WEBVTT - EP 442: Roses & Break-Ups (ft. Serayah)

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<v Speaker 1>Welcome to Decisions Decisions. I don't think you should say

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<v Speaker 1>decision decisions. It sounded like you was talking to did Kirsten?

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<v Speaker 1>You definitely say to welcome, Welcome to the new podcast.

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<v Speaker 1>Oh wait, you want to say together Decisions Decisions.

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<v Speaker 2>Today on Decisions Decisions ladies.

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<v Speaker 1>Oh, there we go. That's all we needed. That's all

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<v Speaker 1>we needed. Welcome, y'all to.

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<v Speaker 3>Another episode of Decisions Decisions. I'm your girl, Mandy b

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<v Speaker 3>aka Peg Decillion aka Peg and Marco aka Peggy Bundy

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<v Speaker 3>aka Dead Bitch.

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<v Speaker 1>Hey, y'all, I'm Weezy, and we have a guest in

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<v Speaker 1>the villa, Danne. Don't know if you've ever heard of Ruth.

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<v Speaker 1>We can call her Babe Ruth, or.

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<v Speaker 3>We can her as Soreya y'all. She is a singer, actress,

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<v Speaker 3>and all around creative powerhouse. You may have first fell

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<v Speaker 3>in love with her as Tiana Brown on Fox's hit

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<v Speaker 3>series Empire, and since then she's lit up the screen

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<v Speaker 3>in films like Burning Sands and Favorite Son, but also,

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<v Speaker 3>most recently, because we all Got Netflix, Ruth and Boaz.

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<v Speaker 3>She also has her own land in music with her

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<v Speaker 3>R and B infused sound. Welcome to the goddamn podcast.

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<v Speaker 2>Thank you for having me.

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<v Speaker 1>I it just hit me when you said R and

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<v Speaker 1>B and the cow pants? Is this for the country girl?

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<v Speaker 1>For the songs for the country theme?

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<v Speaker 3>And then, by the way, the movie theme them was

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<v Speaker 3>some country songs.

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<v Speaker 2>They were and that was actually the part for me

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<v Speaker 2>that was so different.

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<v Speaker 1>But I loved it. I love that you ain't putting

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<v Speaker 1>no accent on it. No, no, no no, because he

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<v Speaker 1>was like.

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<v Speaker 2>Yeah, no, no, no, no for sure. But I definitely when I

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<v Speaker 2>heard the songs that Babyface wrote, I was like, oh wow,

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<v Speaker 2>and I started saying, I'm like, these do feel like

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<v Speaker 2>low key country?

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<v Speaker 1>What is when I say so, that wasn't acting. He

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<v Speaker 1>wrote them songs. No, he really wrote the song so love.

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<v Speaker 3>Me tell you some tea, just so that you know

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<v Speaker 3>who you're sitting with your in the Presence of Greatness

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<v Speaker 3>during Essence Fest, we actually girl followed Babyface on stage

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<v Speaker 3>and introduced Maxwell.

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<v Speaker 1>I have to tell everyone that was a highlight of

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<v Speaker 1>the year.

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<v Speaker 3>Really literally, Babyface sung all his tunes, all his things,

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<v Speaker 3>so I got your excitement in the show. Baby I

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<v Speaker 3>was like, my god, I know all his music and

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<v Speaker 3>I was like, this thing, I gotta be rich.

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<v Speaker 1>Because this is the Jams, you know what I mean.

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<v Speaker 3>And so literally baby Face is coming off stage and

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<v Speaker 3>we're like prepping our little.

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<v Speaker 1>We had to yeah we was on stage.

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<v Speaker 3>No no, we literally didn't say anything. We just saw

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<v Speaker 3>his greatness walk down the stairs. Okay, you where our

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<v Speaker 3>que cars at?

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<v Speaker 1>Have I told you that my baby face story about Thanksgiving? No? Oh, y'all.

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<v Speaker 1>So I had an opportunity to know before. When I

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<v Speaker 1>said y'all, I'm thinking like listeners, Mandy, Okay, so oh,

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<v Speaker 1>I hate didn't make it a dark. So I don't

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<v Speaker 1>really spend Thanksgiving with my parents anywhere because my dad

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<v Speaker 1>he's just kind of been, you know, not the greatest health.

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<v Speaker 1>So my mom and I has been spending Thanksgivings with Quesla,

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<v Speaker 1>which is a flex in its own, so you would

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<v Speaker 1>think like, oh, you're gonna be with the family. We

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<v Speaker 1>pull up to Thanksgiving and the first person we see

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<v Speaker 1>his baby Face, and I grabbed my mom's hand and

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<v Speaker 1>I said, please, don't say anything. Why would I say anything.

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<v Speaker 1>I'm cool, I'm playing it cool. She has three cocktails.

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<v Speaker 1>We sit down, mother sitting next to me. Kenneth, it's

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<v Speaker 1>sitting across from my mother, right on the third step

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<v Speaker 1>of that third cocktail, she goes, I just gotta say, Babyface,

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<v Speaker 1>this is a great Thanksgiving. I mean, did anybody think

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<v Speaker 1>they need even with baby Face? And everybody's really looking like, yeah,

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<v Speaker 1>we did. So here's I'm not going to ask you

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<v Speaker 1>to see. He goes great, I'm not gonna I'm not

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<v Speaker 1>gonna ask you. Then, few SIPs later, couest love. Everyone's

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<v Speaker 1>calling him a mirror. Do you think we could get

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<v Speaker 1>tickets to your show? And he's looking like, what show?

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<v Speaker 1>I have eighteen upcoming shows, Mama, the one with Jimmy Kimmel.

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<v Speaker 1>He's not on Jimmy Kimmel, He's on Jimmy Fallon. And

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<v Speaker 1>then she knows Jimmy zoo. I mean it's the Gym's Yes,

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<v Speaker 1>a lot of Jimmy. You know, there's a lot of

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<v Speaker 1>jim then decides after the fourth cocktail to move over

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<v Speaker 1>Babyface's girlfriend and sit by him to say, I say,

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<v Speaker 1>we go to the Jimmy Gimmel. Oh girl, I wanted

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<v Speaker 1>to die anyway. Every time I see this man, my

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<v Speaker 1>head goes down. I have nothing to say of it.

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<v Speaker 1>My mother moved over his girlfriend Thanksgiving different, come move

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<v Speaker 1>I'm not gonna lie her mom is wild.

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<v Speaker 3>We now have things in common. I was told not

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<v Speaker 3>to talk to Dojia Cat, and I sure did, bitch.

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<v Speaker 1>Because oh, okay, you tell the story. And then we

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<v Speaker 1>got to hear your celebrity story.

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<v Speaker 3>To know your celebrity story of word, lo, you have

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<v Speaker 3>to you have it. We're now sharing story. This is

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<v Speaker 3>like a little bit of an icebreaker. So anyways went on.

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<v Speaker 3>I'm not gonna tell y'all who told me not to

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<v Speaker 3>do it, but it was like a spoken word in

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<v Speaker 3>the vehicle. We knew the Doja Cat was gonna be

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<v Speaker 3>around us that night, and clearly, bitch Almala is my girl.

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<v Speaker 1>So wait, bit you couldn't speak literally because clearly I'm

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<v Speaker 1>a fan. And yeah, like it was on.

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<v Speaker 3>So I'm like, don't really like make it awkward, don't

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<v Speaker 3>let her know you're a fan on it.

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<v Speaker 1>I was like, bitch, I'm.

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<v Speaker 3>Also well, So anyways, I end up at h we

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<v Speaker 3>end up at this rooftop in La. It's gorgeous. She's

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<v Speaker 3>there sitting right across from us. Oh my god, mom,

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<v Speaker 3>and I'm like and I'm like, so mind you, I'm like,

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<v Speaker 3>na gonna speak nothing. She's sitting there with this little

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<v Speaker 3>long ass like cigarette, maybe getting ready for her eighties era.

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<v Speaker 1>I wasn't ready.

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<v Speaker 3>So literally just sitting there freaking. I looked to the

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<v Speaker 3>side of me and there's a whole phone by me,

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<v Speaker 3>and I'm like, oh shit, somebody left their phone. Minus

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<v Speaker 3>this is a big ass fucking party, so I'm like,

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<v Speaker 3>oh shit, somebody left their phone. So I'm sitting here

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<v Speaker 3>and I'm just holding holding this phone. There's cards in

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<v Speaker 3>the back. So I look through the cards in the back.

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<v Speaker 3>It's not her, bitch, it's Joseph Quinny bitch, her boyfriend,

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<v Speaker 3>the white one bitch, the one for motherfucking stranger things.

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<v Speaker 1>So I said, oh, I got this that, so mind you.

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<v Speaker 3>I'm like, well, bitch, now our boyfriends, this is gonna

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<v Speaker 3>be gonna be organic, you know what I mean. It's

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<v Speaker 3>gonna be organic, because what's doing you know what I mean?

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<v Speaker 1>Well, no, I don't know.

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<v Speaker 3>Where he put it down in the but somehow his

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<v Speaker 3>phone landed in my hand. So I go to Joseph

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<v Speaker 3>and I and I'm like, uh, so I think you

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<v Speaker 3>lost something. He's like, oh my god, because you know,

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<v Speaker 3>oh my god, thank you so much. Didn't even now

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<v Speaker 3>listen like he's like, what do you want?

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<v Speaker 1>Do you want to drink? Bitch? Is open bar? What

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<v Speaker 1>are you gonna give me? Sir? This is an open

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<v Speaker 1>bar event. So it's so funny.

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<v Speaker 3>So I give him his phone and he's like, oh

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<v Speaker 3>my god, thank you, whatever you need.

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<v Speaker 1>I was like, no, it's cool, it's cool. It's cool.

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<v Speaker 3>So literally, uh, she's coming back now from the bathroom

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<v Speaker 3>as we're talking, and I go to walk away and

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<v Speaker 3>I never want anyone to say that I'm a white woman.

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<v Speaker 3>She said, girl, your hair is giving Sharon Stone And

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<v Speaker 3>I said, bitch, isn't it?

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<v Speaker 1>Mind?

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<v Speaker 3>You were like probably the only black people in the

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<v Speaker 3>whole party. Mind you were only half. So there's only

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<v Speaker 3>about two and a half of us in the whole room.

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<v Speaker 3>The two and a half of us in the whole room,

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<v Speaker 3>and literally the whole night. She's just like she just

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<v Speaker 3>keeps talking and chatting. We end up going down by

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<v Speaker 3>this pool, bro no lie because la weather sucks and

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<v Speaker 3>I got my shoulders out and I'm looking cute. She's like, baby,

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<v Speaker 3>you look cold. She takes off her blazer and gives it.

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<v Speaker 1>To me, And at this point we're fucking friends. So

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<v Speaker 1>we go to fucking we're talking.

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<v Speaker 3>She's talking about how I think the cigarette is called

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<v Speaker 3>the F word out in London and we're talking about

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<v Speaker 3>this word and.

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<v Speaker 1>How she loves the word, but how she's just that

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<v Speaker 1>bitch and how she you know, she love crazy words.

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<v Speaker 1>We've seen it on the streets. Well there's this.

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<v Speaker 3>Guy smoking the cigarette and we're talking about just how

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<v Speaker 3>he looks so possible, but it looks better in a

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<v Speaker 3>woman's mouth. She's just one of the coolest bitchest fucking ever.

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<v Speaker 3>Shout out to her album Go Get It Now, vias out.

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<v Speaker 3>This is not an ad, And so literally as we

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<v Speaker 3>go Manyie, she's been talking to me you the whole night,

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<v Speaker 3>and I say.

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<v Speaker 1>At the end, I just have to tell you how

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<v Speaker 1>much I love it.

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<v Speaker 3>And my friend who told me that I wasn't supposed

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<v Speaker 3>to say anything to her, really kind of had to

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<v Speaker 3>say something.

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<v Speaker 1>I know, no, we're friends, just you know, but not

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<v Speaker 1>following up. No we didn't exchange or anything like that.

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<v Speaker 1>But literally that.

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<v Speaker 3>Night I was told not to say something, and at

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<v Speaker 3>the end I was like, oh.

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<v Speaker 1>No, air and I was like, bro. When we were

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<v Speaker 1>hanging out that weekend in Paris and it was like

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<v Speaker 1>that you.

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<v Speaker 3>Saw for a ticket now I need to know because

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<v Speaker 3>you you've been around not not like that. Would you

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<v Speaker 3>be around like the slips? Yes, oh thank you?

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<v Speaker 1>Yes. I No, I'm gonna say something I don't get.

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<v Speaker 2>Okay, I would say babyface because obviously we're working and

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<v Speaker 2>I'm just like so nervous. First of all, well to

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<v Speaker 2>be in his presence. Secondly, to work with him in

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<v Speaker 2>the studio.

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<v Speaker 1>I'm just like, oh my god, now this is for

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<v Speaker 1>the scene we saw in the movie.

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<v Speaker 2>Yeah, like, well, well, okay, so all of the songs

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<v Speaker 2>recorded he wrote. So I flew to La to record

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<v Speaker 2>with him at his studio.

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<v Speaker 1>Was losing in his house? No, not in his house

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<v Speaker 1>at his studio because they don't start. I'd be like,

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<v Speaker 1>let me go to the bathroom. Now I'm gonna look around. No, no, no,

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<v Speaker 1>I was not at his house.

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<v Speaker 2>But you got to I have to actually work with him,

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<v Speaker 2>like really work with him, which was crazy. So it's

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<v Speaker 2>like pinch me moment. But I would say another moment

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<v Speaker 2>for me. I mean, I don't even know. It's probably

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<v Speaker 2>like twenty seventeeneen, I don't even know, sixteen seventeen, maybe.

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<v Speaker 3>Twenty seventeen Beyonce. Okay, Okay, where were you.

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<v Speaker 1>Set the scene? What she smilling?

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<v Speaker 2>So v Mas, I was with Taylor Swift and the

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<v Speaker 2>squad at that time.

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<v Speaker 1>Oh my god, I was at that time. You know.

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<v Speaker 1>It was it was it was giving that, you know, right,

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<v Speaker 1>I was a black girl in the gang.

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<v Speaker 2>And well there was two and a half of us,

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<v Speaker 2>I guess and and yeah, so we're backstage and we're like,

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<v Speaker 2>oh my gosh, congrats, I think it's me. Look another

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<v Speaker 2>set of things, me Selena and Gomez and Taylor. Look

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<v Speaker 2>we know it was the other Selena. So listen these

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<v Speaker 2>by the way, these girls are just they're so sweet.

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<v Speaker 2>I haven't seen or talked to them in years, but

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<v Speaker 2>so sweet. So this moment, Taylor got the award and

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<v Speaker 2>Beyonce is just like walking backstage, right and this is

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<v Speaker 2>like Primetime Empire, like people are doing watch parties like

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<v Speaker 2>this is like Empires, like the.

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<v Speaker 1>Yeah, like I'm just Siana, like I don't have a

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<v Speaker 1>name yet.

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<v Speaker 2>So so so she's walking and literally I kind of

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<v Speaker 2>see her out the corner of my eye, but I'm

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<v Speaker 2>like okay, like I'm like congratulations, you know with Taylor,

0:10:35.320 --> 0:10:37.800
<v Speaker 2>and literally walks by and she like comes to me

0:10:37.840 --> 0:10:40.760
<v Speaker 2>and she's like you're doing amazing. Oh bit she spoke

0:10:40.800 --> 0:10:44.040
<v Speaker 2>to you, yes, and I was like, and I was like,

0:10:44.160 --> 0:10:45.120
<v Speaker 2>she was like leaving.

0:10:45.280 --> 0:10:47.200
<v Speaker 1>She just like drops that and like and I'm like,

0:10:47.200 --> 0:10:50.160
<v Speaker 1>oh my god, I live with the watching TV.

0:10:50.840 --> 0:10:54.240
<v Speaker 3>Ya watching the thing. You know what's going on. She

0:10:54.600 --> 0:10:56.360
<v Speaker 3>don't talk to us, but she knows what's going on.

0:10:56.800 --> 0:10:58.280
<v Speaker 3>So she was watching Empire and.

0:10:59.600 --> 0:11:04.360
<v Speaker 2>She's say exactly, and I was like, I was trying

0:11:04.400 --> 0:11:06.600
<v Speaker 2>to like say thank you, but also like.

0:11:06.559 --> 0:11:07.439
<v Speaker 1>You didn't say nothing back.

0:11:07.760 --> 0:11:09.440
<v Speaker 2>Yes I did. I was trying to say, like, oh

0:11:09.440 --> 0:11:11.120
<v Speaker 2>my god, I love you like I was doing that

0:11:11.160 --> 0:11:13.079
<v Speaker 2>because I was like, I don't care, Like when when

0:11:13.080 --> 0:11:14.000
<v Speaker 2>am I going to Beyonce?

0:11:14.679 --> 0:11:17.280
<v Speaker 1>What are you going to see Beyonce again? Like you

0:11:17.360 --> 0:11:22.400
<v Speaker 1>have to? Did you ever see her again? No? No,

0:11:22.760 --> 0:11:24.960
<v Speaker 1>I'm not going to be in a relationship. I'm famous

0:11:25.000 --> 0:11:26.240
<v Speaker 1>and you famous, nigga, and.

0:11:26.240 --> 0:11:28.600
<v Speaker 3>We ain't never get no more beyond you don't even

0:11:28.640 --> 0:11:32.160
<v Speaker 3>know mind you. Year one, we talk a little rowdy

0:11:32.160 --> 0:11:36.439
<v Speaker 3>on here, literally weezy and I'll never forget it said

0:11:36.440 --> 0:11:39.760
<v Speaker 3>that she would, oh my god, fart out of Beyonce's

0:11:39.760 --> 0:11:40.720
<v Speaker 3>ass after Taco Bell.

0:11:41.000 --> 0:11:43.640
<v Speaker 2>That was how much it was the year you saw

0:11:44.320 --> 0:11:47.320
<v Speaker 2>how much yeah that I have to talk about it already,

0:11:47.360 --> 0:11:48.320
<v Speaker 2>crazy Taco Bell.

0:11:48.920 --> 0:11:49.719
<v Speaker 1>That's how much she.

0:11:52.679 --> 0:11:52.839
<v Speaker 2>Now.

0:11:53.000 --> 0:11:56.520
<v Speaker 1>I what's even crazier is all that big bold bad ship.

0:11:57.280 --> 0:11:59.720
<v Speaker 1>So my business partner and I got to be at

0:11:59.760 --> 0:12:02.120
<v Speaker 1>a you know, the Foundation le Vton show.

0:12:02.120 --> 0:12:04.040
<v Speaker 3>This is how you urged them to go to Patreon

0:12:04.080 --> 0:12:04.960
<v Speaker 3>because you share the whole story.

0:12:05.080 --> 0:12:06.840
<v Speaker 1>Oh no, I was gonna say. We got to be

0:12:06.880 --> 0:12:08.800
<v Speaker 1>around them at an after party and the whole time,

0:12:08.960 --> 0:12:12.240
<v Speaker 1>who's them Beyonce and Jay and part well maybe less

0:12:12.240 --> 0:12:14.120
<v Speaker 1>than fifty people, And the whole time all we could

0:12:14.160 --> 0:12:16.400
<v Speaker 1>do is just sit there and do this to each other.

0:12:16.600 --> 0:12:18.680
<v Speaker 1>You say, so, you say no, I'm gonna say okay.

0:12:19.280 --> 0:12:21.040
<v Speaker 1>So then he pulls out his phone. I'm like, what

0:12:21.040 --> 0:12:23.920
<v Speaker 1>are you doing figuring out what I'm gonna say? Writing

0:12:23.920 --> 0:12:26.720
<v Speaker 1>it in the notes? But oh, I one time a

0:12:26.720 --> 0:12:29.679
<v Speaker 1>gold party? Look at yourself? You did? You did? Oh

0:12:29.720 --> 0:12:30.000
<v Speaker 1>my god?

0:12:30.040 --> 0:12:33.200
<v Speaker 2>I heard that was also everyone did, by the way,

0:12:33.240 --> 0:12:34.000
<v Speaker 2>it was one of the best.

0:12:34.240 --> 0:12:35.000
<v Speaker 1>Which gold party?

0:12:35.080 --> 0:12:35.319
<v Speaker 2>Was it?

0:12:35.400 --> 0:12:37.280
<v Speaker 1>Oh? It was years ago. It had to be when

0:12:37.760 --> 0:12:38.679
<v Speaker 1>the Black Panther.

0:12:40.120 --> 0:12:43.520
<v Speaker 2>Oh yeah, yeah, he was there, like it was like

0:12:43.600 --> 0:12:45.839
<v Speaker 2>when that movie first was like, that's right.

0:12:45.920 --> 0:12:54.720
<v Speaker 1>So but all the all the black excellent. I know

0:12:54.720 --> 0:12:56.080
<v Speaker 1>we're supposed to talk about your movie.

0:12:56.120 --> 0:12:57.040
<v Speaker 3>I'm like, we gonna get there.

0:12:57.040 --> 0:12:58.839
<v Speaker 1>We're gonna get there. This is so much more.

0:12:59.080 --> 0:13:02.280
<v Speaker 3>Actually, know what, let's we kind of broke the ice

0:13:02.320 --> 0:13:04.400
<v Speaker 3>with Beyonce, but we're gonna break the ice with a

0:13:04.400 --> 0:13:07.120
<v Speaker 3>little truth in there. I don't like people choosing because

0:13:07.160 --> 0:13:08.720
<v Speaker 3>you give people truth or there, they want to be

0:13:08.760 --> 0:13:12.400
<v Speaker 3>boring into the truth. So technically I make people do both.

0:13:12.440 --> 0:13:15.360
<v Speaker 3>You actually have no choice. Okay, So the first one

0:13:15.360 --> 0:13:16.600
<v Speaker 3>we're gonna do is truth.

0:13:17.120 --> 0:13:17.920
<v Speaker 1>And this does lean.

0:13:17.840 --> 0:13:22.439
<v Speaker 3>Into the new Netflix film so and it actually leans

0:13:22.440 --> 0:13:25.360
<v Speaker 3>into your personal life. So in Ruth and Bo as

0:13:25.800 --> 0:13:29.959
<v Speaker 3>Ruth prefers to herself as a liar at the end

0:13:29.960 --> 0:13:34.000
<v Speaker 3>of the movie, and it's corrected by Bo with him saying, well,

0:13:34.080 --> 0:13:35.559
<v Speaker 3>you omitted information.

0:13:36.080 --> 0:13:37.320
<v Speaker 1>And we talk about this all the time.

0:13:37.320 --> 0:13:40.079
<v Speaker 3>What's the difference between lying and just not telling somebody

0:13:40.200 --> 0:13:43.320
<v Speaker 3>like white lies, fibbing all the things? So, was there

0:13:43.360 --> 0:13:46.360
<v Speaker 3>anything that you have purposely kept from a potential partner,

0:13:47.400 --> 0:13:51.000
<v Speaker 3>a potential partner out of shame or trauma or fear

0:13:51.040 --> 0:13:53.360
<v Speaker 3>that they would judge you if they knew this to

0:13:53.400 --> 0:13:55.679
<v Speaker 3>be true about you? For sure, Now you got to

0:13:55.720 --> 0:13:56.400
<v Speaker 3>tell us what it was.

0:13:56.520 --> 0:14:00.839
<v Speaker 1>Oh no, oh yes you're shot? You thought? No, the same.

0:14:00.920 --> 0:14:03.760
<v Speaker 2>I mean, honestly, I mean not to be boring, but

0:14:03.840 --> 0:14:07.400
<v Speaker 2>I just feel like for I feel like it's past

0:14:07.440 --> 0:14:10.760
<v Speaker 2>partners because it's because it's I don't know where this

0:14:10.800 --> 0:14:13.800
<v Speaker 2>is going. I want to see where this is going first.

0:14:14.080 --> 0:14:16.680
<v Speaker 2>Maybe should I say something? Maybe I shouldn't. And I

0:14:16.679 --> 0:14:19.040
<v Speaker 2>think that it's a I feel like it's a normal

0:14:19.640 --> 0:14:22.240
<v Speaker 2>thing to do, and I think both parties do it

0:14:22.440 --> 0:14:25.040
<v Speaker 2>if you're to a certain extent right Obviously, if it's

0:14:25.080 --> 0:14:27.960
<v Speaker 2>someone that's in your circle or that we like, are around,

0:14:28.040 --> 0:14:28.480
<v Speaker 2>like you.

0:14:28.320 --> 0:14:29.520
<v Speaker 1>Have to say those things.

0:14:29.920 --> 0:14:33.200
<v Speaker 2>But if it's something before, I feel like it's natural

0:14:33.240 --> 0:14:35.000
<v Speaker 2>if you're in a new situation to kind of just

0:14:35.040 --> 0:14:37.880
<v Speaker 2>like reserve. So let me ask you then, what would

0:14:37.880 --> 0:14:40.480
<v Speaker 2>be like the top two things if you're newly dating

0:14:41.640 --> 0:14:44.440
<v Speaker 2>and in previous experiences for you, what two things about

0:14:44.440 --> 0:14:45.680
<v Speaker 2>previous relationships for you?

0:14:45.800 --> 0:14:47.800
<v Speaker 3>Like, I ain't bring it up? Was it like if

0:14:47.840 --> 0:14:48.720
<v Speaker 3>your partner cheated?

0:14:49.120 --> 0:14:50.040
<v Speaker 1>Was it if you cheated?

0:14:50.280 --> 0:14:52.040
<v Speaker 3>Was it the dynamic of that?

0:14:52.200 --> 0:14:52.320
<v Speaker 2>Like?

0:14:52.400 --> 0:14:54.200
<v Speaker 3>What things do you make sure not to bring up

0:14:54.440 --> 0:14:58.479
<v Speaker 3>in new blossoming relationships about your past relationships?

0:14:58.520 --> 0:14:59.920
<v Speaker 1>Well, if somebody cheated.

0:15:00.120 --> 0:15:03.200
<v Speaker 2>I'm gonna say that, like I have no problem saying

0:15:03.200 --> 0:15:06.200
<v Speaker 2>that the person cheated, or I have no problem saying

0:15:06.360 --> 0:15:10.080
<v Speaker 2>if I did that as well, but have not have not.

0:15:10.160 --> 0:15:15.880
<v Speaker 1>You haven't, okay, but you are. But I have no

0:15:15.920 --> 0:15:17.920
<v Speaker 1>problem because here's the thing. I mean.

0:15:18.560 --> 0:15:20.840
<v Speaker 2>I feel like I always feel like it's like, what

0:15:20.880 --> 0:15:23.560
<v Speaker 2>do you want with the person? Right? And I feel

0:15:23.600 --> 0:15:25.920
<v Speaker 2>like if you want something authentic and real that I

0:15:25.920 --> 0:15:27.680
<v Speaker 2>feel like you have to try to put.

0:15:27.560 --> 0:15:30.840
<v Speaker 1>Yourself in that that space with them.

0:15:31.640 --> 0:15:35.000
<v Speaker 2>But what do you think there are like no, like

0:15:35.040 --> 0:15:38.520
<v Speaker 2>I would I would never share like personal life information

0:15:38.600 --> 0:15:41.440
<v Speaker 2>of my past partner, Okay, I feel like that's just

0:15:41.440 --> 0:15:44.160
<v Speaker 2>a little messy, okay, like things that we shared in

0:15:44.200 --> 0:15:46.960
<v Speaker 2>confidence that was like about him solely.

0:15:47.520 --> 0:15:49.680
<v Speaker 1>I think that I just I wouldn't talk about that.

0:15:49.840 --> 0:15:51.800
<v Speaker 1>You're you're now in a new relationship.

0:15:51.840 --> 0:15:53.920
<v Speaker 3>I know we share our lives on goddamn podcasts, But

0:15:54.280 --> 0:15:56.520
<v Speaker 3>for a partner who hasn't went through all fucking four

0:15:56.600 --> 0:16:01.640
<v Speaker 3>hundred plus episodes, was there anything special about your past

0:16:01.720 --> 0:16:05.480
<v Speaker 3>relationship that you didn't share with your partner now at

0:16:05.480 --> 0:16:07.840
<v Speaker 3>the gate like that it took a while to share.

0:16:09.520 --> 0:16:14.120
<v Speaker 1>I would say the harder pain of like hmm. So

0:16:14.200 --> 0:16:16.840
<v Speaker 1>maybe we've all said a guy cheated, but I never

0:16:17.040 --> 0:16:20.560
<v Speaker 1>disclosed how bad it was because I didn't want him

0:16:20.560 --> 0:16:23.200
<v Speaker 1>to think, oh, well, you stayed with it. You let

0:16:23.240 --> 0:16:25.800
<v Speaker 1>a nigga just run through you. Like I really think

0:16:25.880 --> 0:16:29.360
<v Speaker 1>that we kind of need to show up as Hey,

0:16:29.440 --> 0:16:31.800
<v Speaker 1>I've had men treat femail. I've had these good situations.

0:16:32.080 --> 0:16:34.600
<v Speaker 1>I've had partners that have honored me, like I've had

0:16:34.640 --> 0:16:38.320
<v Speaker 1>good relationships. I think it's really important. Actually, we have

0:16:38.360 --> 0:16:41.000
<v Speaker 1>a segment called We Listen and We Judge. I want

0:16:41.000 --> 0:16:42.920
<v Speaker 1>to read you really quickly. A text message I got

0:16:43.040 --> 0:16:45.520
<v Speaker 1>but maybe an hour ago. Oh well, we asked for

0:16:45.600 --> 0:16:49.120
<v Speaker 1>pre consent with anything that we share, Okay, And this

0:16:49.200 --> 0:16:51.680
<v Speaker 1>text message really surprised me. From a friend, he went

0:16:51.720 --> 0:16:54.200
<v Speaker 1>out with a really popular model last night Passion week.

0:16:54.200 --> 0:16:57.640
<v Speaker 1>Shit they met, I said, how was it? She's beautiful,

0:16:57.720 --> 0:17:01.000
<v Speaker 1>no doubt. Her story is just so sad that it

0:17:01.120 --> 0:17:03.200
<v Speaker 1>just feels like she's going to be a generational curse

0:17:03.240 --> 0:17:05.800
<v Speaker 1>to me. Honestlyes I said, so a bitch got a

0:17:05.800 --> 0:17:08.000
<v Speaker 1>bad past and it's a problem for you, he said,

0:17:08.040 --> 0:17:10.200
<v Speaker 1>just mad issues with men. Her mom's got the issues,

0:17:10.240 --> 0:17:12.280
<v Speaker 1>her sister's got the issues. It's a cycle of trauma

0:17:12.280 --> 0:17:15.440
<v Speaker 1>that I'm just not up to heel. Bro. Well, it's

0:17:15.480 --> 0:17:18.800
<v Speaker 1>not for you to heal, honey, But I'm like thinking

0:17:18.840 --> 0:17:21.879
<v Speaker 1>to myself on a first date, you must have. I mean,

0:17:21.920 --> 0:17:25.240
<v Speaker 1>that's a lot, and that's the thing about hiding. You

0:17:25.280 --> 0:17:26.520
<v Speaker 1>gotta hold some of that shit.

0:17:26.600 --> 0:17:29.919
<v Speaker 3>It's funny though that he referenced it's a lot for

0:17:30.040 --> 0:17:33.520
<v Speaker 3>him to hell. I think it's funny because even one

0:17:33.520 --> 0:17:35.920
<v Speaker 3>of the things that Cardi B shared during her rollout

0:17:36.080 --> 0:17:38.560
<v Speaker 3>was like that Sepon Dicks was going to be there

0:17:38.600 --> 0:17:42.440
<v Speaker 3>to help heal her through her past relationship in trauma.

0:17:42.760 --> 0:17:45.320
<v Speaker 3>And it's interesting because whether you want to do it

0:17:46.000 --> 0:17:47.720
<v Speaker 3>or whether you sign up to do it, at the

0:17:47.800 --> 0:17:50.239
<v Speaker 3>end of the day, if you're with somebody and you

0:17:50.280 --> 0:17:53.239
<v Speaker 3>want to be with them, unfortunately, you do take on

0:17:53.280 --> 0:17:55.760
<v Speaker 3>their trauma, You take on some of their baggage, you

0:17:55.800 --> 0:17:58.480
<v Speaker 3>take on whatever they're dealing with mental health wise, you

0:17:58.520 --> 0:18:01.320
<v Speaker 3>deal with their past relationship ships, in terms of children,

0:18:01.600 --> 0:18:05.480
<v Speaker 3>you deal with their family. And so where he said that,

0:18:05.680 --> 0:18:07.920
<v Speaker 3>I'm not mad at him for that, I was kind

0:18:07.960 --> 0:18:11.159
<v Speaker 3>of mad at that. Like, Bro, there's certain things right now. Bro,

0:18:11.200 --> 0:18:15.440
<v Speaker 3>if you got like very clear diagnosed mental health problems,

0:18:15.720 --> 0:18:17.280
<v Speaker 3>bro I ain't got the patience for Us'm gonna be

0:18:17.280 --> 0:18:20.720
<v Speaker 3>real honest with you, but to say generational curses, I mean,

0:18:20.760 --> 0:18:23.359
<v Speaker 3>I mean maybe that was his way of expressing like

0:18:23.440 --> 0:18:25.919
<v Speaker 3>how intense it was, but I'm not mad with that.

0:18:26.040 --> 0:18:33.680
<v Speaker 2>Like, I mean, she she came in hot with the trauma. Yeah,

0:18:34.000 --> 0:18:37.920
<v Speaker 2>and he was well not off gate, yeah, not off gate.

0:18:37.960 --> 0:18:39.760
<v Speaker 2>He he kind of was persistent, it's like, all right,

0:18:39.800 --> 0:18:40.679
<v Speaker 2>well if you want to know that.

0:18:42.280 --> 0:18:42.520
<v Speaker 1>Whatever.

0:18:43.840 --> 0:18:45.640
<v Speaker 2>So I feel like I feel like one or two

0:18:45.640 --> 0:18:48.200
<v Speaker 2>I feel you on that because it's like, that's very

0:18:48.280 --> 0:18:49.879
<v Speaker 2>mature of you to be like, Okay, I'm not in

0:18:49.880 --> 0:18:51.720
<v Speaker 2>the space to deal with a B and C.

0:18:52.000 --> 0:18:55.679
<v Speaker 1>And him too, I think that it's interesting that.

0:18:56.800 --> 0:19:00.199
<v Speaker 2>I think it's interesting he chose that response, and I

0:19:00.200 --> 0:19:02.400
<v Speaker 2>think it's interesting that she chose to share them share

0:19:02.440 --> 0:19:02.840
<v Speaker 2>the stage.

0:19:02.960 --> 0:19:05.800
<v Speaker 1>Yeah. So honestly, it must have been something along the

0:19:05.800 --> 0:19:09.840
<v Speaker 1>lines of like oh heavy, I'm singles, my dad was shit,

0:19:09.880 --> 0:19:11.199
<v Speaker 1>blah blah blah, like whatever it was.

0:19:11.240 --> 0:19:13.639
<v Speaker 3>Because what happened, well, at least she ain't opened up

0:19:13.680 --> 0:19:16.400
<v Speaker 3>with I'm broke, because apparently that's the thing in Atlanta,

0:19:16.400 --> 0:19:17.760
<v Speaker 3>and now all the bitch is letting it be known

0:19:17.800 --> 0:19:20.280
<v Speaker 3>that they need help with bills. So I'm not mad

0:19:20.320 --> 0:19:24.359
<v Speaker 3>with her opening and sharing that that I don't feel

0:19:24.400 --> 0:19:27.840
<v Speaker 3>safe with Madden, Like I still want to date y'all niggas,

0:19:27.880 --> 0:19:29.399
<v Speaker 3>but that's what I'm saying.

0:19:29.640 --> 0:19:32.120
<v Speaker 1>No, And I don't know, I mean for a grown man.

0:19:32.200 --> 0:19:35.120
<v Speaker 1>He's mid thirties. He was like, yeah, bro, Like, I'm

0:19:35.119 --> 0:19:37.480
<v Speaker 1>not dealing with this. I do think there is a

0:19:37.520 --> 0:19:39.320
<v Speaker 1>space of where we kind of got to show up

0:19:39.320 --> 0:19:41.359
<v Speaker 1>as a better version. Right, We're not going to always

0:19:41.400 --> 0:19:44.000
<v Speaker 1>be at our best. We're always still healing no matter what.

0:19:44.359 --> 0:19:46.439
<v Speaker 1>But I do think going on a first date, you

0:19:46.440 --> 0:19:48.679
<v Speaker 1>can't be in the space where you still like I

0:19:48.720 --> 0:19:50.440
<v Speaker 1>hate every man, you know what I mean? Like you

0:19:50.720 --> 0:19:53.360
<v Speaker 1>shouldn't either. Oh, I shouldn't be on the d I'm

0:19:53.560 --> 0:19:55.720
<v Speaker 1>in there. I mean, I have shots deep trying to

0:19:55.760 --> 0:19:56.440
<v Speaker 1>heal the pain.

0:19:56.760 --> 0:19:59.159
<v Speaker 2>No, I mean for sure, but like for it to

0:19:59.280 --> 0:20:00.800
<v Speaker 2>go somewhere, it's like.

0:20:00.760 --> 0:20:03.160
<v Speaker 3>I mean, let's get in the writer's room. Bitch, your

0:20:03.240 --> 0:20:04.320
<v Speaker 3>character pissed me off?

0:20:04.440 --> 0:20:05.040
<v Speaker 1>What does she do?

0:20:05.119 --> 0:20:07.000
<v Speaker 3>But she was like you like all them, all the

0:20:07.080 --> 0:20:08.760
<v Speaker 3>niggas in Atlanta, and that man was fine. I didn't

0:20:08.760 --> 0:20:10.200
<v Speaker 3>hear a word he said the whole movie. I don't

0:20:10.240 --> 0:20:12.440
<v Speaker 3>even gonna no, like.

0:20:12.800 --> 0:20:17.159
<v Speaker 1>Bro, I need, I need like. I'm sorry.

0:20:17.200 --> 0:20:19.680
<v Speaker 2>I was very bold of her, Bro, it was very

0:20:19.840 --> 0:20:20.840
<v Speaker 2>It's very bold of.

0:20:20.800 --> 0:20:23.520
<v Speaker 3>The casting to choose someone that could literally stand there

0:20:23.560 --> 0:20:24.800
<v Speaker 3>the whole movie and.

0:20:24.880 --> 0:20:30.320
<v Speaker 1>Not say anything. So who's from Atlanta and very vocal.

0:20:30.640 --> 0:20:32.840
<v Speaker 1>And we're sitting there and when I seen Krim on

0:20:32.840 --> 0:20:36.240
<v Speaker 1>the screen, she just starts talking to Ruth. She said, so,

0:20:36.280 --> 0:20:38.160
<v Speaker 1>this bitch really thinks she with Joey in the movie

0:20:38.160 --> 0:20:41.960
<v Speaker 1>because she's talking about he like everybody. Then we wait

0:20:42.200 --> 0:20:49.960
<v Speaker 1>fifty five minute to get that and get it together.

0:20:51.840 --> 0:20:53.560
<v Speaker 1>I know that.

0:20:55.119 --> 0:20:58.040
<v Speaker 3>That car when you first when you first thought you

0:20:58.080 --> 0:21:00.000
<v Speaker 3>did a good job, like yeah, but you better look

0:21:00.160 --> 0:21:02.119
<v Speaker 3>that finess man because we all would have looked at him.

0:21:01.960 --> 0:21:05.359
<v Speaker 1>That way too. I'm ignoring. We're gonna first that we're talking.

0:21:05.440 --> 0:21:08.760
<v Speaker 1>By the way, for anybody watching her, search this clip

0:21:08.840 --> 0:21:11.560
<v Speaker 1>so you could just see what we saw. Baby, I

0:21:11.640 --> 0:21:13.680
<v Speaker 1>don't I hate a saw by now. Honestly, I thought

0:21:13.720 --> 0:21:16.280
<v Speaker 1>I was pregnant when I watched it. I felt it

0:21:16.440 --> 0:21:19.400
<v Speaker 1>growing inside of me. Me and miracles gonna be baby,

0:21:19.400 --> 0:21:22.879
<v Speaker 1>bother to keel you wait, no shirt on it. And

0:21:22.960 --> 0:21:24.600
<v Speaker 1>he building a house.

0:21:25.160 --> 0:21:28.560
<v Speaker 3>He's building a hame Ma and giving our cards and jobs.

0:21:28.880 --> 0:21:33.040
<v Speaker 3>I'm here for it. Shout out to the writers of Ruth, because.

0:21:32.840 --> 0:21:34.119
<v Speaker 1>Baby, I'm gonna hold you.

0:21:34.119 --> 0:21:36.040
<v Speaker 3>I wouldn't want my nigga being displayed at such a

0:21:36.040 --> 0:21:36.960
<v Speaker 3>wonderful man on TV.

0:21:37.359 --> 0:21:39.720
<v Speaker 1>Make my nigga like Michael Eely in the in the

0:21:39.760 --> 0:21:44.720
<v Speaker 1>movies so everyone hates him if my man looks that good.

0:21:45.119 --> 0:21:47.280
<v Speaker 3>I needed you to be casted as a Michael eey

0:21:47.359 --> 0:21:49.600
<v Speaker 3>and everything you played wait because I want women to

0:21:49.640 --> 0:21:51.000
<v Speaker 3>be showing it.

0:21:51.200 --> 0:21:53.959
<v Speaker 1>And he was looking stressed. What was it? He was like,

0:21:54.240 --> 0:21:55.720
<v Speaker 1>what was the film he was in? It? Was it

0:21:55.720 --> 0:21:59.080
<v Speaker 1>a short film? Distance Strangers? Was it Two Distinct Strangers?

0:21:59.080 --> 0:22:02.119
<v Speaker 1>And he was running some It was like it was

0:22:02.200 --> 0:22:04.160
<v Speaker 1>running It wasn't didn't you play in a movie?

0:22:04.200 --> 0:22:08.080
<v Speaker 2>I think that's what you're talking about. Yes, it kept replaying. Yeah, yeah,

0:22:08.200 --> 0:22:08.760
<v Speaker 2>the short film.

0:22:08.840 --> 0:22:10.960
<v Speaker 1>I remember watching that thing. And you're like, we need

0:22:11.000 --> 0:22:14.720
<v Speaker 1>to see him in a happy Food. I'm like, okay,

0:22:14.840 --> 0:22:17.280
<v Speaker 1>nobody found like this dressed out hold on girl, now,

0:22:17.560 --> 0:22:21.159
<v Speaker 1>no dressed to you see? Once she got in the club,

0:22:21.320 --> 0:22:23.399
<v Speaker 1>she was out there. You need to see her in

0:22:23.400 --> 0:22:23.800
<v Speaker 1>a dreams.

0:22:23.800 --> 0:22:26.000
<v Speaker 3>Well, speaking about the club, you were put on the spot,

0:22:26.080 --> 0:22:28.480
<v Speaker 3>so I'm putting you on the spot for Dare and

0:22:28.520 --> 0:22:31.600
<v Speaker 3>we're making it a little sexy. Okay, So for Deer,

0:22:32.520 --> 0:22:36.479
<v Speaker 3>I need you to improvise, because you're a singer, a

0:22:36.560 --> 0:22:39.440
<v Speaker 3>fifteen second seem me R and B hook using three

0:22:39.560 --> 0:22:42.520
<v Speaker 3>random words that we're gonna throw at you. I'm gonna

0:22:42.560 --> 0:22:46.000
<v Speaker 3>start and I'm just gonna throw out roads because it

0:22:46.040 --> 0:22:47.680
<v Speaker 3>could mean a nice rose or the rose you put

0:22:47.720 --> 0:22:49.920
<v Speaker 3>on your clip. You give me one more word, and

0:22:49.920 --> 0:22:51.160
<v Speaker 3>then I'm gonna give her another word.

0:22:51.359 --> 0:22:52.840
<v Speaker 1>Oh my god, oh yeah.

0:22:52.840 --> 0:22:55.080
<v Speaker 3>And then you got to somehow right twine them intead

0:22:55.200 --> 0:23:00.159
<v Speaker 3>this slow slow, and then the last one milk, like.

0:23:00.119 --> 0:23:01.280
<v Speaker 1>I almost picked because.

0:23:01.760 --> 0:23:06.200
<v Speaker 3>Slow milk, I mean god, okay, okay, And you could

0:23:06.240 --> 0:23:07.879
<v Speaker 3>sing it or you could give it like a poem,

0:23:08.119 --> 0:23:09.920
<v Speaker 3>either one, because we're gonna get you some poems later.

0:23:10.800 --> 0:23:11.159
<v Speaker 2>Okay.

0:23:13.400 --> 0:23:15.720
<v Speaker 3>I feel like I should have given you a little instrumental.

0:23:16.080 --> 0:23:19.040
<v Speaker 1>I wasn't one of those kids in the room. This

0:23:19.160 --> 0:23:23.280
<v Speaker 1>is given freestyle, free style. No no, no, wait, it's

0:23:23.680 --> 0:23:24.240
<v Speaker 1>not terrible.

0:23:24.520 --> 0:23:29.240
<v Speaker 2>Okay, okay, cool so rose, milk and slow mm hmm

0:23:29.480 --> 0:23:36.840
<v Speaker 2>and action mmm. Okay, give me a little beat, little

0:23:36.920 --> 0:23:37.920
<v Speaker 2>little tempo.

0:23:37.840 --> 0:23:38.199
<v Speaker 1>You know what.

0:23:38.359 --> 0:23:40.560
<v Speaker 3>Actually I'm go on, go ahead, go ahead, just snap,

0:23:40.720 --> 0:23:41.200
<v Speaker 3>there we go.

0:23:41.440 --> 0:23:45.840
<v Speaker 2>I'm gonna use my roads mm and he gonna do

0:23:45.960 --> 0:23:53.520
<v Speaker 2>something sweet to me. Gonna get that milk kinne uh,

0:23:54.400 --> 0:23:55.439
<v Speaker 2>milk kanne?

0:23:55.840 --> 0:23:56.680
<v Speaker 1>What's that? Other words?

0:23:58.400 --> 0:23:58.919
<v Speaker 2>You go.

0:24:00.640 --> 0:24:01.040
<v Speaker 1>The last?

0:24:01.400 --> 0:24:03.880
<v Speaker 2>So you got this, come out, we go this gad Okay,

0:24:04.640 --> 0:24:09.240
<v Speaker 2>I'm gonna use my ROAs and you're gonna do something

0:24:09.280 --> 0:24:19.239
<v Speaker 2>sweet to me, making it milk gays, some sweet fummy, uh,

0:24:19.960 --> 0:24:21.280
<v Speaker 2>some sweet fummy.

0:24:23.240 --> 0:24:24.760
<v Speaker 1>I'm gonna need my road.

0:24:26.560 --> 0:24:32.399
<v Speaker 2>And it's gonna be real good to me. I'm like, yeah, ol, gay.

0:24:33.520 --> 0:24:36.800
<v Speaker 1>Slow, I forgot about class.

0:24:36.840 --> 0:24:39.560
<v Speaker 3>Okay, okay, that was great, beautiful you did that.

0:24:39.880 --> 0:24:41.119
<v Speaker 1>I'm like, well, were we gonna do.

0:24:41.600 --> 0:24:45.119
<v Speaker 3>We're gonna we're gonna go slow with the rose.

0:24:45.640 --> 0:24:49.080
<v Speaker 1>It's gonna gonna go roll. I think I said no.

0:24:49.160 --> 0:24:51.240
<v Speaker 2>I didn't say slow, no, but you could have roast.

0:24:51.240 --> 0:24:52.800
<v Speaker 2>I was feeling the slow and the tempo.

0:24:53.080 --> 0:24:54.480
<v Speaker 1>Get in that giving great.

0:24:57.320 --> 0:25:00.639
<v Speaker 3>Milky rose, milk saf milk and honey bee. I like

0:25:00.720 --> 0:25:02.640
<v Speaker 3>it because I literally just said you could put Mike's

0:25:02.680 --> 0:25:03.800
<v Speaker 3>honey on anything.

0:25:03.920 --> 0:25:06.920
<v Speaker 2>That was actually are great words no, see because it

0:25:07.119 --> 0:25:09.359
<v Speaker 2>was giving like jingle for the rose.

0:25:11.400 --> 0:25:13.879
<v Speaker 1>Literally, you know this is not who really made the

0:25:14.000 --> 0:25:16.200
<v Speaker 1>roads because aren't they all t move Like, who is

0:25:16.280 --> 0:25:19.600
<v Speaker 1>the rose originator? No idea? You know, I think who

0:25:19.640 --> 0:25:21.240
<v Speaker 1>it really is? The Womanizer?

0:25:21.800 --> 0:25:25.680
<v Speaker 3>Oh I love the woman, give me a little suction. No,

0:25:25.840 --> 0:25:27.359
<v Speaker 3>it's not back in the day. They're still big and

0:25:27.440 --> 0:25:27.960
<v Speaker 3>they still.

0:25:28.640 --> 0:25:30.080
<v Speaker 1>Came out like ten years ago. And it was the

0:25:30.200 --> 0:25:33.000
<v Speaker 1>first like suction suction for the claturists.

0:25:33.200 --> 0:25:33.440
<v Speaker 2>Wow.

0:25:33.520 --> 0:25:35.159
<v Speaker 3>And then suddenly the Rose came out and I was like,

0:25:35.280 --> 0:25:37.240
<v Speaker 3>ain't this just I'm here for the woman, give me

0:25:37.240 --> 0:25:41.280
<v Speaker 3>a little Discount's.

0:25:39.440 --> 0:25:43.000
<v Speaker 1>The twenty twenty five Womanizer? You know I love a rose? Girl?

0:25:43.040 --> 0:25:46.480
<v Speaker 1>Are you No? I don't like the suction though.

0:25:48.080 --> 0:25:50.760
<v Speaker 3>It's a little too small. Oh no, shout out to uh,

0:25:51.160 --> 0:25:52.720
<v Speaker 3>shout out to girls gotta eat.

0:25:52.920 --> 0:25:53.240
<v Speaker 1>You know what.

0:25:53.480 --> 0:25:56.720
<v Speaker 3>I they have their sectory brand, and baby, I was mad.

0:25:56.800 --> 0:25:58.920
<v Speaker 3>I was on the plane like, fuck, I ain't pack it.

0:25:59.600 --> 0:26:01.320
<v Speaker 3>I got mad that I ain't pack it.

0:26:01.600 --> 0:26:04.480
<v Speaker 2>You know what? The Rose is crazy. Let's just let's

0:26:04.560 --> 0:26:07.680
<v Speaker 2>just be honest. But why I mean it's crazy. I

0:26:07.760 --> 0:26:11.960
<v Speaker 2>feel like it's super overstimulating. Oh but in a way

0:26:12.359 --> 0:26:14.960
<v Speaker 2>in the way let me let me cook. Okay, I've

0:26:14.960 --> 0:26:18.359
<v Speaker 2>seen this headline that said that it might let me

0:26:18.440 --> 0:26:19.200
<v Speaker 2>not talk about.

0:26:18.960 --> 0:26:23.600
<v Speaker 1>The road, go ahead, what the destigmatize? Yeah that I said,

0:26:25.440 --> 0:26:27.920
<v Speaker 1>and I'm talking about some Yeah it does. So the

0:26:28.040 --> 0:26:30.920
<v Speaker 1>issue with the rose, much like any other person that's

0:26:31.000 --> 0:26:35.399
<v Speaker 1>like masturbating too much, is the amount of friction that's being.

0:26:35.320 --> 0:26:38.280
<v Speaker 3>Why we don't get desensitized from dick then, because there's

0:26:38.320 --> 0:26:39.120
<v Speaker 3>not that much friction.

0:26:40.640 --> 0:26:41.960
<v Speaker 1>So you have to think like you don't.

0:26:41.840 --> 0:26:45.840
<v Speaker 3>Get desensitized inside, just on the outside because there's.

0:26:45.600 --> 0:26:48.239
<v Speaker 1>Like seven thousand nerves on their dirves. Right, So when

0:26:48.280 --> 0:26:51.280
<v Speaker 1>I seen that, I was and a dick can't go

0:26:51.600 --> 0:26:54.080
<v Speaker 1>like that's way too strong. And another thing I was

0:26:54.160 --> 0:26:58.520
<v Speaker 1>reading women are having to edge themselves to have an orgasm.

0:26:58.640 --> 0:27:00.679
<v Speaker 1>I'm not even trying to be scientific. We gotta get

0:27:00.720 --> 0:27:03.760
<v Speaker 1>rid of the roses. Now we're about to enter a

0:27:03.880 --> 0:27:06.280
<v Speaker 1>world away. They don't want us to have partners.

0:27:07.320 --> 0:27:10.239
<v Speaker 3>I'm waiting for the robots, bitch, I'm on phone niggas now,

0:27:10.240 --> 0:27:12.080
<v Speaker 3>I'm waiting for the aliens in the robots. I'm a

0:27:12.920 --> 0:27:16.439
<v Speaker 3>whole little NBA squads of all the things that are

0:27:16.480 --> 0:27:19.480
<v Speaker 3>optional tizes. Now, I did want to get into some

0:27:19.600 --> 0:27:23.119
<v Speaker 3>relationship talk. We have a segment where we react to

0:27:23.400 --> 0:27:26.280
<v Speaker 3>something we found online. Okay, I saw this online from

0:27:26.560 --> 0:27:30.040
<v Speaker 3>one of my favorite favorite favorite content creators online, and

0:27:30.640 --> 0:27:34.240
<v Speaker 3>I one hundred percent I'm gonna pause because I want

0:27:34.280 --> 0:27:37.080
<v Speaker 3>to see if you guys agree or disagree, because y'all

0:27:37.119 --> 0:27:38.280
<v Speaker 3>both got one nigga, I got a lot.

0:27:38.359 --> 0:27:39.320
<v Speaker 1>But we're gonna see how this go.

0:27:40.600 --> 0:27:43.359
<v Speaker 4>So here here's got Before you decide to spend the

0:27:43.359 --> 0:27:45.440
<v Speaker 4>rest of your life with someone, make sure you've broken

0:27:45.520 --> 0:27:45.920
<v Speaker 4>up at.

0:27:45.880 --> 0:27:49.639
<v Speaker 1>Least one time. Agree. I think it's a good lesson.

0:27:49.840 --> 0:27:53.080
<v Speaker 4>Yes, a breakup reveals true character, Like when you're in

0:27:53.119 --> 0:27:54.160
<v Speaker 4>a relationship.

0:27:53.720 --> 0:27:55.720
<v Speaker 1>You're not showing who you really are, you're being your

0:27:55.960 --> 0:27:56.639
<v Speaker 1>best version of you.

0:27:56.800 --> 0:27:58.720
<v Speaker 4>Yes, with's a quote like if you don't like me

0:27:58.800 --> 0:28:00.680
<v Speaker 4>and my worst and then deserve me at my best, Well,

0:28:00.720 --> 0:28:02.640
<v Speaker 4>you don't know what the worst is, so you gotta

0:28:02.720 --> 0:28:04.200
<v Speaker 4>kind of know what the worst.

0:28:04.119 --> 0:28:06.280
<v Speaker 1>Is, especially if you're planning to get married. Yes till

0:28:06.320 --> 0:28:07.040
<v Speaker 1>death do a spart.

0:28:07.160 --> 0:28:09.440
<v Speaker 2>Okay, So when breaking up with this person, you can't

0:28:09.480 --> 0:28:11.320
<v Speaker 2>go into it being like I'm gonna do the test.

0:28:11.720 --> 0:28:14.840
<v Speaker 1>Yeah yeah, because that is what I would call it manipulative.

0:28:16.040 --> 0:28:18.120
<v Speaker 1>You cannot present it as the test.

0:28:18.320 --> 0:28:18.880
<v Speaker 3>Yeah yeah.

0:28:18.920 --> 0:28:21.240
<v Speaker 1>But if you get into a really big fight, Yes,

0:28:21.440 --> 0:28:23.439
<v Speaker 1>there's a little window. You see the windows the window,

0:28:23.600 --> 0:28:26.000
<v Speaker 1>and they go, maybe we should break up. Yeah. Usually

0:28:26.040 --> 0:28:27.760
<v Speaker 1>you go, no, we shouldn't break up, let's fix it.

0:28:28.119 --> 0:28:30.240
<v Speaker 1>Let each other. I think at that point you go

0:28:30.480 --> 0:28:34.040
<v Speaker 1>all right, yeah, you go all right, just like a week,

0:28:34.119 --> 0:28:36.520
<v Speaker 1>well hopefully yeah, because you might learn, like you know what,

0:28:36.880 --> 0:28:37.479
<v Speaker 1>I'm better off?

0:28:37.680 --> 0:28:40.880
<v Speaker 4>Or do they start posting you know Andrew's eight videos

0:28:40.960 --> 0:28:43.240
<v Speaker 4>with the caption the wolf is back on the hunt.

0:28:43.400 --> 0:28:44.040
<v Speaker 3>That's a bad guy.

0:28:44.160 --> 0:28:46.360
<v Speaker 1>Poop in your shoe? Who knows? That's a bad woman.

0:28:46.440 --> 0:28:48.640
<v Speaker 4>That's a bad woman or man? Men can poop in

0:28:48.640 --> 0:28:49.200
<v Speaker 4>air force once.

0:28:49.360 --> 0:28:51.080
<v Speaker 1>Are you married? I am married? Did you break up?

0:28:51.160 --> 0:28:53.280
<v Speaker 1>We have broken up? How many times? Like two? I'm

0:28:53.280 --> 0:28:54.960
<v Speaker 1>married too, And how many times you break up? I

0:28:55.000 --> 0:28:56.280
<v Speaker 1>think I broke up like ten times.

0:28:56.320 --> 0:28:58.120
<v Speaker 4>And that's how you know, like you both have seen

0:28:58.240 --> 0:28:59.760
<v Speaker 4>each other at your absolute worst.

0:29:00.600 --> 0:29:04.400
<v Speaker 1>I can't quit you. What's the thing?

0:29:06.480 --> 0:29:08.240
<v Speaker 4>How do you dodge a bullet if no one fires

0:29:08.280 --> 0:29:08.560
<v Speaker 4>the gun?

0:29:10.920 --> 0:29:16.960
<v Speaker 3>Wow, So you've been in a few year relationship, now

0:29:17.240 --> 0:29:20.960
<v Speaker 3>you are now engaged in a new mother. Congratulations. But

0:29:21.040 --> 0:29:23.120
<v Speaker 3>I want to ask both of you, and and I'll

0:29:23.160 --> 0:29:25.200
<v Speaker 3>include myself because I've had a long term relationship. But

0:29:25.320 --> 0:29:27.040
<v Speaker 3>I clearly don't count we not married and we broke

0:29:27.080 --> 0:29:29.480
<v Speaker 3>up thirteen times that we're no longer together. But I

0:29:29.560 --> 0:29:31.840
<v Speaker 3>want to ask both of you if you genuinely feel

0:29:32.640 --> 0:29:34.880
<v Speaker 3>two questions here. Do you agree with the clip? Do

0:29:34.920 --> 0:29:37.240
<v Speaker 3>you believe you don't know someone until you've broken up

0:29:37.280 --> 0:29:38.200
<v Speaker 3>with them a couple of times?

0:29:38.760 --> 0:29:41.560
<v Speaker 1>And also do you believe that in order.

0:29:41.440 --> 0:29:44.480
<v Speaker 3>To see someone's true character it takes breaking up with

0:29:44.560 --> 0:29:45.880
<v Speaker 3>them to see them in a different light.

0:29:46.600 --> 0:29:49.600
<v Speaker 1>Sorry, your face was shocked by some of the things.

0:29:49.640 --> 0:29:52.000
<v Speaker 3>So I'll start with you, like, do I spill my

0:29:52.080 --> 0:29:56.440
<v Speaker 3>own team? So yeah, Like, how what are your thoughts

0:29:56.480 --> 0:29:56.880
<v Speaker 3>on the clip?

0:29:56.920 --> 0:29:58.920
<v Speaker 1>And do you agree with with anything else? Okay? So

0:29:59.400 --> 0:30:04.520
<v Speaker 1>I do a agree with the sentiment? Okay, because because.

0:30:04.360 --> 0:30:06.280
<v Speaker 2>I don't know about how long you're going to be

0:30:06.320 --> 0:30:08.000
<v Speaker 2>broken up, but I feel like to get to a

0:30:08.080 --> 0:30:09.959
<v Speaker 2>point where you feel like you want to break up.

0:30:10.240 --> 0:30:11.040
<v Speaker 1>Both people are.

0:30:11.040 --> 0:30:15.840
<v Speaker 2>Being very one hundred percent like real and open like

0:30:16.040 --> 0:30:19.960
<v Speaker 2>because there's gonna be friction. Sometimes, there's gonna be disagreements,

0:30:20.080 --> 0:30:22.360
<v Speaker 2>there's gonna be things that, like you said, traumas and

0:30:22.400 --> 0:30:23.400
<v Speaker 2>things that come up that it's like.

0:30:23.440 --> 0:30:25.800
<v Speaker 1>Look, I can't do it around here.

0:30:25.880 --> 0:30:28.160
<v Speaker 2>Okay, But if it's like I'm out of here and

0:30:28.240 --> 0:30:30.960
<v Speaker 2>you cannot get out of there. Then I feel like

0:30:31.200 --> 0:30:32.160
<v Speaker 2>I feel what they're saying.

0:30:32.440 --> 0:30:32.600
<v Speaker 1>Now.

0:30:33.120 --> 0:30:36.520
<v Speaker 2>I have never broken up with someone for like, let's

0:30:36.560 --> 0:30:39.000
<v Speaker 2>break up, let's take a break and come back. I've

0:30:39.080 --> 0:30:42.080
<v Speaker 2>never done that. I don't know about that, so that part,

0:30:42.160 --> 0:30:44.680
<v Speaker 2>I'm not sure. Or even breaking up to get right

0:30:44.760 --> 0:30:47.000
<v Speaker 2>back together the next week, I've never done that. But

0:30:47.880 --> 0:30:50.239
<v Speaker 2>I've definitely been to a point where I'm like, I'm

0:30:50.280 --> 0:30:52.120
<v Speaker 2>about to go crazy, like I can't do this anymore.

0:30:52.560 --> 0:30:56.000
<v Speaker 2>And I feel like that does essentially I understand what

0:30:56.040 --> 0:30:58.680
<v Speaker 2>they're saying, Like to get to that point, I feel

0:30:58.720 --> 0:31:03.239
<v Speaker 2>like you're at it's enough to like everyone's showing their

0:31:03.240 --> 0:31:06.000
<v Speaker 2>true colors. Yeah, so it's like, okay, if you proceed

0:31:06.120 --> 0:31:07.960
<v Speaker 2>after that, then we're really in it.

0:31:08.720 --> 0:31:10.120
<v Speaker 1>Were really in this now?

0:31:10.160 --> 0:31:13.680
<v Speaker 3>What's the difference between seeing it all and deciding to

0:31:13.800 --> 0:31:16.920
<v Speaker 3>say and then when it's over, it's like, damn, I

0:31:16.960 --> 0:31:19.760
<v Speaker 3>should have left back when I left back then, like

0:31:19.880 --> 0:31:22.120
<v Speaker 3>because we have a child here. In the book, Weezy

0:31:22.160 --> 0:31:24.959
<v Speaker 3>wrote one about staying too long in a relationship right,

0:31:25.400 --> 0:31:28.200
<v Speaker 3>So to me, if you don't broken up like Kareem says,

0:31:28.520 --> 0:31:32.360
<v Speaker 3>he broke up with his wife ten times before getting together,

0:31:32.960 --> 0:31:36.440
<v Speaker 3>Like if the marriage doesn't last, do you not look

0:31:36.480 --> 0:31:38.400
<v Speaker 3>back and be like, damn, I should have really left

0:31:38.440 --> 0:31:41.440
<v Speaker 3>at time number four right when it's breaking up with

0:31:41.520 --> 0:31:43.880
<v Speaker 3>someone too much to where if you keep going back

0:31:43.960 --> 0:31:46.960
<v Speaker 3>at this point, it just y'all shouldn't be together?

0:31:47.120 --> 0:31:47.760
<v Speaker 1>Why?

0:31:48.480 --> 0:31:52.160
<v Speaker 2>Right? But which is why I don't like the real

0:31:52.280 --> 0:31:56.720
<v Speaker 2>aspect of like really breaking up and then getting back together,

0:31:56.840 --> 0:32:00.400
<v Speaker 2>because I feel like things happen in the interim and

0:32:00.720 --> 0:32:02.200
<v Speaker 2>people get mad at what what happened.

0:32:02.240 --> 0:32:06.560
<v Speaker 3>That's actually what makes me hate this takes.

0:32:05.120 --> 0:32:07.680
<v Speaker 2>Because because we want to what happened in that week,

0:32:07.720 --> 0:32:09.960
<v Speaker 2>in that month, a week yeap, oh yeah, don't do

0:32:10.040 --> 0:32:12.720
<v Speaker 2>that because you're gonna but broken up.

0:32:13.000 --> 0:32:18.120
<v Speaker 3>I'm finna go see somebody. No no men want us

0:32:18.920 --> 0:32:20.320
<v Speaker 3>when they say were breaking up?

0:32:20.640 --> 0:32:22.880
<v Speaker 1>What's a cry for the whole week? And then get mad?

0:32:22.960 --> 0:32:24.680
<v Speaker 1>When do you first?

0:32:24.760 --> 0:32:24.920
<v Speaker 2>Off?

0:32:25.040 --> 0:32:27.040
<v Speaker 3>You know, do you know all I have to do

0:32:27.320 --> 0:32:30.560
<v Speaker 3>was re upload signal, Snapchat, opened the DM.

0:32:32.200 --> 0:32:36.600
<v Speaker 1>That's why we're talking, girl. That's where I drugs from. Okay, well,

0:32:36.640 --> 0:32:40.080
<v Speaker 1>it's also where it's hitting app. I like like if

0:32:40.080 --> 0:32:42.120
<v Speaker 1>my mushroom man is gonna come to the house, it's

0:32:42.160 --> 0:32:42.760
<v Speaker 1>all signal.

0:32:42.920 --> 0:32:44.840
<v Speaker 3>Well, if it's Dick about to come to the house,

0:32:44.880 --> 0:32:45.800
<v Speaker 3>it's on signal too.

0:32:46.000 --> 0:32:49.240
<v Speaker 1>That gotta be a real famous Dick. I like famous Dick.

0:32:50.440 --> 0:32:54.880
<v Speaker 3>But for me, it's it's interesting because I don't like

0:32:54.960 --> 0:32:58.440
<v Speaker 3>that take either. Like, to me, the person who you're

0:32:58.560 --> 0:33:00.800
<v Speaker 3>with should be the person of who you're with when

0:33:00.840 --> 0:33:02.960
<v Speaker 3>y'all are together, Like, I don't think you should be

0:33:03.040 --> 0:33:05.320
<v Speaker 3>breaking up with someone and then judging them by how

0:33:05.320 --> 0:33:05.880
<v Speaker 3>they're existing.

0:33:05.960 --> 0:33:08.200
<v Speaker 1>But that's their point. This isn't. Yeah, I don't think.

0:33:08.200 --> 0:33:10.400
<v Speaker 1>I really hate this take, and I totally disagree. You

0:33:10.520 --> 0:33:13.400
<v Speaker 1>totally disagree. Mainly I as I shall not have to

0:33:13.480 --> 0:33:16.400
<v Speaker 1>be separated for true colors. There are so many things

0:33:16.440 --> 0:33:19.760
<v Speaker 1>in life that will show you who someone is. Pain, struggle,

0:33:20.080 --> 0:33:24.520
<v Speaker 1>someone losing a job, correct a depression. I would even

0:33:24.520 --> 0:33:26.680
<v Speaker 1>go as far to say grieving when you're seeing someone

0:33:26.720 --> 0:33:29.080
<v Speaker 1>at their worst, that is when you can tell who you're.

0:33:28.960 --> 0:33:31.360
<v Speaker 3>With, not only not only the worst. What I want

0:33:31.400 --> 0:33:34.400
<v Speaker 3>a reference because two out of three of y'all are

0:33:34.440 --> 0:33:37.400
<v Speaker 3>in this room right now. So this man sitting over

0:33:37.480 --> 0:33:40.800
<v Speaker 3>here behind me with myth he said that you don't

0:33:41.000 --> 0:33:44.160
<v Speaker 3>know somebody, you don't know their character, you don't really know.

0:33:44.160 --> 0:33:47.160
<v Speaker 1>Who they are for a year now. I did look

0:33:47.200 --> 0:33:49.480
<v Speaker 1>in the in the Google though, I did see that

0:33:49.800 --> 0:33:50.720
<v Speaker 1>you and Joey met.

0:33:50.600 --> 0:33:52.440
<v Speaker 3>Through a mutual friend a twenty twenty one didn't really

0:33:52.440 --> 0:33:53.720
<v Speaker 3>come public to twenty twenty three.

0:33:53.920 --> 0:33:56.080
<v Speaker 1>Yeah, so I love to put his little theory to

0:33:56.120 --> 0:34:00.040
<v Speaker 1>the test. Yes, I'm talking about you, Wolf, Wolf. Do

0:34:00.120 --> 0:34:02.200
<v Speaker 1>you still stand on to this day, at this very

0:34:02.280 --> 0:34:03.960
<v Speaker 1>moment that it takes a year to date someone and

0:34:04.040 --> 0:34:10.920
<v Speaker 1>then I'm coming to some riot. You're willing, You're willing,

0:34:12.200 --> 0:34:14.000
<v Speaker 1>you know, so I bet you she was sick of

0:34:14.480 --> 0:34:16.759
<v Speaker 1>look at her face, so he says it. So they're

0:34:16.840 --> 0:34:20.359
<v Speaker 1>not even it's altogether. No, No, they're not together. They're

0:34:20.360 --> 0:34:21.680
<v Speaker 1>probably doing all the together.

0:34:21.400 --> 0:34:23.759
<v Speaker 3>Ship just but he said he ain't gonna he ain't

0:34:23.760 --> 0:34:27.239
<v Speaker 3>gonna make it official for the person you take for

0:34:27.280 --> 0:34:32.280
<v Speaker 3>you to be like, yeah, isn't from Brooklyn.

0:34:32.520 --> 0:34:35.400
<v Speaker 2>Yeah, but I feel like he was like, yeah, it

0:34:35.560 --> 0:34:38.919
<v Speaker 2>was like six months, six months, Okay, that was maybe

0:34:39.440 --> 0:34:43.920
<v Speaker 2>like five to six months maybe okay, And then I want.

0:34:43.760 --> 0:34:45.239
<v Speaker 3>To ask you, at what point did you feel like

0:34:45.680 --> 0:34:49.279
<v Speaker 3>you knew him in terms of because back to the video,

0:34:49.760 --> 0:34:51.319
<v Speaker 3>it says it takes a few times to break up

0:34:51.320 --> 0:34:52.200
<v Speaker 3>before you know their character.

0:34:52.440 --> 0:34:54.640
<v Speaker 2>How long do you think I love my honey? He

0:34:55.160 --> 0:34:59.759
<v Speaker 2>I knew him the whole time period. Everything is up front,

0:35:00.000 --> 0:35:03.400
<v Speaker 2>everything is what it is. So yeah, you know what,

0:35:03.600 --> 0:35:07.080
<v Speaker 2>I didn't have to go with the whole Yeah there

0:35:07.160 --> 0:35:10.480
<v Speaker 2>was that. Yeah, yeah, there was no pressure. I didn't

0:35:10.719 --> 0:35:13.840
<v Speaker 2>put pressure on him either. Okay, we were just hanging

0:35:13.920 --> 0:35:17.080
<v Speaker 2>out and I feel like things that I grew to

0:35:17.239 --> 0:35:18.000
<v Speaker 2>know about him.

0:35:20.200 --> 0:35:21.720
<v Speaker 1>It was just very open.

0:35:22.280 --> 0:35:25.040
<v Speaker 3>Maybe see it's giving soraya saying ladies go with the flow.

0:35:25.880 --> 0:35:29.200
<v Speaker 3>It could end with a ringing a baby, I mean five,

0:35:29.600 --> 0:35:32.600
<v Speaker 3>getting in a relationship that's not flow right on time?

0:35:33.040 --> 0:35:35.960
<v Speaker 1>Yo, ass I think timing. I think tim timing matters,

0:35:36.000 --> 0:35:37.360
<v Speaker 1>but also like who is it right?

0:35:37.440 --> 0:35:41.320
<v Speaker 2>Do y'all have chemistry? Like not forcing anything? Right? Like

0:35:41.440 --> 0:35:44.200
<v Speaker 2>there are a lot of different factors. I feel like too,

0:35:44.640 --> 0:35:46.600
<v Speaker 2>And if you feel I feel like, if you feel

0:35:46.640 --> 0:35:49.360
<v Speaker 2>like you have to go a year, I feel like

0:35:49.440 --> 0:35:52.400
<v Speaker 2>that person's a little closed off or maybe they're not ready.

0:35:52.440 --> 0:35:54.000
<v Speaker 1>I actually think it kind of proves that you're not

0:35:54.080 --> 0:35:57.040
<v Speaker 1>that sure about them, which is hurtful, right, so correct

0:35:57.440 --> 0:35:59.920
<v Speaker 1>to me when it goes beyond that six month three

0:36:00.120 --> 0:36:02.360
<v Speaker 1>and just like, oh so you want me to be

0:36:02.400 --> 0:36:05.040
<v Speaker 1>out here. You're not sure about me for real, so

0:36:05.160 --> 0:36:07.040
<v Speaker 1>that means I should be weighing out my options too,

0:36:07.400 --> 0:36:10.040
<v Speaker 1>But god forbid, I do weigh out my options because

0:36:10.040 --> 0:36:13.080
<v Speaker 1>then he's like, I gotcha, you're not so like that

0:36:13.239 --> 0:36:15.960
<v Speaker 1>part is kind of tricky, and to me, the thing

0:36:16.080 --> 0:36:18.120
<v Speaker 1>I don't like about the breakup part either, is that

0:36:19.280 --> 0:36:21.800
<v Speaker 1>we don't do it with real intention. Everyone does it

0:36:21.880 --> 0:36:23.680
<v Speaker 1>to like make the other one mad and hold you

0:36:23.719 --> 0:36:25.920
<v Speaker 1>accountable for whatever happened in that time. Yeah, No, I

0:36:25.960 --> 0:36:28.880
<v Speaker 1>don't like. That's what's really hard about this with the breakups.

0:36:28.920 --> 0:36:31.040
<v Speaker 1>I also think ten times, to me, that shows you

0:36:32.160 --> 0:36:34.239
<v Speaker 1>that you're just You're just saying when you're angry, you

0:36:34.360 --> 0:36:36.759
<v Speaker 1>really don't have conflict resolution. Yeah, because how are you

0:36:36.800 --> 0:36:39.239
<v Speaker 1>getting to that many breakups? Like, yeah, you know what

0:36:39.280 --> 0:36:41.400
<v Speaker 1>I'm saying, to be married to someone you're breaking up,

0:36:41.560 --> 0:36:43.839
<v Speaker 1>I mean it could be a narcissist, you know. Ten times.

0:36:44.160 --> 0:36:47.200
<v Speaker 1>I mean, sorry, I'm sitting here, remember anything ten times.

0:36:54.560 --> 0:36:54.719
<v Speaker 2>Now.

0:36:54.880 --> 0:36:58.680
<v Speaker 3>I do want to tie this back to your new film, Yes,

0:36:58.960 --> 0:37:04.319
<v Speaker 3>because I think there's a difference between timing and persistence

0:37:04.520 --> 0:37:06.320
<v Speaker 3>and people being delusional at.

0:37:06.239 --> 0:37:07.360
<v Speaker 1>Who they may be pursuing.

0:37:08.040 --> 0:37:11.319
<v Speaker 3>And for me, it was like, Bo, give it up.

0:37:11.480 --> 0:37:13.920
<v Speaker 3>At one point, I was like, bitch, she is broken.

0:37:14.120 --> 0:37:17.520
<v Speaker 3>Why do you keep trying? And it's crazy because in

0:37:17.719 --> 0:37:21.319
<v Speaker 3>times of I think women do it on the opposite end, right,

0:37:21.800 --> 0:37:24.320
<v Speaker 3>I think we see men who are genuinely not ready

0:37:24.440 --> 0:37:29.000
<v Speaker 3>either mentally, financially, whatever the case may be, for a relationship,

0:37:29.360 --> 0:37:32.440
<v Speaker 3>and as women we still push to pursue something that

0:37:32.520 --> 0:37:36.160
<v Speaker 3>could be. It was interesting seeing Bo be that character

0:37:36.760 --> 0:37:41.040
<v Speaker 3>with Ruth. Do you believe in waiting it out for

0:37:41.200 --> 0:37:44.000
<v Speaker 3>someone to be able to show up as a better person? Like,

0:37:44.080 --> 0:37:47.480
<v Speaker 3>do you think has that worked but before your relationship?

0:37:47.560 --> 0:37:47.640
<v Speaker 2>Now?

0:37:47.760 --> 0:37:50.080
<v Speaker 1>Has that been something that's worked in the past. No,

0:37:51.120 --> 0:37:52.160
<v Speaker 1>because I chose not to.

0:37:52.520 --> 0:37:55.719
<v Speaker 2>I really do feel like, I mean, yeah, if I

0:37:55.880 --> 0:37:58.359
<v Speaker 2>just chose not to wait because I'm like, okay, well,

0:37:58.800 --> 0:38:00.560
<v Speaker 2>I feel like you're the man. If you want to

0:38:00.600 --> 0:38:02.840
<v Speaker 2>be treated like the man and the leader and everything,

0:38:03.200 --> 0:38:05.200
<v Speaker 2>then you need to know what you want and if

0:38:05.239 --> 0:38:05.799
<v Speaker 2>it's not me.

0:38:07.400 --> 0:38:09.400
<v Speaker 1>Then then let me go or I'm just gonna go.

0:38:10.560 --> 0:38:13.560
<v Speaker 1>That's great. I think I'm a love bomber in the

0:38:13.640 --> 0:38:18.160
<v Speaker 1>movie A bit. Well, well, how do you feel I'm

0:38:18.160 --> 0:38:18.640
<v Speaker 1>not gonna hold you?

0:38:18.640 --> 0:38:20.799
<v Speaker 3>I need a part too, because I don't know you'll

0:38:20.840 --> 0:38:24.359
<v Speaker 3>be Michael Eae in a part two. It's given narcissists,

0:38:24.520 --> 0:38:27.800
<v Speaker 3>it's given well, so possible love looking like he was

0:38:27.840 --> 0:38:30.360
<v Speaker 3>from straw and he forty and ain't never been married,

0:38:30.920 --> 0:38:33.839
<v Speaker 3>looking like that, with no key, with all the money

0:38:33.920 --> 0:38:34.680
<v Speaker 3>of judge.

0:38:34.680 --> 0:38:35.319
<v Speaker 1>You build a home.

0:38:35.640 --> 0:38:39.640
<v Speaker 2>So the reason that he feels very perfect, you know,

0:38:39.760 --> 0:38:42.440
<v Speaker 2>and it does emulate it's like a take on the

0:38:42.719 --> 0:38:45.239
<v Speaker 2>biblical story ruzimbo As and.

0:38:46.719 --> 0:38:48.320
<v Speaker 1>So what happened to that?

0:38:49.160 --> 0:38:53.160
<v Speaker 2>So so this is it is a representation of that story,

0:38:53.320 --> 0:38:56.719
<v Speaker 2>which is right. Yeah, so the mother, the mother that

0:38:56.840 --> 0:38:59.000
<v Speaker 2>she follows, well, am I giving it away?

0:38:59.320 --> 0:39:01.560
<v Speaker 1>Okay? Well out, Okay, it's out, Okay cool.

0:39:01.760 --> 0:39:06.320
<v Speaker 2>The mother that she alert that she follows to Pegrum,

0:39:06.480 --> 0:39:15.839
<v Speaker 2>Tennessee also represents like a different place, like it represents

0:39:15.920 --> 0:39:19.080
<v Speaker 2>the story of Ruth on this journey and she does

0:39:19.200 --> 0:39:23.280
<v Speaker 2>get found by Boaz, which is really in the Bible.

0:39:23.640 --> 0:39:27.360
<v Speaker 2>Now I can't tell you exactly where either, but I

0:39:27.600 --> 0:39:34.000
<v Speaker 2>just know that I know from my husband. Yeah, girl,

0:39:34.400 --> 0:39:36.840
<v Speaker 2>I knew where you're going with that same.

0:39:39.719 --> 0:39:39.759
<v Speaker 1>No.

0:39:40.000 --> 0:39:42.440
<v Speaker 2>But but I can say that Ruth and Bawas is

0:39:42.480 --> 0:39:46.879
<v Speaker 2>such a big story, especially in church, and it's something

0:39:46.920 --> 0:39:49.279
<v Speaker 2>that you just hear a lot like that story being

0:39:49.320 --> 0:39:52.799
<v Speaker 2>referred to find your boas or when Ruth was going

0:39:52.880 --> 0:39:53.440
<v Speaker 2>through what she was.

0:39:53.400 --> 0:39:54.440
<v Speaker 1>Going to going through.

0:39:54.520 --> 0:39:58.560
<v Speaker 2>So in the Bible, you know, the man finds findeth

0:39:58.840 --> 0:40:00.680
<v Speaker 2>a wife and not the other way around.

0:40:00.719 --> 0:40:03.000
<v Speaker 1>So I do believe. I do have that core belief

0:40:03.239 --> 0:40:03.640
<v Speaker 1>a little bit.

0:40:03.800 --> 0:40:06.279
<v Speaker 2>I do have that core belief that the man has

0:40:06.400 --> 0:40:10.000
<v Speaker 2>his things in order enough that if he is in

0:40:10.120 --> 0:40:13.080
<v Speaker 2>that position, that he can he can the wife, that

0:40:13.200 --> 0:40:14.319
<v Speaker 2>he can find the wife.

0:40:14.320 --> 0:40:16.600
<v Speaker 3>By the way, if y'all are into religion and shit,

0:40:18.800 --> 0:40:21.040
<v Speaker 3>the Book of Ruth in the Old Testament, also known

0:40:21.080 --> 0:40:25.719
<v Speaker 3>as the Hebrew Bible, this story is only four chapters long.

0:40:25.800 --> 0:40:26.359
<v Speaker 1>Let me find out.

0:40:26.360 --> 0:40:30.080
<v Speaker 3>I could give me a Netflix a wait. Four chapters

0:40:30.120 --> 0:40:33.680
<v Speaker 3>in the Bible is long? Okay, how long is chapters

0:40:33.719 --> 0:40:34.160
<v Speaker 3>in the Bible?

0:40:34.200 --> 0:40:35.080
<v Speaker 1>It's just a hard read.

0:40:35.360 --> 0:40:37.839
<v Speaker 2>No, no, it's it's not long. But she's saying it's

0:40:37.840 --> 0:40:39.520
<v Speaker 2>a hard read because it's four chapters.

0:40:39.600 --> 0:40:44.600
<v Speaker 3>The language is situated between judges and one Samuel look

0:40:44.600 --> 0:40:45.600
<v Speaker 3>at me teaching you all some shit.

0:40:46.120 --> 0:40:48.640
<v Speaker 1>You know. I actually put that in my notes about

0:40:48.760 --> 0:40:50.680
<v Speaker 1>how I kind of like that. There was like a

0:40:50.719 --> 0:40:54.520
<v Speaker 1>little church moment. So I don't know, I'm pretty agnostic.

0:40:54.600 --> 0:40:55.960
<v Speaker 1>I'm the girl that's got a lot of pistols in

0:40:56.000 --> 0:40:58.479
<v Speaker 1>the house and stuff. But I just do like seeing

0:40:58.520 --> 0:41:01.520
<v Speaker 1>young people in religion depicted because I kind of feel

0:41:01.640 --> 0:41:03.600
<v Speaker 1>like I don't need to be religious to know we're

0:41:03.640 --> 0:41:06.400
<v Speaker 1>in a world that's soulless, absolutely, And when I was

0:41:06.440 --> 0:41:08.400
<v Speaker 1>seeing it in the movie and it was still sexy

0:41:08.480 --> 0:41:12.520
<v Speaker 1>and fun and cute, I like seeing that, Like, I

0:41:12.600 --> 0:41:14.320
<v Speaker 1>think we need a little bit more of it, and

0:41:14.480 --> 0:41:17.440
<v Speaker 1>I appreciate that it kind of showed a man with

0:41:17.520 --> 0:41:20.200
<v Speaker 1>certain values. A lot of times when my friends are

0:41:20.239 --> 0:41:24.080
<v Speaker 1>having trouble dating, a constant theme that they see within

0:41:24.160 --> 0:41:25.879
<v Speaker 1>men that they're dating is that they have no faith

0:41:25.960 --> 0:41:29.239
<v Speaker 1>in really anything, Like you don't have to be the

0:41:29.280 --> 0:41:30.759
<v Speaker 1>guy who goes to church every day to just know

0:41:30.880 --> 0:41:33.920
<v Speaker 1>that there's something you value or something you're working towards.

0:41:34.239 --> 0:41:38.239
<v Speaker 1>Even me, you know, I don't go to church and

0:41:38.320 --> 0:41:40.200
<v Speaker 1>I don't really just subscribe to any religion. But I

0:41:40.239 --> 0:41:43.520
<v Speaker 1>remember telling my boyfriend a few days ago, we got

0:41:44.320 --> 0:41:45.800
<v Speaker 1>Jesus is gonna be in this house or something. We

0:41:45.880 --> 0:41:47.759
<v Speaker 1>gotta come up with a name, something.

0:41:47.760 --> 0:41:49.960
<v Speaker 3>The baby's gonna be scared of, people gonna watch you.

0:41:50.080 --> 0:41:52.880
<v Speaker 1>We ain't around like, for real, I really do believe.

0:41:52.960 --> 0:41:55.880
<v Speaker 1>When there's nothing to follow or guide you, or no belief,

0:41:56.120 --> 0:41:58.120
<v Speaker 1>you're kind of lost. And so I think to see

0:41:58.160 --> 0:42:00.480
<v Speaker 1>it a little bit central in the beginning to me,

0:42:00.560 --> 0:42:03.279
<v Speaker 1>what seemed important to them made it kind of nice.

0:42:03.440 --> 0:42:06.240
<v Speaker 1>I really we could look for that without it seeming

0:42:06.400 --> 0:42:07.799
<v Speaker 1>like corny, you know what I mean?

0:42:07.920 --> 0:42:10.560
<v Speaker 2>No, yeah, that's her north Star. And I pick up

0:42:10.680 --> 0:42:12.640
<v Speaker 2>Devon Franklin and Tyler Perry.

0:42:12.480 --> 0:42:14.560
<v Speaker 1>And asked, who was it. I thought his name.

0:42:15.239 --> 0:42:18.600
<v Speaker 2>I meant to bring him as because because he this

0:42:18.760 --> 0:42:21.480
<v Speaker 2>is a faith based movie. But it's not done in

0:42:21.560 --> 0:42:24.680
<v Speaker 2>a way where it's going to come off corny or

0:42:24.840 --> 0:42:30.520
<v Speaker 2>kind of like not for the everyday you know, Netflix viewer.

0:42:30.400 --> 0:42:32.440
<v Speaker 1>You know what I mean. But it also does tie.

0:42:32.560 --> 0:42:33.760
<v Speaker 1>It also commit.

0:42:34.840 --> 0:42:39.000
<v Speaker 3>But waited, I mean I would now I know both

0:42:39.000 --> 0:42:41.600
<v Speaker 3>of y'all got your partners, y'all probably had it. This

0:42:41.800 --> 0:42:45.279
<v Speaker 3>was the easiest to except like Joey Bath don't even

0:42:45.320 --> 0:42:46.239
<v Speaker 3>have to have sex with him on.

0:42:46.280 --> 0:42:50.080
<v Speaker 1>Film Miracle, But I ain't even the old scene. Like,

0:42:50.680 --> 0:42:53.520
<v Speaker 1>but bitch, I was waiting the whole time. I was,

0:42:53.800 --> 0:42:57.880
<v Speaker 1>you know what, attractive can't be attracted to each other?

0:42:59.600 --> 0:43:02.719
<v Speaker 1>But you know what, something but she wasn't hard to

0:43:02.920 --> 0:43:06.000
<v Speaker 1>like do. The intimacy of like, I feel like I

0:43:06.040 --> 0:43:08.759
<v Speaker 1>could have a makeout scene or have sex with someone

0:43:08.840 --> 0:43:13.239
<v Speaker 1>on camera, rather than the intensity of like I gazing that,

0:43:13.520 --> 0:43:15.239
<v Speaker 1>like that you feel like you could do that over

0:43:15.360 --> 0:43:20.520
<v Speaker 1>that overt what what happens when you're really growing and

0:43:20.600 --> 0:43:24.000
<v Speaker 1>showing love on camera feels more intimate to me. So

0:43:24.120 --> 0:43:26.960
<v Speaker 1>you have to remember, right, we have a show called Decisions,

0:43:27.000 --> 0:43:30.919
<v Speaker 1>Decisions formerly Horrible Decisions. Don't know's heard of that nasty show.

0:43:31.880 --> 0:43:33.960
<v Speaker 1>I think sex can be frivolous and crazy and fun.

0:43:34.040 --> 0:43:37.759
<v Speaker 1>I think intimacy is way deeper. It's the hardest thing

0:43:37.800 --> 0:43:38.399
<v Speaker 1>about that movie.

0:43:38.480 --> 0:43:40.440
<v Speaker 3>Look like stopping on him grapes that niggas about to

0:43:40.480 --> 0:43:42.759
<v Speaker 3>fall about a couple myself.

0:43:42.440 --> 0:43:44.120
<v Speaker 1>Watching let me, let me show you how to talk,

0:43:44.280 --> 0:43:46.040
<v Speaker 1>let me see let me you were you were talking

0:43:46.080 --> 0:43:46.359
<v Speaker 1>to her?

0:43:47.120 --> 0:43:49.600
<v Speaker 2>Yeah, you know, interesting because now I'm gonna see like

0:43:50.080 --> 0:43:51.839
<v Speaker 2>what people feel about Ruth then.

0:43:51.920 --> 0:43:54.239
<v Speaker 1>But oh, this is how I knew that. I was like,

0:43:54.480 --> 0:43:59.719
<v Speaker 1>oh my god, yeah he was about to fall bus

0:44:00.480 --> 0:44:01.640
<v Speaker 1>I said, oh she got her feet if I was

0:44:01.640 --> 0:44:09.560
<v Speaker 1>about to go down, I was so ready. I'm watching predicting. Look, look,

0:44:09.719 --> 0:44:22.239
<v Speaker 1>Shardyns it just feels she's not lying, and it's I'm

0:44:22.680 --> 0:44:35.480
<v Speaker 1>shirt go oh maybe not. Oh yeah, that pissed me up. Bitch,

0:44:38.520 --> 0:44:43.200
<v Speaker 1>I'm so pissed. I can't, I can't, I can't. Bitch.

0:44:43.200 --> 0:44:48.160
<v Speaker 1>You didn't want to risk that poos getting hurt? Too hot,

0:44:48.239 --> 0:44:51.359
<v Speaker 1>too hot, too hot, too hot, too hot? Interesting? How

0:44:51.480 --> 0:44:55.080
<v Speaker 1>like we find that like the second we get lust

0:44:55.120 --> 0:44:59.600
<v Speaker 1>for We're like, I'm done getting hurt. That rude She's

0:44:59.640 --> 0:45:02.560
<v Speaker 1>like it was getting too lessel right, all that other

0:45:02.719 --> 0:45:06.520
<v Speaker 1>building intimacy you did, spending time together, laying in the

0:45:06.640 --> 0:45:08.680
<v Speaker 1>field and ship and now.

0:45:10.040 --> 0:45:14.439
<v Speaker 3>But y'all watching, y'all watching, at this point, this bitch

0:45:14.520 --> 0:45:18.959
<v Speaker 3>got a whole car and couldn't even keep kidding. Help route,

0:45:18.960 --> 0:45:20.880
<v Speaker 3>I need to give us some lessons all how to

0:45:21.120 --> 0:45:21.879
<v Speaker 3>do all the things.

0:45:22.880 --> 0:45:23.960
<v Speaker 1>I'll just say. I'll just say.

0:45:24.280 --> 0:45:26.880
<v Speaker 3>Now, earlier we made you do a nice, little sultry thing.

0:45:27.160 --> 0:45:29.719
<v Speaker 3>We have another part of the show called poetry.

0:45:30.200 --> 0:45:31.520
<v Speaker 1>Oh yes, nice.

0:45:32.000 --> 0:45:37.799
<v Speaker 3>And now I did my research on two of your

0:45:37.840 --> 0:45:42.879
<v Speaker 3>most favorite people, and so we have lyrics from an.

0:45:42.880 --> 0:45:45.320
<v Speaker 1>R and B record and a rap record.

0:45:45.440 --> 0:45:51.120
<v Speaker 3>Okay, you have to let us know the artists as

0:45:51.160 --> 0:45:54.160
<v Speaker 3>well as the song that these lyrics are from It'll

0:45:54.200 --> 0:45:56.040
<v Speaker 3>be read a little bit differently, so it might be

0:45:56.120 --> 0:45:58.000
<v Speaker 3>difficult for you might not be able to catch on

0:45:58.080 --> 0:46:00.720
<v Speaker 3>to what it is because I'm gonna read it like poetry.

0:46:01.239 --> 0:46:05.920
<v Speaker 1>Oh my gosh, say you ready again.

0:46:06.000 --> 0:46:10.239
<v Speaker 3>I'm gonna take this time to show you how much

0:46:10.280 --> 0:46:13.799
<v Speaker 3>you mean to me, because you are all I need.

0:46:15.320 --> 0:46:20.680
<v Speaker 3>No money can emphasize or describe the love that's in

0:46:20.719 --> 0:46:26.719
<v Speaker 3>between the lines. Boy, look into these eyes. Well, I'm

0:46:26.760 --> 0:46:28.880
<v Speaker 3>grinding on you. This is beyond sex.

0:46:30.080 --> 0:46:33.120
<v Speaker 1>I'm high on you. What's next?

0:46:33.800 --> 0:46:34.480
<v Speaker 4>Hi on you?

0:46:35.719 --> 0:46:35.759
<v Speaker 2>This?

0:46:38.200 --> 0:46:38.759
<v Speaker 1>Wait?

0:46:41.280 --> 0:46:45.280
<v Speaker 2>I feel rocking, babe, rocking, rocking on your babe.

0:46:45.440 --> 0:46:50.560
<v Speaker 1>Yes, your babe, Yes, so yes, y'all that is I'm like, wait,

0:46:50.680 --> 0:46:53.479
<v Speaker 1>I know you actually know that? You didn't I didn't.

0:46:53.600 --> 0:46:56.000
<v Speaker 1>You didn't You didn't get it, You ain't get beyond suck.

0:46:56.120 --> 0:46:58.040
<v Speaker 1>I read it too fair. When you said I'm high

0:46:58.080 --> 0:46:58.600
<v Speaker 1>on you, I was.

0:46:58.640 --> 0:47:02.040
<v Speaker 3>Like, Hi, okay, if you know this really and you

0:47:02.120 --> 0:47:04.920
<v Speaker 3>know how I feel? You know what's crazy about this one?

0:47:08.000 --> 0:47:09.640
<v Speaker 3>I had to really get into the words because she

0:47:09.760 --> 0:47:13.200
<v Speaker 3>has another one about her daddy, Right, what's the one?

0:47:13.400 --> 0:47:15.600
<v Speaker 1>Is it dance for you? Is this not dance for you?

0:47:15.880 --> 0:47:17.759
<v Speaker 3>But doesn't she have one about dancing word daddy too.

0:47:18.160 --> 0:47:22.040
<v Speaker 1>Girl, that's Luther Vandre. Oh is that that she is? No?

0:47:22.320 --> 0:47:28.320
<v Speaker 1>She want with him? No, that's not okay, We're not

0:47:28.400 --> 0:47:30.279
<v Speaker 1>even to go there. I think I thought at one.

0:47:30.239 --> 0:47:32.719
<v Speaker 3>Point this was to her daddy until I read the

0:47:32.840 --> 0:47:36.000
<v Speaker 3>lyrics and then it wasn't because she was.

0:47:36.040 --> 0:47:37.480
<v Speaker 1>Grinding and it's beyond sex.

0:47:38.239 --> 0:47:45.759
<v Speaker 3>Okay, right, okay, so next one you ready, ready, I

0:47:45.920 --> 0:47:49.560
<v Speaker 3>swear that you ain't got a flaw. It was love

0:47:49.880 --> 0:47:52.440
<v Speaker 3>at the first time. You let me hit it raw.

0:47:53.560 --> 0:47:57.360
<v Speaker 3>If I shine, then we both shine. But let you

0:47:57.440 --> 0:48:04.000
<v Speaker 3>shine more, go above beyond for her. My look, my

0:48:04.160 --> 0:48:09.720
<v Speaker 3>machete mea moore. But who you was with before? Because

0:48:09.719 --> 0:48:13.279
<v Speaker 3>you look better next to me? Respectfully, any nigga trying

0:48:13.320 --> 0:48:16.319
<v Speaker 3>to get to you, he gotta check with me. Girl,

0:48:16.400 --> 0:48:19.760
<v Speaker 3>that's just the principle. Don't try to call that jealousy.

0:48:20.760 --> 0:48:23.759
<v Speaker 3>I'm trying to start a legacy and you my pedigree.

0:48:24.840 --> 0:48:30.520
<v Speaker 1>Can you see you better get your baby daddy. Come on, No,

0:48:30.800 --> 0:48:34.120
<v Speaker 1>I know I'm you finish it. I'm not saying it.

0:48:35.680 --> 0:48:39.359
<v Speaker 3>Wasn't just about you, because it's given that. So it's

0:48:39.719 --> 0:48:42.320
<v Speaker 3>I'm falling for you, falling for you for you.

0:48:42.960 --> 0:48:48.640
<v Speaker 1>Hello, my gosh myself. You have on YouTube that's like

0:48:49.080 --> 0:48:50.000
<v Speaker 1>I could have got it.

0:48:50.239 --> 0:48:50.600
<v Speaker 2>I know.

0:48:53.680 --> 0:48:55.600
<v Speaker 1>I had to make it. You know, I don't know

0:48:55.719 --> 0:48:59.399
<v Speaker 1>how I read it, but you know I got test

0:48:59.440 --> 0:49:01.440
<v Speaker 1>the one for both. This is a song we all know,

0:49:02.120 --> 0:49:05.520
<v Speaker 1>and I'm gonna do my best. Oh lord, let's see

0:49:05.520 --> 0:49:08.839
<v Speaker 1>who gets it first. Edie, you well, we all gonna

0:49:08.840 --> 0:49:13.279
<v Speaker 1>try this. I like them round and big, and when

0:49:13.280 --> 0:49:17.480
<v Speaker 1>I'm throwing a gig, I just can't help myself. I'm

0:49:17.600 --> 0:49:22.839
<v Speaker 1>acting like an animal. Now here's my scandal. I want

0:49:22.880 --> 0:49:32.319
<v Speaker 1>to get your home and double up. Ah ah boy.

0:49:33.040 --> 0:49:36.040
<v Speaker 1>I don't know, because silicon parts aren't made for toys.

0:49:36.520 --> 0:49:36.960
<v Speaker 2>What is it?

0:49:38.880 --> 0:49:43.840
<v Speaker 1>I want them real, thick and juicy. So far I

0:49:43.960 --> 0:49:49.479
<v Speaker 1>know what this is. So find that juicy devil baby

0:49:49.560 --> 0:49:50.040
<v Speaker 1>got bad?

0:49:50.760 --> 0:49:54.360
<v Speaker 2>Know because the track is playing in my head and

0:49:54.360 --> 0:50:02.879
<v Speaker 2>I'm like you, I'm your home. And when she said

0:50:02.920 --> 0:50:04.160
<v Speaker 2>that part specifically, I'm like.

0:50:04.280 --> 0:50:06.160
<v Speaker 1>Do you know what? We've been doing this segment weekly

0:50:06.840 --> 0:50:09.440
<v Speaker 1>and I'm thinking aboutself, just some real dirty lyrics And

0:50:09.560 --> 0:50:11.360
<v Speaker 1>the song was on in the cab while I was

0:50:11.440 --> 0:50:13.080
<v Speaker 1>doing it. I'm not gonna hold you only because I

0:50:13.160 --> 0:50:14.520
<v Speaker 1>wasn't gonna do it to you like that.

0:50:14.640 --> 0:50:17.360
<v Speaker 3>Because you know, you a celebrity, and all the lyrics

0:50:17.360 --> 0:50:20.120
<v Speaker 3>that I want to say are from somebody who's in

0:50:20.200 --> 0:50:21.320
<v Speaker 3>jail that's supposed to be canceled.

0:50:21.320 --> 0:50:23.759
<v Speaker 1>But he got some good with girl. But I wasn't

0:50:23.800 --> 0:50:25.760
<v Speaker 1>gonna do it. I'm just say it. I'm just saying,

0:50:25.960 --> 0:50:27.440
<v Speaker 1>all right, fragment, Okay.

0:50:27.880 --> 0:50:30.880
<v Speaker 3>The next segment is we're talking about adun't shit us

0:50:31.040 --> 0:50:34.120
<v Speaker 3>with our partners, our relationships. And I wanted to start

0:50:34.160 --> 0:50:38.440
<v Speaker 3>off because one of the biggest red pilled goddamn conversations

0:50:38.480 --> 0:50:42.640
<v Speaker 3>on the internet are how men don't support or want

0:50:42.640 --> 0:50:46.880
<v Speaker 3>to be with, or aren't attracted to successful women. You

0:50:47.040 --> 0:50:51.520
<v Speaker 3>are in the same field as your partner. You are

0:50:51.680 --> 0:50:53.840
<v Speaker 3>driven as an R and B artist, as an actress,

0:50:53.880 --> 0:50:56.719
<v Speaker 3>you have these new projects dropping. What does it look

0:50:56.880 --> 0:51:00.560
<v Speaker 3>like for your partner to show up and support these efforts?

0:51:01.040 --> 0:51:03.520
<v Speaker 3>And have you ever had a partner that you felt

0:51:03.680 --> 0:51:06.319
<v Speaker 3>was intimidated and how did you pick up on those

0:51:06.400 --> 0:51:07.880
<v Speaker 3>signs that this wasn't healthy?

0:51:08.360 --> 0:51:09.680
<v Speaker 1>And we talk about this a lot because we.

0:51:09.719 --> 0:51:12.759
<v Speaker 3>Both run multiple businesses too, but for you, specifically in

0:51:12.800 --> 0:51:15.359
<v Speaker 3>this entertainment space, I'm wondering how he's able to show

0:51:15.400 --> 0:51:17.160
<v Speaker 3>up for you and how you're able to pick out

0:51:17.200 --> 0:51:19.800
<v Speaker 3>when a partner doesn't support that you gotta go on.

0:51:19.920 --> 0:51:23.799
<v Speaker 2>I mean, I think it's pretty like he I mean,

0:51:24.480 --> 0:51:25.520
<v Speaker 2>showing up for me.

0:51:25.719 --> 0:51:27.080
<v Speaker 1>Let me just answer first.

0:51:27.400 --> 0:51:31.359
<v Speaker 2>Showing up for me just looks like acknowledging what I'm doing,

0:51:31.480 --> 0:51:35.080
<v Speaker 2>or even remembering the details of what I have coming up,

0:51:35.360 --> 0:51:40.360
<v Speaker 2>or celebrating me there's a big milestone or something like that,

0:51:40.880 --> 0:51:43.160
<v Speaker 2>or even just asking me, you know, how how did

0:51:43.200 --> 0:51:45.759
<v Speaker 2>you feel about that scene? Like just being involved, right,

0:51:47.280 --> 0:51:51.520
<v Speaker 2>but not showing up. I have also dealt with in

0:51:51.600 --> 0:51:56.960
<v Speaker 2>the past. Okay, that's a very shady specific one because

0:51:58.960 --> 0:52:01.200
<v Speaker 2>you know, and I say I say this to say

0:52:02.440 --> 0:52:05.759
<v Speaker 2>that person is definitely not confident, Okay, like they just

0:52:05.920 --> 0:52:06.200
<v Speaker 2>can't be.

0:52:06.360 --> 0:52:07.920
<v Speaker 1>That man is not ready for.

0:52:09.719 --> 0:52:12.279
<v Speaker 2>The spotlight to not be on him or not to

0:52:12.360 --> 0:52:15.879
<v Speaker 2>be all about him. I think that a person who

0:52:16.239 --> 0:52:20.080
<v Speaker 2>is supportive of you is just going to be like, baby,

0:52:20.120 --> 0:52:21.960
<v Speaker 2>I'm so proud of you, Like, oh my god, how

0:52:22.000 --> 0:52:24.200
<v Speaker 2>do we what do we do? How do we celebrate?

0:52:24.239 --> 0:52:26.239
<v Speaker 2>And I feel like that, yeah, I feel like that's

0:52:26.760 --> 0:52:30.319
<v Speaker 2>something that's just comes natural, like fort well, so.

0:52:30.400 --> 0:52:32.440
<v Speaker 3>Do you do you then think that then for the

0:52:32.960 --> 0:52:37.640
<v Speaker 3>narrative that's out about men not wanting successful women or

0:52:38.120 --> 0:52:41.479
<v Speaker 3>you know, well well to do women, or women with money,

0:52:41.719 --> 0:52:43.360
<v Speaker 3>that it's more of an insecure thing.

0:52:43.440 --> 0:52:47.399
<v Speaker 1>With the man, I feel like you could go back

0:52:47.480 --> 0:52:48.000
<v Speaker 1>both ways.

0:52:48.239 --> 0:52:50.319
<v Speaker 2>I feel like I feel like there could be an

0:52:50.400 --> 0:52:55.480
<v Speaker 2>insecure man that just genuinely has some type of little

0:52:55.880 --> 0:52:58.080
<v Speaker 2>issue with it. But I do know that also a

0:52:58.160 --> 0:53:05.920
<v Speaker 2>lot of successful educated women can be they can probably

0:53:06.200 --> 0:53:11.439
<v Speaker 2>not just sit in their their feminine, you know, as much,

0:53:11.600 --> 0:53:14.080
<v Speaker 2>because they're so used to operating in their masculine. And

0:53:14.160 --> 0:53:17.800
<v Speaker 2>I feel like that's sometimes probably more than likely what

0:53:18.040 --> 0:53:21.520
<v Speaker 2>kind of butts heads with men, to be honest, but

0:53:22.120 --> 0:53:26.400
<v Speaker 2>being a woman who I have a crazy schedule, you know,

0:53:28.360 --> 0:53:30.600
<v Speaker 2>my life doesn't look I guess, you know, like the

0:53:30.760 --> 0:53:34.960
<v Speaker 2>average I would say women just because I'm just like,

0:53:35.160 --> 0:53:37.440
<v Speaker 2>you know, flying here. And I've actually had that before

0:53:37.520 --> 0:53:38.520
<v Speaker 2>where a guy was.

0:53:38.560 --> 0:53:41.799
<v Speaker 1>Like, yeah, no, what do you mean we can't say?

0:53:42.239 --> 0:53:45.719
<v Speaker 2>And I've always said that, Yeah, he was just completely honest, like, no,

0:53:45.920 --> 0:53:48.719
<v Speaker 2>I need my woman at home at five o'clock, like

0:53:49.040 --> 0:53:51.239
<v Speaker 2>you're not about to be you know, I'm not gonna

0:53:51.239 --> 0:53:52.880
<v Speaker 2>be with nobody's take of flights and I don't know

0:53:52.920 --> 0:53:54.120
<v Speaker 2>where you at and all this, which.

0:53:53.920 --> 0:53:57.200
<v Speaker 1>Is what irappers, athletes and successful men desire.

0:53:57.200 --> 0:53:59.879
<v Speaker 2>Which I understand, and that's cool, that's what you want.

0:54:00.160 --> 0:54:06.040
<v Speaker 2>But for me, that's right right, I'm not going to

0:54:06.080 --> 0:54:09.600
<v Speaker 2>slow down. And so that's a really important factor for

0:54:09.719 --> 0:54:11.480
<v Speaker 2>me is that a partner is going to support and

0:54:11.600 --> 0:54:14.759
<v Speaker 2>understand that for the same way I do for him.

0:54:14.920 --> 0:54:16.160
<v Speaker 1>For a woman who really.

0:54:16.200 --> 0:54:19.560
<v Speaker 3>Likes a man that they're dating, if they show up

0:54:19.719 --> 0:54:22.320
<v Speaker 3>like this, is there a way to work through that?

0:54:22.520 --> 0:54:23.920
<v Speaker 3>Or would you say for them to leave?

0:54:24.120 --> 0:54:24.279
<v Speaker 1>Right?

0:54:24.360 --> 0:54:27.960
<v Speaker 2>But I also do understand. But I also do understand

0:54:28.440 --> 0:54:36.319
<v Speaker 2>being the feminine and being in my power. I'm going

0:54:36.400 --> 0:54:38.279
<v Speaker 2>to say that because I don't want anyone to think

0:54:38.360 --> 0:54:40.800
<v Speaker 2>I'm saying what I'm not saying. I'm saying being in

0:54:40.920 --> 0:54:44.360
<v Speaker 2>your power, as in, we both have feminine and masculine

0:54:44.480 --> 0:54:46.560
<v Speaker 2>ya and and women right, and I think that we

0:54:46.760 --> 0:54:50.840
<v Speaker 2>can operate in both of those spaces very well. But

0:54:50.960 --> 0:54:54.360
<v Speaker 2>I know that when I go home, I'm like, hey, babe,

0:54:54.880 --> 0:54:58.640
<v Speaker 2>I'm gonna I'm gonna ussure that that energy in the home.

0:54:59.080 --> 0:55:01.120
<v Speaker 2>And I think that that's really important. I don't think

0:55:01.200 --> 0:55:04.120
<v Speaker 2>that I think that I have my I have my

0:55:04.960 --> 0:55:09.120
<v Speaker 2>raw wrong, I'm gonna get it done. We gotta get

0:55:09.120 --> 0:55:12.520
<v Speaker 2>this done what we're doing, you know, But I've learned

0:55:12.760 --> 0:55:13.239
<v Speaker 2>so much.

0:55:13.400 --> 0:55:16.320
<v Speaker 1>I've learned so much the opposite way, Like, for example,

0:55:16.480 --> 0:55:19.920
<v Speaker 1>successful women may say, oh, he has to do this

0:55:20.040 --> 0:55:21.200
<v Speaker 1>for me, and this for me, and this for me.

0:55:21.280 --> 0:55:24.359
<v Speaker 1>It's almost a little overbearing, Like what do you mean,

0:55:24.600 --> 0:55:26.840
<v Speaker 1>because what you're saying is the same thing I was thinking.

0:55:26.920 --> 0:55:29.120
<v Speaker 1>But I think that they're actually off. They think they're

0:55:29.160 --> 0:55:32.080
<v Speaker 1>operating in the feminine. He said there can be women

0:55:32.239 --> 0:55:35.120
<v Speaker 1>in their masculine, right. Absolutely. I believe a lot of

0:55:35.160 --> 0:55:39.680
<v Speaker 1>successful women today think that being in their feminine means

0:55:39.719 --> 0:55:41.680
<v Speaker 1>that they can't be with the man that makes less,

0:55:42.320 --> 0:55:45.400
<v Speaker 1>be with the man that's not on their level, quote unquote.

0:55:45.400 --> 0:55:47.200
<v Speaker 1>There's a lot of measuring up that a lot of

0:55:47.239 --> 0:55:50.279
<v Speaker 1>women have expectations for. And to me, I think the

0:55:50.400 --> 0:55:52.919
<v Speaker 1>problem is that when we make a certain amount of money,

0:55:52.960 --> 0:55:56.000
<v Speaker 1>we think we can't be teammates anymore. Yeah, which is

0:55:56.400 --> 0:56:01.000
<v Speaker 1>which is very unfair because the Internet, the Instagram, this

0:56:01.120 --> 0:56:04.480
<v Speaker 1>isn't all real, right. All of the ideas that a

0:56:04.560 --> 0:56:06.480
<v Speaker 1>man should be paying every single thing for you, I

0:56:06.520 --> 0:56:10.440
<v Speaker 1>think is actually kind of insane unless someone is making

0:56:10.560 --> 0:56:14.080
<v Speaker 1>a huge amount more. I don't know why there should

0:56:14.080 --> 0:56:16.080
<v Speaker 1>be that much of an imbalance. But I think successful

0:56:16.120 --> 0:56:18.360
<v Speaker 1>women feel like, hey, we've reached a pinnacle of this,

0:56:18.800 --> 0:56:22.680
<v Speaker 1>why settle? As if settling is being sharing a bill

0:56:23.239 --> 0:56:26.680
<v Speaker 1>or sharing a mortgage, And is that really Maybe? I'm

0:56:26.800 --> 0:56:28.840
<v Speaker 1>just like, I'm not knowing what's going on.

0:56:29.239 --> 0:56:31.520
<v Speaker 2>So you're saying a successful woman who makes her own

0:56:31.560 --> 0:56:35.560
<v Speaker 2>money doesn't want to share, doesn't want to pay for anything.

0:56:36.080 --> 0:56:37.800
<v Speaker 1>I believe that a lot of success women don't. I

0:56:37.880 --> 0:56:39.960
<v Speaker 1>believe they want a man that's making just as much

0:56:39.960 --> 0:56:42.239
<v Speaker 1>as them or more. I believe they do, yeah or more.

0:56:42.840 --> 0:56:44.799
<v Speaker 1>And I think that's what makes it difficult to date.

0:56:45.040 --> 0:56:48.080
<v Speaker 1>I don't think it's lowering standards to necessarily be a teammate,

0:56:48.360 --> 0:56:50.680
<v Speaker 1>but I find that they believe that's operating in that

0:56:50.800 --> 0:56:54.000
<v Speaker 1>feminine you know what I mean, Like, oh, I shouldn't

0:56:54.000 --> 0:56:57.160
<v Speaker 1>be doing xyz. I think it's absolutely normal in twenty

0:56:57.239 --> 0:57:00.360
<v Speaker 1>twenty five and in this economy for like us to

0:57:00.400 --> 0:57:05.640
<v Speaker 1>be going half on house. Yeah, see this in the background,

0:57:05.800 --> 0:57:07.600
<v Speaker 1>because I don't know about all that.

0:57:09.400 --> 0:57:12.360
<v Speaker 2>For me, That's why I'd be like, because for me,

0:57:13.000 --> 0:57:15.080
<v Speaker 2>just this is just how I think, right, This is

0:57:15.200 --> 0:57:21.120
<v Speaker 2>just me. But Sorea, I one hundred percent agree with

0:57:21.240 --> 0:57:24.640
<v Speaker 2>to help me. I one hundred percent agree that if

0:57:24.680 --> 0:57:28.240
<v Speaker 2>I am making the money, everyone in their household can

0:57:28.320 --> 0:57:31.000
<v Speaker 2>come together with their own custom ship. We don't got

0:57:31.120 --> 0:57:35.520
<v Speaker 2>to follow these yellow roads that these people are saying

0:57:35.720 --> 0:57:41.560
<v Speaker 2>on different podcasts. Yeah, it's like, okay, you know, I

0:57:41.640 --> 0:57:43.720
<v Speaker 2>feel like you're with that person every day. You're in

0:57:43.760 --> 0:57:44.400
<v Speaker 2>the house with them.

0:57:44.560 --> 0:57:46.600
<v Speaker 1>Create What the fuck y'all want to do? Can I

0:57:46.720 --> 0:57:51.439
<v Speaker 1>ask you for huh? I want to know beyond bills? Yeah?

0:57:51.520 --> 0:57:55.760
<v Speaker 1>How is it sharing baby things together? How? Like you

0:57:55.840 --> 0:57:58.360
<v Speaker 1>had to do a podcast interview today? Is he with

0:57:58.520 --> 0:58:01.040
<v Speaker 1>the baby? Like? How did you say this thing together?

0:58:01.240 --> 0:58:01.439
<v Speaker 2>Yeah?

0:58:01.880 --> 0:58:05.120
<v Speaker 1>He actually is, he is. He's with the baby right now.

0:58:05.760 --> 0:58:08.800
<v Speaker 1>The babies. Yeah, so I'm sorry.

0:58:08.960 --> 0:58:12.080
<v Speaker 2>Yeah, no, no, no, he has a daughter which is

0:58:12.640 --> 0:58:16.120
<v Speaker 2>my my bonus daughter and our son.

0:58:16.320 --> 0:58:19.000
<v Speaker 1>So yes, the both of them. How did you guys

0:58:19.080 --> 0:58:21.960
<v Speaker 1>decide why you would like figure out parenting together with

0:58:22.080 --> 0:58:25.000
<v Speaker 1>crazy schedules? Like, how does that convo look when you're together?

0:58:25.040 --> 0:58:27.920
<v Speaker 1>Because we mostly hear about it from co parenting people separate.

0:58:28.080 --> 0:58:33.280
<v Speaker 2>Okay, it looks very much like, you know, baby sleeve

0:58:33.360 --> 0:58:33.920
<v Speaker 2>down for the night.

0:58:33.960 --> 0:58:35.080
<v Speaker 1>What do you have for this week?

0:58:35.160 --> 0:58:37.600
<v Speaker 2>What are you doing tomorrow? What's on the agenda, like

0:58:37.680 --> 0:58:40.360
<v Speaker 2>how do we make this work? Because once again he

0:58:40.520 --> 0:58:42.720
<v Speaker 2>supports what I'm doing and I support what he's doing.

0:58:42.880 --> 0:58:45.520
<v Speaker 1>This is who I was when you met me, you know.

0:58:45.880 --> 0:58:49.400
<v Speaker 2>So it's like so it's like right, So it's like

0:58:50.040 --> 0:58:53.160
<v Speaker 2>and and that's just what the dynamic that we share

0:58:53.240 --> 0:58:57.600
<v Speaker 2>and that we feel like it's very like necessary. He's

0:58:58.920 --> 0:59:01.200
<v Speaker 2>it doesn't get it's very much help me. Like you said,

0:59:01.240 --> 0:59:05.360
<v Speaker 2>it's a teammate. I think it's teamwork. For me specifically,

0:59:05.720 --> 0:59:11.200
<v Speaker 2>I grew up and adopting and acknowledging that the woman

0:59:11.600 --> 0:59:15.720
<v Speaker 2>doesn't not have anything. I think the woman's money is

0:59:15.960 --> 0:59:20.320
<v Speaker 2>saved or invested or you know, for hardship or whatever.

0:59:20.480 --> 0:59:24.000
<v Speaker 2>That's me specifically. That's how I feel. Maybe he does

0:59:24.280 --> 0:59:27.000
<v Speaker 2>front most of the things, right, And that's not to

0:59:27.080 --> 0:59:30.080
<v Speaker 2>say that the woman doesn't either, you know, if you're

0:59:30.160 --> 0:59:33.800
<v Speaker 2>not stay at home mom, or if you're not if

0:59:33.840 --> 0:59:36.760
<v Speaker 2>you are a person like we're saying, who feels like

0:59:36.920 --> 0:59:38.840
<v Speaker 2>she's making so much money, has a life of her own,

0:59:39.320 --> 0:59:42.640
<v Speaker 2>I think that you should want to team up, right,

0:59:43.000 --> 0:59:44.520
<v Speaker 2>I don't know, that's just how I don't.

0:59:44.560 --> 0:59:47.520
<v Speaker 3>You don't really like the nigga, You're just looking for daddy. Yeah,

0:59:48.080 --> 0:59:49.280
<v Speaker 3>like put a roof over your head.

0:59:49.360 --> 0:59:51.600
<v Speaker 1>Yeah, I'm just really trying to understand, like what the

0:59:51.720 --> 0:59:54.520
<v Speaker 1>logic is what we've been trying when we're Oh, the

0:59:54.560 --> 0:59:57.600
<v Speaker 1>man takes care of this x y Z. So I mean, see,

0:59:57.600 --> 0:59:58.320
<v Speaker 1>I ain't gonna hold you.

0:59:58.480 --> 1:00:01.880
<v Speaker 3>I think though, that there's a privilege in being taught that.

1:00:02.080 --> 1:00:04.440
<v Speaker 3>Like we grew up differently. Like you grew up where

1:00:04.480 --> 1:00:07.200
<v Speaker 3>your mom was a housewife. I grew up where it

1:00:07.320 --> 1:00:09.880
<v Speaker 3>was a single parent household and yeah, my mom was

1:00:10.040 --> 1:00:12.000
<v Speaker 3>and men they do shit around across kind of my

1:00:12.040 --> 1:00:15.880
<v Speaker 3>whole family, and so like like for me, I wasn't

1:00:15.960 --> 1:00:18.320
<v Speaker 3>raised that a man should do everything, which is why

1:00:18.560 --> 1:00:22.680
<v Speaker 3>I blame Neo fucking Boosy and Destine's child with the

1:00:22.800 --> 1:00:27.280
<v Speaker 3>goddamn anthems of us being independent because during the independent

1:00:27.360 --> 1:00:29.560
<v Speaker 3>women era and a lot of us being raised in

1:00:29.600 --> 1:00:33.280
<v Speaker 3>single parent households, I think it's like this narrative that

1:00:33.360 --> 1:00:34.800
<v Speaker 3>is being put out from the internet, but a lot

1:00:34.880 --> 1:00:37.720
<v Speaker 3>of us weren't raised by or at least I won't

1:00:37.720 --> 1:00:39.320
<v Speaker 3>say a lot because I don't want to generalize, but

1:00:39.520 --> 1:00:42.000
<v Speaker 3>for many of us who were raising single parent households,

1:00:42.400 --> 1:00:44.960
<v Speaker 3>the narrative around men are supposed to take care of everything.

1:00:45.360 --> 1:00:47.160
<v Speaker 3>Wasn't the narrative being pushed to me at all when

1:00:47.160 --> 1:00:49.640
<v Speaker 3>I was growing up. No, that wasn't the thing, Like, Okay,

1:00:49.680 --> 1:00:52.040
<v Speaker 3>my daddy paid his little phone hundred dollars for child.

1:00:51.880 --> 1:00:54.000
<v Speaker 1>Support for two kids. One that wasn't here, you know

1:00:54.040 --> 1:00:54.400
<v Speaker 1>what I mean.

1:00:54.720 --> 1:00:58.800
<v Speaker 3>And so for I think anyone right now navigating their

1:00:58.960 --> 1:01:02.000
<v Speaker 3>thirties and maybe into their forties, if they were raising

1:01:02.000 --> 1:01:04.840
<v Speaker 3>those single parent households, the way in which we're navigating

1:01:04.920 --> 1:01:06.960
<v Speaker 3>dating is why we have all these red pill thing pieces.

1:01:07.040 --> 1:01:09.480
<v Speaker 3>Is because we're all trying to maybe live a fantasy

1:01:09.520 --> 1:01:11.520
<v Speaker 3>life that we would like based on the Disney chairs,

1:01:11.520 --> 1:01:14.120
<v Speaker 3>the soft light, the soft life.

1:01:14.120 --> 1:01:17.160
<v Speaker 1>You don't see and it just kind of so why

1:01:17.240 --> 1:01:20.480
<v Speaker 1>you can't have a soft life and like, oh girl,

1:01:20.520 --> 1:01:24.440
<v Speaker 1>that's not part of the aesthetically Oh yeah, soult life

1:01:24.480 --> 1:01:27.480
<v Speaker 1>is supposed to be like they Also, I feel like

1:01:27.560 --> 1:01:29.520
<v Speaker 1>I'm like I've been under a rock. What's going on?

1:01:29.840 --> 1:01:30.040
<v Speaker 3>Girl?

1:01:30.400 --> 1:01:34.439
<v Speaker 1>You're not missing anything? What's wrong with? On Tuesdays at home?

1:01:34.960 --> 1:01:37.760
<v Speaker 1>The soft light hashtag? I love it and hate it, okay,

1:01:38.040 --> 1:01:40.040
<v Speaker 1>because I thought it was like you have like an accent.

1:01:40.080 --> 1:01:43.080
<v Speaker 1>It's not like in La. What's the word it starts

1:01:43.080 --> 1:01:46.240
<v Speaker 1>with to like the la flayer. It's something that like

1:01:47.080 --> 1:01:50.280
<v Speaker 1>it's a word the way that La that sounded valley

1:01:51.120 --> 1:01:54.360
<v Speaker 1>like valley not valuable because you're from You're from La. Right,

1:01:54.600 --> 1:01:57.800
<v Speaker 1>vocal fr vocal fry I've never heard of. So basically,

1:01:57.920 --> 1:01:59.920
<v Speaker 1>it's like it's where you accentuate the end of a

1:02:00.120 --> 1:02:05.600
<v Speaker 1>word bring. We're not gonna do that your vocal or

1:02:07.320 --> 1:02:11.280
<v Speaker 1>with a time stamp. And I look at like Nara,

1:02:12.840 --> 1:02:14.480
<v Speaker 1>is that like is that like would that be the

1:02:15.040 --> 1:02:15.720
<v Speaker 1>you know what's crazy?

1:02:17.120 --> 1:02:19.600
<v Speaker 3>The only working the only person about timeline.

1:02:19.280 --> 1:02:21.880
<v Speaker 2>That stic feels soft like I don't I don't know

1:02:22.000 --> 1:02:25.520
<v Speaker 2>the guy's name, but god, he he wears like a

1:02:25.760 --> 1:02:28.720
<v Speaker 2>correct he wears like a T shirt, thats.

1:02:28.680 --> 1:02:29.400
<v Speaker 1>Kind of a do rag.

1:02:29.800 --> 1:02:32.400
<v Speaker 3>And he talks about how like these men be talking

1:02:32.440 --> 1:02:36.080
<v Speaker 3>while like dating, and she'd be like, no, not gonna

1:02:36.120 --> 1:02:40.160
<v Speaker 3>do that, one hundred percent, not gonna do that.

1:02:40.320 --> 1:02:43.360
<v Speaker 1>That's what we're not gonna do it. He's hilarious. I'm

1:02:43.360 --> 1:02:46.840
<v Speaker 1>gonna post someone that goddamn page. But I love him anyways.

1:02:47.000 --> 1:02:51.120
<v Speaker 3>Soria For anyone who has not at this point, don't

1:02:51.160 --> 1:02:54.080
<v Speaker 3>know why you will in is Soraya and Tyler Lepley,

1:02:54.160 --> 1:02:57.840
<v Speaker 3>Bitch and fel Shot and Jermaine de Free and baby Face,

1:02:58.040 --> 1:03:01.800
<v Speaker 3>for anyone who wear for anyone who has seen it yet,

1:03:02.520 --> 1:03:05.320
<v Speaker 3>what way do you hope their takeaway to be and

1:03:06.000 --> 1:03:07.360
<v Speaker 3>why should they watch the film?

1:03:07.600 --> 1:03:09.560
<v Speaker 1>Ruth and Boaz on Netflix now.

1:03:10.640 --> 1:03:16.840
<v Speaker 2>I would hope that their takeaway is community leaning into

1:03:16.880 --> 1:03:19.440
<v Speaker 2>your community. She did that a lot in the film,

1:03:20.320 --> 1:03:23.160
<v Speaker 2>and she wasn't afraid to like step out on faith

1:03:24.480 --> 1:03:26.920
<v Speaker 2>and do something that she had no idea what she

1:03:27.000 --> 1:03:27.280
<v Speaker 2>was doing.

1:03:27.320 --> 1:03:34.240
<v Speaker 1>You got to put full contracts. And I would say

1:03:36.200 --> 1:03:38.320
<v Speaker 1>another thing is that you know.

1:03:41.760 --> 1:03:43.400
<v Speaker 2>Real there's real love, right.

1:03:43.520 --> 1:03:44.000
<v Speaker 1>I feel like.

1:03:45.760 --> 1:03:47.760
<v Speaker 2>All of these topics that we just all these hashtags

1:03:47.800 --> 1:03:48.280
<v Speaker 2>we need to talk.

1:03:48.200 --> 1:03:52.200
<v Speaker 1>About it's exhausting, Like we're making it harder.

1:03:52.640 --> 1:03:56.080
<v Speaker 2>Like it's already hard, you know, because you got two

1:03:56.160 --> 1:03:58.880
<v Speaker 2>people who come with a whole life before they met

1:03:58.920 --> 1:04:01.600
<v Speaker 2>each other, So it's like to add all this extra

1:04:01.720 --> 1:04:04.919
<v Speaker 2>layers and extra things. I feel like that's what Ruth

1:04:04.960 --> 1:04:08.560
<v Speaker 2>and bow As really they really communicate throughout the film.

1:04:09.040 --> 1:04:12.080
<v Speaker 2>It's just being open, vulnerable and raw and it just

1:04:12.320 --> 1:04:12.720
<v Speaker 2>it is what.

1:04:12.800 --> 1:04:14.480
<v Speaker 1>It is, and it's gonna urge a lot of us

1:04:14.640 --> 1:04:22.120
<v Speaker 1>to visit. And that's a man as was washing those feet.

1:04:23.160 --> 1:04:24.800
<v Speaker 1>I thought, I got to share with you all my

1:04:24.880 --> 1:04:28.000
<v Speaker 1>favorite scene. What was your favorite scene? You actually weren't

1:04:28.000 --> 1:04:29.960
<v Speaker 1>in it. It was very much in the beginning. Okay,

1:04:30.000 --> 1:04:32.880
<v Speaker 1>AELII was Trod and her late husband are in the

1:04:33.000 --> 1:04:36.080
<v Speaker 1>bed bed and it's a very sexy scene between older

1:04:36.120 --> 1:04:38.440
<v Speaker 1>people and he's like you feel that. She's like, I

1:04:38.520 --> 1:04:40.560
<v Speaker 1>did love that. I was like, I don't know the

1:04:40.640 --> 1:04:43.919
<v Speaker 1>last time I've seen people in their sixties whatever age

1:04:43.920 --> 1:04:47.400
<v Speaker 1>you're at, just having this like sexy moment. We just

1:04:47.480 --> 1:04:49.480
<v Speaker 1>don't get to see it. And I'm sitting here wait

1:04:49.560 --> 1:04:52.400
<v Speaker 1>for you to do it. Today. We was waiting. You

1:04:52.480 --> 1:04:57.640
<v Speaker 1>had a great feet is all we got. No, No

1:04:57.840 --> 1:04:59.920
<v Speaker 1>said first of all my heart. I was like, oh god,

1:05:00.280 --> 1:05:03.320
<v Speaker 1>you didn't like that your feet was a little to ring.

1:05:03.400 --> 1:05:06.800
<v Speaker 1>You was ready? Yeah, I gonna be ready to painting.

1:05:06.920 --> 1:05:07.520
<v Speaker 1>Had to be ready.

1:05:07.560 --> 1:05:09.000
<v Speaker 3>I said, this bitch just got a job, but she

1:05:09.040 --> 1:05:09.920
<v Speaker 3>had a fresh padic here.

1:05:09.920 --> 1:05:10.960
<v Speaker 1>I know where her money going.

1:05:11.320 --> 1:05:15.240
<v Speaker 2>No, not for real, I'm like, listen, well, Root's gonna

1:05:15.240 --> 1:05:16.360
<v Speaker 2>have had a petticant.

1:05:16.400 --> 1:05:17.360
<v Speaker 1>We actually talked about that.

1:05:17.440 --> 1:05:19.600
<v Speaker 2>It was a call because it was like, we don't

1:05:19.640 --> 1:05:21.760
<v Speaker 2>want her nails, like, she's not supposed to have money.

1:05:21.880 --> 1:05:25.360
<v Speaker 1>Yeah, I'm not gonna lie. And I was like, I

1:05:25.480 --> 1:05:30.400
<v Speaker 1>was like, waving the white flag. Can I believe I'm.

1:05:33.320 --> 1:05:36.320
<v Speaker 3>Thinking grapes. I wanted to see some coarse feat. I

1:05:36.400 --> 1:05:39.320
<v Speaker 3>wanted to see callouses. I wanted to see corn.

1:05:39.400 --> 1:05:45.520
<v Speaker 1>No, no, it didn't give corn. And I'm like, she

1:05:46.080 --> 1:05:51.160
<v Speaker 1>you know, she's Basoline and you guys were I was

1:05:51.440 --> 1:05:54.440
<v Speaker 1>you was with the maps. Well listen, I was like,

1:05:55.000 --> 1:05:56.880
<v Speaker 1>did you find out while you were filming? Found out?

1:05:57.200 --> 1:06:01.600
<v Speaker 1>Oh wow, how stressful girl, Let's talk about that. Let's

1:06:01.600 --> 1:06:05.000
<v Speaker 1>talk about that before you leave. So stressful, so sick?

1:06:06.040 --> 1:06:08.800
<v Speaker 1>Oh damn that really that hurts?

1:06:09.080 --> 1:06:09.320
<v Speaker 2>Yeah?

1:06:09.480 --> 1:06:12.800
<v Speaker 1>So wait, you were filming and what trimesters? They had

1:06:12.840 --> 1:06:21.120
<v Speaker 1>to be the first because I found out. Yeah, nothing weeks.

1:06:21.720 --> 1:06:24.920
<v Speaker 1>I was like, wait, what scene did you film right

1:06:24.960 --> 1:06:27.840
<v Speaker 1>before you found out? Like what did we see? Now?

1:06:27.840 --> 1:06:29.000
<v Speaker 1>I gotta go back and see if you look like

1:06:29.080 --> 1:06:32.040
<v Speaker 1>you threw up? Oh? Probably? I mean so many times

1:06:32.080 --> 1:06:33.760
<v Speaker 1>about the movie you.

1:06:33.840 --> 1:06:35.520
<v Speaker 3>Were away when you had to tell him that you

1:06:35.560 --> 1:06:37.120
<v Speaker 3>were pregnant, Like you didn't get to tell to his

1:06:37.200 --> 1:06:38.120
<v Speaker 3>face unfortunately.

1:06:38.200 --> 1:06:38.680
<v Speaker 1>Oh wow.

1:06:38.960 --> 1:06:43.200
<v Speaker 2>Yeah, we shot in Atlanta, so it was very much FaceTime.

1:06:43.880 --> 1:06:48.600
<v Speaker 1>Oh everything. Yeah, but you went to yes.

1:06:49.320 --> 1:06:53.880
<v Speaker 2>We shot for like yes, I well no, I ordered

1:06:53.920 --> 1:06:58.640
<v Speaker 2>it to the no face, okase and then yeah, I

1:06:58.760 --> 1:07:00.320
<v Speaker 2>was like we were on FaceTime and I was like

1:07:00.360 --> 1:07:02.080
<v Speaker 2>all right, I'm gonna do another one. All right, I'm

1:07:02.080 --> 1:07:02.800
<v Speaker 2>gonna do another one.

1:07:02.880 --> 1:07:05.439
<v Speaker 1>And it was like girl. It was like girl.

1:07:05.960 --> 1:07:08.000
<v Speaker 2>And then literally I feel like after I found out,

1:07:08.920 --> 1:07:11.400
<v Speaker 2>like the next week, because we were doing pre production

1:07:11.520 --> 1:07:13.800
<v Speaker 2>for like three weeks and then we shot for like

1:07:14.120 --> 1:07:18.560
<v Speaker 2>three or four weeks weeks maybe, so yeah, by the

1:07:18.640 --> 1:07:21.720
<v Speaker 2>time we had like the first day, I was like miserable.

1:07:22.160 --> 1:07:25.080
<v Speaker 1>Did you share with your friends and colleagues on set?

1:07:25.200 --> 1:07:28.160
<v Speaker 1>And I did not. I mean, I think that's the

1:07:28.240 --> 1:07:31.520
<v Speaker 1>thing until like the last week, where I was like Okay,

1:07:31.600 --> 1:07:36.040
<v Speaker 1>I like like you want to wait anyways? I want

1:07:36.040 --> 1:07:37.000
<v Speaker 1>to wait anyways.

1:07:37.120 --> 1:07:40.560
<v Speaker 2>But I ended up just telling my director Alana. Alana

1:07:41.080 --> 1:07:44.000
<v Speaker 2>she female director, so I was like she had her

1:07:44.040 --> 1:07:47.400
<v Speaker 2>family there, her daughter, beautiful daughter, and her husband, and

1:07:47.480 --> 1:07:49.120
<v Speaker 2>I was like, Okay, I have to tell her because

1:07:49.520 --> 1:07:50.760
<v Speaker 2>it got to a point where I was like I

1:07:50.800 --> 1:07:52.840
<v Speaker 2>don't want them to be like what's good, you know,

1:07:53.040 --> 1:07:53.560
<v Speaker 2>like what's up?

1:07:53.640 --> 1:07:55.920
<v Speaker 1>And also it was like but also they had you

1:07:55.960 --> 1:08:00.400
<v Speaker 1>out on bils. Girl. The heat, the heat, are you

1:08:00.520 --> 1:08:05.640
<v Speaker 1>pregnant feet? Everything? Not yet yet. I'll show you the pictures.

1:08:06.040 --> 1:08:08.560
<v Speaker 1>Swellen feet. That was at the end.

1:08:08.640 --> 1:08:11.160
<v Speaker 2>But but I can say that it was it was

1:08:11.360 --> 1:08:13.800
<v Speaker 2>very much challenging. But I can't say that my little

1:08:14.160 --> 1:08:21.400
<v Speaker 2>blessing from above gave me a certain ability to just

1:08:21.479 --> 1:08:26.000
<v Speaker 2>be open and in the moment. And so every scene

1:08:26.120 --> 1:08:28.600
<v Speaker 2>is just very candidate and just very real because I

1:08:28.680 --> 1:08:31.200
<v Speaker 2>had no time to overthink oh wow, because I was

1:08:31.280 --> 1:08:31.840
<v Speaker 2>just like, this.

1:08:31.960 --> 1:08:33.680
<v Speaker 1>Is not the most important thing anymore.

1:08:33.680 --> 1:08:36.639
<v Speaker 2>Well not even that, but just like I'm just so sick,

1:08:36.760 --> 1:08:38.920
<v Speaker 2>Like I don't know, it's just like everything makes you sick, right,

1:08:38.920 --> 1:08:41.679
<v Speaker 2>And they're bringing food, there's food around, there's there's people

1:08:42.160 --> 1:08:43.439
<v Speaker 2>walking by with perfume.

1:08:43.520 --> 1:08:44.640
<v Speaker 1>And every time I'm just like.

1:08:46.160 --> 1:08:49.000
<v Speaker 2>Hmmm, I'm just like, oh, I'll be right back. Got

1:08:49.000 --> 1:08:51.800
<v Speaker 2>around to my trailer, you know, and I'm just like, Okay,

1:08:51.880 --> 1:08:54.360
<v Speaker 2>how do I survive today? What what am I going

1:08:54.439 --> 1:08:55.720
<v Speaker 2>to take today to like help me.

1:08:55.720 --> 1:08:59.640
<v Speaker 1>Get you think it sounds yes, baby, yeah right, And

1:08:59.720 --> 1:09:01.880
<v Speaker 1>I'm like it's just sitting in my trailer, it's just dark.

1:09:03.240 --> 1:09:06.840
<v Speaker 2>Pa knocks on my trailer, Soria, We'll have you for

1:09:06.920 --> 1:09:11.200
<v Speaker 2>five minutes, like Okay, I love it, but I mean

1:09:11.240 --> 1:09:14.080
<v Speaker 2>I'm sure people suspected, especially the women.

1:09:14.160 --> 1:09:18.200
<v Speaker 1>They're like, bit I went all last night. You know

1:09:18.280 --> 1:09:19.240
<v Speaker 1>it's Atlanta.

1:09:20.600 --> 1:09:23.479
<v Speaker 3>Well Soria, thank you so so much for joining us.

1:09:24.000 --> 1:09:26.720
<v Speaker 1>For anyone listening. If you haven't yet, check out Ruth

1:09:26.800 --> 1:09:32.439
<v Speaker 1>and Boaz on Netflix. It is out now and you know,

1:09:33.320 --> 1:09:35.000
<v Speaker 1>just know you're not gonna get a sex scene, but

1:09:37.040 --> 1:09:39.600
<v Speaker 1>was throwing up in them. See come on, I love it.

1:09:39.680 --> 1:09:40.000
<v Speaker 1>I love it.

1:09:40.080 --> 1:09:41.800
<v Speaker 3>And do you have anything else that you have going

1:09:41.840 --> 1:09:43.479
<v Speaker 3>on that you would like to support that you have

1:09:43.560 --> 1:09:44.000
<v Speaker 3>coming out?

1:09:44.280 --> 1:09:51.800
<v Speaker 2>Yes, ladies, Actually I have a new song out Helloakes yes. Oh,

1:09:52.160 --> 1:09:55.400
<v Speaker 2>but also that's right from the movie stundtrack. But I

1:09:55.479 --> 1:09:59.720
<v Speaker 2>also have my single okay, it's called put that Ship on.

1:10:00.280 --> 1:10:01.640
<v Speaker 1>Oh E d s O.

1:10:02.560 --> 1:10:04.720
<v Speaker 2>Okay to go download that. I want you to make

1:10:04.760 --> 1:10:07.200
<v Speaker 2>your videos, but you getting cute when you're putting that

1:10:07.240 --> 1:10:07.519
<v Speaker 2>shit on.

1:10:09.080 --> 1:10:10.920
<v Speaker 1>Yes, make a TikTok grop.

1:10:12.160 --> 1:10:12.200
<v Speaker 2>It.

1:10:12.320 --> 1:10:14.519
<v Speaker 3>Don't make the dance too complicated. We're in our thirties.

1:10:14.560 --> 1:10:17.960
<v Speaker 3>And does the artist make the dance? Sometimes they do,

1:10:18.080 --> 1:10:20.320
<v Speaker 3>their team sometimes does to get it going?

1:10:21.160 --> 1:10:23.519
<v Speaker 1>Yeah, I don't. Chris thought we could all dance, but

1:10:23.640 --> 1:10:25.960
<v Speaker 1>it took a month and a half to learn that. Goddamn.

1:10:26.200 --> 1:10:30.920
<v Speaker 1>I'm still like, look, look, man, I will I volunteered

1:10:30.960 --> 1:10:33.519
<v Speaker 1>with kids two days ago, all of them.

1:10:34.000 --> 1:10:37.000
<v Speaker 2>Yeah, oh yeah, yeah, yeah, definitely know it's a three step.

1:10:37.320 --> 1:10:41.559
<v Speaker 2>So CDSO PDSO is out. My project is coming out

1:10:41.640 --> 1:10:41.920
<v Speaker 2>as well.

1:10:42.040 --> 1:10:43.160
<v Speaker 1>Yes, project coming out.

1:10:43.320 --> 1:10:46.880
<v Speaker 3>Ruth and Boaz wherever Empire, I guess still plays, but

1:10:46.960 --> 1:10:49.200
<v Speaker 3>we don't know what's happening over there. Okay, there we

1:10:49.320 --> 1:10:52.400
<v Speaker 3>go and all the things. Surrey, thank you so very

1:10:52.479 --> 1:10:55.519
<v Speaker 3>much for joining us. Y'all see it right here on

1:10:55.600 --> 1:10:58.320
<v Speaker 3>the table. If you're watching over on YouTube, make sure

1:10:58.400 --> 1:11:02.120
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1:11:02.160 --> 1:11:04.960
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1:11:05.040 --> 1:11:08.720
<v Speaker 3>exploration and power, available now wherever you get books in.

1:11:08.840 --> 1:11:12.320
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1:11:12.640 --> 1:11:15.040
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1:11:19.600 --> 1:11:20.400
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1:11:20.520 --> 1:11:22.160
<v Speaker 1>That's what they really wanted you, you know what I mean,

1:11:22.280 --> 1:11:24.960
<v Speaker 1>so we can get you. Yeah, we wasn't gonna get

1:11:24.960 --> 1:11:26.360
<v Speaker 1>you to talk about if you eat ass or not.

1:11:26.720 --> 1:11:30.200
<v Speaker 1>But anyways, guys, they look she said, why don't you

1:11:30.200 --> 1:11:33.040
<v Speaker 1>want to answer before you leave? Yeah? No, no, she said,

1:11:33.640 --> 1:11:33.960
<v Speaker 1>all right.

1:11:34.000 --> 1:11:35.760
<v Speaker 3>Guys, well, thank y'all so much for tuning in to

1:11:35.840 --> 1:11:38.480
<v Speaker 3>another episode of Decisions, Decisions,