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Speaker 1: I think it's time to proceed with the pimping man.

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Speaker 1: There's been enough bullshitting about the politics of the United

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Speaker 1: States of America. It's time to get serious and go

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Speaker 1: to work because we ain't bringing nobody doing the trap

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Speaker 1: that's not certified in every ghetto. Come on, man in America.

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Speaker 1: Come on, I told you that we only bring it

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Speaker 1: ghetto legends. Come on to the trap. Come on that

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Speaker 1: We've been sitting here kicking the wooly Bobo and this

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Speaker 1: bro that we got on the show with us tonight.

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Speaker 1: It's most definitely, most definitely a ghetto legend. Get legend.

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Speaker 1: He earned that. Come on, I'm talking about on Americus.

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Speaker 1: Come on, man, I think he really from that time

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Speaker 1: period TV show. Come on, I'm talking about this ship

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Speaker 1: just had to be Come on right here from left,

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Speaker 1: come on, holy right post have been here after episode one,

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Speaker 1: come over, man came after he got the all this.

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Speaker 1: Come on, man, after you found out you had to

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Speaker 1: part Now he had to run, he had to run

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Speaker 1: and now but it's yeah, it's definitely full serve. You

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Speaker 1: need to be here. Yeah, man, you know it's here.

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Speaker 1: It's just dope one. You know, us as comedians, we

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Speaker 1: get to reach across the entertainment board. You know, politics

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Speaker 1: what somebody people and somebody friends on the other side

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Speaker 1: of the game that's still handling business in the same aspect,

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Speaker 1: in the same way of light that we're doing it

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Speaker 1: on this side. And it's like, first of all, we

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Speaker 1: want to make sure you get all your propers man

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Speaker 1: and all your flowers. Is because what y'all doing over there,

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Speaker 1: it's beautiful and it's and it's really like a classic

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Speaker 1: already got America on the edge of their seat waiting

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Speaker 1: to see that ship man, one of the best Crown

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Speaker 1: dramas on TV. You up there in that pantheon with

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Speaker 1: all them great shows. And I think this show is

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Speaker 1: even gonna have some legs man like people steadily getting

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Speaker 1: turned onto it, you know what I'm saying, Like you

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Speaker 1: started now for in it, so yeah, and the memes

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Speaker 1: just dope too. Yeah, but yeah, and you're doing some

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Speaker 1: ghetto legendary shit. So it's only right that you pulled

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Speaker 1: up to the eighty five South Show, ladies and gentlemen,

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Speaker 1: none other than I say, y'all, first of all, let's go,

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Speaker 1: welcome to the trap. Come on at home. I'm already

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Speaker 1: at home. I'm chilling. We got all types of ship

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Speaker 1: going on. How you being been good? How's your mental health?

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Speaker 1: We got to ask that now as black men, they

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Speaker 1: shouldn't asking enough mental been good man, Just a lot

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Speaker 1: of a lot of life transitions. Yeah, it's been good.

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Speaker 1: It's taking life day by day as we as that's

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Speaker 1: all we can do. So before we even talk about

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Speaker 1: one of the dopest shows on TV, we're gonna take

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Speaker 1: it back a step further. How did how did it

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Speaker 1: all this even start? Man? How you start acting? My boy?

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Speaker 1: Black people don't call it acting? You how see you

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Speaker 1: see whatever didn't make it? Will you be asking your

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Speaker 1: way to jail? See? You should have been some dad alone.

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Speaker 1: I think we ain't got ship to get wet. We're

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Speaker 1: gonna see you so because you should have won it.

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Speaker 1: God damn that was amazing. Appreciate So how did all

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Speaker 1: how do you start acting? Man? Man? Uh? How did

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Speaker 1: I start acting? So? Apparently I've always wanted to be

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Speaker 1: an actor, which I didn't really understand until like later

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Speaker 1: in life. I wrote it down when I was in

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Speaker 1: fifth grade that I wanted to be an actor. In

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Speaker 1: a veterinarian random you still got time to be a veterinarian.

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Speaker 1: My boy, I mean I got two many animals at

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Speaker 1: it this so I'm oh, yeah, I got a whole

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Speaker 1: animal sleeve, like my leg sleeve. Damn Africans, tiger striping,

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Speaker 1: freak ship all the way here, I got. You got

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Speaker 1: the move and even you say animals like you stopping

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Speaker 1: at dogs and cats or you got no. I mean

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Speaker 1: I got a lot of lands. So I might have

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Speaker 1: like chickens, goats, like salamas. B I don't want the lamas.

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Speaker 1: They be spitting. Yeah, they spit. I don't want that.

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Speaker 1: Give you some of them little ghosts just pass out.

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Speaker 1: I don't want that either. Yeah. They just you're scaring.

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Speaker 1: Oh shit, you're scaring. They go sha keep getting just

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Speaker 1: being the back just like but yeah. So when I

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Speaker 1: was thirteen, uh, that was when I like I made

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Speaker 1: the conscious decision that I was like, you know, I

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Speaker 1: want to try acting. Um, And I was really shy

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Speaker 1: growing up. So when I told my mom that I

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Speaker 1: wanted to act, she was like, no, you don't, like

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Speaker 1: you don't have the personality for it. And I'm like,

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Speaker 1: I really want to do it. So it took a

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Speaker 1: year for me to like convince her that I was serious,

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Speaker 1: and my dad, he works at the hospital, and his

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Speaker 1: co worker he was in film school and he was

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Speaker 1: doing a short film and he was like, yeah, I

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Speaker 1: need I need an actor from my short film or whatever.

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Speaker 1: My dad was like, well, my son wanted to try acting,

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Speaker 1: so you can use my son. And so that was

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Speaker 1: the first acting gig I had, was a short film

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Speaker 1: about domestic violence. And ever since then, I just I

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Speaker 1: ran with it. I just started studying. I didn't I

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Speaker 1: didn't want an audition for nothing that I just wanted

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Speaker 1: to study, like because to me, I'm big on like

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Speaker 1: my pride. This just won't let me like not put

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Speaker 1: my all into it, and I didn't want to be

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Speaker 1: viewed as trash. So I just I'm like, I gotta

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Speaker 1: study this craft because I want to be good. So

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Speaker 1: I spent most of my years pursuing acting, just studying

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Speaker 1: with different coaches and figuring out which method worked better

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Speaker 1: for me, attacking different characters. So um so yeah, that's

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Speaker 1: pretty much what I did, like throughout my teams. When

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Speaker 1: I hit high school, I was at a public school

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Speaker 1: for like my first semester nther grade, and I was like,

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Speaker 1: I need to get homeschool so I can like really

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Speaker 1: dive in some more into my craft. So my parents

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Speaker 1: was cool with it, and so I started like traveling

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Speaker 1: to la Luckily, this amazing coach that is my favorite

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Speaker 1: coach that I worked with so far. His name is

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Speaker 1: called Forward. He came down to Atlanta and did like

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Speaker 1: an intensive and we started well, started like seven pm

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Speaker 1: and won't stop till seven am. I'm just straight acting

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Speaker 1: like overnight. Because his whole ideology behind that was like,

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Speaker 1: you need to be ready even when you're tired. Yeah,

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Speaker 1: that's a lot of times, you know how these shoes.

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Speaker 1: And I've always been the youngest in my in my

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Speaker 1: class like back then, so around that time, I was

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Speaker 1: seventeen and like he was. He was just telling me

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Speaker 1: like how great he thought I was and stuff like that.

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Speaker 1: And so I was a part of this acting group

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Speaker 1: called Away and Gail being she was actually but I

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Speaker 1: never met her. We never never met. I never met,

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Speaker 1: which is crazy, Yeah, it is crazy. So we never met,

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Speaker 1: but I did. I did this thing called Monologue Slam

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Speaker 1: where any actor in Atlantic could audition just performing monologue

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Speaker 1: and they chose like the top ten actors and if

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Speaker 1: you were the top ten, you could perform that monologue

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Speaker 1: in front of John Singleton. So I was like, dope,

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Speaker 1: So I did it. I was one of the top ten.

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Speaker 1: But when it came down town to perform in front

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Speaker 1: of John Singleton, he never showed up. So I was like, bro,

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Speaker 1: what like never showed up. They said he was stuck

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Speaker 1: on his boat like around some island line. So that

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Speaker 1: kind of like crushed my dreams at that point. Um.

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Speaker 1: And then so I graduated high school in twenty fourteen. Uh.

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Speaker 1: After that, my dad, he's Caribbing, he from Trinidad, grew

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Speaker 1: with Jamaica. And when I told him I didn't want

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Speaker 1: to go to college and I wanted to still pursue acting,

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Speaker 1: that was like a whole conversation. He was like, you

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Speaker 1: know you did you go on to school? And I

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Speaker 1: was like, like my mom was she? She she really

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Speaker 1: pushed me, you know, and my acting Christians like no,

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Speaker 1: like I really think he could do it. So I

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Speaker 1: didn't go to college. Um, and I was still auditioning

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Speaker 1: for different roles by this point. I still haven't booked

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Speaker 1: anything really at all. I'm still just studying the craft.

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Speaker 1: And so, um, when I was how it was, I

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Speaker 1: don't know. But after that, after high school. The only

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Speaker 1: job I can get I was flexible with auditions, was

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Speaker 1: like a restaurant job. So I had a restaurant job.

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Speaker 1: I was eighteen. I was a server, and which was

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Speaker 1: it was? It was? It was like a little I knew.

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Speaker 1: The owner was like a smaller restaurant called Village Cafe.

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Speaker 1: And the manager at the time he probably gonna see

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Speaker 1: this ship too. The manager at the time. I couldn't

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Speaker 1: come into work because I had an audition. I was like,

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Speaker 1: I told Burl, like, I got this audition tomorrow. Like

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Speaker 1: he was like, well, if you can't find nobody to

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Speaker 1: take over your shift, then you can't go. I'm like,

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Speaker 1: what tell me I can't go to audition? So I

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Speaker 1: just ain't go. So he wrote me up. He wrote

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Speaker 1: me up and on the write up, and I wish

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Speaker 1: I intended to keep it because I always knew who

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Speaker 1: I was gonna become, right, But on the write up,

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Speaker 1: he said, you miss work for an audition where you

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Speaker 1: know you're not going make it in this industry, Like

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Speaker 1: you're not gonna make it in the industry, And so

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Speaker 1: I wouldn't say that legally, you ain't gotta stating that ship.

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Speaker 1: So after that, like I quit shortly after that, and

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Speaker 1: then I became a janitor at a gym, and I

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Speaker 1: was a janitor for like two years. But honestly I

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Speaker 1: loved that job. Like that janitor job was lit work.

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Speaker 1: The reason why I was late because I learned a

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Speaker 1: lot about myself, Like I learned uh patience. Uh. It

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Speaker 1: really like helped me creatively because I had so much

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Speaker 1: time to myself. Yeah, that's an og job. Janitor was young, clean,

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Speaker 1: down like it was like it was like I felt

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Speaker 1: like it was like an old people gym. It was

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Speaker 1: just a whole bunch of old white people at this gym.

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Speaker 1: Oh yeah, so they was leaving phones and money. In

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Speaker 1: twenty twenty fifteen, I bought a small roll in Barber

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Speaker 1: Shop three. It was just one once one quick scene

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Speaker 1: with Tiger and Michael Rainey, and they used that scene

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Speaker 1: in the prom that's when Tiger was again. Remember that.

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Speaker 1: I'm like, I like, I'm like, what ain't got this Chicago? This? No,

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Speaker 1: I'm when you said that ship the first ship in

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Speaker 1: the land, like Nigga Tiger was in Bobby right right? Yeah,

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Speaker 1: only lad, I remember from any of the Barber Shop series.

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Speaker 1: If you want to get down, you kept the vote

191
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Speaker 1: for le Loo Brown. That's the only I don't remember

192
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Speaker 1: nothing about the barber shop through Beside tiger An, the

193
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Speaker 1: gamest in the movie dumped out, like, what's up y'all,

194
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Speaker 1: and I was that's the scene I was in. You

195
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Speaker 1: don't wanted the game? Yeah, so true, man, I excuse

196
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Speaker 1: too seriously, Bro, Barbara, I don't believe that ship. I

197
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Speaker 1: excut way too lean to being Barbara. What you want

198
00:12:43,760 --> 00:12:48,880
Speaker 1: to get, Jake? What your line up? It's fucked up? No,

199
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Speaker 1: it's good. Why are you running all in the shot?

200
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Speaker 1: You wouldn't let me get away the Ship't know, Barbara,

201
00:13:00,720 --> 00:13:05,200
Speaker 1: that me ain't nobody coming back there just because you

202
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Speaker 1: owned the shop. Calvin Youmber his name, So just the

203
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Speaker 1: guy there, RecA you got there was just studying acting. Yeah,

204
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Speaker 1: on your own. Wasn't even auditional. You were just getting good.

205
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Speaker 1: I was trying to get auditions, but I really wasn't

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Speaker 1: getting them any auditions. But you kept by, Hey, that's

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Speaker 1: what the people, that's the grand dough. Yeah right, you

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Speaker 1: put the work in. Yeah, it did so by the

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Speaker 1: time so you said it was thirteen and by high

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Speaker 1: school you was auditioning for ship and you hit that

211
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Speaker 1: job secret to ship didn't get that ship? Yeah, well

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Speaker 1: that was that was that was really just like to

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Speaker 1: get in front of him. Um. But like while I

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Speaker 1: was doing the janitor job, I was doing a lot

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Speaker 1: of auditions, even after Barbara shop Um. And the weird

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Speaker 1: part about the industry back then for me was it

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Speaker 1: was my look. My luck hindered me a lot because

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Speaker 1: I was audition obviously for African American roles, and they

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Speaker 1: would tell me that I don't look black American. Really,

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Speaker 1: what you look like a nigga to me? But see

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Speaker 1: that's what they don't. They never tell you what's what

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Speaker 1: you look like? Because sell me what I look like.

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Speaker 1: I'm saying, though, that's the same I'm not talking about that.

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Speaker 1: Black people come in a thousand different colors back about

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Speaker 1: exactly exactly. Now you're starting to get this if people

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Speaker 1: look to say, no, he's but if you really look

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Speaker 1: at just history, it's just like that. But that's the

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Speaker 1: thing about it. But even if you even if they

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Speaker 1: thought that shit, they still shouldn't tell a black man

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Speaker 1: that he can't audition to be a black Yeah, what's

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Speaker 1: he was? The people black that they would telling you

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Speaker 1: wasn't black enough? Yeah, that was black. Yeah, that try

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Speaker 1: to overdo it. It's like the black police. It really

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Speaker 1: like it really wasn't like you ain't black enough. It's

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Speaker 1: like you don't look like the rest of the family,

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Speaker 1: like everybody else look obviously black. You how much shit

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Speaker 1: they don't know about black people. The family got in

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Speaker 1: the house, got one motherfucker, don't look like no bad facts.

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Speaker 1: Oh my mama, it's just a random man's baby, and

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Speaker 1: like your mama, don't really talk about this like everybody family,

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Speaker 1: you know, you know, she looked like everybody got the

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Speaker 1: same last name. House looked like my brother brother, you

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Speaker 1: got an uncle name Peewee. You know how that's how

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Speaker 1: black families work, go on here to get in position

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Speaker 1: man because they don't even know bro. Sometimes black families

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Speaker 1: that just have a random man's white person in that motherfucker.

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Speaker 1: Oh mama's exactly. Yeah, here's with your aunt that day,

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Speaker 1: your grandma saster. You never know, just a random man's

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Speaker 1: white side of the family. I write, some ship keep

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Speaker 1: going for here. But so after that, like it just

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Speaker 1: fucked up. That scouraged me because to me, it's like

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Speaker 1: if you tell me I'm bad, that's cool. I can

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Speaker 1: get better you tell me I ain't, but because my look,

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Speaker 1: I'm gonna do some paper, like I'm gonna get this role.

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Speaker 1: But like at that point, I was just like, you

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Speaker 1: know what, I just wanted to take a break from

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Speaker 1: even pursuing acting. Um So, in twenty fifteen, Snowfall did

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Speaker 1: their original pilot John Singleton, you know he wrote it.

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Speaker 1: He cast everybody. You gotta tell us how you reconnected

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Speaker 1: with him. I ain't reconnecting it yet. I've been telling

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Speaker 1: you about how Snowfall started, so they can connect the knots.

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Speaker 1: So John, he did an original pilot in twenty fifteen,

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Speaker 1: uh with a Jill Scott was the aunt, d Ray

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Speaker 1: was the uncle. Like it was a completely different cash.

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Speaker 1: I mean, Damnston was still Franklin back then, but they

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Speaker 1: had a differently on everybody. Um So, my mom she found, uh,

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Speaker 1: she found a project, but it was already casting. She's like, dang,

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Speaker 1: I say what, I perpectly young. And so what she

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Speaker 1: did was she has a background in the loft for

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Speaker 1: twenty eight years, so she just she's do her research.

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Speaker 1: And so a year later she found out in twenty

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Speaker 1: sixteen and Day were recasting because FX finally picked it

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Speaker 1: up and they wanted to do a serious with it. Um.

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Speaker 1: So at this point, my agent at the time here

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Speaker 1: in Atlanta, she told him, like, y'all should pitch I

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Speaker 1: was there for Snowfall, and it was like, we're not

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Speaker 1: going to pitch her for Snowfall, Like that's an LA

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Speaker 1: show and we don't do that. And so she took

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Speaker 1: it upon herself if she found out who was casting,

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Speaker 1: and so she sent the pitching herself. I didn't know

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Speaker 1: all this time. Oh man, I'm at mop floors. I'm like, yeah,

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Speaker 1: what you used to listen to? What you mopping floors?

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Speaker 1: And shit, man, honestly, I ain't even gonna lie. And

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Speaker 1: I only even this first time I'm saying this on right.

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Speaker 1: I used to like write my own songs like well,

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Speaker 1: because you know, be video your own ship my nigga,

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Speaker 1: my nigga, nigga, let go self self selfe by my

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Speaker 1: damn Now now crazy. But yeah, so I'm ship never

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Speaker 1: never never never. But but yeah, so this whole time,

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Speaker 1: I'm not really knowing what's going on. And so she

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Speaker 1: texts meself, oh you got audition Johnson's show? Uh, because

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Speaker 1: the casting director. She responded, she said, I'm not casting

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Speaker 1: for the role Leon, yet followed back up for two weeks.

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Speaker 1: She followed back up for two weeks and she's okay,

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Speaker 1: cool here his audition sides like, have my audition? Put

296
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Speaker 1: him gona take? So she takes me all you got

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00:19:01,840 --> 00:19:04,880
Speaker 1: audition for Snowfalls and John Sticking. The show based about

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Speaker 1: the crack epidemic in the eighties, and at this point,

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Speaker 1: I was so discouraged about not being black enough. I

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Speaker 1: was like, I'm not auditioning for this. I was like,

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Speaker 1: They're gonna tell me I'm not black enough. I ain't

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Speaker 1: doing it. I'm not doing it, not wasting my tingue.

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Speaker 1: And so we argued about it, like you're going to audition.

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Speaker 1: I was like, I'm not, I'm not doing it. So

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Speaker 1: I finally did it my first take. I just did

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Speaker 1: it just to do it, and she knew it was trash.

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Speaker 1: It's like just trash, redo it. She coached me on

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Speaker 1: what she wanted to see and then so I did

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Speaker 1: what she wanted me to do and left it alone.

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Speaker 1: I was just going work. And then a few days later,

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Speaker 1: or probably a week later, they said that they wanted

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Speaker 1: to fly me out for a chemistry with Damnsing, and

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Speaker 1: so at this point, I'm like, and then they sent

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Speaker 1: me like a pre contract, tell me how much I

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Speaker 1: was making and all stuff like that, and I'm like, shoot,

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Speaker 1: I'm like, damn, this is getting real and so but

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Speaker 1: at this point, I still wasn't necessarily sold because in

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Speaker 1: my head, I'm like, if I go and I don't

319
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Speaker 1: get the roll, and I just got to come back

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Speaker 1: to my normal. It was just you know what I'm saying.

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Speaker 1: It was just like it's cool, but it's not concrete.

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Speaker 1: So basically, they flew me out on a Tuesday, and

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Speaker 1: they had had a return flight on a Thursday, so

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Speaker 1: it's like it was supposed to be like a three

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Speaker 1: day trip if I did in book. So she bought

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Speaker 1: herself a one way ticket because she's like, you're gonna book.

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Speaker 1: I like, I don't know, we don't know. So we

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Speaker 1: get to La. They sent me the audition size. I'm

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Speaker 1: studying the script whatever. Uh, Wednesday is an actual in

330
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Speaker 1: person audition. So I get there. It's like two two

331
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Speaker 1: or three other dudes auditioning for Leon. They dressed in

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Speaker 1: LA attire, they doing everything LA. I'm like, I'm in

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Speaker 1: regular street Atlanta club. I'm just like, you know what,

334
00:20:42,200 --> 00:20:44,000
Speaker 1: I'm saying about regular stuff. I'm just like, man, they

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Speaker 1: somebody gonna but because they really in character. And so

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Speaker 1: I think I was the last one that auditioned for

337
00:20:51,680 --> 00:20:54,880
Speaker 1: it too. But what I noticed is that Damn saying

338
00:20:55,240 --> 00:20:57,840
Speaker 1: before each one would go in the room, he would

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00:20:57,880 --> 00:20:59,560
Speaker 1: come out in the hallway talk to them, build some

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00:20:59,640 --> 00:21:01,520
Speaker 1: kind of report because they got to play best friends

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Speaker 1: like Leona Franklin. So he talking to them in the hallway.

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Speaker 1: You know what I'm saying, be on the quick report.

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Speaker 1: I'm like, cool. So when it's my turn, he gonna

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00:21:07,240 --> 00:21:09,760
Speaker 1: talk to me too. Nope. When they called me to

345
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Speaker 1: do the audition, they called me in the room, I'm like,

346
00:21:11,760 --> 00:21:14,280
Speaker 1: they ain't gonna talk to me. Like. So we're in

347
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Speaker 1: the room. I see him and it's like fifteen Fox

348
00:21:16,280 --> 00:21:19,000
Speaker 1: executives and so I'm like, Briin't never been in the

349
00:21:19,000 --> 00:21:23,080
Speaker 1: audition with fifteen executives like ever in my life. But

350
00:21:23,200 --> 00:21:24,960
Speaker 1: in my head, I'm like, bro, you got like a

351
00:21:25,040 --> 00:21:27,200
Speaker 1: dollar in your account, but you better not scar you

352
00:21:27,240 --> 00:21:34,879
Speaker 1: too broke. So I man, that's I got in the

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Speaker 1: room and Damnson was like, he's like, hey, what's your name?

354
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Speaker 1: I said, Isaiah. He said, oh, that's my nephew's name, Okay, dope.

355
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Speaker 1: So that was the only thing we connected in that moment,

356
00:21:43,240 --> 00:21:44,840
Speaker 1: was the fact that his nephew had the same name

357
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Speaker 1: as me. And so I'm standing there, I'm just looking

358
00:21:48,960 --> 00:21:51,000
Speaker 1: at him, and they say, yeah, we know, we gave

359
00:21:51,040 --> 00:21:55,080
Speaker 1: you this this script to to to perform, but we

360
00:21:55,119 --> 00:21:57,080
Speaker 1: don't want you to do that. We want you to

361
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Speaker 1: improper damnson. So they just gave me a scenario to

362
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Speaker 1: just improv with him. And the scenario was um in

363
00:22:05,280 --> 00:22:07,760
Speaker 1: season one, while I was on the bus with the

364
00:22:08,040 --> 00:22:10,200
Speaker 1: with the boom box and the white man told me

365
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Speaker 1: to turn it down and like go off on the

366
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Speaker 1: white man. Like that was a scenario. But who they

367
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Speaker 1: had me, who they had me cuts out was Tommy Schlummy.

368
00:22:20,600 --> 00:22:23,800
Speaker 1: Tommy Schlalmy. He's like a very powerful important person in Hollywood,

369
00:22:24,280 --> 00:22:26,280
Speaker 1: and so he was in the audition room and stuff

370
00:22:26,280 --> 00:22:28,000
Speaker 1: like that, and so he said, yeah, so I just

371
00:22:28,119 --> 00:22:29,639
Speaker 1: want to hear the scenario. I just want you to,

372
00:22:30,440 --> 00:22:32,440
Speaker 1: you know, act like you're listening to your music and

373
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Speaker 1: I'm an old white man. I'm just gonna tell you

374
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Speaker 1: to turn it down. He just cuts me out. I said,

375
00:22:36,720 --> 00:22:39,240
Speaker 1: that's it. Yeah, it just cuts me out. I'm like,

376
00:22:39,520 --> 00:22:44,440
Speaker 1: can we get the camera up? So when he said

377
00:22:44,520 --> 00:22:46,680
Speaker 1: that I'm really tight before he does this thing, that's

378
00:22:46,680 --> 00:22:48,760
Speaker 1: when I start getting coping and I'm gonna get this

379
00:22:48,840 --> 00:22:51,840
Speaker 1: motherfucking man. Bro. I was so confused. I was like,

380
00:22:52,800 --> 00:22:57,879
Speaker 1: what cuts you out for a TV show? Run it?

381
00:22:58,520 --> 00:23:00,480
Speaker 1: So me and Damnston were just falling to the scene

382
00:23:00,560 --> 00:23:03,119
Speaker 1: like we kicking it, were talking and talking shit to

383
00:23:03,200 --> 00:23:05,520
Speaker 1: each other whatever, and he random interrupt It's like, hey,

384
00:23:05,600 --> 00:23:06,960
Speaker 1: you turn it down and look at him and just

385
00:23:07,400 --> 00:23:10,960
Speaker 1: got cuss them out. And so after that, after the

386
00:23:11,040 --> 00:23:14,240
Speaker 1: scene was over, I was like, so a few I'm like,

387
00:23:14,359 --> 00:23:15,960
Speaker 1: so what happens next? You know what I'm saying. But

388
00:23:16,040 --> 00:23:18,800
Speaker 1: after I just left. I just left, man. I was like,

389
00:23:18,840 --> 00:23:26,200
Speaker 1: appreciate it, huh he was when you left that mother

390
00:23:33,840 --> 00:23:41,160
Speaker 1: still not answering what's going on, But so I love

391
00:23:41,280 --> 00:23:45,960
Speaker 1: you man. When you thinking they said I wasn't black enough, watch, Honestly,

392
00:23:46,080 --> 00:23:48,080
Speaker 1: I was so in the moment I didn't even think

393
00:23:48,119 --> 00:23:50,520
Speaker 1: about nothing else like, and that's that's kind of how

394
00:23:50,560 --> 00:23:52,120
Speaker 1: I am. I just try to be in a moment

395
00:23:52,240 --> 00:23:55,000
Speaker 1: with life in general, to where even right now, honestly,

396
00:23:55,119 --> 00:23:59,000
Speaker 1: like me being on Snowfall still hasn't hit me, Like

397
00:24:00,640 --> 00:24:03,040
Speaker 1: even when I watched it, I still had to hit

398
00:24:03,119 --> 00:24:06,920
Speaker 1: me like that, Oh Snowfall is this like it don't

399
00:24:07,000 --> 00:24:08,960
Speaker 1: hit me. I'm just like it's just like, you know

400
00:24:09,000 --> 00:24:11,040
Speaker 1: what I'm saying. It's cool. You know, That's just how

401
00:24:11,320 --> 00:24:14,480
Speaker 1: I beam my whole life, yea, with anything that I've experienced. Like,

402
00:24:14,560 --> 00:24:16,880
Speaker 1: I'm just like, it's cool. Like I don't know even

403
00:24:16,920 --> 00:24:22,440
Speaker 1: when my song was, but I'm like, this is scary cool.

404
00:24:23,359 --> 00:24:25,120
Speaker 1: You don't know what the fuck gonna impress you though,

405
00:24:28,640 --> 00:24:31,080
Speaker 1: but it dinna want want me gonna put the ball?

406
00:24:31,160 --> 00:24:39,600
Speaker 1: And how the fuck did you do that? Be impressed by? So? Man,

407
00:24:39,680 --> 00:24:46,920
Speaker 1: You're deserved, you deserved. Damn Let me telling people to

408
00:24:47,000 --> 00:24:50,080
Speaker 1: stay humble all the time, and you're the definition of

409
00:24:50,200 --> 00:24:52,040
Speaker 1: that ship. You're so humble you don't even know you

410
00:24:52,080 --> 00:24:55,919
Speaker 1: know the dopest shit on TV. I tell you how

411
00:24:55,960 --> 00:24:59,359
Speaker 1: you can appreciate it by cable pay the bill and

412
00:24:59,480 --> 00:25:01,400
Speaker 1: then look at all the other ship that you got

413
00:25:01,760 --> 00:25:06,080
Speaker 1: to choose from. More. Hey, a bunch of people came

414
00:25:06,160 --> 00:25:09,280
Speaker 1: with building Ghana and let them watch it and see

415
00:25:09,320 --> 00:25:11,159
Speaker 1: the ce. What's crazy is when I went, when I

416
00:25:11,240 --> 00:25:14,639
Speaker 1: went before, when I was on the jetway before I

417
00:25:14,760 --> 00:25:18,600
Speaker 1: even got in the airport. He was like, snow fall,

418
00:25:21,320 --> 00:25:27,080
Speaker 1: that's they don't see the viol them today. So it

419
00:25:27,200 --> 00:25:29,640
Speaker 1: was dope, like we we got we got a fan

420
00:25:29,720 --> 00:25:32,960
Speaker 1: base like from all over the world. So that's that's

421
00:25:33,040 --> 00:25:35,440
Speaker 1: that's a dupe thing about the show, Like it's impacted

422
00:25:35,480 --> 00:25:37,200
Speaker 1: a lot of people from a lot of walks of life.

423
00:25:37,560 --> 00:25:41,600
Speaker 1: Let me ask you, young dude, who did you study

424
00:25:41,760 --> 00:25:46,919
Speaker 1: from that era from the eighties. Yeah, uh so when

425
00:25:46,960 --> 00:25:49,640
Speaker 1: I booked, when I actually booked the role, I had

426
00:25:49,720 --> 00:25:52,880
Speaker 1: like a few days to prepareing to the first day

427
00:25:52,880 --> 00:25:57,040
Speaker 1: of filming. So um, dub Cy like he was a huge,

428
00:25:57,800 --> 00:26:02,760
Speaker 1: huge part in how I was able to understand West

429
00:26:02,840 --> 00:26:06,440
Speaker 1: Coast culture and especially from that area. And talking to

430
00:26:06,520 --> 00:26:09,760
Speaker 1: John Singleton like have both of them on speed uh

431
00:26:10,000 --> 00:26:12,840
Speaker 1: talk to him the script like just understanding like everything,

432
00:26:13,000 --> 00:26:16,720
Speaker 1: trying to get the accent, the walk, just the or

433
00:26:16,880 --> 00:26:19,840
Speaker 1: the feel of of of West Coast in the eighties.

434
00:26:19,880 --> 00:26:23,320
Speaker 1: So really John and dubb was a two two and

435
00:26:23,560 --> 00:26:34,520
Speaker 1: most important people in my character development from that you know,

436
00:26:34,640 --> 00:26:37,000
Speaker 1: as unique to the West Coast or something like this.

437
00:26:37,400 --> 00:26:40,200
Speaker 1: It's really really like, especially in that in that time,

438
00:26:40,400 --> 00:26:44,719
Speaker 1: was just uh the walk like they bail like when

439
00:26:44,760 --> 00:26:46,160
Speaker 1: they walk and you know what I'm saying, they walked

440
00:26:46,160 --> 00:26:48,200
Speaker 1: with a certain confidence like they head up, they chest

441
00:26:48,320 --> 00:26:52,280
Speaker 1: up everything. Um. And just how they talk like just

442
00:26:52,440 --> 00:26:55,280
Speaker 1: they swag. You know what I'm saying. They're The accent

443
00:26:55,440 --> 00:26:57,399
Speaker 1: is kind of it's kind of country like a lot

444
00:26:57,480 --> 00:27:00,320
Speaker 1: of people from the West Coast back then us from

445
00:27:00,320 --> 00:27:02,440
Speaker 1: the South. They just moved to the West Coast, so

446
00:27:02,560 --> 00:27:04,520
Speaker 1: it has a lot of Southern twin to it. But

447
00:27:05,240 --> 00:27:08,640
Speaker 1: but yeah, it didn't take long like dub really really

448
00:27:08,720 --> 00:27:11,320
Speaker 1: he was on set every day, you know, um and

449
00:27:11,440 --> 00:27:14,959
Speaker 1: then learning because Dampson was a part of the first pilot,

450
00:27:15,440 --> 00:27:18,880
Speaker 1: so he's been He been with Snowfalls since the very

451
00:27:18,960 --> 00:27:20,879
Speaker 1: beginning of Snowfalls, so he even talking to him and

452
00:27:20,960 --> 00:27:23,720
Speaker 1: what he's learned, you know, from talking to everybody and

453
00:27:23,800 --> 00:27:26,639
Speaker 1: being around everybody. So I luckily I had it. I

454
00:27:26,720 --> 00:27:29,000
Speaker 1: got to talk to everybody. And because I'm into dogs,

455
00:27:29,080 --> 00:27:31,760
Speaker 1: like my dog training, he's based in LA and competence,

456
00:27:31,800 --> 00:27:33,919
Speaker 1: so I was incompetent a lot, talking to a lot

457
00:27:33,920 --> 00:27:36,399
Speaker 1: of OG's and competent, so I got to talk to

458
00:27:36,560 --> 00:27:39,920
Speaker 1: so many people who are from that time to where

459
00:27:39,920 --> 00:27:43,000
Speaker 1: I didn't have to guess or you know, just trying

460
00:27:43,000 --> 00:27:44,920
Speaker 1: to go off instinct. I'm like knock and talk to

461
00:27:45,080 --> 00:27:46,880
Speaker 1: so many people and just hit him up and ask

462
00:27:46,960 --> 00:27:49,200
Speaker 1: him a certain questions. So that helped me a lot

463
00:27:49,680 --> 00:27:53,160
Speaker 1: in my character development. You do, you did a good job.

464
00:27:53,280 --> 00:27:56,000
Speaker 1: You're doing a good job because I la the whole

465
00:27:56,040 --> 00:28:02,920
Speaker 1: time that John Singleton put you up on you. He

466
00:28:03,080 --> 00:28:07,080
Speaker 1: wanted the giants of the industry. Yeah, he was really

467
00:28:07,160 --> 00:28:11,120
Speaker 1: big on never forgetting your people, and like he said,

468
00:28:11,240 --> 00:28:13,640
Speaker 1: you if you if you, if you never forget your people,

469
00:28:13,640 --> 00:28:16,879
Speaker 1: you always have a fan base to fall on, like

470
00:28:17,040 --> 00:28:19,880
Speaker 1: all people will always support you. So never never feel

471
00:28:19,920 --> 00:28:22,639
Speaker 1: like he's too big for your own people. Um and

472
00:28:22,760 --> 00:28:27,080
Speaker 1: that and that's that's a huge thing. And just man,

473
00:28:27,119 --> 00:28:29,640
Speaker 1: he gave me a lot of games. He even though

474
00:28:29,720 --> 00:28:33,040
Speaker 1: my dad has been doing photography for years, but John

475
00:28:33,160 --> 00:28:35,840
Speaker 1: really helped me and made me pick the camera and

476
00:28:35,960 --> 00:28:38,080
Speaker 1: get into photography because he saw I had an eye

477
00:28:38,600 --> 00:28:40,320
Speaker 1: and he was like, you're gonna direct one day, and

478
00:28:40,400 --> 00:28:42,240
Speaker 1: just to start with the camera, to start the camera.

479
00:28:42,320 --> 00:28:44,520
Speaker 1: So we would be on set showing each other pictures.

480
00:28:44,560 --> 00:28:46,480
Speaker 1: I'm taking pictures of John and he taking pictures of me.

481
00:28:47,080 --> 00:28:49,000
Speaker 1: Uh So it's a lot of different things that I

482
00:28:49,200 --> 00:28:53,480
Speaker 1: was able to just connect with John. Um so, yeah,

483
00:28:54,560 --> 00:29:02,600
Speaker 1: a legend and that's a big fool man. Yeah. So

484
00:29:02,720 --> 00:29:05,960
Speaker 1: when I met him at the first table read, he said,

485
00:29:06,280 --> 00:29:09,960
Speaker 1: um because I thought that whole boat story was like cat.

486
00:29:10,760 --> 00:29:13,080
Speaker 1: So when I met him, the first thing he walked,

487
00:29:13,160 --> 00:29:15,280
Speaker 1: he said, Isaiah, I was like, shit, he's done on

488
00:29:15,360 --> 00:29:17,880
Speaker 1: my name, and so he was like he said, he said,

489
00:29:17,880 --> 00:29:20,160
Speaker 1: I was supposed to meet you a few years ago,

490
00:29:20,320 --> 00:29:22,200
Speaker 1: but I was stuck on my boat. And then I

491
00:29:22,320 --> 00:29:23,840
Speaker 1: was like, oh, you really want to suck on you.

492
00:29:24,520 --> 00:29:26,400
Speaker 1: I thought that was that was a line and he

493
00:29:26,560 --> 00:29:28,840
Speaker 1: was like, he said, but I did see your tape

494
00:29:28,840 --> 00:29:31,239
Speaker 1: back then. He said, you are an amazing acting as

495
00:29:31,280 --> 00:29:32,960
Speaker 1: the first thing he said to me, And that show

496
00:29:33,640 --> 00:29:40,000
Speaker 1: that's a hell of a company. That's don and I

497
00:29:40,080 --> 00:29:42,360
Speaker 1: book the show when I was twenty and I'm twenty

498
00:29:42,400 --> 00:29:44,800
Speaker 1: seven now. So I spent like most of you know

499
00:29:44,840 --> 00:29:47,480
Speaker 1: what I'm saying, me becoming a man like on this

500
00:29:47,560 --> 00:29:51,120
Speaker 1: show and around John and around some great people. Sean,

501
00:29:51,480 --> 00:29:54,200
Speaker 1: it's a hell of a breakout role, bro, It's some

502
00:29:54,360 --> 00:29:57,360
Speaker 1: dope shit to be a part of. And I think

503
00:29:57,440 --> 00:29:59,840
Speaker 1: I just like it was more than knowing that you

504
00:30:00,120 --> 00:30:03,120
Speaker 1: worked on that ship. Bro, Like made a decided effort

505
00:30:03,160 --> 00:30:06,440
Speaker 1: at a young age man to dedicate yourself to something

506
00:30:06,440 --> 00:30:08,320
Speaker 1: because that's what this comedy thing is. But this is

507
00:30:08,320 --> 00:30:10,280
Speaker 1: a little bit easier, you know what I'm saying, because

508
00:30:10,320 --> 00:30:13,400
Speaker 1: it's really just getting out late at night and hanging

509
00:30:13,440 --> 00:30:16,160
Speaker 1: out and talking shit. But to you know, like that's

510
00:30:16,200 --> 00:30:19,280
Speaker 1: the studying, it is, it is, it is. You know,

511
00:30:19,480 --> 00:30:21,320
Speaker 1: you got to dive into act in a different way.

512
00:30:21,400 --> 00:30:24,080
Speaker 1: So man, that's awesome. Yeah. I always tell people like,

513
00:30:24,160 --> 00:30:28,680
Speaker 1: it's like I didn't wish to be who like in

514
00:30:28,800 --> 00:30:31,600
Speaker 1: this position. I didn't believe. It's like you gotta even

515
00:30:31,640 --> 00:30:33,760
Speaker 1: take belief of stuff for you got to know, like

516
00:30:34,000 --> 00:30:36,040
Speaker 1: I knew, you know what I'm Sayingcause I feel like

517
00:30:36,080 --> 00:30:39,880
Speaker 1: even with belief, that's that's room for for for doubt,

518
00:30:40,480 --> 00:30:43,240
Speaker 1: you know what I'm saying. I knew, So I was

519
00:30:43,280 --> 00:30:49,160
Speaker 1: just waiting for the opportunity and system that's so valuable.

520
00:30:49,360 --> 00:30:52,360
Speaker 1: That's the whole asset. When you're trying to do anything

521
00:30:52,560 --> 00:30:55,400
Speaker 1: like outside the box, outside of you know what I'm saying,

522
00:30:55,480 --> 00:30:58,680
Speaker 1: like chasing a career or something like that, you gotta

523
00:30:58,760 --> 00:31:02,920
Speaker 1: have that support, syste That's that's real. Yeah, yeah, so

524
00:31:04,120 --> 00:31:07,040
Speaker 1: this journeys, it's it's been uh, it's been real interesting.

525
00:31:07,360 --> 00:31:10,680
Speaker 1: But it's dough Man. That's crazy. How did you get

526
00:31:10,720 --> 00:31:21,680
Speaker 1: on the barbershop again with tier Man getting in the face.

527
00:31:22,200 --> 00:31:24,680
Speaker 1: So Bro John sings and put you in bu right

528
00:31:30,000 --> 00:31:32,760
Speaker 1: wait wait, wait, you got to work with one of

529
00:31:32,800 --> 00:31:36,600
Speaker 1: the great I mean I'm saying you got to work

530
00:31:36,600 --> 00:31:48,560
Speaker 1: with tiger Man. Highlight, the highlight of that set was

531
00:31:48,800 --> 00:31:51,320
Speaker 1: back then he was saying Kylie Jenner, so he can't set.

532
00:31:51,400 --> 00:31:55,400
Speaker 1: Kylie Jenner was on saying everybody, Kydie's on set, but

533
00:31:56,800 --> 00:31:59,160
Speaker 1: he brought Kylie was on the barber shop set that

534
00:32:01,200 --> 00:32:03,880
Speaker 1: you would never know, you would have never shoot. Don't

535
00:32:03,880 --> 00:32:06,040
Speaker 1: want to know. Somebody didn't know what the shot was

536
00:32:08,240 --> 00:32:12,360
Speaker 1: going there they can go here go the barop, I

537
00:32:15,480 --> 00:32:19,040
Speaker 1: shoot some movie when you get your haircut. That's so

538
00:32:19,200 --> 00:32:23,560
Speaker 1: fucking cool. So every time you didn't happen, they make

539
00:32:23,640 --> 00:32:31,000
Speaker 1: a movie. Who is this? They shot it on the

540
00:32:31,080 --> 00:32:40,360
Speaker 1: Red Cab. Everybody was there, Ray there drinking apple juice

541
00:32:40,760 --> 00:32:45,040
Speaker 1: and the Taylor was dressed like Einstein because you don't

542
00:32:45,120 --> 00:32:49,440
Speaker 1: like send your there's like six years old. And Tyler

543
00:32:49,520 --> 00:32:53,560
Speaker 1: Jena thought all this, Tyler, they ain't gonna go home. Baby.

544
00:32:53,600 --> 00:32:56,720
Speaker 1: They make a movie, but make a big shit leaving me.

545
00:32:56,840 --> 00:33:01,800
Speaker 1: When did you turn eighteen? You have what funny whatever?

546
00:33:02,960 --> 00:33:13,480
Speaker 1: Back today said, but right now we currently filming some

547
00:33:13,560 --> 00:33:16,760
Speaker 1: of the seasons. Got damn eight of Snowfall right here.

548
00:33:18,600 --> 00:33:23,120
Speaker 1: Show this didn't knock this bullshit. But that's a hell

549
00:33:23,160 --> 00:33:27,080
Speaker 1: of a plug shop man. So you you know our

550
00:33:27,120 --> 00:33:30,280
Speaker 1: home girl girl, she came through the trap. Then that's

551
00:33:30,360 --> 00:33:33,160
Speaker 1: my girl. We gotta get everybody. Oh, y'all we need

552
00:33:33,200 --> 00:33:37,040
Speaker 1: to hold union show. When y'all like, yeah, I don't

553
00:33:37,080 --> 00:33:39,680
Speaker 1: know when how we gonna work that you be tired

554
00:33:39,720 --> 00:33:42,080
Speaker 1: of that? People we actually like where your cast make

555
00:33:42,120 --> 00:33:46,880
Speaker 1: said right, I'll be at public sometimes that we're freakling

556
00:33:46,920 --> 00:33:58,840
Speaker 1: that I called the freak the first time I met

557
00:33:59,760 --> 00:34:08,920
Speaker 1: at the same time. See, that's how you know the

558
00:34:08,960 --> 00:34:12,239
Speaker 1: ship good. When they call you the character man, that's

559
00:34:12,280 --> 00:34:15,600
Speaker 1: when you're acting. Yeah, everybody called me Leon. They're like,

560
00:34:15,640 --> 00:34:17,640
Speaker 1: I don't sorry, I'm like, that's cool. I don't be tripping.

561
00:34:18,000 --> 00:34:20,279
Speaker 1: I know some actors don't like being called their character name,

562
00:34:20,280 --> 00:34:22,600
Speaker 1: but to me, you can't fuck how somebody know you,

563
00:34:23,360 --> 00:34:25,640
Speaker 1: they know you was living, they know me. I'll be

564
00:34:25,719 --> 00:34:28,920
Speaker 1: Leon then I'll tell y'all, y'all just show immersive. Man,

565
00:34:29,239 --> 00:34:31,200
Speaker 1: anybody's not on snowfall. I don't know what the fuck

566
00:34:31,239 --> 00:34:33,640
Speaker 1: you're doing, but you feel like you know these motherfuckers.

567
00:34:33,680 --> 00:34:36,480
Speaker 1: You like the ten situations. I told you, I'll be

568
00:34:36,560 --> 00:34:39,759
Speaker 1: sweating with the ship. They gonna get out. Oh what

569
00:34:40,000 --> 00:34:43,279
Speaker 1: ain't gonna do? Just wait till this last season with

570
00:34:43,360 --> 00:34:49,719
Speaker 1: that man. This last season great crazy, Oh my god,

571
00:34:49,760 --> 00:34:52,440
Speaker 1: I can't wait. They named everybody right too, like you

572
00:34:52,560 --> 00:35:03,040
Speaker 1: look like a leon on the under believable he stress.

573
00:35:03,120 --> 00:35:11,280
Speaker 1: That was like, damn, I gotta win another week backyard.

574
00:35:13,400 --> 00:35:16,120
Speaker 1: That niggas ain't there. No, I ain't gonna no tig

575
00:35:16,239 --> 00:35:19,719
Speaker 1: on the sand. You can't. You don't know nobody moving

576
00:35:19,800 --> 00:35:21,600
Speaker 1: this much weight to ever. Let you don't know what

577
00:35:21,760 --> 00:35:24,040
Speaker 1: the fuck going out. First of all, I'm saying they're

578
00:35:24,080 --> 00:35:27,680
Speaker 1: not gonna stress a tiger time they not. Yeah, if

579
00:35:27,680 --> 00:35:31,399
Speaker 1: you bound, I saw what you called the white man

580
00:35:31,920 --> 00:35:36,440
Speaker 1: Joe Exidy, Yeah, or a baby tyger. I can't get

581
00:35:36,480 --> 00:35:42,400
Speaker 1: a tiger you. Oh, you can't buy a tager unless

582
00:35:42,400 --> 00:35:45,280
Speaker 1: you glad. Y'all told me, y'all see me when I'm talking.

583
00:35:45,719 --> 00:35:49,560
Speaker 1: You want to be a baby man. This ship you

584
00:35:49,680 --> 00:35:53,000
Speaker 1: cannot give a nigga a tiger. Can you imagine? Then

585
00:35:53,040 --> 00:35:54,959
Speaker 1: you go over, nigga, has he got a tiger? He says,

586
00:35:54,960 --> 00:36:00,719
Speaker 1: some nigga shit, Hey man, my tigger don't fight. I

587
00:36:00,840 --> 00:36:07,520
Speaker 1: think I don't know that ship. Boy, that's too much.

588
00:36:07,600 --> 00:36:09,839
Speaker 1: That's how to do that hard. I've had one, yeah

589
00:36:09,920 --> 00:36:13,239
Speaker 1: his apartment. Yeah, so you still don't buy why you

590
00:36:13,320 --> 00:36:18,040
Speaker 1: can't have a tiger though, you guys, this funds. That's why.

591
00:36:18,400 --> 00:36:27,799
Speaker 1: Because statement, can you have a monkey? No, motherfucker, because

592
00:36:28,160 --> 00:36:30,960
Speaker 1: because people got gotta have. You got to be in

593
00:36:31,000 --> 00:36:35,000
Speaker 1: the right place, depend on what kind of animals. Then

594
00:36:35,080 --> 00:36:39,479
Speaker 1: this list of animals not to fuck with. He loved

595
00:36:39,520 --> 00:36:41,839
Speaker 1: animals and he don't even fun with the ship. That's

596
00:36:42,000 --> 00:36:44,640
Speaker 1: really the crazy dude. Let all the animals go, yes

597
00:36:44,960 --> 00:36:49,080
Speaker 1: in the middle of the night, and and tigers bat

598
00:36:49,560 --> 00:36:50,799
Speaker 1: He let them go in the middle of the night.

599
00:36:50,880 --> 00:36:54,719
Speaker 1: They had to put them all down. They ain't. I know,

600
00:36:54,840 --> 00:36:58,080
Speaker 1: they didn't. That cheetah got about it there, that cheating,

601
00:36:58,880 --> 00:37:03,759
Speaker 1: that cheetah scooping up dogs and left and right. But yeah,

602
00:37:03,840 --> 00:37:06,239
Speaker 1: that's cruel. I think that's everybody's biggest feel though, is

603
00:37:06,280 --> 00:37:08,759
Speaker 1: the go outside one day you're just chilling on your porch,

604
00:37:08,880 --> 00:37:11,040
Speaker 1: hitting a little piece of blood, and you see some

605
00:37:11,160 --> 00:37:14,160
Speaker 1: shit that you know, we're supposed to be out talking

606
00:37:14,200 --> 00:37:17,520
Speaker 1: out nigga, a fucking silver back gorilla just in the

607
00:37:17,680 --> 00:37:20,400
Speaker 1: bushes and walk out there and and look up and

608
00:37:20,520 --> 00:37:24,960
Speaker 1: see you like, how did this get here? Now? Would

609
00:37:24,960 --> 00:37:27,680
Speaker 1: you rather see that as some UFO alien? I'd rather

610
00:37:27,800 --> 00:37:30,560
Speaker 1: see the fucking aliens. I feel like you might see

611
00:37:30,640 --> 00:37:39,879
Speaker 1: him at the same time. You ain't our gorilla. I'd

612
00:37:39,960 --> 00:37:43,440
Speaker 1: rather see the aliens. But I don't know, bro, that's

613
00:37:43,520 --> 00:37:48,720
Speaker 1: hella steria. We got one thing on that set. We're black.

614
00:37:49,360 --> 00:37:53,359
Speaker 1: They probably gonna get scared. Then, a motherfucker they never

615
00:37:53,440 --> 00:37:56,840
Speaker 1: seen they're coming to get They are black, but they

616
00:37:56,880 --> 00:37:59,719
Speaker 1: ain't never seen black folks. So the aliens black, I'm

617
00:37:59,760 --> 00:38:03,960
Speaker 1: telling they get up. Thing about the ship gonna look

618
00:38:04,000 --> 00:38:05,919
Speaker 1: like our differ room, Like, what the fuck they gonna

619
00:38:05,920 --> 00:38:09,120
Speaker 1: be like we've been waiting. What about that? Like a

620
00:38:09,280 --> 00:38:15,839
Speaker 1: female alien? That motherfucker kind of cute? He goes, That's

621
00:38:15,880 --> 00:38:18,680
Speaker 1: what's gonna happen when they come. It's gonna it's kind

622
00:38:18,680 --> 00:38:21,719
Speaker 1: of cute. I'm telling you, Like elians might be cute too.

623
00:38:21,960 --> 00:38:24,000
Speaker 1: You gotta stop doing this. You got stuff thinking that

624
00:38:24,800 --> 00:38:28,880
Speaker 1: alien bitch it's gonna have the same shit that we

625
00:38:29,120 --> 00:38:34,120
Speaker 1: fuck with. You think this bitch from folk hundred trillion

626
00:38:34,239 --> 00:38:36,960
Speaker 1: light years away, it's gonna have a regular vagina where

627
00:38:38,120 --> 00:38:39,680
Speaker 1: she's gonna be in the middle hurch. It is gonna

628
00:38:39,680 --> 00:38:44,440
Speaker 1: be so wid it's gonna be It's not like how

629
00:38:44,480 --> 00:38:46,320
Speaker 1: you took that somewhere. I thought it wasn't going I

630
00:38:46,360 --> 00:38:49,160
Speaker 1: thought you said puzzle was gonna literally be a black hole.

631
00:38:50,239 --> 00:38:54,319
Speaker 1: It's gonna from another galaxy. What you got the right

632
00:38:54,480 --> 00:38:58,920
Speaker 1: kind of dick, even you dick might have to do.

633
00:38:59,200 --> 00:39:14,680
Speaker 1: You didn't even Garison like the boys. You look like

634
00:39:14,840 --> 00:39:25,719
Speaker 1: you look like you got the whole species talking to

635
00:39:26,840 --> 00:39:38,400
Speaker 1: I thought it was a mitch there is. We are

636
00:39:38,520 --> 00:39:47,120
Speaker 1: from a mitchless Garix. Women, where are you going in?

637
00:39:47,320 --> 00:39:53,280
Speaker 1: My heart comes here still looks exactly twenty three thousand

638
00:39:53,320 --> 00:40:00,640
Speaker 1: and two seventy six. They are not missing here. You're

639
00:40:00,680 --> 00:40:05,359
Speaker 1: talking about you if you wasn't dreaming right, No man,

640
00:40:07,239 --> 00:40:13,120
Speaker 1: nobody gonna looking for I like a long hal stig.

641
00:40:25,320 --> 00:40:27,359
Speaker 1: That's the crazy part about it, though. The fucking ain't

642
00:40:27,360 --> 00:40:30,520
Speaker 1: the probably ain't nothing but niggas just riding through galaxies.

643
00:40:30,520 --> 00:40:34,520
Speaker 1: It's sucking with time and space and engine. Just the

644
00:40:34,760 --> 00:40:37,359
Speaker 1: niggas is in the process of reversing the Civil rights

645
00:40:37,480 --> 00:40:43,040
Speaker 1: movie everything. We just can't gather up. Stop people. You

646
00:40:43,120 --> 00:40:46,439
Speaker 1: think they got pol you can't even think so. Yeah,

647
00:40:46,520 --> 00:40:48,759
Speaker 1: if you got to travel, you wouldn't go back to

648
00:40:48,840 --> 00:40:51,840
Speaker 1: certain ship in history. Like think about eliens. They know

649
00:40:52,200 --> 00:40:54,280
Speaker 1: if they're from the future. Let's say they from the future,

650
00:40:54,760 --> 00:40:56,600
Speaker 1: so they know the ship. Just let's go back and

651
00:40:56,680 --> 00:40:59,120
Speaker 1: watch it. No, they don't help police, brod. They have

652
00:40:59,280 --> 00:41:02,080
Speaker 1: intelligence that means that they're smart enough to not do

653
00:41:02,280 --> 00:41:05,839
Speaker 1: shit that needs imagine you see other aliens run from

654
00:41:05,840 --> 00:41:09,440
Speaker 1: the police aliens? No, No, I think that would be crazy, right,

655
00:41:09,440 --> 00:41:15,640
Speaker 1: ain't aliens uniforms? Sh you worry about the space polist

656
00:41:15,760 --> 00:41:25,640
Speaker 1: worry about don't use shrink you got damn brainy head.

657
00:41:30,680 --> 00:41:33,520
Speaker 1: See keep playing with screaming at you. They ain't got

658
00:41:33,640 --> 00:41:39,799
Speaker 1: no mouth. Just do that. You know you're here looking

659
00:41:39,840 --> 00:41:42,880
Speaker 1: at you. They're smarter than us, bro That's why they

660
00:41:42,920 --> 00:41:46,520
Speaker 1: don't fuck with us. They know we're on bullshit. That's

661
00:41:46,600 --> 00:41:54,040
Speaker 1: hell got right. You know what I heard? I heard

662
00:41:54,080 --> 00:41:57,239
Speaker 1: that they built the pyramids from the top down and

663
00:41:57,400 --> 00:42:00,120
Speaker 1: not from the ground up. The better from the you.

664
00:42:00,960 --> 00:42:05,000
Speaker 1: I just heard that he was on TikTok. Nah hold

665
00:42:05,000 --> 00:42:07,359
Speaker 1: on because the niggas on TikTok saying you could walk

666
00:42:07,400 --> 00:42:13,160
Speaker 1: to Africa. You can't take day to fly to Africa.

667
00:42:13,200 --> 00:42:16,040
Speaker 1: How to fucking gonna want the Grand that they said,

668
00:42:16,080 --> 00:42:20,840
Speaker 1: it's a portal? Really really really what stay really What

669
00:42:20,960 --> 00:42:24,399
Speaker 1: they said was there's been multiple Egypts around the world

670
00:42:24,400 --> 00:42:26,560
Speaker 1: because it's pyramids, and they said there's pyramids in the

671
00:42:26,680 --> 00:42:29,120
Speaker 1: Grand Canes. So they just said that that was because

672
00:42:29,160 --> 00:42:38,480
Speaker 1: you got the rope. Don't make your cowboy walked to Africa.

673
00:42:39,040 --> 00:42:42,120
Speaker 1: That's what they said were all together when it was

674
00:42:42,200 --> 00:42:48,360
Speaker 1: paying jail. I want some pil African samdeals float do.

675
00:42:51,480 --> 00:42:55,520
Speaker 1: You can't walk, but you can't start. You know, some

676
00:42:55,640 --> 00:42:57,960
Speaker 1: of this ship too good not to believe. We've been

677
00:42:58,040 --> 00:43:00,719
Speaker 1: believing what we believe for so long. I'm looking for

678
00:43:00,880 --> 00:43:02,840
Speaker 1: some new ship to believe. I mean, my whole my

679
00:43:03,000 --> 00:43:06,600
Speaker 1: question is is how in the last hundred years we

680
00:43:06,719 --> 00:43:09,760
Speaker 1: have so much technology, but we supposedly being for hundreds

681
00:43:09,760 --> 00:43:12,560
Speaker 1: of thousands of years, How we didn't have cars fifty

682
00:43:12,560 --> 00:43:14,719
Speaker 1: thousand years ago. I think we had what you call it.

683
00:43:14,880 --> 00:43:17,719
Speaker 1: I think I think it's been moments of Advance and

684
00:43:17,840 --> 00:43:22,120
Speaker 1: then a recent the Stone Age back to Square Water,

685
00:43:22,400 --> 00:43:25,400
Speaker 1: get like Anni laid Nerve because motherfucker's just can't get

686
00:43:25,440 --> 00:43:27,320
Speaker 1: it right here. Just blow this bitch up ever so

687
00:43:27,440 --> 00:43:29,919
Speaker 1: often to be like, we'll try it again when y'all

688
00:43:29,960 --> 00:43:31,880
Speaker 1: get your shit together. I don't even think he was

689
00:43:31,960 --> 00:43:33,680
Speaker 1: blowing up. I think he let us blow it up.

690
00:43:38,320 --> 00:43:41,399
Speaker 1: Let me spri shit on these give me another reason.

691
00:43:41,640 --> 00:43:57,120
Speaker 1: People about themselves. They're so flat. The only people that

692
00:43:57,280 --> 00:44:06,440
Speaker 1: I can truly realize old Chinese. See the type of

693
00:44:06,480 --> 00:44:08,640
Speaker 1: ship we get to talking about once the weed really

694
00:44:08,719 --> 00:44:16,360
Speaker 1: settles in so so Bro, when you sit back and

695
00:44:16,440 --> 00:44:18,440
Speaker 1: watch the show, Bro, you just be chilling and just

696
00:44:18,600 --> 00:44:20,560
Speaker 1: like that shit, I'll never just hit you when you

697
00:44:20,640 --> 00:44:24,400
Speaker 1: had those moments. Oh you just really just going on

698
00:44:24,520 --> 00:44:27,840
Speaker 1: some artist ship, just criticizing. I'd be criticizing. I'm like,

699
00:44:29,239 --> 00:44:32,840
Speaker 1: I don't even believe myself right there. But now it's

700
00:44:32,880 --> 00:44:35,480
Speaker 1: hard for me to like watch anything for real. Yeah,

701
00:44:36,040 --> 00:44:38,360
Speaker 1: I'd be like, that's cool, that's cool, this is not

702
00:44:38,520 --> 00:44:42,279
Speaker 1: cool whatever. Um, I'm always looking at the acting, looking

703
00:44:42,320 --> 00:44:46,239
Speaker 1: at the shot, looking at the lighting. Oh they didn't

704
00:44:46,280 --> 00:44:50,239
Speaker 1: have that pin like that now last shot, it's all yeah,

705
00:44:50,880 --> 00:44:57,760
Speaker 1: that's why you're gonna be directed. It's different eventually sometimes

706
00:44:57,840 --> 00:44:59,439
Speaker 1: you but you know, I smoke a lot of weeks

707
00:44:59,480 --> 00:45:03,399
Speaker 1: and sometimes to turn my brain off. Amen, who plays

708
00:45:03,480 --> 00:45:09,759
Speaker 1: Uncle Jerome? He directed the episode this season. Yeah, we

709
00:45:09,960 --> 00:45:12,480
Speaker 1: got one of them, had to get one. That's what

710
00:45:12,640 --> 00:45:14,960
Speaker 1: they called to Jerome. Yeah, he and that and it

711
00:45:15,120 --> 00:45:17,480
Speaker 1: was fired. He's the reason why I performed that jail

712
00:45:17,520 --> 00:45:19,759
Speaker 1: scene the way that I did. Man, that ship so far.

713
00:45:19,960 --> 00:45:22,879
Speaker 1: Please tell me, that's my one of my favorite things. Man,

714
00:45:22,960 --> 00:45:26,320
Speaker 1: let's talk about it, so we get down from it. Johnson,

715
00:45:26,680 --> 00:45:32,279
Speaker 1: the Black Actors Studio today without j Jones, I see

716
00:45:32,440 --> 00:45:42,600
Speaker 1: you really performance performance movie, shocking, exhilarating. It was such

717
00:45:42,640 --> 00:45:48,760
Speaker 1: a It was what we call the Black Actors Guild.

718
00:45:49,239 --> 00:45:59,799
Speaker 1: I haven't called via Danny Glover from the Washington School Hall. Yes,

719
00:46:00,120 --> 00:46:02,879
Speaker 1: what of the most accomplish young actors we've ever had

720
00:46:03,000 --> 00:46:08,640
Speaker 1: Inside the Black Actor Studio. There was a gym scene. Well,

721
00:46:08,719 --> 00:46:14,000
Speaker 1: you have a friend of yours, take a student, see

722
00:46:15,080 --> 00:46:19,799
Speaker 1: where you really shoot your death as an actor. Quite

723
00:46:19,840 --> 00:46:23,200
Speaker 1: impressed over here an eighty five show. We'd give it

724
00:46:24,280 --> 00:46:29,520
Speaker 1: six black thumbs up even if we had seven, if

725
00:46:29,600 --> 00:46:33,600
Speaker 1: we had run more on a scan of one to six.

726
00:46:33,760 --> 00:46:36,759
Speaker 1: You got a six? No for real? Tell us about that.

727
00:46:41,160 --> 00:46:46,440
Speaker 1: So John Singleton, he uh, he typically directed our season finales,

728
00:46:47,080 --> 00:46:50,680
Speaker 1: so this was season two. Um, so it was his

729
00:46:50,800 --> 00:46:54,960
Speaker 1: episode and the scene was obviously it was a strong scene.

730
00:46:55,000 --> 00:46:58,400
Speaker 1: It was cool. And I was performing a scene and

731
00:46:58,560 --> 00:47:00,600
Speaker 1: I was it was it was, it was good, it

732
00:47:00,760 --> 00:47:03,440
Speaker 1: was good. Well we wanted to make it great. And

733
00:47:03,680 --> 00:47:05,919
Speaker 1: Amon pulled me to a side and he was just like, look,

734
00:47:07,280 --> 00:47:12,319
Speaker 1: he said, fuck everything. He said, fuck the words, fuck

735
00:47:12,400 --> 00:47:14,960
Speaker 1: fuck the script, fuck everything. He said, just go off

736
00:47:15,000 --> 00:47:17,359
Speaker 1: of how you feel. He said, you've seen your man's

737
00:47:17,440 --> 00:47:21,600
Speaker 1: right now, fucked up in the face. He said, just

738
00:47:21,800 --> 00:47:25,240
Speaker 1: let however you feel go. He said, just do whatever

739
00:47:25,280 --> 00:47:27,320
Speaker 1: you want to do. In that moment, I was like

740
00:47:27,440 --> 00:47:29,439
Speaker 1: cool and that really in that moment it just turned

741
00:47:29,480 --> 00:47:33,000
Speaker 1: me up. Like I was like, I watch, it's gonna

742
00:47:33,000 --> 00:47:37,040
Speaker 1: be the last take. So I John's like, are you ready?

743
00:47:37,040 --> 00:47:39,320
Speaker 1: I'm like yeah ready. So we started performing. I do

744
00:47:39,440 --> 00:47:44,280
Speaker 1: my coverage. So we're doing a scene. I break the phone.

745
00:47:44,400 --> 00:47:47,839
Speaker 1: That everybody clapping and I'm like, oh, yeah, we really

746
00:47:47,840 --> 00:47:49,520
Speaker 1: an't doing this again. Got broke the phone, so that's

747
00:47:49,560 --> 00:47:51,880
Speaker 1: gotta be it. And so John was like, we got it,

748
00:47:52,400 --> 00:47:55,279
Speaker 1: and then I didn't really understand how it was gonna

749
00:47:55,280 --> 00:47:56,680
Speaker 1: be pieced together. I was just in the moment. I

750
00:47:56,760 --> 00:47:58,279
Speaker 1: just was like, all right, that's that was, you know,

751
00:47:58,320 --> 00:48:00,359
Speaker 1: I feel I felt good about that one or when

752
00:48:00,400 --> 00:48:02,880
Speaker 1: I saw it and I was like, man like that

753
00:48:03,120 --> 00:48:04,759
Speaker 1: that made me feel a certain kind of way. And

754
00:48:04,840 --> 00:48:07,320
Speaker 1: I was like, that's dope when I can make myself,

755
00:48:08,360 --> 00:48:10,920
Speaker 1: uh feel my own performance, you know. And that's how

756
00:48:10,960 --> 00:48:12,480
Speaker 1: I feel about this last season. I got a lot

757
00:48:12,520 --> 00:48:15,239
Speaker 1: of those moments that I cannot wait. But everybody got

758
00:48:15,320 --> 00:48:19,520
Speaker 1: these moments. Man Like, everyone really went crazy this season

759
00:48:19,600 --> 00:48:22,680
Speaker 1: with their performances. So it's gonna be dope to see everybody.

760
00:48:23,080 --> 00:48:26,759
Speaker 1: Uh see everybody's reaction to this season. But your thing,

761
00:48:26,840 --> 00:48:32,880
Speaker 1: when you get pissed off, yeah, just go crazy. Just

762
00:48:33,040 --> 00:48:36,640
Speaker 1: go crazy, because even I think season four. So every

763
00:48:36,640 --> 00:48:38,040
Speaker 1: time they gave me, like a race and I got

764
00:48:38,160 --> 00:48:40,120
Speaker 1: a race something, I broke a table, I threw a

765
00:48:40,239 --> 00:48:42,279
Speaker 1: chair in the wall and stuck in the wall one take.

766
00:48:42,800 --> 00:48:45,279
Speaker 1: I was like, they know they right, and I'm gonna

767
00:48:45,320 --> 00:48:53,200
Speaker 1: be angry. I'm gonna break something with the crackhead. But

768
00:48:53,360 --> 00:48:55,600
Speaker 1: she wasn't a crackhead at first. That was your girl.

769
00:48:55,800 --> 00:49:01,520
Speaker 1: She wasn't she wasn't get on love story of Romeo

770
00:49:01,719 --> 00:49:06,279
Speaker 1: and Julian proportions because everybody in the from getting You

771
00:49:06,400 --> 00:49:13,640
Speaker 1: out the way of the book from oh with like yeah,

772
00:49:20,960 --> 00:49:24,000
Speaker 1: I think I think with that, with that specific love story,

773
00:49:24,080 --> 00:49:29,120
Speaker 1: I think Leon just felt obligated to not stick by

774
00:49:29,200 --> 00:49:31,480
Speaker 1: her shot, but because he ended up getting a new

775
00:49:31,560 --> 00:49:35,080
Speaker 1: girl eventually and then he just doubled back. But he

776
00:49:35,239 --> 00:49:39,600
Speaker 1: felt kind of at funk, you know. He introduced her

777
00:49:39,640 --> 00:49:44,120
Speaker 1: to Crack to be around crack, so he felt responsible,

778
00:49:44,800 --> 00:49:47,160
Speaker 1: you know. So I think that's that's where the core

779
00:49:47,280 --> 00:49:50,360
Speaker 1: their love story is the fact that he feels like

780
00:49:50,440 --> 00:49:52,040
Speaker 1: if it wasn't for him, she would have never went

781
00:49:52,120 --> 00:49:58,960
Speaker 1: down that road. Though it just I don't know, it

782
00:49:59,080 --> 00:50:03,600
Speaker 1: just hit there really really with me and gilded our chemistry.

783
00:50:04,960 --> 00:50:07,399
Speaker 1: That's when like it was her and like I think

784
00:50:07,480 --> 00:50:09,520
Speaker 1: three or four of the girls to audition for Wander

785
00:50:10,200 --> 00:50:12,680
Speaker 1: and I treated that audition like it was mine. I was,

786
00:50:13,000 --> 00:50:15,320
Speaker 1: I was off off book, I knew the lines. So

787
00:50:15,560 --> 00:50:18,600
Speaker 1: when I was performing with each girl like I was,

788
00:50:18,719 --> 00:50:20,040
Speaker 1: I was in it with him, I'm like, I'm not

789
00:50:20,080 --> 00:50:22,880
Speaker 1: gonna be reading and make you have to try to

790
00:50:23,280 --> 00:50:25,040
Speaker 1: pull something out of no, like we were in this

791
00:50:25,080 --> 00:50:27,640
Speaker 1: scene for real, Because we're gonna be love interest, you know,

792
00:50:27,800 --> 00:50:29,719
Speaker 1: for for a long period of time. I gotta make

793
00:50:29,760 --> 00:50:33,120
Speaker 1: sure like we can go toe to toe. So she

794
00:50:33,360 --> 00:50:36,400
Speaker 1: was probably like the second to last girl auditioning. But

795
00:50:36,440 --> 00:50:38,720
Speaker 1: when we're talking, she's like, yeah, I went to Airway

796
00:50:38,760 --> 00:50:40,960
Speaker 1: and then I'm like really like so we I'm like, oh,

797
00:50:41,040 --> 00:50:43,239
Speaker 1: we know the same people. So when we get in

798
00:50:43,320 --> 00:50:46,080
Speaker 1: a room, like she was like the only one who

799
00:50:46,239 --> 00:50:49,360
Speaker 1: I went we went at it like we went at it.

800
00:50:49,520 --> 00:50:52,680
Speaker 1: So I was like, she wonder So when she got

801
00:50:52,680 --> 00:50:54,520
Speaker 1: out the room, I told all the producers, I said,

802
00:50:55,160 --> 00:50:58,040
Speaker 1: that's wander for Shore because she was the only one

803
00:50:58,080 --> 00:51:00,279
Speaker 1: who really went like she would knock back. There was

804
00:51:00,320 --> 00:51:02,920
Speaker 1: no sense of I'm backing down because you'll be on

805
00:51:03,120 --> 00:51:05,719
Speaker 1: like no, like I wonder you know what I'm saying.

806
00:51:05,760 --> 00:51:07,520
Speaker 1: So it was dompe like it was dope, like what

807
00:51:07,680 --> 00:51:09,600
Speaker 1: y'all see today is. But she brought in the room

808
00:51:09,680 --> 00:51:12,200
Speaker 1: that day. So that's why everybody was like she was

809
00:51:12,239 --> 00:51:15,920
Speaker 1: perfect for this character. Um and the fact that what

810
00:51:16,160 --> 00:51:18,920
Speaker 1: really you know to me isn't a test to her

811
00:51:19,000 --> 00:51:21,279
Speaker 1: her talent is because when she woke the show, I

812
00:51:21,320 --> 00:51:23,600
Speaker 1: don't think she knew that her character was gonna be

813
00:51:23,680 --> 00:51:27,480
Speaker 1: on crack, so she just imagined if she was trash,

814
00:51:28,000 --> 00:51:30,239
Speaker 1: you know what I'm saying, Like that wasn't that story

815
00:51:30,280 --> 00:51:32,319
Speaker 1: wouldn't have sold the way that it did. But because

816
00:51:32,360 --> 00:51:34,800
Speaker 1: she's a great actress, like when they told her that

817
00:51:34,880 --> 00:51:37,080
Speaker 1: she was gonna be on crack, she just did her research.

818
00:51:37,160 --> 00:51:39,680
Speaker 1: She really, she really did her research. Talk to a

819
00:51:39,800 --> 00:51:50,520
Speaker 1: lot of people saying that she really got it character.

820
00:51:50,760 --> 00:51:59,360
Speaker 1: I didn't say she going back to the neighborhood. How

821
00:51:59,520 --> 00:52:06,160
Speaker 1: this stuff thing. So I'm glad Jack nobody ever asked

822
00:52:06,200 --> 00:52:20,480
Speaker 1: me about my I'm glad you can't visit me. I'm

823
00:52:20,920 --> 00:52:27,440
Speaker 1: Zack weekend. I'm zach weekend. Have me look my boy

824
00:52:27,560 --> 00:52:33,960
Speaker 1: Jane came ahead right. People ain't gonna get lit, you know.

825
00:52:39,560 --> 00:52:51,960
Speaker 1: And that ship. I watched the wattle. She hadn't fucked up.

826
00:52:52,400 --> 00:52:57,840
Speaker 1: I was watching TV. Then TV jumped on top my

827
00:52:58,000 --> 00:53:06,080
Speaker 1: fucker't know at the time. Oh my goddamn kids down

828
00:53:06,160 --> 00:53:12,800
Speaker 1: on the way started sweating. Then the bitch jumped on me.

829
00:53:17,280 --> 00:53:23,160
Speaker 1: I know. One of the mother whint my back flut, bullshit,

830
00:53:23,280 --> 00:53:27,560
Speaker 1: you're not. He just pulled the floe backs in and

831
00:53:27,719 --> 00:53:34,560
Speaker 1: he zipped the mother what when the put a zip

832
00:53:34,680 --> 00:53:37,160
Speaker 1: on my floor so I won't go in the kitchen

833
00:53:37,239 --> 00:53:49,759
Speaker 1: no more? Man, Man de Rail on the show too. Yeah,

834
00:53:50,040 --> 00:53:56,759
Speaker 1: my god, Peaches you laughing. The teachers are a little funny.

835
00:53:57,160 --> 00:54:01,520
Speaker 1: That het me call on Peach some too. Nobody I

836
00:54:01,600 --> 00:54:09,200
Speaker 1: think be like, what's something hilarious? It'd be cool. It

837
00:54:09,239 --> 00:54:12,400
Speaker 1: seems like y'all y'all got a good relationship that man.

838
00:54:12,480 --> 00:54:15,200
Speaker 1: I tell everybody, we like a family outside of Snowfall,

839
00:54:15,280 --> 00:54:17,799
Speaker 1: Like we all kick it. We got a group chat,

840
00:54:18,680 --> 00:54:20,920
Speaker 1: uh and the old white dudes and should be on

841
00:54:21,040 --> 00:54:28,600
Speaker 1: that what the group chat? Yeah, everybody on the it

842
00:54:28,680 --> 00:54:31,480
Speaker 1: ain't a lot of old white gude girl like regularly

843
00:54:32,320 --> 00:54:38,160
Speaker 1: what about the white put the crack in the neighbor? Carter?

844
00:54:38,280 --> 00:54:43,040
Speaker 1: That's my guy. He's dope. He was like a quarter car. Yeah, yeah,

845
00:54:43,239 --> 00:54:46,160
Speaker 1: cool he got He did some good great work this

846
00:54:46,239 --> 00:54:48,640
Speaker 1: season two. Everybody did. Yeah. I like his character. He

847
00:54:48,760 --> 00:54:50,920
Speaker 1: go great a lot of people. It took it. I

848
00:54:51,000 --> 00:54:53,719
Speaker 1: think it took him a while to like really like

849
00:54:54,000 --> 00:54:58,560
Speaker 1: the Snowfall fans because he said, like obviously he ain't

850
00:54:58,560 --> 00:55:01,600
Speaker 1: say it like that. Yeah, but niggas I hate you,

851
00:55:01,960 --> 00:55:05,000
Speaker 1: like how we get walk up to him saying I

852
00:55:05,239 --> 00:55:12,920
Speaker 1: can't stand he got hate. That's crazy. In the airport

853
00:55:13,800 --> 00:55:28,040
Speaker 1: slap before back, he said he would be king. He

854
00:55:28,280 --> 00:55:39,680
Speaker 1: boils so far. I played character with my grandson his

855
00:55:39,840 --> 00:55:46,160
Speaker 1: birthday because we all we like when we get number

856
00:55:46,239 --> 00:55:50,040
Speaker 1: of people hate me. But they ain't crazy. How they

857
00:55:50,080 --> 00:55:52,200
Speaker 1: told you you wasn't black enough. Now you're on TV

858
00:55:52,400 --> 00:55:57,279
Speaker 1: doing the blackest shit you could possibly be doing. Man,

859
00:55:57,320 --> 00:56:01,799
Speaker 1: I was just as local. They just gonna so they

860
00:56:01,840 --> 00:56:05,680
Speaker 1: don't see. They just gonna show you that some gotta

861
00:56:05,760 --> 00:56:09,479
Speaker 1: put your blessing in the sky. He was tend different

862
00:56:09,960 --> 00:56:15,080
Speaker 1: look and just got it. Mean, gotta wrap your blessing up,

863
00:56:15,120 --> 00:56:19,640
Speaker 1: make it look like something like give rerap. You gotta unwrapping.

864
00:56:21,320 --> 00:56:25,399
Speaker 1: It's a blessing. Ain't like it looked like it ain't

865
00:56:25,440 --> 00:56:29,680
Speaker 1: want something, look like it ain't want to rate. But

866
00:56:29,840 --> 00:56:33,120
Speaker 1: then what that one thing matter? You can't Jane, what real?

867
00:56:34,040 --> 00:56:39,880
Speaker 1: You can believe what I mean? Will here? Don't you

868
00:56:40,000 --> 00:56:43,359
Speaker 1: never think that it ain't what? Ain't what it else?

869
00:56:44,440 --> 00:56:46,800
Speaker 1: You gotta wrap your blessing up. You put your shting

870
00:56:46,880 --> 00:56:56,200
Speaker 1: autos on box. You're thinking some breaks forget something else whatever.

871
00:56:57,400 --> 00:57:00,160
Speaker 1: Now that's hard. I just love how you f up

872
00:57:00,200 --> 00:57:03,000
Speaker 1: that ship and the story made for a circle. Shure,

873
00:57:04,440 --> 00:57:07,359
Speaker 1: you really got the job when you won the monologue. Ship.

874
00:57:09,320 --> 00:57:12,600
Speaker 1: True she had that ship happened. It wasn't for that.

875
00:57:14,640 --> 00:57:20,240
Speaker 1: Ain't the seeds that's everything happened for either. Hell yeah, Leon,

876
00:57:20,400 --> 00:57:23,840
Speaker 1: that's a black ass name too. That's coming from the

877
00:57:23,920 --> 00:57:31,320
Speaker 1: nigger named lewis Man. That might be a little spit

878
00:57:31,400 --> 00:57:42,400
Speaker 1: off looking name. Cleveland. Y'all callos with the cave. I

879
00:57:42,480 --> 00:57:47,520
Speaker 1: shut then up before I get Crag involved with. Then't

880
00:57:47,560 --> 00:57:57,560
Speaker 1: got a name like a pastor and defend pass the

881
00:57:57,720 --> 00:58:03,840
Speaker 1: thing a little buddy, shut stupid. He couldn't get this

882
00:58:03,920 --> 00:58:14,280
Speaker 1: old nigga. You wouldn't hit my story. That's funny, you

883
00:58:14,360 --> 00:58:17,040
Speaker 1: know the funny thing. That's all the nigga's name, real

884
00:58:18,400 --> 00:58:22,480
Speaker 1: real og names. Black people do. Got some o dass names,

885
00:58:22,600 --> 00:58:33,200
Speaker 1: old as fuck, bro Chat, we gotta come getting no

886
00:58:33,320 --> 00:58:38,200
Speaker 1: more biblical that. I think it was your name black Isaiah.

887
00:58:38,240 --> 00:58:40,000
Speaker 1: You know it's always a mixed nigga name. My zi

888
00:58:40,160 --> 00:58:43,000
Speaker 1: ain't ain't not saying like Jesus nephew. Isaiah is a

889
00:58:43,120 --> 00:58:48,160
Speaker 1: mixed name. Jesus nigga. You know, name I z Isaiah Thomas,

890
00:58:48,760 --> 00:59:02,640
Speaker 1: Isaiah Thomas. That nigga is dark scared Washington long enough.

891
00:59:04,160 --> 00:59:11,600
Speaker 1: You are the first. I only need the name the

892
00:59:11,680 --> 00:59:18,040
Speaker 1: first one. Okay, watch up again, nigga losing Isaia all

893
00:59:18,160 --> 00:59:24,880
Speaker 1: the others. I'm probably the first. Isaiah john john If

894
00:59:24,920 --> 00:59:26,840
Speaker 1: you had a phone book right now and being page

895
00:59:26,880 --> 00:59:30,680
Speaker 1: in them, why I never met Isaiah john I met

896
00:59:30,720 --> 00:59:33,040
Speaker 1: Isaiah Johnson. You gotta get up there in the meet

897
00:59:33,040 --> 00:59:35,040
Speaker 1: the old nigga. Name is Zaia. Yeah. I used to

898
00:59:35,080 --> 00:59:37,680
Speaker 1: be a passenger, joined the military. I did you do that?

899
00:59:37,840 --> 00:59:43,840
Speaker 1: In reverse? People know what You're gonna go ahead them

900
00:59:43,880 --> 00:59:49,800
Speaker 1: two weekends a year was ill? Trust me? Steve Case

901
00:59:49,800 --> 00:59:52,560
Speaker 1: sleep to night. Hey man. This episode is sponsored in

902
00:59:52,680 --> 00:59:58,840
Speaker 1: part by cocaine the same time this used to make crack.

903
01:00:00,040 --> 01:00:02,760
Speaker 1: They didn't give us none, but we did use some

904
01:00:02,920 --> 01:00:07,680
Speaker 1: of the money. No, this was this was the Actually

905
01:00:07,720 --> 01:00:12,640
Speaker 1: this was prop cocaine from the set of Snowfall and

906
01:00:12,800 --> 01:00:17,000
Speaker 1: No extra track to Still No, No, you try to

907
01:00:17,080 --> 01:00:24,640
Speaker 1: sell it. I told you he was some snow The

908
01:00:24,760 --> 01:00:29,640
Speaker 1: nigga there on the TV show shipping two birds the

909
01:00:29,800 --> 01:00:37,520
Speaker 1: corners is hard? What's up cat? When you see La

910
01:00:38,400 --> 01:00:43,840
Speaker 1: back to the British accent. At first, it was um

911
01:00:44,400 --> 01:00:48,720
Speaker 1: like the first time I like heard it was after

912
01:00:48,840 --> 01:00:52,600
Speaker 1: the first table read, so I'm thinking he from you know, America,

913
01:00:52,760 --> 01:00:55,440
Speaker 1: like he talking to American accent. And as soon as

914
01:00:55,440 --> 01:00:57,520
Speaker 1: we've done everybody, you know what I'm saying, saying naked eyes,

915
01:00:57,600 --> 01:01:03,080
Speaker 1: he whip out this London accent. I'm like, well, I

916
01:01:03,240 --> 01:01:07,840
Speaker 1: was confused black like he got me around all his

917
01:01:08,000 --> 01:01:11,560
Speaker 1: UK HOMEI so there ain't nothing to me now. But

918
01:01:11,680 --> 01:01:13,800
Speaker 1: when we used to do a tour, like we used

919
01:01:13,800 --> 01:01:15,360
Speaker 1: to do a tour, so we will film the season

920
01:01:15,640 --> 01:01:18,200
Speaker 1: and then go on like a nationwide tour, just hit

921
01:01:18,240 --> 01:01:22,560
Speaker 1: automated cities, and every time they were, they were they

922
01:01:22,600 --> 01:01:25,800
Speaker 1: were show the first episode and they would do a panel.

923
01:01:26,280 --> 01:01:28,480
Speaker 1: As soon as he opened his mouth in every city,

924
01:01:29,200 --> 01:01:32,400
Speaker 1: every black woman in them theaters was screamed like they

925
01:01:32,560 --> 01:01:36,000
Speaker 1: never heard a UK accident before in their life. They

926
01:01:36,080 --> 01:01:38,360
Speaker 1: probably ain't heard when the real life he says hello

927
01:01:38,520 --> 01:01:46,560
Speaker 1: and they go crazy. I'm like, hello, now we got

928
01:01:46,600 --> 01:01:50,560
Speaker 1: the sauce Hello, but I heard it's like that fun

929
01:01:50,680 --> 01:01:54,640
Speaker 1: so over there, I gotta go, oh yeah, I got

930
01:02:03,280 --> 01:02:06,000
Speaker 1: it's crazy. It's crazy because damned to be trying to

931
01:02:06,080 --> 01:02:07,920
Speaker 1: he be trying to do the Atlantic accent every time

932
01:02:07,960 --> 01:02:16,120
Speaker 1: he do. I ain't doing he like, ain't got damn. Yeah,

933
01:02:16,320 --> 01:02:22,360
Speaker 1: it's funny. Yeah, that accent crazy, it's crazy. Yeah, got appreciate.

934
01:02:25,560 --> 01:02:29,000
Speaker 1: They're gonna tell you say something. We'd be like say something.

935
01:02:29,040 --> 01:02:31,400
Speaker 1: They're gonna tell you to say something that you know

936
01:02:31,440 --> 01:02:55,280
Speaker 1: what I'm gonna say? Bis what sahi to be? They're

937
01:02:55,280 --> 01:02:57,800
Speaker 1: gonna get you them cookies though, ain't they biscuits? Cookie? Yeah?

938
01:02:58,280 --> 01:03:05,080
Speaker 1: So they sausage cookie? Yeah the way that sounds. So

939
01:03:05,200 --> 01:03:07,360
Speaker 1: what they call the cook and I will not be

940
01:03:07,600 --> 01:03:13,520
Speaker 1: participating in the if they cast biscuits with sausages don't

941
01:03:13,520 --> 01:03:22,360
Speaker 1: get configured can start. But they call them on business cookies.

942
01:03:22,640 --> 01:03:28,240
Speaker 1: So what they call the cookie a biscuit? So what

943
01:03:28,400 --> 01:03:31,480
Speaker 1: you mean, nigga says, no, no, not that you don't

944
01:03:31,520 --> 01:03:33,040
Speaker 1: what what you mean to asking what do they call

945
01:03:33,120 --> 01:03:40,520
Speaker 1: the biscuit? Then? What the nigga? That's a scone? A scone?

946
01:03:43,960 --> 01:03:47,120
Speaker 1: This nigga have, man? Why you explaining ship in him?

947
01:03:47,560 --> 01:03:52,560
Speaker 1: You know what the nigga no scone? Uh, we got

948
01:03:52,640 --> 01:03:54,480
Speaker 1: them over here, but they got them different over there.

949
01:03:54,680 --> 01:03:59,000
Speaker 1: To say, it's like, yeah this UK people help me out.

950
01:04:00,640 --> 01:04:05,360
Speaker 1: This nigga' for the UK. He had to there's a

951
01:04:05,480 --> 01:04:15,000
Speaker 1: nigga from a zone. When you have you have, motherfucker,

952
01:04:15,800 --> 01:04:22,840
Speaker 1: you can be wrong either way. Dawn Show called them

953
01:04:22,880 --> 01:04:31,040
Speaker 1: bitches gone or bit scotted. Maybe they just say pastry

954
01:04:31,120 --> 01:04:36,360
Speaker 1: my knigg Strew Strew strud Strew goes like. They don't

955
01:04:36,360 --> 01:04:38,920
Speaker 1: say line. They say que crumpet, like what we call

956
01:04:39,000 --> 01:04:41,600
Speaker 1: a line. You gotta have money to have crumpets. Nigga.

957
01:04:41,600 --> 01:04:47,520
Speaker 1: Everybody don't get to eat trans can be okay, it's

958
01:04:47,600 --> 01:04:53,720
Speaker 1: not a hor it's a whole fucking shit. We live

959
01:04:53,800 --> 01:05:05,320
Speaker 1: in Atlanta. We got music and music. They're not human now.

960
01:05:05,360 --> 01:05:07,960
Speaker 1: I do had one theory that I believe. I believe

961
01:05:08,040 --> 01:05:11,840
Speaker 1: Memphis is Egypt, though think about it. They got pyramids,

962
01:05:12,600 --> 01:05:16,640
Speaker 1: everybody got gold to and tattoos. They speak their own language,

963
01:05:16,880 --> 01:05:19,600
Speaker 1: and them niggas be gangster walking. That's in the hieroglyphics.

964
01:05:22,360 --> 01:05:25,440
Speaker 1: See he won high motherfucker green with you damn show.

965
01:05:30,880 --> 01:05:32,600
Speaker 1: Just in case you wonder what we're doing, we are

966
01:05:32,800 --> 01:05:35,680
Speaker 1: now showing you just how important having an eighty five

967
01:05:35,720 --> 01:05:38,280
Speaker 1: South show app is. Because you was watching this show thinking, oh,

968
01:05:38,520 --> 01:05:41,360
Speaker 1: they did finally put the ship back on YouTube. They

969
01:05:41,560 --> 01:05:46,360
Speaker 1: was listening. We weren't. We weren't on that appy five

970
01:05:46,440 --> 01:05:48,360
Speaker 1: dot com, Foka dap. You got an hour for free.

971
01:05:48,520 --> 01:05:50,360
Speaker 1: We gave you what you wanted. Now give us some

972
01:05:50,520 --> 01:05:56,720
Speaker 1: subscriptions to the app fifteen eighty five dollars a year.

973
01:05:57,000 --> 01:06:01,000
Speaker 1: Shannowighty five dot com, eighty five South Show, Get the Apple.

974
01:06:01,160 --> 01:06:04,160
Speaker 1: See this is what they don't know. Really three dollars,

975
01:06:04,240 --> 01:06:08,720
Speaker 1: but adjusted for inflation is a low. Get the app, man,

976
01:06:08,800 --> 01:06:10,600
Speaker 1: stop bullshing, were out of here, man,