1 00:00:00,160 --> 00:00:02,640 Speaker 1: The Princess of South Beach is available in English and 2 00:00:02,720 --> 00:00:11,639 Speaker 1: in Spanish. This is the English episode Espanol Regresfidol, I 3 00:00:11,840 --> 00:00:15,960 Speaker 1: Heart Radio's My Cultura Network and Sonoro present Princess of 4 00:00:16,000 --> 00:00:41,640 Speaker 1: South Beach. Oh leap alone. I don't want to talk 5 00:00:41,720 --> 00:01:00,600 Speaker 1: to you tomorrow. When TMC and all all the other 6 00:01:00,760 --> 00:01:04,679 Speaker 1: trashy magazines talk about what happened, they'll all say the 7 00:01:04,800 --> 00:01:09,160 Speaker 1: same thing that, just one month before her wedding, Miami 8 00:01:09,240 --> 00:01:14,280 Speaker 1: socialite Gloria Calderon dramatically ran down the pier, jumped into 9 00:01:14,319 --> 00:01:18,840 Speaker 1: her brand new speedboat, and crashed into an unfortunately placed 10 00:01:18,959 --> 00:01:24,800 Speaker 1: sea boulder, Yes a sea boulder. Anyway, they'll say that 11 00:01:24,840 --> 00:01:28,959 Speaker 1: she miraculously survived without a scratch on her body. But 12 00:01:29,040 --> 00:01:34,400 Speaker 1: they'll all be wrong. The magazine's Gloria's boyfriend, her own mother, 13 00:01:35,240 --> 00:01:39,240 Speaker 1: because even though everyone saw Gloria swim to shore that night, 14 00:01:40,240 --> 00:01:49,760 Speaker 1: Gloria is dead. How do I know? Because I am Gloria. Duh. 15 00:01:49,800 --> 00:01:52,760 Speaker 1: But I'm getting ahead of myself. Started with the accident 16 00:01:52,800 --> 00:01:55,680 Speaker 1: instead of the beginning. As you've noticed, I have a 17 00:01:55,720 --> 00:02:03,960 Speaker 1: flair for the dramatic. It's kind of my thing. So 18 00:02:04,280 --> 00:02:07,800 Speaker 1: this story actually begins with an orphan girl named Maria 19 00:02:07,840 --> 00:02:13,040 Speaker 1: del Carmen. What the cliche? This is a novella. Of 20 00:02:13,080 --> 00:02:15,440 Speaker 1: course there's going to be a poor, innocent orphan raised 21 00:02:15,480 --> 00:02:23,520 Speaker 1: in a convent Helloa. See her Mana Claudia. I'm here, 22 00:02:23,840 --> 00:02:28,359 Speaker 1: Mariam ha stopped cleaning. You're going to miss your buzz. 23 00:02:28,880 --> 00:02:31,840 Speaker 1: I'll help you with your bags. But in Mana Claudia, 24 00:02:32,000 --> 00:02:33,880 Speaker 1: according to the tour board, it's my day to do 25 00:02:33,919 --> 00:02:39,320 Speaker 1: the floors. Let her Mana Susanna do that. That woman 26 00:02:39,360 --> 00:02:48,160 Speaker 1: hasn't lifted a finger since ninety six. No, Nona Susanna, Maria, 27 00:02:48,440 --> 00:02:51,079 Speaker 1: are you sure you want to leave? It's not too 28 00:02:51,120 --> 00:02:54,040 Speaker 1: late to change your mind. We could always use another 29 00:02:54,120 --> 00:03:03,600 Speaker 1: nun here at the convent of Yes, we've been through 30 00:03:03,600 --> 00:03:06,359 Speaker 1: this like a million times. I don't want to become 31 00:03:06,360 --> 00:03:09,760 Speaker 1: a nun. I want to be a normal person. Not 32 00:03:09,800 --> 00:03:12,160 Speaker 1: that nuns aren't normal people, but you know what I mean. 33 00:03:12,240 --> 00:03:15,840 Speaker 1: I just want to like pay taxes and complain about 34 00:03:15,840 --> 00:03:20,440 Speaker 1: traffic and oh to try a sinnabon. But obviously I'm 35 00:03:20,480 --> 00:03:24,000 Speaker 1: super grateful that you, you know, raised me and fed me, 36 00:03:24,400 --> 00:03:28,679 Speaker 1: saved my life, you know me. Please, there's no need 37 00:03:28,760 --> 00:03:32,680 Speaker 1: to thank me. I loved raising you. As my own, 38 00:03:33,320 --> 00:03:36,920 Speaker 1: all of it, even the dirty diapers. Well maybe not 39 00:03:37,000 --> 00:03:41,240 Speaker 1: the diapers so much, but everything else. Oh, I can't 40 00:03:41,240 --> 00:03:45,440 Speaker 1: feel it. It's been twenty two years. But you know 41 00:03:45,480 --> 00:03:49,600 Speaker 1: what they say, time flies when you're serving the Lord. 42 00:03:50,160 --> 00:03:53,400 Speaker 1: I have never heard that one before. It's a non thing. 43 00:03:54,280 --> 00:03:58,840 Speaker 1: Just promise me that you won't forget who you are. Oh, 44 00:03:58,920 --> 00:04:03,320 Speaker 1: and promise that you won't listen to I'm pretty sure 45 00:04:03,360 --> 00:04:11,600 Speaker 1: it's satanic. I'm badon is what makes it so catchy? 46 00:04:11,640 --> 00:04:15,160 Speaker 1: Before I leave? Are you one hundred percent certain that 47 00:04:15,200 --> 00:04:17,680 Speaker 1: you don't know anything about my parents? I'm a mood. 48 00:04:17,720 --> 00:04:21,400 Speaker 1: If I knew anything, i'd tell you. But as you know, 49 00:04:21,600 --> 00:04:24,960 Speaker 1: you arrived on our doorstep like Moses in a basket 50 00:04:25,120 --> 00:04:28,640 Speaker 1: with nothing. Oh please, not the Moses story again. You 51 00:04:28,760 --> 00:04:33,240 Speaker 1: literally arrived in a woven basket, and we gave you everything, 52 00:04:33,360 --> 00:04:38,839 Speaker 1: even your name. Maria after the Mother of God and Carmen, 53 00:04:39,120 --> 00:04:42,960 Speaker 1: after that famous explorer Carmen san Diego. I love that show. 54 00:04:44,200 --> 00:04:46,080 Speaker 1: Here is the address for the job I found via. 55 00:04:46,440 --> 00:04:52,080 Speaker 1: Remember we're not far away. Caio step India, Maria, I 56 00:04:52,200 --> 00:05:00,799 Speaker 1: love you, and Manna Claudia Elios. There's my tickets. Anyone 57 00:05:01,160 --> 00:05:04,200 Speaker 1: did not forget it? Can you can you let me 58 00:05:04,200 --> 00:05:06,680 Speaker 1: know when we've arrived at South Beach? Oh? Great, another 59 00:05:06,720 --> 00:05:09,039 Speaker 1: innocent angeneue on the way to the big sitting. As 60 00:05:09,040 --> 00:05:22,599 Speaker 1: if I didn't have enough to do. Ocean drive, South Beach, 61 00:05:22,640 --> 00:05:28,240 Speaker 1: South Beach, Miami, Zies. Do you know where I can 62 00:05:28,279 --> 00:05:30,279 Speaker 1: find this address? Well? I don't know. Do I look 63 00:05:30,320 --> 00:05:32,760 Speaker 1: like a wise owl? Hold Google Maps? Do you think 64 00:05:32,760 --> 00:05:35,640 Speaker 1: I can help guide you? Whether it's walking, driving, or bike? 65 00:05:35,920 --> 00:05:45,080 Speaker 1: Come on, get off. Wow, I've never felt sand before. 66 00:05:45,120 --> 00:05:47,560 Speaker 1: I don't even think i've ever seen the ocean. That 67 00:05:47,760 --> 00:05:58,160 Speaker 1: man is not wearing any pants. Oh my god, this 68 00:05:58,240 --> 00:06:01,920 Speaker 1: place is amazing. How a shandelier? I thought those were 69 00:06:01,960 --> 00:06:08,479 Speaker 1: only in cartoons. Hello, Hello, good morning, miss Welcome to 70 00:06:08,520 --> 00:06:12,360 Speaker 1: the Palace Country Club. Are you a new member? No? Um, 71 00:06:12,400 --> 00:06:14,920 Speaker 1: my name is Maria LEL Carwin. I don't know if 72 00:06:14,920 --> 00:06:16,760 Speaker 1: I'm at the right address, but today is my first 73 00:06:16,800 --> 00:06:20,159 Speaker 1: day of work. Oh you're the girl from the convent. 74 00:06:20,320 --> 00:06:22,920 Speaker 1: You're three minutes. I'm sorry, it's just I don't want 75 00:06:22,960 --> 00:06:25,440 Speaker 1: to listen to your excuses Muchacha. As I said to 76 00:06:25,520 --> 00:06:29,640 Speaker 1: my sister ermana cloudy wait hermana clia as your sister. No, 77 00:06:30,080 --> 00:06:32,320 Speaker 1: but she's a childhood friend. So I call her sister, 78 00:06:32,680 --> 00:06:38,840 Speaker 1: Ermana Claudy. That's redundant. You're redundant, oh, as I said 79 00:06:38,880 --> 00:06:42,520 Speaker 1: to my sis to Ermana Claudia, I got your job 80 00:06:42,520 --> 00:06:45,599 Speaker 1: as a lifeguard. Lifeguard. Oh, I thought I was only 81 00:06:45,600 --> 00:06:47,760 Speaker 1: going to serve coffees or bus tables. But wow, okay, 82 00:06:47,880 --> 00:06:50,120 Speaker 1: I knew those swimming lessons would have eventually pay off. 83 00:06:50,279 --> 00:06:52,920 Speaker 1: Why don't they weren't lessons? Per se? Nasana would throw 84 00:06:52,920 --> 00:06:54,360 Speaker 1: a milky way into the pool and the orphans had 85 00:06:54,360 --> 00:06:55,400 Speaker 1: a race to get it, and we lost a lot 86 00:06:55,440 --> 00:07:00,600 Speaker 1: of good kids. Need your tragic life story, me, Hi Foward. 87 00:07:00,880 --> 00:07:03,360 Speaker 1: You can leave your stuff in the locker room around 88 00:07:03,360 --> 00:07:08,600 Speaker 1: the back. My name is Ector, but you can call 89 00:07:08,720 --> 00:07:16,920 Speaker 1: me Ector Enrique Wild. You'll report to me. Here's your uniform. 90 00:07:17,080 --> 00:07:20,880 Speaker 1: Please get changed and I'll show you your station. This 91 00:07:20,960 --> 00:07:25,080 Speaker 1: is my uniform. Oh my goodness, I'll be practically naked. Look, kid, 92 00:07:25,240 --> 00:07:28,560 Speaker 1: you're not the convent anymore. I don't know if you noticed, 93 00:07:28,600 --> 00:07:32,440 Speaker 1: but there are thousands of girls on the beach sun 94 00:07:32,480 --> 00:07:41,080 Speaker 1: tanning their butt cracks. I keeping sails data SCA. So 95 00:07:41,160 --> 00:07:44,360 Speaker 1: either put on the uniform or throw in a habit 96 00:07:44,680 --> 00:07:48,120 Speaker 1: and head back. Well, can I at least cover myself 97 00:07:48,120 --> 00:07:50,920 Speaker 1: with like a sweater or something. It is a hundred 98 00:07:51,000 --> 00:07:54,120 Speaker 1: degrees and more humid than a fart in leather pants. 99 00:07:54,200 --> 00:07:57,040 Speaker 1: But it's a free country, so don't come crying to 100 00:07:57,160 --> 00:08:01,000 Speaker 1: me when you get a heat stroke. Now hurry them. 101 00:08:08,720 --> 00:08:12,600 Speaker 1: And that's where everything really began for our innocent and 102 00:08:12,840 --> 00:08:17,400 Speaker 1: sweet and annoyingly naive Maria del Garman. She thought it 103 00:08:17,440 --> 00:08:21,080 Speaker 1: was the beginning of her normal life. Maybe she would 104 00:08:21,080 --> 00:08:23,600 Speaker 1: meet a moderately handsome boy and they'd fall in love, 105 00:08:24,120 --> 00:08:26,360 Speaker 1: and then they'd break up, and she'd find another one, 106 00:08:26,680 --> 00:08:29,360 Speaker 1: and then they'd break up and she'd gain ten pounds. 107 00:08:29,400 --> 00:08:33,120 Speaker 1: The point is she wanted a normal life, but after 108 00:08:33,160 --> 00:08:35,760 Speaker 1: what she saw that night at the beach, a normal 109 00:08:35,840 --> 00:08:55,320 Speaker 1: life would be impossible. Of course, Miss Kennedy, I will 110 00:08:55,400 --> 00:09:01,920 Speaker 1: change that tennis reservation right away. Okay, goodbye, Jesus, no'm girl, 111 00:09:01,960 --> 00:09:06,520 Speaker 1: you look terrible. My ya, Get five chas, Get gluts meal. 112 00:09:07,840 --> 00:09:10,760 Speaker 1: It was the longest day ever. I'm so thirsty. Can 113 00:09:10,800 --> 00:09:14,520 Speaker 1: I grab a water bottle? Um dose spottles are imported 114 00:09:15,200 --> 00:09:20,760 Speaker 1: aqua from Fiji and they are for the Yes, just 115 00:09:20,880 --> 00:09:23,760 Speaker 1: take it out of your Paycheck'll be here tomorrow. At 116 00:09:23,800 --> 00:09:28,080 Speaker 1: six am. You got it, not six? So three? Not okay? Okay, 117 00:09:28,120 --> 00:09:32,599 Speaker 1: say yeah, they'll say so jo No six a m 118 00:09:32,880 --> 00:09:51,800 Speaker 1: sector ector enu Yes see you tomorrow. God he's hot. Hey, 119 00:09:51,840 --> 00:09:59,760 Speaker 1: hey guys, the beach is closed. Please get out of 120 00:09:59,760 --> 00:10:04,760 Speaker 1: the wall water. You can't be out here. Beach is closed. Seriously, 121 00:10:04,920 --> 00:10:07,120 Speaker 1: get out of here or I'm gonna have to call security. 122 00:10:07,240 --> 00:10:25,600 Speaker 1: The beach is closed. I've got you. Oh, look at her. 123 00:10:25,880 --> 00:10:28,600 Speaker 1: She's been a lifeguard for only five hours and she's 124 00:10:28,679 --> 00:10:32,240 Speaker 1: already trying to rescue me. Remember the boat crash from 125 00:10:32,240 --> 00:10:36,320 Speaker 1: the beginning with the unfortunately placed sea boulder. Yeah, it's 126 00:10:36,760 --> 00:10:41,559 Speaker 1: literally happening now and there among the crashing waves, Maria 127 00:10:41,600 --> 00:10:45,520 Speaker 1: that garment tried to pull me, Gloria Calderone, to safety. 128 00:10:46,520 --> 00:10:49,520 Speaker 1: But when she looked at my lifeless body, she saw 129 00:10:49,520 --> 00:10:55,520 Speaker 1: a familiar face. Her face, my face, the face of 130 00:10:55,600 --> 00:11:03,199 Speaker 1: her twin sister. No, no, no, what is this? I 131 00:11:03,360 --> 00:11:08,400 Speaker 1: can't be It was like looking in a mirror. Well 132 00:11:08,920 --> 00:11:12,760 Speaker 1: sort of, I'm like the cute twin. But anyway, this 133 00:11:12,840 --> 00:11:22,880 Speaker 1: is the part where I die. I couldn't save her. 134 00:11:23,800 --> 00:11:30,920 Speaker 1: Please please forgive me. No, no, I'm not Gloria. Is 135 00:11:30,920 --> 00:11:34,280 Speaker 1: it true you have not here with Steve. What I 136 00:11:34,360 --> 00:11:40,200 Speaker 1: am not Claudia? Thank god? Where were you thinking, my love? 137 00:11:40,520 --> 00:11:43,720 Speaker 1: I thought you were dead? Who are you? Who's Clodia? 138 00:11:43,920 --> 00:11:46,920 Speaker 1: Oh my god, you're in shock. Guys, seriously give her 139 00:11:46,920 --> 00:11:50,120 Speaker 1: some space. Come, my love. Okay, the car is right here. No, 140 00:11:50,520 --> 00:11:52,640 Speaker 1: I don't know you, and I have to save her. 141 00:11:52,679 --> 00:11:57,360 Speaker 1: I have to. I have to sing. I got you, 142 00:11:57,400 --> 00:12:02,040 Speaker 1: I got you. Get out of the way. Oh my god, 143 00:12:02,040 --> 00:12:11,920 Speaker 1: she's so cool. Why's so cool? And that's how poor 144 00:12:11,960 --> 00:12:17,240 Speaker 1: innocent Maria del Garmin became me Gloria Calderon. Oh see, 145 00:12:17,480 --> 00:12:20,920 Speaker 1: I am Gloria, but she is now also Gloria because 146 00:12:20,960 --> 00:12:23,920 Speaker 1: everyone thinks she's me. But I am not Maria del Garment. 147 00:12:23,960 --> 00:12:27,200 Speaker 1: Even though I looked like it sounds more complicated than 148 00:12:27,240 --> 00:12:29,960 Speaker 1: it actually is, and even though me dying is a 149 00:12:30,000 --> 00:12:33,640 Speaker 1: total bummer. Without that accident, Maria del Garman would have 150 00:12:33,679 --> 00:12:36,240 Speaker 1: never found out who her real parents were, not to 151 00:12:36,280 --> 00:12:39,560 Speaker 1: mention all the juicy secrets that Calderon family was hiding. 152 00:12:39,880 --> 00:12:43,920 Speaker 1: But I'm getting ahead of myself again. I told you dramatic, 153 00:12:44,840 --> 00:12:47,120 Speaker 1: but I do know one thing for sure. I'm not 154 00:12:47,160 --> 00:12:50,160 Speaker 1: the only one who dies in this story. Sorry, that 155 00:12:50,320 --> 00:12:57,319 Speaker 1: was dramatic again. If you're enjoying Princess of South Beach, 156 00:12:57,520 --> 00:13:01,240 Speaker 1: please subscribe, rate, and review our show wherever you're listening. 157 00:13:02,240 --> 00:13:04,600 Speaker 1: The Princess of South Beach is a production of Ihearts, 158 00:13:04,640 --> 00:13:08,400 Speaker 1: Michael Tura Podcast Network and Sonoro. Created and directed by 159 00:13:08,480 --> 00:13:12,319 Speaker 1: Jasmine Romero. Written by Jasmine Romero and Joanna Houseman, with 160 00:13:12,360 --> 00:13:16,800 Speaker 1: help from Daniela Serkis, Monisa Heinris and Christian Hattar. Produced 161 00:13:16,800 --> 00:13:20,360 Speaker 1: by Luis Ordo Castillo, Executive produced by Conald Byrne and 162 00:13:20,440 --> 00:13:24,199 Speaker 1: Giselle Bances for iHeart by Joanna Housman, and by Jasmine 163 00:13:24,240 --> 00:13:28,440 Speaker 1: Romero and Joshua Weinstein or Sonaro performances in this episode 164 00:13:28,480 --> 00:13:33,800 Speaker 1: by Rachel Zegler, Andy Bustillos, Yvonne Cole, Alexis Guerreros, Luis 165 00:13:33,960 --> 00:13:38,640 Speaker 1: Eduardo Mora, and Eileen Clarke. Our production manager is Guerreensachaitis. 166 00:13:39,040 --> 00:13:42,840 Speaker 1: Recording and engineering by Emiliano Quintaner, with sound designed by 167 00:13:42,960 --> 00:13:48,800 Speaker 1: Eduin Irigoyen, Cassandra Tinajo, Andres Bayena, Diego Medina and Andres Coronado. 168 00:13:49,040 --> 00:13:52,920 Speaker 1: Assistant sound designed by Eric Senttheno, Casting and coordination by 169 00:13:52,960 --> 00:13:57,400 Speaker 1: Andres Chaitis. Folly by Samantha Gonzalez fong our theme song 170 00:13:57,480 --> 00:14:01,240 Speaker 1: and original music by Rodrigo garcier Roles and Charlie Hernandez