1 00:00:08,080 --> 00:00:18,640 Speaker 1: So it's me, it's Luke Nol and Linda Hunt, and 2 00:00:19,320 --> 00:00:24,720 Speaker 1: we are going to build a Gingerbread version of Falling 3 00:00:24,760 --> 00:00:28,520 Speaker 1: Water by frinklb Right, And uh, we're in the design 4 00:00:28,560 --> 00:00:32,240 Speaker 1: phase and it's and it's debate. It's what's going to 5 00:00:32,280 --> 00:00:35,000 Speaker 1: be the water? And it's well, what about these candy ribbons? 6 00:00:35,120 --> 00:00:37,919 Speaker 1: And it's well, what about these sour punch straws? And 7 00:00:37,960 --> 00:00:41,040 Speaker 1: it's no, it can't be that, you know. And that's Linda, 8 00:00:41,680 --> 00:00:47,040 Speaker 1: And I'm starting to get frustrated because the competition is 9 00:00:47,640 --> 00:00:48,160 Speaker 1: in an hour. 10 00:00:48,680 --> 00:00:52,000 Speaker 2: Wow, but you can't skip the design phase. No. I've 11 00:00:52,000 --> 00:00:55,520 Speaker 2: gone into those cold before and it never ends up 12 00:00:55,560 --> 00:00:58,200 Speaker 2: looking like any of the buildings. 13 00:00:58,280 --> 00:01:00,240 Speaker 1: It's not the spot you want to play jazz as 14 00:01:00,280 --> 00:01:05,240 Speaker 1: in thank you. You really do need to write out 15 00:01:05,240 --> 00:01:11,000 Speaker 1: the sheet music and get every note. So you know, 16 00:01:11,080 --> 00:01:12,680 Speaker 1: I'm going out and asking the judges if I can 17 00:01:12,720 --> 00:01:13,400 Speaker 1: get more time. 18 00:01:14,600 --> 00:01:19,920 Speaker 2: Uh. Luke's competition hasn't started, but the judges are there. 19 00:01:20,520 --> 00:01:23,920 Speaker 1: Well, I guess sorry, I thought you'd done one of 20 00:01:23,959 --> 00:01:25,360 Speaker 1: these then. 21 00:01:25,200 --> 00:01:28,840 Speaker 2: With the ones, I know you just done you competition, 22 00:01:28,880 --> 00:01:32,280 Speaker 2: and when the competition begins, that's when the judges are 23 00:01:32,319 --> 00:01:33,880 Speaker 2: available for the question and. 24 00:01:33,840 --> 00:01:36,560 Speaker 1: Do they not exist prior to that, are they? They 25 00:01:36,600 --> 00:01:39,880 Speaker 1: just materialize they do in the room for the competition, 26 00:01:39,959 --> 00:01:42,520 Speaker 1: but they're not ever in the building, or they don't 27 00:01:42,560 --> 00:01:44,920 Speaker 1: have a phone before, or that they're not maybe a 28 00:01:44,920 --> 00:01:48,720 Speaker 1: close friend of yours you actually are tight with because 29 00:01:48,720 --> 00:01:50,920 Speaker 1: you're actually friends with basically everyone in this town. 30 00:01:51,040 --> 00:01:54,280 Speaker 2: See, thank you. I prefer to go into these competitions 31 00:01:54,280 --> 00:01:57,400 Speaker 2: without that advantage. I just want to be evaluated on 32 00:01:57,440 --> 00:01:57,920 Speaker 2: the work. 33 00:01:58,560 --> 00:02:01,200 Speaker 1: I wish that was still possible for me. I remember 34 00:02:01,280 --> 00:02:03,520 Speaker 1: years ago when I started out, and I really knew 35 00:02:03,560 --> 00:02:10,080 Speaker 1: that people were judging my gingerbread architecture for the architecture itself, yeah, 36 00:02:10,120 --> 00:02:13,600 Speaker 1: and not just doing their buddy a favor. But unfortunately, 37 00:02:13,600 --> 00:02:16,120 Speaker 1: I have a very good personality and people really like 38 00:02:16,240 --> 00:02:21,720 Speaker 1: hagged out with me, and that has had some consequences 39 00:02:21,960 --> 00:02:26,600 Speaker 1: that I couldn't control. So you know which sort of 40 00:02:26,639 --> 00:02:28,800 Speaker 1: I guess sets up the story, which is we wound 41 00:02:28,880 --> 00:02:32,040 Speaker 1: up walking out with basically just a shoe box full 42 00:02:32,080 --> 00:02:34,359 Speaker 1: of crackers and we took first place. 43 00:02:36,120 --> 00:02:40,239 Speaker 2: Wow, why why were were those even supplied? No, no, 44 00:02:40,400 --> 00:02:44,360 Speaker 2: Luke had those. It was his lunch. Oh yeah, uh 45 00:02:44,760 --> 00:02:46,720 Speaker 2: so you know he was mad. 46 00:02:47,440 --> 00:02:51,080 Speaker 1: But I was going like buddy, the prize is like 47 00:02:51,120 --> 00:02:57,120 Speaker 1: a better lunch. So like, why you know it's eemn worth. Yeah, 48 00:02:57,320 --> 00:03:01,359 Speaker 1: you can always get the marsh the marshmallows test. That's 49 00:03:01,440 --> 00:03:04,240 Speaker 1: exactly right, it's the marshmallow test. You know would have 50 00:03:04,240 --> 00:03:09,480 Speaker 1: failed that? Who uh probably engineered Devin. 51 00:03:10,040 --> 00:03:12,359 Speaker 2: Hey, welcome to Hollywood, Hambuck and the Tatter's Guide to 52 00:03:12,440 --> 00:03:18,680 Speaker 2: Kicking button dropping names in the red carpet line. We 53 00:03:18,720 --> 00:03:23,000 Speaker 2: haven't a nice little cozy room today of a lot 54 00:03:23,000 --> 00:03:28,320 Speaker 2: of friends engineered Devin, first time doing the engineer, for 55 00:03:28,480 --> 00:03:30,840 Speaker 2: our first time being an engineer. And he comes in 56 00:03:30,880 --> 00:03:32,799 Speaker 2: here and says, well, I've actually done a lot of 57 00:03:32,840 --> 00:03:35,800 Speaker 2: engineering before, in a very in this very fake way. 58 00:03:36,080 --> 00:03:40,720 Speaker 1: Yeah, in this way that I would have believed he 59 00:03:40,840 --> 00:03:43,400 Speaker 1: had done engineering before if he had said it any 60 00:03:43,440 --> 00:03:49,120 Speaker 1: other way. Yes, just you're so exposed. Do you know 61 00:03:49,160 --> 00:03:53,000 Speaker 1: anything about playing poker games? 62 00:03:54,400 --> 00:03:57,800 Speaker 3: I'm familiar with the concept. Yeah, yeah, you actually don't. 63 00:03:57,840 --> 00:04:00,960 Speaker 1: You actually don't play the cards, Devin, you play the man. 64 00:04:02,120 --> 00:04:04,240 Speaker 2: He said it in the same way just now that 65 00:04:04,320 --> 00:04:06,960 Speaker 2: he said that, he which which I love because now 66 00:04:07,000 --> 00:04:09,200 Speaker 2: the audience can hear it, and if we have any 67 00:04:09,200 --> 00:04:12,400 Speaker 2: card sharps at home, uh, they can play along. 68 00:04:12,560 --> 00:04:15,280 Speaker 1: Because I need to only look in your eyes to 69 00:04:15,280 --> 00:04:18,560 Speaker 1: know exactly what you hold. Devin, and you should fold. 70 00:04:21,920 --> 00:04:27,080 Speaker 2: Talk a little, should stop yes, doing, stop engineering, get 71 00:04:27,120 --> 00:04:28,719 Speaker 2: out now, just leave. 72 00:04:28,880 --> 00:04:29,919 Speaker 1: No one has been hurt. 73 00:04:30,160 --> 00:04:31,200 Speaker 2: That's what I was thinking. 74 00:04:31,960 --> 00:04:33,680 Speaker 1: The Earwolf is still. 75 00:04:33,440 --> 00:04:35,800 Speaker 2: Intact safer for us to do it ourselves. 76 00:04:35,839 --> 00:04:39,800 Speaker 1: Absolutely, So you may want to leave, but if you 77 00:04:39,839 --> 00:04:43,200 Speaker 1: insist on sticking around, please introduce our guests. 78 00:04:44,560 --> 00:04:47,400 Speaker 4: Oh me, yeah of course, Okay, sure of course. I 79 00:04:47,440 --> 00:04:50,920 Speaker 4: thought you've done this before. Have you never engineered before? 80 00:04:52,279 --> 00:04:54,800 Speaker 4: I thought that was a host task? 81 00:04:55,040 --> 00:04:58,800 Speaker 3: Then, well we know you thought that. Yeah, well I 82 00:04:58,839 --> 00:05:03,359 Speaker 3: was wrong obviously. Yeah, well, welcome to the show we've got. 83 00:05:04,120 --> 00:05:05,080 Speaker 3: Is that what you're looking for? 84 00:05:05,240 --> 00:05:07,880 Speaker 2: Like some I'm looking for a little moment the. 85 00:05:09,600 --> 00:05:11,559 Speaker 3: Well, let's just know it's checking as we're going along. 86 00:05:11,600 --> 00:05:13,080 Speaker 3: That's that's all happening. 87 00:05:13,200 --> 00:05:15,080 Speaker 1: I hope you're planning to edit this part out. 88 00:05:16,000 --> 00:05:20,200 Speaker 2: Let's proceed directly to the guest's name. Come on, we 89 00:05:20,279 --> 00:05:28,000 Speaker 2: got Stephanie Robinson. Thank you, very exciting. Hi Stephanie, Hi, Stephanie. 90 00:05:28,040 --> 00:05:31,919 Speaker 2: Run us through the old CV real quick, the old boom, 91 00:05:32,920 --> 00:05:33,840 Speaker 2: the creds. 92 00:05:33,680 --> 00:05:38,000 Speaker 5: The creds. I'm a television writer. I've written for shows. 93 00:05:39,120 --> 00:05:44,440 Speaker 6: Let's see Atlanta on the top of the list. 94 00:05:45,279 --> 00:05:49,679 Speaker 2: Yeah, just alphabetically starting there with the going down from there. 95 00:05:49,520 --> 00:05:50,479 Speaker 6: All right down from there. 96 00:05:51,240 --> 00:05:55,839 Speaker 5: A little show, a little canceled show called Man Seeking Woman, Okay, 97 00:05:57,839 --> 00:05:58,520 Speaker 5: and a. 98 00:05:58,520 --> 00:06:00,839 Speaker 2: Show that I love, Trippy Ship. So I liked you 99 00:06:00,880 --> 00:06:01,320 Speaker 2: like that show? 100 00:06:01,400 --> 00:06:02,359 Speaker 6: Yes, I love that show. 101 00:06:04,240 --> 00:06:06,200 Speaker 5: And then I've written for a show that that was 102 00:06:06,200 --> 00:06:11,360 Speaker 5: canceled before we ever on the air, called Deadpool. 103 00:06:14,120 --> 00:06:16,520 Speaker 1: He's actually stopped by the studio before. 104 00:06:16,839 --> 00:06:20,920 Speaker 2: Yeah, friend of the show. Yeah, And my understanding from 105 00:06:21,040 --> 00:06:24,280 Speaker 2: him is that the show was canceled because he did 106 00:06:24,600 --> 00:06:26,159 Speaker 2: did end up escaping from the TV. 107 00:06:26,839 --> 00:06:29,279 Speaker 6: Oh sure, I mean you know that sounds about. 108 00:06:29,120 --> 00:06:31,240 Speaker 2: Right, that he busted out of the screen of the TV. 109 00:06:31,040 --> 00:06:32,960 Speaker 1: And it seems like that was his plan all along. 110 00:06:33,040 --> 00:06:35,000 Speaker 1: And then I believe he busted out, came straight to 111 00:06:35,040 --> 00:06:37,880 Speaker 1: our studio and started making some double entendres that you 112 00:06:37,960 --> 00:06:41,200 Speaker 1: did not want to have told in front of your children. 113 00:06:41,320 --> 00:06:47,000 Speaker 5: Necessarily, he's famous for that. He's incorrigible scoundrel. 114 00:06:47,120 --> 00:06:50,559 Speaker 2: What was it like working with him? 115 00:06:51,120 --> 00:06:55,440 Speaker 6: Uh, you know, he's a character. 116 00:06:56,240 --> 00:06:58,960 Speaker 2: Okay, sounds like there's something, Yeah, a little bit of 117 00:06:58,960 --> 00:07:00,919 Speaker 2: it seems like a bit more engine there. 118 00:07:01,400 --> 00:07:04,040 Speaker 1: I don't want to, you know, I want to did 119 00:07:04,080 --> 00:07:05,800 Speaker 1: he and I know you don't want to say, did 120 00:07:05,839 --> 00:07:07,239 Speaker 1: he pretend his sword was his wing? 121 00:07:07,440 --> 00:07:10,600 Speaker 2: Yeah? I mean, I mean the workplace has changed a 122 00:07:10,640 --> 00:07:14,440 Speaker 2: little bit of the way where Deadpool is not necessarily 123 00:07:14,520 --> 00:07:16,440 Speaker 2: caught up to the new rules. 124 00:07:16,640 --> 00:07:17,360 Speaker 6: No, he's not. 125 00:07:17,520 --> 00:07:19,280 Speaker 5: I mean he's not really sort of up to speed 126 00:07:19,320 --> 00:07:21,640 Speaker 5: with what's happening in the media and you know the climate, 127 00:07:21,840 --> 00:07:24,400 Speaker 5: if you will. 128 00:07:23,520 --> 00:07:26,360 Speaker 1: I mean you you said earlier that, you know, before 129 00:07:26,360 --> 00:07:28,360 Speaker 1: it even came out, Deadpool is canceled. But I would 130 00:07:28,400 --> 00:07:29,040 Speaker 1: also say. 131 00:07:29,320 --> 00:07:30,720 Speaker 2: Was canceled canceled? 132 00:07:33,760 --> 00:07:37,920 Speaker 1: I mean, some of this stuff you can't do it anymore. 133 00:07:40,720 --> 00:07:47,840 Speaker 1: So you did a big Deadpool did If we could 134 00:07:47,920 --> 00:07:51,600 Speaker 1: back up? He started out by talking about Atlanta. Yeah, 135 00:07:52,320 --> 00:07:54,480 Speaker 1: and I think that's kind of why we're here, isn't it. 136 00:07:55,280 --> 00:07:59,280 Speaker 2: Isn't it really a bit of an emergency podcast in 137 00:07:59,320 --> 00:08:02,240 Speaker 2: a way, one of them more urgent ones we've ever done. 138 00:08:04,280 --> 00:08:08,200 Speaker 2: We have been sort of monitoring the situation over there, 139 00:08:10,880 --> 00:08:16,880 Speaker 2: watching the show, taking notes, yep, and sort of knowing 140 00:08:16,920 --> 00:08:20,800 Speaker 2: eventually at some point someone would come to us and 141 00:08:20,960 --> 00:08:24,840 Speaker 2: they give us a hand here, which you have now done. 142 00:08:26,400 --> 00:08:30,120 Speaker 2: You reached out and said Sean and Hayes, can you 143 00:08:30,760 --> 00:08:31,679 Speaker 2: fix this show? 144 00:08:34,520 --> 00:08:37,360 Speaker 1: It has so many great pieces. 145 00:08:37,640 --> 00:08:39,040 Speaker 2: The bones are incredible. 146 00:08:39,080 --> 00:08:43,199 Speaker 1: It's really there's a lot of potential there, but it's 147 00:08:43,200 --> 00:08:45,480 Speaker 1: absolutely insane and no one knows what's going on. 148 00:08:45,880 --> 00:08:51,040 Speaker 2: Okay, yeah, it needs a bottom up. It's a knockdown. 149 00:08:52,480 --> 00:08:53,840 Speaker 2: It's a knockdown renovation. 150 00:08:54,040 --> 00:08:57,679 Speaker 1: The foundation's there, oh yeah, everything else we just gotta go. 151 00:08:58,120 --> 00:09:01,320 Speaker 2: Wait, and the location and is the time slot? 152 00:09:02,960 --> 00:09:04,559 Speaker 6: So that not the location. 153 00:09:05,160 --> 00:09:08,679 Speaker 2: That's when I talk about location and reference to television, 154 00:09:09,160 --> 00:09:10,280 Speaker 2: that means the time slot. 155 00:09:10,679 --> 00:09:13,480 Speaker 1: Yes, Hayes is always trying to find his location in 156 00:09:13,520 --> 00:09:17,480 Speaker 1: the fourth dimension times yes, okay, Yes, he sort of 157 00:09:17,520 --> 00:09:20,560 Speaker 1: transcended a lot of the other physical stuff we talk about. 158 00:09:21,160 --> 00:09:24,240 Speaker 1: Do you want to get into any of your new 159 00:09:24,320 --> 00:09:26,560 Speaker 1: meditation techniques or anything. I mean, I know you've been 160 00:09:26,600 --> 00:09:28,320 Speaker 1: meaning to bring it up on the show that you've 161 00:09:28,360 --> 00:09:33,280 Speaker 1: sort of left the physical plane and that you travel astro. 162 00:09:32,679 --> 00:09:42,319 Speaker 2: Project Okay, which you can do. You take out all 163 00:09:42,440 --> 00:09:47,560 Speaker 2: the cleaning products from under the sink. You go in there, 164 00:09:48,400 --> 00:09:53,120 Speaker 2: in there, yeah, okay, you shut the door. It's dark 165 00:09:54,160 --> 00:10:00,000 Speaker 2: still very fewmey absolutely from the products, and pretty soon 166 00:10:00,440 --> 00:10:04,240 Speaker 2: you blast off in outer space. You're looking down at 167 00:10:04,280 --> 00:10:07,760 Speaker 2: the sink. Pretty soon, Sure, you project above so you 168 00:10:07,800 --> 00:10:10,840 Speaker 2: can look into the sink, okay, and then you just 169 00:10:10,880 --> 00:10:13,400 Speaker 2: fly around and spy on your friends. Can you clean 170 00:10:13,400 --> 00:10:16,160 Speaker 2: the sink or can you not touch anything while you're 171 00:10:16,240 --> 00:10:18,000 Speaker 2: under there? Yeah? Well it's under the sink. 172 00:10:18,080 --> 00:10:20,400 Speaker 1: Yeah, but you're saying projecting, you look. 173 00:10:20,240 --> 00:10:22,720 Speaker 2: Into the sink, oh son, when I'm projecting. So let's 174 00:10:22,720 --> 00:10:25,120 Speaker 2: say I'm projecting in the sink. I'm looking in the sink. 175 00:10:24,960 --> 00:10:26,839 Speaker 1: And I go, oh, there's a freaking apple Core in there. 176 00:10:26,840 --> 00:10:30,040 Speaker 2: That's when I get some of my just I'll do 177 00:10:30,120 --> 00:10:31,319 Speaker 2: all kinds of little chores. 178 00:10:31,679 --> 00:10:32,600 Speaker 1: Yeah, that's really help. 179 00:10:32,720 --> 00:10:34,000 Speaker 2: I'm aster projecting, Okay. 180 00:10:34,040 --> 00:10:36,200 Speaker 1: I for anybody who doesn't have a big enough under 181 00:10:36,200 --> 00:10:38,520 Speaker 1: the sink, you can do this with just a paper 182 00:10:38,559 --> 00:10:41,520 Speaker 1: bag and some paint thitter. Mm hmm. I mean you 183 00:10:41,559 --> 00:10:45,920 Speaker 1: really can travel to all these amazing places, and it's 184 00:10:46,360 --> 00:10:51,440 Speaker 1: you know, uh, people think traveling is so expensive, yeah 185 00:10:52,240 --> 00:10:55,480 Speaker 1: and time consuming, and in fact it's really easy. Just 186 00:10:55,480 --> 00:10:56,320 Speaker 1: astral project. 187 00:10:56,360 --> 00:11:00,319 Speaker 2: Yeah, and you can go look at all your friends. Hmm. 188 00:11:01,040 --> 00:11:04,040 Speaker 2: You can look at him in the nude, okay, Well, 189 00:11:04,240 --> 00:11:05,960 Speaker 2: I spine on engineer Devon in the nude. 190 00:11:06,960 --> 00:11:09,040 Speaker 6: Oh has he engineered before. Do you know that? 191 00:11:10,080 --> 00:11:12,640 Speaker 2: So from what I saw? 192 00:11:12,880 --> 00:11:18,280 Speaker 1: No, yeah, that's not what engineering talk about exposed. If 193 00:11:18,280 --> 00:11:21,520 Speaker 1: that's what you think engineering is, Devin, Uh, please don't 194 00:11:21,559 --> 00:11:22,400 Speaker 1: engineer in here. 195 00:11:22,800 --> 00:11:28,280 Speaker 3: I have a degree in it. Okay, talk about that. 196 00:11:29,679 --> 00:11:32,800 Speaker 2: All these new engineers and they're coming at AUS. What 197 00:11:32,880 --> 00:11:36,680 Speaker 2: their degrees? Yeah? This other one says that she's got 198 00:11:36,880 --> 00:11:40,480 Speaker 2: a BA in vocal performance. Hits us with that before 199 00:11:40,520 --> 00:11:45,680 Speaker 2: he's like hello, and now apropos of nothing. 200 00:11:45,800 --> 00:11:48,200 Speaker 1: Well, and chef Kevin's talking about getting his masters. Oh 201 00:11:48,280 --> 00:11:53,760 Speaker 1: my god, disgusting in being a chef for No, no, no, 202 00:11:56,520 --> 00:11:59,840 Speaker 1: that was good. What's your degree? 203 00:12:00,880 --> 00:12:01,080 Speaker 2: You know? 204 00:12:01,160 --> 00:12:03,559 Speaker 3: In engineering? I mean that's it's in the name of 205 00:12:03,600 --> 00:12:04,520 Speaker 3: fake engineered, Devin. 206 00:12:04,559 --> 00:12:07,000 Speaker 1: It's a wire well made it up. 207 00:12:07,080 --> 00:12:07,760 Speaker 3: I've got paper. 208 00:12:08,440 --> 00:12:12,319 Speaker 2: What's the letters for it at the end? Three a's No, 209 00:12:12,520 --> 00:12:14,160 Speaker 2: it's not, dude, that's what. 210 00:12:16,440 --> 00:12:18,240 Speaker 1: That's how you get a flat tire. You're using that. 211 00:12:18,240 --> 00:12:22,040 Speaker 1: That's not a degree. That's just a great deal. If 212 00:12:22,080 --> 00:12:24,880 Speaker 1: anybody's not a Triple A member who's listening out there, 213 00:12:24,920 --> 00:12:28,960 Speaker 1: please engineer Devin just reminded me. And they're not a sponsor. 214 00:12:29,080 --> 00:12:32,000 Speaker 1: I'm not saying this for anything other than your your 215 00:12:32,280 --> 00:12:38,560 Speaker 1: well being. So when I watch it, Lanta for me, 216 00:12:41,040 --> 00:12:45,760 Speaker 1: I don't know what the hell I'm watching, And every 217 00:12:45,840 --> 00:12:48,280 Speaker 1: week it seems so crazy to me, and I think 218 00:12:48,280 --> 00:12:51,240 Speaker 1: I spend ninety nine percent of the show going wait 219 00:12:51,240 --> 00:12:51,880 Speaker 1: a minute. 220 00:12:51,679 --> 00:12:54,359 Speaker 2: Is this the show? Yeah? Or is it the commercial? 221 00:12:54,760 --> 00:12:55,120 Speaker 1: Thank you? 222 00:12:55,520 --> 00:12:55,840 Speaker 6: Okay? 223 00:12:56,280 --> 00:12:59,959 Speaker 2: Yeah, No. So that's one thing I've noticed. It's a 224 00:13:00,240 --> 00:13:04,679 Speaker 2: very abrupt shift from the show to the commercial. I 225 00:13:04,760 --> 00:13:05,920 Speaker 2: don't know if that's like a. 226 00:13:06,160 --> 00:13:08,560 Speaker 5: So you're talking about, like when the story is happening 227 00:13:08,960 --> 00:13:12,240 Speaker 5: and the story just stops happening. 228 00:13:12,240 --> 00:13:16,320 Speaker 2: Very suddenly, I am forced to confront a commercial. 229 00:13:15,920 --> 00:13:17,360 Speaker 6: Okay, no warning. 230 00:13:17,679 --> 00:13:23,920 Speaker 2: If some of these guys, the main guys, could gently. 231 00:13:25,400 --> 00:13:28,480 Speaker 1: Shift guide me into the commercials, if they could kind 232 00:13:28,520 --> 00:13:31,280 Speaker 1: of stop, turn the camera and go, hey, guys, I 233 00:13:31,320 --> 00:13:33,760 Speaker 1: hope you're enjoying the story we've been telling. Maybe they 234 00:13:33,800 --> 00:13:36,920 Speaker 1: reintroduced themselves, because a lot of times I'm going like, wait. 235 00:13:36,640 --> 00:13:39,600 Speaker 6: The are they reintroducing themselves as themselves? 236 00:13:39,840 --> 00:13:44,319 Speaker 1: Ideally first as themselves and then and then say the 237 00:13:44,400 --> 00:13:46,040 Speaker 1: character and then the character name, give me a quick 238 00:13:46,080 --> 00:13:48,600 Speaker 1: catch up on what's happened so far in the previous season, 239 00:13:48,920 --> 00:13:52,240 Speaker 1: and then go let's check out some commercials. Yeah, I'm 240 00:13:52,240 --> 00:13:54,520 Speaker 1: gonna take you over here. This first commercial will be 241 00:13:54,960 --> 00:13:57,400 Speaker 1: you know, it's going to be for a candy called 242 00:13:57,440 --> 00:14:00,560 Speaker 1: Skittles Humors sort of randoh. 243 00:14:00,960 --> 00:14:03,199 Speaker 6: Yeah, so they're doing. 244 00:14:03,280 --> 00:14:06,360 Speaker 2: What the different what the different flavors are? Not a commercial, 245 00:14:06,440 --> 00:14:08,840 Speaker 2: but like just kind of introduction. 246 00:14:08,320 --> 00:14:10,760 Speaker 1: Just softening me up, and then maybe yeah, then we 247 00:14:10,760 --> 00:14:13,520 Speaker 1: can play the commercial. You know, how to eat them 248 00:14:14,000 --> 00:14:14,720 Speaker 1: would be nice. 249 00:14:15,800 --> 00:14:17,200 Speaker 2: So I'm not going out. 250 00:14:17,120 --> 00:14:20,920 Speaker 1: That where you I've obviously, I mean, I'm not telling 251 00:14:20,960 --> 00:14:22,520 Speaker 1: tales out of school here. Hayes and I have both 252 00:14:22,600 --> 00:14:24,000 Speaker 1: choked pretty badly on those things. 253 00:14:24,080 --> 00:14:26,920 Speaker 2: Yes, because they make a book very good and safe, 254 00:14:27,680 --> 00:14:30,360 Speaker 2: and then you go get them and you're just kind 255 00:14:30,360 --> 00:14:32,440 Speaker 2: of throwing them into the back of your mouth. 256 00:14:33,240 --> 00:14:38,640 Speaker 1: Yes, okay, there's two different holes in the back of 257 00:14:38,680 --> 00:14:41,040 Speaker 1: the mouth, which is something we've learned the hard way, 258 00:14:41,160 --> 00:14:46,800 Speaker 1: and there's ones for food and one. Ain't you mix 259 00:14:46,880 --> 00:14:47,480 Speaker 1: those up? 260 00:14:47,840 --> 00:14:50,920 Speaker 2: You can end up with skitt a lung oh yeah, 261 00:14:51,640 --> 00:14:52,880 Speaker 2: oh yeah. 262 00:14:52,960 --> 00:14:59,000 Speaker 1: And does it give you great breath? Absolutely absolutely, kids 263 00:14:59,040 --> 00:15:05,760 Speaker 1: love me, but sick as a dog and I wake 264 00:15:05,840 --> 00:15:11,480 Speaker 1: up every ten minutes just to hawk up rainbow to 265 00:15:11,560 --> 00:15:17,440 Speaker 1: breathe the r Yeah, it's absolutely devastating. So it seems 266 00:15:17,440 --> 00:15:19,600 Speaker 1: like something that could be solved pretty easily by just 267 00:15:19,720 --> 00:15:21,560 Speaker 1: writing the show in a responsible way. 268 00:15:22,960 --> 00:15:26,400 Speaker 5: Agreed, because you could get sued by someone with a 269 00:15:26,400 --> 00:15:27,000 Speaker 5: skittle on. 270 00:15:27,280 --> 00:15:29,720 Speaker 2: Yes, speaking of getting sued, I do appreciate that you 271 00:15:29,800 --> 00:15:36,000 Speaker 2: have brought representation. We should, I guess, like establish the 272 00:15:36,040 --> 00:15:36,600 Speaker 2: ground rule. 273 00:15:36,640 --> 00:15:37,560 Speaker 1: We do always have to. 274 00:15:37,640 --> 00:15:43,200 Speaker 2: Yet that are any ideas that we offer up about 275 00:15:43,240 --> 00:15:48,520 Speaker 2: the show, our property of Hollywood handbook, great, anything that 276 00:15:48,600 --> 00:15:50,280 Speaker 2: we say here that's great to you. 277 00:15:50,560 --> 00:15:53,360 Speaker 5: I mean it's fair. Whoa, it's only fair. And I 278 00:15:53,400 --> 00:15:54,000 Speaker 5: love justice. 279 00:15:54,760 --> 00:15:57,240 Speaker 2: Good thing. I've heard that about you negotiate. You and 280 00:15:57,280 --> 00:16:00,320 Speaker 2: Deadpool have something in common. They're done. Yeah. Mhm. 281 00:16:01,280 --> 00:16:03,480 Speaker 1: He's got sort of a warped form of justice. 282 00:16:03,760 --> 00:16:05,040 Speaker 6: It's pretty dark justice. 283 00:16:05,280 --> 00:16:11,440 Speaker 1: Yeah, no kidding. Uh, he doesn't have the same moral code. 284 00:16:11,480 --> 00:16:13,120 Speaker 1: Maybe that a lot of your heroes do. 285 00:16:14,600 --> 00:16:17,080 Speaker 6: You're run of the mill hero. He is not. 286 00:16:17,720 --> 00:16:20,520 Speaker 1: Yeah, he's kind of a sick fuck, isn't he a 287 00:16:20,560 --> 00:16:27,920 Speaker 1: little bit? Yeah? Was that difficult for you? 288 00:16:27,920 --> 00:16:30,120 Speaker 5: You know, in Hollywood you deal with a lot of types, 289 00:16:31,280 --> 00:16:32,840 Speaker 5: a lot of types of personalities. 290 00:16:33,640 --> 00:16:36,200 Speaker 2: I haven't had that experience really, Yeah. 291 00:16:36,160 --> 00:16:39,560 Speaker 1: Just the just the two types of personalities, generally, I'm 292 00:16:39,600 --> 00:16:41,960 Speaker 1: sitting across from in Hollywood where I get sent in 293 00:16:42,000 --> 00:16:43,200 Speaker 1: a meeting one of two types. 294 00:16:43,880 --> 00:16:44,040 Speaker 2: Uh. 295 00:16:45,800 --> 00:16:51,120 Speaker 1: Guy who seems like he's on coke, which is which 296 00:16:51,160 --> 00:16:57,960 Speaker 1: is the preferred type for me? Uh, or guy who 297 00:17:00,680 --> 00:17:04,840 Speaker 1: thinks it is cool to fall asleep, Like he's not 298 00:17:05,040 --> 00:17:07,920 Speaker 1: falling asleep, but he's acting like he could at any moment, 299 00:17:08,000 --> 00:17:11,120 Speaker 1: as if that's impressive. He's gonna going like, so, tell 300 00:17:11,119 --> 00:17:12,640 Speaker 1: me what you've been up to me, what's your thing? 301 00:17:12,960 --> 00:17:16,320 Speaker 1: I mean, tell me about yourself. Have you just sort 302 00:17:16,359 --> 00:17:20,080 Speaker 1: of start talking and the like, yeah, all right, uh 303 00:17:21,359 --> 00:17:24,080 Speaker 1: uh cool? And so that I would rather have that 304 00:17:24,119 --> 00:17:27,479 Speaker 1: guy be doing coke, please do so, because that because 305 00:17:27,520 --> 00:17:29,600 Speaker 1: those guys who are like, oh my god, yeah, no, 306 00:17:29,680 --> 00:17:31,960 Speaker 1: I had the same thing. No, No, me and my boys, okay, 307 00:17:31,960 --> 00:17:33,160 Speaker 1: for my buddy's bachelor party. 308 00:17:33,160 --> 00:17:33,520 Speaker 2: We did this. 309 00:17:33,680 --> 00:17:35,919 Speaker 1: And then he starts like telling me that to me 310 00:17:36,280 --> 00:17:39,320 Speaker 1: is better just in terms of like it gets me 311 00:17:39,359 --> 00:17:39,880 Speaker 1: through the meeting. 312 00:17:40,000 --> 00:17:42,640 Speaker 5: These types do they, I mean, do they translate to yourself? 313 00:17:44,560 --> 00:17:47,800 Speaker 1: I guess you have to tell me. I mean, which 314 00:17:47,840 --> 00:17:50,879 Speaker 1: one am I I like to think I sort of 315 00:17:50,880 --> 00:17:54,920 Speaker 1: walked the line between falling asleep and doing coke. Yeah, 316 00:17:55,119 --> 00:17:57,720 Speaker 1: when I'm a unique animal and I found almost no success. 317 00:17:58,440 --> 00:18:01,880 Speaker 1: So it seems like maybe I should commit to one 318 00:18:01,920 --> 00:18:02,560 Speaker 1: side or the other. 319 00:18:07,400 --> 00:18:16,040 Speaker 2: Something watching the show that struck me. It is twenty eighteen. Yeah, 320 00:18:16,400 --> 00:18:18,639 Speaker 2: she could benefit from a little diversity. 321 00:18:19,800 --> 00:18:21,120 Speaker 6: Well I've heard that before. 322 00:18:21,000 --> 00:18:23,800 Speaker 2: Right, Yeah, hard to miss. 323 00:18:24,840 --> 00:18:26,879 Speaker 1: Have you seen Crazy Rich Asians movie? 324 00:18:28,119 --> 00:18:29,199 Speaker 6: I have? I actually have? 325 00:18:29,359 --> 00:18:30,240 Speaker 1: Yeah, I saw The Less Time. 326 00:18:30,240 --> 00:18:32,480 Speaker 2: Could we get a couple of crazy Rich Asians into 327 00:18:32,520 --> 00:18:32,960 Speaker 2: this show? 328 00:18:33,000 --> 00:18:37,200 Speaker 1: Do we want to do some of that? The movie's 329 00:18:37,240 --> 00:18:38,719 Speaker 1: doing pretty well, it's doing great. 330 00:18:38,960 --> 00:18:40,240 Speaker 2: Could I make another suggestion? 331 00:18:40,600 --> 00:18:40,919 Speaker 6: Please? 332 00:18:41,040 --> 00:18:44,000 Speaker 2: Max Greenfield moves in to the neighborhood. 333 00:18:45,000 --> 00:18:47,840 Speaker 1: He's next door, now, yeah, maybe he gets a look 334 00:18:47,880 --> 00:18:51,240 Speaker 1: at like the smoker that one of the characters. He goes, man, 335 00:18:51,920 --> 00:18:53,960 Speaker 1: that's a nice smoker. I'd love to get my hands 336 00:18:54,000 --> 00:18:57,119 Speaker 1: on that. And then the main character, you know, the 337 00:18:57,119 --> 00:19:01,600 Speaker 1: Atlanta guy. I guess I bet you would, because that 338 00:19:01,760 --> 00:19:02,960 Speaker 1: seems like it's gonna work. 339 00:19:03,160 --> 00:19:09,159 Speaker 2: Yeah, a bit of a culture clash. 340 00:19:07,200 --> 00:19:12,320 Speaker 5: The location a problem or not of Atlanta Atlanta Atlanta 341 00:19:12,400 --> 00:19:13,440 Speaker 5: taking place in Atlanta? 342 00:19:13,480 --> 00:19:14,159 Speaker 6: Do we you know? 343 00:19:15,119 --> 00:19:18,000 Speaker 1: Is that if that's on the table, I would love 344 00:19:18,119 --> 00:19:20,440 Speaker 1: to move this to somewhere a little closer. 345 00:19:20,440 --> 00:19:23,399 Speaker 6: Okay, to hear where we physically are. 346 00:19:23,480 --> 00:19:24,440 Speaker 2: Have you been to Carmel. 347 00:19:25,440 --> 00:19:26,359 Speaker 6: I have not been to Carmel. 348 00:19:27,960 --> 00:19:29,560 Speaker 2: You haven't been to Carmel. 349 00:19:29,800 --> 00:19:30,719 Speaker 6: I have not been to Carmel. 350 00:19:30,920 --> 00:19:35,280 Speaker 2: Oh, the streets are Cobblestone. Clint Eastwood is the mayor. 351 00:19:35,720 --> 00:19:38,960 Speaker 1: Sorry, I was checking something on my phone. Have you 352 00:19:39,040 --> 00:19:44,240 Speaker 1: not been to Carmel. I just Carmel by the Seat, 353 00:19:44,240 --> 00:19:44,880 Speaker 1: Carmel by the. 354 00:19:44,800 --> 00:19:45,760 Speaker 6: Sea, by the sea. 355 00:19:45,880 --> 00:19:51,960 Speaker 1: Yeah, no, Clint Eastwood's the mayor. Cobblestone streets. 356 00:19:52,160 --> 00:19:55,240 Speaker 2: The show should be in Carmel, and it should be 357 00:19:55,240 --> 00:19:58,320 Speaker 2: called Carmel by the Sea. 358 00:19:57,920 --> 00:20:01,280 Speaker 1: By the Sea, and it should b I think we 359 00:20:01,320 --> 00:20:04,400 Speaker 1: want to sort of centralize our location because I am 360 00:20:04,440 --> 00:20:06,680 Speaker 1: so confused all the time whenever I watch the show, 361 00:20:06,680 --> 00:20:09,360 Speaker 1: they're all over the place. If we could just have 362 00:20:09,400 --> 00:20:12,240 Speaker 1: them working in a saltwater taffy factory. 363 00:20:11,880 --> 00:20:13,600 Speaker 2: Yes, that would be very helpful. 364 00:20:13,640 --> 00:20:16,800 Speaker 1: And it's multiicam and there's a live audience. To me, 365 00:20:17,160 --> 00:20:19,399 Speaker 1: now we're onto something where I go, oh, it's a 366 00:20:19,440 --> 00:20:20,080 Speaker 1: TV show. 367 00:20:20,440 --> 00:20:20,960 Speaker 6: Okay. 368 00:20:21,320 --> 00:20:24,320 Speaker 5: The show is about I mean it's about music, and 369 00:20:24,359 --> 00:20:25,280 Speaker 5: specifically the su. 370 00:20:28,200 --> 00:20:31,679 Speaker 1: Didn't work. Yeah, okay, because because also some of the 371 00:20:31,800 --> 00:20:35,679 Speaker 1: music I was like, what I never heard it before? 372 00:20:37,000 --> 00:20:38,440 Speaker 6: We well, some of the music that we do is 373 00:20:38,640 --> 00:20:39,920 Speaker 6: written specifically for the show. 374 00:20:39,960 --> 00:20:41,720 Speaker 2: So you that was the feeling that I got. Kind 375 00:20:41,760 --> 00:20:43,360 Speaker 2: of fake, fake, sounded fake. 376 00:20:43,359 --> 00:20:47,280 Speaker 1: Okay, So like because when I so just on the 377 00:20:47,280 --> 00:20:49,520 Speaker 1: way here, I'm in the car and this switch Foot 378 00:20:49,560 --> 00:20:50,400 Speaker 1: song comes on? 379 00:20:50,560 --> 00:20:51,000 Speaker 6: Which one? 380 00:20:51,560 --> 00:20:57,000 Speaker 1: Uh, it's the one where they say we want more 381 00:20:57,119 --> 00:21:01,560 Speaker 1: than this world has to offer. We want more than 382 00:21:01,600 --> 00:21:03,879 Speaker 1: the wars of our fathers. 383 00:21:05,800 --> 00:21:07,600 Speaker 2: And it's even more than that. 384 00:21:08,080 --> 00:21:10,480 Speaker 1: Yes, and I and it's one of those ones where 385 00:21:10,520 --> 00:21:12,240 Speaker 1: I just pull over and look at the speaker for 386 00:21:12,280 --> 00:21:12,920 Speaker 1: a little while. 387 00:21:13,240 --> 00:21:16,800 Speaker 6: Yeah, I go, Okay, that's heavy shit. 388 00:21:18,840 --> 00:21:21,959 Speaker 1: We want more than the wars of our fathers. And 389 00:21:22,000 --> 00:21:25,159 Speaker 1: I'm thinking, now I've watched Atlanta. Damn we use this 390 00:21:25,240 --> 00:21:28,919 Speaker 1: song one though, Okay, have we thought about that? 391 00:21:30,280 --> 00:21:30,480 Speaker 6: No? 392 00:21:32,200 --> 00:21:33,120 Speaker 1: Do you know that one? 393 00:21:33,400 --> 00:21:33,840 Speaker 2: That song? 394 00:21:34,200 --> 00:21:35,359 Speaker 6: Yeah, vaguely. 395 00:21:37,080 --> 00:21:40,440 Speaker 1: Get familiar switch Foot switch Foot. 396 00:21:40,560 --> 00:21:42,199 Speaker 2: Yeah, and I don't know the title of it. 397 00:21:43,480 --> 00:21:44,840 Speaker 1: I just know that part. 398 00:21:46,680 --> 00:21:49,200 Speaker 6: And how it makes you feel Jesus. 399 00:21:49,320 --> 00:21:54,040 Speaker 2: Yeah, another thing you could do so move the show 400 00:21:54,080 --> 00:21:59,480 Speaker 2: to Carmel. Okay, But a character who I'm always wondering 401 00:21:59,640 --> 00:22:02,879 Speaker 2: why he isn't in the Atlanta show and should be 402 00:22:02,920 --> 00:22:06,119 Speaker 2: in this new incarnation as well, is he the torch? 403 00:22:07,400 --> 00:22:10,639 Speaker 2: Who are you kidding me? You do a show in 404 00:22:10,680 --> 00:22:14,080 Speaker 2: Atlanta and you don't know the most famous resident of Atlanta. 405 00:22:14,320 --> 00:22:19,639 Speaker 2: He's a blue torch. He represents the Olympics. This guy, okay, okay, 406 00:22:19,680 --> 00:22:20,760 Speaker 2: so you do know him. 407 00:22:20,920 --> 00:22:23,600 Speaker 5: There's like another blue flame guy. He's like the Georgia 408 00:22:23,800 --> 00:22:27,320 Speaker 5: gas guy. Oh, he's also like a blue flame. 409 00:22:27,400 --> 00:22:29,840 Speaker 1: Bit of a rivalry. They both move in next door 410 00:22:29,840 --> 00:22:33,320 Speaker 1: to each other and Carmel, one of them is looking 411 00:22:33,320 --> 00:22:34,800 Speaker 1: at the other one's smoker. 412 00:22:36,000 --> 00:22:36,320 Speaker 5: Boy. 413 00:22:37,560 --> 00:22:39,600 Speaker 1: I see potential for a real story. 414 00:22:39,640 --> 00:22:42,240 Speaker 2: Then, yeah, culture clash. 415 00:22:42,400 --> 00:22:46,600 Speaker 1: I have a pitch manager of the Saltwater Taffy Factory. 416 00:22:46,720 --> 00:22:54,439 Speaker 2: Yeah, Richard Jewell. Yes, and you guys are okay, yeah, 417 00:22:54,640 --> 00:23:01,560 Speaker 2: it's okay, okay, seventy and you guys are catching him 418 00:23:01,640 --> 00:23:05,560 Speaker 2: like you're gradually unraveling the case of what he did. 419 00:23:05,960 --> 00:23:08,200 Speaker 6: Okay, so now it's a mystery. 420 00:23:08,440 --> 00:23:10,480 Speaker 2: Yeah, yes, because he did actually do it. 421 00:23:10,600 --> 00:23:13,040 Speaker 1: We yes, I mean, obviously his name has been cleared, 422 00:23:13,040 --> 00:23:15,560 Speaker 1: and that's a good thing because we have partidence, but 423 00:23:15,680 --> 00:23:17,199 Speaker 1: we do want to get to the bottom of it 424 00:23:17,240 --> 00:23:18,600 Speaker 1: and were sure he did it. 425 00:23:18,640 --> 00:23:24,480 Speaker 2: He must have. Come on, come on, we're overthinking this. Yes, 426 00:23:24,960 --> 00:23:26,440 Speaker 2: it was Richard Jewel. 427 00:23:29,760 --> 00:23:34,840 Speaker 1: Seventy. It seems it's feeling like and I again, I 428 00:23:34,920 --> 00:23:37,240 Speaker 1: have a bit of a history as a high stakes 429 00:23:37,240 --> 00:23:40,159 Speaker 1: gambler card player, and sometimes I'm able to sort of 430 00:23:40,280 --> 00:23:44,360 Speaker 1: see behind the eyes of the poker player. And it's 431 00:23:44,359 --> 00:23:47,960 Speaker 1: feeling like you hate us and you hate these ideas. 432 00:23:48,440 --> 00:23:50,280 Speaker 1: Do you want to talk about that a little bit? No? 433 00:23:50,440 --> 00:23:54,199 Speaker 5: I mean, you know, you step in two seasons in, 434 00:23:56,200 --> 00:23:59,199 Speaker 5: you got a list of issues, list of fixes, and 435 00:23:59,240 --> 00:24:00,720 Speaker 5: I'm just like, you know, where were you from the 436 00:24:00,760 --> 00:24:01,040 Speaker 5: get go? 437 00:24:01,320 --> 00:24:04,800 Speaker 2: Mm hmmmm, well better now than what do you want 438 00:24:04,880 --> 00:24:07,040 Speaker 2: us to do? Let just let you swop on the dock. 439 00:24:07,240 --> 00:24:10,080 Speaker 5: We've toiled, We've hired people, you know, we we've sent 440 00:24:10,240 --> 00:24:12,879 Speaker 5: countless hours in an edit bay, money just you know, 441 00:24:12,960 --> 00:24:16,360 Speaker 5: out the door, and this could have all been easily resolved. 442 00:24:16,400 --> 00:24:18,160 Speaker 5: I feel like if you guys you know. 443 00:24:18,600 --> 00:24:21,720 Speaker 1: Well the time slot is cherry, so that's been floating 444 00:24:21,720 --> 00:24:23,919 Speaker 1: you for a while. Choice now I'm not I'm not 445 00:24:24,280 --> 00:24:27,000 Speaker 1: sure about the channel necessarily. I think we may want 446 00:24:27,000 --> 00:24:32,679 Speaker 1: to move this baby to free form. Yeah, just it 447 00:24:32,840 --> 00:24:35,440 Speaker 1: just feels like there's a little more potential to build 448 00:24:35,480 --> 00:24:42,360 Speaker 1: something there. But right to me, to hear you say 449 00:24:42,920 --> 00:24:45,040 Speaker 1: We're two seasons in and we've done all this hard work. 450 00:24:45,119 --> 00:24:47,399 Speaker 1: I think what really might be frustrating to you is 451 00:24:48,000 --> 00:24:50,520 Speaker 1: we went ahead and crawled inside your brain and took 452 00:24:50,560 --> 00:24:52,640 Speaker 1: some of the ideas that you've been wanting to say 453 00:24:52,640 --> 00:24:55,320 Speaker 1: this whole time, and and maybe weren't able to. 454 00:24:55,320 --> 00:24:56,000 Speaker 6: Yeah a little bit. 455 00:24:56,080 --> 00:24:59,640 Speaker 5: And I didn't even know you had, sure, And it's 456 00:24:59,680 --> 00:25:03,200 Speaker 5: it's just, you know, frustrating that I you know, as 457 00:25:03,240 --> 00:25:07,000 Speaker 5: a young woman in Hollywood, you're trying to, you know, 458 00:25:07,200 --> 00:25:09,240 Speaker 5: make a way for yourself and a name for yourself. 459 00:25:09,720 --> 00:25:12,119 Speaker 1: I don't even see that. I don't even see a 460 00:25:12,200 --> 00:25:16,760 Speaker 1: difference there. I'm young. You know. Somebody's a woman, somebody's not. 461 00:25:16,960 --> 00:25:17,520 Speaker 1: I don't know. 462 00:25:17,760 --> 00:25:20,600 Speaker 2: Sure. Yeah, that's not for me. 463 00:25:20,880 --> 00:25:23,760 Speaker 1: It's about the work. If you make it about the work, 464 00:25:23,880 --> 00:25:26,840 Speaker 1: it'll be about the war. And for me, the work 465 00:25:26,960 --> 00:25:29,880 Speaker 1: is Get him a carmel by the sea, gav Clint 466 00:25:29,920 --> 00:25:33,560 Speaker 1: East would be the bear show, the cobblestone streets, right, 467 00:25:33,640 --> 00:25:36,800 Speaker 1: Get in the Saltwater taffy factory, find Richard Jewel guilty, 468 00:25:36,840 --> 00:25:39,240 Speaker 1: slept the cuffs on him, Right. 469 00:25:39,320 --> 00:25:40,560 Speaker 2: They take a surrey ride. 470 00:25:40,760 --> 00:25:42,480 Speaker 1: Now that's Atlanta to me. 471 00:25:44,760 --> 00:25:48,399 Speaker 5: We're still calling it Atlanta it's probably gonna be in 472 00:25:48,440 --> 00:25:51,120 Speaker 5: parenthesis afterwards, just so people kind of know where we're 473 00:25:51,119 --> 00:25:57,560 Speaker 5: coming from and why waste all the goodwill. 474 00:25:57,280 --> 00:26:01,000 Speaker 1: You're nominated for an Emmy? Yeah, are you pissed? 475 00:26:01,680 --> 00:26:06,920 Speaker 5: Am I pissed? I was pretty proud of it, I think. 476 00:26:07,080 --> 00:26:09,760 Speaker 2: Okay, okay, I thought you'd be pissed by how it's 477 00:26:09,760 --> 00:26:10,880 Speaker 2: like all bullshit. 478 00:26:13,520 --> 00:26:19,399 Speaker 1: Freaking trope trophies for adults, Little trophy show for adults. 479 00:26:20,600 --> 00:26:26,600 Speaker 1: I have intentionally never won anything. You're not gonna see 480 00:26:26,640 --> 00:26:33,080 Speaker 1: me going up there, believe anywhere near even working on 481 00:26:33,119 --> 00:26:35,920 Speaker 1: a show where someone gets invited to one of those awards. 482 00:26:36,200 --> 00:26:39,399 Speaker 2: It's like the Westminster Dog Show. Get up there and 483 00:26:40,040 --> 00:26:40,879 Speaker 2: miss my butt. 484 00:26:43,280 --> 00:26:48,879 Speaker 1: Nope, no, I'll yeah, I'll be home, thank you, cooking 485 00:26:48,920 --> 00:26:54,960 Speaker 1: in my smoker, you know, with the real Americans and 486 00:26:55,080 --> 00:27:01,760 Speaker 1: Carmel by the Sea. Uh casting, we've talked about getting 487 00:27:01,760 --> 00:27:04,400 Speaker 1: crazy RITA agents in there, and Max Greenfield and Max 488 00:27:04,440 --> 00:27:05,879 Speaker 1: green mister Schmidt. 489 00:27:06,960 --> 00:27:08,359 Speaker 6: So he's mister Schmidt on the show. 490 00:27:08,520 --> 00:27:11,800 Speaker 1: Oh yeah, we got I guess because he's not he's 491 00:27:11,840 --> 00:27:15,080 Speaker 1: actually not busy anymore. I mean, mister Schmidt for a 492 00:27:15,119 --> 00:27:17,320 Speaker 1: while was locked up. Now he's become available. 493 00:27:17,480 --> 00:27:20,160 Speaker 6: Okay, so we're not giving him a new name. 494 00:27:22,600 --> 00:27:26,119 Speaker 2: Well that name worked, Yeah, might be stupid to do that. 495 00:27:28,280 --> 00:27:29,880 Speaker 1: Well, did you have a pitch for a new name? 496 00:27:30,840 --> 00:27:34,040 Speaker 6: I mean, Schmid's pretty good. I I you can say. 497 00:27:35,640 --> 00:27:42,240 Speaker 1: Nathan okay, wow, and there's nothing so good it can't 498 00:27:42,280 --> 00:27:47,200 Speaker 1: be improved. Mister Nathan Schmidt. And we say his full 499 00:27:47,280 --> 00:27:56,840 Speaker 1: name every time, and title and the title mister Yeah, yeah, 500 00:27:57,160 --> 00:28:02,120 Speaker 1: mister Nathan Schmidt and his title. He's like a duke 501 00:28:02,160 --> 00:28:07,480 Speaker 1: of something right, Yeah, oh boy, that is pretty good. Okay, 502 00:28:07,520 --> 00:28:11,160 Speaker 1: So mister Nathan Schmidt has moved in next to Atlanta 503 00:28:11,200 --> 00:28:21,720 Speaker 1: and Carmel he uh I guess is in the witness 504 00:28:21,760 --> 00:28:32,760 Speaker 1: protection program because he knows Richard Jules co conspirator and 505 00:28:32,920 --> 00:28:44,160 Speaker 1: was willing to turn states. So that's the cold open. Yeah, 506 00:28:44,360 --> 00:28:47,640 Speaker 1: act one, Act one, let's get in. 507 00:28:47,800 --> 00:28:49,520 Speaker 2: You have to work the crazy rich Asians. 508 00:28:49,520 --> 00:28:51,600 Speaker 1: Then, yes, I'm so sorry. 509 00:28:51,880 --> 00:28:55,560 Speaker 6: They own the taffy factory, right. 510 00:28:55,520 --> 00:28:56,920 Speaker 1: I mean they're so crazy rich. 511 00:28:58,840 --> 00:29:02,920 Speaker 5: Okay, side note, please crazy rich Asians. There's no punctuation 512 00:29:03,000 --> 00:29:07,160 Speaker 5: in the title. Are they crazy and rich? 513 00:29:07,440 --> 00:29:09,600 Speaker 1: They're crazy crazy rich, They're crazy rich. 514 00:29:09,680 --> 00:29:10,480 Speaker 6: But there's no comma. 515 00:29:10,520 --> 00:29:12,560 Speaker 5: How do you know? No, there's no there's no there's 516 00:29:12,640 --> 00:29:13,520 Speaker 5: no punctuation. 517 00:29:14,440 --> 00:29:17,719 Speaker 1: But isn't that how you know? If it was a comma, 518 00:29:17,800 --> 00:29:20,800 Speaker 1: they would be crazy rich Asian. 519 00:29:20,920 --> 00:29:21,960 Speaker 2: It could also be. 520 00:29:22,000 --> 00:29:24,560 Speaker 1: But they're crazy rich sing single phrase. 521 00:29:24,640 --> 00:29:27,440 Speaker 2: It could also be dot dot dot where it's like 522 00:29:27,560 --> 00:29:31,040 Speaker 2: crazy crazy rich Asians. 523 00:29:35,080 --> 00:29:37,120 Speaker 1: Yeah, and then I would maybe want to question Mark 524 00:29:37,160 --> 00:29:46,560 Speaker 1: after Asians crazy rich Asians. Interesting changes the movie A 525 00:29:46,560 --> 00:29:50,840 Speaker 1: little bit interesting. How many times you cry during the movie? 526 00:29:52,360 --> 00:29:53,800 Speaker 6: I was sobbing the whole way through. 527 00:29:54,200 --> 00:29:57,520 Speaker 5: There was not one credits, yeah, from opening credits, and 528 00:29:57,600 --> 00:29:59,840 Speaker 5: you know, and yeah. 529 00:30:00,040 --> 00:30:03,480 Speaker 1: It's something going on for you, like a life thing 530 00:30:03,560 --> 00:30:05,440 Speaker 1: going on for you, making me cry. 531 00:30:05,600 --> 00:30:07,600 Speaker 6: I mean like they're so crazy and rich. 532 00:30:10,480 --> 00:30:13,719 Speaker 2: And they're crazy. Yeah. I saw myself up there in 533 00:30:13,760 --> 00:30:17,800 Speaker 2: that aspect of it, and Aquafina is my spirit animal. 534 00:30:18,080 --> 00:30:22,120 Speaker 1: Yeah, there was someone behind me. Yes, she's giving me life. 535 00:30:22,440 --> 00:30:23,720 Speaker 1: There was someone behind me. 536 00:30:24,800 --> 00:30:25,440 Speaker 2: Uh. 537 00:30:26,920 --> 00:30:30,040 Speaker 1: And then on the way out they went that movie 538 00:30:30,080 --> 00:30:33,640 Speaker 1: made me cry twice, and I thought, oh, this is 539 00:30:33,640 --> 00:30:36,080 Speaker 1: a good question for Stephanie. How many times did you cry? 540 00:30:36,320 --> 00:30:36,760 Speaker 2: Just once? 541 00:30:36,920 --> 00:30:40,840 Speaker 5: But one long, one long cry sesh like a like 542 00:30:40,880 --> 00:30:42,960 Speaker 5: a like an endless sob. 543 00:30:44,560 --> 00:30:47,560 Speaker 1: Yeah. No, yeah, and on cale Foena's giving me life 544 00:30:47,560 --> 00:30:49,800 Speaker 1: she's my spirit animal and I'm here for it. 545 00:30:53,080 --> 00:30:56,680 Speaker 2: Did you cry, crazy che Asians and Jerior Devin, I 546 00:30:56,680 --> 00:31:02,080 Speaker 2: haven't been yet. Unbelievable time. Oh my god, very supportive, 547 00:31:03,000 --> 00:31:07,040 Speaker 2: great engineer Devon. So good. Well they managed to pull 548 00:31:07,080 --> 00:31:07,880 Speaker 2: it off without you. 549 00:31:08,120 --> 00:31:11,960 Speaker 1: I like the poster they actually didn't need. They actually 550 00:31:12,000 --> 00:31:13,560 Speaker 1: didn't need you. Have you watched the trailer? 551 00:31:13,680 --> 00:31:20,560 Speaker 2: They actually ripped off a huge tailer bo without Engineer Devin's. 552 00:31:21,040 --> 00:31:27,600 Speaker 1: Box office the mojo working baby, So they actually didn't 553 00:31:27,600 --> 00:31:27,959 Speaker 1: need you. 554 00:31:28,040 --> 00:31:32,360 Speaker 2: So you know what, despite your sabotage, they don't want you. 555 00:31:33,200 --> 00:31:35,840 Speaker 1: We fought so hard to get diversity in the engineering 556 00:31:35,880 --> 00:31:41,120 Speaker 1: community here, we finally got one female engineer hired, and 557 00:31:41,160 --> 00:31:45,680 Speaker 1: then Devin shows up and just rolls it back, just 558 00:31:46,080 --> 00:31:49,840 Speaker 1: winds the clock back. Baby, let's go back to the beginning. 559 00:31:49,880 --> 00:31:51,360 Speaker 1: Maybe we had it right all along. 560 00:31:52,200 --> 00:31:54,400 Speaker 3: At least I'm from out of town. That's something. 561 00:31:54,880 --> 00:31:57,080 Speaker 1: Okay, they're all from out of town. Wants to talk 562 00:31:57,120 --> 00:31:57,840 Speaker 1: about where he's from. 563 00:31:58,000 --> 00:31:58,640 Speaker 2: Where are you from? 564 00:31:59,720 --> 00:32:00,720 Speaker 3: I'm from Minnesota. 565 00:32:00,960 --> 00:32:02,200 Speaker 1: From Minnesota. 566 00:32:02,360 --> 00:32:03,800 Speaker 2: Isn't that where Engineer Sam's from? 567 00:32:03,840 --> 00:32:08,000 Speaker 3: Basically, yeah, I think he's I wouldn't like to guess Wisconsin. 568 00:32:08,040 --> 00:32:11,080 Speaker 1: I think Milan is not the same thing, the same thing, 569 00:32:11,160 --> 00:32:15,120 Speaker 1: it's the same. We have a rivalry. Yeah, because you're 570 00:32:15,160 --> 00:32:19,360 Speaker 1: so similar. We only hate that which in others we 571 00:32:19,400 --> 00:32:22,720 Speaker 1: truly see from our own cell. 572 00:32:22,640 --> 00:32:26,080 Speaker 2: The horror of recognition reach it, Yes, it is. 573 00:32:26,880 --> 00:32:30,680 Speaker 1: It is the mirror reflection of your own flaws that 574 00:32:30,840 --> 00:32:35,040 Speaker 1: makes you furious. And so when Minnesota and Wisconsin are 575 00:32:35,040 --> 00:32:37,560 Speaker 1: trying to kill each other, really they should be embracing 576 00:32:38,200 --> 00:32:41,200 Speaker 1: and healing together because they are both so fucked up. 577 00:32:42,760 --> 00:32:43,840 Speaker 1: What town in Minnesota? 578 00:32:44,000 --> 00:32:44,400 Speaker 2: St? Paul? 579 00:32:44,520 --> 00:32:45,200 Speaker 1: How many lakes? 580 00:32:45,280 --> 00:32:45,719 Speaker 2: The capitol? 581 00:32:45,960 --> 00:32:46,600 Speaker 3: Ten thousand? 582 00:32:46,920 --> 00:32:48,800 Speaker 1: Okay, yep, checks out? 583 00:32:49,840 --> 00:32:50,920 Speaker 6: Have you met the Lookers? 584 00:32:50,960 --> 00:32:51,200 Speaker 2: Good? 585 00:32:51,560 --> 00:32:53,360 Speaker 3: I was in the same room as Prince one time. 586 00:32:53,400 --> 00:32:55,280 Speaker 1: It was amazing. Have you met him? 587 00:32:57,200 --> 00:32:59,520 Speaker 3: It was when I was under the sink. You met 588 00:32:59,560 --> 00:33:02,440 Speaker 3: himc atmosphere? Oh mc suck, I have met him, Yes, 589 00:33:02,600 --> 00:33:04,479 Speaker 3: in the hallways at the radio station out there. 590 00:33:04,560 --> 00:33:07,040 Speaker 1: Yeah great, great, Yeah, I guess that's right. 591 00:33:07,200 --> 00:33:12,479 Speaker 2: Yeah, I guess that's Could we get the man seeking 592 00:33:12,520 --> 00:33:14,640 Speaker 2: woman into. 593 00:33:16,200 --> 00:33:16,440 Speaker 5: To me? 594 00:33:16,640 --> 00:33:17,520 Speaker 2: Also, meet Atlanta. 595 00:33:17,600 --> 00:33:19,520 Speaker 6: They're not doing any man seeking woman? 596 00:33:19,720 --> 00:33:25,400 Speaker 2: Yeah, yes, yeah, and maybe bring some of the trippy elements. 597 00:33:25,960 --> 00:33:29,520 Speaker 5: Yeah, like Bill Hayter is like Hitler's See. 598 00:33:29,360 --> 00:33:32,280 Speaker 2: I don't really that wouldn't be my first choice to 599 00:33:32,320 --> 00:33:35,720 Speaker 2: put Hitler in the show. What would be your first 600 00:33:35,800 --> 00:33:38,640 Speaker 2: It's an interesting instinct on your part. The one character 601 00:33:38,760 --> 00:33:41,719 Speaker 2: you add to the show is Hitler. 602 00:33:41,800 --> 00:33:45,440 Speaker 1: It's very eager to add Hitler to Atlanta. 603 00:33:46,400 --> 00:33:48,640 Speaker 2: I pitch a nice characters like is he the Torch? 604 00:33:48,800 --> 00:33:50,640 Speaker 2: And mister Nathan Schmidt. 605 00:33:51,800 --> 00:33:56,280 Speaker 1: Just really friendly. Yeah, Beth bears obviously from Two Broke Girls. Yes, 606 00:33:56,400 --> 00:33:58,880 Speaker 1: one of the broke girls, Rose without saying yeah, is. 607 00:33:58,920 --> 00:33:59,560 Speaker 2: Going to be there. 608 00:33:59,760 --> 00:34:05,400 Speaker 1: But as she had been crazy rich, now she's too broke. 609 00:34:06,440 --> 00:34:10,720 Speaker 1: Now that's interesting. No, comma there either. Are they two broke? 610 00:34:12,160 --> 00:34:13,680 Speaker 1: Are they two broke girls? 611 00:34:15,600 --> 00:34:17,080 Speaker 2: Comma would change everything? 612 00:34:17,239 --> 00:34:21,040 Speaker 6: Please a hyphen maybe. 613 00:34:20,320 --> 00:34:21,479 Speaker 2: Oh yeah, she broke. 614 00:34:21,880 --> 00:34:23,799 Speaker 1: Oh the amount of stuff we could do if we 615 00:34:23,880 --> 00:34:28,440 Speaker 1: got in there with a pen we could completely transform 616 00:34:28,480 --> 00:34:32,640 Speaker 1: the television landscape and film for that matter, just with 617 00:34:32,680 --> 00:34:38,440 Speaker 1: a little bit of fancy grammar and naturally Deadpool Chelsea 618 00:34:38,440 --> 00:34:44,560 Speaker 1: Grammer's brother, Sorry it step on so great? Yeah, but 619 00:34:44,600 --> 00:34:46,040 Speaker 1: go ahead, you what were you going to say? 620 00:34:46,120 --> 00:34:48,680 Speaker 2: Well, no matter what you do, Deadpool is of course 621 00:34:48,719 --> 00:34:54,120 Speaker 2: going to be creeping into the screen. He's gonna be 622 00:34:54,200 --> 00:34:58,360 Speaker 2: like taking a damn cloth and shining the camera lens. 623 00:34:58,800 --> 00:34:59,720 Speaker 6: While eating a burrito. 624 00:35:00,120 --> 00:35:05,480 Speaker 2: Yes, getting rito's sauce all over the lens, Jimmy Changa's 625 00:35:05,680 --> 00:35:07,719 Speaker 2: pulling down the boom mic and. 626 00:35:07,560 --> 00:35:09,920 Speaker 6: Being like, this is a TV show, don't forget. 627 00:35:10,080 --> 00:35:13,680 Speaker 2: Yes, he is making everyone aware that it's a TV show. 628 00:35:13,920 --> 00:35:16,360 Speaker 1: That is one of the most frustrating things about Deadpool 629 00:35:16,400 --> 00:35:19,440 Speaker 1: invading your show, as it's like, if you want to 630 00:35:19,480 --> 00:35:21,560 Speaker 1: break the fourth wall of your own show, go ahead, 631 00:35:22,760 --> 00:35:29,799 Speaker 1: but please don't break the fourth Yes, you know, yeah, 632 00:35:29,840 --> 00:35:33,680 Speaker 1: I do know. I mean when he came onto our podcast, 633 00:35:33,760 --> 00:35:36,400 Speaker 1: Oh my gosh, she was telling everyone it was a podcast. 634 00:35:37,040 --> 00:35:38,480 Speaker 1: It was he funny is all get out? 635 00:35:39,000 --> 00:35:39,160 Speaker 5: Hell? 636 00:35:39,239 --> 00:35:42,080 Speaker 1: Yes, you know. I also worked on an animated show 637 00:35:42,080 --> 00:35:46,480 Speaker 1: that never saw the light of day. It's called Murder Police. Yeah, 638 00:35:46,560 --> 00:35:49,920 Speaker 1: just as big a deal. Yeah, I worked on an 639 00:35:50,000 --> 00:35:54,600 Speaker 1: animated No, it was like the name for the homicide department. 640 00:35:54,640 --> 00:35:55,920 Speaker 2: They were called Murder Police. 641 00:35:56,680 --> 00:36:02,160 Speaker 1: It was an animated show and uh fully produced thirteen 642 00:36:02,200 --> 00:36:04,640 Speaker 1: episodes of it and then they just never aired a 643 00:36:04,640 --> 00:36:05,240 Speaker 1: single walk. 644 00:36:07,719 --> 00:36:09,840 Speaker 2: Deadpool told us he'd like to take up residence in 645 00:36:09,920 --> 00:36:10,960 Speaker 2: Kate Upton's. 646 00:36:10,560 --> 00:36:12,680 Speaker 6: Bra Classic dead Pool. 647 00:36:12,719 --> 00:36:15,400 Speaker 2: He really did say that, and again, the times have changed. 648 00:36:16,760 --> 00:36:20,520 Speaker 1: Yeah, he shouldn't he shouldn't be saying that. I mean 649 00:36:20,640 --> 00:36:24,000 Speaker 1: what I would love is like a Deadpool apology tour. Yes, 650 00:36:24,440 --> 00:36:26,319 Speaker 1: and that's maybe what you should have done with the show, 651 00:36:27,960 --> 00:36:29,919 Speaker 1: And maybe we wouldn't be sitting here trying to fix 652 00:36:30,000 --> 00:36:32,120 Speaker 1: this other show that you had to go back crawling. 653 00:36:31,800 --> 00:36:39,120 Speaker 2: Back to that. And you're and Devin, have you met Deadpool? 654 00:36:39,600 --> 00:36:42,200 Speaker 3: I haven't met him yet. I had the pleasure lie 655 00:36:42,239 --> 00:36:44,560 Speaker 3: about all these other people. Why you just say you have? 656 00:36:45,480 --> 00:36:48,640 Speaker 3: I have not met Deadpool. I'd like to meet him. 657 00:36:48,800 --> 00:36:53,839 Speaker 3: He sounds great, he sounds great, he sounds irreverent. Be something, 658 00:36:53,880 --> 00:36:54,919 Speaker 3: you know, be a story to tell. 659 00:36:55,880 --> 00:37:03,120 Speaker 1: He would absolutely destroy you. Deadpool would see you, and 660 00:37:03,160 --> 00:37:06,840 Speaker 1: he would see a freaking big roast rotisserie chicken spinning 661 00:37:06,880 --> 00:37:09,560 Speaker 1: around in that chair right there. He would go, here 662 00:37:09,600 --> 00:37:11,680 Speaker 1: we go. Let me carve him up and eat him. 663 00:37:12,480 --> 00:37:13,880 Speaker 1: You'd like to meet Deadpool? 664 00:37:14,160 --> 00:37:14,440 Speaker 2: Dude? 665 00:37:15,560 --> 00:37:16,680 Speaker 1: Figure out what's good for you? 666 00:37:16,800 --> 00:37:17,000 Speaker 2: Man. 667 00:37:17,760 --> 00:37:20,520 Speaker 1: If I'm having this easy time with you and it's 668 00:37:20,960 --> 00:37:24,439 Speaker 1: it's a cake walk for me to just rip you up. 669 00:37:26,000 --> 00:37:31,520 Speaker 1: Deadpool would eviscerate you. You wouldn't exist anymore. You you wouldn't 670 00:37:31,520 --> 00:37:33,960 Speaker 1: even be allowed back to Minnesota. You'd have to go 671 00:37:33,960 --> 00:37:35,080 Speaker 1: to Wisconsin instead. 672 00:37:36,560 --> 00:37:37,360 Speaker 3: That is a demotion. 673 00:37:38,440 --> 00:37:46,520 Speaker 2: Okay, not on this show, not that kind of show 674 00:37:46,560 --> 00:37:47,160 Speaker 2: we want to do. 675 00:37:47,760 --> 00:37:48,759 Speaker 1: Got a little bite to him. 676 00:37:48,880 --> 00:37:51,640 Speaker 2: Yeah, we have listeners there. Why do you have this 677 00:37:51,719 --> 00:37:53,000 Speaker 2: show calendar pulled up? 678 00:37:53,719 --> 00:37:56,760 Speaker 3: I'm just checking see what's going on looking at the schedule. 679 00:37:56,800 --> 00:37:57,600 Speaker 3: It's a part of engineering. 680 00:37:57,680 --> 00:38:01,760 Speaker 2: Live in the this moment, please, I'll always be looking 681 00:38:01,760 --> 00:38:02,759 Speaker 2: ahead to the next show. 682 00:38:02,760 --> 00:38:05,200 Speaker 3: I also have tabs open for Richard Jewel and Jimmy Tingle. 683 00:38:05,320 --> 00:38:10,560 Speaker 1: So get in between those, baby, That's the only place 684 00:38:10,600 --> 00:38:12,240 Speaker 1: you're gonna be able to do any engineering. 685 00:38:12,360 --> 00:38:14,200 Speaker 2: I'll tell you that that's where you live. 686 00:38:14,360 --> 00:38:17,080 Speaker 1: Can't do can't in between there, can't do any engineering 687 00:38:17,120 --> 00:38:20,439 Speaker 1: next week, can't do any engineering in the past. I'm 688 00:38:20,440 --> 00:38:23,400 Speaker 1: sure you're up in your fringing brain going through some 689 00:38:23,440 --> 00:38:25,319 Speaker 1: of the mistakes you made that led you here, But 690 00:38:26,120 --> 00:38:27,279 Speaker 1: nothing you can do about that. 691 00:38:27,360 --> 00:38:27,600 Speaker 2: Now. 692 00:38:27,840 --> 00:38:32,399 Speaker 1: You know where you can be effective right in between those. 693 00:38:32,560 --> 00:38:35,719 Speaker 2: Tell them, Stephanie, you. 694 00:38:35,680 --> 00:38:36,480 Speaker 6: Gotta be in the now. 695 00:38:43,040 --> 00:38:46,200 Speaker 1: Stephanie, was there anything you wanted to bring up while 696 00:38:46,200 --> 00:38:49,319 Speaker 1: you're on the show. Now that you have this huge platform, 697 00:38:50,880 --> 00:38:53,680 Speaker 1: you know people are obviously going to be listening to 698 00:38:53,719 --> 00:38:54,920 Speaker 1: this by the thousands. 699 00:38:55,080 --> 00:38:56,760 Speaker 2: You said you wanted to say your piece. 700 00:38:57,280 --> 00:39:05,120 Speaker 5: Yeah, okay, Wow, this is just megin a moment. 701 00:39:07,520 --> 00:39:08,600 Speaker 6: It's really important. 702 00:39:09,160 --> 00:39:12,520 Speaker 1: She's kind of winding up her fists. M Yeah, she's 703 00:39:12,560 --> 00:39:14,880 Speaker 1: spinning it around. It's sort of like when Popeye was 704 00:39:14,920 --> 00:39:18,279 Speaker 1: gonna freaking knock Bluedo straight through the freaking hull of 705 00:39:18,320 --> 00:39:18,760 Speaker 1: the ship. 706 00:39:25,840 --> 00:39:29,240 Speaker 5: I feel like Taco Bell should always have shredded chicken 707 00:39:30,520 --> 00:39:31,160 Speaker 5: as an option. 708 00:39:31,440 --> 00:39:33,400 Speaker 2: Okay, they only sometimes have it. 709 00:39:33,480 --> 00:39:36,000 Speaker 5: Yeah, I feel like depending on the store, it's really 710 00:39:36,080 --> 00:39:38,680 Speaker 5: frustrating for me because sometimes I sub out the beef 711 00:39:38,920 --> 00:39:39,880 Speaker 5: for shredded. 712 00:39:39,560 --> 00:39:41,759 Speaker 6: Chicken and some place ago we don't have that. 713 00:39:41,800 --> 00:39:43,600 Speaker 5: Depending Yeah, depending on the place where like we either 714 00:39:43,640 --> 00:39:45,960 Speaker 5: we're out of that or we never had that. 715 00:39:46,680 --> 00:39:49,000 Speaker 2: Yeah, I'll tell you where you could get some shredded chicken. 716 00:39:49,239 --> 00:39:51,719 Speaker 2: After Deadpool's Dog with editeered David. 717 00:39:54,080 --> 00:39:58,480 Speaker 1: Finally something real, Finally you let the walls down a 718 00:39:58,480 --> 00:40:01,520 Speaker 1: little bit, and now we can really. 719 00:40:01,160 --> 00:40:02,040 Speaker 2: Talk about this. 720 00:40:02,239 --> 00:40:03,360 Speaker 6: Yeah, I'm pissed off. 721 00:40:03,960 --> 00:40:04,480 Speaker 2: Get this. 722 00:40:04,719 --> 00:40:08,000 Speaker 1: Get in here and dig in on this shredded chicken 723 00:40:08,040 --> 00:40:09,640 Speaker 1: and let's put that in the show. 724 00:40:09,800 --> 00:40:12,080 Speaker 2: Yeah, that would be huge for us. I'm willing to 725 00:40:12,120 --> 00:40:13,960 Speaker 2: ignore the fact that it's definitely seems to think the 726 00:40:14,000 --> 00:40:17,280 Speaker 2: show is dough Boys, But I think that could actually 727 00:40:17,400 --> 00:40:18,680 Speaker 2: be good for us. 728 00:40:19,360 --> 00:40:21,560 Speaker 1: Yeah, it would be great if people accidentally listen to 729 00:40:21,600 --> 00:40:23,239 Speaker 1: the show thinking that it's dough Boys. Have you done 730 00:40:23,280 --> 00:40:23,680 Speaker 1: dough Boys? 731 00:40:23,719 --> 00:40:27,600 Speaker 6: I've not done dough boys. Dope boys? Yeah, you know, no, 732 00:40:27,680 --> 00:40:28,560 Speaker 6: I don't know dough Boys. 733 00:40:28,880 --> 00:40:30,080 Speaker 1: I feels say listen. 734 00:40:30,640 --> 00:40:31,600 Speaker 6: Is it a podcast? 735 00:40:31,840 --> 00:40:32,160 Speaker 3: Yeah? 736 00:40:32,239 --> 00:40:33,160 Speaker 2: Yeah, I don't listen. 737 00:40:33,200 --> 00:40:36,040 Speaker 6: You know what, No, you don't let it go podcast? 738 00:40:36,160 --> 00:40:37,760 Speaker 6: You know what, guys, this. 739 00:40:37,680 --> 00:40:40,680 Speaker 5: Is podcast is what I'm winding up to say. Podcasts 740 00:40:40,719 --> 00:40:47,239 Speaker 5: are canceled. Okay, I'm not going to go on to 741 00:40:47,360 --> 00:40:52,440 Speaker 5: my computer to look to go to a website to 742 00:40:52,600 --> 00:40:55,360 Speaker 5: listen to people talk like I'm you know, this is 743 00:40:55,560 --> 00:40:57,200 Speaker 5: FDR's fireside chat. 744 00:40:57,920 --> 00:41:00,800 Speaker 2: You know, people gathering around on the radio. 745 00:41:03,239 --> 00:41:03,880 Speaker 6: I mean, what have. 746 00:41:05,600 --> 00:41:07,120 Speaker 1: The floor appointment listening? 747 00:41:07,160 --> 00:41:12,320 Speaker 5: Bill Gates created the Internet and you people are still 748 00:41:12,360 --> 00:41:14,560 Speaker 5: trying to take it there, you try to take it back. 749 00:41:15,160 --> 00:41:18,160 Speaker 2: How do you want to be listening to your content? 750 00:41:18,400 --> 00:41:18,839 Speaker 2: Mm hmm? 751 00:41:19,719 --> 00:41:21,320 Speaker 5: How do I want I want to be watching it? 752 00:41:21,320 --> 00:41:22,400 Speaker 5: It's twenty eighteen. 753 00:41:23,200 --> 00:41:27,360 Speaker 1: I want to all screen screen as visual component screen junkie. 754 00:41:28,719 --> 00:41:31,759 Speaker 1: Oh wow, we got a frigging screen addict over here. 755 00:41:32,360 --> 00:41:35,239 Speaker 1: All right, all right, she wants a visual component. What 756 00:41:35,320 --> 00:41:39,319 Speaker 1: if I told you that while you're listening to this podcast, 757 00:41:39,840 --> 00:41:42,600 Speaker 1: there's this a really funny graphic of like a notebook 758 00:41:42,640 --> 00:41:44,040 Speaker 1: that shows up on your phone. 759 00:41:46,280 --> 00:41:48,040 Speaker 6: How funny is it? 760 00:41:48,280 --> 00:41:48,760 Speaker 1: Hilarious? 761 00:41:49,200 --> 00:41:50,359 Speaker 2: It's got like two joke. 762 00:41:50,640 --> 00:41:54,040 Speaker 1: Yeah, it's got two jokes super. 763 00:41:56,000 --> 00:41:56,200 Speaker 2: Well. 764 00:41:56,239 --> 00:41:58,280 Speaker 1: Which is what you can do is kind of wiggle 765 00:41:58,360 --> 00:42:00,960 Speaker 1: the phone around and it sort of seems as if 766 00:42:01,000 --> 00:42:04,200 Speaker 1: the notebook is doing a little dance. And that's for 767 00:42:04,280 --> 00:42:07,240 Speaker 1: anyone at home. You know, that's not just for Stephanie. 768 00:42:07,239 --> 00:42:09,839 Speaker 1: I'm sure there's some other freaking screen junkies out there. 769 00:42:11,120 --> 00:42:13,840 Speaker 2: You would have loved the time that they tried to 770 00:42:13,920 --> 00:42:17,280 Speaker 2: do video podcast the Video Podcast Network. 771 00:42:17,640 --> 00:42:21,920 Speaker 6: Yes, Stephanie, that would be gold for an SJ like me. 772 00:42:22,160 --> 00:42:24,640 Speaker 2: You're truly born in the in the wrong time. 773 00:42:26,400 --> 00:42:28,800 Speaker 1: Oh, speaking of SJ, do we want to get SJP. 774 00:42:30,320 --> 00:42:31,240 Speaker 2: She'd be huge. 775 00:42:31,600 --> 00:42:33,440 Speaker 1: She could be so great in Atlanta. 776 00:42:33,560 --> 00:42:37,800 Speaker 2: Maybe instead of Atlanta playing instead of that guy, Look, Donald, 777 00:42:37,840 --> 00:42:41,560 Speaker 2: I love him. Friend of the show did our third episode, 778 00:42:42,200 --> 00:42:45,200 Speaker 2: and then after that we really sort of found it. 779 00:42:46,400 --> 00:42:50,560 Speaker 2: I'm watching this guy, I'm thinking this should be s JP. 780 00:42:51,440 --> 00:42:53,560 Speaker 1: Yeah, and that comes up for me a lot especially. 781 00:42:53,560 --> 00:42:56,719 Speaker 1: It's so confusing because Donald and this is something that 782 00:42:56,880 --> 00:42:58,600 Speaker 1: we know that not a lot of people know he 783 00:42:58,640 --> 00:43:01,959 Speaker 1: actually does music, but then on the show someone else 784 00:43:01,960 --> 00:43:04,359 Speaker 1: does music. Has anyone talked about this? 785 00:43:05,480 --> 00:43:11,160 Speaker 6: No, it's insane. She'd take care of it s JP. 786 00:43:11,400 --> 00:43:14,400 Speaker 1: Yeah, then it's pretty clear she doesn't do music. She 787 00:43:14,560 --> 00:43:18,320 Speaker 1: just freaking perfume comedy acting, yes, and perfume. 788 00:43:18,520 --> 00:43:21,319 Speaker 2: Could be better her. And instead of doing music, she 789 00:43:21,440 --> 00:43:22,800 Speaker 2: is getting divorced. 790 00:43:24,000 --> 00:43:26,920 Speaker 6: Like a god. She was getting divorced from like a 791 00:43:27,040 --> 00:43:28,960 Speaker 6: Thomas Hayden Church situation. 792 00:43:29,080 --> 00:43:32,120 Speaker 2: I think we don't need him. I think that can 793 00:43:32,160 --> 00:43:35,560 Speaker 2: be Deadpool. That could be a good place for. 794 00:43:35,560 --> 00:43:42,120 Speaker 1: Dead get divorced from Deadpool. Thomas Hayden Church th HC. 795 00:43:43,360 --> 00:43:44,640 Speaker 1: Anybody ever think about. 796 00:43:44,440 --> 00:43:48,520 Speaker 2: That something Deadpool would say? 797 00:43:49,320 --> 00:43:53,360 Speaker 1: Deadpool would be like, oh yeah, yeah, he'd be freaking 798 00:43:54,200 --> 00:44:04,839 Speaker 1: taking a gravity bong rip of Thomas aiden Church. Huh. 799 00:44:04,880 --> 00:44:08,240 Speaker 2: So these ideas are proprietary, they are all ours. 800 00:44:08,960 --> 00:44:12,200 Speaker 1: Yeah, you guys can use them, obviously, but you have 801 00:44:12,239 --> 00:44:17,200 Speaker 1: to pay us our fee, which is pretty reasonable, six 802 00:44:17,239 --> 00:44:18,040 Speaker 1: hundred bucks. 803 00:44:19,360 --> 00:44:21,879 Speaker 6: For the both of you, six hundred bucks each, oh each? 804 00:44:23,760 --> 00:44:30,840 Speaker 1: Or actually split it, can split it, We could split it, ok, guys, Yeah, 805 00:44:31,080 --> 00:44:35,799 Speaker 1: just split it because she was kind of signed. Yeah. Yeah, 806 00:44:35,800 --> 00:44:37,080 Speaker 1: and when she said for both of you, she was 807 00:44:37,160 --> 00:44:39,439 Speaker 1: kind of for both of you. It's like, I think 808 00:44:39,440 --> 00:44:40,080 Speaker 1: she might do it. 809 00:44:41,640 --> 00:44:41,839 Speaker 5: Yeah. 810 00:44:41,880 --> 00:44:46,719 Speaker 1: We actually you know what, Yeah, we actually could split it. 811 00:44:49,480 --> 00:44:53,560 Speaker 6: Bye.