WEBVTT - TechStuff Classic: Patronage Makes a Comeback

0:00:04.400 --> 0:00:07.800
<v Speaker 1>Welcome to Tech Stuff, a production from I Heart Radio.

0:00:11.760 --> 0:00:14.280
<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host

0:00:14.400 --> 0:00:17.040
<v Speaker 1>job in Strickland. I'm an executive producer with iHeart Radio

0:00:17.239 --> 0:00:21.479
<v Speaker 1>and how the tech are you today? It's time for

0:00:21.600 --> 0:00:25.200
<v Speaker 1>another tech Classic episode. This one is called Patronage Makes

0:00:25.320 --> 0:00:30.760
<v Speaker 1>a Comeback. It was originally published on September and this

0:00:31.000 --> 0:00:35.680
<v Speaker 1>is an episode about services like Patreon that allow people

0:00:35.720 --> 0:00:40.280
<v Speaker 1>to directly support creators of all types and not go

0:00:40.479 --> 0:00:43.400
<v Speaker 1>through things like ad revenue. But it becomes more of

0:00:43.760 --> 0:00:47.120
<v Speaker 1>a sort of a direct subscriber kind of approach. So

0:00:47.400 --> 0:00:51.520
<v Speaker 1>let's sit back and listen to this classic episode. I've

0:00:51.560 --> 0:00:56.080
<v Speaker 1>covered topics like e commerce before web advertising, We've covered

0:00:56.120 --> 0:00:59.720
<v Speaker 1>multiple times on this show. We've even covered crowdfunding stuff

0:00:59.760 --> 0:01:03.040
<v Speaker 1>like Kickstarter in Indiego Go. But I really wanted to

0:01:03.080 --> 0:01:06.960
<v Speaker 1>look at patronage because it's interesting to see it come

0:01:06.959 --> 0:01:10.600
<v Speaker 1>back so strong. That's not to say that patronage is new,

0:01:10.840 --> 0:01:13.720
<v Speaker 1>even new on the Internet. It's not. It just seems

0:01:13.760 --> 0:01:17.319
<v Speaker 1>to be rising in prominence right now. The idea of

0:01:17.360 --> 0:01:22.120
<v Speaker 1>patronage dates back to the Renaissance, and I gotta be

0:01:22.160 --> 0:01:26.280
<v Speaker 1>honest with you guys. I debated briefly but I did

0:01:26.319 --> 0:01:30.880
<v Speaker 1>debate on describing Renaissance patronage in the style of the

0:01:31.000 --> 0:01:33.959
<v Speaker 1>character I used to play back when I was an

0:01:33.959 --> 0:01:39.160
<v Speaker 1>employee of the Georgia Renaissance Festival. But then I figured

0:01:39.160 --> 0:01:42.560
<v Speaker 1>you guys would probably unsubscribed so fast that you'd actually

0:01:42.680 --> 0:01:46.360
<v Speaker 1>hear the whishing sound of the wind filling in the

0:01:46.480 --> 0:01:50.680
<v Speaker 1>vacuum of missing listeners. So I'm going to spare you

0:01:51.080 --> 0:01:54.840
<v Speaker 1>the corny Renaissance festival character for now. But if you

0:01:54.960 --> 0:01:58.040
<v Speaker 1>really want to hear me, cut loose as a Renaissance

0:01:58.080 --> 0:02:02.520
<v Speaker 1>festival idiot, stick a round to the very end, and

0:02:02.560 --> 0:02:06.120
<v Speaker 1>then you'll get a treat, or maybe you'll think of

0:02:06.160 --> 0:02:08.480
<v Speaker 1>it as something other than a treat, but at any rate,

0:02:08.520 --> 0:02:10.120
<v Speaker 1>it will be at the end, so that way you

0:02:10.160 --> 0:02:13.320
<v Speaker 1>can not listen to it if it bugs you. So

0:02:13.480 --> 0:02:18.720
<v Speaker 1>getting back to Renaissance and the era of patronage, when

0:02:18.720 --> 0:02:21.960
<v Speaker 1>you look at the Middle Ages in Europe, the period

0:02:22.280 --> 0:02:27.919
<v Speaker 1>preceding the Renaissance, the primary social system in place was feudalism.

0:02:27.960 --> 0:02:30.560
<v Speaker 1>And in case you're not familiar with feudalism, what the

0:02:30.600 --> 0:02:33.560
<v Speaker 1>concept is or how that worked. This was where you

0:02:33.600 --> 0:02:37.320
<v Speaker 1>would have a centralized power figure of some sort to

0:02:37.440 --> 0:02:41.480
<v Speaker 1>whom everyone in the region would swear fealty, and this

0:02:41.520 --> 0:02:44.840
<v Speaker 1>was a two way relationship. It wasn't just someone lording

0:02:45.040 --> 0:02:48.920
<v Speaker 1>over a lot of peasants, although that could happen. The

0:02:48.960 --> 0:02:51.720
<v Speaker 1>person in charge was supposed to make big decisions on

0:02:51.840 --> 0:02:57.160
<v Speaker 1>behalf of the entire region, and in the best case scenarios, uh,

0:02:57.320 --> 0:03:00.440
<v Speaker 1>they would actually take great pains to protect the people

0:03:00.520 --> 0:03:04.200
<v Speaker 1>they ruled over. In fact, if you look at stuff

0:03:04.240 --> 0:03:08.240
<v Speaker 1>like the old epic poem Beowulf, you hear about the

0:03:08.240 --> 0:03:11.520
<v Speaker 1>the job of the king is to hand out rings,

0:03:11.560 --> 0:03:15.360
<v Speaker 1>which is essentially the symbol of wealth two loyal subjects

0:03:15.360 --> 0:03:19.480
<v Speaker 1>who have have contributed in some meaningful way to the

0:03:19.560 --> 0:03:25.440
<v Speaker 1>area's success. That was the basis of society for centuries

0:03:25.639 --> 0:03:29.919
<v Speaker 1>in Europe. But once you start getting toward the end

0:03:30.080 --> 0:03:33.160
<v Speaker 1>of the Middle Ages, things start to change. Now, during

0:03:33.200 --> 0:03:36.320
<v Speaker 1>the Middle Ages, you know the peasants really their job

0:03:36.440 --> 0:03:40.960
<v Speaker 1>was to essentially make enough food for everyone to stay alive,

0:03:41.320 --> 0:03:44.480
<v Speaker 1>including the person in charge. But at the end of

0:03:44.520 --> 0:03:48.160
<v Speaker 1>the Middle Ages, the system of feudalism began to fall apart,

0:03:48.640 --> 0:03:52.360
<v Speaker 1>and it also marked the first time people really begin

0:03:52.680 --> 0:03:58.200
<v Speaker 1>gan to move in great numbers from the pastoral countryside

0:03:58.440 --> 0:04:02.520
<v Speaker 1>and farms in to cities. This was the era of

0:04:02.560 --> 0:04:06.880
<v Speaker 1>cities having an enormous population booms, so places like Paris

0:04:06.920 --> 0:04:10.160
<v Speaker 1>and London had their numbers swell, and out of that

0:04:10.280 --> 0:04:14.960
<v Speaker 1>change grew something brand new, the middle class, or the

0:04:15.000 --> 0:04:20.480
<v Speaker 1>bourgeois in other words. And as professions became lucrative, as

0:04:20.520 --> 0:04:25.200
<v Speaker 1>people began to find ways to create things, to make

0:04:25.360 --> 0:04:29.640
<v Speaker 1>goods or provide services that were valued within the cities,

0:04:30.520 --> 0:04:32.719
<v Speaker 1>people began to make money. The middle class began to

0:04:32.760 --> 0:04:36.240
<v Speaker 1>make serious money. Sometimes the people in the middle class

0:04:36.279 --> 0:04:40.640
<v Speaker 1>were far wealthier than anyone in the nobility class. There

0:04:40.640 --> 0:04:45.480
<v Speaker 1>are plenty of examples of nobles who were arranging marriages

0:04:45.520 --> 0:04:49.640
<v Speaker 1>with wealthy middle class families because the middle class families

0:04:49.880 --> 0:04:53.120
<v Speaker 1>lacked a title, but they had money, whereas the nobility

0:04:53.160 --> 0:04:58.839
<v Speaker 1>had titles but no money. So it became this weird relationship,

0:04:58.880 --> 0:05:03.039
<v Speaker 1>particularly in places like England. Now, some of the people

0:05:03.040 --> 0:05:06.719
<v Speaker 1>in the middle class wanted to use the money they

0:05:06.760 --> 0:05:13.320
<v Speaker 1>made to do various things, including supporting artists of various types.

0:05:14.279 --> 0:05:17.640
<v Speaker 1>Maybe they found it rewarding to support an artist's work,

0:05:17.720 --> 0:05:20.360
<v Speaker 1>or maybe they got some other sense of value from it.

0:05:20.839 --> 0:05:24.599
<v Speaker 1>At any rate, they became what we call patrons of

0:05:24.640 --> 0:05:28.599
<v Speaker 1>the arts. And there are lots of examples of various

0:05:28.640 --> 0:05:32.520
<v Speaker 1>patrons who were really famous at the time. The Medici

0:05:32.600 --> 0:05:36.359
<v Speaker 1>family is probably the best known patrons from the era

0:05:36.440 --> 0:05:41.440
<v Speaker 1>of the Italian Renaissance, particularly Cosimo de Medici and his

0:05:41.520 --> 0:05:45.680
<v Speaker 1>grandson Lorenzo de Medici. These two Medici's were famous for

0:05:45.720 --> 0:05:50.920
<v Speaker 1>their patronage of various artists. Uh. Together they supported some

0:05:51.080 --> 0:05:56.159
<v Speaker 1>really famous ones like uh. Well, names that would seem

0:05:56.160 --> 0:05:59.560
<v Speaker 1>familiar to anyone who watched teenage mutant Ninja turtles because

0:05:59.600 --> 0:06:02.680
<v Speaker 1>they boarded artists like Donna Tello, Leonardo da Vinci, and

0:06:02.760 --> 0:06:08.680
<v Speaker 1>michel Angelo and Uh. The patronage actually gave these wealthy

0:06:08.720 --> 0:06:12.640
<v Speaker 1>people a certain social status. It allowed them to associate

0:06:12.720 --> 0:06:17.880
<v Speaker 1>themselves with the most talented, brightest people of the age,

0:06:18.480 --> 0:06:20.920
<v Speaker 1>and it also created opportunities for the artists to make

0:06:21.000 --> 0:06:24.120
<v Speaker 1>amazing works of art, ranging from paintings to sculpture and

0:06:24.160 --> 0:06:29.160
<v Speaker 1>other stuff. Often the artists were working on a commission

0:06:29.480 --> 0:06:31.960
<v Speaker 1>by the nobility, so they didn't really have a whole

0:06:32.000 --> 0:06:33.920
<v Speaker 1>lot of choice in what they were able to make,

0:06:34.640 --> 0:06:37.039
<v Speaker 1>but the money they made from that allowed them to

0:06:37.120 --> 0:06:40.719
<v Speaker 1>fund other things. Famously, Da Vinci came up with lots

0:06:40.760 --> 0:06:45.840
<v Speaker 1>of different stuff. Meanwhile, theater companies also had patrons. William

0:06:45.880 --> 0:06:49.279
<v Speaker 1>Shakespeare belonged to the Lord Chamberlain's Men during Queen Elizabeth

0:06:49.320 --> 0:06:53.480
<v Speaker 1>the First's reign uh. The initial patron of that theatrical

0:06:53.560 --> 0:06:56.400
<v Speaker 1>company was a man named Henry Carey, who was the

0:06:56.440 --> 0:07:00.920
<v Speaker 1>first Baron Hunston uh, the Lord Chamberlain to the Queen. Now,

0:07:00.920 --> 0:07:05.159
<v Speaker 1>eventually that company would become the King's Men because Elizabeth

0:07:05.279 --> 0:07:08.479
<v Speaker 1>passed away and James the First rose to the throne

0:07:08.920 --> 0:07:12.640
<v Speaker 1>and became the new patron of this theatrical company. So

0:07:12.680 --> 0:07:15.600
<v Speaker 1>they provided the budget that the artists needed in order

0:07:15.600 --> 0:07:17.120
<v Speaker 1>for them to do their work, and then they would

0:07:17.120 --> 0:07:21.600
<v Speaker 1>also reward the artists themselves. Um and this approach allowed

0:07:21.600 --> 0:07:24.600
<v Speaker 1>ours to protect practice their craft without worrying about selling

0:07:24.640 --> 0:07:27.840
<v Speaker 1>the finished product to buyers, though that could also happen

0:07:28.240 --> 0:07:31.960
<v Speaker 1>depending upon the artist. So generally speaking, it was a

0:07:32.000 --> 0:07:35.720
<v Speaker 1>work for higher sort of thing. It wasn't an idea,

0:07:35.880 --> 0:07:37.640
<v Speaker 1>you know, create a product and then go to the

0:07:37.640 --> 0:07:40.840
<v Speaker 1>market and try and sell the product. Today we still

0:07:40.880 --> 0:07:43.360
<v Speaker 1>have patrons of the arts. A lot of wealthy people

0:07:43.720 --> 0:07:46.440
<v Speaker 1>will end up funding arts in some way. There are

0:07:46.440 --> 0:07:50.000
<v Speaker 1>a lot of foundations that also provide funding and others

0:07:50.000 --> 0:07:52.800
<v Speaker 1>who donate to museums or to theaters. But when it

0:07:52.840 --> 0:07:58.000
<v Speaker 1>comes to supporting individual artists, patronage had largely faded away

0:07:58.160 --> 0:08:02.440
<v Speaker 1>until relatively recently. But now we're in a new era

0:08:02.720 --> 0:08:07.560
<v Speaker 1>of patronage. And it also makes sense because honestly, the

0:08:07.600 --> 0:08:10.760
<v Speaker 1>era of advertising is starting to come to an end.

0:08:11.120 --> 0:08:15.080
<v Speaker 1>We've become tired of ads, so making money through ads

0:08:15.280 --> 0:08:20.160
<v Speaker 1>has become increasingly difficult. It's a challenge. It's still very important,

0:08:20.520 --> 0:08:24.960
<v Speaker 1>but it's harder to do, largely because the audience itself

0:08:24.960 --> 0:08:28.840
<v Speaker 1>has become cynical or tired of ads. Uh, you can

0:08:28.880 --> 0:08:31.640
<v Speaker 1>try to sell stuff in an online store instead, and

0:08:31.640 --> 0:08:34.000
<v Speaker 1>that might work great for certain types of artists, like

0:08:34.400 --> 0:08:37.320
<v Speaker 1>people who do graphic design work and maybe they do

0:08:37.400 --> 0:08:40.160
<v Speaker 1>sketches or paintings or comics or things of that nature.

0:08:40.280 --> 0:08:43.160
<v Speaker 1>They can sell different prints or posters. That sort of stuff.

0:08:43.800 --> 0:08:46.880
<v Speaker 1>Also makes sense for musicians who might sell things like

0:08:48.040 --> 0:08:51.960
<v Speaker 1>albums or individual songs that kind of thing. But there's

0:08:52.000 --> 0:08:54.640
<v Speaker 1>some types of creative work that do not lend themselves

0:08:54.640 --> 0:08:59.320
<v Speaker 1>to merchandise easily. So for example, maybe you do a

0:08:59.440 --> 0:09:03.200
<v Speaker 1>series videos like you have a web video series, and

0:09:03.240 --> 0:09:07.200
<v Speaker 1>you might have some merchandise options, but generally speaking, those

0:09:07.200 --> 0:09:09.440
<v Speaker 1>are probably not going to bring in enough money to

0:09:09.520 --> 0:09:13.000
<v Speaker 1>support your work, So what do you do? Well, that's

0:09:13.000 --> 0:09:16.440
<v Speaker 1>where patronage comes into play. Now. The best known service

0:09:16.559 --> 0:09:21.120
<v Speaker 1>right now is Patreon, and that service allows creators to

0:09:21.200 --> 0:09:25.480
<v Speaker 1>build a profile for their work. Fans can contribute money

0:09:25.559 --> 0:09:28.520
<v Speaker 1>on an ongoing basis. Creators can set up a Patreon

0:09:28.559 --> 0:09:32.160
<v Speaker 1>account so that the pledges are collected monthly or every

0:09:32.200 --> 0:09:34.600
<v Speaker 1>time there's a new piece of content for an audience

0:09:34.640 --> 0:09:37.440
<v Speaker 1>to enjoy. So, in other words, if I'm a creator

0:09:38.280 --> 0:09:41.160
<v Speaker 1>and I want to create a Patreon page, I could

0:09:41.320 --> 0:09:43.320
<v Speaker 1>do it. Let's say I'm doing a web video series.

0:09:43.520 --> 0:09:46.720
<v Speaker 1>I can do it where I say pledge x amount

0:09:46.840 --> 0:09:49.920
<v Speaker 1>per month, and you might say a dollar or five

0:09:50.000 --> 0:09:53.880
<v Speaker 1>dollars or whatever that might be. Or I could choose

0:09:53.920 --> 0:09:58.040
<v Speaker 1>to say pledge x amount per video, so every time

0:09:58.080 --> 0:10:01.880
<v Speaker 1>an episode comes out, you would end up contributing however

0:10:01.960 --> 0:10:03.800
<v Speaker 1>much you had pledged, whether it was a dollar or

0:10:03.800 --> 0:10:08.480
<v Speaker 1>five dollars or whatever amount. Those are the different options. Uh,

0:10:08.559 --> 0:10:11.400
<v Speaker 1>it's kind of like a subscription service, only you aren't

0:10:11.440 --> 0:10:15.760
<v Speaker 1>necessarily buying something. You're supporting the work of someone who's

0:10:15.840 --> 0:10:20.200
<v Speaker 1>stuff you like, so you're not necessarily getting something that

0:10:20.240 --> 0:10:22.679
<v Speaker 1>no one else can get although that can play apart

0:10:22.679 --> 0:10:25.040
<v Speaker 1>two and I'll talk about that in a second. But

0:10:25.200 --> 0:10:28.520
<v Speaker 1>really what it's all about is saying I like the

0:10:28.559 --> 0:10:31.200
<v Speaker 1>stuff you do. I want you to continue to be

0:10:31.400 --> 0:10:34.280
<v Speaker 1>able to do the stuff you do, and I'm willing

0:10:34.320 --> 0:10:38.440
<v Speaker 1>to pay money so that this happens. And it's interesting

0:10:38.559 --> 0:10:42.760
<v Speaker 1>because at least for some people it works. Now, in

0:10:42.760 --> 0:10:45.320
<v Speaker 1>the interest of full disclosure, I wanted to let you

0:10:45.360 --> 0:10:49.920
<v Speaker 1>guys know I support to Patreon campaigns right now, and

0:10:49.960 --> 0:10:52.880
<v Speaker 1>I'm not asking anyone else to go out and support them.

0:10:52.920 --> 0:10:54.760
<v Speaker 1>I just want to be able to talk about my

0:10:54.840 --> 0:10:58.679
<v Speaker 1>experience as a patron as opposed to a creator. I

0:10:58.720 --> 0:11:02.400
<v Speaker 1>don't have a patriot On campaign for anything that I do.

0:11:02.880 --> 0:11:06.520
<v Speaker 1>I just support other Patreon campaigns. So the two campaigns

0:11:06.520 --> 0:11:09.160
<v Speaker 1>I support, one of them is for Tom Merritt's daily

0:11:09.240 --> 0:11:12.400
<v Speaker 1>tech news show, and Tom's a friend of mine. He

0:11:12.440 --> 0:11:16.520
<v Speaker 1>does great work. He covers tech stories each weekday and

0:11:16.600 --> 0:11:20.360
<v Speaker 1>brings on interesting guests and sometimes people like me to

0:11:20.440 --> 0:11:22.679
<v Speaker 1>be on his show to discuss the stories and give

0:11:22.720 --> 0:11:28.400
<v Speaker 1>them context. So I am one of many patrons of

0:11:28.640 --> 0:11:31.200
<v Speaker 1>tom Merritt's and I want him to continue to be

0:11:31.280 --> 0:11:33.680
<v Speaker 1>able to do this work, which I think is valuable.

0:11:33.800 --> 0:11:37.840
<v Speaker 1>It's entertaining and it's informative. So that's why I have contributed.

0:11:38.040 --> 0:11:41.360
<v Speaker 1>The other Patreon campaign I support is for a group

0:11:41.400 --> 0:11:45.520
<v Speaker 1>called Red Letter Media, and that's an entertainment company and

0:11:45.559 --> 0:11:50.160
<v Speaker 1>they create online videos and plus they create films. They're

0:11:50.200 --> 0:11:54.800
<v Speaker 1>they're essentially a film studio that also does online video. Now,

0:11:54.800 --> 0:11:58.160
<v Speaker 1>they're mostly known for their film criticism. I have several

0:11:58.200 --> 0:12:01.800
<v Speaker 1>shows that focus on the sizing films in various ways.

0:12:02.400 --> 0:12:05.040
<v Speaker 1>There's one called half in the Bag, there's one called

0:12:05.080 --> 0:12:07.599
<v Speaker 1>Best of the Worst, and then there are the infamous

0:12:07.760 --> 0:12:11.959
<v Speaker 1>Mr Plinkett reviews. So if you've ever come across one

0:12:11.960 --> 0:12:14.559
<v Speaker 1>of those reviews of either Star Wars or Star Trek

0:12:15.000 --> 0:12:19.440
<v Speaker 1>where the persona doing the review is a crazy, sociopathic

0:12:19.600 --> 0:12:24.640
<v Speaker 1>old guy, that's Red Letter Media. Now there are hundreds

0:12:24.679 --> 0:12:28.040
<v Speaker 1>of projects listed on Patreon, and some of them may

0:12:28.080 --> 0:12:31.280
<v Speaker 1>even be for stuff you already enjoy. So how does

0:12:31.280 --> 0:12:35.319
<v Speaker 1>the service work? I mean, how can it actually work

0:12:35.400 --> 0:12:37.800
<v Speaker 1>in a in a in a background sense. I mean,

0:12:37.840 --> 0:12:40.800
<v Speaker 1>clearly it's not as simple as just a sorting house

0:12:40.840 --> 0:12:43.720
<v Speaker 1>for audience contributions, right, I mean, how would Patreon even

0:12:43.720 --> 0:12:47.600
<v Speaker 1>make its own money? So that it could remain in operation. Well,

0:12:47.600 --> 0:12:50.280
<v Speaker 1>to answer that, we need to look at the history

0:12:50.480 --> 0:12:53.920
<v Speaker 1>of Patreon and then at how the service makes money,

0:12:54.000 --> 0:12:57.480
<v Speaker 1>and it all starts with a pretty successful YouTube channel. Now.

0:12:57.520 --> 0:13:01.599
<v Speaker 1>That channel belongs to Jack Conti, and he's a filmmaker

0:13:01.679 --> 0:13:05.160
<v Speaker 1>and songwriter living in California, and he's also one half

0:13:05.200 --> 0:13:08.120
<v Speaker 1>of the group Pomplo Moose, which if you are not

0:13:08.280 --> 0:13:11.000
<v Speaker 1>familiar with Pomplo Mouse, you should probably go and check

0:13:11.040 --> 0:13:15.640
<v Speaker 1>that out. They're pretty awesome. They do fun musical mashups

0:13:16.000 --> 0:13:19.920
<v Speaker 1>and really creative music videos as well some very experimental

0:13:19.960 --> 0:13:23.080
<v Speaker 1>film stuff that's kind of interesting, So check that out.

0:13:24.120 --> 0:13:27.280
<v Speaker 1>We'll be back with more about patronage in the online

0:13:27.320 --> 0:13:40.800
<v Speaker 1>age after this quick break. In two thousand thirteen, Conti

0:13:41.120 --> 0:13:43.400
<v Speaker 1>had a YouTube channel that had more than a hundred

0:13:43.440 --> 0:13:46.600
<v Speaker 1>thousand subscribers and his videos were racking up more than

0:13:46.640 --> 0:13:51.160
<v Speaker 1>a hundred thousand views per video, but he was faced

0:13:51.160 --> 0:13:53.160
<v Speaker 1>with a real problem. He says he was only making

0:13:53.200 --> 0:13:57.679
<v Speaker 1>about fifty dollars a month off his channel from advertising,

0:13:59.040 --> 0:14:02.240
<v Speaker 1>so it's a big issue he was He was doing well,

0:14:02.400 --> 0:14:05.160
<v Speaker 1>he had a he had a sizable audience, but he

0:14:05.240 --> 0:14:09.320
<v Speaker 1>wasn't really realizing any true revenue from it, and there

0:14:09.320 --> 0:14:11.679
<v Speaker 1>are a lot of factors that figure into this. If

0:14:11.679 --> 0:14:15.760
<v Speaker 1>you allow advertising on your videos on YouTube, you only

0:14:15.800 --> 0:14:19.200
<v Speaker 1>get a percentage of the money earned through ads on

0:14:19.240 --> 0:14:23.840
<v Speaker 1>your channel. The rest goes to Google to YouTube itself. Now,

0:14:23.920 --> 0:14:26.200
<v Speaker 1>on top of that, you have to choose whether your

0:14:26.240 --> 0:14:29.040
<v Speaker 1>channel will serve up ads that people can skip after

0:14:29.080 --> 0:14:33.040
<v Speaker 1>a few seconds or ads that play all the way

0:14:33.040 --> 0:14:36.800
<v Speaker 1>through and there's no skippable option, and subscribers tend to

0:14:36.840 --> 0:14:39.880
<v Speaker 1>prefer skippable ads obviously, they don't want to be forced

0:14:40.000 --> 0:14:43.040
<v Speaker 1>to watch a commercial if they don't have to. But

0:14:43.800 --> 0:14:46.280
<v Speaker 1>if they get a skippable ad and they skip out

0:14:46.280 --> 0:14:49.640
<v Speaker 1>too early, in other words, before thirty seconds have passed,

0:14:50.200 --> 0:14:54.600
<v Speaker 1>no revenue is generated from the ad impression, so that's

0:14:54.600 --> 0:14:57.840
<v Speaker 1>an issue. And YouTube also has algorithms that determine how

0:14:57.880 --> 0:15:01.080
<v Speaker 1>frequently ads are shown in the first place, so not

0:15:01.240 --> 0:15:04.480
<v Speaker 1>every view of a monetized video may result in an

0:15:04.520 --> 0:15:06.840
<v Speaker 1>ad display. So there are a lot of factors here

0:15:06.920 --> 0:15:09.360
<v Speaker 1>that actually limit the amount of money you're going to make.

0:15:09.440 --> 0:15:11.680
<v Speaker 1>You on paper, it looks like you should be making

0:15:11.680 --> 0:15:14.560
<v Speaker 1>a lot because you've got so many views of your video,

0:15:14.800 --> 0:15:17.360
<v Speaker 1>But if everyone is skipping the the ads, or there

0:15:17.360 --> 0:15:19.480
<v Speaker 1>are not a lot of ads being served up on

0:15:19.560 --> 0:15:23.080
<v Speaker 1>that video. In particular, you might be making very little

0:15:23.160 --> 0:15:25.720
<v Speaker 1>in the long run. Now, the bottom line was that

0:15:25.800 --> 0:15:29.400
<v Speaker 1>Conti was putting time and effort into creating videos but

0:15:29.520 --> 0:15:32.120
<v Speaker 1>seeing very little return on his investments. So he began

0:15:32.160 --> 0:15:35.040
<v Speaker 1>to think about ways that artists could create a direct

0:15:35.200 --> 0:15:39.720
<v Speaker 1>link to audiences, something that would allow audiences to support

0:15:39.800 --> 0:15:43.400
<v Speaker 1>the artist rather than having to depend upon this third

0:15:43.400 --> 0:15:48.800
<v Speaker 1>party advertising structure. So in May two thousand thirteen, Contie

0:15:48.920 --> 0:15:54.960
<v Speaker 1>paired with partnered with Sam Yam to create Patreon, and

0:15:55.000 --> 0:15:58.520
<v Speaker 1>the idea was pretty simple. Artists would create a Patreon account,

0:15:58.760 --> 0:16:01.720
<v Speaker 1>they would offer reward to people who contribute money to

0:16:01.760 --> 0:16:06.440
<v Speaker 1>their efforts. Uh So those rewards could be anything, really,

0:16:06.520 --> 0:16:09.280
<v Speaker 1>but ideally there would be things that you could easily

0:16:09.360 --> 0:16:13.320
<v Speaker 1>deliver reliably so that people who are supporting you actually

0:16:13.360 --> 0:16:17.640
<v Speaker 1>feel like they're getting value for their contribution. So, for example,

0:16:18.200 --> 0:16:20.800
<v Speaker 1>if I were doing that web video series, I might

0:16:20.960 --> 0:16:25.120
<v Speaker 1>offer up an access to bonus videos or blooper reels

0:16:25.200 --> 0:16:28.280
<v Speaker 1>and other content to people who contribute at a certain level,

0:16:28.880 --> 0:16:33.240
<v Speaker 1>and anyone who is either not contributing or contributing at

0:16:33.240 --> 0:16:36.120
<v Speaker 1>a lower level, they don't get access to that, but

0:16:36.160 --> 0:16:39.360
<v Speaker 1>they can still see the regular web video series. The

0:16:39.400 --> 0:16:42.720
<v Speaker 1>important thing here is I'm not forcing people to subscribe

0:16:42.800 --> 0:16:46.120
<v Speaker 1>to something. I'm saying, if you want to support me,

0:16:46.320 --> 0:16:49.960
<v Speaker 1>here's a way to do it, and in return, you

0:16:50.000 --> 0:16:53.200
<v Speaker 1>get this bonus material. But if you don't feel like

0:16:53.240 --> 0:16:57.040
<v Speaker 1>you can support me for whatever reason, maybe you don't

0:16:57.120 --> 0:16:59.880
<v Speaker 1>enjoy the content that much, or maybe your money is

0:17:00.320 --> 0:17:03.240
<v Speaker 1>very limited and so you can't really afford to support me,

0:17:03.760 --> 0:17:07.560
<v Speaker 1>that's fine. Enjoy the regular series with everybody else. You're

0:17:07.640 --> 0:17:10.400
<v Speaker 1>still going to have access to it. It's only if

0:17:10.520 --> 0:17:12.880
<v Speaker 1>you want to and are able to, and you want

0:17:12.920 --> 0:17:16.879
<v Speaker 1>this bonus material in the first place, that you should contribute.

0:17:17.520 --> 0:17:21.800
<v Speaker 1>That tends to be the general approach most creators take

0:17:21.880 --> 0:17:26.000
<v Speaker 1>when they're using Patreon. It's the idea of added value

0:17:26.440 --> 0:17:29.919
<v Speaker 1>and also for people to express their appreciation for the

0:17:29.960 --> 0:17:33.399
<v Speaker 1>work that you do. And it's amazing because it actually

0:17:33.440 --> 0:17:36.040
<v Speaker 1>seems to work. As for the rewards, there are a

0:17:36.040 --> 0:17:38.960
<v Speaker 1>lot like you would see on stuff like Kickstarter or

0:17:39.000 --> 0:17:42.919
<v Speaker 1>Indiego Go, and higher levels of contribution typically correspond to

0:17:43.000 --> 0:17:47.360
<v Speaker 1>more prestigious awards, such as being acknowledged as a producer,

0:17:47.440 --> 0:17:51.720
<v Speaker 1>for example, and to give a specific incident, Tom Merritt

0:17:51.760 --> 0:17:55.960
<v Speaker 1>and producer Jenny Josephson of Daily Tech News Show once

0:17:56.000 --> 0:17:59.240
<v Speaker 1>read out the names of every contributor to the Daily

0:17:59.280 --> 0:18:03.360
<v Speaker 1>Tech News Show Patreon when they hit ten thousand dollars

0:18:03.400 --> 0:18:07.840
<v Speaker 1>per month ten thousand dollars of contributions per month. So

0:18:07.880 --> 0:18:11.720
<v Speaker 1>it took them just under four hours to go through

0:18:11.760 --> 0:18:14.239
<v Speaker 1>all the names, and they even threw in lots of

0:18:14.320 --> 0:18:18.680
<v Speaker 1>puns and other silly things for almost every single name

0:18:18.720 --> 0:18:21.800
<v Speaker 1>on that list. And if you want to search, the

0:18:21.880 --> 0:18:24.880
<v Speaker 1>video is up on YouTube. You can find it three

0:18:24.880 --> 0:18:27.439
<v Speaker 1>hours and fifty nine minutes. If you want to hear

0:18:27.480 --> 0:18:29.560
<v Speaker 1>when my name comes up, because I was a patron

0:18:29.600 --> 0:18:33.000
<v Speaker 1>at that time too, it's at the one hour twelve

0:18:33.080 --> 0:18:35.800
<v Speaker 1>minute mark. He's actually really nice. He gave a shout

0:18:35.800 --> 0:18:39.760
<v Speaker 1>out to how stuff works, which was lovely, so fun

0:18:39.760 --> 0:18:42.359
<v Speaker 1>time there, it was interesting, and that was just something

0:18:42.480 --> 0:18:44.480
<v Speaker 1>that he decided to do, and actually I think it

0:18:44.520 --> 0:18:48.920
<v Speaker 1>was Jenny's suggestion. They decided just to do that spontaneously

0:18:49.080 --> 0:18:51.600
<v Speaker 1>to thank the people who had been supporting them. It

0:18:51.680 --> 0:18:55.919
<v Speaker 1>wasn't part directly part of the Patreon support. So that

0:18:56.000 --> 0:18:58.600
<v Speaker 1>was really really fun and and showed a lot of

0:18:58.640 --> 0:19:02.080
<v Speaker 1>dedication to sit there for four hours and thank every

0:19:02.080 --> 0:19:06.080
<v Speaker 1>single person by name. Now, this might sound similar to

0:19:06.119 --> 0:19:09.439
<v Speaker 1>something that's been around for several years, that being the

0:19:09.520 --> 0:19:15.080
<v Speaker 1>PayPal tip jar approach, So you've probably seen this around.

0:19:15.119 --> 0:19:17.679
<v Speaker 1>Lots of creators have included a tip jar on sites

0:19:17.720 --> 0:19:20.680
<v Speaker 1>to allow fans the chance to contribute directly to their

0:19:20.680 --> 0:19:25.080
<v Speaker 1>favorite artists or writers or whatever. So this would be

0:19:25.240 --> 0:19:27.600
<v Speaker 1>on various sites where you see the little PayPal button

0:19:27.680 --> 0:19:30.280
<v Speaker 1>you can click and then contribute a certain amount. You

0:19:30.280 --> 0:19:33.400
<v Speaker 1>can even make it a recurring contribution if you wanted to.

0:19:33.800 --> 0:19:37.840
<v Speaker 1>So that's very similar to what Patreon offers, and that's

0:19:37.840 --> 0:19:39.800
<v Speaker 1>been around for a while. But it's one of those

0:19:39.800 --> 0:19:43.439
<v Speaker 1>things that I think, you know, I'm sure people have

0:19:43.600 --> 0:19:47.119
<v Speaker 1>collected money from it, but not large amounts. It's not

0:19:47.320 --> 0:19:51.040
<v Speaker 1>terribly visible, and so it's it's not like it's not

0:19:51.160 --> 0:19:56.399
<v Speaker 1>like Patreon has replaced this button, but certainly augmented it.

0:19:56.800 --> 0:19:59.920
<v Speaker 1>And Patreon also has built in tools that allow creators

0:19:59.920 --> 0:20:03.800
<v Speaker 1>to communicate directly where their supporters, which was something that

0:20:03.920 --> 0:20:07.359
<v Speaker 1>the PayPal button didn't supply at all. The PayPal button

0:20:07.400 --> 0:20:10.000
<v Speaker 1>was really just a way for people to contribute directly

0:20:10.080 --> 0:20:14.200
<v Speaker 1>to a person. Patreon is more of a community building

0:20:14.280 --> 0:20:17.159
<v Speaker 1>tool because you can actually send a message out to

0:20:17.240 --> 0:20:20.880
<v Speaker 1>all of your Patreon supporters and give them updates, give

0:20:20.920 --> 0:20:25.400
<v Speaker 1>them links to special content, give them alerts to things

0:20:25.440 --> 0:20:29.000
<v Speaker 1>that you have planned that haven't been officially announced yet.

0:20:29.040 --> 0:20:31.159
<v Speaker 1>All of this kind of stuff. The idea of including

0:20:31.200 --> 0:20:37.240
<v Speaker 1>people into an artistic endeavor is built into Patreon Now.

0:20:37.320 --> 0:20:40.760
<v Speaker 1>Patreon charges the pledges at the end of each month,

0:20:40.960 --> 0:20:45.480
<v Speaker 1>so if you end up supporting a Patreon campaign, you're

0:20:45.480 --> 0:20:48.040
<v Speaker 1>not going to get charged until the end of the month,

0:20:48.359 --> 0:20:51.120
<v Speaker 1>and that might mean for some pat patrons are really

0:20:51.160 --> 0:20:53.639
<v Speaker 1>long wait if you join at the very beginning of

0:20:53.680 --> 0:20:56.399
<v Speaker 1>the month and pledge, because you won't be charged till

0:20:56.400 --> 0:20:58.280
<v Speaker 1>the end of the month, and you might not actually

0:20:58.280 --> 0:21:02.800
<v Speaker 1>have access to the Patreon level rewards until your money

0:21:02.800 --> 0:21:06.040
<v Speaker 1>has been processed. So if I start off on on

0:21:06.400 --> 0:21:09.880
<v Speaker 1>September one and I pledge at a certain level because

0:21:09.920 --> 0:21:13.080
<v Speaker 1>I want to have access to this special stuff, it

0:21:13.200 --> 0:21:16.200
<v Speaker 1>may not be until the following month until October when

0:21:16.240 --> 0:21:19.639
<v Speaker 1>I'm able to actually access that. So that's one downside

0:21:19.640 --> 0:21:21.760
<v Speaker 1>to Patreon. There are some others too. Obviously, if you

0:21:21.800 --> 0:21:25.040
<v Speaker 1>do not like PayPal, that's another issue, because that's the

0:21:25.080 --> 0:21:28.760
<v Speaker 1>main way to contribute money. Through Patreon, and if you

0:21:28.760 --> 0:21:33.040
<v Speaker 1>object to PayPal, then that could be a real, real problem.

0:21:33.800 --> 0:21:36.800
<v Speaker 1>One thing that's nice about Patreon is that it's not

0:21:36.840 --> 0:21:39.600
<v Speaker 1>necessarily a means to get a project off the ground,

0:21:40.200 --> 0:21:43.560
<v Speaker 1>So in other words, the work itself is probably already done.

0:21:43.600 --> 0:21:46.760
<v Speaker 1>In most cases, you're you're not risking anything. You're not

0:21:46.800 --> 0:21:50.560
<v Speaker 1>contributing money to a campaign that might ultimately fail, which

0:21:50.600 --> 0:21:54.119
<v Speaker 1>can completely happen with Kickstarter and indie go go. Now,

0:21:54.119 --> 0:21:57.520
<v Speaker 1>of course, in Kickstarter campaigns, if the campaign doesn't fund,

0:21:57.760 --> 0:22:01.320
<v Speaker 1>you aren't charged. With indie goog, you are charged because

0:22:01.359 --> 0:22:04.159
<v Speaker 1>even if a campaign doesn't mean it's campaign goal, some

0:22:04.320 --> 0:22:06.640
<v Speaker 1>of that money will end up going to the creator.

0:22:07.960 --> 0:22:12.640
<v Speaker 1>In both cases, if the campaign funds but nothing ever

0:22:12.760 --> 0:22:16.040
<v Speaker 1>comes out of it, you are left in the lurch.

0:22:17.000 --> 0:22:20.760
<v Speaker 1>And this has happened to me three times. I have

0:22:20.840 --> 0:22:27.160
<v Speaker 1>supported three different campaigns through crowdfunding that never ever went anywhere.

0:22:27.200 --> 0:22:30.840
<v Speaker 1>These are the infamous smart watches I have backed, and

0:22:31.000 --> 0:22:34.920
<v Speaker 1>all three have languished and never got to me. So

0:22:36.160 --> 0:22:39.359
<v Speaker 1>learned from my lesson. Also, I think it's important to

0:22:39.400 --> 0:22:42.760
<v Speaker 1>remember anytime you see any kind of crowdfunding thing, if

0:22:42.800 --> 0:22:47.240
<v Speaker 1>it's for a physical product, way that with the idea

0:22:47.359 --> 0:22:50.880
<v Speaker 1>that this may never happen even if the project funds,

0:22:50.920 --> 0:22:55.080
<v Speaker 1>because physical products are hard to produce, uh, they can

0:22:55.160 --> 0:22:58.520
<v Speaker 1>often cost more money and have more problems than someone

0:22:58.640 --> 0:23:03.320
<v Speaker 1>would would have they're wise predicted. So that's always valuable

0:23:03.440 --> 0:23:08.360
<v Speaker 1>to go into a crowdfunding situation knowing that ahead of time.

0:23:08.359 --> 0:23:10.800
<v Speaker 1>And if you're okay with that risk and you believe

0:23:10.840 --> 0:23:13.719
<v Speaker 1>in what the people are doing, that's fine. But if

0:23:13.760 --> 0:23:16.359
<v Speaker 1>you're thinking of the kickstarter as a way to start

0:23:16.440 --> 0:23:20.240
<v Speaker 1>a pre order on something, you could end up for

0:23:20.600 --> 0:23:23.920
<v Speaker 1>with a rude awakening further down the line at any rate.

0:23:23.960 --> 0:23:26.840
<v Speaker 1>Patreon is not like that. With Patreon, most of the time,

0:23:27.160 --> 0:23:29.640
<v Speaker 1>the creators are doing something they love and they're going

0:23:29.680 --> 0:23:32.280
<v Speaker 1>to be doing anyway. This is just a means for

0:23:32.320 --> 0:23:35.280
<v Speaker 1>them to be compensated for some of that work. So,

0:23:35.400 --> 0:23:37.760
<v Speaker 1>for example, it might be a web comics artist who

0:23:37.880 --> 0:23:41.040
<v Speaker 1>is going to continue drawing web comics no matter what,

0:23:41.640 --> 0:23:44.240
<v Speaker 1>but this is a way for you to express appreciation

0:23:44.280 --> 0:23:46.720
<v Speaker 1>and help support the web comics artist in his or

0:23:46.720 --> 0:23:50.920
<v Speaker 1>her efforts to bring that art to you. So it's

0:23:51.040 --> 0:23:53.680
<v Speaker 1>it's very different in that it's not it's not like

0:23:53.720 --> 0:23:56.679
<v Speaker 1>you have to wait for a certain threshold to be

0:23:56.760 --> 0:23:59.639
<v Speaker 1>met and then you get whatever it is you're supporting,

0:24:00.200 --> 0:24:03.719
<v Speaker 1>You're getting it already, So I think that's pretty exciting.

0:24:03.760 --> 0:24:06.200
<v Speaker 1>And also, you can end your support at any time.

0:24:06.240 --> 0:24:10.160
<v Speaker 1>You can go into Patreon and say I'm done supporting

0:24:10.240 --> 0:24:14.480
<v Speaker 1>this particular campaign. I either you know, I'm no longer

0:24:14.560 --> 0:24:17.280
<v Speaker 1>interested in it, or I can't afford it, or whatever

0:24:17.320 --> 0:24:19.119
<v Speaker 1>the reason. Maybe it doesn't matter. You don't have to

0:24:19.119 --> 0:24:23.439
<v Speaker 1>provide a reason. You can just stop your support. You've

0:24:23.440 --> 0:24:26.040
<v Speaker 1>got a bit more to say about Patreon and similar

0:24:26.359 --> 0:24:40.200
<v Speaker 1>services after this quick commercial break. As for Patreon itself

0:24:40.320 --> 0:24:44.680
<v Speaker 1>making money, well, it got started with venture capital investments.

0:24:45.040 --> 0:24:46.560
<v Speaker 1>You know, this is the way we see a lot

0:24:46.600 --> 0:24:50.400
<v Speaker 1>of startups start. You know, how they're able to stay

0:24:50.400 --> 0:24:53.679
<v Speaker 1>afloat early on is that they get investments from outside

0:24:54.280 --> 0:24:57.280
<v Speaker 1>to get things moving. But beyond that you have to

0:24:57.320 --> 0:25:01.720
<v Speaker 1>create a different model or else you're business will ultimately fail.

0:25:02.720 --> 0:25:07.439
<v Speaker 1>So what Patreon does is it takes five percent of

0:25:07.480 --> 0:25:11.119
<v Speaker 1>all the pledges that are gathered for all the different

0:25:11.160 --> 0:25:15.920
<v Speaker 1>Patreon campaigns, and so as more people create Patreon campaigns

0:25:15.920 --> 0:25:20.040
<v Speaker 1>and more people support Patreon campaigns, more money rolls in

0:25:20.359 --> 0:25:24.800
<v Speaker 1>and eventually those different five percent uh pieces start to

0:25:24.960 --> 0:25:29.520
<v Speaker 1>really add up. In October two thousand and fourteen, Uh,

0:25:29.680 --> 0:25:32.119
<v Speaker 1>that was the first time we started seeing creators on

0:25:32.160 --> 0:25:36.119
<v Speaker 1>Patreon collectively making more than one million dollars per month.

0:25:36.800 --> 0:25:41.000
<v Speaker 1>So adding up all the different Patreon accounts, they're about

0:25:41.000 --> 0:25:44.639
<v Speaker 1>a million dollars a month going through Patreon. But even then,

0:25:44.800 --> 0:25:46.919
<v Speaker 1>if you look at that five percent, that's just fifty

0:25:46.920 --> 0:25:49.600
<v Speaker 1>tho dollars a month, which that's a lot of money,

0:25:49.640 --> 0:25:52.919
<v Speaker 1>don't get me wrong, but fifty a month for a

0:25:53.000 --> 0:25:58.040
<v Speaker 1>company is a relatively small amount. So Patreon has to

0:25:58.080 --> 0:26:02.240
<v Speaker 1>stay pretty small and nimble in order to uh continue

0:26:02.280 --> 0:26:06.240
<v Speaker 1>to provide this service. Oh and one other thing. That

0:26:06.320 --> 0:26:08.560
<v Speaker 1>five percent is just part of what gets taken out

0:26:08.560 --> 0:26:11.800
<v Speaker 1>of the final pledge total. It's not like creators are

0:26:11.800 --> 0:26:18.600
<v Speaker 1>getting of the money because of PayPal. PayPal also takes

0:26:18.600 --> 0:26:23.640
<v Speaker 1>a cut. So ultimately about nine to of the money

0:26:23.680 --> 0:26:26.280
<v Speaker 1>that is supposed to go to a campaign gets taken

0:26:26.280 --> 0:26:30.360
<v Speaker 1>out for fees of various types. So that means you're

0:26:30.400 --> 0:26:32.960
<v Speaker 1>going to end up with around nine percent of all

0:26:32.960 --> 0:26:36.600
<v Speaker 1>the money that has been contributed to your campaign if

0:26:36.640 --> 0:26:39.520
<v Speaker 1>you are a creator on Patreon. But then keep in

0:26:39.560 --> 0:26:44.800
<v Speaker 1>mind that if you are trying to use advertising for example,

0:26:44.880 --> 0:26:48.240
<v Speaker 1>to support your work, you get to keep way less

0:26:48.280 --> 0:26:51.199
<v Speaker 1>than nine percent of that money. So if you have

0:26:51.240 --> 0:26:54.960
<v Speaker 1>a YouTube video series and you're monetizing your videos on YouTube,

0:26:56.119 --> 0:26:58.760
<v Speaker 1>YouTube is taking a much larger chunk than ten percent,

0:27:00.000 --> 0:27:02.520
<v Speaker 1>you are not going to be able to keep of

0:27:02.560 --> 0:27:05.320
<v Speaker 1>the money that your videos earned. So that's something to

0:27:05.400 --> 0:27:08.840
<v Speaker 1>keep in mind. Although, again, if this is an opt

0:27:08.880 --> 0:27:12.239
<v Speaker 1>in situation where people come and then they dedicate their

0:27:12.280 --> 0:27:14.680
<v Speaker 1>money to your work, you're going to see a much

0:27:14.840 --> 0:27:20.280
<v Speaker 1>smaller percentage of your overall audience willing to actually pay

0:27:20.440 --> 0:27:25.399
<v Speaker 1>a monthly or or per item fee to get the

0:27:25.400 --> 0:27:28.520
<v Speaker 1>stuff they could get for free. Uh, there will be some,

0:27:28.720 --> 0:27:31.600
<v Speaker 1>but it will be a percentage, a small percentage of

0:27:31.640 --> 0:27:34.719
<v Speaker 1>the overall audience. So if you're a creative person, all

0:27:34.800 --> 0:27:37.480
<v Speaker 1>this is kind of sounding pretty attractive. You could have

0:27:37.520 --> 0:27:40.240
<v Speaker 1>a platform to reach an audience. You could cultivate a

0:27:40.280 --> 0:27:42.840
<v Speaker 1>following and really gain support from the people who love

0:27:42.920 --> 0:27:46.120
<v Speaker 1>your work. But it's not that easy. For one thing,

0:27:46.440 --> 0:27:49.760
<v Speaker 1>making people aware of the option to support is already

0:27:49.800 --> 0:27:54.280
<v Speaker 1>a challenge. Discovery can be a difficult thing on Patreon.

0:27:54.280 --> 0:27:57.560
<v Speaker 1>Most people don't go to Patreon to just do searches

0:27:57.600 --> 0:27:59.719
<v Speaker 1>to find out what kind of stuff they love and

0:27:59.760 --> 0:28:02.520
<v Speaker 1>how to support it. If they hear about it, they

0:28:02.520 --> 0:28:05.639
<v Speaker 1>hear about it from the creator. So it means that

0:28:05.680 --> 0:28:08.520
<v Speaker 1>you have to use lots of different channels of communication

0:28:08.640 --> 0:28:11.600
<v Speaker 1>to tell followers how they can support the work they love.

0:28:12.200 --> 0:28:15.399
<v Speaker 1>It might be through Twitter and Facebook and Tumbler, and

0:28:15.640 --> 0:28:18.359
<v Speaker 1>it might if you have a podcast or a video series,

0:28:18.400 --> 0:28:21.400
<v Speaker 1>it could involve announcing that every episode so that people

0:28:21.440 --> 0:28:24.840
<v Speaker 1>are aware of it, because otherwise, if they're not aware

0:28:24.840 --> 0:28:27.600
<v Speaker 1>of it, you're never going to get any support anyway.

0:28:28.160 --> 0:28:31.280
<v Speaker 1>Some people, some creators, make it a point to regularly

0:28:31.359 --> 0:28:34.920
<v Speaker 1>thank their supporters in every episode. So instead of saying, hey,

0:28:35.040 --> 0:28:38.560
<v Speaker 1>go to Patreon and put money to support my work,

0:28:38.600 --> 0:28:41.320
<v Speaker 1>they might say, I want to take this time to

0:28:41.440 --> 0:28:44.720
<v Speaker 1>thank all of our supporters on Patreon, without whom this

0:28:44.760 --> 0:28:48.480
<v Speaker 1>show is not possible. And that's a really nice way

0:28:48.560 --> 0:28:51.479
<v Speaker 1>of saying thank you. It also reminds people, hey, if

0:28:51.520 --> 0:28:53.840
<v Speaker 1>you want to support this, you can go to Patreon

0:28:53.920 --> 0:28:56.920
<v Speaker 1>and be part of that group. But it really, ultimately

0:28:57.040 --> 0:28:59.800
<v Speaker 1>is more about being genuine with your audience and saying

0:29:00.440 --> 0:29:03.600
<v Speaker 1>you guys are awesome for loving what I do, and

0:29:03.760 --> 0:29:06.880
<v Speaker 1>I will keep doing this and keep making the stuff

0:29:06.920 --> 0:29:10.160
<v Speaker 1>you love for as long as you love it. And

0:29:10.200 --> 0:29:12.440
<v Speaker 1>I think that that is a really powerful message, and

0:29:12.480 --> 0:29:15.720
<v Speaker 1>it's actually true for most creators. I don't think most

0:29:15.720 --> 0:29:19.960
<v Speaker 1>creators are out there trying to get rich quick. They're

0:29:19.960 --> 0:29:23.000
<v Speaker 1>doing what they do because they love doing it. And

0:29:23.040 --> 0:29:27.640
<v Speaker 1>if they're successful, that's awesome, that is that's the dream.

0:29:27.640 --> 0:29:30.080
<v Speaker 1>But if they're not, they're still doing what they love.

0:29:31.000 --> 0:29:33.400
<v Speaker 1>But obviously all of this works best for people who

0:29:33.520 --> 0:29:38.200
<v Speaker 1>already have a large following, people who have already established

0:29:38.240 --> 0:29:41.160
<v Speaker 1>themselves and have an audience and can speak to that

0:29:41.240 --> 0:29:43.920
<v Speaker 1>audience and say, hey, by the way, here's this place

0:29:43.920 --> 0:29:46.960
<v Speaker 1>where you can support me. So if you're not fortunate

0:29:47.080 --> 0:29:49.800
<v Speaker 1>enough to be one of those people, Patreon might not

0:29:49.960 --> 0:29:53.520
<v Speaker 1>bring in enough to help sustain your work. But if

0:29:53.520 --> 0:29:56.440
<v Speaker 1>you're planning on doing the work anyway, whether you get

0:29:56.480 --> 0:29:58.800
<v Speaker 1>that support or not, and you just want to do

0:29:58.840 --> 0:30:01.400
<v Speaker 1>it for the love of the work itself, it might

0:30:01.440 --> 0:30:03.280
<v Speaker 1>be worth your while to go ahead and make a

0:30:03.320 --> 0:30:07.480
<v Speaker 1>Patreon page. You might not have hundreds of Patrons supporters,

0:30:07.960 --> 0:30:10.240
<v Speaker 1>but if you're going to be doing the work anyway,

0:30:10.280 --> 0:30:14.000
<v Speaker 1>it doesn't hurt to also have the Patreon option. So

0:30:14.120 --> 0:30:17.280
<v Speaker 1>lots of Patreon creators offer up access to their work

0:30:17.280 --> 0:30:20.440
<v Speaker 1>in different ways, including ways that are free. So for them,

0:30:20.440 --> 0:30:23.480
<v Speaker 1>the Patreon link is about giving fans the opportunities to

0:30:23.560 --> 0:30:26.800
<v Speaker 1>support the work they like. But others actually have just

0:30:26.880 --> 0:30:30.040
<v Speaker 1>specific stuff that only Patreon supporters of access to, so

0:30:30.120 --> 0:30:33.320
<v Speaker 1>that creates an incentive for people to join Patreon so

0:30:33.360 --> 0:30:36.560
<v Speaker 1>they can get at the stuff they otherwise wouldn't see.

0:30:36.920 --> 0:30:39.760
<v Speaker 1>And usually there's a balance between the two. Like I said,

0:30:39.880 --> 0:30:42.440
<v Speaker 1>it's not normally the case that someone says, all right,

0:30:42.480 --> 0:30:45.400
<v Speaker 1>here's a special web comic, but you only get to

0:30:45.400 --> 0:30:47.920
<v Speaker 1>see it if you join Patreon, Otherwise you'll never see it.

0:30:48.320 --> 0:30:51.240
<v Speaker 1>That's rare. It's more likely to say, I'm glad you

0:30:51.320 --> 0:30:54.560
<v Speaker 1>like this web comic. If you enjoy it, consider supporting

0:30:54.560 --> 0:30:56.880
<v Speaker 1>me on Patreon, and then in return you will get

0:30:56.920 --> 0:31:01.160
<v Speaker 1>all this bonus material. That's kind of That's that's the

0:31:01.240 --> 0:31:06.120
<v Speaker 1>more common way this this rolls out. And personally it's

0:31:06.160 --> 0:31:09.000
<v Speaker 1>probably clear. I love the idea of Patreon. I mean,

0:31:09.000 --> 0:31:11.800
<v Speaker 1>I do support people, but I don't think I could

0:31:11.840 --> 0:31:14.360
<v Speaker 1>actually use it for myself. Like I don't think I

0:31:14.440 --> 0:31:17.800
<v Speaker 1>would create a Patreon campaign because I doubt I have

0:31:17.960 --> 0:31:20.120
<v Speaker 1>enough of a following to bring in enough money to

0:31:20.160 --> 0:31:23.160
<v Speaker 1>support the stuff I want to do outside of work.

0:31:23.880 --> 0:31:26.040
<v Speaker 1>But for artists who are in a different situation, I

0:31:26.080 --> 0:31:28.880
<v Speaker 1>think it's a great tool. It gives people an alternative

0:31:28.920 --> 0:31:32.160
<v Speaker 1>to advertising or to trying to do direct sales, and

0:31:32.200 --> 0:31:34.560
<v Speaker 1>it gives fans a chance to be part of something

0:31:34.560 --> 0:31:36.840
<v Speaker 1>that they love. So I think that's a win win

0:31:36.920 --> 0:31:39.640
<v Speaker 1>for everybody. And again, as long as it's opped in,

0:31:39.840 --> 0:31:42.120
<v Speaker 1>I'm cool with it. It's when it's when you require

0:31:42.120 --> 0:31:45.120
<v Speaker 1>it that I start to say, well, that's less cool.

0:31:45.960 --> 0:31:49.280
<v Speaker 1>Now it's about time for me to sign off. But

0:31:49.360 --> 0:31:52.520
<v Speaker 1>I believe I made a promise, or maybe the better

0:31:52.520 --> 0:31:55.440
<v Speaker 1>word is a threat to treat you, guys to a

0:31:55.480 --> 0:31:58.920
<v Speaker 1>little bit of my Renaissance Festival character in honor of

0:31:58.960 --> 0:32:03.880
<v Speaker 1>the theme patronage, which in fact does have its origins

0:32:03.920 --> 0:32:09.080
<v Speaker 1>in the Renaissance. So this is your opportunity to spare

0:32:09.120 --> 0:32:13.120
<v Speaker 1>yourself the pain of hearing me be corny while speaking

0:32:13.160 --> 0:32:17.960
<v Speaker 1>in a terribly inaccurate accent. If that's going to bother you,

0:32:18.360 --> 0:32:21.440
<v Speaker 1>you might want to quit while you're ahead, because the

0:32:21.480 --> 0:32:24.840
<v Speaker 1>show is essentially over at this point. But for the

0:32:24.880 --> 0:32:34.400
<v Speaker 1>rest of you, you have been warned. Lords send ladies,

0:32:34.520 --> 0:32:38.320
<v Speaker 1>thou art most fortunate to this day, for thou dost

0:32:38.360 --> 0:32:42.640
<v Speaker 1>find thyself in the enviable position of being within the

0:32:42.720 --> 0:32:46.680
<v Speaker 1>presence of one Lord Admiral Edmund ving Lory, the third

0:32:46.720 --> 0:32:50.520
<v Speaker 1>Commander of His Majesty's Navy Royal and member of the

0:32:50.640 --> 0:32:54.560
<v Speaker 1>Privy Council. And though it not me known by many,

0:32:54.720 --> 0:32:58.560
<v Speaker 1>I be a distinguished patron of the arts, the man

0:32:58.960 --> 0:33:03.160
<v Speaker 1>behind the purse, behind the theater, behind the pub, behind

0:33:03.160 --> 0:33:07.160
<v Speaker 1>the times run by none other than the Lord Admiral's men.

0:33:07.640 --> 0:33:11.840
<v Speaker 1>There thou mayest have had the glorious experience of seeing

0:33:11.920 --> 0:33:17.880
<v Speaker 1>such unforgettable plays as Anything You Want to Love's labor

0:33:18.000 --> 0:33:22.960
<v Speaker 1>one and cats veterally. It doth please me to the

0:33:23.080 --> 0:33:25.640
<v Speaker 1>ends of the earth to bring to the amusements and

0:33:25.800 --> 0:33:29.680
<v Speaker 1>entertainments of such quality that audiences cannot help but to

0:33:29.880 --> 0:33:33.680
<v Speaker 1>cry out in happiness when the doors be unbarred and

0:33:33.800 --> 0:33:37.480
<v Speaker 1>people are allowed to go home. When next thou dost

0:33:37.520 --> 0:33:40.640
<v Speaker 1>have need of a distraction from the plague, or a

0:33:40.800 --> 0:33:43.720
<v Speaker 1>need a place to visit, because thy house is a fire,

0:33:44.080 --> 0:33:48.200
<v Speaker 1>consider a voyage to the playhouse. I thank THEE and

0:33:48.200 --> 0:33:52.960
<v Speaker 1>shall see thee. Ah No. That wraps up this classic

0:33:53.000 --> 0:33:56.640
<v Speaker 1>episode of text. Patreon again and other services like it

0:33:56.760 --> 0:33:59.160
<v Speaker 1>that's one that I need to I can't do an

0:33:59.240 --> 0:34:02.400
<v Speaker 1>update for a lot of these are you know, they've

0:34:02.480 --> 0:34:05.720
<v Speaker 1>changed a lot in the past few years. And uh,

0:34:05.960 --> 0:34:08.960
<v Speaker 1>some of that's due to changes in policy which have

0:34:09.000 --> 0:34:12.239
<v Speaker 1>affected numerous creators. Some of it just has to do

0:34:12.360 --> 0:34:17.239
<v Speaker 1>with different trends in the marketplace. And um, yeah, it's

0:34:17.320 --> 0:34:19.239
<v Speaker 1>it's been long enough where I think I could come

0:34:19.239 --> 0:34:23.560
<v Speaker 1>back and revisit this this topic and talk about what

0:34:23.760 --> 0:34:27.160
<v Speaker 1>has worked and what has not worked so well over time.

0:34:28.040 --> 0:34:29.799
<v Speaker 1>If you would like to suggest a topic for me

0:34:29.840 --> 0:34:31.640
<v Speaker 1>to cover in future episodes of tech Stuff, there are

0:34:31.600 --> 0:34:33.279
<v Speaker 1>a couple of ways you can reach out to me.

0:34:33.440 --> 0:34:36.479
<v Speaker 1>One is to download the I Heart Radio app, which

0:34:36.520 --> 0:34:39.120
<v Speaker 1>is free to download, free to use. You can navigate

0:34:39.160 --> 0:34:42.160
<v Speaker 1>over to the tech Stuff page and push that little

0:34:42.160 --> 0:34:45.360
<v Speaker 1>microphone icon that will let you leave a voice message

0:34:45.400 --> 0:34:48.480
<v Speaker 1>up to thirty seconds in length, and you can let

0:34:48.480 --> 0:34:50.160
<v Speaker 1>me know what you would like me to cover there,

0:34:50.320 --> 0:34:53.680
<v Speaker 1>Or you can pop on over to Twitter. The handle

0:34:53.719 --> 0:34:56.719
<v Speaker 1>we use for the show is tech Stuff HSW and

0:34:56.760 --> 0:34:59.640
<v Speaker 1>you can leave me your suggestion there and I'll talk

0:34:59.640 --> 0:35:08.440
<v Speaker 1>to you in again really soon. Yeah. Text Stuff is

0:35:08.440 --> 0:35:11.640
<v Speaker 1>an I Heart Radio production. For more podcasts from I

0:35:11.719 --> 0:35:15.319
<v Speaker 1>Heart radio, visit the I heart Radio app, Apple podcasts,

0:35:15.440 --> 0:35:17.440
<v Speaker 1>or wherever you listen to your favorite shows.