speaker 1: It's doing really well and I'm trying not to talk 548 00:30:32,800 --> 00:30:34,280 Speaker 1: about it so much on the air because I don't 549 00:30:34,280 --> 00:30:37,400 Speaker 1: want this to be the Please go buy Elvis's book show. 550 00:30:37,640 --> 00:30:40,080 Speaker 1: I think it's a great idea to do that. But 551 00:30:40,160 --> 00:30:41,640 Speaker 1: I will tell you, when you put a book out 552 00:30:41,680 --> 00:30:43,480 Speaker 1: there and you're right, you're about your life this and 553 00:30:43,600 --> 00:30:46,520 Speaker 1: that you're maybe they'll think it's okay. I thought there 554 00:30:46,560 --> 00:30:48,160 Speaker 1: are things we could have put in it would have 555 00:30:48,240 --> 00:30:50,080 Speaker 1: made it better and things we could have taken out 556 00:30:50,120 --> 00:30:52,560 Speaker 1: that would have been less boring. People are loving it. 557 00:30:52,680 --> 00:30:56,720 Speaker 1: It's a great book on Amazon. I mean, it's five stars, 558 00:30:56,800 --> 00:30:59,160 Speaker 1: are eighty something reviews and ninety something reviews. I need 559 00:30:59,280 --> 00:31:01,720 Speaker 1: some signed. Hold okay, I'll sign those. Okay, hold on 560 00:31:03,920 --> 00:31:06,920 Speaker 1: actually paid retail, but I got I was okay. Look, 561 00:31:06,960 --> 00:31:10,840 Speaker 1: I was reading down the reviews on Amazon. This person 562 00:31:10,960 --> 00:31:13,440 Speaker 1: gave it five out of five stars. More than just 563 00:31:13,520 --> 00:31:15,760 Speaker 1: a good read. It's life saving, they say, And I'm like, oh, 564 00:31:15,880 --> 00:31:18,640 Speaker 1: let me read this. Here's what they said about my book. 565 00:31:18,800 --> 00:31:21,640 Speaker 1: This book is raw. That's what you'll like about it. 566 00:31:21,880 --> 00:31:23,960 Speaker 1: It isn't those typical books where the artist tries to 567 00:31:24,000 --> 00:31:25,800 Speaker 1: make themselves look great their whole life, and this book, 568 00:31:25,800 --> 00:31:28,160 Speaker 1: Elvis just says here I am, this is my life. 569 00:31:28,320 --> 00:31:31,600 Speaker 1: You'll be fascinated. It's also useful in other ways. I'm like, 570 00:31:31,680 --> 00:31:35,200 Speaker 1: oh my god, let's read on. Yeah. My parking break 571 00:31:35,360 --> 00:31:37,800 Speaker 1: wasn't working on my truck, and I was able to 572 00:31:37,880 --> 00:31:39,720 Speaker 1: use this book under the back tire to keep the 573 00:31:39,720 --> 00:31:44,480 Speaker 1: truck from moving while I fixed it. That's fantastic. I 574 00:31:44,600 --> 00:31:47,120 Speaker 1: also was able to stop a flood in my bathroom. 575 00:31:47,280 --> 00:31:49,560 Speaker 1: Water started coming out of my toilet tank lid, and 576 00:31:49,680 --> 00:31:52,040 Speaker 1: this book provided just enough weight to stop the flow 577 00:31:52,080 --> 00:31:54,360 Speaker 1: of water while I turned it off. Look at you, 578 00:31:55,640 --> 00:31:58,600 Speaker 1: it's a tool. I was able to use this book 579 00:31:58,640 --> 00:32:01,000 Speaker 1: to kill a scorpion just before it stung my dog 580 00:32:01,080 --> 00:32:02,840 Speaker 1: in the foot. Well, this book's been through a lot. 581 00:32:03,520 --> 00:32:05,560 Speaker 1: I'm questioning this one. Well, I don't know. They gave 582 00:32:05,600 --> 00:32:07,680 Speaker 1: me five stars. The five stars are fine, But a 583 00:32:07,760 --> 00:32:10,400 Speaker 1: scorpion attacking your dog. Oh there's more. I'd like to 584 00:32:10,440 --> 00:32:12,560 Speaker 1: see what the book looks like after all this. My 585 00:32:12,920 --> 00:32:15,480 Speaker 1: child was forty three inches and needed to be forty 586 00:32:15,520 --> 00:32:18,120 Speaker 1: four inches to ride a Universal Studios ride, so I 587 00:32:18,160 --> 00:32:20,320 Speaker 1: slipped his book under his feet just as he approached 588 00:32:20,360 --> 00:32:29,920 Speaker 1: the sign and he got one. Not at all, you guys, 589 00:32:30,960 --> 00:32:35,520 Speaker 1: I'm a believer, Okay. As a cop, I sleep during 590 00:32:35,520 --> 00:32:37,600 Speaker 1: the daylight, and this book folded over my eyes and 591 00:32:37,720 --> 00:32:39,560 Speaker 1: kept the light out during the day so I could sleep. 592 00:32:40,120 --> 00:32:44,280 Speaker 1: My little girl was learning balancing skills for ballet by 593 00:32:44,360 --> 00:32:47,240 Speaker 1: walking with this book on her head. I had a 594 00:32:47,320 --> 00:32:49,600 Speaker 1: table leg that was rocking, so I put Elvis's book 595 00:32:49,640 --> 00:32:53,200 Speaker 1: under the leg. It leveled my table right off. Also, 596 00:32:53,240 --> 00:32:55,280 Speaker 1: I can't afford to take my family on a Norwegian 597 00:32:55,360 --> 00:32:57,480 Speaker 1: cruise ship. But maybe this book will help me get there. 598 00:33:00,160 --> 00:33:02,880 Speaker 1: Thank you for the five star review. It's a multipurpose 599 00:33:02,920 --> 00:33:07,040 Speaker 1: book that way. It really is. Stops. I'm doing someone 600 00:33:07,080 --> 00:33:10,200 Speaker 1: else's radio show today. I'm doing I'm going to Serious XM. 601 00:33:10,280 --> 00:33:13,920 Speaker 1: I'm doing a Andy Cohen's show today. It's weird being 602 00:33:13,960 --> 00:33:16,400 Speaker 1: interviewed on a radio show. Who does that? I don't know? 603 00:33:17,000 --> 00:33:19,840 Speaker 1: Terrible plans. How are we going to be able to 604 00:33:19,920 --> 00:33:25,120 Speaker 1: hear that? Uh? Serious XM? Yeah? But what time this morning? 605 00:33:25,680 --> 00:33:29,920 Speaker 1: I don't know what time? Okay? Ten is something? Where's Andrew? Andrew? 606 00:33:30,920 --> 00:33:33,120 Speaker 1: Will you leave here at nine? I don't know? Okay, 607 00:33:33,160 --> 00:33:35,280 Speaker 1: we'll figure it out. So that's going. We got that 608 00:33:35,400 --> 00:33:37,720 Speaker 1: going and be interviewed on it. Come here. What time 609 00:33:37,840 --> 00:33:40,720 Speaker 1: is Andy Cohen on Serious XM. Let's get him some 610 00:33:40,920 --> 00:33:43,840 Speaker 1: listeners for a change? Ten thirty? Yeah, because they don't 611 00:33:43,840 --> 00:33:46,360 Speaker 1: have listeners over there. This is a great way to 612 00:33:46,400 --> 00:33:50,040 Speaker 1: start the interview. No, they know, they don't. I mean, 613 00:33:50,160 --> 00:33:52,800 Speaker 1: you know, we're on Serious x UM right now. We 614 00:33:53,000 --> 00:33:55,520 Speaker 1: we're the only ones. Howard has all the listeners and 615 00:33:55,640 --> 00:33:58,720 Speaker 1: we're number two. Okay, cool, fine, okay, so what time 616 00:33:58,800 --> 00:34:00,680 Speaker 1: is it? Ten thirty? Okay? So let's give Andy some 617 00:34:00,760 --> 00:34:04,920 Speaker 1: listeners at ten thirty on Serious EXCENTNK from your Twitter 618 00:34:05,160 --> 00:34:07,720 Speaker 1: when it's time. All right, thank you. Last night was 619 00:34:07,760 --> 00:34:11,319 Speaker 1: interesting because I went on to the Fox Business News 620 00:34:11,400 --> 00:34:14,879 Speaker 1: Network with our friend Kennedy, who we love. We've worked 621 00:34:14,920 --> 00:34:17,160 Speaker 1: with Kennedy for several years here at iHeart, but she 622 00:34:17,239 --> 00:34:21,640 Speaker 1: has her own show on the Fox Business News Network, 623 00:34:22,080 --> 00:34:23,520 Speaker 1: So of course I went in there. You know, you know, 624 00:34:23,719 --> 00:34:25,560 Speaker 1: I don't want to talk about politics or anything like that. 625 00:34:25,640 --> 00:34:28,279 Speaker 1: I'm like, I don't know. It's Kennedy, we love her, 626 00:34:28,320 --> 00:34:31,080 Speaker 1: but what's this going to be about? So we're sitting 627 00:34:31,120 --> 00:34:32,799 Speaker 1: in the green room and she has people, she has 628 00:34:32,840 --> 00:34:35,520 Speaker 1: a Republican and a Democrat, and they're kind of going 629 00:34:35,600 --> 00:34:37,560 Speaker 1: at it debating something. I'm like, I don't know what 630 00:34:37,680 --> 00:34:40,719 Speaker 1: are we doing. So we went in and sat down 631 00:34:40,880 --> 00:34:43,600 Speaker 1: with Kennedy. She's great. I love her. Yeah, it's great 632 00:34:43,640 --> 00:34:46,279 Speaker 1: to see her. She's just so so fun, different than 633 00:34:46,360 --> 00:34:48,480 Speaker 1: anyone and everything else that works at the Fox Network. 634 00:34:49,520 --> 00:34:52,879 Speaker 1: And so we proceeded to start talking about drag queen 635 00:34:53,000 --> 00:34:55,279 Speaker 1: names like what's your drag queen? Now, what's yours? And 636 00:34:55,360 --> 00:34:58,480 Speaker 1: then I talked about having an eggplant slap across my 637 00:34:58,560 --> 00:35:03,160 Speaker 1: face and then before I knew what the interview is over, 638 00:35:03,360 --> 00:35:06,200 Speaker 1: didn't even talk about the book, which is fine. This 639 00:35:06,360 --> 00:35:08,120 Speaker 1: is the show I'd want to listen to. This is 640 00:35:08,160 --> 00:35:11,560 Speaker 1: what they need. Fox News should do more shows like that. Totally. 641 00:35:11,760 --> 00:35:14,759 Speaker 1: It's like teas talks, it is. I know, please, what's 642 00:35:14,800 --> 00:35:16,560 Speaker 1: that scary? She didn't do a split screen where you 643 00:35:16,640 --> 00:35:18,879 Speaker 1: gotta do a fight with yourself. No, no, where you're 644 00:35:18,920 --> 00:35:20,480 Speaker 1: on one side of the screen. Elvis on the left, 645 00:35:20,520 --> 00:35:24,400 Speaker 1: Elvis on the right. But I gotta tell you, you know, 646 00:35:24,880 --> 00:35:27,360 Speaker 1: that's you know, I don't any network if it's CNN 647 00:35:27,480 --> 00:35:29,640 Speaker 1: on the left or it's it's Fox News on the right. 648 00:35:29,680 --> 00:35:31,520 Speaker 1: I mean, that's what they do. They all have panels 649 00:35:31,560 --> 00:35:33,480 Speaker 1: on they're yelling at head and I have a whole 650 00:35:33,560 --> 00:35:35,200 Speaker 1: chapter devoted to how I don't want to live in 651 00:35:35,200 --> 00:35:37,480 Speaker 1: a world where people are yelling at each other. You'd 652 00:35:37,560 --> 00:35:39,520 Speaker 1: rather get slapt by the egg plant. I'd rather someone 653 00:35:39,640 --> 00:35:41,040 Speaker 1: take their egg plant and slap me on the face. 654 00:35:44,600 --> 00:35:46,520 Speaker 1: That well, thank you, Kennedy. And you know what I 655 00:35:46,640 --> 00:35:48,840 Speaker 1: want you to try. Just try it out. Watch Kennedy 656 00:35:48,920 --> 00:35:53,479 Speaker 1: tonight on Fox News Business Channel right, Fox Business News. 657 00:35:54,239 --> 00:35:56,360 Speaker 1: One of those Okay, all of those all right. So, 658 00:35:56,440 --> 00:35:58,520 Speaker 1: our friend Lee Schrager's here from the New York City 659 00:35:58,560 --> 00:36:00,279 Speaker 1: Wine and Food Festival. The reason why we have him 660 00:36:00,320 --> 00:36:02,319 Speaker 1: in mostly because he's a good friend and always brings 661 00:36:02,360 --> 00:36:04,680 Speaker 1: great cookies and things. Yeah, he always brings food, which 662 00:36:04,680 --> 00:36:07,320 Speaker 1: I love. Yeah, he's I think he's cookies today. But 663 00:36:07,560 --> 00:36:09,640 Speaker 1: he is the reason we are hosting the New York 664 00:36:09,719 --> 00:36:12,160 Speaker 1: City Wine and Food Festival Taste of New York tomorrow night. 665 00:36:12,440 --> 00:36:15,359 Speaker 1: Even though there's a chance of rain, it's water. Let 666 00:36:15,440 --> 00:36:18,320 Speaker 1: it rain, It's okay with There's a lot of indoor 667 00:36:18,360 --> 00:36:21,200 Speaker 1: spaces there too. It's almost so sold out. Alessia Cara 668 00:36:21,280 --> 00:36:23,800 Speaker 1: will be there as our special guest. I'm excited about tomorrow. 669 00:36:23,920 --> 00:36:26,319 Speaker 1: I know it's fun. That rain might feel good after 670 00:36:26,360 --> 00:36:30,200 Speaker 1: you get the meat sweats. Yeah, we're gonna get happens. 671 00:36:30,360 --> 00:36:31,719 Speaker 1: So if you want to go, there are a few 672 00:36:31,719 --> 00:36:34,520 Speaker 1: seats available or a few tickets available. Go to do 673 00:36:34,600 --> 00:36:37,359 Speaker 1: a search for Elvis Duran Wine Food Festival and you'll 674 00:36:37,400 --> 00:36:39,879 Speaker 1: find your tickets. So anyway, Lee Shrager coming up next. 675 00:36:39,960 --> 00:36:42,719 Speaker 1: Also Nile Horn in less than one hour performing for us. 676 00:36:45,400 --> 00:36:51,080 Speaker 1: I love musical show. I've always loved Hot Sauce, but 677 00:36:51,200 --> 00:36:53,759 Speaker 1: now with Chalula in my life, I love it even more. 678 00:36:53,840 --> 00:36:57,000 Speaker 1: It's filled with unique flavor and just enough heat. What's 679 00:36:57,040 --> 00:36:59,520 Speaker 1: not to like? So grab your bottle of Chalula, the 680 00:36:59,600 --> 00:37:03,960 Speaker 1: one with the wooden cap. Please welcome to Live from 681 00:37:03,960 --> 00:37:11,680 Speaker 1: the Mercedes Bend's interview Lounge. Even though it's the New 682 00:37:11,800 --> 00:37:14,120 Speaker 1: York Wine and Food Festival, this thing is as big 683 00:37:14,320 --> 00:37:16,319 Speaker 1: as the world. People come in from around the world 684 00:37:16,400 --> 00:37:20,120 Speaker 1: every year to taste food from the best chefs in 685 00:37:20,239 --> 00:37:22,600 Speaker 1: the world. And of course we're raising money, We're keeping 686 00:37:22,680 --> 00:37:24,920 Speaker 1: food on the table in places athink. This makes me mad. 687 00:37:25,040 --> 00:37:26,800 Speaker 1: It makes me mad that there's hunger anywhere in this 688 00:37:26,880 --> 00:37:28,759 Speaker 1: world of ours. And you know what, the New York 689 00:37:28,840 --> 00:37:31,440 Speaker 1: Wine and Food Festival is just leading the way and 690 00:37:31,560 --> 00:37:34,240 Speaker 1: eliminating that. Lee Schweger from the Wine and Food Festival 691 00:37:34,360 --> 00:37:36,920 Speaker 1: is here. Good morning everybody, guys. But to be back, 692 00:37:37,000 --> 00:37:38,920 Speaker 1: and if Lee wasn't married and I wasn't married, all, 693 00:37:39,040 --> 00:37:41,960 Speaker 1: let me tell you, fortunately for both of us we 694 00:37:42,040 --> 00:37:45,520 Speaker 1: are well. Yes, by the way, you actually danced with 695 00:37:45,640 --> 00:37:48,480 Speaker 1: Lee at the wedding. Yes we did. Yes, that was crazy. Yes, 696 00:37:48,640 --> 00:37:50,960 Speaker 1: we danced to Drake. We had so much. Yes, And 697 00:37:51,080 --> 00:37:54,160 Speaker 1: as you said, what happens in Santa fe ends up 698 00:37:54,200 --> 00:38:00,279 Speaker 1: in the internet. It was a great wedding. Right, So 699 00:38:00,320 --> 00:38:02,000 Speaker 1: here we go again, the New York City Wine and 700 00:38:02,040 --> 00:38:04,279 Speaker 1: Food Festival. This is a big deal. Like I said, 701 00:38:04,320 --> 00:38:06,480 Speaker 1: not only for New York City, but the whole world 702 00:38:06,719 --> 00:38:09,600 Speaker 1: is watching this every year. Lee, you started this how 703 00:38:09,640 --> 00:38:12,920 Speaker 1: many years ago? New York twelve South Beach nineteen. This 704 00:38:12,960 --> 00:38:14,719 Speaker 1: is a twelve year in New York tomorrow night. What's 705 00:38:14,719 --> 00:38:17,080 Speaker 1: the whole point? Tell everyone why it's so great? Well, 706 00:38:17,120 --> 00:38:19,360 Speaker 1: I think if you look at our tagline, eat, drink 707 00:38:19,440 --> 00:38:22,440 Speaker 1: and hunger, that's why we're here. For twelve years. Not 708 00:38:22,560 --> 00:38:25,080 Speaker 1: only have we been raising money to stamp out hunger 709 00:38:25,120 --> 00:38:26,920 Speaker 1: for the Food Bank of New York and for no 710 00:38:27,080 --> 00:38:30,160 Speaker 1: Kid Hungry, but most importantly, we've been raising awareness. So 711 00:38:30,480 --> 00:38:32,680 Speaker 1: we'll raise almost a million dollars this year for hunger. 712 00:38:33,239 --> 00:38:37,000 Speaker 1: But the awareness that we raise for hunger, you can't 713 00:38:37,040 --> 00:38:38,440 Speaker 1: put a price tag on that. You know, when you 714 00:38:38,560 --> 00:38:40,640 Speaker 1: think that one out of five kids in this city 715 00:38:40,920 --> 00:38:42,880 Speaker 1: go to bed hungry every night in a city like 716 00:38:43,000 --> 00:38:45,000 Speaker 1: New York makes you mad. It makes you mad. And 717 00:38:45,160 --> 00:38:47,960 Speaker 1: that's exactly why we do this. We are eating, we're drinking, 718 00:38:48,040 --> 00:38:50,719 Speaker 1: and we're ending hunger. It's a beautiful thing. And of 719 00:38:50,800 --> 00:38:53,000 Speaker 1: course now it's the Elvis Duran Taste of New York. 720 00:38:53,280 --> 00:38:55,960 Speaker 1: This is an experiment. Lee said, Okay, you got a 721 00:38:56,000 --> 00:38:57,719 Speaker 1: book coming out, you can do a book signing. It 722 00:38:57,760 --> 00:39:00,640 Speaker 1: will We'll order a few of our favor chefs. This 723 00:39:00,760 --> 00:39:03,839 Speaker 1: is happening tomorrow night, and we've got some of our 724 00:39:03,840 --> 00:39:09,640 Speaker 1: favorite restaurants showing up. Palm Nathan's famous, Oh my car 725 00:39:09,760 --> 00:39:11,800 Speaker 1: Mice is gonna be there, of course, Scampy, one of 726 00:39:11,840 --> 00:39:14,680 Speaker 1: my favorites, Stonehouse at Clove Lakes, our good friend Peter 727 00:39:14,760 --> 00:39:18,239 Speaker 1: Botros and Virgils and the desertest Big Mots will be there. 728 00:39:18,680 --> 00:39:20,640 Speaker 1: I mean, the list goes on and on. Square Pizza 729 00:39:20,680 --> 00:39:22,880 Speaker 1: they were here the other day. Oh my god. We 730 00:39:22,960 --> 00:39:25,759 Speaker 1: have over twenty five restaurants participating, and of course, as 731 00:39:25,880 --> 00:39:28,359 Speaker 1: luck would have it, the last few days, everyone's calling 732 00:39:28,400 --> 00:39:32,600 Speaker 1: and saying, oh why can't we participate, But we are complete. 733 00:39:32,640 --> 00:39:35,080 Speaker 1: We have twenty five plus restaurants and we are having 734 00:39:35,600 --> 00:39:37,120 Speaker 1: You guys are going to be there and we have 735 00:39:37,239 --> 00:39:39,319 Speaker 1: We're gonna have a sold out crowd on Thursday night. 736 00:39:39,400 --> 00:39:41,279 Speaker 1: So we thanks for all the support. Oh and a 737 00:39:41,400 --> 00:39:44,960 Speaker 1: special guest appearance from our friend Alesia Caru yeah, which 738 00:39:45,000 --> 00:39:46,600 Speaker 1: will be greatest. Well, she's gonna be great. I saw 739 00:39:46,600 --> 00:39:48,319 Speaker 1: her and found the other day she was so I'd 740 00:39:48,400 --> 00:39:50,480 Speaker 1: never seen her before. Yeah, but boy was she funding. 741 00:39:50,520 --> 00:39:53,279 Speaker 1: Ye we're telling Lee about Alesia car We should have 742 00:39:53,360 --> 00:39:54,600 Speaker 1: her as a guess, he says, I don't know, I've 743 00:39:54,600 --> 00:39:56,440 Speaker 1: never never heard of her. I'm like, oh my god, 744 00:39:56,520 --> 00:39:58,960 Speaker 1: she actually grew up on our show. I wanted Lizamanellia 745 00:39:59,040 --> 00:40:06,719 Speaker 1: Cheeta Rivera. Yeah, I'm like, give me Broadway and Michelo. Now, 746 00:40:06,800 --> 00:40:08,560 Speaker 1: of course, every kid in my office was like, really, 747 00:40:08,719 --> 00:40:10,680 Speaker 1: how great you gotta are. See, no one cares that 748 00:40:10,719 --> 00:40:12,439 Speaker 1: we have like a later our Zac than what number 749 00:40:12,480 --> 00:40:14,640 Speaker 1: one female chef in the world. Everyone wants to meet 750 00:40:14,640 --> 00:40:17,839 Speaker 1: Alesia Kara. Oh it's true, it's true. So of course 751 00:40:17,880 --> 00:40:19,719 Speaker 1: we'll be there. So I'll be signing books and all 752 00:40:19,800 --> 00:40:21,480 Speaker 1: this great food. Now how it works is you'll show 753 00:40:21,560 --> 00:40:23,640 Speaker 1: up and each one of our favorite chefs from these 754 00:40:23,640 --> 00:40:27,720 Speaker 1: favorite restaurants has one dish and it's you have a sample. 755 00:40:27,760 --> 00:40:30,959 Speaker 1: You sample all around of the event, and you're gonna 756 00:40:31,000 --> 00:40:33,879 Speaker 1: get full. You're gonna have cocktails, and of course Alesia Kara. 757 00:40:34,239 --> 00:40:36,799 Speaker 1: It's an amazing thing. So talk about the entire New 758 00:40:36,880 --> 00:40:39,040 Speaker 1: York City Wine and Food Festival. Some of the highlights 759 00:40:39,080 --> 00:40:41,759 Speaker 1: this year LEA are what Well. Thursday night, we're kicking 760 00:40:41,760 --> 00:40:43,719 Speaker 1: off if you Friday night, we are back with our 761 00:40:43,760 --> 00:40:46,879 Speaker 1: Burger Bash. Rachel Ray is hosting thirty of the best 762 00:40:46,960 --> 00:40:50,200 Speaker 1: burgers from across the country. Saturday night, a big barbecue. 763 00:40:50,480 --> 00:40:54,200 Speaker 1: Daddio Checcini is a very famous butcher in Italy, in 764 00:40:54,280 --> 00:40:56,640 Speaker 1: Tuscany because his name is Daddio Daddio d a r 765 00:40:56,719 --> 00:40:59,440 Speaker 1: Io Checchini, and it's a restaurant we go to every 766 00:40:59,520 --> 00:41:02,040 Speaker 1: summer Italy, and he's coming over and doing the most 767 00:41:02,080 --> 00:41:05,400 Speaker 1: amazing barbecue on Saturday night and on Sunday, we are 768 00:41:05,480 --> 00:41:08,200 Speaker 1: doing a big brunch hosted by the cast of Chopped. 769 00:41:08,560 --> 00:41:11,040 Speaker 1: We're doing a late night event with Revron. We're doing 770 00:41:11,080 --> 00:41:13,400 Speaker 1: a dim sum event with Molly Yay. We're doing a 771 00:41:13,480 --> 00:41:17,319 Speaker 1: dessert party with Buddy Velastro. We're doing an apativo event 772 00:41:17,400 --> 00:41:20,280 Speaker 1: with our friend Katie Lee. We have thirty four different 773 00:41:20,320 --> 00:41:23,560 Speaker 1: dinners taking place starting Tomorrow night, thirty four dinners over 774 00:41:23,600 --> 00:41:25,960 Speaker 1: the few nights. We're doing an event an Italian theme. 775 00:41:26,000 --> 00:41:28,399 Speaker 1: Sunday Night dinner with Giatta de Laurentis and her daughter 776 00:41:28,719 --> 00:41:31,360 Speaker 1: so as I say, there's an event for everybody, and 777 00:41:31,400 --> 00:41:33,480 Speaker 1: I would like to do a peanut butter and jelly event. Well, 778 00:41:33,600 --> 00:41:36,480 Speaker 1: don't think that hasn't come up. We're doing We're doing 779 00:41:36,520 --> 00:41:39,160 Speaker 1: an ice cream event with Duff Goldman. We're having master 780 00:41:39,320 --> 00:41:41,680 Speaker 1: classes where you can learn how to bake pizza with 781 00:41:41,800 --> 00:41:44,480 Speaker 1: Emily Squared. You can learn how to stock up your 782 00:41:44,520 --> 00:41:46,600 Speaker 1: home for a Jewish holiday with a Dina Sussman, who 783 00:41:46,640 --> 00:41:49,200 Speaker 1: has a best selling cookbook called Sababa out right. Now, 784 00:41:49,320 --> 00:41:52,440 Speaker 1: where do people save up to eat all of this? Well, 785 00:41:52,480 --> 00:41:53,960 Speaker 1: you know you have to binge. You really have to. 786 00:41:54,280 --> 00:41:59,200 Speaker 1: You have to really eat a lot. You have to 787 00:41:59,200 --> 00:42:00,759 Speaker 1: eat a lot of few leading up to its. The 788 00:42:00,920 --> 00:42:05,320 Speaker 1: stomach is really ready. Okay, So Lee makes it sound easy, 789 00:42:05,400 --> 00:42:07,680 Speaker 1: but it's not. I mean, I know total number of 790 00:42:07,719 --> 00:42:10,600 Speaker 1: events in New York alone will be about eighty eight events. 791 00:42:11,080 --> 00:42:13,720 Speaker 1: And I tell you this, he shows up at almost 792 00:42:13,840 --> 00:42:16,480 Speaker 1: every single event. Well, I borrow your broom. I borrow 793 00:42:16,520 --> 00:42:20,919 Speaker 1: Elvis's broom, that bitch. I mean, yes, Now he shows 794 00:42:21,000 --> 00:42:22,799 Speaker 1: up at all these events, and then, of course, as 795 00:42:22,840 --> 00:42:24,680 Speaker 1: soon as he shows up, he disappears. Anybody I know 796 00:42:25,080 --> 00:42:26,920 Speaker 1: I'm staying at your event. The whole night. Are you 797 00:42:27,040 --> 00:42:30,080 Speaker 1: really first time ever? You know, I'm going to one. 798 00:42:30,200 --> 00:42:32,799 Speaker 1: They're about ten dinners on Thursday night, but I am 799 00:42:32,920 --> 00:42:37,440 Speaker 1: staying at Elvis's event the entire night. Wow, well I am. Well, 800 00:42:37,480 --> 00:42:39,800 Speaker 1: we're gonna change you to the poll because I don't believe. Well, no, no, no, no, 801 00:42:40,480 --> 00:42:42,840 Speaker 1: it's really the truth. My partner Ricardo's coming up on 802 00:42:42,920 --> 00:42:45,600 Speaker 1: Thursday morning and I said, you know, what do you 803 00:42:45,640 --> 00:42:47,879 Speaker 1: want to do. It's your birthday, it's his birthday. He said, 804 00:42:47,880 --> 00:42:49,719 Speaker 1: oh no, he said, we're staying at Elvis. Okay, we 805 00:42:49,800 --> 00:42:53,239 Speaker 1: have to get a cake. Just so you know. I 806 00:42:53,640 --> 00:42:56,880 Speaker 1: became friendly with Elvis duran because of my partner Ricardo, Right. 807 00:42:57,840 --> 00:42:59,800 Speaker 1: You know, Ricardo listens to him every morning. He's a 808 00:43:00,239 --> 00:43:02,439 Speaker 1: He listens to him every morning on the way to work. 809 00:43:02,880 --> 00:43:05,440 Speaker 1: And he would say to me, you know that Elvis 810 00:43:05,520 --> 00:43:06,879 Speaker 1: is so funny. I'm like, oh my god, he's old. 811 00:43:06,920 --> 00:43:09,680 Speaker 1: He's been around forever. He said, I love Elvis Durant. 812 00:43:10,000 --> 00:43:12,440 Speaker 1: Every morning he said, you know, everybody, how do you 813 00:43:12,560 --> 00:43:14,400 Speaker 1: not know Elvis Durand I said, you know, I don't know. 814 00:43:14,480 --> 00:43:17,000 Speaker 1: I don't know him because you're Eliza and Ellie five. 815 00:43:19,040 --> 00:43:26,920 Speaker 1: You're calling Thomas so you're doing that girl. I literally 816 00:43:27,040 --> 00:43:31,080 Speaker 1: reached out to Elvis because of Ricardo. Emailed Katie Lee 817 00:43:31,080 --> 00:43:33,280 Speaker 1: and I said, Katie, you're friendly. What's his name with Elvis? 818 00:43:33,480 --> 00:43:35,479 Speaker 1: She said, yeah, I'll introduce you. And that's how it happens. 819 00:43:35,960 --> 00:43:37,680 Speaker 1: And it's one of the greatest things that came out 820 00:43:37,719 --> 00:43:40,960 Speaker 1: of my long term relationship with Ricardo. Have you been 821 00:43:40,960 --> 00:43:44,399 Speaker 1: approached to do reality shows like food ones? I would 822 00:43:44,440 --> 00:43:46,680 Speaker 1: think no. I have not been a no because I 823 00:43:46,719 --> 00:43:48,840 Speaker 1: don't want to become talent, because then I'll be in 824 00:43:48,960 --> 00:43:51,480 Speaker 1: competition with our you know, not competition, but you know, 825 00:43:51,520 --> 00:43:53,640 Speaker 1: it's better to stay on the other side. Okay, oh please, 826 00:43:53,640 --> 00:43:56,840 Speaker 1: you're a superstar. Okay, I'll take it out. I'm fielding offers. 827 00:43:57,040 --> 00:44:02,000 Speaker 1: Everyone loves everyone lovesly. Hey, it's really weird that we 828 00:44:02,320 --> 00:44:05,440 Speaker 1: haven't said one word about Andrew. His company called night 829 00:44:05,520 --> 00:44:08,799 Speaker 1: Owl Cookies. Night Owl Cookies. Andrew started baking cookies right 830 00:44:08,960 --> 00:44:11,160 Speaker 1: out of height in high school. I was swunny. I 831 00:44:11,239 --> 00:44:13,120 Speaker 1: dropped out of college, quit my full time job. My 832 00:44:13,200 --> 00:44:15,240 Speaker 1: parents thought I was insane, and I started baking cookies 833 00:44:15,239 --> 00:44:17,080 Speaker 1: out of the kitchen. And the cookies are amazing. What 834 00:44:17,120 --> 00:44:23,640 Speaker 1: are you eating right? Sulting I was homesick last week 835 00:44:23,680 --> 00:44:25,360 Speaker 1: and I texted Andrew. I said, I think a cookie 836 00:44:25,400 --> 00:44:27,399 Speaker 1: would make me feel better, and he sent over all 837 00:44:27,440 --> 00:44:30,000 Speaker 1: these boxes of cookies. Look how great he looks at it? Though. 838 00:44:30,120 --> 00:44:31,719 Speaker 1: You know when I ate one and I had to 839 00:44:31,719 --> 00:44:33,400 Speaker 1: bring them around to the neighbors, it was like Halloween. 840 00:44:33,440 --> 00:44:35,160 Speaker 1: I had to get him out of the house. How 841 00:44:35,239 --> 00:44:37,040 Speaker 1: to put on them so I wouldn't eat them? They 842 00:44:37,040 --> 00:44:40,839 Speaker 1: are their beautiful cookies. Look, please join us tomorrow night, 843 00:44:41,520 --> 00:44:43,840 Speaker 1: UH the New York City Wine and Food Festival, and 844 00:44:44,000 --> 00:44:47,920 Speaker 1: here complaint. The website is like, it's five thousand letters 845 00:44:47,960 --> 00:44:49,560 Speaker 1: and a dot org and it's hard for us to 846 00:44:49,600 --> 00:44:54,200 Speaker 1: give you. It's not hard. N y C WFF with 847 00:44:54,440 --> 00:44:58,239 Speaker 1: stands for New York City Wine Food Festival dot org. 848 00:44:58,440 --> 00:45:00,960 Speaker 1: And if you can't, if people like you cannot remember it, 849 00:45:01,360 --> 00:45:04,760 Speaker 1: just google New York City Wanting Food Festival. We're starting 850 00:45:04,800 --> 00:45:07,920 Speaker 1: tomorrow night, Thursday night. We go through Sunday eighty eight 851 00:45:08,000 --> 00:45:10,800 Speaker 1: events trying to raise lots of money and awareness to 852 00:45:10,920 --> 00:45:12,960 Speaker 1: fight hunger here in New York City. And we couldn't 853 00:45:12,960 --> 00:45:15,440 Speaker 1: do it without people like our good friend Elvis Durant 854 00:45:15,480 --> 00:45:17,720 Speaker 1: and all of you guys. So thanks for being so supportive. 855 00:45:19,760 --> 00:45:21,600 Speaker 1: You aren't selling tickets when we add on your team, 856 00:45:21,600 --> 00:45:26,239 Speaker 1: that's when we saw tickets. It's a we've better at 857 00:45:26,280 --> 00:45:29,680 Speaker 1: each other. We love you, Lee, love you and for 858 00:45:29,800 --> 00:45:32,000 Speaker 1: good reason, because you bring such great things to us 859 00:45:32,080 --> 00:45:36,399 Speaker 1: and including calories. Thank you very much, Lee, shreg every 860 00:45:38,640 --> 00:45:40,560 Speaker 1: listen to you every day. Thank you for listening. This 861 00:45:41,200 --> 00:45:46,000 Speaker 1: is Elvis Durant in the Morning Show. I want, I want, 862 00:45:49,840 --> 00:45:53,879 Speaker 1: I want one right now. Breakfast crunch wrap from Taco Bell. 863 00:45:54,040 --> 00:45:56,239 Speaker 1: My girlfriend was in the drive through at Taco Bell 864 00:45:56,360 --> 00:45:57,880 Speaker 1: last night. While I was on the phone with her 865 00:45:58,160 --> 00:46:00,759 Speaker 1: and she was ordering all of those food I was like, 866 00:46:00,880 --> 00:46:03,000 Speaker 1: oh my gosh, get me something and drop it off please. 867 00:46:03,320 --> 00:46:05,560 Speaker 1: It sounded so good. Do they have breakfast crunch reps 868 00:46:05,600 --> 00:46:07,400 Speaker 1: at night? I don't know why don't. They're on the 869 00:46:07,440 --> 00:46:10,120 Speaker 1: breakfast menu. Now it's the time to do it. But 870 00:46:10,320 --> 00:46:13,000 Speaker 1: I'll tell you what I'll eat around the clock at 871 00:46:13,040 --> 00:46:17,120 Speaker 1: Taco Bell. Don't get me wer friend hate her. The 872 00:46:17,320 --> 00:46:21,600 Speaker 1: breakfast crunch rap bacon, eggs, cheese, and entire hash brown 873 00:46:21,640 --> 00:46:25,279 Speaker 1: wrapped inside a grilled tortilla. Right there. Breakfast crunch rap 874 00:46:25,320 --> 00:46:34,279 Speaker 1: on the breakfast menu a Taco bellt right so nil 875 00:46:34,360 --> 00:46:37,360 Speaker 1: Horn's here. It's always great to have Nile here. His 876 00:46:37,480 --> 00:46:39,640 Speaker 1: new song I just love I love his new song 877 00:46:39,760 --> 00:46:42,920 Speaker 1: so much. It's the best. But here's my issue with 878 00:46:43,040 --> 00:46:46,239 Speaker 1: Nile Horn. I mean, he's out there looking hot as hell. 879 00:46:48,000 --> 00:46:51,719 Speaker 1: He's wearing those mom jeans. Yeah, you see know what 880 00:46:51,760 --> 00:46:54,439 Speaker 1: I'm saying. You're wearing mom jeans. What are you doing 881 00:46:54,480 --> 00:46:57,879 Speaker 1: out there? The microphone is not on hold, I'll come back. 882 00:46:58,400 --> 00:47:01,480 Speaker 1: I mean, he's he's scorched hot. I think everyone can 883 00:47:01,520 --> 00:47:05,560 Speaker 1: get away with mom jeans at him. Yeah, there you are. Look, Nile, 884 00:47:05,800 --> 00:47:08,360 Speaker 1: you're you're you're you're scorching hot, without a doubt, the 885 00:47:08,440 --> 00:47:11,960 Speaker 1: hottest guy in this area code. But you're but you're 886 00:47:12,000 --> 00:47:16,400 Speaker 1: wearing those big mom jeans, those huge gens. Yep. And 887 00:47:19,960 --> 00:47:22,120 Speaker 1: what's your point. I don't know. It's just you know, 888 00:47:22,560 --> 00:47:24,640 Speaker 1: I don't know. I think it. My boman looks great 889 00:47:24,640 --> 00:47:27,880 Speaker 1: in it. You're bum let me. No, no, we'll be 890 00:47:27,920 --> 00:47:29,560 Speaker 1: the judge of that. We'll be the judge. But let's 891 00:47:29,560 --> 00:47:34,440 Speaker 1: see minutes all right, warm up, But just understand, at 892 00:47:34,440 --> 00:47:37,160 Speaker 1: the other end of this, after your performance, we've got 893 00:47:37,239 --> 00:47:41,120 Speaker 1: we've got to talk about this. This is bothering me anyway. 894 00:47:41,239 --> 00:47:45,600 Speaker 1: Nice to meet. Nice to meet you, mom jeans. So 895 00:47:45,840 --> 00:47:47,799 Speaker 1: Nile Horn, I love this song, and I was telling 896 00:47:47,880 --> 00:47:51,200 Speaker 1: him earlier, I can't listen tonight. I can't listen to 897 00:47:51,280 --> 00:47:53,759 Speaker 1: a song on just regular speakers. I have to have 898 00:47:53,920 --> 00:47:56,319 Speaker 1: him in headphones or EarPods. I have to have him 899 00:47:56,400 --> 00:48:00,200 Speaker 1: in my ear hole. You know what I'm saying. Way, 900 00:48:00,200 --> 00:48:02,080 Speaker 1: he's going to do that live in a second. Is 901 00:48:02,120 --> 00:48:05,959 Speaker 1: that rude to comment on someone's mom jeans. Oh he's brown, 902 00:48:06,120 --> 00:48:07,520 Speaker 1: he said, he's proud. I mean, I was in a 903 00:48:07,560 --> 00:48:10,520 Speaker 1: story the other day and they're absolutely marketing them as 904 00:48:10,680 --> 00:48:13,040 Speaker 1: mom jeans. I'm not so sure that they're doing it 905 00:48:13,160 --> 00:48:16,720 Speaker 1: to the fellas. Yeah, like dad jeans. Maybe it's different. 906 00:48:16,840 --> 00:48:19,000 Speaker 1: You know where he comes from. No, no, no, no, 907 00:48:19,640 --> 00:48:22,040 Speaker 1: not at all. Okay, moving on, moving on, We're about 908 00:48:22,040 --> 00:48:26,160 Speaker 1: to get into your way back Wednesday phone tap. Uh gosh, well, 909 00:48:26,200 --> 00:48:28,080 Speaker 1: which intern are we talking about? That wiped her friend 910 00:48:28,320 --> 00:48:31,200 Speaker 1: raped her friend's butt? What? Yeah? In turn, Mariah is 911 00:48:31,200 --> 00:48:33,400 Speaker 1: the best friend ever. Her friend got really drunk and 912 00:48:33,600 --> 00:48:37,200 Speaker 1: just master herself, right, aunt, No, not now, And she 913 00:48:37,360 --> 00:48:41,000 Speaker 1: actually wiped her friend's butt. That is that is friendship. 914 00:48:41,400 --> 00:48:43,480 Speaker 1: That's where that's where I draw the line. Yeah, I'm 915 00:48:43,480 --> 00:48:45,600 Speaker 1: not gonna wipe your button. I love you, not gonna 916 00:48:45,600 --> 00:48:47,960 Speaker 1: wipe your button. Yeah you would. Yeah, I have a 917 00:48:48,000 --> 00:48:50,319 Speaker 1: couple of friends. I would wipe their butts, Daniel, would 918 00:48:50,320 --> 00:48:52,319 Speaker 1: you wipe mine? If I? If I couldn't help myself, 919 00:48:53,200 --> 00:48:55,360 Speaker 1: no I would. I would sit your bare ass on 920 00:48:55,520 --> 00:48:58,440 Speaker 1: the carpeting and drag you like a dog, you know, 921 00:48:58,520 --> 00:49:00,439 Speaker 1: like dogs dragged their butts on the graund that doesn't 922 00:49:00,440 --> 00:49:02,680 Speaker 1: always give it, And I would for you, I would 923 00:49:02,719 --> 00:49:04,520 Speaker 1: take it. I would take you outside to the grass 924 00:49:04,640 --> 00:49:06,279 Speaker 1: and I would wipe your ass on the grass. I 925 00:49:06,320 --> 00:49:08,759 Speaker 1: don't think that works on the human. But no, you 926 00:49:08,840 --> 00:49:12,040 Speaker 1: gotta spread the cheeks. Well, then you're gonna have to 927 00:49:12,080 --> 00:49:13,560 Speaker 1: do that. If I can out, what would you say? 928 00:49:13,640 --> 00:49:16,880 Speaker 1: I would record the whole thing for you record. I 929 00:49:16,960 --> 00:49:19,359 Speaker 1: think this is like a fire host situation if there's 930 00:49:19,440 --> 00:49:21,480 Speaker 1: poop and your friend's but that's the only thing you 931 00:49:21,560 --> 00:49:23,279 Speaker 1: can do. Fire host it not gonna do it. I'm 932 00:49:23,320 --> 00:49:26,759 Speaker 1: not gonna do its. Also, some friends of mine I 933 00:49:26,800 --> 00:49:31,200 Speaker 1: was talking to at college and they're already experiencing dorm life, 934 00:49:31,880 --> 00:49:34,560 Speaker 1: and they're experiencing you know, locked out of their dorm 935 00:49:34,640 --> 00:49:37,120 Speaker 1: room because their roommates are having sex, and they're not 936 00:49:37,200 --> 00:49:39,680 Speaker 1: getting into their dorm rooms until late at night, and 937 00:49:40,000 --> 00:49:42,840 Speaker 1: usually leave the little signal on the doorknob. Yeah, the signal. 938 00:49:43,239 --> 00:49:45,280 Speaker 1: My roommate one time tried to not leave the signal 939 00:49:45,360 --> 00:49:46,680 Speaker 1: and I woke up in the morning and she was 940 00:49:46,760 --> 00:49:48,839 Speaker 1: hooking up with like a bigger dude and the top 941 00:49:48,920 --> 00:49:52,480 Speaker 1: bunk bed was about an inch from my face. It 942 00:49:52,600 --> 00:49:54,360 Speaker 1: was like bouncing on your nose. Yeah. I was like, 943 00:49:54,440 --> 00:49:57,799 Speaker 1: this is it, this is how I die? Underneath sex horrible. Well, 944 00:49:57,800 --> 00:50:00,319 Speaker 1: the good news is Nile Horn is here. We're gonna 945 00:50:00,320 --> 00:50:01,799 Speaker 1: get into all that in more coming up. But Nile 946 00:50:01,840 --> 00:50:04,279 Speaker 1: Horn's he's here and he's gonna do his new song. 947 00:50:04,680 --> 00:50:07,359 Speaker 1: But also he's got a like an entire orchestra with him. 948 00:50:07,360 --> 00:50:09,239 Speaker 1: It's kind of cool. That's cool. This is nice. Never 949 00:50:09,360 --> 00:50:11,680 Speaker 1: leave home without your orchestra. I try not to. All right, 950 00:50:11,719 --> 00:50:15,239 Speaker 1: let's get into your phone tap. Here we go. Prerecorded 951 00:50:15,560 --> 00:50:20,640 Speaker 1: permission granted by all participates Elvis, Elvis durand the Elvis 952 00:50:20,760 --> 00:50:23,960 Speaker 1: Durant Phone Tap the return of Jimmy Jingle? Is that right, 953 00:50:24,120 --> 00:50:26,200 Speaker 1: Dave Brodie? What's it all about today? ELVISA listen to 954 00:50:26,239 --> 00:50:28,920 Speaker 1: Stacy and her husband already are planning uh bat mitzvah 955 00:50:28,960 --> 00:50:31,400 Speaker 1: for the daughter Becca, or should I say Stacy's planning it? 956 00:50:31,880 --> 00:50:35,200 Speaker 1: Artie's doing nothing. Now. Artie is a decent amount older 957 00:50:35,239 --> 00:50:37,759 Speaker 1: than Stacy, so Stacy wanted me to play up on 958 00:50:37,840 --> 00:50:40,560 Speaker 1: that fact and uh call him as the DJ she 959 00:50:40,760 --> 00:50:42,920 Speaker 1: hired he had nothing to do with, just to approve 960 00:50:43,160 --> 00:50:46,040 Speaker 1: the work he's done. Here we go, today's phone tap 961 00:50:47,160 --> 00:50:51,120 Speaker 1: from Dave Brody. Let's listen to it. Hello, Yeah, I'm 962 00:50:51,160 --> 00:50:54,440 Speaker 1: looking Artie. Yeah, you got him? Hey already. This is 963 00:50:54,520 --> 00:50:56,200 Speaker 1: Jimmy Jingles. Your wife hired me, told me to call 964 00:50:56,239 --> 00:50:59,640 Speaker 1: you on the DJ for Becca's bat mitzva. How's it going? Yeah, 965 00:50:59,640 --> 00:51:01,279 Speaker 1: I know who you are, man, My wife told me 966 00:51:01,360 --> 00:51:03,840 Speaker 1: you were calling. Yeah. I take information about your family 967 00:51:03,920 --> 00:51:06,640 Speaker 1: and uh your situation, and I take it on. I 968 00:51:06,719 --> 00:51:09,040 Speaker 1: put it into a rap song. My man, Ricky rhymes, 969 00:51:09,200 --> 00:51:10,360 Speaker 1: and so I wanted to play you some of the 970 00:51:10,480 --> 00:51:13,399 Speaker 1: verses to make sure you're cold as Becker is happy. 971 00:51:13,480 --> 00:51:16,400 Speaker 1: I'm happy as long is Stacy good? Good? Here we 972 00:51:16,440 --> 00:51:18,319 Speaker 1: go and play the first one for you. Ready, Ricky, 973 00:51:18,360 --> 00:51:22,080 Speaker 1: give me a beat. Becca reads from Natara. Let all 974 00:51:22,160 --> 00:51:27,080 Speaker 1: the Jews do her mother's forty seven Their daddy's sixty two? Boom? Right? 975 00:51:28,040 --> 00:51:31,719 Speaker 1: How's that? Are you kidding me? What? How good it is? 976 00:51:33,280 --> 00:51:35,960 Speaker 1: How all the kids know about me? Hey, hey, hey, 977 00:51:36,160 --> 00:51:40,279 Speaker 1: excuse me? Can I take something? Please? Are you even Jewish? Uh? Yeah? 978 00:51:40,320 --> 00:51:42,040 Speaker 1: You can call me Jinglestein if you want. It's Jimmy 979 00:51:42,080 --> 00:51:44,200 Speaker 1: Jingles don't matter if I'm Jewish. Look, this is about 980 00:51:44,200 --> 00:51:45,640 Speaker 1: you and your family. Look, let me hit you another. 981 00:51:45,640 --> 00:51:48,000 Speaker 1: All right, hold on, you're gonna love this, Ricky dump 982 00:51:48,080 --> 00:51:51,040 Speaker 1: the beat. Becker's very mature. But then the driver of 983 00:51:51,120 --> 00:51:53,160 Speaker 1: batty when you say hi to a grandpa but it's 984 00:51:53,200 --> 00:51:58,160 Speaker 1: really her daddy? Right? How's that? First of all, why 985 00:51:58,320 --> 00:52:01,040 Speaker 1: is Stacy even telling you my age? I don't like this. 986 00:52:01,400 --> 00:52:03,520 Speaker 1: I'm a professional, Ricky, and I've been doing this for years. 987 00:52:03,719 --> 00:52:06,560 Speaker 1: All the kids know us. We're huge on Snapchat? What 988 00:52:06,719 --> 00:52:09,360 Speaker 1: the hell is stop chat? Like? I can't explain to 989 00:52:09,360 --> 00:52:11,560 Speaker 1: you how social media works. I can probably explain how 990 00:52:11,600 --> 00:52:14,720 Speaker 1: social security works. But look, I'm gonna have funny. You're funny. 991 00:52:14,920 --> 00:52:17,160 Speaker 1: You're a funny little guy, Ricky. You'll love this one. 992 00:52:17,200 --> 00:52:20,239 Speaker 1: Here we go already, Ricky Becker reads the Tara parents 993 00:52:20,320 --> 00:52:23,080 Speaker 1: will be proud. Auntie may not hear the let's Becker's 994 00:52:23,120 --> 00:52:27,719 Speaker 1: really loud boom right for Sam? No, I'm not right? 995 00:52:28,000 --> 00:52:30,080 Speaker 1: What do you mean? Poom? See? Every single one who's 996 00:52:30,080 --> 00:52:32,400 Speaker 1: got is like how old I am? Look, you're overreacting. 997 00:52:32,600 --> 00:52:34,000 Speaker 1: Look at your age. You don't want to give yourself 998 00:52:34,000 --> 00:52:36,080 Speaker 1: a heart attack. Calm down, what do you say to me? Look, 999 00:52:36,120 --> 00:52:38,280 Speaker 1: maybe you'll like this one better? Hold on already rags 1000 00:52:38,280 --> 00:52:41,479 Speaker 1: the road, tricky Becka. It's fantastic. She deserves a high five. 1001 00:52:41,520 --> 00:52:45,359 Speaker 1: Hopefully when she gets married, dadas still be alive. I've 1002 00:52:45,400 --> 00:52:48,840 Speaker 1: gotta be playing this for Stafety. Stacy loved it. What 1003 00:52:48,960 --> 00:52:51,839 Speaker 1: do you mean, Stacy loved this? Stake love this? You're 1004 00:52:51,840 --> 00:52:55,080 Speaker 1: overreacting there, Auntie, I'm not overreacting. And I'm gonna cancel 1005 00:52:55,120 --> 00:52:57,239 Speaker 1: a damn check. Okay, this one thing Jimmy Jingles knows 1006 00:52:57,280 --> 00:52:58,880 Speaker 1: when he gets abut mins for check. He catches that 1007 00:52:59,000 --> 00:53:01,480 Speaker 1: right away. So that's already cleared. Because I know how 1008 00:53:01,520 --> 00:53:03,640 Speaker 1: you people are. Look, I'm gonna play you your favorite 1009 00:53:03,680 --> 00:53:08,600 Speaker 1: one to what parents parents people are. Look, let me 1010 00:53:08,640 --> 00:53:11,160 Speaker 1: play Stacy's favorite one. Hold On. Beg is now their team. 1011 00:53:11,320 --> 00:53:13,439 Speaker 1: And yes it sounds a little corny. She's no longer 1012 00:53:13,520 --> 00:53:16,520 Speaker 1: Daddy's little girls. He's not gonna get honey. My wife 1013 00:53:16,760 --> 00:53:19,080 Speaker 1: said to me, paying you, I am not paying for 1014 00:53:19,160 --> 00:53:21,359 Speaker 1: this crap. Jouldn't sell me. You know, kids are doing 1015 00:53:21,400 --> 00:53:23,600 Speaker 1: stuff earlier and earlier these days, right, I'm just telling 1016 00:53:23,640 --> 00:53:25,000 Speaker 1: them like it is. I'm a man in the streets. 1017 00:53:25,360 --> 00:53:28,399 Speaker 1: Where you located, I'm where you are. I'm at my crib. 1018 00:53:28,440 --> 00:53:30,040 Speaker 1: But you don't know what that meant. We'll talk about 1019 00:53:30,080 --> 00:53:33,120 Speaker 1: the Stacey, Stace, tell me where you are. Look, I'm 1020 00:53:33,120 --> 00:53:34,840 Speaker 1: gonna just send the audio over to Stacy. I'm not 1021 00:53:34,880 --> 00:53:36,520 Speaker 1: showing up to the to the party. You guys can 1022 00:53:36,600 --> 00:53:39,399 Speaker 1: just play the audio to the party. I'd call him 1023 00:53:39,400 --> 00:53:42,040 Speaker 1: Stacy right now, and I swear to God, it's not 1024 00:53:42,200 --> 00:53:47,840 Speaker 1: Techi's past. I'm gonna kill you Stacy. Yeah, he doesn't 1025 00:53:47,880 --> 00:53:50,400 Speaker 1: like the jingles very much. I love this show. This 1026 00:53:50,480 --> 00:53:52,560 Speaker 1: is great. Thank you so much. I told you I 1027 00:53:52,680 --> 00:53:55,560 Speaker 1: take care of him for you. Okay, leave it, leave it, 1028 00:53:55,600 --> 00:53:56,960 Speaker 1: leave it, leave it, leave it. Let me go to voicemail. 1029 00:53:57,080 --> 00:53:58,839 Speaker 1: All right, So he's we gonna We're gonna wait a minute. 1030 00:53:58,840 --> 00:54:04,720 Speaker 1: We can call him back. Okay. I see hi, honey, 1031 00:54:05,480 --> 00:54:07,279 Speaker 1: I'm gonna talk to that guy when you hies. Whatever 1032 00:54:07,280 --> 00:54:10,759 Speaker 1: the hell, oh, isn't he fantastic? I love him? Are 1033 00:54:10,800 --> 00:54:14,560 Speaker 1: you listen to me? What he wrote? This guy is saying, 1034 00:54:14,640 --> 00:54:17,399 Speaker 1: fuck his horny? What do you want of your mind? I? Well, kids, 1035 00:54:17,440 --> 00:54:19,560 Speaker 1: and we're grown up these days. Don't get it? It's fine? 1036 00:54:20,360 --> 00:54:26,360 Speaker 1: Are you playing? Listen to me? I'm damn Artie five thousand. 1037 00:54:27,120 --> 00:54:30,560 Speaker 1: I'm not worth it. He's terrific to real life. Is 1038 00:54:30,600 --> 00:54:32,239 Speaker 1: gonna be there? All we're gonna hear about his home? 1039 00:54:32,320 --> 00:54:34,920 Speaker 1: I can't hear. It's all about me. You're just not 1040 00:54:35,040 --> 00:54:37,600 Speaker 1: with it. You just don't get it. Stop talking about 1041 00:54:37,640 --> 00:54:40,920 Speaker 1: my age to the whole damn world we are. I'm 1042 00:54:40,920 --> 00:54:44,600 Speaker 1: gonna tell everybody, Hey, he's sixty. Look at the sixty 1043 00:54:44,680 --> 00:54:46,840 Speaker 1: year olds. See how much you like it? If he 1044 00:54:47,280 --> 00:54:50,600 Speaker 1: messed her? No, hey, Aarretie would be hard for me 1045 00:54:50,640 --> 00:54:53,440 Speaker 1: to meet you since I'm at a radio station. What 1046 00:54:53,719 --> 00:54:56,799 Speaker 1: this is is get on the phone. Get on the phone. 1047 00:54:56,800 --> 00:54:58,640 Speaker 1: This is actually dare shot in the morning show. You're 1048 00:54:58,800 --> 00:55:02,840 Speaker 1: phone tapped by your wife. Yeah, yeah, I don't like 1049 00:55:03,000 --> 00:55:08,239 Speaker 1: you have an idea for a phone tab. Go to 1050 00:55:08,360 --> 00:55:11,000 Speaker 1: Elstan dot com. Click on the phone tab tab. Tell 1051 00:55:11,080 --> 00:55:13,759 Speaker 1: us what you want to do is table is prerecorded 1052 00:55:13,880 --> 00:55:21,919 Speaker 1: with permission granted by all participants in the morning show working. 1053 00:55:21,960 --> 00:55:26,120 Speaker 1: Hello Mariah here, she's on our way through the horde 1054 00:55:26,120 --> 00:55:27,759 Speaker 1: of people outside. Oh, we have a horde of people. 1055 00:55:28,080 --> 00:55:29,719 Speaker 1: I know, I know. Nia Horn coming up in a 1056 00:55:29,760 --> 00:55:31,840 Speaker 1: few minutes. Can't wait. I love this song. It's the 1057 00:55:31,880 --> 00:55:34,120 Speaker 1: best song you hear on the radio. Hey, Maria, come 1058 00:55:34,160 --> 00:55:36,799 Speaker 1: here for a second. How are you sorry about to love? 1059 00:55:37,000 --> 00:55:39,080 Speaker 1: How are you warming up out there? First of all, 1060 00:55:39,320 --> 00:55:42,120 Speaker 1: welcome to our show. Thank you so much, so so far. 1061 00:55:42,239 --> 00:55:45,440 Speaker 1: How how is your internship experience? I'm loving it so far. 1062 00:55:45,680 --> 00:55:48,120 Speaker 1: I'm doing drops and I'm getting really good at him. 1063 00:55:48,360 --> 00:55:51,160 Speaker 1: What does that mean? So? I don't know. I know. 1064 00:55:51,480 --> 00:55:53,839 Speaker 1: So basically during the show, I'm listening for funny things 1065 00:55:53,920 --> 00:55:56,720 Speaker 1: you guys are saying, and then I edit them together 1066 00:55:56,760 --> 00:56:00,799 Speaker 1: and I dropped them to Josh. Oh yeah, good luck 1067 00:56:00,840 --> 00:56:04,000 Speaker 1: finding funny things. We say. No, there's some good ones, 1068 00:56:04,040 --> 00:56:06,319 Speaker 1: but like I listened for the really good one. All right, good, Well, 1069 00:56:06,840 --> 00:56:11,120 Speaker 1: maybe maybe this time next week we'll have one for you. Okay, So, okay, 1070 00:56:11,160 --> 00:56:13,520 Speaker 1: we're talking a few moments ago. But some friends of 1071 00:56:13,520 --> 00:56:15,480 Speaker 1: mine who have they have their kids in college, and 1072 00:56:16,080 --> 00:56:18,000 Speaker 1: some of them aren't able to get into their door 1073 00:56:18,080 --> 00:56:20,359 Speaker 1: rooms at night because their roommates are having sex. That's 1074 00:56:20,400 --> 00:56:22,440 Speaker 1: in that and they're going out and they're partying too hard, right, 1075 00:56:22,640 --> 00:56:25,840 Speaker 1: And here's what I heard. Sometimes you party with your 1076 00:56:25,880 --> 00:56:28,360 Speaker 1: friends too hard and maybe get out of control and 1077 00:56:28,400 --> 00:56:31,280 Speaker 1: your friend has to take very good care of you. So, Mariah, 1078 00:56:31,480 --> 00:56:34,200 Speaker 1: what happened to you and your friend? All right? So 1079 00:56:34,360 --> 00:56:37,319 Speaker 1: it's her birthday. She's wasted, of course, which is like fine, 1080 00:56:37,400 --> 00:56:41,360 Speaker 1: you know. So we're about act maybe the seventh shot, 1081 00:56:41,400 --> 00:56:43,080 Speaker 1: and we're going to the bathroom because you know, girls 1082 00:56:43,160 --> 00:56:45,080 Speaker 1: need a break, and so we're both in the different 1083 00:56:45,120 --> 00:56:47,880 Speaker 1: stalls and I'm talking to her and then she stops talking. 1084 00:56:48,160 --> 00:56:51,000 Speaker 1: So I'm guessing she's passed out. So are going the 1085 00:56:51,080 --> 00:56:55,280 Speaker 1: stall and she was pooping and so then she passed 1086 00:56:55,280 --> 00:56:58,279 Speaker 1: out and passed out midpoop, mid poop, right, and so 1087 00:56:58,440 --> 00:57:00,520 Speaker 1: I'm like, okay, I can't leave her this what you know, 1088 00:57:00,880 --> 00:57:03,520 Speaker 1: you're a good friend. I can. But it was her birthday, 1089 00:57:03,560 --> 00:57:06,600 Speaker 1: so I couldn't. So grab the toilet paper, you know, 1090 00:57:06,680 --> 00:57:08,840 Speaker 1: I had to. You know, our private parts are special, 1091 00:57:09,200 --> 00:57:10,759 Speaker 1: so I had to make sure she was good, and 1092 00:57:10,840 --> 00:57:13,360 Speaker 1: I just gave her a little wipe, I know, I 1093 00:57:13,480 --> 00:57:15,560 Speaker 1: hoped her put her pants on and we had to 1094 00:57:15,600 --> 00:57:18,640 Speaker 1: get out of there. Maria, you, I'm honestly's the best 1095 00:57:18,720 --> 00:57:21,320 Speaker 1: person you've ever met. And I'm sure the next day, 1096 00:57:21,520 --> 00:57:24,280 Speaker 1: the next day you reminded her of Oh, I definitely 1097 00:57:24,360 --> 00:57:27,080 Speaker 1: did every day every year on her birthday, I did so. 1098 00:57:27,240 --> 00:57:28,880 Speaker 1: The question in here in the room was it would 1099 00:57:28,880 --> 00:57:30,600 Speaker 1: anyone in here do that with anyone else in here? 1100 00:57:30,600 --> 00:57:33,640 Speaker 1: And the answer was no, except for Scary. Scary said 1101 00:57:33,640 --> 00:57:35,600 Speaker 1: he would wipe all of us. I would. I think 1102 00:57:35,640 --> 00:57:37,520 Speaker 1: we are close, we are a family, We've known you 1103 00:57:37,600 --> 00:57:40,000 Speaker 1: to all these years. I would wipe everyone in here now, 1104 00:57:40,080 --> 00:57:42,520 Speaker 1: if you guys, I gotta be honest. I don't think 1105 00:57:42,560 --> 00:57:44,760 Speaker 1: I could wipe someone. I know. I could wipe a 1106 00:57:44,880 --> 00:57:48,600 Speaker 1: stranger faster because because I've never have a relationship with 1107 00:57:48,720 --> 00:57:53,240 Speaker 1: your quest to be left on the toilet, if that 1108 00:57:53,320 --> 00:57:57,160 Speaker 1: ever happens, well, you are a good friend. Indeed, thank 1109 00:57:57,240 --> 00:58:00,680 Speaker 1: you so much. Now, thank you so much, Mariah the 1110 00:58:00,760 --> 00:58:03,280 Speaker 1: intern telling a story giving us something. You know what 1111 00:58:03,400 --> 00:58:06,240 Speaker 1: a good person you are? You are. You're a great person. Um. 1112 00:58:07,280 --> 00:58:09,560 Speaker 1: Like I said, I would take Alex, for instance, my 1113 00:58:09,680 --> 00:58:13,040 Speaker 1: own husband, I would drag his butt on the grass 1114 00:58:13,520 --> 00:58:15,840 Speaker 1: like a like a dog. Wow, I like that, that's 1115 00:58:15,840 --> 00:58:17,720 Speaker 1: a good one. I would you have to spread the 1116 00:58:17,800 --> 00:58:20,080 Speaker 1: cheeks and like pull, spread the cheeks and pull across 1117 00:58:20,120 --> 00:58:24,720 Speaker 1: the grass exactly, No one would call the cops. Good morning, Jen, 1118 00:58:25,920 --> 00:58:30,440 Speaker 1: good morning. So, uh, you're saying, Mariah, her intern is 1119 00:58:30,480 --> 00:58:32,160 Speaker 1: a great friend. What she did at the club for 1120 00:58:32,240 --> 00:58:33,760 Speaker 1: her friend, But you're saying you're a better friend. What 1121 00:58:33,800 --> 00:58:38,400 Speaker 1: did you do? Um, I caught my friend's vomit in 1122 00:58:38,560 --> 00:58:44,640 Speaker 1: my hands hands. Absolutely no need for that, Like you 1123 00:58:44,760 --> 00:58:49,120 Speaker 1: use your hands at like a human calender. Basically. Yeah, 1124 00:58:49,280 --> 00:58:51,840 Speaker 1: So we were so, we were twenty two. We were 1125 00:58:51,920 --> 00:58:56,440 Speaker 1: house sitting this million dollar house on a beach, and 1126 00:58:56,640 --> 00:58:58,840 Speaker 1: we did what any twenty two year old would do 1127 00:58:58,920 --> 00:59:03,400 Speaker 1: and had a party. Yeah, and she had way too 1128 00:59:03,520 --> 00:59:06,480 Speaker 1: much and I gotta stop. You don't get mad at 1129 00:59:06,520 --> 00:59:08,440 Speaker 1: me for interrupting, but I don't want it to get 1130 00:59:08,480 --> 00:59:10,800 Speaker 1: to know people are eating breakfast. But I do have 1131 00:59:10,840 --> 00:59:13,640 Speaker 1: a question for you. Why did you decide to catch it? 1132 00:59:13,680 --> 00:59:16,720 Speaker 1: Why didn't you just let it, like just go? Because 1133 00:59:16,800 --> 00:59:23,280 Speaker 1: she turned and aimed for their like beautiful upholstered cou Okay, 1134 00:59:23,680 --> 00:59:28,960 Speaker 1: no can be replaced, not when it's not ours. And 1135 00:59:29,080 --> 00:59:30,720 Speaker 1: we don't know how much it is and we're broke 1136 00:59:30,800 --> 00:59:35,000 Speaker 1: twenty two year old. So now do we vote our 1137 00:59:35,080 --> 00:59:39,919 Speaker 1: friend jen as our new best friend? Yeah? I would 1138 00:59:39,960 --> 00:59:43,000 Speaker 1: wipe an ask before I don't know. I like how 1139 00:59:43,040 --> 00:59:47,400 Speaker 1: you have the pecking order quickly, just go to Genie. Hi, Genie, Hi, 1140 00:59:47,640 --> 00:59:49,840 Speaker 1: how are you? We're doing? Okay, So this happened when 1141 00:59:49,840 --> 00:59:53,280 Speaker 1: your sister got married. What happened? Yes, well, my sister 1142 00:59:53,840 --> 00:59:56,200 Speaker 1: was not feeling really well, so she had a little 1143 00:59:56,200 --> 00:59:59,200 Speaker 1: bit of a bubble gut and um, so I ended 1144 00:59:59,320 --> 01:00:04,240 Speaker 1: up having hold a milk curtain under her buttocks um 1145 01:00:04,320 --> 01:00:06,680 Speaker 1: while holding her dress up above her head. So she 1146 01:00:06,760 --> 01:00:09,480 Speaker 1: should go to the bathroom in her wedding dress. It's 1147 01:00:09,520 --> 01:00:13,600 Speaker 1: hard to do. You had her wedding dress pulled up 1148 01:00:13,640 --> 01:00:15,720 Speaker 1: over her head with one hand and the other hand 1149 01:00:15,800 --> 01:00:20,439 Speaker 1: has a milk carton under her butt Yeah, anyway, scary? 1150 01:00:20,480 --> 01:00:26,960 Speaker 1: Would you do that for me? Sure? All right? Grossed 1151 01:00:26,960 --> 01:00:29,520 Speaker 1: out by everything? Well look what you did though, Okay, okay, 1152 01:00:29,560 --> 01:00:31,600 Speaker 1: look as gross as this is, as this says, look 1153 01:00:31,640 --> 01:00:34,200 Speaker 1: at what Genie did. Genie saved the day. That was sweet, 1154 01:00:34,280 --> 01:00:36,800 Speaker 1: very nice of you. You did. What's wrong? Condhi? This 1155 01:00:36,880 --> 01:00:40,120 Speaker 1: is gross? Like the line at most of them I 1156 01:00:40,280 --> 01:00:42,760 Speaker 1: get that, but I know. But Genie, it's her sister, 1157 01:00:43,240 --> 01:00:45,840 Speaker 1: her sister's wedding day. I would do it for my sister. 1158 01:00:46,080 --> 01:00:48,400 Speaker 1: It's very hard to do anything in that dress. You 1159 01:00:48,480 --> 01:00:51,680 Speaker 1: can't pee campoo, can't do anything any help. It's another 1160 01:00:51,720 --> 01:00:55,959 Speaker 1: reason not to get married. Hi, Genie, do we all agree? 1161 01:00:56,000 --> 01:00:58,920 Speaker 1: Geanie is a good friend. Yeah, you're a very good friend. Jeannie. 1162 01:00:58,960 --> 01:01:02,000 Speaker 1: Thank you for listening to us. You're very welcome. Thank 1163 01:01:02,040 --> 01:01:04,000 Speaker 1: you make my day every day. I think I just 1164 01:01:04,080 --> 01:01:07,400 Speaker 1: made a lot of people's day. Oh all right, well 1165 01:01:07,440 --> 01:01:09,840 Speaker 1: there you go. How good of a friend are you? 1166 01:01:10,440 --> 01:01:12,280 Speaker 1: Something to talk about it at lunch or maybe after 1167 01:01:12,400 --> 01:01:16,320 Speaker 1: lunch today? Kay? So nil Horn love him he's performing 1168 01:01:16,400 --> 01:01:18,919 Speaker 1: for us. Coming up next, Miss Part of today's show, 1169 01:01:19,080 --> 01:01:24,840 Speaker 1: Elvis Durand on Demand, Everyone Clown, Every show posted every day, 1170 01:01:25,000 --> 01:01:28,120 Speaker 1: Sergi Elvis Durand on demand only on the I Heart 1171 01:01:28,200 --> 01:01:31,840 Speaker 1: Radio app Elvis Durand. In the morning show sponsored by 1172 01:01:31,880 --> 01:01:34,320 Speaker 1: State Farm, Protect your Car and Home with the one 1173 01:01:34,360 --> 01:01:37,080 Speaker 1: that's here to help life go right State Farm. Talk 1174 01:01:37,120 --> 01:01:39,240 Speaker 1: to an agent today at one eight hundred State Farm. 1175 01:01:40,920 --> 01:01:45,000 Speaker 1: What the hell I listened to you every morning? I 1176 01:01:45,080 --> 01:01:47,920 Speaker 1: think you all are great. Oh my guy, Love you guys. 1177 01:01:48,200 --> 01:01:52,280 Speaker 1: I love you guys. I've been living you guys for years. Hello, 1178 01:01:52,880 --> 01:01:59,800 Speaker 1: Lady of the Hour. First gotta say we love to 1179 01:01:59,840 --> 01:02:04,880 Speaker 1: hear the Big Apple. He was a very sweating guy. 1180 01:02:05,400 --> 01:02:09,480 Speaker 1: He's gay. He's just a sloppy drunk. Give to you 1181 01:02:09,960 --> 01:02:24,360 Speaker 1: the man with the player, the boy roll up in 1182 01:02:24,440 --> 01:02:27,600 Speaker 1: the morning show. You know, there are singers, and there 1183 01:02:27,640 --> 01:02:30,320 Speaker 1: are musicians, and there are artists. The cool thing I 1184 01:02:30,440 --> 01:02:33,160 Speaker 1: love about Nil Horn is I must assume he's a 1185 01:02:33,240 --> 01:02:35,320 Speaker 1: big fan of all the music we play on our show, 1186 01:02:35,800 --> 01:02:37,840 Speaker 1: but I know he listens to it, and even though 1187 01:02:37,880 --> 01:02:41,040 Speaker 1: he appreciates it, he strives to do his own thing 1188 01:02:41,120 --> 01:02:45,040 Speaker 1: and not do that. That's an artist. And what he 1189 01:02:45,120 --> 01:02:47,040 Speaker 1: has done with this single, nice to meet you. I 1190 01:02:47,160 --> 01:02:50,080 Speaker 1: think it's just it's brilliant, and of course to him 1191 01:02:50,120 --> 01:02:52,480 Speaker 1: it's just another day at the office. I don't know, 1192 01:02:52,680 --> 01:02:55,880 Speaker 1: but it sounds so good. And the fact that Nil 1193 01:02:56,000 --> 01:02:58,959 Speaker 1: is here performing it, I think, live for the first time, 1194 01:02:59,400 --> 01:03:02,360 Speaker 1: this is very okay. This is good. So it could 1195 01:03:02,440 --> 01:03:05,760 Speaker 1: it could crash and burn. I love that will be good. 1196 01:03:06,160 --> 01:03:08,560 Speaker 1: I think it's gonna be great. I always, I always 1197 01:03:08,560 --> 01:03:10,800 Speaker 1: love when Nil is here, even if he couldn't sing 1198 01:03:10,880 --> 01:03:13,280 Speaker 1: a note he's got. He just has this warmth that's 1199 01:03:13,280 --> 01:03:15,800 Speaker 1: just kind of fabulous. But he can sing many notes 1200 01:03:15,800 --> 01:03:18,400 Speaker 1: and sing them very well. Please the first time at 1201 01:03:18,440 --> 01:03:21,280 Speaker 1: an event in New York City, singing this live Nile 1202 01:03:21,400 --> 01:03:33,840 Speaker 1: Horn and nice to meet you. Yeah, I like the 1203 01:03:34,080 --> 01:03:38,320 Speaker 1: read song. Yeah, I like the things you. I want 1204 01:03:38,400 --> 01:03:41,560 Speaker 1: you dumb it sat sude on my arm inde us 1205 01:03:41,720 --> 01:03:48,680 Speaker 1: with good moment. I know you won't be very summer 1206 01:03:48,840 --> 01:04:02,960 Speaker 1: soon around you that love woma blow your mind discover 1207 01:04:03,040 --> 01:04:06,880 Speaker 1: with me. I sweat. I'm gonna sick you somewhere. Want 1208 01:04:06,960 --> 01:04:11,840 Speaker 1: you don't you don't love He's with Momay, I don't 1209 01:04:11,920 --> 01:04:16,400 Speaker 1: you won't be eating? Every time I turn around, you 1210 01:04:16,640 --> 01:04:24,320 Speaker 1: did surfing, Gotta love me, Gotta love me again, Gotta 1211 01:04:24,360 --> 01:04:32,280 Speaker 1: love me, has to beat it? But today they treating 1212 01:04:33,640 --> 01:04:38,160 Speaker 1: to today And I like to read something God like 1213 01:04:38,400 --> 01:04:42,160 Speaker 1: the things you. I want you dumb but shattuned on 1214 01:04:42,360 --> 01:04:46,880 Speaker 1: my army ink I sweet. He's with the Momain. I 1215 01:04:47,040 --> 01:04:51,640 Speaker 1: don't you won't beating? But every time I turn around, 1216 01:04:51,800 --> 01:05:01,680 Speaker 1: you did surfing, Gotta love me, Gotta love gotch not 1217 01:05:04,840 --> 01:05:08,640 Speaker 1: one man? Didn't you that the nights what y'all got 1218 01:05:09,240 --> 01:05:13,680 Speaker 1: been waiting for you all I checked out part you 1219 01:05:13,920 --> 01:05:18,040 Speaker 1: know what I need? You know what I want? You 1220 01:05:18,320 --> 01:05:23,720 Speaker 1: know what I need. I can't know what I need. 1221 01:05:24,040 --> 01:05:40,080 Speaker 1: I m notice to meet you what today? Let me 1222 01:05:40,200 --> 01:05:46,120 Speaker 1: treat you to a day has to be che, I 1223 01:05:46,360 --> 01:05:51,400 Speaker 1: beg a bit. Let me treat che to a day? 1224 01:05:54,120 --> 01:06:10,400 Speaker 1: M m m m wow. Wow that was awesome, so 1225 01:06:10,680 --> 01:06:16,640 Speaker 1: good do it again? What that never works when I 1226 01:06:16,680 --> 01:06:20,920 Speaker 1: try back earl. And here's what's so remarkable. That was 1227 01:06:21,040 --> 01:06:24,280 Speaker 1: totally live. Yeah, that's crazy and our crappy land studio 1228 01:06:24,560 --> 01:06:28,560 Speaker 1: I spoke. That was awesome. Thank you, that was great. 1229 01:06:28,560 --> 01:06:30,560 Speaker 1: And let me tell you the guys they're backing you 1230 01:06:30,680 --> 01:06:33,800 Speaker 1: up or they sound awesome as well. Everything's boys have 1231 01:06:33,880 --> 01:06:36,400 Speaker 1: all flown over from the UK and Ireland and just 1232 01:06:36,480 --> 01:06:39,560 Speaker 1: to be yeah, we play well together. I think yeah, 1233 01:06:39,560 --> 01:06:45,160 Speaker 1: I think really, how is everyone? Were great? That was awesome? 1234 01:06:45,520 --> 01:06:47,520 Speaker 1: Uh yeah. The fact that you you guys can come 1235 01:06:47,600 --> 01:06:50,840 Speaker 1: into this and sound like that is just it says 1236 01:06:50,840 --> 01:06:52,440 Speaker 1: a lot of well, no no offense. I mean this 1237 01:06:52,600 --> 01:06:55,600 Speaker 1: is this isn't like the big capital studios in Hollywood. 1238 01:06:55,640 --> 01:06:58,040 Speaker 1: I mean this is you know, our little, our chunky, 1239 01:06:58,080 --> 01:07:00,600 Speaker 1: little closet and it's also eight AM nine name or 1240 01:07:00,600 --> 01:07:03,720 Speaker 1: whatever it is. So it's not great to sing at 1241 01:07:03,760 --> 01:07:05,080 Speaker 1: this time of the day. You're not gonna lie, but 1242 01:07:05,360 --> 01:07:07,920 Speaker 1: all's well, Yeah, it nice to meet you. What a 1243 01:07:07,960 --> 01:07:09,440 Speaker 1: great story behind the song. I want to hear that 1244 01:07:09,720 --> 01:07:10,840 Speaker 1: if you want to give it in a second. But 1245 01:07:11,800 --> 01:07:13,760 Speaker 1: you know what, I love that you're you. I can 1246 01:07:13,800 --> 01:07:16,880 Speaker 1: tell you're doing your thing. This is pure you. I'm 1247 01:07:16,920 --> 01:07:19,160 Speaker 1: not saying that other stuff you put out wasn't you. 1248 01:07:19,880 --> 01:07:21,720 Speaker 1: But you know what, when you when you went solo 1249 01:07:22,120 --> 01:07:24,600 Speaker 1: and you came out with a string of just great songs, 1250 01:07:25,200 --> 01:07:27,960 Speaker 1: I gotta I have to assume that it gives you 1251 01:07:28,080 --> 01:07:31,360 Speaker 1: the confidence to go, Okay, let's push it further and 1252 01:07:31,440 --> 01:07:32,960 Speaker 1: let's do what I want to do. Is that nil 1253 01:07:33,080 --> 01:07:36,880 Speaker 1: is like sort of where this comes from. I guess 1254 01:07:37,200 --> 01:07:40,160 Speaker 1: when I started, when I first went solo, made the 1255 01:07:40,200 --> 01:07:42,520 Speaker 1: exact album that I wanted to make, Morning by the Way, 1256 01:07:44,120 --> 01:07:46,800 Speaker 1: um exact album that I wanted to make. And then 1257 01:07:47,240 --> 01:07:50,680 Speaker 1: obviously with the success of Slohans in its period where 1258 01:07:51,120 --> 01:07:52,680 Speaker 1: you know, hip hop ar an, R and B was 1259 01:07:52,760 --> 01:07:55,200 Speaker 1: kind of dominating the radio, like probably Shutting had really 1260 01:07:55,280 --> 01:07:57,000 Speaker 1: done that well, but I think it stood out because 1261 01:07:57,000 --> 01:08:01,360 Speaker 1: it was I guess different, and the that's why. And 1262 01:08:01,440 --> 01:08:03,520 Speaker 1: then walk into the studio making this album with a 1263 01:08:03,600 --> 01:08:05,960 Speaker 1: bit more confidence every day. You walk in to try 1264 01:08:05,960 --> 01:08:08,160 Speaker 1: and push the boundaries out a little bit, and I 1265 01:08:08,440 --> 01:08:11,120 Speaker 1: thrive off looking at what's on the radio and you know, 1266 01:08:11,200 --> 01:08:14,320 Speaker 1: on all the different charts, and then try and try 1267 01:08:14,320 --> 01:08:16,320 Speaker 1: and do something different. Did you say that's it? So 1268 01:08:16,479 --> 01:08:18,519 Speaker 1: if it's not different, you don't want to do it? Yeah, 1269 01:08:18,840 --> 01:08:20,280 Speaker 1: I mean it wouldn't be me if if I was 1270 01:08:20,320 --> 01:08:22,160 Speaker 1: just sticking in one lane. I can't need to be 1271 01:08:22,280 --> 01:08:24,479 Speaker 1: moving around all the things like that. Well, that's what 1272 01:08:24,760 --> 01:08:28,040 Speaker 1: being an artist is all about. Yeah, we always equate 1273 01:08:28,120 --> 01:08:29,960 Speaker 1: being an artist with music is the same as being 1274 01:08:29,960 --> 01:08:32,559 Speaker 1: an artist with a canvas and paint. You just want 1275 01:08:32,600 --> 01:08:34,960 Speaker 1: to do your own thing. So okay, well, with this 1276 01:08:35,120 --> 01:08:37,840 Speaker 1: music coming out, that means here comes another another world 1277 01:08:37,920 --> 01:08:39,880 Speaker 1: tour or another this and then are you are you 1278 01:08:40,160 --> 01:08:42,560 Speaker 1: psyched for that? Is that? Would you rather just go 1279 01:08:42,640 --> 01:08:44,840 Speaker 1: to the studio and record it and just go home? No? No, no, 1280 01:08:45,400 --> 01:08:48,880 Speaker 1: I uh, I've realized in the last ten days how 1281 01:08:48,960 --> 01:08:54,120 Speaker 1: little I've been doing all year. Okay, what have you 1282 01:08:54,240 --> 01:08:57,439 Speaker 1: been doing? I mean I have them up a's having 1283 01:08:57,560 --> 01:08:59,720 Speaker 1: six AM. In the last year or so, that was 1284 01:08:59,760 --> 01:09:07,320 Speaker 1: a usually get up ten or oh yeah, but um yeah, no, 1285 01:09:07,400 --> 01:09:10,120 Speaker 1: I'm ready to go, like I've had my I'm glad. 1286 01:09:10,200 --> 01:09:12,439 Speaker 1: I just took, you know, time to chill. I chilled. 1287 01:09:13,000 --> 01:09:14,800 Speaker 1: I wrote the album, I recorded that. I had enough 1288 01:09:14,840 --> 01:09:16,640 Speaker 1: time to go on holidays. I had enough time to 1289 01:09:16,680 --> 01:09:20,439 Speaker 1: play as much golf as I wanted at all the 1290 01:09:20,520 --> 01:09:22,760 Speaker 1: time to do everything. So I'm ready to go. I 1291 01:09:22,840 --> 01:09:26,200 Speaker 1: feel like the music's in a good spot and it's 1292 01:09:26,200 --> 01:09:28,160 Speaker 1: just good to be back because I'm sick of watching 1293 01:09:28,200 --> 01:09:31,479 Speaker 1: other people sit in the seat. Yeah yeah, I mean 1294 01:09:31,840 --> 01:09:33,640 Speaker 1: if you snipped that seat, it have the smells of 1295 01:09:33,680 --> 01:09:39,479 Speaker 1: many people, smell like Lewis Capaldi. Yeah do it. Let's 1296 01:09:39,479 --> 01:09:43,720 Speaker 1: talk about LOIDI. I mean when he came to visit us, 1297 01:09:43,760 --> 01:09:45,400 Speaker 1: was one morning we didn't want to let him leave. 1298 01:09:46,280 --> 01:09:48,439 Speaker 1: I could tell yeah, this is about double de lent 1299 01:09:48,560 --> 01:09:50,479 Speaker 1: that usually is, so I better get that amount of 1300 01:09:50,560 --> 01:09:56,320 Speaker 1: time now. He is a great example. I think you're all. 1301 01:09:56,360 --> 01:09:58,360 Speaker 1: You're all great examples that people did you want to 1302 01:09:58,400 --> 01:10:01,000 Speaker 1: hang out with, just go out drinking, having a good time. 1303 01:10:01,040 --> 01:10:03,880 Speaker 1: But golfing was talking about it, you know. Froggy. Froggy 1304 01:10:03,960 --> 01:10:06,840 Speaker 1: is our golfer. That's ay. He has his own golfing podcast. 1305 01:10:07,240 --> 01:10:09,759 Speaker 1: He does a lot of work with Taylor Maid. Okay, 1306 01:10:09,880 --> 01:10:12,400 Speaker 1: he lets me drive the cart. Yeah, yeah, we've had 1307 01:10:12,400 --> 01:10:15,200 Speaker 1: a similar conversation before them. Well, I think, yeah, I'd 1308 01:10:15,240 --> 01:10:16,800 Speaker 1: love to have you on the podcast sometime if you 1309 01:10:16,840 --> 01:10:18,479 Speaker 1: have time, right, and let's get on that all right. 1310 01:10:19,360 --> 01:10:22,080 Speaker 1: What is it for you about golfing Nile? I mean, 1311 01:10:22,320 --> 01:10:25,080 Speaker 1: is it out there with nature and what is it? 1312 01:10:25,240 --> 01:10:27,519 Speaker 1: Because I don't get it's not very exciting, so it's 1313 01:10:27,600 --> 01:10:32,760 Speaker 1: kind of exciting. It's exciting to see what happens next 1314 01:10:33,200 --> 01:10:35,720 Speaker 1: because it's not all the same twice. No, I just 1315 01:10:35,840 --> 01:10:39,479 Speaker 1: like the getting away from the madness. Like I live 1316 01:10:39,520 --> 01:10:41,800 Speaker 1: in smack bang in the middle of center of London 1317 01:10:41,840 --> 01:10:43,640 Speaker 1: where it's mad, and then I can just get in 1318 01:10:43,720 --> 01:10:46,080 Speaker 1: the car, drive for thirty minutes and be in the 1319 01:10:46,120 --> 01:10:48,360 Speaker 1: middle of nowhere. Just and I like, a couple of 1320 01:10:48,360 --> 01:10:49,840 Speaker 1: weeks ago, I just got in a golf cart when 1321 01:10:49,880 --> 01:10:51,800 Speaker 1: they're only my own play around the golf in a 1322 01:10:51,840 --> 01:10:55,040 Speaker 1: couple of hours. It's pasteful, I know, but you get 1323 01:10:55,080 --> 01:10:57,519 Speaker 1: out there and you do with eighteen homes. Yeah, I 1324 01:10:57,600 --> 01:11:00,719 Speaker 1: mean I'm out there on the golf course with Froggy 1325 01:11:00,920 --> 01:11:03,880 Speaker 1: and I watch him just cursing and throwing his golf club. 1326 01:11:04,280 --> 01:11:06,760 Speaker 1: I mean he gets he just gets pissed off. But 1327 01:11:06,840 --> 01:11:09,000 Speaker 1: while he's getting pissed off, I get pissed. I drink 1328 01:11:09,439 --> 01:11:10,960 Speaker 1: because there's nothing else to do. If you're on the 1329 01:11:10,960 --> 01:11:13,679 Speaker 1: golf I drive the card. I remember how drunk and gone. 1330 01:11:14,280 --> 01:11:16,680 Speaker 1: But Nile Nile understands that all you have to do 1331 01:11:16,800 --> 01:11:18,559 Speaker 1: is hit one one good shot. You can be as 1332 01:11:18,600 --> 01:11:20,160 Speaker 1: mad as you want and throw clubs, but then you 1333 01:11:20,240 --> 01:11:21,560 Speaker 1: hit one shot and you're like, I got it. I 1334 01:11:21,600 --> 01:11:23,800 Speaker 1: figured it out and hit one good shot, and then 1335 01:11:23,840 --> 01:11:25,640 Speaker 1: you want to play all the time. I always like 1336 01:11:25,720 --> 01:11:27,439 Speaker 1: when I do it, because I did a golf lesson 1337 01:11:27,600 --> 01:11:30,640 Speaker 1: recently and the grass just comes along with it and 1338 01:11:30,880 --> 01:11:34,040 Speaker 1: the grass goes flying. Yeah, I don't think that's supposed 1339 01:11:34,040 --> 01:11:36,040 Speaker 1: to happen. And the grass is not supposed to go 1340 01:11:36,080 --> 01:11:39,560 Speaker 1: further than the ball. You don't you don't want to 1341 01:11:39,600 --> 01:11:42,559 Speaker 1: give it? Yeah. I go to Chelsea Peers every once 1342 01:11:42,600 --> 01:11:43,840 Speaker 1: in a while, and I tried it. And because my 1343 01:11:43,920 --> 01:11:45,800 Speaker 1: husband he likes to hit the balls. And what is 1344 01:11:45,800 --> 01:11:52,040 Speaker 1: that called you hit balls? The driving range? I just up. 1345 01:11:52,080 --> 01:11:53,880 Speaker 1: I don't know what I can't. I'm gonna leave it 1346 01:11:53,960 --> 01:11:56,800 Speaker 1: up to you. Put by on hitting balls. No, I'm 1347 01:11:56,800 --> 01:12:00,880 Speaker 1: get married both on it's the same. So I didn't 1348 01:12:00,880 --> 01:12:08,960 Speaker 1: get invited really weirdly enough, did I bet you he didn't. 1349 01:12:09,439 --> 01:12:11,920 Speaker 1: I don't want to end the golf conversation quite yet. 1350 01:12:12,120 --> 01:12:15,560 Speaker 1: So you are actually representing golfers? Yeah, I have a 1351 01:12:16,200 --> 01:12:18,360 Speaker 1: golf management company that I set up a few years 1352 01:12:18,360 --> 01:12:21,080 Speaker 1: ago back in the UK, and we managed like young 1353 01:12:21,640 --> 01:12:23,639 Speaker 1: male and female golfers who are like up and coming. 1354 01:12:23,760 --> 01:12:25,680 Speaker 1: And yeah, this year has been really good. It's been 1355 01:12:26,240 --> 01:12:27,760 Speaker 1: took a few years to get off the ground, but 1356 01:12:28,200 --> 01:12:30,000 Speaker 1: all of our players are playing really well. One of 1357 01:12:30,040 --> 01:12:33,200 Speaker 1: our one of our girls, Leona, she just got promoted 1358 01:12:33,200 --> 01:12:37,080 Speaker 1: to the LPGA toward the Ladies PGA Tour, which is huge, 1359 01:12:37,640 --> 01:12:39,880 Speaker 1: and yeah, it's just all kicking off now. It's really fun. 1360 01:12:40,200 --> 01:12:41,840 Speaker 1: But now I can imagine you out at a bar 1361 01:12:41,960 --> 01:12:44,200 Speaker 1: one night and you're not a musician, you're just to 1362 01:12:44,439 --> 01:12:46,960 Speaker 1: you know, do it. You're representing golfers and someone says, 1363 01:12:47,000 --> 01:12:52,080 Speaker 1: so what do you do golf management? That's good, doesn't it? Hey? 1364 01:12:52,160 --> 01:12:55,679 Speaker 1: But wait, there is a golfer that you're representing, which 1365 01:12:55,680 --> 01:12:58,680 Speaker 1: I think is a great story. Brendan Lawler. Yes, he 1366 01:12:58,880 --> 01:13:01,439 Speaker 1: is a special needs golfer. M but you see this 1367 01:13:01,600 --> 01:13:05,280 Speaker 1: talent in this guy. Yes, and uh it is getting 1368 01:13:05,320 --> 01:13:08,680 Speaker 1: getting quite the golf world buzz. Yeah, he's out there 1369 01:13:09,320 --> 01:13:12,160 Speaker 1: making a name for himself huge. Yeah, he's he's number 1370 01:13:12,200 --> 01:13:17,040 Speaker 1: two the disability golfer in the world. Um he I 1371 01:13:17,160 --> 01:13:19,240 Speaker 1: played golf for him recently and then I was just like, 1372 01:13:19,760 --> 01:13:21,920 Speaker 1: I gotta sign this guy. This guy is off the charts. 1373 01:13:22,000 --> 01:13:23,760 Speaker 1: He's Irish too, which is good. Killed two birds at 1374 01:13:23,800 --> 01:13:27,720 Speaker 1: one stone, right. He hits the ball a mile and 1375 01:13:27,920 --> 01:13:31,519 Speaker 1: he wins all the time. He's like winning huge events 1376 01:13:31,560 --> 01:13:35,080 Speaker 1: on the European Tour, and he's like proper like inspiring, 1377 01:13:35,320 --> 01:13:38,479 Speaker 1: like he's awesome, Like the guy plays with you know, 1378 01:13:38,560 --> 01:13:41,920 Speaker 1: he plays full length clubs, full length like courses that 1379 01:13:42,040 --> 01:13:45,240 Speaker 1: like the pros play, and he's smashing up like Justin's. 1380 01:13:45,720 --> 01:13:48,680 Speaker 1: He's insane. And yeah, just recently we just signed him 1381 01:13:48,720 --> 01:13:51,320 Speaker 1: and he's he's conquering the world of golf at the minute. 1382 01:13:51,360 --> 01:13:52,840 Speaker 1: You see. I Mean, the life lesson for all of 1383 01:13:52,920 --> 01:13:55,040 Speaker 1: us that we're learning from Nile here is it's great 1384 01:13:55,080 --> 01:13:57,720 Speaker 1: to have your your number one passion. It's great to 1385 01:13:57,760 --> 01:13:59,799 Speaker 1: have a side hustle. It's great to have several passions 1386 01:13:59,840 --> 01:14:03,960 Speaker 1: going at once, and I think being a performer, being 1387 01:14:04,000 --> 01:14:06,800 Speaker 1: an artist, being a writer, you can't just do that. 1388 01:14:07,800 --> 01:14:09,679 Speaker 1: Just being on the radio like we're doing. We can't 1389 01:14:09,720 --> 01:14:12,320 Speaker 1: just do that because this becomes more special if we 1390 01:14:12,360 --> 01:14:14,840 Speaker 1: can be out there telling a story somewhere else. I 1391 01:14:14,840 --> 01:14:16,559 Speaker 1: think it's awesome what you're doing. Thank you very much. 1392 01:14:16,560 --> 01:14:18,720 Speaker 1: I'm gonna cry. But let's talk about your golf, your 1393 01:14:18,800 --> 01:14:22,639 Speaker 1: your your your, your mom pants. I tell you, I've 1394 01:14:22,680 --> 01:14:24,639 Speaker 1: never received so much abuse over a pair of jeans. 1395 01:14:24,800 --> 01:14:28,120 Speaker 1: But I think they look all right. Well, I know 1396 01:14:28,840 --> 01:14:31,479 Speaker 1: they do, and I know that there's the thing nineties. 1397 01:14:31,600 --> 01:14:33,439 Speaker 1: They're the thing right now in New York. You know, 1398 01:14:33,640 --> 01:14:35,840 Speaker 1: nineties New York. Yeah, I know, we're all living in 1399 01:14:35,960 --> 01:14:38,040 Speaker 1: like the Yankees, Hat and Jack. We're all living in 1400 01:14:38,080 --> 01:14:41,759 Speaker 1: the past, all living in the past. Here in text message. 1401 01:14:41,800 --> 01:14:44,080 Speaker 1: Oh my god, golfing is so boring. I'd rather have 1402 01:14:44,240 --> 01:14:49,080 Speaker 1: my testicles ripped off and used as golf. We're gonna 1403 01:14:49,080 --> 01:14:52,640 Speaker 1: do that, absolutely, no problem if I come over here. 1404 01:14:54,960 --> 01:14:58,400 Speaker 1: So okay, so nice to meet you, of course here 1405 01:14:58,479 --> 01:15:01,200 Speaker 1: at iHeart our number one added song this past week. 1406 01:15:01,560 --> 01:15:03,479 Speaker 1: So I know you hung out with Tom Pollman, Yes, 1407 01:15:04,280 --> 01:15:06,160 Speaker 1: who happens to work for me. He's one of my 1408 01:15:06,479 --> 01:15:10,200 Speaker 1: one of my one of the juniors for him, he 1409 01:15:12,240 --> 01:15:15,800 Speaker 1: pretty much works for me. I love that, you know. 1410 01:15:16,080 --> 01:15:18,400 Speaker 1: But anyway, he was talking about you guys were hanging 1411 01:15:18,439 --> 01:15:19,960 Speaker 1: out in a studio or something. He was talking about 1412 01:15:19,960 --> 01:15:23,200 Speaker 1: how exciting the whole album sounds. Yeah, I played some 1413 01:15:23,439 --> 01:15:26,360 Speaker 1: tunes to the guys that Tom and the guys that 1414 01:15:26,400 --> 01:15:29,120 Speaker 1: I heard last night in the studio, just kind of 1415 01:15:29,160 --> 01:15:30,960 Speaker 1: give them a fair idea of what's coming up and 1416 01:15:31,520 --> 01:15:35,120 Speaker 1: potential singles and the rest of the album. And the 1417 01:15:35,240 --> 01:15:39,080 Speaker 1: reaction was pretty nice. And because I spent the whole 1418 01:15:39,160 --> 01:15:41,040 Speaker 1: year just sitting on my own listening to these songs 1419 01:15:41,080 --> 01:15:43,200 Speaker 1: and like two people in my management and a few 1420 01:15:43,240 --> 01:15:45,560 Speaker 1: people at the label, and then it was good to 1421 01:15:45,600 --> 01:15:47,840 Speaker 1: actually feel actual feedback from people who do it on 1422 01:15:47,880 --> 01:15:50,680 Speaker 1: a daily basis. But I mean, I heard have been 1423 01:15:50,880 --> 01:15:52,439 Speaker 1: so good to me with like this is the number 1424 01:15:52,560 --> 01:15:54,639 Speaker 1: one added song in the country right now on radio. 1425 01:15:54,760 --> 01:15:58,799 Speaker 1: It's excellently I have personally put together a great collection 1426 01:15:58,840 --> 01:16:01,280 Speaker 1: of people to work for me here I heard. So 1427 01:16:02,280 --> 01:16:07,120 Speaker 1: I'm thank you. I take full credit for your career. Okay, 1428 01:16:07,280 --> 01:16:10,200 Speaker 1: So I will tell you something on a personal level, 1429 01:16:10,800 --> 01:16:13,639 Speaker 1: much lesser than you and your music in your album, Nile, 1430 01:16:14,160 --> 01:16:16,920 Speaker 1: I put this book out right, and so I was wondering, 1431 01:16:17,000 --> 01:16:20,040 Speaker 1: so I gotta tell you a story when a total 1432 01:16:20,120 --> 01:16:23,960 Speaker 1: stranger read it and actually sent me a tweet he said, 1433 01:16:24,080 --> 01:16:25,599 Speaker 1: I got to be honest about your book. I'm thinking, 1434 01:16:27,040 --> 01:16:29,479 Speaker 1: And before he gave me his honest opinion about what 1435 01:16:29,560 --> 01:16:31,960 Speaker 1: I had written, I thought, this must be what it's 1436 01:16:32,040 --> 01:16:34,519 Speaker 1: like to put out an album and then you just 1437 01:16:34,600 --> 01:16:37,439 Speaker 1: sit there and wait to hear what they say. Yeah. Right, 1438 01:16:37,680 --> 01:16:39,000 Speaker 1: So when you were sitting in the room in the 1439 01:16:39,040 --> 01:16:41,920 Speaker 1: studio last night with I heart people, were you just 1440 01:16:42,040 --> 01:16:44,600 Speaker 1: kind of looking around, like waiting to see, like like 1441 01:16:44,720 --> 01:16:47,479 Speaker 1: watching their facial expressions while listening. I try and stay 1442 01:16:47,720 --> 01:16:50,120 Speaker 1: I like face the speakers to pretend like I'm so 1443 01:16:50,400 --> 01:16:55,080 Speaker 1: deep and artists just listen to the groove. Man. Well, 1444 01:16:55,160 --> 01:16:57,560 Speaker 1: actually I'm just like, don't look, because we're going You 1445 01:16:57,600 --> 01:16:59,800 Speaker 1: actually find out what people think if you look around. Wow, 1446 01:17:00,360 --> 01:17:02,479 Speaker 1: I know we Honestly, the reaction was good. It's an 1447 01:17:02,520 --> 01:17:06,200 Speaker 1: awkward thing to do, like hearing yourself back. In general, 1448 01:17:06,280 --> 01:17:09,040 Speaker 1: it's quite awkward. I think, Yes, I'm obviously proud of 1449 01:17:09,080 --> 01:17:10,600 Speaker 1: the music, but I'm sitting there just kind of like 1450 01:17:11,439 --> 01:17:13,040 Speaker 1: hoping that they like it and you have to wait 1451 01:17:13,120 --> 01:17:15,519 Speaker 1: that grueling three and a half minutes to find out which. 1452 01:17:16,160 --> 01:17:17,599 Speaker 1: But now it's not like you made them a grilled 1453 01:17:17,640 --> 01:17:19,360 Speaker 1: cheese sandwich or something and then you're waiting for them 1454 01:17:19,400 --> 01:17:21,800 Speaker 1: to say, oh, that's good you I mean, as an artist, 1455 01:17:21,840 --> 01:17:24,519 Speaker 1: I mean, you write words, these are thoughts, these are 1456 01:17:24,600 --> 01:17:26,800 Speaker 1: your life stories basically, and you put them with the 1457 01:17:26,880 --> 01:17:29,000 Speaker 1: rhythm of how you think it would match, and you 1458 01:17:29,120 --> 01:17:31,360 Speaker 1: put a lot of it's your heart do you put 1459 01:17:31,439 --> 01:17:34,559 Speaker 1: in there? And then okay, you like it? You okay, 1460 01:17:34,600 --> 01:17:36,560 Speaker 1: it's good enough for other people to hear, and you 1461 01:17:36,640 --> 01:17:40,599 Speaker 1: just sit there and go, oh God, please Lord, let 1462 01:17:40,640 --> 01:17:42,320 Speaker 1: them out. But because they're the ones, I have to 1463 01:17:42,360 --> 01:17:44,120 Speaker 1: play it on the radio, right, well, if they so 1464 01:17:44,280 --> 01:17:45,880 Speaker 1: choose to. Yeah, I know that's the thing. But you 1465 01:17:45,920 --> 01:17:48,280 Speaker 1: know when Slow Hand in those songs came out, I mean, 1466 01:17:49,000 --> 01:17:51,080 Speaker 1: do you remember what it was like when you felt 1467 01:17:51,160 --> 01:17:54,800 Speaker 1: people actually liked your music, they actually liked what you did, 1468 01:17:54,880 --> 01:17:56,840 Speaker 1: they liked what you put your heart and soul into. Yeah, 1469 01:17:56,840 --> 01:17:58,400 Speaker 1: it was. It was. It was a bit of a shock, 1470 01:17:58,520 --> 01:18:00,920 Speaker 1: like because a lot of the album was quite like 1471 01:18:00,960 --> 01:18:04,120 Speaker 1: acoustic based, apart from movie Slowhands and on the loose, 1472 01:18:04,240 --> 01:18:06,000 Speaker 1: like a lot of the rest of them were just 1473 01:18:06,120 --> 01:18:08,400 Speaker 1: quick chilled out. And then when you hear people read 1474 01:18:08,439 --> 01:18:12,760 Speaker 1: stats out of like four billion streams, like what who 1475 01:18:12,920 --> 01:18:15,200 Speaker 1: invented numbers like that? I didn't, like, I didn't even 1476 01:18:15,200 --> 01:18:17,439 Speaker 1: know they existed. And when you're doing it, you don't 1477 01:18:17,520 --> 01:18:19,840 Speaker 1: realize what's going on. It's like talking into this mic. 1478 01:18:19,880 --> 01:18:21,800 Speaker 1: There's millions listening, but you know when you're talking here, 1479 01:18:21,880 --> 01:18:24,040 Speaker 1: we're sitting chatting, there's like four or five of us. 1480 01:18:24,560 --> 01:18:27,000 Speaker 1: You don't realize until it goes out, and then you're 1481 01:18:27,040 --> 01:18:29,519 Speaker 1: like slow Hands ended up being like one of the 1482 01:18:29,600 --> 01:18:32,360 Speaker 1: songs at the Summer that year. And I didn't realize 1483 01:18:32,360 --> 01:18:35,519 Speaker 1: because I'm just going around playing the shows and the interviews, 1484 01:18:35,560 --> 01:18:37,600 Speaker 1: and you don't realize until you read stats back and 1485 01:18:38,479 --> 01:18:40,479 Speaker 1: see charts and stuff like that, where you're just like, 1486 01:18:40,560 --> 01:18:42,280 Speaker 1: oh my god, that's me. Well, I'm going to ask 1487 01:18:42,320 --> 01:18:44,960 Speaker 1: you to say something. It is you. So when people 1488 01:18:45,680 --> 01:18:49,040 Speaker 1: when people stream slow they they've streamed Slowhand, you know, 1489 01:18:49,080 --> 01:18:51,880 Speaker 1: four billion times? What is that? Why is that? Why 1490 01:18:51,920 --> 01:18:54,240 Speaker 1: did they do that? Say it? I want to hear 1491 01:18:54,240 --> 01:18:58,439 Speaker 1: you say it, this is a good song, yeah, because 1492 01:18:58,680 --> 01:19:00,920 Speaker 1: they thought it was great. Yeah, I think it's great, 1493 01:19:00,960 --> 01:19:02,360 Speaker 1: But I think to think it was great because it 1494 01:19:02,439 --> 01:19:04,840 Speaker 1: was so different. Well, but my I guess my point 1495 01:19:04,920 --> 01:19:07,599 Speaker 1: here is, can is it easy for you to accept 1496 01:19:07,640 --> 01:19:09,519 Speaker 1: the fact that you're really great at what you do? 1497 01:19:10,280 --> 01:19:12,080 Speaker 1: I suppose I'm all right, I'm in I'm in the 1498 01:19:12,120 --> 01:19:14,840 Speaker 1: tough few percent. I know it's hard to do that. 1499 01:19:15,000 --> 01:19:16,560 Speaker 1: It is hard, Like it's I've been doing it for 1500 01:19:16,840 --> 01:19:19,880 Speaker 1: for ten years and you don't imagine that, like, nearly 1501 01:19:19,920 --> 01:19:24,720 Speaker 1: ten years doing this, and you never like, if you 1502 01:19:24,800 --> 01:19:26,599 Speaker 1: got used to it, there's something wrong with you because 1503 01:19:26,600 --> 01:19:28,280 Speaker 1: it's not like it's not a normal thing to do, 1504 01:19:28,400 --> 01:19:30,360 Speaker 1: and you always want to get better. And I get that, Yeah, 1505 01:19:30,360 --> 01:19:33,760 Speaker 1: you're always trying to outdo yourself and you never like, yeah, 1506 01:19:33,840 --> 01:19:35,880 Speaker 1: you never think that. I just don't see it as me, 1507 01:19:36,200 --> 01:19:38,439 Speaker 1: and which is a good thing, and that's fine. But 1508 01:19:38,760 --> 01:19:40,160 Speaker 1: it can be me, and then I can also be 1509 01:19:40,920 --> 01:19:44,200 Speaker 1: music me. It's one thing to let people look at 1510 01:19:44,240 --> 01:19:46,320 Speaker 1: you and say, cut your music is great. It's another 1511 01:19:46,400 --> 01:19:48,840 Speaker 1: thing if you, in the quiet of your own night, 1512 01:19:49,000 --> 01:19:51,559 Speaker 1: by yourself in your hotel room, can say out loud 1513 01:19:51,640 --> 01:19:55,479 Speaker 1: or to yourself, oh my god, I really hit it 1514 01:19:55,520 --> 01:19:57,680 Speaker 1: out of the park. I'm really proud of myself. That's good. 1515 01:19:57,720 --> 01:19:59,360 Speaker 1: That's what you really should work toward that I know 1516 01:19:59,640 --> 01:20:01,679 Speaker 1: to be fair, and I do, like I'm like, god, 1517 01:20:02,000 --> 01:20:04,080 Speaker 1: like I wrote that song. Sometimes I'm listening to it, 1518 01:20:04,200 --> 01:20:07,200 Speaker 1: like nice to meet you. Another one is so different, 1519 01:20:07,479 --> 01:20:10,040 Speaker 1: like to what's on the radio at the moment, Like 1520 01:20:10,120 --> 01:20:12,000 Speaker 1: it stands out Like I was looking at some of 1521 01:20:12,040 --> 01:20:13,479 Speaker 1: the songs that were added to the radio this week, 1522 01:20:13,479 --> 01:20:15,280 Speaker 1: and it's a million miles away from all of them. 1523 01:20:15,400 --> 01:20:18,400 Speaker 1: Good and and I heard then, I like, I listened 1524 01:20:18,400 --> 01:20:20,799 Speaker 1: to it all the time, and I'm listening to twenty 1525 01:20:21,000 --> 01:20:22,800 Speaker 1: mixes of it, and I'm listening to it every day, 1526 01:20:23,000 --> 01:20:25,080 Speaker 1: and I don't know what people think. And then you 1527 01:20:25,160 --> 01:20:28,080 Speaker 1: go out and you hear the reaction and it's just 1528 01:20:29,520 --> 01:20:31,519 Speaker 1: it's just not fathomable. But then at the end of 1529 01:20:31,520 --> 01:20:34,160 Speaker 1: the day, you're like, I wrote that, good, I wrote that. 1530 01:20:34,800 --> 01:20:36,680 Speaker 1: What happened to the person you wrote it about? Like 1531 01:20:36,920 --> 01:20:39,280 Speaker 1: the whole story? I know, tell the story. I love 1532 01:20:39,360 --> 01:20:41,280 Speaker 1: the story, but I want to know what happened after 1533 01:20:42,640 --> 01:20:47,439 Speaker 1: you do. It's horrific talk. It's about a girl you 1534 01:20:47,520 --> 01:20:51,000 Speaker 1: met in the bar. Yeah, that was cool, it was 1535 01:20:51,200 --> 01:20:53,479 Speaker 1: like just the I mean, it's not a crazy story. 1536 01:20:53,520 --> 01:20:57,559 Speaker 1: It's just like I'm a songwriter, so I elaborate I'm 1537 01:20:57,600 --> 01:20:59,320 Speaker 1: making sound a little bit more interesting than it is. 1538 01:20:59,680 --> 01:21:01,720 Speaker 1: But the kind of like just being out, like I 1539 01:21:01,800 --> 01:21:03,479 Speaker 1: was out with a few my mates and we were 1540 01:21:03,520 --> 01:21:06,360 Speaker 1: just having a beer on a Friday evening and where 1541 01:21:06,360 --> 01:21:07,960 Speaker 1: I was just with like a group of my friends 1542 01:21:08,000 --> 01:21:10,439 Speaker 1: and then just locked eyes with this girl and we 1543 01:21:10,520 --> 01:21:13,040 Speaker 1: got chatting and our both of our friends friend groups 1544 01:21:13,880 --> 01:21:16,639 Speaker 1: merged for the evening and then kind of we kind 1545 01:21:16,640 --> 01:21:19,080 Speaker 1: of kept splitting off and we were in Soho in London, 1546 01:21:19,080 --> 01:21:21,759 Speaker 1: and there's lots of like little bars within a small area, 1547 01:21:22,120 --> 01:21:24,200 Speaker 1: and it just felt like we just we'd we'd lose 1548 01:21:24,240 --> 01:21:26,040 Speaker 1: each other, but then when we see each other, like 1549 01:21:26,040 --> 01:21:28,040 Speaker 1: where have you been, and we'd all we'd all always 1550 01:21:28,120 --> 01:21:29,760 Speaker 1: end up in the same bar, And just kind of 1551 01:21:29,800 --> 01:21:31,439 Speaker 1: thought was even though I was drunk, it sounded like 1552 01:21:31,479 --> 01:21:34,600 Speaker 1: a good story in my head. So I wrote a 1553 01:21:34,640 --> 01:21:36,720 Speaker 1: song about it, and it's just kind of very like 1554 01:21:37,320 --> 01:21:39,639 Speaker 1: the lyrics, not overtaught the same with kind of slowhands. 1555 01:21:39,640 --> 01:21:41,560 Speaker 1: It was more about the jam of the song and 1556 01:21:41,680 --> 01:21:43,760 Speaker 1: just kind of throwing splitting lyrics out, having a mic 1557 01:21:43,840 --> 01:21:45,880 Speaker 1: like this in my hand, and just walking around the 1558 01:21:45,920 --> 01:21:52,200 Speaker 1: studio going you know, like I'm not overthinking it because 1559 01:21:52,200 --> 01:21:54,559 Speaker 1: I guess I'm known for a lot of the time 1560 01:21:54,760 --> 01:21:56,559 Speaker 1: for just sitting down and you know, being the guy 1561 01:21:56,600 --> 01:21:59,439 Speaker 1: who was the acoustic guitar and the really sad songs. 1562 01:22:00,280 --> 01:22:01,800 Speaker 1: So when it comes when I get a chance to 1563 01:22:02,240 --> 01:22:06,679 Speaker 1: rock out, I definitely go for it and don't overthink lyrics. Awesome, 1564 01:22:06,760 --> 01:22:08,840 Speaker 1: Yeah it does. Would you meet a girl out of 1565 01:22:08,920 --> 01:22:11,920 Speaker 1: the bar like that? How do you introduce yourself? I'm 1566 01:22:11,960 --> 01:22:15,360 Speaker 1: not a horror and I'm super famous. We're weirdly enough. No, 1567 01:22:16,360 --> 01:22:19,559 Speaker 1: you know, I try and do it the complete opposite life. 1568 01:22:20,040 --> 01:22:22,240 Speaker 1: If they don't, if they don't recognize you, do tell them, 1569 01:22:22,360 --> 01:22:27,360 Speaker 1: Oh no, I've done. I've told multiple lies your Nile 1570 01:22:27,400 --> 01:22:32,040 Speaker 1: horror musician. But what have you said? My name is Charlie. No, 1571 01:22:32,200 --> 01:22:34,000 Speaker 1: I just I go with Nile. And then I remember 1572 01:22:34,040 --> 01:22:35,720 Speaker 1: when I went I don't know if you know, but 1573 01:22:35,760 --> 01:22:38,639 Speaker 1: I went backpacking in Asia in like the twenty sixteen 1574 01:22:39,080 --> 01:22:40,840 Speaker 1: with two of my cousins and we just kind of 1575 01:22:40,960 --> 01:22:43,479 Speaker 1: going around the ruck sacks then hostiles kind of like 1576 01:22:43,560 --> 01:22:46,280 Speaker 1: it was really cool. But I was going around and 1577 01:22:46,360 --> 01:22:47,760 Speaker 1: then we'd go to a bar at night and if 1578 01:22:47,800 --> 01:22:49,599 Speaker 1: I could feel that no one was recognizing me, I'd 1579 01:22:49,600 --> 01:22:52,080 Speaker 1: just right, that's good. So then I'd go, my cousin 1580 01:22:52,200 --> 01:22:55,680 Speaker 1: works in property and he like works for WE work 1581 01:22:55,800 --> 01:22:57,560 Speaker 1: or whatever, and I'd say that I worked with we 1582 01:22:57,760 --> 01:22:59,760 Speaker 1: work with him, right, and he would just give me 1583 01:22:59,840 --> 01:23:01,760 Speaker 1: some facts on the job that he does, so I 1584 01:23:01,800 --> 01:23:03,640 Speaker 1: had enough to talk about and he could jump in 1585 01:23:03,680 --> 01:23:05,760 Speaker 1: on the conversation if I got stuck. So I was 1586 01:23:05,840 --> 01:23:07,840 Speaker 1: never a singer for ten weeks in Asia. It must 1587 01:23:07,840 --> 01:23:10,479 Speaker 1: have been fun being being someone else. That's great. Great, 1588 01:23:11,680 --> 01:23:17,640 Speaker 1: I love talent compulsiveized just for the laugh. Also, what 1589 01:23:17,720 --> 01:23:20,080 Speaker 1: the hell have we been talking about? It's all alive. 1590 01:23:20,720 --> 01:23:22,840 Speaker 1: When you meet someone out, you can't say nice to 1591 01:23:22,960 --> 01:23:26,160 Speaker 1: meet you, because, by the way, it's the song has 1592 01:23:26,200 --> 01:23:28,080 Speaker 1: been out about five days. I'm sick of it already, 1593 01:23:29,000 --> 01:23:32,840 Speaker 1: people coming up to going nice to meet You had 1594 01:23:32,880 --> 01:23:34,479 Speaker 1: to do it. I had to do it, and you 1595 01:23:34,600 --> 01:23:38,200 Speaker 1: did not have to do it. It's your fault. And 1596 01:23:38,320 --> 01:23:39,680 Speaker 1: you know what, I should have just called the song 1597 01:23:39,800 --> 01:23:42,519 Speaker 1: disappear or something like that, because actually it's the protruding 1598 01:23:42,560 --> 01:23:44,080 Speaker 1: word in the song, and I should have just called 1599 01:23:44,120 --> 01:23:45,840 Speaker 1: it disappeared. Because nice to meet you do them a head. 1600 01:23:45,880 --> 01:23:47,960 Speaker 1: And already it's nice to meet you fight, you know, 1601 01:23:48,200 --> 01:23:50,680 Speaker 1: just get it's a regular occurrence. It nice to meet you, 1602 01:23:50,840 --> 01:23:52,599 Speaker 1: nice to see you, and that way. When I see 1603 01:23:52,640 --> 01:23:54,000 Speaker 1: other people's going nice to meet you, I feel like 1604 01:23:54,040 --> 01:23:57,080 Speaker 1: they're just going, well, see he's over there, he's over there. Well, 1605 01:23:57,160 --> 01:23:59,360 Speaker 1: nice to meet you is one way here in America. 1606 01:23:59,400 --> 01:24:01,960 Speaker 1: It's how you do, how you doing it, how you're doing, 1607 01:24:02,040 --> 01:24:05,080 Speaker 1: And here's the person. It's just because I say how 1608 01:24:05,120 --> 01:24:06,360 Speaker 1: you're doing, too, it doesn't mean I want you to 1609 01:24:06,439 --> 01:24:09,519 Speaker 1: answer me how you do? Hi? Yeah, but you would 1610 01:24:09,520 --> 01:24:10,840 Speaker 1: going nice to meet you, nice to meet you too, 1611 01:24:11,120 --> 01:24:12,920 Speaker 1: or nice to see you. So I've started saying see 1612 01:24:12,920 --> 01:24:14,760 Speaker 1: you now instead, even if I haven't met them before, 1613 01:24:15,080 --> 01:24:17,000 Speaker 1: nice to see you. That's safe. But if someone answers, 1614 01:24:18,120 --> 01:24:19,479 Speaker 1: I just want to keep away from the pund as 1615 01:24:19,520 --> 01:24:21,200 Speaker 1: far as a gain. If someone asked me how I'm doing, 1616 01:24:21,240 --> 01:24:23,120 Speaker 1: I'll answer them, oh, god, you know I've got this 1617 01:24:23,200 --> 01:24:28,200 Speaker 1: hamorrhoid coming right, Always a lovely story to say, right 1618 01:24:28,240 --> 01:24:33,360 Speaker 1: out of my little chocolate cherio. Good morning, America. But 1619 01:24:33,680 --> 01:24:35,560 Speaker 1: don't ask me how I'm doing unless you want to know. 1620 01:24:35,600 --> 01:24:38,360 Speaker 1: Why are you're throwing things at me? Anyway? Back to you, Nile, Nile, 1621 01:24:38,520 --> 01:24:40,559 Speaker 1: of course, nice to meet you. Even though we've heard 1622 01:24:40,640 --> 01:24:45,479 Speaker 1: right here, he hates the song You've got to. I 1623 01:24:45,560 --> 01:24:46,760 Speaker 1: know you have a lot of work ahead of you, 1624 01:24:46,840 --> 01:24:48,960 Speaker 1: and I can't wait to hear more from your album. 1625 01:24:49,800 --> 01:24:51,840 Speaker 1: I'm assuming there's a lot of guitars on there. I'm 1626 01:24:51,880 --> 01:24:53,600 Speaker 1: thinking that's probably where it's going. I mean, there's some 1627 01:24:53,720 --> 01:24:55,599 Speaker 1: very sad songs. It wouldn't be an album of mine 1628 01:24:55,640 --> 01:24:57,479 Speaker 1: if there was no sad songs. We love a sad song. 1629 01:24:58,400 --> 01:25:02,280 Speaker 1: They're fun to write. Um. But yeah, there's definitely more 1630 01:25:02,360 --> 01:25:05,519 Speaker 1: guitar on this one. It's up tempo. Probably come out 1631 01:25:05,560 --> 01:25:08,080 Speaker 1: in like February next year. I'll be doing all the 1632 01:25:08,360 --> 01:25:10,360 Speaker 1: jingle balls and stuff. All right, it's a good period. 1633 01:25:10,400 --> 01:25:12,160 Speaker 1: It's good to be back. Elvis' not gonna lie well 1634 01:25:12,200 --> 01:25:14,680 Speaker 1: when you're gonna be in our jingle ball this year. Well, 1635 01:25:14,720 --> 01:25:16,479 Speaker 1: it's good to have you back. Nil, thanks very much 1636 01:25:16,479 --> 01:25:18,439 Speaker 1: for having me. You're always You're always just so kind 1637 01:25:18,520 --> 01:25:21,200 Speaker 1: and so cool. And we appreciates on the book and 1638 01:25:21,320 --> 01:25:23,760 Speaker 1: the marriage. A couple of weeks, it's been few h Yeah, 1639 01:25:25,160 --> 01:25:29,720 Speaker 1: this is not signed and I didn't get and congratulations 1640 01:25:29,760 --> 01:25:33,640 Speaker 1: on the golf, yes, and the mom jeans. Thanks. I'm 1641 01:25:33,680 --> 01:25:36,439 Speaker 1: gonna play it again. Are we running late? I'm gonna 1642 01:25:36,479 --> 01:25:42,400 Speaker 1: play a song again. Wow, it's It's definitely fine, I said, 1643 01:25:42,439 --> 01:26:00,320 Speaker 1: so thanks for coming. Cala stings you number said tooth 1644 01:26:00,400 --> 01:26:03,400 Speaker 1: on my arm and ink. God swear you swear. The 1645 01:26:03,640 --> 01:26:08,800 Speaker 1: morning comes, I know you won't be there every time 1646 01:26:08,880 --> 01:26:21,439 Speaker 1: I turn around. You did sup? I want to blow 1647 01:26:21,600 --> 01:26:25,400 Speaker 1: your mind. Just jump with me. I swear I'm gonna 1648 01:26:25,560 --> 01:26:28,439 Speaker 1: seek you someone. I want you do your door love 1649 01:26:28,600 --> 01:26:34,800 Speaker 1: man an comes. I know you won't be there every 1650 01:26:34,960 --> 01:26:43,439 Speaker 1: time I turn around. You did sup? I sweat you 1651 01:26:47,080 --> 01:26:55,920 Speaker 1: nice to eat, such a treat your shoot. I like 1652 01:26:56,160 --> 01:27:00,080 Speaker 1: to wear you talk. I like the things you. I 1653 01:27:00,280 --> 01:27:03,519 Speaker 1: want your number tattooed on my arm and ink. I 1654 01:27:03,760 --> 01:27:07,759 Speaker 1: swear because when the moment comes, I know you won't 1655 01:27:07,840 --> 01:27:27,679 Speaker 1: be live live. It's time I turnround as the next one. 1656 01:27:28,360 --> 01:27:34,920 Speaker 1: God for you, lights and color. You know what I need? 1657 01:27:36,200 --> 01:27:42,720 Speaker 1: What I want? You know what I need? You know 1658 01:27:42,960 --> 01:28:26,280 Speaker 1: what I need? Not meet you, but this show strand 1659 01:28:26,360 --> 01:28:29,799 Speaker 1: in the morning. Show Nate here and if you're tired 1660 01:28:29,840 --> 01:28:32,000 Speaker 1: of tossing and turning at night, tries ze Quill pure 1661 01:28:32,080 --> 01:28:35,560 Speaker 1: Z's liquid melatonin same taste as pures E's gummies, but 1662 01:28:35,800 --> 01:28:38,560 Speaker 1: in liquid form, so give yourself arrest and buy it 1663 01:28:38,920 --> 01:28:50,599 Speaker 1: Zequil pures E's Liquid Melatonin finited retailers. Everyone love Nil 1664 01:28:51,040 --> 01:28:54,720 Speaker 1: Nile Horn is great and he's just so talented. He's 1665 01:28:54,760 --> 01:28:57,760 Speaker 1: just everything about him is perfect. He's so nice he is. 1666 01:28:58,000 --> 01:28:59,760 Speaker 1: I thought he kind of was pulling off the mom jeans. 1667 01:29:00,000 --> 01:29:01,479 Speaker 1: Be honest, it's not my thing. But when I saw 1668 01:29:01,560 --> 01:29:03,360 Speaker 1: him get up and walk away, I was like, oh, okay, 1669 01:29:04,040 --> 01:29:07,360 Speaker 1: he is definitely husband material. You already have a husband, 1670 01:29:07,479 --> 01:29:09,240 Speaker 1: I know. But my eggs are getting dry. I need 1671 01:29:09,280 --> 01:29:12,600 Speaker 1: a baby. I need a baby. My eggs are drying up. 1672 01:29:13,400 --> 01:29:15,880 Speaker 1: Is that bad? Yeah? Well, you know anyway, I'm sorry? 1673 01:29:16,120 --> 01:29:21,920 Speaker 1: Uh is this Molly? Hey? Guys, Molly, don't you love that? 1674 01:29:22,160 --> 01:29:25,360 Speaker 1: What's that line from Ghost? That old movie Molly You 1675 01:29:25,479 --> 01:29:29,439 Speaker 1: and danger Girl? Yeah? I like that anyway? So what 1676 01:29:30,439 --> 01:29:33,479 Speaker 1: did you remember that line? Molly you a danger girl? No? 1677 01:29:33,680 --> 01:29:36,400 Speaker 1: I think I think I might be too young. Ghost 1678 01:29:36,520 --> 01:29:38,560 Speaker 1: is a great movie, that hoods a classic. You know, 1679 01:29:38,720 --> 01:29:40,120 Speaker 1: keep in mind, you may be too young, but those 1680 01:29:40,160 --> 01:29:42,120 Speaker 1: movies they're still there. You know. It's not like the 1681 01:29:42,280 --> 01:29:44,680 Speaker 1: DISAPPERI movie. Should you only see movies that came out 1682 01:29:44,720 --> 01:29:48,880 Speaker 1: when you're alive? Ye? No, anyway, So, Molly, how did 1683 01:29:48,920 --> 01:29:53,200 Speaker 1: you like Nile Horde. Wasn't he great? His voice is 1684 01:29:53,320 --> 01:29:56,120 Speaker 1: so dreamy. I think that you need to have him 1685 01:29:56,240 --> 01:30:00,360 Speaker 1: marry part of your book. Oh wow, that would just 1686 01:30:00,479 --> 01:30:02,680 Speaker 1: that would just be so sexy, drippy. I don't think 1687 01:30:02,680 --> 01:30:04,680 Speaker 1: I would be able to concentrate on the words that 1688 01:30:04,800 --> 01:30:07,479 Speaker 1: were just listening to his voice. He does have a 1689 01:30:07,560 --> 01:30:09,719 Speaker 1: great voice, and what a nice guy, and his music 1690 01:30:09,920 --> 01:30:12,760 Speaker 1: is amazing. Well, Molly, I think for the next book, 1691 01:30:12,760 --> 01:30:16,639 Speaker 1: I'm gonna have Nile Horn narrate the whole thing. Yes, 1692 01:30:16,880 --> 01:30:20,559 Speaker 1: we have Okay, he sounds great. No, No, So I'm 1693 01:30:20,560 --> 01:30:23,840 Speaker 1: wondering if people in Ireland think that our New York 1694 01:30:23,880 --> 01:30:25,720 Speaker 1: accents are nice. I'm gonna say no, I don't think 1695 01:30:25,760 --> 01:30:29,960 Speaker 1: they do. Really. I've never been anywhere in the world 1696 01:30:30,000 --> 01:30:31,840 Speaker 1: and somebody said, oh my god, I love your accent. 1697 01:30:32,120 --> 01:30:36,640 Speaker 1: Really never have you? Yes, I have too. Yeah, apparently 1698 01:30:36,680 --> 01:30:40,880 Speaker 1: in the UK it's a very popular accent it is. Yeah, well, 1699 01:30:40,920 --> 01:30:43,000 Speaker 1: I know that we'll see. Alex says. Alex has this 1700 01:30:43,080 --> 01:30:47,160 Speaker 1: to an Island accent, and I think it's great. All right, Molly, 1701 01:30:47,320 --> 01:30:49,880 Speaker 1: thank you for listening. I make sure when his album 1702 01:30:49,920 --> 01:30:51,599 Speaker 1: comes up, make sure you support and you buy it. Okay, 1703 01:30:52,400 --> 01:30:56,360 Speaker 1: I will definitely thanks for listening to his Go watch ghost. 1704 01:30:58,840 --> 01:31:01,400 Speaker 1: I like that. Let's go around the room. We'll start 1705 01:31:01,439 --> 01:31:03,840 Speaker 1: with you, producer, Sam. What's on your mind today? Okay? 1706 01:31:03,880 --> 01:31:06,479 Speaker 1: So I wanted to clear up the importance for everyone 1707 01:31:06,560 --> 01:31:09,760 Speaker 1: on Yum Kapoor. I am not eating today. But I 1708 01:31:09,840 --> 01:31:11,519 Speaker 1: actually got called out by a couple of people because 1709 01:31:11,520 --> 01:31:14,200 Speaker 1: I'm not very religious. I don't really practice it a lot, 1710 01:31:14,479 --> 01:31:16,600 Speaker 1: and I don't look at it for myself as a 1711 01:31:16,720 --> 01:31:19,559 Speaker 1: terribly religious day. I just like to observe because it's 1712 01:31:19,640 --> 01:31:22,280 Speaker 1: nice to be reminded once a year how lucky I am, 1713 01:31:22,800 --> 01:31:25,479 Speaker 1: because you get hungry and you can't reach for anything 1714 01:31:25,520 --> 01:31:28,400 Speaker 1: to eat. So yes, I do shower, I am at work, 1715 01:31:28,479 --> 01:31:30,519 Speaker 1: all the things you're not supposed to do. But for me, 1716 01:31:30,680 --> 01:31:32,519 Speaker 1: it's just to kind of for mind myself. I am 1717 01:31:32,560 --> 01:31:34,479 Speaker 1: super fortunate, and I take a lot of things for granted, 1718 01:31:34,520 --> 01:31:38,519 Speaker 1: and it's kind of like a yearly resett I am atoning. 1719 01:31:38,640 --> 01:31:40,960 Speaker 1: Oh so today I toned for all of my sins. 1720 01:31:41,000 --> 01:31:42,720 Speaker 1: I apologize to all of you. All right, everyone have 1721 01:31:42,760 --> 01:31:49,880 Speaker 1: a gentle starvation. They've startaental fast. Thank you. What's up 1722 01:31:49,880 --> 01:31:51,920 Speaker 1: with you today? Skenny? Have you ever wanted to go 1723 01:31:52,040 --> 01:31:54,800 Speaker 1: back in time, just say ten minutes, just to take 1724 01:31:54,880 --> 01:31:58,280 Speaker 1: something back that you did. Because I upgraded my iPhone 1725 01:31:58,560 --> 01:32:01,680 Speaker 1: to thirteen iOS thirteen dogs, and the very first thing 1726 01:32:01,720 --> 01:32:03,720 Speaker 1: I did when I opened up the web was ce, 1727 01:32:04,360 --> 01:32:07,120 Speaker 1: don't all you know, all your reminders are forgotten about 1728 01:32:07,320 --> 01:32:10,479 Speaker 1: and this this bugs that are that with was thirteen. 1729 01:32:10,600 --> 01:32:12,000 Speaker 1: So now I wish I could have stayed on twelve. 1730 01:32:12,040 --> 01:32:14,080 Speaker 1: And now I can't go. I told you I've never 1731 01:32:14,240 --> 01:32:17,960 Speaker 1: update mine and it's great. Daniel Yeah, Danielle's on iOS 1732 01:32:18,040 --> 01:32:22,639 Speaker 1: three and it's fine. No problems with the phone. I've 1733 01:32:22,680 --> 01:32:25,320 Speaker 1: never seen someone slam their phone down more than Danielle. 1734 01:32:25,479 --> 01:32:29,760 Speaker 1: Danielle's phone is so her upgrade is so past due. 1735 01:32:29,880 --> 01:32:32,040 Speaker 1: When she she tries to call someone, the phone goes, 1736 01:32:34,439 --> 01:32:38,160 Speaker 1: I don't care, I don't, I don't, don'ts thirteen point two? 1737 01:32:38,200 --> 01:32:41,240 Speaker 1: It works great? Wow, al, Hey, what's up with you today? 1738 01:32:41,280 --> 01:32:44,200 Speaker 1: Gandhi's I watched something last night that changed my perspective 1739 01:32:44,200 --> 01:32:46,280 Speaker 1: about a person I never thought I would give a 1740 01:32:46,320 --> 01:32:49,599 Speaker 1: second chance to. It is Michael Vick. So we all 1741 01:32:49,680 --> 01:32:51,360 Speaker 1: know about the dog fighting thing, and you know how 1742 01:32:51,400 --> 01:32:54,320 Speaker 1: I feel about dogs. I hated him and yesterday I 1743 01:32:54,360 --> 01:32:57,240 Speaker 1: watched the documentary about his life and how he grew 1744 01:32:57,360 --> 01:33:00,240 Speaker 1: up and after he got busted, what he went through, 1745 01:33:00,320 --> 01:33:01,920 Speaker 1: and how he's come back, And it did change my 1746 01:33:02,000 --> 01:33:04,280 Speaker 1: perspective on him just a little bit. And I stepped 1747 01:33:04,280 --> 01:33:05,960 Speaker 1: back and was like, huh, maybe I need to not 1748 01:33:06,080 --> 01:33:08,280 Speaker 1: be so judgmental about people all the time. Still mad 1749 01:33:08,320 --> 01:33:11,040 Speaker 1: about the dogs, but if you watch this documentary, you 1750 01:33:11,120 --> 01:33:13,120 Speaker 1: might feel a little bit for him. Yeah, you gotta understand, 1751 01:33:13,200 --> 01:33:15,120 Speaker 1: sometimes there's more to a person than all the awful 1752 01:33:15,120 --> 01:33:19,320 Speaker 1: things they've done. Right, Sometimes you can forgive Hey, what's up, Danielle. 1753 01:33:19,640 --> 01:33:22,880 Speaker 1: So my oldest is fourteen years old, and I realized 1754 01:33:23,000 --> 01:33:25,960 Speaker 1: yesterday that the hangers in his closet were still Winnie 1755 01:33:26,000 --> 01:33:29,920 Speaker 1: the Pooh, So it still work. So my husband said, Honey, 1756 01:33:30,000 --> 01:33:31,840 Speaker 1: engineering wise, I still do the same thing, right, But 1757 01:33:32,000 --> 01:33:33,880 Speaker 1: my husband said, I think I might be might be 1758 01:33:33,960 --> 01:33:36,280 Speaker 1: time to So yesterday I went to TJ Max I 1759 01:33:36,320 --> 01:33:38,720 Speaker 1: got him some new hangers. Now I call him big 1760 01:33:38,800 --> 01:33:41,400 Speaker 1: Boy Hangers, and he's like, mom, really due, He's ridiculous. 1761 01:33:42,840 --> 01:33:46,120 Speaker 1: I actually use the term big boy hangers. Boy hangers. 1762 01:33:46,200 --> 01:33:48,920 Speaker 1: By the way, that's that's my favorite, my favorite porn. Yeah, 1763 01:33:50,080 --> 01:33:53,120 Speaker 1: big boy hangers, and he said, Mom, really, that's just fringe. 1764 01:33:53,160 --> 01:33:55,400 Speaker 1: Can you not really just put the hangars in the closet. 1765 01:33:55,479 --> 01:33:57,200 Speaker 1: Let's not even talk about that. The term big boy 1766 01:33:57,360 --> 01:33:59,640 Speaker 1: is not good. So I threw out the Winnie the 1767 01:33:59,640 --> 01:34:05,479 Speaker 1: Pooh big boy hangers together. Sounds great, that's gross. I'm good, 1768 01:34:05,800 --> 01:34:09,599 Speaker 1: I'm good. I'm glad that you you updated hanger situation. 1769 01:34:09,840 --> 01:34:11,920 Speaker 1: She updates his closet more than the updates that phone. 1770 01:34:12,360 --> 01:34:16,280 Speaker 1: I know. Let's get into the sound with Garrett. Garrett, 1771 01:34:16,720 --> 01:34:20,840 Speaker 1: what do you have today? Carpool karaoke? Last night James 1772 01:34:20,920 --> 01:34:23,040 Speaker 1: Gordon sat in with Chance the Rapper. This is what 1773 01:34:23,160 --> 01:34:37,840 Speaker 1: it sounds like. Let me tell you. James Gordon is 1774 01:34:37,880 --> 01:34:40,519 Speaker 1: still having fun and we haven't had carpool karaoke in 1775 01:34:40,560 --> 01:34:42,200 Speaker 1: a while, so it was good to see Chance in 1776 01:34:42,320 --> 01:34:45,000 Speaker 1: James Gordon doing that. All right. Now, I've never gotten 1777 01:34:45,120 --> 01:34:47,519 Speaker 1: a pedicure before, so I don't know if it's ticklish 1778 01:34:47,640 --> 01:34:50,439 Speaker 1: or not for for me. But this guy decided to 1779 01:34:50,479 --> 01:34:53,559 Speaker 1: get a pedicure with his girlfriend and he has ticklish feet. 1780 01:34:54,600 --> 01:34:59,320 Speaker 1: Oh oh really yeah, Let's see how he responds. All right, 1781 01:35:02,600 --> 01:35:12,360 Speaker 1: it does tickle sometimes. Alright, alright, alright, alright, alright, Okay, alright, 1782 01:35:13,120 --> 01:35:14,960 Speaker 1: look at your own foot. I can't. I can't look 1783 01:35:15,160 --> 01:35:22,720 Speaker 1: like a person would keep their foot. I would be 1784 01:35:22,800 --> 01:35:24,360 Speaker 1: pissed off if I was doing his feet and I'm like, 1785 01:35:24,439 --> 01:35:26,719 Speaker 1: come on one, But they're down there doing your feet 1786 01:35:26,760 --> 01:35:29,760 Speaker 1: and you can't help but laugh. Sometimes they're used to it, 1787 01:35:29,880 --> 01:35:31,640 Speaker 1: all right. It's like it's like getting a massage and 1788 01:35:31,680 --> 01:35:34,519 Speaker 1: you get a boner. I mean, they know all right. 1789 01:35:34,600 --> 01:35:36,600 Speaker 1: So let's talk about trends in music. You don't know, 1790 01:35:36,680 --> 01:35:38,200 Speaker 1: you don't know what it's like, but sometimes you do 1791 01:35:38,320 --> 01:35:40,280 Speaker 1: and you don't. It's not it's just happened. You know 1792 01:35:40,280 --> 01:35:42,360 Speaker 1: what happens. Yeah, do you say anything about it or 1793 01:35:43,080 --> 01:35:45,559 Speaker 1: they see it? Okay, that's an awkward boner. You don't 1794 01:35:45,600 --> 01:35:48,639 Speaker 1: say anything. They know it. But like sometimes you're sober, 1795 01:35:48,720 --> 01:35:52,280 Speaker 1: likes you your fart, all right, back to you, all right, back, 1796 01:35:52,479 --> 01:35:54,200 Speaker 1: all right. So let's talk about trends in music. So 1797 01:35:54,320 --> 01:35:56,200 Speaker 1: you might be hearing this trend. You know there is 1798 01:35:56,200 --> 01:35:59,320 Speaker 1: always the whistling trend and the snapping in the fingers trend. Uh, 1799 01:35:59,400 --> 01:36:01,439 Speaker 1: this is throw singing. So you might hear this in 1800 01:36:01,520 --> 01:36:05,479 Speaker 1: the coming year in music in your songs. Throat singing. Yeah, 1801 01:36:05,479 --> 01:36:21,160 Speaker 1: it's from Russia. Okay, you a little bit? I like 1802 01:36:21,280 --> 01:36:24,960 Speaker 1: throat sing. If Nile puts this in his next single, 1803 01:36:25,680 --> 01:36:35,880 Speaker 1: you know it sounds like Popeye Finish Spinach, Popeye the Sailor. Play, 1804 01:36:41,760 --> 01:36:47,880 Speaker 1: I play the little bit? Did Popeye speak through his throat? 1805 01:36:49,520 --> 01:36:53,479 Speaker 1: All right? Let's play a game. Let's play a game. 1806 01:36:53,600 --> 01:36:56,320 Speaker 1: Here playing a game. I playing Popeye song? This is 1807 01:36:56,360 --> 01:37:03,560 Speaker 1: my show, and you'll let me play Popeye songs? Satisfying? 1808 01:37:08,400 --> 01:37:15,599 Speaker 1: It really is good? All right? Back to you? All right, now, 1809 01:37:15,680 --> 01:37:17,240 Speaker 1: let's play it. You take him so long to do this. 1810 01:37:17,560 --> 01:37:19,519 Speaker 1: I don't know. I don't know. It's you know, it's 1811 01:37:19,560 --> 01:37:24,479 Speaker 1: not you. It's not you, it's me. All right. Now, 1812 01:37:24,600 --> 01:37:26,479 Speaker 1: let's play a game. I'm gonna play two clips here. 1813 01:37:26,680 --> 01:37:29,240 Speaker 1: One is a snoring pig. One is a snoring scary. 1814 01:37:29,280 --> 01:37:38,519 Speaker 1: Figure out which one is which? Okay, ready, go all right? 1815 01:37:38,600 --> 01:37:54,479 Speaker 1: And here's the other one about together scary, scary sleeping 1816 01:37:54,560 --> 01:37:57,960 Speaker 1: with a pig. So the first clip, I can't hear 1817 01:37:58,080 --> 01:38:03,400 Speaker 1: this pig. Yes, first first clip is the fake. This 1818 01:38:03,600 --> 01:38:09,280 Speaker 1: is this is the pig and this is scary. How 1819 01:38:09,360 --> 01:38:11,760 Speaker 1: did we get the scary clip out of Karios because 1820 01:38:11,760 --> 01:38:14,160 Speaker 1: he was sleeping with a pig? Yes, exactly. We actually 1821 01:38:14,160 --> 01:38:15,880 Speaker 1: were there to record the pig. I was hovering over. 1822 01:38:16,160 --> 01:38:18,400 Speaker 1: All right, Elvis, You're on Fox Business last night with 1823 01:38:18,439 --> 01:38:20,920 Speaker 1: our friend Kennedy, and you were talking about drag queen names. 1824 01:38:20,920 --> 01:38:22,599 Speaker 1: And this is a drag queen name. I've never heard 1825 01:38:22,640 --> 01:38:24,120 Speaker 1: you say too. At the end of this clip. By 1826 01:38:24,160 --> 01:38:27,080 Speaker 1: the way, you know you go to conservative Fox News 1827 01:38:27,400 --> 01:38:30,200 Speaker 1: and you know they're never talking about drag queen names 1828 01:38:30,760 --> 01:38:33,120 Speaker 1: only on the Kennedy show. Will you get that? I 1829 01:38:33,240 --> 01:38:37,120 Speaker 1: love Kennedy so much on Fox Business Network? Is it FBN? Right? 1830 01:38:37,680 --> 01:38:39,880 Speaker 1: I love her? Anyway, you helped me come up with 1831 01:38:39,960 --> 01:38:43,400 Speaker 1: my drag queen name. Everyone needs a drag queen, yes, 1832 01:38:43,520 --> 01:38:44,640 Speaker 1: so you told me, And so I came up with 1833 01:38:44,680 --> 01:38:47,000 Speaker 1: Tequila Mockingbird, right, and then I looked it up in 1834 01:38:47,000 --> 01:38:49,160 Speaker 1: there there was a band Tequila Mockingbird, but no drag 1835 01:38:49,280 --> 01:38:51,479 Speaker 1: queen Tequila Mockingbird. And before I lost one hundred and 1836 01:38:51,520 --> 01:38:56,160 Speaker 1: forty pounds, my name was Shalita Buffet, who was Lucy 1837 01:38:56,280 --> 01:39:06,960 Speaker 1: Stools her Lucy Stools all right? And then finally, please 1838 01:39:07,000 --> 01:39:10,720 Speaker 1: welcome to the stage, Calamenia Burns. All right, Elvis, you 1839 01:39:10,800 --> 01:39:12,840 Speaker 1: were doing your book tour in Cleveland just the other night, 1840 01:39:12,880 --> 01:39:14,920 Speaker 1: and a lot of people came out, and Kara and 1841 01:39:15,040 --> 01:39:18,639 Speaker 1: Gretch McCormick they got to meet you, and Kara decided 1842 01:39:18,680 --> 01:39:21,439 Speaker 1: to record her wife after they got to meet you 1843 01:39:21,640 --> 01:39:23,320 Speaker 1: outside the book signing, and this is what she had 1844 01:39:23,360 --> 01:39:28,360 Speaker 1: to say. I heard that dream, all right. So this 1845 01:39:28,520 --> 01:39:31,559 Speaker 1: is Kara and Gretch McCormick. Yeah, I remember I met 1846 01:39:31,640 --> 01:39:36,040 Speaker 1: him in Cleveland. Yes, in Parma. You actually recorded them? No, 1847 01:39:36,160 --> 01:39:41,280 Speaker 1: they recorded themselves and then sentenced me. Gran What a dream? 1848 01:39:41,760 --> 01:39:51,120 Speaker 1: What a dream? What a dream? Oh? For heart pressure? 1849 01:39:52,000 --> 01:39:55,160 Speaker 1: What it is? Right now? I wish I knew? Oh 1850 01:39:55,960 --> 01:40:02,400 Speaker 1: lor Hello lady. That's all I could say. Abo awe wow, 1851 01:40:02,560 --> 01:40:06,479 Speaker 1: I mean that's that's oh wow. I'm touched now. I'll 1852 01:40:06,560 --> 01:40:10,360 Speaker 1: can't do that. Well. Kara and Gretch, thank you so much. 1853 01:40:10,479 --> 01:40:13,519 Speaker 1: Thanks for coming Outnicle, that's wild. Thank you you are 1854 01:40:13,560 --> 01:40:18,760 Speaker 1: a good man. I appreciate it. All right, What do 1855 01:40:18,800 --> 01:40:26,439 Speaker 1: you want to do now? Are you all right? You 1856 01:40:27,560 --> 01:40:31,880 Speaker 1: come over here? All right? So Drake's dad said that 1857 01:40:32,040 --> 01:40:33,960 Speaker 1: Drake only writes about him being a bad dad to 1858 01:40:34,080 --> 01:40:37,320 Speaker 1: sell records, but Drake said, yeah, no, that every bar 1859 01:40:37,400 --> 01:40:39,600 Speaker 1: I ever spent was the truth, and the truth is 1860 01:40:39,640 --> 01:40:42,160 Speaker 1: hard for some people to accept. I'm on team Drake. 1861 01:40:42,200 --> 01:40:45,360 Speaker 1: On this one, Team Drake. Let's see Miley Cyrus got 1862 01:40:45,400 --> 01:40:48,840 Speaker 1: hospitalized with a severe case of tonsilitis um. You know 1863 01:40:48,920 --> 01:40:51,000 Speaker 1: what the joke is, right, The joke is she's been 1864 01:40:51,040 --> 01:41:00,320 Speaker 1: going around kissing so many people were happy. She Miley, 1865 01:41:00,720 --> 01:41:02,720 Speaker 1: you really should take this time out just to date 1866 01:41:02,800 --> 01:41:05,760 Speaker 1: yourself and don't don't be kissing something. Relax, no way, 1867 01:41:05,880 --> 01:41:11,280 Speaker 1: my conchos love it all right. Actually, she asked her 1868 01:41:11,439 --> 01:41:14,679 Speaker 1: one hundred million followers to send good vibes my way. 1869 01:41:15,240 --> 01:41:18,559 Speaker 1: Her boy Cody brought flowers and balloons that decorated her 1870 01:41:18,600 --> 01:41:21,479 Speaker 1: hospital bed. It was really cute. I love her. I 1871 01:41:21,560 --> 01:41:23,200 Speaker 1: love Miley, and I know that we want to get 1872 01:41:23,280 --> 01:41:24,760 Speaker 1: her in here for an interview. I know now she's 1873 01:41:24,800 --> 01:41:26,400 Speaker 1: not going to do any interviews. Why Why is that 1874 01:41:26,680 --> 01:41:28,080 Speaker 1: because she's had a lot of stuff going on in 1875 01:41:28,200 --> 01:41:32,880 Speaker 1: her personal life and GANDHI do the interview. Yeah, but 1876 01:41:33,160 --> 01:41:34,760 Speaker 1: you should know that coming here, you're not going to 1877 01:41:34,840 --> 01:41:37,639 Speaker 1: ask those questions. No. So you know, A breaking bad 1878 01:41:37,760 --> 01:41:39,760 Speaker 1: pop up experience is going to open in La a 1879 01:41:39,800 --> 01:41:42,240 Speaker 1: week from today. And the good thing that I think 1880 01:41:42,280 --> 01:41:46,240 Speaker 1: will happen is people will visit the Brian Cranston Hollywood 1881 01:41:46,320 --> 01:41:49,840 Speaker 1: Walk of Fame star and Elvis's star is right next door. 1882 01:41:50,160 --> 01:41:52,000 Speaker 1: So I think Elvis, you're gonna get a lot of visitors. 1883 01:41:53,800 --> 01:41:56,920 Speaker 1: That'll be cool. Takashi six nine will be sentenced on 1884 01:41:57,040 --> 01:42:00,800 Speaker 1: December eighteenth. It'll be interesting to see how much cooperation 1885 01:42:00,920 --> 01:42:04,840 Speaker 1: or snitchery actually paid off. We will see. And Low 1886 01:42:04,920 --> 01:42:08,240 Speaker 1: Peep's mother is suing his touring company over his death. 1887 01:42:08,760 --> 01:42:13,040 Speaker 1: She said that when he passed away, he was exhausted, 1888 01:42:13,120 --> 01:42:15,800 Speaker 1: he was physically unwell. She says that he was an 1889 01:42:15,840 --> 01:42:18,680 Speaker 1: impressionable kid and that the management company forced him on 1890 01:42:18,840 --> 01:42:22,080 Speaker 1: stage after stage, in city after city when he needed 1891 01:42:22,080 --> 01:42:25,040 Speaker 1: a break, and they they propped him up with illegal drugs. 1892 01:42:25,120 --> 01:42:27,080 Speaker 1: Now they're saying they're saying they didn't do that. They're 1893 01:42:27,080 --> 01:42:28,639 Speaker 1: saying that they tried to get him off the drugs. 1894 01:42:28,880 --> 01:42:31,280 Speaker 1: She says the opposite. So we'll see what happens with this. 1895 01:42:31,880 --> 01:42:34,880 Speaker 1: To Judy Garland, you're right, I'm sorry old gay guy reference. 1896 01:42:35,240 --> 01:42:38,200 Speaker 1: But tonight the fourth season premiere of Riverdale, it is 1897 01:42:38,200 --> 01:42:39,880 Speaker 1: going to be tough for US fans because we are 1898 01:42:39,920 --> 01:42:42,639 Speaker 1: saying goodbye to Luke Perry. Thank you, Danielle. I still 1899 01:42:42,640 --> 01:42:44,400 Speaker 1: love your new hair color. Thank you. I love you too, 1900 01:42:44,560 --> 01:42:48,680 Speaker 1: all right. Really, Froggy's got some food news coming out. 1901 01:42:50,800 --> 01:42:55,240 Speaker 1: More from the Mercedes Bands Interview Lounge Sean Mendez. Do 1902 01:42:55,320 --> 01:42:57,200 Speaker 1: you write new songs because you're just tired of playing 1903 01:42:57,240 --> 01:42:59,840 Speaker 1: the old ones or you just really have things to 1904 01:43:00,080 --> 01:43:03,559 Speaker 1: say that if you don't write them down you're gonna explode? Both? Yeah, 1905 01:43:03,640 --> 01:43:05,360 Speaker 1: sometimes you just like, I need to write new songs 1906 01:43:05,400 --> 01:43:09,200 Speaker 1: so that I don't have to sing stitches anymore. Brought 1907 01:43:09,240 --> 01:43:12,160 Speaker 1: to you by Mercedes AMG. Be prepared for whatever comes 1908 01:43:12,200 --> 01:43:14,519 Speaker 1: your way in the all new GT four Door coup 1909 01:43:14,760 --> 01:43:17,280 Speaker 1: Because life is a race, visit your local dealership for 1910 01:43:17,320 --> 01:43:20,040 Speaker 1: a test drive today. Elvis Duran in the Morning show. 1911 01:43:20,120 --> 01:43:21,680 Speaker 1: You know, Froggy with your food news coming up. You 1912 01:43:21,720 --> 01:43:22,920 Speaker 1: know what the headline has to be. It has to 1913 01:43:22,960 --> 01:43:26,599 Speaker 1: be about Chalula Chilula hot sauce. You know what I'm saying. 1914 01:43:27,000 --> 01:43:31,320 Speaker 1: I love Chaluda hot sauce. And even though they went 1915 01:43:31,400 --> 01:43:35,680 Speaker 1: to Gandhi to be the official spokesperson, they should have 1916 01:43:35,760 --> 01:43:40,160 Speaker 1: chosen me. Sorry, we can co we can co host this, right. 1917 01:43:40,280 --> 01:43:41,880 Speaker 1: I think it was just the baby hot sauce that 1918 01:43:41,920 --> 01:43:45,519 Speaker 1: got them. We look, some hot sauces are kind of scary. 1919 01:43:45,560 --> 01:43:47,559 Speaker 1: They burn your mouth. There's gotta be more to life 1920 01:43:47,600 --> 01:43:49,959 Speaker 1: than burning your mouth. How about the flavor and cholula 1921 01:43:50,080 --> 01:43:52,679 Speaker 1: is perfect. It's flavor first and then comes the heat. 1922 01:43:53,000 --> 01:43:55,760 Speaker 1: I love that little slow burn and all the different flavors. 1923 01:43:57,240 --> 01:43:59,800 Speaker 1: Your favorite is what go? I really like the chili 1924 01:44:00,360 --> 01:44:02,320 Speaker 1: to add some flavor to something. Yeah, and also the 1925 01:44:02,400 --> 01:44:05,360 Speaker 1: chili lime is great to chipotle. The sweet habanerow is 1926 01:44:05,400 --> 01:44:07,559 Speaker 1: my favorite. The original is great. I have the original 1927 01:44:07,600 --> 01:44:09,240 Speaker 1: last night, you don't. I. I took a little soft 1928 01:44:09,360 --> 01:44:12,200 Speaker 1: flower tortilla, sprinkle a little shredded cheese on it, and 1929 01:44:12,280 --> 01:44:14,640 Speaker 1: just a couple of drops of cholula, rolled it up, 1930 01:44:14,720 --> 01:44:18,599 Speaker 1: microwave it for fifteen seconds, and it's just talk about 1931 01:44:18,640 --> 01:44:23,200 Speaker 1: a fast meal Mexican grilled cheese. Thank you, Cholula. Look 1932 01:44:23,240 --> 01:44:26,400 Speaker 1: for it and buy it yourself. Be like us. Eat 1933 01:44:26,479 --> 01:44:31,120 Speaker 1: your chilula. It's the one. It's the sauce with a 1934 01:44:31,200 --> 01:44:36,559 Speaker 1: wooden cap. Please buy it today, won't? Okay? I'm sorry, 1935 01:44:36,640 --> 01:44:44,240 Speaker 1: my kids are sweating and show. I just can't stop 1936 01:44:44,320 --> 01:44:48,200 Speaker 1: thinking about Taco Bell. Do you ever get something in 1937 01:44:48,280 --> 01:44:50,080 Speaker 1: your brain and it's just like you can't get it out, 1938 01:44:50,120 --> 01:44:51,920 Speaker 1: and I just keep thinking of I keep thinking of 1939 01:44:52,000 --> 01:44:55,240 Speaker 1: a crunchy taco with cold lettuce. By the way. You know, 1940 01:44:55,320 --> 01:44:59,080 Speaker 1: even though Taco Bell is a marketing partner of ours, uh, 1941 01:44:59,240 --> 01:45:01,360 Speaker 1: they're not paying for us at all. I'm just in 1942 01:45:01,439 --> 01:45:04,920 Speaker 1: the mood for a crunchy taco, my ground beef and 1943 01:45:05,040 --> 01:45:07,800 Speaker 1: some cold lettuce. Look tomato. Hometime. I'm thinking I might 1944 01:45:07,840 --> 01:45:11,400 Speaker 1: make chili tonight for dinner. Yeah. I made it last week, 1945 01:45:11,439 --> 01:45:14,960 Speaker 1: but I wanted again do it now? Do you put 1946 01:45:15,000 --> 01:45:16,880 Speaker 1: your chili on rice or anything like that? You just 1947 01:45:16,960 --> 01:45:18,960 Speaker 1: eat it like it is, No, just the beans and 1948 01:45:19,080 --> 01:45:21,640 Speaker 1: the you know you see it from Texas. We never 1949 01:45:21,680 --> 01:45:24,080 Speaker 1: put beans in our chili. I like beans in my 1950 01:45:24,200 --> 01:45:26,479 Speaker 1: child I like it without I like that Texas style. 1951 01:45:27,120 --> 01:45:29,760 Speaker 1: You like it without chili beans? Yeah, without the beans. 1952 01:45:29,840 --> 01:45:32,040 Speaker 1: So did you like the big chunks of the meat 1953 01:45:32,120 --> 01:45:34,559 Speaker 1: or you like ground meat? I'd probably prefer ground Yeah, 1954 01:45:34,840 --> 01:45:36,840 Speaker 1: I like the chunk. Now do you like because my 1955 01:45:36,960 --> 01:45:40,519 Speaker 1: kids prefer cold cheese on top, like the shredded cheese. 1956 01:45:40,600 --> 01:45:42,519 Speaker 1: I like to put the cheat it in the microwave 1957 01:45:42,600 --> 01:45:44,599 Speaker 1: and melt the cheese all inside. By the way, I'm there. 1958 01:45:45,240 --> 01:45:49,200 Speaker 1: We do get so obsessed over the silliest thing food. Yeah, 1959 01:45:49,560 --> 01:45:52,679 Speaker 1: scary getting hungry all this food talk. You're making me hungry. 1960 01:45:52,720 --> 01:45:56,479 Speaker 1: I'm salivate today. I'm doing taco Wednesday. Yeah, doesn't rhyme? 1961 01:45:58,200 --> 01:46:00,400 Speaker 1: I mean if it was Wednesdays, it would be whoa Wednesday? 1962 01:46:00,439 --> 01:46:06,960 Speaker 1: What food starts with a water? Waffle? Snitzel? I say 1963 01:46:07,000 --> 01:46:11,080 Speaker 1: ween or central with a vener. But yeah, no water Wednesday. 1964 01:46:13,120 --> 01:46:20,559 Speaker 1: No water Wednesday, No waffle Wednesday's good? Give me another? Yeah, 1965 01:46:21,439 --> 01:46:26,679 Speaker 1: wago beef Wednesday. None of these saw me Wednesday. Let's 1966 01:46:26,680 --> 01:46:29,240 Speaker 1: go have some sushi. I like that. Hey, um, I 1967 01:46:29,320 --> 01:46:34,120 Speaker 1: have to leave. I'm doing, Um what am I doing? 1968 01:46:34,160 --> 01:46:36,599 Speaker 1: Andy Cohen on Sirius XM in a little bit. That'll 1969 01:46:36,640 --> 01:46:38,880 Speaker 1: be fun. No, it will be fun. I like him 1970 01:46:38,960 --> 01:46:40,639 Speaker 1: and I like his story, and I like the fact 1971 01:46:40,680 --> 01:46:42,519 Speaker 1: it when he first put put his first book out there, 1972 01:46:42,560 --> 01:46:45,040 Speaker 1: I related because he was such a child of TV. 1973 01:46:45,240 --> 01:46:47,439 Speaker 1: He was a TV kid, and he was such a 1974 01:46:48,200 --> 01:46:49,880 Speaker 1: such a fan of the old TV shows and not 1975 01:46:50,000 --> 01:46:51,400 Speaker 1: the same way. I'm a geek when it comes to that. 1976 01:46:51,479 --> 01:46:53,680 Speaker 1: So anyway, I'll be on with him sometime in an 1977 01:46:53,720 --> 01:46:59,880 Speaker 1: hour or so. Whatever, how about wine Wednesday? Win? You 1978 01:47:00,040 --> 01:47:01,840 Speaker 1: know what we should do if we're on food, we 1979 01:47:01,840 --> 01:47:13,360 Speaker 1: should get into food news. Froggie's news about grub. Let's 1980 01:47:13,360 --> 01:47:15,479 Speaker 1: get let's do it. What are your headlines today? So 1981 01:47:15,680 --> 01:47:18,200 Speaker 1: here we go. Halloween is here and Krispy Kreme has 1982 01:47:18,280 --> 01:47:22,519 Speaker 1: their Halloween donuts, whether it's the Hypno Henry Kate Batter 1983 01:47:22,600 --> 01:47:27,200 Speaker 1: Monster Mumford, the Mummy Monster Donut, are Slim the Slime 1984 01:47:27,439 --> 01:47:32,000 Speaker 1: Monster donut. Krispy Kreme is offering these now through Halloween. 1985 01:47:32,120 --> 01:47:36,200 Speaker 1: So going and get your Halloween themed donuts at Crispy 1986 01:47:36,840 --> 01:47:41,320 Speaker 1: slimon Donuts. I don't know. We love pop tarts and 1987 01:47:41,439 --> 01:47:43,960 Speaker 1: there are new pop tarts on the way. You know, 1988 01:47:44,040 --> 01:47:46,240 Speaker 1: they've always had like strawberry and you know, all the 1989 01:47:46,320 --> 01:47:48,639 Speaker 1: ones that we always love, but now there's new ones. 1990 01:47:48,760 --> 01:47:53,519 Speaker 1: We have pretzel cinnamon sugar and pretzel chocolate pop tarts 1991 01:47:53,880 --> 01:47:56,800 Speaker 1: on little salt in there and stuff like that. Yeah. Yeah, 1992 01:47:56,920 --> 01:48:00,320 Speaker 1: and they're going to be introducing in twenty twenty fruit 1993 01:48:00,400 --> 01:48:05,160 Speaker 1: loops flavored pop tarts. Okay, so you'll be getting your 1994 01:48:05,200 --> 01:48:07,000 Speaker 1: pop you can get your cereal at the same time. 1995 01:48:07,040 --> 01:48:11,160 Speaker 1: And here in Yon Cooper when people are fasting obsessing 1996 01:48:11,200 --> 01:48:16,840 Speaker 1: over food. Yep, nice, I love my Oreo cookies and 1997 01:48:17,080 --> 01:48:20,760 Speaker 1: now you know there's regular Oreos, there's double stuff. There's 1998 01:48:20,840 --> 01:48:23,880 Speaker 1: mega stuff, and at one time there was most stuff. 1999 01:48:23,960 --> 01:48:27,000 Speaker 1: They were just giant Oreo cookies with lots of filling 2000 01:48:27,040 --> 01:48:30,280 Speaker 1: in it. They are coming back to shelves this winter. 2001 01:48:31,520 --> 01:48:34,280 Speaker 1: No exact date, but the cookies will be back. They're 2002 01:48:34,360 --> 01:48:38,080 Speaker 1: being described as ridiculously huge. It will be four to 2003 01:48:38,280 --> 01:48:41,519 Speaker 1: six times the amount of filling in a regular Oreo cookie. 2004 01:48:42,120 --> 01:48:45,960 Speaker 1: That's too much. No, you twist the top off and 2005 01:48:46,080 --> 01:48:49,080 Speaker 1: you just scrape the filling off of your teeth. It's 2006 01:48:49,120 --> 01:48:53,439 Speaker 1: so good. Regular Oreos are the perfect size, perfect combination 2007 01:48:53,479 --> 01:48:56,240 Speaker 1: of everything. No double stuff at least or mega. Sorry 2008 01:48:56,240 --> 01:48:58,920 Speaker 1: when it comes to Oreos, fronkies a size queen. Is 2009 01:48:58,960 --> 01:49:08,320 Speaker 1: that your food? Nos? So? Hey, it's lady Guy America. 2010 01:49:08,439 --> 01:49:11,719 Speaker 1: This is Sam Smith. Hey, there, it's Lewis with Elvis Duran, 2011 01:49:11,840 --> 01:49:16,640 Speaker 1: Elvis Duran and the Morning Show. Hello, Elvis Duran in 2012 01:49:16,680 --> 01:49:22,559 Speaker 1: the Morning Show. Hey, coaster boy, Josh, how long ago 2013 01:49:22,680 --> 01:49:24,320 Speaker 1: was it when you joined us? You moved from Cleveland 2014 01:49:24,360 --> 01:49:26,640 Speaker 1: to New York time twenty ten? While look at that? 2015 01:49:26,840 --> 01:49:32,120 Speaker 1: Yeah almost nine years? Yeah? Absolutely, Well, listen, our show 2016 01:49:32,400 --> 01:49:34,600 Speaker 1: sounds so great because of you, and you know how 2017 01:49:34,640 --> 01:49:36,519 Speaker 1: I feel about you. I love you, Hey, I love 2018 01:49:36,560 --> 01:49:38,800 Speaker 1: you guys too, and we're so happy to have you here. 2019 01:49:38,840 --> 01:49:40,759 Speaker 1: But you know what, today's a very special day because 2020 01:49:40,840 --> 01:49:50,960 Speaker 1: it's Josh's birthday. Happy birthday to you. Happy birthday to you. Birthday, 2021 01:49:51,320 --> 01:49:56,920 Speaker 1: Dear Josh, Happy birthday to you. Thank you very much. 2022 01:49:57,240 --> 01:50:02,080 Speaker 1: It's Mickey Mouse birthday. H love Disney, Love Disney. So 2023 01:50:02,200 --> 01:50:03,960 Speaker 1: he's going to do a very special showing of a 2024 01:50:04,040 --> 01:50:07,840 Speaker 1: Metallica movie tonight. Yeah Rightlomo Drafthouse, and you know what, 2025 01:50:08,080 --> 01:50:19,599 Speaker 1: freezing and you know I'm going to for the first 2026 01:50:19,640 --> 01:50:22,800 Speaker 1: time ever, Peter Luger Steakhouse. You're gonna love it. Yeah. 2027 01:50:22,840 --> 01:50:26,840 Speaker 1: The waiters there are so delightful. And you know what, 2028 01:50:27,000 --> 01:50:30,760 Speaker 1: get the the the bacon they have this this thick 2029 01:50:30,920 --> 01:50:33,120 Speaker 1: bacon right frog, you've had it. Oh, it comes to 2030 01:50:33,240 --> 01:50:35,599 Speaker 1: the table. It's still cooking on the plate. It's so good. 2031 01:50:35,680 --> 01:50:37,040 Speaker 1: The bacon is so good. And you get that Peter 2032 01:50:37,160 --> 01:50:38,920 Speaker 1: Luger steaks sauce and put on some tomatoes. I have 2033 01:50:39,040 --> 01:50:41,360 Speaker 1: at the steak sauce. I love the steaks. All right. Well, listen, 2034 01:50:41,479 --> 01:50:43,920 Speaker 1: happy birthday. We love you, and I hope you have 2035 01:50:43,960 --> 01:50:45,920 Speaker 1: a wonderful, wonderful day to day you. We love our 2036 01:50:45,920 --> 01:50:48,080 Speaker 1: coaster boyd Josh. All right, let's get into the three 2037 01:50:48,120 --> 01:50:49,720 Speaker 1: things you need to know, Gandhi. What are they? Well, 2038 01:50:49,760 --> 01:50:52,400 Speaker 1: Joe Biden is announcing a higher education plan. He wants 2039 01:50:52,520 --> 01:50:55,439 Speaker 1: everybody to be able to have access to free community college, 2040 01:50:55,880 --> 01:50:57,840 Speaker 1: which would cut the cost of a four year degree 2041 01:50:57,960 --> 01:51:00,280 Speaker 1: in half. He would also invest fifty billion dollars in 2042 01:51:00,360 --> 01:51:03,599 Speaker 1: high quality job training and reduced student loan debt. Maybe 2043 01:51:03,640 --> 01:51:05,439 Speaker 1: I wouldn't get all those annoying calls on my phone 2044 01:51:05,439 --> 01:51:07,400 Speaker 1: all the time talking about my student loan debt that 2045 01:51:07,439 --> 01:51:11,840 Speaker 1: doesn't even exist anymore. For the fifth straight year, cases 2046 01:51:11,880 --> 01:51:14,720 Speaker 1: of gon ariha, lamydia, and syphilis hit a record high 2047 01:51:14,840 --> 01:51:17,679 Speaker 1: in the US. Watch out no day. I know. Combined 2048 01:51:17,680 --> 01:51:20,559 Speaker 1: there have been two point four million infections that were 2049 01:51:20,600 --> 01:51:24,000 Speaker 1: diagnosed just last year. Yes, be careful, not good. Let 2050 01:51:24,040 --> 01:51:27,160 Speaker 1: me always say it. Wrap that Rascal very important. And finally, 2051 01:51:27,240 --> 01:51:30,800 Speaker 1: the Goodyear blimp offering overnight stays on Airbnb. Who would 2052 01:51:30,800 --> 01:51:33,840 Speaker 1: stay there? I think I might stay there? Yeah, yeah, 2053 01:51:33,840 --> 01:51:35,439 Speaker 1: I say that. I think we kind of cool there 2054 01:51:35,560 --> 01:51:37,639 Speaker 1: only for a few nights there. Later on this month 2055 01:51:37,720 --> 01:51:39,840 Speaker 1: in Michigan in honor of the Michigan Notre Dame game, 2056 01:51:40,080 --> 01:51:41,880 Speaker 1: and the blimp is going to stay on the ground, 2057 01:51:42,280 --> 01:51:49,920 Speaker 1: and those are your three things. I've always loved hot sauce, 2058 01:51:49,960 --> 01:51:52,200 Speaker 1: but now with Chalula in my life, I love it 2059 01:51:52,280 --> 01:51:55,400 Speaker 1: even more. It's filled with unique flavor and just enough heat. 2060 01:51:55,640 --> 01:51:58,320 Speaker 1: What's not to like? So grab your bottle of Chalula, 2061 01:51:58,400 --> 01:52:02,920 Speaker 1: the one with the wooden cap. Elvis, Elvis durand Elvis 2062 01:52:03,000 --> 01:52:06,840 Speaker 1: durand phone the return of Jimmy Jingle. Yeah right, Dave Brody. 2063 01:52:06,880 --> 01:52:08,799 Speaker 1: What's it all about today? Elvis our listener to Stacy 2064 01:52:08,880 --> 01:52:11,240 Speaker 1: and her husband already are planning uh bat mitzvah for 2065 01:52:11,320 --> 01:52:13,640 Speaker 1: the daughter Becca, or should I say Stacy's planning it? 2066 01:52:14,120 --> 01:52:17,439 Speaker 1: Artie's doing nothing. Now. Artie is a decent amount older 2067 01:52:17,479 --> 01:52:20,000 Speaker 1: than Stacy, so Stacy wanted me to play up on 2068 01:52:20,080 --> 01:52:22,840 Speaker 1: that fact and uh call him as the DJ she 2069 01:52:23,000 --> 01:52:25,200 Speaker 1: hired he had nothing to do with, just to approve 2070 01:52:25,439 --> 01:52:28,320 Speaker 1: the work he's done. Here we go, today's phone tap 2071 01:52:29,400 --> 01:52:33,599 Speaker 1: from Dave Brody. Let's listen in. Hello, Yeah, I'm looking 2072 01:52:33,600 --> 01:52:36,680 Speaker 1: for Artie. Yeah you got him. Hey already, this is 2073 01:52:36,760 --> 01:52:38,439 Speaker 1: Jimmy Jingles. Your wife hired me, told me to call 2074 01:52:38,479 --> 01:52:41,880 Speaker 1: you on the DJ for Becca's butt mitzva. How's it going? Yeah, 2075 01:52:41,920 --> 01:52:43,280 Speaker 1: I know, I know who you are, man. My wife 2076 01:52:43,320 --> 01:52:45,679 Speaker 1: told me you were calling. Yeah. I take information about 2077 01:52:45,720 --> 01:52:48,760 Speaker 1: your family and uh, your situation, and I take it on. 2078 01:52:48,880 --> 01:52:51,280 Speaker 1: I put it into a rap song, my man, Ricky rhymes, 2079 01:52:51,439 --> 01:52:52,640 Speaker 1: and so I wanted to play you some of the 2080 01:52:52,720 --> 01:52:55,679 Speaker 1: verses to make sure you're cool. As Becka is happy. 2081 01:52:55,720 --> 01:52:58,720 Speaker 1: I'm happy as long as Stacy good. Here we go 2082 01:52:58,800 --> 01:53:00,920 Speaker 1: and play the first one for you already, Ricky Gideon 2083 01:53:01,040 --> 01:53:05,000 Speaker 1: beat Becca reads from Natara. Let all the Jews do? 2084 01:53:05,360 --> 01:53:09,320 Speaker 1: Her mother's forty seven, the daddy is sixty two? Boom right? 2085 01:53:10,320 --> 01:53:13,960 Speaker 1: How's that? Are you kidding me? What? How good it is? 2086 01:53:14,960 --> 01:53:18,200 Speaker 1: Come on? All the kids know about me? Hey, hey, hey, 2087 01:53:18,400 --> 01:53:22,519 Speaker 1: excuse me? Can I take something? Please? Are you even Jewish? Yeah? 2088 01:53:22,560 --> 01:53:24,519 Speaker 1: You can call me Jinglestein if you want. It's Jimmy Jingles, 2089 01:53:24,560 --> 01:53:26,479 Speaker 1: doesn't matter if I'm Jewish. Look, this is about you 2090 01:53:26,600 --> 01:53:28,160 Speaker 1: and your family. Look, let me hit you another. All right, 2091 01:53:28,280 --> 01:53:30,639 Speaker 1: hold on, you're gonna love this, Ricky jump the beat 2092 01:53:31,040 --> 01:53:33,840 Speaker 1: Becker's very mature, but in the driver of batty when 2093 01:53:33,840 --> 01:53:37,439 Speaker 1: you say hi to her grandpa, but it's really her daddy, right? 2094 01:53:38,680 --> 01:53:41,400 Speaker 1: How's that? First of all, why is Stacey even telling 2095 01:53:41,439 --> 01:53:44,680 Speaker 1: you my age. I don't like this. I'm a professional, Ricky, 2096 01:53:44,720 --> 01:53:46,599 Speaker 1: and I've been doing this for years. All the kids 2097 01:53:46,680 --> 01:53:49,439 Speaker 1: know us. We're huge on Snapchat. What the hell is? 2098 01:53:49,520 --> 01:53:51,640 Speaker 1: Stop chat? All right? Like, I can't explain to you 2099 01:53:51,720 --> 01:53:54,040 Speaker 1: how social media works. I can probably explain how social 2100 01:53:54,080 --> 01:53:56,960 Speaker 1: security works. But look, I'm gonna have funny. You're funny. 2101 01:53:57,160 --> 01:53:59,400 Speaker 1: You're a funny little guy, Ricky. You'll love this one. 2102 01:53:59,439 --> 01:54:01,960 Speaker 1: Here we go, already, Ricky Trump to Becker, reach the Tara. 2103 01:54:02,040 --> 01:54:04,880 Speaker 1: Her parents will be proud. Autie may not hear the less. 2104 01:54:04,960 --> 01:54:09,960 Speaker 1: Becker's really loud. Boom right for Sam? No, I'm not right? 2105 01:54:10,280 --> 01:54:12,240 Speaker 1: What do you mean bloom? See? Every single one who 2106 01:54:12,320 --> 01:54:14,640 Speaker 1: got it is like how old I am? Look, you're overreacting. 2107 01:54:14,840 --> 01:54:16,240 Speaker 1: Look at your age. You don't want to give yourself 2108 01:54:16,240 --> 01:54:18,320 Speaker 1: a heart attack. Calm down, what do you say to me? Look, 2109 01:54:18,360 --> 01:54:20,519 Speaker 1: maybe you'll like this one better? Hold on. Already raises 2110 01:54:20,560 --> 01:54:23,719 Speaker 1: the road, Pricky back. It's fantastic. She deserves a high five. 2111 01:54:23,760 --> 01:54:26,479 Speaker 1: Hopefully when she gets married, her daddas still be alive. 2112 01:54:27,439 --> 01:54:30,479 Speaker 1: I gotta be played this to Stafety stay she loved it. 2113 01:54:31,040 --> 01:54:34,080 Speaker 1: What do you mean Stacy loved this? Stave this You're 2114 01:54:34,080 --> 01:54:37,320 Speaker 1: overreacting there, Auntie, I'm not overreacting, and I'm gonna cancel 2115 01:54:37,360 --> 01:54:39,480 Speaker 1: a damn check. Okay, this one thing, Jimmy Jingles knows 2116 01:54:39,520 --> 01:54:41,600 Speaker 1: when he gets abut mins for Checkie catches that right away. 2117 01:54:41,880 --> 01:54:44,760 Speaker 1: So that's already cleared. Because I know how you people are. Look, 2118 01:54:44,760 --> 01:54:48,760 Speaker 1: I'm gonna play you your favorite one? What parents, parents, 2119 01:54:49,240 --> 01:54:51,960 Speaker 1: how people are? Look, let me play Stacy's favorite one. 2120 01:54:52,000 --> 01:54:54,320 Speaker 1: Hold on becas now their team. And yes, it sounds 2121 01:54:54,320 --> 01:54:56,760 Speaker 1: a little corney. She's no longer daddy's little girls. She's 2122 01:54:56,760 --> 01:55:00,120 Speaker 1: starting to get aunty. My wife says, the man, pay you. 2123 01:55:00,400 --> 01:55:02,480 Speaker 1: I am not paying for this crap. Joud to Semi. 2124 01:55:02,840 --> 01:55:05,080 Speaker 1: You know kids are doing stuff earlier and earlier these days, right, 2125 01:55:05,320 --> 01:55:06,720 Speaker 1: I'm just telling them like it is. I'm a man 2126 01:55:06,760 --> 01:55:09,880 Speaker 1: in the streets. What are you located? I'm where you are. 2127 01:55:10,000 --> 01:55:11,560 Speaker 1: I'm in my crib. But you don't know what that meant. 2128 01:55:11,640 --> 01:55:13,840 Speaker 1: We'll talk about the Stacey to Sace, tell me where 2129 01:55:13,960 --> 01:55:16,320 Speaker 1: you are. Look, I'm gonna just send the audio over 2130 01:55:16,400 --> 01:55:18,360 Speaker 1: to Stacy. I'm not showing up to the to the party. 2131 01:55:18,360 --> 01:55:20,640 Speaker 1: You guys can just play the audio to the party. 2132 01:55:20,960 --> 01:55:23,520 Speaker 1: I call him Stacy right now. And I swear to 2133 01:55:23,600 --> 01:55:29,200 Speaker 1: God it's that tech his heat. I'm gonna kill you, Stacy. Yeah, 2134 01:55:29,600 --> 01:55:32,480 Speaker 1: he doesn't like the jingles very much. I love this show. 2135 01:55:32,640 --> 01:55:34,720 Speaker 1: This is great. Thank you so much. I told you 2136 01:55:34,760 --> 01:55:37,560 Speaker 1: I take care of him for you. Wait, okay, leave it, 2137 01:55:37,640 --> 01:55:38,680 Speaker 1: leave it, leave it, leave it. Leave Let me go 2138 01:55:38,720 --> 01:55:40,840 Speaker 1: to voicemail. All right, so he's we gonna we'renna wait 2139 01:55:40,840 --> 01:55:46,960 Speaker 1: a minute, we gonna him back. Okay, hide, Hi, honey, 2140 01:55:47,720 --> 01:55:49,520 Speaker 1: I'm gonna talk to that guy that you hired. Whatever 2141 01:55:49,520 --> 01:55:53,000 Speaker 1: the healthy. Oh, isn't he fantastic? I love him? Are 2142 01:55:53,040 --> 01:55:57,640 Speaker 1: you listen to me? This guy you're staying fuck his horny? 2143 01:55:57,840 --> 01:55:59,640 Speaker 1: What do you want of your mind? I will kids 2144 01:55:59,720 --> 01:56:01,480 Speaker 1: him a grown up these days. Don't get it. It's 2145 01:56:01,520 --> 01:56:05,680 Speaker 1: fine you don't playing listen to me. I'm down, Artie, 2146 01:56:06,360 --> 01:56:12,080 Speaker 1: how five thousand, it's not worth it. He's terrific to 2147 01:56:12,280 --> 01:56:14,200 Speaker 1: realize it's gonna be there. All we're gonna hear about 2148 01:56:14,240 --> 01:56:16,920 Speaker 1: his home. I can't hear. It's all about me. You're 2149 01:56:16,960 --> 01:56:19,160 Speaker 1: just not with it. You just don't get it. Stop 2150 01:56:19,240 --> 01:56:23,080 Speaker 1: talking about my age to the whole damn world. I 2151 01:56:23,160 --> 01:56:26,480 Speaker 1: want to tell everybody, Hey, he's sixty. Look at the 2152 01:56:26,560 --> 01:56:29,000 Speaker 1: sixty year old. See how much you like it? If 2153 01:56:29,080 --> 01:56:32,800 Speaker 1: he mess her? No, Hey, Artie, would be hard for 2154 01:56:32,800 --> 01:56:34,240 Speaker 1: me to meet you since I'm at a radio station. 2155 01:56:35,640 --> 01:56:38,480 Speaker 1: What this is? This is get on the phone, gotta 2156 01:56:38,480 --> 01:56:40,160 Speaker 1: get on the phone. This is actually Dave running mus 2157 01:56:40,160 --> 01:56:41,760 Speaker 1: Try in the Morning Show. You've been folle tapped by 2158 01:56:41,840 --> 01:56:49,240 Speaker 1: your wife radio. Yeah, yeah, I don't like you. There 2159 01:56:49,280 --> 01:56:55,520 Speaker 1: you go, Jimmy Jingles, Oh my god, Jingles, it's so stupid. 2160 01:56:56,760 --> 01:57:02,560 Speaker 1: Jesus went off boom. This Felon table was prerecorded permission 2161 01:57:02,600 --> 01:57:08,160 Speaker 1: granted by all participates. Duran Felon Tabard money allis Duran 2162 01:57:08,280 --> 01:57:16,880 Speaker 1: in the Morning Show. Oh you know what, what stage 2163 01:57:16,920 --> 01:57:19,640 Speaker 1: in life makes you feel you've become an adult? Right? 2164 01:57:19,840 --> 01:57:22,120 Speaker 1: I proclaimed I'm not an adult. I don't think i'll 2165 01:57:22,120 --> 01:57:25,200 Speaker 1: ever feel like an adult. Yeah? What is it in 2166 01:57:25,360 --> 01:57:27,160 Speaker 1: life that makes you feel like you are now officially 2167 01:57:27,200 --> 01:57:30,200 Speaker 1: an adult? I'm still not there. I'm not either. I 2168 01:57:30,200 --> 01:57:32,280 Speaker 1: don't think i'll ever be. I think that's what. I'm 2169 01:57:32,320 --> 01:57:36,800 Speaker 1: overwhelmed by all my responsibility. So I'm like me, I 2170 01:57:36,880 --> 01:57:40,400 Speaker 1: can't do all this. Yeah, I don't know. Nikki, how 2171 01:57:40,440 --> 01:57:44,000 Speaker 1: are you doing? Hi? Yes? Oh my gosh, Elvis, I'm 2172 01:57:44,080 --> 01:57:45,800 Speaker 1: so excited to be on the phone with you right now. 2173 01:57:45,840 --> 01:57:48,240 Speaker 1: I cannot believe that. No, no, no, no, all the 2174 01:57:48,320 --> 01:57:50,600 Speaker 1: excitement is ours. Now, what is it in life that 2175 01:57:50,640 --> 01:57:53,960 Speaker 1: makes you feel like you're officially an adult? I am 2176 01:57:54,160 --> 01:57:58,400 Speaker 1: currently on my way to jury duty. Okay, so that's like, okay, 2177 01:57:58,520 --> 01:58:02,400 Speaker 1: that's something adults do, So you feel like you're an adult? Yeah, yeah, 2178 01:58:02,520 --> 01:58:05,640 Speaker 1: because I feel like I mean, that's they're gonna call 2179 01:58:05,680 --> 01:58:08,200 Speaker 1: you and I'm hopefully, you know, gonna be qualified and 2180 01:58:08,240 --> 01:58:10,920 Speaker 1: they're gonna pick me. I'm like so excited. Most people 2181 01:58:10,960 --> 01:58:13,040 Speaker 1: don't get excited to be picked for jury duty, but 2182 01:58:13,120 --> 01:58:15,200 Speaker 1: I'm like, please pick me. I'm ready, I want to go. 2183 01:58:15,520 --> 01:58:18,120 Speaker 1: So okay, yeah, I think I feel like that's gonna 2184 01:58:18,120 --> 01:58:20,880 Speaker 1: be my adult status, like getting picked for the first 2185 01:58:20,920 --> 01:58:22,920 Speaker 1: time to be on a jury all right, well good. 2186 01:58:23,160 --> 01:58:25,280 Speaker 1: I can't believe how many people really do get excited 2187 01:58:25,280 --> 01:58:28,560 Speaker 1: about it. Well, I know it's your's your duty, right, Yeah, yeah, 2188 01:58:28,760 --> 01:58:31,120 Speaker 1: I'm I'm excited. I feel like, hey, cool, this is 2189 01:58:31,240 --> 01:58:33,720 Speaker 1: like status, you know, I finally get to do something 2190 01:58:33,880 --> 01:58:36,480 Speaker 1: and give back to the community. And oh my gosh, 2191 01:58:36,520 --> 01:58:38,000 Speaker 1: I can't believe I'm on the phone with you guys 2192 01:58:38,040 --> 01:58:40,120 Speaker 1: right now. This is so exciting and listen to you 2193 01:58:40,200 --> 01:58:42,360 Speaker 1: guys every morning. So thank you. You know, we we 2194 01:58:42,600 --> 01:58:45,960 Speaker 1: should play like a trumpet or something that officially declares 2195 01:58:45,960 --> 01:58:49,120 Speaker 1: you an adult. Yeah, that would be wonderful. All right, Well, 2196 01:58:50,080 --> 01:58:53,720 Speaker 1: good luck with your jury duty. Thank you, thanks for listening. 2197 01:58:54,880 --> 01:58:58,440 Speaker 1: We have adults listening right. You are now officially an adult. 2198 01:59:02,440 --> 01:59:08,400 Speaker 1: Welcome to the world of adult fool Hello, Juliet. Yeah, yeah, 2199 01:59:08,480 --> 01:59:12,320 Speaker 1: well are you an adult? Well almost? We are in 2200 01:59:12,400 --> 01:59:15,040 Speaker 1: the process of building our first house I've never owned. 2201 01:59:15,360 --> 01:59:18,360 Speaker 1: We've been married for six years, have four kids, and 2202 01:59:18,480 --> 01:59:20,760 Speaker 1: I still don't feel like an adult. It's the house, 2203 01:59:21,280 --> 01:59:23,520 Speaker 1: and maybe it's the amount of money that I'm going 2204 01:59:23,600 --> 01:59:26,760 Speaker 1: into debt that they feel like a real adult. But 2205 01:59:27,280 --> 01:59:30,320 Speaker 1: it's you're an adult. Care of life, Dan, you have 2206 01:59:30,360 --> 01:59:35,360 Speaker 1: another adult. We have another adult buying a house, being 2207 01:59:35,480 --> 01:59:40,960 Speaker 1: in debt. You're an adult? Hello, Alex, Yes, you're an adult. 2208 01:59:43,040 --> 01:59:44,720 Speaker 1: How do you know I am? How do you know 2209 01:59:44,800 --> 01:59:46,320 Speaker 1: you're an adult? How do you know you're an adult? 2210 01:59:46,360 --> 01:59:49,960 Speaker 1: An adult? Alex? The day that you give up something 2211 01:59:50,240 --> 01:59:53,440 Speaker 1: for your children, whether it be food, your last couple 2212 01:59:53,480 --> 01:59:58,280 Speaker 1: of dollars, anything for the well being of a child, 2213 01:59:59,440 --> 02:00:01,280 Speaker 1: and you're sitting in the movie theater and you're freezing 2214 02:00:01,680 --> 02:00:04,920 Speaker 1: and your child, and your child is cold, and you're lying, Oh, 2215 02:00:05,640 --> 02:00:07,200 Speaker 1: you gotta give him your Oh, I just tell him 2216 02:00:07,200 --> 02:00:08,960 Speaker 1: to move seats he's sitting on under the air conditioning. 2217 02:00:11,800 --> 02:00:13,960 Speaker 1: All right, there you go. I'm not an adult. So 2218 02:00:14,040 --> 02:00:16,520 Speaker 1: you're saying you're an adult when you sacrifice for your kid. 2219 02:00:17,520 --> 02:00:20,160 Speaker 1: I have and I will always there you go. Let 2220 02:00:20,200 --> 02:00:22,080 Speaker 1: me tell you if you're if you're young and you're 2221 02:00:22,120 --> 02:00:24,880 Speaker 1: listening to our show, yeah, you're a parent. Just became 2222 02:00:24,880 --> 02:00:27,200 Speaker 1: an adult because they're doing stuff for you. Yeah, I 2223 02:00:27,280 --> 02:00:30,240 Speaker 1: think that. All right, Alex, thank you very much. Hello Liz. 2224 02:00:31,520 --> 02:00:33,960 Speaker 1: Oh hi, Well hold on, how do you know you're 2225 02:00:33,960 --> 02:00:39,480 Speaker 1: an adult? Well, I just started working for the company 2226 02:00:39,480 --> 02:00:41,320 Speaker 1: that I've been working for for about four years. I 2227 02:00:41,400 --> 02:00:45,040 Speaker 1: just got promoted to a manager position. I'm running my 2228 02:00:45,200 --> 02:00:48,400 Speaker 1: own building. I've got three kids, all under the age 2229 02:00:48,440 --> 02:00:53,240 Speaker 1: of five. Look at that. How so you're responsible for 2230 02:00:53,320 --> 02:00:57,040 Speaker 1: other people? These are all reasons why I don't want 2231 02:00:57,040 --> 02:00:58,800 Speaker 1: to be an adult. I don't want to be responsible 2232 02:00:58,840 --> 02:01:01,280 Speaker 1: for people, Liz. I don't want to own the bank. 2233 02:01:01,680 --> 02:01:04,600 Speaker 1: I don't want to own a house. I don't want 2234 02:01:04,600 --> 02:01:06,360 Speaker 1: to give up things for kids. I don't even have kids. 2235 02:01:06,400 --> 02:01:09,880 Speaker 1: I have a schnauzer. He gives up nothing. No, no, no, 2236 02:01:10,680 --> 02:01:12,440 Speaker 1: I give up space on the bed. That's about it, 2237 02:01:12,640 --> 02:01:15,160 Speaker 1: all right, Welcome to adulthood and enjoy managing your own 2238 02:01:15,520 --> 02:01:18,480 Speaker 1: your own building. Wow, thank you so much. That is me. 2239 02:01:22,280 --> 02:01:24,480 Speaker 1: You put ketchup on your eggs, Let me shake it 2240 02:01:24,600 --> 02:01:27,200 Speaker 1: up with cholula hot sauce. Now I put it on 2241 02:01:27,320 --> 02:01:30,000 Speaker 1: all my favorites because it makes them taste that much better. 2242 02:01:30,240 --> 02:01:32,400 Speaker 1: Just look for Cholulah's iconic wooden cap