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Speaker 1: Welcome to Decisions Decisions. I don't think you should say

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Speaker 1: decision decisions. It sounded like you was talking to did Kirsten?

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Speaker 1: You definitely say to welcome, Welcome to the new podcast.

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Speaker 1: Oh wait, you want to say together Decisions Decisions.

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Speaker 2: Today on Decisions Decisions ladies.

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Speaker 1: Oh, there we go. That's all we needed. That's all

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Speaker 1: we needed. Welcome, y'all to.

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Speaker 3: Another episode of Decisions Decisions. I'm your girl, Mandy b

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Speaker 3: aka Peg Decillion aka Peg and Marco aka Peggy Bundy

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Speaker 3: aka Dead Bitch.

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Speaker 1: Hey, y'all, I'm Weezy, and we have a guest in

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Speaker 1: the villa, Danne. Don't know if you've ever heard of Ruth.

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Speaker 1: We can call her Babe Ruth, or.

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Speaker 3: We can her as Soreya y'all. She is a singer, actress,

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Speaker 3: and all around creative powerhouse. You may have first fell

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Speaker 3: in love with her as Tiana Brown on Fox's hit

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Speaker 3: series Empire, and since then she's lit up the screen

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Speaker 3: in films like Burning Sands and Favorite Son, but also,

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Speaker 3: most recently, because we all Got Netflix, Ruth and Boaz.

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Speaker 3: She also has her own land in music with her

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Speaker 3: R and B infused sound. Welcome to the goddamn podcast.

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Speaker 2: Thank you for having me.

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Speaker 1: I it just hit me when you said R and

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Speaker 1: B and the cow pants? Is this for the country girl?

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Speaker 1: For the songs for the country theme?

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Speaker 3: And then, by the way, the movie theme them was

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Speaker 3: some country songs.

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Speaker 2: They were and that was actually the part for me

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Speaker 2: that was so different.

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Speaker 1: But I loved it. I love that you ain't putting

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Speaker 1: no accent on it. No, no, no no, because he

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Speaker 1: was like.

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Speaker 2: Yeah, no, no, no, no for sure. But I definitely when I

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Speaker 2: heard the songs that Babyface wrote, I was like, oh wow,

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Speaker 2: and I started saying, I'm like, these do feel like

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Speaker 2: low key country?

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Speaker 1: What is when I say so, that wasn't acting. He

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Speaker 1: wrote them songs. No, he really wrote the song so love.

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Speaker 3: Me tell you some tea, just so that you know

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Speaker 3: who you're sitting with your in the Presence of Greatness

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Speaker 3: during Essence Fest, we actually girl followed Babyface on stage

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Speaker 3: and introduced Maxwell.

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Speaker 1: I have to tell everyone that was a highlight of

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Speaker 1: the year.

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Speaker 3: Really literally, Babyface sung all his tunes, all his things,

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Speaker 3: so I got your excitement in the show. Baby I

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Speaker 3: was like, my god, I know all his music and

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Speaker 3: I was like, this thing, I gotta be rich.

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Speaker 1: Because this is the Jams, you know what I mean.

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Speaker 3: And so literally baby Face is coming off stage and

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Speaker 3: we're like prepping our little.

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Speaker 1: We had to yeah we was on stage.

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Speaker 3: No no, we literally didn't say anything. We just saw

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Speaker 3: his greatness walk down the stairs. Okay, you where our

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Speaker 3: que cars at?

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Speaker 1: Have I told you that my baby face story about Thanksgiving? No? Oh, y'all.

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Speaker 1: So I had an opportunity to know before. When I

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Speaker 1: said y'all, I'm thinking like listeners, Mandy, Okay, so oh,

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Speaker 1: I hate didn't make it a dark. So I don't

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Speaker 1: really spend Thanksgiving with my parents anywhere because my dad

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Speaker 1: he's just kind of been, you know, not the greatest health.

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Speaker 1: So my mom and I has been spending Thanksgivings with Quesla,

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Speaker 1: which is a flex in its own, so you would

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Speaker 1: think like, oh, you're gonna be with the family. We

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Speaker 1: pull up to Thanksgiving and the first person we see

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Speaker 1: his baby Face, and I grabbed my mom's hand and

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Speaker 1: I said, please, don't say anything. Why would I say anything.

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Speaker 1: I'm cool, I'm playing it cool. She has three cocktails.

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Speaker 1: We sit down, mother sitting next to me. Kenneth, it's

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Speaker 1: sitting across from my mother, right on the third step

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Speaker 1: of that third cocktail, she goes, I just gotta say, Babyface,

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Speaker 1: this is a great Thanksgiving. I mean, did anybody think

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Speaker 1: they need even with baby Face? And everybody's really looking like, yeah,

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Speaker 1: we did. So here's I'm not going to ask you

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Speaker 1: to see. He goes great, I'm not gonna I'm not

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Speaker 1: gonna ask you. Then, few SIPs later, couest love. Everyone's

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Speaker 1: calling him a mirror. Do you think we could get

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Speaker 1: tickets to your show? And he's looking like, what show?

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Speaker 1: I have eighteen upcoming shows, Mama, the one with Jimmy Kimmel.

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Speaker 1: He's not on Jimmy Kimmel, He's on Jimmy Fallon. And

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Speaker 1: then she knows Jimmy zoo. I mean it's the Gym's Yes,

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Speaker 1: a lot of Jimmy. You know, there's a lot of

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Speaker 1: jim then decides after the fourth cocktail to move over

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Speaker 1: Babyface's girlfriend and sit by him to say, I say,

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Speaker 1: we go to the Jimmy Gimmel. Oh girl, I wanted

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Speaker 1: to die anyway. Every time I see this man, my

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Speaker 1: head goes down. I have nothing to say of it.

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Speaker 1: My mother moved over his girlfriend Thanksgiving different, come move

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Speaker 1: I'm not gonna lie her mom is wild.

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Speaker 3: We now have things in common. I was told not

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Speaker 3: to talk to Dojia Cat, and I sure did, bitch.

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Speaker 1: Because oh, okay, you tell the story. And then we

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Speaker 1: got to hear your celebrity story.

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Speaker 3: To know your celebrity story of word, lo, you have

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Speaker 3: to you have it. We're now sharing story. This is

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Speaker 3: like a little bit of an icebreaker. So anyways went on.

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Speaker 3: I'm not gonna tell y'all who told me not to

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Speaker 3: do it, but it was like a spoken word in

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Speaker 3: the vehicle. We knew the Doja Cat was gonna be

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Speaker 3: around us that night, and clearly, bitch Almala is my girl.

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Speaker 1: So wait, bit you couldn't speak literally because clearly I'm

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Speaker 1: a fan. And yeah, like it was on.

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Speaker 3: So I'm like, don't really like make it awkward, don't

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Speaker 3: let her know you're a fan on it.

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Speaker 1: I was like, bitch, I'm.

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Speaker 3: Also well, So anyways, I end up at h we

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Speaker 3: end up at this rooftop in La. It's gorgeous. She's

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Speaker 3: there sitting right across from us. Oh my god, mom,

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Speaker 3: and I'm like and I'm like, so mind you, I'm like,

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Speaker 3: na gonna speak nothing. She's sitting there with this little

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Speaker 3: long ass like cigarette, maybe getting ready for her eighties era.

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Speaker 1: I wasn't ready.

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Speaker 3: So literally just sitting there freaking. I looked to the

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Speaker 3: side of me and there's a whole phone by me,

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Speaker 3: and I'm like, oh shit, somebody left their phone. Minus

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Speaker 3: this is a big ass fucking party, so I'm like,

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Speaker 3: oh shit, somebody left their phone. So I'm sitting here

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Speaker 3: and I'm just holding holding this phone. There's cards in

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Speaker 3: the back. So I look through the cards in the back.

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Speaker 3: It's not her, bitch, it's Joseph Quinny bitch, her boyfriend,

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Speaker 3: the white one bitch, the one for motherfucking stranger things.

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Speaker 1: So I said, oh, I got this that, so mind you.

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Speaker 3: I'm like, well, bitch, now our boyfriends, this is gonna

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Speaker 3: be gonna be organic, you know what I mean. It's

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Speaker 3: gonna be organic, because what's doing you know what I mean?

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Speaker 1: Well, no, I don't know.

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Speaker 3: Where he put it down in the but somehow his

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Speaker 3: phone landed in my hand. So I go to Joseph

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Speaker 3: and I and I'm like, uh, so I think you

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Speaker 3: lost something. He's like, oh my god, because you know,

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Speaker 3: oh my god, thank you so much. Didn't even now

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Speaker 3: listen like he's like, what do you want?

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Speaker 1: Do you want to drink? Bitch? Is open bar? What

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Speaker 1: are you gonna give me? Sir? This is an open

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Speaker 1: bar event. So it's so funny.

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Speaker 3: So I give him his phone and he's like, oh

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Speaker 3: my god, thank you, whatever you need.

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Speaker 1: I was like, no, it's cool, it's cool. It's cool.

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Speaker 3: So literally, uh, she's coming back now from the bathroom

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Speaker 3: as we're talking, and I go to walk away and

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Speaker 3: I never want anyone to say that I'm a white woman.

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Speaker 3: She said, girl, your hair is giving Sharon Stone And

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Speaker 3: I said, bitch, isn't it?

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Speaker 1: Mind?

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Speaker 3: You were like probably the only black people in the

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Speaker 3: whole party. Mind you were only half. So there's only

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Speaker 3: about two and a half of us in the whole room.

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Speaker 3: The two and a half of us in the whole room,

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Speaker 3: and literally the whole night. She's just like she just

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Speaker 3: keeps talking and chatting. We end up going down by

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Speaker 3: this pool, bro no lie because la weather sucks and

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Speaker 3: I got my shoulders out and I'm looking cute. She's like, baby,

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Speaker 3: you look cold. She takes off her blazer and gives it.

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Speaker 1: To me, And at this point we're fucking friends. So

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Speaker 1: we go to fucking we're talking.

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Speaker 3: She's talking about how I think the cigarette is called

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Speaker 3: the F word out in London and we're talking about

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Speaker 3: this word and.

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Speaker 1: How she loves the word, but how she's just that

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Speaker 1: bitch and how she you know, she love crazy words.

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Speaker 1: We've seen it on the streets. Well there's this.

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Speaker 3: Guy smoking the cigarette and we're talking about just how

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Speaker 3: he looks so possible, but it looks better in a

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Speaker 3: woman's mouth. She's just one of the coolest bitchest fucking ever.

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Speaker 3: Shout out to her album Go Get It Now, vias out.

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Speaker 3: This is not an ad, And so literally as we

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Speaker 3: go Manyie, she's been talking to me you the whole night,

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Speaker 3: and I say.

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Speaker 1: At the end, I just have to tell you how

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Speaker 1: much I love it.

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Speaker 3: And my friend who told me that I wasn't supposed

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Speaker 3: to say anything to her, really kind of had to

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Speaker 3: say something.

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Speaker 1: I know, no, we're friends, just you know, but not

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Speaker 1: following up. No we didn't exchange or anything like that.

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Speaker 1: But literally that.

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Speaker 3: Night I was told not to say something, and at

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Speaker 3: the end I was like, oh.

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Speaker 1: No, air and I was like, bro. When we were

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Speaker 1: hanging out that weekend in Paris and it was like

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Speaker 1: that you.

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Speaker 3: Saw for a ticket now I need to know because

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Speaker 3: you you've been around not not like that. Would you

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Speaker 3: be around like the slips? Yes, oh thank you?

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Speaker 1: Yes. I No, I'm gonna say something I don't get.

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Speaker 2: Okay, I would say babyface because obviously we're working and

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Speaker 2: I'm just like so nervous. First of all, well to

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Speaker 2: be in his presence. Secondly, to work with him in

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Speaker 2: the studio.

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Speaker 1: I'm just like, oh my god, now this is for

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Speaker 1: the scene we saw in the movie.

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Speaker 2: Yeah, like, well, well, okay, so all of the songs

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Speaker 2: recorded he wrote. So I flew to La to record

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Speaker 2: with him at his studio.

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Speaker 1: Was losing in his house? No, not in his house

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Speaker 1: at his studio because they don't start. I'd be like,

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Speaker 1: let me go to the bathroom. Now I'm gonna look around. No, no, no,

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Speaker 1: I was not at his house.

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Speaker 2: But you got to I have to actually work with him,

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Speaker 2: like really work with him, which was crazy. So it's

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Speaker 2: like pinch me moment. But I would say another moment

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Speaker 2: for me. I mean, I don't even know. It's probably

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Speaker 2: like twenty seventeeneen, I don't even know, sixteen seventeen, maybe.

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Speaker 3: Twenty seventeen Beyonce. Okay, Okay, where were you.

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Speaker 1: Set the scene? What she smilling?

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Speaker 2: So v Mas, I was with Taylor Swift and the

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Speaker 2: squad at that time.

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Speaker 1: Oh my god, I was at that time. You know.

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Speaker 1: It was it was it was giving that, you know, right,

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Speaker 1: I was a black girl in the gang.

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Speaker 2: And well there was two and a half of us,

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Speaker 2: I guess and and yeah, so we're backstage and we're like,

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Speaker 2: oh my gosh, congrats, I think it's me. Look another

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Speaker 2: set of things, me Selena and Gomez and Taylor. Look

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Speaker 2: we know it was the other Selena. So listen these

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Speaker 2: by the way, these girls are just they're so sweet.

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Speaker 2: I haven't seen or talked to them in years, but

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Speaker 2: so sweet. So this moment, Taylor got the award and

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Speaker 2: Beyonce is just like walking backstage, right and this is

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Speaker 2: like Primetime Empire, like people are doing watch parties like

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Speaker 2: this is like Empires, like the.

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Speaker 1: Yeah, like I'm just Siana, like I don't have a

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Speaker 1: name yet.

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Speaker 2: So so so she's walking and literally I kind of

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Speaker 2: see her out the corner of my eye, but I'm

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Speaker 2: like okay, like I'm like congratulations, you know with Taylor,

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Speaker 2: and literally walks by and she like comes to me

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Speaker 2: and she's like you're doing amazing. Oh bit she spoke

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Speaker 2: to you, yes, and I was like, and I was like,

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Speaker 2: she was like leaving.

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Speaker 1: She just like drops that and like and I'm like,

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Speaker 1: oh my god, I live with the watching TV.

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Speaker 3: Ya watching the thing. You know what's going on. She

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Speaker 3: don't talk to us, but she knows what's going on.

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Speaker 3: So she was watching Empire and.

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Speaker 2: She's say exactly, and I was like, I was trying

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Speaker 2: to like say thank you, but also like.

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Speaker 1: You didn't say nothing back.

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Speaker 2: Yes I did. I was trying to say, like, oh

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Speaker 2: my god, I love you like I was doing that

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Speaker 2: because I was like, I don't care, Like when when

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Speaker 2: am I going to Beyonce?

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Speaker 1: What are you going to see Beyonce again? Like you

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Speaker 1: have to? Did you ever see her again? No? No,

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Speaker 1: I'm not going to be in a relationship. I'm famous

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Speaker 1: and you famous, nigga, and.

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Speaker 3: We ain't never get no more beyond you don't even

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Speaker 3: know mind you. Year one, we talk a little rowdy

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Speaker 3: on here, literally weezy and I'll never forget it said

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Speaker 3: that she would, oh my god, fart out of Beyonce's

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Speaker 3: ass after Taco Bell.

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Speaker 2: That was how much it was the year you saw

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Speaker 2: how much yeah that I have to talk about it already,

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Speaker 2: crazy Taco Bell.

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Speaker 1: That's how much she.

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Speaker 2: Now.

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Speaker 1: I what's even crazier is all that big bold bad ship.

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Speaker 1: So my business partner and I got to be at

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Speaker 1: a you know, the Foundation le Vton show.

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Speaker 3: This is how you urged them to go to Patreon

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Speaker 3: because you share the whole story.

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Speaker 1: Oh no, I was gonna say. We got to be

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Speaker 1: around them at an after party and the whole time,

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Speaker 1: who's them Beyonce and Jay and part well maybe less

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Speaker 1: than fifty people, And the whole time all we could

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Speaker 1: do is just sit there and do this to each other.

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Speaker 1: You say, so, you say no, I'm gonna say okay.

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Speaker 1: So then he pulls out his phone. I'm like, what

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Speaker 1: are you doing figuring out what I'm gonna say? Writing

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Speaker 1: it in the notes? But oh, I one time a

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Speaker 1: gold party? Look at yourself? You did? You did? Oh

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Speaker 1: my god?

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Speaker 2: I heard that was also everyone did, by the way,

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Speaker 2: it was one of the best.

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Speaker 1: Which gold party?

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Speaker 2: Was it?

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Speaker 1: Oh? It was years ago. It had to be when

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Speaker 1: the Black Panther.

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Speaker 2: Oh yeah, yeah, he was there, like it was like

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Speaker 2: when that movie first was like, that's right.

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Speaker 1: So but all the all the black excellent. I know

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Speaker 1: we're supposed to talk about your movie.

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Speaker 3: I'm like, we gonna get there.

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Speaker 1: We're gonna get there. This is so much more.

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Speaker 3: Actually, know what, let's we kind of broke the ice

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Speaker 3: with Beyonce, but we're gonna break the ice with a

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Speaker 3: little truth in there. I don't like people choosing because

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Speaker 3: you give people truth or there, they want to be

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Speaker 3: boring into the truth. So technically I make people do both.

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Speaker 3: You actually have no choice. Okay, So the first one

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Speaker 3: we're gonna do is truth.

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Speaker 1: And this does lean.

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Speaker 3: Into the new Netflix film so and it actually leans

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Speaker 3: into your personal life. So in Ruth and Bo as

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Speaker 3: Ruth prefers to herself as a liar at the end

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Speaker 3: of the movie, and it's corrected by Bo with him saying, well,

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Speaker 3: you omitted information.

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Speaker 1: And we talk about this all the time.

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Speaker 3: What's the difference between lying and just not telling somebody

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Speaker 3: like white lies, fibbing all the things? So, was there

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Speaker 3: anything that you have purposely kept from a potential partner,

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Speaker 3: a potential partner out of shame or trauma or fear

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Speaker 3: that they would judge you if they knew this to

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Speaker 3: be true about you? For sure, Now you got to

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Speaker 3: tell us what it was.

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Speaker 1: Oh no, oh yes you're shot? You thought? No, the same.

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Speaker 2: I mean, honestly, I mean not to be boring, but

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Speaker 2: I just feel like for I feel like it's past

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Speaker 2: partners because it's because it's I don't know where this

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Speaker 2: is going. I want to see where this is going first.

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Speaker 2: Maybe should I say something? Maybe I shouldn't. And I

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Speaker 2: think that it's a I feel like it's a normal

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Speaker 2: thing to do, and I think both parties do it

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Speaker 2: if you're to a certain extent right Obviously, if it's

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Speaker 2: someone that's in your circle or that we like, are around,

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Speaker 2: like you.

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Speaker 1: Have to say those things.

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Speaker 2: But if it's something before, I feel like it's natural

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Speaker 2: if you're in a new situation to kind of just

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Speaker 2: like reserve. So let me ask you then, what would

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Speaker 2: be like the top two things if you're newly dating

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Speaker 2: and in previous experiences for you, what two things about

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Speaker 2: previous relationships for you?

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Speaker 3: Like, I ain't bring it up? Was it like if

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Speaker 3: your partner cheated?

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Speaker 1: Was it if you cheated?

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Speaker 3: Was it the dynamic of that?

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Speaker 2: Like?

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Speaker 3: What things do you make sure not to bring up

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Speaker 3: in new blossoming relationships about your past relationships?

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Speaker 1: Well, if somebody cheated.

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Speaker 2: I'm gonna say that, like I have no problem saying

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Speaker 2: that the person cheated, or I have no problem saying

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Speaker 2: if I did that as well, but have not have not.

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Speaker 1: You haven't, okay, but you are. But I have no

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Speaker 1: problem because here's the thing. I mean.

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Speaker 2: I feel like I always feel like it's like, what

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Speaker 2: do you want with the person? Right? And I feel

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Speaker 2: like if you want something authentic and real that I

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Speaker 2: feel like you have to try to put.

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Speaker 1: Yourself in that that space with them.

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Speaker 2: But what do you think there are like no, like

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Speaker 2: I would I would never share like personal life information

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Speaker 2: of my past partner, Okay, I feel like that's just

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Speaker 2: a little messy, okay, like things that we shared in

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Speaker 2: confidence that was like about him solely.

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Speaker 1: I think that I just I wouldn't talk about that.

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Speaker 1: You're you're now in a new relationship.

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Speaker 3: I know we share our lives on goddamn podcasts, But

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Speaker 3: for a partner who hasn't went through all fucking four

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Speaker 3: hundred plus episodes, was there anything special about your past

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Speaker 3: relationship that you didn't share with your partner now at

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Speaker 3: the gate like that it took a while to share.

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Speaker 1: I would say the harder pain of like hmm. So

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Speaker 1: maybe we've all said a guy cheated, but I never

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Speaker 1: disclosed how bad it was because I didn't want him

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Speaker 1: to think, oh, well, you stayed with it. You let

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Speaker 1: a nigga just run through you. Like I really think

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Speaker 1: that we kind of need to show up as Hey,

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00:16:29,440 --> 00:16:31,800
Speaker 1: I've had men treat femail. I've had these good situations.

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Speaker 1: I've had partners that have honored me, like I've had

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Speaker 1: good relationships. I think it's really important. Actually, we have

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00:16:38,360 --> 00:16:41,000
Speaker 1: a segment called We Listen and We Judge. I want

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00:16:41,000 --> 00:16:42,920
Speaker 1: to read you really quickly. A text message I got

365
00:16:43,040 --> 00:16:45,520
Speaker 1: but maybe an hour ago. Oh well, we asked for

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Speaker 1: pre consent with anything that we share, Okay, And this

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00:16:49,200 --> 00:16:51,680
Speaker 1: text message really surprised me. From a friend, he went

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Speaker 1: out with a really popular model last night Passion week.

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Speaker 1: Shit they met, I said, how was it? She's beautiful,

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Speaker 1: no doubt. Her story is just so sad that it

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Speaker 1: just feels like she's going to be a generational curse

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Speaker 1: to me. Honestlyes I said, so a bitch got a

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Speaker 1: bad past and it's a problem for you, he said,

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Speaker 1: just mad issues with men. Her mom's got the issues,

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Speaker 1: her sister's got the issues. It's a cycle of trauma

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Speaker 1: that I'm just not up to heel. Bro. Well, it's

377
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Speaker 1: not for you to heal, honey, But I'm like thinking

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Speaker 1: to myself on a first date, you must have. I mean,

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00:17:21,920 --> 00:17:25,240
Speaker 1: that's a lot, and that's the thing about hiding. You

380
00:17:25,280 --> 00:17:26,520
Speaker 1: gotta hold some of that shit.

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Speaker 3: It's funny though that he referenced it's a lot for

382
00:17:30,040 --> 00:17:33,520
Speaker 3: him to hell. I think it's funny because even one

383
00:17:33,520 --> 00:17:35,920
Speaker 3: of the things that Cardi B shared during her rollout

384
00:17:36,080 --> 00:17:38,560
Speaker 3: was like that Sepon Dicks was going to be there

385
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Speaker 3: to help heal her through her past relationship in trauma.

386
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Speaker 3: And it's interesting because whether you want to do it

387
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Speaker 3: or whether you sign up to do it, at the

388
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Speaker 3: end of the day, if you're with somebody and you

389
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Speaker 3: want to be with them, unfortunately, you do take on

390
00:17:53,280 --> 00:17:55,760
Speaker 3: their trauma, You take on some of their baggage, you

391
00:17:55,800 --> 00:17:58,480
Speaker 3: take on whatever they're dealing with mental health wise, you

392
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Speaker 3: deal with their past relationship ships, in terms of children,

393
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Speaker 3: you deal with their family. And so where he said that,

394
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Speaker 3: I'm not mad at him for that, I was kind

395
00:18:07,960 --> 00:18:11,159
Speaker 3: of mad at that. Like, Bro, there's certain things right now. Bro,

396
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Speaker 3: if you got like very clear diagnosed mental health problems,

397
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Speaker 3: bro I ain't got the patience for Us'm gonna be

398
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Speaker 3: real honest with you, but to say generational curses, I mean,

399
00:18:20,760 --> 00:18:23,359
Speaker 3: I mean maybe that was his way of expressing like

400
00:18:23,440 --> 00:18:25,919
Speaker 3: how intense it was, but I'm not mad with that.

401
00:18:26,040 --> 00:18:33,680
Speaker 2: Like, I mean, she she came in hot with the trauma. Yeah,

402
00:18:34,000 --> 00:18:37,920
Speaker 2: and he was well not off gate, yeah, not off gate.

403
00:18:37,960 --> 00:18:39,760
Speaker 2: He he kind of was persistent, it's like, all right,

404
00:18:39,800 --> 00:18:40,679
Speaker 2: well if you want to know that.

405
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Speaker 1: Whatever.

406
00:18:43,840 --> 00:18:45,640
Speaker 2: So I feel like I feel like one or two

407
00:18:45,640 --> 00:18:48,200
Speaker 2: I feel you on that because it's like, that's very

408
00:18:48,280 --> 00:18:49,879
Speaker 2: mature of you to be like, Okay, I'm not in

409
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Speaker 2: the space to deal with a B and C.

410
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Speaker 1: And him too, I think that it's interesting that.

411
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Speaker 2: I think it's interesting he chose that response, and I

412
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Speaker 2: think it's interesting that she chose to share them share

413
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Speaker 2: the stage.

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00:19:02,960 --> 00:19:05,800
Speaker 1: Yeah. So honestly, it must have been something along the

415
00:19:05,800 --> 00:19:09,840
Speaker 1: lines of like oh heavy, I'm singles, my dad was shit,

416
00:19:09,880 --> 00:19:11,199
Speaker 1: blah blah blah, like whatever it was.

417
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Speaker 3: Because what happened, well, at least she ain't opened up

418
00:19:13,680 --> 00:19:16,400
Speaker 3: with I'm broke, because apparently that's the thing in Atlanta,

419
00:19:16,400 --> 00:19:17,760
Speaker 3: and now all the bitch is letting it be known

420
00:19:17,800 --> 00:19:20,280
Speaker 3: that they need help with bills. So I'm not mad

421
00:19:20,320 --> 00:19:24,359
Speaker 3: with her opening and sharing that that I don't feel

422
00:19:24,400 --> 00:19:27,840
Speaker 3: safe with Madden, Like I still want to date y'all niggas,

423
00:19:27,880 --> 00:19:29,399
Speaker 3: but that's what I'm saying.

424
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Speaker 1: No, And I don't know, I mean for a grown man.

425
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Speaker 1: He's mid thirties. He was like, yeah, bro, Like, I'm

426
00:19:35,119 --> 00:19:37,480
Speaker 1: not dealing with this. I do think there is a

427
00:19:37,520 --> 00:19:39,320
Speaker 1: space of where we kind of got to show up

428
00:19:39,320 --> 00:19:41,359
Speaker 1: as a better version. Right, We're not going to always

429
00:19:41,400 --> 00:19:44,000
Speaker 1: be at our best. We're always still healing no matter what.

430
00:19:44,359 --> 00:19:46,439
Speaker 1: But I do think going on a first date, you

431
00:19:46,440 --> 00:19:48,679
Speaker 1: can't be in the space where you still like I

432
00:19:48,720 --> 00:19:50,440
Speaker 1: hate every man, you know what I mean? Like you

433
00:19:50,720 --> 00:19:53,360
Speaker 1: shouldn't either. Oh, I shouldn't be on the d I'm

434
00:19:53,560 --> 00:19:55,720
Speaker 1: in there. I mean, I have shots deep trying to

435
00:19:55,760 --> 00:19:56,440
Speaker 1: heal the pain.

436
00:19:56,760 --> 00:19:59,159
Speaker 2: No, I mean for sure, but like for it to

437
00:19:59,280 --> 00:20:00,800
Speaker 2: go somewhere, it's like.

438
00:20:00,760 --> 00:20:03,160
Speaker 3: I mean, let's get in the writer's room. Bitch, your

439
00:20:03,240 --> 00:20:04,320
Speaker 3: character pissed me off?

440
00:20:04,440 --> 00:20:05,040
Speaker 1: What does she do?

441
00:20:05,119 --> 00:20:07,000
Speaker 3: But she was like you like all them, all the

442
00:20:07,080 --> 00:20:08,760
Speaker 3: niggas in Atlanta, and that man was fine. I didn't

443
00:20:08,760 --> 00:20:10,200
Speaker 3: hear a word he said the whole movie. I don't

444
00:20:10,240 --> 00:20:12,440
Speaker 3: even gonna no, like.

445
00:20:12,800 --> 00:20:17,159
Speaker 1: Bro, I need, I need like. I'm sorry.

446
00:20:17,200 --> 00:20:19,680
Speaker 2: I was very bold of her, Bro, it was very

447
00:20:19,840 --> 00:20:20,840
Speaker 2: It's very bold of.

448
00:20:20,800 --> 00:20:23,520
Speaker 3: The casting to choose someone that could literally stand there

449
00:20:23,560 --> 00:20:24,800
Speaker 3: the whole movie and.

450
00:20:24,880 --> 00:20:30,320
Speaker 1: Not say anything. So who's from Atlanta and very vocal.

451
00:20:30,640 --> 00:20:32,840
Speaker 1: And we're sitting there and when I seen Krim on

452
00:20:32,840 --> 00:20:36,240
Speaker 1: the screen, she just starts talking to Ruth. She said, so,

453
00:20:36,280 --> 00:20:38,160
Speaker 1: this bitch really thinks she with Joey in the movie

454
00:20:38,160 --> 00:20:41,960
Speaker 1: because she's talking about he like everybody. Then we wait

455
00:20:42,200 --> 00:20:49,960
Speaker 1: fifty five minute to get that and get it together.

456
00:20:51,840 --> 00:20:53,560
Speaker 1: I know that.

457
00:20:55,119 --> 00:20:58,040
Speaker 3: That car when you first when you first thought you

458
00:20:58,080 --> 00:21:00,000
Speaker 3: did a good job, like yeah, but you better look

459
00:21:00,160 --> 00:21:02,119
Speaker 3: that finess man because we all would have looked at him.

460
00:21:01,960 --> 00:21:05,359
Speaker 1: That way too. I'm ignoring. We're gonna first that we're talking.

461
00:21:05,440 --> 00:21:08,760
Speaker 1: By the way, for anybody watching her, search this clip

462
00:21:08,840 --> 00:21:11,560
Speaker 1: so you could just see what we saw. Baby, I

463
00:21:11,640 --> 00:21:13,680
Speaker 1: don't I hate a saw by now. Honestly, I thought

464
00:21:13,720 --> 00:21:16,280
Speaker 1: I was pregnant when I watched it. I felt it

465
00:21:16,440 --> 00:21:19,400
Speaker 1: growing inside of me. Me and miracles gonna be baby,

466
00:21:19,400 --> 00:21:22,879
Speaker 1: bother to keel you wait, no shirt on it. And

467
00:21:22,960 --> 00:21:24,600
Speaker 1: he building a house.

468
00:21:25,160 --> 00:21:28,560
Speaker 3: He's building a hame Ma and giving our cards and jobs.

469
00:21:28,880 --> 00:21:33,040
Speaker 3: I'm here for it. Shout out to the writers of Ruth, because.

470
00:21:32,840 --> 00:21:34,119
Speaker 1: Baby, I'm gonna hold you.

471
00:21:34,119 --> 00:21:36,040
Speaker 3: I wouldn't want my nigga being displayed at such a

472
00:21:36,040 --> 00:21:36,960
Speaker 3: wonderful man on TV.

473
00:21:37,359 --> 00:21:39,720
Speaker 1: Make my nigga like Michael Eely in the in the

474
00:21:39,760 --> 00:21:44,720
Speaker 1: movies so everyone hates him if my man looks that good.

475
00:21:45,119 --> 00:21:47,280
Speaker 3: I needed you to be casted as a Michael eey

476
00:21:47,359 --> 00:21:49,600
Speaker 3: and everything you played wait because I want women to

477
00:21:49,640 --> 00:21:51,000
Speaker 3: be showing it.

478
00:21:51,200 --> 00:21:53,959
Speaker 1: And he was looking stressed. What was it? He was like,

479
00:21:54,240 --> 00:21:55,720
Speaker 1: what was the film he was in? It? Was it

480
00:21:55,720 --> 00:21:59,080
Speaker 1: a short film? Distance Strangers? Was it Two Distinct Strangers?

481
00:21:59,080 --> 00:22:02,119
Speaker 1: And he was running some It was like it was

482
00:22:02,200 --> 00:22:04,160
Speaker 1: running It wasn't didn't you play in a movie?

483
00:22:04,200 --> 00:22:08,080
Speaker 2: I think that's what you're talking about. Yes, it kept replaying. Yeah, yeah,

484
00:22:08,200 --> 00:22:08,760
Speaker 2: the short film.

485
00:22:08,840 --> 00:22:10,960
Speaker 1: I remember watching that thing. And you're like, we need

486
00:22:11,000 --> 00:22:14,720
Speaker 1: to see him in a happy Food. I'm like, okay,

487
00:22:14,840 --> 00:22:17,280
Speaker 1: nobody found like this dressed out hold on girl, now,

488
00:22:17,560 --> 00:22:21,159
Speaker 1: no dressed to you see? Once she got in the club,

489
00:22:21,320 --> 00:22:23,399
Speaker 1: she was out there. You need to see her in

490
00:22:23,400 --> 00:22:23,800
Speaker 1: a dreams.

491
00:22:23,800 --> 00:22:26,000
Speaker 3: Well, speaking about the club, you were put on the spot,

492
00:22:26,080 --> 00:22:28,480
Speaker 3: so I'm putting you on the spot for Dare and

493
00:22:28,520 --> 00:22:31,600
Speaker 3: we're making it a little sexy. Okay, So for Deer,

494
00:22:32,520 --> 00:22:36,479
Speaker 3: I need you to improvise, because you're a singer, a

495
00:22:36,560 --> 00:22:39,440
Speaker 3: fifteen second seem me R and B hook using three

496
00:22:39,560 --> 00:22:42,520
Speaker 3: random words that we're gonna throw at you. I'm gonna

497
00:22:42,560 --> 00:22:46,000
Speaker 3: start and I'm just gonna throw out roads because it

498
00:22:46,040 --> 00:22:47,680
Speaker 3: could mean a nice rose or the rose you put

499
00:22:47,720 --> 00:22:49,920
Speaker 3: on your clip. You give me one more word, and

500
00:22:49,920 --> 00:22:51,160
Speaker 3: then I'm gonna give her another word.

501
00:22:51,359 --> 00:22:52,840
Speaker 1: Oh my god, oh yeah.

502
00:22:52,840 --> 00:22:55,080
Speaker 3: And then you got to somehow right twine them intead

503
00:22:55,200 --> 00:23:00,159
Speaker 3: this slow slow, and then the last one milk, like.

504
00:23:00,119 --> 00:23:01,280
Speaker 1: I almost picked because.

505
00:23:01,760 --> 00:23:06,200
Speaker 3: Slow milk, I mean god, okay, okay, And you could

506
00:23:06,240 --> 00:23:07,879
Speaker 3: sing it or you could give it like a poem,

507
00:23:08,119 --> 00:23:09,920
Speaker 3: either one, because we're gonna get you some poems later.

508
00:23:10,800 --> 00:23:11,159
Speaker 2: Okay.

509
00:23:13,400 --> 00:23:15,720
Speaker 3: I feel like I should have given you a little instrumental.

510
00:23:16,080 --> 00:23:19,040
Speaker 1: I wasn't one of those kids in the room. This

511
00:23:19,160 --> 00:23:23,280
Speaker 1: is given freestyle, free style. No no, no, wait, it's

512
00:23:23,680 --> 00:23:24,240
Speaker 1: not terrible.

513
00:23:24,520 --> 00:23:29,240
Speaker 2: Okay, okay, cool so rose, milk and slow mm hmm

514
00:23:29,480 --> 00:23:36,840
Speaker 2: and action mmm. Okay, give me a little beat, little

515
00:23:36,920 --> 00:23:37,920
Speaker 2: little tempo.

516
00:23:37,840 --> 00:23:38,199
Speaker 1: You know what.

517
00:23:38,359 --> 00:23:40,560
Speaker 3: Actually I'm go on, go ahead, go ahead, just snap,

518
00:23:40,720 --> 00:23:41,200
Speaker 3: there we go.

519
00:23:41,440 --> 00:23:45,840
Speaker 2: I'm gonna use my roads mm and he gonna do

520
00:23:45,960 --> 00:23:53,520
Speaker 2: something sweet to me. Gonna get that milk kinne uh,

521
00:23:54,400 --> 00:23:55,439
Speaker 2: milk kanne?

522
00:23:55,840 --> 00:23:56,680
Speaker 1: What's that? Other words?

523
00:23:58,400 --> 00:23:58,919
Speaker 2: You go.

524
00:24:00,640 --> 00:24:01,040
Speaker 1: The last?

525
00:24:01,400 --> 00:24:03,880
Speaker 2: So you got this, come out, we go this gad Okay,

526
00:24:04,640 --> 00:24:09,240
Speaker 2: I'm gonna use my ROAs and you're gonna do something

527
00:24:09,280 --> 00:24:19,239
Speaker 2: sweet to me, making it milk gays, some sweet fummy, uh,

528
00:24:19,960 --> 00:24:21,280
Speaker 2: some sweet fummy.

529
00:24:23,240 --> 00:24:24,760
Speaker 1: I'm gonna need my road.

530
00:24:26,560 --> 00:24:32,399
Speaker 2: And it's gonna be real good to me. I'm like, yeah, ol, gay.

531
00:24:33,520 --> 00:24:36,800
Speaker 1: Slow, I forgot about class.

532
00:24:36,840 --> 00:24:39,560
Speaker 3: Okay, okay, that was great, beautiful you did that.

533
00:24:39,880 --> 00:24:41,119
Speaker 1: I'm like, well, were we gonna do.

534
00:24:41,600 --> 00:24:45,119
Speaker 3: We're gonna we're gonna go slow with the rose.

535
00:24:45,640 --> 00:24:49,080
Speaker 1: It's gonna gonna go roll. I think I said no.

536
00:24:49,160 --> 00:24:51,240
Speaker 2: I didn't say slow, no, but you could have roast.

537
00:24:51,240 --> 00:24:52,800
Speaker 2: I was feeling the slow and the tempo.

538
00:24:53,080 --> 00:24:54,480
Speaker 1: Get in that giving great.

539
00:24:57,320 --> 00:25:00,639
Speaker 3: Milky rose, milk saf milk and honey bee. I like

540
00:25:00,720 --> 00:25:02,640
Speaker 3: it because I literally just said you could put Mike's

541
00:25:02,680 --> 00:25:03,800
Speaker 3: honey on anything.

542
00:25:03,920 --> 00:25:06,920
Speaker 2: That was actually are great words no, see because it

543
00:25:07,119 --> 00:25:09,359
Speaker 2: was giving like jingle for the rose.

544
00:25:11,400 --> 00:25:13,879
Speaker 1: Literally, you know this is not who really made the

545
00:25:14,000 --> 00:25:16,200
Speaker 1: roads because aren't they all t move Like, who is

546
00:25:16,280 --> 00:25:19,600
Speaker 1: the rose originator? No idea? You know, I think who

547
00:25:19,640 --> 00:25:21,240
Speaker 1: it really is? The Womanizer?

548
00:25:21,800 --> 00:25:25,680
Speaker 3: Oh I love the woman, give me a little suction. No,

549
00:25:25,840 --> 00:25:27,359
Speaker 3: it's not back in the day. They're still big and

550
00:25:27,440 --> 00:25:27,960
Speaker 3: they still.

551
00:25:28,640 --> 00:25:30,080
Speaker 1: Came out like ten years ago. And it was the

552
00:25:30,200 --> 00:25:33,000
Speaker 1: first like suction suction for the claturists.

553
00:25:33,200 --> 00:25:33,440
Speaker 2: Wow.

554
00:25:33,520 --> 00:25:35,159
Speaker 3: And then suddenly the Rose came out and I was like,

555
00:25:35,280 --> 00:25:37,240
Speaker 3: ain't this just I'm here for the woman, give me

556
00:25:37,240 --> 00:25:41,280
Speaker 3: a little Discount's.

557
00:25:39,440 --> 00:25:43,000
Speaker 1: The twenty twenty five Womanizer? You know I love a rose? Girl?

558
00:25:43,040 --> 00:25:46,480
Speaker 1: Are you No? I don't like the suction though.

559
00:25:48,080 --> 00:25:50,760
Speaker 3: It's a little too small. Oh no, shout out to uh,

560
00:25:51,160 --> 00:25:52,720
Speaker 3: shout out to girls gotta eat.

561
00:25:52,920 --> 00:25:53,240
Speaker 1: You know what.

562
00:25:53,480 --> 00:25:56,720
Speaker 3: I they have their sectory brand, and baby, I was mad.

563
00:25:56,800 --> 00:25:58,920
Speaker 3: I was on the plane like, fuck, I ain't pack it.

564
00:25:59,600 --> 00:26:01,320
Speaker 3: I got mad that I ain't pack it.

565
00:26:01,600 --> 00:26:04,480
Speaker 2: You know what? The Rose is crazy. Let's just let's

566
00:26:04,560 --> 00:26:07,680
Speaker 2: just be honest. But why I mean it's crazy. I

567
00:26:07,760 --> 00:26:11,960
Speaker 2: feel like it's super overstimulating. Oh but in a way

568
00:26:12,359 --> 00:26:14,960
Speaker 2: in the way let me let me cook. Okay, I've

569
00:26:14,960 --> 00:26:18,359
Speaker 2: seen this headline that said that it might let me

570
00:26:18,440 --> 00:26:19,200
Speaker 2: not talk about.

571
00:26:18,960 --> 00:26:23,600
Speaker 1: The road, go ahead, what the destigmatize? Yeah that I said,

572
00:26:25,440 --> 00:26:27,920
Speaker 1: and I'm talking about some Yeah it does. So the

573
00:26:28,040 --> 00:26:30,920
Speaker 1: issue with the rose, much like any other person that's

574
00:26:31,000 --> 00:26:35,399
Speaker 1: like masturbating too much, is the amount of friction that's being.

575
00:26:35,320 --> 00:26:38,280
Speaker 3: Why we don't get desensitized from dick then, because there's

576
00:26:38,320 --> 00:26:39,120
Speaker 3: not that much friction.

577
00:26:40,640 --> 00:26:41,960
Speaker 1: So you have to think like you don't.

578
00:26:41,840 --> 00:26:45,840
Speaker 3: Get desensitized inside, just on the outside because there's.

579
00:26:45,600 --> 00:26:48,239
Speaker 1: Like seven thousand nerves on their dirves. Right, So when

580
00:26:48,280 --> 00:26:51,280
Speaker 1: I seen that, I was and a dick can't go

581
00:26:51,600 --> 00:26:54,080
Speaker 1: like that's way too strong. And another thing I was

582
00:26:54,160 --> 00:26:58,520
Speaker 1: reading women are having to edge themselves to have an orgasm.

583
00:26:58,640 --> 00:27:00,679
Speaker 1: I'm not even trying to be scientific. We gotta get

584
00:27:00,720 --> 00:27:03,760
Speaker 1: rid of the roses. Now we're about to enter a

585
00:27:03,880 --> 00:27:06,280
Speaker 1: world away. They don't want us to have partners.

586
00:27:07,320 --> 00:27:10,239
Speaker 3: I'm waiting for the robots, bitch, I'm on phone niggas now,

587
00:27:10,240 --> 00:27:12,080
Speaker 3: I'm waiting for the aliens in the robots. I'm a

588
00:27:12,920 --> 00:27:16,439
Speaker 3: whole little NBA squads of all the things that are

589
00:27:16,480 --> 00:27:19,480
Speaker 3: optional tizes. Now, I did want to get into some

590
00:27:19,600 --> 00:27:23,119
Speaker 3: relationship talk. We have a segment where we react to

591
00:27:23,400 --> 00:27:26,280
Speaker 3: something we found online. Okay, I saw this online from

592
00:27:26,560 --> 00:27:30,040
Speaker 3: one of my favorite favorite favorite content creators online, and

593
00:27:30,640 --> 00:27:34,240
Speaker 3: I one hundred percent I'm gonna pause because I want

594
00:27:34,280 --> 00:27:37,080
Speaker 3: to see if you guys agree or disagree, because y'all

595
00:27:37,119 --> 00:27:38,280
Speaker 3: both got one nigga, I got a lot.

596
00:27:38,359 --> 00:27:39,320
Speaker 1: But we're gonna see how this go.

597
00:27:40,600 --> 00:27:43,359
Speaker 4: So here here's got Before you decide to spend the

598
00:27:43,359 --> 00:27:45,440
Speaker 4: rest of your life with someone, make sure you've broken

599
00:27:45,520 --> 00:27:45,920
Speaker 4: up at.

600
00:27:45,880 --> 00:27:49,639
Speaker 1: Least one time. Agree. I think it's a good lesson.

601
00:27:49,840 --> 00:27:53,080
Speaker 4: Yes, a breakup reveals true character, Like when you're in

602
00:27:53,119 --> 00:27:54,160
Speaker 4: a relationship.

603
00:27:53,720 --> 00:27:55,720
Speaker 1: You're not showing who you really are, you're being your

604
00:27:55,960 --> 00:27:56,639
Speaker 1: best version of you.

605
00:27:56,800 --> 00:27:58,720
Speaker 4: Yes, with's a quote like if you don't like me

606
00:27:58,800 --> 00:28:00,680
Speaker 4: and my worst and then deserve me at my best, Well,

607
00:28:00,720 --> 00:28:02,640
Speaker 4: you don't know what the worst is, so you gotta

608
00:28:02,720 --> 00:28:04,200
Speaker 4: kind of know what the worst.

609
00:28:04,119 --> 00:28:06,280
Speaker 1: Is, especially if you're planning to get married. Yes till

610
00:28:06,320 --> 00:28:07,040
Speaker 1: death do a spart.

611
00:28:07,160 --> 00:28:09,440
Speaker 2: Okay, So when breaking up with this person, you can't

612
00:28:09,480 --> 00:28:11,320
Speaker 2: go into it being like I'm gonna do the test.

613
00:28:11,720 --> 00:28:14,840
Speaker 1: Yeah yeah, because that is what I would call it manipulative.

614
00:28:16,040 --> 00:28:18,120
Speaker 1: You cannot present it as the test.

615
00:28:18,320 --> 00:28:18,880
Speaker 3: Yeah yeah.

616
00:28:18,920 --> 00:28:21,240
Speaker 1: But if you get into a really big fight, Yes,

617
00:28:21,440 --> 00:28:23,439
Speaker 1: there's a little window. You see the windows the window,

618
00:28:23,600 --> 00:28:26,000
Speaker 1: and they go, maybe we should break up. Yeah. Usually

619
00:28:26,040 --> 00:28:27,760
Speaker 1: you go, no, we shouldn't break up, let's fix it.

620
00:28:28,119 --> 00:28:30,240
Speaker 1: Let each other. I think at that point you go

621
00:28:30,480 --> 00:28:34,040
Speaker 1: all right, yeah, you go all right, just like a week,

622
00:28:34,119 --> 00:28:36,520
Speaker 1: well hopefully yeah, because you might learn, like you know what,

623
00:28:36,880 --> 00:28:37,479
Speaker 1: I'm better off?

624
00:28:37,680 --> 00:28:40,880
Speaker 4: Or do they start posting you know Andrew's eight videos

625
00:28:40,960 --> 00:28:43,240
Speaker 4: with the caption the wolf is back on the hunt.

626
00:28:43,400 --> 00:28:44,040
Speaker 3: That's a bad guy.

627
00:28:44,160 --> 00:28:46,360
Speaker 1: Poop in your shoe? Who knows? That's a bad woman.

628
00:28:46,440 --> 00:28:48,640
Speaker 4: That's a bad woman or man? Men can poop in

629
00:28:48,640 --> 00:28:49,200
Speaker 4: air force once.

630
00:28:49,360 --> 00:28:51,080
Speaker 1: Are you married? I am married? Did you break up?

631
00:28:51,160 --> 00:28:53,280
Speaker 1: We have broken up? How many times? Like two? I'm

632
00:28:53,280 --> 00:28:54,960
Speaker 1: married too, And how many times you break up? I

633
00:28:55,000 --> 00:28:56,280
Speaker 1: think I broke up like ten times.

634
00:28:56,320 --> 00:28:58,120
Speaker 4: And that's how you know, like you both have seen

635
00:28:58,240 --> 00:28:59,760
Speaker 4: each other at your absolute worst.

636
00:29:00,600 --> 00:29:04,400
Speaker 1: I can't quit you. What's the thing?

637
00:29:06,480 --> 00:29:08,240
Speaker 4: How do you dodge a bullet if no one fires

638
00:29:08,280 --> 00:29:08,560
Speaker 4: the gun?

639
00:29:10,920 --> 00:29:16,960
Speaker 3: Wow, So you've been in a few year relationship, now

640
00:29:17,240 --> 00:29:20,960
Speaker 3: you are now engaged in a new mother. Congratulations. But

641
00:29:21,040 --> 00:29:23,120
Speaker 3: I want to ask both of you, and and I'll

642
00:29:23,160 --> 00:29:25,200
Speaker 3: include myself because I've had a long term relationship. But

643
00:29:25,320 --> 00:29:27,040
Speaker 3: I clearly don't count we not married and we broke

644
00:29:27,080 --> 00:29:29,480
Speaker 3: up thirteen times that we're no longer together. But I

645
00:29:29,560 --> 00:29:31,840
Speaker 3: want to ask both of you if you genuinely feel

646
00:29:32,640 --> 00:29:34,880
Speaker 3: two questions here. Do you agree with the clip? Do

647
00:29:34,920 --> 00:29:37,240
Speaker 3: you believe you don't know someone until you've broken up

648
00:29:37,280 --> 00:29:38,200
Speaker 3: with them a couple of times?

649
00:29:38,760 --> 00:29:41,560
Speaker 1: And also do you believe that in order.

650
00:29:41,440 --> 00:29:44,480
Speaker 3: To see someone's true character it takes breaking up with

651
00:29:44,560 --> 00:29:45,880
Speaker 3: them to see them in a different light.

652
00:29:46,600 --> 00:29:49,600
Speaker 1: Sorry, your face was shocked by some of the things.

653
00:29:49,640 --> 00:29:52,000
Speaker 3: So I'll start with you, like, do I spill my

654
00:29:52,080 --> 00:29:56,440
Speaker 3: own team? So yeah, Like, how what are your thoughts

655
00:29:56,480 --> 00:29:56,880
Speaker 3: on the clip?

656
00:29:56,920 --> 00:29:58,920
Speaker 1: And do you agree with with anything else? Okay? So

657
00:29:59,400 --> 00:30:04,520
Speaker 1: I do a agree with the sentiment? Okay, because because.

658
00:30:04,360 --> 00:30:06,280
Speaker 2: I don't know about how long you're going to be

659
00:30:06,320 --> 00:30:08,000
Speaker 2: broken up, but I feel like to get to a

660
00:30:08,080 --> 00:30:09,959
Speaker 2: point where you feel like you want to break up.

661
00:30:10,240 --> 00:30:11,040
Speaker 1: Both people are.

662
00:30:11,040 --> 00:30:15,840
Speaker 2: Being very one hundred percent like real and open like

663
00:30:16,040 --> 00:30:19,960
Speaker 2: because there's gonna be friction. Sometimes, there's gonna be disagreements,

664
00:30:20,080 --> 00:30:22,360
Speaker 2: there's gonna be things that, like you said, traumas and

665
00:30:22,400 --> 00:30:23,400
Speaker 2: things that come up that it's like.

666
00:30:23,440 --> 00:30:25,800
Speaker 1: Look, I can't do it around here.

667
00:30:25,880 --> 00:30:28,160
Speaker 2: Okay, But if it's like I'm out of here and

668
00:30:28,240 --> 00:30:30,960
Speaker 2: you cannot get out of there. Then I feel like

669
00:30:31,200 --> 00:30:32,160
Speaker 2: I feel what they're saying.

670
00:30:32,440 --> 00:30:32,600
Speaker 1: Now.

671
00:30:33,120 --> 00:30:36,520
Speaker 2: I have never broken up with someone for like, let's

672
00:30:36,560 --> 00:30:39,000
Speaker 2: break up, let's take a break and come back. I've

673
00:30:39,080 --> 00:30:42,080
Speaker 2: never done that. I don't know about that, so that part,

674
00:30:42,160 --> 00:30:44,680
Speaker 2: I'm not sure. Or even breaking up to get right

675
00:30:44,760 --> 00:30:47,000
Speaker 2: back together the next week, I've never done that. But

676
00:30:47,880 --> 00:30:50,239
Speaker 2: I've definitely been to a point where I'm like, I'm

677
00:30:50,280 --> 00:30:52,120
Speaker 2: about to go crazy, like I can't do this anymore.

678
00:30:52,560 --> 00:30:56,000
Speaker 2: And I feel like that does essentially I understand what

679
00:30:56,040 --> 00:30:58,680
Speaker 2: they're saying, Like to get to that point, I feel

680
00:30:58,720 --> 00:31:03,239
Speaker 2: like you're at it's enough to like everyone's showing their

681
00:31:03,240 --> 00:31:06,000
Speaker 2: true colors. Yeah, so it's like, okay, if you proceed

682
00:31:06,120 --> 00:31:07,960
Speaker 2: after that, then we're really in it.

683
00:31:08,720 --> 00:31:10,120
Speaker 1: Were really in this now?

684
00:31:10,160 --> 00:31:13,680
Speaker 3: What's the difference between seeing it all and deciding to

685
00:31:13,800 --> 00:31:16,920
Speaker 3: say and then when it's over, it's like, damn, I

686
00:31:16,960 --> 00:31:19,760
Speaker 3: should have left back when I left back then, like

687
00:31:19,880 --> 00:31:22,120
Speaker 3: because we have a child here. In the book, Weezy

688
00:31:22,160 --> 00:31:24,959
Speaker 3: wrote one about staying too long in a relationship right,

689
00:31:25,400 --> 00:31:28,200
Speaker 3: So to me, if you don't broken up like Kareem says,

690
00:31:28,520 --> 00:31:32,360
Speaker 3: he broke up with his wife ten times before getting together,

691
00:31:32,960 --> 00:31:36,440
Speaker 3: Like if the marriage doesn't last, do you not look

692
00:31:36,480 --> 00:31:38,400
Speaker 3: back and be like, damn, I should have really left

693
00:31:38,440 --> 00:31:41,440
Speaker 3: at time number four right when it's breaking up with

694
00:31:41,520 --> 00:31:43,880
Speaker 3: someone too much to where if you keep going back

695
00:31:43,960 --> 00:31:46,960
Speaker 3: at this point, it just y'all shouldn't be together?

696
00:31:47,120 --> 00:31:47,760
Speaker 1: Why?

697
00:31:48,480 --> 00:31:52,160
Speaker 2: Right? But which is why I don't like the real

698
00:31:52,280 --> 00:31:56,720
Speaker 2: aspect of like really breaking up and then getting back together,

699
00:31:56,840 --> 00:32:00,400
Speaker 2: because I feel like things happen in the interim and

700
00:32:00,720 --> 00:32:02,200
Speaker 2: people get mad at what what happened.

701
00:32:02,240 --> 00:32:06,560
Speaker 3: That's actually what makes me hate this takes.

702
00:32:05,120 --> 00:32:07,680
Speaker 2: Because because we want to what happened in that week,

703
00:32:07,720 --> 00:32:09,960
Speaker 2: in that month, a week yeap, oh yeah, don't do

704
00:32:10,040 --> 00:32:12,720
Speaker 2: that because you're gonna but broken up.

705
00:32:13,000 --> 00:32:18,120
Speaker 3: I'm finna go see somebody. No no men want us

706
00:32:18,920 --> 00:32:20,320
Speaker 3: when they say were breaking up?

707
00:32:20,640 --> 00:32:22,880
Speaker 1: What's a cry for the whole week? And then get mad?

708
00:32:22,960 --> 00:32:24,680
Speaker 1: When do you first?

709
00:32:24,760 --> 00:32:24,920
Speaker 2: Off?

710
00:32:25,040 --> 00:32:27,040
Speaker 3: You know, do you know all I have to do

711
00:32:27,320 --> 00:32:30,560
Speaker 3: was re upload signal, Snapchat, opened the DM.

712
00:32:32,200 --> 00:32:36,600
Speaker 1: That's why we're talking, girl. That's where I drugs from. Okay, well,

713
00:32:36,640 --> 00:32:40,080
Speaker 1: it's also where it's hitting app. I like like if

714
00:32:40,080 --> 00:32:42,120
Speaker 1: my mushroom man is gonna come to the house, it's

715
00:32:42,160 --> 00:32:42,760
Speaker 1: all signal.

716
00:32:42,920 --> 00:32:44,840
Speaker 3: Well, if it's Dick about to come to the house,

717
00:32:44,880 --> 00:32:45,800
Speaker 3: it's on signal too.

718
00:32:46,000 --> 00:32:49,240
Speaker 1: That gotta be a real famous Dick. I like famous Dick.

719
00:32:50,440 --> 00:32:54,880
Speaker 3: But for me, it's it's interesting because I don't like

720
00:32:54,960 --> 00:32:58,440
Speaker 3: that take either. Like, to me, the person who you're

721
00:32:58,560 --> 00:33:00,800
Speaker 3: with should be the person of who you're with when

722
00:33:00,840 --> 00:33:02,960
Speaker 3: y'all are together, Like, I don't think you should be

723
00:33:03,040 --> 00:33:05,320
Speaker 3: breaking up with someone and then judging them by how

724
00:33:05,320 --> 00:33:05,880
Speaker 3: they're existing.

725
00:33:05,960 --> 00:33:08,200
Speaker 1: But that's their point. This isn't. Yeah, I don't think.

726
00:33:08,200 --> 00:33:10,400
Speaker 1: I really hate this take, and I totally disagree. You

727
00:33:10,520 --> 00:33:13,400
Speaker 1: totally disagree. Mainly I as I shall not have to

728
00:33:13,480 --> 00:33:16,400
Speaker 1: be separated for true colors. There are so many things

729
00:33:16,440 --> 00:33:19,760
Speaker 1: in life that will show you who someone is. Pain, struggle,

730
00:33:20,080 --> 00:33:24,520
Speaker 1: someone losing a job, correct a depression. I would even

731
00:33:24,520 --> 00:33:26,680
Speaker 1: go as far to say grieving when you're seeing someone

732
00:33:26,720 --> 00:33:29,080
Speaker 1: at their worst, that is when you can tell who you're.

733
00:33:28,960 --> 00:33:31,360
Speaker 3: With, not only not only the worst. What I want

734
00:33:31,400 --> 00:33:34,400
Speaker 3: a reference because two out of three of y'all are

735
00:33:34,440 --> 00:33:37,400
Speaker 3: in this room right now. So this man sitting over

736
00:33:37,480 --> 00:33:40,800
Speaker 3: here behind me with myth he said that you don't

737
00:33:41,000 --> 00:33:44,160
Speaker 3: know somebody, you don't know their character, you don't really know.

738
00:33:44,160 --> 00:33:47,160
Speaker 1: Who they are for a year now. I did look

739
00:33:47,200 --> 00:33:49,480
Speaker 1: in the in the Google though, I did see that

740
00:33:49,800 --> 00:33:50,720
Speaker 1: you and Joey met.

741
00:33:50,600 --> 00:33:52,440
Speaker 3: Through a mutual friend a twenty twenty one didn't really

742
00:33:52,440 --> 00:33:53,720
Speaker 3: come public to twenty twenty three.

743
00:33:53,920 --> 00:33:56,080
Speaker 1: Yeah, so I love to put his little theory to

744
00:33:56,120 --> 00:34:00,040
Speaker 1: the test. Yes, I'm talking about you, Wolf, Wolf. Do

745
00:34:00,120 --> 00:34:02,200
Speaker 1: you still stand on to this day, at this very

746
00:34:02,280 --> 00:34:03,960
Speaker 1: moment that it takes a year to date someone and

747
00:34:04,040 --> 00:34:10,920
Speaker 1: then I'm coming to some riot. You're willing, You're willing,

748
00:34:12,200 --> 00:34:14,000
Speaker 1: you know, so I bet you she was sick of

749
00:34:14,480 --> 00:34:16,759
Speaker 1: look at her face, so he says it. So they're

750
00:34:16,840 --> 00:34:20,359
Speaker 1: not even it's altogether. No, No, they're not together. They're

751
00:34:20,360 --> 00:34:21,680
Speaker 1: probably doing all the together.

752
00:34:21,400 --> 00:34:23,759
Speaker 3: Ship just but he said he ain't gonna he ain't

753
00:34:23,760 --> 00:34:27,239
Speaker 3: gonna make it official for the person you take for

754
00:34:27,280 --> 00:34:32,280
Speaker 3: you to be like, yeah, isn't from Brooklyn.

755
00:34:32,520 --> 00:34:35,400
Speaker 2: Yeah, but I feel like he was like, yeah, it

756
00:34:35,560 --> 00:34:38,919
Speaker 2: was like six months, six months, Okay, that was maybe

757
00:34:39,440 --> 00:34:43,920
Speaker 2: like five to six months maybe okay, And then I want.

758
00:34:43,760 --> 00:34:45,239
Speaker 3: To ask you, at what point did you feel like

759
00:34:45,680 --> 00:34:49,279
Speaker 3: you knew him in terms of because back to the video,

760
00:34:49,760 --> 00:34:51,319
Speaker 3: it says it takes a few times to break up

761
00:34:51,320 --> 00:34:52,200
Speaker 3: before you know their character.

762
00:34:52,440 --> 00:34:54,640
Speaker 2: How long do you think I love my honey? He

763
00:34:55,160 --> 00:34:59,759
Speaker 2: I knew him the whole time period. Everything is up front,

764
00:35:00,000 --> 00:35:03,400
Speaker 2: everything is what it is. So yeah, you know what,

765
00:35:03,600 --> 00:35:07,080
Speaker 2: I didn't have to go with the whole Yeah there

766
00:35:07,160 --> 00:35:10,480
Speaker 2: was that. Yeah, yeah, there was no pressure. I didn't

767
00:35:10,719 --> 00:35:13,840
Speaker 2: put pressure on him either. Okay, we were just hanging

768
00:35:13,920 --> 00:35:17,080
Speaker 2: out and I feel like things that I grew to

769
00:35:17,239 --> 00:35:18,000
Speaker 2: know about him.

770
00:35:20,200 --> 00:35:21,720
Speaker 1: It was just very open.

771
00:35:22,280 --> 00:35:25,040
Speaker 3: Maybe see it's giving soraya saying ladies go with the flow.

772
00:35:25,880 --> 00:35:29,200
Speaker 3: It could end with a ringing a baby, I mean five,

773
00:35:29,600 --> 00:35:32,600
Speaker 3: getting in a relationship that's not flow right on time?

774
00:35:33,040 --> 00:35:35,960
Speaker 1: Yo, ass I think timing. I think tim timing matters,

775
00:35:36,000 --> 00:35:37,360
Speaker 1: but also like who is it right?

776
00:35:37,440 --> 00:35:41,320
Speaker 2: Do y'all have chemistry? Like not forcing anything? Right? Like

777
00:35:41,440 --> 00:35:44,200
Speaker 2: there are a lot of different factors. I feel like too,

778
00:35:44,640 --> 00:35:46,600
Speaker 2: And if you feel I feel like, if you feel

779
00:35:46,640 --> 00:35:49,360
Speaker 2: like you have to go a year, I feel like

780
00:35:49,440 --> 00:35:52,400
Speaker 2: that person's a little closed off or maybe they're not ready.

781
00:35:52,440 --> 00:35:54,000
Speaker 1: I actually think it kind of proves that you're not

782
00:35:54,080 --> 00:35:57,040
Speaker 1: that sure about them, which is hurtful, right, so correct

783
00:35:57,440 --> 00:35:59,920
Speaker 1: to me when it goes beyond that six month three

784
00:36:00,120 --> 00:36:02,360
Speaker 1: and just like, oh so you want me to be

785
00:36:02,400 --> 00:36:05,040
Speaker 1: out here. You're not sure about me for real, so

786
00:36:05,160 --> 00:36:07,040
Speaker 1: that means I should be weighing out my options too,

787
00:36:07,400 --> 00:36:10,040
Speaker 1: But god forbid, I do weigh out my options because

788
00:36:10,040 --> 00:36:13,080
Speaker 1: then he's like, I gotcha, you're not so like that

789
00:36:13,239 --> 00:36:15,960
Speaker 1: part is kind of tricky, and to me, the thing

790
00:36:16,080 --> 00:36:18,120
Speaker 1: I don't like about the breakup part either, is that

791
00:36:19,280 --> 00:36:21,800
Speaker 1: we don't do it with real intention. Everyone does it

792
00:36:21,880 --> 00:36:23,680
Speaker 1: to like make the other one mad and hold you

793
00:36:23,719 --> 00:36:25,920
Speaker 1: accountable for whatever happened in that time. Yeah, No, I

794
00:36:25,960 --> 00:36:28,880
Speaker 1: don't like. That's what's really hard about this with the breakups.

795
00:36:28,920 --> 00:36:31,040
Speaker 1: I also think ten times, to me, that shows you

796
00:36:32,160 --> 00:36:34,239
Speaker 1: that you're just You're just saying when you're angry, you

797
00:36:34,360 --> 00:36:36,759
Speaker 1: really don't have conflict resolution. Yeah, because how are you

798
00:36:36,800 --> 00:36:39,239
Speaker 1: getting to that many breakups? Like, yeah, you know what

799
00:36:39,280 --> 00:36:41,400
Speaker 1: I'm saying, to be married to someone you're breaking up,

800
00:36:41,560 --> 00:36:43,839
Speaker 1: I mean it could be a narcissist, you know. Ten times.

801
00:36:44,160 --> 00:36:47,200
Speaker 1: I mean, sorry, I'm sitting here, remember anything ten times.

802
00:36:54,560 --> 00:36:54,719
Speaker 2: Now.

803
00:36:54,880 --> 00:36:58,680
Speaker 3: I do want to tie this back to your new film, Yes,

804
00:36:58,960 --> 00:37:04,319
Speaker 3: because I think there's a difference between timing and persistence

805
00:37:04,520 --> 00:37:06,320
Speaker 3: and people being delusional at.

806
00:37:06,239 --> 00:37:07,360
Speaker 1: Who they may be pursuing.

807
00:37:08,040 --> 00:37:11,319
Speaker 3: And for me, it was like, Bo, give it up.

808
00:37:11,480 --> 00:37:13,920
Speaker 3: At one point, I was like, bitch, she is broken.

809
00:37:14,120 --> 00:37:17,520
Speaker 3: Why do you keep trying? And it's crazy because in

810
00:37:17,719 --> 00:37:21,319
Speaker 3: times of I think women do it on the opposite end, right,

811
00:37:21,800 --> 00:37:24,320
Speaker 3: I think we see men who are genuinely not ready

812
00:37:24,440 --> 00:37:29,000
Speaker 3: either mentally, financially, whatever the case may be, for a relationship,

813
00:37:29,360 --> 00:37:32,440
Speaker 3: and as women we still push to pursue something that

814
00:37:32,520 --> 00:37:36,160
Speaker 3: could be. It was interesting seeing Bo be that character

815
00:37:36,760 --> 00:37:41,040
Speaker 3: with Ruth. Do you believe in waiting it out for

816
00:37:41,200 --> 00:37:44,000
Speaker 3: someone to be able to show up as a better person? Like,

817
00:37:44,080 --> 00:37:47,480
Speaker 3: do you think has that worked but before your relationship?

818
00:37:47,560 --> 00:37:47,640
Speaker 2: Now?

819
00:37:47,760 --> 00:37:50,080
Speaker 1: Has that been something that's worked in the past. No,

820
00:37:51,120 --> 00:37:52,160
Speaker 1: because I chose not to.

821
00:37:52,520 --> 00:37:55,719
Speaker 2: I really do feel like, I mean, yeah, if I

822
00:37:55,880 --> 00:37:58,359
Speaker 2: just chose not to wait because I'm like, okay, well,

823
00:37:58,800 --> 00:38:00,560
Speaker 2: I feel like you're the man. If you want to

824
00:38:00,600 --> 00:38:02,840
Speaker 2: be treated like the man and the leader and everything,

825
00:38:03,200 --> 00:38:05,200
Speaker 2: then you need to know what you want and if

826
00:38:05,239 --> 00:38:05,799
Speaker 2: it's not me.

827
00:38:07,400 --> 00:38:09,400
Speaker 1: Then then let me go or I'm just gonna go.

828
00:38:10,560 --> 00:38:13,560
Speaker 1: That's great. I think I'm a love bomber in the

829
00:38:13,640 --> 00:38:18,160
Speaker 1: movie A bit. Well, well, how do you feel I'm

830
00:38:18,160 --> 00:38:18,640
Speaker 1: not gonna hold you?

831
00:38:18,640 --> 00:38:20,799
Speaker 3: I need a part too, because I don't know you'll

832
00:38:20,840 --> 00:38:24,359
Speaker 3: be Michael Eae in a part two. It's given narcissists,

833
00:38:24,520 --> 00:38:27,800
Speaker 3: it's given well, so possible love looking like he was

834
00:38:27,840 --> 00:38:30,360
Speaker 3: from straw and he forty and ain't never been married,

835
00:38:30,920 --> 00:38:33,839
Speaker 3: looking like that, with no key, with all the money

836
00:38:33,920 --> 00:38:34,680
Speaker 3: of judge.

837
00:38:34,680 --> 00:38:35,319
Speaker 1: You build a home.

838
00:38:35,640 --> 00:38:39,640
Speaker 2: So the reason that he feels very perfect, you know,

839
00:38:39,760 --> 00:38:42,440
Speaker 2: and it does emulate it's like a take on the

840
00:38:42,719 --> 00:38:45,239
Speaker 2: biblical story ruzimbo As and.

841
00:38:46,719 --> 00:38:48,320
Speaker 1: So what happened to that?

842
00:38:49,160 --> 00:38:53,160
Speaker 2: So so this is it is a representation of that story,

843
00:38:53,320 --> 00:38:56,719
Speaker 2: which is right. Yeah, so the mother, the mother that

844
00:38:56,840 --> 00:38:59,000
Speaker 2: she follows, well, am I giving it away?

845
00:38:59,320 --> 00:39:01,560
Speaker 1: Okay? Well out, Okay, it's out, Okay cool.

846
00:39:01,760 --> 00:39:06,320
Speaker 2: The mother that she alert that she follows to Pegrum,

847
00:39:06,480 --> 00:39:15,839
Speaker 2: Tennessee also represents like a different place, like it represents

848
00:39:15,920 --> 00:39:19,080
Speaker 2: the story of Ruth on this journey and she does

849
00:39:19,200 --> 00:39:23,280
Speaker 2: get found by Boaz, which is really in the Bible.

850
00:39:23,640 --> 00:39:27,360
Speaker 2: Now I can't tell you exactly where either, but I

851
00:39:27,600 --> 00:39:34,000
Speaker 2: just know that I know from my husband. Yeah, girl,

852
00:39:34,400 --> 00:39:36,840
Speaker 2: I knew where you're going with that same.

853
00:39:39,719 --> 00:39:39,759
Speaker 1: No.

854
00:39:40,000 --> 00:39:42,440
Speaker 2: But but I can say that Ruth and Bawas is

855
00:39:42,480 --> 00:39:46,879
Speaker 2: such a big story, especially in church, and it's something

856
00:39:46,920 --> 00:39:49,279
Speaker 2: that you just hear a lot like that story being

857
00:39:49,320 --> 00:39:52,799
Speaker 2: referred to find your boas or when Ruth was going

858
00:39:52,880 --> 00:39:53,440
Speaker 2: through what she was.

859
00:39:53,400 --> 00:39:54,440
Speaker 1: Going to going through.

860
00:39:54,520 --> 00:39:58,560
Speaker 2: So in the Bible, you know, the man finds findeth

861
00:39:58,840 --> 00:40:00,680
Speaker 2: a wife and not the other way around.

862
00:40:00,719 --> 00:40:03,000
Speaker 1: So I do believe. I do have that core belief

863
00:40:03,239 --> 00:40:03,640
Speaker 1: a little bit.

864
00:40:03,800 --> 00:40:06,279
Speaker 2: I do have that core belief that the man has

865
00:40:06,400 --> 00:40:10,000
Speaker 2: his things in order enough that if he is in

866
00:40:10,120 --> 00:40:13,080
Speaker 2: that position, that he can he can the wife, that

867
00:40:13,200 --> 00:40:14,319
Speaker 2: he can find the wife.

868
00:40:14,320 --> 00:40:16,600
Speaker 3: By the way, if y'all are into religion and shit,

869
00:40:18,800 --> 00:40:21,040
Speaker 3: the Book of Ruth in the Old Testament, also known

870
00:40:21,080 --> 00:40:25,719
Speaker 3: as the Hebrew Bible, this story is only four chapters long.

871
00:40:25,800 --> 00:40:26,359
Speaker 1: Let me find out.

872
00:40:26,360 --> 00:40:30,080
Speaker 3: I could give me a Netflix a wait. Four chapters

873
00:40:30,120 --> 00:40:33,680
Speaker 3: in the Bible is long? Okay, how long is chapters

874
00:40:33,719 --> 00:40:34,160
Speaker 3: in the Bible?

875
00:40:34,200 --> 00:40:35,080
Speaker 1: It's just a hard read.

876
00:40:35,360 --> 00:40:37,839
Speaker 2: No, no, it's it's not long. But she's saying it's

877
00:40:37,840 --> 00:40:39,520
Speaker 2: a hard read because it's four chapters.

878
00:40:39,600 --> 00:40:44,600
Speaker 3: The language is situated between judges and one Samuel look

879
00:40:44,600 --> 00:40:45,600
Speaker 3: at me teaching you all some shit.

880
00:40:46,120 --> 00:40:48,640
Speaker 1: You know. I actually put that in my notes about

881
00:40:48,760 --> 00:40:50,680
Speaker 1: how I kind of like that. There was like a

882
00:40:50,719 --> 00:40:54,520
Speaker 1: little church moment. So I don't know, I'm pretty agnostic.

883
00:40:54,600 --> 00:40:55,960
Speaker 1: I'm the girl that's got a lot of pistols in

884
00:40:56,000 --> 00:40:58,479
Speaker 1: the house and stuff. But I just do like seeing

885
00:40:58,520 --> 00:41:01,520
Speaker 1: young people in religion depicted because I kind of feel

886
00:41:01,640 --> 00:41:03,600
Speaker 1: like I don't need to be religious to know we're

887
00:41:03,640 --> 00:41:06,400
Speaker 1: in a world that's soulless, absolutely, And when I was

888
00:41:06,440 --> 00:41:08,400
Speaker 1: seeing it in the movie and it was still sexy

889
00:41:08,480 --> 00:41:12,520
Speaker 1: and fun and cute, I like seeing that, Like, I

890
00:41:12,600 --> 00:41:14,320
Speaker 1: think we need a little bit more of it, and

891
00:41:14,480 --> 00:41:17,440
Speaker 1: I appreciate that it kind of showed a man with

892
00:41:17,520 --> 00:41:20,200
Speaker 1: certain values. A lot of times when my friends are

893
00:41:20,239 --> 00:41:24,080
Speaker 1: having trouble dating, a constant theme that they see within

894
00:41:24,160 --> 00:41:25,879
Speaker 1: men that they're dating is that they have no faith

895
00:41:25,960 --> 00:41:29,239
Speaker 1: in really anything, Like you don't have to be the

896
00:41:29,280 --> 00:41:30,759
Speaker 1: guy who goes to church every day to just know

897
00:41:30,880 --> 00:41:33,920
Speaker 1: that there's something you value or something you're working towards.

898
00:41:34,239 --> 00:41:38,239
Speaker 1: Even me, you know, I don't go to church and

899
00:41:38,320 --> 00:41:40,200
Speaker 1: I don't really just subscribe to any religion. But I

900
00:41:40,239 --> 00:41:43,520
Speaker 1: remember telling my boyfriend a few days ago, we got

901
00:41:44,320 --> 00:41:45,800
Speaker 1: Jesus is gonna be in this house or something. We

902
00:41:45,880 --> 00:41:47,759
Speaker 1: gotta come up with a name, something.

903
00:41:47,760 --> 00:41:49,960
Speaker 3: The baby's gonna be scared of, people gonna watch you.

904
00:41:50,080 --> 00:41:52,880
Speaker 1: We ain't around like, for real, I really do believe.

905
00:41:52,960 --> 00:41:55,880
Speaker 1: When there's nothing to follow or guide you, or no belief,

906
00:41:56,120 --> 00:41:58,120
Speaker 1: you're kind of lost. And so I think to see

907
00:41:58,160 --> 00:42:00,480
Speaker 1: it a little bit central in the beginning to me,

908
00:42:00,560 --> 00:42:03,279
Speaker 1: what seemed important to them made it kind of nice.

909
00:42:03,440 --> 00:42:06,240
Speaker 1: I really we could look for that without it seeming

910
00:42:06,400 --> 00:42:07,799
Speaker 1: like corny, you know what I mean?

911
00:42:07,920 --> 00:42:10,560
Speaker 2: No, yeah, that's her north Star. And I pick up

912
00:42:10,680 --> 00:42:12,640
Speaker 2: Devon Franklin and Tyler Perry.

913
00:42:12,480 --> 00:42:14,560
Speaker 1: And asked, who was it. I thought his name.

914
00:42:15,239 --> 00:42:18,600
Speaker 2: I meant to bring him as because because he this

915
00:42:18,760 --> 00:42:21,480
Speaker 2: is a faith based movie. But it's not done in

916
00:42:21,560 --> 00:42:24,680
Speaker 2: a way where it's going to come off corny or

917
00:42:24,840 --> 00:42:30,520
Speaker 2: kind of like not for the everyday you know, Netflix viewer.

918
00:42:30,400 --> 00:42:32,440
Speaker 1: You know what I mean. But it also does tie.

919
00:42:32,560 --> 00:42:33,760
Speaker 1: It also commit.

920
00:42:34,840 --> 00:42:39,000
Speaker 3: But waited, I mean I would now I know both

921
00:42:39,000 --> 00:42:41,600
Speaker 3: of y'all got your partners, y'all probably had it. This

922
00:42:41,800 --> 00:42:45,279
Speaker 3: was the easiest to except like Joey Bath don't even

923
00:42:45,320 --> 00:42:46,239
Speaker 3: have to have sex with him on.

924
00:42:46,280 --> 00:42:50,080
Speaker 1: Film Miracle, But I ain't even the old scene. Like,

925
00:42:50,680 --> 00:42:53,520
Speaker 1: but bitch, I was waiting the whole time. I was,

926
00:42:53,800 --> 00:42:57,880
Speaker 1: you know what, attractive can't be attracted to each other?

927
00:42:59,600 --> 00:43:02,719
Speaker 1: But you know what, something but she wasn't hard to

928
00:43:02,920 --> 00:43:06,000
Speaker 1: like do. The intimacy of like, I feel like I

929
00:43:06,040 --> 00:43:08,759
Speaker 1: could have a makeout scene or have sex with someone

930
00:43:08,840 --> 00:43:13,239
Speaker 1: on camera, rather than the intensity of like I gazing that,

931
00:43:13,520 --> 00:43:15,239
Speaker 1: like that you feel like you could do that over

932
00:43:15,360 --> 00:43:20,520
Speaker 1: that overt what what happens when you're really growing and

933
00:43:20,600 --> 00:43:24,000
Speaker 1: showing love on camera feels more intimate to me. So

934
00:43:24,120 --> 00:43:26,960
Speaker 1: you have to remember, right, we have a show called Decisions,

935
00:43:27,000 --> 00:43:30,919
Speaker 1: Decisions formerly Horrible Decisions. Don't know's heard of that nasty show.

936
00:43:31,880 --> 00:43:33,960
Speaker 1: I think sex can be frivolous and crazy and fun.

937
00:43:34,040 --> 00:43:37,759
Speaker 1: I think intimacy is way deeper. It's the hardest thing

938
00:43:37,800 --> 00:43:38,399
Speaker 1: about that movie.

939
00:43:38,480 --> 00:43:40,440
Speaker 3: Look like stopping on him grapes that niggas about to

940
00:43:40,480 --> 00:43:42,759
Speaker 3: fall about a couple myself.

941
00:43:42,440 --> 00:43:44,120
Speaker 1: Watching let me, let me show you how to talk,

942
00:43:44,280 --> 00:43:46,040
Speaker 1: let me see let me you were you were talking

943
00:43:46,080 --> 00:43:46,359
Speaker 1: to her?

944
00:43:47,120 --> 00:43:49,600
Speaker 2: Yeah, you know, interesting because now I'm gonna see like

945
00:43:50,080 --> 00:43:51,839
Speaker 2: what people feel about Ruth then.

946
00:43:51,920 --> 00:43:54,239
Speaker 1: But oh, this is how I knew that. I was like,

947
00:43:54,480 --> 00:43:59,719
Speaker 1: oh my god, yeah he was about to fall bus

948
00:44:00,480 --> 00:44:01,640
Speaker 1: I said, oh she got her feet if I was

949
00:44:01,640 --> 00:44:09,560
Speaker 1: about to go down, I was so ready. I'm watching predicting. Look, look,

950
00:44:09,719 --> 00:44:22,239
Speaker 1: Shardyns it just feels she's not lying, and it's I'm

951
00:44:22,680 --> 00:44:35,480
Speaker 1: shirt go oh maybe not. Oh yeah, that pissed me up. Bitch,

952
00:44:38,520 --> 00:44:43,200
Speaker 1: I'm so pissed. I can't, I can't, I can't. Bitch.

953
00:44:43,200 --> 00:44:48,160
Speaker 1: You didn't want to risk that poos getting hurt? Too hot,

954
00:44:48,239 --> 00:44:51,359
Speaker 1: too hot, too hot, too hot, too hot? Interesting? How

955
00:44:51,480 --> 00:44:55,080
Speaker 1: like we find that like the second we get lust

956
00:44:55,120 --> 00:44:59,600
Speaker 1: for We're like, I'm done getting hurt. That rude She's

957
00:44:59,640 --> 00:45:02,560
Speaker 1: like it was getting too lessel right, all that other

958
00:45:02,719 --> 00:45:06,520
Speaker 1: building intimacy you did, spending time together, laying in the

959
00:45:06,640 --> 00:45:08,680
Speaker 1: field and ship and now.

960
00:45:10,040 --> 00:45:14,439
Speaker 3: But y'all watching, y'all watching, at this point, this bitch

961
00:45:14,520 --> 00:45:18,959
Speaker 3: got a whole car and couldn't even keep kidding. Help route,

962
00:45:18,960 --> 00:45:20,880
Speaker 3: I need to give us some lessons all how to

963
00:45:21,120 --> 00:45:21,879
Speaker 3: do all the things.

964
00:45:22,880 --> 00:45:23,960
Speaker 1: I'll just say. I'll just say.

965
00:45:24,280 --> 00:45:26,880
Speaker 3: Now, earlier we made you do a nice, little sultry thing.

966
00:45:27,160 --> 00:45:29,719
Speaker 3: We have another part of the show called poetry.

967
00:45:30,200 --> 00:45:31,520
Speaker 1: Oh yes, nice.

968
00:45:32,000 --> 00:45:37,799
Speaker 3: And now I did my research on two of your

969
00:45:37,840 --> 00:45:42,879
Speaker 3: most favorite people, and so we have lyrics from an.

970
00:45:42,880 --> 00:45:45,320
Speaker 1: R and B record and a rap record.

971
00:45:45,440 --> 00:45:51,120
Speaker 3: Okay, you have to let us know the artists as

972
00:45:51,160 --> 00:45:54,160
Speaker 3: well as the song that these lyrics are from It'll

973
00:45:54,200 --> 00:45:56,040
Speaker 3: be read a little bit differently, so it might be

974
00:45:56,120 --> 00:45:58,000
Speaker 3: difficult for you might not be able to catch on

975
00:45:58,080 --> 00:46:00,720
Speaker 3: to what it is because I'm gonna read it like poetry.

976
00:46:01,239 --> 00:46:05,920
Speaker 1: Oh my gosh, say you ready again.

977
00:46:06,000 --> 00:46:10,239
Speaker 3: I'm gonna take this time to show you how much

978
00:46:10,280 --> 00:46:13,799
Speaker 3: you mean to me, because you are all I need.

979
00:46:15,320 --> 00:46:20,680
Speaker 3: No money can emphasize or describe the love that's in

980
00:46:20,719 --> 00:46:26,719
Speaker 3: between the lines. Boy, look into these eyes. Well, I'm

981
00:46:26,760 --> 00:46:28,880
Speaker 3: grinding on you. This is beyond sex.

982
00:46:30,080 --> 00:46:33,120
Speaker 1: I'm high on you. What's next?

983
00:46:33,800 --> 00:46:34,480
Speaker 4: Hi on you?

984
00:46:35,719 --> 00:46:35,759
Speaker 2: This?

985
00:46:38,200 --> 00:46:38,759
Speaker 1: Wait?

986
00:46:41,280 --> 00:46:45,280
Speaker 2: I feel rocking, babe, rocking, rocking on your babe.

987
00:46:45,440 --> 00:46:50,560
Speaker 1: Yes, your babe, Yes, so yes, y'all that is I'm like, wait,

988
00:46:50,680 --> 00:46:53,479
Speaker 1: I know you actually know that? You didn't I didn't.

989
00:46:53,600 --> 00:46:56,000
Speaker 1: You didn't You didn't get it, You ain't get beyond suck.

990
00:46:56,120 --> 00:46:58,040
Speaker 1: I read it too fair. When you said I'm high

991
00:46:58,080 --> 00:46:58,600
Speaker 1: on you, I was.

992
00:46:58,640 --> 00:47:02,040
Speaker 3: Like, Hi, okay, if you know this really and you

993
00:47:02,120 --> 00:47:04,920
Speaker 3: know how I feel? You know what's crazy about this one?

994
00:47:08,000 --> 00:47:09,640
Speaker 3: I had to really get into the words because she

995
00:47:09,760 --> 00:47:13,200
Speaker 3: has another one about her daddy, Right, what's the one?

996
00:47:13,400 --> 00:47:15,600
Speaker 1: Is it dance for you? Is this not dance for you?

997
00:47:15,880 --> 00:47:17,759
Speaker 3: But doesn't she have one about dancing word daddy too.

998
00:47:18,160 --> 00:47:22,040
Speaker 1: Girl, that's Luther Vandre. Oh is that that she is? No?

999
00:47:22,320 --> 00:47:28,320
Speaker 1: She want with him? No, that's not okay, We're not

1000
00:47:28,400 --> 00:47:30,279
Speaker 1: even to go there. I think I thought at one.

1001
00:47:30,239 --> 00:47:32,719
Speaker 3: Point this was to her daddy until I read the

1002
00:47:32,840 --> 00:47:36,000
Speaker 3: lyrics and then it wasn't because she was.

1003
00:47:36,040 --> 00:47:37,480
Speaker 1: Grinding and it's beyond sex.

1004
00:47:38,239 --> 00:47:45,759
Speaker 3: Okay, right, okay, so next one you ready, ready, I

1005
00:47:45,920 --> 00:47:49,560
Speaker 3: swear that you ain't got a flaw. It was love

1006
00:47:49,880 --> 00:47:52,440
Speaker 3: at the first time. You let me hit it raw.

1007
00:47:53,560 --> 00:47:57,360
Speaker 3: If I shine, then we both shine. But let you

1008
00:47:57,440 --> 00:48:04,000
Speaker 3: shine more, go above beyond for her. My look, my

1009
00:48:04,160 --> 00:48:09,720
Speaker 3: machete mea moore. But who you was with before? Because

1010
00:48:09,719 --> 00:48:13,279
Speaker 3: you look better next to me? Respectfully, any nigga trying

1011
00:48:13,320 --> 00:48:16,319
Speaker 3: to get to you, he gotta check with me. Girl,

1012
00:48:16,400 --> 00:48:19,760
Speaker 3: that's just the principle. Don't try to call that jealousy.

1013
00:48:20,760 --> 00:48:23,759
Speaker 3: I'm trying to start a legacy and you my pedigree.

1014
00:48:24,840 --> 00:48:30,520
Speaker 1: Can you see you better get your baby daddy. Come on, No,

1015
00:48:30,800 --> 00:48:34,120
Speaker 1: I know I'm you finish it. I'm not saying it.

1016
00:48:35,680 --> 00:48:39,359
Speaker 3: Wasn't just about you, because it's given that. So it's

1017
00:48:39,719 --> 00:48:42,320
Speaker 3: I'm falling for you, falling for you for you.

1018
00:48:42,960 --> 00:48:48,640
Speaker 1: Hello, my gosh myself. You have on YouTube that's like

1019
00:48:49,080 --> 00:48:50,000
Speaker 1: I could have got it.

1020
00:48:50,239 --> 00:48:50,600
Speaker 2: I know.

1021
00:48:53,680 --> 00:48:55,600
Speaker 1: I had to make it. You know, I don't know

1022
00:48:55,719 --> 00:48:59,399
Speaker 1: how I read it, but you know I got test

1023
00:48:59,440 --> 00:49:01,440
Speaker 1: the one for both. This is a song we all know,

1024
00:49:02,120 --> 00:49:05,520
Speaker 1: and I'm gonna do my best. Oh lord, let's see

1025
00:49:05,520 --> 00:49:08,839
Speaker 1: who gets it first. Edie, you well, we all gonna

1026
00:49:08,840 --> 00:49:13,279
Speaker 1: try this. I like them round and big, and when

1027
00:49:13,280 --> 00:49:17,480
Speaker 1: I'm throwing a gig, I just can't help myself. I'm

1028
00:49:17,600 --> 00:49:22,839
Speaker 1: acting like an animal. Now here's my scandal. I want

1029
00:49:22,880 --> 00:49:32,319
Speaker 1: to get your home and double up. Ah ah boy.

1030
00:49:33,040 --> 00:49:36,040
Speaker 1: I don't know, because silicon parts aren't made for toys.

1031
00:49:36,520 --> 00:49:36,960
Speaker 2: What is it?

1032
00:49:38,880 --> 00:49:43,840
Speaker 1: I want them real, thick and juicy. So far I

1033
00:49:43,960 --> 00:49:49,479
Speaker 1: know what this is. So find that juicy devil baby

1034
00:49:49,560 --> 00:49:50,040
Speaker 1: got bad?

1035
00:49:50,760 --> 00:49:54,360
Speaker 2: Know because the track is playing in my head and

1036
00:49:54,360 --> 00:50:02,879
Speaker 2: I'm like you, I'm your home. And when she said

1037
00:50:02,920 --> 00:50:04,160
Speaker 2: that part specifically, I'm like.

1038
00:50:04,280 --> 00:50:06,160
Speaker 1: Do you know what? We've been doing this segment weekly

1039
00:50:06,840 --> 00:50:09,440
Speaker 1: and I'm thinking aboutself, just some real dirty lyrics And

1040
00:50:09,560 --> 00:50:11,360
Speaker 1: the song was on in the cab while I was

1041
00:50:11,440 --> 00:50:13,080
Speaker 1: doing it. I'm not gonna hold you only because I

1042
00:50:13,160 --> 00:50:14,520
Speaker 1: wasn't gonna do it to you like that.

1043
00:50:14,640 --> 00:50:17,360
Speaker 3: Because you know, you a celebrity, and all the lyrics

1044
00:50:17,360 --> 00:50:20,120
Speaker 3: that I want to say are from somebody who's in

1045
00:50:20,200 --> 00:50:21,320
Speaker 3: jail that's supposed to be canceled.

1046
00:50:21,320 --> 00:50:23,759
Speaker 1: But he got some good with girl. But I wasn't

1047
00:50:23,800 --> 00:50:25,760
Speaker 1: gonna do it. I'm just say it. I'm just saying,

1048
00:50:25,960 --> 00:50:27,440
Speaker 1: all right, fragment, Okay.

1049
00:50:27,880 --> 00:50:30,880
Speaker 3: The next segment is we're talking about adun't shit us

1050
00:50:31,040 --> 00:50:34,120
Speaker 3: with our partners, our relationships. And I wanted to start

1051
00:50:34,160 --> 00:50:38,440
Speaker 3: off because one of the biggest red pilled goddamn conversations

1052
00:50:38,480 --> 00:50:42,640
Speaker 3: on the internet are how men don't support or want

1053
00:50:42,640 --> 00:50:46,880
Speaker 3: to be with, or aren't attracted to successful women. You

1054
00:50:47,040 --> 00:50:51,520
Speaker 3: are in the same field as your partner. You are

1055
00:50:51,680 --> 00:50:53,840
Speaker 3: driven as an R and B artist, as an actress,

1056
00:50:53,880 --> 00:50:56,719
Speaker 3: you have these new projects dropping. What does it look

1057
00:50:56,880 --> 00:51:00,560
Speaker 3: like for your partner to show up and support these efforts?

1058
00:51:01,040 --> 00:51:03,520
Speaker 3: And have you ever had a partner that you felt

1059
00:51:03,680 --> 00:51:06,319
Speaker 3: was intimidated and how did you pick up on those

1060
00:51:06,400 --> 00:51:07,880
Speaker 3: signs that this wasn't healthy?

1061
00:51:08,360 --> 00:51:09,680
Speaker 1: And we talk about this a lot because we.

1062
00:51:09,719 --> 00:51:12,759
Speaker 3: Both run multiple businesses too, but for you, specifically in

1063
00:51:12,800 --> 00:51:15,359
Speaker 3: this entertainment space, I'm wondering how he's able to show

1064
00:51:15,400 --> 00:51:17,160
Speaker 3: up for you and how you're able to pick out

1065
00:51:17,200 --> 00:51:19,800
Speaker 3: when a partner doesn't support that you gotta go on.

1066
00:51:19,920 --> 00:51:23,799
Speaker 2: I mean, I think it's pretty like he I mean,

1067
00:51:24,480 --> 00:51:25,520
Speaker 2: showing up for me.

1068
00:51:25,719 --> 00:51:27,080
Speaker 1: Let me just answer first.

1069
00:51:27,400 --> 00:51:31,359
Speaker 2: Showing up for me just looks like acknowledging what I'm doing,

1070
00:51:31,480 --> 00:51:35,080
Speaker 2: or even remembering the details of what I have coming up,

1071
00:51:35,360 --> 00:51:40,360
Speaker 2: or celebrating me there's a big milestone or something like that,

1072
00:51:40,880 --> 00:51:43,160
Speaker 2: or even just asking me, you know, how how did

1073
00:51:43,200 --> 00:51:45,759
Speaker 2: you feel about that scene? Like just being involved, right,

1074
00:51:47,280 --> 00:51:51,520
Speaker 2: but not showing up. I have also dealt with in

1075
00:51:51,600 --> 00:51:56,960
Speaker 2: the past. Okay, that's a very shady specific one because

1076
00:51:58,960 --> 00:52:01,200
Speaker 2: you know, and I say I say this to say

1077
00:52:02,440 --> 00:52:05,759
Speaker 2: that person is definitely not confident, Okay, like they just

1078
00:52:05,920 --> 00:52:06,200
Speaker 2: can't be.

1079
00:52:06,360 --> 00:52:07,920
Speaker 1: That man is not ready for.

1080
00:52:09,719 --> 00:52:12,279
Speaker 2: The spotlight to not be on him or not to

1081
00:52:12,360 --> 00:52:15,879
Speaker 2: be all about him. I think that a person who

1082
00:52:16,239 --> 00:52:20,080
Speaker 2: is supportive of you is just going to be like, baby,

1083
00:52:20,120 --> 00:52:21,960
Speaker 2: I'm so proud of you, Like, oh my god, how

1084
00:52:22,000 --> 00:52:24,200
Speaker 2: do we what do we do? How do we celebrate?

1085
00:52:24,239 --> 00:52:26,239
Speaker 2: And I feel like that, yeah, I feel like that's

1086
00:52:26,760 --> 00:52:30,319
Speaker 2: something that's just comes natural, like fort well, so.

1087
00:52:30,400 --> 00:52:32,440
Speaker 3: Do you do you then think that then for the

1088
00:52:32,960 --> 00:52:37,640
Speaker 3: narrative that's out about men not wanting successful women or

1089
00:52:38,120 --> 00:52:41,479
Speaker 3: you know, well well to do women, or women with money,

1090
00:52:41,719 --> 00:52:43,360
Speaker 3: that it's more of an insecure thing.

1091
00:52:43,440 --> 00:52:47,399
Speaker 1: With the man, I feel like you could go back

1092
00:52:47,480 --> 00:52:48,000
Speaker 1: both ways.

1093
00:52:48,239 --> 00:52:50,319
Speaker 2: I feel like I feel like there could be an

1094
00:52:50,400 --> 00:52:55,480
Speaker 2: insecure man that just genuinely has some type of little

1095
00:52:55,880 --> 00:52:58,080
Speaker 2: issue with it. But I do know that also a

1096
00:52:58,160 --> 00:53:05,920
Speaker 2: lot of successful educated women can be they can probably

1097
00:53:06,200 --> 00:53:11,439
Speaker 2: not just sit in their their feminine, you know, as much,

1098
00:53:11,600 --> 00:53:14,080
Speaker 2: because they're so used to operating in their masculine. And

1099
00:53:14,160 --> 00:53:17,800
Speaker 2: I feel like that's sometimes probably more than likely what

1100
00:53:18,040 --> 00:53:21,520
Speaker 2: kind of butts heads with men, to be honest, but

1101
00:53:22,120 --> 00:53:26,400
Speaker 2: being a woman who I have a crazy schedule, you know,

1102
00:53:28,360 --> 00:53:30,600
Speaker 2: my life doesn't look I guess, you know, like the

1103
00:53:30,760 --> 00:53:34,960
Speaker 2: average I would say women just because I'm just like,

1104
00:53:35,160 --> 00:53:37,440
Speaker 2: you know, flying here. And I've actually had that before

1105
00:53:37,520 --> 00:53:38,520
Speaker 2: where a guy was.

1106
00:53:38,560 --> 00:53:41,799
Speaker 1: Like, yeah, no, what do you mean we can't say?

1107
00:53:42,239 --> 00:53:45,719
Speaker 2: And I've always said that, Yeah, he was just completely honest, like, no,

1108
00:53:45,920 --> 00:53:48,719
Speaker 2: I need my woman at home at five o'clock, like

1109
00:53:49,040 --> 00:53:51,239
Speaker 2: you're not about to be you know, I'm not gonna

1110
00:53:51,239 --> 00:53:52,880
Speaker 2: be with nobody's take of flights and I don't know

1111
00:53:52,920 --> 00:53:54,120
Speaker 2: where you at and all this, which.

1112
00:53:53,920 --> 00:53:57,200
Speaker 1: Is what irappers, athletes and successful men desire.

1113
00:53:57,200 --> 00:53:59,879
Speaker 2: Which I understand, and that's cool, that's what you want.

1114
00:54:00,160 --> 00:54:06,040
Speaker 2: But for me, that's right right, I'm not going to

1115
00:54:06,080 --> 00:54:09,600
Speaker 2: slow down. And so that's a really important factor for

1116
00:54:09,719 --> 00:54:11,480
Speaker 2: me is that a partner is going to support and

1117
00:54:11,600 --> 00:54:14,759
Speaker 2: understand that for the same way I do for him.

1118
00:54:14,920 --> 00:54:16,160
Speaker 1: For a woman who really.

1119
00:54:16,200 --> 00:54:19,560
Speaker 3: Likes a man that they're dating, if they show up

1120
00:54:19,719 --> 00:54:22,320
Speaker 3: like this, is there a way to work through that?

1121
00:54:22,520 --> 00:54:23,920
Speaker 3: Or would you say for them to leave?

1122
00:54:24,120 --> 00:54:24,279
Speaker 1: Right?

1123
00:54:24,360 --> 00:54:27,960
Speaker 2: But I also do understand. But I also do understand

1124
00:54:28,440 --> 00:54:36,319
Speaker 2: being the feminine and being in my power. I'm going

1125
00:54:36,400 --> 00:54:38,279
Speaker 2: to say that because I don't want anyone to think

1126
00:54:38,360 --> 00:54:40,800
Speaker 2: I'm saying what I'm not saying. I'm saying being in

1127
00:54:40,920 --> 00:54:44,360
Speaker 2: your power, as in, we both have feminine and masculine

1128
00:54:44,480 --> 00:54:46,560
Speaker 2: ya and and women right, and I think that we

1129
00:54:46,760 --> 00:54:50,840
Speaker 2: can operate in both of those spaces very well. But

1130
00:54:50,960 --> 00:54:54,360
Speaker 2: I know that when I go home, I'm like, hey, babe,

1131
00:54:54,880 --> 00:54:58,640
Speaker 2: I'm gonna I'm gonna ussure that that energy in the home.

1132
00:54:59,080 --> 00:55:01,120
Speaker 2: And I think that that's really important. I don't think

1133
00:55:01,200 --> 00:55:04,120
Speaker 2: that I think that I have my I have my

1134
00:55:04,960 --> 00:55:09,120
Speaker 2: raw wrong, I'm gonna get it done. We gotta get

1135
00:55:09,120 --> 00:55:12,520
Speaker 2: this done what we're doing, you know, But I've learned

1136
00:55:12,760 --> 00:55:13,239
Speaker 2: so much.

1137
00:55:13,400 --> 00:55:16,320
Speaker 1: I've learned so much the opposite way, Like, for example,

1138
00:55:16,480 --> 00:55:19,920
Speaker 1: successful women may say, oh, he has to do this

1139
00:55:20,040 --> 00:55:21,200
Speaker 1: for me, and this for me, and this for me.

1140
00:55:21,280 --> 00:55:24,359
Speaker 1: It's almost a little overbearing, Like what do you mean,

1141
00:55:24,600 --> 00:55:26,840
Speaker 1: because what you're saying is the same thing I was thinking.

1142
00:55:26,920 --> 00:55:29,120
Speaker 1: But I think that they're actually off. They think they're

1143
00:55:29,160 --> 00:55:32,080
Speaker 1: operating in the feminine. He said there can be women

1144
00:55:32,239 --> 00:55:35,120
Speaker 1: in their masculine, right. Absolutely. I believe a lot of

1145
00:55:35,160 --> 00:55:39,680
Speaker 1: successful women today think that being in their feminine means

1146
00:55:39,719 --> 00:55:41,680
Speaker 1: that they can't be with the man that makes less,

1147
00:55:42,320 --> 00:55:45,400
Speaker 1: be with the man that's not on their level, quote unquote.

1148
00:55:45,400 --> 00:55:47,200
Speaker 1: There's a lot of measuring up that a lot of

1149
00:55:47,239 --> 00:55:50,279
Speaker 1: women have expectations for. And to me, I think the

1150
00:55:50,400 --> 00:55:52,919
Speaker 1: problem is that when we make a certain amount of money,

1151
00:55:52,960 --> 00:55:56,000
Speaker 1: we think we can't be teammates anymore. Yeah, which is

1152
00:55:56,400 --> 00:56:01,000
Speaker 1: which is very unfair because the Internet, the Instagram, this

1153
00:56:01,120 --> 00:56:04,480
Speaker 1: isn't all real, right. All of the ideas that a

1154
00:56:04,560 --> 00:56:06,480
Speaker 1: man should be paying every single thing for you, I

1155
00:56:06,520 --> 00:56:10,440
Speaker 1: think is actually kind of insane unless someone is making

1156
00:56:10,560 --> 00:56:14,080
Speaker 1: a huge amount more. I don't know why there should

1157
00:56:14,080 --> 00:56:16,080
Speaker 1: be that much of an imbalance. But I think successful

1158
00:56:16,120 --> 00:56:18,360
Speaker 1: women feel like, hey, we've reached a pinnacle of this,

1159
00:56:18,800 --> 00:56:22,680
Speaker 1: why settle? As if settling is being sharing a bill

1160
00:56:23,239 --> 00:56:26,680
Speaker 1: or sharing a mortgage, And is that really Maybe? I'm

1161
00:56:26,800 --> 00:56:28,840
Speaker 1: just like, I'm not knowing what's going on.

1162
00:56:29,239 --> 00:56:31,520
Speaker 2: So you're saying a successful woman who makes her own

1163
00:56:31,560 --> 00:56:35,560
Speaker 2: money doesn't want to share, doesn't want to pay for anything.

1164
00:56:36,080 --> 00:56:37,800
Speaker 1: I believe that a lot of success women don't. I

1165
00:56:37,880 --> 00:56:39,960
Speaker 1: believe they want a man that's making just as much

1166
00:56:39,960 --> 00:56:42,239
Speaker 1: as them or more. I believe they do, yeah or more.

1167
00:56:42,840 --> 00:56:44,799
Speaker 1: And I think that's what makes it difficult to date.

1168
00:56:45,040 --> 00:56:48,080
Speaker 1: I don't think it's lowering standards to necessarily be a teammate,

1169
00:56:48,360 --> 00:56:50,680
Speaker 1: but I find that they believe that's operating in that

1170
00:56:50,800 --> 00:56:54,000
Speaker 1: feminine you know what I mean, Like, oh, I shouldn't

1171
00:56:54,000 --> 00:56:57,160
Speaker 1: be doing xyz. I think it's absolutely normal in twenty

1172
00:56:57,239 --> 00:57:00,360
Speaker 1: twenty five and in this economy for like us to

1173
00:57:00,400 --> 00:57:05,640
Speaker 1: be going half on house. Yeah, see this in the background,

1174
00:57:05,800 --> 00:57:07,600
Speaker 1: because I don't know about all that.

1175
00:57:09,400 --> 00:57:12,360
Speaker 2: For me, That's why I'd be like, because for me,

1176
00:57:13,000 --> 00:57:15,080
Speaker 2: just this is just how I think, right, This is

1177
00:57:15,200 --> 00:57:21,120
Speaker 2: just me. But Sorea, I one hundred percent agree with

1178
00:57:21,240 --> 00:57:24,640
Speaker 2: to help me. I one hundred percent agree that if

1179
00:57:24,680 --> 00:57:28,240
Speaker 2: I am making the money, everyone in their household can

1180
00:57:28,320 --> 00:57:31,000
Speaker 2: come together with their own custom ship. We don't got

1181
00:57:31,120 --> 00:57:35,520
Speaker 2: to follow these yellow roads that these people are saying

1182
00:57:35,720 --> 00:57:41,560
Speaker 2: on different podcasts. Yeah, it's like, okay, you know, I

1183
00:57:41,640 --> 00:57:43,720
Speaker 2: feel like you're with that person every day. You're in

1184
00:57:43,760 --> 00:57:44,400
Speaker 2: the house with them.

1185
00:57:44,560 --> 00:57:46,600
Speaker 1: Create What the fuck y'all want to do? Can I

1186
00:57:46,720 --> 00:57:51,439
Speaker 1: ask you for huh? I want to know beyond bills? Yeah?

1187
00:57:51,520 --> 00:57:55,760
Speaker 1: How is it sharing baby things together? How? Like you

1188
00:57:55,840 --> 00:57:58,360
Speaker 1: had to do a podcast interview today? Is he with

1189
00:57:58,520 --> 00:58:01,040
Speaker 1: the baby? Like? How did you say this thing together?

1190
00:58:01,240 --> 00:58:01,439
Speaker 2: Yeah?

1191
00:58:01,880 --> 00:58:05,120
Speaker 1: He actually is, he is. He's with the baby right now.

1192
00:58:05,760 --> 00:58:08,800
Speaker 1: The babies. Yeah, so I'm sorry.

1193
00:58:08,960 --> 00:58:12,080
Speaker 2: Yeah, no, no, no, he has a daughter which is

1194
00:58:12,640 --> 00:58:16,120
Speaker 2: my my bonus daughter and our son.

1195
00:58:16,320 --> 00:58:19,000
Speaker 1: So yes, the both of them. How did you guys

1196
00:58:19,080 --> 00:58:21,960
Speaker 1: decide why you would like figure out parenting together with

1197
00:58:22,080 --> 00:58:25,000
Speaker 1: crazy schedules? Like, how does that convo look when you're together?

1198
00:58:25,040 --> 00:58:27,920
Speaker 1: Because we mostly hear about it from co parenting people separate.

1199
00:58:28,080 --> 00:58:33,280
Speaker 2: Okay, it looks very much like, you know, baby sleeve

1200
00:58:33,360 --> 00:58:33,920
Speaker 2: down for the night.

1201
00:58:33,960 --> 00:58:35,080
Speaker 1: What do you have for this week?

1202
00:58:35,160 --> 00:58:37,600
Speaker 2: What are you doing tomorrow? What's on the agenda, like

1203
00:58:37,680 --> 00:58:40,360
Speaker 2: how do we make this work? Because once again he

1204
00:58:40,520 --> 00:58:42,720
Speaker 2: supports what I'm doing and I support what he's doing.

1205
00:58:42,880 --> 00:58:45,520
Speaker 1: This is who I was when you met me, you know.

1206
00:58:45,880 --> 00:58:49,400
Speaker 2: So it's like so it's like right, So it's like

1207
00:58:50,040 --> 00:58:53,160
Speaker 2: and and that's just what the dynamic that we share

1208
00:58:53,240 --> 00:58:57,600
Speaker 2: and that we feel like it's very like necessary. He's

1209
00:58:58,920 --> 00:59:01,200
Speaker 2: it doesn't get it's very much help me. Like you said,

1210
00:59:01,240 --> 00:59:05,360
Speaker 2: it's a teammate. I think it's teamwork. For me specifically,

1211
00:59:05,720 --> 00:59:11,200
Speaker 2: I grew up and adopting and acknowledging that the woman

1212
00:59:11,600 --> 00:59:15,720
Speaker 2: doesn't not have anything. I think the woman's money is

1213
00:59:15,960 --> 00:59:20,320
Speaker 2: saved or invested or you know, for hardship or whatever.

1214
00:59:20,480 --> 00:59:24,000
Speaker 2: That's me specifically. That's how I feel. Maybe he does

1215
00:59:24,280 --> 00:59:27,000
Speaker 2: front most of the things, right, And that's not to

1216
00:59:27,080 --> 00:59:30,080
Speaker 2: say that the woman doesn't either, you know, if you're

1217
00:59:30,160 --> 00:59:33,800
Speaker 2: not stay at home mom, or if you're not if

1218
00:59:33,840 --> 00:59:36,760
Speaker 2: you are a person like we're saying, who feels like

1219
00:59:36,920 --> 00:59:38,840
Speaker 2: she's making so much money, has a life of her own,

1220
00:59:39,320 --> 00:59:42,640
Speaker 2: I think that you should want to team up, right,

1221
00:59:43,000 --> 00:59:44,520
Speaker 2: I don't know, that's just how I don't.

1222
00:59:44,560 --> 00:59:47,520
Speaker 3: You don't really like the nigga, You're just looking for daddy. Yeah,

1223
00:59:48,080 --> 00:59:49,280
Speaker 3: like put a roof over your head.

1224
00:59:49,360 --> 00:59:51,600
Speaker 1: Yeah, I'm just really trying to understand, like what the

1225
00:59:51,720 --> 00:59:54,520
Speaker 1: logic is what we've been trying when we're Oh, the

1226
00:59:54,560 --> 00:59:57,600
Speaker 1: man takes care of this x y Z. So I mean, see,

1227
00:59:57,600 --> 00:59:58,320
Speaker 1: I ain't gonna hold you.

1228
00:59:58,480 --> 01:00:01,880
Speaker 3: I think though, that there's a privilege in being taught that.

1229
01:00:02,080 --> 01:00:04,440
Speaker 3: Like we grew up differently. Like you grew up where

1230
01:00:04,480 --> 01:00:07,200
Speaker 3: your mom was a housewife. I grew up where it

1231
01:00:07,320 --> 01:00:09,880
Speaker 3: was a single parent household and yeah, my mom was

1232
01:00:10,040 --> 01:00:12,000
Speaker 3: and men they do shit around across kind of my

1233
01:00:12,040 --> 01:00:15,880
Speaker 3: whole family, and so like like for me, I wasn't

1234
01:00:15,960 --> 01:00:18,320
Speaker 3: raised that a man should do everything, which is why

1235
01:00:18,560 --> 01:00:22,680
Speaker 3: I blame Neo fucking Boosy and Destine's child with the

1236
01:00:22,800 --> 01:00:27,280
Speaker 3: goddamn anthems of us being independent because during the independent

1237
01:00:27,360 --> 01:00:29,560
Speaker 3: women era and a lot of us being raised in

1238
01:00:29,600 --> 01:00:33,280
Speaker 3: single parent households, I think it's like this narrative that

1239
01:00:33,360 --> 01:00:34,800
Speaker 3: is being put out from the internet, but a lot

1240
01:00:34,880 --> 01:00:37,720
Speaker 3: of us weren't raised by or at least I won't

1241
01:00:37,720 --> 01:00:39,320
Speaker 3: say a lot because I don't want to generalize, but

1242
01:00:39,520 --> 01:00:42,000
Speaker 3: for many of us who were raising single parent households,

1243
01:00:42,400 --> 01:00:44,960
Speaker 3: the narrative around men are supposed to take care of everything.

1244
01:00:45,360 --> 01:00:47,160
Speaker 3: Wasn't the narrative being pushed to me at all when

1245
01:00:47,160 --> 01:00:49,640
Speaker 3: I was growing up. No, that wasn't the thing, Like, Okay,

1246
01:00:49,680 --> 01:00:52,040
Speaker 3: my daddy paid his little phone hundred dollars for child.

1247
01:00:51,880 --> 01:00:54,000
Speaker 1: Support for two kids. One that wasn't here, you know

1248
01:00:54,040 --> 01:00:54,400
Speaker 1: what I mean.

1249
01:00:54,720 --> 01:00:58,800
Speaker 3: And so for I think anyone right now navigating their

1250
01:00:58,960 --> 01:01:02,000
Speaker 3: thirties and maybe into their forties, if they were raising

1251
01:01:02,000 --> 01:01:04,840
Speaker 3: those single parent households, the way in which we're navigating

1252
01:01:04,920 --> 01:01:06,960
Speaker 3: dating is why we have all these red pill thing pieces.

1253
01:01:07,040 --> 01:01:09,480
Speaker 3: Is because we're all trying to maybe live a fantasy

1254
01:01:09,520 --> 01:01:11,520
Speaker 3: life that we would like based on the Disney chairs,

1255
01:01:11,520 --> 01:01:14,120
Speaker 3: the soft light, the soft life.

1256
01:01:14,120 --> 01:01:17,160
Speaker 1: You don't see and it just kind of so why

1257
01:01:17,240 --> 01:01:20,480
Speaker 1: you can't have a soft life and like, oh girl,

1258
01:01:20,520 --> 01:01:24,440
Speaker 1: that's not part of the aesthetically Oh yeah, soult life

1259
01:01:24,480 --> 01:01:27,480
Speaker 1: is supposed to be like they Also, I feel like

1260
01:01:27,560 --> 01:01:29,520
Speaker 1: I'm like I've been under a rock. What's going on?

1261
01:01:29,840 --> 01:01:30,040
Speaker 3: Girl?

1262
01:01:30,400 --> 01:01:34,439
Speaker 1: You're not missing anything? What's wrong with? On Tuesdays at home?

1263
01:01:34,960 --> 01:01:37,760
Speaker 1: The soft light hashtag? I love it and hate it, okay,

1264
01:01:38,040 --> 01:01:40,040
Speaker 1: because I thought it was like you have like an accent.

1265
01:01:40,080 --> 01:01:43,080
Speaker 1: It's not like in La. What's the word it starts

1266
01:01:43,080 --> 01:01:46,240
Speaker 1: with to like the la flayer. It's something that like

1267
01:01:47,080 --> 01:01:50,280
Speaker 1: it's a word the way that La that sounded valley

1268
01:01:51,120 --> 01:01:54,360
Speaker 1: like valley not valuable because you're from You're from La. Right,

1269
01:01:54,600 --> 01:01:57,800
Speaker 1: vocal fr vocal fry I've never heard of. So basically,

1270
01:01:57,920 --> 01:01:59,920
Speaker 1: it's like it's where you accentuate the end of a

1271
01:02:00,120 --> 01:02:05,600
Speaker 1: word bring. We're not gonna do that your vocal or

1272
01:02:07,320 --> 01:02:11,280
Speaker 1: with a time stamp. And I look at like Nara,

1273
01:02:12,840 --> 01:02:14,480
Speaker 1: is that like is that like would that be the

1274
01:02:15,040 --> 01:02:15,720
Speaker 1: you know what's crazy?

1275
01:02:17,120 --> 01:02:19,600
Speaker 3: The only working the only person about timeline.

1276
01:02:19,280 --> 01:02:21,880
Speaker 2: That stic feels soft like I don't I don't know

1277
01:02:22,000 --> 01:02:25,520
Speaker 2: the guy's name, but god, he he wears like a

1278
01:02:25,760 --> 01:02:28,720
Speaker 2: correct he wears like a T shirt, thats.

1279
01:02:28,680 --> 01:02:29,400
Speaker 1: Kind of a do rag.

1280
01:02:29,800 --> 01:02:32,400
Speaker 3: And he talks about how like these men be talking

1281
01:02:32,440 --> 01:02:36,080
Speaker 3: while like dating, and she'd be like, no, not gonna

1282
01:02:36,120 --> 01:02:40,160
Speaker 3: do that, one hundred percent, not gonna do that.

1283
01:02:40,320 --> 01:02:43,360
Speaker 1: That's what we're not gonna do it. He's hilarious. I'm

1284
01:02:43,360 --> 01:02:46,840
Speaker 1: gonna post someone that goddamn page. But I love him anyways.

1285
01:02:47,000 --> 01:02:51,120
Speaker 3: Soria For anyone who has not at this point, don't

1286
01:02:51,160 --> 01:02:54,080
Speaker 3: know why you will in is Soraya and Tyler Lepley,

1287
01:02:54,160 --> 01:02:57,840
Speaker 3: Bitch and fel Shot and Jermaine de Free and baby Face,

1288
01:02:58,040 --> 01:03:01,800
Speaker 3: for anyone who wear for anyone who has seen it yet,

1289
01:03:02,520 --> 01:03:05,320
Speaker 3: what way do you hope their takeaway to be and

1290
01:03:06,000 --> 01:03:07,360
Speaker 3: why should they watch the film?

1291
01:03:07,600 --> 01:03:09,560
Speaker 1: Ruth and Boaz on Netflix now.

1292
01:03:10,640 --> 01:03:16,840
Speaker 2: I would hope that their takeaway is community leaning into

1293
01:03:16,880 --> 01:03:19,440
Speaker 2: your community. She did that a lot in the film,

1294
01:03:20,320 --> 01:03:23,160
Speaker 2: and she wasn't afraid to like step out on faith

1295
01:03:24,480 --> 01:03:26,920
Speaker 2: and do something that she had no idea what she

1296
01:03:27,000 --> 01:03:27,280
Speaker 2: was doing.

1297
01:03:27,320 --> 01:03:34,240
Speaker 1: You got to put full contracts. And I would say

1298
01:03:36,200 --> 01:03:38,320
Speaker 1: another thing is that you know.

1299
01:03:41,760 --> 01:03:43,400
Speaker 2: Real there's real love, right.

1300
01:03:43,520 --> 01:03:44,000
Speaker 1: I feel like.

1301
01:03:45,760 --> 01:03:47,760
Speaker 2: All of these topics that we just all these hashtags

1302
01:03:47,800 --> 01:03:48,280
Speaker 2: we need to talk.

1303
01:03:48,200 --> 01:03:52,200
Speaker 1: About it's exhausting, Like we're making it harder.

1304
01:03:52,640 --> 01:03:56,080
Speaker 2: Like it's already hard, you know, because you got two

1305
01:03:56,160 --> 01:03:58,880
Speaker 2: people who come with a whole life before they met

1306
01:03:58,920 --> 01:04:01,600
Speaker 2: each other, So it's like to add all this extra

1307
01:04:01,720 --> 01:04:04,919
Speaker 2: layers and extra things. I feel like that's what Ruth

1308
01:04:04,960 --> 01:04:08,560
Speaker 2: and bow As really they really communicate throughout the film.

1309
01:04:09,040 --> 01:04:12,080
Speaker 2: It's just being open, vulnerable and raw and it just

1310
01:04:12,320 --> 01:04:12,720
Speaker 2: it is what.

1311
01:04:12,800 --> 01:04:14,480
Speaker 1: It is, and it's gonna urge a lot of us

1312
01:04:14,640 --> 01:04:22,120
Speaker 1: to visit. And that's a man as was washing those feet.

1313
01:04:23,160 --> 01:04:24,800
Speaker 1: I thought, I got to share with you all my

1314
01:04:24,880 --> 01:04:28,000
Speaker 1: favorite scene. What was your favorite scene? You actually weren't

1315
01:04:28,000 --> 01:04:29,960
Speaker 1: in it. It was very much in the beginning. Okay,

1316
01:04:30,000 --> 01:04:32,880
Speaker 1: AELII was Trod and her late husband are in the

1317
01:04:33,000 --> 01:04:36,080
Speaker 1: bed bed and it's a very sexy scene between older

1318
01:04:36,120 --> 01:04:38,440
Speaker 1: people and he's like you feel that. She's like, I

1319
01:04:38,520 --> 01:04:40,560
Speaker 1: did love that. I was like, I don't know the

1320
01:04:40,640 --> 01:04:43,919
Speaker 1: last time I've seen people in their sixties whatever age

1321
01:04:43,920 --> 01:04:47,400
Speaker 1: you're at, just having this like sexy moment. We just

1322
01:04:47,480 --> 01:04:49,480
Speaker 1: don't get to see it. And I'm sitting here wait

1323
01:04:49,560 --> 01:04:52,400
Speaker 1: for you to do it. Today. We was waiting. You

1324
01:04:52,480 --> 01:04:57,640
Speaker 1: had a great feet is all we got. No, No

1325
01:04:57,840 --> 01:04:59,920
Speaker 1: said first of all my heart. I was like, oh god,

1326
01:05:00,280 --> 01:05:03,320
Speaker 1: you didn't like that your feet was a little to ring.

1327
01:05:03,400 --> 01:05:06,800
Speaker 1: You was ready? Yeah, I gonna be ready to painting.

1328
01:05:06,920 --> 01:05:07,520
Speaker 1: Had to be ready.

1329
01:05:07,560 --> 01:05:09,000
Speaker 3: I said, this bitch just got a job, but she

1330
01:05:09,040 --> 01:05:09,920
Speaker 3: had a fresh padic here.

1331
01:05:09,920 --> 01:05:10,960
Speaker 1: I know where her money going.

1332
01:05:11,320 --> 01:05:15,240
Speaker 2: No, not for real, I'm like, listen, well, Root's gonna

1333
01:05:15,240 --> 01:05:16,360
Speaker 2: have had a petticant.

1334
01:05:16,400 --> 01:05:17,360
Speaker 1: We actually talked about that.

1335
01:05:17,440 --> 01:05:19,600
Speaker 2: It was a call because it was like, we don't

1336
01:05:19,640 --> 01:05:21,760
Speaker 2: want her nails, like, she's not supposed to have money.

1337
01:05:21,880 --> 01:05:25,360
Speaker 1: Yeah, I'm not gonna lie. And I was like, I

1338
01:05:25,480 --> 01:05:30,400
Speaker 1: was like, waving the white flag. Can I believe I'm.

1339
01:05:33,320 --> 01:05:36,320
Speaker 3: Thinking grapes. I wanted to see some coarse feat. I

1340
01:05:36,400 --> 01:05:39,320
Speaker 3: wanted to see callouses. I wanted to see corn.

1341
01:05:39,400 --> 01:05:45,520
Speaker 1: No, no, it didn't give corn. And I'm like, she

1342
01:05:46,080 --> 01:05:51,160
Speaker 1: you know, she's Basoline and you guys were I was

1343
01:05:51,440 --> 01:05:54,440
Speaker 1: you was with the maps. Well listen, I was like,

1344
01:05:55,000 --> 01:05:56,880
Speaker 1: did you find out while you were filming? Found out?

1345
01:05:57,200 --> 01:06:01,600
Speaker 1: Oh wow, how stressful girl, Let's talk about that. Let's

1346
01:06:01,600 --> 01:06:05,000
Speaker 1: talk about that before you leave. So stressful, so sick?

1347
01:06:06,040 --> 01:06:08,800
Speaker 1: Oh damn that really that hurts?

1348
01:06:09,080 --> 01:06:09,320
Speaker 2: Yeah?

1349
01:06:09,480 --> 01:06:12,800
Speaker 1: So wait, you were filming and what trimesters? They had

1350
01:06:12,840 --> 01:06:21,120
Speaker 1: to be the first because I found out. Yeah, nothing weeks.

1351
01:06:21,720 --> 01:06:24,920
Speaker 1: I was like, wait, what scene did you film right

1352
01:06:24,960 --> 01:06:27,840
Speaker 1: before you found out? Like what did we see? Now?

1353
01:06:27,840 --> 01:06:29,000
Speaker 1: I gotta go back and see if you look like

1354
01:06:29,080 --> 01:06:32,040
Speaker 1: you threw up? Oh? Probably? I mean so many times

1355
01:06:32,080 --> 01:06:33,760
Speaker 1: about the movie you.

1356
01:06:33,840 --> 01:06:35,520
Speaker 3: Were away when you had to tell him that you

1357
01:06:35,560 --> 01:06:37,120
Speaker 3: were pregnant, Like you didn't get to tell to his

1358
01:06:37,200 --> 01:06:38,120
Speaker 3: face unfortunately.

1359
01:06:38,200 --> 01:06:38,680
Speaker 1: Oh wow.

1360
01:06:38,960 --> 01:06:43,200
Speaker 2: Yeah, we shot in Atlanta, so it was very much FaceTime.

1361
01:06:43,880 --> 01:06:48,600
Speaker 1: Oh everything. Yeah, but you went to yes.

1362
01:06:49,320 --> 01:06:53,880
Speaker 2: We shot for like yes, I well no, I ordered

1363
01:06:53,920 --> 01:06:58,640
Speaker 2: it to the no face, okase and then yeah, I

1364
01:06:58,760 --> 01:07:00,320
Speaker 2: was like we were on FaceTime and I was like

1365
01:07:00,360 --> 01:07:02,080
Speaker 2: all right, I'm gonna do another one. All right, I'm

1366
01:07:02,080 --> 01:07:02,800
Speaker 2: gonna do another one.

1367
01:07:02,880 --> 01:07:05,439
Speaker 1: And it was like girl. It was like girl.

1368
01:07:05,960 --> 01:07:08,000
Speaker 2: And then literally I feel like after I found out,

1369
01:07:08,920 --> 01:07:11,400
Speaker 2: like the next week, because we were doing pre production

1370
01:07:11,520 --> 01:07:13,800
Speaker 2: for like three weeks and then we shot for like

1371
01:07:14,120 --> 01:07:18,560
Speaker 2: three or four weeks weeks maybe, so yeah, by the

1372
01:07:18,640 --> 01:07:21,720
Speaker 2: time we had like the first day, I was like miserable.

1373
01:07:22,160 --> 01:07:25,080
Speaker 1: Did you share with your friends and colleagues on set?

1374
01:07:25,200 --> 01:07:28,160
Speaker 1: And I did not. I mean, I think that's the

1375
01:07:28,240 --> 01:07:31,520
Speaker 1: thing until like the last week, where I was like Okay,

1376
01:07:31,600 --> 01:07:36,040
Speaker 1: I like like you want to wait anyways? I want

1377
01:07:36,040 --> 01:07:37,000
Speaker 1: to wait anyways.

1378
01:07:37,120 --> 01:07:40,560
Speaker 2: But I ended up just telling my director Alana. Alana

1379
01:07:41,080 --> 01:07:44,000
Speaker 2: she female director, so I was like she had her

1380
01:07:44,040 --> 01:07:47,400
Speaker 2: family there, her daughter, beautiful daughter, and her husband, and

1381
01:07:47,480 --> 01:07:49,120
Speaker 2: I was like, Okay, I have to tell her because

1382
01:07:49,520 --> 01:07:50,760
Speaker 2: it got to a point where I was like I

1383
01:07:50,800 --> 01:07:52,840
Speaker 2: don't want them to be like what's good, you know,

1384
01:07:53,040 --> 01:07:53,560
Speaker 2: like what's up?

1385
01:07:53,640 --> 01:07:55,920
Speaker 1: And also it was like but also they had you

1386
01:07:55,960 --> 01:08:00,400
Speaker 1: out on bils. Girl. The heat, the heat, are you

1387
01:08:00,520 --> 01:08:05,640
Speaker 1: pregnant feet? Everything? Not yet yet. I'll show you the pictures.

1388
01:08:06,040 --> 01:08:08,560
Speaker 1: Swellen feet. That was at the end.

1389
01:08:08,640 --> 01:08:11,160
Speaker 2: But but I can say that it was it was

1390
01:08:11,360 --> 01:08:13,800
Speaker 2: very much challenging. But I can't say that my little

1391
01:08:14,160 --> 01:08:21,400
Speaker 2: blessing from above gave me a certain ability to just

1392
01:08:21,479 --> 01:08:26,000
Speaker 2: be open and in the moment. And so every scene

1393
01:08:26,120 --> 01:08:28,600
Speaker 2: is just very candidate and just very real because I

1394
01:08:28,680 --> 01:08:31,200
Speaker 2: had no time to overthink oh wow, because I was

1395
01:08:31,280 --> 01:08:31,840
Speaker 2: just like, this.

1396
01:08:31,960 --> 01:08:33,680
Speaker 1: Is not the most important thing anymore.

1397
01:08:33,680 --> 01:08:36,639
Speaker 2: Well not even that, but just like I'm just so sick,

1398
01:08:36,760 --> 01:08:38,920
Speaker 2: Like I don't know, it's just like everything makes you sick, right,

1399
01:08:38,920 --> 01:08:41,679
Speaker 2: And they're bringing food, there's food around, there's there's people

1400
01:08:42,160 --> 01:08:43,439
Speaker 2: walking by with perfume.

1401
01:08:43,520 --> 01:08:44,640
Speaker 1: And every time I'm just like.

1402
01:08:46,160 --> 01:08:49,000
Speaker 2: Hmmm, I'm just like, oh, I'll be right back. Got

1403
01:08:49,000 --> 01:08:51,800
Speaker 2: around to my trailer, you know, and I'm just like, Okay,

1404
01:08:51,880 --> 01:08:54,360
Speaker 2: how do I survive today? What what am I going

1405
01:08:54,439 --> 01:08:55,720
Speaker 2: to take today to like help me.

1406
01:08:55,720 --> 01:08:59,640
Speaker 1: Get you think it sounds yes, baby, yeah right, And

1407
01:08:59,720 --> 01:09:01,880
Speaker 1: I'm like it's just sitting in my trailer, it's just dark.

1408
01:09:03,240 --> 01:09:06,840
Speaker 2: Pa knocks on my trailer, Soria, We'll have you for

1409
01:09:06,920 --> 01:09:11,200
Speaker 2: five minutes, like Okay, I love it, but I mean

1410
01:09:11,240 --> 01:09:14,080
Speaker 2: I'm sure people suspected, especially the women.

1411
01:09:14,160 --> 01:09:18,200
Speaker 1: They're like, bit I went all last night. You know

1412
01:09:18,280 --> 01:09:19,240
Speaker 1: it's Atlanta.

1413
01:09:20,600 --> 01:09:23,479
Speaker 3: Well Soria, thank you so so much for joining us.

1414
01:09:24,000 --> 01:09:26,720
Speaker 1: For anyone listening. If you haven't yet, check out Ruth

1415
01:09:26,800 --> 01:09:32,439
Speaker 1: and Boaz on Netflix. It is out now and you know,

1416
01:09:33,320 --> 01:09:35,000
Speaker 1: just know you're not gonna get a sex scene, but

1417
01:09:37,040 --> 01:09:39,600
Speaker 1: was throwing up in them. See come on, I love it.

1418
01:09:39,680 --> 01:09:40,000
Speaker 1: I love it.

1419
01:09:40,080 --> 01:09:41,800
Speaker 3: And do you have anything else that you have going

1420
01:09:41,840 --> 01:09:43,479
Speaker 3: on that you would like to support that you have

1421
01:09:43,560 --> 01:09:44,000
Speaker 3: coming out?

1422
01:09:44,280 --> 01:09:51,800
Speaker 2: Yes, ladies, Actually I have a new song out Helloakes yes. Oh,

1423
01:09:52,160 --> 01:09:55,400
Speaker 2: but also that's right from the movie stundtrack. But I

1424
01:09:55,479 --> 01:09:59,720
Speaker 2: also have my single okay, it's called put that Ship on.

1425
01:10:00,280 --> 01:10:01,640
Speaker 1: Oh E d s O.

1426
01:10:02,560 --> 01:10:04,720
Speaker 2: Okay to go download that. I want you to make

1427
01:10:04,760 --> 01:10:07,200
Speaker 2: your videos, but you getting cute when you're putting that

1428
01:10:07,240 --> 01:10:07,519
Speaker 2: shit on.

1429
01:10:09,080 --> 01:10:10,920
Speaker 1: Yes, make a TikTok grop.

1430
01:10:12,160 --> 01:10:12,200
Speaker 2: It.

1431
01:10:12,320 --> 01:10:14,519
Speaker 3: Don't make the dance too complicated. We're in our thirties.

1432
01:10:14,560 --> 01:10:17,960
Speaker 3: And does the artist make the dance? Sometimes they do,

1433
01:10:18,080 --> 01:10:20,320
Speaker 3: their team sometimes does to get it going?

1434
01:10:21,160 --> 01:10:23,519
Speaker 1: Yeah, I don't. Chris thought we could all dance, but

1435
01:10:23,640 --> 01:10:25,960
Speaker 1: it took a month and a half to learn that. Goddamn.

1436
01:10:26,200 --> 01:10:30,920
Speaker 1: I'm still like, look, look, man, I will I volunteered

1437
01:10:30,960 --> 01:10:33,519
Speaker 1: with kids two days ago, all of them.

1438
01:10:34,000 --> 01:10:37,000
Speaker 2: Yeah, oh yeah, yeah, yeah, definitely know it's a three step.

1439
01:10:37,320 --> 01:10:41,559
Speaker 2: So CDSO PDSO is out. My project is coming out

1440
01:10:41,640 --> 01:10:41,920
Speaker 2: as well.

1441
01:10:42,040 --> 01:10:43,160
Speaker 1: Yes, project coming out.

1442
01:10:43,320 --> 01:10:46,880
Speaker 3: Ruth and Boaz wherever Empire, I guess still plays, but

1443
01:10:46,960 --> 01:10:49,200
Speaker 3: we don't know what's happening over there. Okay, there we

1444
01:10:49,320 --> 01:10:52,400
Speaker 3: go and all the things. Surrey, thank you so very

1445
01:10:52,479 --> 01:10:55,519
Speaker 3: much for joining us. Y'all see it right here on

1446
01:10:55,600 --> 01:10:58,320
Speaker 3: the table. If you're watching over on YouTube, make sure

1447
01:10:58,400 --> 01:11:02,120
Speaker 3: you support black women authors New York Times bestsellers. Get

1448
01:11:02,160 --> 01:11:04,960
Speaker 3: our books, No Holds Barred, a dual manifesto of sexual

1449
01:11:05,040 --> 01:11:08,720
Speaker 3: exploration and power, available now wherever you get books in.

1450
01:11:08,840 --> 01:11:12,320
Speaker 3: If you want more bonus content, more episodes, more everything,

1451
01:11:12,640 --> 01:11:15,040
Speaker 3: head on over to our patreon. That's patreon dot com

1452
01:11:15,439 --> 01:11:19,080
Speaker 3: backslash Horrible Decisions, because Horrible Decisions is still here, baby

1453
01:11:19,600 --> 01:11:20,400
Speaker 3: is just on Patreon.

1454
01:11:20,520 --> 01:11:22,160
Speaker 1: That's what they really wanted you, you know what I mean,

1455
01:11:22,280 --> 01:11:24,960
Speaker 1: so we can get you. Yeah, we wasn't gonna get

1456
01:11:24,960 --> 01:11:26,360
Speaker 1: you to talk about if you eat ass or not.

1457
01:11:26,720 --> 01:11:30,200
Speaker 1: But anyways, guys, they look she said, why don't you

1458
01:11:30,200 --> 01:11:33,040
Speaker 1: want to answer before you leave? Yeah? No, no, she said,

1459
01:11:33,640 --> 01:11:33,960
Speaker 1: all right.

1460
01:11:34,000 --> 01:11:35,760
Speaker 3: Guys, well, thank y'all so much for tuning in to

1461
01:11:35,840 --> 01:11:38,480
Speaker 3: another episode of Decisions, Decisions,