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Speaker 1: Look, may oh, I see you my own look over

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Speaker 1: there is that culture. Yes, Goodness loves culture, ding Dum

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Speaker 1: loves Cultureesa's calling. How do you feel when we're in

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Speaker 1: this setup doing it. I feel like we're recording this

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Speaker 1: on a Monday, and it's way PM for me on

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Speaker 1: the West Coast, and I feel like this was always

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Speaker 1: when we recorded it during the pandemic. So it's a

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Speaker 1: little sentiment for me in a way that's.

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Speaker 2: Like a little smoky. What's coming up? What is surfacing?

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Speaker 1: I don't know. I'm just like that was a vibe

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Speaker 1: when we were recording it like that era, the pandemic.

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Speaker 1: Lost Culture recordings were a different moment in last culture history.

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Speaker 2: For those of y'all that are endeavoring for whatever reason

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Speaker 2: to go back and listen all the way through. First

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Speaker 2: of all, we commend you and applaud you. I can't

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Speaker 2: imagine that is mentally medically advisable. No, but I hope

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Speaker 2: that those episodes don't feel too capsuley in the moment,

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Speaker 2: But of course they are, because like what else would

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Speaker 2: they be. I do feel like every now and then

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Speaker 2: throughout the year we have these zoom episodes. I mean,

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Speaker 2: what feels different about it this time. But it's it's.

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Speaker 1: Literally at the end of day. It's it's literally like

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Speaker 1: the I'm looking outside and in the darkness is descended

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Speaker 1: and I'm sitting there. You know what, Really this comes

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Speaker 1: back to again, it's I'm sitting in this same room, yep,

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Speaker 1: that I've been in since February twenty twenty in LA

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Speaker 1: and must leave.

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Speaker 2: That sounds like a u problem.

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Speaker 1: It's oh, it's a major problem. And everything I'm bringing

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Speaker 1: here especially and here's the thing is, it's like, I've

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Speaker 1: been so excited to record all day because when you

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Speaker 1: talk about culture catchups, you hope you can recap some

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Speaker 1: culture that's as good as the stuff we've gotten in

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Speaker 1: the last even twenty four hours, even twenty four hours,

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Speaker 1: but for us the last seventy two hours of course,

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Speaker 1: ninety six even ninety six.

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Speaker 2: But how's this for a throwback? You want to talk throwback? Yeah,

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Speaker 2: we're gonna be talking about the Grammys, yep. Say say

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Speaker 2: this part, which was the topic of conversation for the

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Speaker 2: first ever episode of Lost Culture restas.

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Speaker 1: And that's why it saddens us to say this is

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Speaker 1: the last episode. Culture is just kidding you absolute freaks.

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Speaker 2: The Kyles came in and stormed the castle and ruined it.

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Speaker 1: All were throwing themselves onto the freeway. Jesays, geez, sorry guys.

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Speaker 2: Death to all of them.

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Speaker 1: Jesus ten and two everyone or twelve and the hand

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Speaker 1: on your hip if you like me driving on the roads,

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Speaker 1: because we're cruising into culch. The Grammys were last night.

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Speaker 1: We were in Vegas this weekend, and Lady Gaga has

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Speaker 1: hit us with it hard. Sorry, Billy, Wow, the colch lately, Bo,

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Speaker 1: the coach lately, Bo, the.

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Speaker 2: Cult Lately, Matt. Can we outline chart the course of

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Speaker 2: how we want to discuss this brought up Billy. We

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Speaker 2: can talk about snubs, which there were. There's always a few,

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Speaker 2: even for a night that I thought was as great

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Speaker 2: as it was last night. It's just it's so rare

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Speaker 2: that it's Grammys and we're happy.

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Speaker 1: Can we say, best Grammys in our lifetime? Maybe since

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Speaker 1: ninety nine? Maybe I don't know, best Grammys in our

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Speaker 1: recent lifetime for sure. I mean this was fun from

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Speaker 1: the beginning. Oh you know, it moved. I loved the winners.

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Speaker 1: I have little qualms here and there, but the wealth

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Speaker 1: was being spread. I think we got some moments that

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Speaker 1: were kind of live TV unforgettable. Every like that entire

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Speaker 1: Let's start here that entire Best New Artist section loved

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Speaker 1: that was a great TV moment. Dochi's performance, How about that.

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Speaker 2: Katish into denials of river, phenomenal conveyor belt, ripping the

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Speaker 2: Tom Brown off, all of it. I mean, just her

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Speaker 2: fucking being held in the splits. The training this girl has. Yeah,

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Speaker 2: I think I showed you when Crazy first came out.

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Speaker 2: This My first exposure to Doti was a couple of

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Speaker 2: year years ago, this video called Crazy Love.

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Speaker 1: This video, this video went really hard.

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Speaker 2: Kind of reminds me of Aberka Dabra, which we will

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Speaker 2: get to. Don't you worry freak, Don't you worry freak?

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Speaker 2: I don't know this is she is first of all

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Speaker 2: historic Grammy win. But she sees that energy and god,

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Speaker 2: I mean this is this is so gratifying for her

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Speaker 2: where it's the sobriety journey that she's been on. This

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Speaker 2: album is about that journey and for it to be

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Speaker 2: held up in that way is so cool to see.

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Speaker 2: What an inspiration. We love Doci in this house, the

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Speaker 2: only girl that Azalia is afraid of now. Oh, because

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Speaker 2: Azielia tried it with her and dot you is like,

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Speaker 2: please don't do this, you will regret it.

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Speaker 1: This girl is a bazooka on stage. I mean it

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Speaker 1: is everything at ten top quality. I mean the precision,

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Speaker 1: the vision, the just degree of difficulty that she's doing

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Speaker 1: things at and it for it to look this easy.

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Speaker 1: This is exactly what excellence is. I thought there was

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Speaker 1: a second there after that performance, and you know, when

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Speaker 1: she had won Best Rap Album and I had thought

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Speaker 1: this when you know her new stuff was coming out

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Speaker 1: a little early, right in the voting period, she had

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Speaker 1: that insane performance on I believe it was Colbert. Colbert

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Speaker 1: h Yeah, I was like, this girl could take Best

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Speaker 1: New Artists. And let's not forget Tiny Dusk. Absolutely, Oh

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Speaker 1: the Tiny Desk was crazy. The Tiny Dusk was out

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Speaker 1: of this world. But she is somebody that is gonna

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Speaker 1: be talked about the rest of her life. If she

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Speaker 1: wants and plays it right, she's forever. That's a really big,

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Speaker 1: bright superstar.

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Speaker 2: Yeah, we love Doughci to go back to the Best

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Speaker 2: New Artist Block loved it. I mean really stacked.

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Speaker 1: Ear Ray Ray.

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Speaker 2: I think is if anyone besides Billy has a snub

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Speaker 2: narrative around her, I think it's Ray, but it's purely

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Speaker 2: because and I think this is maybe a thing that

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Speaker 2: we can talk about in terms of indie artists, Like

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Speaker 2: Ray does not have the same things at our disposal

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Speaker 2: that the other nominees and Best New Artists didn't necessarily,

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Speaker 2: Like the reason maybe that she is still being known

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Speaker 2: is because she's working with what she has and we

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Speaker 2: need to give her more because she is such a talent.

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Speaker 1: Yeah, my god.

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Speaker 2: Because between Ray and I think, and I want to

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Speaker 2: say Clara, like, these are the indie girls and the

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Speaker 2: indie artists that like was like the last little crack

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Speaker 2: in the in the China for me where it's like, oh,

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Speaker 2: this is the thing that we can look at in

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Speaker 2: the future maybe where it's like, let's give indie artists

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Speaker 2: a little bit more of an apparatus to succeed in

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Speaker 2: this space.

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Speaker 1: The way that Ray opens up her vocal when she's

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Speaker 1: build thing like because it's so dexterous and it's so cool,

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Speaker 1: and it's her albums are like and her music is

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Speaker 1: like a Rubik's cube to me sometimes where I'm like

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Speaker 1: I do sometimes I wish you're just were a little

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Speaker 1: bit more streamlined.

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Speaker 2: It's slippery it's slippery.

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Speaker 1: But my thing is like watching her and I got

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Speaker 1: to see her at Coachella two last year and live,

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Speaker 1: she's crazy. Like watching her perform is almost more interesting

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Speaker 1: the way that it's had that because cause you get

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Speaker 1: to the experience of watching it live and really sitting

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Speaker 1: in it. Like I think one of my favorite songs

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Speaker 1: for her and don't read me for this is black Mescara,

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Speaker 1: just because it is a little bit more straight forward,

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Speaker 1: but sure, I'm so blown away with how dynamic she is.

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Speaker 1: And my favorite part of her voice is when she's belting.

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Speaker 1: I mean, she's got the healthiest belt in that room.

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Speaker 1: I think, well, that's that's what. You can't say that

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Speaker 1: because Cynthia Rivo is maybe the best singer in the world.

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Speaker 2: You and I had said this and then I obnoxiously

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Speaker 2: I'm going to say this to reader's Kath' Publicis finalist Kyle's.

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Speaker 2: I did text her while she was singing, and I said,

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Speaker 2: I think you are unequivocally one of the best vocalists

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Speaker 2: of all time.

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Speaker 1: Everything about that performance with that one was crazy, crazy

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Speaker 1: the amount of people that went up there and just

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Speaker 1: completely demolished and created a feeling of euphoria in that room.

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Speaker 2: Yes, it was an entrancing night. Yeah, we were all enthralled.

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Speaker 2: We were in a literal thrall. We were going crazy

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Speaker 2: watching the TV together. It was a moment after moment

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Speaker 2: I got my life watching all of it.

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Speaker 1: My experience, like I think, reached you remember that moment.

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Speaker 1: This is also an a Worshow moment. It was actually

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Speaker 1: number one on the top two hundred moment of culture.

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Speaker 1: That feeling of adult deseime happening and you just feel

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Speaker 1: a pure euphoria in your chest watching one of these shows.

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Speaker 1: I had that like three times. I had that. When

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Speaker 1: Chapel performed at the end, when she's belting her tits

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Speaker 1: off while they're running the choreo of everyone running on stage,

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Speaker 1: I was up out of my share, screaming, throwing hands

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Speaker 1: when the entire crowd it has to feel awful, bea drake.

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Speaker 1: When the entire crowd said, am that that was so crazy?

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Speaker 2: That's the industry being on one side of that beef

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Speaker 2: in the craziest, most cruel but perhaps justified way.

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Speaker 1: It really is over huh like that that's wild. It's

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Speaker 1: hard to I would imagine it's hard to feel good

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Speaker 1: or be able to come back to a good place

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Speaker 1: anytime soon after that one. And then the third moment

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Speaker 1: I had was I guess a time. Maybe it's one

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Speaker 1: moment that feels like two moments. It feels like one

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Speaker 1: rather is Beyonce's country album Win Reaction and then Album

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Speaker 1: of the Year, which one of our long national nightmares

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Speaker 1: is over at least Beyonce's an album of that.

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Speaker 2: You're Winner. Do you have a vessel of for a

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Speaker 2: beverage in front of you?

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Speaker 1: You know what.

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Speaker 2: Engineer moo is joining is raising the glass? Okay? This

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Speaker 2: is four self titled for four yeah, four lend. It's

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Speaker 2: for I Am Sasha Fair, It's for I Am Sasha Fears.

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Speaker 2: It's for renaissance, of course, renaissance. And let's even say

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Speaker 2: b DA, let's even say dangerously in love.

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Speaker 1: Let's say it's all. It's the full discography. This goes

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Speaker 1: out to the writings on the wall. The writing has

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Speaker 1: been on the wall. This goes out to Survivor. This

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Speaker 1: is twenty five years in the making Beyonce Album of

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Speaker 1: the Year Winner, and it feels good and it was

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Speaker 1: when the world needed it the most.

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Speaker 2: Cheers. We'll see you at the Rodeo Chitlin Circuit tour

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Speaker 2: last night was this crazy reminder to me, I guess.

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Speaker 2: I mean, unless some people have this tidbit at the

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Speaker 2: back of their head, I'm like, oh my god, not

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Speaker 2: since the Miseducation of Lauren Hill.

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Speaker 1: It's just like it's not even about just like her

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Speaker 1: not deserving it. It's about like, it's about so much more.

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Speaker 1: You could just tell everyone in the room was feeling,

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Speaker 1: not even just a wrong being righted, but just like

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Speaker 1: that is the person that is the bar for everyone

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Speaker 1: in the room, and she should be up there at

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Speaker 1: the at the finale of that evening. M Finally, and

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Speaker 1: the way that she was genuinely surprised about country album.

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Speaker 1: You knew that was a that was a meme coming

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Speaker 1: like the asteroid and don't look up. It was headed

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Speaker 1: our way. And I've seen so many great artists online

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Speaker 1: do things with that, and great meaning artistry happening from

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Speaker 1: these Grammys. I have to say, lots of visuals. We

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Speaker 1: have a very visual pop star crowd right now. They're

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Speaker 1: they're giving us a lot to look at. Yeah, it

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Speaker 1: feels nice. M hmm.

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Speaker 2: I do want to shout out the heroes and as

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Speaker 2: they call themselves heroes who were the firefighters, and especially

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Speaker 2: Miss Mama who weeks ago was engulfed in flames, saving lives, rest,

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Speaker 2: you know, trying to put out these fires.

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Speaker 1: Was this the one who actually said the name of

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Speaker 1: the album?

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Speaker 2: She said the name of the album, but she she

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Speaker 2: was giving me something close to an adel Deza moment. Yeah,

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Speaker 2: because she with her full chest and conviction, a hero,

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Speaker 2: a hero hiro. I clapped in my room alone when

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Speaker 2: she so confidently.

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Speaker 1: Said this was the moment we were waiting for.

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Speaker 2: At the end of this huge, touching, amazing culmination of

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Speaker 2: the night which was to help rebuild La after these fires.

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Speaker 2: They passed it on to her and she goes and

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Speaker 2: she's about to roll out the nominees. Go to that package.

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Speaker 2: She goes, and now the nominee, nominee for album of

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Speaker 2: the year. And I said, Miss Mama, the nominee for

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Speaker 2: album of the year.

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Speaker 1: Because she knew only one really mattered. It's that and

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Speaker 1: then the only one would ultimately be the winner. And

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Speaker 1: that's something that she was thinking about that we weren't

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Speaker 1: are there even nominees when one's gonna win? Think about that.

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Speaker 2: Think about that? And she opens up that envelope, she gasps,

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Speaker 2: holds it to her chest, holds it to her chest,

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Speaker 2: then says the words cardboard cut, cowboy carter, cardboard carter

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Speaker 2: carboock cowboy carter.

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Speaker 1: This wi woman had not corrected. I wish we had

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Speaker 1: gotten cardboard counter, carbockkouder cardboard counter. Title of that cardboard counter,

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Speaker 1: cardboard counter.

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Speaker 2: That is the title that I'm not being I'm not

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Speaker 2: being facetious here. She was incredible.

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Speaker 1: No, she had the star energy that everyone in the

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Speaker 1: room wishes they had.

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Speaker 2: This woman was saying goodbye to her family every day

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Speaker 2: to fight these fucking fires. Yep, we just need to

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Speaker 2: put that on TV more. That's all at Award shows

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Speaker 2: bring out real people.

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Speaker 1: In a real way. The entire night was a perfect

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Speaker 1: balance of acknowledging obviously the trauma that everyone has been

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Speaker 1: through and the fear that people have, but also the

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Speaker 1: little moments of levity, like I loved when I mean

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Speaker 1: it's it's obviously devastating, this is the reality that we

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Speaker 1: even have to have this. But the fact is, like

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Speaker 1: there was a couple of mons where they show people

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Speaker 1: going through rubbish and like finding wedding rings or those

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Speaker 1: little moments of hope. I mean they probably raised a

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Speaker 1: lot of money. They said seven million. At that one

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Speaker 1: point in the show, I was moved to donate. Everyone

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Speaker 1: should donate. I mean, it was, it was. It was

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Speaker 1: a really well balanced evening in a time that feels

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Speaker 1: so fucking messed up. And obviously so much has been

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Speaker 1: going on in the past couple weeks, and we, by

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Speaker 1: the way, just want to affirm our solidarity with the

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Speaker 1: trans community and just make sure that everyone knows that

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Speaker 1: we got there back because what's going on is so

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Speaker 1: fucked up. But it was great to see so many

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Speaker 1: people standing up using their voices in a time that

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Speaker 1: feels weird because it feels like we're letting one person

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Speaker 1: control everything. And I'm not talking about Trump. I'm talking

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Speaker 1: about Elon fucking Musk. I just watched like this crazy

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Speaker 1: YouTube video with Jasmine Crockett before I got on here.

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Speaker 1: The vibes are so all over the place because Beyonce's

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Speaker 1: album of the Year, but Elon's taking over the world.

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Speaker 1: It's at a fever pitch right now.

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Speaker 2: It's just crazy easy that you have a Best New

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Speaker 2: Artist winner say something, speak so cogently and directly to

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Speaker 2: this like real issue that so many people, not even

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Speaker 2: just musicians, so many people understand. And meanwhile it's all

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Speaker 2: these headlines being like the Democrats don't have a message.

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Speaker 2: It's like, yeah, what the fuck, what the fuck are

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Speaker 2: you do? It's right there. It's crazy. Then, like this

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Speaker 2: queer girl is reading from her mole skeine or from

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Speaker 2: her life term or whatever. Yeah, speaking to the people

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Speaker 2: in a way that like is so invigorating and so

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Speaker 2: validating and tragic and dark and all of these things.

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Speaker 2: But meanwhile there's like a messaging issue for like this horrible, horrible,

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Speaker 2: dysfunctional party. It's it's so crazy. I mean, yes, like

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Speaker 2: there was something about last night the Grammys that was

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Speaker 2: life and beautiful and communal and all these things, but

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Speaker 2: it also sadly felt like ensconced in that space, yes only,

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Speaker 2: and like we just need we need to sort of

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Speaker 2: let that out, We need to ventilate that that whole vibe.

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Speaker 2: I don't know how I sound like a fucking idiot

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Speaker 2: saying this, but like, no, I agree, I mean that's

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Speaker 2: what that's what I want.

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Speaker 1: That's what I was thinking about the entire time. I

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Speaker 1: was just like, it's so crazy to hear these attacks

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Speaker 1: on DEI whish. I can't even believe, like is an

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Speaker 1: acronym that we're like discussing in this in this way like.

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Speaker 2: A slur, Just say any slur.

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Speaker 1: It's like a given that obviously diversity strengthens everything, period,

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Speaker 1: our country, our world, period. You're watching this night, it's

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Speaker 1: like even on a vibe check alone, if you're at

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Speaker 1: home watching that, you're not you're not questioning things a

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Speaker 1: little bit. Like I'm so happy that they didn't make

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Speaker 1: explicit mention of you know, Trump or whatever, because then

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Speaker 1: he would have felt the need to like pick on

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Speaker 1: people or getting to fight with this you know, award

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Speaker 1: show as it were. He'll like he loves to just

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Speaker 1: like feud with him as if they're individuals. But it's

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Speaker 1: just crazy that we can hold both right now. It's

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Speaker 1: wild that people can't see that there is a truth

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Speaker 1: in a light. I don't know, it is wild.

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Speaker 2: I went a little crazy as the night went on,

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Speaker 2: as they were wrapping the evening around the fires, Yeah,

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Speaker 2: which they should have and I think they executed that

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Speaker 2: beautifully and the objective was met, which was money was raised.

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Speaker 2: The other piece of that that was missing I thought

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Speaker 2: was why aren't you acknowledging that this is climate change. Yeah,

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Speaker 2: like why are we afraid to acknowledge this? Which is

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Speaker 2: why when Gaga finally says trans people are not invisible,

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Speaker 2: I burst into tears because I just I was just

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Speaker 2: holding this. There was just this tension the entire time

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Speaker 2: of like, so we're just not going to like talk

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Speaker 2: about any of this, We're not going to acknowledge how

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Speaker 2: everything is fucking is the bleakest it's been in a

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Speaker 2: long time. Yeah, there are all these different forces at

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Speaker 2: play and all these different whims and so many things

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Speaker 2: that like are beyond comprehension. But there was just something

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Speaker 2: like fine, like finally some valve was like yeah, and

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Speaker 2: a little bit when someone acknowledges like the way that

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Speaker 2: the industry is so fucking crazy in terms of developing artists,

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Speaker 2: the way our current attitude towards transgender people is unacceptable, inhumane,

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Speaker 2: is inhumane, just full stop, Like yes, Gaga, thank you,

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Speaker 2: like truly, this is why this is why I'm like

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Speaker 2: we energized on Gaga, not just because of Abracadabra, but

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Speaker 2: because it's like, wow, she's at an award show. She

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Speaker 2: is like using this platform in the way that is

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Speaker 2: has always been true.

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Speaker 1: To her as a leader, as a real leader, as

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Speaker 1: a true leader and a true ally and a true

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Speaker 1: icon to the queer community. And she knew that this

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Speaker 1: was I mean, not that she needs an opportunity, she knews,

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Speaker 1: This is no, she knew this was her duty to

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Speaker 1: do that, and it is so real. And then for

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Speaker 1: her to release that song and it's not meaningful because

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Speaker 1: of this, because it's meaningful on its own merits, because

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Speaker 1: the song is so great and it's just so exciting

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Speaker 1: and it's so Gaga, but also it does call back

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Speaker 1: to a time in her career which felt like we

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Speaker 1: didn't have to worry about the world hugging us back,

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Speaker 1: you know what I mean, Like it was giving that

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Speaker 1: born this way vibe, that those kinds of sounds like

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Speaker 1: it was so it was like a hug. It was

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Speaker 1: like a sweaty, euphoric molly hug from Lady Gaga towards

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Speaker 1: the queer community. And we fucking needed that. And I

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Speaker 1: again was this is I guess another moment from the telecast,

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Speaker 1: which I guess we're considering it a part of it.

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Speaker 1: But like I was up out of my chair, I

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Speaker 1: could not sit down last night watching these Grammys. I

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Speaker 1: really couldn't. It was just it's so fitting too, to

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Speaker 1: come at the end of a musical year that was

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Speaker 1: so honestly important because it was a one constant throughout

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Speaker 1: this year was that music, you know, popular music. While

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Speaker 1: we can have problems with the industry aspects of it,

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Speaker 1: it really was a salve all year. And it felt

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Speaker 1: like you saw the people in that room getting the

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Speaker 1: credit and having some fun together that had really been

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Speaker 1: there in our ears all year. And to put it,

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Speaker 1: like in super simple terms, but it just felt good

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Speaker 1: and for her to do that was yes, a moment

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Speaker 1: that was so necessary.

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Speaker 2: Thankful for the cuts into the audience, like, whoever's in

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Speaker 2: the control room, Bravo, bravo, jam you were jamming, you

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00:20:44,720 --> 00:20:47,280
Speaker 2: were jamming. The cuts to Taylor were not too excessive.

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Speaker 2: Let that girl dance in pe.

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Speaker 1: I love Taylor Swift at that award show because you

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Speaker 1: know what, she's kicking back those champagne flutes she is

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Speaker 1: putting on Janelle monae'st keeping it on all night. She's

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Speaker 1: dancing around because I guess for her, it's like she

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Speaker 1: might as well have fucking fun. Of course, she knows

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Speaker 1: the entire world is gonna judge her anyway. Sure, I'll

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Speaker 1: be the only one standing up good. I hope I

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Speaker 1: can get to a place in my life where I

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Speaker 1: can go anywhere and I want to dance. I do it.

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Speaker 1: That's what I'll say. I hope I dance. In the

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00:21:21,840 --> 00:21:26,720
Speaker 1: words of Leanne Womack, I'm repurposing the Queen. But I

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Speaker 1: hope I dance.

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Speaker 2: Or how about you flip it and go you hope

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Speaker 2: I dance? Make it a command?

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Speaker 1: How about we flip it and reverse it. We hope

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Speaker 1: we dance, waite, that's the title of app We hope.

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00:21:38,920 --> 00:21:40,040
Speaker 2: We hope we dance.

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Speaker 1: That's actually good. We hope we did. For Gaga, the

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Speaker 1: category is dance or die.

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Speaker 2: Absolutely, But we just have to give a shout out

400
00:21:47,800 --> 00:21:48,960
Speaker 2: to miss cardboard powder.

401
00:21:49,400 --> 00:21:53,080
Speaker 1: Cardboard powder, is it? I mean, that was a great

402
00:21:53,200 --> 00:21:56,600
Speaker 1: moment in time and the fact that like no one, no,

403
00:21:56,760 --> 00:21:58,800
Speaker 1: there was no little titters, there was no little after

404
00:21:58,840 --> 00:22:01,880
Speaker 1: we're the only idiots that are making an issue of it.

405
00:22:02,320 --> 00:22:06,520
Speaker 1: But Beyonce just clean one cardboard cardier.

406
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Speaker 2: Just to finally put appeared on this. We need to say,

407
00:22:10,160 --> 00:22:17,360
Speaker 2: Captain Sheila Keller Herberkoh, you are truly a legend. You

408
00:22:17,600 --> 00:22:20,800
Speaker 2: were perfect and now the nominee for Album of the Year.

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Speaker 2: It just brings me joy. I'm truly I just have

410
00:22:24,320 --> 00:22:26,960
Speaker 2: to make myself clear. I'm not making fun of this person. No,

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00:22:27,560 --> 00:22:29,639
Speaker 2: I just that brought me joy. I'm like, this is

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Speaker 2: this is who we need to uplift to me.

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Speaker 1: I was like, my whole thing was like this feels

414
00:22:34,880 --> 00:22:38,520
Speaker 1: like Central Casting, La Firefighters. I'm like, this woman is everything.

415
00:22:38,560 --> 00:22:39,600
Speaker 1: She's holding the space.

416
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Speaker 2: Her hair.

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00:22:41,000 --> 00:22:44,600
Speaker 1: Yeah, the hair was perfect. It was kind of giving

418
00:22:44,600 --> 00:22:47,119
Speaker 1: a throwback. It was kind of giving you know, late eighties,

419
00:22:47,200 --> 00:22:48,639
Speaker 1: early nineties country woman.

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Speaker 2: It was giving jud It's giving Judd and I was saying,

421
00:22:51,440 --> 00:22:53,960
Speaker 2: it's giving Judd meets Ava Max on even sides.

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Speaker 1: Oh wow, you know what I mean?

423
00:22:56,680 --> 00:22:59,040
Speaker 2: Or do I just just had one one side of

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00:22:59,040 --> 00:23:01,080
Speaker 2: the hair over the shoulder and the other behind. But

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Speaker 2: I did think of my girl Ava.

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Speaker 1: Yeah, yeah, yeah, I don't know why I thought it

427
00:23:05,359 --> 00:23:07,439
Speaker 1: was giving jud But you know what I'm saying, It's.

428
00:23:07,320 --> 00:23:09,119
Speaker 2: Like, no, it is Jud And no, I totally know

429
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Speaker 2: what you're saying.

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Speaker 1: Yeah, there was a nod here. I mean, I think

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Speaker 1: not only were most of the musical acts album of

432
00:23:13,800 --> 00:23:17,960
Speaker 1: the Year agoing country. I think so was La firefightress

433
00:23:18,040 --> 00:23:19,119
Speaker 1: Hiro Hiero.

434
00:23:19,400 --> 00:23:23,720
Speaker 2: I do want to talk about this idea of righting

435
00:23:23,840 --> 00:23:28,480
Speaker 2: wrongs because I agree with that, and I also think

436
00:23:29,160 --> 00:23:33,080
Speaker 2: did we overcorrect by having these poor people from the

437
00:23:33,119 --> 00:23:37,159
Speaker 2: academy be forced to apologize publicly to the weekend.

438
00:23:38,320 --> 00:23:41,000
Speaker 1: I think that if they felt they needed to do that,

439
00:23:41,320 --> 00:23:44,040
Speaker 1: then it's good that they did that, because clearly there

440
00:23:44,080 --> 00:23:46,720
Speaker 1: was something wrong. I mean clearly, yeah, I mean, come on,

441
00:23:47,960 --> 00:23:52,200
Speaker 1: we have to give credit. Also, Sabrina took home too,

442
00:23:52,880 --> 00:23:55,680
Speaker 1: and I was confronted a little bit in some group

443
00:23:55,760 --> 00:23:59,679
Speaker 1: chats about people being like really espresso for pop vocal performance.

444
00:24:00,080 --> 00:24:02,840
Speaker 1: Let me tell you something about that tasty little cookie

445
00:24:02,960 --> 00:24:06,200
Speaker 1: voice you hop on the track. That song is a

446
00:24:06,280 --> 00:24:08,639
Speaker 1: hit because of her vocal. It is a warm little

447
00:24:08,760 --> 00:24:12,720
Speaker 1: summer coup. And just because a vocal is not rangy

448
00:24:12,840 --> 00:24:17,399
Speaker 1: does not mean it doesn't have artistic value.

449
00:24:17,760 --> 00:24:21,760
Speaker 2: It is an artistic choice to whisper like this on

450
00:24:21,840 --> 00:24:22,240
Speaker 2: a song.

451
00:24:22,359 --> 00:24:23,919
Speaker 1: Yes, that is performance.

452
00:24:24,000 --> 00:24:27,119
Speaker 2: So I guess you can't stand Lana anymore if you

453
00:24:27,160 --> 00:24:32,400
Speaker 2: took issue with this this one. A coup is a choice.

454
00:24:32,920 --> 00:24:34,880
Speaker 1: A coup is a choice that's actually real. Culture number

455
00:24:34,920 --> 00:24:39,760
Speaker 1: six is a choice and you know that one will

456
00:24:39,760 --> 00:24:43,280
Speaker 1: be in the book, and now after every rule of culture,

457
00:24:43,320 --> 00:24:45,439
Speaker 1: we're gonna have to signify whether or not it's going

458
00:24:45,480 --> 00:24:47,520
Speaker 1: to be in the book, which is officially.

459
00:24:47,080 --> 00:24:51,720
Speaker 2: Happening absolutely, Sabrina. I thought I did not know the

460
00:24:51,720 --> 00:24:53,840
Speaker 2: reference until the next day that it was Goldie Han.

461
00:24:54,119 --> 00:24:55,280
Speaker 1: It was a Goldie reference.

462
00:24:55,800 --> 00:24:59,040
Speaker 2: Love that actually she is. That's the thing. I'm like,

463
00:24:59,440 --> 00:25:01,879
Speaker 2: the death beca thing, like it's all coming together.

464
00:25:02,000 --> 00:25:07,240
Speaker 1: Really telegenic doesn't really cover it, huh, because it's another

465
00:25:07,280 --> 00:25:10,399
Speaker 1: thing to hit the spot where you're supposed to stand,

466
00:25:10,640 --> 00:25:13,040
Speaker 1: have the light hit you and bring joy to the world.

467
00:25:13,440 --> 00:25:16,119
Speaker 1: It's another thing too. How do I put this so

468
00:25:16,320 --> 00:25:20,960
Speaker 1: much control over the movement in her eyes? Like beep beep,

469
00:25:21,080 --> 00:25:23,159
Speaker 1: She's like a little cartoon cookie.

470
00:25:23,440 --> 00:25:26,439
Speaker 2: I want to buy it out quite frankly, Well, you know,

471
00:25:26,520 --> 00:25:30,399
Speaker 2: there is this thing going on where people are commenting

472
00:25:30,440 --> 00:25:33,920
Speaker 2: on a wheel and maybe a TikTok as well of

473
00:25:33,960 --> 00:25:36,880
Speaker 2: miss Adie Bryan on Seth Myers recently, and a lot

474
00:25:36,920 --> 00:25:40,359
Speaker 2: of the comments blowing up saying, oh my god, she

475
00:25:40,359 --> 00:25:43,159
Speaker 2: looks just like Sabrina Carpenter. And I think it's in

476
00:25:43,200 --> 00:25:45,760
Speaker 2: the eyes, it's in the nose, it's in the beautiful lips.

477
00:25:45,760 --> 00:25:48,960
Speaker 2: But the eyes really do have it. As they say,

478
00:25:50,040 --> 00:25:52,000
Speaker 2: if you, if you are someone who has control over

479
00:25:52,040 --> 00:25:55,680
Speaker 2: wherey eyes beep in boop, you are made in the shade.

480
00:25:56,160 --> 00:25:58,240
Speaker 1: You're made in the shade, and you're made for TV

481
00:26:00,160 --> 00:26:04,160
Speaker 1: and film. And what I love to about Sabrina's performance

482
00:26:04,200 --> 00:26:06,879
Speaker 1: I love this. She comes out does espresso, does please,

483
00:26:06,880 --> 00:26:09,600
Speaker 1: please please, and then goes back to espresso espresso, like

484
00:26:09,760 --> 00:26:12,720
Speaker 1: as if to comment on No, the song's never over.

485
00:26:13,160 --> 00:26:16,280
Speaker 1: This is never over. This is a movement, not a moment.

486
00:26:16,960 --> 00:26:22,040
Speaker 2: This was an earworm, a monoculture song when people said

487
00:26:22,080 --> 00:26:23,720
Speaker 2: that those weren't possible anymore.

488
00:26:24,240 --> 00:26:26,040
Speaker 1: What do you think was in her flask all night?

489
00:26:26,880 --> 00:26:28,919
Speaker 2: Hard to say. I mean, she was really loving sipping

490
00:26:28,920 --> 00:26:31,239
Speaker 2: from it and I wanna set, but she kept her

491
00:26:31,240 --> 00:26:33,400
Speaker 2: composure in the in a way that makes me go,

492
00:26:33,800 --> 00:26:36,480
Speaker 2: maybe she's just doing a fun little performance.

493
00:26:36,960 --> 00:26:40,400
Speaker 1: I think it was a Jennifer Piedranti Malibu and Diet.

494
00:26:40,640 --> 00:26:42,480
Speaker 2: Not Jennifer Pedranti.

495
00:26:42,760 --> 00:26:47,160
Speaker 1: You heard what I said, My girl gives Jennifer Pedranti. Okay,

496
00:26:47,320 --> 00:26:49,840
Speaker 1: Sabrina and Jennifer Pandranti. I want to see that actors

497
00:26:49,880 --> 00:26:50,440
Speaker 1: on actors.

498
00:26:52,840 --> 00:26:55,480
Speaker 2: I want to say, speaking of Sabrina, let's tie this

499
00:26:55,600 --> 00:26:59,399
Speaker 2: into producer that you're non classical goes to Dan Nigro yep,

500
00:26:59,480 --> 00:27:01,760
Speaker 2: who is apparently working with Sabrina.

501
00:27:02,200 --> 00:27:02,919
Speaker 1: Oh, I love that.

502
00:27:03,400 --> 00:27:09,960
Speaker 2: Does that maybe add something explanatory to this little bit

503
00:27:10,000 --> 00:27:13,480
Speaker 2: of gossip that Sabrina and Olivia were chit chatting last.

504
00:27:13,359 --> 00:27:16,000
Speaker 1: I mean, first of all, if you don't think I

505
00:27:16,080 --> 00:27:19,760
Speaker 1: scrutinized the video of them hugging, you'd be deeply mistaken.

506
00:27:20,040 --> 00:27:22,560
Speaker 1: Was there a hug, There is a big hug. There

507
00:27:22,640 --> 00:27:26,119
Speaker 1: was happy chatter. Because I'll tell you what the recording Academy,

508
00:27:26,400 --> 00:27:29,840
Speaker 1: the literal actual recording Academy does is they put those

509
00:27:29,880 --> 00:27:32,719
Speaker 1: reaction shots up, like the crowd footage. No one's safe,

510
00:27:32,760 --> 00:27:36,159
Speaker 1: like Bruno Mars reacts to Doci's performance, you know what

511
00:27:36,200 --> 00:27:37,840
Speaker 1: I mean, like this, this, that, And I was like,

512
00:27:37,920 --> 00:27:40,440
Speaker 1: this is so funny of them to just dive in

513
00:27:40,440 --> 00:27:42,560
Speaker 1: in this way and double dip in, not just like

514
00:27:42,600 --> 00:27:47,000
Speaker 1: a you know, we're officially like giving quality honors and

515
00:27:47,000 --> 00:27:49,480
Speaker 1: then we're also dipping into the celebrity aspect of it.

516
00:27:49,800 --> 00:27:52,280
Speaker 1: But they had me and I will say can confirm

517
00:27:52,600 --> 00:27:56,400
Speaker 1: it seems good between Sabrina and Olivia and I think

518
00:27:56,800 --> 00:28:00,480
Speaker 1: they might do Lost Coach together. Just kidding. Let's start

519
00:28:00,520 --> 00:28:00,920
Speaker 1: the rumor.

520
00:28:01,400 --> 00:28:04,760
Speaker 2: Well, the end game of this is collab. Absolutely.

521
00:28:04,760 --> 00:28:08,760
Speaker 1: The endgame is they take this podcast from us. Yes, yeah,

522
00:28:09,600 --> 00:28:12,800
Speaker 1: they would be better and we can be pop Asian

523
00:28:12,840 --> 00:28:17,080
Speaker 1: in a blonde, Asian in a blonde. Wait, we really

524
00:28:17,160 --> 00:28:20,719
Speaker 1: are Olivia and Sabrina in a way and Asian in

525
00:28:20,720 --> 00:28:28,639
Speaker 1: a blond.

526
00:28:31,000 --> 00:28:35,639
Speaker 2: I want to say that. On the note of the Grammys,

527
00:28:35,760 --> 00:28:40,040
Speaker 2: the Recording Academy kind of putting grists for the mill

528
00:28:41,640 --> 00:28:42,040
Speaker 2: out there.

529
00:28:43,600 --> 00:28:47,200
Speaker 1: Oh you ate that grist for the mill girl, Where

530
00:28:47,240 --> 00:28:48,640
Speaker 1: does that have its origins?

531
00:28:49,200 --> 00:28:53,080
Speaker 2: I think from mills. I think from mill work.

532
00:28:54,040 --> 00:28:58,800
Speaker 1: Do you hear just hear my Vegas laugh horn. We

533
00:28:58,840 --> 00:29:00,320
Speaker 1: haven't even touched on Vegas. Guys.

534
00:29:00,440 --> 00:29:02,040
Speaker 2: We will get to it because there's a couple more

535
00:29:02,080 --> 00:29:03,960
Speaker 2: big things we need to talk about. We need We

536
00:29:04,120 --> 00:29:07,120
Speaker 2: visited Aberkadabra first of all. Yeah, we're not done with Abracadaboro.

537
00:29:07,200 --> 00:29:10,320
Speaker 1: We haven't even picked up the wand don't oh the

538
00:29:10,360 --> 00:29:15,560
Speaker 1: hat costuous mom night. Are you fucking kidding me?

539
00:29:17,320 --> 00:29:21,200
Speaker 2: Oh my god, christoer the mill real quick.

540
00:29:21,560 --> 00:29:24,840
Speaker 1: It's like the Academy like Opra, are you fucking kidding me.

541
00:29:24,880 --> 00:29:27,480
Speaker 1: I'm sorry, I'm gonna jumping ahead. Go say what you

542
00:29:27,520 --> 00:29:28,920
Speaker 1: need to say to the Recording Academy.

543
00:29:29,120 --> 00:29:30,840
Speaker 2: Remember like when they were tweeting the day before, like

544
00:29:30,920 --> 00:29:34,160
Speaker 2: this person sitting with this person. Yeah, like that huge

545
00:29:34,160 --> 00:29:37,080
Speaker 2: list of like oh why are they doing this because

546
00:29:37,480 --> 00:29:41,080
Speaker 2: it's getting us excited because they knew that the night

547
00:29:41,160 --> 00:29:45,800
Speaker 2: would be hugely eventful and interesting, and I thank them.

548
00:29:45,920 --> 00:29:48,240
Speaker 1: There was a photo and it's going around as the

549
00:29:48,280 --> 00:29:52,720
Speaker 1: Powerpuff Girls of Sabrina Carvert's chapelone and Billie Eilish all

550
00:29:52,760 --> 00:29:56,400
Speaker 1: together looking like a three legends and slaves. And I

551
00:29:56,520 --> 00:29:58,720
Speaker 1: just wanted Olivia in there. I wanted to get my

552
00:29:58,800 --> 00:30:01,800
Speaker 1: girl in there. I wanted four. I wanted that picture

553
00:30:01,880 --> 00:30:08,640
Speaker 1: of Kesha, Nicki Minaj, Katy Perry, Yeah, and Rihanna redone right.

554
00:30:09,600 --> 00:30:13,400
Speaker 2: It is also giving Charlie's angels and it does does

555
00:30:13,560 --> 00:30:14,760
Speaker 2: that make Olivia the Demi Moore?

556
00:30:15,280 --> 00:30:17,720
Speaker 1: You know what I just all I'm saying is I

557
00:30:17,840 --> 00:30:20,840
Speaker 1: it seemed united in there, even like, oh my god,

558
00:30:20,840 --> 00:30:22,880
Speaker 1: I can't believe I screwinized these videos so much, but

559
00:30:22,960 --> 00:30:26,560
Speaker 1: the Recording Academy posted them like even just sort of

560
00:30:26,600 --> 00:30:30,560
Speaker 1: you know, the girls walking by each other. It seemed

561
00:30:30,800 --> 00:30:33,040
Speaker 1: civil in there, and they knew they knew the world

562
00:30:33,080 --> 00:30:35,040
Speaker 1: needed to see harmony.

563
00:30:36,000 --> 00:30:38,640
Speaker 2: I'm just gonna put this out there, okay, And I

564
00:30:38,640 --> 00:30:40,880
Speaker 2: think this is somewhat responsible of me. And I think

565
00:30:40,880 --> 00:30:44,280
Speaker 2: this this, this speaks to something and a subsession that

566
00:30:44,320 --> 00:30:47,640
Speaker 2: we have around these narratives that we form around these people. Yes,

567
00:30:47,880 --> 00:30:53,520
Speaker 2: I'm gonna tell you firsthand, these people like each other. Okay, yeah,

568
00:30:53,600 --> 00:30:55,640
Speaker 2: they just they just like each other. And I can

569
00:30:55,680 --> 00:30:58,960
Speaker 2: tell you primary sources. I'm not gonna tell you which,

570
00:30:59,120 --> 00:31:01,600
Speaker 2: but you can get us. At the end of the day,

571
00:31:01,920 --> 00:31:05,000
Speaker 2: these people respect and love each other and they're all

572
00:31:05,040 --> 00:31:07,320
Speaker 2: in this together, all right.

573
00:31:07,680 --> 00:31:10,960
Speaker 1: And the same is true with podcasters. Put your weapons down,

574
00:31:11,200 --> 00:31:14,400
Speaker 1: put your weapons down. Put you and because let me

575
00:31:14,440 --> 00:31:17,800
Speaker 1: say something, stop with all this feud about podcasters. Stop

576
00:31:17,800 --> 00:31:21,719
Speaker 1: with this stuff, with the feud about Matt bow Kat

577
00:31:21,800 --> 00:31:28,920
Speaker 1: Pat Joel Kim, Stop with Dak Shepherd. Y'all are always

578
00:31:28,920 --> 00:31:31,320
Speaker 1: putting us in a feud with Dak Sheppard. And can

579
00:31:31,360 --> 00:31:34,240
Speaker 1: we just say we love the man and we all

580
00:31:34,280 --> 00:31:36,600
Speaker 1: know each other, Okay, we hang out, We respect each

581
00:31:36,600 --> 00:31:37,480
Speaker 1: other as artists.

582
00:31:39,080 --> 00:31:42,360
Speaker 2: Wait, Dan I Grew, I'm just saying that is I

583
00:31:42,400 --> 00:31:44,800
Speaker 2: mean that's like an anointing that I think is really

584
00:31:44,840 --> 00:31:49,600
Speaker 2: really cool and I liked his earring. Yes, and Amy

585
00:31:49,640 --> 00:31:53,440
Speaker 2: Allen Songwriting of the Year, A Songwriter of the Year classical,

586
00:31:54,000 --> 00:31:56,200
Speaker 2: this woman Short and Sweet, all the big tracks on

587
00:31:56,200 --> 00:31:58,560
Speaker 2: Short and Sweet along with Hillie Michaels. Yeah, we love

588
00:31:58,600 --> 00:32:00,960
Speaker 2: Julie Michaels. I think she was. She was there last night,

589
00:32:01,120 --> 00:32:03,600
Speaker 2: looked so happy, looked just so proud to represent all

590
00:32:03,640 --> 00:32:05,680
Speaker 2: the work that she's done, but especially in Short and Sweet.

591
00:32:05,880 --> 00:32:09,600
Speaker 2: But Amy Allen Apata with Rose and Bruno behind that

592
00:32:09,880 --> 00:32:12,760
Speaker 2: and was on sky Riley Smile too. She wrote all

593
00:32:12,800 --> 00:32:13,600
Speaker 2: the Smile two tracks.

594
00:32:13,640 --> 00:32:15,520
Speaker 1: Oh wow, Yeah, people are really living for that.

595
00:32:15,640 --> 00:32:18,160
Speaker 2: Like this girl is one to watch.

596
00:32:18,360 --> 00:32:20,320
Speaker 1: She's there. I mean, she's the Grammy winner first somewhere

597
00:32:20,400 --> 00:32:23,880
Speaker 1: end of the year. And also another thing, the Billie

598
00:32:23,880 --> 00:32:28,800
Speaker 1: of it all. Somebody in this situation was gonna have

599
00:32:28,960 --> 00:32:32,080
Speaker 1: like a off night in terms of taking things totally.

600
00:32:32,240 --> 00:32:34,440
Speaker 1: But the good news is for Billie Eilish she has

601
00:32:34,560 --> 00:32:38,880
Speaker 1: nine nine, She has two Academy Awards, and I think

602
00:32:38,920 --> 00:32:41,440
Speaker 1: that isn't she a When she was a nominee for

603
00:32:41,480 --> 00:32:44,680
Speaker 1: Most Awards Award for Most Awards with the Culture Award.

604
00:32:44,440 --> 00:32:48,400
Speaker 2: So she's nominated for a Nowcca, she's good on the hardware,

605
00:32:49,040 --> 00:32:50,320
Speaker 2: She's really good on the Harvard.

606
00:32:50,360 --> 00:32:53,640
Speaker 1: But it is she's got hardware, you know, coming out

607
00:32:53,680 --> 00:32:54,320
Speaker 1: of her booty.

608
00:32:54,880 --> 00:32:58,640
Speaker 2: It's just because that is perhaps her best album and

609
00:32:58,680 --> 00:33:01,800
Speaker 2: to have no, I get it, I totally get it. No,

610
00:33:01,840 --> 00:33:03,959
Speaker 2: but you're right, it's like, what would we have traded?

611
00:33:04,000 --> 00:33:04,520
Speaker 2: You know what I mean?

612
00:33:04,840 --> 00:33:07,120
Speaker 1: I would have made a trade. I can picture trade.

613
00:33:07,200 --> 00:33:09,320
Speaker 1: Here's what I'll say, Song of the Year, song of

614
00:33:09,360 --> 00:33:11,560
Speaker 1: the year, give it to Billie Eilish if she's gonna

615
00:33:11,560 --> 00:33:13,440
Speaker 1: go home empty handed everywhere else.

616
00:33:13,520 --> 00:33:15,080
Speaker 2: No, No, no Record of the Year, because song of

617
00:33:15,080 --> 00:33:16,360
Speaker 2: the Year is definitely not like us.

618
00:33:16,560 --> 00:33:18,680
Speaker 1: Yeah, I'm one of them. I mean so if you're

619
00:33:18,760 --> 00:33:20,560
Speaker 1: looking at it in terms of songwriting, yeah, I guess

620
00:33:20,560 --> 00:33:22,840
Speaker 1: the reason why not like us is as high impact

621
00:33:22,960 --> 00:33:23,959
Speaker 1: is because of the writing.

622
00:33:24,360 --> 00:33:26,480
Speaker 2: But Record of the Year I'm just saying, like, just

623
00:33:26,560 --> 00:33:30,640
Speaker 2: production wise, so come on.

624
00:33:30,760 --> 00:33:33,520
Speaker 1: That would be my trade just And that's just in

625
00:33:33,560 --> 00:33:36,800
Speaker 1: a world where it's less fun when those awards are

626
00:33:36,800 --> 00:33:37,440
Speaker 1: won by one.

627
00:33:37,320 --> 00:33:41,680
Speaker 2: Song totally, and also in categories filled with these amazing

628
00:33:42,960 --> 00:33:46,160
Speaker 2: we're stacked with these women like it all gets split

629
00:33:46,200 --> 00:33:49,880
Speaker 2: and Kendrick doesn'tmerge out of that victorious which sligh.

630
00:33:50,000 --> 00:33:52,160
Speaker 1: I was a little worried for Chapel there when somebody

631
00:33:52,160 --> 00:33:54,280
Speaker 1: looked like it was gonna be a Sabrina sweep, I

632
00:33:54,320 --> 00:33:56,480
Speaker 1: was like, I mean, as much as I live and

633
00:33:56,520 --> 00:33:58,720
Speaker 1: die for Sabrina, I was like, we can't. We have

634
00:33:58,800 --> 00:34:02,160
Speaker 1: to have Chapel up there getting something, especially after that performance.

635
00:34:02,360 --> 00:34:05,200
Speaker 1: Best New Artist is the perfect award for her to win,

636
00:34:05,480 --> 00:34:09,239
Speaker 1: because not only is she the most high impact, you know,

637
00:34:09,400 --> 00:34:14,920
Speaker 1: exciting new star of the year critically and commercially, I

638
00:34:14,920 --> 00:34:18,160
Speaker 1: would you know, wager to say, but also the way

639
00:34:18,239 --> 00:34:23,360
Speaker 1: that she changes the way we talk about mm hmm them,

640
00:34:23,560 --> 00:34:26,880
Speaker 1: and the way that the just the way she's demanded respect.

641
00:34:27,120 --> 00:34:29,040
Speaker 1: The way that she commanded the room last night. She

642
00:34:29,880 --> 00:34:33,360
Speaker 1: you know, it's almost like she was being given, not licensed,

643
00:34:33,360 --> 00:34:36,000
Speaker 1: but the fact that everyone in that room was down

644
00:34:36,320 --> 00:34:38,560
Speaker 1: to stand up and applot and she had Taylor fucking

645
00:34:38,600 --> 00:34:43,880
Speaker 1: Swift standing up and applauding that sentiment that is huge.

646
00:34:44,000 --> 00:34:48,240
Speaker 2: It's a major Taylor's always gonna ride for. Like the work. Yeah,

647
00:34:48,560 --> 00:34:51,799
Speaker 2: what Chapa was saying was the work should not devastate

648
00:34:51,920 --> 00:34:54,359
Speaker 2: us in this and it's because of the rect It's

649
00:34:54,360 --> 00:34:57,680
Speaker 2: because of the industry. Yeah, like this girl got fucking

650
00:34:57,800 --> 00:35:01,520
Speaker 2: drop Like it's that's another like slight similarity to Gaga,

651
00:35:01,560 --> 00:35:05,360
Speaker 2: where it's like, oh, these are both huge visionary artists,

652
00:35:05,840 --> 00:35:10,200
Speaker 2: queer artists who were fucked over by this business.

653
00:35:11,040 --> 00:35:13,279
Speaker 1: The insight into the music industry that I do have,

654
00:35:13,920 --> 00:35:18,359
Speaker 1: I will say, it's shocking when you realize how hard

655
00:35:18,360 --> 00:35:20,600
Speaker 1: it is to make money, When you realize how much

656
00:35:20,640 --> 00:35:24,719
Speaker 1: work goes into this stuff, it would shock you. It

657
00:35:24,840 --> 00:35:31,640
Speaker 1: is so much harder. It's incomparable to any other section

658
00:35:31,719 --> 00:35:34,520
Speaker 1: of the entertainment industry that I could see, you know

659
00:35:34,560 --> 00:35:37,440
Speaker 1: what I mean, Like speaking of someone who's written, acted

660
00:35:37,600 --> 00:35:41,000
Speaker 1: and done the music and touring thing, like you would

661
00:35:41,080 --> 00:35:44,359
Speaker 1: have to be huge to make even a little bit

662
00:35:44,800 --> 00:35:48,160
Speaker 1: of money just doing recorded music. It is a harsh

663
00:35:48,239 --> 00:35:50,920
Speaker 1: reality of that, and for her to get up there

664
00:35:50,960 --> 00:35:53,800
Speaker 1: and do that, especially with the narrative that she's had,

665
00:35:54,320 --> 00:35:57,160
Speaker 1: they should take it seriously. They should take it very seriously.

666
00:35:57,680 --> 00:35:59,480
Speaker 2: It's just a class issue that she spoke to.

667
00:35:59,840 --> 00:36:03,360
Speaker 1: You are so right when you said that, because of course,

668
00:36:03,640 --> 00:36:08,640
Speaker 1: people who work hard four systems that can reward them

669
00:36:08,640 --> 00:36:12,440
Speaker 1: with basic human dignity should be given that dignity.

670
00:36:12,600 --> 00:36:17,560
Speaker 2: Yeah, it's crazy speaking of people who put in the

671
00:36:17,640 --> 00:36:27,160
Speaker 2: work to change something, hopefully institutionally. Charlie XCX finally a

672
00:36:27,200 --> 00:36:31,160
Speaker 2: Grammy winner. Yeah, so incredible to think because she literally

673
00:36:31,200 --> 00:36:33,760
Speaker 2: has a song about how she goes to the Grammys

674
00:36:33,800 --> 00:36:38,719
Speaker 2: to be a terrorist. Basically, yeah, like incredible. This is

675
00:36:38,760 --> 00:36:41,719
Speaker 2: someone who like carved her own path, had her own

676
00:36:41,840 --> 00:36:45,359
Speaker 2: vision for what she was gonna do, dabbles between being

677
00:36:45,760 --> 00:36:51,000
Speaker 2: a quote unquote mainstream pop artist, and then has like

678
00:36:52,120 --> 00:36:57,640
Speaker 2: swung the pendulum in such a crazy incredible way that

679
00:36:57,719 --> 00:36:59,600
Speaker 2: to see her finally get rewarded in this way and

680
00:36:59,640 --> 00:37:03,319
Speaker 2: to see her have this celebratory victory lap at the

681
00:37:03,360 --> 00:37:07,040
Speaker 2: Grammys in a way that's like a little bit like gratuitous,

682
00:37:07,120 --> 00:37:09,399
Speaker 2: a little bit like I even was clutching my pearls

683
00:37:09,400 --> 00:37:11,520
Speaker 2: a little bit like, oh, this is a lot, But

684
00:37:11,560 --> 00:37:12,640
Speaker 2: like by the end of it, I was like, that's

685
00:37:12,640 --> 00:37:13,759
Speaker 2: exactly what it should have been.

686
00:37:14,200 --> 00:37:17,719
Speaker 1: It was uncompromising, which is what's been so incredible about her.

687
00:37:17,800 --> 00:37:21,400
Speaker 1: It was brat it was it was the last, not

688
00:37:21,520 --> 00:37:24,040
Speaker 1: the last, because who's who's the fucking say, But it

689
00:37:24,120 --> 00:37:28,360
Speaker 1: was an exclamation point on that whole fucking album cycle

690
00:37:28,480 --> 00:37:30,799
Speaker 1: because guess what, even if you're still even if you're

691
00:37:30,840 --> 00:37:32,319
Speaker 1: one of those people out there who's like, oh, I'm

692
00:37:32,360 --> 00:37:34,040
Speaker 1: so over brat, like blah blah blah.

693
00:37:34,040 --> 00:37:38,320
Speaker 2: She makes drug you seem uncool. That's kind of built

694
00:37:38,360 --> 00:37:42,320
Speaker 2: into her her view on this, which is this is

695
00:37:42,320 --> 00:37:44,839
Speaker 2: gonna rub someone the wrong way no matter what, no

696
00:37:44,840 --> 00:37:47,320
Speaker 2: matter what time in the cycle of and the development

697
00:37:47,320 --> 00:37:51,000
Speaker 2: of this era. For me, quote unquote, it's kind of bulletproof.

698
00:37:51,000 --> 00:37:54,680
Speaker 2: And I think it's brilliant absolutely. I mean, I still

699
00:37:54,719 --> 00:37:57,160
Speaker 2: stand that it was the album of the year culturally.

700
00:37:57,239 --> 00:38:00,880
Speaker 2: I will always think that, Yes, yes, I agree. I agree.

701
00:38:01,000 --> 00:38:03,840
Speaker 1: If the trade is that Beyonce gets that moment for

702
00:38:04,040 --> 00:38:08,120
Speaker 1: what is essentially a career of greatness, then everything is

703
00:38:08,160 --> 00:38:11,640
Speaker 1: right with the world. But they knew it too, that

704
00:38:11,640 --> 00:38:13,520
Speaker 1: that was the thing that we would want to end

705
00:38:13,560 --> 00:38:16,080
Speaker 1: the show on because it was the last performance. And

706
00:38:16,160 --> 00:38:19,960
Speaker 1: even if Beyonce took the award, Charlie XCIX punched us

707
00:38:20,000 --> 00:38:23,600
Speaker 1: in the fucking face and that's exactly what should have happened,

708
00:38:23,760 --> 00:38:26,840
Speaker 1: and her say maybe at the end of it, Happy birthday,

709
00:38:26,960 --> 00:38:30,600
Speaker 1: Julia Fox on the Grammy Awards. I love it. That

710
00:38:30,800 --> 00:38:35,440
Speaker 1: was Yeah, great programming, great programming. When are we like

711
00:38:35,520 --> 00:38:37,320
Speaker 1: this about any award show when.

712
00:38:37,239 --> 00:38:39,560
Speaker 2: No, I know, truly this is this is a rare

713
00:38:39,600 --> 00:38:41,080
Speaker 2: moment and we should see it and we should live

714
00:38:41,080 --> 00:38:44,000
Speaker 2: in this for as long as possible. Charlie is the

715
00:38:44,360 --> 00:38:48,520
Speaker 2: fourth woman, fourth solo female artist who win Best Dance

716
00:38:48,560 --> 00:38:54,320
Speaker 2: Electronic Album after Madonna, Gaga, Beyonce. Crazy. She joins those people.

717
00:38:54,840 --> 00:38:59,040
Speaker 2: It's crazily a category dominated by like by men apx

718
00:38:59,040 --> 00:39:02,160
Speaker 2: twin or male acts, daftpun chemical brothers, girle xpread again

719
00:39:02,440 --> 00:39:04,839
Speaker 2: which love to those people, but it is so weird

720
00:39:04,840 --> 00:39:08,239
Speaker 2: that it's like you would think that women would dominate that.

721
00:39:08,480 --> 00:39:11,359
Speaker 2: But let's see if it shifts at all, like that

722
00:39:11,400 --> 00:39:14,040
Speaker 2: seems to be like a fertile ground. Even still, I'm

723
00:39:14,160 --> 00:39:16,600
Speaker 2: I will never tire of a of a girly pop

724
00:39:16,960 --> 00:39:20,160
Speaker 2: or even a Kia putting out a dance electronic album.

725
00:39:20,360 --> 00:39:24,200
Speaker 1: No, I mean the first of all, can I just say,

726
00:39:25,960 --> 00:39:30,080
Speaker 1: Charlie and Gaga are gonna be a Coachella. It's good,

727
00:39:30,080 --> 00:39:32,440
Speaker 1: and that's just that's it's so soon and it's gonna

728
00:39:32,480 --> 00:39:36,120
Speaker 1: be so fucking good. Like now, let's talk about Africa, dabber,

729
00:39:36,200 --> 00:39:38,920
Speaker 1: because I was texting you guys, we were in the

730
00:39:38,920 --> 00:39:42,360
Speaker 1: group chat text thing and I had, you know, walked

731
00:39:42,360 --> 00:39:45,400
Speaker 1: away from the TV for a second because I figured,

732
00:39:45,440 --> 00:39:48,399
Speaker 1: you know, commercial break, and I just remember looking over

733
00:39:48,960 --> 00:39:52,719
Speaker 1: and seeing her in that fucking red spiked get up

734
00:39:53,320 --> 00:39:57,080
Speaker 1: and knowing that mother Monster was present and speaking. She

735
00:39:57,239 --> 00:40:00,800
Speaker 1: tapped on that mic and I just texted, you guys, guys,

736
00:40:01,160 --> 00:40:03,200
Speaker 1: look at the TV and.

737
00:40:03,280 --> 00:40:05,680
Speaker 2: We trust me. I was already looking, but I'd like you.

738
00:40:05,760 --> 00:40:07,200
Speaker 2: I turned away for a second and then I heard

739
00:40:07,200 --> 00:40:10,360
Speaker 2: her say the category is dance or Die, and I

740
00:40:10,440 --> 00:40:12,520
Speaker 2: was like, something's happening, Well, you know.

741
00:40:12,520 --> 00:40:14,839
Speaker 1: What is I know Jared, and I know Jared had

742
00:40:14,920 --> 00:40:17,560
Speaker 1: muted the TV because he does that during commercials Now.

743
00:40:17,680 --> 00:40:20,080
Speaker 1: I just needed everyone to be on the same page

744
00:40:20,520 --> 00:40:22,759
Speaker 1: that she was. I thought it was just going to

745
00:40:22,800 --> 00:40:24,200
Speaker 1: be a clip. I thought it was just going to

746
00:40:24,239 --> 00:40:27,640
Speaker 1: be you know, maybe fifteen seconds and it to announce

747
00:40:27,680 --> 00:40:30,920
Speaker 1: that there was a new single. It was the entire

748
00:40:31,040 --> 00:40:33,840
Speaker 1: video and then presented by MasterCard at the end. Was

749
00:40:34,520 --> 00:40:38,920
Speaker 1: my laugh. I did actually collapse with laughter. But wow,

750
00:40:39,800 --> 00:40:45,880
Speaker 1: the visuals they were exciting the entire time. She looks insane,

751
00:40:46,960 --> 00:40:55,799
Speaker 1: the post chorus bo the post chorus bruh are you?

752
00:40:56,600 --> 00:40:59,600
Speaker 1: And now it's making me love disease even more, and

753
00:40:59,680 --> 00:41:01,879
Speaker 1: we said this way it came out that we could

754
00:41:01,920 --> 00:41:04,840
Speaker 1: not wait to hear it in context. It is going

755
00:41:04,920 --> 00:41:08,239
Speaker 1: to be so good in contact with the way that

756
00:41:08,320 --> 00:41:11,239
Speaker 1: song starts. When you hear this other song, It's just

757
00:41:11,880 --> 00:41:16,160
Speaker 1: it's gonna breathe. It's gonna really feel very good live.

758
00:41:16,520 --> 00:41:19,239
Speaker 1: This is gonna be very good. Mayhem is going to

759
00:41:19,320 --> 00:41:21,920
Speaker 1: be extremely canon.

760
00:41:23,200 --> 00:41:27,000
Speaker 2: She does a thirty minute extended interview with Rolling Stone

761
00:41:28,280 --> 00:41:32,240
Speaker 2: about just with all the stems of disease she's playing

762
00:41:32,239 --> 00:41:36,160
Speaker 2: you the snare, the kick, the bass, the all the vocals,

763
00:41:36,840 --> 00:41:39,839
Speaker 2: all the everything in the stack. It's like, go and

764
00:41:39,880 --> 00:41:42,080
Speaker 2: listen to this because it will open up the entire

765
00:41:42,120 --> 00:41:44,840
Speaker 2: world of disease for you, and you will understand it

766
00:41:44,840 --> 00:41:48,279
Speaker 2: to be one of the best Gaga songs. Just trust not.

767
00:41:48,280 --> 00:41:51,399
Speaker 1: Since the BTS feature out on the Substance has there

768
00:41:51,440 --> 00:41:54,799
Speaker 1: been a thirty minute explainer that's yes, so necessary. We

769
00:41:54,880 --> 00:41:59,000
Speaker 1: haven't seen this in weeks. It's been weeks since we've

770
00:41:59,000 --> 00:41:59,400
Speaker 1: seen this.

771
00:42:01,480 --> 00:42:09,040
Speaker 2: I just think Mayhem is gonna be a gaggy time

772
00:42:09,239 --> 00:42:13,000
Speaker 2: for many reasons. That's all we can say.

773
00:42:13,200 --> 00:42:16,440
Speaker 1: I mean, she said, she said, I have long dreamed

774
00:42:17,160 --> 00:42:18,959
Speaker 1: of a time, a week day of hosting a dance

775
00:42:18,960 --> 00:42:21,359
Speaker 1: party in the desert. I have long dreamed, and then

776
00:42:21,440 --> 00:42:24,680
Speaker 1: you do hear that dream in this music. I was like,

777
00:42:24,760 --> 00:42:27,080
Speaker 1: this is this is meant to be amongst the stars,

778
00:42:27,400 --> 00:42:28,840
Speaker 1: the skies and the sands.

779
00:42:29,640 --> 00:42:33,719
Speaker 2: This is what's going on in my life. I tragically

780
00:42:33,760 --> 00:42:36,719
Speaker 2: can only make it to Sunday night of weekend one.

781
00:42:38,040 --> 00:42:41,120
Speaker 2: I am now extending my stay in California so that

782
00:42:41,200 --> 00:42:46,080
Speaker 2: I can so that I cannot possibly miss Friday Weekend

783
00:42:46,120 --> 00:42:47,440
Speaker 2: two when Gaga goes up.

784
00:42:47,520 --> 00:42:50,720
Speaker 1: I think it's worth it. I think you have to absolutely.

785
00:42:50,160 --> 00:42:53,480
Speaker 2: No, are you kidding me? I have to see her,

786
00:42:53,960 --> 00:42:54,960
Speaker 2: I ask what.

787
00:42:55,160 --> 00:42:56,440
Speaker 1: She's my favorite.

788
00:42:57,000 --> 00:43:00,600
Speaker 2: I love her so much. I burst into your last night.

789
00:43:00,680 --> 00:43:02,440
Speaker 2: I burst into here's when you said trans people are

790
00:43:02,480 --> 00:43:06,480
Speaker 2: not invisible. I was like, this, this this woman, this

791
00:43:06,640 --> 00:43:10,880
Speaker 2: woman has been so important to us. To understand you

792
00:43:11,520 --> 00:43:12,080
Speaker 2: of course you do.

793
00:43:12,520 --> 00:43:16,759
Speaker 1: I mean, it's just we need to thank her. It's

794
00:43:16,840 --> 00:43:19,239
Speaker 1: not to be missed. This is not going to be

795
00:43:19,320 --> 00:43:22,479
Speaker 1: And also just her getting carried in her goofy face

796
00:43:22,520 --> 00:43:25,359
Speaker 1: when she's like what how do you even describe? It's

797
00:43:25,360 --> 00:43:28,719
Speaker 1: when she sent her frame in the video and there

798
00:43:28,760 --> 00:43:31,200
Speaker 1: she's seated and she's in her chair, just like having

799
00:43:31,239 --> 00:43:35,040
Speaker 1: a spasm. I'm like, yeah, this is the Gaga that

800
00:43:35,320 --> 00:43:37,600
Speaker 1: It's funny because she did come back with Chromatica. She

801
00:43:37,640 --> 00:43:40,040
Speaker 1: gave dance pop again and all this stuff about like,

802
00:43:40,239 --> 00:43:42,680
Speaker 1: you know, her return to the dance war. We we've

803
00:43:42,680 --> 00:43:45,280
Speaker 1: talked about it, like we've been like, excuse me, knock knock.

804
00:43:46,120 --> 00:43:49,640
Speaker 1: We just got back from our long trip to Chromatica.

805
00:43:49,920 --> 00:43:51,960
Speaker 1: It we got on a spaceship and went to Chromatica.

806
00:43:52,040 --> 00:43:54,680
Speaker 1: I don't understand why you don't remember this. You threw

807
00:43:54,800 --> 00:43:59,480
Speaker 1: up Mark. You threw up on the spaceship Mark. Mark

808
00:43:59,560 --> 00:44:00,480
Speaker 1: is not Kyle.

809
00:44:00,880 --> 00:44:03,560
Speaker 2: But now now does it? Does it do anything for

810
00:44:03,640 --> 00:44:08,160
Speaker 2: you that there are these visuals that are I mean absolutely.

811
00:44:08,080 --> 00:44:11,640
Speaker 1: Yeah, because I don't know, like Chromatica was actually speaking

812
00:44:11,640 --> 00:44:13,120
Speaker 1: to art pop a little bit in a way that

813
00:44:13,160 --> 00:44:15,279
Speaker 1: I kind of loved. It was more it was living

814
00:44:15,320 --> 00:44:17,200
Speaker 1: in a more r poppy space for me. I don't

815
00:44:17,239 --> 00:44:19,640
Speaker 1: know how to describe it other than like brighter. Like

816
00:44:19,680 --> 00:44:22,640
Speaker 1: when you saw Stupid Love you were like, Okay, you

817
00:44:22,680 --> 00:44:26,960
Speaker 1: know this is but this is dark, spooky, haunted house. Gaga.

818
00:44:27,040 --> 00:44:29,279
Speaker 1: I've wanted to go back to this haunted house. I

819
00:44:29,400 --> 00:44:29,719
Speaker 1: liked it.

820
00:44:29,840 --> 00:44:32,000
Speaker 2: You've long wanted to go back to this haunted house.

821
00:44:32,120 --> 00:44:35,760
Speaker 1: I'd like the drama, and the Chromatica had drama of course.

822
00:44:35,840 --> 00:44:38,839
Speaker 1: I mean those instrumentals that Chromatica won two and three

823
00:44:38,920 --> 00:44:41,319
Speaker 1: like that broke up the album. It was there. But

824
00:44:41,760 --> 00:44:46,359
Speaker 1: there's a vocal drama in what she's doing here, and

825
00:44:46,440 --> 00:44:50,720
Speaker 1: there is a lot of characterization that is new, which

826
00:44:50,760 --> 00:44:53,080
Speaker 1: is really exciting to hear from her, like this this

827
00:44:53,160 --> 00:44:57,520
Speaker 1: vocal fry that she is using, but it's like placed differently,

828
00:44:57,719 --> 00:44:59,960
Speaker 1: you know what I'm talking about? Right like that? Absolutely, no,

829
00:45:00,400 --> 00:45:01,880
Speaker 1: he's made discoveries vocally.

830
00:45:02,480 --> 00:45:05,480
Speaker 2: Well, it's interesting that you say Chromatica is in dialogue

831
00:45:05,520 --> 00:45:07,680
Speaker 2: with art pop, because I am getting the sense that

832
00:45:07,719 --> 00:45:12,759
Speaker 2: Mayhem is in many ways also in dialogue with art

833
00:45:12,760 --> 00:45:17,160
Speaker 2: pop because Abraca Dabra does remind me, does seem to

834
00:45:17,160 --> 00:45:19,640
Speaker 2: be a child between Aura and Venus.

835
00:45:20,120 --> 00:45:23,080
Speaker 1: Okay, I can definitely feel that. For me, it's just

836
00:45:23,239 --> 00:45:25,960
Speaker 1: it's it's more like but it is giving fame Monster,

837
00:45:26,280 --> 00:45:31,480
Speaker 1: not Sisa. It's some Swine. But Swine was also art pop.

838
00:45:31,560 --> 00:45:36,640
Speaker 2: So you are right, interesting, very interesting. I think what

839
00:45:36,880 --> 00:45:42,399
Speaker 2: gave me chills to think about was if this is

840
00:45:42,680 --> 00:45:46,960
Speaker 2: hearkening back to the darker tracks of Born this way

841
00:45:47,080 --> 00:45:50,080
Speaker 2: and The Fame Monster. I thought, well, The Fame Monster

842
00:45:50,239 --> 00:45:53,040
Speaker 2: wasn't even a full length fucking album, and if we're

843
00:45:53,080 --> 00:45:57,160
Speaker 2: about to get that, and I think I love that

844
00:45:57,200 --> 00:45:59,160
Speaker 2: it's ending on Die with a smile, by the way. Personally,

845
00:45:59,200 --> 00:46:02,440
Speaker 2: I think it will fit, it will work in the sequence.

846
00:46:04,000 --> 00:46:05,759
Speaker 2: I just think this is, this is, this is going

847
00:46:05,840 --> 00:46:09,440
Speaker 2: to be a hugely important album for us, for many people.

848
00:46:11,000 --> 00:46:15,240
Speaker 2: Just just I just have a feeling. She is having fun,

849
00:46:15,719 --> 00:46:18,560
Speaker 2: she is confident, she's doing stuff. She's gonna be at

850
00:46:18,560 --> 00:46:22,040
Speaker 2: the SNL February fourteenth show at Radio City. I cannot

851
00:46:22,080 --> 00:46:22,920
Speaker 2: wait to see her.

852
00:46:23,400 --> 00:46:25,919
Speaker 1: That's gonna be amazing. Last time we saw her radio

853
00:46:25,960 --> 00:46:28,680
Speaker 1: City was the Tony Bennett Show, that iconic Tony bentche.

854
00:46:28,680 --> 00:46:31,640
Speaker 2: Iconic Tony Bent show. I have some intel on what

855
00:46:31,719 --> 00:46:34,359
Speaker 2: she might be doing at this show. And it's gonna

856
00:46:34,400 --> 00:46:37,600
Speaker 2: be fun. It's gonna be fun. That's all I can say.

857
00:46:37,880 --> 00:46:40,280
Speaker 1: March seventh, I mean that's two days half my birthday.

858
00:46:42,040 --> 00:46:44,920
Speaker 1: This is the birthday gift. This is Piscy season. Gaga

859
00:46:45,080 --> 00:46:48,200
Speaker 1: you know doesn't feel Pisces. It's not giving that, but

860
00:46:48,440 --> 00:46:50,080
Speaker 1: just know that it will it will be meaningful.

861
00:46:50,520 --> 00:46:53,200
Speaker 2: Well, it's it's Pisc's Season for You, and it's a

862
00:46:53,239 --> 00:46:57,279
Speaker 2: Scorpio album for me. Perhaps I would say not not

863
00:46:57,320 --> 00:46:58,600
Speaker 2: to center ourselves in this.

864
00:46:58,640 --> 00:46:59,920
Speaker 1: But I would agree with that deeply.

865
00:47:00,600 --> 00:47:05,040
Speaker 2: Paris Gerbels Bethany Vargas co directing this video with Gaga Bravo.

866
00:47:05,200 --> 00:47:06,759
Speaker 2: I thought it was gonna be a return to Nick

867
00:47:06,840 --> 00:47:11,040
Speaker 2: Knight because it felt very fame the o de Parthas commercial.

868
00:47:11,640 --> 00:47:13,040
Speaker 2: I don't know if you remember that where she is

869
00:47:13,080 --> 00:47:17,120
Speaker 2: I do in a dark space and all these muscular

870
00:47:17,120 --> 00:47:19,640
Speaker 2: men are climbing a giant version of herself. There was

871
00:47:19,680 --> 00:47:21,600
Speaker 2: just a lot of parallels. But the narrative of this

872
00:47:21,680 --> 00:47:25,719
Speaker 2: video I think so beautiful to me. It's just her

873
00:47:25,840 --> 00:47:28,239
Speaker 2: and Red. It's a battle between light and dark and

874
00:47:28,280 --> 00:47:31,000
Speaker 2: guess what the light winds, the light winds.

875
00:47:31,640 --> 00:47:34,359
Speaker 1: And also I mean just the fact that like her

876
00:47:34,400 --> 00:47:37,320
Speaker 1: and the dancers are just gathered there so Mother Monster

877
00:47:37,440 --> 00:47:40,960
Speaker 1: can order them to play her little game. Category is

878
00:47:41,160 --> 00:47:44,320
Speaker 1: dance ar Die. They dance for it, and they dance.

879
00:47:44,440 --> 00:47:47,600
Speaker 1: We see the routine, we see the passion, we see

880
00:47:47,640 --> 00:47:51,239
Speaker 1: the dance, and then at the end they look up

881
00:47:51,760 --> 00:47:54,799
Speaker 1: and Mother Monster is looking away, and then she looks

882
00:47:54,840 --> 00:47:58,040
Speaker 1: at the camera as if to say yes, acceptable. And

883
00:47:58,080 --> 00:48:00,360
Speaker 1: the last shot of the video is Gaga on the

884
00:48:00,400 --> 00:48:05,719
Speaker 1: floor looking up like and it's like she's you know,

885
00:48:05,880 --> 00:48:07,520
Speaker 1: she's done her job. She's won.

886
00:48:08,160 --> 00:48:09,000
Speaker 2: She has not died.

887
00:48:09,080 --> 00:48:12,960
Speaker 1: Please mother monster, she can continue on today.

888
00:48:13,520 --> 00:48:17,960
Speaker 2: Well. Gaga has said in the last twenty four hours

889
00:48:17,960 --> 00:48:21,360
Speaker 2: since this video came out that this video is about

890
00:48:21,600 --> 00:48:25,080
Speaker 2: a path forward. Wow, and the only path forward, the

891
00:48:25,120 --> 00:48:29,719
Speaker 2: only alternative to dying is to what dance.

892
00:48:31,120 --> 00:48:32,399
Speaker 1: Category is dance or die.

893
00:48:33,760 --> 00:48:36,440
Speaker 2: I don't care that I'm reading too much into this.

894
00:48:36,960 --> 00:48:40,480
Speaker 2: I really don't care. There is something that is healing

895
00:48:40,520 --> 00:48:43,560
Speaker 2: about me being obsessed with a Lady Gaga song like

896
00:48:43,600 --> 00:48:46,640
Speaker 2: this that we are all obsessed with because she's given

897
00:48:46,760 --> 00:48:48,520
Speaker 2: it to us so many times before. I feel like

898
00:48:48,600 --> 00:48:50,200
Speaker 2: Rain on Me was like one of the only bright

899
00:48:50,200 --> 00:48:53,719
Speaker 2: spots in that lockdown period, Yeah, where we were all

900
00:48:53,719 --> 00:48:55,440
Speaker 2: listening to this song at the same time and it

901
00:48:55,560 --> 00:48:59,840
Speaker 2: felt incredible. I just I can't thank her enough. I

902
00:49:00,160 --> 00:49:01,520
Speaker 2: can't thank this woman enough.

903
00:49:01,640 --> 00:49:05,160
Speaker 1: It's just coming from a very commanding place, and I

904
00:49:05,200 --> 00:49:07,560
Speaker 1: think that's all we really want to do is take

905
00:49:07,840 --> 00:49:09,480
Speaker 1: orders from Gaga, you know.

906
00:49:09,400 --> 00:49:09,759
Speaker 2: What I mean?

907
00:49:09,760 --> 00:49:13,520
Speaker 1: That's ultimately what I the only leader that I believe

908
00:49:13,600 --> 00:49:17,120
Speaker 1: in as of right now is Lady Gaga. Yeah, and

909
00:49:17,200 --> 00:49:20,280
Speaker 1: she says dance or die. So that's an easy choice

910
00:49:20,280 --> 00:49:25,080
Speaker 1: for me right personally. But I'm not a nihilist. I'm

911
00:49:25,120 --> 00:49:35,240
Speaker 1: an optimist. You're an optimist, the opposite of a nihilist.

912
00:49:37,800 --> 00:49:41,440
Speaker 2: Let's talk about another Let's talk about Vegas.

913
00:49:42,600 --> 00:49:43,200
Speaker 1: We had fun.

914
00:49:43,960 --> 00:49:45,759
Speaker 2: We had a lot of fun, didn't we.

915
00:49:45,760 --> 00:49:49,080
Speaker 1: We had Shanaia on Friday, we had Mariah on Saturday,

916
00:49:49,680 --> 00:49:52,760
Speaker 1: and we had destruction on Sunday. How did you feel

917
00:49:52,960 --> 00:49:55,080
Speaker 1: getting on the plane from Vegas to New York? Because

918
00:49:55,120 --> 00:49:57,600
Speaker 1: my plane ride from Vegas to LA was.

919
00:49:57,600 --> 00:50:00,759
Speaker 2: Tough and famously that's a quick one.

920
00:50:01,040 --> 00:50:03,239
Speaker 1: Oh yeah, that it's It's really no big deal in

921
00:50:03,280 --> 00:50:08,799
Speaker 1: the eyes of God, right think about this five hour

922
00:50:08,840 --> 00:50:12,279
Speaker 1: flight for me. Willing to think about it, willing to.

923
00:50:13,120 --> 00:50:16,799
Speaker 2: But I do feel comfortable sharing this because it did

924
00:50:16,880 --> 00:50:20,680
Speaker 2: gag me. Okay, and I told you this already.

925
00:50:20,840 --> 00:50:22,680
Speaker 1: Yeah, Oh, okay, good. I think I think this. I

926
00:50:22,680 --> 00:50:24,000
Speaker 1: think this is definitely fair game.

927
00:50:24,360 --> 00:50:25,840
Speaker 2: I get on my plane, I have my I have

928
00:50:25,920 --> 00:50:29,279
Speaker 2: my blinders on. Then I see it my foot at

929
00:50:29,320 --> 00:50:31,080
Speaker 2: the foot of my seat, a little bottle of like

930
00:50:31,719 --> 00:50:33,719
Speaker 2: hand sanitizer or something. And I was like, oh, that's

931
00:50:33,719 --> 00:50:35,360
Speaker 2: not mine. I take it up. I go to my

932
00:50:35,360 --> 00:50:38,319
Speaker 2: seat partner next to me, lovely man named Michael. We

933
00:50:38,360 --> 00:50:40,880
Speaker 2: got to chatting. I said, is this excuse me?

934
00:50:40,840 --> 00:50:41,319
Speaker 1: Is this yours?

935
00:50:41,320 --> 00:50:44,120
Speaker 2: He goes no, I turn around, excuse me, is this

936
00:50:45,719 --> 00:50:47,120
Speaker 2: Marishka Hargitay.

937
00:50:49,680 --> 00:50:52,560
Speaker 1: NBC icons on the plane?

938
00:50:52,640 --> 00:50:56,920
Speaker 2: She said, oh, that's my perfume and we shared a laugh.

939
00:50:57,560 --> 00:50:59,680
Speaker 2: She was making jokes with me, does she.

940
00:50:59,640 --> 00:51:00,520
Speaker 1: Reckoni is the queen?

941
00:51:01,719 --> 00:51:03,520
Speaker 2: I did not want to bother her. I think she

942
00:51:03,640 --> 00:51:08,640
Speaker 2: was with her wonderful daughter. And then upon de planing,

943
00:51:09,440 --> 00:51:12,439
Speaker 2: we just exchanged pleasant trees. She was there to see

944
00:51:12,480 --> 00:51:17,399
Speaker 2: me barghetzy Ah, and I was very vulnerable and trade

945
00:51:17,440 --> 00:51:19,440
Speaker 2: with her that I was there too. She was like,

946
00:51:19,440 --> 00:51:21,080
Speaker 2: this is gonna work week. I was like, I was

947
00:51:21,080 --> 00:51:23,920
Speaker 2: there to see Shania Maria and she goes, oh, well,

948
00:51:24,239 --> 00:51:28,240
Speaker 2: of course, so glad I got to share that with There.

949
00:51:28,080 --> 00:51:30,560
Speaker 1: Were like two crowds in Vegas. There was the Nate

950
00:51:30,600 --> 00:51:33,160
Speaker 1: Bargatzi stand up crowd, and there was the Shanaia Mariah crowd.

951
00:51:33,160 --> 00:51:36,360
Speaker 2: There was the Sharia law Sharia lat well, there was

952
00:51:36,400 --> 00:51:40,560
Speaker 2: the Sharia crowd and there what's the Barghetzie pund that

953
00:51:40,560 --> 00:51:44,440
Speaker 2: we can come up with now we can't really Barghetzi, barghetsie,

954
00:51:44,920 --> 00:51:48,160
Speaker 2: Bargetzi laughing, Bargetzi, pargett Te.

955
00:51:48,440 --> 00:51:51,239
Speaker 1: This is why we are not Nate Bargozzi and making

956
00:51:51,280 --> 00:51:52,840
Speaker 1: the pilgrimage to Vegas to see.

957
00:51:52,719 --> 00:51:54,960
Speaker 2: Us, and we can even be clean comics. We gotta

958
00:51:55,320 --> 00:51:57,080
Speaker 2: put dirty words and say hole and.

959
00:51:57,040 --> 00:52:00,359
Speaker 1: Cough and we're saying and cock for laughs. We're out

960
00:52:00,360 --> 00:52:04,040
Speaker 1: here begging on the street. We're destitute comedically saying hole

961
00:52:04,080 --> 00:52:10,400
Speaker 1: and cock for laughs. That we are destatic, comedically pathetic wastes.

962
00:52:11,719 --> 00:52:12,400
Speaker 2: That's true.

963
00:52:12,840 --> 00:52:16,480
Speaker 1: Anyway, we sus Shania on Friday. Here's what I'm gonna

964
00:52:16,480 --> 00:52:22,000
Speaker 1: say about the Shania show. Incredible energy from Shanaya. We

965
00:52:22,080 --> 00:52:24,920
Speaker 1: need to get her in a better outfit, guys, she's

966
00:52:25,040 --> 00:52:29,000
Speaker 1: my girl. Was wearing a negligible. She was comfortable, but

967
00:52:29,160 --> 00:52:32,840
Speaker 1: can we get an outfit on her in Vegas? Please

968
00:52:34,280 --> 00:52:37,720
Speaker 1: dazzle us with the outfits. Come on, don't do Shanaya

969
00:52:37,880 --> 00:52:40,400
Speaker 1: like that in a peach negligee.

970
00:52:41,080 --> 00:52:41,480
Speaker 2: Totally.

971
00:52:42,280 --> 00:52:45,480
Speaker 1: She sang, honey, I'm home and I had a hard day.

972
00:52:46,520 --> 00:52:50,200
Speaker 2: But you know, also up up up, can only go

973
00:52:50,360 --> 00:52:50,920
Speaker 2: up from here.

974
00:52:51,160 --> 00:52:53,360
Speaker 1: How is she gonna get us good? How is she

975
00:52:53,440 --> 00:52:56,799
Speaker 1: gonna get you good in a peach neglige and a

976
00:52:56,880 --> 00:53:00,200
Speaker 1: top hat. Get that woman in a better out fit.

977
00:53:00,239 --> 00:53:03,880
Speaker 1: I'm serious, hm hmm. And that's gonna be my brave

978
00:53:03,920 --> 00:53:07,000
Speaker 1: take today. Okay, but because she she gave us a

979
00:53:07,040 --> 00:53:11,319
Speaker 1: performance and the songs are songing, but she was in

980
00:53:11,520 --> 00:53:12,880
Speaker 1: she was in that off but I didn't like for

981
00:53:12,920 --> 00:53:15,160
Speaker 1: too long. And now if it's got a little bit better.

982
00:53:15,320 --> 00:53:17,959
Speaker 1: But this is Las Vegas, this is the boxed theater

983
00:53:18,000 --> 00:53:19,320
Speaker 1: at Planet Hollywood.

984
00:53:19,400 --> 00:53:24,319
Speaker 2: Right, I will say one of the great great songs

985
00:53:25,040 --> 00:53:26,399
Speaker 2: is man I feel like a woman.

986
00:53:26,800 --> 00:53:29,360
Speaker 1: There's no disputing I would have started with it, she

987
00:53:29,560 --> 00:53:32,360
Speaker 1: ended with it. I do think man I feel like

988
00:53:32,400 --> 00:53:34,319
Speaker 1: women at the top would have really got us going.

989
00:53:34,719 --> 00:53:36,680
Speaker 2: But man, I feel like a woman is the defining

990
00:53:36,719 --> 00:53:41,239
Speaker 2: gravity of songs. I would say it is that.

991
00:53:41,320 --> 00:53:43,720
Speaker 1: Man, I feel like woman is the defining gravity of songs.

992
00:53:43,840 --> 00:53:48,600
Speaker 2: It's a war cry. It is that.

993
00:53:48,680 --> 00:53:50,919
Speaker 1: Don't impress me much. I just feel like I can

994
00:53:50,960 --> 00:53:54,319
Speaker 1: never get over the d heightened between Okay, so he's

995
00:53:54,320 --> 00:53:58,279
Speaker 1: got a car. Oh so, okay, so you're a rocket scientist. Okay, okay,

996
00:53:58,320 --> 00:54:01,879
Speaker 1: so you got a car doesn't work comedically. We need

997
00:54:01,920 --> 00:54:03,879
Speaker 1: Shanaia and UCB sketch one on one.

998
00:54:04,520 --> 00:54:09,000
Speaker 2: So you're saying car rocket scientists, Brad Pitt or car this.

999
00:54:09,560 --> 00:54:11,600
Speaker 1: Here's what I would rather. Here's what I would rather

1000
00:54:11,960 --> 00:54:14,319
Speaker 1: in order, I would rather the guy I'm fucking have

1001
00:54:14,400 --> 00:54:17,640
Speaker 1: a car. Well, first thing, I would say, even baseline

1002
00:54:17,680 --> 00:54:20,640
Speaker 1: living in LA have a car.

1003
00:54:20,920 --> 00:54:22,560
Speaker 2: And I don't relate to that because I live in

1004
00:54:22,560 --> 00:54:25,319
Speaker 2: New York and most of us take public transportation.

1005
00:54:26,000 --> 00:54:27,840
Speaker 1: Right, But okay, so you have a I mean for me,

1006
00:54:27,840 --> 00:54:29,759
Speaker 1: it's like car is one thing you can get from

1007
00:54:29,800 --> 00:54:31,760
Speaker 1: place to place, like it's not going to be tough

1008
00:54:31,800 --> 00:54:37,280
Speaker 1: to see you. Next, I would say, okay, rocket scientists

1009
00:54:37,280 --> 00:54:41,120
Speaker 1: then for me, because it's like you're clearly successful, you

1010
00:54:41,160 --> 00:54:43,440
Speaker 1: know what I mean. I don't know that we can

1011
00:54:43,480 --> 00:54:46,319
Speaker 1: talk about a lot of things because I don't know

1012
00:54:46,360 --> 00:54:49,399
Speaker 1: anything about rocket science, right, but I like that you're

1013
00:54:49,480 --> 00:54:51,879
Speaker 1: engaged in what you do, you know what I mean,

1014
00:54:52,200 --> 00:54:54,480
Speaker 1: Because I don't think you're a rocket scientist by accident.

1015
00:54:54,640 --> 00:54:58,120
Speaker 1: I think if you're a rocket scientist, you love rockets

1016
00:54:58,160 --> 00:55:01,920
Speaker 1: and everything there about. You applied yourself in this way

1017
00:55:02,120 --> 00:55:05,040
Speaker 1: and congratulations. Would rather fuck you than someone that just

1018
00:55:05,040 --> 00:55:07,960
Speaker 1: had a car. And then, even though I'm concerned about

1019
00:55:07,960 --> 00:55:14,480
Speaker 1: like a high probability of narcissism. I can't deny Brad

1020
00:55:14,560 --> 00:55:17,879
Speaker 1: Pitt would be the most desirable thing for me Matt

1021
00:55:17,960 --> 00:55:20,080
Speaker 1: Rogers out of those things. So that's the order I

1022
00:55:20,120 --> 00:55:22,319
Speaker 1: think it should go, because I think the dick would

1023
00:55:22,360 --> 00:55:27,160
Speaker 1: be so good that the narcissism wouldn't matter that much.

1024
00:55:27,200 --> 00:55:29,840
Speaker 1: And I'm also not positive that Brad Pitt is a narcissist,

1025
00:55:29,920 --> 00:55:33,000
Speaker 1: But it's just that he's Brad Pitt, right.

1026
00:55:33,280 --> 00:55:36,719
Speaker 2: I mean that woman in France or whatever gave away

1027
00:55:36,760 --> 00:55:40,560
Speaker 2: so much money because she thought this guy was him.

1028
00:55:39,840 --> 00:55:41,879
Speaker 1: Sure, and I mean people have given away a lot

1029
00:55:42,040 --> 00:55:45,919
Speaker 1: more and less. My thing with Brad Pitt is it's

1030
00:55:45,960 --> 00:55:49,640
Speaker 1: like we can go there. Yeah, but that would be

1031
00:55:49,680 --> 00:55:52,279
Speaker 1: the natural progression for me, And I just think I

1032
00:55:52,280 --> 00:55:53,840
Speaker 1: don't think it would be too tough to do it.

1033
00:55:53,840 --> 00:55:56,840
Speaker 1: We'd have to look at the verse, but you know,

1034
00:55:56,960 --> 00:56:01,480
Speaker 1: we could do it. I imagine we rewrite that don't

1035
00:56:01,480 --> 00:56:04,480
Speaker 1: impress Me much, a hugely successful song on this episode.

1036
00:56:04,520 --> 00:56:06,319
Speaker 1: We just rewrite it and restructure it. Pitched to her,

1037
00:56:06,400 --> 00:56:07,120
Speaker 1: she says.

1038
00:56:06,880 --> 00:56:09,359
Speaker 2: No, which she has every right to do.

1039
00:56:09,640 --> 00:56:14,120
Speaker 1: Now she trust me. I hope whatever never has to

1040
00:56:14,160 --> 00:56:16,200
Speaker 1: know about us. I hope the only word she ever

1041
00:56:16,239 --> 00:56:18,799
Speaker 1: says to me is no. I hope I'm starting to

1042
00:56:18,800 --> 00:56:20,480
Speaker 1: go shit and I I love it. I hope I

1043
00:56:20,560 --> 00:56:25,920
Speaker 1: just hear no, Yeah, that will be fine totally. I

1044
00:56:25,920 --> 00:56:26,759
Speaker 1: would say.

1045
00:56:29,920 --> 00:56:35,480
Speaker 2: Car, but again I don't relate because need them to

1046
00:56:35,520 --> 00:56:39,080
Speaker 2: have a car. Though, I'm going to say something crazy. Okay,

1047
00:56:40,320 --> 00:56:45,880
Speaker 2: my order Brad Pitt, because you don't care he's had.

1048
00:56:45,920 --> 00:56:50,160
Speaker 2: Of course I care. She's an amazing actor, a talent

1049
00:56:50,440 --> 00:56:51,400
Speaker 2: and I looking.

1050
00:56:51,200 --> 00:56:55,120
Speaker 1: Guy, A great looking guy, but troubled. I would say

1051
00:56:56,320 --> 00:56:59,840
Speaker 1: too much for me, girl, trouble. Let's let's fuck once.

1052
00:57:00,040 --> 00:57:00,520
Speaker 1: You know what I mean.

1053
00:57:00,760 --> 00:57:04,080
Speaker 2: And it do impress me much that it's him, but

1054
00:57:04,160 --> 00:57:07,000
Speaker 2: it would be more. It would be more impressive if

1055
00:57:07,080 --> 00:57:10,360
Speaker 2: I met you and after you look like Brad Pitt.

1056
00:57:10,640 --> 00:57:15,560
Speaker 2: You also have a car in New York City. I say, wow,

1057
00:57:16,440 --> 00:57:19,720
Speaker 2: this guy, this guy's is one to watch.

1058
00:57:19,840 --> 00:57:23,000
Speaker 1: Okay, so there's Brad Pitt, there's then car.

1059
00:57:23,200 --> 00:57:23,320
Speaker 2: Car.

1060
00:57:23,480 --> 00:57:27,680
Speaker 1: You're saying, rocket scientist is your most desirable the greatest heighten.

1061
00:57:27,880 --> 00:57:29,120
Speaker 2: You gotta be really smart?

1062
00:57:29,560 --> 00:57:31,959
Speaker 1: Doesn't it mean you have good stroke game?

1063
00:57:32,640 --> 00:57:37,560
Speaker 2: I don't know. I think maybe I'm a sapio sexual.

1064
00:57:38,240 --> 00:57:41,080
Speaker 1: I don't think you are. Hmm, can I say something

1065
00:57:41,120 --> 00:57:43,160
Speaker 1: about you. I've never thought you were a sapio sexual

1066
00:57:43,240 --> 00:57:43,680
Speaker 1: for one night.

1067
00:57:43,840 --> 00:57:47,240
Speaker 2: Now I'm kidding, girl, I am shallow. Really.

1068
00:57:47,280 --> 00:57:49,640
Speaker 1: If you are fucking a rocket scientist and the stroke

1069
00:57:49,720 --> 00:57:52,720
Speaker 1: game is on ten, we want you to be on

1070
00:57:52,800 --> 00:57:55,120
Speaker 1: an episode of Lost Coach. We'll do the voice change

1071
00:57:55,160 --> 00:57:58,720
Speaker 1: thing on you. But if you're fucking a rocket scientist,

1072
00:57:59,120 --> 00:58:01,800
Speaker 1: who is the best sext of your life or anything

1073
00:58:01,840 --> 00:58:06,080
Speaker 1: close to it, please contact us somehow, some way. You'll

1074
00:58:06,080 --> 00:58:08,360
Speaker 1: find a way, I'm sure, and don't play games. Don't

1075
00:58:08,400 --> 00:58:12,200
Speaker 1: mess around. We don''t fake that you're fucking a rocket scientist,

1076
00:58:12,520 --> 00:58:14,760
Speaker 1: and don't try to find someone that is. I'm talking

1077
00:58:14,800 --> 00:58:17,360
Speaker 1: to people, and Bowen, I'm sure you agree with me.

1078
00:58:17,440 --> 00:58:20,720
Speaker 1: Here we cut the bullshit. If you're fucking a rocket

1079
00:58:20,720 --> 00:58:25,200
Speaker 1: scientist and the stroke game is looking like what Dylan

1080
00:58:25,240 --> 00:58:27,920
Speaker 1: O'Brien does in the Sun Dance movie. He's in that

1081
00:58:27,960 --> 00:58:29,680
Speaker 1: he just won that award for Did you see that?

1082
00:58:29,760 --> 00:58:29,960
Speaker 2: Give?

1083
00:58:30,560 --> 00:58:35,080
Speaker 1: I did not? Uh, stroke game has to be on

1084
00:58:35,240 --> 00:58:40,120
Speaker 1: Dylan O'Brien rocket scientist, then contact Lost Coach. We want

1085
00:58:40,200 --> 00:58:42,160
Speaker 1: you to come on now for a full episode. We'll

1086
00:58:42,160 --> 00:58:42,840
Speaker 1: do ten minutes.

1087
00:58:43,480 --> 00:58:46,360
Speaker 2: I will say if it is the triple crown of

1088
00:58:46,600 --> 00:58:51,240
Speaker 2: rocket scientist car Brad Pitt. It's happening if it's all

1089
00:58:51,320 --> 00:58:52,000
Speaker 2: if you're all.

1090
00:58:51,800 --> 00:58:55,320
Speaker 1: Three oh period. If you're a Brad Pitt, you're a

1091
00:58:55,400 --> 00:58:58,840
Speaker 1: rocket scientist, and you have a car, you could fuck

1092
00:58:58,960 --> 00:58:59,479
Speaker 1: lost coach.

1093
00:59:00,200 --> 00:59:02,320
Speaker 2: Maybe the order doesn't matter at the end of the day.

1094
00:59:02,600 --> 00:59:05,320
Speaker 1: No, no, no, because in a world where the thing I'm

1095
00:59:05,360 --> 00:59:08,440
Speaker 1: thinking about is song structure, it matters deeply. Of course,

1096
00:59:08,480 --> 00:59:13,240
Speaker 1: of course, fine, but it don't impress on me much

1097
00:59:14,440 --> 00:59:18,160
Speaker 1: that I have a little sigh come out of my

1098
00:59:18,200 --> 00:59:22,240
Speaker 1: body every time. So you got a car happens at

1099
00:59:22,240 --> 00:59:24,600
Speaker 1: the end of that song. I mean going into that

1100
00:59:24,640 --> 00:59:27,720
Speaker 1: final chorus as excited as I could be, because I

1101
00:59:28,400 --> 00:59:31,280
Speaker 1: feel I don't know, I'm waiting.

1102
00:59:31,920 --> 00:59:34,520
Speaker 2: Brad Pitt is you're right on a songwriting level, on

1103
00:59:34,560 --> 00:59:37,120
Speaker 2: a heightened level. Absolutely, Brad Pitt is the last one

1104
00:59:37,200 --> 00:59:38,960
Speaker 2: I agree with you. I think you were just I

1105
00:59:38,960 --> 00:59:42,040
Speaker 2: think I thought we were just sharing our personal values

1106
00:59:42,080 --> 00:59:43,120
Speaker 2: and priorities.

1107
00:59:43,320 --> 00:59:45,560
Speaker 1: No, I mean listen, and I think it's important that

1108
00:59:45,600 --> 00:59:48,640
Speaker 1: we did because I think it'll affect the songs that

1109
00:59:48,720 --> 00:59:51,680
Speaker 1: we write. And I think that now the audience knows

1110
00:59:51,720 --> 00:59:53,960
Speaker 1: what to expect from us a little bit better and

1111
00:59:54,080 --> 00:59:57,880
Speaker 1: listen if Shanaia's whole thing. And remember she's from like

1112
00:59:58,000 --> 01:00:01,040
Speaker 1: a place in Canada that I think think her town doesn't.

1113
01:00:00,760 --> 01:00:01,760
Speaker 2: Even have a name.

1114
01:00:02,280 --> 01:00:05,720
Speaker 1: Mm if for her, having the car is the number

1115
01:00:05,720 --> 01:00:08,520
Speaker 1: one thing. Look, I don't know what the Canadian reality is.

1116
01:00:08,920 --> 01:00:11,240
Speaker 1: I don't know what the country. Canadian reality is of

1117
01:00:11,360 --> 01:00:14,760
Speaker 1: having a car is huge to her. Maybe she's really excited.

1118
01:00:14,760 --> 01:00:17,560
Speaker 1: Maybe she's I don't know, what are we you an autophiliac?

1119
01:00:18,120 --> 01:00:21,360
Speaker 1: Maybe Shaniah wants to Maybe she has a thing with cars.

1120
01:00:21,760 --> 01:00:25,919
Speaker 2: Yeah, sure, Mariah Carey. And there's one more, and remind

1121
01:00:25,920 --> 01:00:27,000
Speaker 2: me to go back to one more thing about the

1122
01:00:27,040 --> 01:00:28,880
Speaker 2: Grammys that we did a huge thing that we missed.

1123
01:00:28,880 --> 01:00:30,520
Speaker 2: But let's let's before I don't want break up here.

1124
01:00:30,600 --> 01:00:32,080
Speaker 1: I knew there was gonna be something. I knew there

1125
01:00:32,120 --> 01:00:33,320
Speaker 1: was gonna be something that we had missed, and I

1126
01:00:33,320 --> 01:00:34,400
Speaker 1: had a panic attack about it.

1127
01:00:34,400 --> 01:00:36,960
Speaker 2: Simply your you'rrejs, gonn drop. Let's talk about Marie. I

1128
01:00:36,960 --> 01:00:38,480
Speaker 2: do want top Mariah, do want to go back to Grammy's.

1129
01:00:38,520 --> 01:00:39,680
Speaker 1: Let's talk about Mariah.

1130
01:00:39,760 --> 01:00:46,600
Speaker 2: Okay, Mariah Carey, you are such a legend. I mean

1131
01:00:47,440 --> 01:00:50,280
Speaker 2: not that we need to tell you. We already have

1132
01:00:50,600 --> 01:00:54,160
Speaker 2: to your face. But seeing you live, seeing you sing

1133
01:00:54,200 --> 01:00:58,560
Speaker 2: these songs in chronological order of release, and for you

1134
01:00:58,600 --> 01:01:03,720
Speaker 2: to end at Mimi is both cruel and also a

1135
01:01:03,800 --> 01:01:06,160
Speaker 2: testament to your genius as a songwriter and an artist

1136
01:01:06,240 --> 01:01:09,960
Speaker 2: and a vocalist, because there's so many other hits after

1137
01:01:10,000 --> 01:01:12,160
Speaker 2: that that you could have put into this that list,

1138
01:01:12,160 --> 01:01:13,800
Speaker 2: but you chose not to because you wanted to be

1139
01:01:13,880 --> 01:01:15,120
Speaker 2: what a celebration of me?

1140
01:01:15,240 --> 01:01:19,160
Speaker 1: Me? I just feel like you can't really name anyone

1141
01:01:19,200 --> 01:01:21,360
Speaker 1: else who can only do forty seconds of every single

1142
01:01:21,400 --> 01:01:23,720
Speaker 1: one of her songs because there's so many and there's

1143
01:01:23,720 --> 01:01:26,560
Speaker 1: only so much time in a night, and then there's

1144
01:01:26,600 --> 01:01:28,840
Speaker 1: still shit. You're leaving being like, oh, she didn't do this,

1145
01:01:28,880 --> 01:01:30,440
Speaker 1: she didn't do this, she didn't do this, she didn't

1146
01:01:30,440 --> 01:01:33,840
Speaker 1: do this. But the fact is, next residency. How about that?

1147
01:01:34,400 --> 01:01:37,240
Speaker 2: For her to mash up Honey and Heartbreaker, that was tough,

1148
01:01:37,440 --> 01:01:39,200
Speaker 2: one song that was tough, But then you go, I

1149
01:01:39,240 --> 01:01:41,360
Speaker 2: get it, she wants to get get out of there.

1150
01:01:41,880 --> 01:01:45,439
Speaker 2: But those are two standalone, perfect pop songs that yes,

1151
01:01:45,600 --> 01:01:50,439
Speaker 2: maybe have similarity structurally or chord wise, but come on,

1152
01:01:50,640 --> 01:01:52,480
Speaker 2: give them their own moment. Those are so per We're

1153
01:01:52,600 --> 01:01:54,320
Speaker 2: We're not telling you how to do your job. Mariah,

1154
01:01:54,560 --> 01:01:57,120
Speaker 2: Oh please, we love you so much.

1155
01:01:57,280 --> 01:01:59,600
Speaker 1: Literal only thing with the whole show is she mashes

1156
01:01:59,640 --> 01:02:01,920
Speaker 1: up Honey Heartbreaker, and I was like, oh, those are both.

1157
01:02:02,760 --> 01:02:05,600
Speaker 1: There's literally my two favorites. But I'll say the songs

1158
01:02:05,600 --> 01:02:09,200
Speaker 1: that she did do full lengths of always be My Baby,

1159
01:02:09,600 --> 01:02:12,640
Speaker 1: dream Lover, which, by the way, this was my one thing.

1160
01:02:12,680 --> 01:02:14,840
Speaker 1: I'm kicking myself that I didn't say to Arianna on

1161
01:02:14,880 --> 01:02:18,160
Speaker 1: the episode we had her. I think that when Mariah

1162
01:02:18,240 --> 01:02:22,960
Speaker 1: eventually has her Kennedy Center Honors, Arianna should sing dream Lover.

1163
01:02:23,200 --> 01:02:27,960
Speaker 1: I think she would crush that. Dream Lover is so good,

1164
01:02:32,200 --> 01:02:35,880
Speaker 1: so good. It's so good, I mean, And yeah, that

1165
01:02:35,960 --> 01:02:37,960
Speaker 1: was a real It was a real trip down memory lane,

1166
01:02:38,000 --> 01:02:41,880
Speaker 1: and you could tell that everyone there, the lamily was

1167
01:02:41,920 --> 01:02:45,400
Speaker 1: just very strong. There was that guy was there by himself,

1168
01:02:45,440 --> 01:02:47,280
Speaker 1: and I kept turning around making eye contact with it

1169
01:02:47,400 --> 01:02:51,800
Speaker 1: because I knew that we were having the same moment, like, yeah,

1170
01:02:51,840 --> 01:02:55,440
Speaker 1: it's it was joy, I mean, Mariah is it's just

1171
01:02:55,440 --> 01:03:00,440
Speaker 1: those songs that take you back home. Really, if you're

1172
01:03:00,440 --> 01:03:02,880
Speaker 1: a LAMB, that's a show you have to go to

1173
01:03:03,160 --> 01:03:04,960
Speaker 1: because it's only going I think till at least this

1174
01:03:05,080 --> 01:03:07,560
Speaker 1: leg of it February fifteenth or something.

1175
01:03:08,040 --> 01:03:09,680
Speaker 2: H please go see it.

1176
01:03:09,680 --> 01:03:11,680
Speaker 1: It's like a tiny little run this time. I don't

1177
01:03:11,720 --> 01:03:14,360
Speaker 1: know what she's doing with it. I probably should, but

1178
01:03:14,720 --> 01:03:16,880
Speaker 1: you gotta go see Mariah do the show. Come on,

1179
01:03:17,000 --> 01:03:18,919
Speaker 1: it's so good. She sounds great too.

1180
01:03:19,040 --> 01:03:23,040
Speaker 2: She sounds great. She's having fun. She's taking tiny ass

1181
01:03:23,040 --> 01:03:25,840
Speaker 2: steps to the piano or to across the stage. She

1182
01:03:26,520 --> 01:03:29,200
Speaker 2: cannot be focused or bothered to do anything else but

1183
01:03:30,160 --> 01:03:33,439
Speaker 2: give you a perfect vocal. Give her, let her walk,

1184
01:03:33,600 --> 01:03:36,440
Speaker 2: let her cook, let her do whatever, because guess what,

1185
01:03:36,520 --> 01:03:39,400
Speaker 2: her voice in every sense is a comfort with what

1186
01:03:39,440 --> 01:03:41,280
Speaker 2: you just said, but also with her spoken word, in

1187
01:03:41,320 --> 01:03:44,840
Speaker 2: her sicials. I really was moved by the end when

1188
01:03:44,880 --> 01:03:47,920
Speaker 2: she was just saying that as an artist, the thing

1189
01:03:47,960 --> 01:03:50,400
Speaker 2: in life that she has learned, the biggest thing in

1190
01:03:50,400 --> 01:03:52,080
Speaker 2: life that she has learned as an artist, is to

1191
01:03:52,160 --> 01:03:55,480
Speaker 2: never give up on your dreams. That nobody, no mother, father,

1192
01:03:56,360 --> 01:03:59,080
Speaker 2: and she just lists people who might try to take

1193
01:03:59,360 --> 01:04:01,920
Speaker 2: and drain that from you. Never give that up. And

1194
01:04:01,920 --> 01:04:04,680
Speaker 2: that is a perfect, simple, succinct message to give to

1195
01:04:04,760 --> 01:04:07,760
Speaker 2: anybody and to have it feel universal, have it land universally.

1196
01:04:07,920 --> 01:04:09,480
Speaker 2: That's what songwriting is at the end of the day,

1197
01:04:09,600 --> 01:04:11,120
Speaker 2: and she guess what, she's the best at it.

1198
01:04:11,200 --> 01:04:13,600
Speaker 1: So there was that moment at the end where she

1199
01:04:13,640 --> 01:04:18,480
Speaker 1: was like and nothing and nobody, no ex husband, no husband,

1200
01:04:18,800 --> 01:04:24,720
Speaker 1: no boss, no boyfriend, no landlord, no dentist, no clown,

1201
01:04:25,600 --> 01:04:30,720
Speaker 1: no president. She went so far and listed so many

1202
01:04:30,840 --> 01:04:33,840
Speaker 1: names of people who could potentially hold a position of

1203
01:04:33,840 --> 01:04:36,080
Speaker 1: power over you, and she said that none of them

1204
01:04:36,520 --> 01:04:39,280
Speaker 1: can hold you back from your destiny. I mean for

1205
01:04:39,400 --> 01:04:42,400
Speaker 1: your dream, because I'm your dream. I had forgotten.

1206
01:04:42,640 --> 01:04:45,760
Speaker 2: We've both forgotten. And it's thank you, Mariah for the reminder.

1207
01:04:46,960 --> 01:04:49,280
Speaker 2: We just thank you for all the ways you've enriched

1208
01:04:49,320 --> 01:04:51,920
Speaker 2: her life, our lives. And I want to bring it

1209
01:04:51,960 --> 01:04:53,960
Speaker 2: back to Gramas unless there's anythinglse you want to say about.

1210
01:04:53,760 --> 01:04:55,880
Speaker 1: Mariah Bowen learned the rules of baccarat.

1211
01:04:56,280 --> 01:04:57,600
Speaker 2: I learned the rules of background. I'm not get a

1212
01:04:57,680 --> 01:04:59,760
Speaker 2: chance to play because the buying is so high. But

1213
01:05:00,040 --> 01:05:02,160
Speaker 2: and I did have fun at the blackjack table with

1214
01:05:02,200 --> 01:05:04,600
Speaker 2: our friends Cliff and Gustin Marie and.

1215
01:05:04,840 --> 01:05:07,000
Speaker 1: We had a wonderful unit. We had a family unit.

1216
01:05:07,280 --> 01:05:08,840
Speaker 2: We had a family unit. Was a very nice that

1217
01:05:08,840 --> 01:05:12,160
Speaker 2: we had to karaoke. I had a blast and then

1218
01:05:12,160 --> 01:05:13,840
Speaker 2: of course we were doing we were part of a

1219
01:05:13,920 --> 01:05:18,560
Speaker 2: larger group that was also there as well, lovely celebrating

1220
01:05:18,840 --> 01:05:22,400
Speaker 2: Sharia law. We know it's we know it's Sharia. We

1221
01:05:22,520 --> 01:05:23,440
Speaker 2: just pronounced it sharia.

1222
01:05:23,520 --> 01:05:25,680
Speaker 1: Shariah was just you know, it's it's it's a little

1223
01:05:25,720 --> 01:05:28,919
Speaker 1: fun thing you can do with words. It's called wordplay.

1224
01:05:29,120 --> 01:05:32,000
Speaker 1: If you're a Mariah fan, you know all about it.

1225
01:05:32,120 --> 01:05:33,040
Speaker 1: But I digress.

1226
01:05:33,360 --> 01:05:34,760
Speaker 2: You said that in a very Mariah way.

1227
01:05:35,040 --> 01:05:40,640
Speaker 1: I know, what can I say? Sometimes a little Mariah

1228
01:05:41,000 --> 01:05:41,640
Speaker 1: it's a moment.

1229
01:05:42,800 --> 01:05:46,520
Speaker 2: Okay, this is what we forgot to talk about. Okay,

1230
01:05:45,800 --> 01:05:48,840
Speaker 2: what did we literally miss Megan two point zero?

1231
01:05:49,160 --> 01:05:54,320
Speaker 1: Oh yeah, to femininomenon the Megan two point oho trailer.

1232
01:05:55,560 --> 01:05:57,120
Speaker 1: That's cinema.

1233
01:05:57,440 --> 01:06:00,240
Speaker 2: And have you done any research at all into the

1234
01:06:00,400 --> 01:06:01,840
Speaker 2: plot details? No?

1235
01:06:02,040 --> 01:06:04,600
Speaker 1: Is Alison Williams not around in this one?

1236
01:06:04,880 --> 01:06:05,800
Speaker 2: You get ready?

1237
01:06:06,040 --> 01:06:06,520
Speaker 1: Okay?

1238
01:06:07,640 --> 01:06:13,280
Speaker 2: Gemma which is the character name, which is Alison Williams's

1239
01:06:13,400 --> 01:06:23,560
Speaker 2: character Gemma is now a writer, okay, who is criticizing

1240
01:06:24,120 --> 01:06:27,800
Speaker 2: the dysregulation of AI. And she's a prominent voice in

1241
01:06:27,880 --> 01:06:29,880
Speaker 2: the sort of like we should we should be careful

1242
01:06:29,920 --> 01:06:30,400
Speaker 2: about AI.

1243
01:06:30,760 --> 01:06:33,000
Speaker 1: She knows better than anyone. She survived the events of

1244
01:06:33,040 --> 01:06:34,280
Speaker 1: Meghan one zero.

1245
01:06:34,600 --> 01:06:36,760
Speaker 2: She survived Meghan when barely.

1246
01:06:37,040 --> 01:06:40,320
Speaker 1: If you saw Meghan, you know that Alison Williams barely

1247
01:06:40,480 --> 01:06:43,480
Speaker 1: leaves with her life. Sorry, Jemma the character that Alice

1248
01:06:43,520 --> 01:06:46,040
Speaker 1: Williams plays, because when it's Alison Williams up there, you

1249
01:06:46,040 --> 01:06:48,640
Speaker 1: completely forget about Alison Willims. You just see Gemma.

1250
01:06:48,840 --> 01:06:56,400
Speaker 2: Absolutely so, Jemma is now a prominent voice in this movement. Yes, somehow,

1251
01:06:56,840 --> 01:07:03,040
Speaker 2: Oh my god, the technology and the sort of recursive

1252
01:07:03,160 --> 01:07:08,959
Speaker 2: model that Megan represented, because Megan has been discontinued, well,

1253
01:07:09,240 --> 01:07:13,680
Speaker 2: certainly a defense or military contractor. I want to say,

1254
01:07:13,680 --> 01:07:15,840
Speaker 2: I might be a drink these details, but I these

1255
01:07:15,840 --> 01:07:18,920
Speaker 2: details are really actually crazy, and I'm gagged and I

1256
01:07:18,920 --> 01:07:26,439
Speaker 2: cannot wait for this movie. Someone with sinister motives has

1257
01:07:27,000 --> 01:07:30,960
Speaker 2: gotten their hands on the model, the Megan AI model,

1258
01:07:31,920 --> 01:07:36,440
Speaker 2: and is now putting it into their into a new

1259
01:07:36,720 --> 01:07:41,600
Speaker 2: AI named Amelia Perez. No no, no, no, no, don't

1260
01:07:41,640 --> 01:07:43,880
Speaker 2: say that name. I don't want to hear that name

1261
01:07:44,000 --> 01:07:48,200
Speaker 2: while I'm talking about Meghan or ever. Frankly, Amelia is

1262
01:07:48,280 --> 01:07:52,600
Speaker 2: the new girl who will be used in an army

1263
01:07:52,720 --> 01:07:58,400
Speaker 2: of Amelias to basically be a weapon of war. Gemma

1264
01:07:59,120 --> 01:08:02,760
Speaker 2: in an effort to stop this and stop Amelia has

1265
01:08:02,840 --> 01:08:07,680
Speaker 2: to go back, reboot Meghan and join forces with her.

1266
01:08:08,400 --> 01:08:13,880
Speaker 1: You are kidding? Gemma and Megan are gonna team up

1267
01:08:13,960 --> 01:08:16,000
Speaker 1: against Amelia? Like?

1268
01:08:16,200 --> 01:08:16,680
Speaker 2: Are you like?

1269
01:08:16,840 --> 01:08:19,320
Speaker 1: This is an amazing three dolls?

1270
01:08:19,600 --> 01:08:22,000
Speaker 2: I'm so excited for this movie.

1271
01:08:22,360 --> 01:08:24,439
Speaker 1: No, you know what, I have to disagree with you.

1272
01:08:24,520 --> 01:08:28,519
Speaker 1: We have to get Amelia Perez in there. What do

1273
01:08:28,560 --> 01:08:32,479
Speaker 1: you mean we need these cinemas to cross over. We

1274
01:08:32,520 --> 01:08:38,240
Speaker 1: need this cinematic No needs to combine with Megan.

1275
01:08:38,920 --> 01:08:43,000
Speaker 2: That bitch had her fingers chopped off. She is not

1276
01:08:43,080 --> 01:08:46,720
Speaker 2: gonna be involved in the Megan cinematic universe. Okay, you're right,

1277
01:08:46,760 --> 01:08:50,439
Speaker 2: Amelia Perez. I want no Amelia with an A. Yeah,

1278
01:08:50,680 --> 01:08:51,120
Speaker 2: and it's.

1279
01:08:51,000 --> 01:08:54,040
Speaker 1: Gonna Amelia a m E l I A like de.

1280
01:08:54,080 --> 01:09:00,920
Speaker 2: Moldenburg, Amelia de Moldenberg. It's an army of Amelias and

1281
01:09:00,960 --> 01:09:05,080
Speaker 2: the only people that can stop them are Megan and Gemma.

1282
01:09:05,200 --> 01:09:07,160
Speaker 1: If I was in a spelling bee and the word

1283
01:09:07,280 --> 01:09:09,840
Speaker 1: was Amelia, I would say can you use that in

1284
01:09:09,840 --> 01:09:13,240
Speaker 1: a sentence? And one thing that they could do was

1285
01:09:13,600 --> 01:09:17,960
Speaker 1: Chicken Shop date is hosted by Amelia. And what's the

1286
01:09:18,080 --> 01:09:22,080
Speaker 1: gag about that is? Demoldenburg isn't even the word you'd

1287
01:09:22,120 --> 01:09:25,360
Speaker 1: have to spell. You would have to spell Amelia, because

1288
01:09:25,479 --> 01:09:29,240
Speaker 1: that was the question to begin with. So my question

1289
01:09:29,320 --> 01:09:36,040
Speaker 1: to you Bowen is can you spell de Moldenburg the Mouldenberg?

1290
01:09:37,439 --> 01:09:41,680
Speaker 2: You're you gonna pull it up? Yes, yes, go Demuldenberg.

1291
01:09:42,760 --> 01:09:48,200
Speaker 2: D I am O L D E N B E

1292
01:09:48,360 --> 01:09:49,520
Speaker 2: r G de Moldenberg.

1293
01:09:50,760 --> 01:09:55,599
Speaker 1: That is correct. Aquila and the Bee more like Bowen

1294
01:09:55,640 --> 01:09:56,240
Speaker 1: and the Bee.

1295
01:09:56,760 --> 01:09:58,640
Speaker 2: Now, just so I have the details right, and just

1296
01:09:58,640 --> 01:10:00,320
Speaker 2: so I don't want to like mislead anybody. I'm just

1297
01:10:00,360 --> 01:10:02,280
Speaker 2: gonna read what I have found on the internet. Set

1298
01:10:02,280 --> 01:10:06,160
Speaker 2: two years after the original film, Gemma Parentheses, Williams becomes

1299
01:10:06,240 --> 01:10:09,519
Speaker 2: author and advocate for the regulation of artificial intelligence. When

1300
01:10:09,520 --> 01:10:12,880
Speaker 2: a defense contractor steals the technology behind Megan and creates

1301
01:10:12,920 --> 01:10:16,760
Speaker 2: their own evil AI powered robot called Amelia, who is

1302
01:10:16,800 --> 01:10:20,160
Speaker 2: intent on taking over the world, Gemma reboots an updated

1303
01:10:20,200 --> 01:10:25,360
Speaker 2: Megan to destroy Amelia. Are you not so excited for

1304
01:10:25,400 --> 01:10:26,080
Speaker 2: this movie?

1305
01:10:26,360 --> 01:10:28,920
Speaker 1: That's gonna be a mussy? When is it coming?

1306
01:10:29,240 --> 01:10:32,960
Speaker 2: It is coming out June twenty seventh, the end of

1307
01:10:33,000 --> 01:10:37,479
Speaker 2: Pride Month. They know the market will be are butt

1308
01:10:37,439 --> 01:10:38,400
Speaker 2: certain seeds.

1309
01:10:38,160 --> 01:10:40,200
Speaker 1: The gays are going to be so exhausted for Pride

1310
01:10:40,200 --> 01:10:41,920
Speaker 1: They're gonna need to sit down and watch a movie

1311
01:10:41,960 --> 01:10:45,920
Speaker 1: that's actually so that's really smart. They're gonna put that

1312
01:10:46,040 --> 01:10:50,760
Speaker 1: movie in theaters where it's traditionally seated, because the gays

1313
01:10:50,760 --> 01:10:52,960
Speaker 1: are going to need to be seated, right, The gays

1314
01:10:52,960 --> 01:10:55,559
Speaker 1: are going to be seated for Megan in terms of

1315
01:10:55,640 --> 01:10:58,639
Speaker 1: internet slang, and they're also going to be seated out

1316
01:10:58,680 --> 01:11:03,760
Speaker 1: of necessity because they're so tired from pride. This is

1317
01:11:04,560 --> 01:11:05,640
Speaker 1: so smart.

1318
01:11:05,240 --> 01:11:09,800
Speaker 2: Bo, This is Meghan level genius in the way that

1319
01:11:09,840 --> 01:11:12,280
Speaker 2: Megan the Doll is a genius.

1320
01:11:12,400 --> 01:11:15,639
Speaker 1: But I never bet against Alison Williams. Oh never, When

1321
01:11:15,680 --> 01:11:17,800
Speaker 1: have we ever? I literally never have. We have the

1322
01:11:17,840 --> 01:11:20,080
Speaker 1: Alison Williams Cool Girl Award for a reason at the

1323
01:11:20,200 --> 01:11:21,919
Speaker 1: LCCUS Okay, which.

1324
01:11:21,760 --> 01:11:26,120
Speaker 2: Is now henceforth known as the Alison Williams Cool Girl

1325
01:11:26,200 --> 01:11:28,639
Speaker 2: a World. In the words of Anti Katsenavis.

1326
01:11:28,360 --> 01:11:32,720
Speaker 1: Yes, cool Girls the world, cool girl the world. Have

1327
01:11:32,800 --> 01:11:34,799
Speaker 1: we reached out to Alison Williams not being on this podcast,

1328
01:11:34,840 --> 01:11:35,800
Speaker 1: I think we got to know.

1329
01:11:36,400 --> 01:11:38,920
Speaker 2: We got to know, well, we we've certainly reached out.

1330
01:11:39,280 --> 01:11:41,360
Speaker 2: We have certainly reached out. All is all I can say.

1331
01:11:42,120 --> 01:11:44,840
Speaker 2: We love her, We want you to love get on

1332
01:11:44,880 --> 01:11:45,200
Speaker 2: the show.

1333
01:11:46,439 --> 01:11:48,880
Speaker 1: On the show fun and and we know you can

1334
01:11:48,960 --> 01:11:51,080
Speaker 1: hang and Allison, you think you should be on the show.

1335
01:11:51,120 --> 01:11:54,720
Speaker 1: Come on, come in June, come on Lost Coach for

1336
01:11:54,840 --> 01:11:58,760
Speaker 1: Megan two point zero, Alison Williams challenge. That wouldn't be

1337
01:11:58,840 --> 01:12:00,960
Speaker 1: fair if she didn't do a lot culture restays from

1338
01:12:01,000 --> 01:12:03,439
Speaker 1: Megan two point zero. That wouldn't be fair to the game.

1339
01:12:03,479 --> 01:12:05,879
Speaker 1: Come on, Allison, I would hate for you to disappoint

1340
01:12:05,920 --> 01:12:08,200
Speaker 1: the entire gay community. That's all. I'm just gonna leave

1341
01:12:08,200 --> 01:12:08,800
Speaker 1: that hanging there.

1342
01:12:08,920 --> 01:12:10,879
Speaker 2: She won't do that. She already isn't.

1343
01:12:10,920 --> 01:12:11,599
Speaker 1: Hinges on this.

1344
01:12:12,680 --> 01:12:16,920
Speaker 2: Just kidding girl, Just kidding girl, cool girl, world girl.

1345
01:12:17,479 --> 01:12:19,400
Speaker 1: I hope the only word she ever says to me,

1346
01:12:19,600 --> 01:12:20,960
Speaker 1: like Shania Twain, is no.

1347
01:12:21,640 --> 01:12:24,439
Speaker 2: Mmmm you would why? I think you guys would get along?

1348
01:12:24,560 --> 01:12:25,800
Speaker 1: No, I think would be great. I think we'd be

1349
01:12:25,800 --> 01:12:28,720
Speaker 1: best friends. I think I think that we Well, she's

1350
01:12:28,720 --> 01:12:31,479
Speaker 1: already married, so we can't be in each other's weddings.

1351
01:12:32,920 --> 01:12:34,840
Speaker 2: I'll think about it, me and yours. For sure.

1352
01:12:35,000 --> 01:12:35,920
Speaker 1: She should give a speech.

1353
01:12:44,960 --> 01:12:47,000
Speaker 2: All right, it's time for I don't think so money.

1354
01:12:47,200 --> 01:12:52,800
Speaker 2: This is our one minute segment where we oh, are

1355
01:12:52,840 --> 01:12:53,240
Speaker 2: you okay?

1356
01:12:53,960 --> 01:12:58,439
Speaker 1: I'm never getting married. I have a total learning moment,

1357
01:13:01,640 --> 01:13:04,240
Speaker 1: we can stop the podcast. I'm never getting married.

1358
01:13:05,479 --> 01:13:09,439
Speaker 2: Marnie gave us permission to be to be ourselves whatever

1359
01:13:09,479 --> 01:13:09,840
Speaker 2: we want.

1360
01:13:09,880 --> 01:13:12,720
Speaker 1: Really, if you want to be a music artist, you can.

1361
01:13:12,920 --> 01:13:14,560
Speaker 1: You think I'm not Marnie Michaels.

1362
01:13:14,880 --> 01:13:17,439
Speaker 2: The name that Marnie Michaels invents when she's at the

1363
01:13:17,439 --> 01:13:19,920
Speaker 2: Plosa Hotel when that couple thinks she's a sex.

1364
01:13:19,760 --> 01:13:21,960
Speaker 1: Worker, say it, say it.

1365
01:13:22,120 --> 01:13:25,280
Speaker 2: Mcgita, Mergita Petezita.

1366
01:13:24,680 --> 01:13:28,519
Speaker 1: Whoa whoa whoa whoa whoa whoa whoa whoa whoa Mcgita

1367
01:13:28,560 --> 01:13:33,240
Speaker 1: Petez walked so Amelia Petez could run. That's actually rule

1368
01:13:33,479 --> 01:13:39,080
Speaker 1: of culture number fifty six. Mag walked, so.

1369
01:13:40,520 --> 01:13:48,000
Speaker 2: Run stupid. Oh my god, this is this show. Cancel us.

1370
01:13:48,160 --> 01:13:50,080
Speaker 1: Okay, I think I have ann't think so money.

1371
01:13:50,640 --> 01:13:53,040
Speaker 2: Okay, this is Matt Rogers's I don't think so honey,

1372
01:13:53,120 --> 01:13:54,800
Speaker 2: and his time starts now.

1373
01:13:55,040 --> 01:13:56,920
Speaker 1: I don't think so honey. Carlos Sophia, I think you

1374
01:13:57,000 --> 01:13:58,040
Speaker 1: got a can it hunt?

1375
01:13:58,360 --> 01:13:59,080
Speaker 2: You got a man?

1376
01:13:59,400 --> 01:14:02,720
Speaker 1: Missy. You gotta sit down at this point. Don't go

1377
01:14:02,800 --> 01:14:07,240
Speaker 1: on CNN and be pointing the fingers. You gotta sit down.

1378
01:14:07,280 --> 01:14:09,720
Speaker 1: When Zoe Sela Donia is a Q and A is

1379
01:14:09,800 --> 01:14:12,839
Speaker 1: now having to shoulder this question and calling herself saddened.

1380
01:14:13,920 --> 01:14:16,040
Speaker 1: Let me tell you something to anyone out there listening,

1381
01:14:16,920 --> 01:14:19,599
Speaker 1: if you ever do anything that results in Zoe Cela

1382
01:14:19,640 --> 01:14:24,320
Speaker 1: Donia at a Q and A saying she's saddened, I

1383
01:14:24,360 --> 01:14:30,520
Speaker 1: don't think, Sonny, you saddened, Zoe? And how dare you?

1384
01:14:30,520 --> 01:14:33,720
Speaker 1: You said in Selena, I'm sure and you know the troubles.

1385
01:14:35,200 --> 01:14:39,400
Speaker 1: How could you do this? But Carlo Sophia, I think

1386
01:14:39,479 --> 01:14:45,400
Speaker 1: what we could learn from this, and imagine I had

1387
01:14:45,439 --> 01:14:47,799
Speaker 1: anything to learn from it. We can't all be trolled,

1388
01:14:47,840 --> 01:14:50,040
Speaker 1: and I think if this proves anything, it's that anyone

1389
01:14:50,080 --> 01:14:52,599
Speaker 1: can be a troll and everyone shall be off the computer.

1390
01:14:53,280 --> 01:14:55,720
Speaker 1: I don't think so, honey, Emelia Petez, this is the

1391
01:14:55,760 --> 01:14:58,240
Speaker 1: weirdest moment of culture ever. I don't think so, honey.

1392
01:14:58,720 --> 01:15:01,719
Speaker 2: And that's one minute we've we've really never seen anything

1393
01:15:01,760 --> 01:15:07,120
Speaker 2: quite like this. And Carlo Sofia Gascone, why did you

1394
01:15:08,320 --> 01:15:11,160
Speaker 2: No one on the movie or at Netflix told her

1395
01:15:11,240 --> 01:15:11,920
Speaker 2: to do this interview?

1396
01:15:11,920 --> 01:15:14,400
Speaker 1: By the way, Oh no, this seemed very of her

1397
01:15:14,439 --> 01:15:17,599
Speaker 1: own volition. If you don't know, no, you know, Carlos Sophia,

1398
01:15:17,640 --> 01:15:21,879
Speaker 1: it's been unearthed, has has said some tough, very bigoted,

1399
01:15:21,960 --> 01:15:27,200
Speaker 1: racist stuff in the past. Claims are arising from her

1400
01:15:27,400 --> 01:15:30,400
Speaker 1: camp that a lot of it is fake, but I

1401
01:15:30,439 --> 01:15:34,000
Speaker 1: don't know because she's like half contrite and half blaming

1402
01:15:34,040 --> 01:15:38,679
Speaker 1: everyone else. All I'm saying is Emilia Petes has brought

1403
01:15:38,720 --> 01:15:43,280
Speaker 1: so much chaos, and I'll say I'll say this, I

1404
01:15:43,280 --> 01:15:46,040
Speaker 1: hope it doesn't if she was gonna win that Oscar Zoe,

1405
01:15:46,240 --> 01:15:48,479
Speaker 1: I hope this didn't mess it up for her, right,

1406
01:15:48,640 --> 01:15:51,920
Speaker 1: because that would be a huge bummer. Obviously we have

1407
01:15:52,000 --> 01:15:54,240
Speaker 1: got a friend in the category, but you know, like

1408
01:15:54,320 --> 01:15:56,479
Speaker 1: it looks like she was gonna finally get this huge

1409
01:15:56,479 --> 01:15:59,200
Speaker 1: moment in her career, and it would be a shame.

1410
01:15:59,600 --> 01:16:02,760
Speaker 2: It would be shame. It's just a shame that one

1411
01:16:02,800 --> 01:16:06,640
Speaker 2: person can really fuck up a whole movies campaign.

1412
01:16:07,000 --> 01:16:10,080
Speaker 1: Well, when you go that far, I know. But I'm

1413
01:16:10,120 --> 01:16:12,719
Speaker 1: so crazy the stuff that's out there. I mean, it's

1414
01:16:12,760 --> 01:16:17,080
Speaker 1: like endless too, and I don't even my god, I

1415
01:16:17,280 --> 01:16:20,400
Speaker 1: have nothing really that trenchon to say. I'm just like,

1416
01:16:20,800 --> 01:16:23,800
Speaker 1: it's just mean. It's not even it's just mean. It's

1417
01:16:23,800 --> 01:16:25,360
Speaker 1: not like someone being like, hey, let me use my

1418
01:16:25,439 --> 01:16:27,720
Speaker 1: voice in this like you know, chaotic way and that's

1419
01:16:27,720 --> 01:16:31,120
Speaker 1: also gonna make people think it's just kind of lazy, mean,

1420
01:16:31,960 --> 01:16:36,599
Speaker 1: run of the mill, racist stuff and doesn't feel good.

1421
01:16:37,360 --> 01:16:38,840
Speaker 2: But what you're saying and you're I don't think so

1422
01:16:38,840 --> 01:16:41,639
Speaker 2: money is interesting. It's like anyone can be a troll,

1423
01:16:41,720 --> 01:16:44,439
Speaker 2: and any troll can be an Oscar nominee. It seems like,

1424
01:16:44,920 --> 01:16:48,639
Speaker 2: let's just like, if there's a pill that can turn

1425
01:16:48,720 --> 01:16:51,559
Speaker 2: off that part of your brain, that thing that makes

1426
01:16:51,600 --> 01:16:57,040
Speaker 2: you want to tweet something insane, let's invent it. Because well,

1427
01:16:57,760 --> 01:16:58,240
Speaker 2: it's like.

1428
01:16:58,200 --> 01:17:02,200
Speaker 1: This weird thing where this movie is like all things.

1429
01:17:02,040 --> 01:17:05,639
Speaker 1: It's kind of an interesting microcosm when you think about

1430
01:17:05,640 --> 01:17:09,599
Speaker 1: like internet culture and like also combining with this awards culture,

1431
01:17:09,640 --> 01:17:14,000
Speaker 1: because the trans community hates this movie. The Mexican community

1432
01:17:14,000 --> 01:17:17,120
Speaker 1: hates this movie, and it's the film. It's like the

1433
01:17:17,160 --> 01:17:21,240
Speaker 1: prestige film community and the industry community that loves this movie.

1434
01:17:21,400 --> 01:17:23,759
Speaker 1: And it's kind of like those things are at odds

1435
01:17:23,800 --> 01:17:26,720
Speaker 1: and yet also now this person is being canceled for

1436
01:17:26,800 --> 01:17:30,320
Speaker 1: saying these things, and so weirdly the right is like

1437
01:17:30,560 --> 01:17:34,360
Speaker 1: rallying for her, but she's trans, and it's just this

1438
01:17:34,880 --> 01:17:39,400
Speaker 1: very odd convergence of hot button things all around this

1439
01:17:39,560 --> 01:17:43,880
Speaker 1: movie that is I will say again bad nuts. This

1440
01:17:44,000 --> 01:17:48,439
Speaker 1: movie is d wackoed nuts. And yes there is like

1441
01:17:48,680 --> 01:17:51,519
Speaker 1: something interesting there being said. And like I do think

1442
01:17:51,520 --> 01:17:53,439
Speaker 1: it's well performed. I think it's always great. I think

1443
01:17:53,520 --> 01:17:57,920
Speaker 1: Selena is great. I thought Carlo Sophia's performance was pretty

1444
01:17:57,960 --> 01:18:02,840
Speaker 1: great too. But it's just it's so bizarre, like as

1445
01:18:02,880 --> 01:18:09,240
Speaker 1: a film and as a movie going experience that it

1446
01:18:09,439 --> 01:18:11,960
Speaker 1: leaves you scratching your head. And now all this extra

1447
01:18:12,040 --> 01:18:14,519
Speaker 1: stuff and now it's gonna go into the Oscars, and

1448
01:18:14,520 --> 01:18:17,160
Speaker 1: I'll tell you what, vibes are not gonna be as

1449
01:18:17,280 --> 01:18:21,880
Speaker 1: high as the Grammys. The Oscars vibes. M it's amounting

1450
01:18:21,960 --> 01:18:24,960
Speaker 1: to be like one of the most bizarre wackle years

1451
01:18:25,000 --> 01:18:25,840
Speaker 1: in Oscar history.

1452
01:18:26,920 --> 01:18:30,920
Speaker 2: We think mister Michael Schulman will write another chapter in

1453
01:18:31,000 --> 01:18:31,519
Speaker 2: his book.

1454
01:18:32,120 --> 01:18:34,519
Speaker 1: And also, wait, one more thing, speaking of bad vibes

1455
01:18:34,520 --> 01:18:37,720
Speaker 1: at the Oscars. That extended part with Will Smith last

1456
01:18:37,760 --> 01:18:40,280
Speaker 1: night at the Grammys. I'm sorry, who's watching that guy

1457
01:18:40,280 --> 01:18:42,720
Speaker 1: on television and not thinking about how he assaulted a

1458
01:18:42,720 --> 01:18:46,160
Speaker 1: man on TV? Who are is anyone out there? Just

1459
01:18:46,200 --> 01:18:49,519
Speaker 1: like are we just forgetting this? Also, Chris Brown one

1460
01:18:49,640 --> 01:18:55,160
Speaker 1: R and B album, like all I can make is Noises?

1461
01:18:55,840 --> 01:19:00,280
Speaker 2: Who's watching Will Smith go on about Quincy Jones to

1462
01:19:00,320 --> 01:19:05,479
Speaker 2: introduce the celebratory moment for Quincy Jones by telling a

1463
01:19:05,800 --> 01:19:10,639
Speaker 2: fully boring anecdote about about himself about himself at Quincy

1464
01:19:10,720 --> 01:19:13,640
Speaker 2: Jones at a snack table at Crafty, being like, this

1465
01:19:13,680 --> 01:19:17,440
Speaker 2: should be better food. That's not That is not meaningful.

1466
01:19:17,600 --> 01:19:20,040
Speaker 2: That is not a meaningful Quincy Jones contribution to the culture.

1467
01:19:20,040 --> 01:19:22,680
Speaker 2: I'm sorry, mister Smith. Quincy Jones telling you to get

1468
01:19:22,720 --> 01:19:25,160
Speaker 2: better craft services is not one of his most is

1469
01:19:25,200 --> 01:19:27,240
Speaker 2: not worth sharing to millions of people.

1470
01:19:26,960 --> 01:19:28,719
Speaker 1: Because he took care of people. And then Will Smith

1471
01:19:28,800 --> 01:19:31,120
Speaker 1: is like, and that's what I've striven to do my

1472
01:19:31,439 --> 01:19:35,120
Speaker 1: entire career, Like making it about him, Dude, this is

1473
01:19:35,479 --> 01:19:39,240
Speaker 1: extra disrespectful and I'm gonna mind my business. But I'm

1474
01:19:39,320 --> 01:19:42,400
Speaker 1: just gonna say, I don't know who out there is

1475
01:19:42,520 --> 01:19:46,920
Speaker 1: not thinking about him hitting Chris Rock on stage when

1476
01:19:46,960 --> 01:19:51,360
Speaker 1: he's on television at an award show, like in the round,

1477
01:19:51,479 --> 01:19:53,880
Speaker 1: in that same style that wasn't in the round, but

1478
01:19:53,880 --> 01:19:55,000
Speaker 1: you know what I mean. It was just it was

1479
01:19:55,320 --> 01:19:58,840
Speaker 1: reminiscent in a way that didn't make me comfortable. And

1480
01:19:58,880 --> 01:20:00,639
Speaker 1: I don't know who's hearing Chris around as a Grammy

1481
01:20:00,640 --> 01:20:03,240
Speaker 1: winner's name, and not thinking about those pictures of Rihanna

1482
01:20:03,479 --> 01:20:08,880
Speaker 1: when he beat her up. But anyway, apparently there's you know,

1483
01:20:08,960 --> 01:20:10,880
Speaker 1: maybe the vibes in that room were a little too good.

1484
01:20:12,439 --> 01:20:17,439
Speaker 2: Hmm. That's just that's all I have. Yeah, I've got something.

1485
01:20:17,560 --> 01:20:22,599
Speaker 1: Okay, everyone, Bowen Yang's got something, and I'm excited about

1486
01:20:22,600 --> 01:20:25,320
Speaker 1: that because he's gonna show off his I don't think so, honey,

1487
01:20:25,400 --> 01:20:28,360
Speaker 1: skills right now, this is Boonen Yang's.

1488
01:20:28,360 --> 01:20:30,640
Speaker 2: I don't think so, honey. His time starts now. I

1489
01:20:30,680 --> 01:20:32,840
Speaker 2: don't think so, honey. Las Vegas, I love you. You're

1490
01:20:32,880 --> 01:20:37,519
Speaker 2: such a beautiful city. There is something in the air

1491
01:20:37,640 --> 01:20:42,639
Speaker 2: about the casinos not understanding or knowing how they feel

1492
01:20:42,680 --> 01:20:46,719
Speaker 2: about theming towards Asians. Where you have beautiful, lunar neiar

1493
01:20:46,760 --> 01:20:48,760
Speaker 2: things out, but also you have slot machines. Half of

1494
01:20:48,760 --> 01:20:52,200
Speaker 2: your slot machines are something called the China Mystery with

1495
01:20:52,240 --> 01:20:54,680
Speaker 2: someone in like a little a little straw hat or

1496
01:20:54,680 --> 01:20:57,920
Speaker 2: some such like a rice patty hat, like let's meet

1497
01:20:58,000 --> 01:21:00,439
Speaker 2: in the middle. At least, those seem to be an

1498
01:21:00,439 --> 01:21:06,200
Speaker 2: opposite end of the orientalism spectrum. And I'm not saying

1499
01:21:06,200 --> 01:21:09,720
Speaker 2: we have to like clean up every weird slot machine. Like,

1500
01:21:09,800 --> 01:21:12,280
Speaker 2: of course that is part of the imagination of Asian

1501
01:21:12,280 --> 01:21:15,320
Speaker 2: people in this country. But let's pick one or the other.

1502
01:21:15,680 --> 01:21:19,960
Speaker 2: Either be like crazy in the depiction or celebrate the

1503
01:21:20,040 --> 01:21:23,840
Speaker 2: year of the wood Snake. I think those things coexisting

1504
01:21:24,520 --> 01:21:26,480
Speaker 2: is a little dissonant.

1505
01:21:26,720 --> 01:21:29,280
Speaker 1: And that's a minute. Yeah. And then there was that

1506
01:21:29,520 --> 01:21:32,679
Speaker 1: one slot machine with the Buddha on it, and credit

1507
01:21:32,720 --> 01:21:35,120
Speaker 1: me if I'm wrong. It was rubbing. He was rubbing

1508
01:21:35,160 --> 01:21:38,200
Speaker 1: his tits together and shaking his titties, which is not

1509
01:21:38,240 --> 01:21:41,439
Speaker 1: what Buddha does. I didn't feel like part of buddhast thing.

1510
01:21:41,880 --> 01:21:45,400
Speaker 2: You know, Buddha is not gonna shimmy. Buddha is gonna

1511
01:21:45,400 --> 01:21:49,840
Speaker 2: sit there and be perfect. I don't mind the buddhis sloti.

1512
01:21:49,960 --> 01:21:52,120
Speaker 2: I don't mind the Asian slot machines. I'm not saying

1513
01:21:52,200 --> 01:21:54,640
Speaker 2: take take every Asian slot machine. I love like what

1514
01:21:54,720 --> 01:21:57,320
Speaker 2: we were talking about rush Hour too, and I ever

1515
01:21:57,360 --> 01:21:58,880
Speaker 2: since that movie, it was like, I want there to

1516
01:21:58,920 --> 01:22:05,480
Speaker 2: be like a hugely bombastically Asian casino in Vegas. Unfortunately,

1517
01:22:05,600 --> 01:22:08,120
Speaker 2: I think the one that comes closest is the win honestly,

1518
01:22:09,280 --> 01:22:11,800
Speaker 2: but it's like one or the other, you know what

1519
01:22:11,880 --> 01:22:14,639
Speaker 2: I mean, Like you can't have the China mystery.

1520
01:22:14,720 --> 01:22:17,960
Speaker 1: And exactly that one saw machine where Buda was slipping

1521
01:22:17,960 --> 01:22:21,240
Speaker 1: it and reversing it. I didn't know about that one.

1522
01:22:21,840 --> 01:22:25,120
Speaker 1: So but right if you're noticing it, I think there's

1523
01:22:25,120 --> 01:22:26,960
Speaker 1: a huge problem. But I think we need to raise

1524
01:22:27,000 --> 01:22:30,080
Speaker 1: all of them to the ground. I'm sorry, no, no,

1525
01:22:30,360 --> 01:22:32,200
Speaker 1: leave only the vander Pumps standing.

1526
01:22:33,960 --> 01:22:34,800
Speaker 2: And Beauchamp.

1527
01:22:35,439 --> 01:22:37,960
Speaker 1: We had the best time at Bouchamp. Shout out to Beauchamp.

1528
01:22:38,680 --> 01:22:41,800
Speaker 1: We love Beauchamp. And we didn't wonder iful stay at

1529
01:22:41,840 --> 01:22:43,880
Speaker 1: the Encore. Yeah, we had a fabulous time.

1530
01:22:44,000 --> 01:22:46,120
Speaker 2: My first time in Vegas since I was a teenager.

1531
01:22:46,200 --> 01:22:47,840
Speaker 2: I could finally drink, I could find the gamble. I

1532
01:22:47,840 --> 01:22:50,479
Speaker 2: had a great time and we did and we did.

1533
01:22:50,680 --> 01:22:53,200
Speaker 2: We only bet with like small numbers, but like we

1534
01:22:53,200 --> 01:22:54,920
Speaker 2: were up. I think I was up like one hundred

1535
01:22:54,920 --> 01:22:58,000
Speaker 2: and sixty bucks. You were up. Our friend Cliff was up, up.

1536
01:22:58,080 --> 01:22:58,320
Speaker 1: Up.

1537
01:22:58,640 --> 01:23:01,800
Speaker 2: We commend you, Cliff. You really made a killing. Well

1538
01:23:01,840 --> 01:23:03,240
Speaker 2: he knows what he's doing, he really does.

1539
01:23:03,320 --> 01:23:04,880
Speaker 1: At the blackjack table, I kind of just look out

1540
01:23:04,960 --> 01:23:06,040
Speaker 1: in the corner of my eye and he just like

1541
01:23:06,080 --> 01:23:08,240
Speaker 1: shakes his head or he or he taps the table

1542
01:23:08,400 --> 01:23:10,960
Speaker 1: and I do what he says, and I'm up one sixty.

1543
01:23:11,200 --> 01:23:13,679
Speaker 2: Well, Cliff made me realize that some of these dealers,

1544
01:23:14,320 --> 01:23:16,479
Speaker 2: you forget you're playing against them in blackjacks, and some

1545
01:23:16,479 --> 01:23:18,400
Speaker 2: of these dealers don't have your best drists in mind.

1546
01:23:18,640 --> 01:23:20,840
Speaker 2: So anytime I ask what the dealer recommends, I have

1547
01:23:20,880 --> 01:23:23,280
Speaker 2: to go Wait a minute, I'm gonna ask Cliff, because

1548
01:23:23,280 --> 01:23:25,040
Speaker 2: Cliff knows. We love you. Cliff.

1549
01:23:25,320 --> 01:23:28,639
Speaker 1: Yeah, King Daddy his shirt said the whole time, yes,

1550
01:23:29,040 --> 01:23:32,160
Speaker 1: and he was right. He was right about that. Here's

1551
01:23:32,320 --> 01:23:34,400
Speaker 1: what I'll say. We're gonna end the episode. This was

1552
01:23:34,400 --> 01:23:37,000
Speaker 1: a culture catch up for the Ages, so much to

1553
01:23:37,040 --> 01:23:39,639
Speaker 1: catch up on. Really does hearken back to episode one?

1554
01:23:39,760 --> 01:23:42,800
Speaker 1: I gotta say, I'm saying this was the the Grammys.

1555
01:23:43,080 --> 01:23:44,400
Speaker 1: It was the Grammys again.

1556
01:23:45,120 --> 01:23:45,680
Speaker 2: Yeah.

1557
01:23:46,240 --> 01:23:48,639
Speaker 1: I want to apologize if our voices sound a little

1558
01:23:48,680 --> 01:23:53,800
Speaker 1: nasal and cowfish. We were in Vegas saying mine is no, no, no,

1559
01:23:54,160 --> 01:23:56,280
Speaker 1: you know what. I'm so sorry. I shouldn't have done that.

1560
01:23:57,479 --> 01:23:59,400
Speaker 2: I shouldn't have done that. I didn't mean for you

1561
01:23:59,439 --> 01:23:59,880
Speaker 2: to No.

1562
01:24:00,160 --> 01:24:01,320
Speaker 1: I was being a bitch.

1563
01:24:01,760 --> 01:24:03,600
Speaker 2: No, No, I was, I was. I was.

1564
01:24:03,960 --> 01:24:06,639
Speaker 1: I don't want to ascribe this to Bowen, as it's

1565
01:24:06,680 --> 01:24:09,040
Speaker 1: not the case I will say my voice sounds a

1566
01:24:09,080 --> 01:24:12,000
Speaker 1: little bit nasal and coffish because I've been in Vegas

1567
01:24:12,120 --> 01:24:15,320
Speaker 1: for three days and I'm as sick as I'm sure

1568
01:24:15,320 --> 01:24:18,960
Speaker 1: everyone is listening to this, because everyone in America is

1569
01:24:19,000 --> 01:24:23,080
Speaker 1: currently sick. I also want to implore you not to

1570
01:24:23,080 --> 01:24:23,879
Speaker 1: touch birds.

1571
01:24:25,080 --> 01:24:28,120
Speaker 2: I implore you not to touch birds. And I implore

1572
01:24:28,240 --> 01:24:31,800
Speaker 2: you to clean your nails, because somehow I got a

1573
01:24:31,880 --> 01:24:35,519
Speaker 2: staph infection. Last week, you got put ravage I got.

1574
01:24:35,760 --> 01:24:38,759
Speaker 2: I guess they're poopy nails or child's poopy nails.

1575
01:24:38,800 --> 01:24:41,040
Speaker 1: Well, Bowen wipes his ass with Justice hand.

1576
01:24:41,280 --> 01:24:44,599
Speaker 2: Well with my with my Oh god, how did we

1577
01:24:44,640 --> 01:24:45,120
Speaker 2: get here?

1578
01:24:45,520 --> 01:24:47,920
Speaker 1: But I didn't know that about my sister. He wipes

1579
01:24:47,960 --> 01:24:50,559
Speaker 1: his butt with Justice hands, no paper, He goes, I'm

1580
01:24:50,600 --> 01:24:57,599
Speaker 1: ricking Ray hands. Anyway. I guess that's how this episode

1581
01:24:57,640 --> 01:25:01,040
Speaker 1: is going to end with the poopy hands joke, and.

1582
01:25:00,920 --> 01:25:04,080
Speaker 2: We had in every episode with the song I'm breaking.

1583
01:25:09,960 --> 01:25:19,559
Speaker 1: I'm not yet off book. It's really it cos Jos

1584
01:25:19,800 --> 01:25:24,639
Speaker 1: fam not. We're gonna go stream it right now. We're leaving. Bye.

1585
01:25:27,520 --> 01:25:29,640
Speaker 2: Last Culture Eatis is the production by Will Ferrell's Big

1586
01:25:29,680 --> 01:25:32,360
Speaker 2: Money Players and My Heart Radio podcasts.

1587
01:25:31,600 --> 01:25:34,920
Speaker 1: Created and hosted by Matt Rogers and Bowen Yang Executive

1588
01:25:34,960 --> 01:25:38,280
Speaker 1: produced by Anna Hasnia and produced by Becker Ramos, Editing

1589
01:25:38,360 --> 01:25:41,040
Speaker 1: mixed by Doug Bamimnik for board and our music is

1590
01:25:41,040 --> 01:25:42,000
Speaker 1: by Henry Murski