WEBVTT - BriTANicK, Our Two Movies Friends

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<v Speaker 1>We like to know before we get started. Have you

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<v Speaker 1>guys ever done a Big Money Players show before.

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<v Speaker 2>This is your first time on the Shingle Shingle, I know,

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<v Speaker 2>I don't think we have.

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<v Speaker 3>I think we would know we haven't.

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<v Speaker 2>Yeah, we haven't talked as much about the Big Money Players.

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<v Speaker 2>Obviously we've moved to iHeart, but more specifically, we are

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<v Speaker 2>the big money Players now and we are starting to

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<v Speaker 2>ask just everyone who comes through. It's not just you guys.

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<v Speaker 2>You're not being like unfairly treated or anything. If you

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<v Speaker 2>could just list like your top I guess six or

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<v Speaker 2>seven big Money Players shows.

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<v Speaker 4>Ones that you want to go on once you've been on.

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<v Speaker 4>Ideally if you've.

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<v Speaker 2>Been on some before, Like, what what does big Money

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<v Speaker 2>Players as a creative outlet mean to you?

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<v Speaker 3>Okay, Nick, you were talking about this earlier to day.

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<v Speaker 5>Well, lost cultureisas it is great. I don't think they'd

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<v Speaker 5>have us on. I don't know if we're a fit.

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<v Speaker 3>You don't think we're a fit for that?

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<v Speaker 2>Uh well, I mean I guess we could hear your

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<v Speaker 2>I don't think so, honey.

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<v Speaker 4>Just the top of the show.

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<v Speaker 2>It's usually not how we start, but like, that's seriously,

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<v Speaker 2>I don't think so, honeys.

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<v Speaker 1>Because as like being a part of this family, any

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<v Speaker 1>of the formats.

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<v Speaker 3>You can just bring them into yours.

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<v Speaker 1>We can do them on ours, we can do Yeah,

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<v Speaker 1>I don't think so, honey. As we've done that, you've.

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<v Speaker 2>Done the whole and one of all episodes was things

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<v Speaker 2>that people didn't think so honey, and your guest.

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<v Speaker 4>Making me go back Lewis. Yeah, so that's why he

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<v Speaker 4>was doing the kind of trumpet town.

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<v Speaker 5>Lewis Armstrong Lewis, Yeah, Yeah, what did he not think so,

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<v Speaker 5>honey about.

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<v Speaker 2>Uh it was a lot of like very technical like

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<v Speaker 2>musical trumpet.

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<v Speaker 3>Understand or was it just like over your just.

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<v Speaker 2>The passion that he spoke with, like the the language

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<v Speaker 2>ended up being sort of universal one of them his

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<v Speaker 2>I don't think so, honey. He did express just with

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<v Speaker 2>the trumpet, like he just you know what he didn't

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<v Speaker 2>think so, And it's like, I don't play I'm naturally musical.

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<v Speaker 2>I guess play an instrument, but I am sort of

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<v Speaker 2>just naturally musical. Yeah, but I was able to kind

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<v Speaker 2>of pick up what he was feeling.

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<v Speaker 4>And I didn't think so either, honey. But it's Will.

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<v Speaker 4>You know, this is Will's Shingle. Yes, of course it

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<v Speaker 4>was Bill.

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<v Speaker 1>Will Ferrell Farrell's.

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<v Speaker 4>Whole Bill the co operation here. You call him Bill, Bill,

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<v Speaker 4>Lewis Will Bill. I don't know Lewis very well. Bill.

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<v Speaker 4>I know Bill. We work with Bill less.

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<v Speaker 5>Is it more informal than Will, because Will feels pretty

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<v Speaker 5>informal casual.

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<v Speaker 4>Sure, I don't think so, honey. I'm just trying to

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<v Speaker 4>get I want to know. I don't want to have

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<v Speaker 4>the time a going.

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<v Speaker 2>It's Brightanic, Brian is here, it's Nick is here.

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<v Speaker 4>They have what they doing all the.

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<v Speaker 2>Movies, movies, they're doing a dozen movies.

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<v Speaker 1>They tell I was like, oh, let's that Brightannic. But

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<v Speaker 1>you know, like we had these guys on before. We

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<v Speaker 1>love these guys.

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<v Speaker 4>We always have Brightannic on the show.

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<v Speaker 2>Anytime we'll have that, you said that time.

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<v Speaker 3>Yeah, it was almost a decade, nine years and you.

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<v Speaker 4>Guys, anytime was that your first episode or second episode?

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<v Speaker 4>Is our first? The first time was nine okay. And

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<v Speaker 4>they say these guys are coming in. They have two

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<v Speaker 4>movies at once, two movies that they want to talk

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<v Speaker 4>about their two movies at once. And I was like,

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<v Speaker 4>oh my god, this is embarrassing.

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<v Speaker 1>I can't believe we're having these guys on right now

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<v Speaker 1>when we have three movies once.

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<v Speaker 4>Yeah, you guys got that made me sick to my stomach.

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<v Speaker 1>To go, this is so embarrassing because it looks like

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<v Speaker 1>it's like it's directed in you, like we're having you guys.

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<v Speaker 3>We don't feel just because we have one more movies

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<v Speaker 3>once there.

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<v Speaker 1>It's not that it's so embarrassing. It was absolutely nothing

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<v Speaker 1>to do with It was.

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<v Speaker 4>Literally we wouldn't have even thought of it.

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<v Speaker 2>It was that your published begged us to have you

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<v Speaker 2>on because you have these two movies at once, and

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<v Speaker 2>we were like, even if optically it feels weird because

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<v Speaker 2>we've got three movies at once, I was like, I

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<v Speaker 2>want them cultivate the relationship with this publicists, and also

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<v Speaker 2>like you guys are welcome here anytime.

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<v Speaker 3>The names of all three of your films, because I

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<v Speaker 3>kind of.

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<v Speaker 1>Forget Project Hillmary, thank you, thank you, Possome movie, step

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<v Speaker 1>on our toes a little bit blue.

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<v Speaker 3>You did the Blue movie? Well, it's yes and no, okay,

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<v Speaker 3>explain the.

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<v Speaker 4>Blue is in it. It's not a bluey movie.

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<v Speaker 3>Man be a bording character. But it's called blue. Yeah,

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<v Speaker 3>it's called bluey.

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<v Speaker 4>Bluey in it. It's not like the Blue movie, like

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<v Speaker 4>it doesn't take place in the Blue back and forth,

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<v Speaker 4>but I do not want to up again.

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<v Speaker 3>I'm sorry because.

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<v Speaker 4>We questions about this got through.

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<v Speaker 1>I can imagine that we worked together a long time.

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<v Speaker 1>I could that that could sever this relationship, and it

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<v Speaker 1>turns out there isn't.

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<v Speaker 4>But this, this is the.

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<v Speaker 2>Devil made this weapon to separate us and did not succeed.

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<v Speaker 2>But it was really really challenging. And so I think

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<v Speaker 2>to dive back into we don't agree still on Blue's

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<v Speaker 2>involvement in the film. And the film is finished and

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<v Speaker 2>the film is wonderful, but we're still not totally aligned

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<v Speaker 2>on whether Blue in our movie is the Blue from

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<v Speaker 2>the show.

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<v Speaker 3>Or do.

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<v Speaker 4>And we don't agree, but we don't agree. And then

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<v Speaker 4>getting into.

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<v Speaker 5>It here is this is a legal decision, somewhat right,

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<v Speaker 5>It would defined difficult.

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<v Speaker 2>This it You're being amazed, very amazing, you know, as

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<v Speaker 2>long as it is as long as it is crucial

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<v Speaker 2>to the plot to the storytelling. You actually can use

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<v Speaker 2>any character, actor, or anything from any movie and it's allowed.

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<v Speaker 4>They stopped talking to both of us at some point

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<v Speaker 4>in the production.

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<v Speaker 1>So where it ended up in terms of like the

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<v Speaker 1>legal aspects of it, like, oh yeah, they completely cut

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<v Speaker 1>off communication texts.

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<v Speaker 4>And the movie's finished. The movie is wonderful.

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<v Speaker 1>Blue is Blue is my group chat looks like with

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<v Speaker 1>them because it's all just my blu.

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<v Speaker 4>Just like updates on this, you know, just a lot

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<v Speaker 4>of like checking in for updates, circling back. Yeah.

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<v Speaker 5>So you're saying, legally, I could call a movie mickey

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<v Speaker 5>Mouse and then have Mickey Mouse is sort of a

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<v Speaker 5>side character.

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<v Speaker 4>If it was crucial to the story.

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<v Speaker 2>I believe that fair use copyright laws uh indicate that, yes,

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<v Speaker 2>you could.

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<v Speaker 4>You could technically do that.

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<v Speaker 2>You might have to spell Mickey Mouse with a W

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<v Speaker 2>instead of a U.

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<v Speaker 1>And change we of course change blues color completely for yeah,

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<v Speaker 1>yeah this movie.

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<v Speaker 3>Change regular Dog, yeah, black Dog.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah, it's called blue every ye.

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<v Speaker 1>I don't think that's that's different, eyes black, every single thing.

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<v Speaker 5>He's sort of like a black hole, dark void around it.

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<v Speaker 3>I don't know who thought it was blue and who

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<v Speaker 3>thought it wasn't, But whoever thought it was, I think.

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<v Speaker 4>A lot of takes place at night in the dark.

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<v Speaker 4>It actually takes place.

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<v Speaker 2>We shot the bulk of it in Kevin's house, which

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<v Speaker 2>has no overhead lighting. So yeah, so it was I mean,

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<v Speaker 2>and having this like it is talk a black sheet.

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<v Speaker 3>Oh he wears a sheet? Why where's a heat?

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<v Speaker 1>And that positive movie? Tell me about this? Okay, what

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<v Speaker 1>you said? It shares the same d n H. So

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<v Speaker 1>you seem to want credit for it.

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<v Speaker 3>No, I know. We've always found you guys to be

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<v Speaker 3>sort of mentors to us. So we're not taking credit

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<v Speaker 3>for what you do, but we do do a lot

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<v Speaker 3>of similar things.

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<v Speaker 4>Us talk about positive movies. Why don't you let us

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<v Speaker 4>talk about positive instead of you? You just do one?

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<v Speaker 3>Yeah, I mean you talk about we could go back,

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<v Speaker 3>you can do We did three actually the same time. Okay,

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<v Speaker 3>let's let's go through Boston Movie and Project He'll Mary

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<v Speaker 3>get that out of the way. Then we can go

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<v Speaker 3>on to ours if you want.

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<v Speaker 4>I don't think we need to do Project Hill Mary

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<v Speaker 4>on this, you know we will. So pasta movie.

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<v Speaker 1>It's a rom these two college hunks saying, yes, these

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<v Speaker 1>guys are studs.

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<v Speaker 2>They got it coming and going and it's obviously we

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<v Speaker 2>don't show this in the movie explicitly, but they've got

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<v Speaker 2>it going on downstairs as well, and so they are

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<v Speaker 2>having a party. We do show it in the movie,

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<v Speaker 2>but full frontal, it's definitely going to change the rating.

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<v Speaker 3>Yeah my god.

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<v Speaker 2>Yeah, but they are starving, you know. And and by

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<v Speaker 2>the way, they've been uh having a little fun with

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<v Speaker 2>certain chemicals.

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<v Speaker 3>You know, college, College's college.

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<v Speaker 4>It's the weekend, it's college. This was everybody in a

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<v Speaker 4>very fuck.

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<v Speaker 5>It was in a different place from our movie, and

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<v Speaker 5>now it's it is starting pretty similar, sly encroach.

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<v Speaker 4>Yours isn't a rump, is it? I would say, yeah

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<v Speaker 4>the whole time, or just like pretty much yeah, you

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<v Speaker 4>know rump in its way through a couple down beats here.

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<v Speaker 4>Well that's fine.

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<v Speaker 2>I mean, look, ours comes out on four to twenty,

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<v Speaker 2>which is gonna be like actually kind of.

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<v Speaker 4>A cool and everyone is packing heat as well. Yeah,

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<v Speaker 4>they got to go.

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<v Speaker 5>Didn't cover the weather. What you know, what they've got

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<v Speaker 5>going on downstairs? What the audience decided pizza movie, okay,

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<v Speaker 5>and ours is about two nerds, so that's different kind

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<v Speaker 5>of outcasts in the school and they've done drugs and

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<v Speaker 5>they've ordered a pizza and it's coming to their college

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<v Speaker 5>dorm and they got to go down two flights of

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<v Speaker 5>stairs to get this pizza. But because they're on a drug.

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<v Speaker 5>That journey down two flights of Stairs is a feature film.

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<v Speaker 4>It's totally different from ours. Ours is pasta.

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<v Speaker 2>Yeah's three flights of stairs to go down one sort

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<v Speaker 2>of just a landing like it's not really.

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<v Speaker 4>Has like a couple of steps.

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<v Speaker 3>We get one of those sooner.

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<v Speaker 4>Yeah, that's all right.

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<v Speaker 3>We've some ras who are like the antagonists. They're trying

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<v Speaker 3>to stop them or anything like that.

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<v Speaker 4>They do, yes, they do have our as, they have

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<v Speaker 4>our a's.

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<v Speaker 2>They're not neither of them I think are antagonists. One

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<v Speaker 2>thing anti Agatha.

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<v Speaker 6>Okay, and she's sort of like, uh, she's sort of

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<v Speaker 6>a foil. Okay, Yeah, she's you know, trying to thwart them.

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<v Speaker 3>And the other one is say antagonists, we are pretty

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<v Speaker 3>different from what we did.

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<v Speaker 4>Your r's are not named anti Agatha wad division No,

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<v Speaker 4>I would say they're pretty far. Okay, Then what are they?

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<v Speaker 5>They're wonder Man and Wow, wonder Man and and or

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<v Speaker 5>and and and or Agatha Wow.

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<v Speaker 3>Yeah okay, okay, and very similar but not the same thing.

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<v Speaker 4>Okay.

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<v Speaker 3>And when you guys start production, I just want to

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<v Speaker 3>make sure that we weren't like through osmosis, taking your

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<v Speaker 3>idea because it does sound pretty similar.

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<v Speaker 4>Yeah, when do we start production? Yeah, like nine to

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<v Speaker 4>thirty am they.

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<v Speaker 5>Okay, okay, well jump on and it's coming out this month.

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<v Speaker 4>It's out. Okay, it is out right now?

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<v Speaker 3>Okay, lot throughout.

0:12:35.200 --> 0:12:37.920
<v Speaker 1>Every day and between now and then doing premieres every

0:12:37.960 --> 0:12:39.760
<v Speaker 1>day is just live stream your shoot?

0:12:39.800 --> 0:12:41.080
<v Speaker 3>Is that what you did to get it out?

0:12:41.160 --> 0:12:41.240
<v Speaker 4>Like?

0:12:41.240 --> 0:12:43.599
<v Speaker 3>How did you get it out so quickly? Is my

0:12:43.600 --> 0:12:44.000
<v Speaker 3>my main?

0:12:44.280 --> 0:12:48.840
<v Speaker 1>No to uh live to have them actually live streaming

0:12:48.920 --> 0:12:50.679
<v Speaker 1>because the size of their hogs.

0:12:50.400 --> 0:12:53.360
<v Speaker 4>Would be incredibly I see we.

0:12:53.480 --> 0:12:57.679
<v Speaker 1>Have the fire department. They're trying to hire them.

0:12:58.600 --> 0:13:02.400
<v Speaker 2>No, yeah, that that's stream gonna actually cause some huge

0:13:02.480 --> 0:13:05.120
<v Speaker 2>issues with just the electrical quipment at the camera.

0:13:05.320 --> 0:13:10.479
<v Speaker 4>The sound. Did youse a nightmare for sound? Yeah?

0:13:09.960 --> 0:13:12.319
<v Speaker 5>Yeah, that would be the one thing I think you

0:13:12.320 --> 0:13:15.319
<v Speaker 5>guys would do really well, you know, having a podcast.

0:13:15.760 --> 0:13:19.280
<v Speaker 2>Okay, I can think of fifty one hundred things that

0:13:19.280 --> 0:13:20.160
<v Speaker 2>we would do really well.

0:13:21.240 --> 0:13:26.640
<v Speaker 4>I'm sorry. The one thing we would do really well.

0:13:26.760 --> 0:13:31.359
<v Speaker 5>It's like, okay, I did phrase that maybe a little aggressively.

0:13:31.400 --> 0:13:33.600
<v Speaker 4>I'm sorry that back a lot of things we would

0:13:33.600 --> 0:13:35.959
<v Speaker 4>do really well, not even saying we did, but you could.

0:13:36.160 --> 0:13:40.680
<v Speaker 5>Yeah, I mean so so in our movie, it's Gate

0:13:40.720 --> 0:13:45.120
<v Speaker 5>and Manarazzo from Stranger Things and Sean Gembroni from the Goldbergs,

0:13:45.200 --> 0:13:46.360
<v Speaker 5>And then who are the nerds?

0:13:47.200 --> 0:13:47.400
<v Speaker 4>Those?

0:13:47.400 --> 0:13:49.160
<v Speaker 3>Those are the nerds, the main guys.

0:13:49.240 --> 0:13:51.120
<v Speaker 4>Okay, okay, do you guys have.

0:13:51.080 --> 0:13:52.120
<v Speaker 3>Big stars in yours or.

0:13:54.080 --> 0:13:57.000
<v Speaker 4>Well Gayton plays one of the hunks and our Yeah,

0:13:57.040 --> 0:13:58.640
<v Speaker 4>and like that's so crazy.

0:13:58.960 --> 0:14:02.040
<v Speaker 3>Was here this morning? You got film film Gates movie.

0:14:04.720 --> 0:14:10.200
<v Speaker 4>This morning, I mean this morning into in the part.

0:14:10.000 --> 0:14:13.640
<v Speaker 2>Of the afternoon, by the time I actually.

0:14:13.120 --> 0:14:16.320
<v Speaker 4>Got by the time the camera got down there. Yeah.

0:14:16.400 --> 0:14:20.320
<v Speaker 5>Yeah, it's a look, it's a multi hour panning down shot.

0:14:21.160 --> 0:14:25.560
<v Speaker 4>Yeah, it's it's a wonner just from the face down

0:14:25.560 --> 0:14:32.120
<v Speaker 4>the past of movies of wanner tyaka they come in

0:14:34.200 --> 0:14:36.360
<v Speaker 4>our after hour one, I imagine.

0:14:36.720 --> 0:14:39.680
<v Speaker 2>Well, there's a really sort of deep field of focus.

0:14:39.760 --> 0:14:43.320
<v Speaker 2>It's actually really cool. We add like a fucking awesome DP.

0:14:44.480 --> 0:14:51.320
<v Speaker 4>It wasn't yeah, hay, it was the second thing you

0:14:51.400 --> 0:14:54.800
<v Speaker 4>do really well. It was Simon Goldberg's.

0:14:54.520 --> 0:14:59.840
<v Speaker 3>Oh nice, Simon goldbergs a guy Sean Cameronning.

0:15:00.200 --> 0:15:02.600
<v Speaker 4>No, this was Simon Goldberg.

0:15:03.040 --> 0:15:06.000
<v Speaker 3>Okay, yeah, I don't know. Yeah, it's great.

0:15:08.680 --> 0:15:09.760
<v Speaker 4>This is Simon Goldbers.

0:15:09.840 --> 0:15:12.600
<v Speaker 5>So it's sort of a nineteen seventeen but with a

0:15:12.600 --> 0:15:14.480
<v Speaker 5>little less action kind of.

0:15:14.800 --> 0:15:15.600
<v Speaker 4>It is all one take.

0:15:15.760 --> 0:15:19.760
<v Speaker 1>These guys are action nineteen and seventeen out of ten.

0:15:19.760 --> 0:15:21.960
<v Speaker 4>Respectfully, too hot guys.

0:15:22.360 --> 0:15:25.080
<v Speaker 5>Yeah, that's not their age, that's their hot that's they're

0:15:25.200 --> 0:15:26.760
<v Speaker 5>creating out of ten.

0:15:27.080 --> 0:15:29.680
<v Speaker 4>Yeah, they are nineteen and seventeen out of ten. Yeah,

0:15:30.400 --> 0:15:31.880
<v Speaker 4>one of them is a little hotter than the other

0:15:31.960 --> 0:15:34.040
<v Speaker 4>in Yeah, the nineteen is.

0:15:34.760 --> 0:15:38.000
<v Speaker 5>But they're they're playing with house money at that point,

0:15:38.240 --> 0:15:40.720
<v Speaker 5>that point, yeah, yeah, no, it's true.

0:15:40.720 --> 0:15:44.200
<v Speaker 1>They're doing okay, Yes, and now they're in this huge

0:15:44.240 --> 0:15:47.640
<v Speaker 1>movie possible imagine what they're going to be taken down.

0:15:47.840 --> 0:15:52.920
<v Speaker 5>And so Project till Mary is The Mary is going fine.

0:15:53.600 --> 0:15:55.080
<v Speaker 5>Mary is pretty great.

0:15:55.120 --> 0:15:59.920
<v Speaker 1>Guys, is is out there and it's doing fine.

0:16:00.240 --> 0:16:03.280
<v Speaker 4>Yeah, it's the Ryan the Ryan Gosling one.

0:16:03.480 --> 0:16:07.000
<v Speaker 3>Right, the Phil Lord and Chris Miller movie is your guys' movie.

0:16:07.760 --> 0:16:13.600
<v Speaker 1>They they have their fingerprints on it, like like so

0:16:13.880 --> 0:16:14.480
<v Speaker 1>much of the.

0:16:14.480 --> 0:16:17.680
<v Speaker 4>Movie definitely helped. They had a real influence on it.

0:16:17.800 --> 0:16:24.080
<v Speaker 2>Yes, yes, they were so instrumental and getting this thing

0:16:24.160 --> 0:16:25.480
<v Speaker 2>going and it.

0:16:25.560 --> 0:16:28.400
<v Speaker 4>Literally could not have happened without those guys.

0:16:28.560 --> 0:16:33.320
<v Speaker 2>Yes, I would say they deserve as much or more

0:16:33.480 --> 0:16:38.000
<v Speaker 2>credit than at least one of us. And I would

0:16:38.000 --> 0:16:43.040
<v Speaker 2>say also that the movie in terms of achieving our vision,

0:16:44.960 --> 0:16:45.960
<v Speaker 2>people are enjoying it.

0:16:47.160 --> 0:16:51.960
<v Speaker 1>Oh the version, the version that they that they originally

0:16:52.840 --> 0:16:53.520
<v Speaker 1>sent in.

0:16:55.000 --> 0:16:57.920
<v Speaker 4>Was a poop. It was a big piece of poop. O. Wow,

0:16:59.160 --> 0:17:01.560
<v Speaker 4>it was stink right yeah.

0:17:01.440 --> 0:17:05.080
<v Speaker 3>Sure, yeah, you're talking about or just as.

0:17:07.000 --> 0:17:12.320
<v Speaker 4>It was unidentifiable as.

0:17:13.920 --> 0:17:20.160
<v Speaker 1>A movie or story and he didn't It wasn't even

0:17:20.200 --> 0:17:21.679
<v Speaker 1>clear if it was it was.

0:17:23.760 --> 0:17:26.160
<v Speaker 4>Or TV. Is this a movie or TV?

0:17:26.880 --> 0:17:28.760
<v Speaker 3>He could have been a TV that you were looking

0:17:28.760 --> 0:17:28.960
<v Speaker 3>at you.

0:17:29.800 --> 0:17:32.040
<v Speaker 4>Or something else that we don't even have a name for.

0:17:32.080 --> 0:17:36.679
<v Speaker 2>It was it was the seeds obviously were there for

0:17:36.720 --> 0:17:39.040
<v Speaker 2>what you know what we ended up.

0:17:39.240 --> 0:17:42.600
<v Speaker 1>So theirs was about a guy who goes off to

0:17:42.760 --> 0:17:47.040
<v Speaker 1>space on a project called Hail Mary.

0:17:47.240 --> 0:17:52.840
<v Speaker 4>Yes, yeah, okay, and he needs an alien who's crazy.

0:17:53.880 --> 0:17:57.600
<v Speaker 2>Right, we're in a cute way, but a way that's

0:17:57.600 --> 0:17:59.639
<v Speaker 2>sort of fridating to him as well. I didn't think

0:17:59.640 --> 0:18:05.240
<v Speaker 2>it was yeahen was cute. In the actual like you know,

0:18:06.320 --> 0:18:10.719
<v Speaker 2>pro stage description areas which were long, they would refer

0:18:10.840 --> 0:18:12.479
<v Speaker 2>to the behavior as cute.

0:18:12.880 --> 0:18:14.679
<v Speaker 4>So I know that's what they want to do. I

0:18:14.720 --> 0:18:16.240
<v Speaker 4>also would say I didn't find.

0:18:16.000 --> 0:18:19.600
<v Speaker 5>It cute, but they thought it was cute, and that's

0:18:19.880 --> 0:18:23.280
<v Speaker 5>they wanted to adjust, made adjustments to it, or we

0:18:23.359 --> 0:18:23.920
<v Speaker 5>fixed it.

0:18:24.080 --> 0:18:26.720
<v Speaker 4>Oh, what did you do? We fix it? He's very

0:18:26.760 --> 0:18:27.360
<v Speaker 4>cute in the movie.

0:18:27.400 --> 0:18:31.159
<v Speaker 1>Yeah, it sounds like the one that the one that

0:18:31.359 --> 0:18:34.160
<v Speaker 1>is actually out that we did does not have him

0:18:34.160 --> 0:18:38.600
<v Speaker 1>in it. We put two in his dome. Wait on

0:18:38.840 --> 0:18:40.880
<v Speaker 1>day one, Okay.

0:18:40.640 --> 0:18:42.520
<v Speaker 4>He gets assassinated by method Man.

0:18:42.920 --> 0:18:48.320
<v Speaker 2>So this point at the opening early is their movie,

0:18:48.520 --> 0:18:51.040
<v Speaker 2>method Man shoots him. Okay, I didn't see this.

0:18:51.240 --> 0:18:53.399
<v Speaker 3>There's two movies out right, now are there two different

0:18:53.440 --> 0:18:54.040
<v Speaker 3>versions of this?

0:18:54.119 --> 0:18:59.280
<v Speaker 2>Because there's always different customers because of all the different formats.

0:18:58.359 --> 0:19:01.280
<v Speaker 2>So you see it, I believe if you see it

0:19:01.320 --> 0:19:03.840
<v Speaker 2>in four d X, they actually have a little puff

0:19:03.880 --> 0:19:05.720
<v Speaker 2>of air hit you in the neck when Rocky's getting

0:19:05.720 --> 0:19:08.159
<v Speaker 2>shot by method Man with a silencertude.

0:19:08.520 --> 0:19:09.440
<v Speaker 3>Man, it's great, and.

0:19:09.720 --> 0:19:12.720
<v Speaker 4>In the movie that happens. That happens.

0:19:12.920 --> 0:19:17.000
<v Speaker 5>Okay, first frame, that happen in the in the project

0:19:17.200 --> 0:19:19.359
<v Speaker 5>my eyes saw and the cut I saw, he meets Rocky,

0:19:19.560 --> 0:19:20.320
<v Speaker 5>you know what.

0:19:20.080 --> 0:19:22.880
<v Speaker 4>I was like twenty five minutes in or so maybe

0:19:22.880 --> 0:19:23.359
<v Speaker 4>even later.

0:19:23.960 --> 0:19:27.640
<v Speaker 1>The entire project Hill Mary is done by twenty five

0:19:27.680 --> 0:19:29.800
<v Speaker 1>minutes in in our version, he takes care of that

0:19:29.880 --> 0:19:30.800
<v Speaker 1>with a quickness.

0:19:31.080 --> 0:19:36.320
<v Speaker 4>Okay, seems like a fucking badass. Like the guy's like

0:19:36.440 --> 0:19:37.240
<v Speaker 4>hot as hell.

0:19:37.920 --> 0:19:41.720
<v Speaker 2>He's like Gotti to go to and stuff.

0:19:42.000 --> 0:19:44.280
<v Speaker 4>He's not gonna be doing space thing the whole movie.

0:19:44.400 --> 0:19:48.480
<v Speaker 3>Is he packing down there? I'd like, come man, this

0:19:48.720 --> 0:19:52.560
<v Speaker 3>movie's almost exclusively for kids. I don't know, I just

0:19:52.600 --> 0:19:54.560
<v Speaker 3>really wanted to know. Sorry about that, guys.

0:19:54.920 --> 0:20:02.920
<v Speaker 2>Yeah, it's not whatever, like possible movie nasty. Yeah, anyway, No,

0:20:03.640 --> 0:20:07.960
<v Speaker 2>he's no, he's doing fine.

0:20:08.240 --> 0:20:13.359
<v Speaker 1>It's not like it's that satisfy, you know, he's not. No,

0:20:13.359 --> 0:20:15.000
<v Speaker 1>no one would describe it that way.

0:20:15.160 --> 0:20:19.400
<v Speaker 4>Yeah, but he knows what to do with it. How

0:20:19.440 --> 0:20:22.359
<v Speaker 4>did you do how did you film Method Man shooting Rocky?

0:20:22.440 --> 0:20:26.760
<v Speaker 2>If this is for kids, Uh so, it's a little

0:20:26.760 --> 0:20:28.919
<v Speaker 2>bit that's that's actually a great question.

0:20:29.000 --> 0:20:29.720
<v Speaker 4>Awesome question.

0:20:30.760 --> 0:20:36.080
<v Speaker 2>It's a little bit in shadows camera, Like the camera

0:20:36.119 --> 0:20:42.080
<v Speaker 2>is sort of like close on Rocky and then you

0:20:42.160 --> 0:20:44.760
<v Speaker 2>see a silencer go up against like what we assume

0:20:44.840 --> 0:20:48.080
<v Speaker 2>is his head, and then we kind of went into

0:20:48.080 --> 0:20:50.480
<v Speaker 2>a wide so you can watch method Man kind of

0:20:50.520 --> 0:20:52.159
<v Speaker 2>blow his alien brains up.

0:20:53.280 --> 0:20:55.040
<v Speaker 3>Now have kids responded?

0:20:56.359 --> 0:20:58.639
<v Speaker 4>They don't know what's happening. They don't have object permanent.

0:20:59.680 --> 0:21:00.440
<v Speaker 4>They it's fine.

0:21:02.480 --> 0:21:10.359
<v Speaker 1>They basically think that Rocky would panelway yeah right, dying constantly.

0:21:10.880 --> 0:21:13.840
<v Speaker 4>Yeah, so I don't care about any of it.

0:21:14.040 --> 0:21:16.560
<v Speaker 2>Yeah, And we try, I mean we inserted some we

0:21:16.640 --> 0:21:19.640
<v Speaker 2>experimented with some scenes where we really explain, like that.

0:21:19.560 --> 0:21:23.600
<v Speaker 4>Fucker's death, you're never going to see him again, like you.

0:21:23.560 --> 0:21:27.040
<v Speaker 3>Know, I would think they would be, but it didn't.

0:21:27.119 --> 0:21:30.879
<v Speaker 2>Yeah that it didn't really change their reaction enough to

0:21:31.160 --> 0:21:33.840
<v Speaker 2>justify the extra run time because it was long. Oh

0:21:34.680 --> 0:21:37.320
<v Speaker 2>it was long, long, long, Yeah, and only twenty five

0:21:37.320 --> 0:21:40.680
<v Speaker 2>minutes of it are project He'll marry.

0:21:39.880 --> 0:21:42.760
<v Speaker 1>He goes back, so he saves everyone, Yeah, and then

0:21:42.800 --> 0:21:45.520
<v Speaker 1>he goes back to Earth and kills everyone for revengeance

0:21:45.560 --> 0:21:46.800
<v Speaker 1>for going and making him do that.

0:21:47.119 --> 0:21:51.280
<v Speaker 2>And how does method man on his own terms, how

0:21:51.320 --> 0:21:53.360
<v Speaker 2>does method man he shoots Rocky?

0:21:54.520 --> 0:21:56.960
<v Speaker 3>That does he didn't disappear from the movie or does.

0:21:56.800 --> 0:22:00.600
<v Speaker 4>He wee were you hear him sometimes?

0:22:00.840 --> 0:22:01.959
<v Speaker 3>Okay off screen?

0:22:02.280 --> 0:22:05.920
<v Speaker 5>Yeah, maybe that's how you're getting the exposition out about

0:22:06.240 --> 0:22:07.280
<v Speaker 5>how he killed Rocky.

0:22:07.359 --> 0:22:09.280
<v Speaker 2>Yeah, he was on set and he would just be

0:22:09.359 --> 0:22:11.920
<v Speaker 2>kind of talking like sound was picking him up, and so.

0:22:12.600 --> 0:22:15.760
<v Speaker 4>To have him. We should have given him something else

0:22:15.840 --> 0:22:16.160
<v Speaker 4>to say.

0:22:16.280 --> 0:22:19.479
<v Speaker 5>Yeah, so somebody else was doing that exposition when you

0:22:19.520 --> 0:22:20.240
<v Speaker 5>had those scenes in.

0:22:21.320 --> 0:22:26.000
<v Speaker 1>He managed to renegotiate his deal on the set after

0:22:26.160 --> 0:22:29.840
<v Speaker 1>he after everything was like fully shot and you hear.

0:22:30.000 --> 0:22:32.159
<v Speaker 2>And we were locked to that footage because there was

0:22:32.200 --> 0:22:33.119
<v Speaker 2>really no other way for us.

0:22:33.240 --> 0:22:39.879
<v Speaker 1>You hear himotiating, negotiating, you open the terms and you

0:22:40.160 --> 0:22:45.120
<v Speaker 1>have a sound on this movie. He really wasn't done. Well, No,

0:22:45.200 --> 0:22:49.000
<v Speaker 1>I guess it was one thing they are coming. Yeah,

0:22:49.280 --> 0:22:52.080
<v Speaker 1>I mean he's a film director.

0:22:52.440 --> 0:22:55.040
<v Speaker 2>He's like, you know, he's got this great movie about

0:22:55.040 --> 0:23:03.280
<v Speaker 2>the devil. Yes, it's uh, the devil sucked me off, and.

0:23:00.720 --> 0:23:03.760
<v Speaker 4>I wish you wouldn't stop, or it would tell me

0:23:03.800 --> 0:23:08.000
<v Speaker 4>the name of the movie. Uh, my love for you

0:23:08.040 --> 0:23:09.479
<v Speaker 4>was deep, with the devil loves me deeper.

0:23:09.720 --> 0:23:15.679
<v Speaker 1>Yes, okay, yeah, it's my lover took me deep, but

0:23:15.720 --> 0:23:17.560
<v Speaker 1>the devil took me took me deeper.

0:23:17.640 --> 0:23:19.640
<v Speaker 4>Yeah. Yeah.

0:23:19.880 --> 0:23:24.000
<v Speaker 1>And he directed the sound directed directed the sound as

0:23:24.080 --> 0:23:25.200
<v Speaker 1>well as the Yeah.

0:23:25.080 --> 0:23:28.880
<v Speaker 3>You didn't tell people quite on set shooting we.

0:23:28.520 --> 0:23:32.160
<v Speaker 1>Were We told him that what method man's phone conversation

0:23:32.520 --> 0:23:35.520
<v Speaker 1>was the movie because we needed to hear.

0:23:37.040 --> 0:23:39.320
<v Speaker 4>What was going on. Well, it had a.

0:23:39.240 --> 0:23:41.560
<v Speaker 2>Big impact to what else we were going to be

0:23:41.560 --> 0:23:44.840
<v Speaker 2>able to shoot. Yeah, and also you know, and we told.

0:23:44.760 --> 0:23:48.040
<v Speaker 5>You directed your on set sound guy to actually point

0:23:48.080 --> 0:23:50.359
<v Speaker 5>the mics at that because you wanted to.

0:23:50.440 --> 0:23:55.440
<v Speaker 4>Well yeah, also watching that's an interesting movie over there.

0:23:55.560 --> 0:23:59.880
<v Speaker 5>So you did cut on what you were filming, which

0:23:59.880 --> 0:24:01.840
<v Speaker 5>I assume you didn't capture the sound of it all.

0:24:02.160 --> 0:24:05.880
<v Speaker 1>Again, we had to do this entire thing from one

0:24:06.040 --> 0:24:12.439
<v Speaker 1>pm to three forty pm. You shot this after we

0:24:12.480 --> 0:24:15.639
<v Speaker 1>don't have time to be like, oh, like we're rolling

0:24:15.720 --> 0:24:16.240
<v Speaker 1>sound here.

0:24:16.400 --> 0:24:20.040
<v Speaker 4>Let's I just don't understand. You said it's longer than

0:24:20.040 --> 0:24:20.920
<v Speaker 4>Project hil Mary.

0:24:20.960 --> 0:24:23.080
<v Speaker 2>But in order to get the run up, we had

0:24:23.080 --> 0:24:26.280
<v Speaker 2>to shoot a lot of it in slow motion. I see,

0:24:27.200 --> 0:24:30.200
<v Speaker 2>and so like when so for instance, just to name

0:24:30.240 --> 0:24:32.880
<v Speaker 2>one scene, a method man is blowing the brains out

0:24:32.880 --> 0:24:33.960
<v Speaker 2>a round.

0:24:33.560 --> 0:24:37.200
<v Speaker 4>Like we really we actually the entire brain fall.

0:24:37.359 --> 0:24:41.720
<v Speaker 2>We follow each piece of brain matter like slowly to

0:24:41.840 --> 0:24:44.400
<v Speaker 2>its destination, just sticks to.

0:24:44.400 --> 0:24:45.560
<v Speaker 4>The wall or whatever.

0:24:45.840 --> 0:24:48.760
<v Speaker 2>You hear a rapid running by, and then we follow

0:24:48.800 --> 0:24:50.920
<v Speaker 2>the rat and the rat goes and pizza from the

0:24:50.920 --> 0:24:51.480
<v Speaker 2>Pizza movie.

0:24:51.480 --> 0:24:52.200
<v Speaker 4>I'm messing around.

0:24:52.480 --> 0:24:57.040
<v Speaker 1>Okay, you guys have this pizza rat in your movie pizza.

0:24:57.240 --> 0:24:58.360
<v Speaker 4>So fucking stupid.

0:24:58.600 --> 0:25:01.920
<v Speaker 5>I know you need pizza Movi. You didn't have Pizza rat.

0:25:02.000 --> 0:25:04.440
<v Speaker 5>Maybe the culture had moved on pizza.

0:25:04.640 --> 0:25:08.120
<v Speaker 3>I don't know, gen zs you better hope. So now, yeah,

0:25:08.119 --> 0:25:09.639
<v Speaker 3>I guess maybe, I.

0:25:10.480 --> 0:25:13.159
<v Speaker 2>Mean I guess there's probably still I'm sure you wouldn't

0:25:13.160 --> 0:25:14.000
<v Speaker 2>make any mistakes.

0:25:15.960 --> 0:25:18.320
<v Speaker 4>I mean we definitely made mistakes.

0:25:20.119 --> 0:25:23.160
<v Speaker 3>Oh didn't well enough.

0:25:23.240 --> 0:25:25.800
<v Speaker 5>You know, you're always rushed and trying to You have

0:25:25.840 --> 0:25:27.760
<v Speaker 5>to compress before.

0:25:27.480 --> 0:25:32.280
<v Speaker 4>And during and after mistakes and after a mistake as well.

0:25:35.320 --> 0:25:38.199
<v Speaker 5>In terms of how post was organized, actually, yeah, there

0:25:38.240 --> 0:25:40.080
<v Speaker 5>could have been some you know, it could have been

0:25:40.080 --> 0:25:41.280
<v Speaker 5>more streamline process.

0:25:41.400 --> 0:25:43.520
<v Speaker 4>But yeah, we were happy with how it turned out.

0:25:43.600 --> 0:25:45.520
<v Speaker 3>Yeah, I mean we cast it well. I think that

0:25:45.680 --> 0:25:46.200
<v Speaker 3>was great.

0:25:47.320 --> 0:25:48.679
<v Speaker 4>We got put ourselves in.

0:25:48.720 --> 0:25:49.480
<v Speaker 3>It, we did.

0:25:49.840 --> 0:25:55.960
<v Speaker 2>Yeah, when I heard that you were happy with the casting,

0:25:56.000 --> 0:25:57.920
<v Speaker 2>I had a little bit of a feeling.

0:25:57.760 --> 0:25:59.520
<v Speaker 5>You know, isn't what we did in I mean we

0:25:59.560 --> 0:26:01.240
<v Speaker 5>were we were mostly talking about the leads.

0:26:01.520 --> 0:26:03.000
<v Speaker 4>Else are you going to get? You know what I

0:26:03.000 --> 0:26:05.680
<v Speaker 4>mean to you guys? Who else is two guys? Yeah?

0:26:05.720 --> 0:26:08.600
<v Speaker 3>Sure, I mean it's just as we're.

0:26:09.400 --> 0:26:11.399
<v Speaker 5>Are you guys? Did you guys put yourself in the project?

0:26:11.440 --> 0:26:12.800
<v Speaker 5>Till Mary or pasta movie.

0:26:12.680 --> 0:26:14.480
<v Speaker 2>Or we would we would take people out of it.

0:26:14.480 --> 0:26:16.359
<v Speaker 2>It's it's just like breaks the world a little bit.

0:26:16.359 --> 0:26:17.840
<v Speaker 2>If you see us in the movie.

0:26:17.560 --> 0:26:22.919
<v Speaker 3>That's fair, Yeah, a little bit. You eat some of

0:26:22.920 --> 0:26:23.400
<v Speaker 3>the brains.

0:26:23.520 --> 0:26:25.639
<v Speaker 1>Yeah, well you're just like there's shots of us just

0:26:25.680 --> 0:26:31.600
<v Speaker 1>like le you out, yeahts of it.

0:26:31.840 --> 0:26:35.440
<v Speaker 2>But it's not like it's not totally clear that it's us.

0:26:35.520 --> 0:26:39.879
<v Speaker 2>It's not really a commentary on like us as like

0:26:40.880 --> 0:26:44.840
<v Speaker 2>public figures or like us as even filmmaker. That really

0:26:44.920 --> 0:26:48.080
<v Speaker 2>is just some b roll that Casey was able to

0:26:48.119 --> 0:26:50.560
<v Speaker 2>capture of us eating the brains off the floor.

0:26:51.640 --> 0:26:56.080
<v Speaker 4>In high speed while we hear method Man negotiate his deal. Yeah,

0:26:56.160 --> 0:26:58.560
<v Speaker 4>that guy is tough man. He really got.

0:26:59.320 --> 0:27:01.320
<v Speaker 5>Has that much lever. It just feels like a big

0:27:01.600 --> 0:27:02.639
<v Speaker 5>boon for method Man.

0:27:02.840 --> 0:27:04.480
<v Speaker 2>He knew we were locked to that footage just in

0:27:04.560 --> 0:27:05.679
<v Speaker 2>terms of the timeline we were on.

0:27:05.720 --> 0:27:06.160
<v Speaker 4>Where were.

0:27:08.080 --> 0:27:11.600
<v Speaker 5>Yeah right, yeah, well yeah, that is I mean, time

0:27:11.720 --> 0:27:14.240
<v Speaker 5>is I think one of the bigger it's hard constraints

0:27:14.240 --> 0:27:15.240
<v Speaker 5>when you're making a movie.

0:27:15.400 --> 0:27:24.439
<v Speaker 4>You know, well, and you guys have another movie as well.

0:27:24.520 --> 0:27:27.320
<v Speaker 5>Yeah, so the other movie we wrote a movie called

0:27:27.480 --> 0:27:30.040
<v Speaker 5>Over Your Dead Body, and that's directed by your michone

0:27:30.160 --> 0:27:35.879
<v Speaker 5>from The Lonely Island, and it's yeah, it's adaptation.

0:27:36.160 --> 0:27:41.280
<v Speaker 4>It's an animation. Yeah, someone dead already and you're dead

0:27:41.280 --> 0:27:41.640
<v Speaker 4>it again?

0:27:41.720 --> 0:27:42.359
<v Speaker 3>Yeah pretty much.

0:27:42.520 --> 0:27:48.520
<v Speaker 5>I mean we made our Spendle cover song. Yeah right, Okay,

0:27:48.600 --> 0:27:51.360
<v Speaker 5>that comes on theaters and that's the theater twenty.

0:27:51.160 --> 0:27:52.119
<v Speaker 3>Fourth wide release.

0:27:52.280 --> 0:27:54.439
<v Speaker 4>Yeah, are you in that one in this movie?

0:27:54.480 --> 0:27:55.160
<v Speaker 3>We are? We are?

0:27:55.280 --> 0:27:58.240
<v Speaker 4>Yeah? Yeah? Who else is going to be two guys?

0:27:58.640 --> 0:28:01.600
<v Speaker 4>You are also in your guys? I don't know that

0:28:01.680 --> 0:28:02.360
<v Speaker 4>you really.

0:28:02.160 --> 0:28:02.439
<v Speaker 1>Have the.

0:28:04.040 --> 0:28:06.720
<v Speaker 4>Well, no one else. You want us to make someone

0:28:06.720 --> 0:28:11.399
<v Speaker 4>else lick this stuff up? They died at all. We

0:28:11.560 --> 0:28:15.280
<v Speaker 4>wanted to do that. It's like, yeah, just like just

0:28:15.320 --> 0:28:17.760
<v Speaker 4>to say it like it wasn't even food, it was clay.

0:28:18.000 --> 0:28:21.120
<v Speaker 2>Any other shots of us after that are not It's

0:28:21.200 --> 0:28:24.119
<v Speaker 2>not us. The brains obviously turn us into radioactive beasts

0:28:24.160 --> 0:28:26.520
<v Speaker 2>who start rampaging across the city and then have to

0:28:26.560 --> 0:28:28.440
<v Speaker 2>get Project Hill married by the other guy.

0:28:28.800 --> 0:28:30.080
<v Speaker 4>Okay, so that's project.

0:28:31.359 --> 0:28:34.240
<v Speaker 3>You said Project.

0:28:34.320 --> 0:28:37.560
<v Speaker 4>There's a couple of projects. Well, you ever watched the NFL?

0:28:37.600 --> 0:28:39.840
<v Speaker 2>Is there only one Hail Mary Pass a season? Or

0:28:39.840 --> 0:28:42.680
<v Speaker 2>does that happen like you know, you know, every whatever,

0:28:42.800 --> 0:28:43.160
<v Speaker 2>six or.

0:28:43.160 --> 0:28:46.240
<v Speaker 4>Seven games or something different thing. But you know what

0:28:46.320 --> 0:28:47.960
<v Speaker 4>I mean. So it's like, oh, Project Hill Marys.

0:28:48.160 --> 0:28:50.320
<v Speaker 2>There's only one of them in the entire movie, I

0:28:50.320 --> 0:28:53.000
<v Speaker 2>don't think. So what about the radioactive beasts?

0:28:53.320 --> 0:28:56.400
<v Speaker 5>You don't play the radioactive beast? That's those are different

0:28:56.440 --> 0:28:58.640
<v Speaker 5>actors that you go to or something.

0:28:58.720 --> 0:29:00.200
<v Speaker 4>When we're eating the brains, it's a us.

0:29:00.280 --> 0:29:04.400
<v Speaker 1>Yeah, it's incredible what you can do performance wise to

0:29:04.480 --> 0:29:07.880
<v Speaker 1>become radioactive beasts without the benefit of any c g

0:29:08.040 --> 0:29:09.680
<v Speaker 1>I or makeup or cost.

0:29:09.920 --> 0:29:12.800
<v Speaker 4>Literally, what is your performance?

0:29:13.000 --> 0:29:13.200
<v Speaker 3>Really?

0:29:13.320 --> 0:29:16.640
<v Speaker 2>It's performance and a little bit to give credit to Casey,

0:29:16.680 --> 0:29:20.960
<v Speaker 2>who you've been dragging through the mud all day, He's

0:29:21.000 --> 0:29:22.440
<v Speaker 2>gonna six the Devil from his.

0:29:22.560 --> 0:29:24.480
<v Speaker 4>Movie on you. Although you might like it, it sounds like

0:29:24.520 --> 0:29:26.960
<v Speaker 4>some of the stuff that doubles to I don't know why.

0:29:27.960 --> 0:29:31.400
<v Speaker 3>You're the ones who filmed movies with aw Dong in The.

0:29:31.520 --> 0:29:35.720
<v Speaker 2>Devil Throats Me Deep, but my lover doesn't. Anyway, the

0:29:35.720 --> 0:29:41.160
<v Speaker 2>the freaking the friggin guy found this like sort of

0:29:41.320 --> 0:29:44.680
<v Speaker 2>perspective where he's kind of shooting up at the beasts

0:29:44.720 --> 0:29:47.120
<v Speaker 2>from like right underneath.

0:29:46.680 --> 0:29:52.000
<v Speaker 5>Like yeah, okay, you guys, yeah, yeah, yeah, it makes

0:29:52.240 --> 0:29:52.840
<v Speaker 5>look huge.

0:29:53.280 --> 0:29:56.400
<v Speaker 4>Oh my god. Yeah, that's part of the movie.

0:29:56.600 --> 0:29:58.480
<v Speaker 3>Yes, because you guys.

0:29:58.680 --> 0:30:03.120
<v Speaker 4>Yeah, I barely even recognize even I'm so huge.

0:30:03.600 --> 0:30:07.800
<v Speaker 1>It's just that I'm really yeah, I'm like, actually, it's

0:30:07.840 --> 0:30:09.040
<v Speaker 1>scared watching.

0:30:08.760 --> 0:30:10.160
<v Speaker 4>You, like I'm gonna step on me.

0:30:10.640 --> 0:30:13.320
<v Speaker 5>I'm surprised you would have trouble remembering that, considering it

0:30:13.400 --> 0:30:15.280
<v Speaker 5>only happened hours ago.

0:30:17.480 --> 0:30:22.120
<v Speaker 6>Yeah, but this was it a screening like after screen, Yeah,

0:30:25.200 --> 0:30:25.760
<v Speaker 6>it's happened.

0:30:25.800 --> 0:30:26.360
<v Speaker 4>We didn't know.

0:30:26.480 --> 0:30:28.840
<v Speaker 1>Sorry, we're watching the screening, you're.

0:30:31.280 --> 0:30:34.239
<v Speaker 2>Yeah, we watched we wrapped it three forty five, then

0:30:34.280 --> 0:30:38.160
<v Speaker 2>we watched dailies from three forty five before, and then yeah,

0:30:38.200 --> 0:30:39.880
<v Speaker 2>the movies looks like it's finished in there and we

0:30:39.920 --> 0:30:42.280
<v Speaker 2>are watching it, and so I'm going, case, is that

0:30:42.480 --> 0:30:44.440
<v Speaker 2>me that beast?

0:30:45.360 --> 0:30:45.640
<v Speaker 3>Yeah?

0:30:45.880 --> 0:30:50.480
<v Speaker 4>No, are you guys in pasta movie? We made the pasta?

0:30:50.960 --> 0:30:51.960
<v Speaker 3>Yeah? Nice.

0:30:52.200 --> 0:30:55.280
<v Speaker 4>Yeah, it was too nice.

0:30:55.320 --> 0:30:58.520
<v Speaker 1>It was too delicioso, and so it did not even

0:30:58.560 --> 0:30:59.720
<v Speaker 1>make it onto the screen.

0:30:59.840 --> 0:31:05.680
<v Speaker 4>You do see our hands going like sorry, like viewers,

0:31:05.680 --> 0:31:06.400
<v Speaker 4>you really.

0:31:06.160 --> 0:31:10.040
<v Speaker 3>Are wait, just your hands going sorry, there's no pasta.

0:31:10.760 --> 0:31:18.640
<v Speaker 4>They go to, you have to cut this something. So

0:31:18.720 --> 0:31:22.560
<v Speaker 4>this is the characters. It was a big, big moment.

0:31:22.640 --> 0:31:25.160
<v Speaker 4>The whole movie is about to get this pasta.

0:31:25.440 --> 0:31:27.560
<v Speaker 5>You know, it's all about them trying to get this

0:31:27.640 --> 0:31:32.480
<v Speaker 5>pizza because they took the drug without food and similar, yeah,

0:31:32.760 --> 0:31:35.200
<v Speaker 5>when you take it with a drug. So then they

0:31:35.240 --> 0:31:36.960
<v Speaker 5>go and they you know, I wouldn't want to want

0:31:36.960 --> 0:31:39.520
<v Speaker 5>to spoil it, but like, yeah.

0:31:39.720 --> 0:31:40.840
<v Speaker 4>You show the pizza.

0:31:43.280 --> 0:31:45.320
<v Speaker 1>To me means as a viewer, that to me means

0:31:45.320 --> 0:31:48.640
<v Speaker 1>it wasn't that delicioso, because that means that nobody ate

0:31:48.720 --> 0:31:53.040
<v Speaker 1>it before, nobody moving, nobody looks so delicio.

0:31:54.800 --> 0:31:56.560
<v Speaker 3>Yeah, because the crew should have eaten that.

0:31:56.640 --> 0:31:57.160
<v Speaker 4>And it was like.

0:31:57.520 --> 0:32:09.600
<v Speaker 1>Yeah, or actually, I mean probably the chef thet.

0:32:06.880 --> 0:32:07.640
<v Speaker 3>You're like, this is.

0:32:10.240 --> 0:32:13.280
<v Speaker 4>Yeah, you know what I mean.

0:32:13.560 --> 0:32:15.520
<v Speaker 2>I want to have to bust into the kitchen, catch

0:32:15.560 --> 0:32:17.560
<v Speaker 2>the shot red handed.

0:32:17.560 --> 0:32:21.880
<v Speaker 4>Coop it out of his mouth. Yeah no, but but

0:32:21.960 --> 0:32:24.680
<v Speaker 4>that's cool. What what do you guys did? It sounds

0:32:24.720 --> 0:32:25.160
<v Speaker 4>really good?

0:32:25.280 --> 0:32:27.480
<v Speaker 2>Yeah, that could be good to We tried a couple

0:32:27.560 --> 0:32:30.560
<v Speaker 2>takes where they acted like our hands were the pasta,

0:32:30.760 --> 0:32:33.960
<v Speaker 2>just because we had the same thought of like, are

0:32:34.000 --> 0:32:36.600
<v Speaker 2>people going to be disappointed if they don't ever see

0:32:36.640 --> 0:32:38.920
<v Speaker 2>the characters and hot hunks.

0:32:39.200 --> 0:32:41.960
<v Speaker 4>If they don't see them like see the postle, like

0:32:42.080 --> 0:32:42.920
<v Speaker 4>be excited about it.

0:32:43.040 --> 0:32:46.720
<v Speaker 2>But so it just didn't work because our hands didn't

0:32:46.720 --> 0:32:48.760
<v Speaker 2>really look like pasta even with the sauce.

0:32:52.280 --> 0:32:54.440
<v Speaker 3>Were they like slurping your fingers?

0:32:54.520 --> 0:32:56.440
<v Speaker 4>Well, we left the takes in. I mean you can

0:32:56.520 --> 0:33:01.480
<v Speaker 4>see you left hold even work didn't pick one take.

0:33:03.280 --> 0:33:05.600
<v Speaker 3>Much of raw foot inter you just licking your fingers

0:33:06.320 --> 0:33:07.000
<v Speaker 3>me straight.

0:33:07.040 --> 0:33:09.240
<v Speaker 5>At the end, when the characters get to the pasta,

0:33:09.760 --> 0:33:12.280
<v Speaker 5>they see a series of shots.

0:33:13.040 --> 0:33:15.840
<v Speaker 3>I'm sorry you don't have it, so okay, one, then

0:33:16.480 --> 0:33:17.320
<v Speaker 3>saucy hands.

0:33:17.400 --> 0:33:20.200
<v Speaker 5>Yeah, I'm so sorry we don't have the Pasta's heard

0:33:20.240 --> 0:33:24.840
<v Speaker 5>off screen amongst but I know that's that's Project Tail Mary.

0:33:24.880 --> 0:33:28.920
<v Speaker 5>You maybe hear method Man so this this movie? Yeah, okay,

0:33:29.080 --> 0:33:29.400
<v Speaker 5>he was.

0:33:29.880 --> 0:33:31.840
<v Speaker 2>He had come in a little bit early for his

0:33:32.160 --> 0:33:33.960
<v Speaker 2>for his PHM scenes.

0:33:33.880 --> 0:33:35.800
<v Speaker 4>Right, so this was all today I forget.

0:33:36.120 --> 0:33:38.320
<v Speaker 1>Yeah, And that was part of what he got after

0:33:38.920 --> 0:33:40.760
<v Speaker 1>forcibly reopening his deal.

0:33:41.600 --> 0:33:43.719
<v Speaker 2>We went back and shot sort of a tag at

0:33:43.720 --> 0:33:46.120
<v Speaker 2>the end of Pasta movie where it's like sort of

0:33:46.160 --> 0:33:48.520
<v Speaker 2>like a post credit sequence like they would have in some.

0:33:48.480 --> 0:33:50.080
<v Speaker 3>Of the Marvel felt Yeah, yeah, those are great.

0:33:50.360 --> 0:33:54.080
<v Speaker 2>Yeah, And it kind of like launches like method Man's

0:33:54.320 --> 0:33:58.360
<v Speaker 2>Pasta story for ideally for the sequels, the whole Pasta

0:33:58.440 --> 0:34:00.840
<v Speaker 2>verse Yeah, what's what was that be?

0:34:02.000 --> 0:34:06.000
<v Speaker 4>Is shooting just shooting alien like killing aliens? You know?

0:34:07.200 --> 0:34:12.400
<v Speaker 1>Jason seagulls in your movie Over your Body, Guy.

0:34:12.320 --> 0:34:13.960
<v Speaker 4>You're not supposed to feed him fries?

0:34:14.280 --> 0:34:16.080
<v Speaker 3>What do you mean? What what are you talking about?

0:34:16.600 --> 0:34:17.279
<v Speaker 4>Don't kill him?

0:34:17.680 --> 0:34:22.600
<v Speaker 2>Then well then they go crazy, they forget how to

0:34:22.760 --> 0:34:25.080
<v Speaker 2>find their own foods, and then they're only coming for

0:34:25.160 --> 0:34:26.560
<v Speaker 2>your fries and his family.

0:34:26.840 --> 0:34:33.080
<v Speaker 5>Yeah, and then you're thinking of a different and pet kids.

0:34:33.200 --> 0:34:35.480
<v Speaker 3>No, yeah, you're thinking of a seagull that you may

0:34:35.480 --> 0:34:38.080
<v Speaker 3>be named Jason. I guess this is an actor from

0:34:38.280 --> 0:34:41.600
<v Speaker 3>How Much Mother Shrinking? Yeah, make any sense?

0:34:41.960 --> 0:34:46.240
<v Speaker 4>No, this one was also in those in those shows.

0:34:46.040 --> 0:34:50.440
<v Speaker 2>Yeah, as a series regular or just as a bird.

0:34:50.480 --> 0:34:52.840
<v Speaker 2>And that I didn't get into the details of his deal.

0:34:53.000 --> 0:34:54.719
<v Speaker 2>I mean you probably have to ask the method made

0:34:54.760 --> 0:34:57.440
<v Speaker 2>them to find out, you know, the finer.

0:34:57.160 --> 0:35:00.480
<v Speaker 4>Points of the contract. I'm sure guy's a shark, but

0:35:00.719 --> 0:35:04.799
<v Speaker 4>uh yeah, he was definitely in definitely in How I

0:35:04.840 --> 0:35:08.960
<v Speaker 4>Met Your Mother? Yeah, okay, and definitely in Shrinking.

0:35:09.480 --> 0:35:12.680
<v Speaker 3>Okay, what else did you say that's always said.

0:35:13.000 --> 0:35:13.799
<v Speaker 4>The Muppet movie?

0:35:13.920 --> 0:35:22.240
<v Speaker 2>Okay, okay, okay, Yeah, I do think I can probably

0:35:22.239 --> 0:35:22.759
<v Speaker 2>skip ahead.

0:35:22.760 --> 0:35:25.719
<v Speaker 4>And you're thinking of a different I really sorry, we're

0:35:25.719 --> 0:35:26.720
<v Speaker 4>reacting to the movies.

0:35:29.440 --> 0:35:30.960
<v Speaker 3>Is is it going okay?

0:35:31.160 --> 0:35:32.240
<v Speaker 4>It's going okay?

0:35:32.400 --> 0:35:35.080
<v Speaker 3>Oh yeah, that's why you're saying it's going okay.

0:35:35.239 --> 0:35:36.880
<v Speaker 4>This is a This is a test screening.

0:35:37.080 --> 0:35:38.360
<v Speaker 3>Yeah, right in.

0:35:38.400 --> 0:35:40.480
<v Speaker 1>The movie is also for us, so we have to

0:35:40.600 --> 0:35:45.880
<v Speaker 1>audibly give our rating yes as it's happening.

0:35:46.280 --> 0:35:49.640
<v Speaker 4>Gotta kind of turn because it's out already, like and

0:35:49.680 --> 0:35:52.520
<v Speaker 4>it's out, yeah, comes out.

0:35:54.280 --> 0:35:58.040
<v Speaker 5>I would say pick maybe one of the three takes

0:35:58.080 --> 0:35:59.920
<v Speaker 5>you used as your hands as the pasta.

0:36:00.040 --> 0:36:02.520
<v Speaker 4>In the end, we learned that it's a different movie.

0:36:03.120 --> 0:36:05.680
<v Speaker 4>Oh yeah, oh what is it? What are you screen

0:36:05.760 --> 0:36:09.120
<v Speaker 4>You're screening this project Project Sorry.

0:36:08.920 --> 0:36:11.919
<v Speaker 5>This is Is there any food in Project Hill?

0:36:11.960 --> 0:36:12.240
<v Speaker 4>Mary?

0:36:13.000 --> 0:36:14.680
<v Speaker 3>Well, that brain kind of becomes food for them.

0:36:14.719 --> 0:36:17.120
<v Speaker 4>Yeah, yeah, I mean we eat the brains. Yeah.

0:36:17.800 --> 0:36:21.120
<v Speaker 1>We have to pretend like it's breakfast, like yeah, just

0:36:21.120 --> 0:36:24.120
<v Speaker 1>to have a like a reason, you know, we have

0:36:24.200 --> 0:36:29.279
<v Speaker 1>to like order yea the brain breakfast and be like

0:36:29.280 --> 0:36:31.719
<v Speaker 1>can we eat this off the floor, and then like

0:36:31.880 --> 0:36:34.840
<v Speaker 1>pay for it, which was incredibly expensive.

0:36:34.920 --> 0:36:38.520
<v Speaker 4>Yeah, that was a nightmare. Yeah, they charge just so much.

0:36:38.600 --> 0:36:42.280
<v Speaker 2>It was clay right, and it was it wasn't even food,

0:36:42.320 --> 0:36:44.200
<v Speaker 2>but we had to order it for breakfast, and then

0:36:44.239 --> 0:36:46.120
<v Speaker 2>we had to eat it and we had to pay

0:36:46.239 --> 0:36:48.279
<v Speaker 2>for it in front of everybody, And.

0:36:48.760 --> 0:36:49.920
<v Speaker 3>Really, why that, guys?

0:36:52.680 --> 0:36:56.000
<v Speaker 2>Well, I mean it's we're telling a three act story,

0:36:56.200 --> 0:36:57.960
<v Speaker 2>you know, I mean, why why is that?

0:36:58.040 --> 0:37:05.719
<v Speaker 4>It's like ask Aristotle read poetics? Plot is character? Like

0:37:05.880 --> 0:37:08.640
<v Speaker 4>you know, it's just like not, you know, like why

0:37:08.760 --> 0:37:09.440
<v Speaker 4>is that? Like?

0:37:09.600 --> 0:37:11.239
<v Speaker 3>Well, I was just meant, why is that embarrassing?

0:37:11.320 --> 0:37:11.400
<v Speaker 4>Not?

0:37:12.360 --> 0:37:14.880
<v Speaker 2>Oh, it's just like it was a lot of a

0:37:14.960 --> 0:37:18.640
<v Speaker 2>lot of money, right. I had to call my dad

0:37:18.680 --> 0:37:20.440
<v Speaker 2>at one point and ask him if I could borrow

0:37:20.480 --> 0:37:22.920
<v Speaker 2>some money so that I could pay for the brains.

0:37:22.960 --> 0:37:24.640
<v Speaker 4>It was so much money it made.

0:37:25.360 --> 0:37:28.480
<v Speaker 1>And then we had to sorry, we were already feeling

0:37:28.520 --> 0:37:32.640
<v Speaker 1>so sick it was, but we had to eat so

0:37:33.040 --> 0:37:37.560
<v Speaker 1>much because your old Rocky's brains are his entire body,

0:37:37.719 --> 0:37:40.279
<v Speaker 1>the entire his body.

0:37:40.040 --> 0:37:42.480
<v Speaker 2>Is filled with brains. He's really smart. Like I don't

0:37:42.480 --> 0:37:45.879
<v Speaker 2>know if you've seen the movie, but like I don't

0:37:45.920 --> 0:37:50.000
<v Speaker 2>know what he's being a scientist and yeah, yeah, so.

0:37:49.960 --> 0:37:51.560
<v Speaker 3>He's got brains like his fingers.

0:37:51.400 --> 0:37:55.359
<v Speaker 4>Not too much of it, well, not in yours at all.

0:37:55.920 --> 0:37:59.839
<v Speaker 1>Yours, you get a little bit.

0:38:00.360 --> 0:38:02.120
<v Speaker 3>If he didn't frame one how do you get a

0:38:02.160 --> 0:38:02.600
<v Speaker 3>sense of it?

0:38:02.640 --> 0:38:05.080
<v Speaker 4>You know, well, we're talking about like this must be

0:38:05.080 --> 0:38:09.920
<v Speaker 4>this thing. Costa movie sort of sets it up. Maybe

0:38:11.280 --> 0:38:11.680
<v Speaker 4>it does.

0:38:12.400 --> 0:38:17.680
<v Speaker 1>Fortunately, people have to watch pasta movie after they already watched.

0:38:19.719 --> 0:38:20.880
<v Speaker 4>Which is kind of savvy.

0:38:21.040 --> 0:38:23.320
<v Speaker 5>I don't want to you by asking why you don't

0:38:23.320 --> 0:38:27.040
<v Speaker 5>have any questions about Louie or Okay, I do have

0:38:27.200 --> 0:38:32.440
<v Speaker 5>questions about so Blue, if I recall correctly, is all black.

0:38:32.280 --> 0:38:34.400
<v Speaker 3>Some black dog ran black sheet in a black.

0:38:34.160 --> 0:38:38.080
<v Speaker 5>Room and he's a side character in the movie and

0:38:38.080 --> 0:38:40.680
<v Speaker 5>it's animated, but it's also filmed in Kevin's Why is.

0:38:40.680 --> 0:38:43.279
<v Speaker 3>She wearing a black sheet? What's up with that? I

0:38:43.280 --> 0:38:44.480
<v Speaker 3>don't think we ever got the answer.

0:38:45.680 --> 0:38:47.160
<v Speaker 4>That's for sound as well.

0:38:49.120 --> 0:38:52.799
<v Speaker 2>Okay, just to muffle some of the barks or some

0:38:52.880 --> 0:38:55.840
<v Speaker 2>of the other noises.

0:38:56.120 --> 0:38:57.960
<v Speaker 4>You didn't want to do that in post, I guess you.

0:38:58.600 --> 0:39:00.840
<v Speaker 3>Post was I mean you you know it was.

0:39:02.680 --> 0:39:04.000
<v Speaker 4>Very efficient with our post.

0:39:04.080 --> 0:39:07.279
<v Speaker 2>We're actually finishing up a test screening now, so in

0:39:07.360 --> 0:39:13.960
<v Speaker 2>terms of like the uh sort of distribution of our

0:39:14.280 --> 0:39:17.319
<v Speaker 2>resources and our time in post, we felt like, if

0:39:17.320 --> 0:39:20.400
<v Speaker 2>there's anything we can do on set to muffle these barks,

0:39:20.440 --> 0:39:23.239
<v Speaker 2>which were constant and actually became more frequent once the

0:39:23.280 --> 0:39:24.839
<v Speaker 2>sheet was on, because I don't know, if you ever

0:39:24.880 --> 0:39:26.160
<v Speaker 2>put a black sheet over a.

0:39:26.120 --> 0:39:29.239
<v Speaker 4>Dog, they don't love it. They don't love it.

0:39:29.320 --> 0:39:33.520
<v Speaker 1>Yeah, but it worked like for story reasons and just

0:39:33.560 --> 0:39:35.920
<v Speaker 1>like working with animal performers on the.

0:39:36.640 --> 0:39:40.759
<v Speaker 3>Yeah, there's a b it's a live action, live action.

0:39:40.840 --> 0:39:42.359
<v Speaker 3>It's not that. I really don't think.

0:39:42.239 --> 0:39:42.759
<v Speaker 4>It's the dog.

0:39:42.880 --> 0:39:46.040
<v Speaker 3>It doesn't feel it's genetic similarity.

0:39:46.080 --> 0:39:47.880
<v Speaker 1>We were sort of so it's said it was the

0:39:47.920 --> 0:39:50.520
<v Speaker 1>dog from Bluid, But entire time I was kind of like,

0:39:50.560 --> 0:39:52.440
<v Speaker 1>this is not what do you mean it's said we

0:39:52.480 --> 0:39:55.000
<v Speaker 1>said stop, and we were doing so much about our

0:39:55.040 --> 0:39:57.920
<v Speaker 1>own thing that like, yeah, I didn't even have time

0:39:58.000 --> 0:40:01.600
<v Speaker 1>to There was so many anyone we do for Blue

0:40:02.000 --> 0:40:02.439
<v Speaker 1>right right?

0:40:02.600 --> 0:40:03.480
<v Speaker 4>Yes, they're not.

0:40:04.080 --> 0:40:08.480
<v Speaker 1>It showed up wearing the black sheet, yeah, and said

0:40:08.680 --> 0:40:09.439
<v Speaker 1>it was the dog.

0:40:10.840 --> 0:40:12.600
<v Speaker 3>It said, the dog said.

0:40:12.760 --> 0:40:16.400
<v Speaker 5>Yes, yes, And then you just cast it as the

0:40:16.440 --> 0:40:17.200
<v Speaker 5>supporting part.

0:40:17.239 --> 0:40:19.720
<v Speaker 4>Did you change that it was the name blue before

0:40:19.880 --> 0:40:23.080
<v Speaker 4>the dog the movie? Yeah, I mean you got we

0:40:23.160 --> 0:40:24.960
<v Speaker 4>got Blue in this movie. Now the movie is going

0:40:25.000 --> 0:40:25.640
<v Speaker 4>to be called Blue.

0:40:25.800 --> 0:40:27.800
<v Speaker 3>Do you think it wasn't? I mean, I don't know,

0:40:27.840 --> 0:40:29.120
<v Speaker 3>I don't. I don't think it was do you think

0:40:29.120 --> 0:40:31.000
<v Speaker 3>it was a dog? No, not a dog, right, someone

0:40:31.040 --> 0:40:33.080
<v Speaker 3>showed up. You always had the sheet on. You ever

0:40:33.080 --> 0:40:33.960
<v Speaker 3>see Blue without that?

0:40:34.000 --> 0:40:35.879
<v Speaker 2>She I don't want to have the whole argument again

0:40:35.960 --> 0:40:38.880
<v Speaker 2>because it was a dog. Because the dog was barking.

0:40:38.960 --> 0:40:41.840
<v Speaker 4>It was somebody, somebody get this sheet off of me.

0:40:41.880 --> 0:40:43.480
<v Speaker 2>And then of course when I would go to take

0:40:43.480 --> 0:40:45.440
<v Speaker 2>the sheet off, the dog would try to bite me.

0:40:45.600 --> 0:40:48.560
<v Speaker 3>I mean, yeah, I mean, dogs famously don't talk. I mean,

0:40:48.600 --> 0:40:50.439
<v Speaker 3>I don't know if you you guys must have thought

0:40:50.440 --> 0:40:51.120
<v Speaker 3>about that as something.

0:40:51.239 --> 0:40:54.000
<v Speaker 5>What was the movie before you changed it to Blue

0:40:54.160 --> 0:40:55.480
<v Speaker 5>after this dog showed up?

0:40:58.640 --> 0:41:01.040
<v Speaker 4>I mean it was a psycho sexual real ride. Yeah,

0:41:01.239 --> 0:41:06.719
<v Speaker 4>it was like seven am. It was a while ago. Yeah,

0:41:06.840 --> 0:41:08.120
<v Speaker 4>it was way before breakfast.

0:41:08.160 --> 0:41:10.200
<v Speaker 2>We didn't end up having breakfast until we were shooting

0:41:10.200 --> 0:41:13.880
<v Speaker 2>Project Hill Mary, which was the Clay Yeah, and that

0:41:14.040 --> 0:41:17.040
<v Speaker 2>was at one, right, so we hadn't had anything to

0:41:17.080 --> 0:41:17.520
<v Speaker 2>eat yet.

0:41:17.560 --> 0:41:20.120
<v Speaker 5>What about the pasta that you ate during the filming

0:41:20.120 --> 0:41:21.200
<v Speaker 5>Aposta movie, Well.

0:41:21.080 --> 0:41:22.360
<v Speaker 4>We didn't consider that breakfast.

0:41:23.719 --> 0:41:25.319
<v Speaker 2>We certainly had not eaten that at the time that

0:41:25.320 --> 0:41:28.080
<v Speaker 2>we were filming blueye at like seven fifteen later.

0:41:28.760 --> 0:41:31.120
<v Speaker 3>Yeah, yeah, okay, I mean, you guys are incredible that

0:41:31.120 --> 0:41:33.760
<v Speaker 3>you can film three movies in a day like it. Really,

0:41:33.800 --> 0:41:35.239
<v Speaker 3>I don't know any of the filmmakers that can.

0:41:35.360 --> 0:41:38.560
<v Speaker 4>Thanks by