WEBVTT - Mailbag: Part 1

0:00:00.200 --> 0:00:06.200
<v Speaker 1>Today's quote, it's from the Bible. I interviewed a woman

0:00:06.280 --> 0:00:11.440
<v Speaker 1>running for office in the election for state Senate about

0:00:11.440 --> 0:00:14.640
<v Speaker 1>how she decided to run, how she decided specifically to

0:00:14.680 --> 0:00:17.800
<v Speaker 1>sort of go public, to go from being somebody who's

0:00:17.840 --> 0:00:20.599
<v Speaker 1>you know, living a private life and not, you know,

0:00:20.680 --> 0:00:22.960
<v Speaker 1>putting herself out there to be seen and heard and

0:00:23.040 --> 0:00:28.280
<v Speaker 1>judged into somebody who is. And she quoted the Bible

0:00:28.560 --> 0:00:33.320
<v Speaker 1>and she said, there's the story about Esther who had

0:00:33.360 --> 0:00:36.360
<v Speaker 1>a fancy position inside the court, and the Jews were

0:00:36.360 --> 0:00:39.360
<v Speaker 1>in trouble because it's the Bible. Uh. And so Mordecai

0:00:39.440 --> 0:00:42.279
<v Speaker 1>from the Jews asked her to, you know, use her

0:00:42.320 --> 0:00:44.519
<v Speaker 1>position to speak to the king, and she said, I

0:00:44.560 --> 0:00:47.199
<v Speaker 1>don't have permission. And he wrote back and said, do

0:00:47.280 --> 0:00:50.120
<v Speaker 1>not think that because you were in the king's house,

0:00:50.600 --> 0:00:53.960
<v Speaker 1>you alone of all the Jews, will escape. For if

0:00:54.000 --> 0:00:57.920
<v Speaker 1>you remain silent at this time, relief and deliverance for

0:00:57.960 --> 0:01:00.320
<v Speaker 1>the Jews will arise from another place. But you and

0:01:00.360 --> 0:01:04.360
<v Speaker 1>your father's family will perish. And who knows but that

0:01:04.440 --> 0:01:07.840
<v Speaker 1>you have come to your royal position for such a

0:01:07.840 --> 0:01:19.240
<v Speaker 1>time as this. Welcome to permission to speak. The podcast

0:01:19.319 --> 0:01:22.800
<v Speaker 1>about how we talk and how we get ourselves heard

0:01:23.200 --> 0:01:32.840
<v Speaker 1>with me Samarbe. Today's guest is me just kidding but

0:01:32.920 --> 0:01:36.520
<v Speaker 1>sort of. My podcast producer Cat and I are doing

0:01:36.520 --> 0:01:40.440
<v Speaker 1>a mailbag episode, and um, we've broken into two halves.

0:01:41.240 --> 0:01:44.800
<v Speaker 1>For the first half, it's a lot of questions about me,

0:01:45.560 --> 0:01:48.720
<v Speaker 1>but really filling in some of the gaps for you

0:01:48.800 --> 0:01:52.200
<v Speaker 1>guys of my career path. And also I think some

0:01:52.280 --> 0:01:56.680
<v Speaker 1>really foundational stuff I believe about the voice and putting

0:01:56.720 --> 0:02:01.880
<v Speaker 1>the voice into context. We got so many good questions

0:02:02.080 --> 0:02:07.240
<v Speaker 1>we decided to obviously do a massive two part episode

0:02:07.280 --> 0:02:10.120
<v Speaker 1>here and part two will drop next week. And if

0:02:10.120 --> 0:02:12.639
<v Speaker 1>you don't hear your question in this one, you might

0:02:12.680 --> 0:02:16.880
<v Speaker 1>hear it in the next one. Truly, I love you, guys,

0:02:17.560 --> 0:02:21.560
<v Speaker 1>I love getting questions, and I really hope more than

0:02:21.720 --> 0:02:24.400
<v Speaker 1>anything that this episode you're about to hear in the

0:02:24.440 --> 0:02:28.799
<v Speaker 1>next one are helpful, either in specific tips that you

0:02:28.840 --> 0:02:32.880
<v Speaker 1>can apply to what's going on with you, or in

0:02:32.919 --> 0:02:36.480
<v Speaker 1>the very fact that this conversation is happening. That there

0:02:37.000 --> 0:02:41.240
<v Speaker 1>is so much to say and to discover about our

0:02:41.320 --> 0:02:43.799
<v Speaker 1>voices and our sense of power and how those two

0:02:43.800 --> 0:02:48.240
<v Speaker 1>things dance together. And I'm really left feeling like the

0:02:48.320 --> 0:02:52.960
<v Speaker 1>answer always besides giving ourselves permission, and in relation to

0:02:53.000 --> 0:02:57.600
<v Speaker 1>giving ourselves permission is that we need each other, and

0:02:57.639 --> 0:03:01.120
<v Speaker 1>we need each other to to listen better to each

0:03:01.120 --> 0:03:04.280
<v Speaker 1>other and to resonate and to raise your hand and

0:03:04.320 --> 0:03:07.480
<v Speaker 1>say that resonates with me. You're not alone, and to

0:03:07.520 --> 0:03:10.120
<v Speaker 1>keep each other a high five for speaking up even

0:03:10.200 --> 0:03:13.560
<v Speaker 1>when you know our voices are shaky, and even when

0:03:14.160 --> 0:03:16.359
<v Speaker 1>we're going to rock the boat because boat rocking is

0:03:16.440 --> 0:03:21.480
<v Speaker 1>really scary, but um, maybe the boat's gonna cap size

0:03:22.240 --> 0:03:26.200
<v Speaker 1>and maybe we'll be okay. This is mail Bag Part one.

0:03:33.080 --> 0:03:39.000
<v Speaker 1>Good morning, Samara, Hello Catherine. I would actually, if you

0:03:39.040 --> 0:03:40.960
<v Speaker 1>don't mind, just like to hog the mic for a

0:03:41.000 --> 0:03:43.440
<v Speaker 1>second and open up with one of my favorite quotes

0:03:43.600 --> 0:03:47.240
<v Speaker 1>and maybe you could guess who says it. How our

0:03:47.320 --> 0:03:50.280
<v Speaker 1>voice sounds has everything to do with how our inner

0:03:50.360 --> 0:03:53.520
<v Speaker 1>voice sounds. To change the world, we must first change

0:03:53.560 --> 0:03:57.200
<v Speaker 1>how we talk to ourselves. That is the Samara bay

0:03:57.360 --> 0:04:00.440
<v Speaker 1>is m if ever. I've heard it and is a

0:04:00.480 --> 0:04:03.720
<v Speaker 1>simiar vism, and it's so relevant now. It's relevant always,

0:04:03.760 --> 0:04:06.200
<v Speaker 1>but now more than ever. I'm really thinking about this

0:04:06.240 --> 0:04:09.800
<v Speaker 1>because the more you know, until I launched this podcast,

0:04:09.880 --> 0:04:12.600
<v Speaker 1>I was really working one on one like that was

0:04:12.680 --> 0:04:15.880
<v Speaker 1>my jam and there is a future in which I'm working,

0:04:15.920 --> 0:04:18.680
<v Speaker 1>you know, one on many, And obviously, if there wasn't

0:04:18.680 --> 0:04:21.520
<v Speaker 1>a pandemic um, i'd already be kind of underway with that.

0:04:21.560 --> 0:04:23.479
<v Speaker 1>I had a bunch of workshops like scheduled for the

0:04:23.600 --> 0:04:27.479
<v Speaker 1>spring tier. You know, this might not be obvious, but

0:04:27.640 --> 0:04:29.960
<v Speaker 1>part of the deal with working one on one versus

0:04:29.960 --> 0:04:34.120
<v Speaker 1>working on one on many is that the job suddenly

0:04:34.200 --> 0:04:36.279
<v Speaker 1>becomes not dealing with the person who's in front of

0:04:36.279 --> 0:04:39.640
<v Speaker 1>me with all of their uniqueness, but rather what are

0:04:39.760 --> 0:04:45.360
<v Speaker 1>the big pattern themes that are applicable for all of us?

0:04:46.000 --> 0:04:48.200
<v Speaker 1>And that's actually been a huge shift because, as you know,

0:04:48.279 --> 0:04:50.039
<v Speaker 1>as a one on one coach, I didn't actually have

0:04:50.080 --> 0:04:52.280
<v Speaker 1>to think. I would notice like, oh, I get you're

0:04:52.320 --> 0:04:54.640
<v Speaker 1>going to fit into this category. I see you in

0:04:54.839 --> 0:04:57.120
<v Speaker 1>unique individual human but also like you're going to fit

0:04:57.120 --> 0:04:59.760
<v Speaker 1>into this category. But now I have to be really

0:05:00.000 --> 0:05:03.120
<v Speaker 1>intentional about, like what are the categories so that I

0:05:03.160 --> 0:05:06.440
<v Speaker 1>can lead the conversation and sort of allow people to

0:05:06.480 --> 0:05:09.560
<v Speaker 1>see themselves in those categories. It's like a whole different

0:05:10.040 --> 0:05:12.760
<v Speaker 1>mindset um. But yes, one of the things that comes

0:05:12.800 --> 0:05:14.960
<v Speaker 1>up all the time, and that I realized I didn't

0:05:14.960 --> 0:05:16.760
<v Speaker 1>necessarily think about when I was coaching one on one.

0:05:16.800 --> 0:05:19.120
<v Speaker 1>But I'm thinking about a lot now. Is that you know,

0:05:19.120 --> 0:05:21.440
<v Speaker 1>permission to speak. It is partly about the speaking, but

0:05:21.480 --> 0:05:24.120
<v Speaker 1>it's so much about the permission and that has to

0:05:24.160 --> 0:05:26.320
<v Speaker 1>do with how we talk to ourselves. It really does.

0:05:26.440 --> 0:05:28.719
<v Speaker 1>And I want to just backtrack a little bit and

0:05:28.720 --> 0:05:32.839
<v Speaker 1>say congratulations to you for many things. This podcast has

0:05:33.279 --> 0:05:36.920
<v Speaker 1>gone through many a season since we first pitched pitched

0:05:36.920 --> 0:05:40.520
<v Speaker 1>this to ihearted. Um. I mean the last time we

0:05:40.560 --> 0:05:43.240
<v Speaker 1>recorded our first mail Bag episode, I was sitting in

0:05:43.240 --> 0:05:46.320
<v Speaker 1>my car, you were sitting in your your house, and

0:05:46.360 --> 0:05:48.200
<v Speaker 1>we were like, we're in the middle of this thing

0:05:48.279 --> 0:05:50.240
<v Speaker 1>right now. We can't see each other, but like it'll

0:05:50.279 --> 0:05:52.120
<v Speaker 1>be a couple of weeks and then we'll just, you know,

0:05:52.600 --> 0:05:56.440
<v Speaker 1>get back to it. Well cut cut a couple of

0:05:56.480 --> 0:06:00.560
<v Speaker 1>months now, and we're still in the same situation. I'd

0:06:00.560 --> 0:06:03.440
<v Speaker 1>like to open up with this from a listener. She says,

0:06:03.800 --> 0:06:05.800
<v Speaker 1>all of my life, I've had people tell me that

0:06:05.839 --> 0:06:08.760
<v Speaker 1>I'm too loud, that I speak too fast or too harshly,

0:06:09.160 --> 0:06:12.080
<v Speaker 1>and I feel seen by everything you discussed in your interviews.

0:06:12.800 --> 0:06:15.080
<v Speaker 1>Sometimes I have to pause the podcast and sit down

0:06:15.120 --> 0:06:17.200
<v Speaker 1>to think for a minute, because you really lay out

0:06:17.360 --> 0:06:19.520
<v Speaker 1>and point to a lot of the issues that I've had,

0:06:19.920 --> 0:06:21.719
<v Speaker 1>the things that I've been feeling but I can't really

0:06:21.760 --> 0:06:24.679
<v Speaker 1>identify with. And so it's nice to finally have someone

0:06:24.800 --> 0:06:32.359
<v Speaker 1>understand and to have a community that understands. I love that. Yeah. Yeah,

0:06:32.520 --> 0:06:36.240
<v Speaker 1>you know, what can I say? I mean, you really

0:06:36.279 --> 0:06:38.400
<v Speaker 1>get it. You get it. I really do feel like

0:06:38.520 --> 0:06:41.160
<v Speaker 1>you are. You're kind of crushing the game over there.

0:06:41.200 --> 0:06:42.960
<v Speaker 1>We have a variety of guests that have come on,

0:06:43.080 --> 0:06:45.640
<v Speaker 1>and you're really connecting with people in a time where

0:06:45.720 --> 0:06:47.920
<v Speaker 1>it's really hard to stand up and use your voice

0:06:48.760 --> 0:06:51.599
<v Speaker 1>or or maybe not for some, but it's a very

0:06:51.800 --> 0:06:55.440
<v Speaker 1>very uh bonkers time. Is that the appropriate term to you?

0:06:55.520 --> 0:06:57.880
<v Speaker 1>I think that's the scientific term. Yeah, And I'm just

0:06:57.920 --> 0:07:02.000
<v Speaker 1>this podcast. I mean, you were in Good Housekeeping number

0:07:02.040 --> 0:07:04.520
<v Speaker 1>eleven for like the top twenty podcast. I mean, this

0:07:04.600 --> 0:07:07.800
<v Speaker 1>is a huge, huge moment for people to stand up

0:07:07.800 --> 0:07:09.760
<v Speaker 1>and use their voices to get what they want, to

0:07:09.880 --> 0:07:12.640
<v Speaker 1>feel heard and to feel seen. And I found I mean,

0:07:12.760 --> 0:07:15.320
<v Speaker 1>part of what that letter that you just read makes

0:07:15.360 --> 0:07:17.400
<v Speaker 1>me think of is that, like, yes, this is about

0:07:17.480 --> 0:07:20.960
<v Speaker 1>using our voices, but it's also just about feeling like

0:07:21.280 --> 0:07:24.640
<v Speaker 1>people get us. With all of the drama that does

0:07:24.720 --> 0:07:26.880
<v Speaker 1>come up with our voices, Like, we aren't going to

0:07:27.000 --> 0:07:30.440
<v Speaker 1>solve all of it in you know, in this episode.

0:07:30.520 --> 0:07:32.680
<v Speaker 1>But I mean, you know, even in the doing this podcast,

0:07:32.720 --> 0:07:35.600
<v Speaker 1>you know, listening to a podcast episode does not necessarily

0:07:35.600 --> 0:07:38.840
<v Speaker 1>solve every one of your guys, you know, drama with

0:07:38.920 --> 0:07:41.520
<v Speaker 1>like what's going on with you and what mean people

0:07:41.800 --> 0:07:44.840
<v Speaker 1>or you know, whatever thoughtless people say to you. But

0:07:45.120 --> 0:07:47.000
<v Speaker 1>to know that there's a community of people who get it,

0:07:47.080 --> 0:07:49.600
<v Speaker 1>I think is actually part of the solution because we can't,

0:07:49.720 --> 0:07:51.920
<v Speaker 1>you know, affect other people's reactions, but we can't affect

0:07:51.960 --> 0:07:54.680
<v Speaker 1>how we process it. We haven't seen each other in

0:07:54.720 --> 0:07:57.200
<v Speaker 1>person since your birthday drive by a few months ago

0:07:57.200 --> 0:08:00.240
<v Speaker 1>in May and a lovely day it was. But how

0:08:00.320 --> 0:08:04.840
<v Speaker 1>you doing? How you doing over there? I'm okay, loaded question,

0:08:04.920 --> 0:08:09.520
<v Speaker 1>I'm okay, Yeah, I'm okay. I mean it's been a lot. Um,

0:08:09.560 --> 0:08:13.520
<v Speaker 1>you know, I feel like everybody is either overworked or

0:08:13.600 --> 0:08:18.440
<v Speaker 1>underworked right now. Um. We're recording this the day after

0:08:18.680 --> 0:08:23.320
<v Speaker 1>I did um a ask an expert video for Create

0:08:23.360 --> 0:08:26.480
<v Speaker 1>and Cultivate, and it was such an honor to be

0:08:26.680 --> 0:08:28.760
<v Speaker 1>on their platform because it's such a huge platform and

0:08:28.800 --> 0:08:31.480
<v Speaker 1>it's so many you know, like minded women. I mean,

0:08:31.520 --> 0:08:34.240
<v Speaker 1>I like to say that part of my dream client

0:08:34.960 --> 0:08:38.079
<v Speaker 1>is women on a mission and create and cultivate is

0:08:38.080 --> 0:08:40.280
<v Speaker 1>all about women trying to build the careers of their dreams,

0:08:40.480 --> 0:08:43.920
<v Speaker 1>which inevitably for many of us, involves something that also

0:08:43.960 --> 0:08:46.559
<v Speaker 1>feels like it's good for the planet. It's good for

0:08:46.760 --> 0:08:49.559
<v Speaker 1>you know, the soul. It's purpose driven, as people say,

0:08:49.640 --> 0:08:53.000
<v Speaker 1>quote unquote purpose driven. But I will say that doing

0:08:53.160 --> 0:08:57.000
<v Speaker 1>that version of I g Live, where I had thirty

0:08:57.040 --> 0:08:59.160
<v Speaker 1>minutes and I really had like a tight thirty of

0:08:59.280 --> 0:09:02.920
<v Speaker 1>content and I was using their slides um, which is

0:09:02.960 --> 0:09:09.480
<v Speaker 1>a really gorgeous like technological you know, bonus um. I

0:09:09.520 --> 0:09:11.559
<v Speaker 1>don't feel like I actually killed it in as much

0:09:11.559 --> 0:09:14.080
<v Speaker 1>of a way as I wanted to, because I'm such

0:09:14.080 --> 0:09:16.319
<v Speaker 1>an interactive person. I mean, I'm such an extrovert. I

0:09:16.360 --> 0:09:19.960
<v Speaker 1>get my energy from other people, and it didn't set

0:09:20.000 --> 0:09:22.400
<v Speaker 1>me up to do that. And you know this is

0:09:22.600 --> 0:09:25.000
<v Speaker 1>I sort of bring this up because I've been sitting

0:09:25.040 --> 0:09:28.200
<v Speaker 1>with it um, not to actually be hard on myself,

0:09:28.640 --> 0:09:32.680
<v Speaker 1>but to like properly post mortem, because obviously any chance

0:09:32.840 --> 0:09:36.320
<v Speaker 1>any of us have to speak publicly is a chance

0:09:36.360 --> 0:09:38.760
<v Speaker 1>to think about, like, how are we making an impact?

0:09:38.880 --> 0:09:41.720
<v Speaker 1>Like what is it to speak publicly? And partly I

0:09:41.760 --> 0:09:43.840
<v Speaker 1>feel like check, check check. I did what I wanted

0:09:43.880 --> 0:09:47.080
<v Speaker 1>to do. And partly I'm like, oh, there were new

0:09:47.160 --> 0:09:50.920
<v Speaker 1>challenges I was not ready for, and you know, one

0:09:50.920 --> 0:09:52.679
<v Speaker 1>of them is that there was I was getting comments

0:09:52.679 --> 0:09:54.640
<v Speaker 1>the entire time, but because I had such a tight

0:09:55.080 --> 0:09:57.160
<v Speaker 1>you know, amount of time and and and a lot

0:09:57.200 --> 0:09:59.319
<v Speaker 1>of content I wanted to get through, I wasn't giving

0:09:59.320 --> 0:10:03.040
<v Speaker 1>myself permission to stop and read the comments, and thus

0:10:03.080 --> 0:10:05.560
<v Speaker 1>I was feeling disconnected from my audience. And I'm not

0:10:05.600 --> 0:10:08.400
<v Speaker 1>at my best that way. So I feel like that

0:10:08.640 --> 0:10:10.960
<v Speaker 1>is something that I that I woke up with this morning.

0:10:11.200 --> 0:10:14.640
<v Speaker 1>But also that like every chance I get, whether it's

0:10:14.640 --> 0:10:17.600
<v Speaker 1>on the podcast or I'm doing you know, much looser

0:10:17.640 --> 0:10:19.560
<v Speaker 1>and more fun for me, I g lives on my

0:10:19.600 --> 0:10:24.439
<v Speaker 1>own social feed with you guys, uh, is like another chance,

0:10:24.480 --> 0:10:26.760
<v Speaker 1>another chance to just keep working on what it is

0:10:26.800 --> 0:10:30.199
<v Speaker 1>to be authentically ourselves in front of a microphone or

0:10:30.200 --> 0:10:32.560
<v Speaker 1>in front of other humans. I mean, I kind of

0:10:32.559 --> 0:10:35.080
<v Speaker 1>like to joke that I'm patient zero. I'm so with

0:10:35.160 --> 0:10:38.640
<v Speaker 1>everybody else here. Yes, I have expertise in a lot

0:10:38.640 --> 0:10:42.120
<v Speaker 1>of aspects of this work, but also I have not

0:10:42.240 --> 0:10:45.560
<v Speaker 1>actually been a person who has been seen and heard

0:10:45.600 --> 0:10:49.520
<v Speaker 1>by lots of people until literally February when we launched

0:10:49.559 --> 0:10:52.880
<v Speaker 1>this podcast. I recently was listening to Lisa Nichols, who's

0:10:52.880 --> 0:10:56.480
<v Speaker 1>an amazing inspirational, transformational speaker, and she uses this term

0:10:56.520 --> 0:11:00.400
<v Speaker 1>servant leadership, this idea that as leaders are job is

0:11:00.440 --> 0:11:03.440
<v Speaker 1>to be of service, right. I very much want to

0:11:03.480 --> 0:11:06.040
<v Speaker 1>be in that tradition, and I also want to be

0:11:06.080 --> 0:11:09.160
<v Speaker 1>really honest about the fact that, like the time is,

0:11:09.280 --> 0:11:14.360
<v Speaker 1>as my podcast producer says, bonkers and um And one

0:11:14.400 --> 0:11:17.719
<v Speaker 1>of my favorite things about um Viv Groscop not when

0:11:17.720 --> 0:11:19.200
<v Speaker 1>she was on my podcast, but the thing that I

0:11:19.240 --> 0:11:21.600
<v Speaker 1>told you guys to go listen to her her Zoom

0:11:21.640 --> 0:11:24.320
<v Speaker 1>her how to Own the Zoom YouTube thing is that

0:11:24.360 --> 0:11:26.400
<v Speaker 1>she said that there are no experts in how to

0:11:26.679 --> 0:11:29.960
<v Speaker 1>function during a pandemic, and anybody who says that they are,

0:11:30.480 --> 0:11:32.679
<v Speaker 1>you know, are full of it. And I really want

0:11:32.720 --> 0:11:35.640
<v Speaker 1>to just honor that you had mentioned a Roomy quote

0:11:35.640 --> 0:11:38.240
<v Speaker 1>that I just I love. Oh my god, Yes, I

0:11:38.320 --> 0:11:42.760
<v Speaker 1>posted this on on Instagram. It says, the quieter you become,

0:11:42.800 --> 0:11:46.719
<v Speaker 1>the more you're able to hear. By Roomy and Um

0:11:47.240 --> 0:11:50.880
<v Speaker 1>I wrote after permission to not speak is often just

0:11:50.960 --> 0:11:54.640
<v Speaker 1>as hard to give ourselves. Maybe it's people pleasing or

0:11:54.720 --> 0:11:57.719
<v Speaker 1>perfectionism or the hustle, but we feel like we need

0:11:57.800 --> 0:12:01.160
<v Speaker 1>to have the answers and now. And I said, I

0:12:01.200 --> 0:12:04.160
<v Speaker 1>commit to no more answers today. Uh, it's really hard.

0:12:04.440 --> 0:12:08.520
<v Speaker 1>It's really hard to because also then when somebody asks

0:12:08.559 --> 0:12:10.920
<v Speaker 1>something of us, whether it's our child or you know,

0:12:10.960 --> 0:12:15.199
<v Speaker 1>a podcast listener, um, you know, producer, we all want

0:12:15.200 --> 0:12:17.000
<v Speaker 1>to be we all want to be. Yeah, totally right.

0:12:17.040 --> 0:12:18.440
<v Speaker 1>The day that I that I said I commit to

0:12:18.440 --> 0:12:22.040
<v Speaker 1>know more questions or no more answers, um cat called

0:12:22.080 --> 0:12:23.760
<v Speaker 1>me to like talk through some decisions and I was like,

0:12:23.800 --> 0:12:27.760
<v Speaker 1>I don't. I mean, you know, like modern life, there

0:12:27.800 --> 0:12:30.319
<v Speaker 1>are like certain requirements, but you know what, this is

0:12:30.360 --> 0:12:32.880
<v Speaker 1>an honest raw time, Like why should we in life

0:12:32.920 --> 0:12:34.800
<v Speaker 1>not be able to say I can't do this right

0:12:34.800 --> 0:12:36.720
<v Speaker 1>now or I don't want I'm working on it. I'm

0:12:36.760 --> 0:12:39.240
<v Speaker 1>actually really I'm really actively and I would love all

0:12:39.320 --> 0:12:41.800
<v Speaker 1>of us to be on this kick. Like people pleasing,

0:12:41.800 --> 0:12:43.240
<v Speaker 1>the other side of it is that when we don't

0:12:43.280 --> 0:12:45.440
<v Speaker 1>please somebody, then we have to sit with what that

0:12:45.480 --> 0:12:48.559
<v Speaker 1>feels like. It's not like they're the same regardless of

0:12:48.559 --> 0:12:50.480
<v Speaker 1>whether or not we people please, they're not. That's why

0:12:50.559 --> 0:12:53.960
<v Speaker 1>we people please. We are used to doing that mental

0:12:54.040 --> 0:12:56.600
<v Speaker 1>labor so that people like us and so that people

0:12:56.720 --> 0:12:59.959
<v Speaker 1>so that everything goes smoothly. And you know, I mean,

0:13:00.080 --> 0:13:02.319
<v Speaker 1>I'm just because I'm always all about the gray areas.

0:13:02.360 --> 0:13:04.960
<v Speaker 1>If we don't people please, if we actually say no

0:13:05.400 --> 0:13:08.360
<v Speaker 1>when we want to say no instead of yes when

0:13:08.400 --> 0:13:11.600
<v Speaker 1>it would be easier for the other people, then suddenly

0:13:11.920 --> 0:13:14.920
<v Speaker 1>there is blowback. And then is that blowback going to

0:13:14.960 --> 0:13:18.480
<v Speaker 1>require as much mental labor to smooth over? Because if so,

0:13:19.280 --> 0:13:21.760
<v Speaker 1>like I'm not incentivized to stop people pleasing, you know,

0:13:21.840 --> 0:13:23.840
<v Speaker 1>this is like this is the actual My my dad,

0:13:23.920 --> 0:13:26.080
<v Speaker 1>God Blessed sent me this amazing New York Times piece

0:13:26.679 --> 0:13:29.680
<v Speaker 1>uh last week about um people pleasing in the age

0:13:29.679 --> 0:13:32.199
<v Speaker 1>of the pandemic, and it came down to, like, I mean,

0:13:32.240 --> 0:13:36.520
<v Speaker 1>I I just, oh God, I feel this so hard.

0:13:36.600 --> 0:13:40.479
<v Speaker 1>It truly came down to stuff like if women historically

0:13:40.559 --> 0:13:44.480
<v Speaker 1>and traditionally and in our own lives really uh are

0:13:44.559 --> 0:13:47.160
<v Speaker 1>a little bit you know, more um likely to be

0:13:47.160 --> 0:13:50.959
<v Speaker 1>people pleasing, then like we literally are putting ourselves a

0:13:51.040 --> 0:13:54.079
<v Speaker 1>danger because if someone is less concerned about the pandemic

0:13:54.120 --> 0:13:56.520
<v Speaker 1>than we are, and says, come to brunch, it would

0:13:56.559 --> 0:13:59.720
<v Speaker 1>make me feel so much better. Then we're like literally

0:13:59.760 --> 0:14:03.280
<v Speaker 1>think life and death and also thinking people pleasing and

0:14:03.320 --> 0:14:07.320
<v Speaker 1>trying to balance like relationships versus taking care of ourselves.

0:14:07.440 --> 0:14:10.720
<v Speaker 1>And this relationship versus self is this like really deep

0:14:10.920 --> 0:14:14.439
<v Speaker 1>psychological you know thing. I mean, men are supposed to

0:14:14.440 --> 0:14:16.200
<v Speaker 1>be better at taking care of themselves and women are

0:14:16.200 --> 0:14:18.800
<v Speaker 1>supposed to be better at relationships, and like so much

0:14:18.840 --> 0:14:21.440
<v Speaker 1>of society is built to support that. And if we,

0:14:21.680 --> 0:14:24.680
<v Speaker 1>you know, stop playing by the rules, how big are

0:14:24.720 --> 0:14:26.640
<v Speaker 1>the pieces that we're going to have to pick up?

0:14:26.840 --> 0:14:29.120
<v Speaker 1>We're all on this roller coaster of emotions and it

0:14:29.160 --> 0:14:31.200
<v Speaker 1>doesn't all align at the same time. I had an

0:14:31.240 --> 0:14:34.680
<v Speaker 1>experience with a friend um the morning after we had

0:14:35.000 --> 0:14:38.520
<v Speaker 1>protesting in our neighborhood in West Hollywood, and she really

0:14:38.560 --> 0:14:40.640
<v Speaker 1>after I called to check in with her, said simply,

0:14:40.960 --> 0:14:42.800
<v Speaker 1>I can't talk to you right now. And at first

0:14:42.840 --> 0:14:45.800
<v Speaker 1>I was a little taken aback or offended by that reply,

0:14:46.520 --> 0:14:49.800
<v Speaker 1>and then I realized, that's fucking awesome that she said

0:14:49.800 --> 0:14:51.920
<v Speaker 1>that to me because she just couldn't do it. And

0:14:51.960 --> 0:14:54.160
<v Speaker 1>I really actually appreciate it. And I've been trying to

0:14:54.200 --> 0:14:58.880
<v Speaker 1>practice and emulate just that myself without feeling like I'm

0:14:58.920 --> 0:15:02.560
<v Speaker 1>doing something wrong in regards to this pandemic. You know,

0:15:02.800 --> 0:15:05.720
<v Speaker 1>how do you ask people without feeling is as I

0:15:05.720 --> 0:15:07.560
<v Speaker 1>guess my my question for you, and how do you

0:15:07.600 --> 0:15:11.320
<v Speaker 1>ask people without feeling UM like you're pointing fingers or

0:15:11.360 --> 0:15:14.200
<v Speaker 1>you're going to judge them if they are wearing masks,

0:15:14.280 --> 0:15:17.600
<v Speaker 1>if they're getting tested, if their social distancing, who they've seen.

0:15:18.080 --> 0:15:23.600
<v Speaker 1>I think the well two things. One is that this time,

0:15:23.920 --> 0:15:27.280
<v Speaker 1>the fact that this that a mask seems both totally mundane,

0:15:27.360 --> 0:15:29.920
<v Speaker 1>like it's just a piece of fabric, and also totally

0:15:29.960 --> 0:15:33.040
<v Speaker 1>profound because it's about you know, public health on a

0:15:33.200 --> 0:15:37.560
<v Speaker 1>global scale. UM is confusing for a lot of people, Like, truly,

0:15:37.560 --> 0:15:39.920
<v Speaker 1>how do we talk to the trivial aspect of it

0:15:39.960 --> 0:15:41.680
<v Speaker 1>being a piece of fabric or do we talk to

0:15:41.720 --> 0:15:45.040
<v Speaker 1>the profound aspect of it being about you know, life

0:15:45.040 --> 0:15:47.720
<v Speaker 1>and death. So I just want to honor first that,

0:15:47.840 --> 0:15:51.040
<v Speaker 1>like that's what That's partly why UM talking to people

0:15:51.080 --> 0:15:53.280
<v Speaker 1>about this is confusing. I think our brains like don't

0:15:53.320 --> 0:15:54.720
<v Speaker 1>know if it's a big thing or a little thing.

0:15:55.160 --> 0:15:57.000
<v Speaker 1>But the other part of it is that if we

0:15:57.400 --> 0:16:00.640
<v Speaker 1>I think I've been working since literally morning, I woke

0:16:00.760 --> 0:16:05.600
<v Speaker 1>up in November whatever that was the Wednesday. I've been

0:16:05.680 --> 0:16:12.480
<v Speaker 1>working on um allowing myself to be the alarmist person

0:16:12.760 --> 0:16:16.480
<v Speaker 1>in my life, even though my nature is very much

0:16:16.520 --> 0:16:20.080
<v Speaker 1>to be low maintenance and to be laid back and

0:16:20.160 --> 0:16:23.760
<v Speaker 1>to be a not early adopter. I have been trying

0:16:24.480 --> 0:16:29.280
<v Speaker 1>two see all of those things as um ways of

0:16:29.360 --> 0:16:32.600
<v Speaker 1>kind of hiding and protecting myself, and that being alarmist

0:16:32.640 --> 0:16:34.800
<v Speaker 1>is much more vulnerable. It's much more vulnerable to say

0:16:34.800 --> 0:16:37.120
<v Speaker 1>I'm going to take this really seriously before other people do.

0:16:38.040 --> 0:16:42.480
<v Speaker 1>But I think it's actually a leadership move, and especially

0:16:42.520 --> 0:16:44.720
<v Speaker 1>if we're thinking about in terms of servant leadership, which

0:16:44.720 --> 0:16:46.920
<v Speaker 1>is not like my theme, you know, if you're the

0:16:47.000 --> 0:16:49.400
<v Speaker 1>leader of your family, which is not to say other

0:16:49.400 --> 0:16:51.480
<v Speaker 1>people can't be you know, high mark, but like you know,

0:16:51.520 --> 0:16:53.840
<v Speaker 1>but just to say, like in what in what circles

0:16:53.880 --> 0:16:56.960
<v Speaker 1>can we can we make a leadership move. The leadership

0:16:57.000 --> 0:16:59.760
<v Speaker 1>move in this case is to say it is inconvenient

0:17:00.960 --> 0:17:02.880
<v Speaker 1>to ask for what I need, but I'm going to

0:17:02.960 --> 0:17:04.399
<v Speaker 1>do it anyway, and I'm going to work on that

0:17:04.480 --> 0:17:06.640
<v Speaker 1>muscle and I'm gonna be really loving in the process.

0:17:07.000 --> 0:17:09.280
<v Speaker 1>So this is not about shaming people or judging people.

0:17:09.320 --> 0:17:13.800
<v Speaker 1>It's about being of use, of servitude to the people

0:17:13.840 --> 0:17:16.119
<v Speaker 1>that you love, in this case your family. Right, So

0:17:16.200 --> 0:17:19.360
<v Speaker 1>when we're asking before we meet up, I just need

0:17:19.400 --> 0:17:22.680
<v Speaker 1>to know what your protocols have been. We can absolutely

0:17:22.800 --> 0:17:25.679
<v Speaker 1>say that with a without sounding you know, judge, you're shaming.

0:17:25.680 --> 0:17:27.080
<v Speaker 1>We can have that question in our head. Oh god,

0:17:27.119 --> 0:17:29.240
<v Speaker 1>am I sounding this way? But let it let it rest,

0:17:29.280 --> 0:17:31.040
<v Speaker 1>Let it rest. Right. This is about tone, and our

0:17:31.080 --> 0:17:34.560
<v Speaker 1>tone can be as loving and forward, you know, forward energy.

0:17:34.600 --> 0:17:36.760
<v Speaker 1>I like doing a physical gesture of like the care

0:17:36.760 --> 0:17:40.479
<v Speaker 1>bear stair here, you know, like I love out saying

0:17:40.640 --> 0:17:44.600
<v Speaker 1>saying you know. And we can also either apologize, question

0:17:44.640 --> 0:17:48.240
<v Speaker 1>mark you know, quotes, or just like just like signpost.

0:17:48.400 --> 0:17:50.240
<v Speaker 1>But we can say I'm going to ask a tough

0:17:50.320 --> 0:17:53.240
<v Speaker 1>question and I don't want to come across as accusatory.

0:17:53.400 --> 0:17:55.359
<v Speaker 1>We can say that, or we don't have to. You

0:17:55.400 --> 0:17:57.720
<v Speaker 1>could practice not saying it, but but maybe start out

0:17:57.720 --> 0:18:00.560
<v Speaker 1>by saying, but we can signpost like I'm about to

0:18:00.560 --> 0:18:03.040
<v Speaker 1>have a tough conversation with you, and ultimately we get

0:18:03.040 --> 0:18:05.000
<v Speaker 1>to sort of not say that out loud and just

0:18:05.040 --> 0:18:06.960
<v Speaker 1>think it in our heads. But it's useful to do

0:18:07.000 --> 0:18:08.840
<v Speaker 1>that so we know what kind of frame we're going into.

0:18:09.280 --> 0:18:11.600
<v Speaker 1>And actually, another Lisa Nichols thing is about this idea

0:18:11.600 --> 0:18:15.520
<v Speaker 1>of care frontation instead of confrontation, and it's a you know,

0:18:15.680 --> 0:18:17.880
<v Speaker 1>I think it's a bit of a h not rolls

0:18:17.880 --> 0:18:20.320
<v Speaker 1>off the tongue type of a word. But you can

0:18:20.480 --> 0:18:23.040
<v Speaker 1>anybody look this up. It's it's not just Lisa Nichols.

0:18:23.040 --> 0:18:24.600
<v Speaker 1>I think it was on an OPRAH show back and

0:18:24.720 --> 0:18:27.280
<v Speaker 1>like the nineties. So you know, the idea of care

0:18:27.320 --> 0:18:29.960
<v Speaker 1>frontation instead of confrontation is that we are going into

0:18:30.000 --> 0:18:34.280
<v Speaker 1>a difficult conversation with the goal in mind of keeping

0:18:34.280 --> 0:18:37.200
<v Speaker 1>the relationship intact by the end. So what does each

0:18:37.200 --> 0:18:40.280
<v Speaker 1>of us do each look in the theater world, Yeah,

0:18:40.320 --> 0:18:42.160
<v Speaker 1>we all know how to we we use this term

0:18:42.359 --> 0:18:45.639
<v Speaker 1>fight positively. We all know how in real life to

0:18:45.760 --> 0:18:49.359
<v Speaker 1>try to get the other person. I shouldn't say we

0:18:49.400 --> 0:18:52.520
<v Speaker 1>all know. We all know that that the dream is

0:18:52.560 --> 0:18:55.120
<v Speaker 1>that we get through the tough conversation and the relationship

0:18:55.160 --> 0:18:58.120
<v Speaker 1>remains in intact. But the way to do that is

0:18:58.320 --> 0:19:00.760
<v Speaker 1>to be really intentional about it. I'm gonna ask a

0:19:00.800 --> 0:19:02.760
<v Speaker 1>tough question and I'd love your support, And then the

0:19:02.800 --> 0:19:06.080
<v Speaker 1>tough question is let me know how, and you can

0:19:06.119 --> 0:19:08.080
<v Speaker 1>think through like is this so, is this a way

0:19:08.119 --> 0:19:10.320
<v Speaker 1>to ask this question that's gonna that would make me

0:19:10.400 --> 0:19:12.919
<v Speaker 1>feel good? You know, you can think through this ahead

0:19:12.920 --> 0:19:15.879
<v Speaker 1>of time. You can either go super direct, right have

0:19:16.000 --> 0:19:18.639
<v Speaker 1>you guys been wearing masks? What's been your protocol? Or

0:19:18.720 --> 0:19:21.760
<v Speaker 1>you can say, I know it's been really hard. We're

0:19:21.800 --> 0:19:24.960
<v Speaker 1>all feeling such fatigue, and I wouldn't be you know,

0:19:25.119 --> 0:19:27.159
<v Speaker 1>I'm not. I'm not here to judge you if you

0:19:27.200 --> 0:19:30.359
<v Speaker 1>guys have been you know, being loose about it. But

0:19:30.440 --> 0:19:32.240
<v Speaker 1>I just need to know for the safety of my family.

0:19:32.440 --> 0:19:34.840
<v Speaker 1>I'm so sorry. But there you go. Or we could

0:19:34.840 --> 0:19:37.200
<v Speaker 1>flip it and we could say, you tell me how

0:19:37.240 --> 0:19:39.840
<v Speaker 1>this sounds. I'm learning how to use my voice during

0:19:39.880 --> 0:19:42.399
<v Speaker 1>this pandemic, and my family and I live in an

0:19:42.480 --> 0:19:44.880
<v Speaker 1>apartment complex and we see a few people a day,

0:19:44.920 --> 0:19:46.520
<v Speaker 1>and this is where we're at, and I want to

0:19:46.600 --> 0:19:49.199
<v Speaker 1>let you know where I'm at. So can you let

0:19:49.200 --> 0:19:51.560
<v Speaker 1>me know where you're at? Completely? I think the I

0:19:51.600 --> 0:19:55.080
<v Speaker 1>think you know in a way, the least um, the

0:19:55.160 --> 0:19:57.000
<v Speaker 1>less drama that we can add to it. The less

0:19:57.080 --> 0:19:58.800
<v Speaker 1>drama the other person is going to hear in our

0:19:58.880 --> 0:20:02.960
<v Speaker 1>voice and and respond with you know, yeah, it's science.

0:20:03.359 --> 0:20:05.399
<v Speaker 1>You know like it it isn't. It isn't, but you

0:20:05.400 --> 0:20:08.000
<v Speaker 1>know what I mean, Like the conversation can be about

0:20:08.119 --> 0:20:10.880
<v Speaker 1>like what protocols are you taking? What protocols am I taking?

0:20:10.880 --> 0:20:13.000
<v Speaker 1>Are we a good compatible fit for hanging out? Right now?

0:20:13.960 --> 0:20:18.720
<v Speaker 1>You know this is like a weird ass time, y'all. Okay,

0:20:18.720 --> 0:20:20.919
<v Speaker 1>we're gonna take a quick break and come back with

0:20:21.000 --> 0:20:34.040
<v Speaker 1>more and maybe even get to listener questions. Okay, we're back, cat,

0:20:34.359 --> 0:20:36.520
<v Speaker 1>what do we got? So we're gonna start from more

0:20:36.520 --> 0:20:38.560
<v Speaker 1>of like a bio section about tomorrow. People have a

0:20:38.600 --> 0:20:40.280
<v Speaker 1>lot of questions about you, and I think you've had

0:20:40.280 --> 0:20:44.359
<v Speaker 1>such incredible guests on and have such a variety of

0:20:44.840 --> 0:20:47.240
<v Speaker 1>elements to who you are and parts of your life.

0:20:47.440 --> 0:20:50.280
<v Speaker 1>So let's just start from the top. What exactly do

0:20:50.400 --> 0:20:52.800
<v Speaker 1>you do? Samarrow? Is our first question? And how did

0:20:52.800 --> 0:20:57.720
<v Speaker 1>you get into this field? God? I mean, where to

0:20:57.960 --> 0:21:03.960
<v Speaker 1>where to begin? Um? I decided when I was ten.

0:21:04.080 --> 0:21:06.280
<v Speaker 1>I'm not actually gonna tell you guys the day by

0:21:06.359 --> 0:21:09.919
<v Speaker 1>day since I was ten, but the story begins. I decided,

0:21:10.280 --> 0:21:12.840
<v Speaker 1>literally I remember the day when I was ten, that

0:21:12.880 --> 0:21:15.320
<v Speaker 1>I was going to be a Shakespearean actress. That's so

0:21:15.359 --> 0:21:17.119
<v Speaker 1>funny because one of my next questions is what did

0:21:17.160 --> 0:21:19.800
<v Speaker 1>you want to be when you grow up? I went

0:21:19.840 --> 0:21:23.760
<v Speaker 1>to an amazing Shakespeare festival when I was ten, and

0:21:23.760 --> 0:21:25.840
<v Speaker 1>then again every summer after that in my hometown of

0:21:25.880 --> 0:21:29.720
<v Speaker 1>Santa Cruz, California. Shout out and they did. They had

0:21:29.760 --> 0:21:32.040
<v Speaker 1>actors who were jobbed in from New York who were

0:21:32.240 --> 0:21:36.600
<v Speaker 1>members of the Union. It was like really high quality, smart,

0:21:36.760 --> 0:21:41.040
<v Speaker 1>often modern productions of Shakespeare. I remember a production of

0:21:41.320 --> 0:21:44.520
<v Speaker 1>the Tempest that was very Gilligan's Island and the soundtrack

0:21:44.600 --> 0:21:49.040
<v Speaker 1>was Blondie, so like it wasn't just you know, old

0:21:49.280 --> 0:21:52.840
<v Speaker 1>staid Shakespeare. I was like, I see what they're doing.

0:21:52.880 --> 0:21:54.199
<v Speaker 1>By the way, I was fifteen at that time, so

0:21:54.480 --> 0:21:56.320
<v Speaker 1>that that one I wasn't ten, but that one I

0:21:56.320 --> 0:21:58.320
<v Speaker 1>remember just being like, I see what they're doing. I

0:21:58.480 --> 0:22:03.080
<v Speaker 1>see how shakespea beer is not just somebody who lived

0:22:03.119 --> 0:22:06.320
<v Speaker 1>four hundred years ago and you know, bully him for

0:22:06.440 --> 0:22:09.159
<v Speaker 1>getting lots of words that sounded pretty and stringing them together,

0:22:09.480 --> 0:22:13.719
<v Speaker 1>but rather that Shakespeare is an opportunity for us, in

0:22:13.840 --> 0:22:17.160
<v Speaker 1>every one of our lives and every season of our lives,

0:22:17.800 --> 0:22:23.440
<v Speaker 1>to um revisit ancient yet modern um ideas about how

0:22:23.520 --> 0:22:26.320
<v Speaker 1>humans behave and what it is to like exist together.

0:22:26.720 --> 0:22:28.720
<v Speaker 1>And I think actually in a way that that has,

0:22:28.760 --> 0:22:32.359
<v Speaker 1>like it's so beautiful influenced my life because you know,

0:22:32.400 --> 0:22:35.680
<v Speaker 1>the idea of using Shakespeare, like it's not just Shakespeare

0:22:35.680 --> 0:22:37.880
<v Speaker 1>in and of itself, but it's using Shakespeare to help

0:22:37.960 --> 0:22:40.760
<v Speaker 1>us process our modern world. I'm all about using now

0:22:40.800 --> 0:22:42.959
<v Speaker 1>fill in the blank, anything to help us process our

0:22:43.000 --> 0:22:45.439
<v Speaker 1>modern world. Like that's kind of I don't want to, like,

0:22:45.440 --> 0:22:47.680
<v Speaker 1>I don't actually care about the voice except in so

0:22:47.800 --> 0:22:50.600
<v Speaker 1>much as it helps us process our modern world. You know,

0:22:51.040 --> 0:22:53.960
<v Speaker 1>like nothing really for me matters in and of itself.

0:22:54.080 --> 0:22:57.399
<v Speaker 1>Oh my god, that that's horrible. Care about nothing, No,

0:22:57.520 --> 0:22:59.520
<v Speaker 1>But I mean context matters, right, I mean it's so

0:22:59.640 --> 0:23:03.919
<v Speaker 1>it's profoundly um valuable to me to think about it

0:23:03.960 --> 0:23:05.880
<v Speaker 1>that way. Um. But yeah, So when I was ten,

0:23:06.080 --> 0:23:08.320
<v Speaker 1>hadn't cotton to those thoughts yet. But I was like,

0:23:08.480 --> 0:23:10.520
<v Speaker 1>I don't know what it is, but I want to

0:23:10.560 --> 0:23:13.239
<v Speaker 1>do that. And I it took me really till I

0:23:13.280 --> 0:23:15.480
<v Speaker 1>was like thirty to figure out what it is. Part

0:23:15.680 --> 0:23:17.480
<v Speaker 1>in between when I was ten and when I was thirty,

0:23:17.520 --> 0:23:20.679
<v Speaker 1>I thought it was act and I thought it was

0:23:21.080 --> 0:23:24.399
<v Speaker 1>two regional Shakespeare be a nomadic actress never get married,

0:23:24.480 --> 0:23:28.560
<v Speaker 1>never have money. Just like I really clearly super romanticized

0:23:28.600 --> 0:23:30.760
<v Speaker 1>this um and in a way, I kind of did

0:23:30.800 --> 0:23:34.520
<v Speaker 1>everything right in order to be an unpaid Shakespearean actress,

0:23:34.520 --> 0:23:36.080
<v Speaker 1>by the way, that's what I mean. And that entailed

0:23:36.080 --> 0:23:38.560
<v Speaker 1>going to New York getting a master's degree in acting,

0:23:38.600 --> 0:23:40.399
<v Speaker 1>you know, a three year acting program where I was

0:23:40.440 --> 0:23:44.080
<v Speaker 1>doing like voice and speech and yoga and um modern

0:23:44.119 --> 0:23:47.000
<v Speaker 1>as well as Shakespeare all day every day. You know,

0:23:47.600 --> 0:23:51.320
<v Speaker 1>I really, like check check check, was a very good

0:23:51.600 --> 0:23:55.480
<v Speaker 1>student of the world to get this thing done, and

0:23:55.760 --> 0:23:57.960
<v Speaker 1>ended up in New York, got a lot of auditions

0:23:58.119 --> 0:24:01.440
<v Speaker 1>at like literally Shakespeare in the Park in New York City.

0:24:01.480 --> 0:24:04.159
<v Speaker 1>I mean, it was like the thing, and it just

0:24:04.280 --> 0:24:06.679
<v Speaker 1>never happened. And it's not to say that it wouldn't

0:24:06.680 --> 0:24:08.399
<v Speaker 1>if I hadn't stayed for another ten years. But I

0:24:08.440 --> 0:24:11.040
<v Speaker 1>saw the writing on the wall. I'm a little weird looking.

0:24:12.400 --> 0:24:14.880
<v Speaker 1>That's that's an actor thing to say. But no, like literally,

0:24:15.080 --> 0:24:18.239
<v Speaker 1>especially especially in my twenties, but when it was just

0:24:18.359 --> 0:24:21.119
<v Speaker 1>an earlier era, uh no one quite knew to do

0:24:21.200 --> 0:24:24.080
<v Speaker 1>with a ethnically ambiguous person. Everybody was like, that's so

0:24:24.160 --> 0:24:26.600
<v Speaker 1>in right now. But literally then they wanted specificity for

0:24:26.720 --> 0:24:30.280
<v Speaker 1>roles and in big ambiguity is the opposite. And uh

0:24:30.280 --> 0:24:33.119
<v Speaker 1>and I was a little like um, I was a

0:24:33.119 --> 0:24:36.520
<v Speaker 1>little more of like a character actor despite being gorgeous.

0:24:36.520 --> 0:24:38.520
<v Speaker 1>So no oneknywe to do with me, Thanks Scott. But

0:24:38.600 --> 0:24:40.080
<v Speaker 1>this idea of quote to what no one knew what

0:24:40.160 --> 0:24:41.679
<v Speaker 1>to do with me. I don't mean to say that

0:24:41.720 --> 0:24:44.280
<v Speaker 1>to put myself down. I mean I literally was told

0:24:44.320 --> 0:24:46.840
<v Speaker 1>that over and over and over. And that was what

0:24:46.880 --> 0:24:49.919
<v Speaker 1>my acting experience was like. And this is so cliche

0:24:50.000 --> 0:24:52.360
<v Speaker 1>that I kind of skipped this part when I talked

0:24:52.359 --> 0:24:54.560
<v Speaker 1>to people about this. But my twenties in New York,

0:24:54.760 --> 0:24:58.000
<v Speaker 1>when I was living like my dream, both in terms

0:24:58.000 --> 0:25:00.119
<v Speaker 1>of actually doing the thing and also in terms of like,

0:25:00.480 --> 0:25:03.000
<v Speaker 1>oh my god, I got so many free tickets to

0:25:03.040 --> 0:25:06.360
<v Speaker 1>Broadway shows. I had so many friends. I was never sleeping,

0:25:06.400 --> 0:25:08.800
<v Speaker 1>I was drinking so much red wine. I was like,

0:25:09.680 --> 0:25:11.800
<v Speaker 1>I was like, I was like making it. I was

0:25:11.840 --> 0:25:14.200
<v Speaker 1>a cocktail waitress. I was I did a billion odd

0:25:14.280 --> 0:25:17.239
<v Speaker 1>jobs to get by. But I also in between all

0:25:17.280 --> 0:25:19.639
<v Speaker 1>that was getting so much free stuff and was like

0:25:19.760 --> 0:25:22.920
<v Speaker 1>hacking the system in terms of like finding the fun

0:25:23.119 --> 0:25:26.520
<v Speaker 1>in New York City. But I just could not get

0:25:26.520 --> 0:25:29.960
<v Speaker 1>paid to act, period, and I could not get representation

0:25:30.040 --> 0:25:34.399
<v Speaker 1>that was really, you know, worthy of the training and

0:25:34.440 --> 0:25:36.159
<v Speaker 1>all this stuff I had done and I got. I

0:25:36.160 --> 0:25:39.440
<v Speaker 1>had comment after comment after comment. I'll never forget this one.

0:25:39.480 --> 0:25:41.240
<v Speaker 1>I did to pay to play, where you you know,

0:25:41.320 --> 0:25:44.280
<v Speaker 1>pay to get to meet somebody who could possibly bring

0:25:44.320 --> 0:25:47.440
<v Speaker 1>you on as a as a client, uh for like

0:25:47.800 --> 0:25:49.800
<v Speaker 1>an agent or manager, I don't remember what he was.

0:25:50.000 --> 0:25:52.760
<v Speaker 1>And he's he looked at my head shot and he said,

0:25:52.800 --> 0:25:55.800
<v Speaker 1>you're wearing glossy lips stick in your head shot and

0:25:55.800 --> 0:25:57.080
<v Speaker 1>I was like, yeah, I like it, it's my look.

0:25:57.320 --> 0:25:59.359
<v Speaker 1>He's like, you got an m f A in acting,

0:25:59.560 --> 0:26:05.160
<v Speaker 1>you don't need to wear glossy lipstick. Oh no, he's happening. Also,

0:26:05.200 --> 0:26:07.199
<v Speaker 1>then I moved to l A, where everybody was like

0:26:07.440 --> 0:26:09.199
<v Speaker 1>literally then I got told when I moved to l A,

0:26:09.240 --> 0:26:10.960
<v Speaker 1>take the m f A off your resume. No one

0:26:11.000 --> 0:26:12.640
<v Speaker 1>cares that you got trained and if anything, I could

0:26:12.640 --> 0:26:16.159
<v Speaker 1>work against you, so you know acting god. And now

0:26:16.240 --> 0:26:18.600
<v Speaker 1>flash forward even more. Now everyone's wearing masks and wants

0:26:18.600 --> 0:26:20.399
<v Speaker 1>to get botox and this part of their face like

0:26:21.040 --> 0:26:23.359
<v Speaker 1>speaking of what did you study though? Did you study

0:26:23.400 --> 0:26:26.679
<v Speaker 1>acting underground? Undergrad? I could it's not a thing. I

0:26:26.680 --> 0:26:28.800
<v Speaker 1>went to Princeton undergrad and I was an English major.

0:26:28.880 --> 0:26:33.679
<v Speaker 1>But uh and and Princeton is super thank you. That

0:26:33.760 --> 0:26:36.680
<v Speaker 1>it's very I mean conservative was the word I was

0:26:36.720 --> 0:26:38.080
<v Speaker 1>going to say. I have all kinds of things I

0:26:38.080 --> 0:26:40.520
<v Speaker 1>can say about this, the social life there, but no,

0:26:40.640 --> 0:26:42.840
<v Speaker 1>what I was gonna say is that it's very conservative

0:26:42.840 --> 0:26:45.280
<v Speaker 1>in terms of like there are very few majors you

0:26:45.280 --> 0:26:50.840
<v Speaker 1>can major in. It's really like we do English economics, philosophy,

0:26:50.920 --> 0:26:53.919
<v Speaker 1>you know, it's like these really kind of standard You

0:26:53.960 --> 0:26:56.320
<v Speaker 1>can't do interdisciplinary work. At least you couldn't back when

0:26:56.320 --> 0:26:58.560
<v Speaker 1>I went there. Um and so I was an English major.

0:26:58.640 --> 0:27:02.359
<v Speaker 1>But there's five programs. Creative Writing is one of them. Uh,

0:27:02.400 --> 0:27:06.800
<v Speaker 1>focuses on different aspects of English literature. Uh. And mine

0:27:06.840 --> 0:27:10.080
<v Speaker 1>was program five, the fifth one, which is Dramatic Literature.

0:27:10.200 --> 0:27:13.359
<v Speaker 1>Which I say because what really happened is that I

0:27:13.400 --> 0:27:15.680
<v Speaker 1>got to just read plays and get a degree, and

0:27:15.960 --> 0:27:18.760
<v Speaker 1>in my downtime I was doing what I was doing

0:27:18.760 --> 0:27:20.720
<v Speaker 1>like six shows e here, I mean producing and acting

0:27:20.720 --> 0:27:23.280
<v Speaker 1>and doing all the things. So it was an amazing

0:27:23.600 --> 0:27:25.280
<v Speaker 1>it was an amazing place to go for that. It

0:27:25.280 --> 0:27:28.720
<v Speaker 1>didn't necessarily like launched me out into the acting world.

0:27:28.760 --> 0:27:30.000
<v Speaker 1>You know, I ended up having to get the m

0:27:30.040 --> 0:27:32.080
<v Speaker 1>f A and feeling like I needed to film the caps.

0:27:32.119 --> 0:27:35.320
<v Speaker 1>But all of this is to say that happened. And

0:27:35.600 --> 0:27:37.560
<v Speaker 1>when I got out of grad school I was twenty six,

0:27:37.600 --> 0:27:39.359
<v Speaker 1>I moved right to New York City. I tried to,

0:27:39.480 --> 0:27:42.080
<v Speaker 1>you know, make this acting thing happen, like I was

0:27:43.080 --> 0:27:47.879
<v Speaker 1>really really good at hustling. But uh, right away I

0:27:47.960 --> 0:27:51.080
<v Speaker 1>had some mentors in the dialect coaching world who I

0:27:51.160 --> 0:27:53.440
<v Speaker 1>had met in the gap year between college and grad

0:27:53.480 --> 0:27:55.640
<v Speaker 1>school when I was in New York as well, who

0:27:55.680 --> 0:27:59.520
<v Speaker 1>just started to throw me clients. I mean I was

0:27:59.600 --> 0:28:04.240
<v Speaker 1>not at a dialect coach in my mind, I was like, thanks,

0:28:04.320 --> 0:28:07.479
<v Speaker 1>I'm an actor. But I knew that, like obviously dialect

0:28:07.480 --> 0:28:09.120
<v Speaker 1>coaching on the side was going to be a better

0:28:09.160 --> 0:28:12.920
<v Speaker 1>way to make money than you know, just waiting tables.

0:28:12.960 --> 0:28:15.520
<v Speaker 1>So I said yes. And it really took me years

0:28:15.560 --> 0:28:19.159
<v Speaker 1>and moving to l A and you know, circumstances changing

0:28:19.200 --> 0:28:23.120
<v Speaker 1>before I realized that that is actually much more where

0:28:23.119 --> 0:28:25.520
<v Speaker 1>my strength lies. And then there was also this transition

0:28:25.560 --> 0:28:28.200
<v Speaker 1>into coaching not just actors but kind of everyone, which

0:28:28.200 --> 0:28:32.600
<v Speaker 1>has happened really just since I mean the election and

0:28:32.680 --> 0:28:36.560
<v Speaker 1>that's where we turned the page. It's funny because I

0:28:36.600 --> 0:28:40.320
<v Speaker 1>actually started my young career as an intern at Shakespeare

0:28:40.360 --> 0:28:42.880
<v Speaker 1>in Company in Lenox, Massachusetts and did not go the

0:28:42.920 --> 0:28:45.200
<v Speaker 1>same path as you. And I'm like, wow, it's like

0:28:45.240 --> 0:28:48.320
<v Speaker 1>sliding doors. But I will say I will say that

0:28:48.840 --> 0:28:55.160
<v Speaker 1>I think my superpower is because of the probably the

0:28:55.160 --> 0:28:58.880
<v Speaker 1>English major neists, but also this, you know, really lifelong

0:28:59.200 --> 0:29:03.040
<v Speaker 1>Shakespeare understanding. I was going to say appreciation. I've gone

0:29:03.040 --> 0:29:05.800
<v Speaker 1>through phases where I'm like enough sucking Shakespeare, but my

0:29:05.880 --> 0:29:10.240
<v Speaker 1>Shakespeare understanding. Um. And also the years that I've worked

0:29:10.280 --> 0:29:12.680
<v Speaker 1>with actors on various scripts. I mean, in between working

0:29:12.680 --> 0:29:15.000
<v Speaker 1>on big projects, I was doing like one on one

0:29:15.080 --> 0:29:18.000
<v Speaker 1>coaching for auditions, and it would just be like during

0:29:18.000 --> 0:29:19.600
<v Speaker 1>pilot season, you know, it would be like twenty in

0:29:19.600 --> 0:29:25.720
<v Speaker 1>a week. Um. My secret skill is in understanding what's

0:29:25.760 --> 0:29:28.480
<v Speaker 1>happening with real humans under the surface of the lines

0:29:28.520 --> 0:29:32.320
<v Speaker 1>on the page, and that actually translates to real humans

0:29:32.360 --> 0:29:34.040
<v Speaker 1>as well as as well as the as well as

0:29:34.040 --> 0:29:37.200
<v Speaker 1>the characters that were written by writers. But really being

0:29:37.200 --> 0:29:39.960
<v Speaker 1>able to understand, like if the line of text is wow,

0:29:40.000 --> 0:29:44.120
<v Speaker 1>that's so exciting, being able to go okay, so that

0:29:44.160 --> 0:29:47.080
<v Speaker 1>person is trying to placate this other person, but they're

0:29:47.120 --> 0:29:49.240
<v Speaker 1>not really in it. And you can tell because of

0:29:49.240 --> 0:29:51.200
<v Speaker 1>the line before, or you can tell because of the

0:29:51.600 --> 0:29:54.880
<v Speaker 1>tone that's written in and helping first of all foreigners

0:29:54.960 --> 0:29:58.040
<v Speaker 1>with that kind of really subtle understanding of the the

0:29:58.120 --> 0:30:02.480
<v Speaker 1>you know, nuance of of own UM, but even helping Americans.

0:30:02.520 --> 0:30:05.240
<v Speaker 1>I mean, when we're looking at words on a page,

0:30:05.240 --> 0:30:07.480
<v Speaker 1>we can get really myopic and and kind of just

0:30:07.520 --> 0:30:10.560
<v Speaker 1>see the words. And I'm here on the side side coaching,

0:30:10.600 --> 0:30:14.800
<v Speaker 1>being like, but here's how human behavior works. So what

0:30:14.880 --> 0:30:17.920
<v Speaker 1>I find so interesting about you is that you have

0:30:18.000 --> 0:30:21.120
<v Speaker 1>such a thoughtful connection between the heart and the brain

0:30:21.160 --> 0:30:22.960
<v Speaker 1>and the mind. And maybe that's because you grew up

0:30:23.000 --> 0:30:26.560
<v Speaker 1>in a home with UM people that are incredibly brilliant. UM.

0:30:26.600 --> 0:30:29.240
<v Speaker 1>I love your parents awesome, and I know you've done

0:30:29.280 --> 0:30:31.640
<v Speaker 1>some really awesome things with them. But did the order

0:30:31.720 --> 0:30:34.600
<v Speaker 1>that you learned or fell in love with the voice?

0:30:34.800 --> 0:30:38.760
<v Speaker 1>Is it more mechanical or more and like mental, more

0:30:39.200 --> 0:30:42.160
<v Speaker 1>deeply rooted in your heart. That's such a such a

0:30:42.200 --> 0:30:48.840
<v Speaker 1>lovely question, I am. I loved learning about the International

0:30:48.920 --> 0:30:51.720
<v Speaker 1>Phonetic Alphabet, which is the more technical stuff that I

0:30:51.760 --> 0:30:55.360
<v Speaker 1>know about. UM. It's fascinating. Tell tell us about this,

0:30:55.960 --> 0:30:58.320
<v Speaker 1>so you know, we can talk about technically a few

0:30:58.320 --> 0:31:01.200
<v Speaker 1>different ways. One of the things that's that's technical about

0:31:01.200 --> 0:31:05.240
<v Speaker 1>the voice is literally the anatomy. I actually never learned

0:31:05.280 --> 0:31:07.520
<v Speaker 1>about that. That's why I was awesome to have Dr

0:31:07.560 --> 0:31:10.160
<v Speaker 1>Gupta on And actually, as I'm writing parts of my

0:31:10.240 --> 0:31:14.880
<v Speaker 1>book that require a really nuanced understanding of like how

0:31:15.160 --> 0:31:17.840
<v Speaker 1>the how breath works in the body, I'm having to

0:31:17.880 --> 0:31:20.200
<v Speaker 1>go to resources. For sure, I do not have that

0:31:20.280 --> 0:31:23.239
<v Speaker 1>living inside of me. But the other way we can

0:31:23.240 --> 0:31:26.360
<v Speaker 1>talk about technical is the stuff that's kind of from

0:31:26.360 --> 0:31:28.040
<v Speaker 1>like the neck up. This is sort of the joke

0:31:28.120 --> 0:31:31.520
<v Speaker 1>of like what articulation is versus voice work is really

0:31:31.560 --> 0:31:34.120
<v Speaker 1>just like what's happening in the mouth. And even that

0:31:34.240 --> 0:31:36.160
<v Speaker 1>I don't I don't actually linger that much. In the

0:31:36.200 --> 0:31:39.400
<v Speaker 1>anatomical people talk about oral posture, which is this fancy

0:31:39.520 --> 0:31:42.280
<v Speaker 1>term for like where your voice is placed in your mouth.

0:31:42.680 --> 0:31:45.920
<v Speaker 1>It's not I don't think that way. But the International

0:31:45.920 --> 0:31:49.360
<v Speaker 1>Phonetic Alphabet is sort of like learning music. It is

0:31:49.400 --> 0:31:52.840
<v Speaker 1>annoying to learn music theory, but then you can play music.

0:31:53.240 --> 0:31:55.400
<v Speaker 1>It is annoying to learn all the symbols of the

0:31:55.440 --> 0:31:59.520
<v Speaker 1>International Phonetic alphabet. But then you can decode anybody's accent

0:31:59.520 --> 0:32:03.560
<v Speaker 1>in the entire your world. So cool. I don't want

0:32:03.560 --> 0:32:07.240
<v Speaker 1>to name names, but I have a friend who is

0:32:07.280 --> 0:32:10.760
<v Speaker 1>an English teacher and English is not her first language,

0:32:10.960 --> 0:32:14.000
<v Speaker 1>and she wasn't making the hard G sound happen in

0:32:14.040 --> 0:32:16.520
<v Speaker 1>the word English. So every time she was introducing a

0:32:16.560 --> 0:32:20.560
<v Speaker 1>new program, she was saying English English, there's an n

0:32:20.600 --> 0:32:23.480
<v Speaker 1>G sound M. It's a single symbol in international for that,

0:32:23.560 --> 0:32:26.120
<v Speaker 1>a alphabet, the n G M. And then she was

0:32:26.160 --> 0:32:31.360
<v Speaker 1>going from the UMM into the L English English, and

0:32:31.400 --> 0:32:33.760
<v Speaker 1>I could hear it and instantly be like, oh, there's

0:32:33.800 --> 0:32:37.240
<v Speaker 1>a hard G that happens after the um in googog

0:32:37.880 --> 0:32:41.280
<v Speaker 1>English when we actually pronounced that word, when when Native

0:32:41.320 --> 0:32:43.440
<v Speaker 1>American speakers pronounced that word, and she was leaving it

0:32:43.480 --> 0:32:46.280
<v Speaker 1>out and trying to make this really amazing like energy

0:32:46.360 --> 0:32:48.040
<v Speaker 1>into L happened, which I don't know, I don't think

0:32:48.040 --> 0:32:50.760
<v Speaker 1>maybe happens in English. A few people actually wrote in

0:32:50.800 --> 0:32:52.920
<v Speaker 1>about how did you figure out what you wanted to

0:32:52.920 --> 0:32:54.960
<v Speaker 1>do as a career. I'm feeling lost, and I think

0:32:55.000 --> 0:32:57.760
<v Speaker 1>what you said. You know, you being a results driven person,

0:32:57.800 --> 0:32:59.479
<v Speaker 1>and a lot of people are when we're trying to

0:32:59.560 --> 0:33:01.560
<v Speaker 1>discover and figure out that, and you can't have that

0:33:01.600 --> 0:33:03.960
<v Speaker 1>in front of you, to just feel that passion and

0:33:04.000 --> 0:33:06.000
<v Speaker 1>to tap into what you love. I mean it sounds

0:33:06.000 --> 0:33:08.520
<v Speaker 1>so cliche and like we're really lucky to be able

0:33:08.560 --> 0:33:11.720
<v Speaker 1>to even you know, have the opportunity to live that way.

0:33:11.760 --> 0:33:14.120
<v Speaker 1>But I think if we can connect the brain and

0:33:14.160 --> 0:33:17.080
<v Speaker 1>the heart like you do and really just move forward

0:33:17.120 --> 0:33:20.400
<v Speaker 1>and find find curiosity and what we're exploring in life,

0:33:21.280 --> 0:33:22.920
<v Speaker 1>I don't know, I think that's like such I think

0:33:22.920 --> 0:33:25.640
<v Speaker 1>it's confusing too, because there's such a um there's such

0:33:25.640 --> 0:33:28.440
<v Speaker 1>a culture of follow your passion, find your dream, don't

0:33:28.520 --> 0:33:31.120
<v Speaker 1>let anybody tell you know, and that keeps that makes us,

0:33:31.240 --> 0:33:32.880
<v Speaker 1>That makes it very hard for us to as room.

0:33:32.920 --> 0:33:36.560
<v Speaker 1>He says, be quiet and maybe here well that too,

0:33:36.640 --> 0:33:39.800
<v Speaker 1>but to be quiet in here because sometimes you know,

0:33:39.840 --> 0:33:41.520
<v Speaker 1>when you're ten and you decide what you want to

0:33:41.520 --> 0:33:43.600
<v Speaker 1>do in twenty years later, you're still fighting for it.

0:33:44.240 --> 0:33:46.640
<v Speaker 1>There is definitely a way you can talk to yourself

0:33:46.680 --> 0:33:48.760
<v Speaker 1>and say that's right, you're brave, you're courageous, you're not

0:33:48.840 --> 0:33:50.959
<v Speaker 1>let us listening to know. And there's another part of

0:33:50.960 --> 0:33:54.520
<v Speaker 1>you that can say, um, maybe when I was ten,

0:33:55.120 --> 0:33:57.120
<v Speaker 1>I didn't actually know what I wanted to do with

0:33:57.200 --> 0:34:00.120
<v Speaker 1>my life, and I am allowed to change and pick it.

0:34:00.280 --> 0:34:04.160
<v Speaker 1>And I will tell one story. When I was thirty one,

0:34:04.800 --> 0:34:06.720
<v Speaker 1>I had just gotten to l A and I got

0:34:06.760 --> 0:34:09.960
<v Speaker 1>this really fancy agent for TV and film dialect work,

0:34:09.960 --> 0:34:13.360
<v Speaker 1>who I still have. She's amazing, going a little crazy

0:34:13.400 --> 0:34:17.759
<v Speaker 1>and the pandemic because everything is shut down. God bluss um.

0:34:17.800 --> 0:34:21.480
<v Speaker 1>I did my first onset coaching. It was a little

0:34:21.480 --> 0:34:24.880
<v Speaker 1>movie that not a lot of people saw, perfect for me.

0:34:24.960 --> 0:34:27.000
<v Speaker 1>But I was being paid more than like everybody else

0:34:27.000 --> 0:34:28.879
<v Speaker 1>on set because it was sag ultra low budget, which

0:34:28.920 --> 0:34:31.080
<v Speaker 1>if anybody listening and knows, means like everyone on set

0:34:31.160 --> 0:34:32.560
<v Speaker 1>is getting paid a hundred bucks a day. I mean

0:34:32.560 --> 0:34:35.120
<v Speaker 1>it's like no, you know, uh. But I got a

0:34:35.120 --> 0:34:36.960
<v Speaker 1>little more than that and was like, oh my god,

0:34:37.000 --> 0:34:39.520
<v Speaker 1>I'm living the dream. And I was just to set

0:34:39.520 --> 0:34:42.480
<v Speaker 1>the scene. At the time, when I was thirty ish,

0:34:42.760 --> 0:34:47.000
<v Speaker 1>newly in l A. I was a personal assisting for

0:34:47.040 --> 0:34:52.200
<v Speaker 1>a celebrity who is a difficult human be trying to

0:34:52.280 --> 0:34:54.840
<v Speaker 1>make acting happen now on this coast with also no

0:34:54.920 --> 0:34:59.400
<v Speaker 1>representation and trying to get taken seriously, which was you know,

0:34:59.480 --> 0:35:03.760
<v Speaker 1>painful of the soul and then three suddenly dialect coaching

0:35:03.800 --> 0:35:07.760
<v Speaker 1>on my first movie, getting paid more than anyone else.

0:35:09.040 --> 0:35:14.400
<v Speaker 1>Uh Billy Crystal was on set and the director at

0:35:14.440 --> 0:35:17.239
<v Speaker 1>the beginning of the process was clearly like, who is

0:35:17.280 --> 0:35:20.640
<v Speaker 1>this smiley, weird girl hanging out with my lead actor? Why?

0:35:20.800 --> 0:35:23.279
<v Speaker 1>Like who led her on our set? And by the end,

0:35:24.760 --> 0:35:27.440
<v Speaker 1>I remember we were doing post production where it was

0:35:27.480 --> 0:35:29.759
<v Speaker 1>the actor and in front of a microphone and the

0:35:29.800 --> 0:35:32.640
<v Speaker 1>director and me and like the script supervisor alone in

0:35:32.640 --> 0:35:34.400
<v Speaker 1>a room trying to get some post production means we

0:35:34.400 --> 0:35:36.920
<v Speaker 1>were fixing sound stuff after we had actually finished shooting

0:35:36.960 --> 0:35:41.160
<v Speaker 1>the movie, and the actor did what he needed to

0:35:41.200 --> 0:35:45.040
<v Speaker 1>do into the microphone and the director goes, good for me, Samara,

0:35:45.200 --> 0:35:49.040
<v Speaker 1>is that good for you? And I cannot tell you

0:35:49.239 --> 0:35:52.200
<v Speaker 1>that was in a way when it all clicked, And

0:35:52.239 --> 0:35:55.520
<v Speaker 1>I was like, trying to find people in this town

0:35:55.520 --> 0:35:58.600
<v Speaker 1>to take me seriously as an actor is not worth it.

0:35:58.800 --> 0:36:01.640
<v Speaker 1>When I can have this feeling of being a thirty

0:36:01.719 --> 0:36:07.880
<v Speaker 1>year old girl with this toll you know, director man

0:36:07.920 --> 0:36:12.440
<v Speaker 1>with this like huge persona deferring to me, And I

0:36:12.520 --> 0:36:14.120
<v Speaker 1>was like, that's when I realized that ten year old

0:36:14.120 --> 0:36:15.759
<v Speaker 1>me didn't know what but she was doing. I mean, god,

0:36:15.760 --> 0:36:17.840
<v Speaker 1>bless right. I had to go through it and it

0:36:17.880 --> 0:36:20.160
<v Speaker 1>made me better. And the way that I tell that

0:36:20.280 --> 0:36:22.720
<v Speaker 1>story about but when I was ten is on purpose

0:36:22.760 --> 0:36:24.680
<v Speaker 1>because I said that I wanted to do that, and

0:36:24.719 --> 0:36:26.920
<v Speaker 1>I didn't know what that was. And it turns out

0:36:26.920 --> 0:36:30.640
<v Speaker 1>that what that was quote unquote, that wasn't acting. It

0:36:30.760 --> 0:36:32.719
<v Speaker 1>was some other thing that has to do with when

0:36:32.719 --> 0:36:35.719
<v Speaker 1>you're in an audience and everybody's breathing together, and a

0:36:35.760 --> 0:36:38.200
<v Speaker 1>story is being told and people are being moved, and

0:36:38.239 --> 0:36:41.880
<v Speaker 1>there are so many different puzzle pieces to put together

0:36:41.880 --> 0:36:44.480
<v Speaker 1>that image. You don't have to act to do that.

0:36:44.560 --> 0:36:49.040
<v Speaker 1>As it turns out, I can help an actor tell

0:36:49.080 --> 0:36:51.360
<v Speaker 1>the story in a way that feels more embodied and

0:36:51.400 --> 0:36:54.160
<v Speaker 1>more real, and help a director feel like I'm helping

0:36:54.200 --> 0:36:56.200
<v Speaker 1>that actor tell the story using language they don't know.

0:36:56.239 --> 0:36:58.480
<v Speaker 1>How often directors don't know how to talk to actors

0:36:58.520 --> 0:37:00.440
<v Speaker 1>the way I do, which is not to say that

0:37:00.480 --> 0:37:02.920
<v Speaker 1>I'm encroaching on director's territory, but it's to say that

0:37:02.960 --> 0:37:05.759
<v Speaker 1>we're all working together as a team to tell the

0:37:05.760 --> 0:37:08.440
<v Speaker 1>story that's ultimately going to make that audience all breathed

0:37:08.480 --> 0:37:10.760
<v Speaker 1>together as one. Well. That was one of our Another

0:37:10.800 --> 0:37:13.439
<v Speaker 1>listener's questions was what do you find most interesting about

0:37:13.440 --> 0:37:15.760
<v Speaker 1>the human voice? If we're not just thinking about technically,

0:37:15.800 --> 0:37:18.760
<v Speaker 1>but we're thinking about huge, big picture looking down from above,

0:37:19.600 --> 0:37:23.560
<v Speaker 1>how each of us sounds are idiolect As we discussed

0:37:23.560 --> 0:37:27.040
<v Speaker 1>with doctor Charity Hudley, how each of us sounds is

0:37:27.120 --> 0:37:30.120
<v Speaker 1>different from how every other person on Earth sounds. And

0:37:30.120 --> 0:37:32.640
<v Speaker 1>that is not just for the obvious reasons, like we

0:37:32.680 --> 0:37:34.440
<v Speaker 1>all grew up in a different place, and we have

0:37:34.520 --> 0:37:36.080
<v Speaker 1>the different parents that we have, and we have the

0:37:36.080 --> 0:37:39.239
<v Speaker 1>different cultures we have. It's all of that, but it's

0:37:39.320 --> 0:37:43.120
<v Speaker 1>also the microadjustments that each of us makes in order

0:37:43.160 --> 0:37:45.719
<v Speaker 1>to navigate the different spaces we've been in. Who do

0:37:45.760 --> 0:37:47.320
<v Speaker 1>we want to sound like? Who do we want to

0:37:47.360 --> 0:37:49.960
<v Speaker 1>fit in? With this human desire we all have to

0:37:50.000 --> 0:37:54.680
<v Speaker 1>belong comes out in our voices. We do not unless

0:37:54.719 --> 0:37:58.080
<v Speaker 1>we have like a real uh neuro atypical quality where

0:37:58.080 --> 0:38:00.319
<v Speaker 1>we're not able to sort of pick up on cues

0:38:00.360 --> 0:38:02.440
<v Speaker 1>in the room, which is which is very real. If

0:38:02.480 --> 0:38:05.399
<v Speaker 1>we're not in that in that category, we all are

0:38:05.480 --> 0:38:08.879
<v Speaker 1>picking up on like oh, when I said this thing

0:38:09.000 --> 0:38:11.680
<v Speaker 1>this way, somebody gave me a weird look. I don't

0:38:11.680 --> 0:38:14.120
<v Speaker 1>like that look. I'm going to change it. So I

0:38:14.160 --> 0:38:16.960
<v Speaker 1>never say it like that again, or you know, there's

0:38:17.000 --> 0:38:19.000
<v Speaker 1>a billion of these little things that we're all doing.

0:38:19.320 --> 0:38:22.359
<v Speaker 1>The reason that a bunch of women say like, it's

0:38:22.400 --> 0:38:25.000
<v Speaker 1>not just like it's it's it's it's inherent to our

0:38:25.040 --> 0:38:28.440
<v Speaker 1>anatomy and it just comes up, you know, through nature.

0:38:28.560 --> 0:38:30.960
<v Speaker 1>It's obviously the nurture side of it. It's obviously if

0:38:30.960 --> 0:38:33.439
<v Speaker 1>our friends say it, we reflect back our friends because

0:38:33.440 --> 0:38:35.960
<v Speaker 1>we're empathetic humans who are always trying to do this

0:38:36.080 --> 0:38:38.719
<v Speaker 1>dance with other humans, to be understood, to communicate, to

0:38:38.760 --> 0:38:41.719
<v Speaker 1>be seen, to be loved. That is what I love

0:38:41.760 --> 0:38:44.879
<v Speaker 1>about the voice. That's what I love about you. All Right, guys,

0:38:44.920 --> 0:38:46.319
<v Speaker 1>we're going to take a break for one second and

0:38:46.320 --> 0:38:57.640
<v Speaker 1>we'll be right back. So we are back. We are

0:38:57.680 --> 0:39:00.399
<v Speaker 1>back with Samarrow Bay as my guest. Unpermision to speak.

0:39:00.440 --> 0:39:06.439
<v Speaker 1>I'm kidding, she's the host. Okay, So we have that's

0:39:06.480 --> 0:39:11.359
<v Speaker 1>what a producer is. Hungary. Okay, So what was your

0:39:11.400 --> 0:39:13.719
<v Speaker 1>most recent struggle where you felt like you lost your

0:39:13.760 --> 0:39:15.880
<v Speaker 1>voice tomorrow? What did you do or what are you

0:39:15.920 --> 0:39:17.799
<v Speaker 1>doing currently to find your voice again? And how did

0:39:17.800 --> 0:39:20.800
<v Speaker 1>you get out of the situation. It's such a beautiful question.

0:39:21.520 --> 0:39:25.520
<v Speaker 1>I don't know if the person who's asking is talking

0:39:25.560 --> 0:39:27.920
<v Speaker 1>about the literal voice or the metaphorical, because that's sort

0:39:27.960 --> 0:39:30.279
<v Speaker 1>of like what we've set up here. The person that

0:39:30.400 --> 0:39:32.600
<v Speaker 1>is asking, I will say, is the general manager of

0:39:32.640 --> 0:39:35.320
<v Speaker 1>a very big restaurant here in Los Angeles. A gentleman

0:39:35.719 --> 0:39:37.520
<v Speaker 1>doesn't really help with that with the idea of like

0:39:37.520 --> 0:39:39.200
<v Speaker 1>what what what sort of thing he wants from me?

0:39:39.400 --> 0:39:41.799
<v Speaker 1>I would say, because it's during the pandemic where it's

0:39:41.840 --> 0:39:44.880
<v Speaker 1>like he just has no control over what is happening

0:39:44.880 --> 0:39:47.040
<v Speaker 1>on a day to day basis and people are sort

0:39:47.080 --> 0:39:50.800
<v Speaker 1>of disrespecting his authority, I would say, Or the ranger

0:39:50.800 --> 0:39:52.279
<v Speaker 1>as it should go in a in a in a

0:39:52.320 --> 0:39:55.759
<v Speaker 1>setting of UM, a restaurant coming from both sides, from

0:39:55.760 --> 0:39:59.120
<v Speaker 1>the top owner who is also a sort of a brand,

0:39:59.239 --> 0:40:05.200
<v Speaker 1>down to the the staff. It's a lot. It's a lot.

0:40:05.600 --> 0:40:08.960
<v Speaker 1>I mean, how to UM seem like your authority, you

0:40:08.960 --> 0:40:12.000
<v Speaker 1>know when you do, but people aren't treating you that way. UM.

0:40:12.040 --> 0:40:16.920
<v Speaker 1>It reminds me of the status games in UM theater school,

0:40:17.480 --> 0:40:22.680
<v Speaker 1>the whole sort of UM joke or trick with status

0:40:23.000 --> 0:40:25.520
<v Speaker 1>if we're playing high status and low status, just even

0:40:25.560 --> 0:40:28.400
<v Speaker 1>in a game context where we're just like switch on

0:40:28.520 --> 0:40:31.240
<v Speaker 1>a you know this like really artificial thing where somebody

0:40:31.360 --> 0:40:34.360
<v Speaker 1>snaps and you switch to being low status whatever that is,

0:40:34.400 --> 0:40:37.680
<v Speaker 1>and feels like the trick is that we can't actually

0:40:37.680 --> 0:40:41.600
<v Speaker 1>really play high status. It has to be given to us. Right,

0:40:41.960 --> 0:40:45.440
<v Speaker 1>So some of this is like in our personal lives,

0:40:46.000 --> 0:40:50.000
<v Speaker 1>we want to find people who appreciate us, but in

0:40:50.040 --> 0:40:53.000
<v Speaker 1>our professional lives we can't always ask that of people. Right,

0:40:53.040 --> 0:40:56.080
<v Speaker 1>We're stuck with who we are working with. All we

0:40:56.160 --> 0:40:59.600
<v Speaker 1>can do is honestly do sort of sort of confrontations.

0:40:59.640 --> 0:41:02.640
<v Speaker 1>These affrontations like if it's if it's if it feels

0:41:02.640 --> 0:41:05.359
<v Speaker 1>like it's everybody is feeling that way to him, then

0:41:05.800 --> 0:41:07.799
<v Speaker 1>you know, maybe there's something in the way that he's

0:41:08.000 --> 0:41:10.719
<v Speaker 1>um communicating that he could really look at. But if

0:41:10.760 --> 0:41:13.520
<v Speaker 1>it is about individuals who are undermining him, there is

0:41:13.560 --> 0:41:16.360
<v Speaker 1>a chance that that I think he has to take

0:41:16.960 --> 0:41:20.160
<v Speaker 1>to have a private conversation and say, in order for

0:41:20.239 --> 0:41:22.920
<v Speaker 1>me to do my job, here's what I think, here's

0:41:22.920 --> 0:41:25.879
<v Speaker 1>how I need support from you. Um. That was not

0:41:26.000 --> 0:41:27.840
<v Speaker 1>the answer to his question, though I know he's asking

0:41:27.880 --> 0:41:31.319
<v Speaker 1>about me. I just really wanted to hopefully coach him

0:41:31.360 --> 0:41:34.600
<v Speaker 1>a little bit. But um, but for me, I would

0:41:34.680 --> 0:41:36.879
<v Speaker 1>say I'm going to be really honest here and say

0:41:36.920 --> 0:41:39.799
<v Speaker 1>that the way I am having trouble with my own

0:41:39.880 --> 0:41:44.320
<v Speaker 1>voice these days is trying to write a book during

0:41:44.640 --> 0:41:48.440
<v Speaker 1>a global pandemic. I think I had, you know, I

0:41:48.719 --> 0:41:52.040
<v Speaker 1>haven't talked about it much on on this podcast, but um,

0:41:52.080 --> 0:41:54.640
<v Speaker 1>at the end of March, I had this insane life

0:41:54.680 --> 0:42:00.760
<v Speaker 1>changing experience, um of despite the pandemic already being underway

0:42:00.800 --> 0:42:02.360
<v Speaker 1>in New York, being in a horrible state, so I

0:42:02.360 --> 0:42:04.719
<v Speaker 1>couldn't fly there anymore to have these publisher meetings I

0:42:04.719 --> 0:42:08.160
<v Speaker 1>was supposed to have. I nonetheless got interest from fourteen

0:42:08.160 --> 0:42:11.120
<v Speaker 1>different publishers and did zoom meetings back to back over

0:42:11.160 --> 0:42:13.880
<v Speaker 1>a three day period, and thirteen out of fourteen of

0:42:13.920 --> 0:42:16.560
<v Speaker 1>them bid. And it was this amazing bidding war over

0:42:16.600 --> 0:42:18.880
<v Speaker 1>my book proposal, which is on a lot of the

0:42:18.920 --> 0:42:22.759
<v Speaker 1>same themes as this podcast, but very much like here

0:42:22.760 --> 0:42:25.160
<v Speaker 1>are the patterns I've seen here here, the different sort

0:42:25.200 --> 0:42:28.279
<v Speaker 1>of categories and each chapter is a different category of

0:42:28.360 --> 0:42:29.799
<v Speaker 1>way that we can sort of get in our own

0:42:29.800 --> 0:42:32.920
<v Speaker 1>way and that we can shift out of that and um,

0:42:33.840 --> 0:42:36.440
<v Speaker 1>and I got so much love for for it, and

0:42:36.440 --> 0:42:40.040
<v Speaker 1>I had so many sales during the craziest time, and

0:42:40.080 --> 0:42:43.920
<v Speaker 1>I mean it's great, like I am so lucky a

0:42:43.960 --> 0:42:48.000
<v Speaker 1>clap for that, thank you, and in a dream scenario,

0:42:48.040 --> 0:42:51.200
<v Speaker 1>while I was writing this proposal all last year, UM,

0:42:51.239 --> 0:42:54.000
<v Speaker 1>my plan was to write the book while doing workshops,

0:42:54.040 --> 0:42:59.080
<v Speaker 1>while interacting, while being in communion with you know you

0:42:59.080 --> 0:43:02.560
<v Speaker 1>guys who are listening in face to face, voice to voice,

0:43:02.680 --> 0:43:05.319
<v Speaker 1>like really trying stuff out, really feeling like I'm in

0:43:05.360 --> 0:43:07.719
<v Speaker 1>the weeds and the trenches and whatever the metaphor is,

0:43:07.920 --> 0:43:10.919
<v Speaker 1>so that I'm this isn't just like abstract theoretical work,

0:43:10.920 --> 0:43:13.040
<v Speaker 1>and I don't have enough time to get in my

0:43:13.160 --> 0:43:18.000
<v Speaker 1>head about you know, who's out there, Hello, Hello, Hello,

0:43:18.080 --> 0:43:20.719
<v Speaker 1>and instead, you know, obviously we were at where we're at.

0:43:21.640 --> 0:43:24.440
<v Speaker 1>And so the answer to his question about how it's

0:43:24.440 --> 0:43:26.279
<v Speaker 1>been the hardest for me to use my voice is

0:43:27.719 --> 0:43:30.760
<v Speaker 1>somebody tweeted something um that I posted on my personal

0:43:31.040 --> 0:43:34.200
<v Speaker 1>Instagram account this last week that basically says like, if

0:43:34.239 --> 0:43:36.000
<v Speaker 1>it's been feeling really hard for you, and if your

0:43:36.040 --> 0:43:40.000
<v Speaker 1>regular coping mechanisms haven't been working, You're not alone. And

0:43:40.040 --> 0:43:41.799
<v Speaker 1>I just want to I just want to shout out that,

0:43:41.920 --> 0:43:44.080
<v Speaker 1>like I don't know how much of the drama I'm

0:43:44.080 --> 0:43:46.880
<v Speaker 1>having is just like bookwriting is hard. Hello, everybody has

0:43:46.880 --> 0:43:50.440
<v Speaker 1>said that through all of human history, or if it's

0:43:50.440 --> 0:43:52.399
<v Speaker 1>a book, writing is hard during a pandemic, when we're

0:43:52.440 --> 0:43:55.920
<v Speaker 1>feeling really disconnected, and also when I am trying to

0:43:55.960 --> 0:43:59.200
<v Speaker 1>write for a future that I want to live in

0:43:59.560 --> 0:44:01.600
<v Speaker 1>while not always waking up every day believing that that

0:44:01.640 --> 0:44:04.200
<v Speaker 1>future is possible. It is so part of my own

0:44:04.360 --> 0:44:09.239
<v Speaker 1>ethos and my own um, you know, brand to be

0:44:09.280 --> 0:44:12.520
<v Speaker 1>really optimistic, to be like, y'all, we are heading towards something,

0:44:12.600 --> 0:44:16.480
<v Speaker 1>let's do it together, right, And I don't always have

0:44:16.640 --> 0:44:20.680
<v Speaker 1>the resources in myself to like sit down at my

0:44:20.760 --> 0:44:24.080
<v Speaker 1>desk optimism forward. And that is like I'm trying to

0:44:24.120 --> 0:44:27.040
<v Speaker 1>be vulnerable and honest and like not fake it. And

0:44:27.080 --> 0:44:29.640
<v Speaker 1>also I think part of being a servant leader is

0:44:29.680 --> 0:44:32.839
<v Speaker 1>about providing hope. I mean, at least talked about that

0:44:33.160 --> 0:44:36.160
<v Speaker 1>like it's an obligation. I have to be hopeful, it's

0:44:36.160 --> 0:44:40.560
<v Speaker 1>an obligation. And also I'm not always hopeful. So that's

0:44:40.560 --> 0:44:44.400
<v Speaker 1>what's hard. I appreciate your authenticity and your vulnerability with

0:44:44.440 --> 0:44:46.120
<v Speaker 1>that because a lot of people are struggling with that

0:44:46.239 --> 0:44:48.359
<v Speaker 1>right now. It's a really hard time. And then on

0:44:48.400 --> 0:44:51.399
<v Speaker 1>top of it, you throw in kids, you throw in.

0:44:52.440 --> 0:44:56.920
<v Speaker 1>I mean, just so many relationships, shifts, so much claustrophobia,

0:44:57.600 --> 0:45:00.480
<v Speaker 1>so much angst, and so much hatred, and we got

0:45:00.480 --> 0:45:02.640
<v Speaker 1>to say, you know what, Okay, we gotta be honest

0:45:02.680 --> 0:45:04.040
<v Speaker 1>with each other and so we can get back to

0:45:04.080 --> 0:45:06.839
<v Speaker 1>that place of optimism so that we can be healthy,

0:45:06.920 --> 0:45:09.880
<v Speaker 1>so that we can still feel and shine. And it

0:45:09.960 --> 0:45:12.520
<v Speaker 1>really does start with each of us. But to know that,

0:45:12.560 --> 0:45:15.640
<v Speaker 1>like this time is just fucking hard, and it's okay

0:45:15.680 --> 0:45:19.360
<v Speaker 1>to just feel that sometimes. I really appreciate that, smorrow

0:45:19.440 --> 0:45:21.719
<v Speaker 1>because I know that that this isn't easy. Yeah. Well,

0:45:21.760 --> 0:45:24.000
<v Speaker 1>and I also want to say, Cat, before you go on,

0:45:24.440 --> 0:45:27.280
<v Speaker 1>that you and I have been having conversations about mental

0:45:27.320 --> 0:45:30.560
<v Speaker 1>health insomuch as it relates to this podcast and actually

0:45:30.560 --> 0:45:32.680
<v Speaker 1>connects with that lovely quote that you surpressed me with

0:45:32.760 --> 0:45:35.439
<v Speaker 1>up top about how we talk to ourselves. Right. I mean,

0:45:36.000 --> 0:45:39.240
<v Speaker 1>I am not somebody who has a history of mental

0:45:39.239 --> 0:45:42.160
<v Speaker 1>health issues. I really lucked out, you know, I really

0:45:42.239 --> 0:45:45.319
<v Speaker 1>lucked out, but I did not luck up. But no,

0:45:45.480 --> 0:45:47.239
<v Speaker 1>I mean I hear you. You know it's I have

0:45:47.320 --> 0:45:50.520
<v Speaker 1>discovered how rare it is. Um. I have felt very

0:45:50.600 --> 0:45:54.920
<v Speaker 1>even keeled most of my life, but like this pandemic

0:45:55.040 --> 0:45:57.560
<v Speaker 1>is bringing stuff up for everybody, because of course we're

0:45:57.600 --> 0:46:01.760
<v Speaker 1>living in this low grade ongoing christ this that really

0:46:01.840 --> 0:46:04.160
<v Speaker 1>is a crisis, and our body is feeling of the crisis,

0:46:04.160 --> 0:46:06.040
<v Speaker 1>even if we can convince our brain that you know,

0:46:06.120 --> 0:46:08.560
<v Speaker 1>it's not. And then you know, for those of us

0:46:08.560 --> 0:46:10.920
<v Speaker 1>who have kids, there is also this added level of like,

0:46:11.480 --> 0:46:16.480
<v Speaker 1>we have to be somewhat fully processed ourselves so that

0:46:16.520 --> 0:46:20.520
<v Speaker 1>we can create a loving enough, safe enough space for them.

0:46:20.560 --> 0:46:24.239
<v Speaker 1>And I actually wonder if that's been helpful. Like I

0:46:24.280 --> 0:46:27.080
<v Speaker 1>took a few days away to to do a writer's

0:46:27.080 --> 0:46:29.560
<v Speaker 1>retreat a few weeks ago, and it was actually I

0:46:29.560 --> 0:46:31.520
<v Speaker 1>actually went to a much darker place, Like I wonder

0:46:31.560 --> 0:46:33.960
<v Speaker 1>if it's actually been like keeping me in a better

0:46:34.000 --> 0:46:36.360
<v Speaker 1>spot to have to be that for my child. But

0:46:36.440 --> 0:46:39.040
<v Speaker 1>it is also an additional level of mental labor and

0:46:39.120 --> 0:46:42.360
<v Speaker 1>exhausting to not just be able to like be truly

0:46:42.480 --> 0:46:44.920
<v Speaker 1>furious when I read something that makes me furious, but

0:46:45.080 --> 0:46:47.600
<v Speaker 1>rather have to like instantly and not instant. I mean,

0:46:47.600 --> 0:46:49.840
<v Speaker 1>I don't obviously we we can be however honest we

0:46:49.840 --> 0:46:51.360
<v Speaker 1>want to be with our kids. I'm not I'm not

0:46:51.400 --> 0:46:54.080
<v Speaker 1>putting this on anybody else, but for me, I know

0:46:54.160 --> 0:46:57.520
<v Speaker 1>that with my five year old who's sensitive enough that

0:46:57.600 --> 0:47:01.360
<v Speaker 1>he picks up on stuff. Um, I have to just

0:47:01.360 --> 0:47:04.719
<v Speaker 1>take personal responsibility. Do I want to sit in my

0:47:04.840 --> 0:47:07.160
<v Speaker 1>fury or sit in my sadness to the extent that

0:47:07.200 --> 0:47:08.520
<v Speaker 1>he's then going to pick up on it and I'm

0:47:08.560 --> 0:47:11.080
<v Speaker 1>then going to have to deal with him, which is

0:47:11.120 --> 0:47:12.840
<v Speaker 1>which is what I have to say we've been dealing

0:47:12.840 --> 0:47:16.520
<v Speaker 1>with in our household. Like I suffer from depression and anxiety.

0:47:16.560 --> 0:47:20.239
<v Speaker 1>And I'm a big, big advocate of speaking honestly about

0:47:20.320 --> 0:47:24.240
<v Speaker 1>mental health. Um, it's something that people have feel shame around.

0:47:24.280 --> 0:47:26.279
<v Speaker 1>And there's no reason to feel that if we were

0:47:26.320 --> 0:47:28.000
<v Speaker 1>sick with cancer we would talk about it. So I

0:47:28.000 --> 0:47:30.600
<v Speaker 1>wouldn't we do the same. And some of that emotion

0:47:30.680 --> 0:47:33.439
<v Speaker 1>that I carry, I have found, you know, I wear

0:47:33.440 --> 0:47:36.080
<v Speaker 1>my emotions on my sleeve. And it's really practicing that

0:47:36.120 --> 0:47:38.520
<v Speaker 1>balance though sometimes just being quiet and sitting with that

0:47:38.640 --> 0:47:41.800
<v Speaker 1>uncomfortable feeling but not knowing at this time where you

0:47:41.800 --> 0:47:43.680
<v Speaker 1>can go run to a friend and like talk to

0:47:43.760 --> 0:47:45.800
<v Speaker 1>them and easily do that is really tough because you

0:47:45.880 --> 0:47:48.279
<v Speaker 1>become you're in your head a lot, and I just

0:47:48.280 --> 0:47:50.920
<v Speaker 1>just change up our scenario just like go dancing, go

0:47:51.080 --> 0:47:53.480
<v Speaker 1>doing like so much of the stuff. You know, the

0:47:53.480 --> 0:47:57.000
<v Speaker 1>coping mechanisms aren't just yoga and drinking tea and meditation,

0:47:57.080 --> 0:47:59.760
<v Speaker 1>you know. The coping mechanism for me is like seeing

0:47:59.800 --> 0:48:03.080
<v Speaker 1>for you know, doing stuff, leading, leaning into our support

0:48:03.120 --> 0:48:05.319
<v Speaker 1>system and people that lift us up. So this is

0:48:05.320 --> 0:48:08.000
<v Speaker 1>a reminder to everyone if you listen to this entire

0:48:08.080 --> 0:48:12.000
<v Speaker 1>episode to go find someone over zoom or distantly that

0:48:12.080 --> 0:48:13.880
<v Speaker 1>we'll we'll pick you up and hold you in the

0:48:13.920 --> 0:48:16.200
<v Speaker 1>space that you deserve. I mean, I will say that

0:48:16.239 --> 0:48:18.760
<v Speaker 1>one of one of my favorite things I've done lately

0:48:19.000 --> 0:48:21.279
<v Speaker 1>is UM in order to get me out of my

0:48:21.360 --> 0:48:24.920
<v Speaker 1>funk with uh trying to book right to like a

0:48:24.920 --> 0:48:27.800
<v Speaker 1>blank you know, blank screen with no human on the

0:48:27.840 --> 0:48:30.320
<v Speaker 1>other side. Is that kind of backtracked and did a

0:48:30.360 --> 0:48:33.520
<v Speaker 1>little bit of like who's my ideal reader? And I

0:48:33.640 --> 0:48:37.080
<v Speaker 1>thought of four friends who are totally like who I

0:48:37.080 --> 0:48:39.680
<v Speaker 1>have in three out of four of the cases. I've

0:48:39.680 --> 0:48:42.279
<v Speaker 1>actually coached them as well, so they know of me

0:48:42.320 --> 0:48:44.440
<v Speaker 1>as sort of you know, in in coach friend land

0:48:44.520 --> 0:48:47.600
<v Speaker 1>already the sort of nebulous zone UM and asked them

0:48:47.640 --> 0:48:49.719
<v Speaker 1>if I could sort of interview them for half an

0:48:49.719 --> 0:48:52.040
<v Speaker 1>hour and recorded and asked them, like really kind of

0:48:52.080 --> 0:48:54.600
<v Speaker 1>on the spot questions like what's your relationship to your voice?

0:48:55.000 --> 0:48:57.880
<v Speaker 1>And I mean I got so much out of that,

0:48:58.200 --> 0:48:59.960
<v Speaker 1>you know, the equivalent of like those of you list

0:49:00.000 --> 0:49:01.880
<v Speaker 1>sitting like getting to actually just sort of ask you

0:49:01.920 --> 0:49:08.000
<v Speaker 1>guys questions back um is connections about connecting for sure,

0:49:08.360 --> 0:49:11.000
<v Speaker 1>but also just like I tried to not talk because

0:49:11.040 --> 0:49:12.920
<v Speaker 1>I really wanted to just like have the recording be

0:49:13.280 --> 0:49:16.319
<v Speaker 1>you know, them talking in their own way, giving me

0:49:16.440 --> 0:49:19.360
<v Speaker 1>new ways to think about this stuff. But inevitably I

0:49:19.400 --> 0:49:21.239
<v Speaker 1>was jumping in. I mean actually did a pretty good

0:49:21.320 --> 0:49:23.200
<v Speaker 1>job of not doing it, but like inevitably I was

0:49:23.280 --> 0:49:25.839
<v Speaker 1>jumping in because we would we would like go off

0:49:25.880 --> 0:49:28.560
<v Speaker 1>on tangents where we were planning something new that made

0:49:28.640 --> 0:49:31.680
<v Speaker 1>us both excited based on what they said. And that

0:49:31.960 --> 0:49:33.960
<v Speaker 1>is like what I missed from not having like our

0:49:34.080 --> 0:49:36.480
<v Speaker 1>coworking space to go to like just the sort of

0:49:36.520 --> 0:49:44.319
<v Speaker 1>the surprise element of conversationsh pandemic times. Y'all. Okay, we

0:49:44.400 --> 0:49:48.400
<v Speaker 1>are going to drop another episode with way more listener

0:49:48.480 --> 0:49:52.279
<v Speaker 1>questions next week, so listen for that. And thank you

0:49:52.480 --> 0:49:56.800
<v Speaker 1>to Cat for joining me, for bantering with me and

0:49:57.520 --> 0:50:01.239
<v Speaker 1>cheerleading the heck out of this podcast, and of course

0:50:01.320 --> 0:50:04.000
<v Speaker 1>for doing the actual work of gathering the questions and

0:50:04.080 --> 0:50:09.200
<v Speaker 1>for you for sending them in. Thank you to Sophie

0:50:09.200 --> 0:50:11.600
<v Speaker 1>Lichterman and the team at I Heeart Radio and all

0:50:11.640 --> 0:50:14.919
<v Speaker 1>of you. We're recording this podcast at various locations around

0:50:15.000 --> 0:50:18.240
<v Speaker 1>Los Angeles on land that is the historic gathering place

0:50:18.320 --> 0:50:20.920
<v Speaker 1>for the Tongva indigenous tribe, and you can visit U.

0:50:20.960 --> 0:50:23.200
<v Speaker 1>S d A C dot us to learn more about

0:50:23.200 --> 0:50:26.759
<v Speaker 1>honoring Native land. Permission to Speak is a production of

0:50:26.800 --> 0:50:30.320
<v Speaker 1>I Heart Radio and Double Vision, Executive produced by Katherine

0:50:30.320 --> 0:50:33.440
<v Speaker 1>Burke Canton and Mark Canton. For more podcasts from my

0:50:33.480 --> 0:50:36.839
<v Speaker 1>Heart Radio, listen on the i Heart Radio app, Apple Podcasts,

0:50:37.080 --> 0:50:38.720
<v Speaker 1>or wherever you get your favorite shows.